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Introduction
Essay structure
There are 3 parts to a literary essay –
1. Introduction
2. Main Body
3. Conclusion
Marking Criteria
Presents a perceptive evaluation of Shakespeare’s Macbeth demonstrating a sophisticated
understanding of the layers of meaning represented in the text.
Analyses skilfully construction, content and language supported by textual knowledge. 17-20
Composes a sustained composition using language appropriate to audience, purpose and
form.
‘embedded’ quotes.
‘By contrast’
‘Furthermore’
‘Consequently’ etc.
Main body paragraph with an embedded quote
Macbeth begins the play as a noble hero; however, his ambition brings about his
tragic demise. At the beginning of the play, the witches’ prophecies lead Macbeth to
think of murder as an option to gain the crown. Furthermore, his ambition and
desire for personal gain is so consuming that he considers regicide, despite the fact
that the weird sisters have said nothing of murder. The witches’ prophecies awaken
his ambition to become King. At the start of the play, Macbeth is depicted as a noble
hero, and this is reflected in his moral conflict. Despite the thoughts of murder,
Macbeth’s moral conscience and nobility is presented to the audience through his
soliloquies. While Macbeth has the ambition to become King, his own internal
conflict demonstrates to the audience that Macbeth has nobility “My thought, whose
murder is but fantastical, /Shakes so my single state of man that function /Is smother’d
in surmise…” The etc…
Main body par e.g. 2
The compelling nature of Macbeth’s ambition transforms him from a virtuous hero
into a tyrant. From the outset of the play, Shakespeare contrasts the traitorous and
“merciless McDonald”, former Thane of Cawdor and leader of the rebellious forces
seeking to overthrow the King of Scotland, with the heroic actions of “noble
Macbeth”. Shakespeare represents Macbeth’s exploits on the battlefield though
the similes used in the Captain’s second report, in which Macbeth is likened to a
“lion” unafraid of the timorous Norwegians, who in comparison are likened to “a
hare”. Yet upon hearing of the Witches’ prophecies that he will become King,
Macbeth is immediately filled with ambitious thoughts to act upon the Prophecy,
“My thought, whose murder yet is but fantastical, /shakes, so my single state of
man that function/…and nothing is,/But what is not.”
Main body par e.g. 4
In addition, the metatheatrical reference to life as a " a poor player / Who struts and frets
his hour upon the stage...’ symbolises the rejection of the afterlife, reinforcing humanistic
elements within the play ultimately representing a rejection of divine objective
morality. Similarly, Macbeth's Machiavellian desire for power is juxtaposed to his
Renaissance worldspace where the corruption of human action facilitates "bloody
instructions". Shakespeare manipulates the motif of ‘blood’ throughout his play in order
to reinforce Macbeth’s morally unreasonable mindset where he relies on his "vaulting
ambition" to justify his hubris. The development of Macbeth as symbolized in his "even-
handed justice" explores the immorality of regicide and the role of murder as a means to
expiate his subjective sense of justice in order to violate the premises of divine morality for
personal gain. Comparably, an inability to justify the morally wrong is echoed through
the murderers who are "reckless (in) what (they) do to spite the world" thereby
symbolizing Macbeth's unnecessary external justification for reason without true cause to
endure power over the murderers as well as a rejection of fate to disrupt the Scottish
society .
Main body par e.g. 5