SOUTHEAS

T ASIA
GRADE 8 MUSIC
 Dear Lord and Father of all, thank you for today.

OPENING PRAYER
Thank you for ways in which you provide for us
all. For Your protection and love we thank you.
Help us to focus our hearts and minds now on
what we are about to learn. Inspire us by Your
Holy Spirit as we listen and write. Guide us by
your eternal light as we discover more about the
world around us. We ask all this in the name of
Jesus, Amen.
 1. explain the characteristics of the
OBJECTIVE
music of Indonesia, Thailand,
Cambodia & Myanmar;
2. listen perceptively and analyze
critically the musical elements selected
S

in Thai and Indonesian music;

3. create a comparison of the music
from Indonesia, Thailand, Cambodia
and Myanmar.
 INDONESIA
JAVANESE &
The Javanese music is usually used for
BALINESE
court ceremonies; it is more on
percussion instruments that produce
solemn characteristics. On the other
hand, sacred music is used in Bali.
percussion instruments are more on
metallophones and gongs with some
instruments like cymbals producing
brilliant sounds.
GAMELAN
Indonesia's most popular form of music,
their traditional orchestra with 30 to 50
members. It came from the Javanese word
"gamel" (hammer) and Balinese "gambeli"
(to play musically) . It consists of pitched
percussion instruments of metallophones,
membranophones, gongs and spike fiddles.
It also includes bamboo flutes.
GAMELAN
INSTRUMENT BONANG GAMBANG

G E ND E R GONG GONG KETHUK

AGENG
 KENDHANG KENONG REBAB SLENTHEM

GAMELAN
INSTRUMENTS SARON SULING
 THAILAND
VOCAL MUSIC
Thai music is in pentatonic scale, a
five-note composition. Commonly
in duple meter. Thai music usually
have an accented upbeat.
INSTRUMENTAL
PIPHAT - Mid-sized orchestra that
performs in funerals, traditions, and
shadow puppet theater performances.
MAHORI - Composed of 9-11 strings and
percussion instruments.
KHRUANG SAI - Plays in indoor and
accompanies stick-puppet theater
performances
PIPHAT ENSEMBLE
PINAI RANAT EK
KHONG
WONG

KLONG THA
TAPHON T CHING
ENSEMBLE
MAHORI
SAW SAM SO DUANG
SAI

THON &
CHAKHE RAMMANA
KHRUANG SAI
ENSEMBLE
CHAKHE SAW SAM
SAI

CHAP THON &

SO DUANG
RAMMANA
 CAMBODIA
KINDS OF MUSIC PINPEAT
KAR - Used in celebrations of weddings. • An orchestra that accompanies the
ARAKK - Accompanies rituals. ENSEMBLE
royal activities of the courts and
temples.
AYAI REPARTEE - Singing for
• Similar with Thai Piphat
entertainment. ensemble.
LAKHON BASSAC - For theater • Emphasizes gong, drum, and free-
performances. reed mouth organs with gourd
wind-chests
ENSEMBLE
PINPEAT
SAMPHOR SKOR THOM

CHING KONG VONG

RONEAT
TOCH
 MYANMAR
CHARACTERISTIC INSTRUMENTS
• Melodious, generally without • Sidaw Ensemble - outdoor
harmony. S ensemble in royal courts and
• Usually in common time festivals.
• Saung Ensemble - indoor
signature. music composed of a female
• Divided into indoor & singer and intrument ensemble.
outdoor ensemble
PIPHAT ENSEMBLE
PINAI RANAT EK
KHONG
WONG

KLONG THA
TAPHON T CHING
 TRAVEL DIARY
• Why is it important to
learn about the music
from other countries?
• How do we value and
appreciate the music of
others?
 Good and Gracious Father, we thank you for all of

OPENING PRAYER
our the
1. explain accomplishments
characteristics of the today. We ask you to
continue to inspire
music of Indonesia, one another as we take on new
Thailand,
Cambodia & Myanmar;
learnings. Bless us
2. listen perceptively and analyze
with safety and security
especially
critically during
the musical this pandemic.
elements selected We pray that our
in Thai and Indonesian music;
actions thoughts, and words will bring You as we
3. create a comparison of the music
frommove forward
Indonesia, Thailand, with
Cambodiaour mission of forming
and Myanmar.of your Son, Jesus Christ. This we pray,
disciples
Amen.
THANK YOU
FOR JOINING
SEE YOU
THIS TRIP!
NEXT
WEEK!