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INSTRUCTIONS

Identify the names and


meaning of the symbols.
CHOICES
A. Ying Yang - A significant symbol in Chinese philosophy which
signifies balance

B. Caduceus - Often mistakenly considered as a medical symbol. Signifies


trade and negotiation.

C. Trinity Knots - A three-cornered symbol in the ancient Celtic which


signifies Holy Trinity. Also represents the 3 promises: a

D. Peace Sign - Originally created to encourage British nuclear

E. Swastika - Usually linked to Nazi, but actually has auspicious meanings


in some cultures.
SYMBOL 1
CHOICES
A. Ying Yang - A significant symbol in Chinese philosophy which
signifies balance

B. Caduceus - Often mistakenly considered as a medical symbol. Signifies


trade and negotiation.

C. Trinity Knots - A three-cornered symbol in the ancient Celtic which


signifies Holy Trinity. Also represents the 3 promises: a

D. Peace Sign - Originally created to encourage British nuclear

E. Swastika - Usually linked to Nazi, but actually has auspicious meanings


in some cultures.
SYMBOL 2
CHOICES
A. Ying Yang - A significant symbol in Chinese philosophy which
signifies balance

B. Caduceus - Often mistakenly considered as a medical symbol. Signifies


trade and negotiation.

C. Trinity Knots - A three-cornered symbol in the ancient Celtic which


signifies Holy Trinity. Also represents the 3 promises: a

D. Peace Sign - Originally created to encourage British nuclear

E. Swastika - Usually linked to Nazi, but actually has auspicious meanings


in some cultures.
SYMBOL 3
CHOICES
A. Ying Yang - A significant symbol in Chinese philosophy which
signifies balance

B. Caduceus - Often mistakenly considered as a medical symbol. Signifies


trade and negotiation.

C. Trinity Knots - A three-cornered symbol in the ancient Celtic which


signifies Holy Trinity. Also represents the 3 promises: a

D. Peace Sign - Originally created to encourage British nuclear

E. Swastika - Usually linked to Nazi, but actually has auspicious meanings


in some cultures.
SYMBOL 4
CHOICES
A. Ying Yang - A significant symbol in Chinese philosophy which
signifies balance

B. Caduceus - Often mistakenly considered as a medical symbol. Signifies


trade and negotiation.

C. Trinity Knots - A three-cornered symbol in the ancient Celtic which


signifies Holy Trinity. Also represents the 3 promises: a

D. Peace Sign - Originally created to encourage British nuclear

E. Swastika - Usually linked to Nazi, but actually has auspicious meanings


in some cultures.
SYMBOL 5
CHOICES
A. Ying Yang - A significant symbol in Chinese philosophy which
signifies balance

B. Caduceus - Often mistakenly considered as a medical symbol. Signifies


trade and negotiation.

C. Trinity Knots - A three-cornered symbol in the ancient Celtic which


signifies Holy Trinity. Also represents the 3 promises: a

D. Peace Sign - Originally created to encourage British nuclear

E. Swastika - Usually linked to Nazi, but actually has auspicious meanings


in some cultures.
MEDIA
LANGUAGE
Media and Information Literature
LEARNING OBJECTIVES
• Identify codes, convention, and message and how
they affect the audience, producers, and other
stakeholders.
• Reflect on how important information can be
conveyed to create the desired impression.
• List the codes and convention observed from the
short film.
MEDIA LANGUAGE

Media language denotes how media


producers make meaning about a certain
medium they are producing and how they
transfer the meaning to their target
audience
MEDIA LANGUAGE

These signs and symbold used in media


text do not have a single meaning. It is
expected that audiences have different
interpretations and will use different
meaning systems.
DENOTATIVE MEANING

It is the literal meaning of the media


text
DENOTATIVE MEANING

It is the literal meaning of the media


text
CONNOTATIVE MEANING

Refers to the various interpretations that


the text suggests to the audience which
are often associated with their culture,
values, beliefs, etc.
MEDIA CODES AND CONVENTION

In interpreting the meaning of the media


text, you have to be able to understand two
of the most significant aspects of media and
information language - the codes and
conventions
MEDIA CODES

Commonly have an established


meaning, denotation or
connotation, to the target
audience.
MEDIA CONVENTIONS

Refer to the possible method


in which codes are organized
in a product.
Symbolic Codes

• They are audience-based


• The meaning of the product is not
based on the product itself but in the
interpretation of the audience.
Symbolic Codes

• For example, a film with a scene


waving a white flag symbolizes
“retreat” or “surrender”
• In reality, the audience who sees
someone do that may interpret it the
same way
Symbolic Codes: Setting

• Refers to the time and place of the


narrative or a specific scene
Symbolic Codes: Mise en Scene

• It is a French term that means


“Everything within the frame.”
• Describes all the features (set design,
costume, props, staging) within a
frame of media products
Symbolic Codes: Acting

• Refers to the portrayal of the actors


in creating media products.
Symbolic Codes: Color

• They are highly connotative when it


comes to interpretations.
• It is usually associated with cultural
aspects
Technical Codes

• Refer to codes specific to a media


form alone. The knowledge and
connotations of different camera
angles and shots make sense when
looking at films and photographs.
Technical Codes

• Includes camerawork, editing, audio,


and lighting
Technical Codes: Camera Shots

• Camera shot types are also referred


to as viewing distance.
• They describe the distance between
the camera and the subject.
Technical Codes
Close-up Shot Mid Shot Long Shot

An object or an actor’s head An actor is seen from the An actor’s entire body is
takes up most of the screen. waist up (this is the most seen as well as some of the
It is used to reveal emotion common type of shot). It setting. It shows a character's
through facial expression. shows emotion through emotion through posture and
facial expression as well as gesture.
body language.
Technical Codes

Extreme Close-Up Shot Extreme Long Shot

This is a very close shot and may be only This shows the landscape of the film with
a small part of an object or person. It is a barely visible character in the distance.
used to raw our focus to show a specific It is used to show setting or make a
detail. person look small or vulnerable in their
surroundings.
Technical Codes: Camera Angles

• Camera angles are also referred to as


viewing perspective.
• They describe the angle ofthe camera
in relation to the subject.
Technical Codes: Camera Angles
High Angle Low Angle Eye Level Shot

The camera is positioned The camera is positioned The audience sees the
above the subject, looking below the subject, looking subject straight on (this is
down. This makes the up. It makes the subject the most common type of
subject looks small, weak, looks large, imposing and shot). The subject is
powerless or insignificant. powerful. observed with no bias.
Technical Codes: Camera Angles
Birdseye Undershot Dutch Tilt
View

The camera is placed The camera is positioned The camera is tilted on it’s
overhead or directly above directly beneath the subject. axis so it produces an image
the subject. Characters and It is often coupled with that is similar to tilting
objects are made to look point-of-view shots when one’s head on the side. It’s
small compared to their the character is looking up often used to convey
surroundings. at something. tension or chaos.
Technical Codes: Camera Movements

Panning Shot Tilt Shot

The camera is stationary and the head The camera is stationary and the head
moves from left to right or right to left moves up or down on a vertical axis. It
on a horizontal axis. It is usually used to is used to show the height of something
show a setting or landscape. or to mirror someone raising or
lowering their head.
Technical Codes: Camera Movements

Zoom Tracking Shot

The camera is stationary and the focus The camera moves on tracks or wheels,
changes to zoom in or out on an object, from a helicopter or crane or from the
character or setting. It is used to draw body of a person. They often follow a
focus to a particular detail. traveling or moving subject.
Technical Codes: Lighting

High Key Low Key


Lighting Lighting
Description – Description – Sharp
Brightness, contrasts between
openness, light light and dark

Effect - Allows a Effect - Creates a


range of moods to mood of mystery
be conveyed and suspense
Written Codes

• The formal written language used in


creating a media product.
• Includes the printed language and the
spoken language.
MEDIA CONVENTIONS

Refers to the recognized ways of


using media codes
Form Conventions

• Ways in which types of media


codes are expected to be
arranged.
Written Codes

• For instance, the title and main casts are


expected to appear at the end.
• A number of tv series usually begin with
a short recap of previous episode and end
with a preview of the next episode
Story Conventions

• Refers to the basic structures


of narratives
Story Conventions

• Examples involve narrative


structures, character,
construction, and point of
view.
Story Conventions

• Refer to the common use of the


elements of narratives such as the
characters, settings, or themes in a
certain type of media
MEDIA PRODUCERS, STAKEHOLDERS, AUDIENCE

Aside from media language,


media practitioners also look into
other elements such as the
producers, stakeholders, and
audience.
MEDIA PRODUCERS

Refer to the people who initiate,


plan, and produce media text
MEDIA PRODUCERS

They need to have the skill in


assessing the media texts and a
thorough understanding of the target
product; and the processes that go into
creating the products
STAKEHOLDERS

Refer to people or organizations that


share the same intense intentions.
AUDIENCE

A significant element in delivering


media texts. All media texts are made
with a target audience in mind.
AUDIENCE ANALYSIS

Process of looking into the


demographics, and psychology of the
audience
Audience Engagement

• Refers to the reaction of the


audience to the media text.
Different people react in varied
ways.
Audience Expectations

• Refers to the anticipation of the


audience about the text. Producers
may satisfy or shatter audience’s
expectations.
Audience Foreknowledge

• Refers to the connection builty by


the media text to the audience.
Audience Placement

• Refers to the strategies producers


use to make the audience feel that
the media text is made specifically
for them.
Audience Research

• Refers to the monitoring of the


audience before, during, and after
the production of the media text.
QUESTIONS TO PONDER

• What are the different codes and


conventions?
• Give example of one
• How significant is learning those codes
and convention?
REFERENCES

https://depedtambayan.net/media-and-
information-literacy-module-media-and-
information-languages/

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