Professional Documents
Culture Documents
NYMPHA C. CERDON
School Paper Adviser
Sagrada Familia Elementary School
Minalabac District
Feature Story- a write-up that is
based on that mysterious
ingredient in journalism called
human interest
Feature Story-an in-depth look at
a person, situation or place,
making the familiar new or the
new familiar
Basic rules in crafting the feature
Short sentences. For today’s mass audiences, news
stories averaging between 15 and 20 words per
sentence are easy reading. Sentences longer than
30 words may be hard to understand.
Short paragraphs. Keep paragraphs short. And vary
them – from one word to five average sentences.
Remember, a 100-word paragraph looks long in a
narrow newspaper column. Editors don’t like
them. Neither do readers.
Basic rules in crafting the feature
Easy words. Use short, simple words in place of
longer, multi-syllable words with the same
meaning. When a technical or difficult word must
be used, explain it as simply as possible.
Personal words. Words like “you,” “we,” a person’s
name, direct quote, etc., give your copy more
human interest. This kind of personalization is
more often used in feature rather than in hard
news stories. But it is still a good technique for
holding the reader’s interest.
Basic rules in crafting the feature
Active verbs. Action verbs keep a story moving and
would grab the reader’s attention more than “to
be” verbs that show little action.
Transitions. Transitional phrases or connectives are used to
add to, illustrate or extend a point. They usually begin
with words like “and,” “furthermore,” “also,” “or,” “nor,”
“moreover,” “along with,” etc. They summarize: “at last,”
“so,” “finally,” “all in all,” etc. They link cause and effect:
“as a result,” “that produced,” “consequently,” etc. They
refer back: “they,” “those,” “these,” “that,” “few,”
“who,” “whom,” “except for,” etc. They restrict and
qualify: “provided,” “but,” “however,” “in case,” “unless,”
“only if,” etc.
Basic rules in crafting the feature
Interest building. Personalize the people you are writing
about and what they are doing; provide quotes, human
interest.
The thinking/writing process
Think first. Just like in writing straight news, you will have
to think first before starting to punch the keys of your
computer. You have something you want to tell others. You
would like to make it at least as interesting to your readers
as it is to you.
Feature writers seldom use the inverted pyramid form.
Instead, they may write a chronology that builds to a climax
at the end, a narrative, a first-person article about their
own experiences, or a combination these.
The thinking/writing process
Use a thread. Connect the beginning, a body and conclusion
of the story by using a thread. Because a feature generally
runs longer than a news story, it is effective to weave a
thread throughout the story, which connects the lead to the
body and to the conclusion. This thread can be a single
person, an event or a thing, and it usually highlights the
theme.
The thinking/writing process
Choose the theme. The theme is similar to the thesis of a
scholarly paper and provides unity and coherence to the
piece. It should not be too broad or too narrow. Several
factors come into play when choosing a theme: Has the story
been done before? Is the story of interest to the audience?
Does the story have holding power (emotional appeal)? What
makes the story worthy of being reported? The theme
answers the question, “So what?”
The thinking/writing process
News peg. The news peg or the significance of the story is
provided in the third or fourth paragraph. It is also called the
nut graph. Because it explains the reason the story is being
written, the nut graph is a vital paragraph in every feature.
The nut graph should be high in the story. Do not make
readers wait until the 10th or 11th paragraph before telling
them what the story is about.
Tools in building up the theme
Dialogue and quotations. Feature writers, like fiction writers,
often use dialogues or quotations to keep a story moving and
alive. Of course, feature writers cannot make up dialogue;
they listen for it during the reporting process. Good dialogue
is like good observation in a story; it gives readers strong
mental images and keeps them attached to the writing and to
the story’s key players.
Tools in building up the theme
Famous quotes. The use of quotes from famous persons or
literary compositions would add to the scholarly nature of a
feature story. It would give some elegance to the story. It
means that the writer is well-rounded and knows what he is
writing about and more.
Idioms and anecdotes. Idioms and anecdotes can also add
spice into the feature article. They have to be woven subtly
into the story in order to build up the theme. They must,
however, be (1) simple and brief; 2) relevant; 3) have an
intrinsic value.
Tools in building up the theme
Establish a voice. Another key element that holds a feature
together is voice, the ‘signature” or personal style of each
writer. Voice is the personality of the writer and can be
used to inject color, tone, and subtle emotional
commentary into the story.
Ending or conclusion. The ending will wrap up the story
and usually goes back to the lead, often with a quotation or
a surprising climax.
Literary devices or techniques
Be Inquisitive
Eager to learn