1969) In the American regime, commercial and advertising arts were integrated into fine arts curriculum. The demand for artists who could do illustrations in textbooks or graphic design to product labels thus emerged. The inclination towards genre, still life and portrait paintings persisted. Landscapes on the other hand, became cherished as travel souvenirs, especially those that captured the exotic qualities of Philippine terrain. V.JAPANESE ERA (1941 – 1945) Japanese advocated for the culture of East Asia, preference was given to the indigenous art and traditions of the Philippines. This emphasized their propaganda in Asia. Under the Japanese occupation of Manila, the Modern Art Project would slow down in pace.
KALIBAPI ( Kapisanan sa Paglingkod ng Bagong
Pilipinas) sponsored art competitions. Genre paintings were the most widely produced, particularly those that presented a neutral relationship between Filipinos and the Japanese through works that showed the normality of daily living.
Art production once again tilted to fulfill the agenda and
demands of the new colonial order. The Japanese forces led the formation of the greater East asia Co – Prosperity Sphere, a propaganda movement that sought to create a Pan – Asian identity rejected Western traditions. summary
Contemporary arts comprise of many art forms in which
each of each having a unique class and ideology; Practical art, industrial arts, applied / household arts, civic arts, commercial art, agricultural art, Business art, fishery art, medical / clinical art, culinary art and performing art. In the Philippine art history, since Filipinos were influenced by different colonizers, it gave us an opportunity to learn many art forms during the different eras. summary • Ethnic era emphases on the integral life • Islamic era focuses on geometric designs • Spanish era teaches us about faith and catechism • American era emphases on secular forms of arts • Japanese era focuses on Orientalizing • Modern era teaches us about national identity and • Contemporary era teaches us about social realism. summary Our forefathers and artists might experience bumpy and cranky along their journey on these eras but nevertheless it inspired and motivated them to pursue their passion in arts, thus it gives us a clear explanation how and why we have the so called – contemporary arts. summary
Philippine modern art refers to the artistic movements and
styles that emerged in the Philippines during the late 19th century until the 1960s. It was heavily influenced by Western art traditions and often depicted scenes and subjects that were inspired by Philippine culture and history. summary On the other hand, contemporary art in the Philippines refers to the art produced by Filipino artists from the 1970s onwards. It reflects the current socio-political and cultural context of the Philippines and often incorporates various mediums and styles, including installation art, performance art, video art, and digital art. Contemporary art in the Philippines also explores a wide range of themes and issues, such as identity, globalization, social inequality, and environmental concerns. summary
In summary, while Philippine modern art is characterized by its historical
and cultural references, contemporary art in the Philippines is more diverse and reflects the current artistic practices and concerns of Filipino artists. Ethnic era Islamic era Contemporary era Spanish era
emphases on the integral life
American era Japanese era Modern era
focuses on geometric designs
teaches us about faith and catechism emphases on secular forms of arts focuses on Orientalizing teaches us about national identity and teaches us about social realism
Arts in The Philippines Refer To The Various Forms of The Arts That Have Developed and Accumulated in The Philippines From The Beginning of Civilization in The Country Up To The Present Era