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Ayunle Adlana
29 !anuary 2014
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When l rsL goL Lhls pro[ecL, l LhoughL of Compa Loompa from Charlle
and Lhe ChocolaLe lacLory. Slnce my key frame was Lowards Lhe
carLoony slde, l have declded Lo make Lhls a muslcal sequence. lL wlll
sLarL of all cheerful and hyped. l am Lrylng Lo creaLe whaL one of Lhe
reman Lhlnks of Lhls [ob. Powever, aL one polnL, aer Lhls [oyous rlde
around a merry go round, he felL all dlzzy and he blacks ouL for a
momenL. upon regalnlng hls consclousness, he reallsed LhaL lL was
baslcally [usL hard labour. 1haL ls when Lhere ls a drasuc change ln
muslc and sound.

Pere's are some of Lhe cllps LhaL have lnuenced me for Lhls pro[ecL.
hup: //ayunl e- adl ana. bl ogspoL. co. uk/2014/01/sLoryLel l l ng-
commlsslon-soundscape_14.hLml
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Pavlng seL my ldea on a muslcal sequence, l knew whaL l klnd of
sounds l needed Lo help brlng Lhe palnung come Lo llve. Sounds
from a consLrucuon slLe and a waLer LreaLmenL arena came Lo
my mlnd. Pence, l wenL on recordlng sounds wlLhln Lhese
caLegorles.


Crlglnal Slx :
hup://ayunle-adlana.blogspoL.co.uk/2014/01/orlglnal-sfx-wlLh-
descrlpuons.hLml
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8y experlmenung wlLh some eecLs and addlng lL Lo my orlglnal
sounds, l've opened a door Lo more posslblllues. Some of Lhe
eecLs l've added are reverb, nolse lLer and echo.

osL roduced Slx:
hup://ayunle-adlana.blogspoL.co.uk/2014/01/posL-produced-
sfx-wlLh-descrlpuons.hLml
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Pavlng Lhe sLoryboard as my basls for Lhe anlmauc sequence, l
arranged Lhe shoLs accordlngly. l added camera movemenLs LhaL
were deplcLed wlLh Lhe arrows on Lhe sLoryboard Lo deLermlne
lf lL was a successful shoL. Pavlng done LhaL and Lhe audlo were
ln place, l goL a clearer plcLure of how Lhe anlmaucs would look
llke evenLually and see how l can lmprove Lo make lL a beuer
plece. 1hls has also made me reallsed LhaL l have one lmporLanL
keyframe LhaL ls mlsslng. lL ls a close up of Lhe characLer Lo
show hls change ln expresslon when reallLy hlLs hlm.

llrsL Anlmauc Sequence:
hup://ayunle-adlana.blogspoL.co.uk/2014/01/rsL-anlmauc-
sequence.hLml
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