‫ﻣ‪‬ﺮﺑ‪‬ﻊ ﰲ ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﹸﻗ ﹾﻄﺮ‪‬ﺏ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ‬

‫ﲏ )ﺕ‪ ٦٩٤ :‬ﻫ)‬ ‫ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺑﻦ ﺃﲪﺪ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬

‫ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬
‫)‪(١‬‬
‫ﲏ‪ :‬ﺣﻴﺎﺗﻪ‪ ،‬ﻭﺁﺛﺎﺭﻩ‬
‫ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻫﻮ ﺃﺑﻮ ﻣ‪‬ﺤﻤ‪‬ﺪ ‪ -‬ﻭﻳ‪‬ﻘﺎﻝ‪ :‬ﺃﺑﻮ ﺍﻟﻀ‪‬ﻴﺎﺀ ‪ -‬ﻋ ‪‬ﺰ ﺍﻟﺪ‪‬ﻳﻦ ‪ -‬ﻭﻳ‪‬ﻘﺎﻝ‪ :‬ﺿﻴﺎﺀ ﺍﻟﺪ‪‬ﻳﻦ ‪-‬‬
‫ﲏ)‪.(١‬‬
‫ﻱ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻱ ﺍﻟﺪ‪‬ﻫﺮ ‪‬‬
‫ﻱ ﺍﻟﺪ‪‬ﻣﲑ ‪‬‬
‫ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺑﻦ ﺃﲪﺪ ﺑﻦ ﺳﻌﻴﺪ ﺑﻦ ﻋﺒﺪ ﺍﷲ ﺍﳌﺼﺮ ‪‬‬

‫ﲏ ﰲ‪ :‬ﺍﻟﻮﺍﰲ ﺑﺎﻟﻮﻓﻴﺎﺕ ‪ ،٤٦٩ - ٤٦٨ /١٨‬ﻭﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ ﻟﻠﺴ‪‬ﺒﻜ ‪‬ﻲ ‪- ١٩٩ /٨‬‬ ‫)‪ (١‬ﺍﻧﻈﺮ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻱ ‪ ،٢٦٩ /١‬ﻭﺗﺎﺭﻳﺦ ﻋﻠﻤﺎﺀ ﺑﻐﺪﺍﺩ‪ ،٨١ - ٨٠ /‬ﻭﺗﺬﻛﺮﺓ ﺍﻟﻨ‪‬ﺒﻴﻪ ‪،١٣٠ /١‬‬ ‫‪ ،٢٠٨‬ﻭﻟﻺﺳﻨﻮ ‪‬‬
‫ﻭﻃﺒﻘﺎﺕ ﺍﻷﻭﻟﻴﺎﺀ‪ ٤٤٧ /‬ﻭ ‪ ،٥٣٣ - ٥٢١‬ﻭﺍﻟﺴ‪‬ﻠﻮﻙ ﳌﻌﺮﻓﺔ ﺩﻭﻝ ﺍﳌﻠﻮﻙ ‪ -‬ﺝ‪ /١:‬ﻕ‪،٧٦٠ /٣:‬‬
‫ﻭﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ ﻻﺑﻦ ﻗﺎﺿﻲ ﺷ‪‬ﻬﺒﺔ ‪ -‬ﻣﺞ‪ /٢:‬ﺝ‪ ،٣٨ - ٣٦ /٣ :‬ﻭﺍﳌﻨﻬﻞ ﺍﻟﺼ‪‬ﺎﰲ ‪- ٢٦٩ /٧‬‬
‫‪ ،٢٧١‬ﻭﺍﻟﺪ‪‬ﻟﻴﻞ ﺍﻟﺸ‪‬ﺎﰲ ‪ ،٤١٤ /١‬ﻭﺣ‪‬ﺴﻦ ﺍﳌﹸﺤﺎﺿﺮﺓ ‪ ،٣٥٤ /١‬ﻭﻃﺒﻘﺎﺕ ﺍﳌﹸﻔﺴ‪‬ﺮﻳﻦ ‪- ٣٠٤ /١‬‬
‫‪ ،٣٠٦‬ﻭﺍﻟﻄﱠﺒﻘﺎﺕ ﺍﻟﻜﹸﱪﻯ ‪ ،٣٦٢ - ٣٦١ /١‬ﻭﺍﻟﻜﻮﺍﻛﺐ ﺍﻟ ‪‬ﺪ ‪‬ﺭﻳ‪‬ﺔ ‪ ،٤٤٦ - ٤٤٤ /٢‬ﻭﻛﺸﻒ‬
‫ﺍﻟﻈﱡﻨﻮﻥ ‪ ١٩٥ /١‬ﻭ‪ ٤٤٧‬ﻭ‪ ٤٩٢‬ﻭ‪ ٧٤٩‬ﻭ‪ ١٠١٢ /٢ - ٩٢٤‬ﻭ‪ ١٠٣٤‬ﻭ‪ ١١١٨‬ﻭ‪١٣٨٩‬‬
‫ﻭ‪ ،٢٠٠٢‬ﻭﺷﺬﺭﺍﺕ ﺍﻟﺬﱠﻫﺐ ‪ ،٧٨٥ - ٧٨٤ /٧‬ﻭﺩﻳﻮﺍﻥ ﺍﻹﺳﻼﻡ ‪ ،٢٨٢ - ٢٨١ /٢‬ﻭﺍﻟﺘ‪‬ﺎﺝ‪:‬‬
‫ﺩﻳﺮ‪ ،‬ﻭﺍﻛﺘﻔﺎﺀ ﺍﻟﻘﻨﻮﻉ‪ ١٢٠ /‬ﻭ‪ ،٣٢٧‬ﻭﺍﳋﻄﻂ ﺍﻟﺘ‪‬ﻮﻓﻴﻘﻴ‪‬ﺔ ‪ ،٢٣٤ /٤‬ﻭﺇﻳﻀﺎﺡ ﺍﳌﻜﻨﻮﻥ ‪- ٦٠ /١‬‬
‫‪ ٤٩٤ /٢‬ﻭ‪ ،٦٠٤‬ﻭﻫﺪﻳ‪‬ﺔ ﺍﻟﻌﺎﺭﻓﲔ ‪ ،٥٨١ - ٥٨٠ /١‬ﻭﺟﺎﻣﻊ ﻛﺮﺍﻣﺎﺕ ﺍﻷﻭﻟﻴﺎﺀ ‪،١٧٣/٢‬‬
‫ﻭﻣﻌﺠﻢ ﺍﳌﻄﺒﻮﻋﺎﺕ ‪ ،٩٠١ - ٩٠٠ /١‬ﻭﺩﺍﺋﺮﺓ ﻣﻌﺎﺭﻑ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ ‪،١٠٤ - ١٠٣ /٤‬‬
‫ﻭﻓﻬﺮﺱ ﺍﳋﺰﺍﻧﺔ ﺍﻟﺘ‪‬ﻴﻤﻮﺭ‪‬ﻳﺔ )ﺃﲰﺎﺀ ﺍﳌﺆﻟﱢﻔﲔ( ‪ ،١٠٤ /٣‬ﻭﺗﺎﺭﻳﺦ ﺑﺮﻭﻛﻠﻤﺎﻥ ‪،٤٤٠ - ٤٣٧ /٤‬‬
‫ﰊ ﰲ ﺍﻟﻌﺮﺍﻕ ‪ ،٩٥ /١‬ﻭﺍﻷﻋﻼﻡ ‪ ،١٣ /٤‬ﻭﻣﻌﺠﻢ ﺍﳌﺆﻟﱢﻔﲔ ‪ ،١٥٧ /٢‬ﻭﻣﻌﺠﻢ‬ ‫ﻭﺗﺎﺭﻳﺦ ﺍﻷﺩﺏ ﺍﻟﻌﺮ ‪‬‬
‫ﰊ ﺍﻹﺳﻼﻣ ‪‬ﻲ ‪ ،٥١٥ - ٥١٤ /١‬ﻭﻣﻌﺠﻢ‬ ‫ﻣ‪‬ﺼﻨ‪‬ﻔﻲ ﺍﻟﻜﺘﺐ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‪ ،٢٧٥ /‬ﻭﺫﺧﺎﺋﺮ ﺍﻟﺘ‪‬ﺮﺍﺙ ﺍﻟﻌﺮ ‪‬‬
‫ﺍﳌﹸﻔﺴ‪‬ﺮﻳﻦ ‪ ،٢٨٦ - ٢٨٥ /١‬ﻭﻓﻬﺮﺱ ﳐﻄﻮﻃﺎﺕ ﺧﺰﺍﻧﺔ ﺍﻟﻘﺮﻭﻳ‪‬ﲔ ‪ ،٣٧ /٣‬ﻭﻛﺸ‪‬ﺎﻑ ﻣﻌﺠﻢ‬
‫ﺍﳌﺆﻟﱢﻔﲔ ‪ ،١٠٦٤ /٢‬ﻭﻣﺪﺍﺧﻞ ﺍﳌﺆﻟﱢﻔﲔ ﺍﻷﻋﻼﻡ ﺍﻟﻌﺮﺏ ‪ ،٥١٠ /١‬ﻭﺃﻋﻼﻡ ﺍﳊﻀﺎﺭﺓ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‬
‫ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ‪ ،٣٣ - ٣٢ /٤‬ﻭﻣﻌﺠﻢ ﺍﻟﺸ‪‬ﻌﺮﺍﺀ ﻣﻦ ﺍﻟﻌﺼﺮ ﺍﳉﺎﻫﻠ ‪‬ﻲ ﺣﺘ‪‬ﻰ ﺳﻨﺔ ‪٢٠٠٢‬ﻡ ‪،١٧٥ /٣‬‬
‫ﲏ ﰲ ﺍﻟﻨ‪‬ﺤﻮ ‪‬ﻬﻮﻝ‪ /‬ﻭ‪ ٣‬ﺏ ‪ -‬ﻭ‪ ٤‬ﺏ ﻭﺍﻧﻈﺮ ﻛﺬﻟﻚ‪ :‬ﳎﻠﱠﺔ ﺍ‪‬ﻤﻊ ﺍﻟﻌﻠﻤ ‪‬ﻲ‬ ‫ﻭﺷﺮﺡ ﻣ‪‬ﺨﻤ‪‬ﺲ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬

‫‪٥٨٩‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٥٩٠‬‬

‫ﺃﺻﻞ ﻋﺎﺋﻠﺘﻪ ﻣﻦ ‪‬ﺩ ِﻣﻴ‪‬ﺮﺓﹶ‪ ،‬ﻭﻫﻲ ﻗﺮﻳﺔ ﻛﺒﲑﺓ ﲟﺼﺮ ﻗﺮﺏ ﺩِﻣﻴﺎﻁ)‪ ،(٢‬ﺇ ﱠﻻ ﺃ ﱠﻥ‬
‫ﻫﺬﻩ ﺍﻟﻌﺎﺋﻠﺔ ﱂ ﺗﺴﺘﻘ ‪‬ﺮ ﰲ ﻫﺬﻩ ﺍﻟﻘﺮﻳﺔ‪ ،‬ﻓﻮﻟﱠﺖ ﺷﻄﺮﻫﺎ ﺇﱃ ﺩِﻳﺮﻳﻦ‪ ،‬ﻭﻫﻲ ﻗﺮﻳﺔ‬
‫ﻋﺎﻣﺮﺓ ﰲ ﻏﺮﺑﻴ‪‬ﺔ ﻣﺼﺮ)‪ ،(٣‬ﻭﰲ ﺩِﻳﺮﻳﻦ ﻭﻟﺪ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺳﻨﺔ ‪ ٦١٢‬ﻫ‪ ،‬ﻭﻗﻴﻞ ﺳﻨﺔ‬
‫‪٦١٣‬ﻫ‪ ،‬ﻭ‪‬ﺎ ﻧﺸﺄ ﺍﻟﻨ‪‬ﺸﺄﺓ ﺍﻟﺼ‪‬ﺎﳊﺔ‪ ،‬ﻭﳌﱠﺎ ﺍﺷﺘ ‪‬ﺪ ﻋﻮﺩﻩ‪ ،‬ﺗﻄﻠﱠﻌﺖ ﻧﻔﺴﻪ ﺇﱃ ﲢﺼﻴﻞ‬
‫ﺍﻟﻌﻠﻢ‪ ،‬ﻓﺄﺧﺬ ﻋﻦ ﻋﻠﻤﺎﺀ ﻋﺼﺮﻩ ﻣﻦ ﺃﻣﺜﺎﻝ‪ :‬ﺍﻟﻌ ‪‬ﺰ ﺑﻦ ﻋﺒﺪ ﺍﻟﺴ‪‬ﻼﻡ ﺍﻟﻔﻘﻴﻪ ﺍﻟﺸ‪‬ﺎﻓﻌ ‪‬ﻲ‬
‫ﺍﳌﹸﺠﺘﻬﺪ ﺍﳌﹸﻠﻘﱠﺐ ﺑﺴﻠﻄﺎﻥ ﺍﻟﻌﻠﻤﺎﺀ‪ ،‬ﻭﺷﻴﺦ ﻣﺸﺎﻳﺦ ﺍﻹﺳﻼﻡ ﺑﺎﻟﺪ‪‬ﻳﺎﺭ ﺍﳌﺼﺮﻳ‪‬ﺔ ﺃﰊ‬
‫ﲏ ﺍﻟﻮﺍﺳﻄﻲ‪ ،‬ﻭﻏﲑﳘﺎ‪ .‬ﻭﻣﺎﺯﺍﻟﺖ ﺣﺎﻟﻪ ﻛﺬﻟﻚ ﰲ‬ ‫ﺍﻟﻔﺘﺢ ﺑﻦ ﺃﰊ ﺍﻟﻐﻨﺎﺋﻢ ﺍﻟ ‪‬ﺮﺳ‪‬ﻌ ‪‬‬
‫ﺍﻟﺘ‪‬ﺤﺼﻴﻞ ﻭﺍﻟﺪ‪‬ﺭﺱ ﺇﱃ ﺃﻥ ﺃﺿﺤﻰ ﺍﻟﻐﺎﻳﺔ ﰲ ﻏﲑ ﻋﻠﻢ ﺣﻔﻈﹰﺎ ﻭﺗﺄﻟﻴﻔﹰﺎ ﻭﺗﺪﺭﻳﺴ‪‬ﺎ‪،‬‬
‫ﰲ ﺍﻟﺮ‪‬ﻓﺎﻋﻲ‪ ،‬ﺍﻷﺩﻳﺐ‬ ‫ﻓﻜﺎﻥ ﺍﻹﻣﺎﻡ ﺍﻟﻌﻼﱠﻣﺔ‪ ،‬ﺍﻟﺼ‪‬ﺎﱀ ﺍﻟﻘﹸﺪﻭﺓ‪ ،‬ﺍﻟﻮﺍﻋﻆ ﺍﻟﺼ‪‬ﻮ ﹼ‬
‫ﺍﻟﻠﱡﻐﻮﻱ‪ ،‬ﺍﻟﺸ‪‬ﺎﻋﺮ ﺍﻟﻨ‪‬ﺤﻮﻱ‪ ،‬ﺍﻟﻔﻘﻴﻪ ﻋﻠﻰ ﻣﺬﻫﺐ ﺍﻟﺸ‪‬ﺎﻓﻌ ‪‬ﻲ ﺍﳌﹸﺆﺭ‪‬ﺥ‪ ،‬ﺍﳌﹸﻔﺴ‪‬ﺮ‬
‫ﻼ ﻋﻦ ﲨﻴﻞ ﺻﻔﺎﺗﻪ ﻭﺃﺣﻮﺍﻟﻪ‪ ،‬ﻭ ‪‬ﻋﹸﻠﻮ‪‬‬ ‫ﺍﳌﹸﺘﻜﻠﱢﻢ‪ ،‬ﺍﻟﻔﻠﻜ ‪‬ﻲ ﺍﻟﻜﻴﻤﻴﺎﺋ ‪‬ﻲ ‪ ...‬ﻓﻀ ﹰ‬
‫ﻣﻘﺎﻣﺎﺗﻪ‪ ،‬ﻭﺟﻠ ‪‬ﻲ ﻛﺮﺍﻣﺎﺗﻪ‪ ،‬ﻭﺳﻼﻣﺔ ﺑﺎﻃﻨﻪ‪ ،‬ﻭﺣﺴﻦ ﺃﺧﻼﻗﻪ‪ ،‬ﻭﻛﺜﺮﺓ ﺭﺣﻠﺘﻪ ﰲ‬
‫ﻗﹸﺮﻯ ﻣﺼﺮ‪ ،‬ﻳﺘﱪ‪‬ﻙ ﺍﻟﻨ‪‬ﺎﺱ ﺑﻪ ‪ ،‬ﻭﻳ‪‬ﻔﻴﺪﻫﻢ ﻭﻳﻨﻔﻌﻬﻢ‪ .‬ﻭﳑ‪‬ﻦ ﻛﺎﻥ ﻟﻪ ﺷﺮﻑ‬
‫ﺍﻻﻧﺘﻔﺎﻉ ﻭﺍﻟﺘ‪‬ﺤﺼﻴﻞ ﻋﻠﻰ ﻳﺪﻳﻪ‪ :‬ﺷﻬﺎﺏ ﺍﻟﺪ‪‬ﻳﻦ ﺃﲪﺪ ﺑﻦ ﻣﻨﺼﻮﺭ ﺍﳌﻌﺮﻭﻑ ﺑﺎﺑﻦ‬
‫ﳉﺒ‪‬ﺎﺹ‪ ،‬ﻭﺍﻟﺸ‪‬ﻴﺦ ﺍﻟﺼ‪‬ﺎﱀ ﺃﺑﻮ ﻋﻠ ‪‬ﻲ ﺍﳊﺴﻦ ﺑﻦ ﻋﻠ ‪‬ﻲ ﺑﻦ ﳏﻤ‪‬ﺪ ﺍﻟﺒﻐﺪﺍﺩﻱ‪،‬‬ ‫ﺍﹶ‬
‫ﺴﻨ‪‬ﺒﺎﻃ ‪‬ﻲ ﺍﻟﻜﺎﺗﺐ)‪ ،(٤‬ﻭﻏﲑﻫﻢ‪.‬‬
‫ﻭﻋﺜﻤﺎﻥ ﺑﻦ ﳏﻤ‪‬ﺪ ﺑﻦ ﻳﻮﺳﻒ ﺍﻟ ‪‬‬

‫ﰊ ﺑﺪﻣﺸﻖ ‪ -‬ﻣﺞ‪ /٢٠ :‬ﺝ‪) ٥٣٣ - ٥٣٢ /١٢ - ١١ :‬ﺩ‪‬ﻭﺭ ﻛﺘﺐ ﻓﻠﺴﻄﲔ ﻭﻧﻔﺎﺋﺲ‬ ‫ﺍﻟﻌﺮ ‪‬‬
‫ﻱ(‪.‬‬
‫ﳐﻄﻮﻃﺎ‪‬ﺎ ﻟﻄﻠﺲ(‪ ،‬ﻭﻣﺞ‪ /٢٨ :‬ﺝ‪) ٤٢٣ /٣ :‬ﺗﺎﺭﻳﺦ ﻋﻠﻢ ﺍﻟﻔﻠﻚ ﰲ ﺍﻟﻌﺮﺍﻕ ﻟﻌﺒ‪‬ﺎﺱ ﺍﻟﻌﺰ‪‬ﺍﻭ ‪‬‬
‫)‪ (٢‬ﻣﻌﺠﻢ ﺍﻟﺒﻠﺪﺍﻥ ‪.٤٧٢ /٢‬‬
‫)‪ (٣‬ﺍﻟﺘ‪‬ﺎﺝ‪ :‬ﺩﻳﺮ‪.‬‬
‫ﺴﻨ‪‬ﺒﺎﻃ ‪‬ﻲ ﺍﻟﻜﺎﺗﺐ ‪ -‬ﻭﺭﺩ‬ ‫ﲏ ﻭﺗﻼﻣﺬﺗﻪ ‪ -‬ﻣﺎ ﺧﻼ ﺍﻟ ‪‬‬ ‫)‪ (٤‬ﲢﺴﻦ ﺍﻹﺷﺎﺭﺓ ﻫﻨﺎ ﺇﱃ ﺃ ﱠﻥ ﺃﺳﺎﺗﺬﺓ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﲏ‬
‫ﺴﻨ‪‬ﺒﺎﻃ ‪‬ﻲ ﻓﻘﺪ ﺗﻔﺮ‪‬ﺩ ﺑﺬﻛﺮﻩ ﺗﻠﻤﻴﺬﹰﺍ ﻟﻠﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺫﻛﺮﻫﻢ ﰲ ﻏﲑ ﻣﺼﺪﺭ ﻣﻦ ﻣﺼﺎﺩﺭ ﺗﺮﲨﺘﻪ‪ .‬ﺃﻣ‪‬ﺎ ﺍﻟ ‪‬‬
‫ﺍﺑ ‪‬ﻦ ﺣﺠﺮ ﰲ ﺍﻟﺪ‪‬ﺭﺭ ﺍﻟﻜﺎﻣﻨﺔ ‪.٦٥ /٣‬‬
‫‪٥٩١‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﺗﻮﻓﱢﻲ ‪ -‬ﺭﲪﻪ ﺍﷲ ‪ -‬ﺑﻌﺪ ﺣﻴﺎﺓ ﺣﺎﻓﻠﺔ ﺑﺎﻟﻌﻠﻢ ﻭﺍﻟﻌﻤﻞ ﺳﻨﺔ ‪ ٦٩٤‬ﻫ ﻋﻠﻰ‬
‫ﺍﻷﺭﺟﺢ)‪.(٥‬‬
‫ﺃﻣ‪‬ﺎ ﺁﺛﺎﺭﻩ ‪ -‬ﻭﻗﺪ ﲡﺎﻭﺯﺕ ﺍﻟﺜﱠﻼﺛﲔ ‪ -‬ﻓﺘﺪﻝﱡ ﻋﻠﻰ ﺳﻌﺔ ﺍﻃﱢﻼﻋﻪ ﻭﻗﻮ‪‬ﺓ‬
‫ﲢﺼﻴﻠﻪ ﻟﻠﻌﻠﻮﻡ ﺍﻟﱵ ﺑﺮﻉ ﻓﻴﻬﺎ‪ .‬ﻭﺇﻟﻴﻜﻬﺎ ﺍﻵﻥ ﻣﻨﺴﻮﻗ ﹰﺔ ﻋﻠﻰ ﺣﺮﻭﻑ ﺍﳌﹸﻌﺠﻢ‪:‬‬
‫)‪ (١‬ﺇﺭﺷﺎﺩ ﺍﳊﻴﺎﺭﻯ ﰲ ﺭﺩﻉ ﻣﻦ ﻣﺎﺭﻯ‪ :‬ﻣ‪‬ﺨﺘﺼﺮ ﰲ ﺃﺩﻟﱠﺔ ﺍﻟﺘ‪‬ﻮﺣﻴﺪ ﻭﺍﻟ ‪‬ﺮ ‪‬ﺩ ﻋﻠﻰ‬
‫ﺍﻟﻨ‪‬ﺼﺎﺭﻯ‪ .‬ﻭﻗﺪ ﻃﹸﺒﻊ ﻃﺒﻌﺘﻴﻦ ﰲ ﺍﻟﻘﺎﻫﺮﺓ‪ :‬ﺍﻷﻭﱃ ﺳﻨﺔ ‪١٢٨٤‬ﻫ ‪١٨٦٧ /‬ﻡ‪ ،‬ﻭﺍﻟﺜﱠﺎﻧﻴﺔ‬
‫ﺳﻨﺔ ‪١٣٢٢‬ﻫ‪١٩٠٤ /‬ﻡ‪ ،‬ﻣﻊ ﻣﻨﻈﻮﻣﺔ ﺍﻟﺴ‪‬ﺆﺍﻝ ﺍﻟﻌﺠﻴﺐ ﰲ ﺍﻟ ‪‬ﺮ ‪‬ﺩ ﻋﻠﻰ ﺃﻫﻞ ﺍﻟﺼ‪‬ﻠﻴﺐ‬
‫ﻷﲪﺪ ﺑﻦ ﻋﻠ ‪‬ﻲ ﺍﻟ ﹸﻜ‪‬ﺘﱯ‪ ،‬ﻭﺍﻟﺴ‪‬ﻬﻢ ﺍﳌﹸﻔﻴﺪ ﻹﻓﺎﺩﺓ ﺃﻫﻞ ﺍﻟﺼ‪‬ﻠﻴﺐ ﳊﺴﻦ ﺑﻦ ﺑﻜﺮ ﻓﺘﻴﺎﻥ‬
‫ﺧﻄﻴﺐ ﺟﺎﻣﻊ ﺍﻟﻨ‪‬ﺼﺮ ﰲ ﻧﺎ‪‬ﺑﻠﹸﺲ‪.‬‬
‫)‪ (٢‬ﺃﺭﻛﺎﻥ ﺍﻹﺳﻼﻡ ﰲ ﺍﻟﺘ‪‬ﻮﺣﻴﺪ ﻭﺍﻷﺣﻜﺎﻡ‪ :‬ﺫﻛﺮ ﻓﻴﻪ ﺍﻻﻋﺘﻘﺎﺩ‪ ،‬ﱠﰒ‬
‫ﺍﻟﻌﻤﻞ ﻋﻠﻰ ﺍﳌﺬﺍﻫﺐ ﺍﻷﺭﺑﻌﺔ‪.‬‬
‫)‪ (٣‬ﺃﻧﻮﺍﺭ ﺍﳌﻌﺎﺭﻑ ﻭﺃﺳﺮﺍﺭ ﺍﻟﻌﻮﺍﺭﻑ‪ :‬ﰲ ﺍﻟﺘ‪‬ﺼﻮ‪‬ﻑ‪.‬‬
‫)‪ (٤‬ﺍﻷﻧﻮﺍﺭ ﺍﻟﻮﺍﺿﺤﺔ ﰲ ﺗﻔﺴﲑ ﺍﻟﻔﺎﲢﺔ‪ :‬ﺃﻟﱠﻔﻪ ﻗﺒﻞ ﺗﻔﺴﲑ ﺍﻟﻔﺎﲢﺔ ﺍﻵﰐ ﺫﻛﺮﻩ ﺑﻌ ‪‬ﺪ‪.‬‬
‫ﱐ‪.‬‬
‫ﱐ ﻋﺒﺪ ﺍﻟﻘﺎﺩﺭ ﺍﳉﻴﻼ ﹼ‬‫)‪ (٥‬ﺍﻟﺒﻬﺠﺔ ﺍﻟﺼ‪‬ﻐﺮﻯ ﰲ ﻣﻨﺎﻗﺐ ﺍﻟﺸ‪‬ﻴﺦ ﺍﻟ ‪‬ﺮﺑ‪‬ﺎ ﹼ‬
‫)‪ (٦‬ﺗﻔﺴﲑ ﺍﻟﻔﺎﲢﺔ‪.‬‬
‫)‪ (٧‬ﺍﻟﺘ‪‬ﻴﺴﲑ ﰲ ﺍﻟﺘ‪‬ﻔﺴﲑ‪ :‬ﺗﻔﺴﲑ ﻣﻨﻈﻮﻡ ﻟﻠﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ‪ ،‬ﻳﻘﻊ ﰲ ﺃﻛﺜﺮ‬
‫ﻣﻦ ‪ ٣٢٠٠‬ﺑﻴﺖ ﻣﻦ ﺍﻟﺮ‪‬ﺟﺰ‪ ،‬ﺃﻟﱠﻔﻪ ﺳﻨﺔ ‪ ٦٧٣‬ﻫ‪ .‬ﻭﻗﺪ ﻃﹸﺒﻊ ﻫﺬﺍ ﺍﻟﺘ‪‬ﻔﺴﲑ ﲢﺖ‬
‫ﻋﻨﻮﺍﻥ‪ :‬ﺍﻟﺘ‪‬ﻴﺴﲑ ﰲ ﻋﻠﻮﻡ ﺍﻟﺘ‪‬ﻔﺴﲑ ﰲ ﻣﻄﺒﻌﺔ ﺍﻟﺘ‪‬ﻘﺪﻡ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪١٣١٠‬ﻫ‬
‫‪١٨٩٣/‬ﻡ‪ ،‬ﻭ‪‬ﺎﻣﺸﻪ‪ :‬ﺃﻟﻔﻴﺔ ﺃﰊ ﺯ‪‬ﺭﻋ ﹶﺔ ﺍﻟﻌﺮﺍﻗﻲ‪ ،‬ﻭﺑﺂﺧﺮﻩ‪ :‬ﺗﻘﺮﻳﺐ ﺍﳌﺄﻣﻮﻝ ﰲ‬
‫ﺗﺮﺗﻴﺐ ﺍﻟﻨ‪‬ﺰﻭﻝ ﻧﻈﻢ ﺍﻹﻣﺎﻡ ﺍﳉﻌﱪﻱ‪ ،‬ﻭﺑﺘﺼﺤﻴﺢ ﳏﻤ‪‬ﺪ ﻛﺎﻣﻞ ﺍﻷﺳﻴﻮﻃ ‪‬ﻲ‬
‫ﻱ‪ .‬ﻛﻤﺎ ﻃﹸﺒﻊ ﰲ ﺍﻟﻌﺎﻡ ﻧﻔﺴﻪ‪ ،‬ﻭﺑﺎﻟﺘ‪‬ﺮﺗﻴﺐ ﺍﳌﹸﻠﻤﻊ ﺇﻟﻴﻪ ﻗﺒ ﹸﻞ ﰲ ﻣﻄﺒﻌﺔ‬ ‫ﺍﻷﺯﻫﺮ ‪‬‬
‫ﺍﳊﺠﺮ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ‪.‬‬

‫)‪ (٥‬ﻛﺬﺍ‪ .‬ﻭﻗﻴﻞ ﺳﻨﺔ ‪ ٦٨٩‬ﻫ‪ ،‬ﻭ‪ ٦٩٠‬ﻫ‪ ،‬ﻭ‪ ٦٩٣‬ﻫ‪ ،‬ﻭ‪ ٦٩٧‬ﻫ‪ ،‬ﻭ‪ ٦٩٩‬ﻫ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٥٩٢‬‬

‫ﲏ ﰲ ﺁﺧﺮ ﻣﻨﻈﻮﻣﺘﻪ‪:‬‬
‫ﺖ‪ :‬ﻭﻟﻴﺲ ﻫﺬﺍ ﺍﻟﻌﻨﻮﺍﻥ ﺑﺎﻟﺼ‪‬ﺤﻴﺢ؛ ﺇﺫ ﻳﺮﺩ‪‬ﻩ ﻗﻮﻝ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻗﹸﻠ ‪‬‬
‫ﻭﺍﻟﺘ‪‬ﻘﺼﲑِ‬ ‫ﺑﺎﻟﻌﺠﺰ‬ ‫ﻣ‪‬ﻌﺘﺮﻓﹰﺎ‬ ‫ﲰ‪‬ﻴ‪‬ﺘ ‪‬ﻪ ﺍﻟﺘ‪‬ﻴﺴ ‪‬ﲑ ﰲ ﺍﻟﺘ‪‬ﻔﺴﲑِ‬
‫)ﺍﻟﺘ‪‬ﻴﺴﲑ‪ /‬ﻭ ‪.(٦٨‬‬
‫)‪ (٨‬ﺟﻮﻫﺮ ﺍﻻﻗﺘﺒﺎﺱ ﰲ ﻋﻠﻢ ﺍﳉﻨﺎﺱ‪.‬‬
‫)‪ (٩‬ﺍﻟﺪ‪‬ﺭﺭ ﺍ ﹸﳌ ﹾﻠ‪‬ﺘ ﹶﻘﻄﹶﺔ ﰲ ﺍﳌﺴﺎﺋﻞ ﺍﳌﹸﺨﺘ ﹶﻠﻄﹶﺔ‪ :‬ﺃﺟﺎﺏ ﻓﻴﻪ ﻋﻠﻰ ﻣﺴﺎﺋﻞ‪ ،‬ﺳ‪‬ﺌﻞ‬
‫ﻋﻨﻬﺎ ﰲ ﺍﻟﻌﺒﺎﺩﺍﺕ ﻭﺍﳌﹸﻌﺎﻣﻼﺕ ﻋﻠﻰ ﻣﺬﻫﺐ ﺍﻟﺸ‪‬ﺎﻓﻌ ‪‬ﻲ‪.‬‬
‫ﲏ ﰲ ﺃﻋﻼﻣﻪ ‪ ،١٣ / ٤‬ﱠﰒ‬ ‫ﺖ‪ :‬ﻧﺴﺐ ﺍﻟﺰ‪‬ﺭﻛﻠ ‪‬ﻲ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﺇﱃ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬ ‫ﻗﻠ ‪‬‬
‫ﻧﺴﺒﻪ ﺑﻌﺪ ﺫﻟﻚ ) ‪ ( ١٨ /٤‬ﺇﱃ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺑﻦ ﺳﻌﻴﺪ ﺍﻟﺪ‪‬ﻳﺮ ‪‬‬
‫ﻱ ﻋ ‪‬ﺰ ﺍﻟﺪ‪‬ﻳﻦ ﺍﻟﻔﻘﻴﻪ‬
‫ﻱ ﺍﳌﹸﺘﻮﻓﱠﻰ ﺳﻨﺔ ‪٦٩٤‬ﻫ‪ .‬ﻭﻣﻦ ﺍﻟﻮﺍﺿﺢ ﺃﻧ‪‬ﻪ ﻭﻫ ‪‬ﻢ ﻓﻴﻤﺎ ﺫﻫﺐ ﺇﻟﻴﻪ؛‬ ‫ﺍﻟﺸ‪‬ﺎﻓﻌ ‪‬ﻲ ﺍﳌﺼﺮ ‪‬‬
‫ﲏ ﻧﻔﺴﻪ؛ ﻓﻜﻼ ﺍﻟﺮ‪‬ﺟﻠﲔ ﳍﻤﺎ ﺍﺳﻢ ﻭﺍﺣﺪ‪،‬‬ ‫ﻱ ﻫﻮ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬‫ﻓﻌﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﺪ‪‬ﻳﺮ ‪‬‬
‫ﻱ‪-‬‬ ‫ﻭﻛﻼﳘﺎ ﻓﻘﻴﻪ ﺷﺎﻓﻌ ‪‬ﻲ ﻣﺼﺮﻱ‪ ،‬ﻭﻗﺪ ﺗ‪‬ﻮﻓﱢﻴﺎ ﰲ ﺍﻟﻌﺎﻡ ﻧﻔﺴﻪ ‪ ٦٩٤‬ﻫ‪ .‬ﻓﺎﻟﺪ‪‬ﻳﺮ ‪‬‬
‫ﺇﺫﹰﺍ ‪ -‬ﲢﺮﻳﻒ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﲏ ﻟﻴﺲ ﺇ ﹼﻻ‪.‬‬
‫)‪ (١٠‬ﺩﻗﺎﺋﻖ ﺍﻟﺘ‪‬ﻨﺒﻴﻪ ﰲ ﻧﻈﻢ ﺍﻟﺘ‪‬ﻨﺒﻴﻪ‪ :‬ﻛﺘﺎﺏ ﻧﻈﻢ ﻓﻴﻪ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﲏ ﺗﻨﺒﻴﻪ ﺃﰊ‬
‫ﻱ )ﺕ‪٤٧٦ :‬ﻫ) ﰲ ﻓﺮﻭﻉ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ‪ .‬ﻛﺬﺍ ﰲ ﻫﺪﻳ‪‬ﺔ ﺍﻟﻌﺎﺭﻓﲔ‬ ‫ﺇﺳﺤﺎﻕ ﺍﻟﺸ‪‬ﲑﺍﺯ ‪‬‬
‫‪ .٥٨ - ٥٨٠ /١‬ﻭﰲ ﻛﺸﻒ ﺍﻟﻈﱡﻨﻮﻥ ‪ ٤٩٢ /١‬ﺃ ﱠﻥ ﺩﻗﺎﺋﻖ ﺍﻟﺘ‪‬ﻨﺒﻴﻪ ﻛﺘﺎﺏ ﺁﺧﺮ‬
‫ﲏ ﻏ ‪‬ﲑ ﻧﻈﻢ ﺍﻟﺘ‪‬ﻨﺒﻴﻪ‪.‬‬
‫ﻟﻠﺪ‪‬ﻳﺮﻳ ‪‬‬
‫)‪ (١١‬ﺭﺳﺎﻟﺔ ﰲ ﳐﺎﺭﺝ ﺍﳊﺮﻭﻑ‪.‬‬
‫)‪ (١٢‬ﺍﻟﺮ‪‬ﻭﺿﺔ ﺍﻷﻧﻴﻘﺔ ﰲ ﺑﻴﺎﻥ ﺍﻟﺸ‪‬ﺮﻳﻌﺔ ﻭﺍﳊﻘﻴﻘﺔ‪ :‬ﻣ‪‬ﺨﺘﺼﺮ ﺃﻗﺎﻣﻪ ﻋﻠﻰ‬
‫ﺃﺑﻮﺍﺏ ﻭﻓﺼﻮﻝ‪ ،‬ﺫﻛﺮ ﻓﻴﻪ ﺧﻠﻮﺓ ﺍﻟﺸ‪‬ﻴﻮﺥ ﻣﻊ ﺍﻟﻨ‪‬ﺴﺎﺀ‪ .‬ﻃﹸﺒﻊ ﺳﻨﺔ‬
‫‪١٣٢٠‬ﻫ‪١٩٠٢/‬ﻡ‪) .‬ﻛﺬﺍ ﺩﻭﻥ ﻣﻜﺎﻥ ﺍﻟﻄﱠﺒﻊ(‪.‬‬
‫ﱯ ﺍﻟﻜﺮﱘ ‪ ‬ﻭﺃﺻﺤﺎﺑﻪ ﺍﻟﻌﺸﺮﺓ‪ :‬ﺃﹸﺭﺟﻮﺯﺓ‬
‫)‪ (١٣‬ﺍﻟﺸ‪‬ﺠﺮﺓ ﰲ ﺫﻛﺮ ﺍﻟ‪‬ﻨ ‪‬‬
‫‪٥٩٣‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﰲ ﺍﻟﺴ‪‬ﲑﺓ ﺍﻟﻨ‪‬ﺒﻮﻳ‪‬ﺔ ﻭﺃﺣﻮﺍﻝ ﺍﻟﻌﺸﺮﺓ ﺍﳌﹸﺒﺸ‪‬ﺮﻳﻦ ﺑﺎﳉﻨ‪‬ﺔ‪ ،‬ﻭﺃﻭ‪‬ﳍﺎ‪:‬‬

‫ﺍﻟﺒﺎﺩﻱ‬ ‫ﻚ ﺍﳊ ‪‬ﻖ ﺍﻟﺒﺪﻳ ِﻊ‬ ‫ﺍﳌﹶﻠ ِ‬ ‫ﺍﳊﻤ ‪‬ﺪ ﷲ ﺍﳌﹸﻨ ِﲑ ﺍﳍﺎﺩﻱ‬
‫ﻭﻗﺪ ﺭﺗ‪‬ﺐ ﻓﻴﻬﺎ ﺍﻟﺴ‪‬ﲑﺓ ﺍﻟ‪‬ﻨﱠﺒﻮﻳ‪‬ﺔ ﻋﻠﻰ ﺃﺑﻮﺍﺏ‪ ،‬ﰒ ﺭﺗ‪‬ﺐ ﺳﲑﺓ ﺍﻟﻌﺸﺮﺓ ﻋﻠﻰ‬
‫ﻋﺸﺮﺓ ﻓﺼﻮﻝ)‪.(٦‬‬
‫ﲏ ‪ - -‬ﻭﺃﻛﺜ ‪‬ﺮ ‪‬ﺎ! ‪-‬‬ ‫)‪ (١٤‬ﺷﻌﺮﻩ‪ :‬ﺍﳊ ‪‬ﻖ ﺃ ﱠﻥ ﺍﳌﺼﺎﺩﺭ ﺍﻟﱵ ﺗﺮﲨﺖ ﻟﻠﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﱂ ﺗ‪‬ﺸﺮ ﺇﱃ ﺩﻳﻮﺍﻥ ﻣﺼﻨﻮﻉ ﻟﻠﺪ‪‬ﻳﺮﻳﲏ‪ ،‬ﲨﻌﻪ ﺑﻨﻔﺴﻪ‪ ،‬ﺃﻭ ﲨﻌﻪ ﻟﻪ ﻏﲑﻩ ﰲ ﻗﺎﺑﻞ‬
‫ﺍﻷﻳ‪‬ﺎﻡ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﺃﺷﺎﺭﺕ ﺇﱃ ﺃﻧ‪‬ﻪ ﻛﺎﻥ ﻏﺰﻳﺮ ﺍﻟﻨ‪‬ﻈﻢ ﺭﺍﺋﻘﻪ‪ ،‬ﻓﺄﻛﺜﺮ ﻣﻦ ﻧﻈﻢ ﺍﻟﻌﻠﻮﻡ‪،‬‬
‫ﻭﻗﺪ ﺫﻛﺮﻧﺎ ﻟﻪ ﻗﺒ ﹸﻞ ﻛﺘﺎﺑﻪ ﺍﻟﺘ‪‬ﻴﺴﲑ ﰲ ﺍﻟﺘ‪‬ﻔﺴﲑ ﺍﻟﻮﺍﻗﻊ ﰲ ﺃﻛﺜﺮ ﻣﻦ ‪ ٣٢٠٠‬ﺑﻴﺖ‪،‬‬
‫ﻭﻛﺬﺍ ﻧﻈﻤﻪ ﻟﻠﺘ‪‬ﻨﺒﻴﻪ ﻭﺍﻟﺸ‪‬ﺠﺮﺓ‪ ...‬ﻭﳑ‪‬ﺎ ﻳ‪‬ﻤﻜﻦ ﺃﻥ ﻳ‪‬ﺬﻛﺮ ﻟﻪ ﺃﻳﻀ‪‬ﺎ ﺩﻻﻟ ﹰﺔ ﻋﻠﻰ‬
‫ﻏﺰﺍﺭﺓ ﻧﻈﻤﻪ ﺑﺎﻟ‪‬ﻨﻘﻞ ﻋﻦ ﺗﺎﺭﻳﺦ ﺑﺮﻭﻛﻠﻤﺎﻥ ‪ ،٤٣٩ - ٤٣٨ / ٤‬ﻭﻏﲑﻩ‪:‬‬
‫ﻗﺼﻴﺪ ﹲﺓ ﰲ ‪ ٣٣‬ﺑﻴﺘ‪‬ﺎ ﺣﻮﻝ ﻛﻴﻔﻴ‪‬ﺔ ﺇﳛﺎﺀ ﺍﻟﺴ‪‬ﻮﺭﺓ ﰲ ﺍﻟﻘﺮﺁﻥ‪ ،‬ﻭﻗﺼﻴﺪﺗﺎﻥ ﻋﻦ‬
‫ﻱ ﻟﻠﺼ‪‬ﻮﰲﹼ‪ ،‬ﻭﺃﹸﺭﺟﻮﺯﺓ ﻃﻮﻳﻠﺔ‬ ‫ﺍﻟﺼ‪‬ﻮﻓﻴ‪‬ﺔ‪ :‬ﺍﻹﻗﺮﺍﺭ ﺑﺎﻻﻋﺘﻘﺎﺩ‪ ،‬ﻭﺍﻟﺘ‪‬ﻌﻠﻴﻢ ﺍﻟﻀ‪‬ﺮﻭﺭ ‪‬‬
‫ﺣﻮﻝ ﺍﻹﻧﺴﺎﻥ ﺑﻮﺻﻔﻪ ﻋﺎﳌﹰﺎ ﺻﻐﲑ‪‬ﺍ‪ ،‬ﻭﻣﻨﻈﻮﻣﺘﺎﻥ‪ :‬ﺍﻷﻭﱃ ﰲ ﺃﺭﺑﺎﻉ ﺍﻟﻘﺮﺁﻥ‪،‬‬
‫ﻭﺍﻟﺜﱠﺎﻧﻴﺔ ﰲ ﺗﺮﺗﻴﺐ ﻧﺰﻭﻝ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻌﻈﻴﻢ‪ ...‬ﻭﻏﲑ ﺫﻟﻚ ﻛﺜﲑ ﳑ‪‬ﺎ ﺳﻴﺄﰐ ﺑﻌ ‪‬ﺪ ﰲ‬
‫ﲏ ﻭﻗﺪﺭﺗﻪ‬‫ﺃﺛﻨﺎﺀ ﻋﺮﺽ ﺗﺘﻤ‪‬ﺔ ﺁﺛﺎﺭﻩ‪ .‬ﻭﻫﺬﺍ ﺇﻥ ﺩ ﱠﻝ ﻓﺈﻧ‪‬ﻤﺎ ﻳﺪﻝﱡ ﻋﻠﻰ ﻋﺒﻘﺮﻳ‪‬ﺔ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺍﻟﻔﺎﺋﻘﺔ ﻋﻠﻰ ﺍﻟﻨ‪‬ﻈﻢ؛ ﻓﻠﻴﺲ ﻣﻦ ﺍﻟﻴﺴﲑ ﲢﻮﻳﻞ ﺍﻟﻌﻠﻮﻡ ﺍﻟﻌﻘﻠﻴ‪‬ﺔ ﻭﺍﻟﻨ‪‬ﻘﻠﻴ‪‬ﺔ ﺇﱃ‬
‫ﻣﻨﻈﻮﻣﺎﺕ ﻣ‪‬ﻄﻮ‪‬ﻟﺔ ﺑﻠﻐﺔ ﺳﻬﻠﺔ ﻭﺍﺿﺤﺔ‪ ،‬ﻻ ﲢﺘﺎﺝ ﺇﱃ ﻛ ‪‬ﺪ ﻋﻨﺎﺀ ﻭﺗﻔﻜﲑ‪ .‬ﻭﻳﺒﺪﻭ‬
‫ﺃ ﱠﻥ ﻫﺬﻩ ﺍﻟﻌﺒﻘﺮﻳ‪‬ﺔ ﺍﻟﻔﺬﱠﺓ ﻗﺪ ﺟﻌﻠﺘﻪ ﻳﺘﺠﺎﻭﺯ ﻧﻈﻢ ﺍﻟﻌﻠﻮﻡ ﺇﱃ ﺍﻟﻨ‪‬ﻈﻢ ﰲ ﻣﻮﺿﻮﻋﺎﺕ‬
‫ﺍﻟﺸ‪‬ﻌﺮ ﺍﻟﻌﺎﻣ‪‬ﺔ‪ ،‬ﻓﻨﻈﻢ ﰲ ﻏﲑ ﻣﻮﺿﻮﻉ‪ .‬ﻭﳓﻦ ﻻ ﻧﺴﺘﻄﻴﻊ ﻫﻨﺎ ﺃﻥ ﻧﻌﺮﺽ ﳍﺬﺍ‬

‫ﰊ ﺑﺪﻣﺸﻖ ‪ -‬ﻣﺢ‪ /٢٠ :‬ﺝ‪) ٥٣٣ - ٥٣٢ /١٢ - ١١ :‬ﺩ‪‬ﻭﺭ‬‫)‪ (٦‬ﳎﻠﱠﺔ ﺍ‪‬ﻤﻊ ﺍﻟﻌﻠﻤ ‪‬ﻲ ﺍﻟﻌﺮ ‪‬‬
‫ﻛﺘﺐ ﻓﻠﺴﻄﲔ ﻭﻧﻔﺎﺋﺲ ﳐﻄﻮﻃﺎ‪‬ﺎ ﻟﻄﻠﺲ(‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٥٩٤‬‬

‫ﺨﺮ‪‬ﺟﻴﻨﻪ ﻣﻦ ﻣﺼﺎﺩﺭ ﺗﺮﲨﺘﻪ‪ ،‬ﺷﺎﺭﺣﲔ ﻣﺎ ﳛﺘﺎﺝ ﺇﱃ‬ ‫ﺍﻟﺸ‪‬ﻌﺮ ﺑﺘﻤﺎﻣﻪ ﻭﻛﻤﺎﻟﻪ‪ ،‬ﻣ ‪‬‬
‫ﺷﺮﺡ‪ ،‬ﻭﺩﺍﺭﺳﲔ ﻣﺎ ﻳﺴﺘﻮﺟﺐ ﺍﻟﺪ‪‬ﺭﺍﺳﺔ‪ ،‬ﻓﻤﺜﻞ ﻫﺬﺍ ﺍﻟﻌﻤﻞ ﻳ‪‬ﺨﺮﺟﻨﺎ ﻋﻦ ﺩﺍﺋﺮﺓ‬
‫ﲏ ﺍ ﹸﳌ ‪‬ﺮﺑ‪‬ﻊ ﺇﱃ ﺻﻨﻌﺔ ﺩﻳﻮﺍﻧﻪ‪ ،‬ﻭﺍﻟﺼ‪‬ﻨﻌﺔ ‪-‬‬
‫ﻣﻘﺎﻟﻨﺎ ﺍﳌﻮﺳﻮﻡ ﺑﺘﺤﻘﻴﻖ ﻛﺘﺎﺏ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻛﻤﺎ ﻳﻌﻠﻢ ﻛﻞﱡ ﺑﺎﺣﺚ ﻭﻣ‪‬ﺤﻘﱢﻖ ‪ -‬ﲢﺘﺎﺝ ﺇﱃ ﻛﺘﺎﺏ ﻣ‪‬ﺴﺘﻘﻞﹼ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﺣﺴﺒﻨﺎ ﰲ‬
‫ﻇ ﱢﻞ ﻫﺬﻩ ﺍﻟﻌ‪‬ﺠﺎﻟﺔ ﺃﻥ ﳒﺘﺰﺉ ﲟﻘﻄﻮﻋﺘﲔ ﻣﻦ ﺷﻌﺮﻩ ‪ -‬ﺩﻓﻌ‪‬ﺎ ﻟﻺﻃﺎﻟﺔ ‪ -‬ﺗﻘﻔﺎﻥ‬
‫ﺍﻟﻘﺎﺭﺉ ﻋﻠﻰ ﻃﺒﻴﻌﺔ ﻫﺬﺍ ﺍﻟﺸ‪‬ﻌﺮ ﻋﻠﻰ ﻭﺟﻪ ﺗﻘﺮﻳﱯ‪ ،‬ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗ ﹼﻞ‪ .‬ﻓﻤﻦ ﺫﻟﻚ‬
‫ﻗﻮﻟﻪ‪] :‬ﺍﻟﻄﱠﻮﻳﻞ[‬
‫ﺖ ﻣﻦ ﺷﻜ ِﻞ‬
‫ﺖ ﻣﻦ ﺷ‪ ‬ﻐ ٍﻞ ﻭﻋﺎﻳﻨ ‪‬‬
‫ﻭﻋﺎﻧﻴ ‪‬‬ ‫ﻑ ﺍﻟﺒﻼﺩ ﺑﺄﺳﺮﻫﺎ‬ ‫ﻟﻘﺪ ﺩ‪‬ﺭﺕ ُﺃﻃﺮﺍ ‪‬‬
‫ﺸ ‪‬ﻐ ِﻞ‬
‫ﺴ ‪‬ﺮ ﻭﺍﻟ ‪‬‬
‫ﻣـﻊ ﺍﷲ ﺧﺎﱄ ﺍﻟﺒﺎﻝ ﻭﺍﻟ ‪‬‬ ‫ﻭﱂ ﺃ ‪‬ﺭ ﺃﺣﻠﻰ ﻣﻦ ﺗﻔ ‪‬ﺮ ِﺩ ﺳﺎﻋ ٍﺔ‬
‫ﻓﺄﺷﻬ ‪‬ﺪ ﻣﺎ ﻳ‪‬ﺴﻠﻲ ﻋﻦ ﺍﳌﺎﻝ‬ ‫ﺃﹸﻧﺎﺟﻴﻪ ﰲ ﺳﺮ‪‬ﻱ ﻭﺃﺗﻠﻮ ﻛﺘﺎ‪‬ﺑﻪ‪‬‬
‫)‪(٧‬‬
‫ﻷ‬ ‫ﻭﻗﻮﻟﻪ ﺃﻳﻀ‪‬ﺎ‪] :‬ﳎﺰﻭﺀ ﺍﻟﺮ‪‬ﻣﻞ[‬
‫ﻭﻏﹸﺮ‪‬ﻣﺎ‬ ‫‪‬ﺷﺤ‪‬ﺎ‬ ‫ﺐ‬
‫ﻭﺍﺟﺘﻨ ‪‬‬ ‫ﺣﺎ ٍﻝ‬ ‫ﻛﻞﱢ‬ ‫ﰲ‬ ‫ﺍﻗﺘﺼ ‪‬ﺪ‬
‫)‪(٨‬‬
‫ﻓﺘ‪‬ﺮﻣﻰ‬ ‫‪‬ﻣﺮ‪‬ﺍ‬ ‫ﻭﻻ‬ ‫ﻻ‬ ‫ﻓﺘ‪‬ﺆﻛ ﹾﻞ‬ ‫ﺣ‪‬ﻠﻮ‪‬ﺍ‬ ‫ﺗﻜ ‪‬ﻦ‬ ‫ﻻ‬
‫)‪ (١٥‬ﻃﻬﺎﺭﺓ ﺍﻟﻘﻠﻮﺏ ﻭﺍﳋﻀﻮﻉ ﻟﻌﻼﱠﻡ ﺍﻟﻐﻴﻮﺏ‪ :‬ﻛﺬﺍ‪ .‬ﻭﰲ ﺑﻌﺾ‬
‫ﺍﳌﺼﺎﺩﺭ‪ :‬ﰲ ﺫﻛﺮ ﻋﻼﱠﻡ ﺍﻟﻐﻴﻮﺏ‪ .‬ﻭﻫﻮ ﻛﺘﺎﺏ ﻣﺸﻬﻮﺭ ﰲ ﺍﻟﺘ‪‬ﺼﻮ‪‬ﻑ‪ ،‬ﺃﻗﺎﻣﻪ ﻣﺆﻟﱢﻔﻪ‬
‫ﻋﻠﻰ ﺫﻛﺮ ﺗﻔﺴﲑ ﻵﻳﺎﺕ ﺍﻟﻘﺮﺁﻥ ﻭﻧﻮﺍﺩﺭ ﻃﺮﻳﻔﺔ ﻭﻧﺼﺎﺋﺢ ﻭﺃﺩﻋﻴﺔ‪ .‬ﻭﻗﺪ ﻃﹸﺒﻊ‬
‫ﺍﻟﻜﺘﺎﺏ ﻃﺒﻌﺎﺕ ﻋﺪ‪‬ﺓ‪ ،‬ﺑﻴﺎ‪‬ﺎ ﻫﻮ ﺍﻵﰐ‪:‬‬
‫• ﻃﺒﻌﺔ ﺑﻮﻻﻕ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٢٩٦‬ﻫ ‪ ١٨٧٨ /‬ﻡ‪.‬‬
‫• ﻃﺒﻌﺔ ﻣﺼﺮ ‪١٣٠٤‬ﻫ‪١٨٨٦ /‬ﻡ‪ ،‬ﻭ‪١٣٠٧‬ﻫ ‪ ١٨٨٩ /‬ﻡ‪ ،‬ﻭ‪١٣٢٩‬ﻫ ‪/‬‬

‫)‪ (٧‬ﺍﻟﻮﺍﰲ ﺑﺎﻟﻮﻓﻴﺎﺕ ‪.٤٦٨ /١٨‬‬

‫)‪ (٨‬ﻃﺒﻘﺎﺕ ﺍﳌﹸﻔﺴ‪‬ﺮﻳﻦ ‪.٣٠٦ /١‬‬
‫‪٥٩٥‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫‪١٩١٠‬ﻡ‪ ،‬ﻭ‪١٣٥٤‬ﻫ ‪١٩٣٥ /‬ﻡ‪.‬‬

‫• ﻃﺒﻌﺔ ﺍﳌﻜﺘﺒﺔ ﺍﻟﺸ‪‬ﻌﺒﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٣٤٧‬ﻫ ‪ ١٩٢٨ /‬ﻡ‪) .‬ﻃﹸﺒﻊ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ‬
‫ﻱ ﺍﻟﺸ‪‬ﺎﻓﻌ ‪‬ﻲ(‪.‬‬
‫ﻣﻊ ﻧ‪‬ﺰﻫﺔ ﺍ‪‬ﺎﻟﺲ ﻭﻣ‪‬ﻨﺘﺨﺐ ﺍﻟﻨ‪‬ﻔﺎﺋﺲ ﻟﻌﺒﺪ ﺍﻟﺮ‪‬ﲪﻦ ﺍﻟﺼ‪‬ﻔﻮﺭ ‪‬‬
‫• ﻃﺒﻌﺔ ﺩﺍﺭ ﺍﻟﻘﻠﻢ ‪ -‬ﺑﲑﻭﺕ ‪١٩٩٠‬ﻡ‪) .‬ﺧﺮ‪‬ﺝ ﺁﻳﺎﺗﻪ‪ ،‬ﻭﺿﺒﻄﻪ ﺇﺑﺮﺍﻫﻴﻢ ﺭﻣﻀﺎﻥ(‪.‬‬
‫• ﻃﺒﻌﺔ ﺩﺍﺭ ﺍﻟﻔﺠﺮ ﻟﻠﺘ‪‬ﺮﺍﺙ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ٢٠٠٣‬ﻡ‪.‬‬
‫• ﻃﺒﻌﺔ ﺩﺍﺭ ﺍﻟﻘﻠﻢ ﺍﻟﻌﺮ ‪‬‬
‫ﰊ ‪ -‬ﺣﻠﺐ ‪٢٠٠٣‬ﻡ ‪) .‬ﲢﻘﻴﻖ ﺩ‪ .‬ﳏﻤ‪‬ﺪ ﺣ‪‬ﺴﲏ ﻣ‪‬ﺼﻄﻔﻰ(‪.‬‬
‫)‪ (١٦‬ﻏﺎﻳﺔ ﺍﻟﺘ‪‬ﺤﺮﻳﺮ ﰲ ﻧﺴﺐ ﻗﻄﺐ ﺍﻟﻌﺼﺮ ﻏﻮﺙ ﺍﻟﺰ‪‬ﻣﺎﻥ ﺳﻴ‪‬ﺪﻧﺎ ﺃﲪﺪ ﺍﻟﺮ‪‬ﻓﺎﻋ ‪‬ﻲ‬
‫ﺍﻟﻜﺒﲑ‪ :‬ﻃﹸﺒﻊ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﰲ ﺍﳌﻄﺒﻌﺔ ﺍﻟﻌﻤﻮﻣﻴ‪‬ﺔ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪١٣١٥‬ﻫ ‪١٨٩٩ /‬ﻡ‪.‬‬
‫)‪ (١٧‬ﺍﻟﻔﺮﻕ ﺑﲔ ﺍﻟﺘ‪‬ﺎﺀ ﻭﺍﻟﺜﱠﺎﺀ‪ :‬ﰲ ﺍﻟﻠﱡﻐﺔ‪.‬‬
‫)‪ (١٨‬ﺍﻟﻔﺮﻕ ﺑﲔ ﺍﻟﺪ‪‬ﺍﻝ ﻭﺍﻟﺬﱠﺍﻝ‪ :‬ﰲ ﺍﻟﻠﱡﻐﺔ‪.‬‬
‫)‪ (١٩‬ﻗﻼﺩﺓ ﺍﻟ ‪‬ﺪ ‪‬ﺭ ﺍﳌﻨﺜﻮﺭ ﰲ ﺫﻛﺮ ﺍﻟﺒﻌﺚ ﻭﺍﻟﻨ‪‬ﺸﻮﺭ‪ :‬ﻣﻨﻈﻮﻣ ﹲﺔ ﻃﹸﺒﻌﺖ ﰲ‬
‫ﺍﻟﻘﺎﻫﺮﺓ ﺳﻨﺔ ‪ ١٢٨٨‬ﻫ ‪ ١٨٧١ /‬ﻡ‪.‬‬
‫)‪ (٢٠‬ﻛﺘﺎﺏ ﳎﻤﻮﻉ ﻭﺷﺄﻥ ﻣﺮﻓﻮﻉ ﰲ ﺍﳊﻜﻤﺔ ﺍﻟﻨ‪‬ﺒﻮﻳ‪‬ﺔ ﻭﺍﻷﺳﺮﺍﺭ‬
‫ﺍﻹﳍﻴ‪‬ﺔ‪ :‬ﺭﺳﺎﺋﻞ ﰲ ﺍﻟﻜﻴﻤﻴﺎﺀ‪ ،‬ﺷﺎﺭﻛﻪ ﻓﻴﻬﺎ ﻏ ‪‬ﲑ ﻣﺆﻟﱢﻒ‪.‬‬
‫)‪ (٢١‬ﺍﻟﻜﻔﺎﻳﺔ ﰲ ﺗﻔﺴﲑ ﺍﻟﻘﺮﺁﻥ‪ :‬ﺍﺧﺘﺼﺮﻩ ﻣﻦ ﻛﺘﺎﺏ ﺍﳍﺪﺍﻳﺔ ﰲ ﺗﻔﺴﲑ‬
‫ﱐ )ﺕ‪ ٤٣٧ :‬ﻫ)‪.‬‬‫ﺍﻟﻘﺮﺁﻥ ﳌﻜ ‪‬ﻲ ﺍﻟﻘﻴﺴ ‪‬ﻲ ﺍﻟ ﹶﻘﻴ‪‬ﺮﻭﺍ ﹼ‬
‫ﺨﻤ‪‬ﺲ ﰲ ﺍﻟﻨ‪‬ﺤﻮ‪ :‬ﻛﺘﺎﺏ ﻧﻈﻢ ﻓﻴﻪ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﲏ ﺷﺮﺡ ﺍﺑﻦ ﺍﻟﻨ‪‬ﺎﻇﻢ )‪٦٨٦‬ﻫ)‬ ‫)‪ (٢٢‬ﺍﹸﳌ ‪‬‬
‫ﻷﻟﻔﻴ‪‬ﺔ ﻭﺍﻟﺪﻩ )ﺕ‪ ٦٧٢ :‬ﻫ) ﺍﳌﻮﺳﻮ ‪‬ﻡ ﺑﺎﻟ ‪‬ﺪﺭ‪‬ﺓ ﺍﳌﹸﻀﻴ‪‬ﺔ ﰲ ﺷﺮﺡ ﺍﻷﻟﻔﻴ‪‬ﺔ‪ .‬ﻭﳍﺬﺍ‬
‫ﺍﳌﹸﺨﻤ‪‬ﺲ ﻏ ‪‬ﲑ ﺷﺮﺡ‪ ،‬ﻓﻤﻦ ﺫﻟﻚ‪ :‬ﺷﺮﺡ ﺃﰊ ﺍﻟﻌ ‪‬ﺰ ﻋﻠ ‪‬ﻲ ﺑﻦ ﺧﻠﻴﻞ ﺍﻟﺒﺴﺘﺎﱐﹼ‪ ،‬ﻭﺷﺮﺡ‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٥٩٦‬‬

‫ﺁﺧﺮ ‪‬ﻬﻮﻝ‪ ،‬ﻭﻣﻨﻪ ﻧ‪‬ﺴﺨ ﹲﺔ ﰲ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ‪ ،‬ﲢﺖ ﺭﻗﹾﻢ‪ ،١٠٥١٨ :‬ﰲ ‪ ١٩‬ﻭﺭﻗﺔ)‪.(٩‬‬
‫ﻼ‪.‬‬‫)‪ (٢٣‬ﻣ‪‬ﺮﺑ‪‬ﻌﺎﻥ ﰲ ﺍﳌﹸﺜﻠﱠﺜﺎﺕ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ‪ :‬ﻭﺳﻴﺄﰐ ﺍﳊﺪﻳﺚ ﻋﻨﻬﻤﺎ ﺑﻌ ‪‬ﺪ ﻣ‪‬ﻔ ‪‬‬
‫ﺼﹰ‬
‫)‪ (٢٤‬ﺍﳌﺼﺒﺎﺡ ﺍﳌﹸﻨﲑ ﰲ ﻋﻠﻢ ﺍﻟﺘ‪‬ﻔﺴﲑ‪ :‬ﰲ ﻣ‪‬ﺠﻠﱠﺪﻳﻦ‪.‬‬
‫)‪ (٢٥‬ﺍﹶﳌ ﹾﻘﺼِﺪ ﺍﻷﺳﲎ ﰲ ﺷﺮﺡ ﺃﲰﺎﺀ ﺍﷲ ﺍﳊﹸﺴﲎ‪ :‬ﻃﹸﺒﻊ ﰲ ﺍﻟﻘﺎﻫﺮﺓ ﺳﻨﺔ‬
‫‪١٣٣٠‬ﻫ‪١٩١١ /‬ﻡ‪.‬‬
‫)‪ (٢٦‬ﺍﳌﻮﺍﻟﻴﺪ ﻭﺍﻟﻄﱠﻮﺍﻟﻊ‪.‬‬
‫ﺸﻜِﻞ ﺍﳌﹸﺜﻠﱠﺚ‪ :‬ﻛﺬﺍ‪ .‬ﻭﰲ ﺑﻌﺾ ﺍﳌﺼﺎﺩﺭ‪ :‬ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻟﹸﻐﻮﻳ‪‬ﺔ‪.‬‬
‫)‪ (٢٧‬ﺍ ﹸﳌ ‪‬ﻮﺭ‪‬ﺙ ﹸﳌ ‪‬‬
‫ﻭﻫﻮ ﺷﺮﺡ ﻣﻨﻈﻮﻡ ﳌﹸﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮﺏ ﺍﳌﻌﺮﻭﻓﺔ‪ .‬ﻃﹸﺒﻊ ﺃ ‪‬ﻭ ﹰﻻ ﰲ ﻓﺎﺱ ﺳﻨﺔ ‪١٣١٧‬ﻫ‪/‬‬
‫‪١٨٩٩‬ﻡ‪ ،‬ﹼﰒ ﻧﺸﺮﻩ ﻟﻮﻳﺲ ﺷﻴﺨﻮ ﻣ‪‬ﺤ ﱠﻘﻘﹰﺎ ﰲ ﳎﻠﱠﺔ ﺍﳌﺸﺮﻕ ﺍﻟﺒﲑﻭﺗﻴ‪‬ﺔ ‪ -‬ﻣﺞ‪/١٢ :‬‬
‫ﻉ‪ ١٩٠٩ /٩ :‬ﻡ )ﺹ‪ ،(٦٩٢ - ٦٨٥ :‬ﻭﺃﻋﺎﺩ ﻧﺸﺮﻩ ﻋﺒﺪ ﺍﷲ ﻛﻨﻮﻥ ﺑﻌﻨﻮﺍﻥ‪:‬‬
‫ﻧﻈﻢ ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮﺏ ﻭﺷﺮﺣﻪ ﰲ ﳎﻠﱠﺔ ﺍﳌﻨﺎﻫﻞ ﺍﳌﻐﺮﺑﻴ‪‬ﺔ ‪ -‬ﻉ‪ ١٩٧٥ / ٣ :‬ﻡ‬
‫)ﺹ‪ .(١٨ - ٥ :‬ﻭﻗﺪ ﻧﻔﻰ ﻛﻨﻮﻥ ﺃﻥ ﻳﻜﻮﻥ ﺍﻟﻜﺘﺎﺏ ﻟﻌﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﺪ‪‬ﻳﺮﻳﲏ‪،‬‬
‫ﰊ )ﺕ‪٩٦٤ :‬ﻫ)‪ ،‬ﻳﺪﻟﱡ ‪‬ﻪ ﻋﻠﻰ ﺫﻟﻚ ﺃﻧ‪‬ﻪ ﺟﺎﺀ‬‫ﻭﺇﻧ‪‬ﻤﺎ ﻫﻮ ﻟﻌﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍ ِﳌﻜﹾﻨﺎﺳ ‪‬ﻲ ﺍﳌﻐﺮ ‪‬‬
‫ﰲ ﺁﺧﺮ ﺍﻟﺸ‪‬ﺮﺡ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻮﺍﺿﺤﺔ ﺇﱃ ﺃ ﱠﻥ ﺻﺎﺣﺐ ﺍﻟﻜﺘﺎﺏ ﻣﻐﺮﰊ‪ ،‬ﰲ ﺣﲔ ﺃ ﱠﻥ‬
‫ﻚ‪.‬‬
‫ﲏ ﻣﺼﺮﻱ‪ ،‬ﻻ ﻳﺮﻗﻰ ﺇﱃ ﺫﻟﻚ ﺷ ‪‬‬ ‫ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﰲ ﰲ ﻣﻌﺮﻓﺔ ﺍﻟﻠﱠﺤﻦ ﺍﳋﻔ ‪‬ﻲ‪.‬‬
‫)‪ (٢٨‬ﻣﻴﺰﺍﻥ ﺍﻟﻮ ﹼ‬
‫)‪ (٢٩‬ﻧﺮﺟﺲ ﺍﻟﻘﻠﻮﺏ‪.‬‬
‫)‪ (٣٠‬ﻧﻈﻢ ﺍﻟﺴ‪‬ﲑﺓ ﺍﻟﻨ‪‬ﺒﻮﻳ‪‬ﺔ ﻻﺑﻦ ﻫﺸﺎﻡ )ﺕ‪ ٢١٨ :‬ﻫ)‪.‬‬

‫ﲏ‬
‫ﺖ‪ :‬ﻭﱂ ﻳﻘﺘﺼﺮ ﲣﻤﻴﺲ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬ ‫)‪ (٩‬ﻓﻬﺮﺱ ﳐﻄﻮﻃﺎﺕ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ‪ :‬ﺍﻟﻨ‪‬ﺤﻮ‪ .٤٥٩ - ٤٥٨ /‬ﻗﻠ ‪‬‬
‫ﻋﻠﻰ ﺍﻟ ‪‬ﺪﺭ‪‬ﺓ ﺍﳌﹸﻀﻴ‪‬ﺔ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﲬﱠﺲ ﺃﻳﻀ‪‬ﺎ ﻗﺼﻴﺪﺓ ﺍﻟﺘ‪‬ﻬﺎﻣ ‪‬ﻲ ﰲ ﺭﺛﺎﺀ ﺍﺑﻨﻪ‪ ،‬ﻓﺎﻧﻈﺮ‪ :‬ﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ‬
‫ﻟﻠﺴ‪‬ﺒﻜ ‪‬ﻲ ‪.٢٠٣ - ٢٠٢ /٨‬‬
‫‪٥٩٧‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫)‪ (٣١‬ﻧﻈﻢ ﻏﺮﻳﺐ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻌﻈﻴﻢ‪ :‬ﻛﺬﺍ‪ .‬ﻭﰲ ﻣ‪‬ﻌﺠﻢ ﺍﳌﹸﺆﻟﱢﻔﲔ ‪:١٥٧ /٢‬‬
‫ﻣ‪‬ﺸﻜﻞ ﺍﻟﻘﺮﺁﻥ‪ .‬ﻭﺳﻮﺍ ٌﺀ ﺃﻛﺎﻥ ﺍﻟﻨ‪‬ﻈﻢ ﻟﻠﻐﺮﻳﺐ ﺃﻡ ﻟﻠﻤ‪‬ﺸﻜﻞ‪ ،‬ﻓﺈ ﱠﻥ ﺍﳌﺼﺎﺩﺭ ﱂ ﺗﻘﻔﻨﺎ‬
‫ﻋﻠﻰ ﺻﺎﺣﺒﻬﻤﺎ‪.‬‬
‫ﱄ‪ :‬ﻳﻘﻊ ﻫﺬﺍ ﺍﻟﻨ‪‬ﻈﻢ ﰲ ﺃﻛﺜﺮ ﻣﻦ ‪ ٥٠٠٠‬ﺑﻴﺖ ﻋﻠﻰ‬
‫)‪ (٣٢‬ﻧﻈﻢ ﻭﺟﻴﺰ ﺍﻟﻐﺰﺍ ﹼ‬
‫ﺣﺮﻑ ﺍﻟﺮ‪‬ﺍﺀ‪ .‬ﻛﺬﺍ ﰲ ﺃﻏﻠﺐ ﻣﺼﺎﺩﺭ ﺗﺮﲨﺔ ﺍﻟﺪ‪‬ﻳﺮﻳﲏ‪ .‬ﻭﰲ ﻛﺸﻒ ﺍﻟﻈﱡﻨﻮﻥ ‪/ ٢‬‬
‫ﱄ )ﺕ‪ ٥٠٥ :‬ﻫ)‪:‬‬‫‪)) :٢٠٠٢‬ﺍﻟﻮﺟﻴﺰ ﰲ ﺍﻟﻔﺮﻭﻉ ﻟﻺﻣﺎﻡ ‪‬ﺣﺠ‪‬ﺔ ﺍﻹﺳﻼﻡ ﺃﰊ ﺣﺎﻣﺪ ﺍﻟﻐﺰﺍ ﹼ‬
‫ﺃﺧﺬﻩ ﻣﻦ ﺍﻟﺒﺴﻴﻂ ﻭﺍﻟﻮﺳﻴﻂ ﻟﻪ‪ ،‬ﻭﺯﺍﺩ ﻓﻴﻪ ﺃﻣﻮﺭ‪‬ﺍ‪ ،‬ﻭﻫﻮ ﻛﺘﺎﺏ ﺟﻠﻴﻞ ﻋ‪‬ﻤﺪﺓ ﰲ‬
‫ﻣﺬﻫﺐ ﺍﻟﺸ‪‬ﺎﻓﻌﻲ‪ ،‬ﻭﻗﺪ ﺍﻋﺘﲎ ﺑﻪ ﺍﻷﺋﻤ‪‬ﺔ‪ ،‬ﻓﺸﺮﺣﻮﻩ‪ ،‬ﻭﻧﻈﻤﻮﻩ‪ ،‬ﻭﺍﺧﺘﺼﺮﻭﻩ‪ .‬ﻓﻤﻤ‪‬ﻦ‬
‫ﺍﺧﺘﺼﺮﻩ‪ :‬ﺗﺎﺝ ﺍﻟﺪ‪‬ﻳﻦ ﻋﺒﺪ ﺍﻟﺮ‪‬ﺣﻴﻢ ﺑﻦ ﳏﻤ‪‬ﺪ ﺑﻦ ‪‬ﻣ‪‬ﻨ ‪‬ﻌ ﹶﺔ ﺍ ﹶﳌ ‪‬ﻮﺻِﻠ ‪‬ﻲ )ﺕ‪ ٦٧١ :‬ﻫ)‪،‬‬
‫ﲏ((‪.‬‬
‫ﻭﲰ‪‬ﺎﻩ‪ :‬ﺍﻟﺘ‪‬ﻌﺠﻴﺰ ﰲ ﻣ‪‬ﺨﺘﺼﺮ ﺍﻟﻮﺟﻴﺰ‪ ،‬ﻭﻧﻈ ‪‬ﻢ ﺍﻟﺘ‪‬ﻌﺠﻴ ‪‬ﺰ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﱄ‪ :‬ﱂ ﻳ‪‬ﻜﻤﻠﻪ‪.‬‬
‫)‪ (٣٣‬ﻧﻈﻢ ﺍﻟﻮﺳﻴﻂ ﻟﻠﻐﺰﺍ ﹼ‬
‫)‪ (٣٤‬ﺍﻟﻮﺳﺎﺋﻞ ﺍﻹﳍﻴ‪‬ﺔ ﻭﺍﻟﺮ‪‬ﺳﺎﺋﻞ ﺍﳌﹸﺤﻤ‪‬ﺪﻳ‪‬ﺔ‪ :‬ﰲ ﺍﻟﺘ‪‬ﻮﺣﻴﺪ‪ .‬ﻭﰲ ﺑﻌﺾ‬
‫ﺍﳌﺼﺎﺩﺭ ﻭﺭﺩ ﻫﺬﺍ ﺍﻟﻜﺘﺎﺏ ﺑﺎﺳﻢ‪ :‬ﺍﻟﻮﺳﺎﺋﻞ ﻭﺍﻟﺮ‪‬ﺳﺎﺋﻞ‪ .‬ﻭﻫﻲ ﺗﺴﻤﻴﺔ ﻗﺎﺋﻤﺔ ﻋﻠﻰ‬
‫ﺍﻹﳚﺎﺯ ﻟﻴﺲ ﺇ ﱠﻻ‪.‬‬
‫)‪ (٣٥‬ﺍﻟﻴﻮﺍﻗﻴﺖ ﰲ ﻋﻠﻢ ﺍﳌﻮﺍﻗﻴﺖ‪ :‬ﺃﹸﺭﺟﻮﺯﺓ ﰲ ﺍﻟﻔﻠﻚ‪ ،‬ﻧﻈﻤﻬﺎ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﲏ‬
‫ﻳﻮﻡ ﻋﻴﺪ ﺍﻟﻨ‪‬ﲑﻭﺯ ﺍﻟﺴ‪‬ﺒﺖ ﺳﻨﺔ ‪٦٧٥‬ﻫ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٥٩٨‬‬

‫)‪(٢‬‬
‫‪‬ﻣ ‪‬ﺮﺑ‪‬ﻊ ﰲ ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮ‪‬ﺏ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ‬
‫ﺃ‪ -‬ﺩﺭﺍﺳﺔ ﺍ ﹸﳌ ‪‬ﺮﺑ‪‬ﻊ‬
‫ﻱ ﻋﻨﺪ ﺍﻟﻌﺮﺏ‪ ،‬ﻭﻫﻲ ﻓﻦ‪ ‬ﳚﻨ ‪‬ﺢ‬ ‫ﺍﳌﹸﺜﻠﱠﺜﺎﺕ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ ﻣﻈﻬﺮ ﻣﻦ ﻣﻈﺎﻫﺮ ﺍﻟﺪ‪‬ﺭﺱ ﺍﻟﻠﱡﻐﻮ ‪‬‬
‫ﻼ‪ .‬ﻗﺎﻝ ﺍﺑﻦ ﻣﺎﻟﻚ ﰲ ﺇﻛﻤﺎﻟﻪ ‪،٣ /١‬‬ ‫ﺇﻟﻴﻪ ﻛﻞﱡ ﻣﻦ ﺃﺭﺍﺩ ﺃﻥ ﻳﺘ‪‬ﺨﺬ ﺇﱃ ﺍﻷﺩﺏ ﺳﺒﻴ ﹰ‬
‫ﻳ‪‬ﻮﺿ‪‬ﺢ ﻫﺬﻩ ﺍﳊﻘﻴﻘﺔ‪)) :‬ﻓﺈ ﱠﻥ ﺗﺜﻠﻴﺚ ﺍﻟ ﹶﻜﻠِﻢ ﻓﻦ‪ ،‬ﲤﻴﻞ ﻧﻔﻮﺱ ﺍﻷﺫﻛﻴﺎﺀ ﺇﻟﻴﻪ‪ ،‬ﻭﻳ‪‬ﻌﺬﹶﺭ ﻣﻦ‬
‫ﻱ ﺣﺮﺻﻪ ﻋﻠﻴﻪ؛ ﻓﺈ ﱠﻥ ﻓﻮﺍﺋﺪﻩ ﰲ ﺳﺒﻞ ﺍﻷﺩﺏ ﻛﺜﲑﺓ‪ ،‬ﻭﺇﺻﺎﺑﺔ ﺍﻟﻨ‪‬ﻔﻊ ﺑﻪ ﻏﲑ ﻋﺴﲑﺓ‪.‬‬ ‫ﻗﻮ ‪‬‬
‫ﻓﻤﻦ ﻓﻮﺍﺋﺪﻩ ﺍﻧﻘﻴﺎﺩ ﺍﳌﹸﺘﺠﺎﻧﺴﺎﺕ ﻟﻄﺎﻟﺒﻴﻬﺎ‪ ،‬ﻭﺍﻣﺘﻴﺎﺯ ﺍ ﹸﳌﹾﻠ‪‬ﺘﺒِﺴﺎﺕ ﺑﻜﺸﻒ ﻣﻌﺎﻧﻴﻬﺎ((‪.‬‬
‫ﻭﺃﻭ‪‬ﻝ ﻣﻦ ﻓﺘﺢ ﳍﺬﺍ ﺍﻟﻔ ‪‬ﻦ ﺑﺎﺑﻪ ﺇﻣﺎ ‪‬ﻡ ﺍﻟﻠﱡﻐﺔ ﺃﺑﻮ ﻋﻠ ‪‬ﻲ ﳏﻤ‪‬ﺪ ﺑﻦ ﺍﳌﹸﺴﺘﻨﲑ ﺍﳌﻌﺮﻭﻑ‬
‫ﺑ ﹸﻘ ﹾﻄﺮ‪‬ﺏ )ﺕ‪ ٢٠٦ :‬ﻫ)‪ ،‬ﻓﻌﻤﻞ ﻛﺘﺎﺑ‪‬ﺎ ﻣﻨﺜﻮﺭ‪‬ﺍ ﰲ ﺍ ﹸﳌﹶﺜﻠﱠﺜﺎﺕ ﺻﻐﲑ‪‬ﺍ‪ ،‬ﻛﺎﻥ ﻟـﻪ ﻓﻴـﻪ‬
‫ﻓﻀﻴﻠﺔ ﺍﻟﺴ‪‬ﺒﻖ)‪(١٠‬ﻻ ﺍﻻﺳﺘﻴﻌﺎﺏ؛ ﺫﻟﻚ ﺃ ﱠﻥ ﻛﺘﺎﺑﻪ ﱂ ﳛ ِﻮ ﺃﻛﺜﺮ ﻣﻦ ‪ ٣٢‬ﻣ‪‬ﺜﱠﻠﺜﹰﺎ‪ ،‬ﻭﻣﻊ‬
‫ﺫﻟﻚ ﻓﻘﺪ ﻧﺎﻝ ﻋﲔ ﺍﻟﺮ‪‬ﺿﺎ ﻋﻨﺪ ﺍﻷﺋﻤ‪‬ﺔ ﺍﻟﻌ‪‬ﻠﻤﺎﺀ‪ ،‬ﻓﺘﻨﺎﻭﻟﻮﻩ ﺑﺎﻟﺸ‪‬ﺮﺡ ﻭﺍﻟـﻨ‪‬ﻈﻢ ﻭﻣـﺎ‬
‫ﻲ )ﺕ‪ ٦٨٥ :‬ﻫ)‪ ،‬ﻭﺇﺑـﺮﺍﻫﻴ ‪‬ﻢ‬ ‫ﺴ‪‬‬‫ﺇﻟﻴﻬﻤﺎ)‪ .(١١‬ﻓﻤﻦ ﺍﻟﺬﻳﻦ ﻧﻈﻤﻮﻩ‪ :‬ﺳﺪﻳ ‪‬ﺪ ﺍﻟﺪ‪‬ﻳﻦ ﺍﻟ‪‬ﺒ ‪‬ﻬ‪‬ﻨ ِ‬

‫)‪ (١٠‬ﻭﻓﻴﺎﺕ ﺍﻷﻋﻴﺎﻥ ‪.٣١٢ /٤‬‬

‫)‪ (١١‬ﲢﺴﻦ ﺍﻹﺷﺎﺭﺓ ﻫﻨﺎ ﺇﱃ ﺃ ﱠﻥ ﺣﺎﺟﻲ ﺧﻠﻴﻔﺔ ﻗﺪ ﻭﻫ ‪‬ﻢ ﰲ ﻛﺸﻔﻪ ‪،١٥٨٧ - ١٥٨٦ /٢‬‬
‫ﺐ ‪ ...‬ﺍﱁ‪ .‬ﻭﺍﳊ ‪‬ﻖ ﺃ ﱠﻥ‬ ‫ﻓﺠﻌﻞ ﻣﺜﻠﱠﺚ ﻗﹸﻄﺮ‪‬ﺏ ﻛﺘﺎﺑ‪‬ﺎ ﻣﻨﻈﻮﻣ‪‬ﺎ ﻻ ﻣﻨﺜﻮﺭ‪‬ﺍ‪ ،‬ﺃﻭ‪‬ﹸﻟ ‪‬ﻪ‪ :‬ﻳﺎ ﻣ‪‬ﻮﻟﻌ‪‬ﺎ ﺑﺎﻟﻐﻀ ِ‬
‫ﺍﳌﻨﻈﻮﻣﺔ ﺍﻟﱵ ﺗﺒﺪﺃ ‪‬ﺬﺍ ﺍﳌﻄﻠﻊ ﻫﻲ ﻟﺴﺪﻳﺪ ﺍﻟﺪ‪‬ﻳﻦ ﺃﰊ ﺍﻟﻘﺎﺳﻢ ﻋﺒﺪ ﺍﻟﻮﻫ‪‬ﺎﺏ ﺑﻦ ﺍﳊﺴﲔ‬
‫ﺍﻟﻮﺭ‪‬ﺍﻕ ﺍﻟ‪‬ﺒ ‪‬ﻬﻨ‪‬ﺴ ‪‬ﻲ )ﺕ‪ ٦٨٥ :‬ﻫ)‪ ،‬ﻧﻈﻢ ﻓﻴﻬﺎ ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮ‪‬ﺏ ﺍﻟﻨ‪‬ﺜﺮﻳ‪‬ﺔ‪ .‬ﻭﺗﺎﺑﻊ ﺣﺎﺟﻲ ﰲ ﻫﺬﺍ‬
‫ﺍﻟﻮﻫﻢ ﺍﻟ ِﻘﻨ‪‬ﻮﺟ ‪‬ﻲ ﰲ ﺍﻟﺒ‪‬ﻠﻐﺔ‪ ،٤٩١ /‬ﻭﻟﻮﻳﺲ ﺷﻴﺨﻮ ﺍﻟﺬﻱ ﺣﻘﱠﻖ ﻣﻨﻈﻮﻣﺔ ﺳﺪﻳﺪ ﺍﻟﺪ‪‬ﻳﻦ ﻋﻠﻰ‬
‫ﺃﻧ‪‬ﻬﺎ ِﻟﻘﹸ ﹾﻄﺮ‪‬ﺏ‪ ،‬ﻣﻊ ﺷﺮﺣﻬﺎ ﻧﻈﻤ‪‬ﺎ ‪‬ﻬﻮﻝ‪ ،‬ﻓﺒﻴ‪‬ﻦ ﻟﻪ ﺍﻟﻌﻼﱠﻣﺔ ﺃﲪﺪ ﺗﻴﻤﻮﺭ ﺑﺎﺷﺎ ﺃ ﱠﻥ ﺍﳌﻨﻈﻮﻣﺔ‬
‫ﻱ )ﺕ‪ ٧٣٨ :‬ﻫ) ‪.‬‬ ‫ﻟﺴﺪﻳﺪ ﺍﻟﺪ‪‬ﻳﻦ ﻻ ﻟﻘﹸﻄﺮ‪‬ﺏ‪ ،‬ﻭﺃ ﱠﻥ ﺍﻟﺸ‪‬ﺎﺭﺡ ﺍ‪‬ﻬﻮﻝ ﳍﺎ ﻫﻮ ﺍﺑﻦ ﺍﻟﺒﺎﺭﺯ ‪‬‬
‫ﻓﺎﻧﻈﺮ‪ :‬ﳎﻠﱠﺔ ﺍﳌﺸﺮﻕ ‪ -‬ﻣﺞ‪ /١١ :‬ﻉ‪ ٧ :‬ﻭ‪١٩٠٨ /١٢‬ﻡ‪) .‬ﺹ‪ ٥٢٢ - ٥١٦ :‬ﻭ‪٩٥٨‬‬
‫ﺤﺪ‪‬ﺙ‪ ،‬ﻓﺘﻨﺒ‪‬ﻬﻮﺍ ﳍﺬﺍ ﺍﻟﻮﻫﻢ ﺍﳌﹸﺸﺎﺭ ﺇﻟﻴﻪ ﺁﻧﻔﹰﺎ‪،‬‬ ‫‪ .(٩٦٠ -‬ﻭﻗﺪ ﺗﺎﺑﻊ ﺃﲪﺪ ﺗﻴﻤﻮﺭ ﻏ ‪‬ﲑ ﺩﺍﺭﺱ ‪‬ﻣ ‪‬‬
‫ﻭﺑﻴ‪‬ﻨﻮﺍ ﻭﺟﻪ ﺍﻟﺼ‪‬ﻮﺍﺏ ﰲ ﺫﻟﻚ‪ ،‬ﻓﺎﻧﻈﺮ‪ :‬ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮ‪‬ﺏ )ﲢﻘﻴﻖ ﺭﺿﺎ ﺍﻟﺴ‪‬ﻮﻳﺴﻲ(‪،١٥ /‬‬
‫‪٥٩٩‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﻱ )ﺕ‪ ١١٠٠ :‬ﻫ) ‪ . ...‬ﻭﻣﻦ ﺍﻟﺬﻳﻦ ﺷﺮﺣﻮﻩ‪ :‬ﺿﻴﺎ ُﺀ ﺍﻟﺪ‪‬ﻳﻦ ﺃﺑﻮ ﺍﻟﻌـ ‪‬ﺰ‬ ‫ﺍﻷﺯﻫﺮ ‪‬‬
‫ﻱ ﺍﳊﻨﺒﻠ ‪‬ﻲ )ﺕ‪ ٥٨٣ :‬ﻫ )‪ ،‬ﻭﺟﻼﻝ ﺍﻟﺪ‪‬ﻳﻦ ﺍﻟﺴ‪‬ﻴﻮﻃ ‪‬ﻲ )ﺕ‪:‬‬ ‫ﻋﺒﺪ ﺍﳌﹸﻐﻴﺚ ﺍﻟﺒﻐﺪﺍﺩ ‪‬‬
‫‪ ٩١١‬ﻫ) ‪. ...‬‬
‫ﻋﻠﻰ ﺃ ﱠﻥ ﻣﻦ ﺍﻟﻌﻠﻤﺎﺀ ﻣﻦ ﺍﺗ‪‬ﺨﺬ ﻣ‪‬ﺜﻠﱠﺚ ﻗﹸﻄﺮ‪‬ﺏ ﻧﻮﺍ ﹰﺓ ﻟﺘﺄﻟﻴﻒ ﻛﺘﺎﺏ ﻛـﺒﲑ ﰲ‬
‫ﺐ ﻓﻴﻪ ﻣﺎ ﺃﺗﻰ ﻋﻠﻴﻪ ﻗﹸﻄﺮ‪‬ﺏ‪ ،‬ﻭﻳﺰﻳ ‪‬ﺪ ﻋﻠﻴﻪ ﺃﺷﻴﺎﺀ ﻭﺃﺷـﻴﺎﺀ‪ .‬ﻭﻣـﻦ‬ ‫ﺍﳌﹸﺜﻠﱠﺜﺎﺕ‪ ،‬ﻳﺴﺘﻮﻋ ‪‬‬
‫ﺍﻟﻜﺘﺐ ﺍﻟﻨ‪‬ﺎﻓﻌﺔ ﰲ ﻫﺬﺍ ﺍﳌﻀﻤﺎﺭ‪ :‬ﺍﳌﹸﺜﻠﱠﺚ ﻻﺑﻦ ﺍﻟﺴ‪‬ﻴﺪ ﺍﻟ‪‬ﺒ ﹶﻄﹾﻠﻴ‪‬ﻮﺳ ‪‬ﻲ )ﺕ‪ ٥٢١ :‬ﻫ )‪،‬‬
‫ﻭﺇﻛﻤﺎﻝ ﺍﻹﻋﻼﻡ ﺑﺘﺜﻠﻴﺚ ﺍﻟﻜﻼﻡ ﻻﺑﻦ ﻣﺎﻟﻚ )ﺕ‪٦٧٢ :‬ﻫ )‪ ،‬ﻭﺍﳌﹸﺜﻠﱠﺚ ﺍﳌﹸﺨﺘﻠـﻒ‬
‫ﻱ )ﺕ‪ ٨١٧ :‬ﻫ) ‪ ...‬ﺍﱁ‪ .‬ﻭﻻ ﺃﹸﺭﻳﺪ ﺑﻌ ‪‬ﺪ ﰲ ﻫـﺬﺍ ﺍﳌﻘـﺎﻝ ﺃﻥ‬ ‫ﺍﳌﻌﲎ ﻟﻠﻔﲑﻭﺯﺁﺑﺎﺩ ‪‬‬
‫ﺃﺑﺴﻂ ﺍﻟﻘﻮﻝ ﰲ ﺗﺮﺍﺙ ﺍﳌﹸﺜﻠﱠﺜﺎﺕ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ ﺑﻨﻮﻋﻴﻬﺎ ﺍ ﹸﳌﺘ‪‬ﻔﻘﺔ ﺍﳌﻌﲎ ﻭﻛﺬﺍ ﺍﳌﹸﺨﺘﻠﻔﺔ؛ ﻷﻧ‪‬ﻪ‬
‫ﻣﺎ ﻣﻦ ﺑﺎﺣﺚ ﺣﻘﱠﻖ ﻛﺘﺎﺑ‪‬ﺎ ﰲ ﺍﳌﹸﺜﻠﱠﺚ ﺃﻭ ﻣﻨﻈﻮﻣﺔ ﺃﻭ ﺷﺮﺣ‪‬ﺎ ﺇ ﱠﻻ ﺃﺗﻰ ﻋﻠـﻰ ﻫـﺬﺍ‬
‫ﺍﻟﺘ‪‬ﺮﺍﺙ ﲟﺎ ﻓﻴﻪ ﺍ ﹶﳌ ﹾﻘﻨ‪‬ﻊ ﻭﺍﻟﻜﻔﺎﻳﺔ‪ ،‬ﻓﻼ ﺣﺎﺟ ﹶﺔ ﰊ ﺇﱃ ﺃﻥ ﺃﹸﻛﺮ‪‬ﺭ ﻫﻨﺎ ﻣﺎ ﻛﺎﻥ ﻗﺪ ﻗـﺎﻟﻮﻩ‬
‫ﲏ ‪ -‬ﺭﲪﻪ ﺍﷲ ‪ -‬ﻛﺎﻥ ﳑ‪‬ﻦ ﺷـﺎﺭﻙ‬ ‫ﻫﻨﺎﻙ)‪ ،(١٢‬ﻭﺇﻧ‪‬ﻤﺎ ﺣﺴﱯ ﺃﻥ ﺃﹸﺷ ‪‬ﲑ ﺇﱃ ﺃ ﱠﻥ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﰲ ﻫﺬﺍ ﺍﻟﺘ‪‬ﺮﺍﺙ‪ ،‬ﻓﻌﻤﻞ ﻣ‪‬ﺮﺑ‪‬ﻌﲔ ﰲ ﺍﳌﹸﺜﻠﱠﺜﺎﺕ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ‪ :‬ﺍﻷﻭ‪‬ﻝ ﻣﻨﻬﻤﺎ ﺍﺳـﺘﻮﻋﺐ ﻓﻴـﻪ‬
‫ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮ‪‬ﺏ‪ ،‬ﻭﺍﻟﺜﱠﺎﱐ ﺿ ‪‬ﻢ ﺑﲔ ﺩﻓﱠﺘﻴﻪ ﺃﻟﻔﺎﻇﹰﺎ ﻣ‪‬ﺜﻠﱠﺜﺔﹰ‪ ،‬ﺍﺧﺘﺎﺭﻫﺎ‪ .‬ﻓﻤﺎﺫﺍ ﻋـﻦ ﻫـﺬﻳﻦ‬
‫ﺍﳌﹸﺮﺑ‪‬ﻌﲔ؟‬
‫ﻟﻌﻠﱠﻪ ﻣﻦ ﺍﳌﹸﺴﺘﺤﺴﻦ ﻗﺒﻞ ﺍﳊﺪﻳﺚ ﻋﻦ ﺍ ﹸﳌﺮﺑ‪‬ﻌﲔ ﺃﻥ ﻧﻌﻮﺩ ﺃﺩﺭﺍﺟﻨﺎ ﺇﱃ ﺍﳌﹸﺜﻠﱠﺚ‬
‫ﻋﻴﻨﻪ ﺃ ‪‬ﻭﻻﹰ‪ ،‬ﻓﻤﺎﺫﺍ ﻳﻌﲏ ﺍﺍﳌﹸﺜﻠﱠﺚ ﺍﻟﺬﻱ ﻭﲰﻨﺎﻩ ﻗﺒ ﹸﻞ ﺑﺄﻧ‪‬ﻪ ﻣﻈﻬﺮ ﻣﻦ ﻣﻈﺎﻫﺮ ﺍﻟﺪ‪‬ﺭﺱ‬

‫ﰊﰲ‬ ‫ﺴﻴ‪‬ﺪ )ﲢﻘﻴﻖ ﺍﻟﻔﺮﻃﻮﺳ ‪‬ﻲ( ‪ ،٥٢ - ٥٠ /١‬ﻭﺗﺎﺭﻳﺦ ﺍﻷﺩﺏ ﺍﻟﻌﺮ ‪‬‬ ‫ﻭﺍﳌﹸﺜﻠﱠﺚ ﻻﺑﻦ ﺍﻟ ‪‬‬
‫ﺍﻟﻌﺮﺍﻕ ‪.٩٥ - ٩٤ /١‬‬
‫)‪ (١٢‬ﺍﻧﻈﺮ‪ :‬ﺍﳌﹸﺜﻠﱠﺚ ﻻﺑﻦ ﺍﻟﺴ‪‬ﻴﺪ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﺍﻟﻔﺮﻃﻮﺳ ‪‬ﻲ ‪ ،٦٢- ٤٨ /١‬ﻭﺍﳌﹸﺜﻠﱠﺚ ﺫﻭ ﺍﳌﻌﲎ‬
‫ﺍﻟﻮﺍﺣﺪ ﻟﻠﺒﻌﻠ ‪‬ﻲ ﺍﳊﻨﺒﻠﻲ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﻋﻮﱐ‪ ،٤٧ - ٤٥ /‬ﻭﺍﳌﹸﺜﻠﱠﺚ ﻟﻠﻔﲑﻭﺯﺁﺑﺎﺩﻱ‪ ،‬ﲢﻘﻴﻖ ﺩ‪.‬‬
‫ﺍﻟﺘ‪‬ﻤﻴﻤ ‪‬ﻲ‪.٤٧ - ٤١ /‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٠٠‬‬

‫ﻱ ﻋﻨﺪ ﺍﻟﻌﺮﺏ ؟ ﺇﻧ‪‬ﻪ ﺑﺎﺧﺘﺼﺎﺭ ﻛﻞﱡ ﺛﻼﺙ ﻛﻠﻤﺎﺕ ‪ -‬ﺳﻮﺍ ٌﺀ ﺃﻛﺎﻧﺖ ﺍﲰ‪‬ﺎ‬ ‫ﺍﻟﻠﱡﻐﻮ ‪‬‬
‫ﻼ ‪ -‬ﺍﺗ‪‬ﻔﻘﺖ ﺃﻭﺯﺍ‪‬ﺎ‪ ،‬ﻭﺗﻌﺎﺩﻟﺖ ﺃﻗﺴﺎﻣﻬﺎ‪ ،‬ﻭﱂ ﲣﺘﻠﻒ ﺇ ﱠﻻ ﰲ ﺣﺮﻛﺔ ﻓﺎﺋﻬﺎ‬ ‫ﺃﻡ ﻓﻌ ﹰ‬
‫ﺙ ﺍﺧﺘﻼﻓﹰﺎ ﰲ ﺍﳌﻌـﲎ ﺑـﲔ‬ ‫ﺃﻭ ﻋﻴﻨﻬﺎ‪ .‬ﻓﺈﺫﺍ ﻛﺎﻥ ﻫﺬﺍ ﺍﻻﺧﺘﻼﻑ ﺑﺎﳊﺮﻛﺔ ﻳ‪‬ﻮﺭ ﹸ‬
‫ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﺜﱠﻼﺙ‪ :‬ﻛﺎﻟ ‪‬ﻐﻤ‪‬ﺮ ﲟﻌﲎ ﺍﻟﻜﺜﲑ‪ ،‬ﻭﺍﻟ ِﻐﻤ‪‬ﺮ ﲟﻌﲎ ﺍﳊﻘﺪ‪ ،‬ﻭﺍﻟ ‪‬ﻐﻤ‪‬ﺮ ﲟﻌـﲎ‬
‫ﺍﳉﺎﻫﻞ‪ ،‬ﻓﺈﻧ‪‬ﻨﺎ ﺃﻣﺎﻡ ﺍﳌﹸﺜﻠﱠﺚ ﺍﳌﹸﺨﺘﻠﻒ ﺍﳌﻌﲎ‪ .‬ﻭﺃﻣ‪‬ﺎ ﺇﺫﺍ ﻛﺎﻥ ﻫـﺬﺍ ﺍﻻﺧـﺘﻼﻑ‬
‫ﺙ ﺍﻻﺧﺘﻼﻑ ﰲ ﺍﳌﻌﲎ‪ ،‬ﺑﻞ ﻫﻮ ﻭﺍﺣﺪ‪ :‬ﻛﺎ َﻷﺟ‪‬ﺎﺝ ﻭﺍ ِﻹﺟ‪‬ـﺎﺝ‬ ‫ﺑﺎﳊﺮﻛﺔ ﻻ ﻳ‪‬ﻮﺭ ﹸ‬
‫ﺴﺘ‪‬ﺮ‪ ،‬ﻓﺈﻧ‪‬ﻨﺎ ﺃﻣﺎﻡ ﺍﳌﹸﺜﻠﱠﺚ ﺍ ﹸﳌﺘ‪‬ﻔﻖ ﺍﳌﻌﲎ‪ .‬ﻭﻗﹸﻄﺮ‪‬ﺏ ﺣـﲔ ﻋﻤـﻞ‬ ‫ﻭﺍ ُﻷﺟ‪‬ﺎﺝ ﲟﻌﲎ ﺍﻟ ‪‬‬
‫ﻛﺘﺎﺑﻪ ﰲ ﺍﳌﹸﺜﻠﱠﺚ ﻗﺼﺮﻩ ﻋﻠﻰ ﺍﻟﻨ‪‬ﻮﻉ ﺍﻷﻭ‪‬ﻝ‪ ،‬ﺃﻱ‪ :‬ﺍﳌﹸﺜﻠﱠﺚ ﺍﳌﹸﺨﺘﻠﻒ ﺍﳌﻌﲎ‪ ،‬ﻓـﺄﺭﺍﺩ‬
‫ﲏ ‪ -‬ﺷﺄﻧﻪ ﺷﺄﻥ ﻣﻦ ﺳﺒﻘﻪ ‪ -‬ﺃﻥ ﻳ‪‬ﺪ ﹶ‬
‫ﱄ ﺑﻌﻨﺎﻳﺘﻪ ‪‬ﺬﺍ ﺍﳌﹸﺜﻠﱠﺚ ﻓﻨﻈﻤﻪ ﻣ‪‬ﺮ‪‬ﺑﻌ‪‬ـﺎ‬ ‫ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺚ ﺫﻛﺮ ﻛ ﱠﻞ ﻣ‪‬ﻔﺮﺩﺓ ﻣ‪‬ﺜﻠﱠﺜﺔ ﰲ ﺑﻴﺘﲔ‪ ،‬ﻳ‪‬ﺸﻜﱢﻼﻥ ﺯ‪‬ﻣﺮﺓﹰ‪ ،‬ﻭﰲ‬ ‫ﻟﻐﻮﻳ‪‬ﺎ ﻋﻠﻰ ﺍﻟﻮﺍﻓﺮ‪ ،‬ﲝﻴ ﹸ‬
‫ﻛ ﹼﻞ ﺷﻄﺮ ﻣﻨﻬﻤﺎ ﻭﺟ ‪‬ﻪ ﻣﻦ ﺃﻭﺟﻪ ﺍﳌﹸﻔﺮﺩﺓ‪ ،‬ﺑﺎﺩﺋﹰﺎ ﻋﻠﻰ ﻃﺮﻳﻘﺔ ﻗﹸﻄﺮ‪‬ﺏ ﺑﻮﺟﻪ ﺍﻟﻔﺘﺢ‬
‫ﻀﻢ‪ ،‬ﻭﺑﺪﺃ ﻛ ﱠﻞ ﺯﻣﺮﺓ ﲝﺮﻑ ﻣﻦ ﺣﺮﻭﻑ ﺍﳍﺠﺎﺀ‪ ،‬ﻭﺭﺗ‪‬ﺒﻬﺎ ﻋﻠـﻰ‬ ‫ﱠﰒ ﺍﻟﻜﺴﺮ ﱠﰒ ﺍﻟ ‪‬‬
‫ﺣﺮﻭﻑ ﺍﳌﹸﻌﺠﻢ‪ ،‬ﻭﺧﺘﻢ ﺍﻟﺸ‪‬ﻄﺮ ﺍﻟﺜﱠﺎﱐ ﻣﻦ ﺍﻟﺒﻴﺖ ﺍﻟﺜﱠﺎﱐ ﲝﺮﻑ ﺍﻟﺮ‪‬ﺍﺀ ﺍﳌﻔﺘﻮﺣـﺔ‪،‬‬
‫ﻣﺸﻔﻮﻋ‪‬ﺎ ﺑﺄﻟﻒ ﺍﻹﻃﻼﻕ ﺭﻭﻳ‪‬ﺎ ﰲ ﻛ ﹼﻞ ﺍﻟﺰ‪‬ﻣﺮ‪.‬‬
‫ﻱ ﻗﺪ ﺩﻓﻌﻪ ﺇﱃ ﻧﻈﻢ‬ ‫ﲏ ﰲ ﺗﺮﺑﻴﻊ ﻣ‪‬ﺜﻠﱠﺚ ﻗﹸﻄﺮ‪‬ﺏ ﺍﻟﻨ‪‬ﺜﺮ ‪‬‬ ‫ﻭﻳﺒﺪﻭ ﺃ ﱠﻥ ﳒﺎﺡ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻣ‪‬ﺮﺑ‪‬ﻊ ﺁﺧﺮ ﻋﻠﻰ ﺍﻟﻮﺍﻓﺮ‪ ،‬ﺭﺗ‪‬ﺒﻪ ﻋﻠﻰ ﺣﺮﻭﻑ ﺍ ﹸﳌﻌﺠﻢ ﻛﺴﺎﺑﻘﻪ‪ ،‬ﺃﻭﻋﺐ ﻓﻴﻪ ﺃﻟﻔﺎﻇﹰﺎ‬
‫ﻣ‪‬ﺜﻠﱠﺜﺔ‪ ،‬ﺍﺧﺘﺎﺭﻫﺎ ﻣﻦ ﹸﺃﻣ‪‬ﻬﺎﺕ ﺍﳌﺼﺎﺩﺭ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ ﺑﻌﻴﺪ‪‬ﺍ ﻋﻦ ﺃﻟﻔﺎﻅ ﻗﹸﻄﺮ‪‬ﺏ‪ ،‬ﺑﺎﺳﺘﺜﻨﺎﺀ‬
‫ﺹ‬
‫ﲏ ﰲ ﻣ‪‬ﺜﻠﱠﺜﻪ ﺍﳋﺎ ‪‬‬
‫)ﻋ ُ‪‬ﻤِﺮ( ﺍﻟﺬﻱ ﻫﻮ ﻣﻦ ﺃﻟﻔﺎﻅ ﻗﹸﻄﺮ‪‬ﺏ‪ ،‬ﻭﻣﻊ ﺫﻟﻚ ﺭﺑ‪‬ﻌﻪ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺑﻪ ﺳﻬﻮ‪‬ﺍ‪ .‬ﻭﻣﻄﻠ ‪‬ﻊ ﻫﺬﺍ ﺍ ﹸﳌ ‪‬ﺮﺑ‪‬ﻊ‪:‬‬
‫ﻭﺃﺷـﻬ ‪‬ﺪ ﰲ ﺍﻟﻮﺟﻮﺩ ﲨﺎ ﹶﻝ ِﺣﺒ‪‬ﻲ‬ ‫ﺐ‬
‫ﺏ ﻭ ‪‬ﺣ ‪‬‬‫ﺖ ﻣـﻦ ﹶﺃ ‪‬‬ ‫ﺃﹸﺭﺍﻋﻲ ﺍﻟ‪‬ﻨ‪‬ﺒ ‪‬‬
‫‪٦٠١‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬
‫)‪(١٣‬‬
‫ﱄ ِﻋﻄﹾﺮﺍ‬
‫ﻭﻛﻢ ﺃﻫﺪﻯ ﺍﻟﻨ‪‬ﺴﻴ ‪‬ﻢ ﺇ ﱠ‬ ‫ﻁ ‪‬ﺣﺒ‪‬ﻲ‬
‫ﻭﺃﺫﻫ ﹸﻞ ﺳﻜﺮ ﹰﺓ ﻣﻦ ﻓﺮ ِ‬
‫ﲏ ﺑﻌ ‪‬ﺪ ﰲ ﻣ‪‬ﺮﺑ‪‬ﻌﻪ ﺍﻟﺬﻱ ﻧﻈﻢ ﻓﻴﻪ ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﻗﹸﻄﺮ‪‬ﺏ‬‫ﻋﻠﻰ ﺃﻧ‪‬ﻪ ﻳ‪‬ﺆﺧﺬ ﻋﻠﻰ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺃﻧ‪‬ﻪ ﺗﺎﺑﻊ ﻗﹸﻄ ‪‬ﺮﺑ‪‬ﺎ ﰲ ﺃﻭﻫﺎﻣﻪ ﺍﻟﱵ ﻭﻗﻌﺖ ﻟـﻪ ﰲ ﻣ‪‬ﺜﻠﱠﺜﻪ‪ ،‬ﱠﰒ ﻛﺮ‪‬ﺭ ﻣﺎ ‪‬ﻳﺸﺒﻪ ﻫـﺬﻩ‬
‫ﺍﻷﻭﻫﺎﻡ ﰲ ﺍﳌﹸﺮﺑ‪‬ﻊ ﺍﻟﺬﻱ ﻧﻈﻢ ﻓﻴﻪ ﺃﻟﻔﺎﻇﹰﺎ ﻣ‪‬ﺜﻠﱠﺜﺔ ﻣﻦ ﺍﺧﺘﻴﺎﺭﻩ‪ .‬ﻓﻘﹸﻄﺮ‪‬ﺏ ﺃﻭﻋﺐ ﰲ‬
‫ﺴﻴ‪‬ﺪ ﰲ ﺍﳌﹸﺜﻠﱠﺚ ‪)) ٢٩٨ - ٢٩٧ /١‬ﺃﺷﻴﺎ َﺀ ﺑﻌﻴﺪﺓ ﻋﻦ‬ ‫ﻣ‪‬ﺜﻠﱠﺜﻪ ﻋﻠﻰ ﻣﺎ ﺫﻛﺮ ﺍﺑﻦ ﺍﻟ ‪‬‬
‫ﺍﻟﺼ‪‬ﻮﺍﺏ‪ ،‬ﻭﺍﺿ ﹸﻄﺮ‪ ‬ﺇﱃ ﺫﻛﺮ ﺃﻟﻔﺎﻅ‪ ،‬ﲣﺎﻟﻒ ﺍ ﹶﳌ‪‬ﻨﺰِﻉ ﺍﻟﺬﻱ ﻗﺼﺪ ﺇﻟﻴـﻪ‪ ،‬ﻭﺣـﺎﻡ‬
‫ﻸ ﻭﺍﻟ ﹸﻜﻠﹶﻰ ﻭﺍﻟﻜِﻼ‪ ،‬ﻭﻣﺜ ﹸﻞ ﻫﺬﺍ ﻻ ‪‬ﻳﻌ‪‬ـ ‪‬ﺪ ﻣـﻦ‬ ‫ﻓﻜﺮﻩ ﻋﻠﻴﻪ؛ ﻷﻧ‪‬ﻪ ﺃﺩﺧﻞ ﻓﻴﻪ ﺍﻟ ﹶﻜ َ‬
‫ﺡ ﻣﻨﻬﺎ ﻣﻘـﺼﻮ ‪‬ﺭ ﻣﻬﻤـﻮﺯ‪،‬‬ ‫ﺍﳌﹸﺜﻠﱠﺚ ﺍﻟﺬﻱ ﺇﻳ‪‬ﺎﻩ ﺍﻋﺘﻤﺪ‪ ،‬ﻭﺇﻟﻴﻪ ﻗﺼﺪ؛ ﻷ ﱠﻥ ﺍﳌﻔﺘﻮ ‪‬‬
‫ﻭﺍﳌﻀﻤﻮ ‪‬ﻡ ﻣﻘﺼﻮ ‪‬ﺭ ﻏ ‪‬ﲑ ﻣﻬﻤﻮﺯ‪ ،‬ﻭﺍﳌﻜﺴﻮ ‪‬ﺭ ﳑﺪﻭ ‪‬ﺩ‪ .‬ﻭﻛﺬﻟﻚ ﺫﻛﺮ ﺍﻟـﺴ‪‬ﻼﻣﻰ‪،‬‬
‫ﻭﻫﻲ ﻣﻘﺼﻮﺭﺓﹲ‪ ،‬ﻣﻊ ﺍﻟﺴ‪‬ﻼﻡ ﻭﺍﻟﺴ‪‬ﻼﻡ‪ ،‬ﻭﳘﺎ ﻏﲑ ﻣﻘﺼﻮﺭﻳﻦ‪ .‬ﻭﺫﻛﺮ ﺍﳉﹶﻮﺍﺭﻱ‪،‬‬
‫ﻭﻫﻲ ﻣﻦ ﺍﳌﹸﻌﺘﻞﹼ ﺍﳌﻨﻘﻮﺹ‪ ،‬ﻣﻊ ﺍﳉِﻮﺍﺭ ﻭﺍﳉﹸﻮﺍﺭ‪ ،‬ﻭﻟﻴﺴﺎ ﻣﺜﻠﻬﺎ ﰲ ﺍﻻﻋﺘﻼﻝ((‪.‬‬
‫ﺴﻴ‪‬ﺪ‪ ،‬ﻏ ‪‬ﲑ ﺁﺑﻪ ﺑﺎﻟﻌﻠـﻞ‬
‫ﲏ ﻧﻈﻢ ﻫﺬﻩ ﺍﻷﻟﻔﺎﻅ ﺍﻟﱵ ﺍﺳﺘﻮﻗﻔﺖ ﺍﺑﻦ ﺍﻟ ‪‬‬ ‫ﻓﺎﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺴﻴ‪‬ﺪ ﲡﺎﻭﺯﻫﺎ ﰲ ﻣ‪‬ﺜﻠﱠﺜﻪ‪ ،‬ﳋﺮﻭﺟﻬﺎ ﻋـﻦ ﺍﳌﻘـﺼﺪ‬ ‫ﺍﻟﱵ ﻓﻴﻬﺎ‪ ،‬ﰲ ﺣﲔ ﺃ ﱠﻥ ﺍﺑﻦ ﺍﻟ ‪‬‬
‫ﲏ ﻋ‪‬ﺬ ‪‬ﺭ ﰲ ﻧﻈﻤﻪ ﻫﺬﻩ ﺍﻷﻟﻔﺎﻅ؛ ﲝﺠ‪‬ﺔ ﺃﻧ‪‬ﻬـﺎ‬ ‫ﺍﳌﺮﺍﺩ‪ .‬ﻋﻠﻰ ﺃﻧ‪‬ﻪ ﺭﺑ‪‬ﻤﺎ ﻳﻜﻮﻥ ﻟﻠﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺃﻟﻔﺎﻅ ﻗﹸﻄﺮ‪‬ﺏ ﰲ ﻣ‪‬ﺜﻠﱠﺜﻪ‪ ،‬ﻭﻻ ﻋﻼﻗﺔ ﻟﻪ ‪‬ﺎ‪ ،‬ﻓﻬﻮ ﻣ‪‬ﺠﺮ‪‬ﺩ ﻧﺎﻇﻢ ﺃﻣﲔ ﳍﺎ)‪ ،(١٤‬ﺑﻐـ ‪‬‬
‫ﺾ‬
‫ﺼﺤ‪‬ﺔ ﺃﻭ ﻻ‪ .‬ﻭﻟﻜ ‪‬ﻦ ﻫـﺬﺍ‬ ‫ﺍﻟﻨ‪‬ﻈﺮ ﻋﻦ ﻛﻮﻥ ﻫﺬﻩ ﺍﻷﻟﻔﺎﻅ ﲨﻴﻌﻬﺎ ﺻﺤﻴﺤ ﹰﺔ ﻛ ﱠﻞ ﺍﻟ ‪‬‬
‫ﺍﻟﻌ‪‬ﺬﺭ ﻳﻨﺘﻔﻲ ﺑﺎﻟ ﹸﻜﱢﻠﻴ‪‬ﺔ ﺣﲔ ﻳ‪‬ﻜﺮ‪‬ﺭ ﻣﺜﻞ ﻫﺬﻩ ﺍﻷﻭﻫﺎﻡ ﰲ ﺍﳌﹸﺮﺑ‪‬ﻊ ﺍﻟﺬﻱ ﻧﻈﻢ ﻓﻴﻪ ﺃﻟﻔﺎﻇﹰﺎ‬

‫)‪ (١٣‬ﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ ﻟﻠﺴ‪‬ﺒﻜ ‪‬ﻲ ‪.٢٠٣ /٨‬‬

‫ﲏ ﺃﻧﻘﺺ ﰲ ﻣ‪‬ﺮﺑ‪‬ﻌﻪ ﻣﻦ ﺃﻟﻔﺎﻅ ﻗﹸﻄﺮ‪‬ﺏ ﺍﳌﹸﺜﻠﱠﺜﺔ‪ :‬ﺍﻟﻠﱠُِﺒﺎﻥ‪،‬‬
‫ﺱ ﻣﻦ ﺍﻹﺷﺎﺭﺓ ﻫﻨﺎ ﺇﱃ ﺃ ﱠﻥ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬‫)‪ (١٤‬ﻻ ﺑﺄ ‪‬‬
‫ﺹ ﺑﺎﻷﻟﻔﺎﻅ ﺍﻟﱵ ﺍﺧﺘﺎﺭﻫﺎ‪ ،‬ﻛﻤﺎ‬ ‫ﲏ ﰲ ﻣ‪‬ﺮﺑ‪‬ﻌﻪ ﺍﳋﺎ ‪‬‬
‫ﺴِﻮﺭﺓ‪ ،‬ﻭﻋ ‪‬ﻤُِﺮﺕ‪ .‬ﻭﺍﻷﺧ ‪‬ﲑ ﻧﻈﻤﻪ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬ ‫ﻭﺍﻟ ُ‪‬‬
‫ﺕ ﻗﺒ ﹸﻞ‪.١٢ /‬‬
‫ﺃﺷﺮ ‪‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٠٢‬‬

‫ﻣﻦ ﺍﺧﺘﻴﺎﺭﻩ؛ ﻓﻔﻲ ﻫﺬﺍ ﺍﳌﹸﺮﺑ‪‬ﻊ ﻧﻈﻢ‪ :‬ﺍﻟ ِ‪‬ﺮُﺷﺎ‪ :‬ﺃﻣ‪‬ﺎ ﺍﻟ ‪‬ﺮِﺷﺎ‪ ،‬ﺑﺎﻟﻔﺘﺢ ﻭﺍﻟﻜﺴﺮ ﻓﻬﻤﺎ ﻣـﻦ‬
‫ﻀ ‪‬ﻢ ﻓﻬﻮ ﻣﻦ ﺭﺷﻮ ﺍﳌﹸﻌﺘـ ﹼﻞ ﺍﻟﻨ‪‬ـﺎﻗﺺ‪ .‬ﻭﻛـﺬﻟﻚ‪:‬‬ ‫ﺭﺷﺄ‪ ،‬ﺑﺎﳍﻤﺰ‪ ،‬ﻭﺃﻣ‪‬ﺎ ﺍﻟﺮ‪‬ﺷﺎ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻱ‪ ،‬ﻭﺃﻣ‪‬ﺎ ﺍﻟﺼ‪‬ﻼﺓ ﻓﻤـﻦ ﺻـﻠﻲ‬ ‫ﺼُﻼﺓ‪ ،‬ﻭﺍﻟﺼ‪‬ﻼﺕ‪ :‬ﺃﻣ‪‬ﺎ ﺍﻟﺼ‪‬ﻼﺓ ﻓﻤﻦ ﺻﻠﻮ ﺍﻟﻮﺍﻭ ‪‬‬ ‫ﺍﻟ ‪‬‬
‫ﺍﻟﻴﺎﺋﻲ‪ ،‬ﻭﺃﻣ‪‬ﺎ ﺍﻟﺼ‪‬ﻼﺕ ﻓﻤﻦ ﻭﺻﻞ‪ .‬ﻭﻣﻦ ﺫﻟﻚ ﺃﻳﻀ‪‬ﺎ‪ :‬ﺍﻟﻘﹶﺮﺍ ﻣﻦ ﻗـﺮﻭ ﺍﻟـﻮﺍﻭﻱ‪،‬‬
‫ﻭﺍﻟ ﹸﻘِﺮﻯ ﻣﻦ ﻗﺮﻱ ﺍﻟﻴﺎﺋ ‪‬ﻲ‪ .‬ﻓﺘﺄﻣ‪‬ﻞ‪.‬‬
‫ﻭﻣﻬﻤﺎ ﻳﻜﻦ ﻣﻦ ﺃﻣﺮ‪ ،‬ﻓﺈ ﱠﻥ ﻣﺎ ﻗﺎﻡ ﺑﻪ ﺍﻟﺪ‪‬ﻳﺮﻳﲏ ﰲ ﻣ‪‬ﺮﺑ‪‬ﻌﻴﻪ ﻳﺒﻘﻰ ﻋﻤﻼﹰ‪ ،‬ﻟـﻪ‬
‫ﻣﻜﺎﻧﺘﻪ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ ﻋﻠﻰ ﻣ ‪‬ﺮ ﺍﻷﺟﻴﺎﻝ‪ ،‬ﻭﻻ ﻳ‪‬ﻤﻜﻦ ﻟﻸﻭﻫﺎﻡ ﺍﻟﱵ ﻋﺮﺿـﻨﺎ ﳍـﺎ ﺃﻥ‬
‫ﺐ ﻋﻤﻠﻪ ﺃﺩﺭﺍﺝ ﺍﻟﺮ‪‬ﻳﺎﺡ؛ ﻓﻤﺎ ﻣﻦ ﻋﻤﻞ ﺇ ﱠﻻ ﻳﻌﺘﺮﻳﻪ ﺍﻟﻨ‪‬ﻘﺺ‪ ،‬ﻣﻬﻤﺎ ﺑﻠﻐـﺖ‬ ‫ﺗ‪‬ﺬﻫ ‪‬‬
‫ﺏ ﺍﷲ ‪ ‬ﹶﻻ ‪‬ﻳ ﹾﺄﺗِﻴ ِﻪ ﺍﹾﻟﺒ‪‬ﺎ ِﻃﻞﹸ ﻣِﻦ ‪‬ﺑ‪‬ﻴ ِﻦ ‪‬ﻳ ‪‬ﺪ‪‬ﻳ ِﻪ ‪‬ﻭ ﹶﻻ ِﻣ ‪‬ﻦ ‪‬ﺧ ﹾﻠ ِﻔ ِﻪ ‪‬ﺗﱰِﻳـ ﹲﻞ‬ ‫ﺭﺗﺒﺘﻪ‪ ،‬ﻣﺎ ﺧﻼ ﻛﺘﺎ ‪‬‬
‫‪‬ﻣ ‪‬ﻦ ‪‬ﺣﻜِﻴ ٍﻢ ‪‬ﺣﻤِﻴ ٍﺪ‪] ‬ﻓﺼﻠﺖ‪.[٤٢‬‬
‫ﺏ‪ -‬ﻃﺒﻌﺎﺕ ﺍﳌﹸﺮﺑ‪‬ﻊ‬
‫ﲏ ﺍﳋﺎﺹ ﺑﺎﻷﻟﻔﺎﻅ ﺍﻟﱵ ﺍﺧﺘﺎﺭﻫﺎ‬ ‫ﲢﺴ ‪‬ﻦ ﺍﻹﺷﺎﺭﺓ ﺑﺪﺍﻳ ﹰﺔ ﺇﱃ ﺃ ﱠﻥ ﻣ‪‬ﺮﺑ‪‬ﻊ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻼ ﰲ ﻃﺒﻘﺎﺗﻪ ‪ ،٢٠٨ - ٢٠٣ /٨‬ﻭﻗﺪ ﺍﻋﺘﲎ ﺩ‪ .‬ﳏﻤﻮﺩ‬ ‫ﺃﻭﺭﺩﻩ ﺍﻟﺴ‪‬ﺒﻜ ‪‬ﻲ ﻛﺎﻣ ﹰ‬
‫ﺍﻟﻄﱠﻨﺎﺣ ‪‬ﻲ ﻭﺩ‪ .‬ﻋﺒﺪ ﺍﻟﻔﺘ‪‬ﺎﺡ ﺍﳊﻠﻮ ‪‬ﺬﺍ ﺍﳌﹸﺮﺑ‪‬ﻊ ﰲ ﺃﺛﻨﺎﺀ ﲢﻘﻴﻘﻬﻤﺎ ﺍﻟﻌﻠﻤ ‪‬ﻲ ﻟﻜﺘﺎﺏ‬
‫ﺍﻟﻄﱠﺒﻘﺎﺕ‪ ،‬ﻓﻀﺒﻄﺎ ﺍﻟ‪‬ﻨﺺ‪ ،‬ﻭﺷﺮﺣﺎ ﺃﻟﻔﺎﻅ ﺍﳌﹸﺜﻠﱠﺚ ﲟﺎ ﻳﻔﻲ ﺑﺎﻟﻐﺮﺽ‪ ،‬ﻓﺼﺮﻓﺎ ﻋﻨ‪‬ﺎ‬
‫ﻣ‪‬ﺆﻭﻧﺔ ﲢﻘﻴﻖ ﻫﺬﺍ ﺍﳌﹸﺮﺑ‪‬ﻊ‪.‬‬
‫ﲏ ﻣ‪‬ﺜﻠﱠﺚ ﻗﹸﻄﺮ‪‬ﺏ ﻓﻘﺪ ﺃﺧﺮﺟﻪ ﺇﱃ ﺍﻟﻨ‪‬ﻮﺭ ﻟﻮﻳﺲ‬ ‫ﺃﻣ‪‬ﺎ ﺍﳌﹸﺮﺑ‪‬ﻊ ﺍﻟﺬﻱ ﻧﻈﻢ ﻓﻴﻪ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺷﻴﺨﻮ ﺍﻟﻴﺴﻮﻋﻲ‪ ،‬ﻣﻨﺸﻮﺭ‪‬ﺍ ﻋﻠﻰ ﺻﻔﺤﺎﺕ ﳎﻠﱠﺔ ﺍﳌﺸﺮﻕ ‪ -‬ﻣﺞ‪ / ١٢ :‬ﻉ‪/ ٩ :‬‬
‫‪ ١٩٠٩‬ﻡ )ﺹ‪ ،(٦٩٤ - ٦٩٢ :‬ﻣﻊ ﻣﻨﻈﻮﻣﺔ ﺃﺧﺮﻯ ﰲ ﺍﳌﹸﺜﱠﻠﺚ‪ ،‬ﺫﻛﺮ ﺃﻧ‪‬ﻬﺎ‬
‫ﲏ )ﺹ‪ ،(٦٩٢ - ٦٨٦ :‬ﺑﺎﻻﺳﺘﻨﺎﺩ ﺇﱃ ﳐﻄﻮﻃﺘﲔ ﻣﻦ ﺑﺮﻟﲔ‪ :‬ﺍﻷﻭﱃ ﲢﺖ‬ ‫ﻟﻠﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺭﻗﹾﻢ ‪ Ms ٧٠٧٩‬ﻭﻫﻲ ﳐﻄﻮﻃﺔ ﺍﳌﹸﺮﺑ‪‬ﻊ‪ ،‬ﻭﺍﻟﺜﱠﺎﻧﻴﺔ ﲢﺖ ﺭﻗﹾﻢ ‪ Ms ٧٠٧٨‬ﻭﻫﻲ‬
‫‪٦٠٣‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﳐﻄﻮﻃﺔ ﺍﳌﻨﻈﻮﻣﺔ ﺍﻟﺜﱠﺎﻧﻴﺔ‪ .‬ﻭﻫﺬﻩ ﺍﳌﻨﻈﻮﻣﺔ ﻫﻲ ﺍ ﹸﳌ ‪‬ﻮﺭ‪‬ﺙ ﳌﹸﺸﻜِﻞ ﺍﳌﹸﺜﻠﱠﺚ‪ ،‬ﻭﺍ ﹸﳌ ‪‬ﻮﺭ‪‬ﺙ ‪-‬‬
‫ﲏ‪.‬‬‫ﻛﻤﺎ ﺃﺷﺮﻧﺎ ﻗﺒ ﹸﻞ ‪ -‬ﻫﻮ ﻟﻌﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍ ِﳌﻜﹾﻨﺎﺳ ‪‬ﻲ ﺍﳌﻐﺮﰊ ﻻ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺱﰲ‬ ‫ﺖ‪ :‬ﺃﻣ‪‬ﺎ ﻃﺒﻌﺔ ﻟﻮﻳﺲ ﻟﻠﻤ‪‬ﺮﺑ‪‬ﻊ ﻓﻠﻢ ﲣ ﹸﻞ ﻣﻦ ﻫﻨﺎﺕ ﻭﺍﺿﺤﺔ‪ ،‬ﻻ ﺑﺄ ‪‬‬ ‫ﻗﻠ ‪‬‬
‫ﺴ ‪‬ﻤﻄﹰﺎ ﻋﻠﻰ ﺃﻧ‪‬ﻪ ﻣﻦ ﺍﻟﻄﱠﻮﻳﻞ‪ ،‬ﻭﻟﻴﺲ ﻛﺬﻟﻚ‪ ،‬ﺑﻞ‬ ‫ﺫﻛﺮﻫﺎ‪ :‬ﻓﻬﻮ ﺃ ‪‬ﻭ ﹰﻻ ﲰ‪‬ﻰ ﺍﳌﹸﺮﺑ‪‬ﻊ ‪‬ﻣ ‪‬‬
‫ﻚ ﰲ ﺫﻟﻚ‪ .‬ﻭﺃﻣ‪‬ﺎ ﺛﺎﻧ‪‬ﻴﺎ ﻓﺎﳌﻄﺒﻮﻉ ﱂ ﳜ ﹸﻞ ﻣﻦ ﺃﻭﻫﺎﻡ‬ ‫ﻫﻮ ﻣ‪‬ﺮﺑ‪‬ﻊ ﻋﻠﻰ ﺍﻟﻮﺍﻓﺮ‪ ،‬ﻻ ﺷ ‪‬‬
‫ﺍﻟﻀ‪‬ﺒﻂ ﻭﺍﻟﺘ‪‬ﺼﺤﻴﻒ ﻭﺍﻟﺘ‪‬ﺤﺮﻳﻒ‪ ،‬ﻭﱂ ﺃﺷﺄ ﺃﻥ ﺃﻋﺮﺽ ﳍﺬﻩ ﺍﻷﻭﻫﺎﻡ ﻫﻨﺎ‬
‫ﺑﺎﻟﺘ‪‬ﻔﺼﻴﻞ؛ ﺩﻓﻌ‪‬ﺎ ﻟﻺﻃﺎﻟﺔ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﺣﺴﺐ ﺍﻟﻘﺎﺭﺉ ﺃﻥ ﳚﺪﻫﺎ ﻣﺒﺴﻮﻃ ﹰﺔ ﰲ ﺣﻮﺍﺷﻲ‬
‫ﺍﻟﺘ‪‬ﺤﻘﻴﻖ‪ .‬ﻭﺃﻣ‪‬ﺎ ﺛﺎﻟﺜﹰﺎ ﻓﺎﻟﻨ‪‬ﺴﺨﺔ ﺍﳌﻄﺒﻮﻋﺔ ‪ -‬ﻋﻠﻰ ِﻋﻼﱠ‪‬ﺎ ‪ -‬ﻋﺰﻳﺰﺓ ﺍﳌﻨﺎﻝ‪ ،‬ﻻ ﺗﻘﻊ‬
‫ﰲ ﺍﻷﻳﺪﻱ ﺇ ﱠﻻ ﺑﻌﺪ ﺟﻬﺪ ﺟﺎﻫﺪ‪.‬‬
‫ﻭﰲ ﺿﻮﺀ ﻣﺎ ﺗﻘﺪ‪‬ﻡ ﺭﺃﻳﻨﺎ ‪ -‬ﻣ‪‬ﺘﻮﻛﱢﻠﲔ ﻋﻠﻰ ﺍﷲ ‪ -‬ﺿﺮﻭﺭﺓ ﺇﺧﺮﺍﺝ ﻫﺬﺍ ﺍﳌﹸﺮﺑ‪‬ﻊ‬
‫ﳎ ‪‬ﺪﺩ‪‬ﺍ ﰲ ‪‬ﺣﻠﱠﺔ ﻋﻠﻤﻴ‪‬ﺔ ﻗﺸﻴﺒﺔ‪ ،‬ﺗﻠﻴﻖ ﺑﺼﺎﺣﺒﻪ ﻭﻣﻜﺎﻧﺘﻪ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ‪ .‬ﻭﺍﷲ ﺍﳌﹸﻮﻓﱢﻖ‪.‬‬
‫ﺝ ‪ -‬ﺍﻟﻨ‪‬ﺴﺦ ﺍﳌﹸﻌﺘﻤﺪﺓ ﰲ ﺍﻟﺘ‪‬ﺤﻘﻴﻖ‬
‫ﲔ ﺧ ﱢﻄﻴ‪‬ﺘﲔ‪ ،‬ﻭﺛﺎﻟﺜﺔ‬ ‫ﺙ ﻧ‪‬ﺴﺦ‪ِ :‬ﺛ‪‬ﻨ‪‬ﺘ ِ‬
‫ﺍﻋﺘﻤﺪﻧﺎ ﰲ ﺇﺧﺮﺍﺝ ﻫﺬﺍ ﺍﳌﹸﺮﺑ‪‬ﻊ ﺛﻼ ﹶ‬
‫ﻣﻄﺒﻮﻋﺔ‪ .‬ﻭﺑﻴﺎﻥ ﻫﺬﻩ ﺍﻟﻨ‪‬ﺴﺦ ﻛﺎﻵﰐ‪:‬‬
‫)‪ (١‬ﻧ‪‬ﺴﺨﺔ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ ﺍﻟﻮﺍﻗﻌﺔ ﲢﺖ ﺭﻗﹾﻢ ‪ :٥٦٤٤‬ﻭﻫﻲ ﻧ‪‬ﺴﺨ ﹲﺔ ﺗﺎ ‪‬ﻣ ﹲﺔ ﻣﺘﻨ‪‬ﺎ‬
‫ﻭﺷﺮﺣ‪‬ﺎ‪ ،‬ﺿﻤﻦ ﻗﻴﺎﺱ ‪ ٢٧‬ﺳﻢ × ‪ ١٩،٥‬ﺳﻢ‪ ،‬ﺗﻘﻊ ﰲ ‪ ٦‬ﻭﺭﻗﺎﺕ ]‪ ٦‬ﺏ ﻕ ‪-‬‬
‫‪ ١١‬ﺃ ﻕ[‪ ،‬ﻣﻦ ﳎﻤﻮﻉ ﻋﺪﺩ ﺃﻭﺭﺍﻗﻪ ‪ ١٥‬ﻭﺭﻗﺔ‪ ،‬ﻭﰲ ﺍﻟﻮﺭﻗﺔ ﺍﻟﻮﺍﺣﺪﺓ ‪ ١٠‬ﺃﺳﻄﺮ‪،‬‬
‫ﻛﹸﺘﺒﺖ ﻓﻴﻬﺎ ﺍﳌﻔﺮﺩﺍﺕ ﺍﳌﹸﺜﻠﱠﺜﺔ ﺑﺎﳊﻤﺮﺓ‪ ،‬ﻣﻊ ﺍﳊﺮﻑ ﺍﻟﺬﻱ ﺑ‪‬ﺪﺋﺖ ﺑﻪ ﻛﻞﱡ ﺯﻣﺮﺓ ﻣﻦ‬
‫ﻂ ﻣ‪‬ﻌﺘﺎﺩ‬ ‫ﺯ‪‬ﻣﺮ ﺍﳌﻔﺮﺩﺍﺕ‪ ،‬ﻭﺃﻣ‪‬ﺎ ﺳﺎﺋﺮ ﺍﻷﺑﻴﺎﺕ ﻭﺍﻟﺸ‪‬ﺮﻭﺡ ﻓﻘﺪ ﻛﹸﺘﺒﺖ ﺑﺎﻟﺴ‪‬ﻮﺍﺩ ﲞ ﹼ‬
‫ﻭﺍﺿﺢ ﲨﻴﻞ ﻣ‪‬ﻌﺠﻢ‪ ،‬ﺿ‪‬ﺒﻄﺖ ﻓﻴﻪ ﺍﳌﹸﻔﺮﺩﺍﺕ ﺍﳌﹸﺜﻠﱠﺜﺔ ﺑﺎﻟﺸﻜﻞ‪ ،‬ﻭﺗ‪‬ﺮﻙ ﳍﺎ ﻫﺎﻣﺶ‬
‫ﺑﻌﺮﺽ ‪ ٤،٥‬ﺳﻢ‪ ،‬ﻭﻗﺪ ﺧﻠﺖ ﻫﺬﻩ ﺍﻟﻨ‪‬ﺴﺨﺔ ﻣﻦ ﺍﺳﻢ ﺍﻟﻨ‪‬ﺎﺳﺦ ﻭﺗﺎﺭﻳﺦ ﻧﺴﺨﻪ‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٠٤‬‬

‫ﻼ ﻟﻜﻤﺎﳍﺎ‪ ،‬ﻭﺭﻣﺰﻧﺎ ﳍﺎ ﺑﺎﳊﺮﻑ )ﻝ(‪.‬‬ ‫ﻟﻠﻤ‪‬ﺮﺑ‪‬ﻊ ﻭﻣﻜﺎﻧﻪ‪ .‬ﺍﺗ‪‬ﺨﺬﻧﺎﻫﺎ ﺃﺻ ﹰ‬

‫)‪ (٢‬ﻧ‪‬ﺴﺨﺔ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ ﺍﻟﻮﺍﻗﻌﺔ ﲢﺖ ﺭﻗﹾﻢ‪ :٢٠٦ :‬ﻭﻫﻲ ﻧ‪‬ﺴﺨ ﹲﺔ ﺗﺎ ‪‬ﻣ ﹲﺔ ﻣﺘﻨ‪‬ﺎ‬
‫ﻭﺷﺮﺣ‪‬ﺎ ﻛﺴﺎﺑﻘﺘﻬﺎ‪ ،‬ﺿﻤﻦ ﻗﻴﺎﺱ ‪ ١٥،٧٥‬ﺳﻢ ×‪ ١٠‬ﺳﻢ‪ ،‬ﻭﻟﻜﻨ‪‬ﻬﺎ ﲣﺘﻠﻒ ﻋﻦ‬
‫ﲏ ﺍﳌﹸﻠﻤﻊ ﺇﻟﻴﻬﻤﺎ ﻗﺒ ﹸﻞ ﻣﻊ ﺍﻟﺸ‪‬ﺮﺡ‬ ‫)ﻝ( ﰲ ﺃﻧ‪‬ﻬﺎ ﺿﻤ‪‬ﺖ ﺑﲔ ﺩﻓﱠﺘﻴﻬﺎ ﻣ‪‬ﺮﺑ‪‬ﻌﻲ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻟﻜ ﹼﻞ ﻣﻨﻬﻤﺎ ﻋﻠﻰ ﺣﺪﺓ‪ .‬ﻭﻻ ﺃﹸﻧﻜ ‪‬ﺮ ﺑﺪﺍﻳ ﹰﺔ ﺃ ﱠﻥ ﻭﺟﻮﺩ ﺍﳌﹸﺮﺑ‪‬ﻌﲔ ﻣﻊ ﺍﻟﺸ‪‬ﺮﺡ ﰲ‬
‫ﻧ‪‬ﺴﺨﺔ ﻭﺍﺣﺪﺓ ﻗﺪ ﺩﻓﻌﲏ ﺇﱃ ﲢﻘﻴﻖ ﺍﳌﹸﺮﺑ‪‬ﻌﲔ‪ ،‬ﻣ‪‬ﻌﺘﻤﺪ‪‬ﺍ ﻫﺬﻩ ﺍﻟﻨ‪‬ﺴﺨﺔ ﺃﺻﻼﹰ‪ ،‬ﻭﻟﻜﻨ‪‬ﻲ‬
‫ﺕ ﺃ ﱠﻥ‬
‫ﺻﺔﹰ‪ ،‬ﻭﺟﺪ ‪‬‬ ‫ﺖ ﺍﻟﺸ‪‬ﺮﻭﺡ ﺍﻟﱵ ﻓﻴﻬﺎ ﺑﺎﻷ ‪‬ﻣﻬﺎﺕ ﻋﺎ ‪‬ﻣ ﹰﺔ ﻭﻛﺘﺐ ﺍﳌﹸﺜﻠﱠﺚ ﺧﺎ ‪‬‬
‫ﳌﱠﺎ ﻋﺎﺭﺿ ‪‬‬
‫ﺍﻟﺸ‪‬ﺎﺭﺡ ‪ -‬ﻭﱂ ﻳﺬﻛﺮ ﻟﻨﺎ ﺍﲰﻪ ‪ -‬ﻗﺪ ﻭﻫ ‪‬ﻢ ﰲ ﺃﺷﻴﺎﺀ ﻛﺜﲑﺓ‪ ،‬ﻭﺃﺻﺎﺏ ﰲ ﺃﺷﻴﺎﺀ‬
‫ﻗﻠﻴﻠﺔ؛ ﻓﻤﺎ ﺃﻛﺜﺮ ﺍﳌﻌﺎﱐ ﺍﻟﱵ ﺃﺗﻰ ﻋﻠﻰ ﺫﻛﺮﻫﺎ ﰲ ﺍﻟﺸ‪‬ﺮﻭﺡ‪ ،‬ﻭﱂ ﺗﺮﺩ ﰲ ﺍﻷﻣ‪‬ﻬﺎﺕ‬
‫ﺍﻟﺒﺘ‪‬ﺔ ! ﳑ‪‬ﺎ ﻳﺪﻝﱡ ﻋﻠﻰ ﺃﻧ‪‬ﻪ ﻛﺎﻥ ﻳ‪‬ﺴﺪ‪‬ﺩ ﻭﻳ‪‬ﻘﺎﺭﺏ ﺩﻭﻥ ﲢﻘﻴﻖ ﺃﻭ ﻣ‪‬ﺮﺍﺟﻌﺔ)‪ ،(١٥‬ﻭﻫﺬﺍ‬
‫ﺇﻥ ﺩ ﱠﻝ ﻓﺈﻧ‪‬ﻤﺎ ﻳﺪﻝﱡ ﻋﻠﻰ ﺃ ﱠﻥ ﺍﻟﺸ‪‬ﺎﺭﺡ ﻟﻴﺲ ﻣﻦ ﻋﻠﻤﺎﺀ‪ ٠‬ﺍﻟﻠﱡﻐﺔ ﺍﳌﹸﺤﻘﱢﻘﲔ ﺍﳌﹸﺘﺜﺒ‪‬ﺘﲔ‪،‬‬
‫ﻭﺇﻧ‪‬ﻤﺎ ﻫﻮ ‪ -‬ﺑﺘﻘﺪﻳﺮﻱ ‪ -‬ﻓﻮﻕ ﺍﻟﻌﺎﻣ‪‬ﺔ ﺑﻘﻠﻴﻞ ﻭﺩﻭﻥ ﺍﳋﺎﺻ‪‬ﺔ ﻣﻦ ﺃﻫﻞ ﺍﻟﻌﻠﻢ‪.‬‬
‫ﺕ ﺑﺘﺤﻘﻴﻖ ﻣ‪‬ﺮﺑ‪‬ﻊ ﻣ‪‬ﺜﻠﱠﺜﺎﺕ‬‫ﺕ ﺍﻟﻌﺰﻡ ﻋﻠﻴﻪ‪ ،‬ﻭﺍﺟﺘﺰﺃ ‪‬‬ ‫ﺖ ﻋﻘﺪ ‪‬‬ ‫ﺖ ﺻﻔﺤ‪‬ﺎ ﻋﻤ‪‬ﺎ ﻛﻨ ‪‬‬‫ﻓﻀﺮﺑ ‪‬‬
‫ﹸﻗﻄﺮ‪‬ﺏ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﺔ ﻟﻴﺲ ﺇﻻﱠ‪ ،‬ﻭﻻ ﺳﻴ‪‬ﻤﺎ ﺃ ﱠﻥ ﺍﳌﹸﺮﺑ‪‬ﻊ ﺍﻟﺜﱠﺎﱐ ﻗﺪ ﺧﺮﺝ ﺇﱃ ﺍﻟﻨ‪‬ﻮﺭ ﻣ‪‬ﺤ ﱠﻘﻘﹰﺎ ﰲ‬
‫ﺕ ﻗﺒ ﹸﻞ‪ .‬ﻭﻟﻜ ‪‬ﻦ ﻫﺬﺍ ﱂ ﳝﻨﻌﻨﺎ ﻣﻦ ﺍﻻﺳﺌﻨﺎﺱ ‪‬ﺬﻩ‬ ‫ﻃﺒﻘﺎﺕ ﺍﻟﺴ‪‬ﺒﻜﻲ‪ ،‬ﻛﻤﺎ ﺃﺷﺮ ‪‬‬
‫ﺍﻟﻨ‪‬ﺴﺨﺔ ﺍﻟﱵ ﺭﻣﺰﻧﺎ ﺇﻟﻴﻬﺎ ﺑـ )ﻑ(‪ ،‬ﻓﻌﺎﺭﺿﻨﺎ )ﻝ( ﺑـ )ﻑ( ﻣﺘﻨ‪‬ﺎ ﻻ ﺷﺮﺣ‪‬ﺎ؛ ﻷ ﱠﻥ‬
‫ﺍﻟﺸ‪‬ﺮﺡ ﰲ )ﻑ( ﻻ ﻳ‪‬ﺆﺑﻪ ﻟﻪ ﰲ ﺍﻷﻋ ‪‬ﻢ ﺍﻷﻏﻠﺐ‪.‬‬
‫ﺗﻘﻊ ﻫﺬﻩ ﺍﻟﻨ‪‬ﺴﺨﺔ ﺑﻌ ‪‬ﺪ ﰲ ‪ ٨‬ﻭﺭﻗﺎﺕ ]‪ ١٧٢‬ﺃ ﻕ ‪ ١٧٩ -‬ﺃ ﻕ[‪ ،‬ﻣﻦ‬
‫ﳎﻤﻮﻉ ﻋﺪﺩ ﺃﻭﺭﺍﻗﻪ ‪ ٢٩٦‬ﻭﺭﻗﺔ‪ ،‬ﻭﰲ ﺍﻟﻮﺭﻗﺔ ﺍﻟﻮﺍﺣﺪﺓ ‪ ١٥‬ﺳﻄﺮ‪‬ﺍ‪ ،‬ﻛﹸﺘﺒﺖ ﻫﺬﻩ‬

‫)‪ (١٥‬ﺍﳊ ‪‬ﻖ ﺃ ﱠﻥ ﺍﻷﻣﺜﻠﺔ ﻋﻠﻰ ﺫﻟﻚ ﻛﺜﲑﺓ‪ ،‬ﻭﻧﺬﻛﺮ ﻣﻨﻬﺎ‪ :‬ﺍﻟ ِﻐﻤ‪‬ﺮ‪ :‬ﺍﳊﺴﺪ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﻫﻮ ﺍﳊﻘﺪ‪.‬‬
‫ﻭﺍﻟﺴ‪‬ﻼﻣﻰ ﺃﻃﺮﺍﻑ ﺍﻷﺻﺎﺑﻊ‪ ،‬ﻭﺍﻟﺼ‪‬ﻮﺍﺏ‪ :‬ﻋﻈﺎ ‪‬ﻡ ﺻﻐﺎ ‪‬ﺭ ﻃﻮﻝ ﺇﺻﺒﻊ ﺃﻭ ﺃﻗﻞﱡ ﰲ ﺍﻟﻴﺪ ﻭﺍﻟﺮ‪‬ﺟﻞ‪.‬‬
‫ﻭﺍﻟﻜﹸﻼﻡ‪ :‬ﺍﻟﻮﻋﺮﺓ ﺍﳌﹸﺨﻴﻔﺔ‪ ،‬ﻭﺍﻟﺼ‪‬ﻮﺍﺏ‪ :‬ﺍﻷﺭﺽ ﺍﻟﻴﺎﺑﺴﺔ‪ .‬ﻭﺍ ﹶﳌﻨ‪‬ﺔ‪ :‬ﺍﳊﻴ‪‬ﺔ‪ ،‬ﻭﺍﻟﺼ‪‬ﻮﺍﺏ‪ :‬ﺍ ﹶﳌﺮ‪‬ﺓ ﻣﻦ‬
‫ﻣﻦ‪ ،‬ﲟﻌﲎ ﻗﻄﻊ ‪ ...‬ﺍﱁ‪.‬‬
‫‪٦٠٥‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﻂ ﺑﺎﻟﺴ‪‬ﻮﺍﺩ ﲢﺖ ﺍﻷﻟﻔﺎﻅ‬‫ﻂ ﻧﺴﺨ ‪‬ﻲ ﻭﺍﺿﺢ ﲨﻴﻞ ﻓﻴﻪ ﺑﻌﺾ ﺍﻟﺸ‪‬ﻜﻞ‪ ،‬ﺧ ﱠ‬
‫ﺍﻟﻨ‪‬ﺴﺨﺔ ﲞ ﹼ‬
‫ﺍﳌﹸﺜﻠﱠﺜﺔ‪ ،‬ﻭﺗ‪‬ﺮﻙ ﳍﺎ ﻫﺎﻣﺶ ﺑﻌﺮﺽ ‪ ٣،٢٥‬ﺳﻢ‪ ،‬ﻭﻫﻲ ﻧ‪‬ﺴﺨﺔ ﻣ‪‬ﻘﺎﺑﻠﺔ ﻭﻣ‪‬ﺼﺤ‪‬ﺤﺔ‪،‬‬
‫ﻭﻟﻜﻨ‪‬ﻬﺎ ‪ -‬ﻛﺴﺎﺑﻘﺘﻬﺎ ‪ -‬ﺧﻠﺖ ﻣﻦ ﺍﺳﻢ ﻧﺎﺳﺨﻬﺎ ﻭﺗﺎﺭﻳﺦ ﺍﻟﻨ‪‬ﺴﺦ ﻭﻣﻜﺎﻧﻪ‪.‬‬
‫)‪ (٣‬ﻧ‪‬ﺴﺨﺔ ﻟﻮﻳﺲ ﺷﻴﺨﻮ ﺍﳌﻄﺒﻮﻋﺔ ﰲ ﳎﻠﱠﺔ ﺍﳌﺸﺮﻕ ﺍﻟﺒﲑﻭﺗﻴ‪‬ﺔ ‪ -‬ﻣﺞ‪/١٢ :‬‬
‫ﻉ‪ ١٩٠٩ / ٩ :‬ﻡ‪ :‬ﻭﻗﺪ ﺭﻣﺰﻧﺎ ﳍﺎ ﺑـ )ﻡ(‪.‬‬
‫ﺩ ‪ -‬ﻣﻨﻬﺞ ﺍﻟﺘ‪‬ﺤﻘﻴﻖ‬
‫ﲏ ﻣ‪‬ﺤ ﱠﻘﻘﹰﺎ ﺑﺎﻟﻨ‪‬ﻘﺎﻁ ﺍﻟﺘ‪‬ﺎﻟﻴﺔ‪:‬‬ ‫ﻧﺴﺘﻄﻴﻊ ﺃﻥ ﻧ‪‬ﺠﻤﻞ ﻋﻤﻠﻨﺎ ﰲ ﺇﺧﺮﺍﺝ ﻣ‪‬ﺮﺑ‪‬ﻊ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺺ ﻛﺎﻣﻼﹰ‪ ،‬ﻣﻀﺒﻮﻃﹰﺎ ﺿﺒﻄﹰﺎ ﺗﺎﻣ‪‬ﺎ ﻣﻦ )ﻝ(‪.‬‬ ‫)‪ (١‬ﻧﺴﺨﻨﺎ ﺍﻟ‪‬ﻨ ‪‬‬
‫)‪ (٢‬ﻋﺎﺭﺿﻨﺎ )ﻝ( ﺑـ )ﻑ( ﻭ )ﻡ(‪ ،‬ﻣ‪‬ﺜﺒﺘﲔ ﰲ ﺍﳊﻮﺍﺷﻲ ﺃﻭﺟ ‪‬ﻪ ﺍﳋﻼﻑ ﺑﲔ‬
‫ﺍﻟﻨ‪‬ﺴﺦ ﺍﻟﺜﱠﻼﺙ‪ ،‬ﻭﻛﺬﺍ ﺃﻭﻫﺎ ‪‬ﻡ ﺍﻟﺘ‪‬ﺼﺤﻴﻒ ﻭﺍﻟﺘ‪‬ﺤﺮﻳﻒ ﻭﺍﻟﻀ‪‬ﺒﻂ ﺍﻟﻮﺍﺭﺩﺓ ﰲ )ﻡ(‪.‬‬
‫)‪(٣‬ﱂ ﲣ ﹸﻞ )ﻝ( ﻋﻠﻰ ﺃﺻﺎﻟﺘﻬﺎ ﻭﺟﻮﺩﺓ ﺷﺮﺣﻬﺎ ﻣﻦ ﺃﻭﻫﺎﻡ ﻳﺴﲑﺓ‪،‬‬
‫ﺍﺳﺘﺪﺭﻛﻨﺎﻫﺎ ﻣﻦ )ﻑ( ﻭ )ﻡ(‪.‬‬
‫)‪ (٤‬ﺷﺮﺣﻨﺎ ﻣﺎ ﺍﺳﺘ‪‬ﻐﻠﻖ ﺃﻣ ‪‬ﺮ ‪‬ﻩ ﰲ ﺍﻟ‪‬ﻨﺺ‪ ،‬ﻭﻭﺟ‪‬ﻬﻨﺎ ﻣﺎ ﳛﺘﺎﺝ ﺇﱃ ﺗﻮﺟﻴﻪ؛‬
‫ﺺ ﻣﻀﺒﻮﻁ ﻣ‪‬ﺘﻜﺎﻣﻞ ﻣﺘﻨ‪‬ﺎ ﻭﺷﺮﺣ‪‬ﺎ‪.‬‬ ‫ﻭﺻﻮ ﹰﻻ ﻣﻨ‪‬ﺎ ﺇﱃ ﻧ ‪‬‬
‫ﲏ‪ :‬ﺣﻴﺎ ﹰﺓ ﻭﺁﺛﺎﺭ‪‬ﺍ‪،‬‬‫ﻒ ﺍﻟﻨ‪‬ﻘﺎﺏ ﻋﻦ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬ ‫ﺺ ﺍﳌﹸﺤﻘﱠﻖ ﲟﺎ ﻳﻜﺸ ‪‬‬ ‫)‪ (٥‬ﻗﺪ‪‬ﻣﻨﺎ ﻟﻠ‪‬ﻨ ‪‬‬
‫ﹸﺛﻢ‪ ‬ﺩﺭﺳﻨﺎ ﺃﺛﺮﻩ ﺍﳌﻮﺳﻮﻡ ﺑﺎ ﹸﳌ ‪‬ﺮﺑ‪‬ﻊ ﺍﻟﺪ‪‬ﺭﺍﺳﺔ ﺍﻟﻮﺍﻓﻴﺔ‪ ،‬ﻛﻤﺎ ﻣ ‪‬ﺮ ﻗﺒ ﹸﻞ‪.‬‬

‫ﷲ ﻧﺴﺄﻝ ﺍﻟﺘ‪‬ﻮﻓﻴﻖ ﻭﺣ‪‬ﺴﻦ ﺍﻟﺴ‪‬ﺪﺍﺩ‪ ،‬ﻭﻫﻮ ﻋﻠﻰ ﻛ ﹼﻞ ﺷﻲﺀ ﻗﺪﻳﺮ‪.‬‬

‫ﺍَ‬
‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٠٦‬‬

‫ﺍﻟﻠﱠﻮﺣـﺔ‪ / ٦ ) :‬ﻭ ‪ ( ٢ - ١‬ﻣﻦ ) ﻝ (‬

‫‪٦٠٧‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﺍﻟﻠﱠﻮﺣـﺔ‪ / ٧ ) :‬ﻭ ‪ ( ٤ - ٣‬ﻣﻦ ) ﻝ (‬

‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٠٨‬‬

‫ﺍﻟﻠﱠﻮﺣـﺔ‪ ١٧٢ :‬ﻣﻦ )ﻑ(‬

‫‪٦٠٩‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﺍﻟﻠﱠﻮﺣـﺔ‪ ١٧٩ :‬ﻣﻦ )ﻑ(‬

 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦١٠‬‬

‫ﺺ ﺍﳌﹸﺤﻘﱠﻖ‬
‫ﺍﻟ‪‬ﻨ ‪‬‬
‫]ﻭ ‪ ١ / ٦‬ﺃ[ ﺑﺴﻢ ﺍﷲ ﺍﻟﺮ‪‬ﲪﻦ ﺍﻟﺮ‪‬ﺣﻴﻢ‬
‫ﻗﺎﻝ ﺍﻟﺸ‪‬ﻴ ‪‬ﺦ ﺍﻹﻣﺎ ‪‬ﻡ ﺍﻟﻘﹸﺪﻭ ﹸﺓ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﺪ‪‬ﻳﺮﻳﲏ‪ ،‬ﺭﲪﻪ ﺍﷲ ﺗﻌﺎﱃ‪] :‬ﺍﻟﻮﺍﻓﺮ[‬
‫ﺣﺮﻑ ﺍﻷﻟﻒ‬
‫ﻚ ﺍﻷﻋﺪﺍﺀ ُ ِﻏﻤ‪‬ﺮﺍ‬
‫ﺖ ﺑ ‪‬‬
‫ﻭﻗﺪ ﻣ‪‬ﻠﺌ ‪‬‬ ‫ﺖ ‪‬ﺳ‪‬ﻴ ﹶﻞ)‪(١٦‬ﺍ ﹸ‬
‫ﳊﺐ‪ ‬ﹶﻏﻤ‪‬ﺮﺍ‬ ‫ﺇﺫﺍ ﻋﺎﻳﻨ ‪‬‬
‫ﻉ ﺯﻳﺪ‪‬ﺍ ﻭ ‪‬ﻋﻤ‪‬ﺮﺍ‬
‫ﺴ ﹰﻔﺎ ﻭ ‪‬ﺩ ‪‬‬
‫ﻭ ِﺳ ‪‬ﺮ ‪‬ﻋ ‪‬‬ ‫ﺡ ﹸﻏﻤ‪‬ﺮﺍ‬
‫ﻚ ﰲ ﺍﳍﻮﻯ ﻳﺎ ﺻﺎ ِ‬
‫ﻓﻼ ﺗ ‪‬‬
‫ﳊ ‪‬ﺪﺙﹸ‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍ ﹶ‬
‫ﳊ ﹾﻘﺪ‪ .‬ﻭﺍﻟ ‪‬ﻐ ‪‬ﻤﺮ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺍﻟ ‪‬ﻐ ‪‬ﻤﺮ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﻜﺜ ‪‬ﲑ‪ .‬ﻭﺍﻟ ِﻐ ‪‬ﻤﺮ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍ ِ‬
‫ﺍﳉﺎﻫ ﹸﻞ ﺑﺎﻷﻣﻮﺭ‪.‬‬
‫ﺣﺮﻑ ﺍﻟﺒﺎﺀ‬
‫ﻚ ﺍﻟﺴ‪‬ﻼﻣﺎ‬
‫ﻭﻳﻠﻘﻰ ﻣﻦ ﻳ‪‬ﻌ‪‬ﻨﻔﹸ ‪‬‬ ‫ﺑﻪ ﻧﺮﺟﻮ ﺍﻟﺴ‪‬ﻼﻣ ﹶﺔ ﻭﺍﻟﺴ‪‬ﻼﻣﺎ‬
‫]ﻭ ‪ ٢ / ٦‬ﺏ[‬
‫)‪(١٧‬‬
‫‪‬ﺟﻬ‪‬ﺮﺍ‬ ‫ﺡ ﺑﺎﺳ ِﻢ ﻣﻦ ‪‬ﻮﺍ ‪‬ﻩ‬
‫ﺻ ‪‬ﺮ ‪‬‬
‫ﻭ‪‬‬ ‫ﻚ ﺍﻟﺴ‪‬ﻼﻣﻰ‬
‫ﺼِﺘ ‪‬‬
‫ﻓﻼ ﲣﺘ ‪‬ﺮ ﻟ ِﻘ ‪‬‬
‫ﺍﻟﺴ‪‬ﻼﻡ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺘ‪‬ﺤﻴ‪ ‬ﹸﺔ ﺑﲔ ﺍﻟﻨ‪‬ﺎﺱ‪ .‬ﻭﺍﻟﺴ‪‬ﻼﻡ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﳊﺠﺎﺭ ﹸﺓ‪.‬‬
‫ﻒ‪.‬‬‫ﻀ ‪‬ﻢ‪ :‬ﻋﻈﺎ ‪‬ﻡ ﻇﻬ ِﺮ ﺍﻟ ﹶﻜ ‪‬‬
‫ﻭﺍﻟﺴ‪‬ﻼﻣﻰ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺘ‪‬ﺎﺀ‬
‫ﳌﺎ ﺗﻠﹾﻘﺎ ‪‬ﻩ ﻣﻦ ﺃ ِﱂ ﺍﻟﻜِﻼ ِﻡ‬ ‫ﻭﺑﺎﻟﻜﹶﻼ ِﻡ‬ ‫ﺑﺎﻟﺮ‪‬ﺟﺎ ِﺀ‬ ‫ﺗﻌﱠﻠ ﹾﻞ‬
‫ﺴ ِﺮ ﻳﻠﻘﻰ ﺍﳌﺮﺀُ ‪‬ﻳﺴ‪‬ﺮﺍ‬
‫ﻓﺒﻌ ‪‬ﺪ ﺍﻟﻌ‪ ‬‬ ‫ﺽ ﺍﻟﻜﹸﻼ ِﻡ‬ ‫ﻉ ﻣﻦ ﺍﻷﺭ ِ‬ ‫ﻭﻻ ﲡﺰ ‪‬‬

‫)‪ (١٦‬ﰲ ﻡ‪ :٦٩٢ /‬ﺳﺒ‪‬ﻞ‪ .‬ﻛﺬﺍ ﺑﺘﺴﻜﲔ ﺍﻟﺒﺎﺀ ﻟﻠﻀ‪‬ﺮﻭﺭﺓ‪ ،‬ﻭﺍﻷﺻﻞ‪ :‬ﺳﺒ‪‬ﻞ‪ ،‬ﺃﻱ‪ :‬ﻃﺮﻕ‪.‬‬
‫)‪ (١٧‬ﺍﻟ ِﻘﺼ‪‬ﺔ‪ :‬ﺍﻟﺸ‪‬ﺄﻥ ﻭﺍﻷﻣﺮ‪ .‬ﻭﻗﻮﻟﻪ‪ :‬ﻓﻼ ﲣﺘ ‪‬ﺮ ﻟ ِﻘﺼ‪‬ﺘﻚ ﺍﻟﺴ‪‬ﻼﻣﻰ‪ :‬ﻛﻨﺎﻳﺔ ﻋﻦ ﺿﺮﻭﺭﺓ ﺃ ﹼﻻ ﺗﻜﻮﻥ‬
‫ﻀِﺘ ِﻪ ﺍﻟﺴ‪‬ﻼﻣﺎ‪ .‬ﻭﰲ‬
‫ﺿﻌﻴﻔﹰﺎ‪ ،‬ﺑﻞ ﻗﻮﻳ‪‬ﺎ ﺗ‪‬ﺼﺮ‪‬ﺡ ﺑﺎﺳﻢ ﻣﻦ ‪‬ﻮﺍﻩ‪ .‬ﻭﰲ ﻡ‪ :٦٩٢ /‬ﻭﻻ ﲡ‪‬ﺒ ‪‬ﺮ ﻟﻌ ‪‬‬
‫ﺍﻟﺸ‪‬ﺮﺡ‪ :‬ﺍﻟﺴ‪‬ﻼﻡ‪ :‬ﺍﻷﺻﺎﺑﻊ‪ .‬ﻭﻟﻴﺲ ﺑﺸﻲﺀ؛ ﻓﻠﻢ ﻳﺮﺩ ﻫﺬﺍ ﺍﳌﻌﲎ ﰲ ﺍﻷﻣ‪‬ﻬﺎﺕ ﺍﻟﺒﺘ‪‬ﺔ‪.‬‬
‫‪٦١١‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﻑ‪ .‬ﻭﺍﻟﻜِﻼﻡ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﳉِﺮﺍﺡ‪ .‬ﻭﺍﻟﻜﹸﻼﻡ‪،‬‬ ‫ﺍﻟﻜﹶﻼﻡ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﻜﻼ ‪‬ﻡ ﺍﳌﻌﺮﻭ ‪‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻷﺭﺽ ﺍﻟﻴﺎﺑﺴ ﹸﺔ‪.‬‬
‫ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺜﱠﺎﺀ‬
‫ﻭ ﹶﻃ ‪‬ﻲ ‪‬ﻣﻬ‪‬ﺎﻣ ٍﻪ ﺗ‪‬ﻄﻮﻯ)‪١٨(١٩‬ﻭ ِﺣ ‪‬ﺮ ‪‬ﻩ‬ ‫ﺛﹶﻮﺍﺀٌ ﺑﲔ)‪١٩(١٨‬ﻛﹸﺜﺒﺎ ٍﻥ ﻭ ‪‬ﺣ ‪‬ﺮ ‪‬ﻩ‬
‫ﻓﺼ ‪‬ﱪﺍ ﻳﺎ ﺃﹸﻫ‪‬ﻴ ﹶﻞ)‪٢٠(٢١‬ﺍﳊﹸ ‪‬‬
‫ﺐ ﺻﱪﺍ‬ ‫ﺃﻗﻞﱡ ﺃﺫﹰﻯ ﻳ‪‬ﻼﻗﻴﻪ)‪٢١(٢٠‬ﺍﺑ ‪‬ﻦ ‪‬ﺣ ‪‬ﺮ ‪‬ﻩ‬
‫ﺶ‪.‬‬ ‫ﺾ ﻭﺃﺳﻮ ‪‬ﺩ)‪ .(٢٢‬ﻭﺍ ِ‬
‫ﳊ ‪‬ﺮﺓﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟﻌﻄ ‪‬‬ ‫ﳊ ‪‬ﺮﺓﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ ﻓﻴﻬﺎ‪ :‬ﺣﺼ‪‬ﻰ ﺃﺑﻴ ‪‬‬ ‫ﺍﹶ‬
‫)‪(٢٣‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﳋﺎﻟﺼ ﹸﺔ ﻣﻦ ﺍﻟﻨ‪‬ﺴﺎﺀ‪.‬‬
‫ﳊﺮ‪ ‬ﹸﺓ[ ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻭ]ﺍ ﹸ‬
‫]ﻭ ‪ ٣ / ٧‬ﺃ[ ﺣﺮﻑ ﺍﳉﻴﻢ‬
‫ﺐ ِﺣﻠﹾﻤﺎ‬ ‫ﺏ ﺯﺍ ‪‬ﺩ ﺍﳉﺴ ‪‬ﻢ ‪‬ﺣﻠﹾﻤﺎ ﻭﻣﺎ ﺃﺑﻘﻰ ﺍﳍﻮﻯ ﻟﻠ ‪‬‬
‫ﺼ ‪‬‬ ‫ﺟﻔﺎ)‪(٢٤‬ﺍﻷﺣﺒﺎ ِ‬
‫)‪٢٥(٢٦‬‬
‫ﺏ)‪ ٢٦(٢٥‬ﺣﻠﹾﻤﺎ ﻟﻜﺎ ﹶﻥ ﻟﻪ ِﺑ ‪‬ﺰ ‪‬ﻭ ِﺭ ﺍﻟﻄﱠ‪‬ﻴ ِ‬
‫ﻒ ‪‬ﺑﺸ‪‬ﺮﺍ‬ ‫ﻕ ﺍﻟ ﹶﻜﺮ‪‬ﻯ ﺃﻭﺻﺎ ‪‬‬
‫ﻓﻠﻮ ﺫﺍ ‪‬‬
‫ﳊﹾﻠﻢ‪،‬‬ ‫ﳊﹾﻠﻢ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﻓﺴﺎ ‪‬ﺩ ﺍﻷﺩﱘ)‪ .(٢٧‬ﻭﺍ ِ‬
‫ﳊﹾﻠﻢ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻻﺣﺘﻤﺎ ﹸﻝ‪ .‬ﻭﺍ ﹸ‬ ‫ﺍﹶ‬

‫)‪ (١٨‬ﻑ‪ ،‬ﻡ‪ .٦٩٢ /‬ﻭﰲ ﻝ‪ :‬ﹶﺛﻮ‪‬ﻯ ﻣﺎ ﺑﲔ‪.‬‬

‫)‪ (١٩‬ﰲ ﻑ‪ :‬ﲜﻮ‪‬ﻯ‪.‬‬
‫)‪ (٢٠‬ﻑ‪ ،‬ﻡ‪ .٦٩٢ /‬ﻭﰲ ﻝ‪ :‬ﺗ‪‬ﻼﻗﻴﻪ‪ .‬ﺗﺼﺤﻴﻒ‪.‬‬
‫)‪ (٢١‬ﰲ ﻡ‪ :٦٩٢ /‬ﻳﺎ ﺃﻫﻞ‪ .‬ﻭﻫﻲ ﺭﻭﺍﻳﺔ ‪‬ﻣﺤﺮ‪‬ﻓﺔ‪ ،‬ﺗ‪‬ﺨﻞﱡ ﺑﻮﺯﻥ ﺍﻟﺒﻴﺖ‪.‬‬
‫ﺽ ﺫﺍﺕ ﺣﺠﺎﺭﺓ‬ ‫ﳊﺮ‪ ‬ﹸﺓ‪ :‬ﺃﺭ ‪‬‬
‫)‪ (٢٢‬ﻛﺬﺍ‪ .‬ﻭﺍﻟﺼ‪‬ﻮﺍﺏ ﻛﻤﺎ ﰲ ﺍﻹﻛﻤﺎﻝ ‪ ،١٤٣ /١‬ﻭﻏﲑﻩ‪ :‬ﺍ ﹶ‬
‫ﺤ ‪‬ﺮﻗﹶﺔ‪.‬‬
‫‪‬ﻣ ‪‬‬
‫ﺺ‪.‬‬
‫)‪ (٢٣‬ﺯﻳﺎﺩﺓ ﻳﻘﺘﻀﻴﻬﺎ ﺍﻟ‪‬ﻨ ‪‬‬
‫ﻱ ﺑﻘﻮﻟﻪ‪ :‬ﺍﳉﻔﺎ ُﺀ ﳑﺪﻭﺩ ﻋﻨﺪ‬‫)‪ (٢٤‬ﻛﺬﺍ ﺑﺎﻟﻘﺼﺮ‪ ،‬ﻭﻫﻮ ﻭﺟﻪ ﺟﺎﺋﺰ‪) .‬ﺍﻟﺘ‪‬ﺎﺝ‪ :‬ﺟﻔﺎ(‪ .‬ﻭﺭﺩ‪‬ﻩ ﺍﻷﺯﻫﺮ ‪‬‬
‫ﺖ ﺃﺣﺪ‪‬ﺍ ﺃﺟﺎﺯ ﻓﻴﻪ ﺍﻟﻘﺼﺮ‪) .‬ﺍﻟﺘ‪‬ﻬﺬﻳﺐ‪ :‬ﺟﻔﺎ ‪.(٢٠٦ /١١‬‬ ‫ﺍﻟﻨ‪‬ﺤﻮﻳ‪‬ﲔ‪ ،‬ﻭﻣﺎ ﻋﻠﻤ ‪‬‬
‫)‪ (٢٥‬ﺻﺎﺏ‪ :‬ﺃﺻﺎﺏ‪.‬‬
‫)‪ (٢٦‬ﻑ‪ ،‬ﻡ‪ .٦٩٢ /‬ﻭﰲ ﻝ‪ :‬ﺍﳉﻠﻢ‪ ،‬ﺑﺎﳉﻴﻢ ﰲ ﺍﳌﻮﺍﻃﻦ ﺍﻟﺜﱠﻼﺛﺔ‪ .‬ﺗﺼﺤﻴﻒ ﻇﺎﻫﺮ‪ .‬ﻭﰲ ﻑ ﺃﻳﻀ‪‬ﺎ‪ :‬ﻟﻜﺎﻥ‬
‫ﺍﻟﻄﱠﻴﻒ ﺑﺎﻟﺰ‪‬ﻭﺭﺍﺀ ‪‬ﺑﺸ‪‬ﺮﺍ‪ .‬ﻭﺍﻟﺰ‪‬ﻭﺭﺍﺀ‪ :‬ﻣﺪﻳﻨﺔ ﺑﻐﺪﺍﺩ‪ ،‬ﺳﻤ‪‬ﻴﺖ ﻛﺬﻟﻚ؛ ﻷ ﱠﻥ ﺃﺑﻮﺍ‪‬ﺎ ﺍﻟﺪ‪‬ﺍﺧﻠﺔ ﺟ‪‬ﻌﻠﺖ ‪‬ﻣ ‪‬ﺰ ‪‬ﻭﺭ‪‬ﺓ‬
‫ﻋﻦ ﺍﳋﺎﺭﺟﺔ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﺯﻭﺭ(‪ .‬ﻭﺃﻣ‪‬ﺎ ﺍﻟﺰ‪‬ﻭﺭ ﻛﻤﺎ ﰲ )ﻝ( ﻓﻬﻮ ﻣﺼﺪﺭ ﺯﺍﺭ‪ ،‬ﻛﺎﻟﺰ‪‬ﻳﺎﺭﺓ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦١٢‬‬

‫ﻀ ‪‬ﻢ‪ :‬ﺍﻻﺣﺘﻼ ‪‬ﻡ ﰲ ﺍﻟﻨ‪‬ﻮﻡ‪.‬‬

‫ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﳊﺎﺀ‬
‫ﺖ‬
‫ﺖ ﻣ‪‬ﺒﺎﺩﺭ‪‬ﺍ ﻣﻦ ﻏ ِﲑ ِﺳ ‪‬ﺒ ِ‬
‫ﻓﻘﹸ ‪‬ﻤ ‪‬‬ ‫ﺖ‬
‫ﺐ ﺯﺍﺭﱐ ﰲ ﻳﻮ ِﻡ ‪‬ﺳ ‪‬ﺒ ِ‬ ‫ﺣﺒﻴ ‪‬‬
‫ﺐ ﻧﺴﻴ ‪‬ﻢ ﻏﹸﺼ ِﻦ ﺍﻟﺒﺎﻥ ‪‬ﻧﺸ‪‬ﺮﺍ‬
‫ﻭﻫ ‪‬‬ ‫ﺖ‬
‫ﺏ ﺳ‪ ‬ﺒ ِ‬
‫ﻭﻗﺪ ﻧﺸ ‪‬ﺮ ﺍﻟﺮ‪‬ﺑﻴ ‪‬ﻊ ﺛﻴﺎ ‪‬‬
‫ﺴ‪‬ﺒﺖ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟﻨ‪‬ﻌﺎ ﹸﻝ ﺍﻟ‪‬ﻴﻤ‪‬ﺎﻧ‪‬ﻴﺔﹸ‪.‬‬
‫ﺍﻟﺴ‪‬ﺒﺖ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﻴﻮ ‪‬ﻡ ﺍﳌﻌﺮﻭﻑ‪ .‬ﻭﺍﻟ ‪‬‬
‫ﳋ ﹾﻄ ِﻤ ‪‬ﻲ)‪.(٢٨‬‬
‫ﺖ ﻳ‪‬ﺸﺒﻪ ﺍ ِ‬
‫ﻀ ‪‬ﻢ‪ :‬ﻧﺒ ‪‬‬
‫ﺴ‪‬ﺒﺖ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻭﺍﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﳋﺎﺀ‬
‫ﻭﰲ ﺍﻷﺣﺸﺎ ِﺀ ﻣﻦ ‪‬ﻭﺟ‪‬ﺪﻱ ِﺳﻬ‪‬ﺎﻣﺎ‬ ‫ﺧﻠﻴﻠ ‪‬ﻲ ﺇﻥﱠ ﰲ ﻗﻠﱯ ‪‬ﺳﻬ‪‬ﺎﻣﺎ‬
‫]ﻭ ‪ ٤ / ٧‬ﺏ[‬
‫)‪( ٣١‬‬ ‫)‪(٣٠‬‬
‫‪٢٩‬‬ ‫ﻓﻤﻬﻼﹰ ﻗﺪ ﺃﻗﺎ ‪‬ﻡ ﺍﳊﹸﺐ‪ ‬ﻋﺬﹾﺭﺍ‬ ‫‪٣١‬‬
‫ﻛﺄ ﱠﻥ ﺟﻮﺍﳓﻲ)‪ (٢٩‬ﺗﺮﻣﻲ ‪‬ﺳﻬ‪‬ﺎﻣﺎ‬
‫‪٣٠‬‬

‫ﺏ)‪ .(٣٢‬ﻭﺍﻟﺴ‪‬ﻬﺎﻡ‪،‬‬ ‫ﺴﻬ‪‬ﺎﻡ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺷﺪ‪ ‬ﹸﺓ ﺍﳊ ‪‬ﺮ‪ .‬ﻭﺍﻟﺴ‪‬ﻬﺎﻡ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟ‪‬ﻨﺸ‪‬ﺎ ‪‬‬ ‫ﺍﻟ ‪‬‬
‫ﺏ ﺍﻟﺸ‪‬ﻤﺲ‪.‬‬ ‫ﻀ ‪‬ﻢ‪ :‬ﻟﹸﻌﺎ ‪‬‬
‫ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺪ‪‬ﺍﻝ‬
‫ﻭﻣﺎ ﺩ‪‬ﻋﻮﺍ ‪‬ﻩ ﻋﻨﺪﻱ ﻏ َﲑ‪ِ ‬ﺩ ‪‬ﻋ ‪‬ﻮ ‪‬ﻩ‬ ‫ﺩﻋﺎ ﺩﺍﻋﻲ ‪‬ﺳﹸﻠﻮ‪‬ﻱ)‪(٣٣‬ﺃﻟ ‪‬‬
‫ﻒ ‪‬ﺩ ‪‬ﻋ ‪‬ﻮ ‪‬ﻩ‬

‫ﳊﹶﻠﻢ‪ ،‬ﺑﻔﺘﺢ ﺍﻟﻼﻡ‪) .‬ﺍﻟﻠﱢﺴﺎﻥ‪ :‬ﺣﻠﻢ(‪ .‬ﺇ ﱠﻻ ﺃ ﱠﻥ ﺍﻟﺸ‪‬ﺎﻋﺮ‬

‫)‪ (٢٧‬ﺃﻣ‪‬ﺎ ﻓﺴﺎ ‪‬ﺩ ﺍﻷﺩﱘ‪ ،‬ﺃﻱ‪ :‬ﺍﳉﻠﺪ ﻓﻬﻮ ﺍ ﹶ‬
‫ﺳﻜﱠﻦ ﺍﻟﻼﻡ ﺿﺮﻭﺭ ﹰﺓ‪.‬‬
‫ﺏ ﻣﻦ ﺍﻟﻨ‪‬ﺒﺎﺕ‪ ،‬ﻳ‪‬ﻐﺴ ﹸﻞ ﺑﻪ ﺍﻟﺮ‪‬ﺃﺱ‪.‬‬
‫ﳋ ﹾﻄ ِﻤﻲ‪ ،‬ﻭﺗ‪‬ﻔﺘﺢ ﺍﳋﺎﺀ‪ :‬ﺿﺮ ‪‬‬ ‫)‪ (٢٨‬ﺍ ِ‬
‫)‪ (٢٩‬ﰲ ﻑ‪ :‬ﺟﻮﺍﺭﺣﻲ‪.‬‬
‫)‪ (٣٠‬ﰲ ﻡ‪ :٦٩٢ /‬ﺍﻟﺴ‪‬ﻬﺎﻣﺎ‪.‬‬
‫ﳊﺐ‪ ‬ﺃﺳﺮﻯ‪ .‬ﻭﺳﺘﻤ ‪‬ﺮ ﻫﺬﻩ ﺍﻟﺮ‪‬ﻭﺍﻳﺔ ﺑﻌ ‪‬ﺪ ﰲ ﻝ‪ ،‬ﻓﺎﻧﻈﺮ‪.٢٧ /‬‬ ‫ﺏ ﺍﳍﻮﻯ ﰲ ﺍ ﹸ‬ ‫)‪ (٣١‬ﰲ ﻑ‪ :‬ﻭﺃﺻﺤﺎ ‪‬‬
‫)‪ (٣٢‬ﺍﻟ‪‬ﻨﺸ‪‬ﺎﺏ‪ :‬ﺍﻟ‪‬ﻨﺒ‪‬ﻞ‪ ،‬ﻭﺍﺣﺪﺗﻪ ‪‬ﻧﺸ‪‬ﺎﺑﺔ‪.‬‬
‫)‪ (٣٣‬ﺍﻟﺴ‪‬ﹸﻠﻮ‪ :‬ﺍﻟﻨ‪‬ﺴﻴﺎﻥ‪.‬‬
‫‪٦١٣‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ِﺭﺿ‪‬ﺎ ﳌﹸﺒﺸ‪‬ﺮﻱ ﺑﺎﻟﻮ‪‬ﺻ ِﻞ ‪‬ﻧﺬﹾﺭﺍ‬ ‫ﺍﻟﺮ‪‬ﻭﺡ‬ ‫ﺑﺬ ﹶﻝ‬ ‫ﺕ‬

‫ﺃﻋﺪ ‪‬ﺩ ‪‬‬ ‫ﻭﻗﺪ‬
‫ﺍﻟﺪ‪‬ﻋﻮﺓﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺪ‪‬ﻋﺎﺀ‪ .‬ﻭﺍﻟﺪ‪‬ﻋﻮﺓﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺃﻥ ﻳ‪‬ﺪﻋﻰ ﺍﻟﺮ‪‬ﺟ ﹸﻞ ﺇﱃ ﻗﻮﻡ‪،‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻟﻄﱠﻌﺎ ‪‬ﻡ ﺍ ﹶﳌ ‪‬ﺪ ‪‬ﻋﻮ‪ ‬ﺇﻟﻴﻪ)‪.(٣٥‬‬
‫ﻟﻴﺲ ﻣﻨﻬﻢ‪ .‬ﻭﺍﻟﺪ‪‬ﻋﻮﺓﹸ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺬﱠﺍﻝ‬
‫ﺏ ِﺷﺮ‪‬ﰊ‬
‫ﻭﻗﺪ ﻛﺎ ﹶﻥ ﺍﻟﺮ‪‬ﺿﺎ ﻭﺍﻟ ﹸﻘ ‪‬ﺮ ‪‬‬ ‫ﺕ ﺯﻣﺎ ﹶﻥ ﺇﺧﻮﺍﱐ ﻭ ‪‬ﺷﺮ‪‬ﰊ‬
‫ﺫﻛ ‪‬ﺮ ‪‬‬
‫ﻕ ‪‬ﻫﺠ‪‬ﺮﺍ‬
‫ﻭ ‪‬ﻫ ‪‬ﻢ ﻣﺎ ‪‬ﻋ ‪‬ﻮﺩ‪‬ﻭﺍ ﺍﳌﹸﺸﺘﺎ ‪‬‬ ‫ﻓﻤﺎﱄ ﻗﺪ ﻣ‪ِ‬ﻨ ‪‬ﻌﺖ‪ ‬ﺍﻟﻴﻮ ‪‬ﻡ ﺷ‪‬ﺮﰊ‬
‫ﺸﺮ‪‬ﺏ ﻭﻏﲑﻩ)‪ .(٣٦‬ﻭﺍﻟ ‪‬‬
‫ﺸ ‪‬ﺮﺏ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪:‬‬ ‫ﻉ ﺍﻟﻘﻮ ِﻡ ﻟﻠ ‪‬‬
‫ﺸ ‪‬ﺮﺏ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﺟﺘﻤﺎ ‪‬‬‫ﺍﻟ ‪‬‬
‫ﺏ ﺍﳌﻌﺮﻭﻑ)‪.(٣٨‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻟﺸ‪‬ﺮﺍ ‪‬‬ ‫ﺐ)‪ .(٣٧‬ﻭﺍﻟ ‪‬‬
‫ﺸ ‪‬ﺮﺏ‪ ،‬ﺑﺎﻟ ‪‬‬ ‫ﺍﻟﻨ‪‬ﺼﻴ ‪‬‬
‫]ﻭ ‪ ٥ / ٨‬ﺃ[ ﺣﺮﻑ ﺍﻟﺮ‪‬ﺍﺀ‬
‫ﺤ‪‬ﺒﺖ‪ِ ‬ﺧﺮ‪‬ﻗﺎ‬
‫ﺻِ‬
‫ﻭِﻧ ﹾﻠﺖ‪ ‬ﻣﻄﹶﺎﻟﱯ ﻭ ‪‬‬ ‫ﺖ ‪‬ﺧﺮ‪‬ﻗﺎ‬
‫ﺖ ﻣﻔﺎﺯ ﹰﺓ ﻭﻗﻄ ‪‬ﻌ ‪‬‬
‫ﺭﻛ‪‬ﺒ ‪‬‬
‫ﳊﺐ‪ ‬ﺃﺩﺭﻯ‬
‫ﺃﹶ ﹶﻻ ﺇﻧ‪‬ﻲ ﺑﺴ ‪‬ﺮ ﺍ ﹸ‬ ‫ﺖ ﻟﻌﺎﺫ ٍﻝ ﻗﺪ ﻻ ‪‬ﻡ ‪‬ﺧﺮ‪‬ﻗﺎ‬
‫ﻭﹸﻗ ﹾﻠ ‪‬‬
‫ﳋ ‪‬ﺮﻕ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟﺮ‪‬ﺟ ﹸﻞ‬
‫ﳋ ‪‬ﺮﻕ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺼ‪‬ﺤﺮﺍ ُﺀ ﺍﻟﻮﺍﺳﻌ ﹸﺔ‪ .‬ﻭﺍ ِ‬
‫ﺍﹶ‬

‫ﺡ ﺩ‪‬ﻋﻮﻩ‪.‬‬
‫)‪ (٣٤‬ﰲ ﻡ‪ :٦٩٣ /‬ﻭﻗﺪ ‪‬ﻋﺪ‪‬ﺕ ﺑﺬﺍ ‪‬ﻙ ﺍﻟﺮ‪‬ﻭ ‪‬‬
‫ﺴﻴ‪‬ﺪ ‪)) :١٤ /٢‬ﻭﺃﻣ‪‬ﺎ ﺍﻟﺪ‪‬ﻋﻮﺓ‪ ،‬ﺑﻀ ‪‬ﻢ ﺍﻟﺪ‪‬ﺍﻝ ﻓﺰﻋﻢ ﻗﹸﻄﺮ‪‬ﺏ ﺃﻧ‪‬ﻬﺎ ﺍﻟﺪ‪‬ﻋﻮﺓ ﺇﱃ‬ ‫)‪ (٣٥‬ﰲ ﻣ‪‬ﺜﻠﱠﺚ ﺍﺑﻦ ﺍﻟ ‪‬‬
‫ﻆ ﺫﻟﻚ ﻋﻦ ﻏﲑﻩ‪ ،‬ﻭﺍﻟﺬﻱ ﺣﻜﺎ ‪‬ﻩ ﺍﻟﻠﱡﻐﻮﻳ‪‬ﻮﻥ ﺩ‪‬ﻋﻮﺓ‪ ،‬ﺑﺎﻟﻔﺘﺢ((‪ .‬ﻭﺍﻧﻈﺮ ﻛﺬﻟﻚ‪:‬‬ ‫ﺍﻟﻄﱠﻌﺎﻡ‪ .‬ﻭﻻ ﺃﺣﻔ ﹸ‬
‫ﺣﺎﺷﻴﺔ ﺍﳌﹸﺤﻘﱢﻖ )‪.(٥٤‬‬
‫ﺸﺮ‪‬ﺏ‪ ،‬ﺑﺎﻟﻔﺘﺢ ﻟﻴﺲ ﺍﻻﺟﺘﻤﺎﻉ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﺍﻟﻘﻮ ‪‬ﻡ ﺃﻧﻔﺴﻬﻢ ﳚﺘﻤﻌﻮﻥ‬ ‫)‪ (٣٦‬ﻛﺬﺍ‪ .‬ﻭﺍﻟﺬﻱ ﰲ ﺍﻷﻣ‪‬ﻬﺎﺕ ﺃ ﱠﻥ ﺍﻟ ‪‬‬
‫ﺕ ﺯﻣﺎﻥ ﺇﺧﻮﺍﱐ ‪-‬‬ ‫ﺇﱃ ﺍﻟﺸ‪‬ﺮﺍﺏ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﺷﺮﺏ(‪ .‬ﻭﰲ ﺿﻮﺀ ﻣﺎ ﺗﻘﺪ‪‬ﻡ ﻳﺼﺒﺢ ﺍﳌﻌﲎ‪ :‬ﺫﻛﺮ ‪‬‬
‫ﺖ ﺇﻟﻴﻬﻢ ﻋﻠﻰ ﺍﻟﺸ‪‬ﺮﺍﺏ‪.‬‬ ‫ﺺ ﻣﻨﻬﻢ ﺃﺻﺤﺎﰊ ﺍﻟﺬﻳﻦ ﻃﺎﳌﺎ ﺍﺟﺘﻤﻌ ‪‬‬ ‫ﻛﺬﺍ ﻋﻠﻰ ﺍﻟﻌﻤﻮﻡ ‪ -‬ﻭﺃﺧ ‪‬‬
‫)‪ (٣٧‬ﻣﻦ ﺍﻟﺸ‪‬ﺮﺍﺏ‪.‬‬
‫ﺏ ﻋﻴﻨﻪ ﻫﻮ‬
‫)‪ (٣٨‬ﻛﺬﺍ‪ .‬ﻭﻳﺼ ‪‬ﺢ ﳎﺎﺯ‪‬ﺍ ﻋﻠﻰ ﺗﻘﺪﻳﺮ ﺫﻛﺮ ﺍﳌﺼﺪﺭ ﻭﺇﺭﺍﺩﺓ ﺍﺳﻢ ﺍﳌﻔﻌﻮﻝ‪ ،‬ﻭﺇ ﱠﻻ ﻓﺎﻟﺸ‪‬ﺮﺍ ‪‬‬
‫ﻀ ‪‬ﻢ‪.‬‬
‫ﺸ ‪‬ﺮﺏ‪ ،‬ﺑﺎﻟﻜﺴﺮ ﻻ ﺑﺎﻟ ‪‬‬‫ﺍﻟ ‪‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦١٤‬‬

‫ﻀ ‪‬ﻢ‪ :‬ﺍﳉﻬ ﹸﻞ ﻭﺍﳊﻤ ‪‬ﻖ‪.‬‬ ‫ﺍﻟﻜﺎﻣ ﹸﻞ)‪ .(٣٩‬ﻭﺍ ﹸ‬

‫ﳋ ‪‬ﺮﻕ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺰ‪‬ﺍﻱ‬
‫)‪(٤٢‬‬ ‫)‪(٤١‬‬ ‫)‪(٤٠‬‬
‫‪٤٠‬‬
‫ﺍﻟ ﱠﻠﺤ‪‬ﺎ ﻭﺍﺗ ‪‬ﺮ ‪‬ﻙ ﻣ‪‬ﻼﻣﻲ ﻓﻘﺪ ﺑﻠﻎ ﺍﻟﻠﱢﺤﺎ ﺳﻴ ﹸﻞ ﺍﻟ ‪‬ﻐﻤ‪‬ﺎ ِﻡ‬ ‫‪٤٢‬‬
‫ﻉ‬
‫ﹶﻓ ‪‬ﺪ ِ‬
‫‪٤١‬‬
‫ﺯﻫﺎ‬
‫)‪(٤٥‬‬ ‫)‪(٤٤‬‬
‫‪٤٣‬‬ ‫ﳊﺐ‪ ‬ﺃﺳﺮﻯ‬
‫ﺏ ﺍﳍﻮﻯ ﰲ ﺍ ﹸ‬
‫ﻭﺃﺻﺤﺎ ‪‬‬ ‫ﳊﻤ‪‬ﺎ ِﻡ‬ ‫ﺐ)‪ (٤٣‬ﺍﻟﱡﻠﺤ‪‬ﻰ ﻛـﺎ ‪‬‬
‫ﺱﺍ ِ‬ ‫ﻭﰲ ‪‬ﺷ‪‬ﻴ ِ‬
‫‪٤٥‬‬

‫ﺸﺮ‪ ‬ﺍﻟﻌﻮﺩ‪ ،‬ﻭﻫﻮ ﺃﻳﻀ‪‬ﺎ‬ ‫ﺤﺎ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﳌﹸﻼﺣﺎ ﹸﺓ)‪ .(٤٦‬ﻭﺍﻟﻠﱢﺤﺎ‪ ،‬ﺑﺎﻟﻜﺴﺮ)‪ِ :(٤٧‬ﻗ ‪‬‬ ‫ﺍﻟﻠﱠ ‪‬‬
‫ﺤ‪‬ﻴ ﹸﺔ)‪.(٤٩‬‬
‫ﺖ ﻋﻠﻴﻪ ﺍﻟﻠﱢ ‪‬‬ ‫ﺤﻴ‪‬ﺔ)‪ .(٤٨‬ﻭﺍﻟﻠﱡﺤ‪‬ﻰ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻟﻌﻈ ‪‬ﻢ ﺍﻟﺬﻱ ﺗﻨ‪‬ﺒ ‪‬‬ ‫ﲨ ‪‬ﻊ ِﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺴ‪‬ﲔ‬

‫ﺴﻦ‪‬‬
‫ﳊ‪‬‬ ‫ﳋ ‪‬ﺮﻕ‪ ‬ﻣﻦ ﺍﻟﺮ‪‬ﺟﺎﻝ ﻟﻴﺲ ﺍﻟﺴ‪‬ﺨ ‪‬ﻲ ﻓﺤﺴﺐ‪ ،‬ﻭﺇﻧ‪‬ﻤﺎ ﺃﻳﻀ‪‬ﺎ ﺍﻟﻔﱴ ﺍ ﹶ‬ ‫)‪ (٣٩‬ﻛﺬﺍ‪ .‬ﻭﻻ ﺿﲑ‪‬؛ ﻓﺎ ِ‬
‫ﺍﻟﻜﺮ ‪‬ﱘ ﺍﳋﻠﻴﻘﺔ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﺧﺮﻕ(‪ .‬ﻭﻣﻦ ﻛﺎﻥ ﻛﺬﻟﻚ‪ ،‬ﻓﻬﻮ ﻣﻦ ﺃﻫﻞ ﺍﻟﻜﻤﺎﻝ‪.‬‬
‫ﺤ ‪‬ﺮﻗﹶﺔ‪.‬‬
‫ﺽ ﺫﺍﺕ ﺣﺠﺎﺭﺓ ‪‬ﻣ ‪‬‬ ‫ﳊﺮ‪ ‬ﹸﺓ‪ :‬ﺃﺭ ‪‬‬
‫ﺼﻮﺍﺏ ﻛﻤﺎ ﰲ ﺍﻹﻛﻤﺎﻝ ‪ ،١٤٣/١‬ﻭﻏﲑﻩ‪ :‬ﺍ ﹶ‬ ‫)‪ (٤٠‬ﻛﺬﺍ‪ .‬ﻭﺍﻟ ‪‬‬
‫ﻉ‪.‬‬‫)‪ (٤١‬ﻑ‪ ،‬ﻡ‪ .٦٩٣ /‬ﻭﰲ ﻝ‪ :‬ﻭ ‪‬ﺩ ِ‬
‫)‪ (٤٢‬ﻑ‪ .‬ﻭﰲ ﻝ‪ :‬ﺍﻟﻐﺮﺍﻡ‪ .‬ﻭﻣﺎ ﰲ ﻑ ﺃﺟﻮﺩ‪ .‬ﻭﻗﻮﻟﻪ‪ :‬ﻓﻘﺪ ﺑﻠﻎ ‪ ...‬ﺍﱁ ﻛﻨﺎﻳﺔ ﻋﻦ ﺍﺳﺘﻔﺤﺎﻝ‬
‫ﺍﻷﻣﺮ ﺍ ﹸﳌ ‪‬ﻌﺒ‪‬ﺮ ﻋﻨﻪ ﺑﺴﻴﻞ ﺍﻟﻐﻤﺎﻡ ﺍﻟﺬﻱ ﻋﻈﹸﻢ‪ ،‬ﻓﻐﻄﱠﻰ ﻟِﺤﺎﺀ ﺍﻷﺷﺠﺎﺭ‪.‬‬
‫ﺐ‪ .‬ﲢﺮﻳﻒ‪.‬‬ ‫)‪ (٤٣‬ﰲ ﻡ‪ :٦٩٣/‬ﺳ ‪‬‬
‫ﳊﻤ‪‬ﺎﻡ‪ :‬ﺍﳌﻮﺕ‪ .‬ﻭﺇﺿﺎﻓﺔ ﺍﻟﻜﺎﺱ ﺍﻟﱵ ﻫﻲ ﲣﻴﻴ ﹲﻞ ﺇﻟﻴﻪ ﻋﻠﻰ ﺳﺒﻴﻞ ﺍﻻﺳﺘﻌﺎﺭﺓ ﺍﳌﻜﻨﻴ‪‬ﺔ‪.‬‬ ‫)‪ (٤٤‬ﺍ ِ‬
‫ﺨﻔﱠﻒ ﺍﻟﻜﺄﺱ‪ ،‬ﺑﺎﳍﻤﺰ‪.‬‬ ‫ﻭﺍﻟﻜﺎﺱ‪ :‬ﻣ ‪‬‬
‫)‪ (٤٥‬ﻣﺮ‪‬ﺕ ﻫﺬﻩ ﺍﻟﺮ‪‬ﻭﺍﻳﺔ ﻗﺒ ﹸﻞ ﰲ ﻑ‪ ،‬ﻓﺎﻧﻈﺮ‪ .٢٥/‬ﻭﰲ ﻡ‪ :٦٩٣ /‬ﺃﺩﺭﻯ ﺑﺪﻝ ﺃﺳﺮﻯ‪.‬‬
‫ﲏ ﺃﺭﺍﺩ‬ ‫ﺤ ‪‬ﻲ ﻭﺍﻟﻠﱢﺤﺎﺀ‪ .‬ﻓﻠﻌ ﱠﻞ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺤ ‪‬ﻮ ﻭﺍﻟﱠﻠ ‪‬‬
‫)‪ (٤٦‬ﻛﺬﺍ‪ .‬ﻭﺍﻟﺬﻱ ﰲ ﺍﻷﻣ‪‬ﻬﺎﺕ ﺃ ﱠﻥ ﺍﳌﹸﻼﺣﺎ ﹶﺓ ﻫﻲ ﺍﻟﱠﻠ ‪‬‬
‫ﺤﻮ‪ ،‬ﻓﻘﻠﺐ ﺍﻟﻮﺍﻭ ﺃﻟﻔﹰﺎ ﻟﻠﻀ‪‬ﺮﻭﺭﺓ‪.‬‬ ‫ﺍﻟﱠﻠ ‪‬‬
‫)‪ (٤٧‬ﻭﺍﻟﻘﺼﺮِ‪ ،‬ﻓﺎﻷﺻ ﹸﻞ ﺍﻟﻠﱢﺤﺎ ُﺀ‪.‬‬
‫)‪ (٤٨‬ﻭﻻ ﻳﻜﻮﻥ ﺫﻟﻚ ﺇ ﱠﻻ ﻋﻠﻰ ﺇﺭﺍﺩﺓ ﺍﻟﱢﻠﺤ‪‬ﻰ‪ ،‬ﺑﺎﻷﻟﻒ ﺍﳌﻘﺼﻮﺭﺓ‪.‬‬
‫ﺤﻲ‪ ‬ﻻ ﹸﻟﺤ‪‬ﻰ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﳊﻰ(‪.‬‬ ‫ﺤﻲ‪ ،‬ﻭﺍﳉﻤ ‪‬ﻊ ﹸﻟ ِ‬ ‫)‪ (٤٩‬ﺃﻣ‪‬ﺎ ‪‬ﻣ‪‬ﻨِﺒﺖ‪ ‬ﺍﻟﻠﱢﺤﻴﺔ ﺃﻭ ﻋﻈﻤ‪‬ﻬﺎ ﻓﻬﻮ ﺍﻟﱠﻠ ‪‬‬
‫ﺐ ﻟﻠﻤﻌﲎ‪.‬‬‫ﻭﺍﻷﺣﺴ ‪‬ﻦ ﺃ ﱠﻥ ﺍﻟﻠﱡﺤ‪‬ﻰ ﻫﻨﺎ ﲨ ‪‬ﻊ ﻟِﺤﻴﺔ‪ ،‬ﻛﻤﺎ ﰲ ﻡ‪٦٩٣ /‬؛ ﻓﻬﺬﺍ ﺃﻧﺴ ‪‬‬
‫‪٦١٥‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬
‫)‪(٥١‬‬
‫ﻭﹶﺃ‪‬ﻧﻬ‪‬ﺮ‪‬ﻫﺎ)‪(٥٠‬ﺍﳌِﻼ ﻣﻨﻬﺎ ‪‬ﻋﻘﹶﺎﺭﻱ‬ ‫‪‬ﺳﻠﹸﻮﺍ ﻋﻨ‪‬ﻲ ﺍﳌﹶﻼ ﻓﻴﻬﺎ ﻗﹶﺮﺍﺭﻱ‬
‫]ﻭ ‪ ٦ / ٨‬ﺏ[‬
‫ﺝ)‪ِ (٥٤‬ﺳﺘ‪‬ﺮﺍ‬
‫‪٥٢‬‬ ‫ﻣـﻦ ﺍﻟ ِﻜﺘ‪‬ﻤﺎ ِﻥ ﻻ ﳛﺘﺎ ‪‬‬ ‫ﺍﳌﹸﻼ‬ ‫ﺗ‪‬ﻐﲏ‬ ‫ﻭﻣﺎ‬
‫ﺍ ﹶﳌ ‪‬ﻼ)‪ ،(٥٥‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﳉﻤﺎﻋ ﹸﺔ ﻣﻦ ﺍﻟﻨ‪‬ﺎﺱ)‪ .(٥٦‬ﻭﺍﳌِﻼ)‪ ،(٥٧‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﲨ ‪‬ﻊ‬
‫ﻀ ‪‬ﻢ‪ :‬ﲨ ‪‬ﻊ ﻣ‪‬ﻼﺀﺓ)‪.(٥٨‬‬‫ﻣ‪‬ﻶ ﹶﻥ‪ .‬ﻭﺍﳌﹸﻼ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺸ‪‬ﲔ‬
‫ﺲ ﻳ‪‬ﺮﻭﻗﹸﲏ ﺣ‪‬ﻮ ‪‬ﺭ ﻭ ِﺷ ﹾﻜﻞﹸ‬ ‫ﻭﻟﻴ ‪‬‬ ‫‪‬ﺷﺠ‪‬ﻮﱐ)‪(٥٩‬ﻣﺎ ﳍﺎ)‪(٦٠‬ﰲ ﺍﻟ‪‬ﻨﺎ ِ‬
‫ﺱ ‪‬ﺷ ﹾﻜﻞﹸ‬
‫)‪(٦١‬‬
‫ﻚ ِﺇﺻ‪‬ﺮﺍ‬
‫ﺡ ﻋﻨ ‪‬‬‫ﹶﻓﺤ‪‬ﻞﱠ ﺍﻟ ﹶﻘ‪‬ﻴ ‪‬ﺪ ﻭﺍﻃ ‪‬ﺮ ‪‬‬ ‫ﺡ ‪‬ﺷ ﹾﻜ ﹸﻞ‬
‫ﻭﻛِﺘﻤﺎ ﹸﻥ ﺍﳍﻮﻯ ﻳﺎ ﺻﺎ ِ‬
‫ﺸ ﹾﻜﻞﹸ‪،‬‬
‫ﺸ ﹾﻜﻞﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟ ‪‬ﻐ‪‬ﻨ ‪‬ﺞ ﻭﺍﻟﺪ‪‬ﻻ ﹸﻝ‪ .‬ﻭﺍﻟ ‪‬‬‫ﺸ ﹾﻜﻞﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺸ‪‬ﺒ ‪‬ﻪ‪ .‬ﻭﺍﻟ ‪‬‬
‫ﺍﻟ ‪‬‬

‫)‪ (٥٠‬ﰲ ﻑ‪ ،‬ﻡ‪ :٦٩٣ /‬ﻭﺃﲝﺮ‪‬ﻫﺎ‪.‬‬

‫)‪ (٥١‬ﺍﻟﻌ‪‬ﻘﺎ ‪‬ﺭ‪ :‬ﺍﳋﻤﺮﺓ‪ .‬ﻭﰲ ﻑ‪ :‬ﻏﻔﺎﺭﻱ‪ .‬ﻭﰲ ﻡ‪ :٦٩٣ /‬ﻋﻔﺎﺭﻱ‪ .‬ﻭﻛﻼﳘﺎ ﺗﺼﺤﻴﻒ‪.‬‬
‫)‪ (٥٢‬ﰲ ﻡ‪ :٦٩٣ /‬ﻭﺍﻟﺼ‪‬ﺒ ‪‬ﺮ‪ .‬ﲢﺮﻳﻒ‪.‬‬
‫ﺱ ﻋﺎﺭٍ؛ ﻓﺎﻻﺳﻢ ﻣﻨﻘﻮﺹ‪ ،‬ﺇ ﱠﻻ ﺃﻧ‪‬ﻨﺎ ﺃﺑﻘﻴﻨﺎ ﻋﻠﻰ ﺍﻟﻴﺎﺀ؛ ﻣ‪‬ﻮﺍﻓﻘ ﹰﺔ ﻟﻠﻘﻮﺍﰲ ﺍﻷﺧﺮﻯ‪.‬‬ ‫)‪ (٥٣‬ﺍﻟﻘﻴﺎ ‪‬‬
‫ﺨﻞﱡ ﺑﻮﺯﻥ ﺍﻟﺒﻴﺖ‪.‬‬
‫)‪ (٥٤‬ﰲ ﻑ‪ :‬ﻻ ﳜﺘﺎ ‪‬ﺭ‪ .‬ﻭﰲ ﻡ‪ :٦٩٣ /‬ﻻ ﲣﺘﺎﺭﻭﺍ‪ .‬ﻭﻫﻲ ﺭﻭﺍﻳﺔﹲ‪ ،‬ﺗ ِ‬
‫)‪ (٥٥‬ﻛﺬﺍ ﺍﳌﹶﻼ‪ ،‬ﺑﺎﻟﺘ‪‬ﺨﻔﻴﻒ‪ ،‬ﻭﺍﻷﺻﻞ ﺍﳌﹶﻸ‪ ،‬ﺑﺎﳍﻤﺰ‪.‬‬
‫)‪ (٥٦‬ﰲ ﻡ‪ :٦٩٣ /‬ﺍﻟ‪‬ﺒ ‪‬ﺮﻳ‪‬ﺔ‪ .‬ﻭﺗﻘﺪﻳﺮ ﻫﺬﺍ ﺍﳌﻌﲎ ﻳ‪‬ﻔﻀﻲ ﺑﻨﺎ ﺇﱃ ﺟﺬﺭﻳﻦ ﻟﻠ ‪‬ﻤﺜﻠﱠﺚ ﻻ ﻭﺍﺣﺪ‪ ،‬ﳘﺎ‪:‬‬
‫ﻣﻼ ﺍﻟﻨ‪‬ﺎﻗﺺ‪ ،‬ﻭﻣﻸ ﺍﳌﻬﻤﻮﺯ‪ .‬ﻭﺍﻷﺣﺴﻦ ‪ -‬ﻭﺍﳊﺎﻟﺔ ﻫﺬﻩ ‪ -‬ﺍﻷﺧﺬ ﲟﺎ ﰲ ﻝ ﻭﺻﻮ ﹰﻻ ﺇﱃ ﺟﺬﺭ‬
‫ﻭﺍﺣﺪ‪ ،‬ﻫﻮ ﻣﻸ‪ ،‬ﺑﺎﳍﻤﺰ ﻻ ﺟﺬﺭﻳﻦ‪.‬‬
‫)‪ (٥٧‬ﻛﺬﺍ ﺑﺎﻟﻘﺼﺮ‪ ،‬ﻭﺍﻷﺻﻞ ﺍﳌِﻼﺀ‪.‬‬
‫ﺤﻔﹶﺔ‪.‬‬‫)‪ (٥٨‬ﻛﺬﺍ ﺍﻟﺼ‪‬ﻮﺍﺏ‪ .‬ﻭﰲ ﻝ‪ :‬ﻣ‪‬ﻼﺀ‪ .‬ﲢﺮﻳﻒ‪ .‬ﻭﺍﳌﹸﻼﺀﺓ‪ :‬ﺍ ِﳌﹾﻠ ‪‬‬
‫)‪ (٥٩‬ﺷﺠ‪‬ﻮﱐ‪ :‬ﺃﺣﺰﺍﱐ‪.‬‬
‫)‪ (٦٠‬ﻑ‪ .‬ﻭﰲ ﻝ‪ :‬ﻣﺎ ﻟﻘﺎ‪ .‬ﲢﺮﻳﻒ‪.‬‬
‫ﺻ ‪‬ﺮ‪ :‬ﺍﻟﻌﻬ ‪‬ﺪ ﺗ‪‬ﻠﺰ ‪‬ﻡ ﻧﻔﺴﻚ ﺑﻪ‪ .‬ﻭﰲ ﻑ‪ :‬ﺃﺳ‪‬ﺮﺍ‪.‬‬
‫)‪ (٦١‬ﺍﻹ ‪‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦١٦‬‬

‫ﻀ ‪‬ﻢ‪ :‬ﲨ ‪‬ﻊ ِﺷﻜﹶﺎﻝ)‪.(٦٢‬‬

‫ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﺼ‪‬ﺎﺩ‬
‫)‪(٦٤‬‬
‫‪٦٣‬‬ ‫ﺻ ‪‬ﺮ ‪‬ﻩ‬
‫ﻭﻣﺎ ﺍﻟﺘﻔﺘﻮﺍ ﺇﱃ ‪‬ﺣ ‪‬ﺮ ﻭ ِ‬ ‫ﺖ ﺷﻮﻗﹰﺎ ﺇﱃ ‪‬ﻧ ‪‬ﻌﻤ‪‬ﺎ ﹶﻥ)‪ (٦٣‬‬
‫ﺻ ‪‬ﺮ ‪‬ﻩ‬‫‪٦٤‬‬ ‫ﺻ‪‬ﺒ ‪‬‬
‫‪‬‬
‫ﺏ ﺃﺣﺮﻯ‬ ‫ﻓﺒﺬﻝﹸ ﺍﻟﺮ‪‬ﻭ ِ‬
‫ﺡ ﻟﻠﻤﺤﺒﻮ ِ‬ ‫ﺻ ‪‬ﺮ ‪‬ﻩ‬
‫ﻒ ‪‬‬
‫ﺴ ‪‬ﺮ ﻣﻌﻬﻢ ﻭ ‪‬ﻫ ‪‬ﻮ ﹾﻥ ﺃﻟ ‪‬‬
‫ﹶﻓ ِ‬
‫ﺱ)‪ .(٦٥‬ﻭﺍﻟ ‪‬‬
‫ﺼ ‪‬ﺮﺓﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟﻠﱠﻴﻠ ﹸﺔ ﺍﻟﺒﺎﺭﺩ ﹸﺓ‪.‬‬ ‫ﺼ ‪‬ﺮﺓﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﳉﻤﺎﻋ ﹸﺔ ﻣﻦ ﺍﻟﻨ‪‬ﺎ ِ‬ ‫ﺍﻟ ‪‬‬
‫ﳋ ‪‬ﺮﹶﻗﺔﹸ ﺍﻟﱵ ﺗﻌﺮﻓﹸﻬﺎ‪.‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍ ِ‬
‫ﺼ ‪‬ﺮﺓﹸ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻭﺍﻟ ‪‬‬
‫ﻀﺎﺩ‬‫]ﻭ ‪ ٧ / ٩‬ﺃ[ ﺣﺮﻑ ﺍﻟ ‪‬‬
‫)‪(٦٧‬‬
‫ﻕ ﺣﺎﻛ ‪‬ﻢ‬ ‫ﻭﻧ‪‬ﺤﻤﻲ ﺑﺎﻟﻜِﻼ ﻭﺍﻟﺸ‪‬ﻮ ‪‬‬
‫‪٦٦‬‬ ‫ﺖ ﺍﻟﻜﹶﻼ ﻭﺍﻟﺮ‪ ‬ﻭ ‪‬‬
‫ﺽ ﺑﺎﺳ ‪‬ﻢ‬ ‫ﺿﻔﹶﺎ)‪ (٦٦‬ﻧ‪‬ﺒ ‪‬‬
‫‪‬‬ ‫‪٦٧‬‬

‫)‪(٦٨‬‬
‫ﺕ ‪‬ﺧﻄﹾﺮﺍ‬
‫ﻓﺨﺎ ِﻃ ‪‬ﺮ ﱂ ﲡ ‪‬ﺪ ﻟﻠﻤﻮ ِ‬ ‫ﻭﰲ ﺃ ِﱂ ﺍﻟﻜﹸﻼ ﻧﻴﻞﹸ ﺍﳌﹶﻜﺎﺭ ‪‬ﻡ‬
‫ﺕ‪ .‬ﻭﺍﻟﻜِﻼ)‪ ،(٧٠‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﳊﺮﺍﺳ ﹸﺔ‪ .‬ﻭﺍﻟﻜﹸﻼ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻀ ‪‬ﻢ‪:‬‬ ‫ﺍﻟﻜﹶﻼ)‪ ،(٦٩‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﻨ‪‬ﺒﺎ ‪‬‬
‫ﲨ ‪‬ﻊ ﹸﻛﹾﻠﻴ‪‬ﺔ‪.‬‬

‫ﳊﻘﹶﺐ ﻭﺍﻟِﺒﻄﹶﺎﻥ‬ ‫ﻕ ﺑﲔ ﺍ ﹶ‬ ‫ﳊﻘﹶﺐ‪ ،‬ﻭﻭِﺛﺎ ‪‬‬ ‫ﻂ ﻳ‪‬ﻮﺿﻊ ﺑﲔ ﺍﻟﺘ‪‬ﺼﺪﻳﺮ ﻭﺍ ﹶ‬ ‫ﺸﻜﹶﺎ ﹸﻝ ﰲ ﺍﻟ ‪‬ﺮﺣ‪‬ﻞ‪ :‬ﺧﻴ ﹲ‬ ‫)‪ (٦٢‬ﺍﻟ ‪‬‬
‫ﲏ ﺃﺭﺍﺩ ﻫﻨﺎ ﺍﻟﻘﻴﺪ‪ ،‬ﻓﺬﻛﺮ‬ ‫ﻭﺑﲔ ﺍﻟﻴﺪ ﻭﺍﻟﺮ‪‬ﺟﻞ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﺷﻜﻞ(‪ .‬ﻭﻣﻦ ﺍﻟﻮﺍﺿﺢ ﺃ ﱠﻥ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﺸﻜﻞ ﻋﻠﻰ ﺳﺒﻴﻞ ﺍﻻﺳﺘﻌﺎﺭﺓ ﺍﻟﺘ‪‬ﺼﺮﳛﻴ‪‬ﺔ ﺍﻷﺻﻠﻴ‪‬ﺔ‪ ،‬ﻳﺪﻟﱡﻨﺎ ﻋﻠﻰ ﺫﻟﻚ ﺫﻛﺮﻩ ﺍﻟﻘﻴ ‪‬ﺪ ﺑﻌ ‪‬ﺪ‪.‬‬ ‫ﺍﻟ ‪‬‬
‫)‪ (٦٣‬ﻫﻮ ‪‬ﻧ ‪‬ﻌﻤ‪‬ﺎ ﹸﻥ ﺍﻷﺭﺍﻙ‪ ،‬ﻭﻫﻮ ﻭﺍ ٍﺩ ﻳ‪‬ﻨِﺒﺘ‪‬ﻪ‪ ‬ﺑﲔ ﻣﻜﱠ ﹶﺔ ﻭﺍﻟﻄﱠﺎﺋﻒ‪ .‬ﻭﻗﻴﻞ ﻏ ‪‬ﲑ ﺫﻟﻚ‪) .‬ﻣﻌﺠﻢ ﺍﻟﺒﻠﺪﺍﻥ‬
‫‪.(٢٩٣ /٥‬‬
‫ﺻ ‪‬ﺮ ‪‬ﻩ‪.‬‬
‫ﺻ ‪‬ﺮ ﻭ ِ‬
‫)‪ (٦٤‬ﰲ ﻡ‪ :٦٩٣ /‬ﻭﻣﺎ ﺍﻟﺘ‪‬ﻘﻮﻯ ﺇﱃ ِ‬
‫ﺼ ‪‬ﺮﺓﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﳉﻤﺎ ‪‬ﺩ‪ .‬ﻭﻻ ﻣﻌﲎ ﻟﻪ ﻫﻨﺎ‪.‬‬ ‫)‪ (٦٥‬ﰲ ﻡ‪ :٦٩٣ /‬ﺍﻟ ‪‬‬
‫)‪ (٦٦‬ﺿﻔﺎ‪ :‬ﹶﻛﺜﹸ ‪‬ﺮ‪.‬‬
‫)‪ (٦٧‬ﰲ ﻑ‪ ،‬ﻡ‪ :٦٩٣ /‬ﻭﳛﻤﻲ‪.‬‬
‫ﳋ ﹶﻄﺮ‪ .‬ﻭﺍﻟﺘ‪‬ﺴﻜﲔ ﺿﺮﻭﺭﺓ‪.‬‬ ‫ﳋ ﹾﻄﺮ‪ :‬ﺍ ﹶ‬‫)‪ (٦٨‬ﺍ ﹶ‬
‫)‪ (٦٩‬ﺃﺭﺍﺩ ﺍﻟﻜﹶﻸ‪ ،‬ﻓﺨﻔﱠﻒ ﺿﺮﻭﺭ ﹰﺓ‪.‬‬
‫)‪ (٧٠‬ﺃﺭﺍﺩ ﺍﻟﻜِﻼﺀَ‪ ،‬ﻣﻦ ﻛﻸﻩ ﻛِﻼﺀً‪ ،‬ﺃﻱ‪ :‬ﺣﺮﺳﻪ‪ ،‬ﻓﻘﺼﺮ ﺿﺮﻭﺭ ﹰﺓ‪.‬‬
‫‪٦١٧‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﺣﺮﻑ ﺍﻟﻄﱠﺎﺀ‬
‫ﺴﻂﹸ‬
‫ﻭ ‪‬ﺣ ﹾﻜ ‪‬ﻢ ﺃﺣﺒ‪‬ﱵ ‪‬ﻋ ‪‬ﺪ ﹲﻝ ﻭ ِﻗ ‪‬‬ ‫ﺴﻂﹸ‬
‫ﺏ ﻋﻮﺍﺫﱄ ﺟ‪‬ﻮ ‪‬ﺭ ﻭ ﹶﻗ ‪‬‬
‫ﻃِﻼ ‪‬‬
‫)‪(٧١‬‬
‫ﻕ ‪‬ﺳﻜﹾﺮﺍ‬
‫ﻳ‪‬ﻬﻴ ‪‬ﻢ ﺑ ‪‬ﻌ ‪‬ﺮﻓِﻬﺎ ﺍﳌﹸﺸﺘﺎ ‪‬‬ ‫ﻂ‬
‫ﺴﹸ‬
‫ﻱ ﹸﻗ ‪‬‬
‫ﳊﻤ‪‬ﻰ ﺍﻟﻨ‪‬ﺠﺪ ‪‬‬
‫ﺱ ﺍِ‬
‫ﻭﺃﻧﻔﺎ ‪‬‬
‫ﻀ ‪‬ﻢ‪:‬‬
‫ﺴﻂﹸ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺴﻂﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﳉﹶﻮ ‪‬ﺭ‪ .‬ﻭﺍﻟ ِﻘﺴ‪‬ﻂ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟﻌﺪ ﹸﻝ‪ .‬ﻭﺍﻟ ﹸﻘ ‪‬‬ ‫ﺍﻟ ﹶﻘ ‪‬‬
‫ﺐ ﺍﻟﺮ‪‬ﺍﺋﺤﺔ‪.‬‬
‫ﺖ ﻃﻴ‪ ‬‬ ‫ﻧﺒ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﻈﱠﺎﺀ‬
‫ﺖ ﻟﻌﺎﺫﱄ ﱂ ﻳﺒ ‪‬ﻖ ِﻋ ‪‬ﺮﻑ‪‬‬
‫ﻓﻘﻠ ‪‬‬ ‫ﻚ)‪(٧٢‬ﻣﻨﻬﺎ ﻓﺎ ‪‬‬
‫ﺡ ‪‬ﻋ ‪‬ﺮﻑ‪‬‬ ‫ﻇِﻼ ﹸﻝ ﺍﻷ‪‬ﻳ ِ‬
‫]ﻭ ‪ ٨ / ٩‬ﺏ[‬
‫)‪(٧٣‬‬
‫ﺖ ﺑﻪ ﺍﻷﺟﺴﺎ ‪‬ﻡ ﹶﻗﻬ‪‬ﺮﺍ‬
‫ﻭﻟﻮ ﺫﺍﺑ ‪‬‬ ‫ﻑ‬
‫ﳊﺐ‪ ‬ﻋ ‪‬ﺮ ‪‬‬
‫ﻭﻋﻨﺪﻱ ﺃ ﱠﻥ ﺣ‪‬ﻜ ‪‬ﻢ ﺍ ﹸ‬
‫ﺍﻟ ‪‬ﻌ ‪‬ﺮﻑ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺮ‪‬ﺍﺋﺤ ﹸﺔ ﺍﻟ ﱠﻄﻴ‪‬ﺒ ﹸﺔ‪ .‬ﻭﺍﻟ ِﻌ ‪‬ﺮﻑ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﻟﺼ‪‬ﺒ ‪‬ﺮ‪ .‬ﻭﺍﻟﻌ‪‬ـ ‪‬ﺮﻑ‪،‬‬
‫ﻑ)‪.(٧٤‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﳌﻌﺮﻭ ‪‬‬ ‫ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﻌﲔ‬
‫)‪(٧٥‬‬
‫ِﺟ ‪‬ﺪ‬ ‫ﳉ ‪‬ﺪ‬
‫ﺍﹶ‬ ‫ﺑﻐ ِﲑ‬ ‫ﻓﻤﺎ ﻳ‪‬ﻐﲏ‬ ‫ﻳ‪‬ﺴﺎﻋﺪ‪‬ﱐ ﻭ ‪‬ﺟ ‪‬ﺪ‬ ‫ﻆ‬
‫ﻋﺴﻰ ‪‬ﺣ ﱞ‬
‫ﻭﻟﻮ ﺃﻟﻔﻰ)‪(٧٦‬ﲨﻴ ‪‬ﻊ ﺍﻷﺭ ِ‬
‫ﺽ ‪‬ﺮﺍ‬ ‫ﻭﻣﺎ ﻳ‪‬ﺮﻭﻱ ﺻﺪﻯ ﺍﶈﺮﻭﻡ ‪‬ﺟ ‪‬ﺪ‬

‫ﺻﻐ‪‬ﺮﺍ‪ .‬ﻭﺭﻭﺍﻳ ﹸﺔ ﻝ ﺃﺟﻮ ‪‬ﺩ‪ .‬ﻋﻠﻰ ﺃﻧ‪‬ﻪ ﺳﺘﻤ ‪‬ﺮ ﺭﻭﺍﻳ ﹸﺔ ﻑ ﺑﻌﺪ‪،‬‬
‫ﻕ ‪‬‬‫)‪ (٧١‬ﰲ ﻑ‪ :‬ﲤﻴ ﹸﻞ ‪‬ﲝﻤ‪‬ﻠﻬﺎ ﺍﻷﻋﻨﺎ ‪‬‬
‫ﻓﺎﻧﻈﺮ‪.٣٦ /‬‬
‫ﻚ‪ :‬ﻣﻔﺮﺩﻩ ﺍ َﻷ‪‬ﻳ ﹶﻜﺔﹸ‪ ،‬ﻭﻫﻲ ﺍﻟﺸ‪‬ﺠﺮ ﺍﻟﻜﺜﲑ ﺍﳌﹸﻠﺘﻒ‪.‬‬ ‫)‪ (٧٢‬ﺍﻷ‪‬ﻳ ‪‬‬
‫ﰊ ﺍﻷﺟﺴﺎ ‪‬ﻡ ﻓﺼﺮﺍ‪ .‬ﻭﺍﻟﻔﺼﺮ ﲢﺮﻳﻒ ﻇﺎﻫﺮ‪ .‬ﻭﰲ ﻡ‪ :٦٩٣ /‬ﹶﻗﺴ‪‬ﺮﺍ‪.‬‬ ‫)‪ (٧٣‬ﰲ ﻑ‪ :‬‬
‫)‪ (٧٤‬ﺃﻱ‪ :‬ﺍﳌﺸﻬﻮ ‪‬ﺭ ﺍﳌﻌﻠﻮ ‪‬ﻡ ﺃﻣ ‪‬ﺮ ‪‬ﻩ ﺑﲔ ﺍﻟﻨ‪‬ﺎﺱ‪.‬‬
‫)‪ (٧٥‬ﰲ ﻡ‪ :٦٩٣ /‬ﺣﻈﱢﻲ‪.‬‬
‫)‪ (٧٦‬ﺃﻟﻔﻰ‪ :‬ﻭﺟﺪ‪ .‬ﻭﰲ ﻑ‪ ،‬ﻡ‪ :٦٩٣ /‬ﺃﻟﻘﻰ‪ .‬ﺗﺼﺤﻴﻒ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦١٨‬‬

‫ﺏ‪ .‬ﻭﺍﳉِـﺪ‪ ،‬ﺑﺎﻟﻜـﺴﺮ‪:‬‬ ‫ﺏ ﺍﻷ ِ‬

‫ﳉﺪ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺒﺨـﺖ‪ ،‬ﻭﻫﻮ ﺃﻳـﻀ‪‬ﺎ ﺃ ‪‬‬ ‫ﺍﹶ‬
‫ﻀ ‪‬ﻢ‪ :‬ﻫﻮ ﺍﻟﺒﺌ ‪‬ﺮ)‪.(٧٧‬‬
‫ﳉﺪ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺍﻻﺟﺘﻬﺎ ‪‬ﺩ‪ .‬ﻭﺍ ﹸ‬
‫ﺣﺮﻑ ﺍﻟﻐﲔ‬
‫ﺑﺎﻟﺘ‪‬ﻮﺍﺻﻞ)‪(٧٨‬ﻭﺍﳉِﻮﺍ ِﺭ‬ ‫ﻭﹸﻓﺰ‪‬ﻧﺎ‬ ‫ﺕ ﺯﻣﻨ‪‬ﺎ ﺗ‪‬ﻐﺎ ِﺯﻟﹸﻨﺎ ﺍﳉﹶﻮﺍﺭﻱ‬ ‫ﹶﻏ ‪‬ﺪ ‪‬‬
‫ﺕ ﺃﻃﻼﻝﹸ ﺫﺍ ‪‬ﻙ ﺍﳊ ‪‬ﻲ ﹶﻗﻔﹾﺮﺍ‬
‫ﹶﻏ ‪‬ﺪ ‪‬‬ ‫ﺕ ﺍﳉﹸﻮﺍ ِﺭ‬
‫ﻭﺑﻌ ‪‬ﺪ ﺍﻟ‪‬ﻨ ﹾﻄ ِﻖ ﺑﺎﻟﺼ‪‬ﻮ ِ‬
‫ﺍﳉﹶﻮﺍﺭﻱ‪ :‬ﺍﻟﻨ‪‬ﺴﺎ ُﺀ ﺍﻷﺭﻗﱠﺎ ُﺀ)‪ ،(٧٩‬ﺑﻔﺘﺢ ﺍﳉﻴﻢ‪ .‬ﻭﺍﳉِﻮﺍﺭ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﳌﹸﺠﺎﻭﺭ ﹸﺓ‪.‬‬
‫ﺕ ﺍﻟﺸ‪‬ﺪﻳ ‪‬ﺪ‪.‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻟﺼ‪‬ﻮ ‪‬‬
‫ﻭﺍﳉﹸﻮﺍﺭ‪ ،‬ﺑﺎﻟ ‪‬‬
‫]ﻭ ‪ ٩ / ١٠‬ﺃ[ ﺣﺮﻑ ﺍﻟﻔﺎﺀ‬
‫ﻭﺃﻗﻮﻯ ‪‬ﺭ‪‬ﺑﻌ‪‬ﻪ‪(٨٠)‬ﻣﻦ ﺑﻌ ِﺪ ﺇ ‪‬ﻣ ‪‬ﻪ‬ ‫ﺐ ﺃﹶ ‪‬ﻣ ‪‬ﻪ‬‫ﻒ ﺃ ‪‬ﻡ ﺍﻟﻘﻠ ‪‬‬ ‫ﻓِﺮﺍﻕ‪ ‬ﺍﻹﻟ ِ‬
‫ﺕ)‪(٨١‬ﺑﻪ ﺍﻟ ‪‬ﻌﺸ‪‬ﺎ ‪‬‬
‫ﻕ ‪‬ﺗ‪‬ﺘﺮ‪‬ﻯ‬ ‫ﻭﻗﺪ ﺳﺎﺭ ‪‬‬ ‫ﻛﺬﺍ ﺣ‪‬ﻜ ‪‬ﻢ ﺍﳍﻮﻯ ﰲ ﻛ ﹼﱢﻞ ﺃﹸ ‪‬ﻣ ‪‬ﻪ‬
‫ﺍﻷ ‪‬ﻣﺔﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺸ‪‬ﺠ‪ ‬ﹸﺔ‪ .‬ﻭﺍﻹ ‪‬ﻣﺔﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﻛﺜﺮ ﹸﺓ ﺍﳌﺎ ِﻝ)‪ .(٨٢‬ﻭﺍ ُﻷﻣ‪ ‬ﹸﺔً‪،‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﳉﻤﺎﻋ ﹸﺔ ﻣﻦ ﺍﻟﻨ‪‬ﺎﺱ‪.‬‬
‫ﺑﺎﻟ ‪‬‬

‫ﺴﻴ‪‬ﺪ ﰲ ﻣ‪‬ﺜﻠﱠﺜﻪ ‪ :٣٩٧ /١‬ﺗﻜﻮ ﹸﻥ ﺑﲔ ﺍﻟﻜﹶﻸ‪.‬‬

‫)‪ (٧٧‬ﻛﺬﺍ ﺍﻟﺼ‪‬ﻮﺍﺏ‪ .‬ﻭﰲ ﻝ‪ :‬ﻫﻲ ﺍﻟﺒﺌﺮ‪ .‬ﻭﺯﺍﺩ ﺍﺑ ‪‬ﻦ ﺍﻟ ‪‬‬
‫)‪ (٧٨‬ﰲ ﻡ‪ :٦٩٣ /‬ﺑﺎﻟﻨ‪‬ﻮﺍﻓﻞ‪ .‬ﲢﺮﻳﻒ‪.‬‬
‫)‪ (٧٩‬ﻛﺬﺍ‪ .‬ﻭﺍﻷﺻ ‪‬ﺢ ﻫﻨﺎ‪ :‬ﺍﳉﺎﺭﻳ ﹸﺔ ﺍﻟﻔﺘ‪‬ﻴ ﹸﺔ ﻣﻦ ﺍﻟﻨ‪‬ﺴﺎﺀ‪ ،‬ﻭﺍﳉﻤ ‪‬ﻊ ﺍﳉﹶﻮﺍﺭﻱ‪.‬‬
‫ﻕ‪.‬‬
‫)‪ (٨٠‬ﰲ ﻡ‪ :٦٩٤ /‬ﻳ ﹶﻔﺮ‪‬ﻱ ‪‬ﺭ‪‬ﺑ ‪‬ﻌﻪ‪ .‬ﻭ‪‬ﻳ ﹶﻔﺮ‪‬ﻱ ﻫﻨﺎ‪ :‬ﻳ ﹶﻔﺮ‪ ‬‬
‫ﺕ‪.‬‬
‫)‪ (٨١‬ﰲ ﻑ‪ :‬ﺷ ِﻬ ‪‬ﺪ ‪‬‬
‫)‪ (٨٢‬ﻛﺬﺍ ﰲ ﻝ‪ .‬ﻭﰲ ﻡ‪ :٦٩٤ /‬ﺍﻹﻣ‪ ‬ﹸﺔ‪ :‬ﺍﻻﻟﺘﺌﺎ ‪‬ﻡ‪ .‬ﻭﺍﻟﺬﻱ ﰲ ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﺃﻣﻢ‪ :‬ﺍﻹ ‪‬ﻣﺔﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪:‬‬
‫ﺍﻟﻨ‪‬ﻌﻤﺔﹸ‪ ،‬ﻭﻏﹶﻀﺎﺭ ﹸﺓ ﺍﻟﻌﻴﺶ‪.‬‬
‫‪٦١٩‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﺣﺮﻑ ﺍﻟﻘﺎﻑ‬
‫ﳊﻤ‪‬ﺎ ِﻡ‬
‫ﻭﻧﻮﺣ‪‬ﻮﺍ ﻣﺜﻠﹶﻬﺎ ﺣﺘ‪‬ﻰ ﺍ ِ‬ ‫ﳊﻤ‪‬ﺎ ِﻡ‬
‫ﺕ ﺍﹶ‬
‫ِﻗﻔﹸﻮﺍ ﱠﰒ ﺍﲰﻌﻮﺍ ﺻﻮ ‪‬‬

‫)‪(٨٤‬‬ ‫)‪(٨٣‬‬
‫ﺶ‬
‫ﺍﻟﻌﻴ ِ‬ ‫‪٨٣‬‬ ‫ﺾ‬
‫ﻟﻘﺪ ِﻋﺸ‪‬ﻨﺎ ‪‬ﲞ ﹾﻔ ِ‬ ‫ﳊﻤ‪‬ﺎ ِﻡ‬
‫ﻳﺎ ﺑ ‪‬ﻦ ﺍ ﹸ‬ ‫‪٨٤‬‬ ‫ﻭﻧﺎﺩ‪‬ﻭﺍ ‪‬ﻣ ‪‬ﻌﹶﻠﻨ‪‬ﺎ‬
‫ﻀ ‪‬ﻢ‪:‬‬
‫ﳊﻤ‪‬ﺎﻡ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺕ‪ .‬ﻭﺍ ﹸ‬
‫ﳊﻤ‪‬ﺎﻡ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺍﳌﻮ ‪‬‬
‫ﳊﻤ‪‬ﺎﻡ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﻄﱠﺎﺋ ‪‬ﺮ ﺍﳌﻌﺮﻭﻑ‪ .‬ﻭﺍ ِ‬
‫ﺍﹶ‬
‫)‪(٨٥‬‬
‫ﺍﺳ ‪‬ﻢ ﺭﺟ ٍﻞ‬
‫ﺣﺮﻑ ﺍﻟﻜﺎﻑ‬
‫ﻼ ‪ -‬ﺑ ِﻠ ‪‬ﻤ ‪‬ﻪ‬
‫ﻭ‪‬ﻳ‪‬ﻨ ِﻬﻠﹸﲏ ‪ -‬ﻭﻟﻮ ‪‬ﺑﹶﻠ ﹰ‬ ‫ﻒ ﹶﻟ ‪‬ﻤ ‪‬ﻪ‬
‫ﹶﻛﻔﹶﺎﱐ ﺃﻥ ‪‬ﻳﹸﻠﻢ‪ ‬ﺍﻟ ﱠﻄ‪‬ﻴ ‪‬‬
‫]ﻭ ‪ ١٠ / ١٠‬ﺏ[‬
‫)‪(٨٨‬‬ ‫)‪(٨٧‬‬ ‫)‪(٨٦‬‬
‫ﺱ ﹸﻃﺮ‪‬ﺍ‬
‫ﻛ ﱠﻞ ﺍﻟﻨ‪‬ﺎ ِ‬ ‫‪٨٦‬‬ ‫ﺖ‬
‫ﻭﻟﻮ ﺻﺎﺣ‪‬ﺒ ‪‬‬ ‫‪٨٨‬‬ ‫ﺲ ﺑِ ﹸﻠ ‪‬ﻤ ‪‬ﻪ‬
‫ﹸﺃ‪‬ﻧ ‪‬‬
‫‪٨٧‬‬ ‫ﻓﻤﺎﱄ ﺑﻌ ‪‬ﺪﻩ‪‬‬
‫ﺍﻟﱠﻠ ‪‬ﻤﺔﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ ﻫﺎﻫﻨﺎ‪ :‬ﺍﻻﻟﺘﻤﺎ ‪‬ﻡ‪ .‬ﻭﺍﻟﱢﻠ ‪‬ﻤﺔﹸ‪ ،‬ﺑﺎﻟﻜـﺴﺮ‪ :‬ﺍﻟـ ‪‬ﻮﻓﹾﺮ ﹸﺓ)‪ ،(٨٩‬ﻭﲨﻌ‪‬ﻬـﺎ‬

‫)‪ (٨٣‬ﺍ ﹶﳌ ‪‬ﻌﻠﹶﻦ‪ :‬ﻣﺼﺪﺭ ﻣﻴﻤ ‪‬ﻲ ﲟﻌﲎ ﺍﻟ ‪‬ﻌﻠﹶﻦ‪.‬‬

‫ﳋ ﹾﻔﺾ‪ :‬ﺍﻟﻠﱢﲔ‪ .‬ﻭﰲ ﻝ‪ :‬ﳊﻔﻆ‪ .‬ﻭﺭﻭﺍﻳﺔ ﻑ ﺃﺟﻮﺩ‪.‬‬ ‫)‪ (٨٤‬ﻑ‪ .‬ﻭﺍ ﹶ‬
‫)‪ (٨٥‬ﻛﺬﺍ‪ .‬ﻭﰲ ﺩﻳﻮﺍﻥ ﺷﻌﺮﺍﺀ ﺑﲏ ﻛﻠﺐ ‪)) ٨٠ - ٧٣ /١‬ﺑﺘﺼﺮ‪‬ﻑ((‪)) :‬ﻫﻮ ﺍﻣﺮﺅ ﺍﻟﻘﻴﺲ ﺑ ‪‬ﻦ‬
‫ﻼ ﻭﺍﻣﺮﺃ‬
‫‪‬ﺣﻤ‪‬ﺎﻡ ﻣﻦ ﺑﲏ ﻛﻠﺐ ﺑﻦ ‪‬ﻭ‪‬ﺑ ‪‬ﺮﺓﹶ‪ ،‬ﺷﺎﻋﺮ ﺟﺎﻫﻠ ‪‬ﻲ ﻗﺪﱘ‪ ،‬ﻋﺎﺻﺮ ﺯﻫﲑ ﺑﻦ ‪‬ﺟﻨ‪‬ﺎﺏ ﻭﻣ‪‬ﻬﻠﻬ ﹰ‬
‫ﺍﻟﻘﻴﺲ‪ ،‬ﻭﻟﻪ ﺃﺧﺒﺎ ‪‬ﺭ ﻣﻌﻬﻢ((‪.‬‬
‫)‪ (٨٦‬ﰲ ﻑ‪ :‬ﺑﻌﺪﻫﻢ‪.‬‬
‫ﺨﻞﱡ ﺑﻮﺯﻥ ﺍﻟﺒﻴﺖ‪.‬‬‫ﺲ ِﻟ ‪‬ﻤ ‪‬ﻪ‪ .‬ﻭﻫﻲ ﺭﻭﺍﻳﺔﹲ‪ ،‬ﺗ ِ‬
‫)‪ (٨٧‬ﰲ ﻡ‪ :٦٩٤ /‬ﹸﺃ‪‬ﻧ ‪‬‬
‫ﺕ‪.‬‬
‫)‪ (٨٨‬ﰲ ﻑ‪ :‬ﻋﺎﺷ ‪‬ﺮ ‪‬‬
‫)‪ (٨٩‬ﻛﺬﺍ ﰲ ﻝ‪ .‬ﻭﻟﻴﺲ ﺑﺪﻗﻴﻖ؛ ﻓﺎﻟ ‪‬ﻮ ﹾﻓ ‪‬ﺮﺓﹸ ‪ -‬ﻛﻤﺎ ﰲ ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﻭﻓﺮ ‪ : -‬ﺍﻟﺸ‪ ‬ﻌ ‪‬ﺮ ﺍﳌﹸﺠﺘ ِﻤﻊ‪ ‬ﻋﻠﻰ‬
‫ﳉ ‪‬ﻤﺔﹸ‪ ،‬ﹸﺛﻢ‪ ‬ﺍﻟﱢﻠﻤ‪‬ﺔ‪ .‬ﻭﻫﺬﺍ‬ ‫ﲔ ﻣﻨﻪ‪ ،‬ﺃﻭ ﻣﺎ ﺟﺎﻭ ‪‬ﺯ ﺷﺤﻤ ﹶﺔ ﺍ ُﻷﺫﹸﻥ‪ .‬ﹸﺛﻢ‪ ‬ﺍ ﹸ‬ ‫ﺍﻟﺮ‪‬ﺃﺱ‪ ،‬ﺃﻭ ﻣﺎ ﺳﺎ ﹶﻝ ﻋﻠﻰ ﺍ ُﻷﺫﹸﻧ ِ‬
‫ﻳﻌﲏ ﺃ ﱠﻥ ﺍﻟ ‪‬ﻮ ﹾﻓ ‪‬ﺮ ﹶﺓ ﻏ ‪‬ﲑ ﺍﻟﱢﻠﻤ‪‬ﺔ‪ .‬ﻭﺍﻟﻠﱢﻤ‪ ‬ﹸﺔ ‪ -‬ﻛﻤﺎ ﰲ ﺍﻹﻛﻤﺎﻝ ‪ : - ٥٦٨ /٢‬ﺍﻟﺸ‪ ‬ﻌ ‪‬ﺮ ﺍ ﹸﳌِﻠﻢ‪ ‬ﺑﺎ ﹶﳌ‪‬ﻨﻜِﺐ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٢٠‬‬

‫ِﻟ ‪‬ﻤ ‪‬ﻢ)‪ .(٩٠‬ﻭﺍﻟﻠﱡ ‪‬ﻤﺔﹸ‪ ،‬ﺑﺎﻟ ‪‬‬

‫ﻀ ‪‬ﻢ‪ :‬ﺍﳉﻤﺎﻋ ﹸﺔ ﻣﻦ ﺍﻟﻨ‪‬ﺎﺱ‪.‬‬
‫ﺣﺮﻑ ﺍﻟﻼﻡ‬
‫)‪(٩٢‬‬ ‫)‪(٩١‬‬
‫ﻚ‬
‫ﺴ ِ‬
‫ﺛﻨﺎ ٌﺀ ﻣﺜ ﹸﻞ ِﻣ ‪‬‬ ‫‪٩١‬‬ ‫ﻭﻣﻦ ﻟﻔﻈﻲ‬ ‫ﻚ‬
‫ﺴ ِ‬
‫‪‬ﻣ ‪‬‬ ‫‪٩٢‬‬ ‫ﻟ ‪‬ﻪ ﻣﻨ‪‬ﻲ ﻭﻻ ٌﺀ ﻣﺜ ﹸﻞ‬
‫)‪(٩٤‬‬ ‫)‪(٩٣‬‬
‫‪٩٣‬‬ ‫ﺲ ﻭﺍﻗﹾﺮﺍ‬
‫ﺠ ‪‬ﺪ ﺑﺎﻟﻌﻜ ِ‬
‫ﻭﱄ ‪‬ﺭ ‪‬ﻣ ‪‬ﻖ ﻓ ‪‬‬ ‫‪٩٤‬‬ ‫ﻚ‬
‫ﺴ ِ‬
‫ﻭﱂ ﻳﺘ ‪‬ﺮ ‪‬ﻙ ﻫﻮﺍ ‪‬ﻩ ﻏ ‪‬ﲑ ﻣ‪ ‬‬
‫ﺐ ﺍﳌﻌـﺮﻭﻑ‪.‬‬
‫ﺴﻚ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﻫﻮ ﺍﻟﻄﱢ‪‬ﻴ ‪‬‬ ‫ﺴﻚ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﻫﻮ ﺍﳉﻠ ‪‬ﺪ‪ .‬ﻭﺍ ِﳌ ‪‬‬ ‫ﺍ ﹶﳌ ‪‬‬
‫ﺴ ﹶﻜﻪ‪ ‬ﺍﻟﺒﺪ ﹸﻥ ﻣﻦ ﻏﺬﺍﺀ ﺃﻭ ﻏﲑﻩ)‪.(٩٥‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﻣﺎ ‪‬ﻣ ‪‬‬
‫ﺴﻚ‪ ،‬ﺑﺎﻟ ‪‬‬ ‫ﻭﺍ ﹸﳌ ‪‬‬
‫ﺣﺮﻑ ﺍﳌﻴﻢ‬
‫ﺠ ِﺮ‬
‫ﻚ ﻛﻞﱡ ِﺣ ‪‬‬
‫ﺱ ﺣ‪‬ﺒ ‪‬‬
‫ﻭﻫﺎ ‪‬ﻡ ﺑﻜﺎ ِ‬ ‫ﺠ ِﺮ‬ ‫ﺖ)‪(٩٦‬ﺍﻟﻘﻠ ‪‬‬
‫ﺐ ﻓﺎﺣ ﹸﻜ ‪‬ﻢ ﺩﻭ ﹶﻥ ‪‬ﺣ ‪‬‬ ‫‪‬ﻣﹶﻠ ﹾﻜ ‪‬‬
‫ﳌﺎ ﺃﻧﺸﺎ)‪ (٩٧‬ﲜ ‪‬ﺰ ِﻝ ﺍﻟﻘﻮ ِﻝ ِﺷﻌ‪‬ﺮﺍ‬ ‫ﺐ ﺍﺑ ِﻦ ‪‬ﺣﺠ‪‬ﺮ‬
‫ﻚ ﺍﳍﻮﻯ ﻗﻠ ‪‬‬
‫ﻭﻟﻮ ﻣﻠ ‪‬‬
‫ﺠﺮ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﳌﻨﻊ‪ ،‬ﻭﺍﻻﺣﺘﺠﺎ ‪‬ﺭ)‪ .(٩٨‬ﻭﺍ ِ‬
‫ﳊﺠ‪‬ـﺮ‪ ،‬ﺑﺎﻟﻜـﺴﺮ‪ :‬ﺍﻟﻌﻘـ ﹸﻞ‪.‬‬ ‫ﳊ‪‬‬
‫ﺍﹶ‬

‫)‪ (٩٠‬ﻭِﻟﻤ‪‬ﺎ ‪‬ﻡ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﳌﻢ(‪.‬‬

‫ﲔ ﰲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻲ‪ ،‬ﻻ ‪‬ﻳ ﹶﱰﻉ‪ ،‬ﻛﺠﻠﺪﻱ ﺍﻟﺬﻱ ﻻ ﻳ‪ ‬ﹶﱰﻉ‪‬‬ ‫)‪ (٩١‬ﻛﺬﺍ‪ .‬ﻭﺍﻟﺘ‪‬ﻘﺪﻳﺮ‪ :‬ﻟﻪ ﻣﻨ‪‬ﻲ ﻭﻻ ٌﺀ ﻣﻜ ‪‬‬
‫ﻋﻨ‪‬ﻲ‪ .‬ﻭﰲ ﻑ‪ :‬ﻣﻞ ُﺀ‪ .‬ﻭﺍﻟﺘ‪‬ﻘﺪﻳﺮ‪ :‬ﻟﻪ ﻣﻨ‪‬ﻲ ﻭﻻﺀٌ‪ ،‬ﳝﻸ ﻛ ﱠﻞ ﻧﻔﺴﻲ‪ .‬ﻓﺬﻛﺮ ﺍﳉﻠﺪ‪ ،‬ﻭﺃﺭﺍﺩ ﺍﻟﻨ‪‬ﻔﺲ‬
‫ﺤﱢﻠﻴ‪‬ﺔ‪.‬‬
‫ﻱ ﺍﻟﺬﻱ ﻋﻼﻗﺘﻪ ﺍ ﹶﳌ ‪‬‬ ‫ﻋﻠﻰ ﺳﺒﻴﻞ ﺍﻟﻜﻨﺎﻳﺔ ﻋﻦ ﻧﺴﺒﺔ‪ ،‬ﺃﻭ ﺍ‪‬ﺎﺯ ﺍﻟﻠﱡﻐﻮ ‪‬‬
‫)‪ (٩٢‬ﰲ ﻑ‪ :‬ﻧ‪‬ﻄﻘﻲ‪.‬‬
‫)‪ (٩٣‬ﰲ ﻡ‪ُِ :٦٩٤ /‬ﻣﺴ‪‬ﻜﻲ‪ ،‬ﺑﺎﻟﻴﺎﺀ ﰲ ﺍﳌﻮﺍﻃﻦ ﺍﻟﺜﱠﻼﺛﺔ‪.‬‬
‫ﺖ ﺃﻟﻒ ﺍﻹﻃﻼﻕ‪.‬‬ ‫)‪ (٩٤‬ﺍﻗﹾﺮﺍ‪ :‬ﺍﻟﺰﻡ‪ ،‬ﻣﻦ ﺃﻗﺮﻯ ﺍﻟﺸ‪‬ﻲ َﺀ‪ :‬ﻟﺰﻣﻪ‪ ،‬ﻭﺍﻷﻣ ‪‬ﺮ ﹶﺃ ﹾﻗﺮِ‪ ،‬ﻓﺨﻔﱠﻒ ﺍﳍﻤﺰﺓ‪ ،‬ﻭﺃﺛﺒ ‪‬‬
‫ﻚ‪.‬‬‫ﺴ ‪‬‬
‫ﺴ ﹶﻜﺔﹸ‪ ،‬ﻭﲨﻌﻪ ‪‬ﻣ ‪‬‬
‫ﺖ‪ :‬ﻫﻮ ﺍ ﹸﳌ ‪‬‬
‫)‪ (٩٥‬ﻗﻠ ‪‬‬
‫ﻀﻢ‪ ،‬ﻏﻠﻂ ﰲ ﺍﻟﻀ‪‬ﺒﻂ‪.‬‬ ‫)‪ (٩٦‬ﰲ ﻡ‪ :٦٩٤ /‬ﻣﻠﻜﺖ‪ ،‬ﺑﺎﻟ ‪‬‬
‫)‪ (٩٧‬ﺍﻟﻘﻴﺎﺱ‪ :‬ﺃﻧﺸﺄ‪ ،‬ﻓﺨﻔﱠﻒ ﻟﻠﻀ‪‬ﺮﻭﺭﺓ‪.‬‬
‫ﺕ ﺑﻄﻮﻧ‪‬ﻬﺎ‪.‬‬‫ﺕ ﺍﻹﺑ ﹸﻞ‪ :‬ﺗﺸ ‪‬ﺪ ‪‬ﺩ ‪‬‬
‫)‪ (٩٨‬ﺍﻻﺣﺘﺠﺎﺭ‪ :‬ﺍﻟﺘ‪‬ﺸﺪ‪‬ﺩ‪ ،‬ﻣﻦ ﺍﺣﺘﺠﺮ ِ‬
‫‪٦٢١‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﻀ ‪‬ﻢ‪] :‬ﺃﺑﻮ[ )‪(٩٩‬ﺍﻣﺮﺉ ﺍﻟﻘﻴﺲ‪.‬‬

‫ﺠﺮ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﳊ‪‬‬
‫ﻭﺍ ﹸ‬
‫]ﻭ ‪ ١١ / ١١‬ﺃ[ ﺣﺮﻑ ﺍﻟﻨ‪‬ﻮﻥ‬
‫)‪(١٠١‬‬ ‫)‪(١٠٠‬‬
‫ِﺳ ﹾﻘﻂﹸ‬
‫‪١٠٠‬‬ ‫ﺐ‬
‫ﺤﺔﹸ ﻫﺠﺮِﻛ ‪‬ﻢ ﰲ ﺍﻟﻘﻠ ِ‬
‫ﻭ‪‬ﻧ ﹾﻔ ‪‬‬ ‫ﰲ ﺍﻟﺼ‪‬ﺪ ِﺭ‬ ‫‪١٠١‬‬ ‫ﻧﺴﻴ ‪‬ﻢ ِﺣﻤ‪‬ﺎ ﹸﻛ ‪‬ﻢ‬
‫ﺣﻘ ‪‬ﲑ ‪‬ﻳ ‪‬ﺰ ‪‬ﺩﺭ‪‬ﻯ ﺣ‪‬ﻜﻤ‪‬ﺎ ﻭ ِﺫﻛﹾﺮﺍ‬ ‫ﻭ ‪‬ﺣﺐ‪ ‬ﺳِﻮﺍﻛﹸﻢ‪ -(١٠٢)‬ﻻ ﺷ ‪‬‬
‫ﻚ ‪-‬‬
‫ﺴ ﹾﻘﻂﹸ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﺿـﻴﺎ ُﺀ ﺍﻟﻨ‪‬ـﺎ ِﺭ‬
‫ﺴ ﹾﻘﻂﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﻫﻮ ﺍﻟﺜﱠﻠﺞ‪ ،‬ﻭﺍﻟ‪‬ﺒ ‪‬ﺮﺩ‪ .‬ﻭﺍﻟ ‪‬‬ ‫ﺍﻟ ‪‬‬
‫ﻂ)‪.(١٠٤‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻟﺸ‪‬ﻲ ُﺀ ﺍﳊﻘ ‪‬ﲑ ﺍﻟﺴ‪‬ﺎﻗ ﹸ‬ ‫ﻭﳍﺒ‪‬ﻬﺎ)‪ .(١٠٣‬ﻭﺍﻟ ‪‬‬
‫ﺴ ﹾﻘﻂﹸ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﳍﺎﺀ‬
‫ﻭﺷ‪‬ﺮﰊ ﺍﳌﺎ َﺀ ﻣﻦ ‪‬ﻭ ‪‬ﺷ ِﻞ)‪(١٠٥‬ﺍﻟﺮ‪‬ﻗﺎ ِ‬
‫ﻕ‬ ‫ﻕ‬
‫ﺍﻟﺮ‪‬ﻗﺎ ِ‬ ‫ﺃﺛﻨﺎ ِﺀ‬ ‫ﲔ‬
‫ﺑ ‪‬‬ ‫ﻫ‪‬ﻴﺎﻣﻲ‬
‫ﺇﱃ ﺃﻥ ﻳﻘﻀ ‪‬ﻲ ﺍﻟﺮ‪‬ﲪ ‪‬ﻦ ﺃﻣﺮﺍ‬ ‫ﻭﺃﻛ ﹸﻞ ﺣ‪‬ﺜﹶﺎﻟ ٍﺔ)‪(١٠٦‬ﺩﻭ ﹶﻥ ﺍﻟﺮ‪‬ﻗﺎ ِ‬
‫ﻕ‬

‫ﻱ‪ :‬ﺷﺎﻋ ‪‬ﺮ ﺟﺎﻫﻠ ‪‬ﻲ‬ ‫ﺺ ﻣﻦ ﻑ‪ .‬ﻭﺍﻣﺮﺅ ﺍﻟﻘﻴﺲ ﺑﻦ ‪‬ﺣﺠ‪‬ﺮ ﺑﻦ ﻋﻤﺮﻭ ﺍﻟﻜﻨﺪ ‪‬‬ ‫)‪ (٩٩‬ﺯﻳﺎﺩﺓ ﻳﻘﺘﻀﻴﻬﺎ ﺍﻟ‪‬ﻨ ‪‬‬
‫ﺤ ﹲﻞ ﻣﻌﺮﻭﻑ‪ ،‬ﻣﺎﺕ ﺳﻨﺔ ‪ ٨٠‬ﻕ‪ .‬ﻫ‪( .‬ﻃﺒﻘﺎﺕ ﻓﺤﻮﻝ ﺍﻟﺸ‪‬ﻌﺮﺍﺀ ‪ ٥٢ /١‬ﻭ‪،٩٦ - ٨١‬‬ ‫ﹶﻓ ‪‬‬
‫ﻭﺍﻟﺸ‪‬ﻌﺮ ﻭﺍﻟﺸ‪‬ﻌﺮﺍﺀ ‪.(١٣٦ - ١٠٥ /١‬‬
‫)‪ (١٠٠‬ﰲ ﻡ‪ :٦٩٤ /‬ﲨﺎﻟﻜﻢ‪.‬‬
‫)‪ (١٠١‬ﻑ‪ .‬ﻭﰲ ﻝ‪ :‬ﺍﻟﺼ‪‬ﺪﺭ‪ .‬ﻭﺭﻭﺍﻳﺔ ﻑ ﺃﻗﻮﻯ‪.‬‬
‫)‪ (١٠٢‬ﰲ ﻡ‪ :٦٩٤ /‬ﺳﺆﺍﻟﻜﻢ‪ .‬ﲢﺮﻳﻒ‪.‬‬
‫ﻂ ﻣﻦ ﺍﻟﻨ‪‬ﺎﺭ ﺑﺎﻟﻘﺪﺡ ﻗﺒﻞ ﲤﺎﻡ ﺍﺷﺘﻌﺎﳍﺎ‪.‬‬ ‫)‪ (١٠٣‬ﻳﺮﻳﺪ ﻣﺎ ﺗﺴﺎﻗ ﹶ‬
‫ﻁ‪) .‬ﺍﻟﻘﺎﻣﻮﺱ‪:‬‬ ‫ﺴﻘﹶﻂ‪ ،‬ﻭﺍﳉﻤ ‪‬ﻊ ﺃﺳﻘﺎ ﹲ‬
‫)‪ (١٠٤‬ﻭﻟﻴﺲ ﺑﺼﺤﻴﺢ؛ ﻓﺎﻟﺸ‪‬ﻲﺀ ﺍﳊﻘﲑ ﺍﻟﺴ‪‬ﺎﻗﻂ ﻫﻮ ﺍﻟ ‪‬‬
‫ﺴﻘﹾﻂ ﻫﻨﺎ ﺍﻟﻮﻟﺪ ﻳﺴﻘﻂ ﻣﻦ ﺑﻄﻦ ﹸﺃﻣِﻪ ﻟﻐﲑ ﲤﺎﻡ‪.‬‬ ‫ﲏ ﺃﺭﺍﺩ ﺑﺎﻟ ‪‬‬ ‫ﺳﻘﻂ(‪ .‬ﻭﺍﻟﺮ‪‬ﺍﺟﺢ ﺑﻌ ‪‬ﺪ ﺃ ﱠﻥ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫ﻂ‪ ،‬ﻻ ﺣﻴﺎ ﹶﺓ ﻟﻪ ﰲ ﻗﻠﱯ‪ ،‬ﻛﺴﻘﻮﻁ ﺍﻟﻮﻟﺪ ﻏﲑ ﺍﻟﺘ‪‬ﺎ ‪‬ﻡ ﻣﻦ ﺑﻄﻦ‬ ‫ﻭﺍﻟﺘ‪‬ﻘﺪﻳﺮ‪ :‬ﻭ ‪‬ﺣﺐ‪ ‬ﺳﻮﺍﻛﻢ ﺳﺎﻗ ﹲ‬
‫ﹸﺃﻣ‪‬ﻪ‪ ،‬ﻻ ﻳﻌﻴﺶ‪.‬‬
‫ﺤﻠﱠﺐ‪ ‬ﻣﻦ ﺟﺒﻞ ﺃﻭ ﺻﺨﺮﺓ‪ ،‬ﻭﻻ ﻳﺘ‪‬ﺼ ﹸﻞ‬ ‫)‪ (١٠٥‬ﰲ ﻑ‪ :‬ﺭﺷ‪‬ﻞ‪ .‬ﲢﺮﻳﻒ‪ .‬ﻭﺍﻟ ‪‬ﻮ ‪‬ﺷﻞﹸ‪ :‬ﺍﳌﺎ ُﺀ ﺍﻟﻘﻠﻴﻞﹸ‪ ،‬ﻳ‪‬ﺘ ‪‬‬
‫ﻗﻄ ‪‬ﺮﻩ‪ ،‬ﺃﻭ ﻻ ﻳﻜﻮ ﹸﻥ ﺇ ﱠﻻ ﻣﻦ ﺃﻋﻠﻰ ﺍﳉﺒﻞ‪.‬‬
‫)‪ (١٠٦‬ﰲ ﻡ‪ :٦٩٤ /‬ﻭﻛﻞﱡ ﺣﻴﺎﻟﺔ‪ .‬ﲢﺮﻳﻒ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٢٢‬‬

‫ﺍﻟﺮ‪‬ﻗﺎﻕ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﺮ‪‬ﻣﺎ ﹸﻝ ﺍ ﹸﳌﺘ‪‬ﺼﻠ ﹸﺔ)‪ .(١٠٧‬ﻭﺍﻟﺮ‪‬ﻗﺎﻕ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﻣـﺎ ﺍﻧـﺼ ‪‬‬
‫ﺐ‬
‫ﻣﻨﻪ ﺍﳌﺎ ُﺀ)‪ .(١٠٨‬ﻭﺍﻟﺮ‪‬ﻗﺎﻕ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﳋﹸﺒ ‪‬ﺰ ﺍﳌﹸﺮﱠﻗ ‪‬ﻖ‪.‬‬
‫ﺣﺮﻑ ﺍﻟﻮﺍﻭ‬
‫)‪(١١٠‬‬ ‫)‪(١٠٩‬‬
‫ﺑﺎﻟﻌﺰﺍﺋ ِﻢ ﻛﻞﱡ ِﻗ ‪‬ﻤ ‪‬ﻪ‬ ‫‪١٠٩‬‬ ‫ﺖ‬
‫ﻭﻧﻴﹶﻠ ‪‬‬ ‫ﻀﺮ‪‬ﻏﺎ ِﻡ‬
‫ﺖ ﻣﻦ ﺍﻟ ‪‬‬
‫ﻭﻛﻢ ﺳ‪ِ‬ﻠ‪‬ﺒ ‪‬‬
‫]ﻭ ‪ ١٢ / ١١‬ﺏ[‬
‫)‪(١١٣‬‬ ‫)‪(١١٢‬‬ ‫)‪(١١١‬‬
‫‪‬ﺣﺮ‪‬ﺍ‬‫‪١١١‬‬ ‫ﻒ ﺍﻟ ‪‬ﻌ ‪‬ﺰ ِﻡ‬ ‫ﻓ ﹸﻜ ‪‬ﻦ ﺭﺟ ﹰ‬
‫ﻼ ﺷﺮﻳ ‪‬‬ ‫ﲟﺜ ِﻞ ﹸﻗ ‪‬ﻤ ‪‬ﻪ‬
‫‪١١٣‬‬ ‫ﺭﺿ ‪‬ﻲ ﺍﳉﺒﺎ ﹸﻥ‬ ‫‪١١٢‬‬ ‫ﺇﺫﺍ‬
‫ﺍﻟ ﹶﻘ ‪‬ﻤﺔﹸ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﻣﺎ ﺃﺧﺬﻩ ﺍﻷﺳ ‪‬ﺪ ﰲ ﻓﻴ ِﻪ)‪ .(١١٤‬ﻭﺍﻟ ِﻘ ‪‬ﻤﺔﹸ‪ ،‬ﺑﺎﻟﻜـﺴﺮ‪ :‬ﺃﻋﻠـﻰ‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﻟﻜﹸﻨ‪‬ﺎﺳﺔﹸ)‪.(١١٥‬‬
‫ﺍﻟﺮ‪‬ﺃﺱ‪ ،‬ﻭﺃﻋﻠﻰ ﺍﻟﺸ‪‬ﻲﺀ‪ .‬ﻭﺍﻟ ﹸﻘ ‪‬ﻤﺔﹸ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﻼﻡ ﺃﻟﻒ‬

‫ﺽ‬ ‫)‪ (١٠٧‬ﻛﺬﺍ‪ .‬ﻭﺍﻟﺬﻱ ﰲ ﺍﳌﹸﺜﻠﱠﺚ ﻻﺑﻦ ﺍﻟ ‪‬‬

‫ﺴﻴ‪‬ﺪ ‪ ،٥٩ /٢‬ﻭﺍﻹﻛﻤﺎﻝ ‪ :٢٥٨ /١‬ﺍﻟﺮ‪‬ﻗﺎﻕ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻷﺭ ‪‬‬
‫ﺍﻟﱠﻠﻴ‪‬ﻨ ﹸﺔ‪.‬‬
‫)‪ (١٠٨‬ﺍﻟ ‪‬ﻮ ‪‬ﺷﻞﹸ‪ ،‬ﻛﺎﻟﺼ‪‬ﺨﺮﺓ ﻭﺍﳉﺒﻞ‪ .‬ﻭﺍﻟﺬﻱ ﰲ ﺍﻹﻛﻤﺎﻝ ‪ :٢٥٨ /١‬ﺍﻟﺮ‪‬ﻗﺎﻕ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﻛﻞﱡ‬
‫ﺐ‪.‬‬
‫ﻀ ‪‬‬‫ﺐ ﻋﻠﻴﻬﺎ ﻣﺎ ُﺀ ﺍ ﹶﳌﺪ‪ ،‬ﻓﻴ‪‬ﻄ‪‬ﻴﺒ‪‬ﻬﺎ ﻟﻠﻨ‪‬ﺒﺎﺕ‪ .‬ﻭﺯﺍﺩ ﰲ ﺍﻟﻘﺎﻣﻮﺱ‪ :‬ﺭﻗﻖ‪ :‬ﱠﰒ ﻳﻨ ‪‬‬ ‫ﺃﺭﺽ ﻳﻨﺼ ‪‬‬
‫ﻀﺮ‪‬ﻏﺎﻡ‪ :‬ﺍﻷﺳﺪ‪.‬‬ ‫)‪ (١٠٩‬ﺍﻟ ‪‬‬
‫ﺖ‪.‬‬
‫)‪ (١١٠‬ﰲ ﻑ‪ :‬ﻳ ﹶﻔﺘ‪ ‬‬
‫)‪ (١١١‬ﻑ‪ ،‬ﻡ‪ .٦٩٤ /‬ﻭﰲ ﻝ‪ :‬ﻟﺌﻦ‪ .‬ﻭﻻ ﻳﺼﺢ‪‬؛ ﻻﺟﺘﻤﺎﻉ ﺷﺮﻁ ﻭﻗﺴﻢ‪ ،‬ﻭﺍﻟﺴ‪‬ﺎﺑﻖ ﻫﻨﺎ ﻫﻮ‬
‫ﺍﻟﻘﺴﻢ‪ ،‬ﻓﺎﳉﻮﺍﺏ ) ﻓ ﹸﻜ ‪‬ﻦ ( ﻭﻗﻊ ﺟﻮﺍﺑ‪‬ﺎ ﻟﻠﻘﺴﻢ‪ ،‬ﻭﺟﻮﺍﺏ ﺍﻟﻘﺴﻢ ﻻ ﳛﺘﺎﺝ ﺇﱃ ﺍﻟﻔﺎﺀ ﺍﻟﺮ‪‬ﺍﺑﻄﺔ‬
‫ﳉﻮﺍﺑﻪ‪ .‬ﻓﺎﻷﺻ ‪‬ﺢ ‪ -‬ﺇﺫﹰﺍ ‪ -‬ﻭﺟﻮﺩ ﺇﺫﺍ ﺍﻟﱵ ﺟﻮﺍ‪‬ﺎ )ﻓ ﹸﻜ ‪‬ﻦ( ﺍﳌﹸﻘﺘﺮﻥ ﺑﺎﻟﻔﺎﺀ‪.‬‬
‫)‪ (١١٢‬ﰲ ﻡ‪ :٦٩٤ /‬ﺍﻟ ِﻌ ‪‬ﺰ‪.‬‬
‫ﺕ‪ :‬ﺇﺫﺍ ﺗﻨﺎﻭﻟﺘﻪ‪) .‬ﺍﻹﻛﻤﺎﻝ ‪/٢‬‬ ‫ﺖ ﺍﻟﺸ‪‬ﺎ ﹸﺓ ﺍﻟﻨ‪‬ﺒﺎ ‪‬‬
‫)‪ (١١٣‬ﺃﻱ‪ :‬ﺗﻨﺎﻭﻟﻪ ﻓﺮﻳﺴ ﹰﺔ ﻟﻪ‪ ،‬ﻣﺄﺧﻮ ﹲﺫ ﻣﻦ‪ :‬ﹶﻗ ‪‬ﻤ ِ‬
‫‪.(٥٣٢‬‬
‫)‪ (١١٤‬ﻭﻫﻲ ﻟﻐ ﹲﺔ ﰲ ﺍﻟ ﹸﻘﻤ‪‬ﺎﻣﺔ‪ ) .‬ﺍﻹﻛﻤﺎﻝ ‪.( ٥٣٢ /٢‬‬
‫)‪ (١١٥‬ﻑ‪ ،‬ﻡ‪ .٦٩٤ /‬ﻭﰲ ﻝ‪ :‬ﳉﻬﺪﻱ‪.‬‬
‫‪٦٢٣‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬
‫)‪(٨‬‬ ‫)‪(١١٧‬‬ ‫)‪(١١٦‬‬
‫‪١١٦‬‬ ‫ﻳ‪‬ﺠﺎﻭﺑ‪‬ﲏ ‪‬ﺎ ﰲ ﺍﻟ ‪‬ﺮ ‪‬ﺳ ِﻢ‬ ‫ﺻﻞﱡ‬
‫ﰲ ﺍﻟﺪ‪‬ﺍ ِﺭ ‪‬‬ ‫‪١١٧‬‬ ‫ﺕ ﺍﻟﻨ‪‬ﺪﺍ‬
‫ﻷﺻﻮﺍ ِ‬
‫)‪(١١٨‬‬
‫ﱡ‬
‫ﻭﻫﻞ ﻳﺸﻔﻲ ﺍﻟﻨ‪‬ﺪﺍ ‪‬ﻭﻟﹾﻬﺎ ﹶﻥ ‪‬ﻣ ‪‬ﻐﺮ‪‬ﻯ‬ ‫ﺻﻞﱡ‬
‫ﺱ ﺍﻷﻃﻼ ِﻝ ‪‬‬
‫ﻭ ‪‬ﺭ‪‬ﺑ ‪‬ﻊ ﺩﺍﺭ ‪‬‬
‫ﺼﻞﱡ‪ ،‬ﺑﺎﻟﻜـﺴﺮ‪ :‬ﺣﻴ‪‬ـ ﹲﺔ ﺻـﻔﺮﺍ ُﺀ‪.‬‬
‫ﲔ ﻭﺍﻟﺼ‪‬ﻠﻴ ﹸﻞ‪ .‬ﻭﺍﻟ ‪‬‬‫ﺼﻞﱡ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﺍﻟﻄﱠﻨ ‪‬‬ ‫ﺍﻟ ‪‬‬
‫ﻀ ‪‬ﻢ‪ :‬ﺍﳌﹸ‪‬ﺘ ‪‬ﻐ‪‬ﻴﺮ‪ ‬ﺍﳌﹸ‪‬ﻨِﺘﻦ‪.‬‬
‫ﺼﻞﱡ‪ ،‬ﺑﺎﻟ ‪‬‬
‫ﻭﺍﻟ ‪‬‬
‫ﺣﺮﻑ ﺍﻟﻴﺎﺀ‬
‫ﻛﺄ‪‬ﻧ ‪‬ﻲ ﺑﺎﻟﻄﱢﻼ ﹶﺛ ِﻤ ﹲﻞ ﺑ ‪‬ﻮﺟ‪‬ﺪﻱ‬ ‫ﻳ‪‬ﻨﺎ ِﺩﻣ‪‬ﲏ ﺍﻟﻄﱠﻼ ﰲ ﺃﺭ ِ‬
‫ﺽ ﳒ ِﺪ‬
‫)‪(١٢٠‬‬ ‫)‪(١١٩‬‬
‫‪١١٩‬‬ ‫ﺻﻐ‪‬ﺮﺍ‬
‫ﻕ ‪‬‬
‫ﲤﻴ ﹸﻞ ِﲝ ‪‬ﻤﻠِﻬﺎ ﺍﻷﻋﻨﺎ ‪‬‬ ‫‪١٢٠‬‬ ‫ﻭﻣﺎ ‪‬ﻣ‪‬ﻴﻞﹸ ﺍﻟﻄﱡﻼ ﺇ ﱠﻻ ‪‬ﲜ ‪‬ﻬ ِﺪ‬
‫ﺍﻟﻄﱠﻼ‪ ،‬ﺑﺎﻟﻔﺘﺢ‪ :‬ﻭﻟ ‪‬ﺪ ﺍﻟﻈﱠﺒﻴ ِﺔ)‪ .(١٢١‬ﻭﺍﻟﻄﱢﻼ‪ ،‬ﺑﺎﻟﻜﺴﺮ‪ :‬ﻣﻦ ﺃﲰﺎﺀ ﺍﳋﻤﺮ‪ .‬ﻭﺍﻟﻄﱡﻼ‪،‬‬
‫ﻕ)‪.(١٢٢‬‬ ‫ﻀ ‪‬ﻢ‪ :‬ﺍﻷﻋﻨﺎ ‪‬‬
‫ﺑﺎﻟ ‪‬‬
‫ﲤﱠﺖ ﲝﻤﺪﻩ ﺗﻌﺎﱃ‬

‫)‪ (١١٦‬ﰲ ﻡ‪ :٦٩٤ /‬ﺍﻟﱵ‪ .‬ﲢﺮﻳﻒ‪ .‬ﻭﺍﻟﻨ‪‬ﺪﺍ‪ ،‬ﺑﺎﻟﻘﺼﺮ ﺿﺮﻭﺭ ﹰﺓ‪ :‬ﺍﻟﻨ‪‬ﺪﺍ ُﺀ‪.‬‬
‫)‪ (١١٧‬ﰲ ﻑ‪ :‬ﲟﺎ ﰲ ﺍﻟ ‪‬ﺮﺑ‪‬ﻊ‪.‬‬
‫ﻀﻨ‪‬ﻰ‪ :‬ﺍﻟﺴ‪‬ﻘﻴ ‪‬ﻢ ﺍﻟﺬﻱ ﻗﺪ ﻃﺎﻝ ﻣﺮﺿﻪ‪،‬‬ ‫ﻀﻨ‪‬ﻰ ﻭﻳ‪‬ﻬﺎ ﹸﻥ ‪‬ﻣ ‪‬ﻐﺮ‪‬ﻯ‪ .‬ﻭﺍﻟ ‪‬‬
‫)‪ (١١٨‬ﰲ ﻑ‪ :‬ﻭﻫﻞ ﻳ‪‬ﺸﻔﻰ ﺍﻟ ‪‬‬
‫ﺖ ﻓﻴﻪ‪..‬‬
‫ﻭﹶﺛ‪‬ﺒ ‪‬‬
‫)‪ (١١٩‬ﻑ‪ ،‬ﻡ‪ .٦٩٤ /‬ﻭﰲ ﻝ‪ :‬ﳉﻬﺪﻱ‪.‬‬
‫ﺻﻔﹾﺮﺍ‪ .‬ﻭﻣﺎ ﰲ‬
‫ﻕ ‪‬‬‫ﺐ ‪‬ﻋ ﹾﻔﻮ‪‬ﺍ ﻭ ﹶﻏﻔﹾﺮﺍ‪ .‬ﻭﰲ ﻡ‪ :٦٩٤ /‬ﲤﻴ ﹸﻞ ‪‬ﲝﻠﱠﺔ ﺍﻷﻋﻨﺎ ِ‬ ‫ﻱﻫ ‪‬‬ ‫)‪ (١٢٠‬ﰲ ﻑ‪ :‬ﻓﻴﺎ ﻣﻮﻻ ‪‬‬
‫ﺲ‪ :‬ﺇﺫﺍ ﻣﺎﻟﺖ‬ ‫ﺕ ﺍﻟﺸ‪‬ﻤ ‪‬‬
‫ﺻﻐ‪ ‬ﺮ ِ‬
‫ﻡ ﺗﺼﺤﻴﻒ ﻭﲢﺮﻳﻒ‪ ..‬ﻭﺍﻟﺼ‪ ‬ﻐ ‪‬ﺮ ﻛﻤﺎ ﰲ ﻝ‪ :‬ﺍﳌﻴﻞﹸ‪ ،‬ﻣﻦ‪ :‬‬
‫ﻟﻠﻐﺮﻭﺏ‪.‬‬
‫ﺏ ﻋﻠﻰ ﺳﺒﻴﻞ ﺍﻻﺳﺘﻌﺎﺭﺓ ﺍﻟﺘ‪‬ﺼﺮﳛﻴ‪‬ﺔ‪.‬‬ ‫)‪ (١٢١‬ﻛﺬﺍ ﻟﻐﺔﹰ‪ ،‬ﻭﻳﺮﻳ ‪‬ﺪ ﺍﶈﺒﻮ ‪‬‬
‫)‪ (١٢٢‬ﻭﻣ‪‬ﻔﺮﺩﻩ ﹸﻃﹾﻠ‪‬ﻴ ﹲﺔ ﻭﻃﹸﻼﹲﺓ‪) .‬ﺍﻹﻛﻤﺎﻝ ‪.(٣٩٥ /٢‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٢٤‬‬

‫ﺍﳌﺼﺎﺩﺭ ﻭﺍﳌﺮﺍﺟﻊ‬
‫‪ -١‬ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﱘ‪.‬‬
‫‪ -٢‬ﺍﻷﻋﻼﻡ‪ ،‬ﻟﻠﺰ‪‬ﺭﻛﻠﻲ‪ ،‬ﻁ ‪ :٨‬ﺩﺍﺭ ﺍﻟﻌﻠﻢ ﻟﻠﻤﻼﻳﲔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٨٩‬ﻡ‪.‬‬
‫‪ -٣‬ﺃﻋﻼﻡ ﺍﳊﻀﺎﺭﺓ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ﰲ ﺍﻟﻌﻠﻮﻡ ﺍﻷﺳﺎﺳﻴ‪‬ﺔ ﻭﺍﻟﺘ‪‬ﻄﺒﻴﻘﻴ‪‬ﺔ‪ ،‬ﻟﺰﻫﲑ ﲪﻴﺪﺍﻥ‪،‬‬
‫ﻁ‪ :‬ﻭﺯﺍﺭﺓ ﺍﻟﺜﱠﻘﺎﻓﺔ ‪ -‬ﺩﻣﺸﻖ ‪ ١٩٩٦‬ﻡ‪.‬‬
‫‪ -٤‬ﺍﻛﺘﻔﺎﺀ ﺍﻟﻘﹶﻨﻮﻉ ﲟﺎ ﻫﻮ ﻣﻄﺒﻮﻉ ﻣﻦ ﺃﺷﻬﺮ ﺍﻟﺘﺂﻟﻴﻒ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﰲ ﺍﳌﻄﺎﻟﻊ ﺍﻟﺸ‪‬ﺮﻗﻴ‪‬ﺔ‬
‫ﻭﺍﻟﻐﺮﺑﻴ‪‬ﺔ‪ ،‬ﻷﺩﻭﺭﺩ ﻓﻨﺪﻳﻚ‪ ،‬ﺗﺼﺤﻴﺢ ﳏﻤ‪‬ﺪ ﻋﻠﻲ ﺍﻟﺒﺒﻼﻭﻱ‪ ،‬ﻁ‪ :‬ﻣﻄﺒﻌﺔ ﺍﳍﻼﻝ ‪-‬‬
‫ﺍﻟﻔﺠ‪‬ﺎﻟﺔ ‪ -‬ﻣﺼﺮ ‪ ١٨٩٦‬ﻡ‪.‬‬
‫‪ -٥‬ﺇﻛﻤﺎﻝ ﺍﻹﻋﻼﻡ ﺑﺘﺜﻠﻴﺚ ﺍﻟﻜﻼﻡ‪ ،‬ﻻﺑﻦ ﻣﺎﻟﻚ‪ ،‬ﲢﻘﻴﻖ ﺳﻌﺪ ﺍﻟﻐﺎﻣﺪﻱ‪ ،‬ﻁ ‪ :١‬ﺟﺎﻣﻌﺔ‬
‫ﺃ ‪‬ﻡ ﺍﻟﻘﹸﺮﻯ ‪ -‬ﻣﻜﱠﺔ ﺍﳌﹸﻜﺮ‪‬ﻣﺔ ‪ ١٩٨٤‬ﻡ‪) .‬ﺍﻟﻜﺘﺎﺏ ﺑﺮﻭﺍﻳﺔ ﺍﻟﺒﻌﻠ ‪‬ﻲ ﺍﳊﻨﺒﻠ ‪‬ﻲ(‪.‬‬
‫‪ -٦‬ﺇﻳﻀﺎﺡ ﺍﳌﻜﻨﻮﻥ ﰲ ﺍﻟﺬﱠﻳﻞ ﻋﻠﻰ ﻛﺸﻒ ﺍﻟﻈﱡﻨﻮﻥ ﻋﻠﻰ ﺃﺳﺎﻣﻲ ﺍﻟﻜﺘﺐ ﻭﺍﻟﻔﻨﻮﻥ‪،‬‬
‫ﻹﲰﺎﻋﻴﻞ ﺑﺎﺷﺎ ﺍﻟﺒﻐﺪﺍﺩﻱ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٩٢‬ﻡ‪.‬‬
‫‪ -٧‬ﺍﻟ‪‬ﺒ ﹾﻠﻐ‪‬ﺔ ﰲ ﺃﺻﻮﻝ ﺍﻟﻠﱡﻐﺔ‪ ،‬ﻟﻠ ِﻘ‪‬ﻨﻮ‪‬ﺟﻲ‪ ،‬ﲢﻘﻴﻖ ﻧﺬﻳﺮ ﳏﻤ‪‬ﺪ ﻣﻜﺘﱯ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ ﺍﻟﺒﺸﺎﺋﺮ‬
‫ﺍﻹﺳﻼﻣﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤٠٨‬ﻫ ‪ ١٩٨٨ /‬ﻡ‪.‬‬
‫‪ -٨‬ﺗﺎﺝ ﺍﻟﻌﺮﻭﺱ ﻣﻦ ﺟﻮﺍﻫﺮ ﺍﻟﻘﺎﻣﻮﺱ‪ ،‬ﻟﻠ ‪‬ﻤ ‪‬ﺮﺗ‪‬ﻀﻰ ﺍﻟﺰ‪‬ﺑﻴﺪﻱ‪ ،‬ﲢﻘﻴﻖ ﻋﻠﻲ ﺷﲑﻱ‪ ،‬ﻁ ‪:١‬‬
‫ﺩﺍﺭ ﺍﻟﻔﻜﺮ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٩٤‬ﻡ‪.‬‬
‫‪ -٩‬ﺗﺎﺭﻳﺦ ﺍﻷﺩﺏ ﺍﻟﻌﺮﰊ‪ ،‬ﻟﻜﺎﺭﻝ ﺑﺮﻭﻛﻠﻤﺎﻥ‪ ،‬ﻧﻘﻠﻪ ﺇﱃ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﺩ‪ .‬ﻋﺒﺪ ﺍﳊﻠﻴﻢ ﺍﻟ‪‬ﻨﺠ‪‬ﺎﺭ‬
‫ﻭﺻﺤﺒﻪ ﻭﺃﺷﺮﻑ ﻋﻠﻰ ﺍﻟﺘ‪‬ﺮﲨﺔ ﺩ‪ .‬ﳏﻤﻮﺩ ﻓﻬﻤﻲ ﺣﺠﺎﺯﻱ‪ ،‬ﻁ ‪ :١‬ﺍﳍﻴﺌﺔ ﺍﳌﺼﺮﻳ‪‬ﺔ‬
‫ﺍﻟﻌﺎﻣ‪‬ﺔ ﻟﻠﻜﺘﺎﺏ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٩٣‬ﻡ ‪ ١٩٩٥ -‬ﻡ‪.‬‬
‫ﰊ ﰲ ﺍﻟﻌﺮﺍﻕ‪ ،‬ﻟﻌﺒ‪‬ﺎﺱ ﺍﻟﻌﺰ‪‬ﺍﻭﻱ‪ ،‬ﻁ‪ :‬ﺍ‪‬ﻤﻊ ﺍﻟﻌﻠﻤ ‪‬ﻲ ﺍﻟﻌﺮﺍﻗ ‪‬ﻲ ‪-‬‬ ‫‪ -١٠‬ﺗﺎﺭﻳﺦ ﺍﻷﺩﺏ ﺍﻟﻌﺮ ‪‬‬
‫ﺑﻐﺪﺍﺩ ‪ ١٣٨٠‬ﻫ ‪ ١٩٦٠ /‬ﻡ‪.‬‬
‫‪ -١١‬ﺗﺎﺭﻳﺦ ﻋﻠﻤﺎﺀ ﺑﻐﺪﺍﺩ ﺍﳌﹸﺴﻤ‪‬ﻰ ﻣ‪‬ﻨﺘﺨﺐ ﺍﳌﹸﺨﺘﺎﺭ‪ ،‬ﻻﺑﻦ ﺭﺍﻓﻊ ﺍﻟﺴ‪‬ﻼﻣﻲ‪ ،‬ﲢﻘﻴﻖ ﻋﺒ‪‬ﺎﺱ‬
‫ﺍﻟﻌﺰ‪‬ﺍﻭﻱ‪ ،‬ﻁ ‪ :٢‬ﺍﻟﺪ‪‬ﺍﺭ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻟﻠﻤﻮﺳﻮﻋﺎﺕ ‪ -‬ﺑﲑﻭﺕ ‪ ٢٠٠٠‬ﻡ‪.‬‬
‫‪ -١٢‬ﺗﺬﻛﺮﺓ ﺍﻟﻨ‪‬ﺒﻴﻪ ﰲ ﺃﻳ‪‬ﺎﻡ ﺍﳌﻨﺼﻮﺭ ﻭﺑﻨﻴﻪ‪ ،‬ﻻﺑﻦ ﺣﺒﻴﺐ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﳏﻤ‪‬ﺪ ﳏﻤ‪‬ﺪ ﺃﻣﲔ‬
‫ﻭﻣ‪‬ﺮﺍﺟﻌﺔ ﺩ‪ .‬ﺳﻌﻴﺪ ﻋﺒﺪ ﺍﻟﻔﺘ‪‬ﺎﺡ ﻋﺎﺷﻮﺭ ﻭﺗﻘﺪﳝﻪ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﳌﺼﺮﻳ‪‬ﺔ ‪-‬‬
‫‪٦٢٥‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٧٦‬ﻡ‪.‬‬
‫‪ -١٣‬ﺬﻳﺐ ﺍﻟﻠﱡﻐﺔ‪ ،‬ﻟﻸﺯﻫﺮﻱ‪ ،‬ﲢﻘﻴﻖ ﻋﺒﺪ ﺍﻟﺴ‪‬ﻼﻡ ﻫﺎﺭﻭﻥ ﻭﺻﺤﺒﻪ ﻭﻣ‪‬ﺮﺍﺟﻌﺔ ﳏﻤ‪‬ﺪ ﻋﻠﻲ‬
‫ﺍﻟ‪‬ﻨﺠ‪‬ﺎﺭ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺍﻟﺼ‪‬ﺎﺩﻕ ‪ -‬ﺇﻳﺮﺍﻥ ‪ -‬ﺩ ﺕ‪.‬‬
‫‪ -١٤‬ﺍﻟﺘ‪‬ﻴﺴﲑ ﰲ ﺍﻟﺘ‪‬ﻔﺴﲑ‪ ،‬ﻟﻠﺪ‪‬ﻳﺮﻳﲏ‪ ،‬ﳐﻄﻮﻁ ﰲ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ )ﻋﻠﻮﻡ ﺍﻟﻘﺮﺁﻥ(‪ ،‬ﲢﺖ ﺭﻗﹾﻢ‪.٦٠٩٢ :‬‬
‫‪ -١٥‬ﺟﺎﻣﻊ ﻛﺮﺍﻣﺎﺕ ﺍﻷﻭﻟﻴﺎﺀ‪ ،‬ﻟﻴﻮﺳﻒ ﺍﻟﻨ‪‬ﺒﻬﺎﱐﹼ‪ ،‬ﲢﻘﻴﻖ ﺇﺑﺮﺍﻫﻴﻢ ﻋﻄﻮﺓ ﻋﻮﺽ‪ ،‬ﻁ ‪:٤‬‬
‫ﺍﳌﻜﺘﺒﺔ ﺍﻟﺸ‪‬ﻌﺒﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤٠٣‬ﻫ ‪ ١٩٨٣ /‬ﻡ‪.‬‬
‫‪ -١٦‬ﺣ‪‬ﺴﻦ ﺍﳌﹸﺤﺎﺿﺮﺓ ﰲ ﺃﺧﺒﺎﺭ ﻣﺼﺮ ﻭﺍﻟﻘﺎﻫﺮﺓ‪ ،‬ﻟﻠﺴ‪‬ﻴﻮﻃﻲ‪ ،‬ﻭﺿﻊ ﺣﻮﺍﺷﻴﻪ ﺧﻠﻴﻞ‬
‫ﺍﳌﻨﺼﻮﺭ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٩٨‬ﻡ‪.‬‬
‫‪ -١٧‬ﺍﳋﻄﻂ ﺍﻟﺘ‪‬ﻮﻓﻴﻘﻴ‪‬ﺔ ﺍﳉﺪﻳﺪﺓ ﳌﺼﺮ ﺍﻟﻘﺎﻫﺮﺓ ﻭﻣﺪ‪‬ﺎ ﻭﺑﻼﺩﻫﺎ ﺍﻟﻘﺪﳝﺔ ﻭﺍﻟﺸ‪‬ﻬﲑﺓ‪ ،‬ﻟﻌﻠﻲ‬
‫ﺑﺎﺷﺎ ﻣ‪‬ﺒﺎﺭﻙ‪ ،‬ﻁ ‪ :٢‬ﺍﳍﻴﺌﺔ ﺍﳌﺼﺮﻳ‪‬ﺔ ﺍﻟﻌﺎﻣ‪‬ﺔ ﻟﻠﻜﺘﺎﺏ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٨٠‬ﻡ‪.‬‬
‫‪ -١٨‬ﺩﺍﺋﺮﺓ ﻣﻌﺎﺭﻑ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ‪ ،‬ﶈﻤ‪‬ﺪ ﻓﺮﻳﺪ ﻭﺟﺪﻱ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺍﻟﻔﻜﺮ ‪ -‬ﺑﲑﻭﺕ ‪ -‬ﺩ ﺕ‪.‬‬
‫‪ -١٩‬ﺍﻟ ‪‬ﺪﺭ‪‬ﺭ ﺍﻟﻜﺎﻣﻨﺔ ﰲ ﺃﻋﻴﺎﻥ ﺍﳌﺌﺔ ﺍﻟﺜﱠﺎﻣﻨﺔ‪ ،‬ﻻﺑﻦ ﺣﺠﺮ ﺍﻟﻌﺴﻘﻼﱐﹼ‪ ،‬ﲢﻘﻴﻖ ﳏﻤ‪‬ﺪ ﺳﻴ‪‬ﺪ‬
‫ﺟﺎﺩ ﺍﳊﻖ‪ ،‬ﻁ ‪ :٢‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﳊﺪﻳﺜﻴ‪‬ﺔ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٦٦‬ﻡ‪.‬‬
‫‪ -٢٠‬ﺍﻟﺪ‪‬ﻟﻴﻞ ﺍﻟﺸ‪‬ﺎﰲ ﻋﻠﻰ ﺍﳌﻨﻬﻞ ﺍﻟﺼ‪‬ﺎﰲ ‪ ،‬ﻻﺑﻦ ﺗﻐﺮﻱ ﺑﺮﺩﻱ‪ ،‬ﲢﻘﻴﻖ ﻓﻬﻴﻢ ﺷﻠﺘﻮﺕ‪،‬‬
‫ﻁ‪ :‬ﺟﺎﻣﻌﺔ ﺃ ‪‬ﻡ ﺍﻟﻘﺮﻯ ‪ -‬ﻣﻜﱠﺔ ﺍﳌﹸﻜﺮ‪‬ﻣﺔ ‪ ١٩٧٥‬ﻡ‪.‬‬
‫ﺴﺮ‪‬ﻭﻱ ﺣﺴﻦ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ‬ ‫‪ -٢١‬ﺩﻳﻮﺍﻥ ﺍﻹﺳﻼﻡ‪ ،‬ﻟﺸﻤﺲ ﺍﻟﺪ‪‬ﻳﻦ ﺍﻟﻐ ‪‬ﺰﻱ‪ ،‬ﲢﻘﻴﻖ ﺳﻴ‪‬ﺪ ﹶﻛ ‪‬‬
‫ﺍﻟﻜﺘﺐ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤١١‬ﻫ ‪ ١٩٩٠ /‬ﻡ‪.‬‬
‫‪ -٢٢‬ﺩﻳﻮﺍﻥ ﺷ‪‬ﻌﺮﺍﺀ ﺑﲏ ﻛﻠﺐ ﺑﻦ ‪‬ﻭ‪‬ﺑ ‪‬ﺮﺓﹶ‪ ،‬ﺻﻨﻌﺔ ﺩ‪ .‬ﳏﻤ‪‬ﺪ ﺷﻔﻴﻖ ﺍﻟﺒﻴﻄﺎﺭ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ‬
‫ﺻﺎﺩﺭ ‪ -‬ﺑﲑﻭﺕ ‪ ٢٠٠٢‬ﻡ‪.‬‬
‫ﰊ ﺍﻹﺳﻼﻣ ‪‬ﻲ ) ﺩﻟﻴﻞ ﺑﺒﻠﻴﻮﻏﺮﺍﰲ ﻟﻠﻤﺨﻄﻮﻃﺎﺕ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‬ ‫‪ -٢٣‬ﺫﺧﺎﺋﺮ ﺍﻟﺘ‪‬ﺮﺍﺙ ﺍﻟﻌﺮ ‪‬‬
‫ﺍﳌﻄﺒﻮﻋﺔ ﺣﺘ‪‬ﻰ ﻋﺎﻡ ‪ ١٩٨٠‬ﻡ (‪ ،‬ﻟﻌﺒﺪ ﺍﳉﺒ‪‬ﺎﺭ ﻋﺒﺪ ﺍﻟﺮ‪‬ﲪﻦ‪ ،‬ﻁ ‪ :١‬ﻣﻄﺒﻌﺔ ﺟﺎﻣﻌﺔ‬
‫ﺍﻟﺒﺼﺮﺓ ‪ ١٩٨١‬ﻡ ‪ ١٩٨٣ -‬ﻡ‪.‬‬
‫‪ -٢٤‬ﺍﻟﺴ‪‬ﻠﻮﻙ ﳌﻌﺮﻓﺔ ﺩﻭﻝ ﺍﳌﻠﻮﻙ‪ ،‬ﻟﻠﻤﻘﺮﻳﺰﻱ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﳏﻤ‪‬ﺪ ﻣ‪‬ﺼﻄﻔﻰ ﺯﻳﺎﺩﺓ‪ ،‬ﻁ ‪:٢‬‬
‫ﻣﻄﺒﻌﺔ ﳉﻨﺔ ﺍﻟﺘ‪‬ﺄﻟﻴﻒ ﻭﺍﻟﺘ‪‬ﺮﲨﺔ ﻭﺍﻟﻨ‪‬ﺸﺮ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٧٠‬ﻡ‪.‬‬
‫‪ -٢٥‬ﺷﺬﺭﺍﺕ ﺍﻟﺬﱠﻫﺐ ﰲ ﺃﺧﺒﺎﺭ ﻣﻦ ﺫﻫﺐ‪ ،‬ﻻﺑﻦ ﺍﻟﻌﻤﺎﺩ ﺍﳊﻨﺒﻠﻲ‪ ،‬ﲢﻘﻴﻖ ﳏﻤﻮﺩ‬
‫ﺍﻷﺭﻧﺎﺅﻭﻁ ﻭﺇﺷﺮﺍﻑ ﻋﺒﺪ ﺍﻟﻘﺎﺩﺭ ﺍﻷﺭﻧﺎﺅﻭﻁ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ ﺍﺑﻦ ﻛﺜﲑ ‪ -‬ﺩﻣﺸﻖ ‪-‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٢٦‬‬

‫ﺑﲑﻭﺕ ‪ ١٩٨٦‬ﻡ ‪ ١٩٩٥ -‬ﻡ‪.‬‬

‫ﲏ ﰲ ﺍﻟﻨ‪‬ﺤﻮ‪ ،‬ﻬﻮﻝ‪ ،‬ﳐﻄﻮﻁ ﻓـﻲ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ )ﺍﻟﻨ‪‬ﺤﻮ(‪،‬‬ ‫ﺨﻤ‪‬ﺲ ﺍﻟﺪ‪‬ﻳﺮﻳ ‪‬‬
‫‪ -٢٦‬ﺷﺮﺡ ‪‬ﻣ ‪‬‬
‫ﲢﺖ ﺭﻗﹾﻢ‪. ١٠٥١٨ :‬‬
‫‪ -٢٧‬ﺍﻟﺸ‪‬ﻌﺮ ﻭﺍﻟﺸ‪‬ﻌﺮﺍﺀ‪ ،‬ﻻﺑﻦ ﻗﹸﺘﻴﺒﺔ‪ ،‬ﲢﻘﻴﻖ ﺃﲪﺪ ﺷﺎﻛﺮ‪ ،‬ﻁ ‪ :٢‬ﺩﺍﺭ ﺍﳌﻌﺎﺭﻑ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٦٦‬ﻡ‪.‬‬
‫‪ -٢٨‬ﻃﺒﻘﺎﺕ ﺍﻷﻭﻟﻴﺎﺀ‪ ،‬ﻻﺑﻦ ﺍ ﹸﳌﹶﻠﻘﱢﻦ‪ ،‬ﲢﻘﻴﻖ ﻧﻮﺭ ﺍﻟﺪ‪‬ﻳﻦ ﺷﺮﻳ‪‬ﺔ‪ ،‬ﻁ ‪ :٢‬ﺩﺍﺭ ﺍﳌﻌﺮﻓﺔ ‪-‬‬
‫ﺑﲑﻭﺕ ‪ ١٩٨٦‬ﻡ‪.‬‬
‫‪ -٢٩‬ﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ‪ ،‬ﻟﻺ ‪‬ﺳﻨ‪‬ﻮﻱ‪ ،‬ﲢﻘﻴﻖ ﻛﻤﺎﻝ ﻳﻮﺳﻒ ﺍﳊﻮﺕ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ‬
‫ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤٠٧‬ﻫ ‪ ١٩٨٧ /‬ﻡ‪.‬‬
‫‪ -٣٠‬ﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ‪ ،‬ﻻﺑﻦ ﻗﺎﺿﻲ ﺷ‪‬ﻬﺒﺔ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﺍﳊﺎﻓﻆ ﻋﺒﺪ ﺍﻟﻌﻠﻴﻢ ﺧﺎﻥ‪ ،‬ﻁ‪:‬‬
‫ﺩﺍﺭ ﺍﻟﻨ‪‬ﺪﻭﺓ ﺍﳉﺪﻳﺪﺓ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤٠٨‬ﻫ ‪ ١٩٨٧ /‬ﻡ‪.‬‬
‫‪ -٣١‬ﻃﺒﻘﺎﺕ ﺍﻟﺸ‪‬ﺎﻓﻌﻴ‪‬ﺔ ﺍﻟﻜﹸﱪﻯ‪ ،‬ﻟﻠﺴ‪‬ﺒﻜﻲ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﻋﺒﺪ ﺍﻟﻔﺘ‪‬ﺎﺡ ﳏﻤ‪‬ﺪ ﺍﳊﻠﻮ ﻭﺩ‪.‬‬
‫ﳏﻤﻮﺩ ﺍﻟﻄﱠﻨﺎﺣﻲ‪ ،‬ﻁ ‪ :٢‬ﺩﺍﺭ ﻫﺠﺮ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٤١٣‬ﻫ ‪ ١٩٩٢ /‬ﻡ‪.‬‬
‫ﳉﻤ‪‬ﺤﻲ‪ ،‬ﲢﻘﻴﻖ ﳏﻤﻮﺩ ﺷﺎﻛﺮ‪ ،‬ﻁ ‪:٢‬‬ ‫‪ -٣٢‬ﻃﺒﻘﺎﺕ ﻓﺤﻮﻝ ﺍﻟﺸ‪‬ﻌﺮﺍﺀ‪ ،‬ﻻﺑﻦ ﺳﻼﱠﻡ ﺍ ﹸ‬
‫ﻣﻄﺒﻌﺔ ﺍﳌﺪﱐ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٧٤‬ﻡ‪.‬‬
‫‪ -٣٣‬ﺍﻟﻄﱠﺒﻘﺎﺕ ﺍﻟﻜﹸﱪﻯ ) ﻟﻮﺍﻗﺢ ﺍﻷﻧﻮﺍﺭ ﺍﻟﻘﹸﺪﺳﻴ‪‬ﺔ ﰲ ﻣﻨﺎﻗﺐ ﺍﻟﻌ‪‬ﻠﻤﺎﺀ ﻭﺍﻟﺼ‪‬ﻮﻓﻴ‪‬ﺔ (‪،‬‬
‫ﺸﻌ‪‬ﺮﺍﱐﹼ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﺃﲪﺪ ﺍﻟﺴ‪‬ﺎﻳﺢ ﻭﺗﻮﻓﻴﻖ ﻭﻫﺒﺔ‪ ،‬ﻁ ‪ :١‬ﻣﻜﺘﺒﺔ ﺍﻟﺜﱠﻘﺎﻓﺔ ﺍﻟﺪ‪‬ﻳﻨﻴ‪‬ﺔ ‪-‬‬ ‫ﻟﻠ ‪‬‬
‫ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٤٢٦‬ﻫ ‪ ٢٠٠٥ /‬ﻡ‪.‬‬
‫‪ -٣٤‬ﻃﺒﻘﺎﺕ ﺍﳌﹸﻔﺴ‪‬ﺮﻳﻦ‪ ،‬ﻟﻠﺪ‪‬ﺍﻭﺩﻱ‪ ،‬ﲢﻘﻴﻖ ﻋﻠﻲ ﳏﻤ‪‬ﺪ ﻋﻤﺮ‪ ،‬ﻁ‪ :‬ﻣﻜﺘﺒﺔ ﻭﻫﺒﺔ ‪ -‬ﻣﺼﺮ‬
‫‪ ١٣٩٢‬ﻫ ‪ ١٩٧٢ /‬ﻡ‪.‬‬
‫‪ -٣٥‬ﻓﻬﺮﺱ ﺍﳋﺰﺍﻧﺔ ﺍﻟﺘ‪‬ﻴﻤﻮﺭﻳ‪‬ﺔ ) ﺃﲰﺎﺀ ﺍﳌﺆﻟﱢﻔﲔ (‪ ،‬ﻁ‪ :‬ﻣﻄﺒﻌﺔ ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﳌﺼﺮﻳ‪‬ﺔ ‪-‬‬
‫ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٤٧‬ﻡ ‪ ١٩٥٠ -‬ﻡ‪.‬‬
‫‪ -٣٦‬ﻓﻬﺮﺱ ﳐﻄﻮﻃﺎﺕ ﺧﺰﺍﻧﺔ ﺍﻟﻘﺮﻭﻳ‪‬ﲔ‪ ،‬ﶈﻤ‪‬ﺪ ﺍﻟﻌﺎﺑﺪ ﺍﻟﻔﺎﺳﻲ‪ ،‬ﻁ ‪ :١‬ﻣﻄﺒﻌﺔ ﺍﻟﻨ‪‬ﺠﺎﺡ‬
‫ﺍﳉﺪﻳﺪﺓ ‪ -‬ﺍﳌﻐﺮﺏ ‪ ١٤٠٣‬ﻫ ‪ ١٩٨٣ /‬ﻡ‪.‬‬
‫‪ -٣٧‬ﻓﻬﺮﺱ ﳐﻄﻮﻃﺎﺕ ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﻟﻈﱠﺎﻫﺮﻳ‪‬ﺔ ) ﻋﻠﻮﻡ ﺍﻟﻘﺮﺁﻥ (‪ ،‬ﺩ‪ِ .‬ﻋﺰ‪‬ﺓ ﺣﺴﻦ‪ ،‬ﻁ‪:‬‬
‫ﳎﻤﻊ ﺍﻟﻠﱡﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ‪ -‬ﺩﻣﺸﻖ ‪ ١٩٦٢‬ﻡ‪ ) .‬ﻋﻠﻮﻡ ﺍﻟﻠﱡﻐﺔ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‪ :‬ﺍﻟﻠﱡﻐﺔ‪ ،‬ﺍﻟﻨ‪‬ﺤﻮ (‪،‬‬
‫ﻷﲰﺎﺀ ﺍﳊﻤﺼﻲ‪ ،‬ﻁ‪ :‬ﺍ‪‬ﻤﻊ ‪ ١٩٧٣‬ﻡ‪.‬‬
‫‪٦٢٧‬‬ ‫ﻣﺮﺑﻊ ﰲ ﻣﺜﻠﺜﺎﺕ ﻗﻄﺮﺏ ﺍﻟﻠﻐﻮﻳﺔ – ﻋﺪﻧﺎﻥ ﻋﻤﺮ ﺍﳋﻄﻴﺐ‬

‫‪ -٣٨‬ﺍﻟﻘﺎﻣﻮﺱ ﺍﳌﹸﺤﻴﻂ‪ ،‬ﻟﻠ ِﻔﻴ‪‬ﺮﻭﺯﺁﺑﺎﺩﻱ‪ ،‬ﻁ ‪ :٢‬ﻣﺆﺳﺴﺔ ﺍﻟﺮ‪‬ﺳﺎﻟﺔ‪ ،‬ﻭﺩﺍﺭ ﺍﻟ ‪‬ﺮﻳ‪‬ﺎﻥ ﻟﻠﺘ‪‬ﺮﺍﺙ ‪-‬‬
‫ﺑﲑﻭﺕ ‪ ١٩٨٧‬ﻡ‪.‬‬
‫‪ -٣٩‬ﻛﺸ‪‬ﺎﻑ ﻣ‪‬ﻌﺠﻢ ﺍﳌﹸﺆﻟﱢﻔﲔ‪ ،‬ﺩ‪ .‬ﻓﺮ‪‬ﺍﺝ ﻋﻄﺎ ﺳﺎﱂ‪ ،‬ﻁ‪ :‬ﻣﻜﺘﺒﺔ ﺍﳌﻠﻚ ﻓﻬﺪ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ‪-‬‬
‫ﺍﻟﺮ‪‬ﻳﺎﺽ ‪ ١٤١٩‬ﻫ ‪ ١٩٩٨ /‬ﻡ‪.‬‬
‫‪ -٤٠‬ﻛﺸﻒ ﺍﻟﻈﱡﻨﻮﻥ ﻋﻦ ﺃﺳﺎﻣﻲ ﺍﻟﻜﺘﺐ ﻭﺍﻟﻔﻨﻮﻥ‪ ،‬ﳊﺎﺟﻲ ﺧﻠﻴﻔﺔ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ‬
‫ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤١٣‬ﻫ ‪ ١٩٩٢ /‬ﻡ‪.‬‬
‫ﺼﻮﻓﻴ‪‬ﺔ‪ :‬ﺍﻟﻄﱠﺒﻘﺎﺕ ﺍﻟﻜﹸﱪﻯ‪ ،‬ﻟﻠ ‪‬ﻤﻨ‪‬ﺎﻭﻱ‪،‬‬ ‫‪ -٤١‬ﺍﻟﻜﻮﺍﻛﺐ ﺍﻟ ‪‬ﺪ ‪‬ﺭﻳ‪‬ﺔ ﰲ ﺗﺮﺍﺟﻢ ﺍﻟﺴ‪‬ﺎﺩﺓ ﺍﻟ ‪‬‬
‫ﲢﻘﻴﻖ ﳏﻤ‪‬ﺪ ﺃﺩﻳﺐ ﺍﳉﺎﺩﺭ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ ﺻﺎﺩﺭ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٩٩‬ﻡ‪.‬‬
‫‪ -٤٢‬ﻟﺴﺎﻥ ﺍﻟﻌﺮﺏ‪ ،‬ﻻﺑﻦ ﻣﻨﻈﻮﺭ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺻﺎﺩﺭ ‪ -‬ﺑﲑﻭﺕ ‪ -‬ﺩ ﺕ‪.‬‬
‫ﺴﻴ‪‬ﺪ ﺍﻟ‪‬ﺒ ﹶﻄ ﹾﻠﻴ‪‬ﻮﺳﻲ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﺻﻼﺡ ﻣﻬﺪﻱ ﺍﻟﻔﺮﻃﻮﺳﻲ‪ ،‬ﻁ‪ :‬ﻭﺯﺍﺭﺓ‬ ‫‪ -٤٣‬ﺍﳌﹸﺜﻠﱠﺚ‪ ،‬ﻻﺑﻦ ﺍﻟ ‪‬‬
‫ﺍﻟﺜﱠﻘﺎﻓﺔ ﻭﺍﻹﻋﻼﻡ ‪ -‬ﺑﻐﺪﺍﺩ ‪ ١٤٠١‬ﻫ ‪ ١٩٨١ /‬ﻡ‪.‬‬
‫‪ -٤٤‬ﻣ‪‬ﺜﻠﱠﺜﺎﺕ ﹸﻗ ﹾﻄﺮ‪‬ﺏ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﺭﺿﺎ ﺍﻟﺴ‪‬ﻮﻳﺴﻲ‪ ،‬ﻁ‪ :‬ﺍﻟﺪ‪‬ﺍﺭ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻟﻠﻜﺘﺎﺏ ‪ -‬ﻟﻴﺒﻴﺎ ‪-‬‬
‫ﺗﻮﻧﺲ ‪ ١٣٩٨‬ﻫ ‪ ١٩٧٨ /‬ﻡ‪.‬‬
‫‪ -٤٥‬ﺍﳌﹸﺜﻠﱠﺚ ﺫﻭ ﺍﳌﻌﲎ ﺍﻟﻮﺍﺣﺪ‪ ،‬ﻟﻠ‪‬ﺒﻌ‪‬ﻠ ‪‬ﻲ ﺍﳊﻨﺒﻠﻲ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﻋﺒﺪ ﺍﻟﻜﺮﱘ ﻋﻮﰲ‪ ،‬ﻁ ‪:١‬‬
‫ﻣﻨﺸﻮﺭﺍﺕ ﻣﺮﻛﺰ ﺍﳌﺨﻄﻮﻃﺎﺕ ﻭﺍﻟﺘ‪‬ﺮﺍﺙ ﻭﺍﻟﻮﺛﺎﺋﻖ ‪ -‬ﺍﻟﻜﻮﻳﺖ ‪ ٢٠٠٠‬ﻡ‪.‬‬
‫‪ -٤٦‬ﺍﳌﹸﺜﻠﱠﺚ ﺍﳌﹸﺨﺘﻠﻒ ﺍﳌﻌﲎ‪ ،‬ﻟﻠ ِﻔﻴ‪‬ﺮﻭﺯﺁﺑﺎﺩﻱ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﻋﺒﺪ ﺍﳉﻠﻴﻞ ﺍﻟﺘ‪‬ﻤﻴﻤﻲ‪ ،‬ﻁ‪:‬‬
‫ﻣﻨﺸﻮﺭﺍﺕ ﺟﺎﻣﻌﺔ ﺳﺒﻬﺎ ‪ -‬ﻟﻴﺒﻴﺎ ‪ ١٩٨٨‬ﻡ‪.‬‬
‫‪ -٤٧‬ﻣﺪﺍﺧﻞ ﺍﳌﺆﻟﱢﻔﲔ ﻭﺍﻷﻋﻼﻡ ﺍﻟﻌﺮﺏ ﺣﺘ‪‬ﻰ ﻋﺎﻡ ‪ ١٢١٥‬ﻫ ‪ ١٨٠٠ /‬ﻡ‪ ،‬ﻟﻔﻜﺮﻱ‬
‫ﺍﳉﺰ‪‬ﺍﺭ‪ ،‬ﻁ ‪ :١‬ﻣﻜﺘﺒﺔ ﺍﳌﻠﻚ ﻓﻬﺪ ﺍﻟﻮﻃﻨﻴ‪‬ﺔ ‪ -‬ﺍﻟﺮ‪‬ﻳﺎﺽ ‪ ١٩٩١‬ﻡ‪.‬‬
‫ﳊﻤ‪‬ﻮﻱ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺻﺎﺩﺭ ‪ -‬ﺑﲑﻭﺕ ‪ -‬ﺩ ﺕ‪.‬‬ ‫‪ -٤٨‬ﻣﻌﺠﻢ ﺍﻟﺒﻠﺪﺍﻥ‪ ،‬ﻟﻴﺎﻗﻮﺕ ﺍ ﹶ‬
‫‪ -٤٩‬ﻣﻌﺠﻢ ﺍﻟﺸ‪‬ﻌﺮﺍﺀ ﻣﻦ ﺍﻟﻌﺼﺮ ﺍﳉﺎﻫﻠ ‪‬ﻲ ﺣﺘ‪‬ﻰ ﺳﻨﺔ ‪ ٢٠٠٢‬ﻡ‪ ،‬ﻟﻜﺎﻣﻞ ﺳﻠﻤﺎﻥ‬
‫ﺍﳉﺒﻮﺭﻱ‪ ،‬ﻁ ‪ :١‬ﺩﺍﺭ ﺍﻟﻜﺘﺐ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ٢٠٠٣‬ﻡ‪.‬‬
‫ﺤﺎﻟﺔ‪ ،‬ﻁ ‪:١‬‬ ‫‪ -٥٠‬ﻣﻌﺠﻢ ﺍﳌﺆﻟﱢﻔﲔ‪ :‬ﺗﺮﺍﺟﻢ ﻣ‪‬ﺼﻨ‪‬ﻔﻲ ﺍﻟﻜﺘﺐ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ‪ ،‬ﻟﻌﻤﺮ ﺭﺿﺎ ﻛ ‪‬‬
‫ﻣﺆﺳ‪‬ﺴﺔ ﺍﻟﺮ‪‬ﺳﺎﻟﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤١٤‬ﻫ ‪ ١٩٩٣ /‬ﻡ‪.‬‬
‫‪ -٥١‬ﻣﻌﺠﻢ ﻣ‪‬ﺼﻨ‪‬ﻔﻲ ﺍﻟﻜﺘﺐ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﰲ ﺍﻟﺘ‪‬ﺎﺭﻳﺦ ﻭﺍﻟﺘ‪‬ﺮﺍﺟﻢ ﻭﺍﳉﹸﻐﺮﺍﻓﻴﺔ ﻭﺍﻟﺮ‪‬ﺣﻼﺕ‪،‬‬
‫ﻟﻌﻤﺮ ﺭﺿﺎ ﻛﺤ‪‬ﺎﻟﺔ‪ ،‬ﻁ ‪ :١‬ﻣﺆﺳ‪‬ﺴﺔ ﺍﻟﺮ‪‬ﺳﺎﻟﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٨٦‬ﻡ‪.‬‬
 ‫ﳎﻠﺔ ﳎﻤﻊ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺑﺪﻣﺸﻖ – ﺍ‪‬ﻠﺪ )‪ (٨١‬ﺍﳉﺰﺀ )‪(٣‬‬ ‫‪٦٢٨‬‬

‫‪ -٥٢‬ﻣﻌﺠﻢ ﺍﳌﻄﺒﻮﻋﺎﺕ ﺍﻟﻌﺮﺑﻴ‪‬ﺔ ﻭﺍ ﹸﳌ ‪‬ﻌﺮ‪‬ﺑﺔ‪ ،‬ﻟﻴﻮﺳﻒ ﺳﺮﻛﻴﺲ ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ ﺻﺎﺩﺭ ‪ -‬ﺑﲑﻭﺕ‬
‫‪ -‬ﺩ ﺕ‪ ) .‬ﺻﻮﺭﺓ ﻋﻦ ﻃﺒﻌﺔ ﻣﺼﺮ ‪ ١٩٢٨‬ﻡ (‪.‬‬
‫‪ -٥٣‬ﻣﻌﺠﻢ ﺍ ﹸﳌ ﹶﻔﺴ‪‬ﺮﻳﻦ ﻣﻦ ﺻﺪﺭ ﺍﻹﺳﻼﻡ ﺣﺘ‪‬ﻰ ﺍﻟﻌﺼﺮ ﺍﳊﺎﺿﺮ‪ ،‬ﻟﻌﺎﺩﻝ ﻧﻮﻳﻬﺾ‪ ،‬ﻁ ‪:١‬‬
‫ﻣﺆﺳ‪‬ﺴﺔ ﻧﻮﻳﻬﺾ ﺍﻟﺜﱠﻘﺎﻓﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٨٣‬ﻡ ‪ ١٩٨٤ -‬ﻡ‪.‬‬
‫ﺼَﺎﰲ ﻭﺍﳌﹸﺴﺘﻮﰲ ﺑﻌﺪ ﺍﻟﻮﺍﰲ‪ ،‬ﻻﺑﻦ ﺗﻐﺮﻱ ﺑﺮﺩﻱ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﳏﻤ‪‬ﺪ ﳏﻤ‪‬ﺪ‬ ‫‪ -٥٤‬ﺍﳌﻨﻬﻞ ﺍﻟ ‪‬‬
‫ﺃﻣﲔ‪ ،‬ﻁ‪ :‬ﺍﳍﻴﺌﺔ ﺍﳌﺼﺮﻳ‪‬ﺔ ﺍﻟﻌﺎﻣ‪‬ﺔ ﻟﻠﻜﺘﺎﺏ ‪ -‬ﺍﻟﻘﺎﻫﺮﺓ ‪ ١٩٩٤‬ﻡ‪.‬‬
‫‪ -٥٥‬ﻫﺪﻳ‪‬ﺔ ﺍﻟﻌﺎﺭﻓﲔ‪ :‬ﺃﲰﺎﺀ ﺍﳌﺆﻟﱢﻔﲔ ﻭﺁﺛﺎﺭ ﺍﳌﹸﺼﻨ‪‬ﻔﲔ‪ ،‬ﻹﲰﺎﻋﻴﻞ ﺑﺎﺷﺎ ﺍﻟﺒﻐﺪﺍﺩﻱ‪ ،‬ﻁ‪ :‬ﺩﺍﺭ‬
‫ﺍﻟﻜﺘﺐ ﺍﻟﻌﻠﻤﻴ‪‬ﺔ ‪ -‬ﺑﲑﻭﺕ ‪ ١٤١٣‬ﻫ ‪ ١٩٩٢ /‬ﻡ‪.‬‬
‫ﺼﻔﹶﺪﻱ‪ ،‬ﲢﻘﻴﻖ ﺃﳝﻦ ﻓﺆﺍﺩ ﺳﻴ‪‬ﺪ ﻭﺻﺤﺒﻪ‪ ،‬ﻁ ‪ :١‬ﻓﺮﺍﻧﺰ ﺷﺘﺎﻳﻨﺮ‬ ‫‪ -٥٦‬ﺍﻟﻮﺍﰲ ﺑﺎﻟ ‪‬ﻮ ﹶﻓﻴ‪‬ﺎﺕ‪ ،‬ﻟﻠ ‪‬‬
‫ﺑﻔﺴﺒﺎﺩﻥ ‪ ١٤٠٨‬ﻫ ‪ ١٩٨٨ /‬ﻡ‪.‬‬
‫‪ -٥٧‬ﻭ ﹶﻓﻴ‪‬ﺎﺕ ﺍﻷﻋﻴﺎﻥ ﻭﺃﻧﺒﺎﺀ ﺃﺑﻨﺎﺀ ﺍﻟﺰ‪‬ﻣﺎﻥ‪ ،‬ﻻﺑﻦ ‪‬ﺧﻠﱢﻜﺎﻥ‪ ،‬ﲢﻘﻴﻖ ﺩ‪ .‬ﺇﺣﺴﺎﻥ ﻋﺒ‪‬ﺎﺱ‪ ،‬ﻁ‪:‬‬
‫ﺩﺍﺭ ﺻﺎﺩﺭ ‪ -‬ﺑﲑﻭﺕ ‪ ١٩٩٤‬ﻡ‪.‬‬
‫ﺍ‪‬ﻼﱠﺕ‬
‫ﰊ ‪ -‬ﺩﻣﺸﻖ‪ :‬ﻣﺞ‪ / ٢٠ :‬ﺝ‪ ١٩٤٥ / ١٢ - ١١ :‬ﻡ‪،‬‬ ‫‪ -١‬ﳎﻠﱠﺔ ﺍ‪‬ﻤﻊ ﺍﻟﻌﻠﻤ ‪‬ﻲ ﺍﻟﻌﺮ ‪‬‬
‫ﻭﻣﺞ‪ / ٢٨ :‬ﺝ‪ ١٩٥٣ / ٣ :‬ﻡ‪.‬‬
‫‪ -٢‬ﳎﻠﱠﺔ ﺍﳌﺸﺮﻕ ‪ -‬ﺑﲑﻭﺕ‪ :‬ﻣﺞ‪ / ١١ :‬ﻉ‪ ٧ :‬ﻭ‪ ١٩٠٨ / ١٢‬ﻡ‪ ،‬ﻭﻣﺞ‪ / ١٢ :‬ﻉ‪٩ :‬‬
‫‪ ١٩٠٩ /‬ﻡ‪.‬‬
‫‪ -٣‬ﳎﻠﱠﺔ ﺍﳌﻨﺎﻫﻞ ‪ -‬ﺍﳌﻐﺮﺏ‪ :‬ﻉ‪ ١٩٧٥ / ٣ :‬ﻡ‪.‬‬