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  • Director Development Strategy

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    Syamsul Hadi
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    The director outlines development strategies to improve scripts through sustained script development and cast rehearsals rather than expensive test screenings. Only through thorough script exploration can the director fully inhabit the story and capitalize on cinema's strengths. When developing a story, the director should work from experience, imagination, and intuition, as well as exposing necessary information at each stage to ensure the audience can follow the narrative logic.

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    The director outlines development strategies to improve scripts through sustained script development and cast rehearsals rather than expensive test screenings. Only through thorough script exploration can the director fully inhabit the story and capitalize on cinema's strengths. When developing a story, the director should work from experience, imagination, and intuition, as well as exposing necessary information at each stage to ensure the audience can follow the narrative logic.

    Copyright:

    © All Rights Reserved
    Download as ODP, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views4 pages

    Director Development Strategy

    Uploaded by

    Syamsul Hadi
    The director outlines development strategies to improve scripts through sustained script development and cast rehearsals rather than expensive test screenings. Only through thorough script exploration can the director fully inhabit the story and capitalize on cinema's strengths. When developing a story, the director should work from experience, imagination, and intuition, as well as exposing necessary information at each stage to ensure the audience can follow the narrative logic.

    Copyright:

    © All Rights Reserved
    Download as ODP, PDF, TXT or read online from Scribd
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    of 4

    DIRECTORS DEVELOPMENT

    STRATEGIES

    Screen works are too expensive an in!"exi#"e


    to test an i$prove as p"a%wri&'t o wit' t'eir
    !irst a(iences) so t'is $(st #e acco$p"is'e
    (rin& t'e script eve" op$ent an cast
    re'earsa" perios*

    On"% #% s(staine an $et'oica" script


    eve"op$ent can t'e irector !(""% in'a#it ever%
    aspect o! t'e stor%) exp"ore a"" its potentia") an
    capita"i+e on t'e cine$as stren&t's


    Stor% Lo&ic

    ,'i"e eve"opin& a stor%) %o( work !ro$


    experience) i$a&ination) an int(ition)

    as we"" as !ro$ ass($ptions store in t'e


    (nconscio(s*

    Misco$$(nication #e&ins !ro$ ass($ptions


    %o( $ake t'at %o(r a(ience cant s'are* ,'at
    %o( nee is ti$e"% exposition- t'at is)
    in!or$ation vita" to (nerstanin& eac' sta&e o!
    t'e narrative*

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