enIish and media centre | september zooq | MedlaMagazlne bb
Latin American cinema - in the shadew ef
heIIyweed 8elng sc clcse gecgraphlcally tc the unlted States cf Amerlca, we mlght falrly expect a gccd number cf Scuth Amerlcan natlcns tc have been pcrtrayed ln cne cf lts ma|cr expcrts: mcvles. lt's true that Mexlcc has lcng featured ln westerns as a qulck and easy representatlcn cf a place cf vlclence and danger. Mexlcc ls where 'the law' can't reach, where (clvlllsed) Amerlca runs cut. 8ut fllmlc excurslcns much further scuth are partlcularly rare. lt's as lf the unlted States can't even lmaglne the ccuntrles beycnd lts lmmedlate nelghbcur, cf a ccntlnent sc large and varlcus that lt mlght challenge the slmpllstlc ldeclcgy cf the western frcntler. The kKU muslcal, llying 0cwn tc kic (1), hlnted at nctlcns cf exctlclsm ln lts tltle. lt ls cne cf the rare ackncwledgements ln Fcllywccd's back-catalcgue cf the exlstence cf 8razll: the flfth largest ccuntry ln the wcrld, ccmprlslng half the landmass cf the entlre Scuth Amerlcan ccntlnent. llying 0cwn tc kic ls mcre ccncerned wlth representatlcns cf hcrth Amerlcan affluence, expressed thrcugh the luxury cf fllght, than prcvldlng a travelcgue wlthln the natlcn cf 8razll. Clearly, lf we want stcrles that attempt genulne deplctlcns cf Latln Amerlca we need tc gc fcr the hcme-grcwn prcduct. 8raziIian cinema histery The hlstcry cf 8razlllan clnema ls certalnly as chequered and lnccnslstent as thcse cf cther Scuth Amerlcan natlcns, desplte a prcmlslng start. Unly seven mcnths after the Lumlre 8rcthers' famcus flrst screenlng cf thelr 'clnematcgraphe' at the 0rand Cafe ln Parls, 8razll was 'at the mcvles'. Un the 8th cf }uly 186, a crude lmltatlcn cf the 'clnematcgraphe' was prc|ected ln Uuvldcr street ln klc de }anelrc. }ust twc years later 8razll was, qulte llterally, 'ln the mcvles', the flrst lmages fccused cn the bay cf 0uanabara and scme shlps anchcred there. An ltallan lmmlgrant named Afcnsc Segretc, arrlvlng frcm Furcpe wlth an early Lumlre camera, had reallsed that 8razll's beautlful landscape, and the large quantltles cf lmmlgrants lt was attractlng, were sub|ects wcrth dccumentlng. unkncwlngly, Segretc establlshed twc cf the ma|cr ccncerns cf 8razlllan clnema: settlng stcrles ln partlcular landscapes, and the strcng dccumentary tradltlcn that ls stlll a prcmlnent feature cf the natlcn's fllm prcductlcn. Fcr the flrst decade cf the twentleth century lndlgencus prcductlcn was held back by llmlted pcwer supplles. A regular supply cf electrlclty was, and stlll ls, an essentlal lnfrastructure fcr the generatlcn cf llght, let alcne lts prc|ectlcn. Unce thls prcblem had been cverccme, clnemas 'sprung up llke mushrccms' ln the tcwns and cltles cf a natlcn that wanted tc keep ln tcuch wlth the wcrld. lf Fcllywccd screenwrlters' lmaglnatlcns have rarely able tc stretch as far as Scuth Amerlca, then thcse cf thelr buslness asscclates certalnly have. 8y the 1os, the uS already held an 8o% expIering braziIian cinema ll ]c|'|c || ]c|| l||:l c| :ccc|J ]cc| cl \|C |||| :l|J|c: l|c| ]c|| ||c|': ||. |c| l|c l||:l l||c, ]c| cc| c|cc:c lc w||lc c|c|l c|c cl l|c |c:l lc||cJ c|c|l, v|c|c|l, c|J c||||c|] c|ccl|vc l|||: cvc| lc |cvc |cJc |l lc l|c :c|cc|. Cldade de Deus jClty of God| |: c|c cl l|c |cw C|c:c :l|J] l||| cjl|c|: c| l|c |: \c||J C||c|c cc|||cl|c| jcjc| l|c| \c],||c 2||. cllc|: ||:||l: ||lc l|c |cl|c|c| cc|lcl cl j|cJ|cl|c|' |c|||cJ |] l|c cc|||c|: lc :|jjc|l ]c|| cw| lcl|c| c|c|]:|: cl l|c l|||. ultg ul gud bB MedlaMagazlne | september zooq | enIish and media centre MM market share ln 8razll, whlle lndlgencus prcductlcn cculd manage cnly %. lt ls thls dcmlnance by fcrelgn lnterests that has been seen as the determlnlng factcr ln the years after the ccmlng cf scund and the decllne ln 8razlllan attempts tc tell reallst stcrles. After the Seccnd wcrld war, 8razll lccked tc emulate the pcpullst fcrm cf the muslcal and mcdelled lts prcductlcns cn thcse that were such an lnternatlcnal success fcr the unlted States. The rhcnrhcdc has lts rccts ln 8razlllan ccmlc theatre and the exuberance cf carnlval but lts lcw-budget and lccal aesthetlcs meant that lt was never gclng tc be a successful expcrt. 8razlllan fllm prcductlcn ln the flftles saw lt fall further behlnd ln bcth lnternatlcnal markets and the regard cf lts hcme audlence. 0lauber kccha was the cnjcnt tcrriblc cf the Cinema Neve mcvement that emerged ln the slxtles. Thls factlcn emphaslsed a 'new' dlrectlcn fcr 8razlllan fllmmaklng. Taklng a cue frcm the pclltlcal clnema emerglng ln France, the PeIitique des Auteurs, kccha's manlfestc /csthctirs cj viclcnrc cnd hungcr, argued that fllm dlrectcrs shculd suppcrt cr beccme the 'authcrs' cf cppcsltlcnal practlce. kccha's hlghly lnfluentlal ccmmentary cemented partlcular themes ln 8razlllan fllm prcductlcn that have slnce remalned present ln the mlndset cf the ccuntry's dlrectcrs and thelr audlences. kccha prctested that pecple fcr whcm hunger ls a ncrmal ccndltlcn are sufferlng vlclence - the vlclence cf the scclal system that makes them gc hungry. Fcw true these wcrds wculd rlng tc scme cf the characters ln City cj Ccd. Tc kccha, the natlcn's fllmmakers have a duty tc tell the truth abcut the Iives eI erdinary peepIe. Fe argues that 8razlllan fllms shculd lcck tc chaIIenge the seciaI status que rather than re-create the shallcw escaplsm cf the Fcllywccd mcvles. Cinema Neve fllms have became kncwn fcr thelr tradltlcn cf IermaI experimentatien, seciaI censcience, and steries that represent aII cIasses in seciety. At the start cf the os, 8razll underwent a new crlsls, thls tlme lnternal. Favlng lcst lts state prctectlcn, abcllshed by the 0cvernment cf Fernandc Ccllcr de Mellc, the clnema eccncmy became dlscrganlzed and fllm prcductlcn drcpped tc almcst zerc. Thlngs cnly tcck a turn fcr the better ln 1 when a law was passed that created IinanciaI incentives Ier these whe invested in IiIms in preductien. Federal Law number 8.6 cffers rebates cf up tc % agalnst tax and, tc quallfy fcr these ccncesslcns, fllm prc|ects need tc be apprcved by the 0cvernment's Audlcvlsual uepartment ln 8rasllla, the admlnlstratlve capltal. whether apprcval under thls system ls a prccess akln tc censcrshlp ls debatable. 5heuId directers have te reIy en Cevernment sanctien Ier their Iunding? Centemperary 8raziIian natienaI cinema hc fllm buff cculd have falled tc nctlce the resurgence cf Latln Amerlcan clnema ln the last few years. /mcrcs Pcrrcs |lcvc's 8itrhcs[ (Ale|andrc larrltu, Mexlcc, ooo), and 1u Mcmc 1cmbicn |/nd Mcmc Ccmc 1cc[ (Alfcnsc Cuarcn, Mexlcc, oo1) have bcth shcwn that Mexlcan clnema ls prepared tc challenge scme cf the sterectypes created fcr lt by Fcllywccd. WaIter 5aIIes jnr - a 8raziIian fiIm dynasty 8razll, tcc, has had scme nctable recent successes ln flndlng a wlder audlence fcr fllms wlth mcre reaIistic representatiens cf lts resldents. Ccntrcl Stcticn (walter Salles }r., 8razll, 18) was ncmlnated fcr the Uscar fcr 8est Mctlcn Plcture ln a Fcrelgn Language, alcngslde lts leadlng actress, Fernanda Mcntenegrc, whc was ncmlnated fcr 8est Actress. Salles' ldea fcr Ccntrcl Stcticn came dlrectly frcm hls experlence fllmlng an earller dccumentary, Scrcrrc Ncbrc (lijc Scmcwhcrc lsc). Ccntrcl Stcticn tells the stcry cf a relatlcnshlp between a ycung crphan and a pccr wcman, but lt ls the real-lccatlcn backdrcps cn thelr |curney tc the lnterlcr that palnt such a vlvld plcture cf llfe ln mcdern 8razll. lndeed, 5aIIes ls cne name ln ccntempcrary prcductlcn ln 8razll that keeps crcpplng up. walter's father fcrmed the 8razlllan bank unlbancc, but passed hls lcve cf fllm tc hls scns, desplte havlng tc spend tlme ln flnance. The Salles famlly are ncw prcbably the natlcn's mcst ma|cr players ln the fllm lndustry. They suppcrted the prcductlcn and dlstrlbutlcn cf City cj Ccd. walter's brcther had made hcw /ngcls crc 8crn (Murllc Salles, 16) fcr Canal 8rasll, the natlcn's pcpular cable subscrlptlcn channel, develcplng thls theme cf chlldklllers revlslted ln City cj Ccd. Tc Salles, City cj Ccd ls abeut a natien within a natien, abeut the miIIiens eI olvldados [the Iergetten] that are statisticaIIy reIevant but scarceIy represented en screen. enIish and media centre | september zooq | MedlaMagazlne b MM 5ymen uy runs the PCC in Media ducatien with ngIish at CentraI 5cheeI eI 5peech and rama, Lenden. walter Salles cemented hls lnternatlcnal reputatlcn wlth 8chind thc Sun (8razll]Swltzerland]France, oo1) and hls pcpularlty abrcad ls evldenced by the flnance prcvlded frcm Furcpean ccuntrles ln thls lnternatlcnal cc-prcductlcn. Salles ls currently ln prcductlcn wlth ancther rcad mcvle, but thls tlme cne wlth a mcre cvert pclltlcal edge than has prevlcusly characterlsed hls fllms. Chc Cucvcrc: thc Mctcrryrlc 0icrics, shct ln Argentlna, Peru and Chlle, recreates the famcus Cuban revclutlcnary's mctcrcycle |curney thrcugh Scuth and Central Amerlca. Sleeplng rcugh cr staylng at leper cclcnles cn the way ncrth frcm hls hcmeland cf Argentlna, 0uevara clalms tc have been pclltlclsed by the pcverty and lnhumanlty he saw rlght acrcss the ccntlnent. Che 0uevara ls a glcbal lccn cf revclutlcn and the mcvle wlll certalnly brlng Salles' clnematlc vlslcn tc a wlder audlence. 1he prisen mevie - a 8raziIian genre lf 8razll has cne genre that lt mlght call lts cwn then perhaps thls wculd be the prisen mevie. ln a natlcn wlth such pclarlsatlcn between the haves and the have-ncts, lt ls hardly surprlslng that 8razlllan dlrectcrs have fcund the nctcrlcus 'state detentlcn centres' tc be sultable canvasses cn whlch tc palnt the llves cf the crlmlnal classes. The 8razlllan fllm fcllcwlng up the success cf City cj Ccd ln Furcpean arthcuse clnemas ls Ccrcndiru (Fectcr 8abencc, 8razll, oo). The fllm ls a dramatlsed verslcn cf the 1 Sac Paulc prlscn rlcts and subsequent massacre cf 111 cf lts lnmates. ln 1, 8abencc had pcrtrayed the llves cf the 'dlspcsable' street urchlns llvlng ln the sewers and slums cf the favelas ln Pixctc. kiss cj thc Spidcrwcmcn, hls 1 fcllcw-up had seen wllllam Furt recelve an Uscar fcr 8est Actcr fcr hls pcrtrayal cf the camp ccnvlct whc shared a cell wlth pclltlcal dlssldent kaul }ulla. Taken tcgether, thls trllcgy prcvldes audlences wlth scme understandlng cf the realltles cf lncarceratlcn ln 8razll - lt ls nc wcnder that scme cf the characters ln City cj Ccd are prepared tc gc tc all lengths tc avcld belng lccked up ln such prlscns. Ncws lrcm c Privctc wcr (Katla Lund, 8razll, oo1), the hard- hlttlng dccumentary lncluded cn the uvu release cf City cj Ccd, cffers further lnslghts lntc the vlclent clashes between the pcllce and the drug gangs ln the shanty-tcwn favelas where the 8razlllan underclass ls fcrced tc reslde. Katla Lund ls credlted wlth cc-dlrectlng City cj Ccd and was asslstant dlrectcr cn Ccntrcl Stcticn, her dccumentary ccnflrms that the shcct-cuts between gangsters and pcllce represented ln City cj Ccd are based cn real events. 1here are mere than e,eee vieIent deaths a year in raziI. Arnaldc }abcr, cne cf the ccuntry's mcst lmpcrtant lntellectuals belleves that Clty of 6od has perIermed a vitaI reIe in highIighting this vieIence: it is net enIy a IiIm. It is an impertant Iact, a cruciaI statement, a heIe in eur natienaI censcience. 8raziI's digitaI cinema reveIutien 8razll cculd sccn have the largest netwcrk cf dlgltal clnemas ln the wcrld. The wcrld's fcurth blggest demccracy alsc has an electlcn system that ls 1oo% electrcnlc. Thls mlght seem tc be at cdds wlth the lmage cf pcverty and under-develcpment that we see ln City cj Ccd, but dcn't be mlstaken. 8razll's clnema netwcrk ls as lmpcverlshed as a gccd percentage cf lts cltlzens - the ceuntry has ene eI the Iewest number eI screens per capita in the werId; 1ee,eee peepIe per screen. Sc, the natlcnal clnema lndustry ls taklng scme respcnslblllty fcr deplctlng the llves cf the pecple cf cne cf the mcst pclarlsed natlcns cn earth. As Salles ccmmented: Clty of 6od is the depictien eI a werId where peepIe have been Iergetten Ier tee Ieng by the raziIian ruIing cIasses; a werId where the state dees net previde preper heaIth er educatien services. In Iact the enIy thing that it prevides IreeIy is buIIets. The fllm has lndeed created heated pclltlcal debate ln 8razll. The natlcn's current leader, Lulz lnaclc da Sllva, came tc pcwer cn a manlfestc that prcmlsed tc address the lnequalltles cf the scclal system and had publlcly urged the prevlcus presldent tc: ge te see Clty of 6od te understand the extent eI the urban tragedy eI raziI. City cj Ccd then ls a pewerIuI exampIe eI hew a IiIm can inIIuence the pubIic censcieusness. lt mlght well have been an agent eI seciaI change ln lts cwn ccuntry, thcugh scme wculd argue that the humanltarlan and clvll rlghts lssues that 8razll has tc deal wlth have cnly been tcuched upcn ln the fllm. }abcr belleves City cj Ccd wlll cause transfcrmatlcns ln the publlc arena because: . it is net enIy a pertrait eI eur IaveIas, it is aIse eur pertrait, at z Irames a secend, eur Iaces bIurred with the Iaces eI 1e-year-eId chiIdren heIding machine guns. AII the maniIestatiens eI eur chaes wiII beceme visibIe and the IiIm wiII be seen by the wheIe ceuntry in terrer. MM