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ZBrush4 R6 Whats New
ZBrush4 R6 Whats New
ZBRUSH
Welcome
Welcome to the Whats New documentation for ZBrush 4R6. While much of
ZBrush 4R6 is very similar to other releases in the version 4 series, there are quite a
few new features to help make your ZBrushing even more productive and creative. We
hope that the information you find here helps you understand the differences between
this release and previous versions of ZBrush.
This document only covers whats new in version 4R6. To learn more about the features introduced in previous releases of ZBrush 4, we invite you to read the other
ZBrush 4 Whats New Guides, located in your ZBrush installations Documentation
folder.
Youre invited to visit our ZClassroom for a huge database of free high quality movies
explaining all the main features of ZBrush. Here you will also find the Artists Spotlight,
where famous 3D Artists explain how they use ZBrush, helping inspire you to create
like the pros.
Dont forget to subscribe for free to our ZBrushCentral community with over 250,000
members to discover tips, view artists creations, locate useful help for all things related
to ZBrush or post your works-in-progress!
We encourage you to regularly visit our ZBrush Blog as well as our social media
outlets where you will find all the news related to the ZBrush universe, from the most
recent Interview to new plugins or gallery additions.
ZClassRoom Portal: http://www.pixologic.com/zclassroom/
Artist Spotlight: http://www.pixologic.com/zclassroom/artistspotlight/
ZBrushCentral: http://www.zbrushcentral.com/
ZBlog: http://www.pixologic.com/blog/
Pixologic.com: http://www.pixologic.com
Pixologic Social Media: Facebook - Google+ - Twitter - Pinterest
2013 Pixologic, Inc. All rights reserved, Pixologic and the Pixologic logo, ZBrush, and the
ZBrush logo are registered trademarks of Pixologic, Inc. All other trademarks are the property of
their respective owners.
This documentation has been written by Thomas Roussel, Paul Gaboury and Matthew Yetter
For all documentation questions and inquiries, please contact us at thomas@pixologic.com
TABLE OF CONTENT
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ZREMESHER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
I ZRemesher Highlights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
II The Concept of Adaptive Size . . . . . . . . . . . . . . . . . . . . . . . . . .
III Partial Mesh Retopology . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
IV Symmetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
V Working with Curves: the ZRemesher Guide brush . . . . . . . . . . .
VI ZRemesher and High Polycount models . . . . . . . . . . . . . . . . . . .
VII Transferring high polygon detail to a remeshed model . . . . . . . .
Freeze Subdivision Levels . . . . . . . . . . . . . . . . . . . . . . . . . . .
Duplicating your SubTool . . . . . . . . . . . . . . . . . . . . . . . . . . .
VIII ZRemesher functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
ZRemesher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Freeze border . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Freeze Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Adaptive Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Use PolyPaint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Color Density . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Target Polygons Count . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Half, Same, Double . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Adaptive Density . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Curve Strength . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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BRUSHES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
I
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DYNAMESH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
I DynaMesh with Polygroups Support . . . . . . . . . . . . . . . . . . . . . 50
II Partial DynaMesh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
OTHER ADDITIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
I Undo History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
II AutoSave/Quicksave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
III Solo and Dynamic mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
IV Mask by Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
V Misc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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THANK YOU! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
INSTALLATION
UPGRADING &
ACTIVATION
All the steps you need to start ZBrush.
10
Minimum requirements
Recommended:
Operating System: Windows Vista or newer. Mac OS X 10.5 or newer. (32-bits or
64-bits for either platform.)
CPU: Pentium D or newer (or equivalent such as AMD Athlon 64 X2 or newer)
with optional multithreading or hyperthreading capabilities.
6 GB recommended. (ZBrush 4 is a 32-bit application, but can use up to 4 GB of
system RAM.)
Disk Space: 750 MB for ZBrush, plus 16 GB for the scratch disk.
Pen tablet: Wacom or Wacom compatible.
Notes:
The scratch disk may be a different drive from where ZBrush is installed.
Having ZBrush and its scratch disk running on an SSD drive will result in improved performance.
11
II
Activation
For new installations of ZBrush 4R6 (not an upgrade) this step must be completed in
order to launch ZBrush successfully.
The single-user ZBrush license allows you to have ZBrush activated on two of your
computers, provided that both copies are not actually used at the same time. For example it may be activated on a workstation and a laptop. Please keep in mind that only
one copy of ZBrush should be run at any given time.
Volume licenses allow only the number of activations for which seats have been
purchased.
Floating licenses do not use activation and can ignore this section.
Launch ZBrush.
From the splash screen, select your desired activation method.
If your computer is connected to the internet (or can be temporarily connected),
use Web Activation. This activation method is faster and more accurate. After ZBrush
has displayed the End User License Agreement window, your web browser will be
opened to a page that requests your serial number, the email address associated with
your account, and a description that you can use to identify this computer should you
ever need to see a list of your activations. Upon submitting this form you will be given
an activation code. Click the button to select the code, then press Ctrl+C (Windows) or
Cmd+C (Mac) to copy it. Switch back to ZBrush and click the button to Enter Activation
12
Or
If your computer cannot be connected to the internet, use Phone Activation.
PLEASE NOTE THAT DURING THE WEEK FOLLOWING THE RELEASE OF VERSION 4R6, HIGH CALL VOLUME MAY MAKE IT VERY DIFFICULT TO REACH SUPPORT FOR PHONE ACTIVATION. After ZBrush has displayed the End User License
Agreement window, a new screen will open with your request code and a phone number to call. Please have your serial number ready before calling! When you call you will
be asked for your serial number, request code, email address and desired computer
description. An activation code will be created and sent to the email address on record
for your account. If you cannot conveniently check your email, the phone representative will be able to read the 32-letter activation code to you. To enter your activation
code into ZBrush, click the option to Enter Activation Code. Click in the red text line
within the window that will open, type your activation code and press Enter/Return to
complete your activation.
Instead of calling, you may follow the steps above but write down the request
code that ZBrush gives you. You may then shut down ZBrush. From any computer that
has internet access you can submit a Support ticket at https://support.pixologic.com.
In your ticket, provide the following information: The request code from ZBrush, your
serial number, your email address, and your desired computer description. You should
receive a response to your Support ticket within one business day (often within one or
two hours) containing your activation code. At that point, launch ZBrush and choose
the option to Enter Activation Code. (Note: Do not start a new Phone Activation.)
Click in the red text line within the window that will open, type your activation code and
press Enter/Return to complete your activation.
Once activated, ZBrush will start immediately.
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III
Deactivation
If you plan to move ZBrush to a new computer or if you are going to reinstall your
operating system, you can make everything easier by first deactivating your current installation of the software.
To do this, launch ZBrush and go to the Zplugin >> Deactivation menu. There are two
options: Web Deactivation and Manual Deactivation.
Deactivation process:
If your computer has internet connection, use Web Deactivation. This will
launch your browser to a page that asks for the email address associated with your account. Submit that form and then click the confirmation button to instantly complete your
deactivation of ZBrush.
or
If your computer cannot be connected to the internet, you will need to use Manual
Deactivation. In this case you will be given a deactivation code. You may either call the
number on the screen to deactivate by phone (only available during normal business
hours of 9:00 am to 5:00 pm Pacific Time, Monday through Friday) or you may submit a
Support ticket at https://support.pixologic.com. Please note that by either method you
will also be required to provide the email address that is associated with the account.
Note:
Once deactivation has been started, it is not possible to stop it. The moment you confirm
your desired deactivation method, ZBrush will shut itself down and will not be able to be restarted
without a new activation. However, the deactivation will not be credited back to your serial number
until you have submitted the Web Deactivation form or contacted Support with your manual deactivation code.
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IV
Activation Troubleshooting
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ZBrush 4 and ZBrush 4R2-4R6 can be used together with GoZ as their main components remain the same. However, it is not possible to work on the same project between
multiple versions of ZBrush. Once a file has been created or saved in a newer version of
ZBrush, it may not be opened by any earlier version.
For example, if you have a file that youd been working on with ZBrush 4R4 and then
save it using ZBrush 4R6, it will no longer be possible to open it in version 4R4.
GoZ cannot get around this restriction. It can be used to open files from earlier versions of ZBrush but it cannot be used to send files to an earlier version. The only way
to get a file into an earlier version of ZBrush than it was last saved in is through the OBJ
format.
VI
Un-installation
Note:
With the exception of GoZ, ZBrush doesnt write files outside its own folder.
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ZREMESHER
Automatic retopology taken to a new level.
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On the left, the original Unified Skin generated from a ZSketch. On the right, the ZRemesher retopology applied with default settings. One button automatic retopology!
ZRemesher Highlights
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II
The Adaptive Size slider is an important parameter for ZRemesher, even though its
default value is the best one to use in most scenarios. This setting defines the polygon
distribution for your model and can drastically increase the quality of the topology by giving more flexibility to the algorithm.
Adaptive size defines a vertex ratio based on the curvature of the mesh. To maintain
the original mesh shape, ZRemesher may need to increase the topology density in certain areas or produce triangles rather than quad polygons.
On the left, Adaptive Size is set to 0. On the right its at 50 (default) with a polygon count set to
5000. Notice the variation in polygons size and shape, making the right model more detailed even
though the polygon count is the same. For this illustration, Exact mode was enabled.
Model courtesy of David Richardson.
21
Note:
Please refer to the Adaptive Density mode setting if you wish to force the number of polygon to
be close to the value you defined for the Target Polygon Count setting.
Note:
Please refer to the Adaptive Density mode setting if you wish to force the number of polygon to
be close to the value you defined for the Target Polygon Count setting.
To summarize: By increasing the value of the Adaptive Size slider, you will increase
the quality of your retopology. However, ZRemesher will need to be more flexible regarding the target number of polygons.
The reason for this is simple. When targeting a specific polygon count, ZRemesher
first distributes them equally across the model. ZRemesher then analyzes the mesh curvature deforms polygons and/or changes their density to produce a result that matches
the models original shape.
To best respect the number of polygons defined by your Target setting, simply set
Adaptive Size to zero, resulting in a uniform distribution of square polygons. If this produces undesirable results in areas such as fingers, disable the Adaptive Density mode
instead. This forces ZRemesher to get as close as possible to the Target Polygon Count
setting.
Note:
If the target polygon count is too low, the algorithm wont be able to keep finer details or curvature since it wont be allowed to create smaller polygons or non-square polygons where needed.
22
From left to right and top to bottom: The original model, retopology of 40K, 20K, 10K, 5K and 3K
polygons. Regardless of polygon count, using the Adaptive Size setting always provides good
results.
Model courtesy of David Richardson.
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III
ZRemesher has the ability to retopologize only the visible portion of a partially hidden model. In this case ZRemesher will automatically maintain integrity with the hidden
portions.
To accomplish this, ZRemesher can use two different connection algorithms. The
default is quite similar to ZBrushs Mesh Fusion feature. ZRemesher will treat the new
topology as an inserted mesh and connect it to the hidden topology via a polygon bridge.
The second method uses the Tool >> Geometry >> ZRemesher Freeze Border option.
When this is enabled, ZRemesher will begin with the edges of the visible mesh and build
the new topology out from there to create a perfect connection.
Partial mesh retopology requires a few simple steps:
1. Use the Marquee or Lasso selection tool (Ctrl+Shift hotkey) to isolate the polygons that you wish to retopologize. ZRemesher will ignore all hidden portions of the
model.
2. In the Tool >> Geometry >> ZRemesher sub-palette, set the desired ZRemesher
options and Target polygon count. This is especially necessary if you wish to use the
Freeze Border option to define the connection algorithm.
3. Click the ZRemesher button. When the computation completes, the entire model
will be made visible with the new topology inserted.
Its key to understand that when FreezeBorders is enabled, the first priority for the
ZRemesher is to create the vertex points along the border so as to ensure proper welding. With this in mind, the Target Polygon value will be less of a factor. If your mesh is
relatively high in polygon count then ZRemesher must match the borders with the hidden
portion of the mesh before finishing the inner topology.
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The orange circle shows the polygons which have been remeshed with Double on. In the red
circle Half was on.
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IV
Symmetry
ZRemesher can evaluate your models volume and create its topology symmetrically,
even if the original topology is not symmetrical -- such as when using scan data. This
option uses ZBrushs standard symmetry controls rather adding additional settings to
ZRemeshers options.
If you want your retopology to be symmetrical across the models X axis, simply make
sure that Transform >> Symmetry is turned on, with the X axis active. If you need different settings or even no symmetry, simply adjust the Transform >> Symmetry settings
accordingly.
ZRemesher includes two symmetry algorithms, which will alter the way the model is
analyzed and can have an impact on the topology result; in particular on the symmetry
working plane. If you wish to try the alternative symmetry algorithm, hold the Alt key while
clicking the ZRemesher button.
On the left, the default symmetry algorithm and on the right the alternative one. The differences
across the symmetry plane are clearly visible. Model courtesy of David Richardson.
26
The topology produced by ZRemesher tries to respect your models shape as much
as possible. However, no program can have the same understanding of your model and
its needs as you the user. For this reason you can help ZRemesher by drawing curves
on the model. These curves are used as guides to refine the natural flow of your model.
The result is that you can ensure that the new topology will have edges exactly where
they are needed.
The Tool >> ZRemesher >> Curve Strength slider lets you control how you wish your
curves to be used to more or less rigidly guide the flow of the polygons.
The lower the Curve Strength slider value, the more flexibility ZRemesher will have
when calculating the new topology. In this case, the curves serve as guides. The higher
the slider value, the more rigidly ZRemesher will adhere to the guide curves. In this case,
the guides become rules.
In ZRemesher, the automatic computing of natural polygon flow has a strong influence, even over the curves. This means that if you wish to really change the direction
of the flow of polygons in a way that ZRemesher would be unlikely to consider natural,
you need to define curves to force a less efficient flow of the polygons. The larger the
area where you wish to drastically change the flow of polygons, the more curves will be
needed.
To draw these curves on your model you must use the ZRemesher Guide brush. This
brush works similarly to other Curve brushes, but has certain caveats: These curves
cannot be edited except to extend them or to connect a new curve to the end point of an
existing curve. The curves can, however be deleted by holding the Alt key and drawing
another curve perpendicularly over the one you wish to delete.
On the left, guides created with the ZRemesher Guide brush and associated with a density variation. On the right, the resulting low polygon mesh with loops around the mouth and eyes.
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VI
ZRemesher is designed to create new topology over nearly any existing model. It can
be a model with many subdivision levels, a scanned model of all triangles or even one
that is a mix of quads and triangles such as from a DynaMesh model. ZRemesher has a
maximum polygons limit that you can input into its algorithm. Keep in mind that complex
mathematic formulas are required, which means a large amount of memory. The more
polygons in your model, the more memory will be needed for computing.
If your computer has enough memory, ZRemesher can work with models up to 8
million of vertices. This requires 4Gb for ZRemesher itself, plus additional memory for
ZBrush, your operating system and any background applications. Attempting to work with
more polygons could alter the stability of ZRemesher and ZBrush.
If your model input has a polygon count higher than this limit (or if your computer
doesnt have enough RAM), go to a lower subdivision level or decimate your model with
the Decimation Master plug-in before using ZRemesher.
Keep in mind that your ultimate goal with ZRemesher will usually be to retopologize
your model to a lower polygon count for exporting, creating a mesh for multiple subdivision levels, or for cleaning up the model for better sculpting flow. We recommend that for
the sake of speed you reduce your polygon count to a manageable level before using
ZRemesher.
Please refer to the Tips and Tricks section below for more information.
28
Note:
The projection quality is controlled by the various settings in the Tool >> SubTool >> Project All
UI group.
Note:
Its recommended that after each projection you turn off the detailed SubTool and check to
ensure that you are happy with the projected results. If you arent satisfied, press Ctrl+Z to undo
and then modify the Project All settings before projecting again.
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ZRemesher
The Tool >> Geometry >> ZRemesher >> ZRemesher button launches the retopology
calculation for the visible portions of the selected SubTool.
The generated retopology is modulated by the ZRemesher options, which can drastically change the resulting mesh.
Freeze border
When enabled, Tool >> Geometry >> ZRemesher >> Freeze Border mode forces
ZRemesher to maintain the same vertex numbers and their positions along meshs openings. If the model is partially visible, the retopology will be done only on the visible polygons and this result will automatically be connected to the rest of the mesh.
The polygon count may not precisely reach that defined by the Target Polygons count
slider. This is because the algorithm must respect both the exact edge vertices and the
setting for the Adaptive Size slider.
Note:
When Freeze Border is enabled, Adaptive Density mode will be enable internally even if the
mode is currently disabled in the interface.
31
On the left, the Freeze Border option has been disabled. On the right, it has been enabled. Notice
the increase in polygon density. The first loop of polygons at the neck has been subdivided locally
to preserve the original vertex positions.
Freeze Groups
Tool >> Geometry >> ZRemesher >> Freeze group mode retopologizes each PolyGroup independently, keeping their borders frozen and then welding the edge vertices
together along each PolyGroup border.
This results in a model with the same PolyGroups, but with a different topology flow
within each group.
Adaptive Size
The Tool >> Geometry >> ZRemesher >> Adaptive Size slider allows the creation of
non-square polygons. It also factors the size of the polygons, based upon the models
curvature.
Put another way, it tells ZRemesher to put greater emphasis on the models overall
shape rather than rigidly uniform polygon size and distribution. This provides a better
polygon flow, especially in your models more tightly detailed areas like the ears, fingers,
etc.
This setting increases the number of polygons where necessary to maintain the models original shape. As a result, the final number of polygons generated may not match
the Target Polygon Count value.
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Use PolyPaint
The Tool >> Geometry >> ZRemesher >> User PolyPaint mode tells ZRemesher to
pay attention to PolyPaint color when determining local polygon density as it creates the
new topology.
How PolyPaint affects the density is determined by the specific color used:
Pure blue specifies a higher polygon density within the painted area.
Pure red means a lower polygon density within the painted area.
White (no PolyPaint) gives ZRemesher total control over polygon density.
Of course, the opacity of the color have an impact of the changes of density: a light
blue will slightly reduce the polygons density while a full opacity blue will have a strong
reduction of polygons density.
To paint the PolyPainting, simply use the Standard brush in RGB mode only.
To avoid visible steps in the generated polygons density, simply apply a smoothing
on the PolyPainting by using the Smooth brush in RGB mode only (and not ZAdd/ZSub
mode).
Note:
The ColorDensity slider (see below) automatically sets these colors for you. It is not necessary to worry about what RGB values constitute pure blue or pure red.
The opacity of the color gives weight to the results. For example, a light blue will
slightly reduce the polygon density while 100% RGB Intensity will reduce polygon density
in the painted area by the maximum amount possible.
When painting these colors, simply use the Standard brush in RGB mode only. (No
ZAdd or ZSub.)
To smoothly transition between densities and avoid visible steps between densities,
simply blur the edges of the painted areas by using the Smooth brush in RGB mode only.
(No ZAdd or ZSub.)
Color Density
The Color Density slider sets the factor by which ZRemesher will adjust polygon
density when using PolyPaint.
If the slider is set to 4 then ZBrush will paint pure blue and these areas will have four
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Note:
This PolyPainting control is exactly the same as that used by UV Master.
Note:
As with the Target Polygon Count slider, the numbers of polygons that will actually be generated by ZRemesher can be different whats specified. The only way to have an exact polygon
count is to disable the Adaptive Density mode.
Adaptive Density
By default, ZRemesher gives the Adaptive Size setting higher priority than the Target
Polygon Count because of the Adaptive Density mode which is enable by default. But
when this mode is disabeled, ZRemesher will adjust its topology calculations to give
equal weight to your Target Polygon Count value.
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Curve Strength
The Curve Strength slider is used in collaboration with the Curves created by the
ZRemesher Guide brush to influence the edge loops that will be created by the plug-in.
A low value will attract your topology edges toward the curves, while a high value will
strongly guide the polygon flow. Please read the Working with Curves section above
for more details on how to use Curves in association with ZRemesher.
As a general rule, the higher you set this slider, the fewer Curves you should draw.
Otherwise you risk creating topology restrictions that are impossible to resolve.
35
IX
Here are a number of Tips and Tricks to keep in mind when using ZRemesher:
While ZRemesher can work with a very large number of polygons, it is recommended to reduce your count before using ZRemesher, if possible. For example, if
you have 6 levels of subdivision, you might find that level 4 has enough polygons to
maintain the overall shape and the medium details. This will improve ZRemeshers
speed without altering the retopology quality -- especially if you are targeting a low
polygon count.
Dense meshes without much detail (such as imported scan data or a high resolution DynaMesh) can benefit from using Decimation Master to reduce the number of
polygons without altering the models visual quality. Do this before using ZRemesher.
It can also be helpful to minimize the variations of small details, peaks and valleys.
This is easily done by using a Smooth or Polish deformation before using ZRemesher.
The result will be a better polygon flow in the retopologized mesh.
You can do a retopology over a previous retopology. The second one will have a
better polygon flow even if the polycount remains exactly the same.
A reminder about Symmetry: If you are using symmetry and are unhappy with
the resulting topology, Undo and then try ZRemeshers second symmetry calculation
method. Do this simply by holding the ALT key when clicking the ZRemesher button.
Try to avoid small holes in your mesh! Retopology will keep them and can potentially increase the polygon count. Wherever possible, it is advised to do retopology on
a watertight mesh or a surface that is free from imperfections. Since scan data and
flat surface DynaMesh models can have small, hard to see holes, using ZBrushs Close
Holes feature before running ZRemesher will improve your results.
When your model is in DynaMesh mode it can also be beneficial to run the Tool >>
Geometry >> Mesh Integrity >> Fix Mesh operation before using ZRemesher.
36
BRUSHES
Trim, Crease, Slice!
37
Brushes are at the core of your ZBrush creative process and with each new release,
ZBrush adds brushes to take full advantage of the newest features. At the same time,
existing brushes continue to improve with the newly available options.
ZBrush 4R6 is no different, bringing several new technologies to your brush toolset.
Each ZBrushs brushes uses a Stroke setting to define how the action will be applied
as your cursor is moved across the screen. Several brushes use the various options
found within the CurveMode Stroke settings. These options allow any of the 3D brushes
effects to be applied along a curve that is drawn on the surface of your model. The Tube
Brush or Curve Tri Fill are good examples of brushes using CurveMode.
Any brush that has CurveMode enabled can automatically generated curves to frame
any topological edge border, any PolyGroup or even any Creased edge. This provides a
quick workflow to create unique sculpts based upon which brush is being used.
38
On the left, the original mesh with PolyGroups and openings. On the right, Frame Mesh has been
used with the MultiTube brush to detect the outline of the PolyGroups and holes, creating tubes
which fit perfectly the models topology.
39
II
The new Trim Curve brushes (Trim Curve, Trim Lasso, Trim Rectangle and Trim Circle) are similar to the Clip Curve brush by removing the part of the model which is located
on the shadowed side of the curve. There is a fundamental difference, however: these
brushes totally remove the polygons rather than simply pushing them toward the curve.
The Trim Curves brush is selected by holding Ctrl+Shift and clicking the Brush thumbnail to access the pop-up selector. Once chosen, Trim Curves will always be activated
when holding Ctrl+Shift until changed by choosing a new brush type via the same method.
These brushes work only on models without multiple subdivision levels.
40
The comparison between a Clip Curve brush on the left which pushes the polygons and theTrim
Curve brush on the right which removes the polygons and then rebuilds the surface.
41
On the left, the original Mesh and Trim Curve. In the center, the result of using the BRadius option.
On the right, the same BRadius option, but with the ALT key pressed while releasing the brush
cursor.
42
III
Crease Brush
The Crease brush will create a polygon slice along the drawn curve, with a crease
assigned to it. This is done without adding extra PolyGroups.
As with most brushes, its possible to change from the default (Curve) Stroke type
to Circle, Lasso, Rectangle and more. This allows you to create different shapes when
creasing.
The Crease brush is selected by holding the Ctrl+Shift key, then pressing the Brush
icon to select the Crease brush.
This brush will only work on models without multiple subdivision levels.
The Crease Brush was used on this mesh. The left and right images show the model before and
after dividing it so that you can notice the creasing.
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The Curve Bridge Brush creates a polygon bridge between two drawn curves and
automatically welds this bridges edge points to the original surface.
The new polygons that form the bridge receive their own PolyGroup. They can be
directly manipulated without affecting the support mesh due to an automatically assigned
mask that is applied to the support mesh. This is similar to how a mesh insert automatically masks the support mesh.
The Curve Bridge uses the new Curve Frame capability to detect the support meshs
openings, PolyGroups and/or creased edges. As soon as two distinct curves have been
created, ZBrush will generate a polygon bridge between the two surfaces.
Creating a bridge
Bridge Constraints
It is important to consider that the Bridge function depends on the models existing
topology at the points where the bridge connects to the support mesh. As a result, it can
be easy to create topology irregularities if you dont respect some simple rules:
Always do a bridge between two open curves or two closed curves. A bridge between a closed and an open curve is not supported by the Bridge brush and will result a
flat circle of polygons at the location of the open curve. You will be left with overlapping
polygons and -- more important -- a non-manifold surface.
Curve detection can be restricted via the detection options: PolyGroups, Creases
and Border openings. Depending on your topology and/or structure, you may need to
perform the curve detection in multiple steps by using the Shift key each time. Or you
might be able to simply disable or enable one or more Framing options in the Stroke >>
Curve Functions sub-palette.
The Bridge is always created along the shortest (straight line) path between the
two curves. This means that if you are connecting two curves on the same plane, the
bridge will only create flat polygons. Of course this isnt a problem with open surfaces,
but on a closed surface the far and near polygons of the tube will overlap.
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Several brushes have been updated with in improved behavior or to support the new
options available in ZBrush 4R6.
On the left, a Slice without the BRadius option and on the right, with the BRadius option enabled.
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The PolyGroups on the bottom were created while the top of the sphere was hidden.
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DYNAMESH
The last additions to the groundbreaking DynaMesh technology
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On the left, the model with its PolyGroups and on the right, the DynaMesh model with the PolyGroups preserved.
Note:
If PolyPaint is enabled, then that will be maintained but instead of the PolyGroups. You can
preserve one or the other. Be sure to turn off the SubTools brush icon if you wish to maintain
PolyGroups..
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Partial DynaMesh
Its now possible to use DynaMesh with a model that has been partially hidden.
To convert part of a model to DynaMesh follow these steps:
1. Hide parts of the model by using the Select Lasso or Select Rectangle brushes.
2. Take the time to refine the opening because DynaMesh will close the surface to
create a watertight mesh.
3. If you are already in DynaMesh mode, simply quit it by clicking Tool >> Geometry
>> DynaMesh >> DynaMesh button, then click it again to re-enable DynaMesh.
4. At this point, the visible polygons will be converted to a DynaMesh and ZBrush
will restore the model to full visibility with the formerly hidden polygons being masked
automatically. (This mask will be invisible.)
5. Modify your new DynaMesh model. You can remove the mask at any time to
continue sculpting.
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TOPOLOGY &
GEOMETRY
When Techniques Bring Creativity!
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On the left, the original Mesh with two different PolyGroups generated using the Group Front function. On the right, Unweld Group Border was then applied and the torus deformed using the Inflate
Balloon deformation. Notice that each PolyGroup is now split from the others.
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The Regroup Panels and Regroup Loops mode, located in the Tool >> Geometry
>> Edge Loop sub-palette will apply the same PolyGroup for all new panels and/or new
polygon loops around the panels.
Disabling this mode results in ZBrush creating different PolyGroups for each loop or
panel.
Both options can be used independently or at the same time.
Regroup Panels
When enabled, the new panels will be assigned a new PolyGroup.
ReGroup Loops
When enabled, all loops will be assigned the same PolyGroup without affecting the
meshs original PolyGroups.
On top, the Regroup Panel feature on and off. At the bottom, the Regroup Loop feature on and
off.
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Polygroup additions
Group Front
Tool >> Polygroups >> (Poly)Group Front creates a new PolyGroup based on the
cameras point of view. A new PolyGroup will be created for all visible polygons facing
the camera.
By default, Group Front replaces the current PolyGroups for all polygons facing the
camera, even if those polygons are an inner surface. Examples of models with forwardfacing polygons that are behind each other would be a torus or a coffee cup. With the
torus, there are polygons facing the camera on both the outside and inside surfaces and
both groups of faces will be changed. (See image below.)
Its possible to force the addition of this front group to the existing one by enabling
the Additive option.
The Angle slider defines the tolerance of the front polygon detection. A low value will
detect the polygons which are most directly facing the camera while higher values will
push the affected area closer to the point where they are perpendicular to the camera.
This would then omit only the polygons that are strictly oriented backward.
Group Front in action: on the left, the original mesh position when the Group Front function is triggered. On the right, the same model but with another point of view. Notice the distribution of the
PolyGroups.
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The Close Hole function located in Tool >> Geometry >> Modify Topology can now
close holes in partially hidden models, after which the entire model will be made visible.
As with previous versions, the surfaces created to fill the holes will have a different PolyGroup.
An example of this new capability is that you can easily hide a portion of a model,
close the resulting opening and then close holes again with the fully visible model to create an internal wall.
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OTHER ADDITIONS
Because ZBrush has such a rich feature set.
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Undo History
The Preferences >> Undo History >> Optimize option helps reduce the size of the
Undo History in your project files. This new option is enabled by default.
Movie recording of the Undo History can now interpolate ZSphere radius changes to produce a smoother transition when changing their size.
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AutoSave/Quicksave
Once enough time has elapsed for a QuickSave to be performed, ZBrush will now
wait for specific actions before actually executing the QuickSave. This is meant to avoid
breaking your flow when sculpting.
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The Solo visibility option (which displays only the selected SubTool) now has a Dynamic option located above its button.
When Dynamic is enabled, only the visible SubTool will be displayed while moving,
scaling or rotating the model. Other SubTools will be hidden until you release the cursor
to finish your 3D navigation.
The main benefit of this mode is to reduce slowdown when manipulating models with
a number of SubTools; particularly those SubTools which are high density meshes..
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Mask by Features
The Tool >> Masking >> Mask by Features adds a mask eo either the geometry border edge, any PolyGroup border and/or any Creased edge along the surface.
Each of the Border, Groups and Crease can be turned on all at once or may be individually selected.
To see Mask by Features in action:
Load the LightBox >> Tools >> DemoHead.ZTL.
Go to the Tool >> Masking >> Mask by Borders sub-palette and click on the Mask
Border.
Only the edges of any openings will be masked.
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Misc
The Merge Stray Polygroups function has been improved and provides more
accurate results.
When SmoothUVs is enabled for generating maps, all UV borders will remain
frozen when smoothing.
When the Smooth UVs mode (located in Tool >> Geometry) is enabled, the UV
smoothing is automatically updated when the subdivision levels are changed. This removes the need to manually re-import a smooth UV version of the model or constantly
use the ReUV command.
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THANK YOU!
Yes, to you!
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Thank You
Pixologic would like to thank everyone who has participated as a beta tester for
ZBrush since its beginning. We also thank all the ZBrush users who are making such
wonderful artwork, inspiring us to push our limits and offer you new, innovative, artistic
and production tools!
Happy ZBrushing, and thank you again!
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Notes
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