You are on page 1of 4

UGD 2921

424A
26097141
E-mail : b391725@ cuhk.edu.hk
http://taokc.blogspot.com/

adventure of ideas

1.
2. 30%
3. ( 70%)

I
a.
b.
c.

II
a.
b.
c.
d.
Robert FlahertyNanook of the North

D.W. GriffithThe Birth of A Nation

ndrew TarkovskyNostalghia

EisensteinThe Battleship of Potemkin

Krzysztof KieslowskiThe Decalogue Theo

--

AnglepoulosUlysses Gaze

Carl Th.DreyerThe Passion of Joan of Arc

Orson WellesCitizen Kane

Robert BressoMouchette

Andy/Larry Wachowski Matrix

Vittorto de SicaThe Bicycle Thief

Andrew TarkovskyMirror

Ingmar BergmanThe Seventh Seal

Martin ScorseseRaging Bull

Francois TruffautThe 400 Blows

Stanley KubrickShinning
David LeanLawrence of Arabia

Federico Fellini81/2
III.

1. refer
a.
b.
Shawshank RedemptionNatural Born
KillerRequim for a DreamThe Taxi DriverUtomlyonnye SolnstemFight ClubA
Million Dollars HotelSophies ChoiceKill BillA Dogs AfternoonDancer in the DarkNo Mans
LandSex, Lies and Video TapeLa Belle NoiseuseThe Piano TeachePulp FictioMagnolia

2. refer
a.
b.
c.
MatrixBlade RunnerTerminator2001 Space
OdysseyRun Lola RunAIBeing John MalkovichAmoresperrosOpen your
eyes FrankensteinUnderground
refer
a.

b.

c.


Citizen KaneCast awayThe English
Patient Todo Solre Mi Madre Kramer Vs. Kramer Intimite Beautiful
Mind TrafficThe Silence of the LambsAmerican BeautyLHumaniteApocalypse NowThe
GodfatherThe Tin DrumThe Sons RoomKoljaIn the Name of FatherJourney of
HopeSchindler ListForest GumpThe Central StationThe Fisher King
Nuovo Cinema Paradiso Night of Carbiria Jamon,Jamon A Hairdresser
Husband SunriseSunsetBakery Girl of MonceauLa Vita E BellaThe Rain
man The MirrorTexas, Paris.
4. refer
a. Why there is Being , why not otherwise?

b.
c.
The Taste of CherryIkiruLe
Temps qui restEternity and a DayBreaking the WavesMatch pointA Straight
StoryMare DentroThe Wrath of GodThe Wild StrawberryStalkerThe SacrificeAs Life Goes
OnClockwork OrangeA Barbarian InvasionA Straight StoryThe Deer HunterThe Thin Red
Line

I.
1.
2.
3. Appearance and Reality B. Russell:The Problems of Philosophy
4. Viktor FranklMan s searching for MeaningWeb CT
II.
1. Web CT
2. Louis D.Giannetti
3.Louis D.Giannetti
4A..TarovskySculpting Time
5.
6.
7.
8.

1. 2004
2. Louis D. Giannetti 1992

I
1.

1998

2.

1974

3.

1979

4.

1979

5.

1987

6.

, 1958

7.

1998

8.

2007

9.

1995

10.

1991

11.

1974

12.

1997

13.

1993

14.

1998

15.

, 96

16.

Jostein Gaarder 1995

17.

B. Russell1987

18.

1998

19.

., 1979

20.

: 1962 (1982 )

21.

1996

22.

1993

23.

1989

24.

1988

25.

B. Russell, The Problems of Philosophy, New York : Oxford Univ. Press, 1959

26.

John Hospers, An Introduction to Philosophical Analysis, 4th ed., London : Routledge, 1997

27.

J.P. Sartre, Nausee , New York : New Directions, 1964

II
1.

Bernard F. Dick : 1997

2.

Christian Metz : 1996

3.

V. I. Pudovkin , Film technique and FilmActing

1987
4.

: 1998.

5.

Allen, Robert C. , and Douglas Gomery , Film History: Theory and Practice , New York: Knopf,

1985
6.

Andre Bazin, What is Cinema? ,Berkeley: University of California Press, 1971

1987
7.

Peter Wollen, Sign and Meaning in Cinema, Bloomington : Indiana University Press, 1972

8.

Arnheim Rudolf, Film as Art, Berkeley : University of California Press, 1957

9.

Dudley Andrew, Concepts in Film Theory, Oxford : Oxford University Press, 1984

10.

E. Ann Kaplan, Woman and Film: Both Sides of the Cinema, New York and London : Methuen,

1986
11.

Laura Mulvey, Visual and Other Pleasure, Indianapolis : Indiana University Press, 1989

12.

Thomas E. Wartenberg and Angela Curran edited The Philosophy of Film, Malden, Blackwell

Publishing, 2005

You might also like