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EITHMONIKH EETHPIA TOY TMHMATO ITOPIA
KAI APXAIOOIA TH IOOIKH XOH
TOY ANEITHMIOY IANNINN
APAPTHMA AP. 83
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IANNINA 2012
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Y. G. Lolos - University of Ioannina
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30. 2006, .. 41, 119, 149, 201, 217, 239,
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. Moore Pease-Philippides 1986, no. 1486, . Brard Bron 1985, Abbn. 169, 170, 172, 196.
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54. Beazley 1963, 871.92, . Hoorn 1951, no. 49.
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4327, 4328, 6683, 6684, 8159.
63. Immerwahr 2008, nos. 8047: , 3335: , 8083: .
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66. Immerwahr 1946, 246-260.
67. Simon 1983, 94.
68. Simon 1983, 95 Hoorn 1951, 33, ().
69. Lonsdale 1993, 129. O Bazant (1975, 75) 1/10 .
70. Hamilton 1992, 134-138.
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87. 2007, 183.
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387
388
SUMMARY
BLACK-FIGURED CHOUS FROM CLASSICAL SALAMIS
by
Yannis Chairetakis
The chous comes from a building of the Classical town of Salamis and
belongs to the category of black-figured vases produced in Athens in the first
half of the 5th century B.C. The chous is related to the Anthesteria, the last of
the winter celebrations in honour of Dionysos, and most likely belongs to a
child.
On the main side of the vase, a Satyr dances in front of a small wreathed
chous. The inscription , on the right, is very important since it is
very rare on black-figured choes. However, it is not straightforward whether
the inscription refers to the Satyr, to the content or to the owner of the vase.
. 1. .
389
390
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. 3. , .
391
392
393
394
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(Festa 1918, fig. 6).
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(Z15).
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(227, 215, 229).
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(216, 226, 228).
395
396
. 10. , , . .
(273).
. 11. , , O. .
(186).
. 12. , , . .
(235).