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What Did You Feel You Learned Most From Working On This Scene?
What Did You Feel You Learned Most From Working On This Scene?
April13,2015
Theatre3
Kugler/Rodrigues
SelfEvaluation:SceneStudy
1.Whatdidyoufeelyoulearnedmostfromworkingonthisscene?
ThethingIlearnedmostfromworkingonthisscenewiththisspecificgroupofpeopleisthe
importanceofcollaborationandprofessionalism,whichisrequiredtopresentaqualitytheatre
piece.Ilearnedthislessonfromthemultipleobstaclesmygroupfacedwithattendanceandlack
ofrehearsalandrunthroughs.Ialsolearnedhowtodealwithandenhanceyourselfandyour
characterwithouthavingtorelyonrehearsalwithmygroup.
2.Howwelldoyoufeelthatyouworkedduringrehearsal?Howmightyouhaveimproved
yourhabits?
IfeellikeIworkedashardasIcouldonmycharactergiventhecircumstancesandchallenges
thatIfacedduringthistimeofrehearsal.Now,thereisalwaysgoingtoberoomformore,
indepthrealizationsanddiscoveriesaboutonecharacter.AtsometimesImovedonandworked
onotherworkandusingthatextratimetoworkonmyscenewouldhaveenhanceditsomuch
more.
3.Wereyoupleasedwithyourfinalperformance?Whatwentwell?Whatwentwrong?
OverallIwaspleasedwithmyfinalperformance.IfeltlikeIsnappedintocharactervery
smoothlyandcontrolledmydialoguewithagoodtempo.IdidntfeellikeIwaswatching
myself,notbeingselfconsciousaboutmyactionsandactingchoices.TheonethingIfeellikeI
couldhaveimproveduponwouldbeconnectionsandrelationshipswithmypartners.Ifeltlike
ourrelationshipswerenotverystrong.
4.Areyoupleasedwiththechoiceofscenedidthematerialchallengeyou?Wastherea
highenoughrisk?
Thematerialwaschallengingsincetherewasnocleardescriptionofanycharactersortheir
feelingstowardeachother.Toovercomethischallenge,Imadechoicesthatmadesensetome
andthecharacterIchosetoportray.AnotherthingthatIstruggledinnotonlythisscenebutin
thebeginningoftheyearwasenergy.IfeellikeIfoundtheexcited,childlikeenergyofJackand
inhabitedittothebestofmyability.TherewasonlyriskinthesceneifIputforthmyown
urgency,andthatswhatIfeltlikeIdidinmyfinalperformance.
5.Whatdidyoulearnfromwatchingeachotherswork?
WatchingotherensemblemembersworkledmetoseveralrealizationsandthingsthatInoticed
overthecourseofmyownscenework.OnethingInoticedinothersworkwerebeats,andhow
theyaresotangiblewhenyoulistenandwatchtoeverycharacterslinesandactions.Another
thingInoticedinothersworkwasthatyoucanseewhenanactoriswatchingthemselvesand
theirchoices.OnelastthingIlearnedfromwatchingmyensembleisthatthelinesarevery
importantfortheaudiencetounderstandandcomprehendthesceneforthemselves,andwith
thoselines,theactorneedstoreadthesubtextandmakemeaningorthoselinesarejustwords.
6.Howdidyourchoice,orlackofchoosing,anobjective/goalstrengthen/weakenyour
work?Whatwouldyouhavechanged?
Itriedanalyzingmyandothercharacterslinestofindmyownobjectives,butIfoundthatjust
reactingandactingagainstortowardsothercharactersobjectivesisanobjectiveinitself.I
realisedthatthinkingaboutmyobjectiveswhileinthemiddleofasceneismuchmore
productiveformethanstaringatascriptandthinkingthroughit.Sometimesjusthavingareason
foreveryactionandlineacharacterdoesenhancesthehumanityofcharacters.
7.Whatareasofyourcraftareyoumostconfidentinandwhy?
TheareasofmycraftIammostconfidentiniswhenIplaycharactersthatarecloseandrelative
tomyownbeing,thathavespaceformetoputaspectsofmyselfintothatperson.Iamalso
confidentinmyseriousnessofpurposewithintheatre.Iamcontentonfocusingonactingand
theatrefortherestofmylife.
8.Whatareasdoyoufeelyoustillneedtoworkinandwhy?
AreasIstillneedtoworkoninmycraftisconfidenceandversatility.Recently,Ihavenoticed,
mymindmessesmyactingchoicesbecauseofselfdoubt.AnotherthingIhavenoticedrecently,
isthatIfeellikethelinebetweenmyselfandacharactergetblurred.Currently,thisblurredline
isenhancingmycharacter,makingthemhumanandthreedimensional,butImworriedabout
portrayingcharactersfarfrommymindsetandpersonality.
9.ExplainhowR.E.G.O.T.wasusedinyourwork.Whereareyoustrongestandwheredo
youstillneedwork?
InR.E.G.O.T,Ifindthatrelationships,goals,andobstaclescomeeasilywhenIanalyzescripts
andtrytogetacharactertocomeoutofmyselfnaturally.EnvironmentandtacticsarewhereI
hitaroughspot.Istrugglewithvisualizinganenvironmentanditsinhabitants,withoutitbeing
there.Ialsostrugglewiththinkingofandhavingspecifictacticsthataffectthewayacharacter
speaksandacts.
10.Plot
Exposition
JackandSallyandDaisyandTalbotsittogether,separatelyatarestaurant,notawareofeach
otherspresence.JackandSallyareexesmeetingforthefirsttimeandDaisyandTalbotona
date.
IncitingIncident
ThemainconflictinthebeginningoftheplayiswhenTalbotandSallyleavetheirprospective
datesandcomefacetofacewitheachother.
Event#1
ThefirsteventoftheplayafterTalbotandSallymeet,iswhentheygototheirdatesandtell
themoftheirpartneratthenexttable.
Event#2
ThesecondeventoftheplayiswhenJackgoestoTalbotandDaisystableandtellsTalbotabout
howJackandSallyaregettingbacktogether
Event#3
ThethirdeventoftheplayiswhenJackintroduceseveryonetoeveryoneelse.
Climax
TheclimaxoftheplayiswhenTalbotconfrontsSallyonhowshewantstobreakupwithhim.
Event#1
SallyistoldsheshouldmoveoutofherapartmentandfindsoutDaisyhassleptwithTalbot.
Event#2
TalbotstartstocrybecauseSallyyellsathim.
Resolution
Anawkwarddinnerensues.