‫ﺭﻭﺍﻳﺔ‬

‫ﺣﺒﻴﺐ ﻋﺒﺪﺍﻟﺮﺏ ﺳﺮﻭﺭﻱ‬

‫ِﻟﻨﺠﻴﺐ ﻳﺎﺑﻠﻲ‪...‬‬
 ‫ﺍﻟﻌﻨﻮﺍﻥ ‪ :‬ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ )ﺭﻭﺍﻳﺔ(‬
‫ﺍﻟﻤﺆﻟﻒ ‪ :‬ﺣﺒﻴﺐ ﻋﺒﺪﺍﻟﺮﺏ ﺳﺮﻭﺭﻱ‬
‫ﺍﻟﻨﺎﺷﺮ‪:‬ﻣﺆﺳﺴﺔ ﺍﻟﻌﻔﻴﻒ ﺍﻟﺜﻘﺎﻓﻴﺔ‪.‬‬
‫ﻋﺪﺩ ﺍﻟﺼﻔﺤﺎﺕ ‪247 :‬‬
‫ﺍﻟﻄﺒﻌﺔ ‪:‬ﺍﻷﻭﻟﻰ ‪2005‬ﻡ‬
‫ﺭﻗﻢ ﺍﻹﻳﺪﺍﻉ ﺑﺪﺍﺭ ﺍﻟﻜﺘﺐ‪2005 /420‬‬
‫ﻟﻮﺣﺔ ﺍﻟﻐﻼﻑ ﻟﻠﻔﻨﺎﻥ ‪/‬ﻋﻠﻲ ﺍﻟﺬﺭﺣﺎﻧﻲ‪.‬‬

‫ﺻﻨﻌﺎﺀ ‪ -‬ﺍﻟﺠﻤﻬﻮﺭﻳﺔ ﺍﻟﻴﻤﻨﻴﺔ‬

‫ﻫــــﺎﺗـــﻒ ‪260334 / 240148 :‬‬
‫ﻓﺎﻛـــﺲ‪ - 505201 :‬ﺹ ﺏ ‪12484‬‬
‫‪alafif@yemen.net.ye‬‬
‫‪www.alafif.org‬‬
 ‫ﺛﻤﺔ ﻋﺸ ٌﻖ ﻻ ﻳﺮﺗﻮﻱ ﻣﻦ ﺍﻟﺪﻣﻊ‪،‬‬
‫ﻟﻴﺲ ّ‬
‫ﺛﻤﺔ ﻋﺸ ٌﻖ ﺳﻌﻴﺪ‪...‬‬
‫ﻟﻴﺲ ّ‬
‫ﺍﺭﺍﺟﻮﻥ‬

‫ﻳﺎ ﺫﻟﻚ ﺍﻟﻌﺼﻔﻮﺭ‪ ،‬ﻳﺎ ﻣﻠﻚ ﺍﻟﻐﻴﻮﻡ ﻭﺍﻷﻋﺎﻟﻲ ﺍﻟﺴﺎﻣﻘﺔ‪،‬‬

‫ﺩﺍﺭﻙ ﻗﺮﺏ ﺍﻟﺸﻤﺲ‪،‬‬ ‫ﺗﻌﻤﺮ َ‬
‫ُ‬ ‫ﻳﺎ ﻣﻦ‬
‫ﺍﺻﻤﻢ ﺃﺫﻧﻴﻚ ﻟِﻀﺠﻴﺞ ﻃﺎﺋ ِﺮ ﺍﻟﺨﺮﺍﺏ‬
‫ْ‬
‫ﻭﺗﻠﻌﻦ ﺍﻟﻨﻬﺎﺭ!‪..‬‬
‫ُ‬ ‫ﻋﻴﻨﺎﻩ ﻋﻦ ﺍﻟﻈﻠﻤﺎﺕ‪،‬‬
‫ُ‬ ‫ﺗﺒﺤﺚ‬
‫ُ‬ ‫ﺍﻟﺬﻱ‬
‫ﺍﻭﺟﻮﺳﺖ ﻻﻛﻮﺳﺎﺩ‪1870 ،‬‬
 ‫ﺍﻟﺠﺰﺀ ﺍﻷﻭﻝ‬

‫ﻣﻠﻜ ُﺔ ﺍﻟﻌﺼﺎﻓﻴﺮ‬

‫ﺃﻧﺖ ﺇﺫﻥ‪ ،‬ﺃﻳ ّﺘﻬﺎ ﺍﻟﻤﻌﺸﻮﻗﺔ‪:‬‬

‫ﻣﻦ ِ‬
‫ﺃﺗﻮﻩ ﻓﻴﻪ؟‬
‫ﺍﻟﺨﺮﺍﺏ ﺍﻟﺬﻱ ُ‬
‫ُ‬ ‫ﺍﻟﻤِﺮﺁ ُﺓ ﺍﻟﺘﻲ ﺃﺭﻯ ﻓﻴﻬﺎ ﻧﻔﺴﻲ‪ ،‬ﺃﻡ‬
‫ﺟﻮﺳﺘﺎﻑ ﺗﻴﺒﻮﻥ‬
10
 ‫ﻭﻣ َﻬ ِﻨ ﱠﻴﺔ! ﻻ ﺃﺣﺪ ﺣﻮﻟﻨﺎ‪ ،‬ﻓﻲ‬ ‫ﺮﺑﻲ ﺑﺄﻧﺎﻗ ٍﺔ ِ‬ ‫ﺒﺢ ُﻗ ِ‬‫ﺇﻟﻬﺎﻡ َﺗ ْﺴ ُ‬
‫ﺍﻟﻨﻮﺭﺱ ﻭﺍﻟﻔﺮﺍﺷﺎﺕ‬ ‫ِ‬ ‫ﺍﻟﺮﺑﻴﻌﻲ ﺍﻟﺪﺍﻓﺊ‪ ،‬ﺳﻮﻯ ﺃﺳﺮﺍﺏ‬ ‫ﱢ‬ ‫ﻫﺬﺍ ﺍﻟﻀﺤﻰ‬
‫ﺘﺒﺨﻴﺮ ﺍﻟﻤﺎﺀ‬
‫ِ‬ ‫َﺤ ِﺮ ﱠﻳ ٍﺔ ِﻟ‬
‫ﻭﺃﺣﻮﺍﺽ ﺑ ْ‬
‫ٍ‬ ‫ﺑﺤﻴﺮﺍﺕ‬
‫ٍ‬ ‫ٌ‬
‫ﻠﻮﻧﺔ‪ ...‬ﺳﻠﺴﻠﺔ ﻣﻦ‬ ‫ﺍﻟﻤ ﱠ‬
‫ُ‬
‫ﺷﻄﺮﻧﺞ ﺯﺟﺎﺟ ّﻴ ٍﺔ‬ ‫ﺮﺑﻌﺎﺕ‬
‫ﺜﻞ ُﻣ ِ‬ ‫ﺺ ُﻣﺘﺎﺧﻤ ًﺔ ﻟﻠﻤﺤﻴﻂ‪ ،‬ﺗﺒﺪﻭ ِﻣ َ‬ ‫ﺗﺮ َﺗ ﱡ‬
‫ٍ‬
‫ﻭﺍﻟﻨﺤﺎﻡ )ﺍﻟﻔﻼﻣﻨﺠﻮﺭﺱ(‬ ‫ّ‬ ‫ﻣﺌﺎﺕ ﻣﻦ ﻃﻴﻮﺭ ﺍﻟ َﺒ َﺠ ِﻊ‬ ‫ﻻﺯﻭﺭﺩﻳّﺔ‪ .‬ﻋﻠﻴﻬﺎ ٌ‬
‫ٌ‬
‫ﻟﺆﻟﺆﻱ‬ ‫ﺗﻀﺤﻚ‪ ،‬ﺗﺘﺪﺍﻓ ُﻊ‪ ،‬ﺗﺘﺰﺍﺣ ُﻢ ﺟﺬﻟﻰ ﻓﻲ ﺍﻟﺒﻌﻴﺪ‪ ...‬ﻟﻠﻀﻮ ِﺀ ﻟﻮ ٌﻥ‬ ‫ُ‬
‫‪11‬‬ ‫ُ‬
‫ﺗﻤﺸﻂ‬ ‫ﻧﺎﺻﻊ‪ .‬ﺃﺷﺠﺎﺭ ﺻﻨﻮﺑﺮ‪ ،‬ﻧﺨﻴﻞ‪ ،‬ﻛﺮﺯ‪ ،‬ﺗﻮﺕ‪ ،‬ﺣﻘﻮﻝ ﻛﺮﻭﻡ‪...‬‬
‫ﺍﻟﺴﻬﻮﺏ ﻭﺍﻷﻛﻤﺎﺕ ﺍﻟﻤﻮﺍﺟﻬﺔ‪...‬‬ ‫َ‬
‫ﺍﻟﻔﺮﺩﻭﺳﻲ‬
‫ﱠ‬ ‫ﺍﻷﻭﻝ ﻫﺬﺍ ﺍﻟﺪﻳﻜﻮ َﺭ‬ ‫ﺗﻮﺣ ِﺪﻧﺎ ﱠ‬ ‫ﻴﻮﻡ ﱡ‬ ‫ﺍﺧﺘﺮﺕ ِﻟ ِ‬‫ُ‬
‫ﺟﺮﻑ ﻧﺎ ٍﺀ‬
‫ٍ‬ ‫ﻴﻼ ﺃﺭﺳﺘﻘﺮﺍﻃﻴﺔ ﻗﺎﺑﻌ ٍﺔ ﻋﻠﻰ‬ ‫ﺍﻟﻤﺘﺮﺍﻣﻲ ﺗﺤﺖ ﺃﻗﺪﺍﻡ ِﻓ ﱠ‬
‫ﺷﺎﻫﻖ‪ ،‬ﻓﻲ ﺃﺳﻔﻞ ﺷﻮﺍﻃﺊ ﺍﻷﻃﻠﺴﻲ ﺍﻟﻔﺮﻧﺴﻴﺔ‪ .‬ﺍﺳﺘﺄﺟ ْﺮ ُﺗﻬﺎ ﻟﻬﺬﺍ‬
‫ﻭﺗﻤﺤﻴﺺ ﺩﻗﻴ َﻘﻴﻦ ﻭﻃﻮﻳ َﻠﻴﻦ‪ :‬ﻭﺣﺪﻫﺎ‬ ‫ٍ‬ ‫ﺗﻔﺘﻴﺶ‬
‫ٍ‬ ‫ﺍﻟﻴﻮﻡ ﺍﻟﺨﺎﻟﺪ‪ ،‬ﺑﻌﺪ‬
‫ﻣﻘﺪﺳ ٍﺔ ﺻﻐﻴﺮﺓ!‬ ‫ﻛﻞ ﻣﺎ ﺃﺻﺒﻮ ﺇﻟﻴﻪ ﻣﻦ ﺗﻔﺎﺻﻴﻞ ﻭﻧﺰﻭﺍﺕ ﱠ‬ ‫ﻠﺒﻲ ﱠ‬ ‫ُﺗ ﱢ‬
‫ٌ‬
‫ﺗﺸﻜﻴﻼﺕ‬ ‫ﺇﻟﻬﺎﻡ‪ِ ،‬ﺑﻤﺎﻳﻮ ﺍﻟﺴﺒﺎﺣﺔ ﺍﻟﺒﻨﻔﺴﺠﻲ ﺍﻟﺬﻱ ﺗﺘﺨ ﱠﻠﻠ ُﻪ‬
‫ﺛﻢ‬
‫ﺗﺘﻘﺪ ُﻡ ﺑﻌﻴﺪﴽ‪ ،‬ﱠ‬ ‫ﱠ‬ ‫ﺗﻐﻄﺲ‪ ،‬ﺗﻌﻮﻡُ‪،‬‬
‫ُ‬ ‫ﻭﻭﺭﺩﻳ ٌﺔ ﻣﺘﺪﺍﺧﻠﺔ‪،‬‬
‫ﱠ‬ ‫ﻣﻮﺟ ﱠﻴ ٌﺔ ﺯﺭﻗﺎﺀ‬
‫ِ‬
‫ﺍﻟﻈﻬﺮ ِﺑﻠﻴﻮﻧ ٍﺔ ﻭﺇﻳﻘﺎﻉ‪ .‬ﺗﺴ َﺒ ُﺢ ﺑﺴﺮﻋ ٍﺔ ﻻ ﺃﺳﺘﻄﻴﻊ‬ ‫ِ‬ ‫ﻋﻠﻰ‬ ‫ﺍﻟﻘﻬﻘﺮﻯ‬ ‫ﺩ‬
‫ُ‬ ‫ﺗﻌﻮ‬
‫ﱡ‬
‫ﺃﺳﺘﻐﻞ‬ ‫ﻣﻀﺎﻫﺎﺓ ﻧﺼ ِﻔﻬﺎ ﻓﻘﻂ ﺃﻧﺎ ﺍﺑﻦ ﺍﻟﻤﺪﻳﻨﺔ ﺍﻟﺒﺤﺮﻳّﺔ ﺟﺪﴽ‪َ :‬ﻋ َﺪﻥ!‬
‫ﺗﻠﺼﺼﻴﺔ ِﻟﺴﻼﺳﺔ ﻫﺬﺍ ﺍﻟﺠﺴﺪ‬ ‫ﻧﻈﺮﺍﺕ ﱡ‬ ‫ٍ‬ ‫ﻷﺧﺘﻠﺲ‬
‫َ‬ ‫ﻏﻮﺻﻬﺎ ﺍﻟﻤﺘﻮﺍﺗﺮ‬ ‫َ‬
‫ﻧﺴﺠ ْﺘ ُﻪ ﺟﺒﺎﻝ‬‫ﺍﻷﺑﻴﺾ ﺍﻟﻔﺎﺗﺢ ﺫﻱ ﺍﻟﻈﻼﻝ ﺍﻟﻨﺤﺎﺳ ّﻴﺔ ﺍﻟﺨﻔﻴﻔﺔ ﺍﻟﺬﻱ َ‬
‫ُﺛﻼ ﺍﻟﺴﺎﺣﺮﺓ‪ :‬ﻣﻤﺸﻮﻗﴼ‪ ،‬ﺭﺷﻴﻘﴼ‪ ،‬ﺩﻗﻴﻘﴼ ﻧﺎﻋﻤﴼ‪ ،‬ﱠ‬
‫)‪(1‬‬
‫ﺗﺘﻮﺳﻄ ُﻪ ﺧﺎﺻﺮ ٌﺓ‬
 ‫ُﺳ ْﻨ ُﺪ ِﺳ ﱠﻴ ٌﺔ ﻳﻤﻜﻦ ﺇﺣﺎﻃ ُﺘﻬﺎ ﺑﻨﺼﻒ ﻳﺪ!‪...‬‬
‫ﻋﻀﻮ ﱠﻳ ٌﺔ ﺃﺣﺸﺎﺋ ّﻴ ٌﺔ ﺣﻤﻴﻤﺔ‪.‬‬
‫ِ‬ ‫ﻹﻟﻬﺎﻡ ﻣﻊ ﺍﻟﺒﺤﺮ ﻭﺍﻟﻌﻮﻡ ﻋﻼﻗ ٌﺔ‬
‫ﻛﺄﻧﻬﺎ ﻟﻢ ﺗﻮﻟﺪ ﻓﻲ ‪ 14‬ﺃﻏﺴﻄﺲ ‪ 1965‬ﻭﺗﺤﻴﻰ ﺳﻨﻮﺍﺕ ﻃﻔﻮﻟ ِﺘﻬﺎ‬
‫ﺾ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻷﺧﻴﺮﺓ ﻣﻦ ﺣﻴﺎﺗﻬﺎ‬ ‫ﻓﻲ ﺟﺒﺎﻝ ُﺛﻼ ﺍﻟﺴﻤﺎﻭﻳﺔ‪ ،‬ﻭﻟﻢ ُﺗ َﻘ ﱢ‬
‫ﺮﻭﺑﻬﺎ« ﺇﻟﻰ ﻓﺮﻧﺴﺎ ﻓﻲ‬‫»ﻫ ِ‬ ‫ﱟﻲ ﺷﺎﻫﻖ ﺍﺳﻤﻪ ﺻﻨﻌﺎﺀ ﻗﺒﻞ ُ‬ ‫ﺳﺠﻦ َﺟ َﺒ ِﻠ‬
‫ٍ‬ ‫ﻓﻲ‬
‫‪ 1985‬ﻭﻫﻲ ﻓﻲ ﺍﻟﻌﺸﺮﻳﻦ ﻣﻦ ﺍﻟ ُﻌﻤﺮ!‬
‫)‪(2‬‬
‫ﻛﺎﻥ ﻫﺬﺍ ﺍﻟﻴﻮﻡ ﺍﻟﺮﺑﻴﻌﻲ ﺍﻟﺮﺍﺋﻖ‪ 22 :‬ﻣﺎﻳﻮ ‪!1990‬‬
‫ﺴﻤﻦ ﻭﻻ ﺗﻐﻨﻲ ﻣﻦ ﺟﻮﻉ ﻣﻦ‬ ‫ﺟﺪﴽ‪ ،‬ﻻ ُﺗ ُ‬ ‫ﻣﺼﺎﺩﻓ ٌﺔ ﺛﺎﻧﻮﻳﺔ‪َ ،‬ﻋ َﺮﺿﻴﺔ ّ‬
‫ﻧﻈﺮ ﺭﻣﻞ ﺍﻟﺸﺎﻃﺊ ﺍﻟﻨﺎﻋﻢ ﺍﻟﺬﻱ ﺳﻨﺴﺘﺮﺧﻲ ﻋﻠﻴﻪ ﺑﻌﺪ ﻗﻠﻴﻞ‪.‬‬ ‫ﻭﺟﻬ ِﺔ ِ‬
‫ﺍﻟﺤﺠﺮﻱ ﺍﻟﻤﻨﺤﻮﺕ ﻋﻠﻰ ﺍﻟﺠﺮﻑ ﻓﻲ ﻳﺴﺎﺭ‬ ‫ﱢ‬ ‫ﺍﻟﺴ ﱠﻠﻢ‬
‫ﻧﻈﺮ ﱡ‬‫ﻣﻦ ﻭﺟﻬ ِﺔ ِ‬
‫ﻴﻼ‪ .‬ﻣﻦ ﻭﺟﻬﺔ ﻧﻈﺮ ﺃﺷﺠﺎﺭ‬ ‫ﺍﻟﺸﺎﻃﺊ ﻭﺍﻟﺬﻱ ﻳﺆﺩﻱ ﻋﻤﻮﺩﻳّﴼ ﺇﻟﻰ ﺍﻟ ِﻔ ﱠ‬
‫ﻴﻼ‪.‬‬‫ﺍﻟﻮﺭﺩ ﻭﺍﻷﻛﺎﺳﻴﺎ ﻭﺍﻟﺰﻧﺒﻖ ﻭﺍﻷﻗﺤﻮﺍﻥ ﺍﻟﻤﺘﻨﺎﺛﺮﺓ ﻓﻲ ﺣﺪﻳﻘﺔ ﺍﻟ ِﻔ ﱠ‬ ‫‪12‬‬
‫ﻧﻈﺮ ﺍﻟﺴﻨﺠﺎﺏ ﺍﻟﻤﺨﺘﻔﻲ ﻓﻲ ﺟﺬﻉ ﺍﻟﺴﻨﺪﻳﺎﻥ‪ ،‬ﻭﺍﻟﺸﺤﺮﻭﺭﺓ‬ ‫ﻣﻦ ﻭﺟﻬ ِﺔ ِ‬
‫ﺍﻟﻤﺘﺸﺒ َﺜ ْﻴﻦ ِﺑ ُﻐﺼ َﻨﻴﻦ ﻣﺘﻘﺎﺑﻠﻴﻦ ﻓﻲ ﻋﻠﻴﺎﺋﻬﺎ‪ .‬ﻣﻦ ﻭﺟﻬ ِﺔ‬
‫ﱢ‬ ‫ﻭﺍﻟﺴﻨﻮﻧﻮ‬
‫ﻴﻼ ﺍﻟﺘﻲ ﻓﺘﺤﻨﺎﻫﺎ ﻋﻠﻰ ﻣﺼﺮﺍﻋﻴﻬﺎ ﻟﺘﻐﺘﺴﻞ ِﺑﻀﻮ ِﺀ‬ ‫ﻧﻈﺮ ﻧﻮﺍﻓﺬ ﺍﻟ ِﻔ ﱠ‬
‫ِ‬
‫ﺍﻟﻤﻨﻬَﻜ ِﺔ ﺍﻟﺘﻲ‬
‫ﺍﻷﻣﻮﺍﺝ ُ‬ ‫ﻧﻈﺮ‬
‫ﻮﻉ ﺍﻟﺤﺪﻳﻘﺔ‪ .‬ﻣﻦ ﻭﺟﻬ ِﺔ ِ‬ ‫َ‬
‫ِ‬ ‫ﻭﺑﻀ ِ‬ ‫ﺍﻟﺸﻤﺲ ِ‬
‫ً‬
‫ﻗﻄﻌﺖ ﺁﻻﻑ ﺍﻟﻜﻴﻠﻮﻣﺘﺮﺍﺕ ﻗﺎﺩﻣﺔ ﻣﻦ ﺳﻮﺍﺣﻞ ﺃﻣﺮﻳﻜﺎ‪...‬‬ ‫ْ‬

‫ﻓﺖ ﻋﻠﻰ ﺇﻟﻬﺎﻡ ُﺻﺪﻓ ًﺔ ﻓﻲ ﻳﻮﻡ ﺍﻟﺠﻤﻌﺔ‪20 ،‬‬ ‫ﺗﻌﺮ ُ‬

‫ﻛﻨﺖ ﻗﺪ ﱠ‬‫ُ‬
‫ﺃﺗﻮﺟ ُﻪ ﻹﻟﻘﺎﺀ ﻣﺤﺎﺿﺮ ٍﺓ ﻋﻠﻤ ّﻴﺔ ﻓﻲ ﺟﺎﻣﻌﺔ َﻧﺎ ْﻧ ْﺖ‬
‫ﺃﻛﺘﻮﺑﺮ ‪ ،1989‬ﻭﺃﻧﺎ ﱠ‬
‫ﺫﻫﺒﺖ ﻭﺯﻣﻴﻠﻲ‬ ‫ُ‬ ‫ﺯﻣﻴﻞ ﺩﺭﺍﺳﺔ ﻗﺪﻳﻢ!‬
‫ﻓﻲ ﺷﻤﺎﻝ ﻏﺮﺏ ﻓﺮﻧﺴﺎ‪ ،‬ﺑﺪﻋﻮ ٍﺓ ﻣﻦ ِ‬
‫ﻼ ﻓﻲ ﺍﻷﺣﻴﺎﺀ ﺍﻟﻤﺠﺎﻭﺭﺓ ﻟﻠﺠﺎﻣﻌﺔ‬ ‫ﻋﻘﺐ ﺍﻟﻤﺤﺎﺿﺮﺓ ﻟﻠﺘﺴ ﱡﻜﻊ ﻗﻠﻴ ً‬
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‫ﻳﺼﻞ‬ ‫ﺟﻤﺎﻝ ﺍﻷﺷﺠﺎﺭ‬‫ُ‬ ‫ﺷﺠﺮ ﻣﺘﺴﺎﻗﻄﺔ‪.‬‬ ‫ﺭﺫﺍﺫﻱ ﻭﺃﻭﺭﺍﻕ‬ ‫ﺭﻳﺢ‬
‫ٍ‬ ‫ﱟ‬ ‫ﻭﺳﻂ ٍ‬
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‫ﺍﻷﻟﻮﺍﻥ‬ ‫ُ‬
‫ﻭﺗﺘﻔﺎﻋﻞ ﻓﻴﻬﺎ‬ ‫ُ‬
‫ﺗﺘﺪﺍﺧﻞ‬ ‫ﺫﺭﻭ َﺗ ُﻪ ﻓﻲ ﻫﺬﻩ ﺍﻷﻳﺎﻡ ﺍﻟﺨﺮﻳﻔﻴﺔ ﺍﻟﺘﻲ‬
‫ﻭﺗﻨﻮﻋﺎﺕ ﻣﻘﺎﻣﺎ ِﺗﻬﺎ‪...‬‬
‫ِ‬ ‫ﺗﻔﺎﻭﺗﺎﺕ ﺩﺭﺟﺎﺗﻬﺎ‬
‫ِ‬ ‫ﺍﻟﺬﻫﺒﻴ ُﺔ ﻭﺍﻟﺤﻤﺮﺍﺀ ﱢ‬
‫ﺑﻜﻞ‬ ‫ﱠ‬
 ‫ﻗﺰﺡ‬
‫ﻗﻮﺱ ٍ‬ ‫ﺸﻜﻞ ﻋﺎﺻﻒ ﻋﻠﻰ ﺍﻟﺮﺻﻴﻒ‪ ،‬ﺗﺤﺖ ِ‬ ‫ﻋﺎﺷﻘﺎﻥ ﻣﺘﻌﺎﻧﻘﺎﻥ ِﺑ ٍ‬
‫ﻗﺰﺡ ﺑﻬﺬﺍ ﺍﻻﻛﺘﻤﺎﻝ‬ ‫ﻗﻮﺱ ٍ‬ ‫ﺃﺗﺬﻛ ُﺮ ﻣﺘﻰ ﺭﺃﻳﺖ َ‬ ‫ﱠ‬ ‫ﺑﺎﻟﻎ ﺍﻟﻮﺿﻮﺡ! ﻻ‬
‫ﺗﻮﺣﺪﴽ‬‫ﻳﻘﻼ ِﻥ ﱡ‬ ‫ﻋﺎﺷﻘﻴﻦ ﻻ ﱠ‬
‫ِ‬ ‫ﺃﺗﺬﻛ ُﺮ ﺃﻧﻲ ﺭﺃﻳﺖ‬
‫ﻭﺍﻟﺼﻔﺎﺀ ﺁﺧﺮ ﻣﺮﺓ‪ ،‬ﻟﻜ ﱢﻨﻲ ﱠ‬
‫ﻗﺒﻞ ﺛﻼﺛﺔ ﺩﻗﺎﺋﻖ ﻓﻘﻂ‪ ،‬ﻭﻧﺤﻦ ﺧﺎﺭﺟﻮﻥ ﻣﻦ ﻗﺎﻋﺔ ﺍﻟﻤﺤﺎﺿﺮﺓ‪.‬‬
‫ﺑﺪ ْﺃﻧﺎ ﺑﺎﺳﺘﺠﺮﺍﺭ ﺫﻛﺮﻳﺎﺕ ﺩﺭﺍﺳﺘﻨﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻓﻲ ﺳﻨﺔ‬
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‫ﻳﻠﻔﻆ ﺍِﺳ َﻢ‬ ‫ﺍﻟﻤﺎﺟﺴﺘﻴﺮ ﻓﻲ »ﺟﻮﺳﻴﻮﻩ« )ﺟﺎﻣﻌﺔ ﺑﺎﺭﻳﺲ ‪ (6‬ﻗﺒﻞ ﺃﻥ‬
‫ﻧﻬﺮﻱ‪ ،‬ﺑﻴﻦ ﻓﻮﺍﺻﻞ‬ ‫ﱟ‬ ‫ﺭﺻﻴﻒ ﻣﻘﻬﻰ‬‫ِ‬ ‫ﺛﻢ ﻭﺍﺻﻠﻨﺎ ﺍﻟﻔﻀﻔﻀ َﺔ ﻓﻲ‬ ‫ﺇﻟﻬﺎﻡ! ﱠ‬
‫ﻋﺮﻓﺖ ﺃﺧﺒﺎﺭ‬ ‫ُ‬ ‫ﺗﻔﺘﺢ ﺍﻟﻨﻔﺲ‪.‬‬ ‫ﻋﻤﺒﺮﻳ ِﺔ ﺍﻟﻠﻮﻥ ُ‬ ‫ﱠ‬ ‫ﻣﺘﺒﺎﻋﺪﺓ ﻣﻦ ﺭﺷﻔﺎﺕ ﺑﻴﺮ ٍﺓ‬
‫ﺯﻣﻴﻠﻲ ﻣﻨﺬ ﺍﻓﺘﺮﺍﻗﻨﺎ ﺑﻌﺪ ﺍﻟﻤﺎﺟﺴﺘﻴﺮ‪ ،‬ﻓﻲ ﺑﺪﺍﻳﺔ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ‪ ،‬ﻭﺣﺘﻰ‬
‫ﻣﺴﺎﻋﺪ ﻓﻲ ﺟﺎﻣﻌﺔ َﻧﺎ ْﻧﺖ‪.‬‬ ‫ٍ‬ ‫ﻭﺗﺤ ﱡﻮﻟ ِﻪ ﺇﻟﻰ ﺃﺳﺘﺎ ٍﺫ‬
‫ُﻣﺮﻭﺭ ِﻩ ﺍﻟﺪﻛﺘﻮﺭﺍﻩ َ‬
‫ﺻﻮﻓﻲ ﻭﺳﺮﻋ ٍﺔ‬ ‫ﱟ‬ ‫ﻭﻋﺮﻑ ﺃﺧﺒﺎﺭﻱ ﺍﻟﻤﻤﺎﺛﻠﺔ ﻭﺗﺤﻀﻴﺮﻱ ﺍﻟﺤﺎﻟﻲ‪ِ ،‬ﺑ َﻮﻟ ٍﻪ‬
‫ﺟﻨﻮﻧﻴﺔ‪ِ ،‬ﻟﻤﺮﻭﺭ ﺍﻟﺪﻛﺘﻮﺭﺍﻩ ﺍﻟﺜﺎﻧﻴﺔ‪ :‬ﺃﻃﺮﻭﺣﺔ »ﺍﻟﺘﺄﻫﻴﻞ ﻟﻘﻴﺎﺩﺓ‬ ‫ﱠ‬
‫‪13‬‬ ‫ﺗﻔﺘﺢ ﺍﻟﻄﺮﻳﻖ ﻟﻠﺘﺤ ﱡﻮ ِﻝ ﺇﻟﻰ ﺑﺮﻭﻓﻴﺴﻮﺭ ﺟﺎﻣﻌﻲ‪...‬‬ ‫ﺍﻷﺑﺤﺎﺙ« ﺍﻟﺘﻲ ُ‬
‫ﱡ‬
‫ﺍﻟﻤ َﻬ ِﻨ ﱠﻴﺔ ﻭﺍﻟﺘﺮﻧﺢ ﺑﻴﻦ ﺃﺣﻼﻡ‬ ‫ﺗﺒﺎﺩﻝ ﺍﻷﺧﺒﺎﺭ ِ‬ ‫ِ‬ ‫ﺑﻌﺪ ﺳﺎﻋ ٍﺔ ﻣﻦ‬
‫ﻭﻣﺸﺎﺭﻳﻊ ﻫﻼﻣﻴﺔ ﻗﺎﺩﻣﺔ‪ ،‬ﻗﺎﻝ ﻟﻲ ﺇﻥ ﻟﺪﻳﻬﻢ ﻓﻲ ﺍﻟﺠﺎﻣﻌﺔ ﻃﺎﻟﺒﺔ‬
‫ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﺍﻟﺘﻄﺒﻴﻘﻴﺔ‪ ،‬ﺫﻛ ّﻴﺔ‬ ‫ﱠ‬ ‫ﻳﻤﻨ ّﻴﺔ ﻓﻲ »ﻣﻴﺘﺮﻳﺰ« )ﺑﻜﺎﻟﻮﺭﻳﻮﺱ(‬
‫ﻣﺜﺎﺑﺮﺓ‪ ،‬ﺫﺍﺕ ﺷﺨﺼ ّﻴ ٍﺔ ﻗﻮ ّﻳ ٍﺔ ﻣﺘﻤ ّﻴﺰﺓ‪» .‬ﺷﺪﻳﺪﺓ ﺍﻟﺠﻤﺎﻝ ﺃﻳﻀﴼ!‪،«...‬‬
‫ﺑﻨﺒﺮﺍﺕ ﺳﺮﻳﻌ ٍﺔ ﺧﺎﻓﺘ ٍﺔ ُﻣﻠﺘﻮﻳﺔ‪ .‬ﺟﺎﺀﺕ ﻣﻦ ﺻﻨﻌﺎﺀ ﻗﺒﻞ ﺧﻤﺲ‬ ‫ٍ‬ ‫ﺃﺿﺎﻑ‬
‫ﺭﺕ ﺃﻥ ﻻ ﺗﻌﻮﺩ ﺑﻌﺪﻫﺎ ﻭﺃﻥ ﺗﺒﺪﺃ‬ ‫ﻗﺮ ْ‬
‫ﺛﻢ ﱠ‬ ‫ﻟﻐﻮﻳ ٍﺔ ﻗﺼﻴﺮﺓ‪ ،‬ﱠ‬‫ﺳﻨﻴﻦ ِﻟﺪﻭﺭ ٍﺓ ﱠ‬
‫ﻋﻤﻞ ﻣﻨﺎﺳﺐ ﻓﻲ ﻣﻜﺘﺒﺔ‬ ‫ﻣﺆﺧﺮﴽ ﻋﻠﻰ ٍ‬ ‫ﺍﻟﺪﺭﺍﺳﺔ ﺍﻟﺠﺎﻣﻌﻴﺔ‪ ...‬ﺣﺼ َﻠ ْﺖ ﱠ‬
‫ﺍﺿﻄﺮ ْﺕ‪ ،‬ﻟﻜﺴﺐ ﻗﻮﺗﻬﺎ ﻃﻮﺍﻝ ﺍﻟﺴﻨﻴﻦ ﺍﻟﻤﺎﺿﻴﺔ‪ ،‬ﺃﺩﺍ َﺀ‬ ‫ﱠ‬ ‫ﻠﻴﺔ ﺑﻌﺪ ﺃﻥ‬‫ﺍﻟ ُﻜ ﱠ‬
‫ﺃﻋﻤﺎﻝ ﻏﻴﺮ ﻣﻤﺘﻌﺔ‪ :‬ﺍﻟﻤﺮﺍﻗﺒﺔ ﻓﻲ ﻣﻄﺎﻋﻢ ﺍﻟﻤﺪﺍﺭﺱ ﺍﻻﺑﺘﺪﺍﺋﻴﺔ‪،‬‬ ‫ٍ‬
‫ﺍﻟﻤ ِﺴ ﱢﻨﻴﻦ‪...‬‬
‫ﺍﻟﺒﻠﺪﻱ‪ ،‬ﺭﻋﺎﻳﺔ ُ‬‫ّ‬ ‫ﺍﻟﻤﺴﺒﺢ‬
‫ِ‬ ‫ﻓﻲ‬ ‫ﺍﻟﺘﻨﻈﻴﻒ‬
‫ﻭﺗﺤﻴ َﺘﻬﺎ ﻗﺒﻞ ﻣﻐﺎﺩﺭﺓ َﻧﺎ ْﻧﺖ‬ ‫ﱠ‬ ‫ﺃﺭﺩﺕ ﻋﻠﻰ ﺍﻟﺘﻮ ﺍﻟﺘﻌ ﱡﺮ َﻑ ﻋﻠﻴﻬﺎ‬ ‫ُ‬
‫ﻭﺍﻟﻌﻮﺩﺓ ﺃﺩﺭﺍﺟﻲ ﻟﺒﺎﺭﻳﺲ! ﻟﻴﺲ ﻓﻘﻂ ﻷﻧﻲ‪ ،‬ﻋﻘﺐ ﻭﺻﻮﻟﻲ ﻓﺮﻧﺴﺎ‪،‬‬
‫ﺍﻛﺘﻮﻳﺖ ﻣﺜﻠﻬﺎ ﻓﻲ ﺃﺷﻐﺎﻝ ﻋﺒﺜ ّﻴ ٍﺔ ﻗﺎﺗﻠﺔ‪ :‬ﺑﻴﻊ ﺍﻟﺰﻫﻮﺭ ﻓﻲ ﺍﻟﺸﻮﺍﺭﻉ‬ ‫ُ‬
‫ﺍﻟﻄﻼﺀ ﻓﻲ ﻭﺭﺷﺎﺕ ﺍﻟﺒﻨﺎﺀ‪ ...‬ﺑﻞ ﻷﻧﻲ‬
‫ﻭﻣﺤﻄﺎﺕ ﺍﻟﻘﻄﺎﺭﺍﺕ‪ ،‬ﱠ‬ ‫ّ‬ ‫ﻭﺍﻟﻤﻄﺎﻋﻢ‬
‫ﻟﻤﺤﺖ ﺇﻋﺠﺎﺑﴼ ﻋﻤﻴﻘﴼ‪َ ،‬ﻣﻜﺒﻮﺗﴼ ﺑﺼﻌﻮﺑﺔ‪ ،‬ﻓﻲ ﺑﺮﻳﻖ ﻋﻴﻨﻴﻲ ﺻﺪﻳﻘﻲ‬ ‫ُ‬
‫ﺑﺈﺳﻬﺎﺏ ﻏﻴﺮ ﻋﺎﺩﻱ‪ ،‬ﻫﻮ ﺍﻟﺬﻱ ﻳﺘﻨ ﱠﻘ ُﻞ‬
‫ٍ‬ ‫ﻳﺘﺤﺪﺙ ﻋﻨﻬﺎ‬
‫ﱠ‬ ‫ﺍﻟﻘﺪﻳﻢ ﻭﻫﻮ‬
‫ﻛﺜﻴﺮﴽ ﻭﺳﺮﻳﻌﴼ ﻓﻲ ﺃﺣﺎﺩﻳﺜﻪ‪ ،‬ﻛﺄ ﱠﻧ ُﻪ ﻳﺘﻘ ﱠﻔ ُﺰ ﺏ»ﺍﻟﺮﻳﻤﻮﺕ ﻛﻮﻧﺘﺮﻭﻝ«‬
‫ﺑﻴﻦ ﻗﻨﻮﺍﺕ ﺍﻟﺘﻠﻔﺰﻳﻮﻥ!‬

‫ﺍ ﱠﺗﺼﻞ ﺻﺪﻳﻘﻲ ﺗﻠﻔﻮﻧ ّﻴﴼ ﺑﻤﻜﺘﺒﺔ ﺍﻟ ُﻜ ِﻠ ّﻴﺔ ﻟﻴﺪﻋﻮ ﺇﻟﻬﺎﻡ‬

‫ﺑﻌﺾ ﻣﻦ ﺍﻟﻮﻗﺖ‪ ،‬ﻛﻲ ﺃُﺳ ﱢﻠ َﻢ‬ ‫ﺃﺭﺍﺩﺕ ﻭﻛﺎﻥ ﻟﺪﻳﻬﺎ ٌ‬ ‫ﻟﻼﻟﺘﺤﺎﻕ ﺑﻨﺎ‪ ،‬ﺇﺫﺍ ْ‬
‫ﺃﺻﺮ ﺑﺄﻥ ُﻳ َﻌ ﱢﺮﻓﻨﻲ ﱠﺃﻭ ً‬
‫ﻻ‬ ‫ﻋﻠﻴﻬﺎ ﻗﺒﻞ ﻋﻮﺩﺗﻲ ﻟﺒﺎﺭﻳﺲ! ﺑﺎﻧﺘﻈﺎﺭ ﻣﺠﻴﺌﻬﺎ ﱠ‬
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‫ﻣﺘﻮﺍﺟﺪ ﻓﻲ ﺍﻟﻤﺤﻼﺕ ﺍﻟﺘﺠﺎﺭﻳﺔ‪،‬‬ ‫ٍ‬ ‫ﺑﻨﺒﻴﺬ ُﻣﻌ ﱠﺘ ٍﻖ ﻣﺤﺪﻭﺩ ﺍﻹﻧﺘﺎﺝ ﻏﻴﺮ‬
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‫ﺳﻤ ُﻪ‪ :‬ﺷﺎﺗﻮ ﺩﻭ ﻛﺎﻳﺮﻭ‪،‬‬ ‫ﻛﺮﻭﻡ‪ ،‬ﺍِ ُ‬ ‫ﺣﻘﻞ ُ‬‫ﻗﺼﺮ ِ‬‫ﻳﺘ ﱡﻢ ﺷﺮﺍﺅﻩ ﻣﺒﺎﺷﺮ ًﺓ ﻣﻦ ِ‬
‫ﺃﻃﻠﻖ ﻋﻠﻴﻪ‪،‬‬ ‫َ‬ ‫»ﻧﺒﻴﺬ ﺍﻟﺼﺎﻟﺤﻴﻦ«‪ ،‬ﻛﻤﺎ‬ ‫ُ‬ ‫ﻗﺮﻳﺐ ﻣﻦ ﻣﺪﻳﻨﺔ ﺑﻮﺭﺩﻭ‪.‬‬
‫ﺟﻴ ُﺪ ﺍﻹﻟﻤﺎﻡ ﺑﺎﻟﺜﻘﺎﻓﺔ ﺍﻟﻌﺮﺑﻴﺔ‬ ‫ﺻﺪﻳﻘﻲ ﺍﻟﻔﺮﻧﺴﻲ ﱢ‬ ‫َ‬ ‫ﻌﺎﺑﻲ‪،‬‬ ‫ﻟ ُﻴ َ‬
‫ﺴﻴﻞ ُﻟ ِ‬ ‫‪14‬‬
‫ﻭﻛﺜﻴ ُﺮ ﺍﻹﻋﺠﺎﺏ ﺑﻔﻠﺴﻔﺔ ﺍﻟﺼﻮﻓﻴﺔ!‬
‫ﺃﻗﻞ ﻣﻦ ﺳﺎﻋﺔ ﺇﻻ ﻭﺇﻟﻬﺎﻡ ﺃﻣﺎﻣﻲ!‬ ‫ﻟﻢ ﺗﻤﺮ ﱡ‬
‫ﻻ ﻭﺃﻧﺎ ﺃﻭﺍﺟ ُﻪ ﺃﻣﺎﻣﻲ ﻣﺸﻜﻠﻴﻦ ﻛﺒﻴﺮﻳﻦ ﺍﺛﻨﻴﻦ‪:‬‬ ‫ﺍﺭﺗﺒﻜﺖ ﱠﺃﻭ ً‬
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‫ﻭﺟﻬﻬﺎ‬ ‫َ‬
‫ﻭﺟﻤﺎﻝ ِ‬ ‫ﺠﺴﺪ ﺇﻟﻬﺎﻡ ﺍﻟﺒﺎﺳﻖ! ‪ (2‬ﻧﻘﺎ َﺀ‬ ‫‪ (1‬ﺍﻟﺮﺷﺎﻗ َﺔ ﺍﻟﻤﺜﻠﻰ ِﻟ ِ‬
‫ﺍﻟﺮﻗﻴﻖ ﺍﻟﺒﺎﺳﻢ!‬
‫ِ‬ ‫ﺍﻟﻔﺎﺗﺢ‬
‫ِ‬ ‫ﺍﻷﺑﻴﺾ‬
‫ﺑﻌﺾ ﻣﻦ ﺍﻟﻮﻗﺖ‪.‬‬ ‫ﺩﻋﺎﻫﺎ ﻟﻠﺠﻠﻮﺱ ﻣﻌﻨﺎ ﺇﺫﺍ ﻛﺎﻥ ﻟﺪﻳﻬﺎ ٌ‬
‫ﻏﺮﻳﺰﻱ ﻣﻦ ﺍﻟﺜﻘﺔ ﻭﺍﻻﻋﺘﺰﺍﺯ‬ ‫ﱟ‬ ‫ﻭﺑﻨﻮﻉ‬
‫ٍ‬ ‫ﺟﻠﺴ ْﺖ ﻋﻠﻰ ﱢ‬
‫ﺍﻟﺘﻮ ﺑﻜﻴﺎﺳﺔ‪،‬‬ ‫َ‬
‫ﻻﺳﻢ! »ﺍِﺳ ٌﻢ‬ ‫ﺗﺤﺐ ﻫﺬﺍ ﺍ ِ‬‫ﺑﺎﻟﻨﻔﺲ‪َ .‬ﻋ ﱠﺮﻓﻬﺎ ِﺑﺎِﺳﻤﻲ‪ :‬ﻧﺸﻮﺍﻥ‪ .‬ﻗﺎﻟﺖ ﺇﻧﻬﺎ ﱡ‬
‫ُﺸ ﱡﻊ ﺑﻬﺠ ًﺔ ﻭﺣﻴﺎ ًﺓ!«‪ ،‬ﺣﺴﺐ ﺗﻌﺒﻴﺮﻫﺎ‪ .‬ﻟﻢ ﺃﺭ ﺍِﺳﻤﻲ‬ ‫ﻣﻮﺳﻴﻘﻲ ﺭﺷﻴﻖ‪ ،‬ﻳ ِ‬
‫ﱞ‬
‫ﺃﺣﺐ ﻛﺜﻴﺮﴽ ﻓﻲ ﺍﻟﻌﺮﺑ ّﻴﺔ‬ ‫ﻛﻨﺖ ﱡ‬ ‫ُ‬ ‫ﻣﻦ ﺗﻠﻚ ﺍﻟﺰﺍﻭﻳﺔ ﻗﺒﻞ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﻭﺇﻥ‬
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‫ﺃﺿﺎﻓﺖ‬ ‫ﺩﺭﺑﻬﺎ ﺍﻟﺤﻤﻴﻤﺔ‪» :‬ﻧﺰﻭﺓ«‪.‬‬ ‫ﺇﻳﻘﺎ َﻉ ﻛﻠﻤ ِﺔ‪» :‬ﻧﺸﻮﺓ« ﻭﺭﻓﻴﻘ ِﺔ ِ‬
‫ﻛﻞ ﺍﻵﺑﺎﺀ ﻭﺍﻷﻣﻬﺎﺕ‪ ،‬ﻣﻤﻦ ﺗﻌﺮ ُﻓﻬﻢ ﺃﻭ ﺳﻤ َﻌ ْﺖ ﻋﻨﻬﻢ‪ ،‬ﺍﻟﺬﻳﻦ‬ ‫ﺃﻥ ﱠ‬
‫ﻣﺪﻧ ﱡﻴﻮﻥ‪،‬‬ ‫ﺃﻋﻄﻮﺍ ﻷﺑﻨﺎﺋﻬﻢ ﻫﺬﺍ ﺍﻻﺳﻢ ﻫﻢ ﻏﺎﻟﺒﴼ ﻣﺜﻘﻔﻮﻥ‪ ،‬ﻣﻨﻔﺘﺤﻮﻥ‪َ ،‬‬
 ‫ﻟﻄﻴﻔﻮﻥ!‪...‬‬
‫ﺮﻛﺰﺗﻴﻦ ﺩﻗﻴﻘﺘﻴﻦ ﻋﻦ ﺍﻟﻌﺎﻟﻢ‬ ‫َ‬ ‫ﺣﺪﺛﺘﻨﻲ ﺃﻳﻀﴼ ﺑﻜﻠﻤﺘﻴﻦ ُﻣ ﱠ‬ ‫ْ‬ ‫َ‬ ‫ﱠ‬
‫ﺍﻟﺤ ْﻤ َﻴ ِﺮﻱ ﺍﻟﺬﻱ ﻛﺎﻥ ﻃﻠﻴﻌ ّﻴﴼ‬ ‫ﺍﻟﻤﻌﺘﺰﻟﻲ ﺍﻟﺸﻬﻴﺮ ﻧﺸﻮﺍﻥ ِ‬ ‫ﱢ‬ ‫ﺍﻟﻴﻤﻨﻲ‬
‫ﺍﻟﻬﺎﺷﻤﻲ ﺃﻭ‬
‫ﱡ‬ ‫ﻼ ﺃﻥ ﻳﻜﻮﻥ ﺍﻻﻧﺘﻤﺎ ُﺀ‬ ‫ﺽ ﻣﺜ ً‬ ‫ﻣﺘﻨﻮﺭﴽ ﻓﻲ ﻋﺼﺮﻩ‪ .‬ﻋﺎ َﺭ َ‬ ‫ﱢ‬
‫ﻟﻤﻘﻌﺪ ﺍﻹﻣﺎﻣﺔ‪ .‬ﻭﺭﺃﻯ ﺃﻥ ﺗﻜﻮﻥ ﻟﻸﻓﻀﻞ‪ ،‬ﺃﺳﻮﺩﴽ‬ ‫ِ‬ ‫ﺍﻟ ِﻌ ْﺮ ِﻗ ﱡﻲ ﺷﺮﻃﴼ ُﻣﺴﺒﻘﴼ‬
‫ﻭﺟﻨﺴﻪ‪،‬‬
‫ِ‬ ‫ﻭﻧﺴﺒ ِﻪ‬
‫ِ‬ ‫ﺑﻐﺾ ﺍﻟﻨﻈﺮ ﻋﻦ َﺣ َﺴ ِﺒﻪ‬ ‫ﺃﻡ ﺃﺑﻴﻀﴼ‪ ،‬ﻓﻘﻴﺮﴽ ﺃﻭ ﻏﻨ ّﻴﴼ‪ ،‬ﱢ‬
‫ﺃﻭﻏ َﻞ ﻓﻲ‬‫ﻋﻤﻴﻖ ﺭﺍﺋﻊ!‪َ ...‬‬ ‫ٍ‬ ‫ﺑﺘﻌﺒﻴﺮ‬
‫ٍ‬ ‫ﻷﻥ »ﺫﻟﻚ ﻫﻮ ﺍﻟﻌﺪﻝ!«‪ ،‬ﻛﻤﺎ ﻗﺎﻝ‬
‫ﺍﻟﻌﻘﻞ ﻣﻨﻬﺠﴼ‪َ .‬ﻓ ﱠﻀ َﻞ ﺃﻳﻀﴼ‬ ‫َ‬ ‫ﺍﻟﻤﻘ ﱢﻠﺪﻳﻦ ﺍﻟﺬﻳﻦ ﻻ ﻳﺴﺘﺨﺪﻣﻮﻥ‬ ‫ﺍﻧﺘﻘﺎﺩ ُ‬
‫ﻋﻘﻠﻴ ٍﺔ ﻭﻟﻴﺲ‬‫ﱠ‬ ‫ﻳﻦ ﻧﺎﺑﻌﴼ ﻋﻦ ﻗﻨﺎﻋ ٍﺔ‬ ‫ﻷﻱ ِﺩ ٍ‬‫ﺃﻥ ﻳﻜﻮﻥ ﺍﻧﺘﻤﺎ ُﺀ ﺍﻹﻧﺴﺎﻥ ﱢ‬
‫ﺑﺴﺒﺐ ِﻭﻻﺩﺗ ِﻪ ﻓﻲ ﺑﻴﺌ ٍﺔ ﺃ ﱠﺩ ْﺕ ﺃﺗﻮﻣﺎﺗﻴﻜﻴﴼ ﺇﻟﻰ ﺫﻟﻚ‪ .‬ﺃﻱ ﺃﻥ ﻳﻜﻮﻥ ﺍﻧﺘﻤﺎ ًﺀ‬ ‫ِ‬
‫ﻧﻘﻮﻝ ﺍﻟﻴﻮﻡ‪ ...‬ﻭﻣﺎ ﺇﻟﻰ ﺫﻟﻚ ﻣﻦ‬ ‫ُ‬ ‫»ﻋ ْﺮﻗ ّﻴﴼ«‪ ،‬ﻛﻤﺎ‬ ‫»ﺛﻘﺎﻓ ّﻴﴼ« ﻭﻟﻴﺲ ِ‬
‫ﻣﺘﻨﻮﺭ ِﺓ ﺟﺪﴽ ﻻﺳﻴﻤﺎ ﻓﻲ ﺫﻟﻚ ﺍﻟﺰﻣﺎﻥ!‬ ‫ﺃﻓﻜﺎﺭ ﱢ‬
‫ٍ‬
‫‪15‬‬ ‫ﻛﻞ ﺫﻟﻚ!‬ ‫ﺷﻌﺮﺕ ﺑﺎﻟﻐﺒﺎﺀ ﺣﻘﴼ‪ ،‬ﻟﻢ ﺃﻛﻦ ﺃﻋﺮﻑ ﺷﻴﺌﴼ ﻋﻦ ﱢ‬ ‫ّ‬ ‫ُ‬
‫ﺃﺟﻬﻞ ﺗﻤﺎﻣﴼ ﺫﺍﻛﺮ َﺓ ﺍِﺳﻤﻲ ﻭﺟﺬﻭ َﺭﻫﺎ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ‪ُ .‬ﺳ ِﺮ ْﺭﺕ ﺃﻧﻬﺎ‬
‫ُ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬
‫ﺟﺬﺍﺑﺔ‪...‬‬‫ﺍﻧﻄﺒﺎﻋﺎﺕ ﻣﻀﻴﺌ ًﺔ ﱠ‬ ‫ٍ‬ ‫ُﺗﺜﻴ ُﺮ ﻟﺪﻯ ﻫﺬﻩ ﺍﻟﺤﺴﻨﺎﺀ ﺍﻟﺼﻐﻴﺮﺓ‬
‫ﺑﺎﺏ ﺍﻟﻤﺠﺎﻣﻠ ِﺔ‬ ‫ﺍﻟﺮﺩ‪ .‬ﻟﻢ ﺃﻗﻞ ﻟﻬﺎ ﺃﻳﻀﴼ‪ ،‬ﻣﻦ ِ‬ ‫ﻋﺎﺟﺰ ﻋﻦ ﱠ‬ ‫ٍ‬ ‫ﺍﺑﺘﺴﻤﺖ ﺍﺑﺘﺴﺎﻣ َﺔ‬
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‫ﺃﺣﺐ ﺍِﺳ َﻢ ﺇﻟﻬﺎﻡ‪ ،‬ﺭﻏﻢ ﺃﻧﻲ ﺃﻋﺸ ُﻘ ُﻪ ﻋﺸﻘﴼ!‪...‬‬ ‫ﻋﻠﻰ ﺍﻷﻗﻞ‪ ،‬ﺇﻧﻲ ﱡ‬
‫ﻇﻦ‪ ،‬ﺃﻥ‬ ‫ﺍﻗﺘﺮﺡ ﻟﻬﺎ ﺻﺪﻳﻘﻲ‪ ،‬ﻣﻦ ﺑﺎﺏ ﺍﻟﺪﻋﺎﺑﺔ ﻛﻤﺎ ﱠ‬
‫ﺗﺼﻮ َﺭ ﻭﻋ ْﻜﺲ ﻣﺎ‬ ‫ﺗﺸﺎﺭﻛﻨﺎ ﻛﺄﺳﴼ ﻣﻦ ﺍﻟﻨﺒﻴﺬ! ﻭﺍﻓ َﻘ ْﺖ‪ ،‬ﻋ ْﻜﺲ ﻣﺎ ﱠ‬
‫ﻭﺗﻮﺟﺲ‪ .‬ﻟﻢ‬ ‫ﱡ‬ ‫ﻌﺖ ﺗﻤﺎﻣﴼ! ﺩﻭﻥ ﺃﻥ ﺗﻨﻈﺮ ﻧﺤﻮﻱ ِﺑﺘﺮ ﱡﺩ ٍﺩ ﺃﻭ ِﺑ ِﺮﻳﺒ ٍﺔ‬ ‫ﺗﻮ ﱠﻗ ُ‬
‫ﺗﻔﺮﺿﻬﺎ ﺛﻘﺎﻓ ُﺔ‬ ‫ُ‬ ‫ﻧﻔﺎﻕ ُﻣﺸ ﱠﻔﺮ ٍﺓ‬
‫ﺑﻠﺪﻫﺎ! ‪ -‬ﻋﺒ َﺮ ﻧﻈﺮ ِﺓ ٍ‬ ‫ﺍﺑﻦ ِ‬ ‫ﺗﺘﻮ َﺥ ﻣﻨﻲ ‪ُ -‬‬
‫»ﺍﻟﺴﻤﺎ َﺡ« ﻟﻬﺎ ﺃﻭ ﺗﺤﻔﻴﺰﻫﺎ ﻋﻠﻰ‬ ‫ﻣﺠﺘﻤﻌﺎﺗﻨﺎ ﺍﻟﺬﻛﻮﺭﻳّﺔ ﺍﻟﻤﺘﺨﻠﻔﺔ‪ ،‬ﱠ‬
‫ﻛﺮ َﺭ ﻣﻘﺘﺮ َﺡ ﺻﺪﻳﻘﻲ ﺑﺪﻋﻮ ِﺗﻬﺎ ﻟﻤﺸﺎﺭﻛﺘﻨﺎ‬ ‫ﺫﻟﻚ‪ .‬ﻟﻢ ﺗﻨﺘﻈﺮ ﺃﻥ ﺃُ ﱢ‬
‫ﺍﻟﻨﺒﻴﺬ‪ ،‬ﺃﻭ ﺃﻥ ﺃﺑﺎﺭﻙ ﺩﻋﻮ َﺗ ُﻪ ِﺑﻨﻈﺮ ٍﺓ ﻣﻮﺍﺭﺑﺔ‪ .‬ﻟﻢ ﺗﻜﺘﺮﺙ ﺣﺘﻰ ﺑﻘﺮﺍﺀ ِﺓ‬
‫ﻭﺍﻟﺤﻖ ﻳﻘﺎﻝ‪ ،‬ﺳﻠﻮﻛﴼ ﺟﺮﻳﺌﴼ‬ ‫ﱡ‬ ‫ﻧﻈﺮﺍﺕ ﻭﺟﻬﻲ ﻭﺗﻔﺴﻴﺮﻫﺎ‪ ...‬ﻟﻢ ﺃﺗﻮ ﱠﻗ ْﻊ‪،‬‬
‫ﻣﺪ ِﻧ ّﻴﺔ‪ ،‬ﻓﻤﺎ ﺑﺎﻟﻜﻢ‬ ‫ﺣ ّﺮﴽ ﻭﺍﺛﻘﴼ ﺑﺎﻟﻨﻔﺲ ﻛﻬﺬﺍ ﻣﻦ ﺃﻛﺜﺮ ﺑﻨﺎﺕ َﻋ َﺪﻥ َ‬
‫ﺗﺮﻋﺮﻋﺖ ﻓﻲ ﺟﺒﺎﻝ ﺻﻨﻌﺎﺀ ﺍﻟﻜﺎﺳﺮﺓ ﺍﻟﺘﻲ ﻟﻢ ﺗﻌﺮﻑ ﻳﻮﻣﴼ‬ ‫ْ‬ ‫ﺑﻔﺘﺎ ٍﺓ‬
‫ﻭﺍﻟﺤﺮﻳﺔ ﻭﺍﻻﻧﻔﺘﺎ َﺡ ﻋﻠﻰ ﺍﻟﻌﺎﻟﻢ!‬ ‫َ‬ ‫ﱠ‬ ‫َ‬ ‫ﱡ‬
‫ﻭﺍﻟﺘﻌﺪ ِﺩ ﱠﻳﺔ‬ ‫َ‬
‫ﺍﻟﻤﺪﻧﻴﺔ‬
‫ﱠ‬
‫ﺣﺪ ﻟﻬﺎ‬ ‫ﱠ‬ ‫ﻻ‬ ‫ً‬
‫ﺓ‬ ‫ﺬ‬‫ﱠ‬ ‫َ‬
‫ﻟ‬ ‫ُ‬
‫ﻭﺟﺪﺕ‬ ‫ﺫﻟﻚ!‬ ‫ﺑﻌﺪ‬ ‫ﺍﻟﺪﻫﺸﺔ‬ ‫ﻣﻦ‬ ‫ﻒ‬ ‫ﻗ‬
‫ﱠ‬ ‫ﺃﺗﻮ‬ ‫ﻟﻢ‬ ‫ﺛﻢ‬
‫ﱠ‬
‫ﺗﺘﺤﺪ ُﺙ‬
‫ﱠ‬ ‫ﻭﻫﻲ‬ ‫ﺍﻟﻌﺬﺏ‬ ‫ﺍﻟﺮﻗﺮﺍﻕ‬
‫ِ‬ ‫ﺍﻟﻤﻮﺳﻴﻘﻲ‬
‫ﱢ‬ ‫ﻬﺎ‬ ‫ﺗ‬
‫ِ‬ ‫ﺻﻮ‬ ‫ﺍﻧﺴﻴﺎﺏ‬
‫َ‬ ‫ﻭﺃﻧﺎ ﺃﺳﻤ ُﻊ‬
‫ﻣﻌﻨﺎ ﺍﻟﻔﺮﻧﺴﻴﺔ ﺑﻄﻼﻗﺔ‪ ،‬ﺃﻭ ﻭﻫﻲ ﺗﺨﺎﻃﺒﻨﻲ ﺑﻴﻦ ﺍﻟﻔﻴﻨ ِﺔ ﻭﺍﻟﻔﻴﻨ ِﺔ‬
‫ﻣﻮﺍﺿﻴﻊ‬
‫َ‬ ‫ِﺑﻠﻬﺠ ِﺘﻬﺎ ﺍﻟﺼﻨﻌﺎﻧﻴﺔ ﺍﻟﻬﻮﺍﺋﻴﺔ ﺍﻟﻐ ِﻨﺠﺔ‪ .‬ﻋﺒ َﺮ ْﺕ ﺩﺭﺩﺷ ُﺘﻨﺎ‬
‫ﻋﺎﻡ‬
‫ﺍﻟﻤﺰﻣ ُﻊ ﺇﻧﻬﺎﺅﻩ ﺑﻌﺪ ٍ‬ ‫ﻛﺜﻴﺮﺓ‪ :‬ﺳﻘﻮﻁ ﺳﻮﺭ ﺑﺮﻟﻴﻦ ﻭﺗﻮﺣﻴﺪ ﺃﻟﻤﺎﻧﻴﺎ ُ‬
‫ﺍﻟﻤ َﻄﺮ« ﻟﺪﻭﺳﺘﻴﻦ ﻫﻮﻓﻤﺎﻥ ﻭﺗﻮﻡ ﻛﺮﻭﺯ ﺍﻟﺬﻱ‬ ‫»ﺭﺟﻞ َ‬ ‫ُ‬ ‫ﺑﺎﻟﻀﺒﻂ؛ ﻓﻴﻠﻢ‬
‫ُﻌﺮﺽ ﺣﻴﻨﻬﺎ؛ َﻣ َﻄﺮ ﺷﻤﺎﻝ ﻓﺮﻧﺴﺎ ﺍﻟﺬﻱ ﻻ ﻳﺘﻮ ّﻗﻒ ﻭﺍﻟﺬﻱ‬ ‫ﻛﺎﻥ ﻳ ُ‬
‫ﺍﻟﻠﻐﻮﻳﺔ ﻋﻨﺪ ﺑﺪﺀ‬ ‫ﱠ‬ ‫ﺗﺤﻮ َﻝ ُﺣ ﱡﺒﻨﺎ ﻟﻪ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ‪ ،‬ﺇﻟﻰ ﻋﺪﺍﺀ؛ ﻫﻔﻮﺍﺗﻨﺎ‬ ‫ﱠ‬
‫ﻭﺍﻟﻤﻄﺒﺎﺕ‬ ‫ﺍﻟﺪﺭﺍﺳﺔ‬ ‫ﻓﻲ‬ ‫ﺍﻷﻭﻟﻰ‬ ‫ﺍﻟﺸﻬﻮﺭ‬ ‫ﻣﺸﺎﻛﻞ‬ ‫ﺍﻟﻔﺮﻧﺴﻴﺔ؛‬ ‫ﻢ‬ ‫ﱡ‬
‫ﱠ‬ ‫ﺗﻌﻠ ِ‬
‫ﺍﻟﻤﻀﺤﻜﺔ ﺍﻟﺘﻲ ﻭﻗﻌﻨﺎ ﺑﻬﺎ ﻋﻨﺪ ﻭﺻﻮﻟﻨﺎ‪...‬‬
‫ﺃﻏﺎﻥ ‪very british‬‬ ‫ُﻃﻔﻨﺎ ﺗﻠﻚ ﺍﻟﻤﻮﺍﺿﻴﻊ ﻋﻠﻰ ﺃﻧﻐﺎﻡ ﺭﺣﻠ ِﺔ ٍ‬ ‫‪16‬‬
‫»ﺍﻟﺒ ْﻴﺘ ْﻠﺰ«‪:‬‬ ‫َ‬
‫»ﺍﻟﻐﻮﺍﺻﺔ ﺍﻟﺼﻔﺮﺍﺀ« ﻭﻣﺎ ﺑﻌﺪ ﺗﻔﺮﻗﻊ‬ ‫ﱠ‬ ‫ﺑﺪﺃ ْﺕ ِﺑﻔﺮﻗ ِﺔ ِ‬
‫»ﺃﺟﻨﺒﻲ ﻓﻲ‬
‫ّ‬ ‫َﺖ ِﺏ‪ :‬ﺳﺘﻴﻨﺞ‬ ‫»ﺍﻟﺒ ْﻴﺘ ْﻠﺰ«‪ ،‬ﺟﻮﻥ ﻟﻴﻨﻮﻥ‪َ » :‬ﺗ َﺨ ﱠﻴ ْﻞ!« ﻭﺍﻧﺘﻬ ْ‬ ‫ِ‬
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‫ﻻﺣﻈ ُﺖ‬ ‫»ﺍﻟﺒﺤﺎﺭ ﺍﻟﺴﺒﻌﺔ«‪...‬‬ ‫ِ‬ ‫ﺍﻭﺭﻳﺜﻤﻴﻜﺲ‬ ‫ﴽ‪:‬‬ ‫ّ‬
‫ﺟﺪ‬ ‫ﻭﺍﻟﺮﺍﺋﻌﺔ‬ ‫ﻧﻴﻮﻳﻮﺭﻙ«‪،‬‬
‫ﺮﻱ‬ ‫ْ‬
‫ﺍﻟﺒﺪﻳﻬﻲ‪ ،‬ﺍﻟ ِﻔﻄ ّ‬
‫ّ‬ ‫ﺍﻟﻤﻨﻄﻘﻲ‪،‬‬
‫ّ‬ ‫ﺷﺨﺼﻴ ِﺔ ﺇﻟﻬﺎﻡ‪ ،‬ﺍﺳﺘﺤﻮﺍ َﺫﻫﺎ‬ ‫ﱠ‬ ‫ﻗ ّﻮ َﺓ‬
‫ِﻟﻤﻮﻗﻊ ﻣﺮﻛﺰ ﺍﻟﻨﻘﺎﺵ‪ ،‬ﺻﻔﺎ َﺀ ﺫﻫﻨﻬﺎ‪ ،‬ﺗﻌﻠﻴﻘﺎ ِﺗﻬﺎ ﺍﻟﻔﻜﺎﻫﻴﺔ ﺍﻟﻤﻜ ﱠﺜﻔﺔ‪،‬‬
‫ﺍﻟﺠﻠﻲ ﻟﻠﺘﻌ ﱡﻠﻢ‪ ،‬ﻟﻠﺘﻔﻜﻴﺮ‬ ‫ﱠ‬ ‫ﻗﻬﻘﻬ َﺘﻬﺎ ﺍﻟﺤﻠﻮﺓ‪ ،‬ﻏﺰﺍﺭ َﺓ ﻣﻌﺎﺭ ِﻓﻬﺎ‪ ،‬ﺗﻮ َﻗﻬﺎ‬
‫ﺍﻟﺤ ّﺮ‪ِ ،‬ﻟﻠﺤﻴﺎﺓ ﺍﻟﺤ ّﺮﺓ!‪...‬‬
‫ﻛﻨﺖ ﻣﻨﺪﻫﺸﴼ ﻛﺄﻧﻨﻲ ﺃﻣﺎﻡ ﻓﺘﺎ ٍﺓ ﺧﺎﺭﺟ ٍﺔ ﻋﻠﻰ ﺍﻟﺘ ّﻮ ﻣﻦ‬ ‫ُ‬
‫ﻟﻌﻞ ﻛﻠﻤ َﺔ ﺍﻟﺪﻫﺸﺔ ﻻ ُﺗ ﱢ‬
‫ﻌﺒ ُﺮ‬ ‫ﺻﻔﺤﺎﺕ ﺭﻭﺍﻳﺔ‪ ،‬ﻫﺎﺑﻄ ٍﺔ ﻣﻦ ﺍﻟﺨﻴﺎﻝ‪ .‬ﱠ‬ ‫ِ‬
‫ﺑﺎﻧﺰﻳﺎﺡ ﻣﺎ‪ ،‬ﺑﺄﺣﺎﺳﻴﺲ‬ ‫ٍ‬ ‫ﻛﻨﺖ ﺃﺷﻌﺮ‬ ‫ُ‬ ‫ﺃﺣﺲ ﺑﻪ!‬ ‫ﱡ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﻋﻤﺎ‬‫ِﺑﺪ ﱠﻗﺔ ّ‬
‫ﺟﺪﴽ ﻓﻲ ﺍﻹﺻﻐﺎﺀ ﻭﺍﻟﺘﺤﺪﻳﻖ ﻭﺍﻟﻤﺮﺍﻗﺒﺔ‪.‬‬ ‫ﺮﻛﺰﴽ ّ‬ ‫ﻛﻨﺖ ُﻣ ﱢ‬ ‫ُ‬ ‫ﻏﻴﺮ ﺃﻟﻴﻔﺔ!‬
‫َ‬
‫ﺷﺪﻳﺪ‬ ‫ﺍﻻﻫﺘﻤﺎﻡ ﺑﺎﺧﺘﻴﺎﺭ ﺃﺣﻠﻰ ﺍﻟﻜﻠﻤﺎﺕ‪ ،‬ﺃﻛﺜﺮﻫﺎ ﺗﻌﺒﻴﺮﻳﺔ‪...‬‬ ‫ِ‬ ‫َ‬
‫ﺷﺪﻳﺪ‬
‫ُ‬
‫ﺍﻟﺮﻏﺒ ِﺔ ﺑﺎﻟﺠﺬﺏ ﻭﺍﻹﻣﺘﺎﻉ ﻭﺇﻥ ﻗﺎﺩﻧﻲ ﺫﻟﻚ ﺃﺣﻴﺎﻧﴼ ﺇﻟﻰ ﺍﻟﺘﻠ ْﻌﺜﻢ ﻋﻨﺪﻣﺎ‬
 ‫ُ‬
‫ﺷﻌﺮﺕ ِﺑﻄﻼﻗ ٍﺔ‬ ‫ﻟﻠﺨﺮﻭﺝ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪...‬‬ ‫ْ‬
‫ﺗﺪﺍﻓﻌﺖ ﺃﻛﺜﺮ ﻣﻦ ﺟﻤﻠ ٍﺔ‬
‫ِ‬
‫ﻭﺟ ْﺪﺭﺍﻧﻲ‪ ،‬ﻣﻦ‬ ‫ﻛﻨﺖ ﺃﺧﺮ ُﺝ ﻣﻦ ﻣﻌﺎ ِﻗﻠﻲ ُ‬ ‫ُ‬ ‫ﻏﻴﺮ ﺍﻋﺘﻴﺎﺩﻳﺔ‪ ،‬ﻛﻤﺎ ﻟﻮ‬
‫ُ‬ ‫ُ‬
‫ﺗﺮﺳﻴﻤﺎﺗﻲ ﺍﻟﺘﻘﻠﻴﺪﻳﺔ‪ ،‬ﻣﻦ ﺃﻃ ِﺮﻱ ﺍﻟﺜﺎﺑﺘﺔ‪...‬‬
‫ﺑﻌﺪ ﻣﺎ ﻳﺰﻳﺪ ﻋﻠﻰ ﺍﻟﺴﺎﻋﺔ ﺗﻘﺮﻳﺒﴼ ﻏﺎﺩ َﺭ ْﺗﻨﺎ ﺇﻟﻬﺎ ُﻡ ﻋﺎﺋﺪ ًﺓ ﺇﻟﻰ‬
‫ﺗﺮﻛ ْﺖ َﻣ ْﻴ َﺴﻤﴼ ﻓﻲ ﺍﻷﺣﺸﺎﺀ‪ُ ،‬ﺷ ْﺮﺧﴼ ﻓﻲ‬ ‫ﻏﺮﻓﺘﻬﺎ ﺍﻟﺠﺎﻣﻌﻴﺔ‪ .‬ﺳﺎﻋ ٌﺔ َ‬
‫ﺍﻟﻀﻠﻊ!‬

‫‪17‬‬
‫ﻃﻮﻳﻞ ﻫﺎﺩﺉ‪ .‬ﻛﻘﻄﻌ ِﺔ‬ ‫ٍ‬ ‫ﻛﻨﻬﺮ‬
‫ٍ‬ ‫ﻣﺮ ِﺕ ﺍﻷﺷﻴﺎ ُﺀ ﺑﻌﺪ ﺫﻟﻚ‬ ‫ﱠ‬
‫َﻤﺮ ﺃﺳﺒﻮ ٌﻉ ﻭﺍﺣ ٌﺪ ﺇﻻ‬ ‫ُ‬ ‫ﻳ‬ ‫ﻟﻢ‬ ‫ﻛﺎﺗﺪﺭﺍﺋﻴﺔ‪...‬‬ ‫ﻓﻲ‬ ‫ُ‬
‫ﻑ‬ ‫َ‬
‫ﺰ‬ ‫ﻌ‬ ‫ُ‬
‫ﺗ‬ ‫‪،Orgue‬‬ ‫ﺃُ ُ‬
‫ﻭﺭﻏﻦ‪،‬‬
‫ﻭﺃﻧﺎ ﺃ ﱠﺗ ِﺼ ُﻞ ﺑﺈﻟﻬﺎﻡ ﺷﺎﺭﺣﴼ ﻟﻬﺎ ﺃﻧﻲ ﺃﻭ ﱡﺩ ﺍﻟﻘﻴﺎﻡ ﺑﺰﻳﺎﺭ ٍﺓ ﺳﻴﺎﺣﻴﺔ ﺑﺤﺘﺔ‬
‫ِﻟﻨﺎ ْﻧﺖ‪ ،‬ﻭﺃﻧﻲ ﺃﻫﻔﻮ ﻟﺮﺅﻳﺘﻬﺎ‪ ،‬ﺇﻥ ﺃﻣﻜﻦ‪ ،‬ﻟﺘﻌﺮﻳﻔﻲ ﺑﻤﻌﺎﻟﻢ ﺍﻟﻤﺪﻳﻨﺔ‪.‬‬
‫ﻨﻂ‬‫ﻣﺜﻞ ُﻣ َﻤ ْﻐ ٍ‬‫ﻛﻨﺖ َ‬ ‫ُ‬ ‫ﻭﺍﻓ َﻘ ْﺖ! ﺍﻟ َﺘ َﻘ ْﻴﻨﺎ ﺃﻣﺎﻡ ﺑﺎﺏ ﻣﺤﻄﺔ ﺍﻟﻘﻄﺎﺭ‪.‬‬
‫ﺗﻤﺎﻣﴼ‪ ،‬ﻗﺒﻞ ﺍﻟﺮﺣﻠﺔ‪ ،‬ﺃﺛﻨﺎﺀﻫﺎ‪ ،‬ﺑﻌﺪﻫﺎ‪...‬‬
‫ﺍﻟﻤﺤﻄ ِﺔ ﺃﻛﺜﺮ ﺗﻬ ﱡﻴﺌﴼ ﻭﺇﺷﺮﺍﻗﴼ ﻣﻦ‬ ‫ّ‬ ‫ﻛﺎﻧﺖ ﺇﻟﻬﺎ ُﻡ ﺃﻣﺎﻡ ﺑﺎﺏ‬ ‫‪18‬‬
‫ﺃﺗﻔﺠ ُﺮ ﺃﻣﻼً‬‫ﱠ‬ ‫ﺑﺸﻜﻞ ﺟﻌﻠﻨﻲ‬‫ٍ‬ ‫ﺃﻋﺪ ْﺕ ﻧﻔﺴﻬﺎ ﻟﻠﻘﺎﺋﻲ‬ ‫ﺍﻟﻤﺮﺓ ﺍﻟﺴﺎﺑﻘﺔ‪ .‬ﱠ‬
‫ﻟﻤﺴﺎﺕ ﺍﻟﻤﺎﻛﻴﺎﺝ ﺍﻟﻤﺤﻴﻄﺔ ﺑﻌﻴﻨﻴﻬﺎ‬ ‫ُ‬ ‫ﺗﺸﻬﺪ ﻋﻠﻰ ﺫﻟﻚ‪:‬‬ ‫ُ‬ ‫ﻭﺳﻌﺎﺩﺓ‪.‬‬
‫ﺍﻟﻮﺍﺳﻌﺘﻴﻦ ﺫﺍﺕ ﺍﻟﺒﺮﻳﻖ ﺍﻟ ُﻜ ُﺤ ِﻠ ﱢﻲ ﺍﻟﻘﺎﺗﻞ؛ ﺍﻟﻀﻔﺎﺋ ُﺮ ﺍﻟﺤﻠﺰﻭﻧﻴﺔ‬
‫ﺩﺍﺋﺮﻳﺔ ُﺣ ﱠﺮﺓ؛ ﻫﺬﺍ‬ ‫ﱠ‬ ‫ﺍﻟﻄﻠﻴﻖ ﺍﻟﻤﻨﺘﻬﻴ ُﺔ ﺑﺨﺼﺎﺋﻞ‬ ‫ِ‬ ‫ﺸﻌﺮﻫﺎ ﺍﻟﻜﺴﺘﻨﺎﺋﻲ‬ ‫ِﻟ ِ‬
‫ﺍﻟﺰﻧﺒﻘﻲ ﺍﻟﻔﺎﺗﺢ‪ ،‬ﺍﻟﺬﻱ ﻳُﺠﻠﻲ‬ ‫ﱢ‬ ‫ﺍﻟﻠﻮﻥ‬
‫ِ‬ ‫ﺍﻟﺤﺮﻳﺮﻱ ﺍﻟﺨﻔﻴﻒ ﺫﻭ‬ ‫ّ‬ ‫ﺍﻟﻔﺴﺘﺎﻥ‬
‫ﻭﺷﺪ ِﺓ ﺭﺷﺎﻗﺘﻪ؛ ﺍﻟﻮﺭ ُﺩ ﺍﻟﺨﻔﻴﻒ ﻋﻠﻰ ﺷﻔﺘﻴﻬﺎ؛‬ ‫ﺟﺴﺪﻫﺎ ﱠ‬ ‫ِ‬ ‫ﻋﺒﻘﺮﻳ ِﺔ‬
‫ﱠ‬ ‫َ‬
‫ﺑﻌﺾ‬
‫ﺷﺎﻝ ﺍﻟﻜﺸﻤﻴﺮ ﺍﻷﺣﻤﺮ ﺍﻟﺬﻱ ﻳﺰﻳﺪﻫﺎ ﻋﺬﻭﺑ ًﺔ ﻭﺭﻭﻣﺎﻧﺴﻴﺔ؛ ﻫﺬﺍ ﺍﻟﻌﻄﺮ‬
‫ﺍﻟﺮﺍﻗﻲ‪ ،‬ﺷﺎﻧﻴﻞ ‪ ،5‬ﺍﻟﺘﻲ ﺗﺤﻤﻞ ﻣﺴﺤ ًﺔ ُﻣﺘﻘﻨ َﺔ ﺍﻟﺘﻮﺯﻳﻊ ﻣﻨﻪ‪ ،‬ﻭﺍﻟﺬﻱ‬
‫ﺃﺭﻳﺠ ُﻪ ﻳﻮﻣﴼ ﻭﺍﺣﺪﴽ‪ ،‬ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪﺓ‪ ،‬ﻭﻛﺄ ﱠﻧ ُﻪ ﺟﺰ ٌﺀ ﻻ ﻳﺘﺠﺰﺃ‬ ‫ﻟﻦ ﻳﻔﺎﺭﻗﻬﺎ ُ‬
‫ﻣﻦ ﺗﻜﻮﻳﻨﻬﺎ ﺍﻟﺒﻴﻮﻟﻮﺟﻲ‪...‬‬
‫ﺍﻟﻬﺎﻣﺔ‪.‬‬
‫ّ‬ ‫ﻣﻌﺎﻟﻤﻬﺎ‬
‫ِ‬ ‫ﺑﺒﻌﺾ‬
‫ِ‬ ‫ﻋﺮ َﻓ ْﺘﻨﻲ‬
‫ُﻃ ْﻔﻨﺎ ﺷﻮﺍﺭ َﻉ ﺍﻟﻤﺪﻳﻨﺔ‪ ...‬ﱠ‬
‫ﺷﻮﺍﺭﻋﻬﺎ ﺍﻧﻄﺒﺎﻋﺎﺗﻨﺎ ﻭﻳﻮﻣ ّﻴﺎﺗﻨﺎ ِﺑﺤﻤﺎﺱ‬ ‫َ‬ ‫ﺗﺒﺎﺩﻟﻨﺎ ﻭﻧﺤﻦ » ُﻧ َﺨ ﱢﻴ ُﻂ«‬
‫َﺪ ْﺕ ﻋﻠﻰ‬ ‫ﺷﻴﻘ ًﺔ ﻟﺬﻳﺬﺓ‪ .‬ﺑ َ‬‫ﻭﺇﺻﻐﺎﺀ ﻭﺍﻫﺘﻤﺎﻡ‪ .‬ﻛﺎﻧﺖ ﺃﺣﺎﺩﻳﺜﻨﺎ ﻣﻨﻔﺘﺤ ًﺔ ﱢ‬
 ‫ﻛﻠﻴﻨﺎ ﺍﻟﺴﻌﺎﺩﺓ ﺑﺎﻟﻤﺸﻲ ﻃﻮﻳﻼ ﺟﻨﺒﴼ ﺇﻟﻰ ﺟﻨﺐ‪ ،‬ﺑﺘﻔﺮﻳﻎ ﺷﺤﻨﺎﺕ‬
‫ﺍﻟﻨﻈﺮ‬
‫ِ‬ ‫ﻛﺒﻴﺮﺓ ﻣﻦ ﺍﻻﻧﻄﺒﺎﻋﺎﺕ ﻭﺍﻟﺬﻛﺮﻳﺎﺕ ﺍﻟﻤﻜﺘﻮﻣﺔ‪ ،‬ﺑﺈﻣﻼﺀ‬
‫ﻠﺬ ٍﺓ‬
‫ﻛﻨﺖ ﺃﺷﻌ ُﺮ ِﺑ ﱠ‬ ‫ُ‬ ‫ﻭﺍﻟﺘﺪﻗﻴﻖ ﻓﻲ ﻋﺎﺩﺍﺗ ِﻪ ﺍﻟﺼﻐﻴﺮﺓ‪...‬‬‫ِ‬ ‫ﺑﺘﻔﺎﺻﻴﻞ ﺍﻵﺧﺮ‬
‫ﻟﻠﺘﺤﺪﻳﻖ ﺑﻬﺎ‪...‬‬
‫ِ‬ ‫ﻟﺤﻈﺎﺕ‬
‫ٍ‬ ‫ﺍﺧﺘﻼﺱ‬
‫ِ‬ ‫ﻣﺎ ﺑﻌﺪﻫﺎ َﻟ ﱠﺬﺓ ﻓﻲ َﺗ َﻨ ﱡﻔ ِﺴﻬﺎ‪ ،‬ﻓﻲ‬
‫ﺗﻮﺟﻬْﻨﺎ ﺧﺎﺭﺝ َﻧﺎ ْﻧ ْﺖ ﺑﺎﺗﺠﺎﻩ ﺷﻮﺍﻃﺊ ﺍﻷﻃﻠﺴﻲ ﺍﻟﺮﻗﻴﻘﺔ‬ ‫ﱠ‬
‫ﺍﻟﺴﺎﺣﺮﺓ‪ .‬ﺩﻋﻮﺗﻬﺎ‪ ،‬ﻭﻧﺤﻦ ﻓﻲ ﺍﻟﻄﺮﻳﻖ‪ ،‬ﻟﻠﻐﺪﺍﺀ ﻓﻲ ﻣﻄﻌﻢ ﻋﻠﻰ‬ ‫ُ‬
‫ﺍﻟﺴﺎﺣﻞ‪ .‬ﺃﻋﺘﺬ َﺭ ْﺕ ﻷﻧﻬﺎ ﺗﻜﺘﻔﻲ ﻓﻲ ﺍﻟﻈﻬﻴﺮﺓ ﺑﺄﻛﻞ ﺗﻔﺎﺣﺔ ﻓﻘﻂ!‪...‬‬
‫ﺮﺕ ﺃﺣﻼﻣﻲ‬ ‫ﻣﺎ ﺍﻟﻌﻤﻞ؟ ﻟﻠﺮﺷﺎﻗ ِﺔ ﺍﻟﻘﺼﻮﻯ ﺿﺮﻳﺒ ٌﺔ ﻗﺼﻮﻯ!‪ ...‬ﱠ‬
‫ﺗﺒﺨ ْ‬
‫ﺛﻢ‬
‫ﺍﻟﺒﺤﺮ ﱠﻳﺔ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ‪ .‬ﱠ‬ ‫ِ‬ ‫ﺃﻓﺨﺮ ﺍﻟﻤﻄﺎﻋﻢ‬ ‫ِ‬ ‫ﺑﺪﻋﻮﺗﻬﺎ ﻟﻠﻐﺪﺍﺀ ﻓﻲ‬
‫ﻧﺴﻴﺖ ِﻣ ْﻌ َﺪﺗﻲ ﺗﻤﺎﻣﴼ ﺃﻧﺎ ﺍﻟﺬﻱ ﻳﻤﻜﻦ ﺃﻥ ﺃﻧﺴﻰ‪ ،‬ﻓﻲ ﺃﻱ ﻣﻜﺎﻥ‪ ،‬ﺃﻳﺔ‬ ‫ُ‬
‫ﻗﻄﻌﺔ ﻣﻦ ﺟﺴﺪﻱ ﺇﻻ ﺍﻟﻤﻌﺪﺓ!‬
‫ﺃﺟﻤﻞ ﺷﻮﺍﻃﺊ ﺃﻭﺭﻭﺑﺎ ﻛﻤﺎ‬ ‫َ‬ ‫ﻭﺻﻠﻨﺎ ﺷﻮﺍﻃﺊ َﻻ ُﺑ ْﻮ ْﻝ ﺍﻟﻤﺠﺎﻭﺭﺓ‪،‬‬
‫‪19‬‬ ‫ﺭﻣﻞ‬
‫ُﻘﺎﻝ ﺃﺣﻴﺎﻧﴼ‪ ،‬ﻭﺃﻛﺜ َﺮﻫﺎ ﺗﻨﻈﻴﻤﴼ ﻭﺗﺠﻬﻴﺰﴽ ﻭﺟﺎﺫﺑﻴﺔ‪ِ .‬ﺳ ْﺮﻧﺎ ﻋﻠﻰ ٍ‬ ‫ﻳ ُ‬
‫ﺍﻟﺨﺮﻳﻒ ﻭﺷﺎﺣﴼ ﻣﺜﻴﺮﴽ ﻟﻠﺮﻫﺒﺔ‬ ‫ُ‬ ‫ُﻠﺒ ُﺴ ُﻪ‬
‫ﺭﻣﺎﺩﻱ ﻳ ِ‬
‫ﱟ‬ ‫ﻧﺎﻋﻢ ﺃﺷﻬﺐ‪ ،‬ﻓﻲ ﻓﻀﺎ ٍﺀ‬ ‫ٍ‬
‫ﻼ ﻋﻠﻰ ﺇﻳﻘﺎﻉ‬ ‫ﺗﺠﻮﻟﻨﺎ ﻋﻠﻰ ﺣﺎﻓﺔ ﺍﻟﺒﺤﺮ ﻃﻮﻳ ً‬ ‫ﱠ‬ ‫ﻭﺍﻟﺘﺄﻣﻞ‪.‬‬ ‫ﻭﺍﻻﻧﻄﻮﺍﺀ‬
‫ﺛﻢ ﺍﺳﺘﺮﺣﻨﺎ ﻓﻲ ﻣﻘﻬﻰ ﻣﻘﺎﺑﻞ ﻟﻠﺸﺎﻃﺊ‪ ،‬ﻋﻠﻰ‬ ‫ﻟﺬﻳﺬ ﺍﻟﺮﺗﺎﺑﺔ‪ .‬ﱠ‬ ‫ﺃﺷﻴﺶ ِ‬ ‫ٍ‬
‫ﺻﻮﺭ ٍﺓ ﺧﻠ ِﻔ ﱠﻴ ٍﺔ ﻟﺜﻼﺛﺔ ﻧﺴﺎﺀ ﺛﺨﻴﻨﺎﺕ‪ ،‬ﻃﺎﻋﻨﺎﺕ ﻓﻲ ﺍﻟﺴﻦ‪َ ،‬ﻳ ْﻐ ُﻄ ْﺴﻦَ‬
‫ﺑﺤﺮ ﻻ ﺗﺘﺠﺎﻭﺯ ﺩﺭﺟﺔ ﺣﺮﺍﺭﺗﻪ ﺍﻟﻌﺸﺮ ﺩﺭﺟﺎﺕ ﺗﻘﺮﻳﺒﴼ!‬ ‫ﺩﻭﻥ ﺍﻛﺜﺮﺍﺙ ﻓﻲ ٍ‬
‫ﺍﻣﺎﺕ ﺍﻟﺘﺜﺒﻴﺖ‬ ‫»ﻋﻮ ِ‬
‫ﻋﻠﻰ ﺷﻤﺎﻟﻬﻦ ﻭﻳﻤﻴﻨﻬﻦ ﻭﺃﻣﺎﻣﻬﻦ ﺃﻓﻮﺍ ٌﺝ ﻣﻦ ﱠ‬
‫ﻣﺘﻘﺪﻣ ًﺔ ﻧﺤﻮ ﺍﻷﻓﻖ‪،‬‬ ‫ﱢ‬ ‫ﺍﻟﺸﺮﺍﻋ ّﻴﺔ«‪ ،‬ﻭﺍﺑ ٌﻞ ﻣﻦ ﺯﻭﺍﺭﻕ ﺍﻟﻨﺰﻫﺔ ﺍﻟﺘﻲ ﺗﻤﺨ ُﺮ‬
‫ﺑﻌﻀﻬﻢ ﻋﻠﻰ‬ ‫ﺎﻕ ﺭﻳﺎﺿﺔ »ﺍﻷﻟﻮﺍﺡ ﺍﻟﺸﺮﺍﻋ ّﻴﺔ« ﻳﺘﺮ ﱠﻧ ُﺢ ُ‬ ‫ﻭﺃﺳﺮﺍﺏ ﻣﻦ ُﻋ ﱠﺸ ِ‬
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‫ﺇﻳﻘﺎﻉ ﺍﻷﻣﻮﺍﺝ ﺍﻟﻤﺒﺎﻏﺘﺔ‪...‬‬
‫ﻣﻮﺍﻋﻴﺪ ﺍﻟﻘﻄﺎﺭﺍﺕ ﻭﺍﻟﺒﺎﺻﺎﺕ‪.‬‬ ‫ِ‬ ‫ﺃﺧﺮﺟﺖ ﻣﻦ ﺟﻴﺒﻲ ﺃﻭﺭﺍﻕ‬ ‫ُ‬
‫ﻘﺖ ﻓﻴﻬﺎ ﻣﻠ ّﻴﴼ‪ُ .‬‬
‫ﻗﻠﺖ‪:‬‬ ‫ﺗﺤ ﱠﻘ ُ‬
‫ﺍﻟﻮﻗﺖ ﻟﻠﺒﻘﺎﺀ‬ ‫ِ‬ ‫َﻈﻞ ﻟﺪﻳﻨﺎ ُ‬
‫ﺑﻌﺾ‬ ‫ﻳﻠﺰﻣﻨﺎ ﺍﻟﺸﺮﻭ ُﻉ ﺑﺎﻟﻌﻮﺩﺓ ﺑﻌﺪ ﻗﻠﻴﻞ‪ .‬ﻳ ﱡ‬ ‫_ ُ‬
‫ﻭﺍﻟﺘﺠ ﱡﻮ ِﻝ ﻫﻨﺎ‪ُ .‬ﺭ ْﺑ ُﻊ ﺳﺎﻋ ٍﺔ ﺑﺎﻟﺘﺤﺪﻳﺪ!‪...‬‬
‫ﺭ ﱠﺩ ْﺕ ِﺑﻠﻬﺠ ِﺘﻬﺎ ﺍﻟﺼﻨﻌﺎﻧ ّﻴﺔ ﺍﻟﻐﻨﺎﺋﻴﺔ‪ ،‬ﻭﺑﻨﻈﺮ ٍﺓ ﺭﻗﻴﻘ ٍﺔ ﻻﻣﻌ ٍﺔ‬
‫ﻻﻣ َﺴ ْﺘﻨﻲ ﺑﺎﻟﻜﺎﺩ‪:‬‬ ‫َ‬
‫_ ِﻧ ْﻌ َﻤﺔ!‬
‫ﺍﻟﻤﺮﻛﺰﺓ‪ .‬ﺃﻭ‬
‫ﱠ‬ ‫ﺗﻌﺒﻴﺮ ﱠﻳ َﺘﻬﺎ‬
‫ِ‬ ‫ﺃﺣﺒﺒﺖ ﺩﻭﻣﴼ ﺗﻠﻘﺎﺋﻴ َﺘﻬﺎ ﺍﻟﺮﻗﻴﻘﺔ‪،‬‬ ‫ُ‬
‫ﻛﻨﺖ ﺃﺷﻌ ُﺮ ﻏﺎﻟﺒﴼ ﺑﺎﻟﺘﻘ ﱡﺰﻡ‬ ‫ُ‬ ‫ﻣﺎ ﺃﺳﻤﻴ ُﺘ ُﻪ ﺩﻭﻣﴼ‪» :‬ﺃﺣ ُﺮ َﻓﻬﺎ ُ‬
‫ﺍﻟﻤ َﻜ ﱠﺜﻔﺔ«‪.‬‬
‫ﺃﺷﺎﻫﺪ ﻛﻠﻤﺎﺗﻬﺎ ﺍﻟﻮﺟﻴﺰ َﺓ ﺍﻟﺠﻠﻤﻮﺩﻳّﺔ ﺍﻟﻐ ِﻨﺠﺔ‬ ‫ُ‬ ‫ﻭﺍﻟﺤﺬﻟﻘﺔ ﻋﻨﺪﻣﺎ‬
‫ﺍﻟﻔﺠ ِﺔ ﺍﻟﻤﻤﻄﻮﻃ ِﺔ ﺍﻟﻔﻀﻔﺎﺿﺔ‪،‬‬ ‫ﱠ‬ ‫َﺗﺴ ُﻘ ُﻂ ﻋﻤﻮﺩﻳّﴼ ﻭﺳﻂ ﻋﺒﺎﺭﺍﺗﻲ‬
‫ﻭﺗﻜﺘﺴﺤﻬﺎ ِﺑﻀﺮﺑ ٍﺔ ﻭﺍﺣﺪﺓ‪...‬‬‫ُ‬ ‫ﻔﺮﻛ ُﺸﻬﺎ ﻭ ُﺗ ﱢ‬
‫ﻬﺸ ُﻤﻬﺎ‬ ‫ُﺗ ِ‬
‫ﺍﻟﺤﻲ ﺍﻟﺠﺎﻣﻌﻲ ﻓﻲ َﻧﺎ ْﻧﺖ ﻭﻧﺤﻦ ﻓﻲ ﻧﺸﻮ ٍﺓ‬ ‫ﱢ‬ ‫ﺛﻢ ُﻋ ْﺪﻧﺎ ﻧﺤﻮ‬ ‫ﱠ‬
‫ﺍﻟﺠﺎﻣﻌﻴﺔ‪ ،‬ﻧﺎﺣﺘﴼ‬
‫ﱠ‬ ‫ﺑﺎﺏ ﻋﻤﺎﺭ ِﺗﻬﺎ‬ ‫ُ‬
‫ﻋﺎﺭﻣﺔ‪ .‬ﻭ ﱠﺩ ْﻋﺘﻬﺎ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ﻗﺮﺏ ِ‬
‫ﺍﻟﺮﻗﻤﻴ َﺔ«‬
‫ﱠ‬ ‫ﻭﻣﺨ ﱢﻠﺪﴽ ﻓﻲ »ﺳﻜﺎﻧﻴﺮ« ﺫﺍﻛﺮﺗﻲ »ﺍﻟﺼﻮﺭ َﺓ ﺍﻟﺨﺮﺍﺋﻄﻴ َﺔ‬
‫ﻤﻨﻈﺮﻫﺎ ﺍﻟﻌﺎﻡ‪ ،‬ﻣﻦ ﺃﻗﺼﻰ ﺍﻟﺮﺃﺱ ﺣﺘﻰ ﺃﺧﻤﺺ ﺍﻟﻘﺪﻣﻴﻦ‪ ،‬ﻭﻫﻲ‬ ‫ِﻟ ِ‬
‫ﺗﺘﺮﻙ ﻟﻲ ﺍﺑﺘﺴﺎﻣ ًﺔ ﺳﻌﻴﺪ ًﺓ ﺭﻗﻴﻘﺔ‪ .‬ﻛﺎﻥ ﻣﺤﻴﺎﻫﺎ ﻣﺒﺘﻬﺠﴼ ﺑﻬﺬﺍ‬ ‫ُ‬ ‫‪20‬‬
‫ﺃﺧﺬﺕ ﺍﻟﻘﻄﺎﺭ ﺑﻌﺪﻫﺎ ِﻟﺒﺎﺭﻳﺲ ﻃﺮﻭﺑﴼ ُﻣ َﺪ ْﻧ ِﺪﻧﴼ‪ ،‬ﻃﺎﺋﺮﴽ ﻋﻠﻰ‬ ‫ُ‬ ‫ﺍﻟﻠﻘﺎﺀ!‬
‫ﺃﺟﻨﺤﺔ ﻣﻼﺋﻜﺔ‪ ،‬ﻣﺸﺤﻮﻧﴼ ﺑﺎﻵﻣﺎﻝ ﻭﺍﻟﺴﻌﺎﺩﺓ‪...‬‬
‫ﻛﻞ‬
‫ﻛﻞ ﺃﺳﺒﻮﻋﻴﻦ‪ ،‬ﱠ‬ ‫ﻛﻞ ‪ 3‬ﺃﺳﺎﺑﻊ‪ ،‬ﺛﻢ ﱠ‬ ‫ﺭﺕ ﺍﻟﺰﻳﺎﺭﺓ ﱠ‬ ‫ﻛﺮ ُ‬ ‫ﱠ‬
‫ﺗﺠ ﱠﺪﺩَﺕْ‬
‫ﻛﻞ ﻣﺮﺓ‪َ :‬‬ ‫ﱠ‬ ‫ﺗﻔﺎﺻﻴﻞ ﻟﻘﺎﺀﺍﺗﻨﺎ‬
‫ِ‬ ‫ُ‬ ‫ْ‬ ‫َ‬
‫ﺃﺳﺒﻮﻉ‪ ...‬ﺍﺧﺘﻠﻔﺖ ﺑﻌﺾ‬
‫ﺃﺣﻴﺎﻧﺎ ﺍﻟﻤﻌﺎﻟﻢ ﺍﻟﺘﻲ ﺍﻛﺘﺸﻔﻨﺎﻫﺎ‪ ،‬ﺍﻟﻄﺮﻕ ﺍﻟﺘﻲ ﻋﺒﺮﻧﺎﻫﺎ‪ ،‬ﺍﻷﻣﺎﻛﻦ‬
‫ﺍﻟﺘﻲ ﺯﺭﻧﺎﻫﺎ‪ ،‬ﻟﻜﻦ ﺳﺎﻋﺎﺕ ﻟﻘﺎﺀﺍﺗﻨﺎ ﻇ ﱠﻠ ْﺖ ﻛﺎﻟﻌﺎﺩﺓ ُﻣﻔ َﻌﻤ ًﺔ ﺑﺎﻟﺜﺮﺛﺮﺓ‬
‫ﻛﻞ ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎﺓ ﻭﺫﻭﻕ‬ ‫ﺮﺻﺪ ﱢ‬ ‫ﺍﻟﻤﻤﺘﻌﺔ‪ ،‬ﺑﺎﻹﺻﻐﺎﺀ ﺍﻟﻤﺘﺒﺎﺩﻝ‪ِ ،‬ﺑ ِ‬
‫ﻣﺮ ٍﺓ‬
‫ﺯﻳﺎﺭﺍﺕ ﻻﺣﻘﺔ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﱠ‬ ‫ٍ‬ ‫ﺍﻵﺧﺮ‪ ،‬ﺑﻤﻔﺎﺟﺄﺗ ِﻪ ﺑﺎﻟﺘﺬﻛﻴﺮ ﺑﻬﺎ ﻓﻲ‬
‫ﺃﺣﻴﺎﻧﴼ‪ ،‬ﻓﻲ ﻫﺬﺍ ﺍﻟﺤﺪﻳﺚ ﺃﻭ ﺫﺍﻙ‪...‬‬

‫ﻳﻜﻦ ﻫﺪﻓﻲ ﺑﺎﻟﻄﺒﻊ ﺍﻟﻮﺛﻮﺏ ﻋﻠﻰ ﺇﻟﻬﺎﻡ ﻻﻓﺘﺮﺍﺳﻬﺎ ﺃﻭ‬ ‫ﻟﻢ ْ‬

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‫ﺃﻣﻮﺕ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺍﻟﺘﻬﺎﻣﻬﺎ ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ‪ ،‬ﺃﻭ ﻹﻃﻔﺎﺀ ﻧﺰﻭ ٍﺓ ﻋﺎﺑﺮﺓ‪ ،‬ﻭﺇﻥ‬
‫ﺴﺒﺐ ﺃﺟﻬﻠﻪ ﺃﻧﻨﻲ‬
‫ﺑﺎﻟﺘﻮﺣ ِﺪ ﺑﻬﺎ‪ .‬ﻛﻨﺖ ﺃﻋﺮﻑ‪ِ ،‬ﻟ ٍ‬
‫ﱡ‬ ‫ﺭﻏﺒ ًﺔ ﺑﺎﺣﺘﻀﺎﻧﻬﺎ‪،‬‬
 ‫ﺟﺪﴽ‪،‬‬‫ﺟﺪﴽ‪ ،‬ﺯﺟﺎﺟﻴ ٌﺔ ّ‬ ‫ﺣﺴﺎﺳ ٌﺔ ّ‬ ‫ﺟﺪﴽ‪ .‬ﱠ‬ ‫ﺧﺎﺹ ّ‬ ‫ٌ‬ ‫ﺃﻣﺎﻡ ﺇﻧﺴﺎﻧ ٍﺔ ﻟﻬﺎ ﺇﻳﻘﺎ ٌﻉ‬
‫ﻟﺴﺖ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ‬ ‫ﺠﺮﺩ ﺃﻱ ﺧﻄﺄ ﺑﺴﻴﻂ‪ُ .‬‬ ‫ﺗﻨﻔﺠ َﺮ ِﻟ ُﻤ ﱠ‬ ‫ﺗﺘﻬﺸ َﻢ ﺃﻭ ِ‬ ‫ﻳﻤﻜﻦ ﺃﻥ ﱠ‬
‫ﻼ ﻳﻠﺰﻡ ﻋﺪﻡ ﺇﻧﻜﺎﺋﻪ‪.‬‬ ‫ﻟﺪﻱ ﺷﻌﻮ ٌﺭ ﺟﺎﺭﻑ ﺑﺄﻧﻬﺎ ُﺗﺨﻔﻲ ُﺟ ْﺮﺣﴼ ﻫﺎﺋ ً‬ ‫ﻛﺎﻥ ﱠ‬
‫ﻟﻜﺜﻴﺮ ﻣﻦ ﺍﻟﺤﻨﺎﻥ‪،‬‬ ‫ﻻ ﻭﻗﺒﻞ ﻛﻞ ﺷﻲﺀ ﻟﻠﺤﻨﺎﻥ‪،‬‬ ‫ﻛﺎﻧﺖ ﺗﺤﺘﺎﺝ ﺃ ّﻭ ً‬
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‫ﻛﻨﺖ‬ ‫ﺗﺤﺮﻕ ﺍﻷﺧﻀﺮ ﻭﺍﻟﻴﺎﺑﺲ‪...‬‬ ‫ُ‬ ‫ﺣﻨﺎﻥ‬
‫ٍ‬ ‫ﻟﻨﻈﺮﺍﺕ‬
‫ِ‬ ‫ِﻟ َﻜ ْﻮ ٍﻥ ﻣﻦ ﺍﻟﺤﻨﺎﻥ‪،‬‬
‫ﻗﺪ ِﺭ ّﻳ ًﺔ ﱠ‬
‫ﺃﺯﻟﻴﺔ‪.‬‬ ‫ﺰﻥ ﻋﻼﻗ ًﺔ َ‬ ‫ﺍﻟﺤ ِ‬
‫ﺴﺒﺐ ﻣﺠﻬﻮﻝ ﺃﻥ ﺑﻴﻨﻬﺎ ﻭﺑﻴﻦ ُ‬ ‫ﻭﺍﺛﻖ ِﻟ ٍ‬
‫ﻣﺜﻞ ٍ‬ ‫َ‬
‫ﻳﺴﻴﻞ ﻓﻲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻬﺎ‪ .‬ﺟﺬﻭ ٌﺓ ﺩﺍﺋﻤﺔ‬ ‫ُ‬ ‫ﺰﻥ‬
‫ﺍﻟﺤ ِ‬ ‫ﺧﻔﻲ ﻣﻦ ُ‬ ‫ﺛﻤﺔ ﻳﻨﺒﻮ ٌﻉ ﱞ‬ ‫ّ‬
‫ﻓﺸﻞ ﺣﻴﺎﺗﻲ ﺍﻟﻮﺣﻴﺪ‪ ،‬ﺍﻟﺬﺭﻳﻊ‪،‬‬ ‫)ﻟﻌﻞ ﺧﻄﻴﺌﺘﻲ ﺍﻟﻜﺒﺮﻯ‪َ ،‬‬ ‫ﺍﻟﺤﺰﻥ‪ .‬ﱠ‬ ‫ﻣﻦ ُ‬
‫ﺃﻧﺠﺢ ﻓﻲ ﺍﻛﺘﺸﺎ ِﻓﻬﺎ ﺳﺮﻳﻌﴼ‪ ،‬ﺃﻭ ﺍﺳﺘﻘﺼﺎﺋﻬﺎ‬ ‫ْ‬ ‫ﺍﻟﻤ ْﻄﻠﻖ‪ ،‬ﻫﻮ ﺃﻧﻲ ﻟﻢ‬ ‫ُ‬
‫ﻭﺍﻟﻮﺻﻮﻝ ﺇﻟﻴﻬﺎ ﻭﺇﺧﻤﺎ ِﺩﻫﺎ ﻭﺇﻃﻔﺎﺋﻬﺎ ﻗﺒﻞ ﻓﻮﺍﺕ ﺍﻷﻭﺍﻥ‪(...‬‬ ‫ِ‬
‫ﻣﻜﺸﻮﻑ ﺃﻳﻀﴼ ﺣﺘﻰ ﻻ ﺃُﺭﺑﻚ ﺇﻳﻘﺎﻉ ﻫﺬﻩ‬ ‫ٍ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺃﻏﺎﺯﻟﻬﺎ‬ ‫ﻟﻢ‬
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‫ﻛﻨﺖ‬ ‫ﻭﻟﺬ ٍﺓ ﻫﺎﺋﻠ ٍﺔ ﺃﻳﻀﴼ‪.‬‬ ‫ﱠ‬ ‫ﻫﺎﺋﻠﺔ‪،‬‬ ‫ﺓ‬
‫ﱠٍ‬‫ﺑﻘﻮ‬ ‫ﻫﺎﺋﻞ‪،‬‬ ‫ﺍﻟﻌﻼﻗﺔ ﺍﻟﺘﻲ ﺗﻨﻤﻮ ﺑﺒﻂ ٍﺀ‬
‫‪21‬‬ ‫ﻛﻞ ﻟﻘﺎ ٍﺀ ﻟﻨﺎ ﻳﻔﺘﺢ ﺃﺑﻮﺍﺏ ﻭﻧﻮﺍﻓﺬ ﺟﺪﻳﺪﺓ‪،‬‬ ‫ﺃﺷﻌﺮ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﺃﻥ ﱠ‬
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‫ﻣﺰﻳﺪﴽ ﻣﻦ ﺍﻻﻧﺴﺠﺎﻡ ﻭﺍﻟﺘﻘﺎﺭﺏ‪ .‬ﻛﺎﻥ ﺑﺮﻳﻖ ﻋﻴﻨﻴﻬﺎ ﺍﻟﺮﻃﺒﺘﻴﻦ ﻭﻫﻲ‬
‫ﺍﻟﻤﺘﻮﻫﺠﺘﻴﻦ ﻭﺃﻧﺎ ﺃﺭﺍﻫﺎ‪ ،‬ﻳﻜﻔﻴﺎﻥ ﻟﺮﺅﻳﺔ ﻛﻢ‬ ‫ﱢ‬ ‫ﻭﺑﺮﻳﻖ ﻋﻴﻨﻴﻲ‬ ‫ُ‬ ‫ﺤﺪﺛﻨﻲ‪،‬‬‫ُﺗ ﱢ‬
‫ﺷﻔﻴﺮ ﺍﻟﻌﺸﻖ‪ ،‬ﻭﻛﻢ ُﺧ ِﻠ ْﻘﻨﺎ ﻟﻨﺤﻴﺎ ﺷﻴﺌﴼ ﻣﺎ ﺃﻛﺒ َﺮ‬ ‫ِ‬ ‫ﻛ ّﻨﺎ ﱠ‬
‫ﻧﺘﺄﺟ ُﺞ ﻋﻠﻰ‬
‫ﻣﻦ ﺍﻟﻌﺸﻖ‪ ،‬ﺃﻗﻮﻯ ﻣﻦ ﺍﻟﻌﺸﻖ‪ ،‬ﺃﻋﻈ َﻢ ﻣﻦ ﺍﻟﻌﺸﻖ‪...‬‬
‫ﻛﻞ‬
‫ﺟﺴﺪﻳّﴼ ﻣﻠﻴﻤﺘﺮﴽ ﻭﺍﺣﺪﴽ ﻓﻲ ﱢ‬ ‫ِ‬ ‫ﻛ ّﻨﺎ ﻧﻘﺘﺮﺏ ﻣﻦ ﺑﻌﻀﻨﺎ‬
‫ﻋﺒﻮﺭﻧﺎ َ‬
‫ﻃﺮﻕ‬ ‫ﺸﻜﻞ ﺧﺎﻃﻒ ﻋﻨﺪ ِ‬ ‫ﻟﻘﺎﺀ‪ :‬ﻛﺎﻧﺖ ﺃﺻﺎﺑ ُﻊ ﺃﻳﺪﻳﻨﺎ ﺗﻠﺘﻘﻲ ِﺑ ٍ‬
‫ﻈﺎﺕ ُﻣﺮ َﺗ ِﺠﻔ ًﺔ ﻗﻠﻴﻠ ًﺔ ﻛﺎﻓﻴ ًﺔ ِﻟﻤﺮﻭﺭ‬ ‫ﺗﺘﻼﻣﺲ ُﻟ َﺤ ْﻴ ٍ‬ ‫ُ‬ ‫ﺎﺭﺍﺕ ﺍﻟﺴﺮﻳﻌﺔ‪،‬‬ ‫ﺍﻟﺴ ّﻴ ِ‬
‫ﺗﻔﺘﺮﻕ ﺑﻌﺪ ﻋﺒﻮﺭ ﺗﻠﻚ ﺍﻟﻄﺮﻕ‬ ‫ُ‬ ‫ﺛﻢ‬
‫ﺍﻟﻤﺒﺎﺭﻛﺔ‪ ،‬ﱠ‬ ‫ُﺭﺯﻣ ٍﺔ ﻣﻦ ﺍﻟﻤﻴﺠﺎﻭﺍﻃﺎﺕ ُ‬
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‫ﺷﺪﺗ ُﻪ‬‫ﺍﻟﺘﻼﻣﺲ ﺛﺎﻧﻴﺔ ﻓﻲ ﻛﻞ ﻟﻘﺎﺀ‪ ،‬ﺗﺰﺩﺍ ُﺩ ﱠ‬ ‫ً‬ ‫ِ‬ ‫ﻣﺒﺎﺷﺮﺓ! ﻳﺰﺩﺍ ُﺩ ُ‬
‫ﻃﻮﻝ‬
‫ﺍﻟﺠﺴﺪﻱ ﻧﺎﻧﻮﻣﺘﺮﴽ ﻭﺍﺣﺪﴽ )‪ (3‬ﱠ‬
‫ﻛﻞ‬ ‫ّ‬ ‫ﻭﺍﻟﺘﺤﺎﻣ ُﻪ‬
‫ُ‬ ‫ﺍﻟﻜﻬﺮﻭﻣﻐﻨﺎﻃﻴﺴ ّﻴﺔ‬
‫ﺃﻋﺮﻑ ﺃﻧﻨﺎ ﺑﻬﺬﻩ ﺍﻟﺴﺮﻋﺔ ﺳﻨﺤﺘﺎﺝ ﺇﻟﻰ ﺳﺘﺔ ﺁﻻﻑ ﺳﻨﺔ ﻗﺒﻞ ﺃﻥ‬ ‫ُ‬ ‫ﻣﺮﺓ‪.‬‬
‫ﻛﻨﺖ ﺃﻛﺘﻔﻲ ﻓﻲ‬ ‫ُ‬ ‫ﻧﺘﻮﺣﺪ‪ ،‬ﻗﺒﻞ ﺃﻥ ﻧﺒﻠﻎ ﺃﻋﻠﻰ ﻣﻘﺎﻣﺎﺕ ﺍﻟﻌﺎﺷﻘﻴﻦ‪...‬‬ ‫ﱠ‬
‫ﻛﻞ ﺭﺣﻠ ٍﺔ ﺃﻗﻮ ُﻡ ﺑﻬﺎ ِﻟﻨﺎﻧﺖ ِﺑﻀﻤﺎﻥ ﻛﺴﺐ ﺫﻟﻚ ﺍﻟﻨﺎﻧﻮﻣﺘﺮ‪ ،‬ﻭﺗﻠﻚ‬ ‫ْ‬ ‫َ‬ ‫ﱢ‬
‫ﻣﺮ ﻟﻘﺎ ٌﺀ ﺩﻭﻥ‬ ‫ُ‬
‫ﻛﻨﺖ ﺃﺷﻌﺮ ﺑﺎﻟﺸﻘﺎﺀ ﺇﺫﺍ ﱠ‬ ‫ﺍﻟﺜﺎﻧﻴﺔ ﺍﻹﺿﺎﻓﻴﺔ‪ .‬ﻟﻜﻨﻲ‬
‫ﺫﻟﻜﻤﺎ ﺍﻹﻧﺠﺎﺯﻳﻦ‪ ،‬ﻭﺃﺣﺮﺹ ﻋﻠﻰ ﺗﻌﻮﻳﺾ ﺣﻘﻮﻗﻲ ﺍﻟﻤﻨﻬﻮﺑﺔ ﻛﺎﻣﻠﺔً‬
‫ﺷﺎﻣﻠﺔ ﻓﻲ ﺍﻟﻠﻘﺎﺀ ﺍﻟﻘﺎﺩﻡ‪...‬‬

‫ﻭﺍﻫﺘﻤﺎﻡ ﺷﺪﻳﺪ ﻋﻨﺪﻣﺎ‬

‫ٍ‬ ‫ﻭﺳﺮﻭﺭ‬
‫ٍ‬ ‫ﻟﻊ‬
‫ﻛﺎﻧﺖ ﺇﻟﻬﺎﻡ ﺗﺼﻐﻲ ﻟﻲ ﺑ َﻮ ٍ‬
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‫ﻛﻨﺖ‬ ‫ﻛﻨﺖ ﺃﺣﻜﻲ ﻟﻬﺎ ﻗﺼﺺ ﺣﻴﺎﺗﻲ ﻓﻲ ﻓﺮﻧﺴﺎ‪ .‬ﻻﺳ ّﻴﻤﺎ ﻭﺃﻧﻲ‬
‫ﻼ ﻳﻬﺬﻱ ﺃﻣﺎﻣﻬﺎ‬ ‫ﺃﺗﺤﻮ ُﻝ ﻃﻔ ً‬
‫ﱠ‬ ‫ﺃﺣﻜﻴﻬﺎ ﻣﻌﺠﻮﻧ ًﺔ ﺑﺎﻟﻨﻜﺘﺔ ﻭﺍﻟﺴﺨﺮﻳﺔ‪.‬‬
‫ﻛﺜﻴﺮ ﻣﻦ ﺍﻟﻮﻗﺖ‪ ...‬ﻛﺎﻧﺖ ﺗﺠﺮﻓﻨﻲ‬ ‫ٍ‬ ‫ﺃﺣﻴﺎﻧﴼ‪ .‬ﺃُﺳ ِﻜ ُﺮﻫﺎ ﺿﺤﻜﴼ ﻓﻲ‬
‫ﻛﺜﻴﺮﴽ ﺃﻳﻀﴼ ﻟﻠﺤﺪﻳﺚ ﻋﻦ ﻃﻔﻮﻟﺘﻲ ﻓﻲ ﺍﻟﻴﻤﻦ ﺩﻭﻥ ﺗﻮ ﱡﻗﻒ‪ ،‬ﻭﻛﺄ ﱠﻧﻬﺎ‬
‫ﻟﺬ ًﺓ ﻛﺒﻴﺮﺓ ﻓﻲ ﺫﻟﻚ‪.‬‬ ‫ﺗﺠﺪ ﱠ‬ ‫ﺗﺒﺤﺚ ﻋﻦ ﻃﻔﻮﻟ ٍﺔ ﺑﺪﻳﻠ ٍﺔ ِﻟﻄﻔﻮﻟ ِﺘﻬﺎ‪ُ .‬‬ ‫ُ‬
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‫ﺃﻏﺮﻕ‬ ‫ﺗﺒﺤﺚ ﻋﻦ ﺷﻲ ٍﺀ ﻣﺎ ﻋﻨﺪﻣﺎ ﻛﺎﻧﺖ ﺗﺘﺮﻛﻨﻲ‬ ‫ُ‬ ‫ﻟﻌﻠﻬﺎ ﻛﺎﻧﺖ‬
‫ﻛﻞ ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎﺓ ﺍﻟﻤﻨﺰﻝ ﻭﺍﻟﺸﺎﺭﻉ ﻓﻲ َﻋ َﺪﻥ‪ ،‬ﻣﻐﺎﻣﺮﺍﺕ‬ ‫ﻓﻲ ﺳﺮ ِﺩ ﱢ‬
‫ﻭﺷﻘﺎﻭﺍﺕ ﺍﻟﻄﻔﻮﻟﺔ‪ ،‬ﻳﻮﻣﻴﺎﺕ ﻣﺪﻳﻨﺘﻲ ﺍﻟﻤﺴﻜﻴﻨﺔ‪ ...‬ﺟﻌ َﻠ ْﺘﻨﻲ ﺃﺳﺮﺩُﻫﺎ‬ ‫‪22‬‬
‫ﻛﻞ‬
‫ﻛﻞ ﺻﺪﻳﻖ‪ ،‬ﱢ‬ ‫ﺃﺳﺘﻔﻴﺾ ﻓﻲ ﺗﻘﺪﻳﻢ ﱢ‬ ‫ُ‬ ‫ﻳﻮﻣﴼ ﻳﻮﻣﴼ‪ ،‬ﺳﺎﻋ ًﺔ ﺳﺎﻋﺔ‪.‬‬
‫ﻛﻞ ﺣﺪﺙ‪...‬‬‫ﺣﻜﺎﻳﺔ‪ ،‬ﱢ‬
‫ﺃﺣﺪﺍﺙ‬
‫ٍ‬ ‫ﺃﻣﺎ ﻫﻲ ﻓﺘﻜﺘﻔﻲ ﻓﻘﻂ‪ ،‬ﺑﺎﻧﺘﻘﺎﺋﻴ ٍﺔ ﻋﺠﻴﺒﺔ‪ ،‬ﺑﺘﻔﺼﻴﻞ‬
‫ﺗﺘﺤﺪ ُﺙ ﻋﻦ ﺃﺫﻭﺍﻗﻬﺎ ﻓﻲ ﺍﻟﻮﺟﺒﺎﺕ‬ ‫ّ‬ ‫ﺛﺎﻧﻮﻳﺔ ﻣﻦ ﺣﻴﺎﺗﻬﺎ ﻓﻲ ﺍﻟﻴﻤﻦ‪:‬‬
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‫ﺗﺘﺸﻌ ُﺐ ﻓﻲ ﺳﺮﺩ ﺍﻟﻤﻜﺎﻥ‪ ،‬ﺗﻄﻴﻞ ﻛﺜﻴﺮﴽ ﻓﻲ‬ ‫ﱠ‬ ‫ﺍﻟﻴﻤﻨﻴﺔ‪َ ،‬ﺗ ِﺼ ُﻒ ﺍﻟﻘﺮﻯ‪،‬‬
‫ﺪﺭﺳﻴﻬﺎ‪ .‬ﻟﻜﻨﻬﺎ ﺗﻬﺮﺏ ﻣﻦ‬ ‫ﺑﻌﺾ ُﻣ ﱢ‬ ‫ِ‬ ‫ﻋﺰﻳﺰﺍﺕ ﻟﻬﺎ‪،‬‬
‫ٍ‬ ‫ﺻﺪﻳﻘﺎﺕ‬
‫ٍ‬ ‫ﻭﺻﻒ‬
‫ِ‬
‫ﺍﻻﺳﺘﻐﺮﺍﻕ ﻓﻲ ﺭﺳﻢ ﺍﻟﻤﻔﺎﺻﻞ ﺍﻟﺠﻮﻫﺮﻳﺔ ﻟﺤﻴﺎﺗﻬﺎ‪ ،‬ﻓﻲ ﺍﻟﺤﺪﻳﺚ ﻋﻦ‬
‫ﻻﺳﻴﻤﺎ ﻭﺍﻟﺪﻫﺎ ﺍﻟﺬﻱ‬ ‫ﱠ‬ ‫ﻣﻨﺰ ِﻟﻬﺎ‪ ،‬ﻃﻔﻮﻟ ِﺘﻬﺎ ﺍﻷﻭﻟﻰ‪ ،‬ﻋﻼﻗ ِﺘﻬﺎ ﺑﻮﺍﻟﺪﻳﻬﺎ‬
‫ﺍﻟﺤﺪﻳﺚ‬
‫ِ‬ ‫ﺫﻛﺮ ﺍِﺳﻤﻪ ﺃﻭ‬‫ﺃﺩﺭﻛﺖ ﺳﺮﻳﻌﴼ ﺟﺴﺎﻣ َﺔ ﺧﻮ ِﻓﻬﺎ ﻣﻨﻪ ﻭﺗﺤﺎﺷﻲ ِ‬ ‫ُ‬
‫ﻧﺴﻴﺎﻥ ﻃﻔﻮﻟ ِﺘﻬﺎ‬
‫ِ‬ ‫ﺃﺟﻞ‬
‫ﺗﻨﺎﺿﻞ ﻣﻦ ِ‬ ‫ُ‬ ‫ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ‪ ...‬ﻛﺄﻧﻬﺎ‬‫ٍ‬ ‫ﻋﻨﻪ ﻣﻦ‬
‫ﺣﺪﺙ ﻣﺎ ﻓﻲ ﺳﻨﻮﺍﺕ ﻃﻔﻮﻟﺘﻬﺎ ﺍﻷﻭﻟﻰ‪،‬‬ ‫ٍ‬ ‫ﺗﻤﺎﻣﴼ! ﻋﻨﺪﻣﺎ ﺃﺳﺄﻟﻬﺎ ﻋﻦ‬
‫ﺗﺠﻴﺐ‪ :‬ﻻ ﺃﺫﻛﺮ ﺷﻴﺌﺎ ﻣﻦ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ!‪...‬‬
‫َ‬
‫ﺃﺳﺘﺸﻒ ﻣﻦ ﱠﺃﻭ ِﻝ ﻟﻘﺎ ٍﺀ ﻟﻨﺎ ﺃﻥ ﺣﻴﺎﺗﻬﺎ‬
‫ﱠ‬ ‫ﻟﻢ ﺃﺟﺪ ﺻﻌﻮﺑ ًﺔ ﻓﻲ ﺃﻥ‬
 ‫ﺗﺮﻛﺖ ﻓﻲ ﺃﻋﻤﺎﻗﻬﺎ ُﺟ ْﺮﺣﴼ ﻛﺒﻴﺮﴽ‪ ،‬ﺃَ َﻟﻤﴼ ُﻣﻄﻠﻘﴼ‪،‬‬ ‫ْ‬ ‫ﺍﻟﺴﺎﻟﻔ َﺔ ﻓﻲ ﺍﻟﻴﻤﻦ‬
‫ﺑﺸﻜﻞ ﻗﺎﻃﻊ ﻣﻦ ﺗﻠﻚ ﺍﻟﺤﻴﺎﺓ‪ ،‬ﺇﻥ ﻟﻢ َﺗ ُﻜ ْﻦ‬ ‫ٍ‬ ‫ﻣﺖ ﺍﺳﺘﻘﺎﻟﺘﻬﺎ‬ ‫ﻗﺪ ْ‬
‫ﻭﺃﻧﻬﺎ ﱠ‬
‫ﻧﺸﻴﺞ ﺁﻫﺎ ِﺗﻬﺎ ﺍﻟﺨﻔ ّﻴﺔ‬ ‫ِ‬ ‫ﺃﺑﺪﻳﺔ‪ ...‬ﻳﻜﻔﻲ ﺳﻤﺎ ُﻉ‬ ‫َﺼ َﻘ ًﺔ ﱠ‬ ‫ﺮﻛ ْﺖ ﻋﻠﻴﻬﺎ ﺑ ْ‬ ‫ﻗﺪ َﺗ َ‬
‫ﺗﻘﺘﺮﺏ ﻣﻦ ﺫﻛﺮﻳﺎﺕ ﺗﻠﻚ ﺍﻟﺴﻨﻴﻦ‪...‬‬ ‫ُ‬ ‫ﺍﻧﻘﺒﺎﺽ ﺟﻔﻮ ِﻧﻬﺎ ﻋﻨﺪﻣﺎ‬ ‫ِ‬ ‫ﻭﺭﺅﻳ ُﺔ‬
‫ﺗﻌﻄﻒ ﻋﻠﻴﻪ ﻭﺗﺤ ﱡﺒ ُﻪ‬‫ُ‬ ‫ﺗﺘﺤﺪ ُﺙ ﺑﺈﺳﻬﺎﺏ ﻭﺷﻮﻕ ﻭﺷﺠﻦ ﻋﻦ ﻣﺨﻠﻮﻕ‬ ‫ﱠ‬ ‫ﻻ‬
‫ﺍﻟﺮﻭﺣﻲ‪«...‬‬
‫ّ‬ ‫َ‬ ‫َ‬
‫ِﺑﻘ ﱠﻮﺓ ﺇﻻ ﻋﻦ‪ :‬ﻧ ِﻌﻴﻢ‪ ،‬ﺃﺧ ِﺘﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﻮﺣﻴﺪﺓ‪» .‬ﺗ ْﻮﺃ ِﻣﻲ‬ ‫ُ‬
‫ﺼﻞ ﺑﻬﺎ ﺗﻠﻔﻮﻧ ّﻴﴼ ﺑﺎﻧﺘﻈﺎﻡ‪ ،‬ﺗﺤﻜﻲ ﻟﻬﺎ‬ ‫ﺃﺩﺭﻛﺖ ﺃﻧﻬﺎ َﺗ ﱠﺘ ُ‬
‫ُ‬ ‫ﺴﻤﻴﻬﺎ‪.‬‬ ‫ﻛﻤﺎ ُﺗ ﱢ‬
‫ﻛﻞ ﻣﺎ ﻳﺪﻭ ُﺭ ﻓﻲ ﺣﻴﺎﺗﻬﺎ ﺍﻟﻴﻮﻣﻴﺔ‪...‬‬ ‫ﱠ‬
‫ﻭﻳﻮﻣﻴﺎ ِﺗﻬﺎ ﻣﻨﺬ ﱠﺃﻭ ِﻝ‬
‫ﱠ‬ ‫ﺑﺎﺧﺘﺼﺎﺭ ﺷﺪﻳﺪ‪ :‬ﻋﻦ ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎ ِﺗﻬﺎ‬ ‫ٍ‬
‫ُ‬
‫ﻛﻞ ﺷﻲ ٍﺀ ﺗﻘﺮﻳﺒﴼ‪ .‬ﻛﺎﻧﺖ ﺃﺣﺎﺩﻳﺜﻬﺎ‬ ‫ﺃﻋﺮﻑ ﱠ‬ ‫ﻟﺤﻈﺎﺕ ﻭﺻﻮﻟﻬﺎ ﻟﻔﺮﻧﺴﺎ ُ‬
‫ُ‬
‫ﺃﺻﻐﻴﺖ‬ ‫ﺭﻭﺡ ﻛﺮﻳﺴﺘﺎﻟﻴ ٍﺔ ﺻﺎﻓﻴﺔ‪.‬‬ ‫ُ‬ ‫ﱠً‬
‫ﺑﻠﻮﺭﻳﺔ ﺗﻤﺎﻣﴼ‪ ،‬ﺗﺘﺪ ﱠﻓﻖ ﻣﻦ ٍ‬ ‫ﻋﻨﻬﺎ‬
‫ﻛﻞ ﺷﻲﺀ ﺗﻘﺮﻳﺒﴼ ﻋﻦ ﺣﻴﺎﺗﻬﺎ‬ ‫ﺃﺟﻬﻞ ﱠ‬‫ُ‬ ‫ﻛﻞ ﺟﻮﺍﺭﺣﻲ‪ ...‬ﻟﻜﻨﻲ‬ ‫ﻟﻬﺎ ﻣﻦ ﱢ‬
‫‪23‬‬ ‫ﺍﻟﻬﺮﻭﺏ ﻣﻦ ﺍﻻﻗﺘﺮﺍﺏ‬ ‫َ‬ ‫ﻔﻀ ُﻞ‪ ،‬ﺃﻏﻠﺐ ﺍﻟﻮﻗﺖ‪،‬‬ ‫ﻓﻲ ﺍﻟﻴﻤﻦ‪ ،‬ﻷﻧﻬﺎ ﻛﺎﻧﺖ ُﺗ ﱢ‬
‫ﺤﺮﻣﺔ‪ .‬ﻟﺬﻟﻚ‪ ،‬ﺻﺎﺭﺕ ﺣﻴﺎﺓ ﺇﻟﻬﺎﻡ ﻓﻲ‬ ‫ﺍﻟﻤ ﱠ‬
‫ﻣﻦ ﺗﻠﻚ ﺍﻟﻤﻮﺍﺿﻴﻊ ﺍﻟﺸﺎﺋﻜﺔ ُ‬
‫ﻧﺎﻇﺮﻱ ﺃﺷﺒﻪ ﺑﻐﺮﻓﺘﻴﻦ ﻣﺘﺠﺎﻭﺭﺗﻴﻦ ﻳﻔﺼﻠﻬﻤﺎ ﺟﺪﺍ ٌﺭ ﺯﺟﺎﺟﻲ‪ .‬ﺇﺣﺪﻯ‬
‫ﺍﻟﻐﺮﻓﺘﻴﻦ ﺗﺴﺒﺢ ﻓﻲ ﺍﻟﻀﻮﺀ‪ ،‬ﺗﺘﻸﻷ ﺷﻔﺎﻓﻴ ًﺔ ﻭﺳﻨﺎﺀ‪ :‬ﺣﻴﺎ ُﺗﻬﺎ ﻣﻨﺬ‬
‫ﻭﺻﻠﺖ ﻓﺮﻧﺴﺎ‪ .‬ﺍﻷﺧﺮﻯ ﺗﻐﻮﺹ ﻓﻲ ﺍﻟﻈﻠﻤﺎﺕ‪ .‬ﺗﺼﻞ ﻣﻨﻬﺎ ﺃﺣﻴﺎﻧﴼ ﺑﺆ ٌﺭ‬
‫ﻧﻘﺎﻁ ﻻﻣﻌ ٌﺔ ﻫﻨﺎ ﻭﻫﻨﺎﻙ‪ ،‬ﺗﺄﺗﻲ ﻣﻦ ﺿﻮﺍﺣﻲ ﺍﻟﺮﻭﺡ‬ ‫ﻣﻀﻴﺌ ٌﺔ ﺻﻐﻴﺮﺓ‪ٌ ،‬‬
‫ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪ ،‬ﻣﻦ ﻣﺤﻴﻂ ﺍﻟﺪﺍﺋﺮﺓ‪ .‬ﻏﻴﺮ ﺃﻥ ﺍﻟﻤﺮﻛﺰ‪ ،‬ﻣﺮﻛ َﺰ ﺍﻟﺮﻭﺡ‪،‬‬
‫ﻣﺘﺎﻫﺎﺕ ﻇﻠﻤﺎﺀ ﻻ ﺃﻋﺮﻑ ﻋﻨﻬﺎ ﺷﻴﺌﴼ‪.‬‬ ‫ٌ‬ ‫ﻣﺪﻟﻬ ﱠﻤ ٌﺔ ﻣﻌﺘﻤﺔ‪.‬‬ ‫ِ‬ ‫ُﺤﻴﺮ ٌﺓ‬ ‫ﺑَ‬
‫ﺃﻱ ﺳﺆﺍﻝ ﻻ ﺗﺴﺘﺴﻴﻐﻪ‪ .‬ﺑﺎﻟﻌﻜﺲ‪،‬‬ ‫ﺃﺩﻋ َﻜﻬﺎ ﺑﺘﻮﺟﻴﻪ ﱢ‬ ‫ﻟﻢ ﺃﺣﺐ ﺃﻥ ُ‬
‫ﺍﻟﺪﻋﻚ ﻭﺍﻟﺸﻘﺎﺀ‬ ‫ﺣﺘﻤﻲ ﺃﻥ ﺇﻟﻬﺎﻡ ﻗﺪ ﻧﺎﻟﺖ ﻣﻦ ﱠ‬ ‫ﱞ‬ ‫ﺇﺣﺴﺎﺱ‬
‫ٌ‬ ‫ﻟﺪﻱ‬
‫ﻛﺎﻥ ﱠ‬
‫ﺃﻇﻞ ﻛﻤﺎ ﺃﻧﺎ‬ ‫ﻋﻠﻲ ﺑﺎﻟﻤﻘﺎﺑﻞ ﺃﻥ ﱠ‬ ‫ﺃﻳﻘﻨﺖ ﺃﻥ ﱠ‬ ‫ُ‬ ‫ﻗﺴﻄﻬﺎ ﺍﻟ َﻘ ِ‬
‫ﺪﺭ ّﻱ‪.‬‬ ‫ِ‬ ‫ﻛﻞ‬
‫ﱠ‬
‫ﺣﺎﺭﺱ ﺍﺑﺘﺴﺎﻣﺘﻬﺎ‪ ،‬ﺭﺍﻋﻲ ﺑﻬﺠ ِﺘﻬﺎ‪ ،‬ﻣﺎﻛﻴﻨ ُﺔ‬ ‫ُ‬ ‫ﻋﻠﻴﻪ ﻣﻨﺬ َﻋ َﺮ َﻓﺘﻨﻲ‪:‬‬
‫ﻹﻣﺘﺎﻋﻬﺎ‪ ،‬ﻻ ﻏﻴﺮ‪.‬‬ ‫ِ‬ ‫ﻹﺿﺤﺎﻛﻬﺎ‪،‬‬
‫ِ‬ ‫ﺇﺳﻌﺎ ٍﺩ‬
‫ﻣﻨﺬ ﺁﺧﺮ ﻟﻘﺎ ٍﺀ ﻓﻲ ﺇﺑﺮﻳﻞ ‪ ،1990‬ﺑﺪﺃﻧﺎ ﻣﺮﺣﻠ ًﺔ ﻳﺤﻠﻮ ﻟﻲ‬
‫ﺳﻤﻴﻬﺎ‪ :‬ﻣﺮﺣﻠ َﺔ »ﺍﻷﺣﺮﻑ ﺍﻟﻄﺎﺋﺮﺓ«‪ ،‬ﺍﻟﺘﻲ َﺗ َﻠ ْﺖ ﻣﺮﺣﻠ َﺔ »ﺍﻷﺣﺮﻑ‬ ‫ﺃﻥ ﺃُ ﱢ‬
‫ﻤﺖ ﻣﻦ ﺇﻟﻬﺎﻡ ﺑﻼﻏ َﺔ ﺍﻟﺘﻜﺜﻴﻒ ﻫﺎﺃﻧﺬﺍ ﺃﺗﻌﻠﻢ‬ ‫ﺍﻟﻤﻜ ﱠﺜﻔﺔ«‪ ...‬ﺑﻌﺪ ﺃﻥ ﺗﻌ ﱠﻠ ُ‬ ‫ُ‬
‫ﺗﺪﺷ َﻨ ْﺖ ﻫﺬﻩ ﺍﻟﻤﺮﺣﻠﺔ ﺍﻟﺠﺪﻳﺪﺓ ﺫﺍﺕ‬ ‫ﺃﻥ ﺃﻃﻴﺮ‪ ،‬ﺃﻥ ﺃُﺣ ﱢﻠﻖ‪ ،‬ﺃﻥ ﺃﺣﻠﻢ‪ ...‬ﱠّ‬
‫ﻜﺘﻆ ﺑﺎﻟﺴﻴﺎﺭﺍﺕ‪،‬‬ ‫ﱟ‬ ‫ﻃﺮﻳﻖ ُﻣ‬
‫ٍ‬ ‫ﻛ ﱠﻨﺎ ﻧﺴﻴﺮ ﻓﻴﻪ َ‬
‫ﻭﺳﻂ‬ ‫ﺭﺑﻴﻌﻲ ﺟﻤﻴﻞ ُ‬ ‫ﱟ‬ ‫ﻳﻮﻡ‬
‫ٍ‬
‫ﻣﺘﻮﺣ ٍﺪ ﺟﻤﻴﻞ‪.‬‬ ‫ﱢ‬ ‫ﺑﺈﻳﻘﺎﻉ‬
‫ٍ‬ ‫ﺍﻟﺬﺭﺍﻋﻴﻦ‬ ‫ﻣﺸﺘﺒﻜﻲ‬ ‫ﻳﺴﻴﺮﺍﻥ‬ ‫ﺔ‬
‫ٍ‬ ‫ﻭﺷﺎﺑ‬
‫ﱠ‬ ‫ﺷﺎﺏ‬
‫ﱟ‬ ‫ﻗﺮﺏ‬
‫ﻻﻣﻌ ٌﺔ ُﻣ َﻐ ﱠﻠﻔﺔ‪َ .‬ﺗ َﻠ ْﺘﻬﺎ ﺿﺤﻜ ٌﺔ‬ ‫ﺑﺮﻳﻖ ﻋﻴﻨﻴﻲ ﺇﻟﻬﺎﻡ ﺍﺑﺘﺴﺎﻣ ٌﺔ ِ‬ ‫ِ‬ ‫ﻓﻲ‬ ‫ﺍﻧﺴﺎﺑﺖ‬
‫ﺧﻔﻴﻔ ٌﺔ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺗﻘﻮﻝ‪:‬‬
‫ﻳﻦ‬
‫ﻛﻞ ﺃﻳﺎﻡ ِﻟﻘﺎﺀﺍﺗﻬﻤﺎ ﻋﺎﺑ َﺮ ِ‬ ‫ﻗﻀ َﻴﺎ‪ ،‬ﱠ‬ ‫_ ﻣﺎ ﺃﺣﻼﻫﻤﺎ! ﻳﺒﺪﻭ ﺃﻧﻬﻤﺎ ﱠ‬
‫ﺍﻟﻤﻜﺘﻈ َﺔ ﺑﺎﻟﺴ ّﻴﺎﺭﺍﺕ ﺫﻫﺎﺑﴼ ﻭﺇﻳﺎﺑﴼ ﻓﻘﻂ!‪ ...‬ﺃﻛﺜﺮ ِﻣ ﱠﻨﺎ‬ ‫ﱠ‬ ‫َ‬
‫ﺍﻟﻄﺮﻕ‬
‫ﺑﺎﻟﺘﺄﻛﻴﺪ!‪...‬‬
‫ﻛﻞ ﻳﻮﻡ ﻟﻘﺎﺋﻲ‬ ‫ﻟﻢ ﺃﺗﺠﺮﺃ ﺃﻥ ﺃﺑﻮ َﺡ ﻟﻬﺎ ﺑﺄﻧﻨﻲ ﺃﺗﻤﻨﻰ ﺃﻥ ُﻧ َﻘ ﱢﻀﻲ ﱠ‬
‫ﺍﻟﻤﻜﺘﻈ َﺔ ﺑﺎﻟﺴﻴﺎﺭﺍﺕ ﺫﻫﺎﺑﴼ ﻭﺇﻳﺎﺑﴼ ﻓﻘﻂ!‬ ‫ﱠ‬ ‫َ‬
‫ﺍﻟﻄﺮﻕ‬ ‫ﺑﻬﺎ ﻓﻲ ﻧﺎ ْﻧﺖ ﻧﻌﺒ ُﺮ‬ ‫‪24‬‬
‫ﻛﻨﺖ ﺃﺗﻤﻨﻰ ﺫﻟﻚ ﻓﻌﻼ ﻷﻧﻬﺎ ﺍﻟﻠﺤﻈﺎﺕ ﺍﻟﻮﺣﻴﺪﺓ ﺍﻟﺘﻲ‬ ‫ً‬ ‫ُ‬ ‫ﺍﻟﺤﻖ ﺃﻧﻲ‬‫ﱡ‬
‫ﺻﺮﺕ‪ ،‬ﻓﻲ ﺃﻋﻤﺎﻗﻲ‪،‬‬ ‫ُ‬ ‫ﻈﺎﺕ ﺗﻄﻮﻝ ﺃﻛﺒﺮ ﻓﺄﻛﺒﺮ‪.‬‬ ‫ُ‬ ‫ﻧﺘﻼﻣﺲ ﻓﻴﻬﺎ ُﻟﺤ ْﻴ ٍ‬
‫ﻭﻣﻼﻣﺴ ِﺘﻬﺎ‪ ...‬ﻻﺣﺘﻀﺎﻧﻬﺎ‬ ‫ﻭﻣﻼﻣﺴ ِﺘﻬﺎ‪ُ ،‬‬ ‫ﺃﺷﺘﻌﻞ ﺭﻏﺒ ًﺔ ِﻟ ُﻤﻼﻣﺴ ِﺘﻬﺎ‪ُ ،‬‬ ‫ُ‬
‫ﺇﻳﻘﺎﻋﻬﺎ ﺃﻭ ﺩﻓ َﻌﻬﺎ‬‫ِ‬ ‫ﻇﻠﻠﺖ ﺃﺧﺸﻰ ﺭﻏﻢ ﺫﻟﻚ َ‬
‫ﺩﻋﻚ‬ ‫ُ‬ ‫ﺟﺪﴽ‪ ...‬ﻭﺇﻥ‬ ‫ﻼ ّ‬ ‫ﻃﻮﻳ ً‬
‫ﺃﺳﺮ َﻉ ﻣﻤﺎ ﺗﺮﺗﺄﻳﻪ‪.‬‬
‫ُ‬
‫ﺻﺮﺕ ﺃﺷﻌ ُﺮ‬ ‫ﻣﻨﺬ ﺑﺪ ِﺀ ﻣﺮﺣﻠ ِﺔ »ﺍﻷﺣﺮﻑ ﺍﻟﻄﺎﺋﺮﺓ«‬ ‫ﻏﻴﺮ ﺃﻧﻲ ُ‬
‫ﺸﻜﻞ ﺃﺻﻢ‪،‬‬ ‫ﺍﻟﻌﺸﻖ ِﺑ ٍ‬ ‫ِ‬ ‫ﺃﻥ ﺇﻟﻬﺎ َﻡ ِﻣ ْﻠ ِﻜﻲ ﻭﺣﺪﻱ‪ ،‬ﻭﺃﻧﻨﺎ ﻧﻬﺮﻭﻝ ﻓﻲ ﻣﺰﻟﻘ ِﺔ‬
‫ﻭﺍﺛﻖ ﺃﻧﻨﺎ ﻣﻨﺬ ﱠﺃﻭﻝ ﺃﻳﺎﻡ ﺗﻌﺎﺭﻓﻨﺎ ﻧﻀﻄﺮ ُﻡ‬ ‫ﻣﺜﻞ ٍ‬ ‫ﻛﻨﺖ َ‬ ‫ُ‬ ‫ﻻ ﺭﺟﻌﺔ ﻓﻴﻪ‪...‬‬
‫ﺍﻟﻄﻮﻳﻞ‬
‫ِ‬ ‫ﺍﻟﺸﻮﻕ‬
‫ِ‬ ‫ﻭﻧﺘﻌﺬ ُﺏ ﻓﻲ ﺭﻣﻀﺎﺀ‬ ‫ﱠ‬ ‫ﺠﻤﺮﺍﺕ ﺍﻟﺮﻏﺒ ِﺔ ﻭﺍﻟﻠﻮﻋﺔ‬ ‫ِ‬ ‫ِﺑﺒﻂﺀ ِﺑ‬
‫ﻭﺗﻔﺠﺮﴽ‬
‫ﱡ‬ ‫ﱡ‬
‫ﺃﺷﺪ ﺗﺪﻓﻘﴼ‬ ‫ﻭﺗﻠﺬﺫﴽ ﱠ‬ ‫ﺑﻌﺪﻫﺎ ﺳﻌﺎﺩ ًﺓ ﻭﻧﺸﻮ ًﺓ ﱡ‬ ‫ﺍﻟﻘﺎﺗﻞ‪ ،‬ﻟﻜﻲ ﻧﺤﻴﺎ َ‬
‫ﺟﺪﴽ‪،‬‬‫ﺃﺣﺲ ﺃﻧﻨﻲ ﺣﺘﻤﴼ‪ ،‬ﻓﻲ ﻟﺤﻈ ٍﺔ ﻣﺎ ﻗﺮﻳﺒ ٍﺔ ّ‬ ‫ﻭﻗﻮﺓ‪ .‬ﻛﻨﺖ ﱡ‬ ‫ﻭﻛﺜﺎﻓ ًﺔ ﱠ‬
‫ﺳﺄﺗﻮﺣ ُﺪ ﻓﻴﻬﺎ ﻣﻊ‬ ‫ﱠ‬ ‫ﺟﺴﺪﻳّﴼ ﻣﻊ ﻫﺬﻩ ﺍﻵﻟﻬﺔ ﺍﻹﻏﺮﻳﻘﻴﺔ‪،‬‬ ‫ِ‬ ‫ﺳﺄﺗﻮﺣ ُﺪ‬
‫ﱠ‬
‫ﻭﻗﺖ ﻭﺍﺣﺪ‪...‬‬
‫ﺍﻟﻤﻠﻜ ِﺔ ﺑﻠﻘﻴﺲ ﻭﺍﻟﻤﻠﻜ ِﺔ ﺃﺭﻭﻯ ﻓﻲ ٍ‬
 ‫ﻓﻲ ﺯﻳﺎﺭﺗﻲ ﻟﻬﺎ ﻓﻲ ﺑﺪﺍﻳﺔ ﻣﺎﻳﻮ ﺍﻟﺘﻲ َﺗ َﻠ ْﺖ ﻟﻘﺎ َﺀ »ﺍﻷﺣﺮﻑ‬
‫ﺣﺪﺙ ﺷﻲ ٌﺀ ﻟﻢ ﺃﺑﺮﻣﺠﻪ ﺇﻃﻼﻗﴼ‪ .‬ﻛﺎﻥ ﺫﻟﻚ ﻓﻲ‬ ‫َ‬ ‫ﺍﻟﻄﺎﺋﺮﺓ« ﻣﺒﺎﺷﺮ ًﺓ‬
‫َﺤ ِﺮ ّﻳ ٍﺔ ﺭﻭﻣﺎﻧﺴﻴﺔ‪ .‬ﻣﻘﺎﻃﻊ ﻣﻮﺳﻴﻘﻴﺔ ﻋﺬﺑ ٌﺔ ﺣﺎﻟﻤﺔ‪ ،‬ﻣﻤﻠﻮﺀ ٌﺓ‬ ‫ﺣﺎﻧ ٍﺔ ﺑ ْ‬
‫ﺭﻛﻦ ﺧﺎﻓﺖ‪ :‬ﻓﻴﻔﺎﻟﺪﻱ‪» ،‬ﺍﻟﻔﺼﻮﻝ‬ ‫ٍ‬ ‫ُ‬
‫ﺗﻨﺒﻌﺚ ﻣﻦ‬ ‫ﺑﺎﻟﺤﺮﻳّﺔ‪ ،‬ﻛﺎﻧﺖ‬
‫ُ‬
‫ﺃﺫﻭﺏ ﻋﻨﺪ ﺳﻤﺎﻋﻬﺎ‪ ...‬ﻭﺟﺪﺕ ﻧﻔﺴﻲ ﻓﺠﺄﺓ ﺃﻧﻔﺠ ُﺮ‬ ‫ﺍﻷﺭﺑﻌﺔ«‪ ،‬ﺍﻟﺘﻲ ُ‬
‫ﺑُﻜﺎ ًﺀ ﺩﻭﻥ ﺷﻌﻮﺭ! ﻟﻢ ﺃﺑﻚ ﻛﻤﺎ ﺃﺫﻛ ُﺮ ﻗﺒﻞ ﺫﻟﻚ ﱠﺇﻻ ﻣ ّﺮﺗﻴﻦ‪:‬‬
‫ﺳﻴﺎﺭ ٍﺓ ﻭﺃﻧﺎ ﻓﻲ ﺍﻟﻌﺎﺷﺮﺓ‬ ‫‪ (1‬ﻋﻨﺪﻣﺎ ﺗﻮ ّﻓﻰ ﻭﺍﻟﺪﻱ ﻓﻲ ﺣﺎﺩﺙ ﱠ‬
‫ﻛﻞ‬
‫ﺃﻓﺮﻏﺖ ﺧﻼﻟﻬﺎ ﱠ‬ ‫ُ‬ ‫ﺑﻜﻴﺖ ﺣﻴﻨﻬﺎ ﺛﻼﺛﺔ ﺃﻳﺎﻡ ﻣﺘﻮﺍﺻﻠﺔ‪،‬‬ ‫ﻣﻦ ﺍﻟﻌﻤﺮ‪ُ .‬‬
‫ﺑﻌﺪ ِﻓﺮﺍﻕ‪:‬‬ ‫ﺩﻣﻮﻉ ُﻋﻤﺮﻱ ﺩُﻓﻌ ًﺔ ﻭﺍﺣﺪﺓ‪ (2 ...‬ﻓﻲ ﻧﻬﺎﻳﺔ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ‪َ ،‬‬ ‫ِ‬
‫ﺃﺗﺤﺪ َﺙ‬
‫ﱠ‬ ‫ﺃﻥ‬ ‫ﺮ‬
‫ُ‬ ‫ﺳﺄﺿﻄ‬ ‫ﺍﻟﺘﻲ‬ ‫ﺍﻟﺨﺎﻟﺪﺓ‪،‬‬ ‫ﻣﻌﺒﻮﺩﺗﻲ‬ ‫ﺍﻷﻭﻟﻰ‪،‬‬ ‫ﻣﻌﺒﻮﺩﺗﻲ‬ ‫ﺲ‪،‬‬ ‫ﺃ ِﻟ ْﻴ‬
‫ﻋﻨﻬﺎ ﺑﺈﺳﻬﺎﺏ ﻻﺣﻘﴼ‪...‬‬
‫‪25‬‬ ‫ﻛﻄﻔﻞ! ُ‬
‫ﻗﻠﺖ ﻟﻬﺎ‬ ‫ﻭﺗﻠﺬﺫ‪ .‬ﺃﺑﻜﻲ َ‬ ‫ﻛﻨﺖ ﺃﺑﻜﻲ ﺃﻣﺎﻡ ﺇﻟﻬﺎﻡ ِﺑ ُﻘ ﱠﻮ ٍﺓ ﱡ‬
‫ﺑﺎﻟﺤﺮﻑ ﺍﻟﻮﺍﺣﺪ‪ :‬ﺃﺷﻌﺮ ﺑﺎﻟﻀﻴﺎﻉ ﺍﻟﻜﺎﻣﻞ ﻣﻨﺬ ﺗﻌﺎﺭﻓﻨﺎ!‬
‫ﺑﻨﻮﻉ ﻣﻦ ﺍﻻﺳﺘﻐﺮﺍﺏ‪ :‬ﻟﻢ ﺃﻓﻬﻢ!‪...‬‬ ‫ﺭ ﱠﺩﺕ ٍ‬
‫ﻛﻞ ﺍﻟﻤﻘﺎﻻﺕ ﺍﻟﻌﻠﻤﻴﺔ ﺍﻟﺘﻲ ﻟﻢ ﺃﻋﺪ‬ ‫ﱠ‬ ‫ﺃﺟﺒﺖ‪ :‬ﺍﺳﺄﻟﻲ‬ ‫ُ‬
‫ﺃﺳﺘﻮﻋﺒﻬﺎ! ﺍﺳﺄﻟﻲ ﺭﺳﺎﻟ َﺔ »ﺃﻃﺮﻭﺣ ِﺔ ﻗﻴﺎﺩ ِﺓ ﺍﻷﺑﺤﺎﺙ« ﺍﻟﺘﻲ ﺃَ ْﺿ َﺤ ْﺖ‬
‫ﺗﺘﻘﺪ ُﻡ ِﺑﺴﺮﻋ ِﺔ ﺍﻟﺴﻠﺤﻔﺎﺓ ﻣﻨﺬ ﻋﺮﻓﺘﻚ! ﺍﺳﺄﻟﻲ ﻛﻞ ﻃﺮﻕ ﺍﻟﻤﻮﺍﺻﻼﺕ‬ ‫ﱠ‬
‫ﻛﻞ ﺍﻟﺴﻴﺎﺭﺍﺕ‬ ‫ﺃﺧﻄﺊ ﻓﻲ ﺃﺧﺬﻫﺎ ﻋﻠﻰ ﺍﻟﺪﻭﺍﻡ! ﺍﺳﺄﻟﻲ ﱠ‬ ‫ُ‬ ‫ُ‬
‫ﺻﺮﺕ‬ ‫ﺍﻟﺘﻲ‬
‫ﺃﻭﺷﻚ ﻋﻠﻰ ﺍﻻﺻﻄﺪﺍﻡ ﺑﻬﺎ ﺃﺛﻨﺎﺀ ﻗﻴﺎﺩﺓ ﺳﻴﺎﺭﺗﻲ ﺃﻭ ﺃﺛﻨﺎﺀ ﺍﻟﻤﺸﻲ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ‬
‫ﻛﻞ ﺃﺻﺪﻗﺎﺋﻲ ﺍﻟﺒﻌﻴﺪﻳﻦ ﺟﻐﺮﺍﻓﻴﴼ ﺍﻟﺬﻳﻦ‬ ‫ﻋﻠﻰ ﺍﻷﻗﺪﺍﻡ! ﺍﺳﺄﻟﻲ ﱠ‬
‫ﺻﺎﺭﻭﺍ ﻳﻠﻮﻣﻮﻧﻨﻲ ﻟﻌﺪﻡ ﺍﻻﺗﺼﺎﻝ ﺑﻬﻢ ﺗﻠﻔﻮﻧﻴﴼ ﻋﻠﻰ ﻏﻴﺮ ﻋﺎﺩﺗﻲ!‬
‫ﻛﻞ ﺃﺻﺪﻗﺎﺋﻲ ﺍﻟﻘﺮﻳﺒﻴﻦ ﺟﻐﺮﺍﻓﻴﴼ ﺍﻟﺬﻳﻦ ﺻﺎﺭﻭﺍ ﻳﻠﻮﻣﻮﻧﻨﻲ‬ ‫ﺍﺳﺄﻟﻲ ﱠ‬
‫ﻛﻞ‬
‫ﻟﻌﺪﻡ ﺍﻹﺻﻐﺎﺀ ﻟﻬﻢ ﺃﻭ ﻣﺸﺎﺭﻛﺘﻬﻢ ﺃﻓﺮﺍﺣﻬﻢ ﻭﻣﻌﺎﻧﺎﺗﻬﻢ! ﺍﺳﺄﻟﻲ ﱠ‬
‫ﺃﻫﺮﺏ ﻣﻨﻬﻢ ﺃﻭ ﺃﻫﻴﻢ ﺑﻌﻴﺪﴽ‬ ‫ُ‬ ‫ﺯﻣﻼ ِﺀ ﺍﻟﻌﻤﻞ ﺍﻟﺬﻳﻦ ﻳﻼﺣﻈﻮﻥ ﺃﻧﻨﻲ‬
‫ﻋﻨﻬﻢ ﺃﺛﻨﺎﺀ ﺍﺟﺘﻤﺎﻋﺎﺕ ﺍﻟﻌﻤﻞ ﺍﻟﻤﺸﺘﺮﻛﺔ!‪...‬‬
‫ﻣﺘﻘﻄﻌ ٍﺔ ﻣﺜﻠﻮﻣﺔ‪ :‬ﻟﻢ ﺃﻋﺪ ﺃﻃﻴﻖ‬ ‫ﱢ‬ ‫ﻋﻔﻮ ﱠﻳ ٍﺔ‬
‫ﺃﺿﻔﺖ ﺑﻜﻠﻤﺎﺕ ِ‬ ‫ُ‬ ‫ﺛﻢ‬
‫ﱠ‬
‫ُ‬ ‫َ‬ ‫َ‬
‫ﺃﻱ ﻣﺴﺎﻓﺔ ﺗﻔﺼﻠﻨﺎ ﺑﻌﺪ ﺍﻵﻥ‪ ،‬ﻷ ﱢﻧﻲ‪ ...‬ﻷ ﱢﻧﻲ‪ ...‬ﺃﻋﺸﻘ ِﻚ‪ ...‬ﺑﺠﻨﻮﻥ!‪...‬‬
‫َﺪﻳْﻲ ﻋﻠﻰ ﺳﻄﺢ ﺍﻟﻤﻨﻀﺪﺓ‬ ‫ﺭﺍﺣ َﺘﻲ ﻳ َ‬
‫ﺃﺧﻔﻴﺖ ﺑﻌﺪﻫﺎ ﺭﺃﺳﻲ ﺑﻴﻦ َ‬ ‫ُ‬
‫ﻧﺎﺩﻝ ﺍﻟﻤﻘﻬﻰ ﻭﺯﺑﺎﺋﻨﻪ‪.‬‬ ‫ﺣﺮﻯ ﻭﻧﺸﻴﺠﴼ ﺃﺛﺎﺭ ﺍﻧﺘﺒﺎﻩ ِ‬ ‫ﺃﺣﺒﺲ ﺩُﻣﻮﻋﴼ ﱠ‬ ‫َ‬ ‫ﻛﻲ‬
‫ﺭﺣﺖ ﻣﻦ ﺟﺪﻳﺪ ﺃﺑﻜﻲ ﻛﺎﻟﻄﻔﻞ!‬ ‫ﺛﻢ ُ‬ ‫ﱠ‬
‫ْ‬
‫ﺗﻐﻠﻐﻠﺖ ﺃﺻﺎﺑُﻌﻬﺎ‬ ‫ﻳﺪﻫﺎ ﻓﻮﻕ ﺭﺃﺳﻲ ﺑﺤﻨﺎﻥ‪.‬‬ ‫َﻭﺿ َﻌ ْﺖ ﺇﻟﻬﺎ ُﻡ َ‬
‫ﻻﻣ َﺴ ْﺖ ﺃﻃﺮﺍﻑُ‬ ‫ﻫﺪ ْﺗﻨﻲ ﺑﻌﺬﻭﺑﺔ‪ .‬ﺛﻢ َ‬ ‫ﻫﺪ َ‬ ‫ﺷﻌﺮ ﺭﺃﺳﻲ‪ْ ،‬‬‫ﺜﻮﺍﻥ ﻗﻠﻴﻠﺔ ﻓﻲ ِ‬ ‫ِﻟ ٍ‬
‫ﻭﺣ ﱢﻨﻴﺔ‪.‬‬
‫ﻭﻋﻄﻒ ِ‬
‫ٍ‬ ‫ﺩﺍﻋ َﺒ ْﺘﻬﺎ ﺫﻫﺎﺑﴼ ﻭﺇﻳﺎﺑﴼ ِﺑ ِﺮ ﱠﻗ ٍﺔ‬ ‫ﺃﺻﺎﺑ ِﻌﻬﺎ ﺭﺍﺣ َﺔ ﻳﺪﻱ‪َ ،‬‬
‫ﺗﻐﻴ َﺮ ْﺕ ﺗﻤﺎﻣﴼ ﺑﻌﺪ ﺑﻜﺎﺋﻲ‪.‬‬ ‫ﺩﻋﺘﻨﻲ ﻟﻠﺨﺮﻭﺝ ﻭﺍﻟﻤﺸﻲ ﻋﻠﻰ ﺍﻟﺸﺎﻃﺊ‪ .‬ﱠ‬
‫ُ‬
‫ﺑﻜﻴﺖ‪،‬‬ ‫ٌ‬
‫ﻟﻌﻠﻬﺎ ﺑﺎﺧﺘﺼﺎﺭ ﻛﺎﻧﺖ ﺗﺤﺘﺎ ُﺝ ﺃﻥ ﻳﺒﻜﻲ ﺭﺟﻞ ﺃﻣﺎﻣﻬﺎ‪ ،‬ﻛﻤﺎ‬
‫ً‬
‫ﻳﺘﻔﺠ َﺮ ﺑﻜﺎ ًﺀ ﺃ ّﻭﻻ!‬
‫ﱠ‬ ‫ﻼ! ﻛﺎﻧﺖ ﺗﻨﺘﻈ ُﺮ ﺃﻥ‬ ‫ﻟﺘﻘﺘﻨﻊ ﺃﻧﻪ ﻳﻌﺸ ُﻘﻬﺎ ﻓﻌ ً‬ ‫َ‬
‫ﺗﻨﺘﻈ ُﺮ ﺫﻟﻚ ﻣﻨﺬ ﺍﻷﺯﻝ!‬
‫ﺃﺧﺬ ْﺕ ﻫﻲ ﻧﻔﺴﻬﺎ ﺭﺍﺣ َﺔ ﻳﺪﻱ ﺍﻟﻴﻤﻨﻰ‪،‬‬ ‫ﺑﻌﺪ ﺃﻥ ﺧﺮﺟﻨﺎ‪َ ،‬‬ ‫‪26‬‬
‫ﻳﻦ ﻋﻦ ﻃﺮﻕ‬ ‫َ‬
‫ﺑﻌﻴﺪ ِ‬ ‫ّ‬ ‫ُ‬
‫ﻳﺪﻫﺎ ﺍﻟﻴﺴﺮﻯ‪ ،‬ﺭﻏﻢ ﺃﻧﺎ ﻛﻨﺎ‬ ‫ﺷﺒﻜﺘﻬﺎ ِﺑﺮﺍﺣ ِﺔ ِ‬ ‫ْ‬ ‫َ‬
‫ﺸﻜﻞ ﻃﺎﺭﺉ‪،‬‬ ‫ﺍﻟﻤﺮﺓ ِﺑ ٍ‬‫ﺗﺸﺘﺒﻚ ﺃﻳﺪﻳﻨﺎ ﻫﺬﻩ ﱠ‬ ‫ْ‬ ‫ﺍﻟﻤﻜﺘﻈﺔ‪ .‬ﻟﻢ‬
‫ﱠ‬ ‫ﺍﻟﺴﻴﺎﺭﺍﺕ‬
‫ﻨﺎﻭﺭ‪ ،‬ﻣﺎﻛﺮ‪ ،‬ﻣ َﺆ ﱠﻗﺖ‪ ،‬ﻫﺎﺭﺏ‪ ،‬ﺯﺍﺋﻞ‪ ،‬ﻟﺬﻳﺬ‪...‬‬ ‫ﺧﺎﻃﻒ‪ ،‬ﻣﺎﺭﻕ‪ُ ،‬ﻣﻐﺎ ِﻟﻂ‪ُ ،‬ﻣ ِ‬
‫ﺛﻮﺍﻥ‬
‫ﻟﻤﺪﺓ ﺑﻀﻌﺔ ٍ‬ ‫ﻠﻢ ﺟﻤﻴﻞ‪ ،‬ﱠ‬ ‫َ‬
‫ﻟﻢ ﺗﺸﺘﺒﻜﺎ ِﻟ ُﻤ ﱠﺪ ِﺓ ﻧﺴﻤ ٍﺔ ﻋﺎﺑﺮﺓ‪ِ ،‬ﻟ ُﻤ ﱠﺪ ِﺓ ُﺣ ٍ‬
‫ﻛﺜﻴﻔ ِﺔ ﺍﻟﺴﻌﺎﺩﺓ‪َ ...‬ﺭ َﻓ َﻌ ْﺖ ﺇﻟﻬﺎﻡ َﺭﺍﺣ َﺘﻲ ﻳﺪﻳﻨﺎ ﺍﻟﻤﺘﻌﺎﻧﻘﺘﻴﻦ ِﻟﺘﻀ َﻌﻬﻤﺎ‬
‫ﺛﻢ ﻗﺎﻟﺖ‬ ‫ﺃﻣﺎﻡ ﻭﺟﻬﻴﻨﺎ‪ .‬ﺭﻓﻌ ْﺘﻬﻤﺎ ﻗﺮﺏ ﻭﺟﻬﻲ ﺍﻟﻤﺘﻸﻟﺊ ﺍﻟﻤﻨﺬﻫﻞ‪ ،‬ﱠ‬
‫ﺑﻌﺪ ﺫﻟﻚ ﺑﻘﻠﻴﻞ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ﺍﻟﺮﻗﻴﻘﺔ‪ ،‬ﺍﻟﺨﺎﻟﺪﺓ‪:‬‬
‫ﱟﻢ ﻓﻲ ﺍﻟﻴﺪ ﺍﻟﻴﻤﻨﻰ‪،‬‬ ‫ﻛ‬ ‫ﺑﺪﻭﻥ ُ‬‫ِ‬ ‫ﻛﻨﺖ ﺃﺗﻤﻨﻰ ﻟﻮ ﻛﺎﻥ ﻣﻌﻄ ُﻔ َﻚ‬ ‫ُ‬ ‫‪-‬‬
‫ﱟﻢ ﻓﻲ ﺍﻟﻴﺪ ﺍﻟﻴﺴﺮﻯ!‪...‬‬ ‫ُ‬
‫ﺑﺪﻭﻥ ﻛ‬‫ﻭﻣﻌﻄﻔﻲ ِ‬
‫ُ‬
‫ﺷﻌﺮﺕ ﻫﻨﺎ ﺃﻥ ﺣﻴﺎﺗﻨﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﺳﺘﺒﺪﺃ ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ‬ ‫ُ‬
‫ﺑﻌﺾ ﺃﺭﺩﺍﻥ‬ ‫ﺺ َ‬ ‫ﻋﺒ َﺮ ْﺕ ﻓﻴﻬﺎ‪ ،‬ﻫﻲ ﻧﻔﺴﻬﺎ‪ ،‬ﻋﻦ ﺭﻏﺒ ِﺘﻬﺎ ﺑﺄﻥ َﻧ ُﻘ ﱠ‬ ‫ﺍﻟﺘﻲ ﱠ‬
‫ﺳﺎﻋﺪﻳْﻨﺎ ﺍﻟﻤﺘﻮﺍﺷﺠﻴﻦ‪ ...‬ﺃﻥ‬ ‫َ‬ ‫ﻣﻌﺎﻃﻔﻨﺎ! ﺑﺄﻥ ﺗﺘﻼﻣﺲ ﺑﺸﺮ َﺗﻲ‬
‫ﻧﺘﻼﻣﺲ!‪ ...‬ﺛﻤﺎﻧﻴ ُﺔ ﺃﺷﻬﺮ ﺍﺣﻠ ُﻢ ﻓﻴﻬﺎ ﺃﻥ ﻧﺘﻼﻣﺲ! ﻫﺎﻫﻮ ﺿﻮ ُﺀﻫﺎ‬
 ‫ﻌﻄﺮﴽ‬ ‫ﺍﻷﺧﻀ ُﺮ ﺇﺫﻥ! ﻫﺎﻫﻮ ﻳﺄﺗﻲ ُﻣ َﻀ ﱠﻤﺨﴼ ﺑﺎﻟﻈﺮﺍﻓﺔ ﻭﺍﻹﺩﻫﺎﺵ! ُﻣ ﱠ‬
‫ﺭﻭﺡ ﺳﻤﻌ ُﺘﻬﺎ‬ ‫ّ‬
‫ﺩﻡ ﻭﺭ ﱠﻗ ِﺔ ٍ‬
‫ﻭﺃﻋﻈﻢ ﺧﻔ ِﺔ ٍ‬‫ِ‬ ‫ﻭﺃﺟﻤﻞ ﻭﺃﺣﻠﻰ‬‫ِ‬ ‫ﻭﺃﻧﺒﻞ‬
‫ﻭﺃﺭﻭﻉ ِ‬ ‫ﺑﺄﺷﺬﻯ ِ‬
‫ﻓﻲ ﺣﻴﺎﺗﻲ!‪...‬‬
‫ﺍﻟﻤﺠﺪ ﻭﺍﻟﺨﻠﻮﺩ ﻟﻠﻌﺒﺎﺭﺍﺕ ﺍﻟﻄﺎﺋﺮﺓ!‬ ‫ُ‬
‫ﻗﺎﺩﺭ ﻋﻠﻰ ﺍﻟﺘﻌﺒﻴﺮ ﺃﻭ ﺣ ّﺘﻰ ﺍﻻﺑﺘﺴﺎﻣﺔ‬ ‫ﻛﻨﺖ ﺃﺧ َﺮﺱ ﻏﻴ َﺮ ٍ‬ ‫ُ‬
‫ﺑﺒﺮﻳﻖ ﺷﺪﻳﺪ ﺍﻟﺼﻔﺎﺀ ﻭﺍﻟ ُﻌﻤﻖ‬ ‫ٍ‬ ‫ﺃﺷﺎﻫﺪ ﻋﻴﻨﻴﻲ ﺇﻟﻬﺎﻡ ﺗﺘﻸﻵﻥ‬ ‫ُ‬ ‫ﻭﺃﻧﺎ‬
‫ﻭﺍﻟﺴﻌﺎﺩﺓ‪ ،‬ﻭﻫﻲ ﺗﻘﻮﻝ ﻋﺒﺎﺭﺗﻬﺎ ﺗﻠﻚ‪ ،‬ﻋﻠﻰ ﺑﻌﺪ ﺧﻄﻮﺍﺕ ﻣﻦ ُﺯ ِ‬
‫ﺑﺪ‬
‫ﺻﺮﺕ ﻟﺬﻟﻚ ﻋﺎﺷﻘﴼ ﻟﻠﺒﺤﺮ‬ ‫ُ‬ ‫ﺭﺑﻤﺎ‬‫ﺍﻷﻣﻮﺍﺝ ﺍﻟﻤﻨﻜﺴﺮ ِﺓ ﻋﻨﺪ ﺃﻗﺪﺍﻣﻨﺎ‪ ...‬ﱠ‬
‫ﺠﺮ ُﺩ ﺭﺅﻳﺘ ِﻪ ُﻳ َﻔ ﱢﺠ ُﺮ ﻓﻲ ﻻﻭﻋﻴﻲ ﺍﻟﺪﻓﻴﻦ‬ ‫ﻣﻐﻨﺎﻃﻴﺴﻲ ﺃﺻﻢ‪ُ .‬ﻣ ﱠ‬‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬
‫ﻏﻨﺠﻬﺎ ﺍﻟﺨﺎﻟﺪ‪ ...‬ﻓﻲ‬ ‫َ‬
‫ﺫﻛﺮﻳﺎﺕ ﺗﻠﻚ ﺍﻟﻌﺒﺎﺭﺓ‪ ،‬ﺳﻌﺎﺩﺗﻬﺎ ﺍﻟﻤﻄﻠﻘﺔ‪َ ،‬‬
‫ﻣﺘﻨﻮﻋﺔ ﻣﻦ »ﺃﻭﺭﺍﻕ ﻃﺎﺋﺮﺓ« ُﺗﺤ ﱢﻠﻖ ﻓﻲ‬ ‫ﱢ‬ ‫ٌ‬
‫ﺗﺸﻜﻴﻼﺕ‬ ‫ﻓﻀﺎ ِﺀ ﺍﻟﺸﺎﻃﺊ‬
‫ﺍﻟﻬﻮﻝ‬
‫ِ‬ ‫ﻴﻦ ﻫﺎﺋﻞ‪» ،‬ﺃﺑﻮ‬ ‫ﺃﻣ ْﻴ ِﺒ ﱠﻴ ٍﺔ ﻣﺘﻜﺎﺛﺮﺓ‪ :‬ﺗ ﱢﻨ ٌ‬ ‫ﺤﺐ ِ‬ ‫ﺳﻤﺎ ٍﺀ ُﻣ َﻤ ْﻠ َﻄ َﻄ ٍﺔ ِﺑ ُﺴ ٍ‬
‫‪27‬‬ ‫ﺗﺼﻤﻴﻤﺎﺕ ﻣﻌﻤﺎﺭﻳﺔ ﻭﻗﺼﻮ ٌﺭ ﻃﺎﺋﺮﺓ‪ ،‬ﺩﻋﺎﻳﺔ ِﻟﺸﻮﻳﻨﺠﻢ‬ ‫ٌ‬ ‫ﺍﻟﻤﺠ ﱠﻨﺢ«‪،‬‬ ‫ُ‬
‫ﺑﺄﺷﻜﺎﻝ ﺳﻮﺭﻳﺎﻟﻴ ٍﺔ ﻋﺒﻘﺮ ّﻳ ِﺔ‬‫ٍ‬ ‫ٌ‬ ‫ٌ‬ ‫ٌ‬
‫»ﻫﻮﻟﻴﻮﺩ«‪ ،‬ﺗﺮﻛﻴﺒﺎﺕ ﻫﻨﺪﺳ ّﻴﺔ ُﺣ ﱠﺮﺓ‬
‫ﺍﻻﺑﺘﻜﺎﺭ ﻭﺍﻹﺧﺮﺍﺝ‪ ،‬ﻓﺎﻗﻌ ِﺔ ﺍﻷﻟﻮﺍﻥ ﻏﺎﻟﺒﴼ‪...‬‬ ‫ِ‬
‫ﻏﺮﻗﺖ ﻓﻲ ﻏﻴﺒﻮﺑ ٍﺔ ﺟﻤﻴﻠﺔ‪ .‬ﻟﻢ ﺃﺻﻎ‬ ‫ُ‬ ‫ﻼ!‬‫ﺍﻧﻌﻘﺪ ْﺕ ِﻟﺴﺎﻧﻲ ﻓﻌ ً‬ ‫َ‬
‫ﺟﻴﺪﴽ ﻭﻫﻲ ﺗﻘﻮﻝ ﻟﻲ ﺑﻌﺪ ﺫﻟﻚ‪:‬‬ ‫ﻟﻬﺎ ﱢ‬
‫»ﻃﺎﺋﺮ‬
‫ِ‬ ‫ُ‬ ‫َ‬ ‫َ‬
‫ﺾ ﺇﺭﺍﺩﺗﻚ ﺃﻥ ﺗﻨﺘ ِﻘﻞ ﺇﻟﻴﻚ ﻋﺬﺍﺑﺎﺕ‬ ‫‪ -‬ﻟﻌ ّﻠﻚ ﺍﺧﺘﺮﺕ ِﺑ ْ‬
‫ﻤﺤ ِ‬
‫ﺍﻟﺨﺮﺍﺏ«! ﺃﻧﺖ ﻣﺴﺌﻮﻝ ﻭﺣﺪﻙ ﻋﻦ ﻗﺮﺍﺭﻙ‪ ...‬ﺍﻟﻠﻬﻢ ﺇﻧﻲ ﺑ ﱠﻠ ْﻐﺖ! ﺍﻟﻠﻬﻢ‬
‫ﺇﻧﻲ ﺑ ﱠﻠ ْﻐﺖ!‪...‬‬
‫ﺃﺿﺎﻓﺖ ﺃﻳﻀﴼ ﺑﻌﺪ ﺛﻮﺍﻥ‪:‬‬ ‫ْ‬
‫_ ﻣﻦ ﺃﻧﺬ َﺭ ﻓﻘﺪ ﺃُ ِ‬
‫ﻋﺬﺭ!‪...‬‬
‫ﻣﺠﺎﺯﻳﺔ ﻟﻤﺎ ﻗﺎﻟﺘﻪ‪.‬‬
‫ﱠ‬ ‫ﻋﺎﻟﻢ ﺁﺧﺮ! ﻟﻢ ﺃﻫﺐ ﻏﻴﺮ ﻗﻴﻤ ٍﺔ‬ ‫ﻛﻨﺖ ﻓﻲ ٍ‬ ‫ُ‬
‫ﺑﺸﻜﻞ ﺃﻭ‬‫ٍ‬ ‫ﺃﻭ ﺭﺑﻤﺎ ﻟﻢ ﺃﻓﻬﻢ ﻣﺎ ﻗﺎﻟﺘﻪ ﺗﻤﺎﻣﴼ‪ .‬ﻟﻢ ﻳﺨﻄﺮ ﺑﺒﺎﻟﻲ ﺣﻴﻨﻬﺎ‬
‫ْ‬
‫ﻭﻫﺮﺑﺖ‬ ‫َﺕ ﻋﻠﻰ ﺍﻟﻘﺒﻴﻠﺔ‬ ‫ﺗﻤﺮﺩ ْ‬
‫ﺑﺂﺧﺮ ﺃﻥ ﻫﺬﻩ ﺍﻟﻬﻴﻔﺎﺀ ﺍﻟﺠﺒﻠ ّﻴﺔ ﺍﻟﺘﻲ ﱠ‬
‫ﺍﻟﻤﻠﻬَﻤﺔ‬ ‫ﻠﻬﻤﺔ ُ‬ ‫ﺍﻟﻤ ِ‬
‫ﺍﻟﺒﺤﺮﻳﺔ ﺍﻟﻨﺎﺋﻴﺔ‪ ،‬ﻫﺬﻩ ُ‬ ‫ﱠ‬ ‫ﻣﻦ ﺳﺠﻨﻬﺎ ﺇﻟﻰ ﻫﺬﻩ ﺍﻟﺪﻳﺎﺭ‬
‫ﺍﻟﺘﻲ ﻟﻢ ﺃﺗﺼﻮﺭ ﺃﻥ ﺟﺒﺎﻝ ﻭﻭﺩﻳﺎﻥ ﻭﻣﺮﺍﻋﻲ ﻭﻣﺪﻥ ﻭﻗﺮﻯ ﺍﻟﻴﻤﻦ ﺑﺈﻣﻜﺎﻧﻬﺎ‬
‫ﻭﻫﺎﺟﺲ‬
‫ِ‬ ‫ﻨﺠﺐ ﻓﺘﺎ ًﺓ ﻣﺜﻠﻬﺎ ﺑﻬﺬﻩ ﺍﻷﻟﻤﻌ ّﻴﺔ ﻭﺍﻟﺮﻭﺡ ﺍﻟﻤﺪ ِﻧ ﱠﻴ ِﺔ‬ ‫ﺟﻤﻴﻌﴼ ﺃﻥ ُﺗ ِ‬
‫ُ‬
‫ﺗﺮﻓﺾ‬ ‫ﻗﻀ ْﺖ ﺣﻴﺎﺗﻬﺎ‬ ‫ﺍﻟﺘﻤ ﱡﺮﺩ ﻭﺍﻟﺘﺤ ﱡﺮ ِﺭ ﻭﺍﻟﺸﻤﻮﺥ‪ ،‬ﻫﺬﻩ ﺍﻟﻐﻴﺪﺍﺀ ﺍﻟﺘﻲ ﱠ‬
‫ﻣﻨﺤﻬَﺎ ﺍﻟﻘﺪ ُﺭ ﻟﻲ ﻭﺣﺪﻱ ﻛﻲ ﺃﻋﺒﺪﻫﺎ‬ ‫ﺛﻢ َ‬ ‫ﻳﺘﻮﺳ ُﻞ ﺍﺑﺘﺴﺎﻣﺘﻬﺎ ﱠ‬
‫ﻛﻞ ﻣﻦ ّ‬ ‫ﱠ‬
‫ﺍﻟﻤﺴ ِﻜﺮ‬
‫ﺍﻟﺸﺠﻲ ُ‬‫ﱢ‬ ‫ﺍﻟﺮﻗﻴﻖ‬
‫ِ‬ ‫ﺍﻟﺼﻮﺕ‬
‫ِ‬ ‫ﻛﻤﺎ ﺃﺷﺎﺀ‪ ،‬ﻫﺬﻩ ﺍﻟﺤﺴﻨﺎﺀ ﺫﺍﺕ‬
‫ﺍﻟﺬﻱ ﺃﺫﻭﺏ ﻋﻨﺪ ﺳﻤﺎﻋﻪ‪ ،‬ﺫﺍﺕ ﺍﻟﻌﻴﻨﻴﻦ ﺍﻟﻼﻣﻌﺘﻴﻦ ﺍﻟﻮﺍﺳﻌﺘﻴﻦ ﻭﺍﻟﻮﺟ ِﻪ‬
‫ﺍﻟﻌﺬﺏ ﺍﻟﻘﺎﺗﻞ‪ ،‬ﺫﺍﺕ ﺍﻟﺠﺴﺪ ﺍﻷﺳﻄﻮﺭﻱ ﺍﻟﺬﻱ ﺗﻐ ﱠﺰ َﻟ ْﺖ ﺑﻪ ﻗﺒﻠﻲ – ﻣﻨﺬ‬ ‫ِ‬
‫ﻛﻞ ﻧﺴﺎﺀ ﻋﺎﺋﻠ ِﺘﻬﺎ ﻭﺟﺎﺭﺍ ِﺗﻬﺎ ﺍﻟﻠﻮﺍﺗﻲ ﻃﺎﻟﻤﺎ‬ ‫ﻧﻔﺴﻬﺎ – ﱡ‬ ‫َ‬ ‫ﻡ‬
‫ُ‬ ‫ﺇﻟﻬﺎ‬ ‫ﻋ َﺮ ْ‬
‫ﻓﺖ‬
‫ﻭﻫﻦ ﻳَﻌ ُﺒ ْﺮ َﻥ ﺑﻨﻈﺮﺍﺗﻬﻦ ﺍﻟﻐﻴﻮﺭﺓ ﺗﻘﺎﺳﻴﻤﻬﺎ‬ ‫ﺍﻟﺴﺮ ﱠ‬
‫ﺃﻳﺪﻳﻬﻦ ﻓﻲ ﱢ‬‫ﱠ‬ ‫ﻗﻄ ْﻌ َﻦ‬
‫ﱠ‬
‫ُ‬
‫ﺳﺘﻜﻮﻥ‬ ‫ﺍﻹﻟﻬﻴﺔ‪ ...‬ﻫﺬﻩ ﺍﻟﺤﻮﺭﻳﺔ ﺫﺍﺕ ﺍﻟﺼﻔﺎﺀ ﺍﻟﺮﻗﺮﺍﻕ ﺍﻟﻤﻄﻠﻖ‪...‬‬
‫ﺍﻟﺠﺒﺎﺭﺓ ﻓﻲ‬
‫ﱠ‬ ‫ﺳﻴﻐﺮﺱ َﻣﺨﺎ ِﻟ َﺒ ُﻪ‬
‫ُ‬ ‫ﻓﻲ ﺣﻴﺎﺗﻲ‪» :‬ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ« ﺍﻟﺬﻱ‬
‫ﺃﺣﺸﺎﺋﻲ‪ .‬ﻃﺎﺋ َﺮ ﺧﺮﺍﺑﻲ ﺍﻟﻔﺎﺗﻦ! ﻫﺎﻭﻳﺘﻲ ﺍﻟﺨﺎﻟﺪﺓ! ﻫﻼﻛﻲ ﺍﻟﺮﺍﺋﻊ!‬
‫ﺍﻟﻤﻘﺪﺳﺔ! ﺟﻬﻨﻤﻲ ﺍﻟﺤﺒﻴﺒﺔ!‪ ...‬ﺃﻭ ﺃ ّﻧﻬﺎ‬ ‫ﱠ‬ ‫ﺩﻣﺎﺭﻱ ﺍﻷﺛﻴﺮ! ﻛﺎﺭﺛﺘﻲ‬ ‫‪28‬‬
‫ﻳﺪﻣ ُﺮ‬
‫ﺧﺮﺍﺏ« ﱢ‬ ‫ٍ‬ ‫ﻧﺤﺲ ﻳﺤﻤﻞ ﻟﻲ »ﻃﺎﺋ َﺮ‬ ‫ٍ‬ ‫ﻃﺎﻟﻊ‬
‫َ‬ ‫ﺳﺘﻜﻮﻥ ﻓﻲ ﺣﻴﺎﺗﻲ‪:‬‬ ‫ُ‬
‫ﺳﻌﻴﺪ ﺁﺧﺮ‪ .‬ﻟﻢ ﺃﺳﺄﻟﻬﺎ‪ :‬ﻣﺎﺫﺍ ﻳﻌﻨﻲ »ﻃﺎﺋﺮ‬ ‫ٍ‬ ‫ﻋﺎﻟﻢ‬
‫ﻛﻨﺖ ﻓﻲ ٍ‬ ‫ُ‬ ‫ﺣﻴﺎﺗﻲ‪...‬‬
‫ﺍﻟﺨﺮﺍﺏ«؟ ﻣﻦ ﻫﻮ »ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ«؟‪...‬‬

‫ﺍﺳﺘﺨﺪﻣ ْﺖ‬
‫َ‬ ‫ﺑﺪﺃَ ْﺕ ﺣﻴﺎ ُﺗﻨﺎ ﺍﻟﻮﺍﺣﺪ ُﺓ ﺑﻌﺪ ﻋﺒﺎﺭ ِﺗﻬﺎ ﺍﻟﺨﺎﻟﺪﺓ ﺍﻟﺘﻲ‬
‫ُ‬
‫ﻋﺮﺿﺖ ﻋﻠﻴﻬﺎ ﺑﻌﺪﻫﺎ ﻣﺒﺎﺷﺮﺓ‬ ‫ﻓﻴﻬﺎ ﺭﻣ َﺰ ﺍﻟﻤﻌﻄﻒ ﺫﻱ ﺍﻟ ُﻜ ﱢﻢ ﺍﻟﻮﺍﺣﺪ‪.‬‬
‫ﻴﻼ ﻋﻠﻰ ﺍﻟﺒﺤﺮ ﻓﻲ ﺟﻨﻮﺏ ﻓﺮﻧﺴﺎ‪.‬‬ ‫»ﻭﺍﺣ َﺪﻳﻦ«‪ ،‬ﻓﻲ ِﻓ ﱠ‬‫ﺃﻳﺎﻡ ﻣﻌﴼ‪ِ ،‬‬ ‫ﻗﻀﺎ َﺀ ٍ‬
‫ﻭﺍﻓﻘﺖ ﻋﻠﻰ ﺍﻟﺘﻮ!‬ ‫ْ‬
‫ﻴﻼ ﻣﻌﴼ ﻓﻲ ﺿﺤﻰ ‪ 22‬ﻣﺎﻳﻮ ‪.1990‬‬ ‫ﻭﺻﻠﻨﺎ ﺇﺫﻥ ﺇﻟﻰ ﻫﺬﻩ ﺍﻟ ِﻔ ﱠ‬
‫ﻫﻲ‪ ،‬ﻓﻲ ﺍﻟﺨﺎﻣﺴﺔ ﻭﺍﻟﻌﺸﺮﻳﻦ ﻣﻦ ﺍﻟﻌﻤﺮ ﻭﺃﻧﺎ ﻓﻲ ﺍﻟﺮﺍﺑﻌﺔ ﻭﺍﻟﺜﻼﺛﻴﻦ!‬
‫ﺪﺕ ﻓﻲ ﻳﻮﻧﻴﻮ ‪ !(1956‬ﻟﻢ ﺃﻛﻦ‬ ‫ﺳﻨﻮﺍﺕ ﻛﺎﻣﻠﺔ ) ُﻭ ِﻟ ُ‬
‫ٍ‬ ‫ﺃﻛ ُﺒﺮﻫﺎ ﺑﺘﺴﻊ‬
‫ﻷﺳﺒﺎﺏ ﺃﻳﺪﻳﻮﻟﻮﺟﻴﺔ ﻣﺤﻀﺔ! ‪ -‬ﺃﻥ‬ ‫ٍ‬ ‫ﺃﺗﺼﻮ ُﺭ ﺃﻭ ﺃﻭ ﱡﺩ َﻗ ْﺒ َﻞ ﻣﻌﺮﻓ ِﺘﻬﺎ ‪-‬‬
‫ﱠ‬
‫ﺃﺭﺗﺒﻂ ﺑﺈﻧﺴﺎﻧ ٍﺔ ﺃﺗﺠﺎﻭﺯﻫﺎ ﺃﻭ ﺗﺘﺠﺎﻭﺯﻧﻲ ﺃﻛﺜﺮ ﻣﻦ ﺧﻤﺲ ﺳﻨﻴﻦ‬
 ‫ﺎﺕ‬
‫ﻭﻣﻄﺒ ٍ‬
‫ﱠ‬ ‫ﻣﻔﺎﺟﺂﺕ‬
‫ٍ‬ ‫ﻓﻘﻂ!‪ ...‬ﻟﻜﻦ ﻣﺎ ﺍﻟﻌﻤﻞ؟! ﻫﺬﻩ ﻫﻲ ﺍﻟﺤﻴﺎﺓ‪ :‬ﻏﺎﺑ ُﺔ‬
‫ﻣﺴ َﺒﻘﴼ!‬‫ﻗ ﱠﻠﻤﺎ ﺗﺆ ﱢﺩﻱ ﻣﺘﺎﻫﺎ ُﺗﻬﺎ ﺇﻟﻰ ﻣﺎ ﻧﺼﺒﻮ ﺇﻟﻴﻪ ﺃﻭ ﻣﺎ ﻧﺘﻮ ﱠﻗﻌ ُﻪ ْ‬
‫ﻛﻞ ﺍﻟﻨﻮﺍﻓﺬ ﻋﻠﻰ‬ ‫ﺗﺮﻛﻨﺎ ﺣﻘﺎﺋﺒﻨﺎ ﻓﻲ ﺍﻟﺮﺩﻫﺔ‪ .‬ﻓﺘﺤﻨﺎ ﱠ‬
‫ﻣﺼﺮﺍﻋﻴﻬﺎ‪ ،‬ﻭﺍﻧﻐﻤﺴﻨﺎ ﻓﻲ ﺍﻟﺒﺤﺮ‪.‬‬
‫ﻟﻢ ﺃُ ﱢ‬
‫ﻗﺒ ْﻠﻬﺎ ﺣ ﱠﺘﻰ ُﻗ ْﺒﻠ ًﺔ‬ ‫ﺑﻌﺪ ﻣﻨﺬ ﺑﺪ ِﺀ ﺗﻌﺎ ُﺭ ِﻓﻨﺎ‪ْ ،‬‬ ‫ﻟﻢ ﺃﺣ َﺘ ِﻀ ْﻨﻬﺎ ُ‬
‫ﺍﻧﻘﻀ ْﺖ ﺃﺣﻠ ُﻢ‬‫َ‬ ‫ﻴﺖ ﺍﻟﺜﻤﺎﻧﻴ َﺔ ﺃﺷﻬﺮ ﺍﻟﺘﻲ‬ ‫ﻛﻨﺖ ﻗﺪ ّ‬
‫ﻗﻀ ُ‬ ‫ُ‬ ‫ﺻﻐﻴﺮﺓ‪ ،‬ﻭﺇﻥ‬
‫ﺑﻬﺬﻩ ﺍﻟﻘﺒﻠﺔ‪ ،‬ﺃﺗﺨ ّﻴ ُﻞ ﻫﺬﻩ ﺍﻟﻘﺒﻠﺔ‪ ،‬ﺃﺭﺳ ُﻢ ﻫﺬﻩ ﺍﻟﻘﺒﻠﺔ‪...‬‬
‫ﺗﺤﺖ ﺳﻤﺎ ٍﺀ‬ ‫ﻋﺰﻣﺖ ﺃﻥ ﺗﻜﻮﻥ ﺃﻭﻟﻰ ُﻗﺒﻼ ِﺗﻨﺎ ﻫﻨﺎ ﻓﻲ ﺍﻟﺒﺤﺮ‪َ ،‬‬ ‫ُ‬
‫ﻼ ﻋﻦ ﺍﻟﺴﺒﺎﺣﺔ ﻭﺗﻘﺘﺮﺏ‬ ‫ﻣﻔﺘﻮﺣﺔ‪ ،‬ﺑﻌﺪ ﻗﻠﻴﻞ‪ ،‬ﻋﻨﺪﻣﺎ ﺗﺘﻮ ﱠﻗ ُﻒ ﺇﻟﻬﺎ ُﻡ ﻗﻠﻴ ً‬
‫ﻣﻨﻲ‪.‬‬
‫ﻓﻲ ﻫﺬﺍ ﺍﻟﻴﻮﻡ ﺍﻟﺨﺎﻟﺪ‪.‬‬
‫ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺎﺕ ﺍﻟﻤﻼﺋﻜﻴﺔ‪.‬‬
‫‪29‬‬ ‫ﻫﻨﺪﺳﻴ ٍﺔ ﻣﺘﺪﺍﺧﻠﺔ‪ .‬ﺍﻟﺒﺤ ُﺮ‬ ‫ﱠ‬ ‫ﻫﻲ‪ ،‬ﺗﺴ َﺒ ُﺢ ﺩﻭﻥ ﺗﻮ ﱡﻗﻒ‪ ،‬ﺑﺄﺷﻜﺎﻝ‬
‫ﻛﻌﺮﻭﺱ ﺍﻟﺒﺤﺮ‪» :‬ﺍﻟﻔﺎﺗﻨﺔ‬ ‫ِ‬ ‫ﻟﻬﺎ‪ِ ،‬ﻣ ْﻠ ُﻜﻬﺎ‪ .‬ﺗﺴ َﺒ ُﺢ ﺣﻮﻟﻲ ﻛﺤﻮﺭ ّﻳ ِﺔ ﺍﻟﻤﺎﺀ‪،‬‬
‫ﺍﻟﻤﻼﺣﻴﻦ ﻭﺗﺴﺒﺐ ﻫﻼﻛﻬﻢ«‪ .‬ﺗﺴ َﺒ ُﺢ‬ ‫ّ‬ ‫ﺍﻷﺳﻄﻮﺭﻳﺔ ﺍﻟﺘﻲ ﺗﻐﻮﻱ‬
‫ﻛﺴﻤﻜﺔ‪ ،‬ﺗﺘﻌﺮﺟﻦ ﻛﻄﺎﺋﺮ ﺳﻨﻮﻧﻮ ﻳُﺤ ﱢﻠ ُﻖ ﻓﻲ ﺍﻟﻔﻀﺎﺀ‪.‬‬
‫ﺗﺴ َﺒ ُﺢ ﻓﻲ ﺍﻟﺒﻌﻴﺪ‪...‬‬
‫ﺑﺎﻧﺘﻈﺎﺭ‬
‫ِ‬ ‫ﺑﺎﻧﺘﻈﺎﺭ ﺃﻥ ﺗ ُﻜ ﱠﻒ ﺇﻟﻬﺎﻡ ﻋﻦ ﺍﻟﺴﺒﺎﺣﺔ ﻭﺗﻘﺘﺮﺏ ﻣﻨﻲ‪،‬‬ ‫ِ‬
‫ﻗﺖ ﺑﻌﻴﺪﴽ ﻓﻲ‬ ‫ﺣﺪ ُ‬
‫ﱠ‬ ‫ﺍﻟﺮﻗﻴﻘﺔ‪،‬‬ ‫ﺍﻷﻣﻮﺍﺝ‬
‫ِ‬ ‫ﻭﺳﻂ‬ ‫ﻫﻨﺎ‬ ‫ﺃﺧﻴﺮﴽ‬ ‫ﺃﻥ ﺃﺣﺘﻀﻨﻬﺎ‬
‫ﻭﺍﻷﺣﻮﺍﺽ ﺍﻟﻤﺎﺋﻴﺔ ﺍﻟﻤﺘﺎﺧﻤ ِﺔ ِﻟﻠﺒﺤﺮ ﺍﻟﺘﻲ‬ ‫ِ‬ ‫ﺍﻟﺒﺤﻴﺮﺍﺕ ﺍﻟﺸﺎﻃﺌﻴﺔ‬
‫ﺍﻟﻨﺤﺎﻡ )ﺍﻟﻔﻼﻣﻨﺠﻮﺱ( ﻭﺍﻟ َﺒ َﺠﻊ‬ ‫ﻟﻌﻞ ﻃﻴﻮ َﺭ ّ‬ ‫ﺍﻟﻤ ْﻠﺢ‪ .‬ﱠ‬‫ﻳُﺴﺘﺨﺮ ُﺝ ﻣﻨﻬﺎ ِ‬
‫»ﻣ ْﻤﻼﺡ َﻋ َﺪﻥ«‪،‬‬ ‫َ‬
‫ﺃﺣﻮﺍﺽ ِ‬ ‫ﺍﻟﺘﻲ ﺗﺮﺗ ُﻊ ﻓﻴﻪ ﻫﻲ ﻧﻔﺴﻬﺎ ﺗﻠﻚ ﺍﻟﺘﻲ ﺗﻤﻸ‬
‫ﻣﻌﻈﻤﻬﺎ ﻋﻨﺪﻣﺎ ُ‬
‫ﻳﺰﻳﺪ‬ ‫ُ‬ ‫ﻻﺳﻴﻤﺎ ﻣﻦ ﻧﻮﻓﻤﺒﺮ ﺇﻟﻰ ﻣﺎﺭﺱ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺗﻬﺎﺟﺮ‬
‫ﺍﻟﺠ ْﻤﺮﻱ‪ ...‬ﺇﻟﻰ ﻫﺬﻩ ﺍﻟﺪﻳﺎﺭ‪ ،‬ﻣﻦ ﻳﺪﺭﻱ؟ ﻟﻤﺎﺫﺍ‬ ‫ﻗﻴﻆ َﻋ َﺪﻥ َ‬ ‫ُ‬
‫ﺍﺷﺘﻌﺎﻝ ِ‬
‫ﻻ ﺗﻜﻮﻥ ﻫﻲ ﻋﻴﻨﻬﺎ ﻫﺬﻩ ﺍﻟﻄﻴﻮﺭ؟ ﺃَ َﻟ ْﺴﻨﺎ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ‪ ،‬ﻣﺜﻠﻬﺎ ﺗﻤﺎﻣﴼ‪،‬‬ ‫‪30‬‬
‫ﺃﺭﺽ ﺭﻗﻴﻘ ٍﺔ ُﺣ ﱠﺮﺓ ﻫﺎﺩﺋﺔ؟‪...‬‬
‫ﻋﺼﻔﻮ َﺭﻳﻦ ﻳﺒﺤﺜﺎﻥ ﻋﻦ ٍ‬
‫ْﺪ ﻓﻲ َﻋ َﺪﻥ ﺍﻟﺘﻲ‬ ‫ﺃﺗﺬﻛ ُﺮ ﺃﺣﻮﺍﺽ ﺍﻟﻤﻬ ِ‬ ‫ﱠ‬ ‫ﺳﺮﺣﺖ ﻗﻠﻴ ً‬
‫ﻼ‬ ‫ُ‬
‫ﺃﺭﻭﻉ ﺃﺻﺪﻗﺎ ِﺀ ﻃﻔﻮﻟﺘﻲ‬ ‫ﻗﻀ ُ‬
‫ﺃﺣﺪ ِ‬ ‫ﺃﺭﺍﻗﺐ ﻃﻴﻮ َﺭﻫﺎ ِﺑﺮﻓﻘ ِﺔ ِ‬
‫ُ‬ ‫ﻴﺖ ﻃﻔﻮﻟﺘﻲ‬ ‫ﱠ‬
‫ﻭﺃﻛﺜﺮﻫﻢ ﺃﻟﻤﻌ ّﻴ ًﺔ ﻭﺗﻤ ّﺮﺩﴽ ﻭﻋﺒﻘﺮﻳﺔ‪ :‬ﺷﻬﺎﺏ‪ .‬ﻋﺎﺩﺕ ﻟﻲ ﺫﻛﺮﻳﺎﺕٌ‬
‫ﻋﺰﻣﺖ ﺃﻳﻀﴼ‬‫ُ‬ ‫ﺟﻮﻫﺮﻳﺔ‪ ...‬ﺃﻧﻮﻱ ﺃﻥ ﺃﺳﺮﺩﻫﺎ ﺑﻌﺪ ﻗﻠﻴﻞ ﻹﻟﻬﺎﻡ‪.‬‬ ‫ﱠ‬ ‫ﻋﻤﻴﻘ ٌﺔ‪،‬‬
‫ﺍﻟﻤﺘﺒﺨﺮ‪ ،‬ﻋﻠﻰ ﻳﻤﻴﻨﻨﺎ‪،‬‬‫ﱢ‬ ‫َ‬
‫ﺃﺣﻮﺍﺽ ﺍﻟﻤﺎ ِﺀ‬ ‫ﻳﻮﻡ ﺃﻭ ﻳﻮﻣﻴﻦ‬
‫ﺃﻥ ﺃﺯﻭ َﺭ ﻣﻌﻬﺎ ﺑﻌﺪ ٍ‬
‫ْ‬
‫ﺍﻛﺘﺸﻔ ُﺘﻬﺎ ﻓﻲ‬ ‫ﺃﻋﺮ ُﻓ ُﻪ ﻋﻦ ﻃﻘﻮﺱ ﺍﻟﻌﺼﺎﻓﻴﺮ ﺍﻟﺘﻲ‬ ‫ﻷﺣﻜﻲ ﻟﻬﺎ ﻣﺎ ِ‬
‫ﻃﻔﻮﻟﺘﻲ ﺍﻟﻌﺪ ِﻧ ﱠﻴﺔ‪.‬‬

‫ُ‬
‫ﻳﻌﺮﻑ ﺟﻐﺮﺍﻓﻴ َﺘﻬﺎ‬ ‫ﺃﻭﺿﺢ ﱠﺃﻭ ً‬
‫ﻻ ﻟﻤﻦ ﻻ‬ ‫َﻋ َﺪﻥ‪ ،‬ﻳﻠﺰﻣﻨﻲ ﺃﻥ ﱢ‬
‫َﺤ ِﺮ ﱞﻱ ﻃﻮﻳ ٌﻞ‬ ‫ٌ‬
‫ﻃﺮﻳﻖ ﺑ ْ‬ ‫ﺍﻟﻔﺮﻳﺪﺓ‪ُ :‬ﻗﻄﺒﺎﻥ )‪ (4‬ﻣﺘﺒﺎﻋﺪﺍﻥ ﻳﻔﺼﻠﻬﻤﺎ‬
‫َ‬
‫ﺃﺣﻮﺍﺽ ﻣﻴﺎ ٍﻩ ﺷﺎﺳﻌﺔ‪.‬‬ ‫ُ‬
‫ﻳﺨﺘﺮﻕ‬
‫ﻳﻬﻤﻨﻲ ﻫﻨﺎ ﻫﻮ ﺃﻥ ﺗﻠﻚ ﺍﻷﺣﻮﺍﺽ ﺍﻟﻀﺨﻤﺔ ﻣﺤﻤ ّﻴ ٌﺔ‬ ‫ﻣﺎ ﱡ‬
 ‫ﻟﻠﻨﺤﺎﻡ ﻭﺍﻟﺒﺠﻊ‪ .‬ﻣﻤﻠﻜ ٌﺔ ﺭﻏﺪﺓ ﻟﻠﻄﻴﻮﺭ ﺍﻟﻤﻬﺎﺟﺮﺓ‪.‬‬
‫ﻃﺒﻴﻌﻴ ٌﺔ ﻧﻤﻮﺫﺟﻴ ٌﺔ ّ‬
‫ﻗﻠﺐ َﻋ َﺪﻥ‪ ،‬ﺍﺑﻨ ُﺔ ﺍﻟﻤﺮﻛﺰ‪ ،‬ﺳﺎﻛﻨ ُﺔ‬
‫ﻫﻲ ﻭﺣﺪﻫﺎ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﺍﺑﻨ ُﺔ ِ‬
‫ﺍﻟﺪﺭﺟﺔ ﺍﻷﻭﻟﻰ! ﺃﻣﺎ ﺍﻟﺒﺸﺮ ﻓﻴﻘﻄﻨﻮﻥ ﺍﻟﻀﻮﺍﺣﻲ‪ ،‬ﻣﺤﻴﻂ ﺍﻟﺪﺍﺋﺮﺓ‪،‬‬
‫ﺍﻟﺴ ُﺪﻡ ﺍﻟﻤﺸ ﱠﺘ َﺘ َﺔ ﻭﺍﻷﻃﺮﺍﻑ ﺍﻟﺒﻌﻴﺪﺓ‪.‬‬
‫ﻳﺴﻜﻨﻮﻥ ﱡ‬

‫ﻛ ﱠﻨﺎ ﻧﻘﻀﻲ ﺳﺎﻋﺎﺕ ﻧﺮﺍﻗﺐ ﻫﺬﻩ‬ ‫ﻣﻊ ﺻﺪﻳﻘﻲ ﺷﻬﺎﺏ ُ‬

‫ﻧﻨﻄﻠﻖ ﻣﻦ ﺍﻷﺣﻮﺍﺽ‬ ‫ُ‬ ‫ﺍﻟﻄﻴﻮﺭ ِﺑ ُﻤ ْﺘ َﻌ ٍﺔ ﻫﺎﺋﻠﺔ‪ .‬ﻧﺒﺪﺃ ﻓﻲ ﺳﺎﻋﺔ ﺍﻟﻌﺼﺮ‪.‬‬
‫ﻧﺘﻘﺪﻡ ﺭﻭﻳﺪﴽ ﺭﻭﻳﺪﴽ ﻧﺤﻮ‬ ‫ﺍﻟﺠﻨﻮﺑﻴﺔ ﺍﻟﺘﻲ ﺗﺘﺮﺍﻛﻢ ﻓﻴﻬﺎ ﺃﺻﻘﺎﻉ ﺍﻟﻤﻠﺢ‪ .‬ﱠ‬
‫ﺍﻟﺸﻮﺍﻃﺊ ﺍﻟﺸﻤﺎﻟﻴﺔ ﺍﻟﻤﻠﺘﺼﻘ ِﺔ ﺑﻤﻴﻨﺎﺀ ﻛﺎﻟﺘﻜﺲ‪ُ .‬ﻧ َﺤ ﱢﺪﻕ ﺑﺘﻤ ﱡﻌ ٍﻦ‬
‫ﺘﻞ ﺍﻟﻄﺎﺋﺮﺓ ﺍﻟﺒﻴﻀﺎﺀ ﺍﻟﻤﺘﺄﻟﻘﺔ ﻭﻫﻲ ُﺗ َﻌ ْﺮ ِﺑ ُﺪ ﻓﻲ ﺫﻟﻚ‬ ‫ﻓﻲ ﺗﻠﻚ ﺍﻟ ُﻜ ِ‬
‫ﻭﺍﻧﺸﺮﺍﺡ ُﻣﻄ َﻠﻖ‪ .‬ﻧﺴﻠﻮ ﻛﺜﻴﺮﴽ ﻭﻧﺤﻦ ﻧﺮﺍﻫﺎ‬ ‫ٍ‬ ‫ﺍﻟﻔﺮﺩﻭﺱ ﺍﻷﺯﺭﻕ ِﺑﺴﻌﺎﺩ ٍﺓ‬
‫ﺗﺮﻗﺺ ﺟﺬﻟﻰ ﻓﻲ ﺣﻔﻼﺕ‬ ‫ُ‬ ‫ُ‬
‫ﺗﺮﻛﺾ‪ ،‬ﺗﺘﺰﺍﺣ ُﻢ‪،‬‬ ‫ﺗﻠﻌﺐ‪،‬‬
‫ﺗﺴﺮ ُﺡ ﻭﺗﻤﺮﺡ‪ُ ،‬‬
‫‪31‬‬ ‫ﺑﻬﻴﺠ ٍﺔ ﺩﺍﺋﻤﺔ‪ ...‬ﻧﻼﺣﻈﻬﺎ ﺗﺘﻮ ﱠﺯ ُﻉ ﻓﻲ ُﺷ َﻠ ٍﻞ‪ ،‬ﻣﻦ ‪ 4‬ﺇﻟﻰ ‪ 20‬ﺗﻘﺮﻳﺒﴼ‪،‬‬
‫ﺑﺄﺻﻮﺍﺕ ﺑُﻮ ِﻗ ﱠﻴ ٍﺔ‬
‫ٍ‬ ‫ﺗﺘﻐﺬﻯ ﺑﺎﻟﺠﻤﺒﺮﻱ ﻭﺍﻟﻘﻮﺍﻗﻊ ﻭﺍﻟﺮﺧﻮﻳﺎﺕ‪ ،‬ﺗﻬﻴ ُﻢ‪ُ ،‬ﺗﻐ ﱢﻨﻲ‬ ‫ﱠ‬
‫ﻼ ﻟﺌﻼ ُﻧﻌ ﱢﻜ َﺮ ﻣﺰﺍﺟﻬﺎ ﺃﻭ‬ ‫ﻋﺸﻮﺍﺋﻴ ٍﺔ ﺍﺣﺘﻔﺎﻟﻴﺔ‪ُ ...‬ﻧﺨ ِﻔﻲ ﺃﻧﻔﺴﻨﺎ ﻗﻠﻴ ً‬
‫ﻋﺪﻥ‪ ،‬ﻣﺜﻞ‬ ‫ﺇﻳﻘﺎﻋﻬﺎ‪ ،‬ﻷﻧﻬﺎ ﻛﺎﻧﺖ ﻗﻠﻘ ًﺔ ﺣﺬﺭ ًﺓ ﺩﺍﺋﻤﴼ ﻣﺜﻞ ﻏﺮﺍﺏ َ‬ ‫َ‬ ‫َ‬
‫ﻧﺮﺑﻚ‬
‫ﻋﺪﻥ‪...‬‬ ‫ُﻋﻘﺎﺏ َ‬
‫ﺍﻟﻨﺤﺎﻡ ﺑﺴﻴﻘﺎﻧﻪ ﺍﻟﻄﻮﻳﻠﺔ‪،‬‬ ‫ﻛﺎﻥ ﻳﺜﻴﺮﻧﻲ ﺑﺸﻜﻞ ﺧﺎﺹ ﻃﺎﺋﺮ ّ‬
‫ﱡ‬
‫ﺑﺎﻟﻠﻮﻥ ﺍﻟﻘﺮﻣﺰﻱ ﺃﺳﻔﻞ ﺃﺟﻨﺤﺘﻪ ﺍﻟﺬﻱ ﻳﺒﺪﻭ ﺟﻠ ّﻴﴼ ﻋﻨﺪﻣﺎ ﻳﻨﻂ ﻫﻨﺎ‬
‫ﻼ ﻭﺍﻗﻔﴼ ﻋﻠﻰ ِﺭ ْﺟ ٍﻞ‬ ‫ﻭﻫﻨﺎﻙ‪ .‬ﻳﻌﺠﺒﻨﻲ ﻛﺜﻴﺮﴽ ﻋﻨﺪﻣﺎ ﻳﺴﺘﺮﻳﺢ ﻗﻠﻴ ً‬
‫ُﻌﻄ ِﻮ ُﺭ« ﺭﻗﺒ َﺘﻪ ﺍﻟﻄﻮﻳﻠﺔ ﻭﻳﺨﻔﻲ ﺭﺃﺳﻪ ﺃﺳﻔﻞ ﺭﻳﺶ ﺟﻨﺎﺣﻪ‪.‬‬ ‫ﻭﺍﺣﺪﺓ‪» ،‬ﻳ ْ‬
‫ﺇﻻ ﺃﻥ ﺃﻛﺜﺮ ﻣﺎ ﻛﺎﻥ ﻳﺠﺬﺑﻨﻲ ﻫﻮ ﻃﺮﻳﻘﺘﻪ ﻓﻲ ﺍﻟﻄﻴﺮﺍﻥ ﺍﻟﺘﻲ ﻻ‬
‫ﻓﻘﻲ ﻓﻲ ﺍﻟﺨﻠﻒ‪ ،‬ﻭﺭﻗﺒ ُﺘ ُﻪ‬ ‫ﱟ‬ ‫ﺑﺸﻜﻞ ﺃُ‬
‫ٍ‬ ‫ﺗﺘﻤﺪ ُﺩ‬
‫ﱠ‬ ‫ُﺗﻨﺴﻰ‪ :‬ﺳﻴﻘﺎ ُﻧ ُﻪ ﺍﻟﻄﻮﻳﻠﺔ‬
‫ﺷﻜﻞ ﻓﺮﻳﺪ ﻳُﺸﺒ ُﻪ ﻃﺎﺋﺮ َﺓ‬ ‫ﺍﻟﺮﺃﺱ ﻓﻲ ٍ‬ ‫ُ‬ ‫َﺘﻘﺪ ُﻣﻬﺎ‬
‫ﺗﺘﻤﺪ ُﺩ ﺃﻓﻘ ّﻴﴼ ﻳ ﱠ‬
‫ﺍﻟﻄﻮﻳﻠﺔ ﱠ‬
‫ﺍﻟﻜﻮﻧﻜﻮﺭﺩ‪ ،‬ﺃﻭ ﺑﺎﻷﺣﺮﻯ ﺗﺸﺒﻬ ُﻪ ﻃﺎﺋﺮ ُﺓ ﺍﻟﻜﻮﻧﻜﻮﺭﺩ‪...‬‬
‫ﺗﻌﺞ ﺑﻬﺎ ﺷﻮﺍﻃﺊ‬ ‫ﻛ ﱠﻨﺎ ﻧﺮﺍﻗﺐ ﺃﻳﻀﴼ ﻃﻴﻮﺭﴽ ﺃﺧﺮﻯ ﻛﺜﻴﺮﺓ ﱡ‬ ‫ُ‬
‫ﻋﺪﻥ‪ :‬ﺃﺳﺮﺍﺏ ﺍﻟﻨﻮﺭﺱ ﺍﻟﻐﻔﻴﺮﺓ‪ ،‬ﻣﺎﻟﻚ ﺍﻟﺤﺰﻳﻦ‪ ،‬ﺃﺑﻮﻣﻠﻌﻘﺔ‪ ...‬ﻭﻓﺼﺎﺋﻞ‬
‫ﻛ ﱠﻨﺎ ﻧﻼﺣﻈﻬﺎ ﻭﻫﻲ ﺗﺘﻨﻘﻞ ﻣﻦ ﺟﺮﻑ ﺇﻟﻰ‬ ‫ﺃﺧﺮﻯ ﻻ ﺃﻋﺮﻑ ﺃﺳﻤﺎﺀﻫﺎ‪ُ .‬‬
‫ﺍﻟﻤﺪ ﻭﺍﻟﺠﺰﺭ‪...‬‬
‫ﺟﺮﻑ‪ ،‬ﺗﺨﺘﻔﻲ ﺑﻴﻦ ﺍﻟﺼﺨﻮﺭ ﻋﻠﻰ ﺇﻳﻘﺎﻉ ﱢ‬
‫ﻋﺸﻖ ﺍﻟﻌﺼﺎﻓﻴﺮ‪ .‬ﻟﻌ ﱢﻠﻲ‬‫ﻓﻲ َ‬ ‫ﻳﻦ ﻟﺼﺪﻳﻘﻲ ﺷﻬﺎﺏ ﺑﺄﻧﻪ ﻏﺮﺱ ﱠ‬ ‫ﺃُ ِﺩ ُ‬
‫ﻭﺍﻟﺘﺤﺪﻳﻖ ﻓﻲ ﺣﺮﻛﺎﺗﻬﺎ ﻭﺳﻜﻨﺎﺗﻬﺎ‬ ‫ِ‬ ‫ﻃﻘﻮﺳﻬﺎ‬
‫ِ‬ ‫ﻣﻦ ﻛﺜﺮ ِﺓ ﻣﺮﺍﻗﺒ ِﺔ‬
‫ﺠﺴﺪ‬
‫ﻟﺖ ﻋﺼﻔﻮﺭﴽ ِﺑ ِ‬ ‫ﺗﺤﻮ ُ‬ ‫ٌ‬
‫ﻓﻲ ﺃﺟﻨﺤﺔ ﻏﻴﺮ ﻣﺮﺋ ّﻴﺔ! ﱠ‬ ‫» َﺗ َﻌ ْﺼ َﻔ ْﺮ ُﺕ«‪ ،‬ﻧ َﺒ َﺘ ْﺖ ﱠ‬
‫ﺟﻮﻫﺮﻳ ٍﺔ‬
‫ﱠ‬ ‫ﻛﻞ ﺷﻲﺀ‪ ،‬ﺑﻠﺤﻈ ٍﺔ‬ ‫ﻭﺑﻌﺪ ﱢ‬ ‫ﻳﻦ ﻟﺼﺪﻳﻘﻲ‪َ ،‬‬
‫ﻗﺒﻞ َ‬ ‫ﺇﻧﺴﺎﻥ! ﻟﻜﻨﻲ ﺃ ِﺩ ُ‬
‫ﺻﺮﺕ ﺑﻌﺪﻫﺎ ﺇﻧﺴﺎﻧﴼ ﺁﺧﺮ‪ .‬ﻟﻮﻻﻫﺎ ﻗﻄﻌﴼ‬ ‫ُ‬ ‫ﻓﻲ ﺣﻴﺎﺗﻲ‪ ،‬ﺳﺄﺣﻜﻴﻬﺎ ﺍﻵﻥ‪،‬‬
‫ﺍﻟﻤﺘﻮﺳﻂ‪،‬‬
‫ﱢ‬ ‫ﺗﻘﺎﻃ ِﻊ ﺍﻷﻃﻠﺴﻲ ﻭﺍﻷﺑﻴﺾ‬ ‫ﺃﺳﺒﺢ ﺍﻵﻥ ﻫﻨﺎ ﻓﻲ ُ‬ ‫ﻛﻨﺖ ُ‬ ‫ُ‬ ‫ﻟﻤﺎ‬
‫ﺇﻟﻬﺎﻣﻲ ﺍﻟﺨﺎﻟﺪﺓ‪...‬‬
‫ِ‬ ‫ﺑﺠﺎﻧﺐ ﻣﻠﻜﺔ ﺍﻟﻌﺼﺎﻓﻴﺮ‪،‬‬

‫َ‬
‫ﺴﺘﻮﻃﻨ ًﺔ‬ ‫ﺣ ّﺘﻰ ﻗﺒﻴﻞ ﺍﻟﺜﺎﻟﺜﺔ ﻋﺸﺮ ﻣﻦ ﺍﻟﻌﻤﺮ ﻛﺎﻥ ﺭﺃﺳﻲ ُﻣ‬
‫ﻛﺴﺢ‪ ،‬ﻣﻌ ﱠﻠﻘﻮﻥ ﻓﻲ‬
‫ٌ‬ ‫ﺟﻦ ﻋﻮ ٌﺭ‪،‬‬
‫ﻟﻸﺷﺒﺎﺡ ﻭﺍﻟﻜﻮﺍﺑﻴﺲ ﻭﻗﺒﺎﺋﻞ ﺍﻟﺠﻦ‪ .‬ﱞ‬ ‫‪32‬‬
‫ﻛﻞ ﺷﻲﺀ‪ ،‬ﺑﻌﻀﻬﻢ ﻋﻤﺎﻟﻘﺔ‪ ،‬ﺑﻌﻀﻬﻢ‬ ‫ﻛﻞ ﻣﻜﺎﻥ‪ ،‬ﻣﺨﺘﻔﻴﻮﻥ ﺧﻠﻒ ﱢ‬
‫ﺭﺟ ِﻞ َﺑ َﻘﺮ‪ ،‬ﺑﻌﻀﻬﻢ ﺑﺄﻋﻴﻦ ﺭﻣﺎﺩﻳﺔ ﺑﻴﻀﺎﻭﻳ ِﺔ ﺍﻟﻌﺪﺳﺎﺕ‪ ...‬ﺷﻴﺎﻃﻴﻦ؛‬ ‫ِﺑ َﺄ ُ‬
‫ﻋﻔﺎﺭﻳﺖ؛ َﻣ َﺮﺩَﺓ؛ ﻏ ْﻮﻝ‪ :‬ﻳﻠﺘﻬﻤﻮﻥ ﺍﻷﻃﻔﺎﻝ ﻛﻤﺎ ﻳﻘﻮﻝ ﺍﻟﺒﻌﺾ‪،‬‬
‫ﺜﺚ ﺍﻟﻤﻮﺗﻰ ﻛﻤﺎ ﻳﻘﻮﻝ‬ ‫ﻻﻟﺘﻬﺎﻡ ُﺟ ِ‬
‫ﻳﺤﻔﺮﻭﻥ ﺍﻟﻘﺒﻮﺭ ﻓﻲ ﺍﻟﻠﻴﻞ ِ‬
‫»ﺯﻭﺍﺭ ﺍﻟﺒﻴﻮﺕ«‪ :‬ﻳﺄﺗﻮﻥ‬‫»ﺟ َﺒ ْﺮﺕ«‪ :‬ﻳﺸﺮﺑﻮﻥ ﺩﻣﺎﺀ ﺍﻷﻃﻔﺎﻝ؛ ﱠ‬ ‫ﺍﻵﺧﺮﻭﻥ؛ َ‬
‫ﻟﻜﻞ ﻣﻨﺰﻝ ﻓﻲ ﻗﻠﺐ ﺍﻟﻠﻴﻞ ﻭﻗﺪ ﻧﺎﻡ ﺃﻫ ُﻠﻪ‪ ،‬ﻳﻤﺎﺭﺳﻮﻥ َ‬
‫ﻧﻔﺲ ﺣﻴﺎ ِﺓ ﻫﺆﻻﺀ‪،‬‬
‫ﻳﻄﺒﺨﻮﻥ‪ ،‬ﻳﺄﻛﻠﻮﻥ‪ ،‬ﻳﺘﻨﺎﻛﺤﻮﻥ‪ ،‬ﻳﺘﺮﺍﻛﺒﻮﻥ‪ ،‬ﻳﻤﺸﻮﻥ ﻭﻳﺘﺤﺮﻛﻮﻥ‪...‬‬
‫ﻛﻞ ﺷﻲ ٍﺀ ﺇﻟﻰ ﻭﺿ ِﻌ ِﻪ ﺍﻟﻄﺒﻴﻌﻲ ﻭﻳﻐﺎﺩﺭﻭﻥ ﺍﻟﻤﻨﺰﻝ ﻗﺒﻞ ﺃﻥ‬ ‫ﺛﻢ ُﻳ ِﻌﻴﺪﻭﻥ ﱠ‬ ‫ﱠ‬
‫ُ‬
‫ﻳﺼﺤﻮ ﺃﻫﻠ ُﻪ ﻣﻦ ﺍﻟﻨﻮﻡ!‪...‬‬
‫ﺠﻴﻮﺵ ُﻣ َﺠ ﱠﻴﺸ ٍﺔ ﻣﻦ ﻫﺬﻩ‬
‫ٍ‬ ‫ﺍﻟﺴﻦ ِﺑ‬
‫ﱢ‬ ‫ﺍﻣﺘﻸ ﺭﺃﺳﻲ ﺣ ّﺘﻰ ﺫﻟﻚ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‪،‬‬‫ٍ‬ ‫ﺃﺗﻮﺟ ُﺴﻬﺎ ﻓﻲ ﺍﻟﻌﺘﻤﺔ‬‫ﻛﻨﺖ ﱠ‬‫ُ‬ ‫ﺍﻟﻤﺨﻠﻮﻗﺎﺕ ﺍﻟﻤﺘﻨﻮﻋﺔ!‬
‫ﺃﺷﻌ ُﺮ ﺑﻮﺟﻮﺩﻫﺎ ﻋﻨﺪ ﺃﺩﻧﻰ ﺻﻮﺕ ﺃﻭ ﺣﺮﻛﺔ‪ ،‬ﻋﻨﺪ ﱠﺃﻭ ِﻝ ﺳﻮﺀ ﻃﺎﻟﻊ‪،‬‬
‫ﻓﺠﻮﺭﻫﺎ‬
‫ِ‬ ‫ﻭﺣﻔﻼﺕ‬
‫ِ‬ ‫ﻭﺩﺳﺎﺋﺴﻬﺎ ﻭﻣﺆﺍﻣﺮﺍ ِﺗﻬﺎ‬
‫َ‬ ‫ﻗﺼﺼﻬﺎ ﻭﺃﺧﺒﺎ َﺭﻫﺎ‬
‫َ‬ ‫ﺃﺳﻤ ُﻊ‬
 ‫ﻛﻞ ﻳﻮﻡ‪ ،‬ﻓﻲ ﺍﻟﺒﻴﺖ‪،‬‬ ‫ﻭﺗﻀﺎﺟﻌﺎ ِﺗﻬﺎ ﺍﻟﺠﻤﺎﻋ ّﻴﺔ‪ ...‬ﺃﺳﻤ ُﻌﻬﺎ ﱠ‬ ‫ُ‬ ‫ﻭﻋﺮﺑﺪ ِﺗﻬﺎ‬
‫ﻓﻲ ﺍﻟﺸﺎﺭﻉ‪ ،‬ﻓﻲ ﺍﻟﻤﺪﺭﺳﺔ‪...‬‬
‫ﺍﺳﺘﻨﻔﺎﺭ ﺩﺍﺋﻢ ﻣﻦ ﻣﻠﻴﺎﺭ‬
‫ٍ‬ ‫ﺃﻋﻴﺶ ﺣﺎﻟ َﺔ‬‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺣ ّﺘﻰ ﺫﻟﻚ ّ‬
‫ﺍﻟﺴﻦ‬
‫ﺎﺕ ﻻ ُﺗ ﱡ‬
‫ﻌﺪ‬ ‫ُ‬
‫ﻓﻴﺎﻟﻖ ﻭﻣﻴﻠﻴﺸ ّﻴ ٌ‬ ‫ﻳﺘﺮﺻ ُﺪﻧﻲ ﻛﻞ ﻟﻴﻠﺔ‪.‬‬ ‫ﱠ‬ ‫»ﻏﺎﺳﻖ ﺇﺫﺍ ﻭﻗﺐ«‬
‫ٍ‬
‫ﻭﻟﻴﺎﻟﻲ‬
‫ﱠ‬ ‫ﺃﻳﺎﻣﻲ‬
‫َ‬ ‫ﻭﻻ ُﺗﺤﺼﻰ ﻛﺎﻧﺖ َﻫ َﻮ ِﺳﻲ ﺍﻟﻘﺎﺗﻞ‪ ،‬ﺧﻮ ِﻓ َﻲ ﺍﻷﺯﺭﻕ‪َ ،‬‬
‫ﺑﻌﺒﻊ‬ ‫َ‬ ‫ْ‬
‫ﺃﻏﻤﺾ ﺟﻔﻨﻲ ﻗﺒﻞ ﺍﻟﻨﻮﻡ!‬ ‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺍﻟﻤﻀﻄﺮﺑﺔ! ﻛﻢ ﺩﺍﻫﻤﺘﻨﻲ ﻋﻨﺪﻣﺎ‬
‫ﺃﻓﺴ َﺪ ْﺕ ﻟﻴﺎﻟﻲ ﻃﻔﻮﻟﺘﻲ! ﻛﻢ ﺃﻳﻘﻈﺘﻨﻲ ﻣﺮﺗﺠﻔﴼ ﺃﻛﺜﺮ ﻣﻦ‬ ‫ﻛﻢ َ‬
‫ﺩﻋﻮﺕ ﺍﷲ ﺑﺴﺒﺒﻬﺎ‪ ،‬ﻓﻲ ﻣﺴﺎﺀﺍﺗﻲ ﺍﻟﺤﺰﻳﻨﺔ ﻻﺳﻴﻤﺎ ﻗﺒﻞ‬ ‫ُ‬ ‫ﻣﺮﺓ! ﻛﻢ‬ ‫ﱠ‬
‫ّ‬
‫ُﺤ ﱢﻮﻝ ﻫﺬﺍ ﺍﻟﻜﻮﻥ‪ ،‬ﻓﻲ ﺃﻗﻞ ﻣﻦ ﻟﻤﺤﺔ ﺑﺼﺮ‪،‬‬ ‫ﺍﻟﺴﺎﺑﻌﺔ ﻣﻦ ﺍﻟﻌﻤﺮ‪ ،‬ﺑﺄﻥ ﻳ َ‬
‫ﺑﻜﻞ ﺃﻧﺎﺳﻪ‬
‫ﻛﻮﻛﺐ ﺍﻷﺭﺽ‪ ،‬ﱢ‬ ‫ُ‬ ‫ﺗﻮﺳ ْﻠ ُﺘ ُﻪ ﺃﻥ ﻳﺨﺘﻔﻲ‬ ‫ﺇﻟﻰ َﻋ َﺪﻡ! ﻛﻢ ﱠ‬
‫ُ‬
‫ﺍﻟﻜﻮﻥ‬ ‫ﻣﻴﻜﺮﻭﻥ ﻣﻦ ﺍﻟﺜﺎﻧﻴﺔ! ﺃﻥ ﻳﺨﺘﻔﻲ‬ ‫ٍ‬ ‫ﺑﺄﻗﻞ ﻣﻦ‬‫ﻭﺣﻴﻮﺍﻧﺎﺗﻪ ﻭﺟﻤﺎﺩﻩ‪ّ ،‬‬
‫ﻟﻴﻞ ﻭﺃﻧﺎ ﻓﻲ ُﻋﻤﻖ ﺍﻟﻨﻮﻡ‪ ،‬ﺃﻥ ﻳﻌﻮﺩ ﻛﻤﺎ ﻛﺎﻥ ﻋﻠﻴﻪ ﻗﺒﻞ‬ ‫ﺗﻤﺎﻣﴼ ﺫﺍﺕ ٍ‬
‫‪33‬‬ ‫ﺳﺮﻣﺪﻱ ﻛﺎﻣﻞ‪.‬‬ ‫ﱞ‬ ‫ﺑﺪﺀ ﺍﻟﺒﺪﺍﻳﺎﺕ‪ :‬ﻓﺮﺍ ٌﻍ‬
‫ﻧﻌﻢ‪ ،‬ﻛﺎﻧﺖ ﻧﻬﺎﻳ ُﺔ ﺍﻟﻌﺎﻟﻢ ﻫﻲ ﺣﻠ َﻢ ﻃﻔﻮﻟﺘﻲ! ﻟﻢ ﺃﻛﻦ ﺃﺗﻤ ّﻨﻰ‬
‫ﺃﻥ ﺃﻋﻴﺶ ﺣﺮﺑﴼ ﻋﺎﻟﻤﻴ ًﺔ ﺛﺎﻟﺜﺔ ﺃﻭ ﺃﺷﻬﺪ ﺳﻘﻮﻁ ﻗﻨﺒﻠﺔ ﻧﻴﺘﺮﻭﻧﻴﺔ؛ ﻟﻢ‬
‫ﺃﻛﻦ ﺃﻭ ﱡﺩ ﺃﻥ ﺃﺷﺎﻫﺪ ﺍﻟﻘﻤ َﺮ ﻳﺴﻘﻂ ﻋﻠﻰ ﺍﻷﺭﺽ ﺃﻭ ﺃﻥ ﺃﺣﻴﺎ ﺍﻧﻬﻴﺎﺭ‬
‫ﺃﻛﻦ ﺃﺣﻠ ُﻢ ﺃﻥ‬‫ْ‬ ‫ﺍﻟﺘﻮﺍﺯﻥ ﺍﻟﻤﻐﻨﺎﻃﻴﺴﻲ ﻟﻠﻤﺠﻤﻮﻋﺔ ﺍﻟﺸﻤﺴﻴﺔ؛ ﻟﻢ‬
‫ﺍﻟﻔﻀﺎﺀﺍﺕ‬
‫ِ‬ ‫ﻇﻠﻤﺎﺕ‬
‫ِ‬ ‫ُﺪﺣﺮﺝ ﺑﻬﺎ ﻓﻲ‬‫ﻳﻨﻄﺢ َﺛ ْﻮ ٌﺭ ﻛﻮ ِﻧ ﱞﻲ ﺍﻟﻜﺮ َﺓ ﺍﻷﺭﺿ ّﻴﺔ‪ ،‬ﻳ ِ‬ ‫َ‬
‫ﻃﻮﻓﺎﻥ ﺍﻟﻤﺤﻴﻄﺎﺕ ﻭﻏﻀﺐ‬ ‫َ‬ ‫ﺃﻃﻤﺢ ﺃﻥ ﺃﻋﺎﺻ َﺮ‬ ‫ُ‬ ‫ﺍﻟﻼﻧﻬﺎﺋﻴﺔ؛ ﻟﻢ ﺃﻛﻦ‬
‫»ﺍﻟﻌﺎﺩﻳﺎﺕ‬
‫ِ‬ ‫ﺃﺳﻤﻊ » َﻧ ْﻔﺦ ﺍﻟﺼﻮﺭ ﻭﻧﻘﺮ ﺍﻟﻨﺎﻗﻮﺭ« ﻭﺃﺭﻯ‬ ‫َ‬ ‫ﺍﻵﻟﻬﺔ‪ ،‬ﺃﻭ ﺃﻥ‬
‫ﻛﻼ‪،‬‬‫ﺍﻟﺒﻌﺚ ﻭﺍﻟﻨﺸﻮﺭ‪ّ ...‬‬‫ِ‬ ‫ﺃﻓﺮﺍﺡ ﻳﻮﻡ‬ ‫ﻭﺍﻟﻤﻮﺭﻳﺎﺕ َﻗ ْﺪﺣﴼ« ﻭﺑﻘ ّﻴ َﺔ‬
‫ِ‬ ‫َﺿ ْﺒﺤﴼ‬
‫ِ‬
‫ﻛﻨﺖ ﺃﺭﻳﺪﻫﺎ ﻧﻬﺎﻳ ًﺔ ﻛﻮﻧ ّﻴ ًﺔ ﺭﻗﻴﻘ ًﺔ ﻛﺎﻣﻠ ًﺔ ﻧﺎﻋﻤﺔ‪،very soft ،‬‬ ‫ُ‬
‫ﺃﺭﺩﺕ ﺃﻥ ﻳﻨﺘﻬﻲ ﺍﻟﻜﻮﻥ ﻭﺍﻟﺰﻣﻦ ﻣﻦ ﺍﻟﻮﺟﻮﺩ‪ ،‬ﻛﺸﻤﻌ ٍﺔ‬ ‫ﺑﺴﺮﻋﺔ ﺍﻟﺒﺮﻕ‪ُ .‬‬
‫ﻛﻔﻴﻠﻢ ﺍﻧﻜﺘ َﺒ ْﺖ ﻋﻠﻰ ﺷﺎﺷﺘ ِﻪ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺔ‪،FIN :‬‬ ‫ٍ‬ ‫ﺗﻐﺮﻕ ﻓﻲ ﺍﻟﻤﺤﻴﻂ‪،‬‬
‫ﻛﻞ ﺷﻲﺀ‪ ،‬ﻓﻲ ّ‬
‫ﺃﻗﻞ‬ ‫ﺃﺭﺩﺕ ﺃﻥ ﻳﺼﻴ َﺮ ﺍﻟﻼﺷﻲ ُﺀ ﱠ‬ ‫ﺍﻟﻨﻬﺎﻳﺔ‪ُ .The END ،‬‬
‫ﻣﻦ ﻣﻴﻜﺮﻭﻥ ﻣﻦ ﺍﻟﺜﺎﻧﻴﺔ‪ .‬ﻧﻌﻢ‪ ،‬ﻛﺎﻥ ﺣﻠ ُﻢ ﻃﻔﻮﻟﺘﻲ ﻫﻮ ﻓﻨﺎ َﺀ ﺍﻟﻜﻮﻥ‪،‬‬
‫ﻣﺮﻋﺐ ﻣﻤﻠﻮ ٌﺀ ﺑﺎﻟﻜﻮﺍﺑﻴﺲ ﻭﺍﻟﺨﻮﻑ‬
‫ٌ‬ ‫ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ! ﻷﻧﻪ ﻛﻮ ٌﻥ‬
‫ﻭﺍﻵﻻﻡ ﻭﺍﻟﻜﺎﺋﻨﺎﺕ ﻏﻴﺮ ﺍﻟﻤﺮﺋﻴﺔ ﺍﻟﺘﻲ ﺗﺜﻴﺮ َﻫﻠﻌﻲ ﻭﺭﺟﻔﺘﻲ ﺍﻟﺪﺍﺋﻤﻴﻦ‪.‬‬
‫ﻛﻮ ٌﻥ ﻻ ﺭﺍﺣﺔ ﻓﻴﻪ ﻭﻻ َ‬
‫ﺃﻣﻞ ﻣﻨﻪ‪...‬‬

‫ﻟﺴﺒﺐ ﺧﺎﺹ ﺟﺪﴽ‪ ،‬ﺳﺄﺣﻜﻴﻪ ﺑﻌﺪ ﻗﻠﻴﻞ‪ ،‬ﻟﻢ ﺃﺳﺘﻄﻊ ﺃﻥ‬ ‫ٍ‬
‫ﻋﺬﺍﺏ ﻫﺬﻩ ﺍﻟﻜﺎﺋﻨﺎﺕ ﺍﻟﻤﻴﺘﺎﻓﻴﺰﻳﻘﻴﺔ‪ ،‬ﺭﻏﻢ ﺃﻥ ﺑﻮﺍﺩ َﺭ‬ ‫ِ‬ ‫ﺓ‬
‫ِ‬ ‫ﻭﻃﺄ‬ ‫ﺃﺗﺤﺮﺭ ﻣﻦ‬
‫ﱠ‬
‫ﺍﻟﺸﻮﻛﻲ‬
‫ﱢ‬ ‫ﺍﻟﻨﺨﺎﻉ‬ ‫ﻓﻲ‬ ‫ﻼ‬‫ً‬ ‫ﻓﻌ‬ ‫ﺮ‬
‫ُ‬ ‫ﻗ‬
‫ِ‬ ‫ﺮ‬
‫ْ‬ ‫ﻘ‬‫ﺗ‬‫ُ‬ ‫ﺣﻴﻨﻬﺎ‬ ‫ْ‬
‫ﺑﺪﺃﺕ‬ ‫ﺟﺪﻳﺪﺓ«‬ ‫ﺔ‬
‫ٍ‬ ‫»ﺛﻘﺎﻓ‬
‫ﻋﻠﻤﻴ ٌﺔ ﻭﺍﻋﺪﺓ ُﺗﻘ ﱢﻠ ُﻞ ﻣﻦ ﺃﻫﻤﻴﺔ ﻫﺬﻩ ﺍﻟﻜﺎﺋﻨﺎﺕ ﻏﻴﺮ‬ ‫ﱠ‬ ‫ِﻟ َﻌ َﺪﻥ! ﺛﻘﺎﻓ ٌﺔ‬
‫ﺗﻜﺒﺢ ﺟﻤﺎﺣﻬﺎ‪ ،‬ﺗﺨﻨ ُﻘﻬﺎ‪ ،‬ﺑﻞ ﺗﻨﺴ ُﻔﻬﺎ ﺗﻤﺎﻣﴼ‪ .‬ﻟﻢ ﺗ ُﻜ ْﻦ ﻭﺍﻋﺪ ًﺓ‬ ‫ﺍﻟﻤﺮﺋﻴﺔ‪ُ ،‬‬
‫ﻭﺍﻟﻜﻠﻤﺎﺕ‬
‫ِ‬ ‫ﱡ‬ ‫َ‬ ‫ْ‬ ‫ً‬
‫ﺑﺎﻟﻨﺴﺒﺔ ﻟﻲ ﺃﻭ ﻣﻔﻴﺪﺓ ﻓﻲ ﺷﻲ ٍﺀ ﻳُﺬﻛﺮ ﻛﻞ ﺍﻷﺳﻤﺎ ِﺀ‬
‫ﺣﺖ ﺑﻬﺎ ﻫﺬﻩ ﺍﻟﺜﻘﺎﻓﺔ ﺍﻟﺜﻮﺭﻳّﺔ ﺍﻟﺠ ّﺮﺍﺭﺓ )ﻭﺍﻟﺘﻲ‬ ‫ﺍﻟﻤﺘﻮﻫﺠ ِﺔ ﺍﻟﺘﻲ َﻟ ﱠﻮ ْ‬‫ﱢ‬
‫ﻭﺃﺷﺮﺱ ﺍﻟﺸﻴﺎﻃﻴﻦ(‪:‬‬ ‫ُ‬ ‫ﺍﻟﺠﻦ‬
‫ﱢ‬ ‫ﻊ‬
‫ُ‬ ‫ﺃﺑﺸ‬ ‫ﺫﻟﻚ‬ ‫ﻣﻊ‬ ‫ﺳﻤﺎﻋﻬﺎ‬ ‫ﻋﻨﺪ‬ ‫ﺗﻬﺮﺏ‬
‫)ﺑﻠﺤﻴﺘ ِﻪ‬ ‫ﺍﻟﺴ َﺒﺒﻴﺔ‪ ،‬ﺍﻟﺘﻨﻮﻳﺮ‪ ،‬ﺍﻟﻨﻘﺪ‪ ،‬ﻛﺎﺭﻝ ﻣﺎﺭﻛﺲ ِ‬ ‫ﺍﻟﻌﻘﻞ‪ ،‬ﺍﻟﻌﻠﻢ‪ ،‬ﱠ‬ ‫‪34‬‬
‫ﺭﺃﺳﻤﺎﻝ ﺍﻹﻧﺴﺎﻧﻴﺔ‬ ‫ِ‬ ‫ﻟﺼﻮﺹ‬
‫ُ‬ ‫ﺍﻟﻜ ّﺜﺔ ﻭﻧﻈﺮﺍﺗ ِﻪ ﺍﻟﺜﺎﻗﺒﺔ ﺍﻟﺘﻲ ﻻ ﻳﻌﺸﻘﻬﺎ‬
‫ُ‬ ‫َ‬
‫ﻭﻣﺨﺪ ُﺭﻭ ﺍﻟﺸﻌﻮﺏ( ﺍﻳﻨﺸﺘﺎﻳﻦ‪ ،‬ﺩﺍﺭﻭﻳﻦ‪ ،‬ﺍﻟﻤﺎﺩﻳﺔ ﺍﻟﺪﻳﺎﻟﻜﺘﻴﻜﻴﺔ‪ ،‬ﺍﻟﻤﺎﺩﻳﺔ‬ ‫ﱢ‬
‫ﺨﻠﻖ ﻣﻦ ﺍﻟ َﻌﺪﻡ«‪ ،‬ﻫﻴﺠﻞ‪ ،‬ﻣﺤﻤﻮﺩ‬ ‫ﺍﻟﺘﺎﺭﻳﺨﻴﺔ‪» ،‬ﺍﻟﻤﺎﺩﺓ ﻻ ُﺗﻔﻨﻰ ﻭﻻ ُﺗ ُ‬
‫ﻛﻤﻨﺎﺿﻞ‪،‬‬ ‫ﻛﻤﻔ ﱢﻜﺮ‪ُ ،‬‬ ‫)ﺑ ُﻌﺬﻭ َﺑ ِﺔ ﺍﺑﺘﺴﺎﻣ ِﺘ ِﻪ ﻛﺈﻧﺴﺎﻥ‪ُ ،‬‬ ‫ﺃﻣﻴﻦ ﺍﻟﻌﺎﻟﻢ ِ‬
‫ﻛﺠﺬﻭ ٍﺓ ﺩﺍﺋﻤﺔ‪ ،(...‬ﺻﺎﺩﻕ ﺟﻼﻝ ﺍﻟﻌﻈﻢ!‪...‬‬
‫ﺍﻷﻓﻜﺎﺭ‬
‫ِ‬ ‫َ‬
‫ﻧﻮﺍﻓﺬ ﺭﺃﺳﻲ ِﻟﻬﺬ ِﻩ‬ ‫ﺳﺒﺐ ﺭﺍﺩ ٌﻉ ﻣ َﻨ َﻌ ِﻨﻲ ﺃﻥ َ‬
‫ﺃﻓﺘﺢ‬ ‫ﺛﻤ َﺔ ٌ‬ ‫ّ‬
‫ﺗﺮﻓﺮﻑ ﺣﻴﻨﻬﺎ ِﺑﻘ ّﻮﺓ ﻓﻲ ﺳﻤﺎﺀ َﻋ َﺪﻥ‪ .‬ﻫﺎﻫﻮ‪:‬‬ ‫ُ‬ ‫ﺍﻟﺠﺪﻳﺪﺓ ﺍﻟﺘﻲ ﺑﺪﺃَ ْﺕ‬
‫ﺟﺪﺗﻲ ﻋﻨﺪﻣﺎ ﻧﺴﺄﻟﻬﺎ ﻋﻦ‬ ‫»ﺍﻟﺠﺪﺭﺍﻥ ُﺗ َﺴ ﱢﺒ ُﺢ ﻓﻲ ﺍﻟﻠﻴﻞ!«‪ ،‬ﻛﻤﺎ ﺗﺮ ﱡﺩ ﱠ‬ ‫ُ‬
‫ﻼ ﻣﻦ ﺟﻬﺔ ﺍﻟﺠﺪﺭﺍﻥ ﺍﻟﺨﻠﻔﻴﺔ‬ ‫ﺃﺳﺒﺎﺏ ﺃﺻﻮﺍﺕ ﺍﻷﺯﻳﺰ ﺍﻟﺬﻱ ﻧﺴﻤﻌ ُﻪ ﻟﻴ ً‬
‫»ﺍﻟﺠ ﱢﻠﻲ« )‪.(5‬‬
‫ﺍﻟﻤ ِﻄ ﱠﻠﺔ ﻋﻠﻰ َ‬ ‫ﻟﻤﻨﺎﺯﻟﻨﺎ‪ُ ،‬‬
‫ﻳﺜﻘﺐ ﻃﺒﻠ َﺔ ﺃُ ْﺫ ِﻧﻲ‪،‬‬ ‫ُ‬ ‫ﻛﻨﺖ ﺃﺳﻤﻊ ﻫﺬﺍ ﺍﻷﺯﻳﺰ ﺍﻟﺤﺎﺩ ﺍﻟﻤﺘﻮﺍﺗﺮ‬
‫ُﺸﺒ ُﻪ‬
‫ﺨﻠﻴ ِﺔ ﻧﺤﻞ‪ ...‬ﻛﺎﻥ ﻳ ِ‬ ‫ﻛ ﱠ‬ ‫ُﻄﻨﻄﻦ َ‬
‫ُ‬ ‫ﻛﻞ ﻟﻴﻠﺔ‪ ،‬ﻳ‬
‫ﻭﺳﻂ ﺭﺃﺳﻲ ﱠ‬ ‫ﻳﻘﺮ ُﻉ َ‬
‫ﺟﺪﺗﻲ ﻗﺒﻞ ﺍﻟﻨﻮﻡ ﻭﻫﻲ ﺗﺘﻠﻮ ﺃﻭﺭﺍﺩﴽ ﻟﻴﻠ ّﻴﺔ ﻭﺗﻌﺎﻭﻳﺬ ﻣﺘﻮﺍﺗﺮﺓ‪،‬‬ ‫ﺗﺴﺒﻴﺢ ﱠ‬
‫َ‬
 ‫ﺍﻟﺴﺮﻳﻊ ﺍﻟﺤﺎﺩ‪ ،‬ﺍﻟﺬﻱ ﺗﺰﺩﺍﺩ ﺳﺮﻋﺘﻪ ﺗﺤﺖ‬ ‫ِ‬ ‫ﺍﻟﻤﺨﺮﻭﻃﻲ‬
‫ﱢ‬ ‫ِﺑﺼﻮ ِﺗﻬﺎ‬
‫ﻋﺠﻴﺞ ﺣﺸﻮ ِﺩ‬ ‫ِ‬ ‫ﺳﻤﺎﺋﻨﺎ ﺍﻟﻠﻴﻠﻴ ِﺔ ﺍﻟﻤﻔﺘﻮﺣ ِﺔ ﻣﻦ ﻃﺮ ِﻓﻬﺎ ﺇﻟﻰ ﻃﺮ ِﻓﻬﺎ ﻋﻠﻰ‬
‫ﻛﻨﺖ ﺃﺳﻤﻊ ﻓﻲ ﺑﻌﺾ ﺍﻷﺣﻴﺎﻥ ﻫﺬﺍ ﺍﻷﺯﻳﺰ‬ ‫ُ‬ ‫ﺍﻟﻤﻼﺋﻜ ِﺔ ﻭﺍﻟﺸﻴﺎﻃﻴﻦ‪.‬‬
‫ﺗﺘﺪﺍﺧﻞ ﻓﻴﻪ‬‫ُ‬ ‫ﺻﻮﺕ ُﻣﺰ َﺩ َﻭ ٍﺝ‬
‫ٍ‬ ‫ﺟﺪﺗﻲ‪ ،‬ﻳﺬﻭﺏ ﻓﻴﻬﺎ‪ ،‬ﻓﻲ‬ ‫ﺘﺴ ِﺒ ْﻴ ِﺢ ّ‬
‫ﻳ ﱠﺘ ِﺤ ُﺪ ِﺑ ْ‬
‫ُ‬
‫ﺃﺣﺪﺙ‬ ‫ﻧﺒﺮﺍﺕ ﺇﻧﺴﺎﻧﻴ ٌﺔ‪-‬ﺟﺪﺭﺍﻧﻴ ٌﺔ ﻏﻴﺮ ﺃﻟﻴﻔﺔ ﻻ ﺗﺴﺘﻄﻴﻊ ﻣﺤﺎﻛﺎﺗﻬﺎ‬ ‫ٌ‬
‫ﻭﺃﺟﻮ ُﺩ ﻛﻤﺒﻴﻮﺗﺮﺍﺕ ﺍﻟﻤﻮﺳﻴﻘﻰ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ‪...‬‬
‫ﻛﺎﻥ َﻣ ْﻨ ِﻄ ِﻘﻲ ﺑﺴﻴﻄﴼ ﻻ ﻏﺒﺎ َﺭ ﻋﻠﻴﻪ‪ :‬ﻃﺎﻟﻤﺎ ﺃﻥ ﺍﻟﺠﺪﺭﺍﻥ‬
‫ﻭﺯﻭﺍﺭ ﺍﻟﻠﻴﻞ ﻣﻨﻄ ِﻘ ّﻴ ٌﺔ ﺗﻤﺎﻣﴼ‪،‬‬ ‫ﻭﺍﻟﻌﻔﺎﺭﻳﺖ ﱠ‬
‫ِ‬ ‫ﺍﻟﺠﻦ‬
‫ﱢ‬ ‫ﻗﺼﺺ‬
‫ِ‬ ‫ﺴﺒ ُﺢ ﱡ‬
‫ﻓﻜﻞ‬ ‫ُﺗ ﱢ‬
‫ﺿﻤﻨﻴ ٌﺔ‬
‫ﱠ‬ ‫ﺛﻤﺔ ﻓﻲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻲ ﻋﻼﻗ ٌﺔ ﺳ َﺒ ِﺒ ﱠﻴ ٌﺔ‬ ‫ﺟﺪﴽ‪ ...‬ﻛﺎﻧﺖ ّ‬ ‫ﻣﻤﻜﻨ ٌﺔ ّ‬
‫ﻏﺎﻣﻀ ٌﺔ‪ ،‬ﻋﻼﻗ ُﺔ ِﻋ ﱠﻠ ٍﺔ ِﺑﻤﻌﻠﻮﻝ‪ ،‬ﻻ ﺃﻋﺮﻑ ﺗﻔﺴﻴﺮﻫﺎ‪ ،‬ﺑﻴﻦ ﺗﺴﺒﻴﺢ‬
‫ﺍﻟﺠﺪﺭﺍﻥ ﻭﻭﺟﻮﺩ ﺗﻠﻚ ﺍﻟﻜﺎﺋﻨﺎﺕ‪.‬‬
‫ﺴﺒﺢ‪It’s the :‬‬ ‫ﺴﺒﺢ ﺃﻭ ﻻ ُﺗ ﱢ‬ ‫ﺑﺎﺧﺘﺼﺎﺭ ﺷﺪﻳﺪ‪ :‬ﺍﻟﺠﺪﺭﺍﻥ ُﺗ ﱢ‬
‫‪35‬‬ ‫‪!question‬‬
‫ﻛﺎﻥ ﺭﺍ ِﺋ ِﻌﻲ ﻭﻣﻼﻛﻲ ﺍﻟﺤﺎﺭﺱ ﺷﻬﺎﺏ ﻓﻲ ﻧﻔﺲ َﺻ ﱢﻔﻲ ﻓﻲ‬
‫ﻧﻬﺎﻳﺔ ﺍﻟﻤﺪﺭﺳﺔ ﺍﻻﺑﺘﺪﺍﺋﻴﺔ‪ .‬ﻛﻨﺎ ﻧﻬﻴﻢ ﺃﺣﻴﺎﻧﺎ ﻣﻌﴼ ﻓﻲ ﺑﺪﺍﻳﺎﺕ ﺍﻟﻤﺴﺎﺀ‬
‫ﻧﺠﻮﻡ‬
‫ِ‬ ‫ﻓﻮﻕ ﺍﻟﺨﻼﺀﺍﺕ ﺍﻟﺮﻣﻠ ّﻴ ِﺔ ﺍﻟﻤﺤﻴﻄ ِﺔ ﺑﺎﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ‪ ،‬ﺗﺤﺖ‬
‫ﻋﺸﻖ ﺃﺑﺪﻳّﺔ‪ :‬ﻛﻢ ُﻧﻤﻨﺎ‬ ‫ﻋﺪﻥ‪ِ ،‬ﺑﻬﺎ ﻋﻼﻗ ُﺔ ٍ‬ ‫ﺳﻤﺎﺋﻬﺎ ﺍﻟﺘﻲ ُ‬
‫ﺗﺮﺑﻄﻨﺎ‪ ،‬ﺃﺑﻨﺎ َﺀ َ‬
‫ﻋﻠﻰ ﺍﻟﺸﺮﻓﺎﺕ ﻭﻓﻮﻕ ﺍﻟﺴﻘﻮﻑ‪ ،‬ﻓﻲ ﻟﻴﺎﻟﻲ َﺻ ْﻴ ِﻔﻨﺎ ﺍﻟﺨﺎﻧﻖ ﺍﻟﻄﻮﻳﻞ‪،‬‬
‫ﻭﺳﻼﻣﻬﺎ!‪ ...‬ﻛﻢ‬ ‫ﻣﺪﺩﻫﺎ‪ ،‬ﺑﺮﺩَﻫﺎ َ‬ ‫ﺷﺎﺧﺼﻴﻦ ﺃﺑﺼﺎﺭﻧﺎ ﻧﺤﻮﻫﺎ‪ ،‬ﺳﺎﺋﻠﻴﻦ َ‬ ‫ِ‬
‫ﻣﻮﻣﻲ‬
‫ﱟ‬ ‫ﺤﻨﺎﻥ ﺃُ‬
‫ﺮﺕ ِﺑ ٍ‬ ‫ﺃَﺻ َﻐ ْﺖ َﺩ ْﻭﻣﴼ ﻷﺩﻋﻴﺘﻨﺎ ﻭﺃﺣﻼﻣﻨﺎ ﻭﺁﻣﺎﻟﻨﺎ‪ .‬ﻛﻢ ﺩ ﱠﺛ ْ‬
‫ﺍﻷﻭﻝ!‪...‬‬‫ﻏﺮﺍﻣﻨﺎ ﱠ‬ ‫ﻭﺭﻋﺸﺎﺕ ِ‬ ‫ِ‬ ‫ﻭﺗﺄﻣ ِﻠﻨﺎ‬
‫ﻭﻫﻴﺎﻣﻨﺎ ﻭﺿﺤ ِﻜﻨﺎ ﱡ‬‫ِ‬ ‫ﻟﻴﺎﻟﻲ َ‬
‫ﺳﺪ ِﺭﻧﺎ‬
‫ﺑﻜﻞ ﺻﻐﻴﺮﺓ‬ ‫ﻛﺎﻥ ﺷﻬﺎﺏ ﻳﺒﻮ ُﺡ ﻟﻲ ﺑﻤﺸﺎﻛﻠﻪ ﺍﻟﻌﺎﺋﻠﺔ‪ ،‬ﱢ‬
‫ﻭﺟﺪﺕ ﻧﻔﺴﻲ‪ ،‬ﻓﻲ ﺗﻠﻚ ﺍﻷﺟﻮﺍﺀ ﺍﻟﺤﻤﻴﻤ ّﻴﺔ‪،‬‬ ‫ُ‬ ‫ﻭﻛﺒﻴﺮﺓ ﻓﻲ ﺣﻴﺎﺗﻪ‪.‬‬
‫ﻋﻠﻲ‬
‫ﺃﻓﻀﻲ ﻟﻪ‪ ،‬ﺃﻧﺎ ﺃﻳﻀﺎ‪ ،‬ﺑﻤﺄﺳﺎﺗﻲ‪ :‬ﺗﺴﺒﻴﺢ ﺍﻟﺠﺪﺭﺍﻥ! ﺍﺑﺘﺴ َﻢ‪ .‬ﻟﻢ َﻳ ُﺮﺩ ﱠ‬
‫ﻠﻤﻲ ﺃﻳﻀﴼ( ﺃﺩﻣﻐ ًﺔ‬ ‫)ﻭﻋ ِ‬
‫ﻼ ﺑﺄﻥ ﺍﻟﺠﺪﺭﺍﻥ ﻻ ﺗﻤﺘﻠﻚ ﺣﺴﺐ ِﻋﻠﻤ ِﻪ ِ‬ ‫ﻗﺎﺋ ً‬
‫ﻓﻀ َﻞ ُﻟﻐ ًﺔ ﺃﺧﺮﻯ‪ :‬ﻗﺎﻝ ﻟﻲ ﺇﻧﻪ ﺳﻴﺄﺗﻲ ﻟﺰﻳﺎﺭﺗﻲ‬ ‫ﻭﺃﻓﻮﺍ َﻩ ﻭﺣﻨﺎﺟﺮ‪ ...‬ﱠ‬
 ‫ﻟﻠﻤﻨﺰﻝ ﻫﺬﻩ ﺍﻟﻠﻴﻠﺔ ﻓﻲ ﺍﻟﻌﺎﺷﺮﺓ ﻣﺴﺎ ًﺀ!‬
‫ﺑﺨﻄﻮﺍﺕ ﻫﺎﺩﺋ ٍﺔ ﺧﻔﻴﻔﺔ‪ .‬ﻓﻲ ﻋﻴﻨﻴ ِﻪ ﺑﺮﻳﻖٌ‬‫ٍ‬ ‫ﻭﺻﻞ‬ ‫ﻼ! َ‬ ‫ﻭﺻﻞ ﻓﻌ ً‬
‫ﺃﻟﻤﻌﻲ ﻻ ﻳﻤﻜﻦ ﺃﻥ ﺃﻧﺴﺎﻩ ﺃﺑﺪﴽ‪ ،‬ﻭﻓﻲ ﺛﻐﺮ ِﻩ ﺍﺑﺘﺴﺎﻣ ٌﺔ ﻣﺎﻛﺮ ٌﺓ ﺧﻔ ّﻴ ٌﺔ ﻟﻢ‬ ‫ﱞ‬
‫ﻭﺟﺪﺗﻲ‬‫ﻳﺴﺘﻄﻊ َﺣ ْﺠ َﺒﻬﺎ ﻋﻨﻲ ﺗﻤﺎﻣﴼ‪ .‬ﻋﻨﺪﻣﺎ ﻻﺣﻆ ﺃﻧﻪ ﻓﺎﺟﺄ ﺃُ ﱢﻣﻲ ّ‬
‫ﺑﻮﺻﻮﻟﻪ ﺍﻟﻤﺘﺄﺧﺮ‪ ،‬ﻗﺎﻝ ﻟﻬﻤﺎ ﺇﻥ ﻋﻠﻴﻨﺎ ﻭﺍﺟﺒﴼ ﻣﺪﺭﺳ ّﻴﴼ ﺻﻐﻴﺮﴽ ﻧﺤﺘﺎﺝ‬
‫ِﻟﻌﺸﺮ ِﺓ ﺩﻗﺎﺋﻖ ﻷﺩﺍﺋﻪ ﻣﻌﴼ‪ ،‬ﻗﺒﻞ َﻋﻮﺩ ِﺗ ِﻪ ﻟﻤﻨﺰﻟﻪ‪ ...‬ﻛﺎﻧﺖ ﺃﻣﻲ ُﺗ ِﺤ ﱡﺒﻪ‬
‫ُ‬
‫ﻭﺗﺜﻖ ﺑﻪ ﻛﺜﻴﺮﴽ‪...‬‬
‫ﺑﻌﺪ ﺩﻗﻴﻘﺘﻴﻦ‪ ،‬ﺻﻌﺪ ﻟﺴﻘﻒ ﻣﻨﺰﻟﻨﺎ ﻓﻮﻕ ﺍﻟﻤﻄﺒﺦ‪ .‬ﻛﺎﻥ‬
‫ﺟﻴﺒﻪ ﻣﺼﺒﺎﺣﴼ‬ ‫ﺳﺮﻳﻊ ﺍﻟﺤﺮﻛﺔ‪ .‬ﺃﺧﺮﺝ ﻣﻦ ِ‬ ‫َ‬ ‫ﻼ‪ ،‬ﺭﺷﻴﻘﴼ‪،‬‬ ‫ﺷﻬﺎﺏ ﻃﻮﻳ ً‬
‫ﻳﺪﻭﻳّﴼ ﺻﻐﻴﺮﴽ ﺟﺎﺀ ﺑﻪ ﻣﻦ ﻣﻨﺰﻟﻪ‪ .‬ﻧﺰﻝ ﻣﺘﺴ ﱢﻠﻘﴼ ﻣﻦ ﺍﻟﺴﻘﻒ ﺑﻤﻬﺎﺭﺓ‬ ‫ِ‬
‫»ﺍﻟﺠ ﱢﻠﻲ«! ﻧﺤﻮ ﻏﻴﺎﻫﺐ ﻫﺬﺍ ﺍﻟﺮﻭﺍﻕ ﺍﻟﻨﺘﻦ ﺍﻟﺬﻱ‬ ‫َ‬ ‫ﻣﻠﺤﻮﻇﺔ ﻧﺤﻮ‬
‫ﺃﻭﺝ‬ ‫ُ‬ ‫ُ‬
‫ﻧﺨﺎﻓﻪ ﻭﻻ ﻧﻄﻴﻘﻪ ﻓﻲ ﺍﻟﻨﻬﺎﺭ‪ ،‬ﻓﻤﺎ ﺑﺎﻟﻜﻢ ﻓﻲ ﺩﻳﺎﺟﻴﺮ ﺍﻟﻠﻴﻞ‪ ،‬ﻓﻲ ِ‬
‫ﻭﺧﻔﺎﻓﻴﺸﻪ‪...‬‬
‫ِ‬ ‫ﻣﻌﻤﻌﺎﺕ ﺻﺮﺍﺻﻴﺮ ِﻩ ﻭﻓﺌﺮﺍ ِﻧﻪ‬ ‫‪36‬‬
‫َ‬
‫ﺗﻮ ﱠﻗﻔﺖ ﺍﻟﺠﺪﺭﺍﻥ ﻋﻦ ﺍﻟﺘﺴﺒﻴﺢ ﺑﻌﺪ ﻗﻠﻴﻞ! ﺗﻮ ﱠﻗﻔ ْﺖ ﺗﻤﺎﻣﴼ!‬
‫ﻟﻢ ﺃﻓﻬﻢ ﺷﻴﺌﴼ!‬
‫ﻣﺎ ﻫﻲ ﺇﻻ ﺧﻤﺴﺔ ﺩﻗﺎﺋﻖ ﻓﻲ ﺃﻛﺜﺮ ﺍﻷﺣﻮﺍﻝ‪ ،‬ﻋﺎ َﺩ ﺑﻌﺪﻫﺎ‬
‫ﺛﺒ َﺖ ﻋﻠﻴﻬﺎ‪ ...‬ﺣﺸﺮ ًﺓ‬‫ﻼ ﺣﺠﺮ ًﺓ ﺟﺎﺀ ﺑﻬﺎ ﻣﻦ »ﺍﻟﺠ ﱢﻠﻲ«! ﱠ‬ ‫ﻧﺤﻮﻱ ﺣﺎﻣ ً‬
‫ﺪﺟﺪ‬ ‫ﺍﻟﺠ ُ‬ ‫ﺣﺪ ﻣﺎ‪ ،‬ﺍِﺳﻤﻬﺎ ُ‬‫ﱟ‬ ‫ﺸﺒﻪ ﺍﻟﺠﺮﺍﺩ ﺇﻟﻰ‬ ‫ﺻﻐﻴﺮ ًﺓ‪ ،‬ﻟﻄﻴﻔﺔ ﺍﻟﻤﺤﻴﺎ‪ُ ،‬ﺗ ِ‬
‫ﻟﺪﻟﻴﻞ ﺁﺧﺮ‬‫ٍ‬ ‫ﺃﻭ ﺻ ّﺮﺍﺭ ﺍﻟﻠﻴﻞ‪ ،‬ﻻ ﺃﺩﺭﻱ ﻛﻴﻒ ﻗﺒﺾ ﻋﻠﻴﻬﺎ‪ ...‬ﻟﻢ ﺃﺣﺘﺞ‬
‫ﻭﺗﻮﻫﺠﴼ‪ :‬ﻫﺎﻫﻲ ﺍﻟﺤﺸﺮﺓ ﺍﻟﺘﻲ ﺗﻄﻠﻖ ﻓﻲ ﺍﻟﻈﻼﻡ ﺫﻟﻚ‬ ‫ﺃﻛﺜﺮ ﺳﻄﻮﻋﴼ ﱡ‬
‫ﺴﻤﻴ ِﻪ ﺟﺪﺗﻲ‪ :‬ﺗﺴﺒﻴﺢ ﺍﻟﺠﺪﺭﺍﻥ‪» .‬ﺣﺸﺮﺓ ﺗﺴﺒﻴﺢ‬ ‫ﺍﻟﺼﻮﺕ ﺍﻟﺬﻱ ُﺗ ﱢ‬
‫ﺳﻤﻴﻬﺎ ﺣﺘﻰ ﺁﺧﺮ ﺍﻟ ُﻌﻤﺮ‪.‬‬ ‫ﺳﺄ ﱢ‬‫ﺍﻟﺠﺪﺭﺍﻥ«‪ ،‬ﻛﻤﺎ ُ‬
‫ﻛﺎﻧﺖ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺔ ﺫﺍﺕ ﺃﻫﻤ ّﻴ ٍﺔ ﺣﺎﺳﻤ ٍﺔ ُﻗﺼﻮﻯ ﻓﻲ ﺣﻴﺎﺗﻲ‪:‬‬
‫ُ‬
‫ﺃﺟﺰﻣﺖ‬ ‫ﻛﻞ ﺧﺮﺍﻓﺎﺕ ﺍﻟﺸﺎﺭﻉ‪.‬‬ ‫ﺳﻘﻄ ْﺖ ﺑﻌﺪﻫﺎ ﻛ َﻘ ْﺼ ٍﺮ ﻣﻦ ﻭﺭﻕ ﱡ‬ ‫َ‬
‫ﻗﺮﻥ ﻣﻦ ﺍﻟﺮﻋﺐ ﺍﻟﺬﻱ ﺃﺫﻛﺎ ُﻩ ﺃﺯﻳ ُﺰ ﻫﺬﻩ‬ ‫ﺇﺛﺮﻫﺎ‪ ،‬ﻛﻴﻤﺎ ﺃﻧﺘﻘ َﻢ ﻣﻦ ﺃﻟﻒ ٍ‬
‫ﺻﺪﻕ ﺑﻌﺪ ﺍﻵﻥ‪ ،‬ﻣﺪﻯ ﺍﻟﻌﻤﺮ‪ ،‬ﺇﻻ ﻣﺎ‬ ‫ﺍﻟﺤﺸﺮﺓ ﺍﻟﻤﺴﻜﻴﻨﺔ‪ ،‬ﺃﻧﻨﻲ ﻟﻦ ﺃُ ﱢ‬
 ‫ﺗﺮﺍﻩ ﻋﻴﻨﺎﻱ!‬

‫ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺍﻟﺨﺎﻟﺪﺓ ﺑﺎﻟﺘﺤﺪﻳﺪ‪ ،‬ﻓﻲ ﺍﻟﺜﺎﻧﻴﺔ ﺃﻭ ﺍﻟﺜﺎﻟﺜﺔ‬

‫ﺃﺗﺬﻛ ُﺮﻩ ﺍﻵﻥ‪ ،‬ﻗﺮﺏ ﺇﻟﻬﺎﻡ‬ ‫ﱠ‬ ‫ﻓﺠﺮﴽ ﺣﺪﺙ ﺷﻲﺀ ﻟﻦ ﺃﻧﺴﺎﻩ ﺃﺑﺪﴽ‪ .‬ﻫﺎﺃﻧﺬﺍ‬
‫ﺍﻟﺘﻲ ﺃﺗﻠ ﱠﻬ ُﻒ ِﻟﺘﻘﺒﻴ ِﻠﻬﺎ ﻭﻗﺪ ﺑﺪﺃﺕ ﺗﻌﻮ ُﺩ ﻧﺤﻮﻱ ﻣﺴﺘﻠﻘﻴ ًﺔ ﻋﻠﻰ ﻇﻬﺮﻫﺎ‪،‬‬
‫ﺗﺸ ﱡﻊ ﺳﻨﺎ ًﺀ ﻭﺳﻌﺎﺩ ًﺓ ﻭﻗﺪ ﻧﺎﻟﺖ ﻗﺴﻄﻬﺎ ﻣﻦ ﺍﻟﺴﺒﺎﺣﺔ ﻭﺍﻻﺳﺘﺮﺧﺎﺀ‪.‬‬
‫ﺃﺳﺘﻌﻴﺪ ُﻩ ﻓﻲ ﺫﺍﻛﺮﺗﻲ ﺛﺎﻧﻴ ًﺔ ﺛﺎﻧﻴ ًﺔ‪ ،‬ﻛﻤﺎ ﻟﻮ ﻭﻗﻊ ﺍﻟﺒﺎﺭﺣﺔ ﻓﻘﻂ‪.‬‬ ‫ُ‬
‫ﻧﺰﻟﺖ ﻣﻦ ﻏﺮﻓﺘﻲ ﻓﻲ ﺗﻠﻚ ﺍﻟﺴﺎﻋﺔ ﻭﺣﻴﺪﴽ‪ .‬ﻛﺎﻥ ﺍﻟﻤﻨﺰﻝ‬ ‫ُ‬
‫ْﺖ ﻧﺤﻮ ﺃَ َﺭ ﱢﺙ ُﻏ َﺮ ِﻑ ﻣﻨﺰﻟﻨﺎ ﺍﻟﺘﻲ ﺗﺘﺮﺍﻛ ُﻢ ﻓﻴﻬﺎ‬ ‫ﺗﻮﺟﻬ ُ‬‫ﻏﺎﺭﻗﴼ ﻓﻲ ﺍﻟﻌﺘﻤﺔ‪ .‬ﱠ‬
‫َ‬ ‫ْ‬ ‫َ‬ ‫َ‬
‫ﺍﻟﻜﺮﺍﺗﻴﻦ ﻭﺍﻟﻨﻔﺎﻳﺎﺕ ﺍﻟﻘﺪﻳﻤﺔ‪ ،‬ﺍﻟﻜﺮﺍﺳﻲ ﺍﻟﺘﻲ ﻓﻘﺪﺕ ﺑﻌﺾ ﺳﻴﻘﺎﻧﻬﺎ‪،‬‬
‫ﺍﻟﺼﺤﻮﻥ ﺍﻟﻤﺜﻠﻮﻣﺔ‪ ،‬ﺍﻟﻜﺆﻭﺱ ﺍﻟﻤﺸﺮﻭﺧﺔ‪ ،‬ﺍﻟﻤﻼﻳﺎﺕ ﺍﻟﻤﺜﻘﻮﺑﺔ‪ ،‬ﻭﺑﻘﺎﻳﺎ‬
‫ﺃﺻﻮﺍﺕ ﻏﺮﻳﺒ ٌﺔ ﻛﺎﻧﺖ ُﺗﺮﻋﺒﻨﻲ‬ ‫ٌ‬ ‫ﺗﻨﺒﺜﻖ ﻣﻨﻪ ﺁﺧﺮ ﺍﻟﻠﻴﻞ‬‫ُ‬ ‫ﻋﺘﻴﻖ ﺃﻋﺮﺝ‬ ‫ﺩﻭﻻﺏ ٍ‬‫ٍ‬
‫‪37‬‬ ‫ﺃﺗﺤﺪﻯ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‪ .‬ﺟﻠﺴﺖ ﻓﻲ ﺍﻟﻈﻼﻡ ﺃﻣﺎﻡ ﺍﻟﺪﻭﻻﺏ‪ ،‬ﻭﺟﻬﴼ ِﻟ َﻮﺟﻪ‪ ،‬ﱠ‬ ‫ُ‬ ‫ٍ‬
‫َ‬
‫ﺍﻟﻌﻴﻦ ﺑﺎﻟﻌﻴﻦ‪،‬‬ ‫ﻧﻈﺮﺕ ﻧﺤﻮ ﺍﻟﺪﻭﻻﺏ‪،‬‬ ‫ُ‬ ‫ﺍﻟﺠﻦ ﻭﺯﻭﺍﺭ ﺍﻟﻠﻴﻞ‪ :‬ﻻ ﺃﺣﺪ!‬ ‫ﱠ‬
‫ﺍﻧﺘﻘﻠﺖ ﺇﻟﻰ ﺍﻟﻤﻄﺒﺦ‬ ‫ُ‬ ‫ﺍﻟﻠﻴﻞ ﺍﻟﺤﺎﻟﻚ‪ :‬ﻻ ﺃﺣﺪ!‬ ‫ﻗﻠﺐ ِ‬ ‫ﺩﻗﺎﺋﻖ ﻃﻮﻳﻠﺔ ﻓﻲ ِ‬ ‫َ‬
‫ﺟﺪﺗﻲ‬ ‫ﺍﻟﺪﺍﻣﺴﺔ‪َ ،‬ﺑ ْﻮ َﺻ َﻠﺘﻲ‪ :‬ﺷﺨﻴ ُﺮ ﱠ‬ ‫ﺃﺑﺤﺚ ﻋﻦ ﻃﺮﻳﻘﻲ ﻓﻲ ﱡ‬
‫ﺍﻟﻈ ْﻠﻤ ِﺔ ّ‬ ‫ُ‬
‫ﺑﻼﻃﻪ ﺍﻟﻤﻬﺘﺮﺉ‬ ‫ﺩﺭﺕ ﻋﻠﻰ ِ‬ ‫ﺍﻟﺘﻲ َﺗﻨﺎ ُﻡ ﻓﻲ ُﻏﺮﻓ ٍﺔ ﻣﺘﺎﺧﻤ ٍﺔ ﻟﻠﻤﻄﺒﺦ‪ُ .‬‬
‫ﻣﺘﺤﺪﻳﴼ‬
‫ﱢ‬ ‫ُ‬
‫ﺍﺗﻜﺄﺕ‬ ‫ﻣﺘﺤﺪﻳﴼ ﻓﻲ ﻭﺳﻄﻪ‪،‬‬ ‫ﱢ‬ ‫ﻭﻗﻔﺖ ﺳﺎﺧﺮﴽ‬ ‫ُ‬ ‫ﺑﻼﻃﴼ ﺑﻼﻃﴼ‪.‬‬
‫ﻼ ﺃﺻﻮﺍﺕ‬ ‫ﺍﻟﻤﻮﺷﺢ ﺑﺎﻟﺴﻮﺍﺩ ﻭﺍﻟﺬﻱ ﺗﺼﺪ ُﺭ ﻣﻨﻪ ﻟﻴ ً‬ ‫ﺃﻳﻀﴼ ﻋﻠﻰ ﺩﻭﻻﺑﻪ‬
‫ﱠِ‬
‫ﻏﺮﻳﺒﺔ ﺃﻳﻀﴼ‪ :‬ﻻ ﺃﺣﺪ!‪...‬‬
‫ﺍﻟﻐﺴﻖ‬
‫ِ‬ ‫ﺍﻟﺠ ْﺬ ِﺭ ﱠﻳﺔ ﻓﻲ ﺫﻟﻚ‬ ‫ﻟﻦ ﺃﻧﺴﻰ ﺃﺑﺪﴽ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺎﺕ ِ‬
‫ﺍﻧﺨﻠﻊ ﺷﻲ ٌﺀ ﻣﺎ ﺧﻼﻟﻬﺎ ﻣﻦ ﺩﻣﺎﻏﻲ ﺇﻟﻰ ﺍﻷﺑﺪ!‬ ‫َ‬ ‫ﺍﻟﻤ ْﻠ ِﻬﻢ‪.‬‬ ‫ﺍﻟﻤ ْﺪ َﻟ ﱢ‬
‫ﻬﻢ ُ‬ ‫ُ‬
‫ُ‬
‫ﻛﺪﺕ ﺃﻧﻔﺠ ُﺮ‬ ‫ﻭﺍﻟﺴﺨﺮﻳﺔ‪.‬‬
‫ﱢ‬ ‫ﺍﻟﻀﺤﻚ‬
‫ِ‬ ‫ﺗﺤﻮﻝ ﺧﻮﻓﻲ ﺭﻏﺒ ًﺔ ﻋﺎﺗﻴ ًﺔ ﻓﻲ‬ ‫ﱠ‬
‫ﺍﻟﻤﻤﺎﻟﻚ‬
‫ِ‬ ‫ﺔ‬‫ِ‬ ‫ﻫﺸﺎﺷ‬ ‫ﻣﻦ‬ ‫ﻣﺄﺳﺎﺗﻲ!‬ ‫ﺔ‬
‫ِ‬ ‫ﻣﻬﺰﻟ‬ ‫ﻣﻦ‬ ‫ﻛﺎﻟﻤﺠﻨﻮﻥ‬ ‫ﺿﺤﻜﴼ‬
‫»ﺍﻟﺸ َﺮﻙُ‬
‫ﻣﻸﺕ ﺩﻣﺎﻏﻲ‪ .‬ﻣﻦ ﺷ َﺮﻙ ﺗﺼﺪﻳﻘﻬﺎ‪ .‬ﺫﻟﻚ ﱠ‬ ‫َ‬ ‫ْ‬ ‫ﺍﻟﻮﻫﻤﻴ ِﺔ ﺍﻟﺘﻲ‬
‫ﱠ‬
‫ﺍﻻﻧﺒﻬﺎﺭ‬
‫ِ‬ ‫ُ‬ ‫َ‬
‫ﺍﻟﻴﻤﻨﻲ ﺷﻮﻗﻲ ﺷﻔﻴﻖ‪ .‬ﺷ َﺮﻙ‬ ‫ّ‬ ‫ﺗﻌﺒﻴﺮ ﺍﻟﺸﺎﻋﺮ‬
‫ِ‬ ‫ﺍﻟﺸﺎﻫﻖ«‪ ،‬ﺣﺴﺐ‬
‫ﺃﻣﺎﻡ ﺃﻣﺠﺎﺩ ﺍﻟﻼﺃﺷﻴﺎﺀ ﺍﻟﺼﻐﻴﺮﺓ‪» ،‬ﺍﻟﻼﺃﺷﻴﺎﺀ ﺍﻟﻬﻮﺍﺋﻴﺔ«‪ ،‬ﺣﺴﺐ ﺗﻌﺒﻴﺮ‬
‫ﺷﻜﺴﺒﻴﺮ‪...‬‬

‫ﺍﻷﺷﺒﺎﺡ ﺍﻟﺘﻲ ﺍﺳﺘﺒﺎﺣﺖ ﻟﻴﺎﻟﻲ‬ ‫ِ‬ ‫ﺃﻧ َﻘ َﺬﻧﻲ ﺷﻬﺎﺏ ﻣﻦ ﱢ‬

‫ﻛﻞ‬
‫ﺑﺪﺃﺕ ﺃُﻓ ﱢﻜ ُﺮ‪،‬‬
‫ُ‬ ‫ﺃﺩﻳﻦ ﻟ ُﻪ ﺑﺬﻟﻚ ﻣﺪﻯ ﺍﻟﻌﻤﺮ‪ .‬ﻟﻌ ﱢﻠﻲ ﺑﻔﻀﻠﻪ‬ ‫ﻃﻔﻮﻟﺘﻲ‪ُ .‬‬
‫ﺃﺗﻤﺮﺩ‪ ،‬ﺃﺭﻓﺾ‪ ،‬ﺃﻗﻮﻝ ﺍﻟﻜﻠﻤﺔ ﺍﻟﺮﺑّﺎﻧﻴﺔ‬ ‫ﺃﺗﺴﺎﺀﻝ‪ ،‬ﺃﺗﻌ ﱠﻠﻢ‪ ،‬ﺃﺳﺘﺨﺪﻡ ﻋﻘﻠﻲ‪ ،‬ﱠ‬
‫ﺻﺮﺕ ﺃﺗﻨ ﱠﻘ ُﻞ ﺍﻟﻴﻮ َﻡ ﻣﺪﻋ ّﻮﴽ‬
‫ﺃﻗﺪﺱ ﺍﻟﻜﻠﻤﺎﺕ‪» :‬ﻻ«!‪ِ ...‬ﺑﻔﻀﻠ ِﻪ ُ‬ ‫َ‬ ‫ﺍﻟ ُﻌﻈﻤﻰ‪،‬‬
‫ﺟﻴﺪﴽ!(‪ ،‬ﻓﻴﻤﺎ‬ ‫ﻣﻦ ﺟﺎﻣﻌﺔ ﻟﺠﺎﻣﻌﺔ‪ ،‬ﻓﻴﻤﺎ ﻫﻮ‪) ...‬ﺍﺭﺑﻄﻮﺍ ﺃﺣﺰﻣ َﺘﻜﻢ ﱢ‬
‫َﺠ ُﺪ‬‫ﺃﻣ ﱞﻲ ﺃﻫﻮﺝ‪ ،‬ﻳ ِ‬ ‫ﻗﺒﻴﻠﻲ ﱢ‬
‫ﱞ‬ ‫ﻋﺴﻜﺮ ﱞﻱ‬
‫ِ‬ ‫ﻫﻮ‪ ...‬ﻣﺴﺠﻮ ٌﻥ ﻓﻲ ﺻﻨﻌﺎﺀ! ﺃﻣﺎﻣ ُﻪ‬
‫ﻋﺴﻜﺮﻱ‬
‫ﱞ‬ ‫ﺗﺨﺮﻳﺐ ﺃﻋﻀﺎﺋﻪ ﺍﻟﺠﻨﺴ ّﻴﺔ‪...‬‬‫ِ‬ ‫ﻛ ِﻠﻪ‪ ،‬ﻓﻲ‬ ‫ﻟﺬ ًﺓ ُﻣ َﺘ ﱢ‬
‫ﻤﻴ َﺰﺓ ﻓﻲ َﺭ ْ‬ ‫ﱠ‬
‫ﻋﺪﻥ‪ ،‬ﺑﻌﺪ ﺍﻧﺘﺼﺎﺭﻩ‬ ‫ﺃﻓﻀﻞ ﺷﻮﺍﻃﺊ َ‬ ‫ِ‬ ‫ﻳﻤﺘﻠﻚ ﻗﺼﺮﴽ ﺿﺨﻤﴼ ﻋﻠﻰ‬ ‫ُ‬
‫ﻓﻲ ﺣﺮﺏ ‪ !1994‬ﻳﻤﺘﻠﻚ ﺃﻳﻀﴼ ﻗﻄﻌ ًﺔ ﺃﺭﺿ ّﻴ ًﺔ ﻛﺒﻴﺮﺓ ﺍﻏﺘﺼﺒﻬﺎ‬
‫ﻧﺴﻴﺞ ﺣﻮﻳﺼﻼﺗﻬﺎ‬ ‫ِ‬ ‫ﻗﻠﺐ َﻋ َﺪﻥ‪ ،‬ﻣﻦ‬
‫ﻫﻮ ﻧﻔﺴﻪ ﻣﻦ ﻧﺴﻴﺞ ﻋﻀﻼﺕ ِ‬ ‫‪38‬‬
‫ﺍﻟﻬﻮﺍﺋﻴﺔ‪ :‬ﺃﺭﺽ ﺍﻟﻤﻤﻼﺡ‪...‬‬

‫ﻔﻀﻞ ﺷﻬﺎﺏ ﻫﺎﺃﻧﺬﺍ ﺃَﻋﻮ ُﻡ ﺍﻵﻥ‪ ،‬ﻓﻲ ﺃﻗﺼﻰ ﺟﻨﻮﺏ ﻏﺮﺏ‬ ‫ِﺑ ِ‬
‫ﻋﻨﺎﻕ ﺍﻷﻃﻠﺴﻲ ﺑﺎﻟﺒﺤﺮ ﺍﻷﺑﻴﺾ ﺍﻟﻤﺘﻮﺳﻂ‪،‬‬ ‫ِ‬ ‫ﻣﻮﻗﻊ‬
‫ِ‬ ‫ﻓﺮﻧﺴﺎ‪ُ ،‬ﻗ َ‬
‫ﺮﺏ‬
‫ﻟﻜﻞ ﻫﺬﻩ ﺍﻟﻘﺼﺺ‬ ‫ﺃﺻﻐﺖ ﱢ‬‫ْ‬ ‫ﻋﻠﻰ ﺑﻌﺪ ﺧﻄﻮﺗﻴﻦ ﻓﻘﻂ ﻣﻦ ﺇﻟﻬﺎﻡ ﺍﻟﺘﻲ‬
‫ﺣﻜﻴﺖ ﻟﻬﺎ ﺁﻧﺬﺍﻙ ﻛﻴﻒ‬‫ُ‬ ‫ﺍﻟﻄﻔﻮﻟﻴﺔ ﻋﻨﺪﻣﺎ ﻛ ﱠﻨﺎ ﻧﻌﺒ ُﺮ ﺷﻮﺍﺭ َﻉ ﻧﺎ ْﻧﺖ‪.‬‬
‫ﻭﺻﻠﺖ ﻓﺮﻧﺴﺎ ﻓﻲ ﺍﻟﺜﺎﻣﻨﺔ ﻋﺸﺮﺓ ﻣﻦ ﺍﻟﻌﻤﺮ‪ ،‬ﻓﻲ ‪ ،1974‬ﺑﻌﺪ ﺃﻥ‬ ‫ُ‬
‫ﺣﻲ ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ‬ ‫ﺻﺪﻳﻖ ﻗﺪﻳﻢ‪ ،‬ﻣﻦ ﺃﺑﻨﺎﺀ ﺷﺎﺭﻋﻲ ﻓﻲ ﱢ‬ ‫ٌ‬ ‫ﺍﺗﺼﻞ ﺑﻲ‬
‫ﻘﺘﺮﺣﴼ ﺃﻥ ﺃﺭﺍﻓﻘﻪ ِﻟﻔﺮﻧﺴﺎ ِﻟﻤﺴﺎﻋﺪﺗﻪ ﺑﺎﻟﻘﻴﺎﻡ ﺑﺒﻌﺾ‬ ‫ﻓﻲ َﻋ َﺪﻥ‪ُ ،‬ﻣ ِ‬
‫ﺍﻟﻤﻬﻤﺎﺕ ﺍﻟﺘﺠﺎﺭﻳﺔ‪ .‬ﻛﺎﻥ ﻳﺴﻜﻦ ﻓﻲ ﺍﻟﻜﻮﻳﺖ ﺣﻴﻨﻬﺎ ﻭﻳﻌﻤﻞ ﻓﻲ‬
‫ﻋﻠﻤﺖ ﺃﻧﻪ ﺳﻴﺘﻮ ّﻟﻰ ﺷﺮﺍﺀ ﺗﺬﻛﺮﺗﻲ‬
‫ُ‬ ‫ﻭﺍﻓﻘﺖ ﻋﻠﻰ ﺍﻟﺘﻮ ﻋﻨﺪﻣﺎ‬‫ُ‬ ‫ﺍﻟﺘﺠﺎﺭﺓ‪.‬‬
‫ﻭﺗﻜﺎﻟﻴﻒ ﺍﻟﺠﻮﺍﺯ‪ ،‬ﻭﺳﻴﺪﻓﻊ ﺍﻟﻤﺒﺎﻟﻎ ﺍﻟﻼﺯﻣﺔ ﻷﻗﺮﺑﺎﺀ ﻟﻪ ﻓﻲ َﻋ َﺪﻥ‬
‫ﻛﻞ ﻣﺤﺘﺎﺟﺎﺕ ﺍﻟﺴﻔﺮ ﺳﺮﻳﻌﴼ‪ ،‬ﻓﻲ‬ ‫ِﻟﻴﺴﺎﻋﺪﻭﻧﻲ ﻋﻠﻰ ﺍﻟﺤﺼﻮﻝ ﻋﻠﻰ ﱢ‬
 ‫ﻳﺘﺤﻮ ُﻝ ﺿﺮﺑﴼ‬
‫ﱠ‬ ‫ﺗﻠﻚ »ﺍﻟﺴﻨﻮﺍﺕ ﺍﻟﺜ ْﻮﺭﻳّﺔ« ﺍﻟﺘﻲ ﺑﺪﺃ ﺍﻟﺴﻔﺮ ﻓﻴﻬﺎ ﻟﻠﺨﺎﺭﺝ‬
‫ﻣﻦ ﺍﻟﻤﺴﺘﺤﻴﻞ‪.‬‬
‫ﺭﻓﻀﺖ ﺍﻟﻌﻮﺩ َﺓ ﻣﻊ ﺻﺪﻳﻘﻲ ﺑﻌﺪ‬ ‫ُ‬ ‫ﺷﺮﺣﺖ ﻟﻬﺎ ﺁﻧﺬﺍﻙ ﻛﻴﻒ‬ ‫ُ‬
‫َ‬
‫ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎﺗﻲ‬ ‫ُ‬
‫ﺣﻜﻴﺖ ﻟﻬﺎ‬ ‫ﺃﻥ ﺃﻧﺠﺰ ﺃﻋﻤﺎﻟﻪ ﺍﻟﺘﺠﺎﺭﻳﺔ ﻓﻲ ﻓﺮﻧﺴﺎ!‬
‫ﻭﺟﺪﺕ ﻧﻔﺴﻲ ﻭﺣﻴﺪﴽ ﻓﻲ ﻣﺪﺭﺳ ِﺔ ﺍﻟﺸﺎﺭﻉ‪ ،‬ﺃﺭﻗﻰ ﻭﺃﺻﻌﺐ‬ ‫ُ‬ ‫ﻣﻨﺬ ﺃﻥ‬
‫َ‬ ‫ﱡ‬
‫ﺣﻜﻴﺖ ﻟﻬﺎ ﺃﻳﺎ َﻡ ﺍﻟﺘﺴﻜ ِﻊ ﻭﺍﻟﺠﻮﻉ‪ ،‬ﺍﻷﻋﻤﺎﻝ ﺍﻟﺸﺎﻗﺔ ﺍﻟﺘﻲ‬ ‫ُ‬ ‫ﺍﻟﻤﺪﺍﺭﺱ‪.‬‬
‫ْ‬
‫ﻭﺍﻧﺘﻬﺖ‬ ‫َ‬
‫ﻟﺠﺄﺕ ﻟﻬﺎ ﻟﻜﺴﺐ ﻟﻘﻤﺔ ﺍﻟﻌﻴﺶ‪ ،‬ﻭﺍﻟﺘﻲ ﺑﺪﺃ ْﺕ ﺑﺒﻴﻊ ﺍﻟﺰﻫﻮﺭ‬ ‫ُ‬
‫ﻳﻤﻨﻲ ﻳﻌﻴﺶ‬ ‫ﺑﺎﻟﺸﻐﻞ ﻓﻲ ﻃﻼﺀ ﺍﻟﻤﻨﺎﺯﻝ ﻓﻲ ﺷﺮﻛﺔ ﺻﻐﻴﺮﺓ ﻳﻤﺘﻠﻜﻬﺎ ﱞ‬
‫ﺃﺩﻳﻦ ﻟﻪ ِﺑﺘ َﻐ ﱡﻴ ِﺮ ﺣﻴﺎﺗﻲ‬
‫ﺍﻟﺪ ْﻫ َﺒ ِﻠﻲ‪ُ ،‬‬ ‫ﻓﻲ ﻓﺮﻧﺴﺎ‪ ،‬ﺍِﺳﻤﻪ‪ :‬ﺳﺎﻣﻲ ﻋﻠﻮﺍﻥ ﱠ‬
‫ﺭﺃﺳﴼ ﻋﻠﻰ ﻋﻘﺐ‪...‬‬
‫َ‬
‫ﺣﻜﻴﺖ ﻹﻟﻬﺎﻡ ﻛﻴﻒ َﻗ ﱠﺪﺭﻧﻲ ﻭﺃﻋ ﱠﺰﻧﻲ ﻛﺜﻴﺮﴽ »ﺍﻟﻜﺎﺑﺘﻦ‬ ‫ُ‬
‫ﻛ ِﺘﻪ‪ .‬ﻛﺎﻥ‬ ‫ﺸﺮ َ‬
‫ﻧﺴﻤﻴﻪ‪ ،‬ﻣﻨﺬ ﺃ ّﻭﻝ ﺃﻳﺎﻡ ﻋﻤﻠﻲ ِﺑ ِ‬ ‫ﺳﺎﻣﻲ«‪ ،‬ﻛﻤﺎ ﻛﻨﺎ ﱢ‬
‫‪39‬‬ ‫ﺟﺪﻭﻝ ﺃﻋﻤﺎﻟﻪ ﺑﺤﻴﺚ ﻳﺸﺘﻐﻞ ﻣﻌﻲ ﺑﺎﻟﻄﻼﺀ ﻓﻲ ﻧﻔﺲ ﺍﻟﻌﻤﺎﺭﺓ‪.‬‬ ‫َ‬ ‫ُﻨﻈ ُﻢ‬
‫ﻳ ﱢ‬
‫ْ‬
‫ﻳﺒﺘﻬﺞ ﻛﺜﻴﺮﴽ ﻓﻲ ﻭﻗﺖ ﺍﻻﺳﺘﺮﺍﺣﺎﺕ ﻭﺍﻟﻐﺬﺍﺀ ِﺑ َﺤﻜﻲ ﻭﺳﻤﺎﻉ‬ ‫ُ‬ ‫ﻛﺎﻥ‬
‫ﺫﻛﺮﻳﺎﺕ َﻋ َﺪﻥ‪ ،‬ﺫﻛﺮﻳﺎﺕ ﺷﻮﺍﺭﻉ ﻃﻔﻮﻟﺘﻪ ﺍﻟﺘﻲ ﺃﻋﺮﻓﻬﺎ ﻋﻦ ﻇﻬﺮ ﻗﻠﺐ‪.‬‬
‫ﻛﺴﺐ ﺣﻴﺎﺗﻲ ﺑﺎﻟﻌﻤﻞ‬ ‫َ‬ ‫ﻓﻀ ُﻞ‬‫ﻌﺪﻧﻪ‪ :‬ﺃُ ﱢ‬‫ﻧﻔﺲ ِﻣ ِ‬‫ﺃﻳﻘﻦ ﺃﻳﻀﴼ ﺃﻧﻲ ﻣﻦ ِ‬ ‫َ‬
‫ﺠﺪﻳَﺘﻲ ﻓﻲ‬ ‫ﻣﻌﺠﺒﴼ ِﺑﺈﺧﻼﺻﻲ‪ِ ،‬ﺑﺼﺪ ِﻗﻲ‪ِ ،‬ﺑ ﱢ‬ ‫ﻭﺍﻟﻤﺜﺎﺑﺮﺓ ﻓﻘﻂ‪ .‬ﻛﺎﻥ َ‬
‫ﺍﻟﺸﻐﻞ‪ِ ،‬ﺑﻄﻤﻮﺣﺎﺗﻲ ﻭﺫﻛﺎﺋﻲ ﻛﻤﺎ ﻛﺎﻥ ﻳﻘﻮﻝ‪...‬‬
‫ﻗﺎﻝ ﻟﻲ ﺑﻌﺪ ﺃﺳﺎﺑﻴﻊ ﻗﻠﻴﻠﺔ ﻣﻦ ﺍﻟﺸﻐﻞ ﺍﻟﻤﺸﺘﺮﻙ ﺇﻥ ﺍﻟﻌﻤﻞ‬
‫ﻭﺍﺛﻖ ﺃﻧﻲ ﺃﻣﺘﻠﻚ ﻣﻮﺍﻫﺐ ﺃﺧﺮﻯ‬ ‫ﺍﻟﻴﺪﻭﻱ ﻟﻴﺲ ﻣﻤﻠﻜﺘﻲ ﺍﻷﺛﻴﺮﺓ! ﻭﺇﻧﻪ ٌ‬
‫ﻭﺇﺭﺍﺩ ًﺓ ﻗﻮﻳّﺔ ﺳﺘﺴﻤﺢ ﻟﻲ ﺑﺘﺤﻘﻴﻖ ﻃﻤﻮﺣﺎﺕ ﺃﻛﺜﺮ ُﺳ ْﻤﻜﴼ ﻭﺟﻼ ً‬
‫ﻻ‬
‫ﺗﺸﻬﺪ ﺃﻧﻨﻲ ﻣﻦ ﺃﻗﺎﺭﺑﻪ ﻓﻲ‬ ‫ُ‬ ‫ﻣﺰﻭﺭﺓ‬
‫ﻭﺃﻫﻤ ّﻴﺔ‪ .‬ﺍﻗﺘﺮﺡ ﺑﺄﻥ ﻳُﺨﺮﺝ ﺃﻭﺭﺍﻕ ﱠ‬
‫ﺛﻢ ِﻣ ْﻨﺤ ًﺔ‬
‫ﺷﺮﻋﻴ ًﺔ‪ ،‬ﱠ‬
‫ﱠ‬ ‫ﺍﻟﻴﻤﻦ! ﻭﺟﺪ ﻟﻲ ﺑﻌﺪ ﺫﻟﻚ ﺿﻤﺎﻧﴼ ﺻﺤ ّﻴﴼ‪ ،‬ﺃﻭﺭﺍﻗﴼ‬
‫ﺩﺭﺍﺳﻴﺔ‪ ...‬ﻟﻢ ﻳﻜﻦ ﺃﻧﺎﻧ ّﻴﴼ ﺍﻟﻜﺎﺑﺘﻦ ﺳﺎﻣﻲ‪ ،‬ﻷﻧﻲ ﻛﻨﺖ ﺑﺎﻟﻔﻌﻞ ﺟﺪﻳﺮﴽ‬
‫ِﺑ ِﺜ َﻘ ِﺘﻪ‪ ،‬ﻣﻔﻴﺪﴽ ﻭﻣﺮﺑﺤﴼ ﻟﻪ ﻓﻲ ﻋﻤﻠﻪ‪ ،‬ﻻﺳﻴﻤﺎ ﻭﺃﻧﻲ ﻟﻢ ﺃﻛﻦ ﺃﻣﺘﻠﻚ‬
‫ﻛﺮﺏ ﻋﻤﻞ‪ ،‬ﺃﻥ ﻳﺪﻓﻊ ﻣﺒﺎﻟﻎ ﺷﻬﺮﻳﺔ‬ ‫ﱢ‬ ‫ﻭﺿﻌﴼ ِﻣ َﻬ ِﻨ ّﻴﴼ ﺷ ْﺮ ِﻋ ّﻴﴼ ﻳُﻠﺰﻣ ُﻪ‪،‬‬
 ‫ﻫﺎﻣﺔ ﻟﺼﻨﺎﺩﻳﻖ ﺍﻟﻀﻤﺎﻥ ﺍﻻﺟﺘﻤﺎﻋﻲ ﻭﺍﻟﺘﻘﺎﻋﺪ‪...‬‬
‫ﺳﺮﺩﺕ ﻹﻟﻬﺎﻡ ﻓﻲ ﻟﻘﺎﺀﺍﺕ َﻧﺎ ْﻧﺖ ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎﺗﻲ ﻣﻨﺬ ﺫﻟﻚ‬
‫ُ‬
‫ﻭﺟﺪﺕ ﻓﻴﻬﺎ ﻣﺨﺮﺟﻲ‬‫ُ‬ ‫ﺍﻟﻤﻨﻌﻄﻒ ﺍﻟﺤﺎﺳﻢ‪ .‬ﻋﺸﻘﻲ ﻟﻠﺪﺭﺍﺳﺔ ﺍﻟﺘﻲ‬
‫ﻭﺷ َﻐﻔﻲ‪َ .‬‬
‫ﺳﻴﻞ ﺍﻟﺼﻌﻮﺑﺎﺕ ﻭﺍﻟﻤﻔﺎﺟﺂﺕ ﺍﻟﺘﻲ ﻭﺍﺟﻬ ُﺘﻬﺎ‪...‬‬ ‫َ‬

‫ﺮﺏ ﺇﻟﻬﺎﻡ ﺍﻟﺘﻲ ﺃﻛﻤ َﻠ ْﺖ‬ ‫ﺑﻔﻀﻞ ﺷﻬﺎﺏ ﻫﺎﺃﻧﺬﺍ ﺃَ ُﻋﻮ ُﻡ ﺍﻵﻥ ُﻗ َ‬ ‫ِ‬
‫ﻳﺪﻫﺎ ﺍﻟ ُﻴﺴﺮﻯ‬ ‫ﻟﺘﻘﺘﺮﺏ ﻣﻨﻲ‪ِ .‬ﻟ َﺘ ُﻤ ﱠﺪ ﻟﻲ ﺭﺍﺣ َﺔ ِ‬ ‫َ‬ ‫ﺳﺒﺎﺣ َﺘﻬﺎ ﻭﺍﺳﺘﺮﺧﺎﺀﻫﺎ‬
‫َﻣﺠ ْﺘﻬﺎ ﻗﺒﻞ ﺃﺳﺒﻮﻋﻴﻦ ﻓﻲ َﻧﺎ ْﻧﺖ ِﺑﺮﺍﺣ ِﺔ ﻳﺪﻱ ﺍﻟ ُﻴﻤﻨﻰ‪ ،‬ﻛﻔﺎﺗﺤ ٍﺔ‬ ‫ﺍﻟﺘﻲ ﺩ َ‬
‫ﺳﻮﻑ ﺗﺒﺪﺃُ ﺑﻌﺪﻫﺎ ﺣﻴﺎ ُﺗﻨﺎ ﺍﻟﻮﺍﺣﺪﺓ‪ ...‬ﺍﻟﺘﻲ ﺗﻨﺪ ِﻟ ُﻊ ﺍﻵﻥ‪ ،‬ﻓﻲ ﻫﺬﻩ‬
‫ﺍﻟﻠﺤﻈﺎﺕ ﺍﻟﺨﺎﻟﺪﺓ ﻣﻦ ﻧﻬﺎﺭ ‪ 22‬ﻣﺎﻳﻮ ‪!1990‬‬
‫ﻣﻮﻋﺪ ُﻗ ْﺒ َﻠ ِﺔ ﺍﻷﺣﻼﻡ!‬ ‫ُ‬ ‫ﻣﺎﺫﺍ ﺃﻧﺘﻈ ُﺮ ﺇﺫﻥ؟ ﺣﺎﻥ‬
‫ﻏﺎﺩﺭﺕ ﺍﻟﻴﻤﻦ ﻓﻲ‬ ‫ُ‬ ‫ﺎﺕ ﻷﻧﻲ ﻣﻨﺬ‬ ‫ﻘﺒ ُﻞ ﺍﻟ َﻴ َﻤ ِﻨ ﱠﻴ ُ‬
‫ﻻ ﺃﺩﺭﻱ ﻛﻴﻒ ُﺗ ﱠ‬
‫ﻗﺒﻞ ﺗﻘﺮﻳﺒﴼ ﻳَﻤ ِﻨ ﱠﻴ ًﺔ‬ ‫ﺍﻟﺜﺎﻣﻨﺔ ﻋﺸﺮ ﻣﻦ ﺍﻟﻌﻤﺮ‪ ،‬ﻭﻗﺒﻠﻬﺎ ﺑﺎﻟﺘﺄﻛﻴﺪ‪ ،‬ﻟﻢ ﺃُ ﱢ‬ ‫‪40‬‬
‫ﺃﻗﺒ ْﻞ ﻓﺘﺎ ًﺓ‬ ‫ﻠﺖ ﺃﺧﺮﻳﺎﺕ ﻣﻦ ﻋﻮﺍﻟﻢ ﻣﺘﺒﺎﻋﺪﺓ‪ ،‬ﻟﻜﻨﻲ ﻟﻢ ﱢ‬ ‫ﻗﺒ ُ‬
‫ﻭﺍﺣﺪﺓ! ﱠ‬
‫ﺃﻗﺘﺮﺏ ﻓﻴﻬﺎ ﻣﻦ ﺍﻟﺮﺍﺑﻌﺔ‬ ‫ُ‬ ‫ﻭﺍﺣﺪ ًﺓ ﻣﻦ ﺍﻟﻴﻤﻦ ﺣﺘﻰ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﺍﻟﺘﻲ‬
‫ﺍﻟﻴﻤﻨﻴﺎﺕ!‪...‬‬
‫ﱠ‬ ‫ﻘﺒ ُﻞ‬
‫ﻭﺍﻟﺜﻼﺛﻴﻦ ﻣﻦ ﺍﻟ ُﻌﻤﺮ! ﻻ ﺃﻋﺮﻑ ﻛﻴﻒ ُﺗ ﱠ‬
‫ﻛ ﱠﻒ ﺇﻟﻬﺎﻡ‬ ‫ﻗﺒ ُﻞ ِﺑ َﺘﺸ ﱡﻨﺞ َ‬
‫ٍ‬ ‫ﻭﺟﺪﺕ ﻧﻔﺴﻲ ﺃﻧﺤﻨﻲ‪ ،‬ﺃُ ﱢ‬ ‫ُ‬ ‫ﻓﺠﺄﺓ‪،‬‬
‫ﺃﻣﻮﺭﻧﺎ‬
‫ﻘﺒﻞ ﺃﻳﺪﻱ ﺃﻭﻟﻴﺎ ِﺀ ِ‬ ‫ُ‬ ‫ُ‬
‫ﻭﻋﻔﻮﻳ ٍﺔ ﻭﻋﺸﻮﺍﺋﻴﺔ‪ ،‬ﻛﻤﺎ ﻧ ﱢ‬ ‫ﱠ‬ ‫ﺍﻷﻳﺴﺮ ِﺑﺤﺮﺍﺭ ٍﺓ‬
‫ﺑﺪﻭ ﱠﻳ ٍﺔ‪،‬‬
‫ﺧﺪﻫﺎ ﻻ ﺇﺭﺍﺩﻳّﴼ‪ِ ،‬ﺑﺤﺮﻛ ٍﺔ ِ‬ ‫ﻘﻞ ﻧﺤ َﻮ ﱢ‬ ‫ﺛﻢ ﻫﺎﺃﻧﺬﺍ ﺃﻧ َﺘ ُ‬ ‫ﻓﻲ ﺍﻟﻴﻤﻦ! ﱠ‬
‫ﻛﻮﻧﺘﺮﻭﻝ« ﻣﺤﺸﻮ ٌﺭ ﻓﻲ ﺃﺳﻔﻞ‬ ‫ٍ‬ ‫ُ‬
‫»ﺭﻳﻤﻮﺕ‬ ‫ُﻮﺟﻬُﻬﺎ‬
‫ﻓﻮﺿﻮﻳﺔ‪ ،‬ﻳ ﱢ‬
‫ﱠ‬ ‫ﺭﻋﻮﻳ ٍﺔ‪،‬‬
‫ﱠ‬
‫ﺍﻟﻄﺒﻘﺎﺕ ﺗﺤﺖ ﺍﻷﺭﺿﻴﺔ ﻓﻲ ﻻﻭﻋﻴﻲ ﺍﻟﺪﻓﻴﻦ‪ ،‬ﻓﻲ ﻗﺎﻉ ﺛﻘﺎﻓﺘﻲ‬
‫ﺟﺪﺍ ُﺗﻨﺎ‪َ ،‬ﺧ ﱠﺪﻫﺎ ﺍﻟ َﻌ ِﺒ َﻖ‬ ‫ﺣﺒ ُﺐ«‪ ،‬ﻛﻤﺎ ﺗﻘﻮﻝ ّ‬ ‫ﻛﻨﺖ »ﺃُ ﱢ‬‫ُ‬ ‫ﺍﻟﻤﻄﻤﻮﺭﺓ‪.‬‬
‫ﻘﺒ ُﻞ‬‫ﻬﻤﺠﻴﺔ‪ ،‬ﻛﻤﺎ ُﻧ ﱢ‬ ‫ﱠ‬ ‫ﺍﻟﺸﻬﻲ ِﺑ‬
‫ﱠ‬ ‫ﺍﻟﻔﺎﺗﺢ‬
‫َ‬ ‫َ‬
‫ﺍﻷﺑﻴﺾ‬ ‫ﺍﻟﻨﺎﻋﻢ! ﺃُ َﻗ ﱢﺒ ُﻞ َﺧ ﱠﺪﻫﺎ‬
‫ﻌﻤ ُﻪ ﻭﻃﺮﺍﻭﺗ ُﻪ‬ ‫ﺃﻫ َﻠﻨﺎ ﻋﻨﺪ ﺍﻟﻮﺩﺍﻉ ﺃﻭ ﻋﻨﺪ ﺍﻟﻮﺻﻮﻝ ﻣﻦ ﺍﻟﺴﻔﺮ )ﻣﺎﺯﺍﻝ َﻃ ُ‬
‫ﺃﺳﺘﻬﻞ‬
‫ﱠ‬ ‫ﻭﻋ َﺒﻘ ُﻪ ﻓﻲ ﻓﻤﻲ ﺣ ّﺘﻰ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ!(‪ ...‬ﻟﻢ ﺃﻛﻦ ﻗﺎﺩﺭﴽ ﺃﻥ‬ ‫َ‬
‫ﺍﻟﻔﻮﺿﻮﻳﺔ!‪...‬‬
‫ﱠ‬ ‫ﺍﻟﺮﻋﻮﻳﺔ‪،‬‬
‫ﱠ‬ ‫ﺍﻟﺒﺪﻭ ﱠﻳﺔ‪،‬‬
‫ِ‬ ‫ﻐﻴﺮ ﻫﺬﻩ ﺍﻟﻄﺮﻳﻘﺔ‬ ‫ﻗﺒﻼﺗﻲ ﻣﻌﻬﺎ ِﺑ ِ‬
 ‫ﺟﺪﴽ ﻋﻦ ﺃﻧﺎﻗ ِﺔ ُﻗ َﺒ ِﻞ ﺍﻟﺴﻴﻨﻤﺎ ﺍﻟﻔﺮﻧﺴﻴﺔ‪...‬‬ ‫ﻛﻨﺖ ﺑﻌﻴﺪﴽ ّ‬ ‫ُ‬
‫ﺍﺳﺘﻘﺮ ْﺕ ﺷﻔﺘﺎﻱ ﻋﻠﻰ ﺷﻔﺘﻴﻬﺎ! ﺍﺣﺘﻀﻨ ُﺘﻬُﺎ‪ ،‬ﺍﻧﺘﻬﺖ‬ ‫ﱠ‬ ‫ﺛﻢ‬
‫ﱠ‬
‫َﺪﺃ ﺍﻟﺘﺎﺭﻳﺦ!‪...‬‬ ‫َﺪﺃ ْﺕ ﺃﺧﻴﺮﴽ ﻟﺤﻈ ُﺔ ﺍﻟﺒﺪﺍﻳﺔ‪ ،‬ﺑ َ‬ ‫َ‬ ‫ﺍﻟﺮﺑﺸﺔ! ﺑ َ‬
‫ﺍﻟﺤﺴﺒﺎﻥ ﺇﻃﻼﻗﴼ‪ :‬ﻟﻢ ﻳَﺴ َﺒ ْﺢ‬ ‫ِ‬ ‫ﻳﻜﻦ ﻓﻲ‬ ‫ﺣﺪﺙ ﺷﻲ ٌﺀ ﻟﻢ ْ‬ ‫َ‬ ‫َﻋﻔﻮﴽ!‬
‫ﻳﺘﻠﻮﻯ ﻭ َﻳ َﺘ َﻌ ْﺮ َﺟﻦ ﻭ» َﻳ َﺘ َﻌ ْﺼ َﻮﺭ« ﻛﺴﻨﻮﻧﻮ‪ ،‬ﻟﻢ‬ ‫ﻟﺴﺎ ُﻧﻬﺎ ﻛﺴﻤﻜﺔ‪ ،‬ﻟﻢ ﱠ‬
‫ُﻄ ْﻞ‬‫َﺤ ِﺮ ﱠﻳ ٍﺔ ﻣﺎﻫﺮﺓ‪ ،‬ﻟﻢ ﻳ ِ‬ ‫ﺤﺮﻛﺎﺕ ﺑ ْ‬
‫ٍ‬ ‫ﻳﺘﻤﺎﻭﺝ ِﺑ‬
‫ْ‬ ‫ﻳﺘﺄﺭﺟﺢ‪ ،‬ﻟﻢ ﻳُﻨﺎﻭ ْﺭ‪ ،‬ﻟﻢ‬ ‫ْ‬
‫ﺍﺟ ُﻪ ﻣﻦ ﺗﺴﻨﻴﻢ‪ ...‬ﻟﻢ‬ ‫ﺭﺣﻴﻖ ِﻣ َﺰ ُ‬
‫ٌ‬ ‫ﻳﻨﺒﺠﺲ ﻣﻨ ُﻪ‬‫ْ‬ ‫ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ‪ ،‬ﻟﻢ‬ ‫ٍ‬ ‫ﻣﻦ‬
‫ﻳﻨﻔﺘﺢ َﺛﻐ ُﺮﻫﺎ ﻣﺜﻘﺎﻝ ﺷﻌﺮﺓ! ﻛﺎﻥ ﺻﺎﻣﺘﴼ ﺃﺧ َﺮﺱ ُﻣ ْﻐﻠﻘﴼ ﺗﻤﺎﻣﴼ!‪...‬‬ ‫ْ‬
‫ﺗﺘﻔﺎﻋﻞ‪ ...‬ﻛﺎﻧﺖ‬ ‫ْ‬ ‫ﺗﺮﻓﺾ‪ ،‬ﻟﻢ‬ ‫ْ‬ ‫ﺗﺘﺤﺮ ْﻙ ﺇﻟﻬﺎﻡ‪ ،‬ﻟﻢ‬ ‫ﱠ‬ ‫ﻟﻢ‬
‫ﻛﺘﻤﺜﺎﻝ!‬
‫ﺃﺣﺲ‬
‫ﱡ‬ ‫ﺍﻟﺪﻣﻮﻳﺔ‪،‬‬
‫ﱠ‬ ‫ﻛﻨﺖ ﺃﺳﻤ ُﻊ ﻣﻊ ﺫﻟﻚ ﺩﻓﻘﺎﺕ ُﺷﻌﻴﺮﺍ ِﺗﻬﺎ‬
‫ﺗﺘﻘﻄ ُﺮ َﻋ َﺮﻗﴼ ﻟﻪ ﺭﺍﺋﺤ ُﺔ ﱢ‬
‫ﺍﻟﻔﻞ‬ ‫ﱠ‬ ‫ﺃﺳﺘﻨﺸ ُﻘﻬﺎ‬
‫ِ‬ ‫ﻛﺨﻠﻴ ِﺔ َﻧ ْﺤﻞ‪،‬‬
‫ﱠ‬ ‫ﺑﻐﻠﻴﺎﻧﻬﺎ‬
‫‪41‬‬ ‫ﱡ‬
‫)ﺳﺄﻇﻞ‬ ‫ﺟﺴﺪﻫﺎ‪ ،‬ﻋﻄ ُﺮ ﺍﻟﻌﻄﺮ!‬ ‫ِ‬ ‫ﻭﺍﻟﺠﻮﺯ ﻭﺍﻟﺮﻳﺎﺣﻴﻦ‪َ :‬ﻧ َﺴ ُﻎ‬ ‫ِ‬ ‫ﻭﺍﻟﺠﻮﺍﻓ ِﺔ‬
‫ﱠ‬
‫ﺍﻟﻤﻔﻀ ِﻞ‬
‫ﱠ‬ ‫ﻄﺮ ِﻫﺎ‬
‫ﺑﻌﺪ ﺫﻟﻚ ﺃﺑﺤﺚ ﻭﺃﻓ ﱢﺘﺶ ﺃﺑﺪﴽ ﺑﻴﻦ ﻃﺒﻘﺎﺕ ﺷﺎﻧﻴﻞ ‪َ ،5‬ﻋ ِ‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﺬﻱ ﻻ ﻳﻔﺎﺭ ُﻗﻬﺎ َﻋ َﺒ ُﻘﻪ ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪﺓ‪ ،‬ﻋﻦ ﺭﺍﺋﺤ ِﺔ ﻫﺬﺍ ﺍﻟ ﱠﻨ َﺴﻎ‪ :‬ﻋ َﺮ ِﻕ‬
‫ﻭﺍﻟﺠﻮﺯ ﻭﺍﻟﺮﻳﺎﺣﻴﻦ(‪.‬‬ ‫ِ‬ ‫ﻭﺍﻟﻔﻞ‬
‫ﱢ‬ ‫ﺍﻟﺠﻮﺍﻓ ِﺔ‬
‫ﺭﺣﻴﻖ ﱠ‬ ‫ِ‬ ‫ﻋﻄﺮ ﺍﻟﻌﻄﺮ‪،‬‬ ‫ﺟﺴﺪﻫﺎ‪ِ ،‬‬ ‫ِ‬
‫ﺑﺎﻃﻨﻴﺔ ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪،‬‬ ‫ﱠ‬ ‫ﻛﻨﺖ ﺃﺳﻤﻊ ﻫﻤﻬﻤﺎﺕ ﻭﺁﻫﺎﺕ ﺣﻤﻴﻤ ّﻴﺔ‪،‬‬ ‫ُ‬
‫ﺑﺖ ﺑﺈﻋﺠﺎﺯ ﻣﻦ‬ ‫ﺗﺴﺮ ْ‬
‫ﺳﻤﻌﺖ‪» :‬ﺁﻩ‪ «...‬ﺻﻐﻴﺮﺓ‪ ،‬ﱠ‬ ‫ُ‬ ‫ُﺗﻄ ْﻨ ِﻄ ُﻦ ﻓﻲ ﺃﻋﻤﺎﻗﻬﺎ‪.‬‬
‫ﺪﺳﻴﺔ ﻓﻲ ﺭﺃﺳﻲ‬ ‫ﺪﻭﻱ ِﺑ ُﻘ ﱠ‬ ‫ﻣﺎﺯﺍﻟﺖ ﻧﺒﺮﺍ ُﺗﻬﺎ ُﺗ ﱢ‬ ‫ْ‬ ‫ﺃﻭﺗﺎﺭ ﺻﻮ ِﺗﻬﺎ ﺍﻟﻌﺬﺏ‪،‬‬ ‫ﺃﺟﻤﻞ ِ‬ ‫ِ‬
‫ﻣﻨﺬ ﺫﻟﻚ ﺍﻟﻴﻮﻡ‪...‬‬
‫ﻟﻜﻦ ﺷﻔﺘﻴﻬﺎ ﻛﺎﻧﺘﺎ ﻣﻀﻤﻮﻣﺘﻴﻦ ﺗﻤﺎﻣﴼ‪.‬‬
‫ﺟﻮﻫﺮ ﱞﻱ ﺟﺪﴽ!‪...‬‬ ‫ِ‬ ‫ﺛﻤﺔ ِﺳ ﱞﺮ‬ ‫ﺛﻤ َﺔ ﺷﻲ ٌﺀ ُﻣ ْﻐ َﻠﻖ! ﱠ‬ ‫ﱠ‬
‫ﺷﻌﺮﺕ ِﺑﺨﻴﺒ ٍﺔ ﻣﻔﺎﺟﺌﺔ‪،‬‬ ‫ُ‬ ‫ﱟﻱ ﻣﻬﺰﻭﻡ‪.‬‬ ‫ﻛﺠ ْﻨ ِﺪ‬ ‫ﺍﻧﺴﺤ َﺒ ْﺖ ﺷﻔﺘﺎﻱ َ‬
‫ﻭﺇﺣﺒﺎﻁ ﻛﺒﻴﺮﻳﻦ‪...‬‬ ‫ٍ‬ ‫ﺑﺎﻧﻜﻤﺎﺵ‬
‫ٍ‬
‫ﺗﻮﺟﻬﻨﺎ ِﻟﻨﺮﺗﺎﺡ ﻗﻠﻴﻼ ﻋﻠﻰ ﺭﻣﻞ ﺍﻟﺸﺎﻃﺊ‪.‬‬ ‫ً‬ ‫ﱠ‬
 ‫َ‬
‫ﺍﻟﺸﺎﻃﺊ‬ ‫ُ‬
‫ﻳﺮﺑﻂ‬ ‫ﺠﺮﻱ ﺍﻟﻄﻮﻳﻞ ﺍﻟﺬﻱ‬ ‫ﺍﻟﺤ ﱠ‬ ‫ﺍﻟﺴ ﱠﻠ َﻢ َ‬
‫ﺻﻌﺪﻧﺎ ﱡ‬ ‫ْ‬
‫ﺗﺼﻌﺪ ﺃﻣﺎﻣﻲ‪ .‬ﺟﺴ ٌﺪ ﺻﻘ َﻠ ُﻪ ﺇﻻﻩ‪ .‬ﻗﺪﻣﺎﻥ ﺣﺎﻓﻴﺘﺎﻥ‪.‬‬ ‫ُ‬ ‫ﻴﻼ‪ .‬ﺇﻟﻬﺎﻡ‬ ‫ﺑﺎﻟ ِﻔ ﱠ‬
‫ﺍﻟﺨﻄﻮ ِﺓ‬‫ﺃﻋﺬﺏ ﻭﺃﺳﻤﻰ ﻭﺃﺷﻬﻰ ﻣﻦ ُ‬ ‫ُ‬ ‫ﺛﻤ َﺔ ﻣﺎ ﻫﻮ‬‫ُﺧﻄﻮ ٌﺓ َﺟﺒ ِﻠ ﱠﻴﺔ‪ .‬ﻟﻴﺲ ﱠ‬
‫ﺎﺱ ﺭﺿﻊ ﻣﻮﺳﻴﻘﻰ ﺍﻟﺼﻌﻮﺩ ﻣﻨﺬ ﻭﻻ َﺩ ِﺗﻪ ﻓﻮﻕ ﺟﺒﺎﻝ‬ ‫ﺍﻟﺠﺒﻠ ّﻴﺔ‪َ .‬ﻗ ﱞﺪ ﻣ ّﻴ ٌ‬
‫ﺍﻟﺮﻭﺣﻲ« ﺍﻟﻤﻴﺜﻮﻟﻮﺟﻲ‪ :‬ﺟﺒﺎﻝ‬ ‫ّ‬ ‫ُﺛﻼ‪ ،‬ﺍﻟﻤﻘﺎﺑﻠ ِﺔ ﺟﻐﺮﺍﻓ ّﻴﴼ ِﻝ»ﺗﻮﺃَ ِﻣﻬﺎ‬ ‫‪42‬‬
‫ﻛﻮﻛﺒﺎﻥ ﺍﻟﺘﻲ ﻳﻘ ُﻊ ﺍﻟﻤﺮ ُﺀ‪ ،‬ﻣﻦ ﱠﺃﻭ ِﻝ ﻧﻈﺮﺓ‪ ،‬ﺃﺳﻴ َﺮ ِﻋﺸ ِﻘﻬﺎ ﺇﻟﻰ‬
‫ﺍﻷﺑﺪ‪ ...‬ﺗﺮﺗﻘﻲ ﺇﻟﻬﺎﻡ ﺩﺭﺟﺎﺕ ﺍﻟﺴ ﱠﻠﻢ ﺍﻟﺬﻱ ﻳﺮﻓﺾ ﺃﻥ ﻳﻨﺘﻬﻲ‪ِ ،‬ﺑ ُﻤﺘﻌ ٍﺔ‬
‫ﺃﺣﻤﻞ ﺃﺛﻘﺎﻝ ﺍﻷﺭﺽ ﻓﻮﻕ‬ ‫ُ‬ ‫ﻛﻨﺖ ﺃﺟﺮﺟ ُﺮ ﻧﻔﺴﻲ ﻭﻛﺄﻧﻲ‬ ‫ُ‬ ‫ﻭﺗﻠﺬﺫ‪ ،‬ﻓﻴﻤﺎ‬‫ﱡ‬
‫ﺍﻷﺣﺎﺩﻳﺔ‬
‫ﱠ‬ ‫ﺃﺳﺘﻌﻴﺪ ﻓﻲ ﺭﺃﺳﻲ ﺷﻴﺌﴼ ﻭﺍﺣﺪﴽ‪ :‬ﺍﻟ ُﻘ ْﺒ َﻠﺔ ﺍﻟﻐﺮﻳﺒﺔ‬ ‫ُ‬ ‫ﻛﺘﻔﻲ‪.‬‬
‫ﺍﻟﺠﺎﻧﺐ!‪...‬‬
‫ﺨﺮ َﺝ ﻛﻴﺴﴼ ﻣﻦ‬ ‫ﻓﻲ ﺍﻟ ﱡﺮﺩﻫﺔ‪َ ،‬ﻓ َﺘ َﺤ ْﺖ ﺇﻟﻬﺎﻡ ﺣﻘﻴﺒ َﺘﻬﺎ ﻟ ُﺘ ِ‬
‫ﻨﻲ ﺍﻟﺬﻱ ﺗﺮﺳﻠ ُﻪ ﻟﻬﺎ ﻣﻦ ﺻﻨﻌﺎﺀ ﺑﺎﻧﺘﻈﺎﻡ ﺃﺧ ُﺘﻬﺎ ﺍﻷﺛﻴﺮﺓ‪:‬‬ ‫ﺍﻟﺒﻦ ﺍﻟ َﻴ َﻤ ﱢ‬
‫ﱢ‬
‫َﺖ ﻟﻠﻤﻄﺒﺦ ِﻟﻌﻤﻞ ﻓﻨﺠﺎ َﻧﻲ ﻗﻬﻮﺓ ﺳﻨﺸﺮﺑﻬﻤﺎ ﻓﻲ ﺍﻟﺸﺮﻓﺔ‬ ‫َﻧ ِﻌﻴﻢ‪ .‬ﱠ‬
‫ﺗﻮﺟﻬ ْ‬
‫ﺍﻟﻤ ِﻄ ﱠﻠ ِﺔ ﻋﻠﻰ ﺍﻟﺒﺤﺮ ﻣﺒﺎﺷﺮﺓ‪.‬‬ ‫ُ‬
‫ﺍﻟﻤﺤﻴﻂ ﻣﻦ ﻫﺬﻩ ﺍﻟﺸﺮﻓﺔ ﺍﻷﻭﻟﻤﺒﻴﺔ ﻳﺄﺳ ُﺮ ﺍﻟﻨﻈﺮ‪،‬‬ ‫ِ‬ ‫ﻣﻨﻈ ُﺮ‬
‫ﺍﻟﺸﻤﺲ ﻓﻲ‬
‫ُ‬ ‫ﻳﺘﻸﻷ ﺣﺘﻰ ﺍﻟﻼﻧﻬﺎﻳﺔ‪.‬‬ ‫ُ‬ ‫ﻳﻜﺘﺴﺤﻪ ﺍﻛﺘﺴﺎﺣﴼ‪ .‬ﺃﺯﺭﻕ ﻋﺎﺭ ٌﻡ‬ ‫ُ‬
‫ﺍﻟﺮﺑﻴﻌﻲ ﺍﻟﻨﺎﻋﻢ‪.‬‬
‫ﱢ‬ ‫ﻬﺮ‬ ‫ﱡ‬
‫ﺳﺨ ﱠﻴﺔ ﻏﻴﺮ ﻃﺎﻓﺤﺔ‪ ،‬ﻓﻲ ﻫﺬﺍ ﺍﻟﻈ ِ‬ ‫ٌ‬ ‫ٌ‬
‫َﻬ ﱠﻴﺔ ِ‬ ‫ﺍﻟﺴ ْﻤ ِﺖ ﺑ ِ‬
‫ﱠ‬
‫ﻛﻮﻧﻴ ٍﺔ‬
‫ﱠ‬ ‫ﺔ‬
‫ٍ‬ ‫ﺳﻴﻤﻔﻮﻧﻴ‬ ‫ﻓﻲ‬ ‫ﺍﻟﻌﺼﺎﻓﻴﺮ‬ ‫ﺑﺰﻏﺎﺭﻳﺪ‬ ‫ﺗﺨﺘﻠﻂ‬ ‫ﺍﻷﻣﻮﺍﺝ‬ ‫ﻣﻮﺳﻴﻘﻰ‬
‫ﻣﺪﻫﺸ ِﺔ ﺍﻟﺮﻭﻋ ِﺔ ﻭﺍﻟﻌﺒﻘﺮﻳﺔ ﻭﺍﻟﺜﺮﺍﺀ‪ .‬ﻃﺎﺋ ُﺮ ﻧﻮﺭﺱ ﻳُﺤ ﱢﻠ ُﻖ ﺑﺨﻤﻮﻝ‪ُ ،‬‬
‫ﻳﻬﺒﻂ‬
 ‫ﺛﻢ ﻳﻬﺮ ُﻉ ﻓﺮﺣﴼ ﺑﻔﺮﻳﺴﺘﻪ‪ .‬ﺁﺧ ُﺮ‬ ‫ﻋﻤﻮﺩﻳّﴼ‪ ،‬ﻳﻨﻘ ُﺮ ﺍﻟﺒﺤﺮ ﺑﺴﺮﻋ ٍﺔ ﺧﺎﻃﻔﺔ ﱠ‬
‫ُﻌﺪ ﻣﺘﺮﻳﻦ ﻣﻦ ﺍﻟﺸﺎﻃﺊ‪...‬‬ ‫ﻠﺬ ٍﺓ ﻓﻲ ﻣﺎﺀ ﺍﻟﺒﺤﺮ ﻋﻠﻰ ﺑ ِ‬ ‫ﻳﺘﻤﺮ ُﻍ ِﺑ ﱠ‬
‫ﱠ‬
‫ﻋﺸﻖ ﺍﻟﻌﺼﺎﻓﻴﺮ‪ .‬ﻓﻲ ﺣﺪﻳﻘ ِﺔ‬ ‫ِ‬ ‫ُ‬
‫ﻓﺼﻞ‬ ‫ﺍﻟﻌﺼﺎﻓﻴﺮ‪،‬‬ ‫ُ‬
‫ﻓﺼﻞ‬ ‫ﻊ‬
‫ُ‬ ‫ﺍﻟﺮﺑﻴ‬
‫ّ‬
‫ﺍﻟﺪﻭﺭﻱ‪،‬‬ ‫ﻴﻼ ﺍﻟﻮﺍﺳﻌﺔ ﻭﺣﻮ ِﻟﻬﺎ ﻣﻬﺮﺟﺎﻥ ﻋﺼﺎﻓﻴﺮ‪ :‬ﻋﺼﺎﻓﻴﺮ‬ ‫ﺍﻟ ِﻔ ﱠ‬
‫ﺍﻟﺸﺤﺎﺭﻳﺮ‪ ،‬ﺳﻨﻮﻧﻮ‪ ،‬ﻋﻨﺪﻟﻴﺐ‪ ،‬ﺃﺑﻮ ﺍﻟﺤﻨﺎﺀ‪ ،‬ﺍﻟﻌﻘﻌﻖ‪ ،‬ﺃﺳﺮﺍﺏ ﻧﻮﺍﺭﺱ‪،‬‬
‫ﺯﻭﺝ ﻣﻦ ﺍﻟﻘﺮﻗﻒ ﻻ ﻳﻔﺘﺮﻕ‪ ،‬ﻗﻨﺒﺮﺍﺕ‪ ،‬ﺣﻤﺎﻡ‪ ،‬ﻳﻤﺎﻣﺎﺕ‪ ...‬ﻭﺃﺧﺮﻯ ﻻ‬
‫ﻣﺰﻳﺞ ﻛﺎﻣﻴﺮﻳﺎﺋﻲ ﻣﻦ ﺍﻟﻄﺎﺅﻭﺱ ﻭﺍﻟﺒﺒﻐﺎﺀ‪ ،‬ﻃﺎﺋ ٌﺮ‬ ‫ٌ‬ ‫ﺃﻋﺮﻑ ﺃﺳﻤﺎﺀﻫﺎ‪:‬‬
‫ﺃﺭﻗﻂ ﺍﻟﺠﻠﺪ‪...‬‬ ‫ُ‬
‫ﺗﺘﻮﺣ ُﺪ ﻓﻲ‬
‫ﺗﺘﻌﺎﻧﻖ‪ ،‬ﱠ‬ ‫ُ‬ ‫ﺲ‪،‬‬ ‫ُ‬
‫ﺗﺘﺂﻟﻒ‪ ،‬ﺗﺘﻨ ﱠﻔ ُ‬ ‫ُ‬
‫ﻧﺒﺎﺗﺎﺕ َﻭ ُﻭ ُﺭﻭ ِﺩ ﺍﻟﺤﺪﻳﻘﺔ‬
‫ﻳﻔﺘﺢ ﺍﻟﻨﻔﺲ‪ :‬ﻳﺎﺳﻤﻴﻦ‪ ،‬ﺯﻧﺒﻖ‪،‬‬ ‫ُ‬ ‫ﻳﻤﻸ ﺍﻟﺸﺮﻓﺔ‪،‬‬ ‫ﱟﻱ ﻋﻠﻴﻞ ُ‬ ‫ﻧﺴﻴﻢ ْ‬
‫ﻋﻄ ِﺮ‬
‫ٍ‬ ‫ٍ‬
‫ﻳﺘﺄﻟﻖ ﻛﺜﻴﺮﴽ ﻓﻲ ﻫﺬﻩ ﺍﻟﺪﻳﺎﺭ!(‪ ،‬ﺍﻟﺴﻨﻂ‪،‬‬ ‫ُ‬ ‫ﻭﺭﺩ‪ ،‬ﺧﺰﺍﻣﻰ )ﺁﻩ‪ ،‬ﺍﻟﺨﺰﺍﻣﻰ‬
‫ﺍﻟﺒﺮﻱ‪...‬‬
‫ﺍﻟﻨﺮﺟﺲ ﱢ‬
‫‪43‬‬ ‫ﺗﺼﻞ ﺍﻟﺸﺮﻓ َﺔ ِﺑﻜﻮﺑَﻴﻦ ﻣﻦ ﺍﻟ ُﺒ ﱢﻦ‬ ‫ُ‬ ‫ﻫﺎﻫﻲ ﻣﻠﻜ ُﺔ ﺍﻟﻌﺼﺎﻓﻴﺮ‬
‫ﻛ ﱠﻴﺔ‪.‬‬‫ﺍﻟﻤﺨﺘﻮﻡ ﺑﺎﻟﻬﻴﻞ ﻭﺍﻟﻘﺮﻓﺔ‪ ،‬ﺻﻨ َﻌ ْﺘ ُﻪ ﻋﻠﻰ ﺍﻟﻄﺮﻳﻘﺔ ﺍﻟ ﱡﺘ ْﺮ ِ‬ ‫ِ‬ ‫ﺍﻟﻴﻤﻨﻲ‬
‫ﺮﻛ ّﻴﺔ‪ ،‬ﻋﺰﻳﺰ ًﺓ ﺟﺪﴽ‪ ،‬ﻛﺎﻧﺖ ﺗﻘ ِﻠ ُﺐ‬ ‫ﺮﺕ ﺯﻣﻴﻠ َﺔ ﺩﺭﺍﺳ ٍﺔ ُﺗ ِ‬ ‫ﺗﺬﻛ ُ‬ ‫ﱠ‬
‫ﺤﻦ‬‫ﺍﻟﺼ ِ‬ ‫ﻋﻘﺒ ِﻪ ﻓﻮﻕ ﱠ‬ ‫ﻓﻨﺠﺎﻥ ﺍﻟﻘﻬﻮﺓ ﺑﻌﺪ ﺃﻥ ﺃﺷﺮﺑَﻪ‪ ،‬ﺗﻀ ُﻌ ُﻪ ﻋﻠﻰ ِ‬ ‫َ‬
‫ﻴﺴﻴﻞ ﺍﻟ ﱡﺜ ْﻔ ُﻞ ﺍﻟﺜﺨﻴﻦ ﺍﻟﺮﺍﻛﺪ‪،‬‬ ‫»ﺍﻟﺴ ْﻴ َﺴﺮ«‪ ،‬ﺑﻀﻌﺔ ﺩﻗﺎﺋﻖ ِﻟ َ‬ ‫ﺍﻟﺼﻐﻴﺮ‪ ،‬ﱠ‬
‫ُ‬ ‫ُ‬
‫ﻗﺎﻋ ِﻪ ﻧﺤﻮ ﺟﺪﺭﺍﻧﻪ ﺍﻟﺪﺍﺧﻠﻴﺔ‪ .‬ﻛﺎﻧﺖ ﺗﺤﻤﻠﻖ ﺑﻌﺪ ﺫﻟﻚ‬ ‫ﻛﺪ«‪ ،‬ﻣﻦ ِ‬ ‫»ﺍﻟﺮ ْ‬
‫ﱠ‬
‫ﺑﺘﺮﻛﻴﺰ ﺷﺪﻳﺪ ﻓﻲ ﺍﻷﺷﻜﺎﻝ ﺍﻟﻬﻼﻣﻴﺔ ﺍﻟﺘﻲ ﻳﺘﺮﻛﻬﺎ ﺍﻧﺘﺸﺎﺭ ﺍﻟ ﱡﺜﻔﻞ‬ ‫ٍ‬
‫ﺎﻥ‬
‫ٍ‬ ‫ّ‬
‫ﻨ‬ ‫ﻔ‬‫ﻛ‬‫َ‬ ‫ﺍﻻﺗﺠﺎﻫﺎﺕ‬ ‫ﻛﻞ‬
‫ﱢ‬ ‫ﻣﻦ‬ ‫ﺍﻟﻜﻮﺏ‬
‫َ‬ ‫ﺺ‬ ‫ُ‬ ‫ﺗﺘﻔﺤ‬
‫ﱠ‬ ‫ﺍﻟﻜﻮﺏ‪.‬‬ ‫ﺟﻮﻑ‬ ‫ﻋﻠﻰ‬
‫ﺗﺮﺑﻂ ﺑﻴﻦ ﻣﺎ‬ ‫ُ‬ ‫ﺍﻟﺸﻜﻞ ﺍﻟﻌﺎﻡ ِﻟﺮﺳﻮﻣﺎﺗ ِﻪ ﺍﻟﺘﻤﻬﻴﺪﻳﺔ‪.‬‬ ‫َ‬ ‫ُﺮﺍﻗﺐ‬
‫ﺗﺸﻜﻴﻠﻲ ﻳ ُ‬ ‫ﱟ‬
‫ً‬
‫ﺗﺠ ُﺪ ﻓﻴﻬﺎ ﺷﺒﻜﺔ ﻣﻦ ﺍﻹﺷﺎﺭﺍﺕ ﺍﻟﺘﻲ‬ ‫ِ‬ ‫ﻫﺎ‪،‬‬ ‫ﺮ‬‫ُ‬ ‫ﻔﺴ‬
‫ﱢ‬ ‫ُ‬
‫ﺗ‬ ‫ﻭﺭﻣﻮﺯ‪.‬‬ ‫ﺃﺷﻜﺎﻝ‬ ‫ﻣﻦ‬ ‫ﺗﺮﺍﻩ‬
‫ُ‬
‫ﻭﺍﻟﺘﻨﺒﺆ ﺑﻤﺎ ﺗﺤﻤﻠﻪ ﺍﻷﻳﺎﻡ ﺍﻟﻘﺎﺩﻣﺔ ﻟﻲ! ﺗﻘﺮﺃﻫﺎ‬ ‫ﺗﺴﻤﺢ ﺑﻘﺮﺍﺀ ِﺓ ﺍﻟﻄﺎﻟﻊ‬ ‫ُ‬
‫ِ‬
‫ﻧﻈﺮﻳﺎﺕ ﺗﻨﺠﻴﻤﻴﺔ ﻋﺘﻴﺪﺓ ﻻ ﺗﺨﺘﻠﻒ ﻛﺜﻴﺮﴽ ﻋﻦ ﻧﻈﺮﻳﺎﺕ‬ ‫ٍ‬ ‫ﺣﺴﺐ‬
‫ﺟﺪﺗﻲ ﺍﻟﻌﺰﻳﺰﺓ )ﺍﻟﺘﻲ ﻟﻮ ﻛﺎﻧﺖ ﻋﺎﺋﺸ ًﺔ ﺍﻟﻴﻮﻡ َﻟ َﺴﺒ َﻘ ْﺖ ﺍﻟﺸﻴﺦ‬ ‫ّ‬
‫َ‬
‫ﺍﻟﺰﻧﺪﺍﻧﻲ ﺑﺎﻛﺘﺸﺎﻑ ﻋﻼﺝ ﻣﺮﺽ ﺍﻻﻳﺪﺯ‪ ،‬ﻟﻜﺘ َﺒ ْﺖ ﻋﻠﻰ ﻏﺮﺍﺭ ﺩﺍﺭﻭﻳﻦ‬
‫ﻄﺖ‬‫ﻭﺧﻄ ْ‬ ‫ﱠ‬ ‫ﺑﺎﻟﺠﻦ ﻭﺍﻟﻌﻔﺎﺭﻳﺖ‪ ،‬ﻭ َﻟ َﺸ ﱠﻔ ْ‬
‫ﺮﺕ‬ ‫ﱢ‬ ‫ﺍﻟﺨﺎﺹ‬
‫ﱠ‬ ‫»ﺃﺻﻞ ﺍﻷﻧﻮﺍﻉ«‪،‬‬
‫ﻮﺣﺪﻫﺎ ﻛ ﱠﻞ »ﺟﻴﻨﻮﻣﻬﺎ« ﻭﺣﺎﻻﺗﻬﺎ ﺍﻟﻨﻔﺴ ّﻴﺔ!‪(...‬‬ ‫ُ‬ ‫ﻭﺩﺭﺳ ْﺖ ِﻟ ِ‬‫َ‬
‫ﺿﺤﻜﺖ ﺩﻭﻣﴼ ﻣﻦ ﺗﻠﻚ ﺍﻟﻌﺎﺩﺍﺕ ﺍﻟﻮﺛﻨ ّﻴﺔ ﻻﺳﻴﻤﺎ ﻭﺃﻧﻲ ﻛﻨﺖ‬ ‫ُ‬
‫ﺍﻟﺘﺮﻛﻴﺔ ﻏﻴﺮ‬
‫ﱠ‬ ‫ﻻ ﺃﺟﺪ ﻓﻲ ﺍﻷﺷﻜﺎﻝ ﺍﻟﺘﻲ ﺗﺮﻳﻨﻲ ﺇﻳﺎﻫﺎ ﺻﺪﻳﻘﺘﻲ‬
‫ﺍﻟﺸﻜﻞ‬
‫ِ‬ ‫ﺷﺬﺭﺍﺕ ﻣﻦ‬
‫ٍ‬ ‫ﻣﺮ ًﺓ ﻭﺍﺣﺪ ًﺓ ﻻ ﻏﻴﺮ‬ ‫ُ‬
‫)ﻭﺟﺪﺕ ﱠ‬ ‫ﺧﺮﺍﺑﻴﺶ ﻓﻲ ﺧﺮﺍﺑﻴﺶ‬
‫ﺍﻟﻤﺴ َﺘ ْﺨ َﺪ ِﻡ ِﻟﺒﺮﻫﻨ ِﺔ ﻧﻈﺮﻳ ِﺔ ﻓﻴﺜﺎﻏﻮﺭﺱ ﻓﻲ ﺩﺭﻭﺱ ﺍﻟﻬﻨﺪﺳﺔ‬ ‫ﺍﻟﻬﻨﺪﺳﻲ ُ‬
‫ﱢ‬
‫ﺗﺘﻜﺊ ﻋﻠﻰ‬ ‫ﻣﺜﻠﺚ ﻗﺎﺋﻢ ﺍﻟﺰﺍﻭﻳﺔ ُ‬ ‫ٍ‬ ‫ﻣﻦ‬ ‫ﺐ‬ ‫ِ‬ ‫ﻭﺍﻟﻤﺮﻛ‬
‫ﱠ‬ ‫ﺍﻹﻋﺪﺍﺩﻳﺔ‪،‬‬ ‫ﺍﻟﻤﺪﺭﺳﺔ‬ ‫ﻓﻲ‬
‫ِ‬
‫ﺨﻄﻮﻁ ﻣﺴﺘﻘﻴﻤﺔ!(‪...‬‬ ‫ٍ‬ ‫ﺭﺅﻭﺳﻬﺎ ِﺑ‬
‫ﺑﻌﺾ ِ‬ ‫ُ‬
‫ﺗﺘﻮﺍﺻﻞ ُ‬ ‫ﻣﺮﺑ ٌ‬
‫ﻌﺎﺕ‬ ‫ﺃﺿﻼﻋ ِﻪ ﱠ‬
‫ِ‬
‫ﺗﺴﺒﻴﺢ‬ ‫َ‬
‫»ﺣﺸ َﺮﺓ‬ ‫ﺍﻟﺤﻖ ﺃﻧﻪ ﻣﻨﺬ ﺃﻥ ﺃﺭﺍﻧﻲ ﺻﺪﻳﻘﻲ ﺷﻬﺎﺏ َ‬ ‫ُ‬ ‫ﱡ‬
‫ِ‬
‫ﺷﺪﻳﺪ ﺍﻟﻨﻔﻮﺭ‬ ‫َ‬ ‫ُ‬
‫ﺻﺮﺕ‬ ‫ﻠﻬﻤﺔ‪،‬‬ ‫ﺍﻟﻤ ِ‬
‫ﺍﻟﻌﺪﻧﻴ ِﺔ ُ‬
‫ﱠ‬ ‫ﺍﻟﺠﺪﺭﺍﻥ«‪ ،‬ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ‬
‫َ‬
‫ﻛﻞ ﺃﻧﻮﺍﻉ ﺍﻟﺨﺰﻋﺒﻼﺕ ﻭﺍﻟﺨﺮﺍﻓﺎﺕ‪ ،‬ﻣﻔﺮﻁ ﺍﻟﺤﺴﺎﺳﻴﺔ ﻣﻦ ﺗﺴ ﱡﺮ ِﺏ‬ ‫ﻣﻦ ﱢ‬
‫ﺘﻄﺮﻓﴼ ﺃﺣﻴﺎﻧﴼ!‬ ‫ﺻﺮﺕ ﻋﻠﻤﺎﻧ ّﻴﴼ ﺻﺎﺭﻣﴼ‪ُ ،‬ﻣ ﱢ‬ ‫ُ‬ ‫ﻓﻴﺮﻭﺳﺎﺗﻬﺎ ﻭﺃﻓﻴﻮﻧﺎﺗﻬﺎ‪...‬‬
‫ﻃﻘﻮﺱ ﻗﺮﺍﺀ ِﺓ ﻓﻨﺎﺟﻴﻦ ﺍﻟﻘﻬﻮﺓ‬ ‫ِ‬ ‫ﺣﺪ ْﺛ ُﺖ ﺇﻟﻬﺎﻡ ِﺑﺘﻬ ﱡﻜﻢ ﻋﻦ‬ ‫ﱠ‬ ‫‪44‬‬
‫ﻗﻄﻌﺖ ﻋﻼﻗﺘﻬﺎ‬ ‫ْ‬ ‫ﺗﺼﻮﺭﺕ‪ ،‬ﻫﻲ ﺍﻟﺘﻲ‬ ‫ُ‬ ‫ﻫﺬﻩ‪ .‬ﻟﻢ ﺗﺴﺨ ْﺮ ﻣﻨﻬﺎ ﻋﻜﺲ ﻣﺎ ﱠ‬
‫ﺑﺎﻟﺠﺬﻭﺭ ﺍﻟﺠﻮﻫﺮﻳّﺔ ِﻟﺜﻘﺎﻓﺔ ﺍﻟﻘﺒﻴﻠﺔ ﻭﻃ ﱠﻠ َﻘ ْﺖ ﺧﺰﻋﺒﻼﺗﻬﺎ ﺑﺎﻟﺜﻼﺙ!‪...‬‬
‫ﻟﻢ ُﺗﺸﺎﺭﻛﻨﻲ ﺁﺭﺍﺋﻲ ﺍﻟﺤﺎﺳﻤ َﺔ ﺍﻟﻘﺎﻃﻌﺔ ﺃﻳﻀﴼ! َﻓ ﱠﻀ َﻠ ْﺖ‪ ،‬ﻛﻤﺎ ﻳﺒﺪﻭ‪،‬‬
‫ﺭﻭﺣﻬﺎ ﻏﺮﻓ ًﺔ ﺻﻐﻴﺮ ًﺓ ُﻣﻨﻌﺰﻟ ًﺔ ُﻣﻈ ِﻠﻤﺔ ِﻟﻠﺨﻴﺎﻝ‪،‬‬ ‫ﺃﻥ ﺗﺘﺮﻙ ﻓﻲ ﺃﻗﺒﻴﺔ ِ‬
‫ُ‬ ‫ُ‬
‫ﺴﺒ ُﺢ ﺟﺪﺭﺍﻧﻬﺎ« ﻭﺑﻼﻃﻬﺎ ﻭﺳﻘﻔﻬﺎ‬ ‫ُ‬ ‫ُ‬ ‫ً‬
‫ﻟﻼﻋﻘﻼﻧﻲ‪ ،‬ﻟﻸﺳﻄﻮﺭﺓ‪ .‬ﻏﺮﻓﺔ »ﺗ ﱢ‬ ‫ﱠ‬
‫ﻛﻤﺎ ﻳﺮﻭﻕ ﻟﻬﺎ‪...‬‬
‫ﺍﻟﺘﺮﻛﻴﺔ‪ ،‬ﺑﻨﻈﺮ ٍﺓ ﻣﺎﺯﺣ ٍﺔ‬ ‫ﱠ‬ ‫َﻗﻠ َﺒ ْﺖ ﺇﻟﻬﺎ ُﻡ ﺍﻟﻜﻮ َﺑ ْﻴﻦ ﻋﻠﻰ ﺍﻟﻄﺮﻳﻘﺔ‬
‫ﺭﻗﻴﻘﺔ‪...‬‬
‫ﻭﻧﺤﻦ ﻋﻠﻰ ﺍﻟﺸﺮﻓﺔ! ﺯﺍﺩ ﻓﻲ ﺭﺃﺳﻲ‬ ‫ُ‬ ‫ً‬ ‫ُ‬
‫ﻛﺎﻧﺖ ﻧﻈﺮﺍﺗﻬﺎ ﻟﻲ ﺣﺎﻧﻴﺔ‬
‫ﻭﻗﺖ ﻣﻀﻰ‬ ‫ﺃﻱ ٍ‬ ‫ﺍﻟﻤ ْﻐ َﻠ َﻘ ِﺔ ﻗﺒﻞ ﻗﻠﻴﻞ‪ ،‬ﻟﻢ ﺃﻓﻬﻢ ﺃﻛﺜﺮ ﻣﻦ ّ‬ ‫ﻤﻮﺽ ُﻗ ْﺒ َﻠ ِﺘﻬﺎ ُ‬‫ُﻏ ُ‬
‫ﺑﻜﻠﻤﺎﺕ ﺭﻗﻴﻘﺔ‬‫ٍ‬ ‫ﻫﻤﺴ ْﺖ ﻟﻲ ﺃﻳﻀﴼ‬ ‫ﻼ‪َ ...‬‬ ‫ﻟﻤﺎﺫﺍ ﻟﻢ ﺗﺘﻔﺎﻋﻞ ﺣﻴﻨﻬﺎ ﻗﻠﻴ ً‬
‫ﻧﺠﻮﻝ ﺑﺄﻧﻈﺎﺭﻧﺎ ﻓﻲ ﺍﻟﺠﻬﺔ ﺍﻟﻤﻮﺍﺟﻬﺔ ﻣﻦ ﺍﻷﻃﻠﺴﻲ‪ ،‬ﺧﻠﻒ‬ ‫ُ‬ ‫ﻭﻧﺤﻦ‬
‫ﻧﺸﺎﻫﺪ ﺳﻮﺍﺣﻞ ﺃﻣﺮﻳﻜﺎ ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﺣﻴﻨﻬﺎ ﺗﺴﺘﻴﻘﻆ‬ ‫َ‬ ‫ُ‬ ‫ﺍﻷﻓﻖ‪ ،‬ﻭﻛﺄﻧﻨﺎ‬
 ‫ﻜﻠﻤﺎﺕ ﺭﻗﻴﻘﺔ‪ ،‬ﻟﻢ ﺃﺳﻤ ْﻌﻬﺎ ﻣﻨﻬﺎ ﻣﻦ‬‫ٍ‬ ‫ﻫﻤﺴ ْﺖ ﻟﻲ ِﺑ‬
‫ﻓﻲ ﺳﺎﻋﺔ ﺍﻟﻔﺠﺮ‪َ ...‬‬
‫ﻋﻮﻳ ٍﺔ ﺧﺠﻮﻟﺔ‪ .‬ﺻﺎﺭ‬ ‫ﱡ‬
‫ْﺖ‪ ،‬ﻭﺍﻟﺤﻖ ﻳﻘﺎﻝ‪ ،‬ﻛ َﺮ ِ‬ ‫ﺇﺣﻤﺮﺭﺕ ﻗﻠﻴ ً‬
‫ﻼ‪ُ ،‬ﺫﺑ ُ‬ ‫ُ‬ ‫ﻗﺒﻞ!‬
‫‪ 22‬ﻣﺎﻳﻮ ‪ ،1990‬ﺑﺴﺒﺐ ﺗﻠﻚ ﺍﻟﻜﻠﻤﺎﺕ‪ ،‬ﻳﻮﻣﴼ ﺧﺎﻟﺪﴽ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻲ‪...‬‬
‫َﺕ ﻓﻨﺠﺎ َﻧﻲ ﺍﻟﻘﻬﻮ ِﺓ ﺍﻟﻤﻘﻠﻮ َﺑ ْﻴﻦ ﺇﻟﻰ ﻣﻮﺿ ِﻌ ِﻬﻤﺎ ﺍﻟﻄﺒﻴﻌﻲ‪.‬‬ ‫ﺃﻋﺎﺩ ْ‬
‫ﺣﺪ َﻗ ْﺖ ﻓﻲ ﺍﻵﺧﺮ‬‫ﺃﺣﺪﻫﻤﺎ ﺩﻭﻥ ﺃﻥ ﺗﻠﻘﻲ ﻧﻈﺮ ًﺓ ﻓﻲ ﺩﺍﺧﻠﻪ‪ .‬ﱠ‬ ‫ﻧﺎﻭﻟﺘﻨﻲ َ‬
‫َ‬
‫ﺍﺳﺘﻄﻼﻉ ﺃﻥ ﺃﺻﻒ ﻟﻬﺎ ﻣﺎ ﺃﺷﺎﻫﺪﻩُ!‪...‬‬ ‫ﻭﻫﻲ ﺗﺴﺄﻟﻨﻲ ِﺑ ُﺤ ﱢﺐ‬
‫ٍ‬
‫ٌ‬
‫ﺧﻄﻮﻁ‬ ‫ﻟﻢ ﺗﻜﻦ ﻫﻨﺎﻙ ﻫﺬﻩ ﺍﻟﻤﺮﺓ ﺧﺮﺍﺑﻴﺶ ُﻣ َﻤ ْﻠ َﻄ َﻄﺔ‪ ،‬ﺃﻭ‬
‫ﺍﻟﺘﺮﻛﻴﺔ‪.‬‬
‫ﱠ‬ ‫ﺗﻘﺮﻳﺒ ّﻴﺔ ﻣﺘﺪﺍﺧﻠﺔ ﺑﻼ ﻣﺪﻟﻮﻝ‪ ،‬ﻣﺜﻞ ﺃﻛﻮﺍﺏ ﺻﺪﻳﻘﺘﻲ‬
‫ﻫﻨﺪﺳﻲ ﺩﻭﻥ ﺃﺩﻧﻰ‬ ‫ﱟ‬ ‫ﺟﺪﴽ! ﻣﺮﺳﻮ ٌﻡ ِﺑﺘﻤﺎ ُﺛ ٍﻞ‬ ‫ﻭﺍﺿﺢ ّ‬
‫ٌ‬ ‫ﻫﻨﺎﻙ َﻗ ْﻠ ٌﺐ‬
‫َ‬ ‫ﻛﺎﻥ‬
‫ﺗﺸﻮﺏ ﺷﻜ َﻠ ُﻪ ﺷﺎﺋﺒﺔ!‪...‬‬ ‫ُ‬ ‫ﻧﺘﻮﺀ‪ ،‬ﻻ‬
‫ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ‪ ،‬ﺭﻏﻢ ﺻﻔﺎ ِﺀ‬ ‫ٍ‬ ‫ﻟﻢ ُﺗ ِﺜ ْﺮﻧﻲ ﺗﻠﻚ ﺍﻟﻤﺼﺎﺩﻓ ُﺔ ﻣﻦ‬
‫‪45‬‬ ‫ﺷﻜﻞ ﺍﻟﻘﻠﺐ ﻭﻧﻘﺎﺋﻪ ﺍﻟﻜﺎﻣﻞ! ﻟﻴﺲ ﻷﻧﻲ ﻟﻢ ﺃﻛﻦ ﻋﺎﺷﻘﴼ‪ ،‬ﺑﺎﻟﻌﻜﺲ!‬ ‫ِ‬
‫ﻟﻠﺘﻌﺒﻴﺮ‬ ‫ﺍﻟﻘﻠﺐ‬ ‫ﺭﻣﺰ‬ ‫ﻣﻦ‬ ‫ُ‬
‫ﺃﺳﺨﻒ‬ ‫ﻫﻮ‬ ‫ﻣﺎ‬ ‫ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﻓﻲ‬ ‫ُ‬
‫ﺃﺟﺪ‬ ‫ﻻ‬ ‫ﻧﻲ‬ ‫ﺑﻞ َ‬
‫ﻷ‬
‫ِ‬ ‫ِ‬ ‫ِ‬
‫ﺍﻟﺪﻡ ﻻ ﻏﻴﺮ!‬ ‫ﻣﻀﺨ ٌﺔ ﻣﻴﻜﺎﻧﻴﻜﻴ ٌﺔ ِﻟﺘﻮﺯﻳﻊ ﱠ‬ ‫ﱠ‬ ‫ﺍﻟﻘﻠﺐ‬
‫ُ‬ ‫ﻋﻦ ﺍﻟﺤﺐ‪:‬‬
‫ﺟﺪﴽ ﻻ‬ ‫‪-‬ﺍﻟﻠﺬﺓ ﻓﻬﻲ ﺳﻴﻤﻔﻮﻧﻴ ٌﺔ ﻣﻌ ﱠﻘﺪ ٌﺓ ّ‬ ‫ُ‬
‫‪-‬ﺍﻟﻌﺸﻖ ﱠ‬ ‫ﺍﻟﺤﺐ‬
‫ﱡ‬ ‫ﺃﻣﺎ‬
‫ﺍﻟﺒﻨﻜﺮﻳﺎﺱ ﺃﻭ ﺍﻟﺤﻮﻳﺼﻠﺔ ﺍﻟﺼﻔﺮﺍﻭﻳﺔ ﻣﻦ‬ ‫ِ‬ ‫ﺑﺎﻟﻘﻠﺐ ﺃﻭ‬
‫ِ‬ ‫ﻋﻼﻗ َﺔ ﻟﻬﺎ‬
‫ﺍﻟﻤﺸﺎﻋﺮ ﻭﺍﻟﻬﻮﻯ ﻭﺍﻟﺮﻏﺒ ِﺔ‬‫ِ‬ ‫ﻠﺤ ُﻨﻬﺎ‪ :‬ﺻﺎﻧ ُﻊ‬ ‫ﺷﻖ ﺃﻭ َﻃ َﺮ ْﻑ‪ ...‬ﻣﺆ ﱢﻟ ُﻔﻬﺎ ُ‬
‫ﻭﻣ ﱢ‬ ‫ﱟ‬
‫ﺃﻗﺼﺪ‪ :‬ﺍﻟﺪﻣﺎﻍ‪،‬‬‫ُ‬ ‫ﺍﻟﺒﻴﻮﻟﻮﺟﻲ ّ‬
‫ﺍﻟﻔﺬ‪،‬‬ ‫ﱡ‬ ‫ﻭﻣﺴﺮﺣﻬﺎ‬
‫ُ‬ ‫ﻭﺍﻟﺬﻛﺮﻳﺎﺕ ﻭﺍﻟﺘﻔﻜﻴﺮ‪،‬‬
‫ِ‬
‫)ﺍﻟﺤ َﺸﻔ ُﺔ‪،‬‬
‫ﺍﻟﺤ ﱢﺴ ّﻴﺔ ﻓﻲ ﺍﻟ ُﻐ َﺪ ُﺩ َ‬ ‫ﻋﺎﺯ ُﻓﻮﻫﺎ‪ :‬ﻣﻠﻴﺎﺭﺍﺕ ﺍﻟﺨﻼﻳﺎ ِ‬ ‫ﺍﻟﻤﺦ!‪ِ ...‬‬ ‫ّ‬
‫ﺍﻟﺨﺼﻴﺘﺎﻥ‪ ،‬ﺍﻟ َﺒ ْﻈﺮ‪ ...‬ﺁﻩ‪ ،‬ﺍﻟ َﺒ ْﻈﺮ! ﺫﻭ ﺍﻟﺜﻤﺎﻧﻴﺔ ﺃﻟﻒ ﻋﻘﺪﺓ ﻋﺼﺒ ّﻴﺔ‪:‬‬
‫ﺍﻟﺮ ُﺟﻞ! ﺍﻟﻌﻀﻮ ﺍﻟﻮﺣﻴﺪ ﻓﻲ ﺍﻟﺠﺴﺪ ﺍﻟﺬﻱ‬ ‫ﺿﻌﻒ ﻋﺪ ِﺩ ﻣﺎ ﻳﻤ ِﻠ ُﻜ ُﻪ ﱠ‬ ‫ُ‬
‫ﻭﺗﻮﺍﺑ ُﻌﻬﺎ ﻭﻣﻠﺤﻘﺎ ُﺗﻬﺎ ﻣﻦ‬ ‫ِ‬ ‫ﺧﻠﻘ ُﻪ ﺍﷲ ﻟﻠﻤﺘﻌﺔ ﻓﻘﻂ! ِﻟ ﱠﻠﺬﺓ ﻓﻘﻂ!‪(...‬‬
‫ﺗﻜﻤﻦ ﻓﻲ‬‫ُ‬ ‫ﺎﺕ ﻋﺒﻘﺮﻳ ِﺔ ﺍﻟﻠﻐ ِﺔ ﺍﻟﻌﺮﺑ ّﻴﺔ‬ ‫ﺗﺠﻠﻴ ِ‬
‫ﱠ‬ ‫)ﻟﻌﻞ ﺇﺣﺪﻯ‬ ‫ﻗﻀﻴﺐ ﻭ َﻓ َﻠ ٍﻖ ﱠ‬‫ٍ‬
‫ﺍﻟﺒﺸﺮﻳّﺔ!(‬
‫ِ‬ ‫ُ‬ ‫َ‬ ‫َ‬
‫ﺃﻥ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺔ ﺗﻌﻨﻲ ﺃﻳﻀﴼ‪ :‬ﺍﻟﻔﺠﺮ‪ .‬ﻓﻠﻖ ﺍﻟﻤﺮﺃﺓ = ﻓﺠ ُﺮ‬
‫‪-‬ﻣﺨﺎﻃﻴﺔ‪ ،‬ﻗﺎﺫﻓ ٍﺔ‪-‬ﺭﺍﺟﻔﺔ‪ ،‬ﺩﺍﺧﻠ ٍﺔ‪-‬‬ ‫ﻣﻄﺎﻃﻴ ٍﺔ ُ‬‫ﻭﺃﻧﺴﺠ ٍﺔ ﺑﻴﻮﻟﻮﺟﻴﺔ ﱠ‬
‫ﺪﺍﻋﺒ ِﺔ‬
‫ﺍﻟﻤ َ‬‫ﺮﻏﺔ‪ُ ،‬‬ ‫ﻭﺍﻟﺮﻏ َ‬
‫ْ‬ ‫ﺍﻟﺪﻏ َ‬
‫ﺪﻏ ِﺔ‬ ‫ْ‬ ‫ﻟﻜﻞ ﺃﻧﻮﺍﻉ‬ ‫ﺧﺎﺭﺟﺔ‪ ...‬ﻇﺎﻣﺌ ٍﺔ ﺃﺑﺪﴽ ﱢ‬
‫ﻭﻛﻞ ﺃﺷﻜﺎﻝ‬ ‫ﱢ‬ ‫ﻭﺍﻟﻠﺤﺲ‪،‬‬ ‫ْ‬ ‫ﺍﻟﻔﺤﺲ‬
‫ِ‬ ‫ﻭﺍﻟﻤﺺ‪،‬‬
‫ّ‬ ‫ﻫﺺ‬
‫ﺍﻟﺮ ِ‬‫ﻼﻋﺒﺔ‪ ،‬ﱠ‬ ‫ﻭﺍﻟﻤ َ‬ ‫ُ‬
‫ﺍﻟﻤﺘﺠﺪﺩﺓ‪ ...‬ﻗﺒﻞ ﻗﺬ ِﻓﻬﺎ‬ ‫ﱢ‬ ‫ﺍﻟﻌﺒﻘﺮﻳ ِﺔ‬
‫ﱠ‬ ‫ﺍﻟ ُﻘﺒﻼﺕ ﻭﺍﻟﻠﻤﺴﺎﺕ ﺍﻹﺑﺪﺍﻋﻴﺔ‬
‫ﺗﺬﻭﺏ‬
‫ُ‬ ‫ﻳﺘﻔﺠ ُﺮ ﻧﺎﻓﻮﺭ ًﺓ ﺩﺍﻓﻘ ًﺔ‬ ‫ﱠ‬ ‫ﺍﻟﻜﺜﻴﻒ ﺍﻷﺑﻴﺾ ﺍﻟﺬﻱ‬ ‫ِ‬ ‫ﻠﺰﺑﺪ‬
‫ﺍﻟﻨﻬﺎﺋﻲ ِﻟ ِ‬
‫ﺍﻟﺮ ُ‬
‫ﺣﻴﻖ‬ ‫ﺨﺼ ِﺐ ﺍﻟﺮﺍﺋﻖ‪ :‬ﺁﻩ‪ ،‬ﻫﺬﺍ ﱠ‬ ‫ﺍﻟﻤ ﱠ‬ ‫ﺍﻟﻨﺴﺎﺋﻲ ُ‬ ‫ﺷﺂﺑﻴﺒﻬﺎ ﻓﻲ ﺍﻟﻨﺪﻯ‬
‫ِ‬
‫ﻧﻮﻋﻬﺎ‬‫ﺍﻟﺒﺸﺮﻳﺔ ﺑﺎﻟﺤﻔﺎﻅ ﻋﻠﻰ ِ‬ ‫ُ‬ ‫ﱠ‬ ‫ﻳﻦ ﻟ ُﻪ‬ ‫ُ‬
‫ﺍﻟﺠﺬﺭﻱ ﺍﻟﺬﻱ ﺗ ِﺪ ُ‬‫ﱡ‬ ‫ﺍﻟﻤﺰﺩﻭ ُﺝ‬ ‫ُ‬
‫ﺍﻟﺒﻴﻮﻟﻮﺟﻲ ﻭﺑﻘﺎﺋﻬﺎ ﻋﻠﻰ ﺍﻟﻤﻌﻤﻮﺭﺓ!‪...‬‬
‫ﻌﺰ ُﻓﻬﺎ‬
‫ﻣﺘﺸﻌﺒﺔ َﺗ ِ‬ ‫ﱢ‬ ‫ﺑﺎﺧﺘﺼﺎﺭ ﺷﺪﻳﺪ‪ :‬ﺗﻠﻚ ﺳﻴﻤﻔﻮﻧﻴ ٌﺔ ﻃﻮﻳﻠ ٌﺔ‬ ‫ٍ‬
‫ﺍﻟﺼﻠﺐ ﻭﺍﻟﺘﺮﺍﺋﺐ‪ ،‬ﺍﻟﺠﻬﺎﺯُ‬ ‫ُ‬ ‫ﺍﻟﺤﻮﺍﺱ ﺍﻟﺨﻤﺲ‪ ،‬ﺳﺎﺋ ُﺮ ﺍﻟﻌﻀﻼﺕ‪،‬‬ ‫ِ‬ ‫ﱡ‬
‫ﻛﻞ‬
‫ﺍﻟﺸﻮﻛﻲ‪،‬‬
‫ّ‬ ‫ﺍﻟﺼﺪﺭﻱ ﻭﺍﻟﻨﺨﺎ ُﻉ‬ ‫ﱡ‬ ‫ﺍﻟﻘﻔﺺ‬
‫ُ‬ ‫ُ‬
‫ﻭﺍﻟﻬﻴﻜﻞ ﺍﻟﻌﻈﻤﻲ‪،‬‬ ‫ﺍﻟﻌﺼﺒﻲ‬
‫ﱡ‬
‫ُ‬
‫ﺍﻷﻟﻴﺎﻑ ﺍﻟﻌﺼﺒﻴﺔ‪ ،‬ﺍﻟﻐﺪ ُﺩ ﺍﻟﻠﻌﺎﺑﻴﺔ ﻭﺍﻟﺤﺒﺎﻝ ﺍﻟﺼﻮﺗ ّﻴﺔ‪ ...‬ﺣ ّﺘﻰ ﱠ‬
‫ﺍﻟﻐﺪﺓ‬ ‫ُ‬
‫ﺍﻟﺠﺴﺪ ﺗﻘﺮﻳﺒﴼ‪ ...‬ﺇﻻ‬ ‫ِ‬ ‫ﻛﻞ ﺃﻋﻀﺎ ِﺀ‬ ‫ﺍﻟﺪﺭﻗﻴﺔ ُﺗﺪﻟﻲ ِﺑﺪ ِﻟﻮﻫﺎ ﻓﻴﻬﺎ!‪ ...‬ﱡ‬ ‫ﱠ‬
‫ُ‬ ‫َ‬
‫ﺍﻟﻘﻠﺐ! ﻧﺎﻫﻴﻚ ﺃﻧﻪ ﻳﻤﻜﻦ ﻫﺬﻩ ﺍﻷﻳﺎﻡ ﺃﻥ ﻳﺤﻴﺎ ﺍﻟﻤﺮ ُﺀ ﺣﻴﺎﺗﻪ ﻛﺎﻣﻠﺔ‪،‬‬ ‫‪46‬‬
‫ﺪﺟ ٍﺞ ﺑﺎﻟﺒﻄﺎﺭﻳﺎﺕ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ! ﺃﻭ ﺭﺑﻤﺎ‪،‬‬ ‫ﻘﻠﺐ ُﻣ ﱠ‬ ‫ﻋﺎﺷﻘﴼ ﻭﻟﻬﺎﻧﴼ ﺇﺫﺍ ﺃﺭﺍﺩ‪ِ ،‬ﺑ ٍ‬
‫ﻣﺼﻨﻮﻉ ﻣﻦ ﺍﻟﺒﻼﺳﺘﻴﻚ‬ ‫ٍ‬ ‫ﺎﻃﻲ ﺧﺎﻟﺺ‬ ‫ﱟ‬ ‫ﻣﻄ‬
‫ﺻﻨﺎﻋﻲ ﱠ‬ ‫ﱟ‬ ‫ﻘﻠﺐ‬ ‫ﻗﺮﻳﺒﴼ ّ‬
‫ﺟﺪﴽ‪ِ ،‬ﺑ ٍ‬
‫ﻭﺍﻟﺸﺮﺍﺋﺢ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ!‪...‬‬
‫ﺍﻟﻬﻨﺪﺳﻲ ﻟﻠﻘﻠﺐ ﺍﻟﺬﻱ‬ ‫ﱢ‬ ‫ﺍﻟﺸﻜﻞ‬
‫ِ‬ ‫ﻟﻢ ﺃﺟﺪ ﺃﻳﻀﴼ ﺇﻋﺠﺎﺯﴽ ﻣﺎ ﻓﻲ‬
‫ﺍﻟﻤﻔﺘﺮﺿﺔ ﺍﻟﺘﻲ‬ ‫َ‬ ‫ْ‬ ‫ﺛﻤ َﺔ ﻣﻠﻴﺎﺭﺍﺕ ﺍﻷﺷﻜﺎﻝ ُ‬ ‫ﺟﻮﻑ ﺍﻟﻜﻮﺏ‪ .‬ﱠ‬ ‫ِ‬ ‫ﺭﺃﻳ ُﺘ ُﻪ ﻓﻲ‬
‫ﺃﺣﺪﻫﺎ ُ‬
‫ﺷﻜﻞ‬ ‫ﻳﻤﻜﻦ ِﻟﺜﻔﻞ ﺍﻟﻘﻬﻮﺓ ﺃﻥ ﻳﺮﺳﻤﻬﺎ ﺧﻼﻝ ﺳﻴﻼ ِﻧ ِﻪ ﺍﻟﺒﻄﻲﺀ‪ُ .‬‬ ‫ُ‬
‫ﺃﻗﻞ ﻭﻻ ﺃﻛﺜﺮ! ﻏﻴ ُﺮ ﻣﺜﻴﺮ ٍﺓ ﺟﺪﴽ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺍﻟﻘﻠﺐ‪ .‬ﻣﺼﺎﺩﻓ ٌﺔ ﺇﺫﻥ ﻻ ﱠ‬
‫ﺭﺳﻤ ُﻪ ﻋﻠﻰ ﺍﻟﺠﺪﺭﺍﻥ ﻭﻓﻲ ﺍﻟﺮﺳﺎﺋﻞ‬ ‫ﻷﻥ ﺫﻟﻚ ﺍﻟﺸﻜﻞ‪ ،‬ﻛﻤﺎ ﺍﻋﺘﺪﻧﺎ َ‬
‫ﺟﺪﴽ‪ ،‬ﻣﻔﺮﻁ ﻓﻲ ﺍﻟﺘﺒﺴﻴﻂ‪،‬‬ ‫ٌ‬ ‫ﺟﺪﴽ‪ ،‬ﺗﺎﻓ ٌﻪ ّ‬ ‫ﺍﻟﻐﺮﺍﻣﻴﺔ ﺍﻟﻄﻔﻮﻟﻴﺔ‪ ،‬ﺳﺎﺫ ٌﺝ ّ‬
‫ﻛﻞ ﺍﻷﺣﻮﺍﻝ ﻣﻦ ﺷﺬﺭﺍﺕ ﻣ َﺜ ﱠﻠﺜﺎﺕ ﺑﺮﻫﺎﻥ ﻧﻈﺮﻳﺔ‬ ‫ﺃﻗﻞ ﺇﻋﺠﺎﺯﴽ ﻓﻲ ﱢ‬ ‫ﱡ‬
‫ﺍﻟﺘﺮﻛﻴﺔ!‪...‬‬‫ﱠ‬ ‫ﻛﻮﺏ ﺻﺪﻳﻘﺘﻲ‬ ‫ِ‬ ‫ﻭﺟﺪ ُﺗﻬﺎ ﻓﻲ‬
‫ﻓﻴﺜﺎﻏﻮﺭﺱ ﺍﻟﺘﻲ ْ‬
‫ﺃﺳﻤﻊ ﻣﻤﻦ ﺃﻋﺸﻖ‬ ‫َ‬ ‫ﺃﻓﻀ ُﻞ ﺃﻥ‬ ‫ﻛﻞ ﺫﻟﻚ‪ ،‬ﱢ‬ ‫ﻣﻊ ﺫﻟﻚ‪ ،‬ﻣﻊ ﱢ‬
‫ﺃﺟ ُﺪﻫﺎ ﺃﻛﺜﺮ ﺭﻭﻣﺎﻧﺴﻴﺔً‬ ‫ﻋﺒﺎﺭ َﺓ »ﺃﻧﺖ ﻗﻠﺒﻲ!« ﻋﻠﻰ »ﺃﻧﺖ ﺭﺃﺳﻲ!«‪ِ ...‬‬
 ‫ﺑﺎﻟﺘﺄﻛﻴﺪ!‪...‬‬

‫ﻧﻈﺮﺕ ِﻟﻠﺠﻬ ِﺔ ﺍﻟﻤﻘﺎﺑﻠﺔ ﻟﻠﻘﻠﺐ ﻓﻲ ﺟﻮﻑ ﺍﻟﻜﻮﺏ‪ .‬ﻛﺎﻧﺖ‬ ‫ُ‬ ‫ﺛﻢ‬

‫ﱠ‬
‫ﺘﻔﺮﻕ‪،‬‬‫ﱢ‬ ‫ﻣ‬
‫ُ‬ ‫ﺟﺰﺋﻲ‬
‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺇﻟﻴﻬﺎ‬ ‫ﺮ‬‫َِ‬‫ﻈ‬ ‫ﻧ‬‫ُ‬ ‫ﺇﺫﺍ‬ ‫ٌ‬
‫ﺧﺮﺍﺑﻴﺶ‬ ‫ﻛﺜﻴﺮﺓ‪.‬‬ ‫ﺧﺮﺍﺑﻴﺶ‬ ‫ﻫﻨﺎﻙ‬
‫ﻟﻜ ﱠﻨﻬﺎ‪ ،‬ﻓﻲ ﺷﻜ ِﻠﻬﺎ ﺍﻟﻌﺎﻡ‪ ،‬ﺃﻛﺜ ُﺮ ﺇﺛﺎﺭ ًﺓ‪ ،‬ﺃﻛﺜ ُﺮ ﺗﻌﻘﻴﺪﴽ ﻭﺇﻋﺠﺎﺯﴽ‪ ،‬ﺃﻛﺜ ُﺮ‬
‫ﻻ‪...‬‬‫ﺇﺭﻋﺎﺑﴼ‪ ،‬ﺃﻛﺜ ُﺮ ﻛﻤﺎ ً‬
‫ﻷﺗﺤ ﱠﻘ َﻖ ﻣﻦ ﺃﻧﻲ ﻻ ﺃﺣﻠ ُﻢ ﻣﻦ‬ ‫ﺛﺒ ْﺘ ُﺖ ﻧﻈﺮﻱ ﺩﺍﺧﻞ ﺍﻟﻜﻮﺏ‪َ ،‬‬
‫ﱠ‬
‫ﺃﺧﺬﺕ ﺍﻟﻮﻗﺖ ﺍﻟﻜﺎﻓﻲ‬ ‫ُ‬ ‫ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ‪ .‬ﻟﻢ ﺃﻛﻦ ﺃﺣﻠﻢ ﻓﻲ ﺍﻟﻮﺍﻗﻊ‪،‬‬ ‫ٍ‬
‫ﻟﻠﺘﺄﻛ ِﺪ ﻣﻦ ﺫﻟﻚ‪...‬‬ ‫ﱡ‬
‫ﻛﻨﺖ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻓﻲ ﺃﻭﺝ ﺗﺮﻛﻴﺰﻱ ﺗﻤﺎﻣﴼ ﻭﺃﻧﺎ ﺃﺭﻯ‪ :‬ﺷﻜﻼً‬ ‫ُ‬
‫ِ‬
‫ﻠﻴﺔٌ‬‫ﻣﻔﺮﻭﺵ ﺍﻟﺠﻨﺎﺣﻴﻦ‪ ،‬ﻣﺨﺎﻟ ُﺒ ُﻪ َﺟ ﱠ‬ ‫ِ‬ ‫ﻛﺎﺳﺮ َﻣ ِﻘﻴﺖ‪،‬‬
‫ٍ‬ ‫ﻄﺎﺋﺮ‬
‫ُﻣﻬﻴﺒﴼ ِﻟ ٍ‬
‫ﺑﻠﺴﺎﻥ ﻃﻮﻳﻠﺔ‬ ‫ٍ‬ ‫ﻳﻌﻄﻒ ﺭﻗﺒ َﺘ ُﻪ ﻧﺤﻮ ﺍﻷﻋﻠﻰ‪َ ،‬ﻳ ْﻠ َﻌ ُﻖ ﺍﻟﺴﻤﺎ َﺀ‬ ‫ُ‬ ‫ُﻣ ِﺨﻴﻔﺔ‪،‬‬
‫‪47‬‬ ‫ﺎﻥ ﻣﺎﻫﺮ‪...‬‬ ‫ﱡﻮﺱ ﺩﻗﻴﻖ‪ِ ،‬ﺑ َﻴ ِﺪ ﻓ ّﻨ ٍ‬ ‫ﺶ ِﺑﺪﺑ ٍ‬ ‫ﻭﻛﺄﻧ ُﻪ ُﻧ ِﻘ َ‬
‫ﻃﺎﺋ ٌﺮ ﻳﺜﻴ ُﺮ ﺍﻟﺮﻋﺐ!‬
‫ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ!‬
‫ﻗﻮﻳ ٍﺔ‬
‫ﺷﻌﺮﺕ ِﺑﻠﻜﺰ ٍﺓ ﱠ‬ ‫ُ‬ ‫ﺟﺪﴽ!‬‫ﻼ ّ‬ ‫ﻛﻨﺖ ﻣﺒﻬﻮﺗﴼ ﺣ ّﻘﴼ‪ ،‬ﻣﻨﺬﻫ ً‬ ‫ُ‬
‫ﺧﺪ‬
‫ﻋﻠﻤﺎﻧﻴﺘﻲ ﺍﻟﻤﺘﻄﺮﻓﺔ‪ِ ...‬ﺑﺼﻔﻌ ٍﺔ ﺣﺎ ﱠﺩ ٍﺓ ﻋﻠﻰ ﱢ‬ ‫ﱠ‬ ‫ﻓﻲ ﻣﺆﺧﺮﺓ‬
‫ﺍﻟﻘﻠﻖ‬
‫ِ‬ ‫ﻣﺰﻳﺞ ﻣﻦ‬‫ٌ‬ ‫ﻏﺮﻭﺭﻱ ﺍﻟﻌﻘﻼﻧﻲ‪ ،‬ﺷﺪﻳﺪ ﺍﻟﺘﻌﺎﻟﻲ‪ ...‬ﺩﺍﻫﻤﻨﻲ‬
‫ﻭﺍﻟﻘﺸﻌﺮﻳﺮﺓ‪...‬‬
‫ﺳﺄﻟﺘﻨﻲ ﺇﻟﻬﺎﻡ ﻣﻦ ﺟﺪﻳﺪ‪ :‬ﻣﺎﺫﺍ ﺗﺮﻯ؟‪...‬‬
‫ﺟﻮﻑ‬
‫ِ‬ ‫ﺳﺒﺎﺑ ِﺔ ﻭ ُﻭ ْﺳﻄﻰ ﻳﺪﻱ ﺍﻟﻴﻤﻨﻲ ﻓﻲ‬ ‫ﺃﺩْﺧ ْﻠ ُﺖ ﻃﺮ َﻓﻲ ﱠ‬
‫ﺇﺭﺍﺩﻱ ﺣﺮﻛﺘﻴﻦ ﺳﺮﻳﻌﺘﻴﻦ‬ ‫ﱟ‬ ‫ﺸﻜﻞ ﻻ‬ ‫ﺣﺮﻛ ُﺘﻬﻤﺎ ِﺑ ٍ‬ ‫ﺴﺮﻳﺔ‪ .‬ﱠ‬ ‫ﺍﻟﻔﻨﺠﺎﻥ ِﺑ ﱢ‬
‫ﺍﻟﺤﺎﺑﻞ ﺑﺎﻟﻨﺎﺑﻞ! ﻟﺘﺨﺘﻔﻲ ﻫﺬﻩ‬ ‫ُ‬ ‫َ‬
‫ﺧﺎﻃﻔﺘﻴﻦ ﺧﺎﺋﻨﺘﻴﻦ ﻟﻴﺨﺘﻠﻂ‬
‫ﺍﻟﻜﻮﺏ‬
‫ِ‬ ‫ﺍﻟﻠﻮﺣ ُﺔ ﺍﻟﺠﺪﺍﺭ ّﻳ ُﺔ ﺍﻟﻐﺎﻣﻀﺔ ﺍﻟﻤﺮﻋﺒﺔ! ِﻟﺘﺘﻮ ﱠﻗ َﻒ »ﺟﺪﺭﺍﻥ«‬
‫ﺍﻟﻐﻴﺒﻲ‬
‫ّ‬ ‫ﺍﻟﻼﻋﻘﻼﻧﻲ‬
‫ّ‬ ‫ﻴﻨﻤﺤﻲ ﺁﺛﺎ ُﺭ ﻫﺬﺍ ﺍﻟﻬﺠﻮﻡ‬ ‫َ‬ ‫ﻋﻦ »ﺍﻟﺘﺴﺒﻴﺢ«! ِﻟ‬
‫ﺍﻟﺸﻴﻄﺎﻧﻲ ﺍﻟﻤﺒﺎﻏﺖ!‪...‬‬‫ّ‬
 ‫ﺛﻢ ﻧﺎﻭﻟ ُﺘﻬﺎ ﺍﻟﻔﻨﺠﺎﻥ‪ُ ،‬ﻣﻌ ﱢﻘﺒﴼ‪:‬‬
‫ﱠ‬
‫‪ -‬ﺃﻭﻭﻭﻩ‪ ،‬ﻻ ﺷﻲﺀ‪ ،‬ﻻ ﺷﻲﺀ‪ ...‬ﺧﺮﺍﺑﻴﺶ ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ!‬

‫ﻳﻜﻦ ﺍﻟ َﻘ َﺪ ُﺭ ﻣﻌﻲ ﻧﺰﻳﻬﴼ ﻭﺍﺿﺤﴼ ﺷ ﱠﻔﺎﻓﴼ ﺃﻣﻴﻨﴼ ِﻟﻬﺬﻩ‬ ‫ﻟﻢ ِ‬

‫ّ‬
‫ﺍﻟﺠﺬﺭﻱ‪،‬‬ ‫ﺴﺒﺎ َﺑ ِﺘ ِﻪ ﻧﺤﻮ َﻋ ُﺪ ﱢﻭ َﻱ‬
‫ﻳﺆﺷ ُﺮ ﻟﻲ ِﺑ ﱠ‬
‫ﺍﻟﺪﺭﺟ ِﺔ‪ ،‬ﻗﺒﻞ ﻫﺬﺍ ﺍﻟﻴﻮﻡ‪ ،‬ﻭﻫﻮ ﱢ‬ ‫ﱠ‬
‫ﺍﻟﻤﻄﻠﻖ‪.‬‬
‫ُ‬
‫َﻋ ُﺪ ﱢﻭ َﻱ ﺍﻟ َﻘ ّ‬
‫ﺪﺭﻱ‪ :‬ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ!‪...‬‬

‫‪48‬‬
 ‫ﺍﻟﺠﺰﺀ ﺍﻟﺜﺎﻧﻲ‬

‫ﻧﻈﺮ ّﻳ ُﺔ ﱠ‬
‫ﺍﻟﺸﻬﻘﺔ‬
‫‪49‬‬
‫ﻏﻴﺮ ﺻﺨﻮ ِﺭ ﺟﺰﻳﺮ ِﺗﻪِ‬
‫ﻳﻌ ِﺪ ﺍﻟﺒَ ّﺤ ُﺎﺭ ﻳﺮﻯ َ‬
‫ﻟﻢ ُ‬
‫ﺍﻟﻤﻴ ِﺖ‬
‫ﺍﻟﺴﻤﻚ ْ‬
‫ِ‬ ‫ﻏﻴﺮ‬
‫َ‬
‫ﻭﻏﻴﺮ ﻃﻴﻮ ٍﺭ ﻣﺘﻮﺣﺸﺔٍ ﻗﺪ ﺗﺄﻛ ُﻠﻪُ ﻳﻮﻣﴼ…‬ ‫َ‬
‫ﻳﻔﻜﺮ ﺛﺎﻧﻴﺔً‪:‬‬
‫ُ‬ ‫ﺎﺭ‬
‫ﺍﻟﺒﺤ َ‬
‫ﻟﻜﻦ ّ‬ ‫ّ‬
‫ﺍﻵﻥ ﺍﻟﻤِﺮﺁ َﺓ؟‬
‫ﻟﺴﺖ ﺃﺭﻯ َ‬ ‫ﺃﻭ ُ‬ ‫َ‬
‫ﺍﻟﺮﺣﻠﺔِ…‬‫ﺳﻨﻮﺍﺕ ﱢ‬
‫ُ‬ ‫ﺇﺫﴽ َﻭ ْﻫﻤﴼ ﻛﺎﻧﺖ‬
‫ﻧﺸﻴﺪ ﺍﻟﺒﺤﺮ!‬ ‫ُ‬ ‫ﻭﻫﻤﴼ ﻛﺎﻥ‬
‫ﺳﻌﺪﻱ ﻳﻮﺳﻒ‬
50
 ‫ﺃﺧﺬﻧﺎ ﺍﻟﻄﺎﺋﺮﺓ ﻓﻲ ﺻﺒﺎﺡ ‪ 30‬ﺩﻳﺴﻤﺒﺮ ‪ 1999‬ﺑﺎﺗﺠﺎﻩ‬
‫ﺍﻟﺒﺘﺮﺍﺀ ﻓﻲ ﺟﻨﻮﺏ ﺍﻷﺭﺩﻥ!‪ ...‬ﻛﺎﻧﺖ ﻓﻲ ﺭﺃﺳﻲ ﻧﺰﻭ ٌﺓ »ﺻﻐﻴﺮﺓ« ﺃﺗﻠ ﱠﻬ ُﻒ‬
‫ﺍﻷﻟﻔﻴ ِﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻓﻲ ﺧﻴﻤ ٍﺔ‬‫ﱠ‬ ‫ﺁﺧﺮ ﻟﻴﻠ ٍﺔ ﻓﻲ‬‫ِﻟﺘﺤﻘﻴ ِﻘﻬﺎ ﻣﻨﺬ ﺳﻨﺘﻴﻦ‪ :‬ﻗﻀﺎ ُﺀ ِ‬
‫ﺿﺠﻴﺞ‬
‫ِ‬ ‫ﻧﺠﻮﻡ ﺻﺤﺮﺍﺀ ﻭﺍﺩﻱ ﺭﻡ ﻓﻲ ﺍﻷﺭﺩﻥ!‪ ...‬ﺑﻌﻴﺪﴽ ﻋﻦ‬ ‫ِ‬ ‫ﺑﺪﻭ ﱠﻳﺔ‪ ،‬ﺗﺤﺖ‬
‫ِ‬
‫‪51‬‬ ‫ﻭﻛﻞ ﻣﺼﺎﻧﻌﻪ‬ ‫ﱠ‬ ‫ﺍﻟﻜﻮﻥ‬
‫ِ‬ ‫ُﻬﺪ ُﺩ ﻛﻤﺒﻴﻮﺗﺮﺍﺕ‬ ‫»ﺧﻄﺄ ﺳﻨﺔ ‪ «2000‬ﺍﻟﺬﻱ ﻳ ﱢ‬
‫ﺍﻟﻜﻮﻧﻴ ِﺔ ﺍﻟﻜﺒﺮﻯ! ﺑﻌﻴﺪﴽ‬ ‫ﱠ‬ ‫ﻭﺇﺩﺍﺭﺍﺗﻪ ﻭﻃﺎﺋﺮﺍﺗﻪ! ﺑﻌﻴﺪﴽ ﻋﻦ ﺿﺠﻴﺞ ﺍﻟﻠﻴﻠﺔ‬
‫ﻋﻦ »ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ ﺍﻟﺼﻐﻴﺮﺓ« ﺍﻟﺘﻲ ﻳﻨﺘﻈﺮﻫﺎ ﻛﻮﻛ ُﺒﻨﺎ ﺍﻟﻤﺴﻜﻴﻦ!‬
‫ﺳﺘﺤﺮﻕ ﺍﻷﺧﻀﺮ ﻭﺍﻟﻴﺎﺑﺲ!‪...‬‬ ‫ُ‬ ‫ﺑﻌﻴﺪﴽ ﻋﻦ »ﻟﻴﻠﺔ ﺍﻟﻜﺮﻳﺴﺘﺎﻝ« ﺍﻟﺘﻲ‬
‫ﻭﺍﻟﻤﺘﺼﻮﻓﻴﻦ‪ ،‬ﻓﻲ ﻧﻘﻄﺔ ﺗﻌﺎﻧﻖ‬ ‫ﱢ‬ ‫ﻗﺮﻳﺒﴼ ﻣﻦ ﻣﻮﺍﻃﻦ ﺍﻟﺴﺤﺮ ﻭﺍﻷﻧﺒﻴﺎﺀ‬
‫ﺍﻟﻬﻼﻝ ﺍﻟﺨﺼﻴﺐ ﺑﺎﻟﺸﺎﻡ ﻭﻣﺼﺮ ﻭﺷﺒﻪ ﺟﺰﻳﺮﺓ ﺍﻟﻌﺮﺏ‪ ،‬ﻓﻲ ﻗﻠﺐ ﺗﻠﻚ‬
‫ﺍﻟﺪﻳﺎﺭ ﺍﻟﺠﻐﺮﺍﻓﻴﺔ ﺍﻟﺘﻲ ﻇ ﱠﻠﺖ ﺃﺑﺪﴽ ﻋﺎﺻﻤﺔ ﺛﻘﺎﻓﺘﻲ ﺍﻷﻭﻟﻰ‪ ،‬ﺷﻐﻔﻲ‬ ‫ِ‬
‫ﺟﺪﴽ ﻣﻦ ﻣﻌﺒﻮﺩﺗﻲ ﺍﻟﺨﺎﻟﺪﺓ ﺇﻟﻬﺎﻡ ﺍﻟﺘﻲ ﻣﺎ‬ ‫ﻭﻋﺸﻘﻲ ﺍﻷﺯﻟﻲ!‪ ...‬ﻗﺮﻳﺒﴼ ّ‬
‫ﺃﺟﻬﻞ ﻛﻨ َﻬﻬَﺎ ﺍﻟﻐﺎﺋ َﺮ‬ ‫ُ‬ ‫ﻛﻞ ﺳﻨﻴﻦ ﺣﻴﺎﺗﻨﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ‪،‬‬ ‫ﺯﻟﺖ‪ ،‬ﺭﻏﻢ ﱢ‬ ‫ُ‬
‫ﺗﻤﺎﻣﴼ!‪...‬‬
‫ﺸﺮ‬
‫ﺟﺪﴽ ﺃﻥ ﺗﺤﻴﻰ ﻟﻴﻞ ﻧﻬﺎﺭ‪ ،‬ﻣﻨﺬ َﻋ ِ‬ ‫ٌ‬
‫ﺟﺪﴽ‪ ،‬ﺑﻞ ﻗﺎﺗﻞ ّ‬ ‫ﺮﻫ ٌﻖ ّ‬ ‫ُﻣ ِ‬
‫ﻄﺐ‬‫ﺻﺎﺭﺕ ُﻗ َ‬‫ْ‬ ‫ﺍﻟﻌﺼﺒﻴﺔ‪،‬‬
‫ﱠ‬ ‫ﻛﻞ ﺃﻟﻴﺎ ِﻓ َﻚ‬ ‫ﺳﻨﻮﺍﺕ‪ ،‬ﻣﻊ ﻓﺘﺎ ٍﺓ ﺍﺧﺘﺮ َﻗ ْﺖ ﱠ‬
‫َ‬
‫ﻭﻣﺤﻴﻄﻬﺎ‪ُ ،‬ﻟ ﱠﺒﻬﺎ ﻭﻗﺸ َﺮ َﺗﻬﺎ‪،‬‬ ‫ﺣﻴﺎﺗﻚ‪ ،‬ﻣﺮﺳﺎﻫﺎ ﻭﻣﺠﺮﺍﻫﺎ‪ ،‬ﻣﺮﻛ َﺰﻫﺎ‬
‫ﺳﻨﻮﺍﺕ ﻟﻢ ﺗﺘﻮ ﱠﻗﻒ‬ ‫ٍ‬ ‫ﻭﻧﺴ َﻐﻬﺎ‪َ ...‬ﻋﺸ ُﺮ‬ ‫ﻧﺴ َﺠﻬﺎ َ‬ ‫ﻣﺤﻮ َﺭﻫﺎ ﻭﻭﻋﺎ َﺀﻫﺎ‪ْ ،‬‬
‫ﺍﻟﻤﺘﺄﺟﺞ ﺩﻭﻣﴼ‪،‬‬
‫ِ‬ ‫ﺍﻹﻋﺠﺎﺏ ﻭﺍﻟﻮﻟ ِﻪ ﺑﻬﺎ‪ ،‬ﻋﻦ ﻋﺸ ِﻘﻬﺎ‬
‫ِ‬ ‫ﺃﺛﻨﺎﺀﻫﺎ ﺛﺎﻧﻴ ًﺔ ﻋﻦ‬
‫َ‬
‫ﻣﺎﺯﻟﺖ‬ ‫ﻤﺠﺮ ِﺩ ﺭﺅﻳ ِﺘﻬﺎ ﻭﺍﺳﺘﻨﺸﺎ ِﻗﻬﺎ‪ ...‬ﻭﺃﻧﺖ‬
‫ﻋﻦ ﺍﻟ َﻮﻟ ِﻪ ﻭﺍﻟﺴﻌﺎﺩ ِﺓ ِﻟ ﱠ‬
‫ﺗﺠﻬﻞ ﺍﻟﺬﻛﺮﻳﺎﺕ ﺍﻷﻟﻴﻤﺔ ﺍﻟﺘﻲ ﺗﺴﻜ ُﻨﻬﺎ ﻭﺗﻠﺘﻬ ُﻢ‬ ‫ُ‬ ‫ﺗﺠﻬ ُﻠﻬﺎ ﺗﻤﺎﻣﴼ‪،‬‬
‫ﺗﺠﻬﻞ ﺍﻷﺳﺮﺍﺭ ﺍﻟﻜﺒﺮﻯ ﺍﻟﺘﻲ ﺗﻘﺘ ُﻠﻬﺎ ﺃﻣﺎﻣﻚ‬ ‫ُ‬ ‫ﻗﺎ َﻉ ﺃﺣﺎﺳﻴﺴﻬﺎ ﺍﻟﺨﻔ ّﻴﺔ‪،‬‬
‫ﺑﺒﻂ ٍﺀ ﺃﺧﺮﺱ‪...‬‬

‫ﻟﻜﻞ ﺍﻷﺻﺪﻗﺎﺀ ﺍﻟﺬﻳﻦ‬ ‫ﺍﻋﺘﺬ ْﺭﻧﺎ ﱢ‬‫ﻗﺒﻴﻞ ﺍﻟﺬﻫﺎﺏ ﺇﻟﻰ ﺍﻟﺒﺘﺮﺍﺀ َ‬

‫ﺍﻟﺴﻨ ِﺔ ﻓﻲ ﻣﻨﺰ ِﻟﻨﺎ ﺍﻟﺬﻱ ﺍﺷﺘﺮﻳﻨﺎﻩ ﻓﻲ‬ ‫ﺭﺃﺱ ﱠ‬ ‫ﺍﻋﺘﺎﺩﻭﺍ ﻗﻀﺎ َﺀ ﻟﻴﻠ ِﺔ ِ‬
‫ﺿﻮﺍﺣﻲ ﺑﺎﺭﻳﺲ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ‪ ،‬ﻋﻘﺐ ﺑﺪﺀ ﺣﻴﺎﺗﻨﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﺑﻘﻠﻴﻞ‪.‬‬
‫ﺍﻟﻤﻮﺿﻊ ﺍﻷﺛﻴﺮ ﻟﺤﻔﻼﺕ ﺭﺃﺱ ﺍﻟﺴﻨﺔ‪،‬‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﻤﻨﺰﻝ ﺑﺠﺪﺍﺭﺓ‬ ‫ﻛﺎﻥ ﺫﻟﻚ‬
‫ْ‬
‫ﻭﺗﻔﺎﻧﺖ‬ ‫ﻭﻧﻈ َﻤ ْﺘ ُﻪ‬
‫ﺻﻤ َﻤ ْﺘ ُﻪ ﺇﻟﻬﺎﻡ ﱠ‬‫ﻟﻸﻋﻴﺎﺩ ﻭﺍﻟﻤﻨﺎﺳﺒﺎﺕ ﺍﻟﻤﺨﺘﻠﻔﺔ‪ ...‬ﱠ‬
‫ﻓﻨﻲ‬
‫ﱟ‬ ‫ﻭﺣﺲ‬
‫ﱟ‬ ‫ﻣﺮﺓ ﺑﻌﺒﻘﺮ ّﻳ ٍﺔ ﻭﻣﺜﺎﺑﺮ ٍﺓ‬ ‫ﻓﻲ ﺗﺮﺗﻴﺒﻪ ﻭﺇﻋﺎﺩﺓ ﺗﺮﺗﻴﺒﻪ ﻣﻠﻴﻮﻥ ﱠ‬
‫ﻣﺬﻫﻞ‪ِ ،‬ﻟﻴﺼﻴ َﺮ ﻭﻃ َﻨﻬﺎ ﺍﻟﻜﺒﻴﺮ‪ ،‬ﻭﻃ َﻨﻬﺎ ﺍﻟﻮﺣﻴﺪ‪ ،‬ﻭﺟ ﱠﻨ ِﺘﻲ ﺍﻟﺼﻐﻴﺮﺓ‪،‬‬ ‫‪52‬‬
‫ﺍﻟﻨﻔﺴﻲ‪ ،‬ﻣﻦ ﻫﺪﻭﺋﻲ‬ ‫ّ‬ ‫ﺼﺒﺢ ﺟﺰﺀﴽ ﻣﻦ ﺗﻮﺍﺯﻧﻲ‬ ‫ﺟ ﱠﻨ ِﺘﻲ ﺍﻷﺛﻴﺮﺓ‪ِ .‬ﻟ ُﻴ َ‬
‫ﻼ‬‫ﺼﺒﺢ ﻓﻌ ً‬ ‫ﻭﻣﻜﻮﻧﺎﺗﻲ ﺍﻟﺒﻴﻮﻟﻮﺟﻴﺔ‪ِ .‬ﻟ ُﻴ َ‬ ‫ﺍﻟﺘﻨﻔﺴﻲ ﱢ‬
‫ّ‬ ‫ﺍﻟﺬﻫﻨﻲ‪ ،‬ﻣﻦ ﺟﻬﺎﺯﻱ‬
‫ﺃﺟﺪ ﻓﻴ ِﻪ ﺑﻬﺠﺘﻲ ﻭﺳﻌﺎﺩﺍﺗﻲ ﺍﻟﺼﻐﻴﺮﺓ‪...‬‬ ‫ﺍﻟﻴﻮﻣﻲ ﺍﻟﺬﻱ ُ‬‫ﱠ‬ ‫ﻓﺮﺩﻭﺳﻲ‬
‫َ‬
‫ﻋﺮﻓﺖ ﻭﺃﻧﺎ ﺃﻋﻴﺶ ﺗﻄ ﱡﻮﺭﺍﺕ ﻭﺗﻐ ﱡﻴﺮﺍﺕ ﺫﻟﻚ ﺍﻟﻤﻨﺰﻝ ﻛﻢ ﻫﻲ‬ ‫ُ‬ ‫ُ‬
‫ﻓ ﱠﻨﺎﻧ ٌﺔ ﺣﻘﻴﻘﻴ ٌﺔ ﺇﻟﻬﺎﻡ‪ ،‬ﻛﻢ ﻫﻲ ﺩﻗﻴﻘ ٌﺔ ﻓﻲ ﺑﺤ ِﺜﻬﺎ ﻋﻦ ﺍﻹﺗﻘﺎﻥ‪ ،‬ﻛﻢ‬
‫ﻛﻞ ﺍﻻﺗﺠﺎﻫﺎﺕ ﻭﺍﻷﺑﻌﺎﺩ ِﺑﺠﺮﺃﺓ‪ِ ،‬ﺑﻘ ّﻮﺓ‪،‬‬ ‫ﺗﻄﻠﻖ ِﻟﺨﻴﺎ ِﻟﻬﺎ ﺍﻟﻌﻨﺎﻥ ﻓﻲ ﱢ‬ ‫ُ‬
‫ِﺑ ُﺤ ﱢﺮ ﱠﻳﺔ! ﻗﻠ ُﺒﻬﺎ ُﻣ ْﺘ َﺮ ٌﻉ ﺑﺎﻟﻤﻮﺳﻴﻘﻰ‪ ،‬ﺑﺎﻟﺘﻨﺎﺳﻖ ﻭﺍﻻﻧﺴﺠﺎﻡ ﻭﺍﻹﺑﺪﺍﻉ!‪...‬‬
‫ﻤﻦ ﺃُ ْﺗ ِﺮ َﻋ ْﺖ ﻗ ُﻠﻮﺑُﻬﻢ ﺑﺎﻟﻤﻮﺳﻴﻘﻰ!«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ ﺍﻟﺤﺎﺝ‬ ‫)»ﺍﻟﺠ ﱠﻨ ُﺔ ِﻟ ْ‬
‫ﻭﺑﺎﺕ ﻳﻨﺴﻰ ﺃﺣﻴﺎﻧﴼ ﺃ ﱠﻧ ُﻪ‬ ‫ﻫﺮ ﻋﺘ ّﻴﴼ َ‬ ‫ﺍﻟﺪ ِ‬‫ﺍﻷﻳﺎﻡ ﻣﻦ ﱠ‬ ‫ﺑﻠﻎ ﻫﺬﻩ ﱠ‬ ‫ﺍﻟ ﱡﺮﺩﻳﻨﻲ ﺍﻟﺬﻱ َ‬
‫»ﺣﺪﻳﺚ ﺷﺮﻳﻒ«!(‪.‬‬ ‫ٌ‬ ‫ﻧﻔﺴﻪ ﻣﺆ ﱢﻟ ُﻒ ﻋﺒﺎﺭ ٍﺓ ﻛﻬﺬﻩ‪ُ ،‬ﻣ ِﺼ ّﺮﴽ ﺃﻧﻬﺎ‪...‬‬‫ﻫﻮ َ‬
‫ﻟﻌ ﱠﻠﻬﺎ ﺃﺧﻄﺄ ْﺕ ﻓﻲ ﺍﺧﺘﻴﺎﺭ ِﻣﻬﻨ ِﺘﻬﺎ‪ :‬ﻛﺎﻥ ﺑﺈﻣﻜﺎﻧﻬﺎ ﺑﺎﻟﺘﺄﻛﻴﺪ‬ ‫َ‬
‫ﻓﻨﻴ ًﺔ ﺭﺍﻗﻴﺔ‪ ،‬ﺑﺪﻝ ﺃﻥ‬ ‫ﻣﺼﻤﻤ ًﺔ ﱠ‬ ‫ﱢ‬ ‫ﻣﻌﻤﺎﺭﻳ ًﺔ ﺭﻓﻴﻌﺔ‪،‬‬
‫ﱠ‬ ‫ﻬﻨﺪﺳ ًﺔ‬
‫ﺃﻥ ﺗﻜﻮﻥ ُﻣ ِ‬
‫ُ‬
‫ﺪﺭﺳ َﺔ ﺭﻳﺎﺿﻴﺎﺕ ﻓﻲ َﻣ ْﺪﺭﺳ ٍﺔ ﺛﺎﻧﻮﻳﺔ!‪ ...‬ﺻﺎﺭ ﺫﻟﻚ ﺍﻟﻤﻨﺰﻝ‪،‬‬ ‫ﺗﻜﻮﻥ ُﻣ ﱢ‬
 ‫ﻣﻨﺬ ﺃﻥ ﺃﻭ َﻗ َﻔ ْﺖ ﺩﺭﺍﺳ َﺘﻬﺎ ﻓﻲ َﻧﺎ ْﻧ ْﺖ ﺑﻌﺪ ﺍﻟﺒﻜﺎﻟﻴﻮﺭﺱ ﻣﺒﺎﺷﺮﺓ ﻭﺟﺎﺀﺕ‬
‫ﺍﻟﻴﻮﻣﻲ‪ُ ،‬ﺗﺤﻔ َﺘﻬﺎ ﺍﻟﻔﻨ ّﻴ َﺔ‬
‫ّ‬ ‫ﻟﻠﺤﻴﺎﺓ ﻣﻌﻲ ﻓﻲ ﺑﺎﺭﻳﺲ‪ ،‬ﻣﺸﺮﻭ َﻉ ﺣﻴﺎ ِﺗﻬﺎ‬
‫ﱟﻲ‬ ‫ﻭﺗﺮﺗﻴﺒﻬﺎ ﻭﺇﻋﺎﺩ ِﺓ ﺧﻠ ِﻘﻬﺎ ِﺑ َﺸ َﻐ ٍﻒ ِ‬
‫ﻳﻮﻣ‬ ‫ِ‬ ‫ﺍﻟﺘﻲ َﺗ ْﻨ َﺼ ﱡﺐ ﻋﻠﻰ ﺗﺠﻤﻴ ِﻠﻬﺎ‬
‫ﺘﺠﺪﺩ‪...‬‬‫ُﻣ ﱢ‬

‫ﺃﺑﺤﺚ ﻓﻲ ﻫﺬﻩ ﺍﻟﺮﺣﻠﺔ‬ ‫ُ‬ ‫ُ‬

‫ﻛﻨﺖ‬ ‫ﺃﻱ ﻧﺰﻭ ٍﺓ »ﺻﻐﻴﺮ ٍﺓ«‬ ‫ﻋﻦ ﱢ‬
‫َ‬
‫ﻛ ْﺒ ٍﺖ ﺃﻭ ﺧﺠﻞ‪،‬‬ ‫ﺠﺮﺩ ًﺓ ﺩﻭﻥ َ‬ ‫ﻟﻠﺒﺘﺮﺍﺀ ﻭﻭﺍﺩﻱ ﺭﻡ؟ ِﻷ ُﻗ ِﻞ ﺍﻟﺤﻘﻴﻘ َﺔ ﻋﺎﺭﻳ ًﺔ ُﻣ ﱠ‬
‫ﺭﻏﻢ ﻛﺮﺍﻫ ّﻴﺘﻲ ﺍﻟﻐﺮﻳﺰﻳﺔ ﻟﻠﺤﺪﻳﺚ ﻋﻦ ﺣﻴﺎﺗﻲ ﺍﻟﺨﺎﺻﺔ! )ﺃﻟﻴﺴﺖ‬
‫ﺍﻟﻜﺘﺎﺑ ُﺔ » َﺗ َﻌ ﱢﺮﻳﴼ ﺃﻣﺎﻡ ﺍﻷﺷﺒﺎﺡ«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ ﻛﺎﻓﻜﺎ؟(‪ ...‬ﻛﺎﻥ ﻓﻲ‬
‫ﻗﺮﺍﺭﺓ ﻧﻔﺴﻲ ﺣﻠ ٌﻢ ﻭﺍﺣ ٌﺪ ﻻ ﻏﻴﺮ‪ :‬ﺳﻤﺎ ُﻉ ﺷﻬﻘ ِﺔ ﺇﻟﻬﺎﻡ ﻋﻨﺪ ﺍﻟﺜﺎﻧﻴﺔ‬
‫ﺗﺘﻔﺠ ُﺮ‬
‫ﱠ‬ ‫ﺍﻷﻟﻔﻴﺔ! ﻓﻲ ﺳﺎﻋﺔ ﺍﻟﺼﻔﺮ! ﺷﻬﻘ ٌﺔ‬ ‫ﱠ‬ ‫ﻋﺸﺮﺓ ﻣﺴﺎ ًﺀ ﻣﻦ ﻟﻴﻠﺔ‬
‫ﺍﻟﻌﺼﺒﻴﺔ!‪ ...‬ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺔ‬ ‫ﱠ‬ ‫ﺻﻤﻴﻢ ﺃﻟﻴﺎ ِﻓﻬﺎ‬‫ِ‬ ‫ﺃﻏﻮﺍﺭ ُﻏ َﺪ ِﺩﻫﺎ‪ ،‬ﻣﻦ‬
‫ِ‬ ‫ﻣﻦ‬
‫‪53‬‬ ‫ﻠﺬ ٍﺓ ﻛﺜﻴﻔ ٍﺔ‬ ‫ﺗﺮﺗﻌﺶ ﻓﻴﻬﺎ ﻛﻤﺒﻴﻮﺗﺮﺍﺕ ﺍﻟﻜﻮﻥ‪ ،‬ﺃﺭﺩ ُﺗﻬﺎ ﺃﻥ ﺗﺸﻌ َﺮ ِﺑ ﱠ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ‬
‫ﻘﺪﻣﻬﺎ ِﻟﻠﻜﻮﻥ‪،‬‬ ‫ُ‬ ‫َ‬
‫ﻋﺎﺭﻣﺔ! ﺃﻥ ﺗﺮﺗﻌﺶ! ﺭﺑّﻤﺎ ﻛﺎﻥ ﺫﻟﻚ ﺃﻓﻀﻞ ﻫﺪ ّﻳ ٍﺔ ﻧ ﱢ‬
‫ﻟﻸﻟﻔﻴﺔ ﺍﻟﻘﺎﺩﻣﺔ‪ ،‬ﻟﻠﺤﻀﺎﺭﺓ‪ِ ،‬ﻟﻠﺼﻮﻓ ّﻴﺔ‪ِ ،‬ﻟﻠﻌﻠﻢ‪،‬‬ ‫ﱠ‬ ‫ﻟﻸﻟﻔﻴﺔ ﺍﻟﺮﺍﺣﻠﺔ‪،‬‬
‫ﱠ‬
‫ُ‬
‫ﻳﻠﻬﺚ‬ ‫»ﻃﺰﺯﺯ! « ﺃﻳﻀﴼ ﻟﻌﺎ َﻟ ٍﻢ ﻣﺠﻨﻮﻭﻭﻥ‬ ‫ﻭﺃﺟﻤﻞ ُ‬
‫ُ‬ ‫ِﻟﻠﻬﻮﺍﺀ‪ِ ،‬ﻟﻠﺤﺮﻳّﺔ‪...‬‬
‫ﺟﺪﴽ‪ ،‬ﻻ ﻳﺴﺘﻄﻴ ُﻊ ﺃﻥ ﻳﺤﻴﺎ ﻣﻨﺬ ﻓﺠﺮ‬ ‫ﻋﺠﻮﻝ ّ‬ ‫ٍ‬ ‫ﻭﺭﺍﺀ ﺍﻟﻜﺴﺐ ﺍﻟﺴﺮﻳﻊ‪،‬‬
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‫ﺍﻟﺘﺎﺭﻳﺦ ﺩﻭﻥ ﺣﺮﻭﺏ‪ ،‬ﻳﺴﺤﻖ ﺍﻟﻔﻘﺮﺍﺀ ﻭﺍﻟﺠﻴﺎﻉ‪ ،‬ﻳﻌﺘﻨﻖ ِﺩﻳﻦ ﺍﻟﻠﻴﺒﺮﺍﻟﻴﺔ‬
‫ُﻜﺮﺱ ﺍﺳﺘﻐﻼﻝ ﺍﻟﺪﻭﻝ ﺍﻟﻔﻘﻴﺮﺓ‪...‬‬ ‫ﺍﻻﻗﺘﺼﺎﺩﻳﺔ ﻭﺃﺳﻮﺍﻕ ﺍﻟﺒﻮﺭﺻﺔ‪ ،‬ﻳ ﱢ‬
‫ﻃﻴﺒ ٌﺔ‬
‫ﻛﻞ ﻫﺬﻩ ﺍﻟﻨﺰﻭﺍﺕ ﺍﻟﺼﻐﻴﺮﺓ ﱢ‬ ‫ﻋﻠﻲ ﺃﻥ ﺃُ َﻭ ﱢﺿ َﺢ ﺳﺮﻳﻌﴼ‪ :‬ﱡ‬ ‫ﺁﻩ! ﱠ‬
‫ﺟﺪﴽ‪ ،‬ﻏﻴﺮ ﺃﻧﻬﺎ ﺻﻌﺒ ُﺔ ﺍﻟﻤﻨﺎﻝ ِﻟﺘﻠﻚ ﺍﻟﻔﺘﺎﺓ ﺍﻟﺘﻲ ﺑﺪﺃَ ْﺕ‬ ‫ﺑﺮﻳﺌ ٌﺔ ﻭﺭﺍﺋﻌ ٌﺔ ّ‬
‫ﺣﻴﺎ َﺗﻬﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻣﻌﻲ ِﺑ ُﻘ ْﺒﻠ ٍﺔ ُﻣ ْﻐ َﻠ َﻘﺔ! ِﻟﺘﻠﻚ ﺍﻟﺘﻲ ﻇ ّﻠ ْﺖ ُﻣﻨﻐ ِﻠﻘ ًﺔ‬
‫ﺎﺕ‬
‫ﻭﻳﻮﻣﻴ ِ‬
‫ﱠ‬ ‫ﻷﺳﺒﺎﺏ ﻏﺎﻣﻀ ٍﺔ ﻏﺎﺋﺮ ٍﺓ ﻓﻲ ﺛﻘﺎﻓ ِﺔ‬ ‫ٍ‬ ‫ﺃﺑﺪﴽ‪ ،‬ﻣﺴﻠﻮﺑ ًﺔ ﺃﺑﺪﴽ‬
‫»ﻋﺸﻖ ﺍﻟﻀﻮﺍﺣﻲ«‪،‬‬ ‫َ‬ ‫ﺗﻤﺎﺭﺱ ﺃﺑﺪﴽ ﻣﺎ ﺃُ ﱢ‬
‫ﺳﻤﻴ ِﻪ‬ ‫ُ‬ ‫ﻃﻔﻮﻟ ِﺘﻬﺎ! ِﻟﺘﻠﻚ ﺍﻟﺘﻲ‬
‫»ﻋﺸﻖ ﺍﻟﺘﻔﺎﺻﻴﻞ ﺍﻟﺜﺎﻧﻮﻳﺔ«!‪...‬‬ ‫َ‬
‫ﻳﻌﻜﺲ ﺧﺮﻳﻄ َﺔ ﺍﻷﻏﻮﺍﺭ ﺍﻟﻨﻔﺴ ّﻴﺔ‬ ‫ُ‬ ‫ﺛﻤ َﺔ ﻣﺎ‬ ‫ﺃﺷﻌ ُﺮ ﺃﻧ ُﻪ ﻟﻴﺲ ﱠ‬
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‫ﺍﻟﻌﺸﻖ‬ ‫ﻭﻃﻘﻮﺱ ﻣﻤﺎﺭﺳ ِﺘﻬﺎ‬ ‫ِ‬ ‫ﻟﻠﻤﺮﺃﺓ‪ ،‬ﻻﺳ ّﻴﻤﺎ ﺇﻟﻬﺎﻡ‪ ،‬ﺃﻓﻀﻞ ﻣﻦ ﻃﺮﻳﻘ ِﺔ‬
‫ﻃﻘﻮﺱ ﺇﻟﻬﺎﻡ ﺃﺛﻨﺎﺀ ﻣﻤﺎﺭﺳﺔ ﺍﻟﻌﺸﻖ ِﺑﺒﺎﻗ ٍﺔ‬ ‫ُ‬ ‫ُ‬
‫ﺗﻤﺘﻠﺊ‬ ‫ﻣﻊ ﻣﻌﺸﻮﻗﻬﺎ!‪...‬‬
‫ﻫﺎﺋﻠ ٍﺔ ﻣﻦ ﺍﻟﺘﻔﺎﺻﻴﻞ ﺍﻟﻠﺬﻳﺬﺓ ﺍﻟﻤﺒﺪﻋﺔ‪ :‬ﺍﻟﻤﻼﻳﺎﺕ ﺍﻟﻮﺭﺩﻳّﺔ ﺍﻷﺭﺟﻮﺍﻧﻴﺔ‬
‫ﻛﻞ ﺟﺰ ٍﺀ ﻣﻦ‬ ‫ﺗﻤﺸﻂ ﱠ‬ ‫ُ‬ ‫ﺍﻟﻌﺒﻘﺔ ﺍﻟﺘﻲ‬ ‫ﺍﻟﻤﺘﻨﻮﻋﺔ ِ‬ ‫ﱢ‬ ‫ﺍﻟﺤﺮﻳﺮﻳﺔ‪ ،‬ﺍﻟﺮﻭﺍﺋﺢ‬
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‫ﺗﻨﺒﻌﺚ‬ ‫ﻭﺗﻜﺎﻣﻞ ﻭﺇﺗﻘﺎﻥ‪ ،‬ﺍﻟﺮﻭﺍﺋﺢ ﺍﻟﻌﺒﻘﺮﻳّﺔ ﺍﻟﺘﻲ‬ ‫ٍ‬ ‫ﺺ‬‫ﺑﺘﺨﺼ ٍ‬
‫ﱡ‬ ‫ﺟﺴﺪﻫﺎ‬ ‫ِ‬
‫ﻤﻨﻬﺠﻴﺔ‪ ،‬ﻭﺍﻻﺧﺘﻴﺎﺭ ﺍﻟﻤﻮﺳﻴﻘﻲ ﺃﺣﻴﺎﻧﴼ‪...‬‬ ‫ﱠ‬ ‫ﻣﻦ ﺍﻟﻮﺳﺎﺩﺍﺕ‪ ،‬ﺍﻹﺿﺎﺀﺓ ِﺑ‬
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‫ﺑﻜﻞ ﺍﻟﻬﺪﺍﻳﺎ ﺍﻟﺘﻲ ﺃﻫﺪﻳ ُﺘﻬﺎ ﻟﻬﺎ‪،‬‬ ‫ﺪﺟﺠ ٍﺔ ﱢ‬ ‫ﻧﻮﻡ ُﻣ ﱠ‬ ‫ﱡ‬
‫ﻛﻞ ﺫﻟﻚ ﻓﻲ ﻏﺮﻓﺔ ٍ‬
‫ﺑﻤﺘﺤﻒ ﻷﻧﻮﺍﻉ ﺍﻟﻮﺭﻭ ِﺩ ﺍﻟﺘﻲ‬ ‫ٍ‬ ‫ﺧﺒﺰ ُﺫﻗﻨﺎ ُﻩ ﻣﻌﴼ‪،‬‬ ‫ﺘﺎﺕ ﱠﺃﻭ ِﻝ ٍ‬ ‫ﺍﺕ ﻣﻦ ُﻓ ِ‬ ‫ِﺑ َﺬ ﱠﺭ ٍ‬
‫ﻋﻈﻤﻴ ًﺔ‬
‫ﱠ‬ ‫َ‬
‫ﻫﻴﺎﻛﻞ‬ ‫ﻗﺪ ْﻣ ُﺘﻬﺎ ﻟﻬﺎ ﻣﻨﺬ ﺑﺪ ِﺀ ﻋﻼﻗﺘﻨﺎ ﻭﺍﻟﺘﻲ ﺻﺎﺭﺕ‬ ‫ﱠ‬
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‫ﻨﺎﺕ ﻣﻦ ُﻋﻠ ِﺐ ﻛ ﱢﻞ ﺷﻮﻛﻼﺗ ٍﺔ ﺃﻫﺪ ْﻳﺘﻬﺎ ﱠﺇﻳﺎﻫﺎ‪،‬‬ ‫ُ‬ ‫َ‬ ‫ﻌﻴ ٍ‬ ‫َ‬
‫ُﻣﺠ ﱠﻔﻔﺔ ُﻣﺤ ﱠﻨﻄﺔ‪ِ ،‬ﺑ ﱢ‬‫ً‬
‫ﻭﺗﺎﺭﻳﺦ‬
‫ِ‬ ‫ﺗﺎﺭﻳﺨﻬﺎ‪،‬‬
‫ِ‬ ‫ﺘﺎﺭﻳﺦ‬
‫ﺗﺎﺭﻳﺦ ﻋﻼﻗﺘﻨﺎ‪ِ ،‬ﻟ ِ‬ ‫ﺭﻣﻮﺯ ِ‬ ‫ﺘﻨﻮﻋ ٍﺔ ِﻟ ُﻜ ﱢﻞ ِ‬‫ﺎﺕ ُﻣ ﱢ‬ ‫ﺑﺄﺣﻔﻮﺭﻳ ٍ‬
‫ﱠ‬
‫ﺍﻟﻌﺸﻖ ﻳﺘ ﱡﻢ ﺩﻭﻣﴼ ﻓﻲ ﺍﻟﻀﻮﺍﺣﻲ‪ :‬ﻟﺤﻈ ُﺔ‬ ‫َ‬ ‫ﺗﺎﺭﻳﺦ ﺗﺎﺭﻳﺨﻬﺎ‪ ...‬ﻏﻴﺮ ﺃﻥ‬ ‫ِ‬
‫ﺗﺒﺤﺚ ﻋﻨﻬﺎ ﺃﻭ‬ ‫ُ‬ ‫ﺍﻟﻤﻔﻀﻠﺔ! ﻻ‬‫ﱠ‬ ‫ﻟﻴﺴﺖ ﻟﺤﻈ َﺘﻬﺎ‬ ‫ْ‬ ‫ﺍﻟﻤﺮﻛﺰﻳﺔ‬
‫ﱠ‬ ‫ﺍﻟﺠﻤﺎﻉ‬
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‫ﺗﻬﺮﺏ ﻣﻨﻬﺎ‪،‬‬ ‫ُ‬ ‫ﺍﺧﺘﺮﺍﻋﻬﺎ‪ .‬ﺗﺘﺤﺎﺷﺎﻫﺎ‪،‬‬ ‫ِ‬ ‫ﺗﺠﺪﻳﺪﻫﺎ ﻭﺍﻹﺑﺪﺍ َﻉ ﻓﻲ‬ ‫َ‬ ‫ُ‬
‫ﺗﺤﺎﻭﻝ‬
‫ﺗﺘﺨﺸ ُﺐ‬
‫ﱠ‬ ‫ﻌﺠﻞ ﺑﺈﻧﻬﺎﺋﻬﺎ ﻋﻤﺪﴽ‪...‬‬ ‫ﺗﻨﺘﻈ ُﺮ ﻧﻬﺎﻳ َﺘﻬﺎ ﺑﻔﺎﺭﻍ ﺍﻟﺼﺒﺮ ﺇﻥ ﻟﻢ ُﺗ ﱢ‬
‫ﻳﻔﻘﺪ ﺍﺳﺘﺮﺧﺎ َﺀﻩ!‬ ‫ُ‬ ‫ﻳﻐﻴﺐ ﻭﺟﻬُﻬﺎ‪ ،‬ﻳﻨﻐﻠﻖ‪،‬‬ ‫ُ‬ ‫ﺑﺸﻜﻞ ﻣﻠﺤﻮﻅ‪،‬‬ ‫ٍ‬ ‫ِﺧﻼﻟﻬﺎ‬
‫ﺗﺒﺪﻭ ﻛﺄ ﱠﻧﻬﺎ ﺗﺨﻔﻲ ﺃﻭﺟﺎﻋﴼ ﺑﻴﻮﻟﻮﺟﻴ ًﺔ ﻏﺎﻣﻀﺔ! ﻋﻴﻨﺎﻫﺎ ﺗﻐﺮﻗﺎﻥ‬
‫ﻣﺠﻬﻮﻝ ﺗﻤﺎﻣﴼ‪ِ ...‬ﺻ ْﻤ ٌﺖ‬ ‫ٍ‬ ‫ﻓﻲ ﺍﻟﻔﺮﺍﻍ‪ُ ،‬ﺗ َﺤ ْﻤ ِﻠﻘﺎﻥ ﻓﻲ ﺍﻟﺒﻌﻴﺪ‪ ،‬ﻓﻲ ﺷﻲ ٍﺀ‬
‫ﺛﻤ َﺔ ﺃ َﻟ ٌﻢ ِﺳ ﱢﺮ ﱞﻱ ﻳﻨﺪﻟ ُﻊ ﻋﻠﻰ ﺣﻴﻦ‬ ‫ﻳﺠﺘﺎﺣﻬﺎ ﺣﻴﻨﺬﺍﻙ‪ .‬ﱠ‬ ‫ُ‬ ‫ُﻋ ْﻀ ِﻮ ﱞﻱ ﺃَ َﺻﻢ‬
‫ﺟﺪﴽ ﺃﺛﻨﺎﺀ ﺗﻠﻚ‬ ‫ﺳﻠﺒﻴ ًﺔ ﻋﺠﻮﻟ ًﺔ ﻣﻘﺘﻀﺒ ًﺔ ّ‬ ‫ﺗﺘﺤﻮ ُﻝ ﱠ‬ ‫ﱠ‬ ‫ﺗﺨﻤﺪ ﺇﻟﻬﺎﻡ‪،‬‬‫ُ‬ ‫ﻏ ّﺮﺓ!‪...‬‬
‫ﺍﻟﻤﺮﻛﺰﻳﺔ‪ ،‬ﻫﻲ ﺍﻟﺘﻲ ﺗﺘﻮ ﱠﻗ ُﺪ ﺃﺑﺪﴽ ﺧﺎﺭﺝ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺎﺕ‪،‬‬ ‫ﱠ‬ ‫ﺍﻟﻠﺤﻈﺎﺕ‬
‫ﺣﺴﺎﺏ ﺃﻭ ﺗﻘﺘﻴﺮ‪.‬‬ ‫ٍ‬ ‫ﺑﺘﻔﺎﻥ ﻭﻛﺮﻡ‪ ،‬ﺩﻭﻥ‬ ‫ٍ‬ ‫ﻛﻞ ﻣﺎ ﺗﻤﻠﻜ ُﻪ‬ ‫ُﺗﻌﻄﻲ ﱠ‬
‫ﻏﻴﺎﺏ ﺭﻏﺒ ِﺘﻬﺎ ﻋﻦ ﺍﻻﻟﺘﺤﺎﻡ ﻭﺟﻬﴼ ﺑﻮﺟﻪ‪ ،‬ﻭﻋﺰﻭ َﻓﻬﺎ‬ ‫َ‬ ‫ﺽ‬ ‫ﻌﻮ ُ‬‫ُﺗ ﱢ‬
‫ﻌﻮﺿ ُﻪ‬ ‫ﺍﻟﺠﺒﻬﻮﻱ ﺍﻟﻄﻮﻳﻞ‪ُ ،‬ﺗ ﱢ‬ ‫ﱢ‬ ‫ﺍﻟﻤﺮﻛﺰ ﱢﻱ‬
‫ِ‬ ‫ﺍﻟﺤﺘﻤﻲ ﻋﻦ ﺍﻟﺠﻤﺎﻉ‬ ‫ﱠ‬
‫ﻭﺍﻟﺒﻌﺪ ﱠﻳﺔ‪ ،‬ﺑﺎﻟﻘﻔﺰ ﻣﻦ‬ ‫ِ‬ ‫ﻠﻴﺔ‬
‫ﺑﺎﻟﺒﻬﺎﺭﺍﺕ! ﺑﺎﻻﺳﺘﻐﺮﺍﻕ ﺑﺎﻟﻨﻮﺍﻓﻞ ﺍﻟ ِﻘ ْﺒ ﱠ‬
‫ﺍﻷﻭﻟﻰ ﺇﻟﻰ ﺍﻟﺜﺎﻧﻴﺔ ﺩﻭﻥ ﺍﻻﻟﺘﻘﺎ ِﺀ ﺍﻟﺼﻤﻴﻤﻲ! ﺗﻐﻤ ُﺮﻧﻲ ﻭﺃﻏﻤ ُﺮﻫﺎ‬
 ‫ﻛﻞ ﺫﻟﻚ‬ ‫ﺍﻟﻠﺬﺍﺕ ﺍﻟﺼﻐﻴﺮﺓ‪ ...‬ﻏﻴﺮ ﺃﻥ ﱠ‬ ‫ﺃﺛﻨﺎﺀ ﺗﻠﻚ ﺍﻟﻨﻮﺍﻓﻞ ﺑﺒﺎﻗ ٍﺔ ﻣﻦ ﱠ‬
‫ﱡ‬
‫ﻳﻈﻞ ﺑﺆﺭﴽ ﻣﻀﻴﺌ ًﺔ ﻓﻲ ﺍﻟﻀﻮﺍﺣﻲ‪ .‬ﺃﻣﺎ ﺍﻟﻤﺮﻛﺰ ﻓﻴﻈﻞ ﻫﺸﴼ‪ ،‬ﻣﻌﺘﻤﴼ‪،‬‬
‫ّ‬ ‫ﱡ‬
‫ُﺸﺒ ُﻪ ﺫﻟﻚ ِﺑ ِﺪ ﱠﻗ ٍﺔ ﺧﺮﻳﻄ َﺔ ﺳﻴﺮ ِﺓ ﺣﻴﺎ ِﺗﻬﺎ‬ ‫ﺟﺪﴽ‪ ...‬ﻛﻢ ﻳ ِ‬ ‫ﻓﺎﺭﻏﴼ‪ ،‬ﺷﺎﻏﺮﴽ ّ‬
‫ﻓﻲ ﺍﻟﻄﻔﻮﻟﺔ ﻛﻤﺎ َﺭ َﺳ َﻤ ْﺘﻬﺎ ﻟﻲ ﻋﻨﺪ ﺑﺪﺀ ﺗﻌﺎﺭﻓﻨﺎ‪ :‬ﺑﺆ ٌﺭ ﺿﻮﺋﻴ ٌﺔ ﻗﺮﺏ‬
‫ﻣﺤﻴﻂ ﺍﻟﺪﺍﺋﺮﺓ‪ ،‬ﻟﻜﻦ ﺍﻟﻤﺮﻛﺰ ﻛﺘﻠ ٌﺔ ﺗﺴﺒﺢ ﻓﻲ ﺍﻟﻈﻼﻡ!‪...‬‬
‫ﻭﺭﻋﻬﺎ ﻋﻦ ﺍﻟﺘﺄ ﱡﻟ ِﻖ ﻓﻲ ﺍﻟﻤﺮﻛﺰ ﻭﻣﻴﻮ ِﻟﻬﺎ ﺇﻟﻰ‬ ‫ﻟﻢ ﺃﻓﻬﻢ ﺃﺳﺒﺎﺏ ِ‬
‫ﺮﺕ َﻋ َﺒﺜﴼ ﻓﻲ ﺫﻟﻚ ﻣﻨﺬ ﺧﻴﺒﺘﻲ ﻳﻮ َﻡ ﺍﻟ ُﻘ ْﺒ َﻠ ِﺔ‬ ‫ﺍﻟﺘﺠﺪﻳﻒ ﻓﻲ ﺍﻟﺒﻬﺎﺭﺍﺕ! ﻓ ﱠﻜ ُ‬ ‫ِ‬
‫ُﺆﺭﻗﻨﻲ ﻋﺪ ُﻡ ﺍﺳﺘﻴﻌﺎﺏ ﺫﻟﻚ‪.‬‬ ‫ﺍﻟﻤﻨﻐﻠﻘ ِﺔ ﻋﻠﻰ ﺍﻟﺒﺤﺮ‪ .‬ﻛﺎﻥ ﻳُﺰﻋﺠﻨﻲ ﻭﻳ ِ‬
‫ﺃﺅﻣﻦ ﺃﻧ ُﻪ‬ ‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ‪ ،‬ﻟﻴﺴﺖ ﺳﻌﻴﺪﺓ! ﻷﻧﻲ ُ‬ ‫ٍ‬ ‫ﺃﺣﺴﺴﺖ ﺃﻥ ﺇﻟﻬﺎﻡ‪،‬‬ ‫ُ‬
‫ﻓﺄ ُ‬
‫ﺣﺪ‬ ‫ﺭﻳﺎﺿﻴ ٌﺔ ِﻟﻘﻴﺎﺱ ﻣﻘﺪﺍﺭ ﺳﻌﺎﺩﺓ ﺍﻟﻤﺮﺃﺓ‪َ ،‬‬ ‫ﱢ‬ ‫ﺇﺫﺍ ﻛﺎﻧﺖ ﻫﻨﺎﻙ ﺻﻴﻐ ٌﺔ‬
‫ِ‬
‫ُ‬
‫ﻭﻋﻤﻖ‬ ‫ُ‬
‫ﺻﺪﻕ‬ ‫ﺑﺎﻟﺮ ُﺟﻞ‪،‬‬
‫ﺟﻤﺎﻋﻬﺎ ﱠ‬ ‫ِ‬ ‫ﻧﻮﻋﻴ ُﺔ‬
‫ﱠ‬ ‫ﻭﻣﻜﻮﻧﺎ ِﺗﻬﺎ‪:‬‬
‫ﱢ‬ ‫ﺭﻭﺍﻓﺪﻫﺎ‬
‫ِ‬ ‫ﺃﻫﻢ‬
‫ﱢ‬
‫ﻟﺬ ِﺗﻬﺎ ﻭﻛﺜﺎﻓ ِﺘﻬﺎ ﺃﺛﻨﺎﺀ ﻣﻤﺎﺭﺳﺔ ﺍﻟﻌﺸﻖ‪...‬‬ ‫ِ ﱠ‬ ‫ﺀ‬ ‫ﺛﺮﺍ‬ ‫ُ‬
‫ﺔ‬ ‫ﻭﺩﺭﺟ‬ ‫ﻬﻤﺎ‪،‬‬ ‫ﻠ‬
‫ِ‬ ‫ﺗﻔﺎﻋ‬
‫‪55‬‬ ‫َ‬
‫ﻛﻨﺖ ﺃﻋﺰﻱ ﻋﺰﻭﻑ ﺇﻟﻬﺎﻡ ﺃﻭ ﺍﻧﻘﺒﺎﺿﻬﺎ ﺃﺛﻨﺎﺀ ﺍﻟﻌﺸﻖ ﺇﻟﻰ‬ ‫َ‬ ‫ُ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ! ﺇﻟﻰ‬ ‫ٍ‬ ‫ﻭﺍﻟﺠﻨﺴﻲ‬
‫ﱢ‬ ‫ﺍﻻﺟﺘﻤﺎﻋﻲ ﻓﻲ ﺍﻟﻴﻤﻦ‪،‬‬
‫ﱢ‬ ‫ﺍﻟﻜﺒﺖ‬
‫ِ‬ ‫ﺛﻘﺎﻓ ِﺔ‬
‫ﺛﻘﺎﻓﺔ ﺍﻟﺘﺤﺮﻳﻢ ﺍﻟﺘﻲ ﻳﺮﺿﻌﻬﺎ ﺍﻟﻤﺮﺀ ﻫﻨﺎﻙ‪ ،‬ﻻﺳﻴﻤﺎ ﺍﻷﻧﺜﻰ ﻣﻨﺬ‬
‫ﺗﺬﻛ ُ‬
‫ﺮﺕ‬ ‫ﻛﻞ ﻛﺘﺐ ﻧﻮﺍﻝ ﺍﻟﺴﻌﺪﺍﻭﻱ ﺣﻮﻝ ﺫﻟﻚ‪ ،‬ﱠ‬ ‫ﺍﻟﻄﻔﻮﻟﺔ‪ ...‬ﻗﺮ ْﺃ ُﺕ ﱠ‬
‫ﺗﺬﻛ ُ‬
‫ﺮﺕ‬ ‫ﻋﺒﺎﺭ َﺓ ﺭﺍﻣﺒﻮ ﺣﻮﻝ ﺑﻼ ِﺩﻧﺎ ﺍﻟﺘﻲ ﺃﺳﻤﺎﻫﺎ »ﺟﻬ ﱠﻨ َﻢ ﺍﻟﻨﺴﺎﺀ!«‪ ...‬ﱠ‬
‫ﺃﻱ‬‫ﺍﻟﺘﻘﺪﻡ ﺍﻻﺟﺘﻤﺎﻋﻲ ﻓﻲ ﱢ‬ ‫ﱡ‬ ‫ﻛﺎﺭﻝ ﻣﺎﺭﻛﺲ ﺍﻟﺬﻱ ﻗﺎﻝ ﺇﻥ ﻣﻘﺪﺍﺭ‬
‫ﻳﻘﺎﺱ ﺑﻤﺪﻯ ﺗﺤ ﱡﺮ ِﺭ ﺍﻟﻤﺮﺃﺓ ﻓﻴﻪ! ﺃﻭ ﺑﻌﺒﺎﺭ ٍﺓ ﺃﺧﺮﻯ‪ :‬ﺍﻟﺘﺮﻣﻮﻣﺘ ُﺮ‬ ‫ﻣﺠﺘﻤﻊ ُ‬
‫ﺣﺮﻳ َﺘﻬﺎ‪ ،‬ﻭﺳﻌﺎﺩ َﺗﻬﺎ‪...‬‬ ‫ﺍﻟﺬﻱ ﻳﻘﻴﺲ ﺍﺯﺩﻫﺎ َﺭ ﺣﻴﺎﺓ ﺍﻟﻤﺮﺃﺓ‪ ،‬ﻧﻤﺎ َﺀﻫﺎ‪ ،‬ﱠ‬
‫ﺗﻘﺪﻡ ﺍﻟﻤﺠﺘﻤﻊ!‪...‬‬ ‫ﻳﻘﻴﺲ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ ﱡ‬
‫ﻓﺴ َﺮ ﻣﻌﺎﻧﺎﺓ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻞ ﺗﻠﻚ ﺍﻟﻤﺆﺷﺮﺍﺕ ﻷ ﱢ‬ ‫ﺣﺎﻭﻟﺖ ﺃﻥ ﺃﺭﺑﻂ ﺑﻴﻦ ﱢ‬
‫ﺇﻟﻬﺎﻡ‪ .‬ﻋﺒﺜﴼ! ﻟﻢ ﺃﻓﻬﻢ ﺍﺳﺘﻤﺮﺍﺭﻳﺔ ﺍﻧﻘﺒﺎﺿﻬﺎ ﺣ ّﺘﻰ ﺍﻟﻴﻮﻡ‪ ،‬ﻫﻲ ﺍﻟﺘﻲ‬
‫ﻗﻄ َﻌ ْﺖ ﻋﻼﻗﺘﻬﺎ ﻛ ﱢﻠ َﻴ ًﺔ ﺑﺠﺬﻭﺭ ﺍﻟﺜﻘﺎﻓﺎﺕ ﺍﻟﻈﻼﻣ ّﻴﺔ‪ ،‬ﻫﻲ ﺍﻟﺘﻲ‬
‫َﺕ ﻋﻠﻴﻬﺎ‬ ‫ﻭﺗﻤﺮﺩ ْ‬
‫ﱠ‬ ‫ﺾ ﺇﺭﺍﺩﺗﻬﺎ‪،‬‬ ‫ﻤﺤ ِ‬‫ﺍﻧﺴﻠﺨ ْﺖ ﻭﺍﻧﻌﺘ َﻘ ْﺖ ﻋﻨﻬﺎ ﺗﻤﺎﻣﴼ ِﺑ ْ‬ ‫َ‬
‫ﺑﺠﺮﺃ ٍﺓ ﻭﺻﺮﺍﻣ ٍﺔ ﻳﻠﺰ ُﻡ ﺍﻻﻧﺤﻨﺎ ُﺀ ﻭﺍﻟﺨﺸﻮ ُﻉ ﺃﻣﺎﻣﻬﻤﺎ‪ ...‬ﻛﻴﻒ ﻳﻤﻜﻨﻬﺎ‬
‫ﻛﻞ‬
‫ﺯﻭﺟﻬﺎ ﱠ‬‫ﻳﺪﻭﺳﻬﺎ ُ‬‫ُ‬ ‫ﺍﻟﻠﺬ ِﺓ ﺃﻛﺜﺮ ﻣﻦ ﺍﻣﺮﺃ ٍﺓ ﻣﺴﺤﻮﻗ ٍﺔ‬
‫ﺃﻥ ﻻ ﺗﻨﺎﻝ ﻣﻦ ﱠ‬
‫َ‬ ‫ُ‬ ‫ُ‬
‫ﻳﻔﺘﺮﺷﻬﺎ ِﺑ َﻌ َﺠ ٍﻞ ﻭﺃﻧﺎﻧ ّﻴﺔ‪ ،‬ﻳﻔﺮﻍ ﺣﺎﺟﺘ ُﻪ ﻓﻴﻬﺎ ﺳﺮﻳﻌﴼ ﻓﻲ ﺍﻟﻈﻼﻡ‬ ‫ﻳﻮﻡ‪،‬‬
‫ﻼ ﺗﺤﺖ‬‫ُﻬﻤﻠﻬﺎ ﺩﻫﺮﴽ ﻛﺎﻣ ً‬ ‫ﱟﺩ ﺃﻭ ﺇﻧﺴﺎﻧﻴﺔ‪ ،‬ﻋﻨﺪﻣﺎ ﻻ ﻳ ِ‬
‫ﺩﻭﻥ ﺃﺩﻧﻰ ﺭ ﱢﻗ ٍﺔ ﺃﻭ ُﻭ‬
‫ُ‬
‫ﻳﻤﻜﻦ‬ ‫ﺘﻨﺎﻭﻝ ﺍﻟﻘﺎﺕ ﺍﻟﺪﺍﺋﻢ‪ ...‬ﻛﻴﻒ‬‫ﺍﻟﻔﺤﻮﻟﻲ ِﻟ ِ‬
‫ّ‬ ‫ﺍﻟﻤﻔﻌﻮﻝ ﻏﻴﺮ‬
‫ِ‬ ‫ﺗﺄﺛﻴﺮ‬
‫ﻛﻞ ﻫﺬﻩ ﺍﻟﺴﻨﻴﻦ ﻣﻦ ﺍﻟﺘﺤ ﱡﺮﺭ؟‪...‬‬ ‫ﺗﻈﻞ ﻛﺬﻟﻚ ﺑﻌﺪ ﱢ‬ ‫ِﻹﻟﻬﺎ َﻡ ﺃﻥ ﱠ‬
‫ﻛﺎﻥ ﺫﻟﻚ ﻫﻮ ﺍﻟﻠﻐﺰ ﺍﻟﺬﻱ ﻟﻢ ﺃﺳﺘﻄﻊ ﺍﻹﺟﺎﺑﺔ ﻋﻠﻴﻪ!‬

‫ﻣﻊ ﺇﻟﻬﺎﻡ ُﺣ ِﺮ ْﻣ ُﺖ ﻣﻦ ﺃﺑﻬﺞ ﻟﺤﻈﺎﺕ ﺍﻟﺤﻴﺎﺓ‪ :‬ﺭﺅﻳ ُﺔ ﱠ‬

‫ﺍﻟﻠﺬ ِﺓ‬
‫ﺍﻟﺼﻤﻴﻤﻲ ﺍﻟﻌﻤﻴﻖ ﺑﻴﻦ‬ ‫ﱢ‬ ‫ﺗﻔﺠ ِﺮﻫﺎ ﺃﺛﻨﺎﺀ ﺍﻻﻟﺘﺤﺎﻡ‬‫ﺃﻭﺝ ﱡ‬ ‫ﺍﻷﻧﺜﻮﻳﺔ ﻓﻲ ِ‬
‫ﻭﺍﻟﺮ ِﺣﻢ‪ ،‬ﺃﺛﻨﺎﺀ ﺍﻟﻤﻮﺍﺟﻬﺔ ﺍﻟﻌﻤﻮﺩﻳﺔ ﺍﻹﻳﻘﺎﻋﻴﺔ ﺍﻟﻄﻮﻳﻠﺔ‬ ‫ﻛﺮ ﱠ‬ ‫ﺍﻟﺬ ِ‬ ‫ﱠ‬
‫ﺗﻔﺎﻋﻞ ﺍﻟﺤﻮﺍﺱ‪ ،‬ﺫﻭﺑﺎ ِﻧﻬﺎ‪،‬‬ ‫ِ‬ ‫ﺍﻟﺮﻗﻴﻘﺔ‪ ،‬ﺃﺛﻨﺎﺀ ﺍﻟﺒﺤﺚ ﺍﻟﺒﻄﻲﺀ ﻋﻦ‬
‫ﺗﻮﺣ ِﺪﻫﺎ‪ ،‬ﻓﻨﺎﺋﻬﺎ‪...‬‬ ‫ﱡ‬
‫ﺍﻹﺑﺎﺣﻴﺔ‬
‫ﱠ‬ ‫ﺍﻷﻓﻼﻡ‬
‫ِ‬ ‫ﺃﻗﺼﺪ ﻛﻤﺎ ﻓﻬﻤ ُﺘﻢ ﺑﺎﻟﻄﺒﻊ ﺷ ْﻬ َﻘﺎﺕ‬ ‫ُ‬ ‫ﻻ‬ ‫‪56‬‬
‫ﻛﻼ! ﺗﻠﻚ ﺷﻬﻘﺎﺕٌ‬ ‫ﺍﻟﺼ ﱠﻔﺎﺭﺍﺕ! ّ‬ ‫ﺍﻷﺷﺒﻪ ِﺑﻠﻬﺎﺙ ﺍﻟﺬﺋﺎﺏ ﺃﻭ ﺻﺮﻳﺮ ﱡ‬
‫ﻼ ﻣﻦ »ﺭﻳﺎﺿ ِﺔ‬ ‫ﺃﻗﻞ ﺗﻤﺜﻴ ً‬ ‫ﻨﻌﻴ ٌﺔ ُﻣ ْﺰ ِﻋﺠﺔ‪ .‬ﻟﻴﺴﺖ ﱠ‬
‫ﻣﺴﺮﺣﻴ ٌﺔ ُﺻ ﱠ‬
‫ﱠ‬ ‫ﺯﺍﺋﻔ ٌﺔ‬
‫ﺗﺨﻞ ﻫﻲ ﺃﻳﻀﴼ ﻓﻲ ﺑﻌﺾ ﺍﻷﺣﻴﺎﻥ‬ ‫ﺍﻟﻤﺼﺎ َﺭﻋﺔ« ﺍﻟﺘﻠﻔﺰﻳﻮﻧﻴﺔ!‪ ...‬ﻭﺇﻥ ﻟﻢ ُ‬ ‫ُ‬
‫ﻋﻜﺴﻬﺎ‬ ‫ﺃﻗﺼﺪ ُﻩ ﻫﻮ َ‬ ‫ُ‬ ‫ﻣﻦ ﺍﻟﻤﻮﺍﻫﺐ ﺍﻟﻔﻨ ّﻴﺔ ﻭﺍﻟﻤﻠﻜﺎﺕ ﺍﻻﺳﺘﻌﺮﺍﺿﻴﺔ‪ ...‬ﻣﺎ‬
‫ﺍﻟﻨﻘﻴ َﺔ‪ ،‬ﺻﺎﻣﺘﺔً‬ ‫ﱠ‬ ‫ﺍﻟﻨﻤﻮﺫﺟﻲ ﺗﻤﺎﻣﴼ‪ :‬ﺍﻟﺸﻬﻘﺎﺕ ﺍﻟﺤﻘﻴﻘﻴ َﺔ ﺍﻟﻌﺎﺷﻘﺔ‬
‫َ‬ ‫ﱠ‬
‫ﻭﺟﻮﺍﻧﺢ‬ ‫ﻭﺃﻋﻄﺎﻑ‬ ‫ﺛﻨﺎﻳﺎ‬ ‫ﻛﺎﻧﺖ ﺃﻡ ُﻣ َﺪ ﱢﻭﻳﺔ! ﺗﻠﻚ ﺍﻟﺘﻲ ُﺗﺮ ﱢﺩﺩُﻫﺎ ﱡ‬
‫ﻛﻞ‬
‫ِ‬
‫ﺍﻟﺠﺴﺪ ﺧﻼﻟﻬﺎ‬ ‫ُ‬ ‫ﻳﺘﺤﻮ ُﻝ‬
‫ﱠ‬ ‫ﻭﺗﻠﺬ ٍﺫ ﻭ َﻧﻬَﻢ!‪َ ...‬‬
‫ﺗﻠﻚ ﺍﻟﺘﻲ‬ ‫ﺍﻟﺠﺴﺪ ِﺑﺘﻨﺎﻏﻢ ﱡ‬
‫ٍ‬ ‫ِ‬
‫ُ‬
‫ﺃﻗﺼﺪ‬ ‫ﺻﻮﻓﻲ‪...‬‬
‫ّ‬ ‫ﺗﻔﺠ ٍﺮ ﻭﻓﻨﺎ ٍﺀ‬
‫ﺇﻟﻰ ﺧﻔﻘﺎﻥ‪ ،‬ﺇﻟﻰ ﺭﻭﺡ‪ ،‬ﺇﻟﻰ ﺃﺛﻴﺮ‪ ،‬ﺇﻟﻰ ﱡ‬
‫ﻋﻠﻤﻴ ٍﺔ ﻣﺨﺘﺼﺮﺓ‪ :‬ﻟﺤﻈﺔ »ﺍﻷﻭﺭﺟﺎﺯﻡ«‪ ،‬ﻟﺤﻈﺔ ﺍﻟﻨﻌﻮﻅ ﻭﻫ ﱠﺰﺓ‬ ‫ﱠ‬ ‫ﺑﻜﻠﻤﺔ‬
‫ﺍﻟﺠﻤﺎﻉ‪ ،‬ﻟﺤﻈﺔ ﺍﻟﻔﻨﺎﺀ ﺍﻟﺜﻨﺎﺋﻲ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﺍﻟﺜﺎﻣﻨﺔ ﻟﻠﻌﺸﻖ!‪...‬‬
‫ﺃﻋﺸﻖ ﻫﺬﻩ ﺍﻟﺸﻬ َﻘﺔ ِﻋﺸﻘﴼ ﻋﺎﺭﻣﴼ‪ ،‬ﻣﻄﻠﻘﴼ‪،‬‬ ‫ُ‬ ‫ﺃﻋﺘﺮﻑ ﺃﻧﻲ‬
‫ﺛﻤ َﺔ ﻓﻲ ﺍﻟﺤﻴﺎﺓ ﻣﺎ ﻫﻮ ﺃﻋﻈ ُﻢ‬ ‫ﻻﻧﻬﺎﺋﻴﴼ‪ ...‬ﻫﻜﺬﺍ ﺃُﻓ ﱢﻜ ُﺮ ﻓﻲ ﺍﻟﻮﺍﻗﻊ‪ :‬ﻟﻴﺲ ﱠ‬
‫ﺍﻟﻘﻮﻳ ِﺔ‪،‬‬
‫ﱠ‬ ‫ﺍﻟﺘﻘﺎﺑﻠﻲ‪ ،‬ﺍﻟﺸﻬﻘ ِﺔ‬
‫ﱢ‬ ‫ﺍﻟﺠﻤﺎﻉ‬ ‫ﻭﺃﺟﻤﻞ ﻭﺃﺣﻠﻰ ﻣﻦ ﺷﻬﻘ ِﺔ‬ ‫ُ‬ ‫ُ‬
‫ﻭﺃﻧﺒﻞ‬
‫ِ‬
 ‫ﻗﻨﻮﺍﺕ‬
‫ِ‬ ‫ﻛﻞ‬
‫ﺍﻟﺠﻮﻓﻴﺔ ِﻟ ﱠﻠ ﱠﺬﺓ‪ ،‬ﻣﻦ ﱢ‬ ‫ﱠ‬ ‫ﻗﺎﻉ ﺍﻟﻤﻴﺎ ِﻩ‬
‫ﺍﻟﺼﺎﺩﻗ ِﺔ‪ ،‬ﺍﻟﻨﺎﺑﻌ ِﺔ ﻣﻦ ِ‬
‫ﺃﻗﺪﺱ ﻭﺃﺭﻭ ُﻉ‬‫ُ‬ ‫ﺛﻤﺔ ﻣﺎ ﻫﻮ‬ ‫َ‬ ‫ﺍﻟﺸﻮﻛﻲ‪ ...‬ﻟﻴﺲ ﱠ‬ ‫ﱢ‬ ‫ﺍﻟﻨﺨﺎﻉ‬ ‫ﻭﻋ َﻘ ِﺪ‬
‫ﻭﺟﺬﻭﺭ ُ‬
‫ِ‬
‫ِ‬
‫ﺗﻘﺎﺳﻴﻢ ﻭﺟ ِﻪ ﺍﻟﻤﻌﺸﻮﻗﺔ ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺎﺕ‪ ،‬ﻓﻲ‬ ‫ِ‬ ‫ﻓﻲ‬ ‫ﺍﻟﺘﺤﺪﻳﻖ‬
‫ِ‬ ‫ﻣﻦ‬
‫ﺛﻐﺮﻫﺎ‪،‬‬‫ﺇﻳﻘﺎﻉ ِ‬ ‫ِ‬ ‫ﺯﻳﻎ ﻋﻴ َﻨ ْﻴ ِﻬﺎ‪،‬‬
‫ﺍﻟﺤﻤﻴﻤﻴ ِﺔ ﺍﻟﺴﺎﺩﺭ ِﺓ ﺍﻟﺜﺎﻗﺒﺔ‪ ،‬ﻓﻲ ِ‬ ‫ﱠ‬ ‫ﻧﻈﺮﺍ ِﺗﻬﺎ‬
‫ﻨﺪﻱ ﻣﻬ َﺒ ِﻠﻬﺎ‪ ،‬ﺗﺒ ﱡﻠ ِﻞ ِﻏ ْﻤ ِﺪﻫﺎ‪َ ،‬ﺗ َﻔ ﱡﺠ ِﺮ‬ ‫َﺗﻜ ﱡﻮ ِﺭ ﺣﻠﻤﺘ ْﻴﻬﺎ‪ ،‬ﺗﺪ ﱡﻓ ِﻖ ُﻏ َﺪ ِﺩﻫﺎ‪َ ،‬ﺗ ﱢ‬
‫ﺭﻭﺍﺋﺤﻬﺎ‪...‬‬
‫ِ‬
‫ﻛﻞ ﻣﺎ ﻋﺪﺍ ﺫﻟﻚ ﻫﻮﺍﻣﺶ ﺃﺩﺑ ّﻴﺔ!‬ ‫ﱡ‬

‫ﺃﺗﺤﺬﻟﻖ ﻫﻨﺎ ﻭﺃﻗﻮﻝ ﺇﻧﻨﻲ ﺃﻋﺸﻖ ﺭﺅﻳ َﺔ ﻫﺬﻩ ﺍﻟﺸﻬﻘ ِﺔ‬ ‫َ‬ ‫ﻟﻦ‬
‫ﻓﻠﺴﻔﻴﺔ ﺃﻭ ﺃﻳﺪﻳﻮﻟﻮﺟﻴﺔ ﻣﺤﻀﺔ! ﻟﻦ ﺃﻏﺎﻟﻲ ﺑﺎﻟﻘﻮﻝ »ﺇﻥ‬ ‫ﱠ‬ ‫ﻷﺳﺒﺎﺏ‬
‫ﺘﻌﺬﺏ‪ُ ،‬ﺗﻜﺎﻓﺢ‪،‬‬ ‫ﻀﺤﻲ‪َ ،‬ﺗ ﱠ‬‫ﻨﺠﺐ‪ُ ،‬ﺗ ﱢ‬ ‫ﺍﻟﻤﺮﺃﺓ ﺍﻟﺘﻲ ُﺗﻌﻄﻲ ﺃﺑﺪﴽ‪ُ ،‬ﺗﻜﺎﺑﺪ‪ُ ،‬ﺗ ِ‬
‫ﺗﺴﺘﺤﻖ ﻣ ّﻨﺎ ﻋﻠﻰ ﺍﻷﻗﻞ‪ ،‬ﻧﺤﻦ ﻣﻌﺸﺮ ﺍﻟﺮﺟﺎﻝ‪،‬‬ ‫ﱡ‬ ‫َﺗﺘﻔﺎﻧﻰ ﻓﻲ ﺇﺳﻌﺎﺩﻧﺎ‪...‬‬
‫‪57‬‬ ‫ﺟﺴﺪﻫﺎ ﺍﻟﺮﻗﻴﻖ ﺍﻟﻤﺨﻠﺺ!« ﻭﻣﺎ‬ ‫ِ‬ ‫ﻭﺗﻜﺮﻳﻢ‬
‫ِ‬ ‫ﺃﻥ ﻧﻮﺍﻇﺐ ﻋﻠﻰ ﺇﺳﻌﺎﺩﻫﺎ‬
‫ﺴﺆﺍﻝ‬
‫ﺯﺍﻳﺪ ِﺑ ٍ‬ ‫ُ‬
‫ﺫﻛﻮﺭﻳ ٍﺔ ﻓﻀﻔﺎﺿﺔ ﻓﺎﺭﻏﺔ! ﻟﻦ ﺃ َ‬ ‫ﱠ‬ ‫ﺷﻄﺤﺎﺕ‬
‫ٍ‬ ‫ﺇﻟﻰ ﺫﻟﻚ ﻣﻦ‬
‫ﺗﺴﺘﺤﻖ ﺍﻟﻤﺮﺃﺓ ﺫﻟﻚ ﻫﻲ ﺍﻟﺘﻲ‪ ،‬ﺭﻏﻢ‬ ‫ُ‬ ‫ﺑﻠﻴﺪ ﻣﻦ ﻃﺮﺍﺯ‪» :‬ﺃﻻ‬ ‫ﻣﻐﺮﻭﺭ ٍ‬‫ٍ‬
‫ﺑﻜﻞ ﺍﻟﻮﻳﻼﺕ ﻭﺍﻻﺗﻬﺎﻣﺎﺕ‬ ‫ﺁﻻﻣﻬﺎ ﻭﻣﺘﺎﻋﺒﻬﺎ‪ُ ،‬ﺗ َﻄﺎ َﺭ ُﺩ ﻣﻨﺬ ﺍﻷﺯﻝ ﱢ‬ ‫ﻛﻞ ِ‬ ‫ﱢ‬
‫ﺍﻟﻜﻴﺪ ﻭﺍﻟﺸ ّﺮ‪ُ ،‬ﺫﺑﺎﻟ ُﺔ ﺍﻟﻔﺘﻨﺔ‪ ،‬ﻫﻲ ﻣﻨﺒ ُﻊ ﺍﻟﺨﻄﻴﺌﺔ‬‫ِ‬ ‫ﺭﺃﺱ‬
‫ﻭﺍﻟ ﱠﻠﻌﻨﺎﺕ‪ :‬ﻫﻲ ُ‬
‫ﻀﻤ ْﺖ ﺗﻠﻚ ﺍﻟﺘﻔﺎﺣﺔ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ ﻫ ْﺮ َﻭ ْ‬
‫ﻟﺖ ِﺑﻨﺎ‬ ‫ﺍﻷﻭﻟﻰ ﻳﻮ َﻡ ﺃﻥ َﻗ َ‬
‫ﻛﻞ ﻫﺬﻩ‬‫َﺎﻱ! ﱡ‬ ‫َﺎﻱ ﻳ ْ‬
‫ﺁﻱ ﻳ ْ‬
‫ﻠﺪ ﺇﻟﻰ ﺃﺭﺽ ﺍﻟﺒﻮﺍﺭ؟‪ْ «...‬‬ ‫ﺍﻟﺨ ِ‬‫ﻋﻤﻮﺩﻳّﴼ ﻣﻦ ﺟ ﱠﻨ ِﺔ ُ‬
‫ﺮﻭﺏ ﻭﺑﻼﻳﺎ ﻭﻣﺠﺎﻋﺎﺕ‪...‬‬ ‫ﺍﻷﺭﺿﻴﺔ ﻏﻴﺮ ﺍﻟﻤﺘﻨﺎﻫﻴﺔ ﻣﻦ ُﺣ ٍ‬ ‫ﱠ‬ ‫ﺍﻟﺸﻘﺎﺀﺍﺕ‬
‫ِ‬
‫ﺟﺪ ِﺗﻨﺎ ﺣﻮﺍﺀ!‬
‫ﻌﺎﺏ ﱠ‬ ‫ُ‬ ‫ْ‬ ‫َ‬ ‫َ‬
‫ﺃﺟﻞ ﺗ ﱠﻔﺎﺣ ٍﺔ ﺑﺴﻴﻄﺔ ﺍﺳﺎﻟﺖ ﻟ َ‬ ‫ُ‬ ‫ﻣﻦ ِ‬

‫ﺫﻛﻮﺭﻳ ٌﺔ‬
‫ﱠ‬ ‫ٌ‬
‫ﻭﺃﻃﺮﻭﺣﺎﺕ‬ ‫ﻂ ُﻣ ُ‬
‫ﻔﺮﻁ ﺍﻻﺩﻋﺎﺀ‬ ‫ﺷﻄ ٌ‬
‫ﻛﻞ ﺫﻟﻚ َ‬‫ﻧﻌﻢ‪ ،‬ﱡ‬ ‫ْ‬
‫ُﻣﺨﺘﺎﻟ ٌﺔ ﺑﺎﻟﻨﻔﺲ ﻟﻴﺲ ﺇﻻ‪ .‬ﻷﻥ ﺍﻟﺤﻴﺎ َﺓ ُ‬
‫ﻣﻠﻚ ﺍﻟﻤﺮﺃﺓ! ﺍﻟﻤﺮﺃﺓ ﻣ ِﻠﻜ ُﺔ‬
‫ﻭﻛﺘﺎﺑُﻪ!‬ ‫ﻧﺒﺮﺍﺳﻪ‪ ،‬ﻭﻋﺎﺅ ُﻩ ِ‬
‫ُ‬ ‫ﻫﻲ‪ ،‬ﱠﺃﻭ ً‬
‫ﻻ ﻭﺃﺧﻴﺮﴽ‪ ،‬ﺟﺬﻭ ُﺓ ﺍﻟﻌﺸﻖ‪،‬‬ ‫ﺍﻟﺤﻴﺎﺓ! َ‬
‫ﻗﻮﺓ ﻟﻠﺮﺟﻞ ﺩﻭﻥ ﺭﻏﺒ ِﺘﻬﺎ‪ ،‬ﺩﻭﻥ‬ ‫ﺳﻔﻴﻨﺘ ُﻪ ﻭﻗﺒﻄﺎﻧﻪ! ﺇﺫ ﻻ ﺣﻮﻝ ﻭﻻ ﱠ‬
‫ﺧﻠﺠﺎﺕ‬
‫ِ‬ ‫ﻭﺗﻔﺎﻋ ِﻠﻬﺎ‪ ،‬ﺩﻭﻥ ﺭﻃﻮﺑ ِﺔ ﺃﺣﺎﺳﻴﺴﻬﺎ ﻭﺭ ﱠﻗ ِﺔ ﻧﻈﺮﺍﺗﻬﺎ‪ ،‬ﺩﻭﻥ‬ ‫ُ‬ ‫ﻣﺪ ِﺩﻫﺎ‬
‫َ‬
‫ﺷﻬﻮ ِﺗﻬﺎ ﻭﺗ َﺒ ْﺮ ُﻋ ِﻢ ﺭﻏﺒﺎ ِﺗﻬﺎ‪...‬‬
‫ﺑﺸﻜﻞ ﺟﺎﺭﻑ‬ ‫ٍ‬ ‫ﺍﻷﻧﺜﻮﻳﺔ‬
‫ﱠ‬ ‫ﺃﻋﺸﻖ ﻟﺤﻈ َﺔ ﺍﻟﺸﻬ َﻘﺔ‬ ‫ُ‬ ‫ّ‬
‫ﻛﻼ!‬
‫ﺃﺟ ُﺪ َﻟ ﱠﺬ ًﺓ ﻫﺎﺋﻠ ًﺔ ﺑﺮﺅﻳﺘﻬﺎ ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ!‬ ‫ﻷﺳﺒﺎﺏ ﺃﺟﻬ ُﻠﻬﺎ ﺗﻤﺎﻣﴼ‪ِ .‬‬ ‫ٍ‬
‫َ‬ ‫ّ‬
‫ﻫﻲ ﻣﺎ ﻛﻨﺖ ﺃﺗﻮﺧﺎ ُﻩ ﻣﻦ ﻏ َﺴ ِﻖ ﻭﺍﺩﻱ ﺭﻡ‬ ‫ُ‬ ‫ُ‬
‫ﺃﺣﺘﺎﺟﻬﺎ ﺩﻭﻣﴼ‪ ...‬ﺃﻋﺘﺮﻑ‪َ :‬‬ ‫ُ‬
‫ﺍﻟﻬﻼﻝ ﺍﻟﺨﺼﻴﺐ ﺍﻟﻤﻴﺜﻮﻟﻮﺟﻴﺔ! ﺗﻤ ﱠﻨ ْﻴ ُﺖ‬ ‫ِ‬ ‫ﺩﻳﺎﺭ‬
‫ﺍﻟﻤﻬﻴﺐ‪ ،‬ﻓﻲ ِ‬ ‫ﺪﺳﻲ ُ‬ ‫ﺍﻟ ُﻘ ﱢ‬
‫ﺍﻟﺤﻤﻴﻤﻲ ﻹﻟﻬﺎﻡ ﺑﺎﻻﺳﺘﺮﺧﺎﺀ ﻭﺍﻻﻧﺒﺴﺎﻁ‬ ‫ﱡ‬ ‫ﻳﺴﻤﺢ ﺫﻟﻚ ﺍﻟﺠ ﱡﻮ‬ ‫َ‬ ‫ﺃﻥ‬
‫ﻭﺁﻻﻣﻬﺎ ﺍﻟﺪﻓﻴﻨﺔ‪ ،‬ﺑﺎﻟﺘﺤ ﱡﺮ ِﺭ ﻣﻦ‬ ‫ِ‬ ‫ﺮﺍﺣﻬﺎ‬‫ﻨﺴﻴﺎﻥ ِﺟ ِ‬
‫ِ‬ ‫ﻭﺻﻔﺎﺀ ﺍﻟﺴﺮﻳﺮﺓ‪ِ ،‬ﺑ‬
‫ﺍﻟﺘﻮﺣ ِﺪ‬
‫ﱡ‬ ‫ﺑﺎﻟﺘﻮﺣ ِﺪ ﺍﻟﻄﻮﻳﻞ‪،‬‬
‫ﱡ‬ ‫ﺑﺨ ْﻠ ِﻊ ﻋﺮﺍﻗﻴﻠﻬﺎ ﺍﻷﺯﻟ ّﻴﺔ‪،‬‬ ‫ﻛﻮﺍﺑﺤﻬﺎ‪َ ،‬‬
‫ﻻﺳﻴﻤﺎ ﻭﺃ ﱠﻧﻬﺎ ﻓﻲ ﺭﺣﻠ ٍﺔ ﺃﺧﻴﺮ ٍﺓ ﻓﻲ ﺫﻛﺮﻯ ﺗﻌﺎ ُﺭ ِﻓﻨﺎ‬ ‫ﺍﻟﻜﺜﻴﻒ ﺍﻟﺠﺎﺭﻑ‪ ...‬ﱠ‬
‫)ﻓﻀ َﻠ ْﺖ ﻫﻲ ﺩﻭﻣﴼ‬ ‫َﺤ ِﺮ ﱠﻳ ٍﺔ ﱠ‬‫ﺍﻟﻌﺎﺷﺮ ﻓﻲ ‪ 20‬ﺃﻛﺘﻮﺑﺮ ‪ِ ،1999‬ﻟﻤﺪﻳﻨ ٍﺔ ﺑ ْ‬
‫ﻧﺤﺘﻔﻆ ﺑﺎِ ْﺳ ِﻤﻬﺎ‪» :‬ﻡ‪ِ «...‬ﻟﺬﺍﻛﺮﺗﻨﺎ ﺍﻟﺨﺎﺻﺔ‪ ،‬ﻟﻨﺎ َﻭﺣﺪﻧﺎ ﻓﻘﻂ!(‪،‬‬ ‫َ‬ ‫ﺃﻥ‬
‫ﻛﺎﻧﺖ ﺃﻛﺜﺮ ﺍﻧﻄﻼﻗﴼ ﻭﺗﺤ ﱡﺮﺭﴽ ﻣﻦ ﻗﻴﻮ ِﺩﻫﺎ ﺍﻟﻌﺘﻴﺪﺓ‪ .‬ﺃﻛﺜ َﺮ ُﺣﻀﻮﺭﴽ‬ ‫‪58‬‬
‫ﺍﻟﺼﻮﻓﻴﺔ‪ ،‬ﺃﻛﺜ َﺮ‬
‫ﱠ‬ ‫ﻘﺘﺮﺏ ﻣﻦ ﻣﻘﺎﻣﺎﺕ ﺗﻠﻚ ﺍﻟﺸﻬﻘ ِﺔ‬ ‫ﻛﺎﺩﺕ َﺗ ُ‬ ‫ْ‬ ‫ﻭﺗﺤﻠﻴﻘﴼ‪.‬‬
‫َ‬
‫ﺃﺗﻮﺍﻥ‬ ‫ﺃﻱ ِﺳ ْﺤ ٍﺮ ﺗﻤﺘ ِﻠ ُﻜ ُﻪ ﻣﺪﻳﻨ ُﺔ »ﻡ‪ «...‬ﺍﻟﺘﻲ ﻟﻢ‬ ‫ﻭﻗﺖ ﺁﺧﺮ! ﱡ‬ ‫ﺃﻱ ٍ‬ ‫ﻣﻦ ﱢ‬
‫ﻋﻦ ﺩﻋﻮ ِﺓ ﺇﻟﻬﺎﻡ ﻟﻠﻌﻮﺩﺓ ﺇﻟﻴﻬﺎ‪ ،‬ﻓﻲ ﺃﻏﺴﻄﺲ ﺍﻟﻘﺎﺩﻡ‪ 14 ،‬ﺃﻏﺴﻄﺲ‬
‫ﻓﺮﺣ ْﺖ‬
‫ﺍﻟﺨﺎﻣﺲ ﻭﺍﻟﺜﻼﺛﻴﻦ؟‪َ ...‬‬ ‫ِ‬ ‫‪ ،2000‬ﻟﻼﺣﺘﻔﺎﻝ ﺑﻌﻴﺪ ﻣﻴﻼ ِﺩﻫﺎ‬
‫ﻓﺮﺣﺖ ﺃﻛﺜﺮ ﻣﻨﻬﺎ ﻷﻧﻲ ﺃﻋﺸﻖ‬ ‫ُ‬ ‫ْ‬
‫ﻭﻭﺍﻓﻘﺖ ﺩﻭﻥ ﺗﺮﺩﱡﺩ!‪...‬‬ ‫ﻛﺜﻴﺮﴽ ﺑﺎﻟﺪﻋﻮ ِﺓ‬
‫ﺃﺟﻤﻞ‬
‫ِ‬ ‫ﺍﻟﻤﻔﻀﻠﺔ‪ ،‬ﻣﺪﻳﻨﺔ‬‫ﱠ‬ ‫ﻣﺪﻳﻨ َﺔ »ﻡ‪ ،«...‬ﻣﺪﻳﻨ ُﺔ ﺍﻟﻤﻴﻌﺎﺩ‪ ،‬ﻣﺪﻳﻨﺔ ﺇﻟﻬﺎﻡ‬
‫ﺍﻟﻤﺘﺨﺸﺒﺔ‬
‫ﱢ‬ ‫ﻋﺎﺩﺕ ﻣﻦ ﺟﺪﻳﺪ ِﻟ ُﻄ ِ‬
‫ﻘﻮﺳﻬﺎ‬ ‫ﻟﺴﺖ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ْ‬ ‫ﺷﻬﻘﺎ ِﺗﻬﺎ!‪ُ ...‬‬
‫ﱟﺮ ﻳﻨﻄﻤ ُﺮ ﻓﻲ‬ ‫ﺃﻱ ِﺳ‬‫ﺑﻌﺪ ﺭﺟﻮﻋﻨﺎ ﻣﻦ ﺗﻠﻚ ﺍﻟﻤﺪﻳﻨﺔ ﺇﻟﻰ ﺍﻟﻤﻨﺰﻝ؟ ﱡ‬
‫ﺣﺪﺙ‬
‫ٍ‬ ‫ﻛﻮﺍﻟﻴﺲ ﺣﻴﺎﺗﻬﺎ؟ ﱡ‬
‫ﺃﻱ‬ ‫ِ‬ ‫ﺭﺃﺳﻬﺎ ﻭﻓﻲ‬ ‫ﺃﻋﻤﺎ ِﻗﻬﺎ ﻭﻣﺎﺫﺍ ﻳﺪﻭ ُﺭ ﻓﻲ ِ‬
‫ﻛﺪ َﺭﻫﺎ ﻣﻦ ﺟﺪﻳﺪ؟‪...‬‬ ‫ﻣﺠﻬﻮﻝ ﱠ‬ ‫ٍ‬

‫ﺃﺻﺒﺤﺖ ُ‬
‫ﺃﺗﻮﻕ‬ ‫ُ‬ ‫ﻓﺴ َﺮ ﻛﻴﻒ‬ ‫ُ‬
‫ﻳﻠﺰﻣﻨﻲ ﺃﻥ ﺃﺗﺠﺮﺃ ﻛﺜﻴﺮﴽ ِﻷ ﱢ‬
‫ﺟﻨﻮﻧﻲ ِﻟﺮﺅﻳ ِﺔ ﺗﻠﻚ ﺍﻟﺸﻬﻘﺔ ﻓﻲ ﻋﻴﻨﻴﻲ ﺇﻟﻬﺎﻡ‪ ،‬ﻭﻟﻤﺎﺫﺍ ﻳُﻘﻬﺮﻧﻲ‬
‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬
 ‫ُﻌﺬﺑُﻨﻲ ﻛﻮ ُﻧﻬﺎ ﺻﻌﺒ َﺔ ﺍﻟﻤﻨﺎﻝ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻬﺎ‪ ،‬ﺇﻥ ﻟﻢ ﺃ ُﻗ ْﻞ ﻏﺎﺋﺒ ًﺔ‬
‫ﺑﻞ ﻳ ﱢ‬
‫ﺍﻟﻤﻔﺎﺻﻞ‬
‫ِ‬ ‫َ‬
‫ﺗﻤﺎﻣﴼ‪ ...‬ﻳﻠﺰﻣﻨﻲ ﺇﺫﻥ ﺃﻥ ﺃﻏﻤﺾ ﻋﻴﻨﻴﻲ ﻭﺃﺑﻮﺡ ﺑﺒﻌﺾ‬
‫ﺍﻟﻬﺎﻣ ِﺔ ﻓﻲ ﺣﻴﺎﺗﻲ ﺍﻟﻌﺎﻃﻔﻴﺔ ﺍﻟﺴﺎﺑﻘﺔ ِﻹﻟﻬﺎﻡ!‬
‫ﱠ‬

‫‪59‬‬
‫ﻏﺮﺍﻣﻲ ﺍﻟﺤ ّﺮ‪،‬‬
‫َ‬ ‫ﻏﺮﺍﻣﻲ ﺍﻷﻭﻝ‪ ،‬ﺍﻷﻗﻮﻯ‪ ،‬ﺍﻷﻛﻤﻞ‪...‬‬ ‫َ‬ ‫ُ‬
‫ﻋﺸﺖ‬
‫ﺍﻟﻨﻘﻲ‪ ...‬ﻣﻊ ﺃ ِﻟ ْﻴﺲ‪ ،‬ﻓﻲ ﺑﺪﺍﻳﺔ ﱠﺃﻭ ِﻝ ﺳﻨ ٍﺔ‬ ‫ّ‬ ‫ﺍﻟﻄﺎﺋﺶ‪ ،‬ﺍﻟﻌﺎﺻﻒ‪،‬‬
‫ﺟﺎﻣﻌﻴﺔ‪.‬‬
‫ﱢ‬
‫ُ‬
‫ﺃﻗﺼﺪ‪:‬‬ ‫ﻋﺸﻖ ﻣﺎ ﻗﺒﻞ ﺍﻟﻤﻴﻼﺩ!‬ ‫ﻋﻤﺎ ﻗﺒﻞ ﺇ ِﻟﻴﺲ‪ُ :‬‬ ‫ﺃﺗﺤﺪﺙ ّ‬‫ﱠ‬ ‫ﻟﻦ‬
‫ﻋﺸﻖ ﺑﻼ ﺷﻬﻘﺎﺕ ﻋﺪﺍ ﺷﻬﻘﺔ ﺍﻟﺤﺮﻣﺎﻥ‬ ‫ﻋﺪﻥ! ٌ‬ ‫ﻋﺸﻖ ﻃﻔﻮﻟ ِﺔ َ‬ ‫ُ‬ ‫ﻋﺒﻴﺮ‪،‬‬
‫ﺍﻟﻤﺨﻔﻴﺔ‪ ،‬ﺍﻹﺷﺎﺭﺍﺕ‬ ‫ﱠ‬ ‫ﻋﺸﻖ ﺍﻟﺪﻫﺎﻟﻴﺰ‪ ،‬ﺍﻟﺮﺳﺎﺋﻞ‬ ‫ﻭﺍﻷﺷﻮﺍﻕ ﻭﺍﻟﻌﺬﺍﺑﺎﺕ! ُ‬ ‫‪60‬‬
‫ﻭﻛﺜﺒﺎﻥ‬
‫ِ‬ ‫ﺍﻟﺴﺮﻳﺔ‪ ،‬ﺍﻻﻧﺘﻈﺎﺭﺍﺕ ﺍﻟﻄﻮﻳﻠﺔ‪ ،‬ﻣﻮﺍﻋﻴﺪ ﺍﻷﺭﻛﺎﻥ ﺍﻟﺒﻌﻴﺪﺓ‬ ‫ﱠ‬
‫َﺖ ﻋﺎﺋﻠ ُﺔ ﻋﺒﻴﺮ ﺧﺎﺭﺝ ﺟﻨﻮﺏ‬ ‫ﺸﻖ ﻣﺬﺑﻮﺡ‪ :‬ﻫﺮﺑ ْ‬ ‫ﺧﺎﺭﺝ ﺍﻟﻤﺪﻳﻨﺔ‪ِ ...‬ﻋ ٌ‬
‫ﻋﺪﻥ )ﺍﻟﺘﻲ ﺟ َﺜ َﻤ ْﺖ ﻋﻠﻴﻬﺎ‬ ‫ﺍﻟﻴﻤﻦ‪ ،‬ﺫﺍﺕ ﻟﻴﻠ ٍﺔ ﻣﻦ ﻟﻴﺎﻟﻲ ﺑﺪﺍﻳ ِﺔ ﺳﺒﻌﻴﻨﺎﺕ َ‬
‫ﺗﺪ ِﻋﻲ ﺍﻟﻤﺎﺭﻛﺴﻴﺔ‪ ،‬ﻗﺒ ِﻠ ﱠﻴ ٌﺔ ﻧﺼﻒ ﺃُ ﱢﻣﻴ ٍﺔ ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪.‬‬ ‫ٌ‬
‫ﻗﻴﺎﺩﺍﺕ ﱠ‬ ‫ﺣﻴﻨﺬﺍﻙ‬
‫ْ‬ ‫َ‬
‫ﻋﺪ َﻥ ﺳﻨﺔ ﺑﻌﺪ ﺳﻨﺔ‪ ،‬ﻭﺃﻭﺻﻠﺘﻬﺎ ﺇﻟﻰ‬‫ً‬ ‫ﺍﺳﺘﻨ َﺰ َﻓ ْﺖ ﺻﺮﺍﻋﺎﺗﻬﺎ ﻭﺳﻴﺎﺳﺎﺗﻬﺎ َ‬
‫ُ‬ ‫ُ‬
‫ﻭﺃﻛﺜﺮﻫﺎ ﻏﺪﺭﴽ‬ ‫ِ‬ ‫ﺣﺮﻭﺑﻬﺎ‬
‫ِ‬ ‫ﺃﺑﺸﻊ‬
‫ِ‬ ‫ﺃﻋﻠﻰ ﺩﺭﺟﺎﺕ ﺍﻷﻧﻴﻤﻴﺎ‪ ،‬ﻻﺳ ّﻴﻤﺎ ﺑﻌﺪ‬
‫َﺖ ﻋﺎﺋﻠ ُﺔ ﻋﺒﻴﺮ ﻋﻘﺐ »ﺍﻟﺴﺒﻊ‬ ‫ﻭﺷﺮﺍﺳﺔ ﻓﻲ ﻳﻨﺎﻳﺮ ‪ (...1986‬ﻫﺮﺑ ْ‬
‫ﻋﺪﻥ ﻭﺃﺭﻳﺎ ِﻓﻬﺎ‬ ‫ﺣﻮ َﻟﺖ ﺍﻟﺤﻴﺎ َﺓ ﻓﻲ َ‬
‫ﺍﻷﻳﺎﻡ ﺍﻟﻤﺠﻴﺪﺓ« ﻓﻲ ‪ 1972‬ﺍﻟﺘﻲ ﱠ‬
‫ْ‬
‫ﺍﻧﺘﻬﺖ ﺍﻟﻘﺼﺔ!‬ ‫ﺺ ﻣﺠﺎﻧﻴﻦ!‪...‬‬ ‫ﺇﻟﻰ ﻣ ْﺮ َﻗ ِ‬
‫ﻟﺬ ٍﺓ ﻫﺎﺭﺑﺔ‪ ،‬ﻫﻮﺍﺋﻴ ٍﺔ ﻣﺤﻀﺔ‪ ،‬ﺩﻭﻥ‬ ‫ﺃﺗﺤﺪﺙ ﺃﻳﻀﴼ ﻋﻦ ﻧﺰﻭ ِﺓ ّ‬ ‫ﱠ‬ ‫ﻟﻦ‬
‫ُ‬
‫ﻭﺻﻠﺖ‬ ‫ﺃﻗﺼﺪ ﻧﺰﻭ َﺓ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺍﻟﺘﻲ‬ ‫ُ‬ ‫ﺃﺩﻧﻰ ﺷﻬﻘﺔ ﺇﻻ ﺷﻬﻘﺔ ﺍﻟﻔ َﺮﺡ!‬
‫ﻓﻴﻬﺎ ﺟﻴﺒﻮﺗﻲ ﻓﻲ ‪ 1974‬ﻣﻊ ﺻﺪﻳﻘﻲ ﺍﻟﺬﻱ ﺭﺍﻓﻘ ُﺘ ُﻪ ﻟﻔﺮﻧﺴﺎ ﻭﺃﻧﺎ‬
‫ﺟﻮﻉ ﺍﻟﺤﻮﺍﺱ‪،‬‬ ‫ﺷﺎﺑﻴﻦ‪ ،‬ﺗﻌﻮﻱ ﻓﻴﻬﻤﺎ ﺫﺋﺎﺏ ِ‬ ‫ﻓﻲ ﺍﻟﺜﺎﻣﻨﺔ ﻋﺸﺮﺓ‪ .‬ﻛ ّﻨﺎ ﱠ‬
 ‫ﻣﺮ ٍﺓ ﻓﻲ‬ ‫ﻷﻭ ِﻝ ﱠ‬ ‫ﺃﻳﺎﻡ ﺍﻻﻧﻄﻼﻕ ﻭﺍﻟﺤﺮﻳّﺔ! ﻫﺎﻫﻤﺎ ﱠ‬ ‫َ‬
‫ﻳﻌﻴﺸﺎﻥ ﺑﺎﻛﻮﺭﺓ ِ‬
‫ﺮﻳﺔ ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ ﻻ‬ ‫ﺍﻟﺤ ﱠ‬ ‫ﺭﻗﻴﺐ ﺃﻭ ﻋﺘﻴﺪ‪ ،‬ﻳﻌﻴﺸﺎﻥ ﺳﻜﺮ َﺓ ُ‬ ‫ﺣﻴﺎﺗﻬﻤﺎ ﺩﻭﻥ ٍ‬
‫ﻳﻤﻜﻦ ﻣﻘﺎﻭﻣﺘﻬﺎ!‪...‬‬ ‫ُ‬
‫ﺍﻟﻔﻨﺪﻕ ﺟﻤﻴﻞ‪ ،‬ﻭﺍﻟﻔﺘﺎ ُﺓ‬ ‫ُ‬ ‫ﺟﺴﺪﻱ ﻟﻲ!‬
‫ﱟ‬ ‫ﻛﺎﻧﺖ ﱠﺃﻭ َﻝ ﻟﻴﻠ ِﺔ ٍ‬
‫ﻋﺸﻖ‬
‫ﺟﺪﴽ‪ ،‬ﻋﺬﺑ ٌﺔ ﺭﺍﺋﻌﺔ! ﺷﺪﻳﺪ ُﺓ ﺍﻟﺮﺷﺎﻗﺔ ﻭﺍﻟﺪﻻﻝ!‬ ‫ﺍﻟﺤﺒﺸ ّﻴ ُﺔ ﻣﻠﻴﺤ ٌﺔ ّ‬
‫ﻨﻔﺲ ﻋﻤﺮﻱ‪ ...‬ﻟﻢ ﺃﻋﺮﻑ ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺃﻛﺜﺮ ﻣﻦ‬ ‫ﺍﺳﻤﻬﺎ‪ُ :‬ﺩ ْﻧ َﻴﺎ‪ِ ،‬ﺑ ِ‬ ‫ُ‬
‫ﺍﻛﺘﺸﺎﻑ‬
‫ِ‬ ‫َﺸﺮ ٍﺓ ﻋﺎﺭﻳﺔ‪،‬‬ ‫ﺲﺑَ‬‫ﺭﻗﻴﻖ ﺷ ﱠﻔﺎﻑ‪َ ،‬ﻟ ْﻤ ِ‬
‫ﺃﻧﺜﻮﻱ ٍ‬ ‫ﱟ‬ ‫ﺟﺴﺪ‬
‫ٍ‬ ‫ﺲ‬ ‫ﻟﺬ ِﺓ ﺗﻨ ﱡﻔ ِ‬
‫ﱠ‬
‫ْﻦ ﻓﺎ ِﺗ َﻨ ْﻴﻦ‪...‬‬‫ْﺪﻳ ِ‬ ‫ﺟﻐﺮﺍﻓﻴﺔ ﺍﻷﻋﻀﺎﺀ ﺍﻟﺤﻤﻴﻤﻴﺔ ﻭﺍﻟﻮ َﻟ ِﻪ ِﺑ ِ‬
‫ﺠﻤﺎﻝ ﺗﻜ ﱡﻮ ِﺭ ِ َﻧﻬ َ‬
‫ﺍﻟﺮﺍﺋﻖ‬
‫ِ‬ ‫ﺍﻟﻜﺮﻳﻢ‬
‫ِ‬ ‫ﺍﻟﺠﺴﺪ‬
‫ِ‬ ‫ﺍﻟﻤﺮﺗﺒﻚ ﻓﻲ ﺫﻟﻚ‬
‫ِ‬ ‫ﻭﺍﻻﻟﺘﺤﺎﻡ‬
‫ِ‬ ‫ﻗﺒﻞ ﺍﻟﺘﻤ ﱡﺮ ِﻍ‬
‫ﺍﻟﻤﻀﻴﺎﻑ!‪...‬‬
‫ﻭﻫﺒ ُﺘﻬﺎ ﺃﻛﺜﺮ ﻣﻤﺎ ﻃ َﻠ َﺒ ْﺘ ُﻪ ﻣﻦ ﻧﻘﻮﺩ ﻷﻧﻬﺎ ﻛﺎﻧﺖ ﻓﻲ ﻏﺎﻳﺔ‬
‫ﺍﻟﻤﻨﻬﺠﻴﺔ‪ ،‬ﻓﻲ ﻏﺎﻳ ِﺔ ﺍﻷﺩﺏ ﺃﻳﻀﴼ! ﻧﺎﻫﻴﻚ ﺃﻧﻬﺎ‬ ‫ﱠ‬ ‫ﺍﻟﻄﻴﺒﺔ‪ ،‬ﻓﻲ ﻏﺎﻳﺔ‬
‫‪61‬‬ ‫ﻬﺖ ﻛﻞ ﺷﻲﺀ! َﻣ ْﺪ َﺭ َﺳ ٌﺔ ﺣﻘﻴﻘﻴﺔ!‪...‬‬ ‫ﻫﻲ ﺍﻟﺘﻲ ْ‬
‫ﻗﺎﺩﺕ ﻭ َﺑ ْﺮ َﻣ َﺠ ْﺖ ﻭ َﻭ ﱠﺟ ْ‬
‫ﻭﺇﺑﺪﺍﻋﻬﺎ ﺃﺛﻨﺎ َﺀ‬‫ِ‬ ‫ﻟﻦ ﺃﺳﺘﻄﻴﻊ ﺷﻜ َﺮﻫﺎ ﺑﻤﺎ ﻓﻴﻪ ﺍﻟﻜﻔﺎﻳﺔ ﻋﻠﻰ ﺭ ﱠﻗ ِﺘﻬﺎ‬
‫ﻷﻭ ِﻝ ﻣ ّﺮﺓ‪ ...‬ﻭﻋﻠﻰ‬ ‫ﺟﺴﺪ ﺍﻷﻧﺜﻰ ﱠ‬ ‫َ‬ ‫ُ‬
‫ﻳﻜﺘﺸﻒ‬ ‫ﱟﻲ ﺟﺎﺋﻊ‬ ‫ﺷﺎﺏ ﺃُ ﱢﻣ‬
‫ﱟ‬ ‫ﻓﺾ ﺑﻜﺎﺭ ِﺓ‬ ‫ﱢ‬
‫ُﻗ ْﺒ َﻠ ِﺘﻬﺎ ﺍﻷﺧﻴﺮﺓ ﻟﻲ ﻭﻫﻲ ﺗﻮ ﱢﺩ ُﻋﻨﻲ ﻗﺮﺏ ﺑﺎﺏ ﺍﻟﻔﻨﺪﻕ! ﻗﺒﻠ ٌﺔ ﺟﻤﻴﻠ ٌﺔ‬
‫ﺷﻌﺮﺕ ﺑﻌﺪﻫﺎ ﺃﻧﻲ‬ ‫ُ‬ ‫ﻃﻮﻳﻠﺔ ﻋﻠﻰ ﺍﻟﺸﻔﺘﻴﻦ‪ ،‬ﺃﻣﺎﻡ ﺍﻟﻤﻸ‪ ،‬ﻭﺳﻂ ﺍﻟﺸﺎﺭﻉ‪،‬‬
‫ُ‬
‫ﺗﺄﺧﺬ ﺗﺎﻛﺴﻲ ﻳﻘﻮﺩُﻫﺎ ﻟﻠﻤﻘﻬﻰ ﺍﻟﺬﻱ ﻭﺟﺪﺗﻬﺎ‬ ‫َ‬ ‫ﺇﻧﺴﺎ ٌﻥ ﺁﺧﺮ! ﻗﺒﻞ ﺃﻥ‬
‫ﺍﻟﺸﺎﺏ‬
‫َ‬ ‫ﺯﺑﻮﻥ ﺁﺧﺮ!‪ ...‬ﻟﻢ ﺃﻧﺲ ﻓﻲ ﻗﺮﺍﺭﺗﻲ ﺃﻥ ﺍﺷﻜﺮ ﺃﻳﻀﴼ‬ ‫ﺑﺎﻧﺘﻈﺎﺭ ٍ‬
‫ٍ‬ ‫ﻓﻴﻪ‪...‬‬
‫ﺍﻟﻴﻤﻨﻲ‪ ،‬ﺍﻟﺬﻱ ﺭﺃﻳ ُﺘ ُﻪ ﻓﻲ ﺟﻴﺒﻮﺗﻲ ﺑﺎﻟﺼﺪﻓﺔ‪ ،‬ﻭﺍﻟﺬﻱ َﺩ ﱠﻟﻨﻲ ﻋﻠﻰ ﻣﻘﻬﻰ‬ ‫ّ‬
‫ﻫﺎﺩﺉ ﻓﺎﺧﺮ ﻟﻤﺤﺖ ﻓﻴﻪ ﻓﺎﺗﻨﺘﻲ ﺍﻟﺤﺒﺸ ّﻴﺔ ﺍﻟﺼﻐﻴﺮﺓ!‪...‬‬ ‫ُ‬ ‫ﺃﻭﺭﻭﺑﻲ ٍ‬ ‫ﱟ‬

‫ﺃﺟﻤﻞ ﻃﺎﻟﺒﺎﺕ ﺍﻟﺠﺎﻣﻌﺔ ﻗﺎﻃﺒ ًﺔ ﺑﺎﻋﺘﺮﺍﻑ‬ ‫َ‬ ‫ﻛﺎﻧﺖ ﺃ ِﻟ ْﻴﺲ‬

‫ﺃﺟﻤﻞ ﻃﺎﻟﺒ ٍﺔ ﺭﺃﻳ ُﺘﻬﺎ ﺃﺛﻨﺎﺀ ﺣﻴﺎﺗﻲ ﺍﻟﺪﺭﺍﺳﻴﺔ‪ ،‬ﺇﻥ ﻟﻢ ﺃَ ُﻗﻞ‬
‫َ‬ ‫ﺍﻟﺠﻤﻴﻊ‪،‬‬
‫ﻛﻞ ﺷﻲ ٍﺀ‬‫ﻭﺭﺃﻳﺘﻬﻦ ﻓﻲ ﺣﻴﺎﺗﻲ ﺣﺘﻰ ﺍﻟﻴﻮﻡ!‪ ...‬ﱡ‬
‫ﱠ‬ ‫ﻋﺮﻓﺘﻬﻦ‬
‫ﱠ‬ ‫َ‬
‫ﺃﺟﻤﻞ ﻣﻦ‬
‫ُ‬
‫ﻧﻈﺮﺍﺕ ﻋﻴﻨﻴﻬﺎ ﺍﻟﺰﺭﻗﺎﺀ‪،‬‬ ‫ﱡ‬
‫ﺍﻟﻤﻤﺘﺪ ﺣﺘﻰ ﺍﻟﻮﺭﻙ‪،‬‬ ‫َﺫ َﻫ ِﺒ ﱞﻲ ﻓﻴﻬﺎ‪ :‬ﺷﻌ ُﺮﻫﺎ‬
‫ﺃﺣﻼﻣﻬﺎ‪،‬‬
‫ُ‬ ‫ﺟﺴﺪﻫﺎ‪ ،‬ﺑﺮﺍﺀ ُﺗﻬﺎ‪،‬‬
‫ِ‬ ‫ِﺭ ﱠﻗ ُﺘﻬﺎ‪ ،‬ﻧﻘﺎﺅﻫﺎ‪ ،‬ﺻﻮ ُﺗﻬﺎ‪ ،‬ﺟﻔﻮ ُﻧﻬﺎ‪ ،‬ﱡ‬
‫ﻛﻞ‬
‫ﺍﺑﺘﺴﺎﻣ ُﺘﻬﺎ‪ ،‬ﺿﺤﻜﺎ ُﺗﻬﺎ‪...‬‬
‫ﻻ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﺍﺧﺘﺎﺭﺗﻨﻲ ﺃﻧﺎ ﺷﺨﺼ ّﻴﴼ ﻣﻦ ﺑﻴﻦ ﺳﺮﺍﻳﺎ ﻃﻠﺒﺔ‬
‫ﺑﻌﻀﻬﻢ ﻛﺜﻴﺮﴽ ﻣﻦ ﺍﻟﻤﻮﺍﺻﻔﺎﺕ ﺍﻟﺠﻤﺎﻟﻴﺔ‬ ‫ﻳﻤﺘﻠﻚ ُ‬‫ُ‬ ‫ﺍﻟﺠﺎﻣﻌﺔ ﺍﻟﺬﻳﻦ‬
‫ُ‬
‫ﻛﻨﺖ‬ ‫ﻭﺍﻟﺜﺮﺍﺋﻴﺔ ﻭﺍﻟﻔﻨ ّﻴﺔ ﻭﺍﻟﺮﻳﺎﺿﻴﺔ ﺍﻟﺘﻲ ﻻ ﺃﻣﺘﻠﻜﻬﺎ‪ ...‬ﺭﺑّﻤﺎ ﻷﻧﻲ‬
‫ﺷﺎﺏ ﻣﻦ ﻣﺪﻳﻨ ٍﺔ ﺑﻌﻴﺪ ٍﺓ‬ ‫ﺍﻟﺪﺭﺍﺳﻴﺔ‪ :‬ﱞ‬
‫ﱠ‬ ‫»ﺍﻟﻌﺼﻔﻮ َﺭ ﺍﻟﻨﺎﺩﺭ« ﻓﻲ ﺳﻨ ِﺘﻨﺎ‬
‫ﻋﺪﻥ! ﻻﺳ ّﻴﻤﺎ ﻭﺃﻥ ﻫﺪﻑ ﺣﻴﺎ ِﺓ ﺃ ِﻟ ْﻴﺲ )ﻭﻣﺄﺳﺎﺗﻲ‬ ‫ﻣﺠﻬﻮﻟ ٍﺔ ﺗﺜﻴ ُﺮ ُﻟﻌﺎﺑَﻬﺎ‪َ :‬‬
‫ﺍﻟﻜﺒﺮﻯ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ!( ﻛﺎﻥ ﻣﻐﺎﺩﺭﺓ ﻓﺮﻧﺴﺎ ﺇﻟﻰ ﺍﻷﺑﺪ‪ ،‬ﺑﺎﺗﺠﺎﻩ‬
‫ﺍﻟﻬﻨﺪ ﺃﻭ ﺍﻟﺸﺮﻕ ﺍﻷﻭﺳﻂ ﺃﻭ ﺃﻓﺮﻳﻘﻴﺎ ﺃﻭ ﺟﻨﻮﺏ ﺃﻣﺮﻳﻜﺎ‪...‬‬
‫ﺛﻤﺔ ﺃﺣﻼ ٌﻡ‬ ‫َ‬ ‫ﺃﺣﺒ ْﺖ ﺍﺳﻤﻲ‪ :‬ﻧﺸﻮﺍﻥ! ّ‬ ‫ﻫﻲ ﺃﻳﻀﴼ‪ ،‬ﻣﻦ ﱠﺃﻭ ِﻝ ﻳﻮﻡ‪ ،‬ﱠ‬
‫ﻓﺘﻴﺎﺕ‬
‫ِ‬ ‫ﺗﺸﺎﺑﻬﺎﺕ‬
‫ِ‬ ‫َ‬
‫ﺃﺟﻤﻞ‬ ‫ﻓﻴﻬﻦ ﺟﻤﻴﻌﴼ! ﻣﺎ‬ ‫ﻟﺬﻳﺬ ٌﺓ ﻳﻮ ِﻗ ُﻈﻬﺎ ﻫﺬﺍ ﺍﻻﺳ ُﻢ ﱠ‬
‫ُﺴﻤﻨﻲ‪:‬‬ ‫ﺣﻈﻲ ﺃﻥ ﻭﺍﻟﺪﻱ ﻟﻢ ﻳ ﱢ‬ ‫ﺴﻦ ﱢ‬ ‫ﺍﻷﺭﺿﻴﺔ ﺍﻟﺼﻐﻴﺮﺓ!‪ِ ...‬ﻟ ُﺤ ِ‬ ‫ﱠ‬ ‫ﻛﺮﺗﻨﺎ‬ ‫ُ‬
‫ﺻﺪﺍﻡ‪ ،‬ﺭﺍﺻﻊ‪َ ،‬ﻏ ْﺸ ِﻤﻲ‪ ،‬ﺟﺎﻋﻢ‪...‬‬ ‫ﻃﺎﺭﺵ‪ ،‬ﱠ‬ ‫‪62‬‬
‫ﺍﻧﻔﺘﺤ ْﺖ ﻣﺴﺎﻣ ُﻌﻪ ﻓﻲ ﺍﻟﻄﻔﻮﻟﺔ‬ ‫َ‬ ‫ﺟﻴﻞ‬
‫ٍ‬ ‫ﻛﺎﻧﺖ ﺃ ِﻟ ْﻴﺲ ﻣﻦ‬
‫ﻋﻠﻰ ﻫﺘﺎﻓﺎﺕ ﻣﺘﺎﺭﺱ ﺛﻮﺭﺓ ‪ 1968‬ﺍﻟﺸﺒﺎﺑ ّﻴﺔ ﺍﻟﻔﺮﻧﺴ ّﻴﺔ‪ ،‬ﻋﻠﻰ ﺃﺻﺪﺍ ِﺀ‬
‫ﺗﻄﻦ ﻓﻲ ﺭﺃﺳﻬﺎ‬ ‫ﺑﺘﻐﻴﻴﺮ ﺍﻟﺤﻴﺎﺓ‪ ،‬ﺑﺎﻟﺘﺤ ﱡﺮ ِﺭ ﻭﺍﻻﻧﻌﺘﺎﻕ‪ ...‬ﻛﺎﻧﺖ ﱡ‬ ‫ِ‬ ‫ﺷﻌﺎﺭﺍ ِﺗﻬﺎ‬
‫ﻭ ُﺗﺴ ِﻜ ُﺮﻫﺎ ﺗﻤﺎﻣﴼ ﺭﻏﺒ ُﺔ ﺍﻟﺘﻤ ﱡﺮ ِﺩ ﻭﺍﻟﺤﻴﺎﺓ ﺍﻟﺤ ّﺮﺓ‪ ،‬ﺩﻭﻥ ﻭﺻﺎﻳﺎ ﻭﻗﻴﻮ ٍﺩ ﺁﺗﻴ ٍﺔ‬
‫ﻓﻲ ﺍﻟﻐﺎﻟﺐ ﻣﻦ ﻇﻠﻤﺎﺕ ﺍﻟﻌﺼﻮﺭ ﺍﻟﻮﺳﻄﻰ ﻭﺟﺎﻫﻠﻴﺔ ﺍﻟﺘﻘﺎﻟﻴﺪ ﺍﻟﺪﻳﻨﻴﺔ‬
‫ﺍﻟﺮﺟﻌ ّﻴﺔ‪ ...‬ﻛﺎﻧﺖ ﻛﻤﺎ ﻳﺒﺪﻭ ﺗﻌﺮﻑ ﺗﻤﺎﻣﴼ ﺳﻴﺮ َﺓ ﺭﺍﻣﺒﻮ ﺍﻟﺬﻱ ﻋﺎﺵ‬
‫ﻋﺪﻥ ﻭﺍﻟﺤﺒﺸﺔ‪ ،‬ﻭﺑﻮﻝ ﻧﻴﺰﺍﻥ ﺍﻟﺬﻱ ﻫﺮﺏ ﻓﻲ ﺍﻟﻌﺸﺮﻳﻦ ﻣﻦ ﺍﻟﻌﻤﺮ‬ ‫ﻓﻲ َ‬
‫ﻋﺪﻥ! ﻟﻜﻨﻬﺎ ﻛﺎﻧﺖ‬ ‫»ﺟﺤﻴﻤ ِﻪ ﺍﻟﺒﺮﺟﻮﺍﺯﻱ« ﻓﻲ ﺑﺎﺭﻳﺲ ﺇﻟﻰ‪َ ...‬‬ ‫ِ‬ ‫ﻣﻦ‬
‫ﱟﻱ‪،‬‬ ‫ﻀﻮ‬
‫ﺑﺸﻜﻞ ُﻋ ِ‬ ‫ٍ‬ ‫ﺗﺜﻖ ﺃﻧﻬﺎ ﻟﻦ ﺗﻌﻮ َﺩ ﻣﺜﻠﻬﻤﺎ ﺇﻟﻰ ﻓﺮﻧﺴﺎ‪ ،‬ﻷﻧﻬﺎ ﺗﻨﺘﻤﻲ‬ ‫ُ‬
‫َﺪ ّﻱ‪ ،‬ﺇﻟﻰ ﻣﺠﺘﻤﻌﺎﺕ ﺍﻟﺸﻤﺲ‪ ،‬ﺇﻟﻰ ﺑﻠﺪﺍﻥ ﺍﻟﺴﻤﺎﻭﺍﺕ ﺍﻟﺰﺭﻗﺎﺀ‬ ‫ﱟﻲ‪ ،‬ﺃَﺑ ِ‬‫َﺭ ِﺣ ﱢﻤ‬
‫ﺍﻟﻤﻀﻴﺌﺔ ﺩﻭﻣﴼ!‪...‬‬
‫ﺟﺪ ِﺗﻬﺎ‪.‬‬
‫ﻣﻨﺰﻝ ﻓﻲ ﺷﺮﻕ ﺑﺎﺭﻳﺲ ﻣﻊ ﱠ‬ ‫ٍ‬ ‫ُ‬
‫ﺗﺴﻜﻦ ﻓﻲ‬ ‫ﻛﺎﻧﺖ‬
‫ﻳﻦ ﻳﻌﻴﺸﺎﻥ ﻗﺮﺏ ﻣﺪﻳﻨﺔ ﺍﻟﻬﺎﻓﺮ ﺍﻟﻮﺍﻗﻌ ِﺔ ﻋﻠﻰ ﺑﺤﺮ‬ ‫ﻠﺬ ِ‬ ‫ِﻟﻮﺍﻟﺪﻳﻬﺎ ﺍ ﱠﻟ َ‬
 ‫ﺗﺤﺐ‬
‫ﱡ‬ ‫ﺍﻟﻤﺎﻧﺶ ﻓﻲ ﺷﻤﺎﻝ ﻓﺮﻧﺴﺎ‪َ ،‬ﺿ ْﻴ َﻌ ٌﺔ ﺯﺭﺍﻋ ّﻴ ٌﺔ ﻛﺒﻴﺮﺓ‪ .‬ﻟﻢ ﺗﻜﻦ‬
‫ﻛﻞ ﺷﻲ ٍﺀ‬ ‫ﺇﻃﻼﻗﴼ ﺣﻴﺎﺗﻬﻤﺎ ﺍﻟﺮﻳﻔﻴﺔ‪ ،‬ﻭﻻ ﺣﻴﺎﺗﻬﺎ ﺍﻟﺒﺎﺭﻳﺴﻴﺔ ﺃﻳﻀﴼ‪ .‬ﱡ‬
‫ﻳُﻐﻴﻈﻬﺎ ﻓﻲ ﺑﻠﺪﺍﻥ ﺍﻟﻐﺮﺏ‪ :‬ﺍﻟﺒﺮﺩ‪ ،‬ﺍﻟﻤﻄﺮ‪ ،‬ﺍﻟﻔﺮﺩﺍﻧﻴﺔ ﻭﺍﻟﺬﺍﺗﻴﺔ‬
‫ﺍﻟﺴ ﱠﺮﺓ‪ ،‬ﺍﻻﻧﻄﻮﺍﺋﻴﺔ‪،‬‬ ‫ﺍﻟﺸﺪﻳﺪﺓ‪ ،‬ﺍﻷﻧﺎﻧﻴﺔ ﺍﻟﺒﺮﺟﻮﺍﺯﻳﺔ‪ ،‬ﺍﻟﺘﻌﺎﻟﻲ‪ ،‬ﻣﻮ ِﻗﻊ ﱡ‬
‫ﺍﻹﺳﺮﺍﻑ ﻭﺍﻟﺘﺒﺬﻳﺮ‪ ،‬ﺟﻬﻞ ﺁﻻﻡ ﺍﻟﻌﺎﻟﻢ ﺍﻟﺜﺎﻟﺚ‪ ،‬ﺃﻭ ﻋﺪﻡ ﺍﻻﻛﺘﺮﺍﺙ ﺑﻬﺎ‪،‬‬
‫ﺭﺳﺘﻘﺮﺍﻃﻲ‬
‫ﱟ‬ ‫ﺑﻨﺒﻴﺬ ﺃُ‬
‫ٍ‬ ‫ﺍﻟﺘﻤﻀﻤﺾ‬ ‫ﻟﺤﻈﺎﺕ‬
‫ِ‬ ‫ﺃﻭ ﻧﻘﺎﺷﻬﺎ ﻭﺍﻟﺪﻓﺎﻉ ﻋﻨﻬﺎ ﻓﻲ‬
‫ِ‬
‫ﻓﺎﺧﺮ ﻓﻘﻂ‪ ...‬ﻻ ُﺗﻔ ﱢﻜ ُﺮ ﺇﻻ ﻓﻲ ﺍﻟﻬﺮﻭﺏ ﻣﻦ ﺍﻟﻐﺮﺏ ﻧﺤﻮ ﺍﻟﺸﻤﺲ‪،‬‬ ‫ٍ‬
‫ﻧﺤﻮ ﺍﻟﻨﺠﻮﻡ ﺍﻟﻤﺘﻸﻟﺌﺔ‪ ،‬ﻧﺤﻮ ﺍﻟﺼﺤﺮﺍ ِﺀ ﺍﻟﻨﺎﺻﻌ ِﺔ ﺍﻟﺴﻤﺎﺀ‪ ،‬ﻧﺤﻮ‬
‫ﺍﻟﺒﺴﺎﻃ ِﺔ ﺍﻟﺨﺎﻟﺼﺔ‪ ،‬ﻧﺤﻮ ﺍﻟﺤﻴﺎ ِﺓ ﺍﻻﺟﺘﻤﺎﻋﻴ ِﺔ ﺍﻟﺨﺼﺒﺔ‪ ...‬ﻻ ﺗﻬﻔﻮ‬
‫ﻛﻞ ﺃﺭﺟﺎﺀ ﺍﻟﺪﻧﻴﺎ‬ ‫ﺍﻟﺒﻮﻫﻴﻤﻴﺔ ﻓﻲ ﱢ‬‫ﱠ‬ ‫ﻻﻛﺘﺸﺎﻑ ﺍﻟﻌﺎ َﻟ ِﻢ ﻭﺍﻟﺤﻴﺎ ِﺓ‬
‫ِ‬ ‫ﺇﻻ‬
‫ﻤﺤﺾ ﺇﺭﺍ َﺩ ِﺗﻬﺎ‪،‬‬
‫»ﺑﻠﺪ ﻋﺠﺎﺋﺐ« ﺗﺨﺘﺎﺭﻩ ِﺑ ِ‬ ‫ﻗﺒﻞ ﺍﻻﺳﺘﻘﺮﺍﺭ ﺍﻟﻨﻬﺎﺋﻲ ﻓﻲ ِ‬
‫ﺍﻟﺸﺮﻕ ﺑﺎﻟﺘﺄﻛﻴﺪ‪،‬‬ ‫ُ‬ ‫ﻭﻟﻴﺲ ﻷ ﱠﻧﻬﺎ ُﻭ ِﻟﺪﺕ ﻓﻴﻪ! »ﺑﻠﺪ ﻋﺠﺎﺋﺐ« ﻣﻮ ِﻗ ُﻌ ُﻪ‬
‫‪63‬‬ ‫ﺑﺸﻜﻞ ﻣﺴﺒﻖ‪ ،‬ﻭﺇﻥ ﻟﻢ ﺗﺰ ْﺭ ُﻩ‬‫ٍ‬ ‫ﻧﻈﺮﻫﺎ‪،‬‬
‫ﻛﻞ ﺷﻲ ٍﺀ ﺭﺍﺋ ٌﻊ ﻭﺳﺎﺣ ٌﺮ ﻓﻲ ِ‬ ‫ﺣﻴﺚ ﱡ‬
‫ﺑﻌﺪ!‪...‬‬

‫ُ‬
‫ﻳﺤﻤﻞ‬ ‫ﺷﺎﺏ ﻣﺜﻠﻲ ﻓﻲ ﺍﻟﻌﺸﺮﻳﻦ ﻣﻦ ﺍﻟﻌﻤﺮ‪،‬‬ ‫ﻋﻨﺪﻣﺎ ﻳﺒﺪﺃُ ﱞ‬
‫ﻛﻞ ﺣﺮﻣﺎﻥ ﺍﻟﻴﻤﻦ‪ ،‬ﻋﻨﺪﻣﺎ ﻳﺒﺪﺃُ ﺣﻴﺎ َﺗ ُﻪ ﺍﻟﻌﺎﻃﻔ ّﻴﺔ‬ ‫ﻓﻮﻕ ﻛﺎﻫ ِﻠ ِﻪ ﱠ‬
‫ٌ‬
‫ﻣﻊ ﺳﺎﺣﺮ ٍﺓ ﺭﻗﻴﻘ ٍﺔ ﻣﺜﻞ ﺃ ِﻟ ْﻴﺲ ﻓﺘﻠﻚ ﻫﺎﻭﻳﺔ ﻻ ﻣﺤﺎﻟﺔ! ﻷﻧﻬﺎ ﻛﺎﻧﺖ‬
‫ﻣﺮﻋﺒ َﺔ ﺍﻟﺠﻤﺎﻝ ﺣﻘﴼ! ﺇﻟﻬﻲ‪ ،‬ﻛﻢ ﻛﺎﻧﺖ ﺟﻤﻴﻠ ًﺔ ﻓﺎﺗﻨ ًﺔ ﻗﺎﺗﻠﺔ! ﻛﻢ‬
‫ﻣﺬﻫﻞ‬
‫ٍ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﻟﻴﻨ ًﺔ ﻣﻼﺋﻜﻴﺔ! ِﻣﻌﻄﺎﺀ ًﺓ‬
‫ﻛﺎﻧﺖ ﺭﻃﺒ ًﺔ ﻋﺬﺑ ًﺔ ﺭﻗﻴﻘ ًﺔ ﱢ‬
‫َ‬
‫ﺃﻛﺮﻣﺖ‬ ‫ﻨﺒﻲ ﻭﻫﻮ ﻳﻘﻮﻝ‪» :‬ﺇﺫﺍ ﺃﻧﺖ‬ ‫ﻻ ﺣﺪﻭﺩ ﻟﻪ‪ ،‬ﻭﻛﺄ ﱠﻧﻬﺎ ﻗ َﺮﺃَ ْﺕ ُ‬
‫ﺍﻟﻤ َﺘ ﱢ‬
‫ﺍﻟﻜﺮﻳ َﻢ ﻣ َﻠ ْﻜ َﺘ ُﻪ!‪«...‬‬
‫ﻭﺍﻟﻬﻴﺎﻡ‬
‫ِ‬ ‫ﺍﻟﺘﺴ ﱡﻜ ِﻊ‬
‫ﺑﻌﺪ ﺛﻼﺛﺔ ﺃﺳﺎﺑﻴﻊ ﻣﻦ ﺍﻟﻠﻘﺎﺀ ﺍﻟﻤﺴﺘﻤﺮ‪ ،‬ﻣﻦ َ‬
‫ﺩﻋﻮﺍﺕ ﺍﻟﻤﻄﺎﻋﻢ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ‬ ‫ِ‬ ‫ﻓﻲ ﻣﻌﻈﻢ ﺃﻧﺤﺎ ِﺀ ﻭﺳﻂ ﺑﺎﺭﻳﺲ‪ ،‬ﻣﻦ‬
‫ﺻﺮﺣﻨﺎ‬‫ﺗﺒﺎﺩﻝ ﺍﻟﻬﺪﺍﻳﺎ ﺍﻟﺼﻐﻴﺮﺓ ﻳﻮﻣ ّﻴﴼ‪ ،‬ﱠ‬ ‫ِ‬ ‫ﻭﺍﻟﻤﻘﺎﻫﻲ ﺍﻟﺠﺎﻣﻌﻴﺔ‪ ،‬ﻣﻦ‬
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‫ﺑﺎﻟﺤﺐ ﻟﺒﻌﻀﻨﺎ ﺑﺘﻠﻘﺎﺋﻴ ٍﺔ ﻣﻔﺎﺟﺌﺔ!‪ ...‬ﻏﻴﺮ ﺃﻧﻬﺎ ﻓﺎﺟﺄﺗﻨﻲ ﺑﻌﺪ ﺫﻟﻚ‬ ‫ﱢ‬
‫ﻣﺒﺎﺷﺮ ًﺓ ﺑﻘﻨﺒﻠ ٍﺔ ﺍﻧﺸﻄﺎﺭﻳّﺔ‪» :‬ﻓﻲ ﻧﻬﺎﻳﺔ ﺍﻟﻌﺎﻡ ﺍﻟﺪﺭﺍﺳﻲ ﺳﺄﻏﺎﺩ ُﺭ‬
‫ﻻﺳﻴﻤﺎ ﺍﻟﺸﺮﻕ!« ﻟﻢ‬ ‫ﱠ‬ ‫ﻛﻞ ﺃﻧﺤﺎﺀ ﺍﻟﻌﺎﻟﻢ‪،‬‬ ‫ﻓﺮﻧﺴﺎ ﺇﻟﻰ ﺍﻷﺑﺪ ﻟﺰﻳﺎﺭ ِﺓ ﱢ‬
‫َ‬ ‫َ‬
‫ﺗﻜﻦ ﺍﻟﺪﺭﺍﺳ ُﺔ ﻓﻲ ﺍﻟﺠﺎﻣﻌﺔ َﻫ َﺪﻓﻬﺎ ﺇﻃﻼﻗﴼ ﻣﺜﻠﻤﺎ ﺍﻋﺘﺮﻓ ْﺖ! ﺑﻄﺎﻗ ُﺔ‬
‫ﺗﺴﺎﻋﺪﻫﺎ ﻓﻘﻂ‪ ،‬ﻛﻤﺎ ﻗﺎﻟﺖ‪ ،‬ﻋﻠﻰ ﺍﻟﺤﺼﻮﻝ ﻋﻠﻰ‬ ‫ُ‬ ‫ﺍﻟﺠﺎﻣﻌﻲ‬
‫ﱢ‬ ‫ﺍﻟﻄﺎﻟﺐ‬
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‫ُ‬ ‫ُ‬
‫ﺑﻌﺾ ﺍﻟﺘﺨﻔﻴﻀﺎﺕ ﺍﻟﻤﺎﻟﻴﺔ ﻭﻋﻠﻰ ﺑﻌﺾ ﺍﻷﺷﻐﺎﻝ ﺍﻟﺘﻲ ﺳﺘ َﺴ ﱢﻬﻞ ﻟﻬﺎ‬
‫ﺍﻟﺴﻔﺮ ﺑﻌﺪ ﻋﺎﻡ!‬
‫ﺍﻟﻤﻠﺤﻖ ﺍﻟﺼﻐﻴﺮ‪» :‬ﺇﺫﺍ‬ ‫ﺃﺿﺎﻓﺖ ﺃﻳﻀﴼ‪ِ ،‬ﺑﺜﻘ ٍﺔ ﻭﺩﻭﻥ ﺗﺮﺩﱡﺩ ﻫﺬﺍ ُ‬
‫ﻼ‪ ...‬ﻓﺴﺘﺴﺎﻓ ُﺮ ﻣﻌﻲ!«‪ ...‬ﺃﺟﺒ ُﺘﻬﺎ ﺑﺄﻧﻨﺎ ﻧﻨﻈﺮ ﻓﻲ‬ ‫ﻛﻨﺖ ُﺗ ِﺤ ﱡﺒﻨﻲ ﻓﻌ ً‬
‫َ‬
‫ﺍﺗﺠﺎﻫﻴﻦ ﻣﺨﺘﻠﻔﻴﻦ‪ :‬ﻫﻲ ﻓﻲ ﺍِﺗﺠﺎﻩ ﺍﻟﺸﺮﻕ ﻭﺃﻧﺎ ﺑﺎِﺗﺠﺎﻩ ﺍﻟﻐﺮﺏ!‬
‫ﻭﻏﺎﺩﺭﺕ ﺗﻤﺎﻣﴼ ﻋﺎ َﻟﻤﻲ ﺍﻟﺸﺮﻗﻲ ﻷﺑﺪﺃ ﻫﻨﺎ‬ ‫ُ‬ ‫ُ‬
‫»ﺳﺎﻓﺮﺕ‬ ‫ﺫﻛ ْﺮ ُﺗﻬﺎ ﺃﻧﻨﻲ‬
‫ﱠ‬
‫ﺪﻳﺎﺭ ﻃﻔﻮﻟﺘﻲ‪ ،‬ﻣﻊ‬ ‫ﻗﺮ ْﺭ ُﺕ ﺑﻤﺤﺾ ﺇﺭﺍﺩﺗﻲ ﺃﻥ ﻻ ﺃﻋﻮﺩ ِﻟ ِ‬ ‫ﺣﻴﺎ ًﺓ ﺃﺧﺮﻯ! ﱠ‬
‫ﻤﻬﺎﻡ ﺗﺠﺎﺭﻳﺔ«‪ِ ،‬ﺩﻳﺎﺭ ﻃﻔﻮﻟﺘﻲ ﺍﻟﺘﻲ‬ ‫ﺍﻟﺼﺪﻳﻖ ﺍﻟﺬﻱ ﺭﺍﻓﻘ ُﺘ ُﻪ ﺇﻟﻰ ﺑﺎﺭﻳﺲ ِﻟ ٍ‬
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‫ﺣﺎﻭﻟﺖ‬ ‫ﻭﺍﻟﻬﻴﺎﻡ ﻓﻲ ﻓﻠ ِﻜﻬﺎ ﺣﺘﻰ ﻧﻬﺎﻳﺔ ﺍﻟ ُﻌﻤﺮ!‪...‬‬ ‫ُ‬
‫ﺗﺸﺘﺎﻕ ﻫﻲ ﻟﺰﻳﺎﺭ ِﺗﻬﺎ‬ ‫‪64‬‬
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‫ﻗﻠﺖ ﻟﻬﺎ ﺑﺎﻟﺤﺮﻑ‬ ‫ﻣﺮﺍﺭﴽ ﺇﺣﺒﺎﻃﻬﺎ ﻋﻦ ﻣﺸﺮﻭﻋﻬﺎ ﻓﻲ ﺍﻟﺴﻔﺮ ﺍﻟﻨﻬﺎﺋﻲ‪ُ .‬‬
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‫ﺍﻗﺘﺮﺣﺖ ﻟﻬﺎ‬ ‫»ﺍﻟﻄﻴﺶ ﺍﻟﻜﺎﻣﻞ«!‬‫ِ‬ ‫ﺍﻟﻮﺍﺣﺪ ﺇﻥ ﻣﺸﺮﻭﻋﻬﺎ ﻻ ﻳﺨﻠﻮ ﻣﻦ‬
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‫ﺣﺎﻭﻟﺖ‬ ‫ﺑﺰﻳﺎﺭﺍﺕ ﺳﻴﺎﺣ ّﻴ ٍﺔ ﻃﻮﻳﻠ ٍﺔ ﻣﺆ ﱠﻗﺘﺔ‪ .‬ﻋﺒﺜﴼ!‬ ‫ٍ‬ ‫ﺑﺪﻝ ﺫﻟﻚ‬ ‫ﺃﻥ ﺗﻘﻮﻡ َ‬
‫ﻛ َﻔ َﺘﺎ ٍﺓ ﺍﻟﺴﻔ َﺮ ﻭﺣﻴﺪ ًﺓ ﻭﺍﻟﺘﻨ ﱡﻘ َﻞ‬‫ﺃﻳﻀﴼ ﺇﻗﻨﺎ َﻉ ﻧﻔﺴﻲ ﺑﺄﻧﻬﺎ ﻟﻦ ﺗﺘﺠﺮﺃَ َ‬
‫ﻣﺸﺮﻭﻋﻬﺎ ﻃﻮﻋﴼ ﻓﻲ ﺁﺧﺮ‬ ‫ِ‬ ‫ُ‬
‫ﺳﺘﺴﺘﻘﻴﻞ ﻣﻦ‬ ‫ﺒﺎﻋﻪ‪،‬‬
‫ﻭﺳ ِ‬‫ﻔﺎﺭ ﺍﻟﻌﺎ َﻟ ِﻢ ِ‬
‫ﺑﻴﻦ ِﻗ ِ‬
‫َ‬
‫ﺳﻔﺮﻫﺎ ﺧﺎﺋﺒ ًﺔ ُﻣﺤ َﺒﻄﺔ‪...‬‬ ‫ﻟﺤﻈﺔ‪ ،‬ﺃﻭ ﺳﺘﻌﻮ ُﺩ ﺳﺮﻳﻌﴼ ﻣﻦ ِ‬
‫ﻼ ﻃﺎﺋ َﺮﻳﻦ ﻳﻨﻈﺮﺍﻥ ﺑﺎﺗﺠﺎﻫﻴﻦ ﻣﺨﺘﻠﻔﻴﻦ‬ ‫ﺍﻟﺤﻖ ﺃﻧﻨﺎ ﻛ ّﻨﺎ ﻓﻌ ً‬ ‫ﱡ‬
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‫ﻳﻨﻜﻤﺶ‬ ‫ﺭﻣﻠﻴﺔ! ﻛﻨﺎ ﻧﺤﻴﺎ ﻛﻤﺎ ﻳﺒﺪﻭ ﻟﺤﻈﺔ ﻟﻘﺎ ٍﺀ‬ ‫ﺗﺘﻮﺳ ُﻄﻬﻤﺎ ﺳﺎﻋ ٌﺔ ﱠ‬ ‫ﱠ‬
‫ﺗﻀﻤﺤﻞ‪ ،‬ﺗﺘﻼﺷﻰ‪...‬‬‫ﱡ‬ ‫ِ‬ ‫ُ‬
‫ﺗﺬﻭﺏ ﺃﻃﺮﺍﻓﻬﺎ‪،‬‬ ‫ُ‬ ‫ﻗﻄ ُﺮﻫﺎ ﺭﻭﻳﺪﴽ ﺭﻭﻳﺪﴽ‪،‬‬

‫ﺫﺍﺕ ﺻﺒﺎﺡ ﻣﺒ ﱢﻜﺮ ﺟﺎﺀﺗﻨﻲ ﺃ ِﻟ ْﻴﺲ ﻋﻠﻰ ﻏﻴﺮ ﻣﻴﻌﺎﺩ ﺇﻟﻰ‬

‫ُﻏ َﺮ ْﻳ َﻔﺘﻲ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ ﻟﻢ ﺗﺰ ْﺭﻫﺎ ﻗﺒﻞ ﺫﻟﻚ ﺍﻟﻴﻮﻡ‪ ،‬ﻭﺍﻟﺘﻲ ﺗﻘ ُﻊ ﻓﻲ‬
‫»ﺍﻟﺤﻲ ﺍﻟﻼﺗﻴﻨﻲ« ﺑﻮﺳﻂ‬
‫ّ‬ ‫ﺳﻄﻮﺡ ﺍﻟﺪﻭﺭ ﺍﻟﺨﺎﻣﺲ ﻓﻲ ﺇﺣﺪﻯ ﻋﻤﺎﺭﺍﺕ‬
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‫ﺗﺤﻤﻞ ﻟﻲ‬ ‫ﺑﺎﺭﻳﺲ! ﺃﺻﺤ ْﺘﻨﻲ ﻣﻦ ﺍﻟﻨﻮﻡ! ﻣﻔﺎﺟﺄ ٌﺓ ﺻﺎﻋﻘﺔ! ﻛﺎﻧﺖ‬
‫ﺍﻟﻬﻼﻟﻴﺔ )ﻛﺮﻭﺍﺳﺎﻥ(‪،‬‬ ‫ﱠ‬ ‫ﻓﻄﻮ َﺭ ﺍﻟﺼﺒﺎﺡ ﺍﻟﻔﺮﻧﺴﻲ ﺍﻟﺴﺎﺧﻦ‪ :‬ﺍﻟﻔﻄﺎﺋﺮ‬
‫ﺍﻟﺪﺍﺋﺮﻱ‪ ،‬ﻓﻄﺎﺋﺮ ﺍﻟﺸﻮﻛﻼﺗﻪ‪ ،‬ﻭ»ﺧﺒﺰ ﺍﻟﻘﺮﻳﺔ«‬ ‫ﱢ‬ ‫ﺍﻟﺰﺑﻴﺐ‬
‫ِ‬ ‫ﻓﻄﺎﺋﺮ‬
‫ﻭﺍﻟﺘﻬﺎﻣﻪ‪...‬‬
‫ِ‬ ‫ﺗﻠﺬﺫﴽ ﻓﻲ ﻗ ْﺮ َﻗ َﺸ ِﺘ ِﻪ‬ ‫ﺃﻣﻮﺕ ﱡ‬
‫ﺍﻟﺴﺎﺧﻦ ﺍﻟﺬﻱ ُ‬
‫ﺷﺎﻱ ﺻﻨ ْﻌ ُﺘ ُﻪ ﺑﺎﻟﺤﻠﻴﺐ ﻭﺍﻟﺠﻮﺯ ﻭﺍﻟﻬﻴﻞ‪ ،‬ﻋﻠﻰ‬ ‫ﺗﻨﺎﻭﻟﻨﺎﻩ ﻣﻊ ٍ‬
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‫ﺟﺪﴽ‪ .‬ﻟﻌ ﱢﻠﻲ ﻟﻮ ﺻﻨ ْﻌﺘ ُﻪ ﺑﺎﻟ ﱠﺜﻮﻡ‬ ‫ﺃﻋﺠ َﺒﻬﺎ ﻛﺜﻴﺮﴽ ّ‬ ‫ﺍﻟﻌﺪ ِﻧ ّﻴﺔ‪َ .‬‬‫ﺍﻟﻄﺮﻳﻘﺔ َ‬
‫ﻛﻞ‬
‫ﻷﻥ ﱠ‬ ‫ﻭﺍﻟﻔﻠﻔﻞ ﻭﺍﻟﺒﺴﺒﺎﺱ ﻭﺍﻟﺰﻋﺘﺮ ﻓﻘﺪ ﻛﺎﻥ ﺳﻴﻌﺠ ُﺒﻬﺎ ﺃﻳﻀﴼ‪ ،‬ﱠ‬
‫ﺍﻟﺸﺮﻕ ﻟﺬﻳ ٌﺬ ﺑﺎﻟﻀﺮﻭﺭﺓ! ﻛﺎﻧﺖ ِﻟﻔﻄﻮﺭﻧﺎ ُﺻ ْﺒ َﺤﺬﺍﻙ‬ ‫ِ‬ ‫ﺁﺕ ﻣﻦ‬ ‫ﺷﻲ ٍﺀ ٍ‬
‫ﺃﺧﻠﺪ ﺃﻳﺎﻡ ﺣﻴﺎﺗﻲ‬ ‫ﺃﻗﺪﺱ ﺻﺒﺎﺣﺎﺕ ﺣﻴﺎﺗﻲ! ﻛﺎﻥ َ‬ ‫َ‬ ‫ﺳﺤﺮﻳﺔ‪ .‬ﻛﺎﻥ‬ ‫ﱠ‬ ‫َﻟ ﱠﺬ ٌﺓ‬
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‫ﺍﻟﻌﺸﻖ ﻓﻴﻪ‬ ‫ﺃﺭﻭﻋﻬﺎ ﺩﻭﻥ ﻣﻨﺎﺯﻉ! ﺣ ﱠﺘﻰ ﻧﻬﺎﻳﺔ ﺍﻟ ُﻌﻤﺮ!‪ ...‬ﻣﺎﺭﺳﻨﺎ‬ ‫ﻗﺎﻃﺒﺔ! َ‬
‫ﱟﻲ ﺗﻤﺎﻣﴼ‪ ،‬ﺇﻥ ﻟﻢ‬ ‫ﺑﺸﻜﻞ ﻏﻴﺮ ِﻣ َﻬ ِﻨ‬
‫ٍ‬ ‫ﻣﺮﺓ‪ ،‬ﻛﺎﻟﻤﺠﺎﻧﻴﻦ‪ ،‬ﻭﺇﻥ ﻣﺎﺭﺳﻨﺎ ُﻩ‬ ‫ﻷﻭﻝ ﱠ‬ ‫ﱠ‬
‫ﻧﺘﻔﺠ ُﺮ‬ ‫ﺎ‬ ‫ّ‬
‫ﻨ‬ ‫ﻛ‬ ‫ﺎ‬ ‫ّ‬
‫ﻨ‬ ‫ﻟﻜ‬ ‫ﺗﻘﺮﻳﺒﴼ!‬ ‫ﺀ‬‫ٍ‬ ‫ﺷﻲ‬ ‫ﻛﻞ‬
‫ﱠ‬ ‫ﻴﺎﻥ‬ ‫ﻳﺘﻬﺠ‬ ‫ﻦ‬ ‫ﻴ‬
‫ْ‬ ‫ﻴ‬ ‫ﻣ‬ ‫ُ‬
‫ﺃ‬ ‫ﻩ‬
‫ُ‬ ‫ﻣﺎﺭﺳﻨﺎ‬ ‫ﻞ‬ ‫ﺃ ُﻗ‬
‫ﱠ‬ ‫ﱠ ِ‬ ‫ﱢﱠ ِ‬
‫‪65‬‬ ‫ﺍﻟﺘﻮﺣ ِﺪ‬
‫ﱡ‬ ‫ﺣ ّﺒﴼ ﻭﻋﻄﺎ ًﺀ ﻭﺻﺪﻗﴼ ﻭﺭﻏﺒ ًﺔ ﻋﻨﻴﻔ ًﺔ ﻣﺤﺘﺪﻣ ًﺔ ﻻﻧﻬﺎﺋﻴﺔ ﻓﻲ‬
‫ﻗﺮﺏ ﺍﻟﻤﺴﺎ ِﺀ‬‫ﻧﺘﻔﺠ ُﺮ ﺟﻨﻮﻧﴼ ﻭﺳﻜﺮﺓ!‪ ...‬ﻟﻢ ﻧﻐﺎﺩﺭ ﻏﺮﻓ َﺘﻨﺎ ﺇﻻ َ‬ ‫ﱠ‬ ‫ﺍﻟﺪﺍﺋﻢ!‬
‫ﺍﻟﺼﺎﺩﻕ ﺍﻟﺸﺎﻫﻖ‪ ،‬ﻋﻠﻰ ﻣﺄﺩﺑ ِﺔ ﻋﺸﺎ ٍﺀ ﻓﻲ‬ ‫ِ‬ ‫ﺍﻟﻌﺸﻖ‬
‫ِ‬ ‫ﻨﺤﺘﻔﻞ ﺑﻮﻻﺩ ِﺓ ﻫﺬﺍ‬ ‫َ‬ ‫ِﻟ‬
‫ﻭﻧﺘﻤﺮ َﻍ ﻋﻠﻰ ﺑﻌﻀﻨﺎ ﻣﻦ ﺟﺪﻳﺪ‪،‬‬ ‫ﱠ‬ ‫ﻗﺒﻞ ﺃﻥ ﻧﻌﻮ َﺩ‬‫ﺟﺪﴽ‪َ ،‬‬ ‫ﺭﻭﻣﺎﻧﺴﻲ ّ‬‫ﱟ‬ ‫ﻣﻄﻌﻢ‬
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‫ﻳﻦ ﻧﺸﻮ ًﺓ ﻭﻃﺎﻗ ًﺔ ﻭﺳﻌﺎﺩﺓ!‪...‬‬ ‫ﺮ‬
‫ﱢ ِ‬‫َ‬ ‫ﻣﺘﻔﺠ‬
‫ُ‬
‫ﻋﺸﻘﺖ‬ ‫ﺍﻟﺮ ِﺣﻢ!‬ ‫َ‬
‫ﺍﻛﺘﺸﻔﺖ ﻳﻮﻣﺬﺍﻙ ﻓﻌﻼ ﻣﺮﻛﺰ ﺍﻟﺒﺸﺮﻳّﺔ‪ :‬ﱠ‬ ‫ً‬ ‫ُ‬
‫ﺍﻟﺒﺤﺮﻱ ﺍﻟﺬﻱ ﺗﺘﺪ ﱠﻓ ُﻖ ﻓﻴﻪ! ﻛﺎﻥ‬ ‫ﱢ‬ ‫ﺍﻟﻔﺠﺮ‬
‫ِ‬ ‫ﻧﺴﻴﻢ‬
‫ِ‬ ‫ﻋﻠﻰ ﺍﻟﺘﻮ ﺭﺍﺋﺤ َﺔ‬
‫ﺍﻟﺒﺤﺚ ﻓﻲ ﻏﺎﺑ ِﺘ ِﻪ ﺍﻟﺮﺍﺋﻌﺔ‪ ،‬ﻓﻲ ُﻇﻠﻤ ِﺘ ِﻪ ﺍﻟﺠﻤﻴﻠﺔ‪ ،‬ﻋﻦ‬ ‫ُ‬ ‫ﺻﻌﺒﴼ ّ‬
‫ﺟﺪﴽ‬
‫ﻤﺖ‬‫ﺃﻛﺘﺸﻔ ُﻪ ﺑﺴﻬﻮﻟﺔ! ﻟﻜﻨﻲ ﺗﻌ ﱠﻠ ُ‬ ‫ْ‬ ‫ﺍﻟﺒﻈﺮ!‪ ...‬ﻟﻢ‬‫ﺍﻟﺠﻮﻫﺮ ِﺓ ﺍﻟﺪﻓﻴﻨﺔ‪ْ :‬‬
‫ﻼ ﺃﻛﺜﺮ ﻣﻮﺍﻗﻊ ﺍﻟﻜﺮﺓ ﺍﻷﺭﺿﻴﺔ ﺭ ّﻗ ًﺔ ﻭﺣﺎﺟ ًﺔ‬ ‫ﻣﻨﺬ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﺃﻧﻪ ﻓﻌ ً‬
‫ﻟﻠﺮ ّﻗﺔ‪ ،‬ﻟﻠﻤﺪﺍﻋﺒﺔ‪ ،‬ﻟﻠﻤﺪﺡ‪ ،‬ﻟﻠﻨﻈﺮﺍﺕ ﻭﺍﻟ ُﻘ َﺒ ِﻞ ﺍﻟﻄﻮﻳﻠﺔ ﺍﻟﻌﺎﺷﻘﺔ‪...‬‬

‫ُ‬
‫ﻧﺘﻨﺎﻭﻝ ﻋﺸﺎ َﺀﻧﺎ‪،‬‬ ‫ُ‬
‫ﻭﻧﺤﻦ‬ ‫ﺫﻛ َﺮ ْﺗﻨﻲ‪،‬‬
‫ﻛﻞ ﻳﻮﻡ ﺗﻘﺮﻳﺒﴼ‪ ،‬ﱠ‬
‫ﻣﺜﻞ ﱢ‬
‫ُ‬
‫ﻛﻨﺖ‬ ‫ُ‬ ‫ُ‬
‫ﺗﻌﺘﻘﺪ ﺃﻭ ﺗﺄﻣﻞ ﺑﺄﻧﻨﻲ ﺳﺄﺳﺎﻓ ُﺮ ﻣﻌﻬﺎ!‬ ‫ﺑﻤﺸﺮﻭﻉ ﺳﻔﺮﻫﺎ ﻭﺃﻧﻬﺎ‬
‫ِ‬
 ‫ُ‬
‫ﻭﺃﺣﺎﻭﻝ‬ ‫ﻳﻮﻡ ﺗﻘﺮﻳﺒﴼ‪ ،‬ﺍﻟﺘﺬﻛﻴ َﺮ ﺑﺎﺳﺘﺤﺎﻟﺔ ﺫﻟﻚ‪،‬‬ ‫ﻣﺜﻞ ُ‬ ‫ﺃﻛﺮ ُﺭ‪َ ،‬‬
‫ﻛ ﱢﻞ ٍ‬ ‫ﱢ‬
‫ﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ‪...‬‬ ‫ﻣﺸﺮﻭﻋﻬﺎ ِﺑ ٍ‬ ‫ِ‬ ‫َ‬
‫ﺇﺣﺒﺎﻁ‬
‫ﻳﻘﺮﺏ ﻣﻦ ﺳﻨ ٍﺔ ﻛﺎﻣﻠ ٍﺔ ﻣﻦ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻤﺸﺘﺮﻛﺔ‬ ‫ُ‬ ‫ﺑﻌﺪ ﻣﺎ‬
‫ﺍﻟﺠﺴﺪﻳ َﺔ‬
‫ﱠ‬ ‫ﺍﻟﻠﺬ َﺓ‬
‫ﻋﺮﻓﺖ ﻣﻌﻬﺎ ﱠ‬ ‫ُ‬ ‫ﺑﺎﻟﺸﻐﻒ ﻭﺍﻟﻌﺸﻖ ﺍﻟﻌﺎﺭﻡ‪،‬‬ ‫ِ‬ ‫ﺍﻟﻤﻔﻌﻤ ِﺔ‬
‫ﺍﻹﻳﻘﺎﻋﻲ ﺍﻟﺬﻱ‬
‫ﱡ‬ ‫ُ‬
‫ﺍﻟﺨﻠﻞ‬ ‫ﺗﺄﺧ ِﺮ ﺫﻟﻚ ﻫﻮ‬ ‫ﺳﺒﺐ ﱡ‬ ‫ﻟﻌﻞ َ‬ ‫ﺍﻟﻜﺜﻴﻔﺔ ﺍﻟﺤﻘﻴﻘﻴﺔ! ﱠ‬
‫ُ‬ ‫ْ‬
‫ﺩﻱ ﺍﻻﻧﻄﻮﺍﺋﻲ ﺍﻟﺬﻱ ﺃﺩﻣﻨﺘ ُﻪ‪،‬‬ ‫ﻟﻠﻌﺸﻖ ﺍﻟﻔ ْﺮ ﱢ‬
‫ِ‬ ‫ﺗﺘﺮﻛ ُﻪ ﺍﻟﻤﻤﺎﺭﺳ ُﺔ ﺍﻟﻤﻔﺮﻃﺔ‬
‫ُ‬ ‫ُ‬
‫ﺷﺒﺎﺏ ﺟﻴﻠﻲ‪ ،‬ﻣﻨﺬ ﺑﺪﺀ ﺳﻨﻮﺍﺕ ﻣﺮﺍﻫﻘﺘﻲ ﻓﻲ ﺍﻟﻴﻤﻦ!‬ ‫ِ‬ ‫ﻣﻌﻈﻢ‬
‫ِ‬ ‫ﻣﺜﻞ‬
‫ﺍﻟﻤ َﻨ ِﻮ ﱠﻳﺔ ﺍﻟﺸﻌﺒﻴﺔ«‪ ،‬ﻛﻲ‬ ‫ﺍﻟﻮﻃﻨﻲ ﻟﻠﺜﺮﻭ ِﺓ َ‬
‫ّ‬ ‫»ﺍﻟﺘﺒﺬﻳﺮ‬
‫ِ‬ ‫ﺃﻗﺼﺪ ﻣﻤﺎﺭﺳ َﺔ‬ ‫ُ‬
‫ﻋﻠﻲ ﺃﻥ ﺃﺗﻌ ﱠﻠ َﻢ ﺇﻳﻘﺎﻋﴼ‬ ‫ﻻ ﺃﻗﻮﻝ‪» :‬ﺍﻻﺳﺘﻤﻨﺎﺀ« ِﺑﺸ ْﻜ ٍﻞ ﺟﺎﻑ!‪ ...‬ﻛﺎﻥ ﱠ‬
‫ﻳﻦ ﺟﺴﺪﻱ ﺑﺮﻗﺼﺎﺕ‬ ‫ﻣﻮﺳﻴﻘﻰ ﺃﺧﺮﻯ! ﺃﻥ ﺃُ َﻻ َ‬ ‫ً‬ ‫ﻼ ُﺛﻨﺎﺋﻴﴼ‪،‬‬ ‫ﺟﺪﻳﺪﴽ‪ ،‬ﻋﻤ ً‬
‫َ‬
‫ﺃﺑﺤﺚ‬ ‫ﻣﻨﻬﺠﻴﺔ! ﺃﻥ‬
‫ﱠ‬ ‫» َﻓﺎ ْﻟﺲ« ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ ﺗﻤﺎ ُﻭﺟﴼ‪ ،‬ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‬
‫ﺟﺴﺪﻳ ٍﺔ ﻟﻤﻴﻜﺎﻧﻴﻜﺎ ﺣﺮﻛﺔ ﺍﻟﺠﺴﺪ ﺗﻨﺴﺠ ُﻢ ﻣﻊ ﺗﺮ ﱡﺩ ِﺩ‬ ‫ﱠ‬ ‫ﻋﻦ ﻣﻨﻈﻮﻣ ٍﺔ‬
‫ﻣﺰﺍﺟﻬﺎ! ﺃﻥ ﺃﺗﻌ ﱠﻠ َﻢ ﻛﻴﻒ ﺃﻋﺰﻑ ﻣﻌﻬﺎ‬ ‫ﻣﻮﺟﺎﺕ ﺟﺴﺪﻫﺎ‪ ،‬ﺗﺘﻼﺀﻡ ﻣﻊ ِ‬ ‫‪66‬‬
‫ﻣﺮ ﺍﻟﺘ ّﻴﺎ ُﺭ ﻣﻨﻬﺎ ﻭﻧﺤﻮﻫﺎ ﻓﻲ ﻧﻔﺲ‬ ‫ﺳﻴﻤﻔﻮﻧﻴ ًﺔ ﺟﺴﺪ ّﻳ ًﺔ ﻭﺍﺣﺪﺓ!‪ ...‬ﱠ‬ ‫ﱠ‬
‫ﺍﻟﺸﺪﺓ‪،‬‬
‫ﱠ‬ ‫ﺑﻨﻔﺲ‬
‫ِ‬ ‫ﺘﻬﺎ‬ ‫ﻭﺍﺟﺘﺤ‬
‫ْ‬ ‫ﺍﺟﺘﺎﺣﺘﻨﻲ‬ ‫ﴽ‪.‬‬ ‫ّ‬
‫ﺟﺪ‬ ‫ﺳﺮﻳﻌﴼ‬ ‫ﻣﺮ‬
‫ﱠ‬ ‫ﺗﻤﺎﻣﴼ!‬ ‫ﺍﻟﻮﻗﺖ‬
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‫ِﺑﻨﻔﺲ ﺍﻟﻌﻤﻖ‪ِ ،‬ﺑﻨﻔﺲ ﺍﻟﻤﺪﻯ‪...‬‬
‫ﺍﻛﺘﺸﺎﻑ‬
‫ِ‬ ‫ﻭﺣﺮﻳّﺔ ﻋﻠﻰ‬ ‫ﺑﻜﻞ ﺟﺮﺃﺓ ُ‬ ‫ﻭﺷﺠﻌ ُﺘﻬﺎ ﱢ‬ ‫ﱠ‬ ‫ﺷﺠ َﻌﺘﻨﻲ‬ ‫ﱠ‬
‫ﺍﻟﺬﻫﺎﺏ ﺇﻟﻰ ﺃﻗﺼﻰ ﻧﻬﺎﻳﺎﺕ ﺭﻏﺒﺎﺗﻨﺎ‪،‬‬ ‫ِ‬ ‫ﺟﺴﺪﻳْﻨﺎ‪ ،‬ﻋﻠﻰ‬ ‫َ‬ ‫ﻭﺗﺄﻫﻴﻞ‬
‫ِ‬ ‫ﻭﺗﺮﻭﻳﺾ‬
‫ِ‬
‫ﺗﺄﺟﻴﺞ ﺷﻬﻮﺍ ِﺗﻨﺎ ﺑﺒﻂﺀ‪ ،‬ﻋﻠﻰ ﺗﻌ ﱡﻠ ِﻢ ﻗﺮﺍﺀ ِﺓ ُﻟﻐ ِﺔ ﻭﺑﻼﻏ ِﺔ ﺃﻋﻀﺎﺋﻨﺎ‬ ‫ِ‬ ‫ﻋﻠﻰ‬
‫ﻨﺪﺍﺀﺍﺕ ُﻏ َﺪ ِﺩﻧﺎ‪ ...‬ﺗﻌ ﱠﻠ ْﻤﻨﺎ ﺃﻥ‬
‫ِ‬ ‫ﺍﻟﺤﺴﻴﺔ‪ ،‬ﻋﻠﻰ ﺍﻻﺳﺘﺠﺎﺑﺔ ﺍﻟﻤﺘﻔﺎﻧﻴﺔ ِﻟ‬ ‫ﱠ‬
‫ُﻧ ِﺠ ﱠﻞ ﻏﺪﺩَﻧﺎ ﻭﻧﺤﺘﻔﻞ ﺑﻬﺎ‪ ،‬ﺃﻥ ﻧﺮﺳ َﻢ ﻣﻦ ﺳﻮﺍﺋﻠﻬﺎ ُﺳ ُﺤﺒﴼ ﻭﺃﻭﻃﺎﻧﴼ‬ ‫َ‬ ‫ُ‬
‫ﻭﻛﺎﺋﻨﺎﺕ ﺧﻴﺎﻟﻴﺔ‪ ،‬ﺃﻥ ﻧﺮﺗﻮﻱ ﻣﻨﻬﺎ ﺣ ّﺘﻰ ﺍﻟﺜﻤﺎﻟﺔ‪...‬‬ ‫ٍ‬
‫ﺗﺤﺪ ْﺛ ُﺖ‬
‫ﱠ‬ ‫ﻋﺸﻘﺖ ﺑﻔﻀﻞ ﺃ ِﻟ ْﻴﺲ ﺳﺤ َﺮ ﺗﻠﻚ ﺍﻟﺸﻬﻘ ِﺔ ﺍﻟﺘﻲ‬ ‫ُ‬
‫ﺍﻟﻮﺻﻮﻝ ﻟﺬﻟﻚ‬‫ِ‬ ‫ﺘﺄﻥ ﻭﺻﺒﺎﺑﺔ ﻋﻦ‬ ‫ُ‬
‫ﺃﺑﺤﺚ ِﺑ ٍ‬ ‫ﺇﻛﻠﻴﻞ ﺍﻟﻠﺬﺓ! ِﺻ ْﺮ ُﺕ‬ ‫َ‬ ‫ﻋﻨﻬﺎ‪،‬‬
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‫ﻳﺒﺤﺚ‬ ‫ﻳﺒﺤﺚ ﺍﻟﺸﺎﻋﺮ ﻋﻦ ﺍﻟﻜﻠﻤﺔ ﺍﻟﻤﻨﺎﺳﺒﺔ‪ ،‬ﻭﻛﻤﺎ‬ ‫ُ‬ ‫ﺍﻹﻛﻠﻴﻞ ﻛﻤﺎ‬
‫ﻨﻈﺮﻳﺘ ِﻪ‪ ،‬ﻭﻛﻤﺎ ﻳﺒﺤﺚُ‬ ‫ﺃﻧﻴﻖ ِﻟ ﱠ‬ ‫ﺑﺮﻫﺎﻥ ٍ‬ ‫ٍ‬ ‫ﺍﻟﻌﺎ ِﻟ ُﻢ ﻓﻲ ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﻋﻦ‬
 ‫ﺲ‬ ‫ﺍﻟﺼﻮﻓﻲ ﻋﻦ ﻟﺤﻈ ِﺔ ﺍﻟﻔﻨﺎﺀ ﺍﻟﺼﻮ ِﻓ ّﻲ‪ ...‬ﻛﻢ ﻛﺎﻧﺖ ﺃ ِﻟ ْﻴ ُ‬ ‫ﱡ‬ ‫ُ‬
‫ﺍﻟﻌﺎﺷﻖ‬
‫ﺃﺗﻮﻥ ﺗﻠﻚ‬ ‫ﺗﺬﻭﺏ ﻛﺎﻣﻠ ًﺔ ﻓﻲ ِ‬ ‫ُ‬ ‫ﺃﻭﺝ ﺭﻫﺎﻓ ِﺘﻬﺎ ﻭﺟﻤﺎ ِﻟﻬﺎ ﻋﻨﺪﻣﺎ‬ ‫ﻓﻲ ِ‬
‫ﻨﻈﺮﺍﺕ َﻋ ْﻴ َﻨ ْﻴﻬﺎ ﺍﻟﺰﺭﻗﺎﻭﺗﻴﻦ‪ِ ،‬ﻟﺘﻘﺎﺳﻴﻤﻬﺎ ﺍﻟﺴﻜﺮﻯ‪ ،‬ﺗﻌﺒﻴﺮﻳﺔٌ‬ ‫ِ‬ ‫ﺍﻟﻠﺤﻈﺔ‪ِ .‬ﻟ‬
‫ﻔﻀﻞ ﺃ ِﻟ ْﻴﺲ‬‫ﺍﻟﺘﻘﺎﻃﻬﺎ!‪ ...‬ﻛﺎﻧﺖ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺎﺕ‪ِ ،‬ﺑ ِ‬ ‫ُ‬ ‫ﻳﺼﻌﺐ ﻭﺻ ُﻔﻬﺎ ﺃﻭ‬ ‫ُ‬
‫ُ‬
‫ﺃﻣﻮﺕ‬ ‫ﺑﺤﺪ ﺫﺍﺗﻬﺎ‪ُ ،‬ﻣﺘﻌ ًﺔ ﻣﻜﺘﻤﻠ ًﺔ‬
‫ﻻ ﻭﺃﺧﻴﺮﴽ‪ ،‬ﻏﺎﻳ ًﺔ ﻓﻲ ﺍﻟﺠﻤﺎﻝ ﱢ‬ ‫ﱠﺃﻭ ً‬
‫ﺗﺤﺪﻳﴼ‬
‫ﻜﺎﻣﻞ ﺣﻮﺍﺳﻲ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺗﺼﻴ َﺮ ﻫﺪﻓﴼ ﻭﺟﻮﺩﻳّﴼ‪ ،‬ﱢ‬ ‫ﻌﻴﺸﻬﺎ ِﺑ ِ‬ ‫ﺭﻏﺒ ًﺔ ِﻟ ِ‬
‫ﺁﺳﺮﴽ‪َ ،‬ﺷ َﻐﻔﴼ ِﺟ ْﺬ ِﺭﻳّﴼ‪ ،‬ﺩﻏﺪﻏ ًﺔ ﻧﺮﺟﺴ ّﻴﺔ‪...‬‬
‫ﺷﺨﺼ ّﻴﴼ‪ ،‬ﺇﺩﻣﺎﻧﴼ ِ‬
‫ﺳﻬﻞ ﺍﻟﻤﻨﺎﻝ‪ ،‬ﺑﺎﻟﻌﻜﺲ! ﻛﺎﻥ ﺩﻭﻣﴼ‬ ‫ﺍﻹﻛﻠﻴﻞ َ‬‫ُ‬ ‫ﻟﻢ ﻳﻜﻦ ﺫﻟﻚ‬
‫ﺘﻌﺪﺩ ِﺓ ﺍﻟﻔﺼﻮﻝ‪ .‬ﻛﺘﺎﺑ ُﺘﻬﺎ ﺗﺘﻄ ﱠﻠ ُﺐ ﻛﺜﻴﺮﴽ‬ ‫ﺧﺎﺗﻤ ًﺔ ِﻟﺮﻭﺍﻳ ٍﺔ ﻃﻮﻳﻠ ٍﺔ ُﻣ ﱢ‬
‫ﻣﻦ ﺍﻟﺨﻴﺎﻝ ﻭﺗﻨ ﱡﻮﻉ ﺍﻟﺴﻴﻨﺎﺭﻳﻮﻫﺎﺕ‪ ،‬ﻛﺜﻴﺮﴽ ﻣﻦ ﺍﻟﺸﻐﻒ ﻭﺍﻟﻌﻄﺎﺀ‬
‫ﺍﻟﻨﻤﻞ‬
‫ِ‬ ‫ﻬﺴﻴﺲ‬
‫ِ‬ ‫ﻭﺍﻻﺳﺘﻌﺪﺍﺩ ﻭﺍﻟﺘﻔﺎﻧﻲ‪ ...‬ﺗﺘﻄ ﱠﻠ ُﺐ ﺗﻌ ﱡﻠ َﻢ ﺍﻹﺻﻐﺎ ِﺀ ِﻟ‬
‫َﻭ َﻭﺷﻮﺷ ِﺔ ﺗﻔ ﱡﺘ ِﺢ ﺍﻟﻮﺭﻭﺩ‪...‬‬
‫‪67‬‬ ‫ﻭﻏ ﱢﻤﻲ ﻭﻗﻨﻮﻃﻲ ﺍﻟﻴﻮﻡ ﻭﺃﻧﺎ ﺃﺭﻯ‬ ‫ﻳﻔﺴ ُﺮ ﺗﻌﺎﺳﺘﻲ َ‬ ‫ﻟﻌﻞ ﺫﻟﻚ ﻣﺎ ﱢ‬ ‫ﱠ‬
‫ﺍﻹﻛﻠﻴﻞ ﺗﻤﺎﻣﴼ!‪...‬‬
‫ِ‬ ‫ً‬
‫ﺇﻟﻬﺎﻡ ﻣﺤﺮﻭﻣﺔ ﻣﻦ ﺫﻟﻚ‬

‫ﻓﻲ ﻧﻬﺎﻳﺔ ﺳﻨ ِﺘﻨﺎ ﺍﻟﺪﺭﺍﺳ ّﻴﺔ ﺍﻷﻭﻟﻰ ﻟﻢ ُﺗ َﻮ ﱠﻓﻖ ﺃ ِﻟ ْﻴﺲ‪ .‬ﻟﻢ‬

‫ﺗﻤﺮ ﻛﺜﻴﺮﴽ ﻣﻦ ﺍﻻﻣﺘﺤﺎﻧﺎﺕ ﻓﻲ ﺍﻟﻮﺍﻗﻊ‪ .‬ﻟﻢ ﻧﺒﺪﺃ ﺍﻟﻌﺎ َﻡ ﺍﻟﺪﺭﺍﺳﻲ‬ ‫ﱠ‬
‫ُ‬
‫ﻣﺘﻮﺍﺷ َﺠﻴﻦ ﻓﻲ ﻧﻔﺲ ﺍﻟﻘﺎﻋﺔ ﻛﻤﺎ ﻛ ﱠﻨﺎ ُﻩ ﻓﻲ ﺍﻟﻌﺎﻡ ﺍﻟﺴﺎﺑﻖ‪.‬‬ ‫ِ‬ ‫ﺍﻟﺜﺎﻧﻲ‬
‫ﺤﻀ ُﺮ ﻟﻠﺴﻔﺮ! ﻛﺎﻥ ﻛﻤﺎ‬ ‫ﻼ ُﺗ ﱢ‬ ‫َ‬
‫ﻼ ﻷﻧﻬﺎ ﺑﺪﺃ ْﺕ ﻓﻌ ً‬
‫ﻟﻦ ﻧﺘﻮﺍﺷﺞ ﻃﻮﻳ ً‬
‫ﺗﺤﺪﻳﴼ ﻭﺍﺧﺘﻴﺎﺭﴽ ُﻭﺟﻮ ِﺩﻳّﴼ ُﻣﻄ َﻠﻘﴼ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻬﺎ‪ ،‬ﻣﺴﺄﻟﺔ ﺣﻴﺎ ٍﺓ ﺃﻭ‬
‫ﻳﺒﺪﻭ ﱢ‬
‫ﻣﻮﺕ!‪...‬‬
‫ﺟﺪﴽ‪ ،‬ﻛﺎﻧﺖ ﺃ ِﻟ ْﻴﺲ ﺗﺸﻌ ُﺮ‬ ‫ﺟﺪﴽ‪ ،‬ﻟﻌﻴﻨ ٍﺔ ّ‬
‫ﺫﺍﺕ ﻟﻴﻠ ٍﺔ ﻟﻴﻼﺀ ﺗﻌﻴﺴ ٍﺔ ّ‬
‫ﺗﻮﺳﻠ ْﺘﻨﻲ‬
‫ﺑﺎﻟﺘﻤ ﱡﺰﻕ‪ ،‬ﺑﺎﻟﺨﻮﻑ‪ ،‬ﺑﺎﻻﺿﻄﺮﺍﺏ ﺍﻟﻨﻔﺴﻲ ﺍﻟﻤﻠﺤﻮﻅ!‪ ...‬ﱠ‬
‫ﻼ! ﻟﻢ ﺃﻛﻦ ﺃُ ﱢ‬
‫ﺻﺪ ُﻕ‬ ‫ﺍﻟﺴﻔ َﺮ ﻣﻌﻬﺎ! ﻛﺄ ﱠﻧﻬﺎ ﻛﺎﻧﺖ ﺳﺘﻐﺎﺩ ُﺭﻧﻲ ﻓﻌ ً‬
‫ﻣﻊ ﺫﻟﻚ‪ ،‬ﺭﻏﻢ ﺑُﻜﺎ ِﺋﻬﺎ ﺍﻟﺤﺎﺩ ﺍﻟﻤﺘﻮﺍﺻﻞ‪ ،‬ﺃﻧﻨﻲ ﻟﻦ ﺃﺭﺍﻫﺎ ﺑﻌﺪ ﺗﻠﻚ‬
‫ﺳﺘﺤ ﱡﻞ ﻋﻠﻰ ﺭﺅﻭﺳﻬﻢ‬ ‫ُﺼﺪﻗﻮﻥ ﺃﻥ ﺍﻟﻜﺎﺭﺛ َﺔ ِ‬ ‫ﻗﻮﻡ ﻻ ﻳ ﱢ‬
‫ﺍﻟﻠﻴﻠﺔ‪) ...‬ﺃﻧﺎ ﻣﻦ ٍ‬
‫ﺳﻨﺘﻤﺘﺮ ﻣﻦ ﺃﻋﻴﻨﻬﻢ!‪ ...‬ﻳﻌﺘﻘﺪﻭﻥ ﺩﻭﻣﴼ ﺃﻥ‬ ‫ٍ‬ ‫ﺣﺘﻰ ﻟﻮ ﻛﺎﻧﺖ ﻋﻠﻰ ُﺑ ْﻌ ِﺪ‬
‫ﺑﺮﻭﺟﴼ ﺣﺴﻨ َﺔ ﺍﻟﻄﻠﻌﺔ ﺳﺘﻐ ﱢﻴ ُﺮ ﻣﺠﺮﻯ ﺍﻟﻜﺎﺭﺛﺔ ﻓﻲ ﺁﺧﺮ ﻣﻠﻴﻤﺘﺮ‪ ،‬ﻭﺃﻥ‬
‫َ‬ ‫ُ‬
‫ﻣﻔﺎﺗﻴﺢ َﻓ َﺮ ٍﺝ ﻓﻲ ﺁﺧﺮ ﺛﺎﻧﻴﺔ!‪(...‬‬ ‫َ‬ ‫ﺳﻤﺎﻭﺍﺗﻬﻢ ﺍﻟﺴﺒﻊ ﺳﺘﻤﻄ ُﺮ‬
‫ﺭﻗﻴﻖ ﻳﺨﺮ ُﺝ ﻣﻦ‬ ‫ﻏﺎﺩ َﺭ ْﺗﻨﻲ ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺍﻟﻠﻴﻼﺀ!‪ ...‬ﺟﺴ ٌﺪ ٌ‬
‫ﻣﺘﺮ ﻣﻨﻲ! ﻳﺴﺘﺪﻳ ُﺮ ﻧﺤﻮﻱ! ﻳﺘﻮ ﱠﻗ ُﻒ‬ ‫ﺑﺎﺏ ﺍﻟﻌﻤﺎﺭﺓ‪ ،‬ﻳﺘﻮ ﱠﻗ ُﻒ ﻋﻠﻰ ﺑﻌﺪ ٍ‬ ‫ِ‬
‫ﺜﻮﺍﻥ ﺃﺧﻴﺮﺓ!‪...‬‬ ‫ِﻟ ٍ‬
‫ﺍﻟﺠﻤﺎﻝ ﻭﺍﻟﺤﻴﺮ ِﺓ َﺗ ْﺘ ُﺮﻛﺎﻥ‬
‫ِ‬ ‫ﻋﻴﻨﺎﻥ ﺯﺭﻗﺎﻭﺗﺎﻥ ﻭﺍﺳﻌﺘﺎﻥ ﺷﺪﻳﺪﺗﺎ‬
‫ﻧﻈﺮﺍﺕ ﻫﺎﺩﺋ ٌﺔ ﺛﺎﻗﺒﺔ‬ ‫ٌ‬ ‫ﻣﻮﺟﻬ ًﺔ ﻧﺤﻮ ﻋﻴﻨﻴﻲ ﺗﺤﺪﻳﺪﴽ‪.‬‬ ‫ﻧﻈﺮﺍﺕ ﺃﺧﻴﺮ ًﺓ ﱠ‬ ‫ٍ‬
‫ﺣﺘﻰ ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺎﺕ ﺍﻟﻮﺟﻮﺩﻳﺔ ﺍﻻﻧﺸﻄﺎﺭﻳﺔ!‪ ...‬ﺗﻨﻄﺒ ُﻊ ﻫﺬﻩ‬
‫ﺃﺑﺪﻳ ًﺔ ﻓﻲ ﻣﺮﻛﺰ ﺍﻟﺬﺍﻛﺮﺓ‪...‬‬ ‫ﺎﺕ ﱠ‬ ‫َﺼ َﻤ ٍ‬ ‫ﺍﻟﻨﻈﺮﺍﺕ ﺑ َ‬
‫ٌ‬
‫ﺳﺮﻭﺍﻝ ِﺟ ْﻴﻨﺲ ﺃﺯﺭﻕ‪ ،‬ﻓﺎﻧﻴﻠﺔ ﺑﻴﻀﺎﺀ ﺧﻔﻴﻔﺔ‪ ،‬ﺧﺼ ٌﺮ ﺭﻫﻴﻒ‪،‬‬ ‫ُ‬
‫ﻣﻤﺸﻮﻕ ﻣﻦ َﺫ َﻫﺐ!‪...‬‬ ‫ٌ‬ ‫ﺟﺴ ٌﺪ‬
‫ﺗﻤﺜﺎﻝ ﻳﺪﻳ ُﺮ ﻗﻔﺎ ُﻩ ﻣﻦ ﺟﺪﻳﺪ ﺑﺄﻋﻴﻦ ﺣﺰﻳﻨﺔ‪ ،‬ﺑﺎﺗﺠﺎﻩ‬ ‫ٌ‬ ‫‪68‬‬
‫ﻣﻼﺋﻜﻲ ﻓﻲ ﻣﻨﺘﻬﻰ ﺍﻟﺪ ﱠﻗﺔ‬ ‫ٌ‬ ‫ﺫﻫﺒﻲ ﺣﺘﻰ ﺍﻟﻮ َﺭﻙ‪ .‬ﻭﺟ ٌﻪ‬ ‫ﱞ‬ ‫ﺍﻟﻤﺠﻬﻮﻝ‪َ .‬ﺷ ْﻌ ٌﺮ‬
‫ﻣﺮﺓ‬
‫ﺗﻠﻔﺖ ﻧﺤﻮﻱ ﱠ‬ ‫َﺸ َﺮ ٌﺓ ﺭﻗﺮﺍﻗ ٌﺔ ﺑﻴﻀﺎﺀ ﺗﺴﺘﺪﻳﺮ‪ ،‬ﻻ ُ‬ ‫ﻭﺍﻟﺮﻭﻋﺔ ﻭﺍﻟﻨﻘﺎﺀ‪ .‬ﺑ َ‬
‫ﺗﺬﻫﺐ ﻻ ﺃﺩﺭﻱ ﺇﻟﻰ ﺃﻳﻦ‪...‬‬ ‫ُ‬ ‫ﺃﺧﺮﻯ!‬
‫ﺍﻟﻤﻮﺕ ﻭﺍﻷﺣﺰﺍﻥ!‬ ‫ِ‬ ‫ﺍﻟﺤﻴﺎ ُﺓ ﻓﺮﻳﺴ ٌﺔ ُﻣﻄﻠﻘ ٌﺔ ﺑﻴﺪ‬
‫ﺟﺪ ِﺗﻬﺎ ﻗﺒﻞ ﺳﻔﺮﻫﺎ‬ ‫ﻤﻨﺰﻝ ﱠ‬‫ﻛﺎﻧﺖ ﺁﺧﺮ ﻋﺒﺎﺭﺍﺗﻬﺎ ﻭﻫﻲ ﺗﻌﻮ ُﺩ ِﻟ ِ‬
‫ﺇﻟﻰ‪ ...‬ﺍﻟﻬﻨﺪ‪ ،‬ﻓﻲ ﺍﻟﻴﻮﻡ ﺍﻟﺘﺎﻟﻲ‪:‬‬
‫ﺃﻧﻚ ﺳﺘﺘ َﺒ ُﻌ ِﻨﻲ ﻗﺮﻳﺒﴼ!‪...‬‬ ‫ﻋﺎﻫ ْﺪﻧﻲ َ‬ ‫_ ِ‬
‫ﺍﻟﺒﺎﺏ ِﺑ ِﺼ ْﻤﺖ‪:‬‬
‫ﻐﻠﻖ َ‬ ‫ﻛﺎﻧﺖ ﺁﺧﺮ ﻋﺒﺎﺭﺍﺗﻲ‪ ،‬ﻭﻫﻲ ُﺗ ُ‬
‫_ ‪...‬‬
‫ﻋﺒﺎﺭ ٌﺓ ﻣﻜﺒﻮﺗﺔ ﺃﺧﺮﻯ ﻟﻢ ﺗﺘﺠﺮﺃ ﺣ ّﺘﻰ ﺃﻥ ﺗﺘﺤﺸﺮﺝ‪:‬‬ ‫ٌ‬
‫_ ﻋﺎﻫﺪﻳﻨﻲ ﺃﻧﻚ ﺳﺘﻌﻮﺩﻳﻦ ﺳﺮﻳﻌﴼ!‪...‬‬
‫ﺳﺘﻐﻴﺐ‬
‫ُ‬ ‫ﺃﺑﻚ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ! ﻟﻢ ﺃﺗﻮ ﱠﻗﻊ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﺃﻧﻬﺎ‬ ‫ﻟﻢ ِ‬
‫ﺺ ﺫﻛﺮﻳﺎ ِﺗﻬﺎ‪،‬‬ ‫ﻭﺃﺗﻤﺤ ُ‬
‫ﱠ‬ ‫ﺃﺣﺴﺴﺖ ﻭﺃﻧﺎ ﺃﺳﺘﺮﺟ ُﻊ‬ ‫ُ‬ ‫ﻼ! ﻏﻴﺮ ﺃﻧﻲ‬ ‫ﻃﻮﻳ ً‬
 ‫ّ‬
‫ﻣﻠﻴﻤﺘﺮﻱ‪،‬‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺑﻜﻞ ﻭﻋﻮ ِﺩﻫﺎ‬‫ﺍﻟﺘﺰﺍﻣﻬﺎ ﱢ‬‫َ‬ ‫ﺷﺨﺼﻴ َﺘﻬﺎ‪،‬‬
‫ﱠ‬ ‫ﺃﺣﺎﺩﻳ َﺜﻬﺎ‪،‬‬
‫ﻭﺇﺻﺮﺍ َﺭﻫﺎ ﻋﻠﻰ ﺫﻟﻚ ﺍﻟﺴﻔﺮ ﺍﻟﻠﻌﻴﻦ ﺍﻟﺬﻱ ﻟﻢ ﻳﺘﻤﺎﻭﺝ ﺃﻭ ﻳﺘﺄﺭﺟﺢ ﺃﻭ‬
‫ﻼ! ِﺧ ْﻔ ُﺖ ﻋﻠﻴﻬﺎ‬ ‫ﻳﺘﺰﻋﺰﻉ ﺃﻭ ﻳﺬﺑﻞ ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪﺓ‪ ...‬ﺃ ﱠﻧﻬﺎ ﻟﻦ ﺗﻌﻮﺩ ﻓﻌ ً‬
‫ﻛﺜﻴﺮﴽ ﻣﻦ ﻣﻔﺎﺟﺂﺕ ﻫﺬﻩ ﺍﻟﻤﻐﺎﻣﺮﺓ‪...‬‬
‫ﻼ ﻋﻤﺮ ُﻩ ﺃﻟﻒ‬ ‫ﺍﺳﺘﻴﻘﻈﺖ ﻛﻬ ً‬
‫ُ‬ ‫ﻏﻴﺎﺑﻬﺎ ﻓﻘﻂ‬ ‫ﺃﺳﺒﻮﻉ ﻣﻦ ِ‬ ‫ﺑﻌﺪ‬
‫َ‬ ‫ٍ‬
‫ﺑﻜﻴﺖ ﺣﻴﻨﻬﺎ ﻓﻘﻂ ﻷ ﱠﻭ ِﻝ‬ ‫ﺷﻌﺮﺕ ﺑﺎﻟ ُﻮ ْﺣ َﺪ ِﺓ ﺍﻟﻔﻈﻴﻌ ِﺔ ﺗﻠﺘﻬﻤﻨﻲ‪ُ ...‬‬ ‫ُ‬ ‫ﺳﻨﺔ‪.‬‬
‫ﻋﻨﺪ ﻭﻓﺎ ِﺓ ﻭﺍ ِﻟﺪﻱ!‬ ‫ﺑﻜﻴﺖ ﻭﺃﻧﺎ ﻓﻲ ﺍﻟﻌﺎﺷﺮﺓ ﻣﻦ ﺍﻟﻌﻤﺮ َ‬ ‫ُ‬ ‫ﻣﺮﺓ ﻣﺜﻠﻤﺎ‬ ‫ﱠ‬
‫ﻼ ﺃﻥ ﺣﻴﺎﺗﻲ ﺩﻭﻧﻬﺎ ﺻﺎﺭﺕ ﺟﺪﺑﺎﺀ ﻛﺌﻴﺒ ًﺔ ﻗﺎﺣﻠ ًﺔ ُﻣﻤ ﱠﻠ ًﺔ‬ ‫ﺷﻌﺮﺕ ﻓﻌ ً‬ ‫ُ‬
‫ﻭﺩﺍﻋﻬﺎ‬ ‫ﻘﺮ َﻓﺔ‪ ...‬ﻭﺃﻧﻲ ﻟﻦ ﺃﻃﻴﻖ ﻓﺘﺎ ًﺓ ﺑﻌﺪ ﺍﻟﻴﻮﻡ! ﺻﺎﺭ ﻣﻨﻈﺮ ِ‬ ‫ﺟﺎ ﱠﻓ ًﺔ ُﻣ ِ‬
‫ﺍﻷﺧﻴﺮ ﻋﻨﺪ ﺑﺎﺏ ﺍﻟﻌﻤﺎﺭﺓ ﻳﺴ ُﻜ ُﻨﻨﻲ َ‬
‫ﻟﻴﻞ ﻧﻬﺎﺭ‪...‬‬
‫ﺤﺎﻕ ﺑﻬﺎ ﺣﺘﻰ‬ ‫ﻣﺴﺘﻌﺪﴽ ِﻟﻌﻤﻞ ﺃﻱ ﺷﻲ ٍﺀ ﻟﺮﺅﻳﺘﻬﺎ! ِﻟ ﱢﻠ ِ‬ ‫ّ‬ ‫ُ‬
‫ﺃﺿﺤﻴﺖ‬
‫)‪(6‬‬
‫ﺃﺿﺤﻴﺖ ﻣﺜﻞ »ﺍﻧﺘﺤﺎﺭﻳﻲ« ﺣﺴﻦ ﺍﻟﺼﺒﺎﺡ‬ ‫ُ‬ ‫ﻟﻮ ﻛﺎﻧﺖ ﻓﻲ ﺟﻬ ّﻨﻢ!‬
‫‪69‬‬ ‫ﻣﺨﺪﺭﻳﻦ َﻟ ﱠﺬ َﺓ ﺣﻮﺭﻳﺎ ِﺗ ِﻪ ﻓﻲ ﻣﻘﺼﻮﺭﺍﺕ »ﺍﻟﺠ ﱠﻨﺔ‬ ‫ﺍﻟﺬﻳﻦ ﻛﺎﻧﻮﺍ ﻳﺬﻭﻗﻮﻥ ﱠ‬
‫َ‬ ‫َ‬
‫ﺍﺧ َﺘ َﻠ َﻘﻬﺎ ﺧﻠﻒ ﻗﺼﺮ »ﺃﻟﻤﻮﺕ« ﻓﻲ ﺷﻤﺎﻝ ﺇﻳﺮﺍﻥ‪،‬‬ ‫ﺍﻻﺻﻄﻨﺎﻋﻴﺔ« ﺍﻟﺘﻲ ْ‬
‫ﻋﺪﻥ‪ ...‬ﺛﻢ ﻳﻔﻴﻘﻮﻥ‬ ‫ﻗﻀﻮﺍ ﻟﻴﻠ ًﺔ ﻣﻊ ﺣﻮﺭ ﺍﻟﻌﻴﻦ ﻓﻲ ﺟ ّﻨﺎﺕ ْ‬ ‫ﻴﻦ ﺃﻧﻬﻢ َ‬ ‫ﻇﺎ ﱢﻧ َ‬
‫َ‬ ‫ُ‬
‫ﺳﻠﻄﺎﻥ ﺃﻭ‬ ‫ٍ‬ ‫ﺗﻨﻬﺸﻬﻢ ﺭﻏﺒﺔ »ﺍﻻﺳﺘﺸﻬﺎﺩ« ﺍﻻﻧﺘﺤﺎﺭﻱ‪ :‬ﻃ ْﻌ ُﻦ ٍ‬
‫ﺇﻣﺎﻡ ﺃﻭ‬
‫ﺃﻧﻔﺴﻬﻢ ﻣﺒﺎﺷﺮﺓ‪ ...‬ﻋﻠﻰ‬ ‫ﻗﺘﻞ ِ‬ ‫ﺍﻟﺠﻤﻌﺔ ﻗﺒﻞ ِ‬ ‫ﺳﻠﺠﻮﻗﻲ ﺑﻌﺪ ﺻﻼﺓ ُ‬ ‫ﱟ‬ ‫ﻭﺯﻳﺮ‬
‫ٍ‬
‫ْ‬ ‫ُ‬
‫ﺣﻮﺭﻳﺎﺗﻬﻢ ﻓﻲ ﺩﺍﺭ ﺍﻟﺨﻠﺪ!‪...‬‬ ‫ﱠ‬ ‫ﺃﺣﻀﺎﻥ‬ ‫ﺇﻟﻰ‬ ‫ﺟﺪﻳﺪ‬ ‫ﻣﻦ‬ ‫ﺓ‬
‫ِ‬ ‫ﺍﻟﻌﻮﺩ‬ ‫ﻃﺮﻳﻖ‬
‫ﺗﺨﺪﺵ ﺍﻟﺬﺍﻛﺮﺓ!‬ ‫ُ‬ ‫ﺑﺼﻤﺎﺕ‬
‫ٍ‬ ‫ﻛ ْﺖ ﺃ ِﻟ ْﻴﺲ ُﺟ ْﺮﺣﴼ ﺧﺎﻟﺪﴽ‪،‬‬ ‫ﺗ َﺮ َ‬
‫ﻇ ﱠﻠ ْﺖ ﻏﺮﻓﺘﻲ ﻣﺴﻜﻮﻧ ًﺔ ِﺑﺮﺍﺋﺤﺘﻬﺎ ﺃﺑﺪﴽ! ﺑﺎﻟﺠﻮﻉ ﻟﺘﻠﻚ ﺍﻟﺮﺍﺋﺤﺔ! ﱠ‬
‫ﻇﻞ‬
‫ﺲ ﺇﻻ‬ ‫ﺟﺴﺪﻱ ﻣﺴﻜﻮﻧﴼ ِﺑﺬﻛﺮﺍﻫﺎ! ﻣﺼﻨﻮﻋﴼ ﻷﺟﻠﻬﺎ ﻓﻘﻂ‪ ،‬ﻻ ﻳﺘﻨ ﱠﻔ ُ‬
‫َ‬ ‫ُ‬
‫ﻳﺨﻔﻖ ﺇﻻ ﻟﻬﺎ‪ ...‬ﻳﻨﺘﻈ ُﺮﻫﺎ ﺃﺑﺪﴽ! ﻟﻢ ﺃﻏ ﱢﻴﺮ‬ ‫ُ‬ ‫ﺑﻬﺎ‪ ،‬ﻻ ﻳﺘﻮ ﱠﺛ ُﺐ ﺇﻻ ﺑﻬﺎ‪ ،‬ﻻ‬
‫ﺷﻴﺌﺎ ﻣﻦ ﻣﻮﺍﺿﻊ ﻫﺪﺍﻳﺎﻫﺎ ﻭﺃﺩﻭﺍﺗﻬﺎ ﺍﻟﺸﺨﺼ ّﻴﺔ ﺣ ّﺘﻰ ﺑﻌﺪ ﺳﻨﻴﻦ ﻣﻦ‬
‫ﺃﺻﺪﻕ ﺃﻧﻬﺎ ﻟﻦ ﺗﻌﻮﺩ ﺑﻴﻦ ﺍﻟﻴﻮﻡ‬ ‫ﻛﻨﺖ ﺃﻧﺘﻈﺮﻫﺎ ﺩﻭﻣﴼ‪ .‬ﻻ ﱢ‬ ‫ُ‬ ‫ﻣﻐﺎﺩﺭﺗﻬﺎ‪.‬‬
‫ﻭﺍﻵﺧﺮ! ﻟﻜﻨﻬﺎ ﻏﺎﺑﺖ ﻭﺍﻧﻘﻄﻌﺖ ﺃﺧﺒﺎ ُﺭﻫﺎ ﺩﻭﻥ ﺃﻣﻞ!‪...‬‬
‫ﻣﺮ ًﺓ ﻭﺍﺣﺪﺓ ﻓﻘﻂ ﻛ ﱠﻠﻤﺎ‬ ‫ً‬ ‫ﺗﺼﻞ ﱠ‬ ‫ُ‬ ‫ﺑﻄﺎﻗ ٌﺔ ﺑﺮﻳﺪﻳ ٌﺔ ﺑﻼ ﻋﻨﻮﺍﻥ‬
‫ﻛﻨﺖ ﺃ ﱠﺗ ِﺼ ُﻞ ﺣﻴﻨﻬﺎ ﺗﻠﻔﻮﻧ ّﻴﴼ‬ ‫ُ‬ ‫ﺑﻠﺪ ﺟﺪﻳﺪ!‬ ‫َﺗ ُﺤ ﱡﻂ ﺃ ِﻟ ْﻴﺲ ﻣﻄﺎﻳﺎﻫﺎ ﻓﻲ ٍ‬
‫ﺲ‬ ‫ﺠﺪ ِﺗﻬﺎ ﺍﻟﺘﻲ ﺗﺴﺘﻠ ُﻢ ﺑﻄﺎﻗ ًﺔ ﻣﻤﺎﺛﻠ ًﺔ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪ .‬ﻋ َﺒ َﺮ ْﺕ ﺃ ِﻟ ْﻴ ُ‬
‫ِﺑ ﱠ‬
‫ﺧﻼﻝ ﺳﻨﺘﻴﻦ ﻭﻧﺼﻒ ﺍﻟﻬﻨﺪ‪ ،‬ﺷﺮﻕ ﺁﺳﻴﺎ‪ ،‬ﺗﺮﻛﻴﺎ‪ ،‬ﻟﺒﻨﺎﻥ ﻭﺍﻷﺭﺩﻥ‬
‫ﺛﻢ ﺗﻮ ﱠﻗ َﻒ ﺇﺭﺳﺎﻝ ﺑﻄﺎﻗﺎﺕ ﺍﻟﺒﺮﻳﺪﻳﺔ ﻣﻨﺬ‬ ‫ﻭﻣﺼﺮ‪ ،‬ﺷﺮﻕ ﺃﻓﺮﻳﻘﻴﺎ‪ ...‬ﱠ‬
‫ﻭﺻﻮﻟﻬﺎ ﺃﺭﺽ ﻛﻴﻨﻴﺎ‪...‬‬

‫َ‬
‫»ﺯﻣﻦ‬ ‫ﻃﻮﻳﻞ ﻣﻦ ﻣﻐﺎﺩﺭﺗﻬﺎ ﻟﻲ ﻣﺎ ﺃُ ﱢ‬
‫ﺳﻤﻴ ِﻪ‬ ‫ٍ‬ ‫ﺑﺪﺃ ُﺕ ﺑﻌﺪ ٍ‬
‫ﺯﻣﻦ‬ ‫ْ‬
‫ﻛﻞ ﻭﺍﺣﺪ ٍﺓ ﺃﺿﺠ ُﺮ ﻣﻦ‬ ‫ﻋﻼﻗﺎﺕ ﻓﺎﺗﺮ ٌﺓ ﻓﺎﺷﻠﺔ ﱡ‬ ‫ٌ‬ ‫ﺃﻧﺼﺎﻑ ﺍﻟﺠﻤﻴﻼﺕ«!‬ ‫ِ‬
‫ﺃﺅﻛ َﺪ ﻟﻨﻔﺴﻲ ﻓﻘﻂ ﺑﺄ ﱢﻧﻲ ﻣﺎﺯﻟﺖُ‬ ‫ﺃﺭﻳﺪ ﺃﻥ ﱢ‬ ‫ُ‬
‫ﺍﻷﺧﺮﻯ! ﻟﻌ ﱢﻠﻲ ﻛﻨﺖ ُ‬
‫ﻛﻞ ﺣﻮﺍﺳﻲ ﻛﺎﻣﻠﺔ‪ ،‬ﻭﺃﻧﻲ ﻟﻢ ﺃﻧﻜﻤﺶ ﺗﻤﺎﻣﴼ ﺑﻌﺪ‪ ،‬ﻭﺃﻧﻲ ﻟﻢ‬ ‫ﺃﻣﺘﻠﻚ ﱠ‬ ‫ُ‬
‫ﺃﺑﺤﺚ ﻋﻦ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﻼ ﻭﺃﻧﺎ ﻓﻲ ﻣﻨﺘﺼﻒ ﺍﻟﻌﺸﺮﻳﻨﺎﺕ!‪...‬‬ ‫ﻛ ْﻬ ً‬ ‫ﺃﺗﺤﻮ ْﻝ َ‬
‫ﱠ‬
‫ﺭﻭﻋﺘﻬﻦ ﻣﻘﺪﺍ َﺭ ﺍﻟﺸﺒ ِﻪ ﺑﻬﺎ‪.‬‬
‫ﱠ‬ ‫ﺭ‬
‫ُ‬ ‫ﻣﻌﻴﺎ‬ ‫ﻛﺎﻥ‬ ‫ﺍﻟﺪﻭﺍﻡ‪.‬‬ ‫ﻋﻠﻰ‬ ‫ﻓﻴﻬﻦ‬
‫ﱠ‬ ‫ﺲ‬ ‫ﺃ ِﻟ ْﻴ‬
‫ﱟﻱ‬ ‫ﺟﻮﻫﺮ‬
‫ِ‬ ‫ﺸﻜﻞ‬
‫ﺗﻌﻴﺴﺎﺕ ﻓﻲ ﺍﻷﺳﺎﺱ‪ِ ،‬ﺑ ٍ‬ ‫ٍ‬ ‫ﻛ ﱠﻦ ﺩﻭﻣﴼ ﻏﻴ َﺮ ﺭﺍﺋﻌﺎﺕ‪،‬‬ ‫ﻟﺬﻟﻚ ُ‬ ‫‪70‬‬
‫ﺣﺘﻤﻲ ُﻣ ْﺴ َﺒﻖ!‬
‫ﱟ‬
‫ﺳﺄﺟﺪ ﺻﻌﻮﺑ ًﺔ ﻓﻲ ﺍﻟﺘﻨ ﱡﻘ ِﻞ‬‫ُ‬ ‫ُ‬
‫ﺃﻳﻘﻨﺖ ﺃﻧﻲ‬ ‫ﺑﺴﺒﺐ ﺫﻟﻚ‬ ‫ِ‬ ‫ﻲ‬ ‫ﻠ‬
‫ﱢ‬ ‫ﻟﻌ‬
‫ﺍﻟﺨﻠﺪ! ﺗﻜﻔﻴﻨﻲ ﺭﺍﺋﻌ ٌﺔ ﻭﺍﺣﺪ ٌﺓ ﻣﺜﻞ ﺃ ِﻟ ْﻴﺲ‬ ‫ﺩﺍﺭ ُ‬‫ﺍﻟﻌﻴﻦ ﻓﻲ ِ‬ ‫ِ‬ ‫ﺑﻴﻦ ﺣﻮﺭ‬
‫ﻭﺧ ْﺪ ٍﺭ ﻣﻦ‬ ‫ﺍﻣﺘﻼﻙ َﺳ ْﺮ ٍﺏ ﻣﻦ ﺍﻟﺠﻮﺍﺭﻱ ِ‬ ‫ُ‬ ‫ﻣﺪﻯ ﺍﻟ ُﻌﻤﺮ!‪ ...‬ﺭﺑّﻤﺎ ﻛﺎﻥ‬
‫ﺛﻤﺔَ‬
‫ﺍﻷﻋﺮﺍﺑﻲ ﱠﺃﻳﺎﻡ ﺍﻟﺠﺎﻫﻠﻴﺔ‪ ،‬ﺃﻣﺎ ﺍﻵﻥ؟!‪ ...‬ﱠ‬ ‫ﱢ‬ ‫ﺍﻟﺤﺮﻳﻢ ﻳﺜﻴﺮ ُﻟ َ‬
‫ﻌﺎﺏ‬
‫َ‬
‫ﻛﺜﻴﺮﻳﻦ‬ ‫ُ‬
‫ﺃﻋﺘﺮﻑ ﺃﻧﻲ‪ ،‬ﻣﺜﻞ‬ ‫ﺍﺳﺘﻴﻌﺎﺏ ﺫﻟﻚ‪.‬‬
‫ِ‬ ‫ﺻﻌﻮﺑ ٌﺔ ﺛﻘﺎﻓ ّﻴ ٌﺔ ﻓﻲ‬
‫ﺑﺴﺒﺐ ﺫﻟﻚ ﻛﺜﻴﺮﴽ ﻣﻦ ﺍﻹﺣﺮﺍﺝ ﻻﺳ ّﻴﻤﺎ ﻭﺃﻧﻲ ﻻ‬ ‫ِ‬ ‫ﺟﺪﴽ‪ ،‬ﺳﻮﻑ ﺃَ ِﺟ ُﺪ‬ ‫ّ‬
‫ﺍﻟﻮﻟﺪﺍﻥ ﺍﻟﻤﺨ ﱠﻠ ِﺪﻳﻦ!‪ ...‬ﺃﺧﺸﻰ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ِ‬ ‫ﺃﻣﻴﻞ ﺃﻳﻀﴼ ِﻟ ُﻤ َ‬
‫ﻌﺎﺷﺮ ِﺓ‬ ‫ُ‬
‫ﺃﻥ ﺗﺘﻌ ﱠﻘ َﺪ ﺣﻴﺎﺗﻲ ﺣﻴﻨﻬﺎ‪ .‬ﻷﻥ ﺗﺠﺮﺑﺘﻲ ﺍﻟﺸﺨﺼ ّﻴﺔ ﻓﻲ ﺣﻴﺎﺓ ﺍﻟﺪﻧﻴﺎ‪،‬‬
‫ﺧﻼﻝ ﺍﻟﻤﺮﺣﻠﺔ ﺍﻻﻧﺘﻘﺎﻟﻴﺔ ﺑﻴﻦ ﺃ ِﻟ ْﻴﺲ ﻭﺇﻟﻬﺎﻡ‪ ،‬ﻟﻢ َﺗ ُﻜ ْﻦ ﻧﺎﺻﻌ ًﺔ ﺟﻠﻴﻠﺔ‪:‬‬
‫ﺗﻨ ﱡﻘﻼﺗﻬﺎ ﺍﻟﺠﺴﺪﻳّﺔ ﻟﻢ ﺗﻜﻦ ﺳﻌﻴﺪ ًﺓ ﺇﻃﻼﻗﴼ‪...‬‬

‫ﺃُ ْﻭ َﻻ ُﻫ ﱠﻦ ﻋ ِﻘﺐ ﺃ ِﻟ ْﻴﺲ‪ ،‬ﻃﺎﻟﺒ ٌﺔ ﺍﺳﺘﺮﺍﻟﻴﺔ‪ ،‬ﻛﺎﺩﺕ ُﺗﺼﺎﺏ‬

 ‫ﺃﺭﻓﺾ‬‫ُ‬ ‫ﺑﺎﻟﺠﻨﻮﻥ ﻭﻫﻲ ﺗﺮﺍﻧﻲ ﺑﻌﺪ ﺳ ﱠﺘ ِﺔ ﺃﺷﻬﺮ ﻣﻦ ﺍﺭﺗﺒﺎﻃﻨﺎ ﻣﺎ ُ‬
‫ﺃﺯﺍﻝ‬
‫ﺍﻟﻜﺬﺏ ﺇﻃﻼﻗﴼ! ﺃﻣﻘ ُﺘ ُﻪ‬ ‫َ‬ ‫ﺍﻟﺤﻖ ﺃﻧﻲ ﻻ ﺃُ ُ‬
‫ﺟﻴﺪ‬ ‫ﱡ‬ ‫ﺣﺒﻚ!«‪.‬‬ ‫ﺃﻗﻮﻝ ﻟﻬﺎ‪» :‬ﺃُ ﱢ‬ ‫ﺃﻥ َ‬
‫ﺃﻱ ﺷﻲ ٍﺀ ﺁﺧﺮ! ﻟﻌ ّﻠﻲ ﻟﻦ ﺃﺗﺠﺮﺃ ﺍﻟﺒﻮ َﺡ ﺑﻬﺬﻩ ﺍﻟﻜﻠﻤﺔ‬ ‫ﺃﻛﺜﺮ ﻣﻦ ﱢ‬
‫ﻋﺮﺷﻬﺎ‬ ‫ﺍﻟﺘﺼﺮﻳﺢ ﺳﻴﻬ ﱡﺰ َ‬‫ُ‬ ‫ﻼ ﺇﺫﺍ ﻛﺎﻥ ﺫﻟﻚ‬ ‫ﺍﻟﺴﺤﺮﻳﺔ ِﻟﻔﺘﺎ ٍﺓ ﺃُ َ‬
‫ﻋﺸ ُﻘﻬﺎ ﻓﻌ ً‬ ‫ﱠ‬
‫ُ‬
‫ﺳﻴﺪﻋﻚ ﺇﻳﻘﺎ َﻉ ﺣﻴﺎ ِﺗﻬﺎ ﻭﺍﺭﺗﺒﺎﻃﺎ ِﺗﻬﺎ ﺍﻟﻐﺮﺍﻣﻴﺔ ﺃﻭ ﺍﻷ َﺳ ِﺮﻳّﺔ!‬ ‫ُ‬ ‫َ‬ ‫ﺍﻟﺰﻭﺟﻲ‪،‬‬
‫ّ‬
‫َ‬
‫ﻟﻜﻦ ﻳﺴﺘﺤﻴﻞ ﺃﻥ ﺗﻨﺒﺜﻖ ﻫﺬ ِﻩ ﺍﻟﻜﻠﻤﺔ ﻣﻦ ﺍﻟ َﻌ َﺪﻡ‪ ،‬ﺃﻭ ﺃﻥ ﺃﻓﻮ َﻩ ﺑﻬﺎ ﻣﻦ‬ ‫ُ‬
‫ﺗﺘﺴﺮ َﺏ ﻣﻦ ﻓﻤﻲ‬ ‫ﱠ‬ ‫ﻓﻮﻕ ﺍﻟﻠﺴﺎﻥ‪ ...‬ﻻ ﻳﻤﻜﻦ ِﻟﻤﻘﺎﻃ ِﻌﻬﺎ ﻭﺫﺑ َ‬
‫ْﺬﺑﺎ ِﺗﻬﺎ ﺃﻥ‬
‫ﺧﻴﺎﺷﻴﻢ ﺍﻟﺮﻭﺡ‪ ،‬ﺩﻭﻥ‬‫ِ‬ ‫ﺸﻮﺷﺔ‪ .‬ﻫﻲ ﺗﺨﺮ ُﺝ ِﻟﻮﺣﺪﻫﺎ ﻣﻦ‬ ‫ﺧﺎﻓﺘ ًﺔ ﺧﺠﻮﻟ ًﺔ ُﻣ ﱠ‬
‫ﻃﻠﺐ ﺃﻭ ﺍﺳﺘﺌﺬﺍﻥ‪ ،‬ﺃﻭ ﻻ ﺗﺨﺮ ُﺝ ﺃﺑﺪﴽ‪...‬‬ ‫ٍ‬
‫ﻛﺎﺭﺛﻴﺔ! ﺑﻌﺪ‬ ‫ﱠ‬ ‫ﺮ‬
‫َ‬ ‫ﺃﻛﺜ‬ ‫ﺔ‬‫ُ‬ ‫ﺍﻟﻌﻼﻗ‬ ‫ﻛﺎﻧﺖ‬ ‫ﺃﻣﺮﻳﻜﻴﺔ‪،‬‬ ‫ﺃﺧﺮﻯ‪،‬‬ ‫ﻣﻊ‬
‫ﺧﻨﻘ ُﺖ ﺣﻴﻨﻬﺎ ﻓﻲ‬ ‫ﻓﺎﺟﺄﺗﻨﻲ ﺑﺎﻟﻘﻮﻝ ﺇﻧﻬﺎ ﺣﺎﻣﻞ! ْ‬ ‫َ‬ ‫ﺃﻗﻞ ﻣﻦ ‪ 3‬ﺃﺷﻬﺮ‬ ‫ّ‬
‫ﺍﻟﺠ ّﻦ!«‪ .‬ﻓﺠﻴﻌ ٌﺔ ﻟﻢ‬ ‫ﺪﺭﻱ ﻫﺬﻩ ﺍﻟﺼﺮﺧ َﺔ ُ‬
‫ﺍﻟﻤ َﺪ ﱢﻭﻳﺔ‪» :‬ﺃ ﱡﻡ ِ‬ ‫ﺍﻟﺼ ﱢ‬ ‫ﻗﻔﺼﻲ ﱠ‬
‫‪71‬‬ ‫ﻛ ْﺪ ُﺕ ُ‬
‫ﺃﻓﻘﺪ‬ ‫ﺎﺕ ﻫﻮﺍﺋﻴ ٍﺔ ﻣﻔﺎﺟﺌﺔ! ِ‬ ‫ﺗﺨﻄﺮ ﺑﺒﺎﻟﻲ ﻳﻮﻣﴼ! ﻣﻨﻄﻘ ُﺔ ﱠ‬
‫ﻣﻄﺒ ٍ‬
‫ﺃﺣﺐ ﻛﺜﻴﺮﴽ ﻫﺬﻩ ﺍﻷﻣﺮﻳﻜﻴﺔ ﺍﻟﻤﺴﻜﻴﻨﺔ!‪...‬‬ ‫ﺃﻋﺼﺎﺑﻲ ﻷﻧﻲ ﻟﻢ ﺃﻛﻦ ﱡ‬
‫ﻜﻞ ﺍﻟﻮﺳﺎﺋﻞ ﻭﺍﻷﺳﺎﻟﻴﺐ ﻟﻺﺟﻬﺎﺽ‪ .‬ﻳﺎﻟﻠﻤﺴﻜﻴﻨﺔ ﺣ ّﻘﴼ!‬ ‫ﻟﺰ َﻡ ﺍﻟﻠﺠﻮ ُﺀ ِﻟ ﱢ‬
‫ﻭﺑﻜﺜﻴﺮ ﻣﻦ ﺍﻟﺬﻧﺐ‪.‬‬ ‫ٍ‬ ‫ﺻﺮﺕ ﺑﻴﻦ ﻋﺸ ّﻴ ٍﺔ ﻭﺿﺤﺎﻫﺎ ﺃﺷﻌ ُﺮ ﺑﺎﻟﺨﻮﻑ ﻣﻨﻬﺎ‪،‬‬ ‫ُ‬
‫ﻛﻞ ﺷﻲﺀ ﺑﻌﺪ ﺫﻟﻚ! ﻟﻢ ﺃﺣﺘﻤﻞ ﺑﻘﺎﺀﻧﺎ ﻃﻮﻳﻼ ﻣﻌﴼ‪ .‬ﻓ َﺮ ُ‬
‫ﺭﺕ‬ ‫ﺗﻌ ﱠﻘ َﺪ ﱡ‬
‫ﺃﺳ ِﻪ ُﻗﺸﺎﺷﺔ«‪ ،‬ﺑﺪﻭﻥ‬ ‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ ﻣﻨﻬﺎ‪ ،‬ﻛﺠﺒﺎﻥ‪ ،‬ﻙ»ﺳﺎﺭﻕ ِﺑ َﺮ ِ‬ ‫ٍ‬
‫ﻛﺜﻴﺮ ﻣﻦ ﺍﻟﻜﻴﺎﺳﺔ ﻭﺍﻷﺧﻼﻕ ﺍﻟﺮﻓﻴﻌﺔ ﻳﺠﺪ ُﺭ ﺃﻥ ﺃﻗﻮﻝ!‪...‬‬ ‫ٍ‬
‫ﺃﻥ‬
‫ﱠ‬ ‫ﻟﻮﻻ‬ ‫ﺣﻴﺎﺗﻲ‬ ‫ﻣﻦ‬ ‫ﺍﻟﻤﺤﻤﻮﻣﺔ‬ ‫َ‬
‫ﺔ‬ ‫ﺍﻟﺤﻠﻘ‬ ‫ﻫﺬﻩ‬ ‫ﺃﻧﺴﻰ‬ ‫ُ‬
‫ﻛﺪﺕ‬
‫ﻭﻣﺜﻴﺮ ﻟﻠﺮﺛﺎﺀ ﺑﻌﺪ ﺳﻨﻴﻦ‬ ‫ٍ‬ ‫ﻘﺮﻑ‬
‫ﺑﺸﻜﻞ ُﻣ ٍ‬ ‫ٍ‬ ‫ﻋﺎﺩﺕ ﺇﻟﻰ ﺍﻟﺴﻄﺢ‬ ‫ْ‬ ‫ﺫﻛﺮﺍﻫﺎ‬
‫َ‬ ‫َ‬
‫ﻣﻦ ﺣﻴﺎﺗﻲ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻣﻊ ﺇﻟﻬﺎﻡ‪ .‬ﻷﻥ ﺍﻟﺤﻴﺎﺓ ﺃﻋﺎﻗ ْﺖ ﺇﻟﻬﺎﻡ ﻣﻦ‬
‫ﻴﻒ ﻵﻻﻣﻨﺎ ُﺑ ْﻌﺪﴽ ﺟﺪﻳﺪﴽ ﺻﺎﺭ‬ ‫ﺇﻣﻜﺎﻧﻴﺔ ﺍﻹﻧﺠﺎﺏ ﺣ ّﺘﻰ ﺍﻵﻥ‪ِ ...‬ﻟ ُﺘ ِﻀ َ‬
‫ﻣﻊ ﻣﺮﻭﺭ ﺍﻟﺴﻨﻴﻦ ﺃﻛﺜﺮ ﺇﺛﺒﺎﻃﴼ ﻭﺿﻐﻄﴼ ﻭﻛﺂﺑ ًﺔ ﻭﻣﺄﺳﺎﻭﻳّﺔ‪ ...‬ﻟﻢ ﻧﻌﺪ‬
‫ﻃﻔﻞ ﻳﻤﻠﺆﻩ ﺿﺤﻜﴼ ﻭﺣ ّﺒﴼ ﻭﺳﻌﺎﺩﺓ‪.‬‬ ‫ﺧﺎﻝ ﻣﻦ ٍ‬ ‫ﻳﻈﻞ ﻣﻨﺰ ُﻟﻨﺎ ٍ‬‫ﻧﺤﺘﻤﻞ ﺃﻥ ﱠ‬
‫ﺃﻭ ﻣﻦ ﺧﻤﺴﺔ ﺃﻃﻔﺎﻝ ﺑﺎﻷﺣﺮﻯ‪ ،‬ﻛﻤﺎ ﻛﺎﻧﺖ ﺗﺤﻠ ُﻢ ﺇﻟﻬﺎﻡ! ﺻﺎﺭ ﺫﻟﻚ‬
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‫ﺗﺴﺎﺀﻟﺖ ﺇﻥ ﻟﻢ‬ ‫ﻳﻀﻐﻂ ﻋﻠﻰ ﺃﻋﺼﺎﺑﻨﺎ‪ ،‬ﻳﺆ ﱢﺯ ُﻡ ﺣﻴﺎ َﺗﻨﺎ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‪.‬‬ ‫ُ‬
‫ﻳﻜﻦ ﻓﻲ ﺫﻟﻚ ﺍﻧﺘﻘﺎ ٌﻡ ﻣﻦ ﺍﻟ َﻘ َﺪﺭ ﻟﺘﻠﻚ ﺍﻷﻣﺮﻳﻜﻴﺔ ﺍﻟﻤﺴﻜﻴﻨﺔ!‪...‬‬
‫ﺤﻀ ُﺮ ﺍﻟﺪﻛﺘﻮﺭﺍﻩ ﻓﻲ ﻧﻔﺲ‬ ‫ﺃﺧﺮﻯ‪ ،‬ﺑﺮﺍﺯﻳﻠﻴﺔ‪ ،‬ﻛﺎﻧﺖ ُﺗ ﱢ‬
‫ﻣﺮ ًﺓ ﻓﻲ ﺇﺣﺪﻯ ﺻﺎﻻﺕ ﺍﻟﻌﻤﻞ‬ ‫ﺳﻨﻮﺍﺗﻲ‪ ،‬ﻭﻓﻲ ﻧﻔﺲ ﺍﻟﻤﺨﺘﺒﺮ‪ .‬ﺍﻟﺘﻘﻴﻨﺎ ﱠ‬
‫ﻤﻲ ﻣﺸﺘﺮﻙ«! ﺗﻨﺎﻗﺸﻨﺎ‬ ‫ﱟ‬ ‫»ﺑﺤﺚ ِﻋ ْﻠ‬
‫ٍ‬ ‫ﻋﻨﺪﻣﺎ ﻗﺎﻟﺖ ﻟﻲ ﺇﻧﻬﺎ ﺗﺮﻳﺪ ﺃﻥ ﻧﻘﻮﻡ ِﺏ‬
‫ﺍﻟﻌﻠﻤﻲ‬
‫ّ‬ ‫ﻛﺜﻴﺮﴽ‪ ،‬ﺗﻨﺎﻭﻟﻨﺎ ﺍﻟﻌﺸﺎﺀ ﻣﻌﴼ ﻓﻲ ﻏﺮﻓﺘﻲ‪ ،‬ﻭﺍﺻﻠﻨﺎ ﺍﻟﺤﻮﺍﺭ‬
‫ﻭﺍﻟﺜﺮﺛﺮﺓ ﺍﻟﺠﺎﻧﺒﻴﺔ‪ ...‬ﻣﺎ ﺃﺛﺎﺭﻧﻲ ﻓﻲ ﻣﻮﺍﺿﻴﻊ ﺣﺪﻳ ِﺜﻬﺎ ﻭﺗﻌﺒﻴﺮﺍ ِﺗﻬﺎ‬
‫ﻭﻫﻮﺳﻬﺎ ﻟﻤﺘﺎﺑﻌ ِﺔ‬ ‫ِ‬ ‫ﻭﺳﻠﻮﻛﻬﺎ ﻫﻮ ﺩﺭﺟ ُﺔ ﻋﺸ ِﻘﻬﺎ ﻟ ُﻠﻌﺒﺔ ﻛﺮ ِﺓ ﺍﻟﻘﺪﻡ‬ ‫ِ‬
‫ﻛﻞ ﺷﻲﺀ ﻓﻲ‬ ‫ﺃﺧﺒﺎﺭﻫﺎ ﺍﻟﻴﻮﻣﻴﺔ‪ ،‬ﻭﻣﺪﻯ ﻫﻴﻤﻨ ِﺔ ﻫﺬﻩ ﺍﻟﻠﻌﺒﺔ ﻋﻠﻰ ﱢ‬ ‫ِ‬
‫ﻛﻞ ﺷﻲ ٍﺀ ﻓﻲ ﺍﻟﺪﻧﻴﺎ ﻣﻦ ﻣﻨﻈﻮﺭ ﻣﺒﺎﺭﺍﺓ ﻛﺮﺓ ﺍﻟﻘﺪﻡ‪:‬‬ ‫ﺣﻴﺎﺗﻬﺎ!‪ ...‬ﺗﺮﻯ ﱠ‬
‫ﺗﻔﻜﻴﺮﻫﺎ ﻭﻋﻤ ِﻠﻬﺎ‪ ،‬ﻓﻠﺴﻔ ُﺘﻬﺎ‪ ،‬ﺗﻔﺎﻋ ُﻠﻬﺎ ﻭﻋﻼﻗ ُﺘﻬﺎ ﺑﺎﻵﺧﺮﻳﻦ‪،‬‬ ‫ِ‬ ‫ﻃﺮﻳﻘ ُﺔ‬
‫ﺍﻟﻴﻮﻣﻴﺔ ﺍﻟﺒﺴﻴﻄﺔ‪ ...‬ﻻﺳ ّﻴﻤﺎ‬ ‫ﱠ‬ ‫ﺍﻟﻌﻠﻤﻴﺔ ﻭﺍﻷﺣﺪﺍﺙ‬
‫ﱠ‬ ‫ﻟﻠﻈﻮﺍﻫﺮ‬
‫ِ‬ ‫ﺗﻔﺴﻴ ُﺮﻫﺎ‬
‫ﻬﺪ ِﻓﻬﺎ ﻫﺬﺍ ﻓﻲ ﻧﻔﺲ ﺗﻠﻚ‬ ‫ﺻﻠﺖ ِﻟ َ‬‫ﺍﻟﺠﺴﺪﻱ ﺍﻟﻤﺸﺘﺮﻙ«! َﻭ ْ‬ ‫ّ‬ ‫»ﺍﻟﺒﺤﺚ‬ ‫‪72‬‬
‫ﺧﻂ ﺍﻟﻤﺮﻣﻰ!‬ ‫ﻬﺠﻮﻡ ﻣﺒﺎﺷﺮ ﻋﻠﻰ ﱢ‬ ‫ﺍﻟﻠﻴﻠﺔ‪ِ ،‬ﺑ ٍ‬
‫ُ‬
‫ﺍﻟﺴﻴﺮﻙ‬ ‫ﺍﻟﺠﺴﺪﻳﺔ‪،‬‬
‫ﱠ‬ ‫ﺍﻟﺒﻬﻠﻮﺍﻧﻴ ُﺔ‬
‫ﱠ‬ ‫ﺍﻟﺘﺴﺨﻴﻦ‪ ،‬ﺍﻟﺘﺪﺭﻳﺐ‪،‬‬
‫ﺿﺮﺑﺎﺕ ﺍﻟ ﱠﺘﻤﺎﺱ‪ ،‬ﺍﻟﻘ ْﻠ ُﺐ‪،‬‬
‫ُ‬ ‫ﺍﻟﺘﻤﺮﻳﺮﻳﺔ ﺍﻟﻤﺘﻮﺍﻟﻴﺔ‪،‬‬
‫ﱠ‬ ‫ُ‬
‫ﺍﻟﻀﺮﺑﺎﺕ‬ ‫ﱡ‬
‫ﺍﻟﺠﺴﺪﻱ‪،‬‬
‫ﺗﺠﻴﺪﻫﺎ ﻛ ﱠﻠﻬﺎ ﺑﺈﺗﻘﺎﻥ!‬ ‫ُ‬ ‫ﺍﻟﺮﻓ ُﻊ‪ ،‬ﺍﻟﺮﻛﻼﺕ ﺍﻟﻤﺒﺎﺷﺮﺓ‪ ،‬ﻏﻴﺮ ﺍﻟﻤﺒﺎﺷﺮﺓ‪...‬‬
‫ُ‬
‫ﺤﺪ ٍﺩ ﺗﻔ ﱢﻜ ُﺮ ﺑﻪ ﻣﺴﺒﻘﴼ‪،‬‬ ‫ﻣﺪﺟﺠ ًﺔ ِﺑﺴﻴﻨﺎﺭﻳﻮ ُﻣ ﱠ‬ ‫ﱟﻱ ﱠ‬ ‫ﺟﺴﺪ‬
‫ِ‬ ‫ﻛﻞ ﻟﻘﺎ ٍﺀ‬‫ﺗﺄﺗﻲ ﱠ‬
‫ﻳﻠﺰﻣﻚ ﺍﻟﺮﺿﻮ ُﺥ‬ ‫ﺨﻄ ٍﺔ ﺍﺳﺘﺮﺍﺗﻴﺠﻴﺔ ﻫﺠﻮﻣﻴﺔ ﺃﻭ ﺩﻓﺎﻋﻴﺔ‪ ...‬ﻣﻌﻬﺎ ُ‬ ‫ِﺑ ﱠ‬
‫َﻙ ﻣﻦ ﺍﻟﻤﻠﻌﺐ! ﻣﻌﻬﺎ‬ ‫ﺨﺮ َﺝ ﺑﻄﺎﻗ َﺔ ﺍﻹﻧﺬﺍﺭ ﺍﻟﺤﻤﺮﺍﺀ ﻭﺗﻄ ُﺮﺩ َ‬ ‫ﻛﻲ ﻻ ُﺗ ِ‬
‫ﺍﻟﻠﻌﺐ‬
‫َ‬ ‫ﻓﻀ ْﻠ َﺖ ﺍﻟﻤﺒﺎﺭﺍ َﺓ ﺍﻟﻤﻔﺘﻮﺣﺔ‪،‬‬ ‫ﺧﻄ ِﺔ ﺍﻟﻠﻌﺐ ﺣ ّﺘﻰ ﻭﺇﻥ ﱠ‬ ‫ﻗﺒﻮﻝ ّ‬‫ﻳﻠﺰ ُﻡ ُ‬
‫ﺍﻟﺤﺮ‪...‬‬‫ﺍﻟﻜﺮﻭﻱ ُ‬‫ّ‬
‫ﻗﺪﻡ ﺣﻘﻴﻘ ّﻴﺔ! ﺗﺴﺘﺨﺪ ُﻡ‬ ‫ﺑﻌﺪﻫﺎ ﻣﺒﺎﺭﺍ ُﺓ ﻛﺮ ِﺓ‬ ‫َ‬ ‫ُ‬
‫ﺗﺒﺪﺃ‬
‫ٍ‬
‫ﺍﻟﺠﺴﺪﻱ ِﺑ َﻮ ْﻋﻲ ﺃﻭ‬
‫ﱢ‬ ‫ﻣﺼﻄﻠﺤﺎﺕ ﻭﺑﻼﻏ َﺔ ﻛﺮﺓ ﺍﻟﻘﺪﻡ ﺃﺛﻨﺎﺀ ﺍﻟﻠﻘﺎﺀ‬
‫ﺧﻂ ﺍﻟﻤﺮﻣﻰ« ﺍﻟﺬﻱ ُﺗ َﻌﺎ ِﻗ ُﺐ ﻋﻠﻴﻪ‪.‬‬ ‫ﺑﻼ ﻭﻋﻲ‪ ،‬ﻻﺳ ّﻴﻤﺎ »ﺍﻟﺘﺴ ﱡﻠﻞ ﺇﻟﻰ ّ‬
‫ﺗﻤﻴﻞ ﻛﺜﻴﺮﴽ ﺇﻟﻰ ﺗﻤﺪﻳﺪ‬ ‫ُ‬ ‫ﻣﻮﺍﻗﻊ ﺍﻟﻤﺮﻣﻰ ﺑﻴﻦ ﺍﻟﺸﻮﻃﻴﻦ!‬ ‫َ‬ ‫ُ‬
‫ﺗﺴﺘﺒﺪﻝ‬
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‫ﺗﻨﺎﻗﺸ ُﻪ‬ ‫ﺍﻟﺠﺴﺪﻱ ﺃﻫﺪﺍﻓﴼ‪ُ ،‬ﺗﻌ ﱢﻠ ُﻖ ﻋﻠﻴﻪ‪،‬‬
‫ﱠ‬ ‫ﺗﺤﺴﺐ ﺍﻟﻠﻘﺎ َﺀ‬
‫ُ‬ ‫ﺍﻟﺸﻮﻃﻴﻦ!‬
‫ﻧﻘﺪﻳّﴼ!‪ ...‬ﻟﻢ ﺃﻛﻦ ﺃﺩﺭﻱ ﺇﺫﺍ ﻛﺎﻥ ﻳﻠﺰﻣﻨﻲ ﺃﻥ ﺃﺿﺤﻚَ‬ ‫ُ‬
‫ﻓ ﱢﻨﻴﴼ‪ ،‬ﻭ ُﺗﺤ ﱢﻠﻠ ُﻪ ِ‬
‫ﺃﻻﺣﻆ ﺃﻥ ﻧﺒﺮﺍﺕ ﺷﻬﻘ ِﺘﻬﺎ ﻟﻢ ﺗﻜﻦ ﺗﺨﺘﻠﻒ ﻛﺜﻴﺮﴽ ﻓﻲ‬ ‫ُ‬ ‫ﺃﻡ ﻻ‪ ،‬ﻭﺃﻧﺎ‬
‫ﺍﻟﻤﺘﺪﺍﺧﻞ ﻣﻊ ﺻﺮﺧﺎﺕ‬
‫ِ‬ ‫ﺍﻟﺤ َﻜﻢ‪،‬‬
‫ﺭﻧﻴﻦ ُﺻﻔﺎﺭﺓ َ‬
‫ﺑﻌﺾ ﺍﻷﺣﻴﺎﻥ ﻋﻦ ِ‬
‫ﻜﺮ ُﺭﻫﺎ ﺃﺛﻨﺎﺀ ﻣﺸﺎﻫﺪ ِﺓ ﺍﻟﻤﺒﺎﺭﻳﺎﺕ‪ :‬ﺟﻮﻭﻭﻭﻭﻭﻭﻝ! ﺟﻮﻭﻭﻭﻭﻭﻭﻝ!‬ ‫ﺃﻟﻴﻔ ٍﺔ ُﺗ ﱢ‬
‫ﺟﻮﻭﻭﻭﻭﻭﻭﻝ!‪...‬‬

‫ﻛﻞ ﻋﻼﻗ ٍﺔ ﻭﻋﻼﻗﺔ‪.‬‬ ‫ﺃﻓﺮﻏ ُﺖ ﻃﺎﻗﺎﺗﻲ ﺑﺎﻟﺪﺭﺍﺳﺔ ُ‬

‫ﺍﻟﻤﻜ ﱠﺜﻔﺔ ﺑﻴﻦ ﱢ‬ ‫ْ‬
‫ﺍﻟﺘﺤﺼﻴﻞ ﻭﺍﻟﺘﺜ ﱡﻘ ِﻒ ﻭﺍﻟﻘﺮﺍﺀ ِﺓ‬
‫ِ‬ ‫ُ‬
‫ﺍﻧﺼﺒﺒﺖ ﻋﻠﻰ‬ ‫ﺗﻮﺭ ُ‬
‫ﻋﺖ‪،‬‬ ‫ﻓﺖ‪ ،‬ﱠ‬ ‫ﺗﺼﻮ ُ‬
‫ﱠ‬
‫ُ‬
‫»ﻧﻈﺮﻳ ِﺔ ﺍﻟﺸﻬﻘﺔ«! ﺍﻋﺘﺒﺮﺗﻬﺎ ﻟﻦ ﺗﺄﺗﻲ‬
‫ﱠ‬ ‫َ‬
‫ﺃﻫﻤﻠﺖ ﺗﻤﺎﻣﴼ ﺩﺭﺍﺳﺔ‬‫ُ‬ ‫ﺍﻟﺪﺍﺋﻤ ِﺔ!‬
‫ﺍﻟﺼﺎﺩﻕ ﺍﻟﺠﺎﺭﻑ‪.‬‬
‫ِ‬ ‫ﻟﻠﻌﺸﻖ‬
‫ِ‬ ‫ﺃﺑﺤﺚ ﻋﻨﻬﺎ‪ ،‬ﻷ ﱠﻧﻬﺎ ٌ‬
‫ﺭﺩﻳﻒ‬ ‫ُ‬ ‫ﻣﻦ ﺟﺪﻳﺪ ﻛﻤﺎ‬
‫ﻷﻧﻬﺎ ِﻇ ﱡﻞ ﺃ َِﻟ ْﻴﺲ ﻻ ﻏﻴﺮ‪َ ...‬‬
‫ﺗﻨﺎﺳ ْﻴ ُﺘﻬﺎ ﺗﻤﺎﻣﴼ ﻗﺒﻞ ﺃﻥ ﺗﻌﻮ َﺩ ﺍﻟﻴﻮﻡ ﻫﺎﺟﺴﴼ‬
‫‪73‬‬ ‫ﺃﻋﻴﺶ ﻣﻦ ﺟﺪﻳﺪ ِﻋ ْﺸﻘﴼ ﺻﺎﺩﻗﴼ ﺟﺎﺭﻓﴼ! ِﻋ ْﺸﻘﴼ‬ ‫ُ‬ ‫ﻭﻫ َﻮﺳﴼ ﻋﺎﺭﻣﴼ ﻭﺃﻧﺎ‬
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‫ﻣﻘﺼﻮﺹ ﺍﻟﺠﻨﺎﺣﻴﻦ ﻣﻊ ﺻﺎﺣﺒ ِﺔ ﺍﻟﻘﺒﻠ ِﺔ ﺍﻟﻤﻐﻠﻘﺔ‪ ،‬ﺇﻟﻬﺎﻡ‪ .‬ﻣﻊ ﺗﻠﻚ‬ ‫َ‬
‫ٌ‬ ‫َ‬
‫ﺍﻟﺘﻲ ﺗﻤﻸ ﺍﻟﻤﻨﺰﻝ ﺣﺒﻮﺭﴽ ﻭﻓﺮﺣﴼ ﻭﺳﻌﺎﺩ ًﺓ ﻭﺩﻓﺌﴼ‪ ،‬ﻟﻜﻨﻬﺎ ﻣﺴﻜﻮﻧﺔ ﻓﻲ‬ ‫ُ‬
‫ﺑﻮﺟﻊ ﻋﻤﻴﻖ!‪...‬‬
‫ٍ‬ ‫ﺑﺄﻟﻢ ﺩﺍﺧﻠﻲ‪،‬‬
‫ﺒﻲ‪ٍ ،‬‬ ‫ﻴﻊ ُﻗ ْﻄ ّ‬‫ﺃﻋﻤﺎﻗﻬﺎ ِﺑﺼ ِﻘ ٍ‬
‫ﺳﻔﻮﺡ ﺟﺒﺎﻝ‬ ‫ِ‬ ‫ﺇﻟﻬﺎﻡ ﺟﺎﻟﺴ ٌﺔ ﻓﻮﻕ ﺻﺨﺮ ٍﺓ ﻋﺎﻟﻴﺔ ﻓﻲ ِ‬
‫ﺃﺣﺪ‬
‫ﺍﻷﻟﻔﻴﺔ ﺍﻟﺜﺎﻧﻴﺔ‪ .‬ﻗﺎﻣ ٌﺔ ﻣﻤﺸﻮﻗ ٌﺔ‬ ‫ﱠ‬ ‫ﺍﻟﻀﺤﻰ ﺍﻷﺧﻴﺮ ﻣﻦ‬ ‫ﺍﻟﺒﺘﺮﺍﺀ‪ ،‬ﻓﻲ ﻫﺬﺍ ﱡ‬
‫ﻛﺘﻤﺜﺎﻝ »ﺃُﺿﺤﻴ ِﺔ ﺍﻟﻨﻴﻞ« ﻓﻲ ﺍﻟﻤﺘﺤﻒ ﺍﻟﻤﺼﺮﻱ‪ ،‬ﺗﺰﺩﺍ ُﺩ ﻣﻊ ﱢ‬
‫ﻣﺮ‬ ‫ِ‬
‫ﺍﻟﻮﺭﺩﻳﺔ‬ ‫ْﺮ َﻱ‬ ‫َ‬ ‫ُ‬ ‫ً‬
‫ﱠ‬ ‫ﺍﻟﺰﻣﻦ ﺳﺤﺮﴽ ﻭﺟﻤﺎﻻ ﻭﺟﺎﺫﺑﻴﺔ‪ ...‬ﺑﺠﺎ ِﻧﺒﻬﺎ ﺣﻘﻴﺒﺔ ﻇﻬ ِ‬ ‫ِ‬
‫ﺑﺎﻟﺸﺎﻱ ﺑﺎﻟﻨﻌﻨﺎﻉ‬‫ّ‬ ‫ﻭﺗﺮﻣﻮﺳﺖ ﻣﻤﻠﻮ ٍﺀ‬
‫ٍ‬ ‫ﺍﻟﻤﻜﺘﻈ ِﺔ ﺑﻘ ﱢﻨﻴﻨ ِﺔ ﻣﺎ ٍﺀ ﺑﺎﺭ ٍﺩ‬ ‫ّ‬
‫ﺍﻟﻤﺜ ﱠﻠﺞ‪.‬‬
‫ُ‬
‫ﻼ ﺃﺣﻤﺮﴽ ﻓﺎﺗﺤﴼ‬ ‫ﻣﺮ ٍﺓ ﻣﻨﺪﻳ ً‬ ‫َ‬ ‫َﻭﺿ َﻌ ْﺖ ﺇﻟﻬﺎ ُﻡ ﻋﻠﻰ‬
‫ﺭﺃﺳﻬﺎ ﻷ ﱠﻭ ِﻝ ﱠ‬
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‫ﺍﻟﻠﻮﻟﺒﻴﺔ ﺫﺍﺕ ﺍﻟﺨﺼﻼﺕ ﺍﻟﺪﺍﺋﺮﻳﺔ‪ ،‬ﻭﺃﺿﻔﻰ ﻋﻠﻰ‬ ‫ﱠ‬ ‫ﺃﺧﻔﻰ ﺟﺪﺍﺋ َﻠﻬﺎ‬
‫ﻻﺣﻈﺖ ﺩﻣﻌ ًﺔ ﺧﻔﻴﻔ ًﺔ ُﺗﺒ ﱢﻠ ُﻞ ﻋﻴﻨﻴﻬﺎ‪ ،‬ﻛﻤﺎ‬ ‫ُ‬ ‫ﻃﻠﻌ ِﺘﻬﺎ ﻧﻮﻋﴼ ﻣﻦ ﺍﻟﺤﺰﻥ‪.‬‬
‫ﺍﻋﺘﺪﺕ ﻋﻠﻴ ِﻪ ﺑﻴﻦ ﺍﻟﺤﻴﻦ ﻭﺍﻵﺧﺮ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻮﺍﺕ ﺩﻭﻥ ﺃﻥ ﺃﻋﺮﻑ‬ ‫ُ‬
‫ﻴﺪ ﺍﻟﺤﺰﻥ!‬ ‫ﺃﺑﺪﻳ ٌﺔ ِﺑ ِ‬
‫ﺍﻟﺴﺒﺐ‪ .‬ﺗﺒﺪﻭ ﺇﻟﻬﺎ ُﻡ ﻟﻲ ﺣﻴﻨﻬﺎ ﻭﻛﺄ ﱠﻧﻬﺎ ﺃﺿﺤ َﻴ ٌﺔ ﱠ‬
‫ﻭﺣﺪ ُﻩ ﺍﻟﻘﺎﻫ ُﺮ ﺍﻟﻈﺎﻓ ُﺮ ﻓﻲ ﺣﻴﺎﺗﻬﺎ!‪...‬‬ ‫ُ‬
‫ﺟﺒﺎﻝ ُﺛﻼ ﻛﺎﻧﺖ ﻫﻨﺎ ﺑﻴﻦ ﻋﻨﺎﺻﺮﻫﺎ ﺍﻷﻭﻟ ّﻴﺔ‪.‬‬ ‫ِ‬ ‫ﺃﻥ ﺍﺑﻨ َﺔ‬
‫ﻏﻴﺮ ﱠ‬
‫ِﻟﺮﺷﺎﻗﺔ »ﺧﻄﻮ ِﺗﻬﺎ ﺍﻟﺠﺒﻠ ّﻴﺔ« ﻓﻮﻕ ﻫﺬﻩ ﺍﻟﺴﻔﻮﺡ ﺃﻧﺎﻗ ٌﺔ ﻭﻧﺒ ٌﻞ ﻭﻋﺬﻭﺑﺔ‪.‬‬
‫ﺍﻛ ُﻢ ﻭﺃﺟﺮﺟ ُﺮ ﻧﻔﺴﻲ ﺧﻠﻔﻬﺎ ﻋﻨﺪﻣﺎ ﻳﻠﺰ ُﻡ‬ ‫ﺃﺷﻌﺮ ﺑﺎﻟﺨﺠﻞ ﻭﺃﻧﺎ ﺃُ َﺭ ِ‬
‫ﺍﻟﻤﺸﻲ ﻋﻠﻰ ﺍﻟﺼﺨﺮ‪ ،‬ﺃﻭ ﺍﻟﻬﻴﺎ ُﻡ ﻓﻲ ﺍﻟﻤﺘﺎﻫﺎﺕ ﺍﻟﺒﻌﻴﺪﺓ‪...‬‬ ‫ُ‬ ‫ﺍﻟﺘﺴ ﱡﻠ ُﻖ ﺃﻭ‬
‫ﺤﺪ ُﻕ‬‫ﺲ ِﺑ ُﻌﻤﻖ‪ُ ،‬ﺗﺜﺮﺛ ُﺮ ﻓﻲ ﺍﻟﻬﻮﺍ ِﺀ ﺍﻟﻄﻠﻖ‪ ...‬ﺗﺒﺘﺴ ُﻢ‪ُ ،‬ﺗ ﱢ‬ ‫ﻫﺎﻫﻲ ﺗﺘﻨ ﱠﻔ ُ‬
‫ﺟﺒﺎﻝ ﻋﺎﻟﻴ ٍﺔ‬
‫ٍ‬ ‫ﺻﺨﻮﺭ ﺳﻠﺴﻠ ِﺔ‬‫ِ‬ ‫ﻓﻲ ﺃﺭﺟﺎﺀ ﻫﺬﻩ ﺍﻟﻤﺪﻳﻨ ِﺔ ﺍﻟﻤﺤﻔﻮﺭ ِﺓ ﻓﻲ‬
‫ﺘﺮﺍﺻﺔ‪ .‬ﻣﺪﻳﻨ ٍﺔ ﺷﺒ ِﻪ ﺃﺳﻄﻮﺭﻳّﺔ ﻫﺎﺋﻠﺔ ﺑﻨﻰ ﻓﻴﻬﺎ ﺍﻷﻧﺒﺎﻁ ﺣﻀﺎﺭ ًﺓ‬ ‫ُﻣ ﱠ‬
‫ﺃﺣﺪ ﺃﺑﺪﻉ »ﻋﺠﺎﺋﺐ ﺍﻟﺪﻧ ّﻴﺎ‬ ‫ﺃﺿﺤﺖ ﺍﻟﻴﻮﻡ َ‬ ‫ِ‬ ‫ﺯﺍﻫﺮ ًﺓ ﻗﺒﻞ ﺃﻟﻔﻴﻦ ﻋﺎﻡ‪.‬‬
 ‫ﺍﻟﺴﺒﻊ«‪ ،‬ﺑﺠﺎﻧﺐ ﺃﻫﺮﺍﻡ ﺍﻟﺠﻴﺰﺓ ﻭﻣﻌﺎﺑﺪ ﺍﻷﻗﺼﺮ‪ ،‬ﺇﻥ ﻟﻢ ﺗﻜﻦ ﺃﺟﻤﻠﻬﺎ‬
‫ﺇﻃﻼﻗﴼ‪.‬‬
‫ﻳﻮﻡ ﻣﻦ ﺍﻷﻟﻔ ّﻴﺔ ﺍﻟﺜﺎﻧﻴﺔ‪.‬‬ ‫ﻓﺠﺮ ﺁﺧﺮ ٍ‬ ‫ِ‬ ‫ﻭﺻﻠﻨﺎ ﺍﻟﺒﺘﺮﺍﺀ ﻓﻲ‬
‫ﺑﺎﺑﻬﺎ‪،‬‬
‫ﺻﻐﻴﺮ ﻣﻦ ِ‬‫ٍ‬ ‫ﻣﻄﻌﻢ‬
‫ٍ‬ ‫ﺗﻨﺎﻭﻟﻨﺎ ﻗﺒﻞ ﺩﺧﻮﻟﻬﺎ ﻓﻄﻮﺭﴽ ﺷﻌﺒ ّﻴﴼ ﻓﻲ ﺃﻗﺮﺏ‬
‫»ﺍﻟﻄﻌﻤﻴﺔ«‪» ،‬ﺍﻟﺸﻜﺸﻮﻛﺔ«‪،‬‬‫ﱠ‬ ‫ﺃﻋﺎﺩ ﻟﻨﺎ ﺫﻛﺮﻳﺎﺕ ﺍﻟﻔﻮﻝ ﺍﻟﻤﺼﺮﻱ‪،‬‬
‫ً‬
‫ﻘﺒﻼﺕ ﺍﻟﺸﺎﻣ ّﻴﺔ‪ ...‬ﺑﺪﺃﻧﺎ ﻧﺨﻔﻖ ﺫﻫﻮﻻ ﻭﺇﻋﺠﺎﺑﴼ ﺑﻌﺪ ﺃﻥ ﺗﺠﺎﻭﺯﻧﺎ‬ ‫ﺍﻟﻤ ﱢ‬‫ُ‬
‫»ﺍﻟﺴﻴﻖ«‪ .‬ﻣﺸﻴ َﻨﺎ ﻓﻴﻪ‪ ،‬ﻭﻛﺄﻧﻨﺎ‬
‫ﺍﻟﺒﺎﺏ ﺍﻟﺮﺋﻴﺲ ﻟﻠﺒﺘﺮﺍﺀ ﻭﻭﺻﻠﻨﺎ ﻣﻌﺒﺮ ﱢ‬
‫ﺿﻴﻖ‪ ،‬ﻳﻤ ﱡﺮ ﻭﺳﻂ ﺻﻔﺎﺋﺢ‬ ‫ﻃﺮﻳﻖ ﱢ‬
‫ٍ‬ ‫ﻭﺳﻂ ﺳﺎﻧﺪﻭﻳﺘﺶ‪ ،‬ﻛﻴﻠﻮﻣﺘﺮﴽ ﻣﻦ‬
‫ﺟﺒﻠﻴ ٍﺔ ﻫﺎﺋﻠﺔ ﺗﻜﺎﺩ ﺃﻥ ﺗﺘﻼﻣﺲ‪ ...‬ﻗﺒﻞ ﺃﻥ ﻧﺼﻞ ﺇﻟﻰ ﻣﺒﻨﻰ‬ ‫ﺻﺨﻮﺭ ﱠ‬‫ٍ‬ ‫ﻣﻦ‬
‫ﺟﺒﻞ ﺿﺨﻢ‪.‬‬ ‫ﺍﻟﻤﺤﻔﻮﺭ ﻋﻠﻰ ﻭﺍﺟﻬﺔ ٍ‬‫ِ‬ ‫ﺍﻟﺮﺍﺋﻊ‬
‫ِ‬ ‫»ﺍﻟﺨﺰﻧﺔ« ﺍﻟﻀﺨﻢ‬
‫ﻭﺍﺻﻠﻨﺎ ﺍﻟﺴﻴﺮ‪ :‬ﻗﺼﻮﺭ‪ ،‬ﻣﻌﺎﺑﺪ‪ ،‬ﻫﻴﺎﻛﻞ‪ ،‬ﺃﺿﺮﺣﺔ‪ ،‬ﻗﺮﺍﺑﻴﻦ‪،‬‬
‫ﺩﻳﺮ‪ ،‬ﺃﺭﻭﻗﺔ‪ ،‬ﺃﻗﻮﺍﺱ‪ ،‬ﻣﺘﺎﻫﺎﺕ ﺻﺨﺮﻳﺔ‪ ،‬ﺣﻤﺎﻣﺎﺕ‪ ،‬ﺻﻬﺎﺭﻳﺞ‪ ،‬ﻗﺎﻋﺎﺕ‬
‫‪75‬‬ ‫ﺍﺣﺘﻔﺎﻝ‪ ،‬ﺃﺳﻮﺍﻕ‪ ،‬ﺻﻔﻮﻑ ﻣﻦ ﻣﺪﺭﺟﺎﺕ ﻣﺰﺧﺮﻓﺔ‪ ،‬ﺑﻮﺍﺑﺎﺕ‪ ،‬ﺭﺩﻫﺎﺕ‪،‬‬
‫ﺷﻮﺍﺭﻉ‪ ...‬ﻛ ﱡﻠﻬﺎ ﻣﺤﻔﻮﺭﺓ ﻓﻲ ﺃﺣﺸﺎﺀ ﺍﻟﺠﺒﺎﻝ!‬
‫ﻣﺘﻌﺪﺩﺓ‪ :‬ﺣﻤﺮﺍﺀ‪ ،‬ﺻﻔﺮﺍﺀ‪،‬‬ ‫ﱢ‬ ‫ﻭﺭﺩﻳ ٌﺔ ﺗﺘﻤﺎﻭﺝ ﻋﻠﻴﻬﺎ ﺃﻟﻮﺍ ٌﻥ‬
‫ﺻﺨﻮ ٌﺭ ﱠ‬
‫ﻭﺭﺩﻳ ٌﺔ ﺗﺴﺒﺢ ﻓﻲ ﺍﻟﻈﻼﻝ‪ .‬ﻳﺘﺴ ﱠﻠ ُﻞ ﻫﻨﺎ ﻭﻫﻨﺎﻙ‬ ‫ﺯﺭﻗﺎﺀ‪ ...‬ﺍﻟﺒﺘﺮﺍ ُﺀ ﻣﺪﻳﻨ ٌﺔ ﱠ‬
‫ﺑﻌﺾ ﺍﻟﺸﻘﻮﻕ ﻭﺍﻟﺼﺨﻮﺭ ﻟﻴﺮﺳﻢ ﻓﺴﻴﻔﺴﺎﺀ‪،‬‬ ‫ﺷﻤﺲ ﻳﺨﺘﺮﻕ َ‬ ‫ٍ‬ ‫ﺷﻌﺎ ُﻉ‬
‫ً‬
‫ﺎﺕ ﻣﺘﺒﺎﻳﻨﺔ‪ ،‬ﻇﻼﻻ ﻣﺘﻤﺎﻭﺟﺔ‪...‬‬ ‫ُﻟ َﻮ ْﻳ َﻨ ٍ‬
‫ﺇﻟﻬﺎﻡ ﻏﺎﺭﻗ ٌﺔ ﻓﻲ ﺍﻟﺼﻤﺖ ﻭﺍﻟﺬﻛﺮﻳﺎﺕ ﺍﻟﻤﻜﺘﻮﻣﺔ‪ .‬ﱠﺃﻭ ُﻝ ﺭﺣﻠﺔ‬
‫ﺃﻳﻘﻈ ْﺖ ﻓﻴﻬﺎ ﻣﺸﺎﻋﺮ ﻛﺜﻴﻔﺔ‬ ‫ﻟﻬﺎ ﻟﺪﻭﻟﺔ ﻋﺮﺑﻴﺔ ﻣﻨﺬ ﻣﻐﺎﺩﺭﺗﻬﺎ ﺍﻟﻴﻤﻦ َ‬
‫ﻟﻢ ﺃﺳﺘﻄﻊ ﺳﺒﺮﻫﺎ ﺃﻭ ﺇﺩﺭﺍﻙ ﺍﺗﺠﺎﻫﺎﺗﻬﺎ‪ .‬ﻛﺎﻧﺖ ﻣﻔﺘﻮﻧ ًﺔ‪ ،‬ﺣﺎﺋﺮﺓ‪،‬‬
‫ﺳﻌﻴﺪ ًﺓ‪ ،‬ﺣﺰﻳﻨﺔ‪ ،‬ﻫﺎﺩﺋ ًﺔ‪ ،‬ﻣﻀﻄﺮﺑﺔ‪ ،‬ﻗﺮﻳﺒ ًﺔ‪ ،‬ﺑﻌﻴﺪﺓ‪...‬‬

‫ﺛﻤﺔ ﺃﻣﺎﻛﻦ ﻋﻠﻰ ﻫﺬﻩ‬ ‫ﺃﺣﺐ ﻫﺬﺍ ﺍﻟﺨﻼﺀ ﺍﻟﺴﻴﺮﻳﺎﻟﻲ! ّ‬ ‫ﱡ‬

‫ﺍﻟﻤﻌﻤﻮﺭﺓ ﻳﻠﺰﻡ ﺃﻥ ﺗﻜﻮﻥ ﻛﻌﺒ ًﺔ ﱡ‬
‫ﻳﺤﺞ ﻟﻬﺎ ﺳﺎﺋﺮ ﺍﻟﺒﺸﺮ‪ :‬ﻭﺍﺩﻱ ﺍﻹﻧﺴﺎﻥ‬
‫ﻓﻲ ﺳﺮﻳﻨﺠﻴﺘﻲ‪ ،‬ﻭﺍﺩﻱ ﺍﻟﻤﻠﻮﻙ ﻭﺃﻫﺮﺍﻡ ﺍﻟﺠﻴﺰﺓ ﻓﻲ ﻣﺼﺮ‪ ،‬ﺍﻟﺒﺘﺮﺍﺀ‪...‬‬
‫ﺟﻦ ﻭﻋﻔﺎﺭﻳﺖ‬ ‫ﺍﻟﺠﻦ ﺃﻳﻀﴼ! ﺇﺫﺍ ﻛﺎﻥ ﻫﻨﺎﻙ ﱞ‬ ‫ﻣﻮﻗﻊ ِﻟ ِﺤ ﱢﺞ ﱢ‬ ‫ُ‬
‫ﺍﻟﺒﺘﺮﺍ ُﺀ ﺃﻓﻀﻞ ٍ‬
‫ﺳﻨﻮﻱ ﻟﻬﺎ!‬ ‫ﻟﻤﺆﺗﻤﺮ‬ ‫ﻣﻮﻗﻊ‬ ‫ً‬
‫ﱟ‬ ‫ٍ‬ ‫ﻭﻛﺎﺋﻨﺎﺕ ﻏﻴﺮ ﻣﺮﺋﻴﺔ ﻓﻌﻼ ﻓﺎﻟﺒﺘﺮﺍﺀ ﺃﺟﻤﻞ ٍ‬
‫ﻟﻠﺠﻦ‬
‫ﱢ‬ ‫ﻛﻌﻀﻮ ﻣﺮﺍﻗﺐ‪ ،‬ﻣﺆﺗﻤﺮﴽ ﺩﻭﻟ ّﻴﴼ‬ ‫ٍ‬ ‫ﻛﻢ ﺃﺗﻤﻨﻰ ﺃﻥ ﺃﺣﻀﺮ ﻫﻨﺎ‪،‬‬
‫ﻭﺍﻟﻌﻔﺎﺭﻳﺖ! ﻫﺎﺃﻧﺬﺍ ﻓﻲ ﺩﻳﺎﺭ ﺍﻷﺳﺎﻃﻴﺮ‪ .‬ﺍﻷﺳﺎﻃﻴﺮ ﺣﻮﻟﻲ ﺗﺘﺮﺍﻛﻢ‬
‫ﺃﺣﺪ ﺟﺒﺎﻝ ﺍﻷﻧﺒﺎﻁ‪ .‬ﻗﺮﻳﺔ‬ ‫ﺑﻜﻤ ّﻴﺎﺕ ﺗﺠﺎﺭﻳﺔ‪ .‬ﻗﺒﺮ ﻫﺎﺭﻭﻥ ﺃﻣﺎﻣﻨﺎ ﻓﻮﻕ ِ‬
‫ﺍﻟﻨﺒﻲ‬
‫ﱢ‬ ‫ُ‬
‫ﻣﻮﺳﻰ‪ .‬ﺟﺒﺎﻝ ﺳﻴﻨﺎﺀ ﻟﻴﺴﺖ ﺑﻌﻴﺪﺓ ﻣﻦ ﻫﻨﺎ ﺣﻴﺚ‪ :‬ﺃﻟﻮﺍ ُﺡ‬
‫ُ‬
‫ﺍﻟﻄﺮﻳﻖ ﺍﻟﺬﻱ‬ ‫ﻗﺒﻮﺭﻩ‪ ،‬ﻋﻠﻰ ﺍﻷﺣﺮﻯ!(‪،‬‬ ‫ﺃﺣﺪ ِ‬ ‫ﻣﻮﺳﻰ ﻭﻋﺼﺎﻩ‪ ،‬ﻗﺒ ُﺮﻩ )ﺃﻭ ُ‬
‫ﻃﺮﻳﻖ ﺍﻟﻘﻮﺍﻓﻞ ﻧﺤﻮ ﺍﻟﺸﺎﻡ ﻭﻣﺼﺮ ﺍﻟﺬﻱ‬ ‫ُ‬ ‫ﻋﺒ َﺮﻫﺎ ﻣﺎﺷﻴﴼ ﻓﻮﻕ ﺍﻟﻤﺎﺀ‪،‬‬
‫ﻋﺒ َﺮ ْﺗﻪ ﻫﻮﺍﺩ ُﺝ ﺍﻟﻤﻠﻜﺔ ﺑﻠﻘﻴﺲ ﺣﺎﻣﻠ ًﺔ ﻛﺜﺒﺎﻧﴼ )ﺑﺤﺠﻢ »ﺳﻮﻕ ﺍﻟﻤﻠﺢ«‬
‫ﺍﻟﺸ ْﺮﻛﺔ« ﻭﺍﻟﺒﺴﺒﺎﺱ‬ ‫ﺑﺼﻨﻌﺎﺀ( ﻣﻦ ﺍﻟﻜﻤﻮﻥ ﻭﺍﻟﻔﻠﻔﻞ ﻭ»ﺣﻮﺍﺋﺞ ﱢ‬
‫ﻭﺍﻟﺒﺨﻮﺭ ﻭﺍﻟ ﱠﻨﺪ ﻭﺍﻟﻌﻄﻮﺭ ﻟﻠﻤﻠﻚ ﺳﻠﻴﻤﺎﻥ )ﺍﻟﺬﻱ ﻛﺎﻥ ﻟﺪﻳﻪ ‪700‬‬
‫ﻘﺪﺱ‪ ،(...‬ﺍﻟﻄﺮﻳﻖ‬ ‫ﺍﻟﻤ ﱠ‬
‫ﺍﻟﻜﺘﺎﺏ ُ‬‫ُ‬ ‫ﺯﻭﺟﺔ ﻭ‪ 300‬ﺻﺪﻳﻘﺔ‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ‬
‫ﺍﻟﺠ ﱢﻨ ﱡﻲ ﺍﻟﺬﻱ ﺍﻗﺘﻠﻊ ﻗﺼ َﺮ ﺍﻟﻤﻠﻜﺔ ﺑﻠﻘﻴﺲ ﻣﻦ ﻣﻤﻠﻜﺔ‬ ‫ﻣﺮ ﻓﻮﻗﻪ ِ‬‫ﺍﻟﺬﻱ ﱠ‬ ‫‪76‬‬
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‫ﺍﻟﻤﻠﻚ ﺳﻠﻴﻤﺎﻥ‬ ‫ِ‬ ‫ﺟﻔﻦ‬
‫ِ‬ ‫ﺄﺳﺮﻉ ﻣﻦ ﻏﻤﻀ ِﺔ‬ ‫ﺳﺒﺄ ﻭﺣﻤﻠ ُﻪ ﺇﻟﻰ ﺍﻟﻘ ْﺪﺱ‪ِ ،‬ﺑ ِ‬
‫ﺳﺮﻉ ﻣﻦ ﺍﻟﻀﻮﺀ! ﺿﺎﺭﺑﴼ ﺑﺎﻳﻨﺸﺘﺎﻳﻦ‬ ‫َ‬
‫ﻛﻤﺎ ﻳﻘﻮﻝ ﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﻳﻢ‪ .‬ﺑﺄ ِ‬
‫ﻭ»ﻧﻈﺮ ّﻳ ِﺔ ﺍﻟﻨﺴﺒ ّﻴﺔ« ﻋﺮﺽ ﺍﻟﺤﺎﺋﻂ‪...‬‬
‫ﺍﻟﻤﻀﺮﺟﺔ ﺑﺎﻟﺮﻣﻮﺯ ﻭﺍﻷﺳﺎﻃﻴﺮ‪ ،‬ﺍﻟﻘﺮﻳﺒﺔ‬ ‫ﱠ‬ ‫ﺃﺣﺐ ﻫﺬﻩ ﺍﻟﺪﻳﺎﺭ‬
‫ﱡ‬
‫ﻣﻦ ﺃﻫﻢ ﺍﻟﺒﺆﺭ ﺍﻟﻤﺤﻤﻮﻣﺔ ﻋﻠﻰ ﻛﻮﻛﺐ ﺍﻷﺭﺽ‪ :‬ﺍﻟﻤﺴﺠﺪ ﺍﻷﻗﺼﻰ‪،‬‬
‫ﺟﺪﺍﺭ ﺍﻟﻐﻔﺮﺍﻥ‪ ،‬ﻛﻨﻴﺴﺔ ﺍﻟﻘﻴﺎﻣﺔ‪ ،‬ﺟﺒﻞ ﺍﻟﺰﻳﺘﻮﻥ‪ ،‬ﺍﻟﻜﻌﺒﺔ‪ ،‬ﺑﺎﺑﻞ‪ ،‬ﺃﺭﺽ‬
‫ﺟﺪﴽ ﻣﻦ ﺗﻮﺭﺍﺓ‬ ‫ﺍﻟﻔﺮﺍﻋﻨﺔ‪ ،‬ﻭﺍﺩﻱ ﺍﻟﺮﺍﻓﺪﻳﻦ‪ ،‬ﺃﺭﺽ ﺍﻟﻔﻴﻨﻴﻘﻴﻴﻦ‪ ...‬ﺍﻟﻘﺮﻳﺒﺔ ّ‬
‫ﺍﻟﻤﻴﺖ‪ ،‬ﻣﻦ ﺳﻮﻕ ﻋﻜﺎﻅ‪ ،‬ﻣﻦ ﻏﺎﺭ ﺣﺮﺍﺀ‪ ...‬ﻫﻨﺎ ﺍﺯﺩﺣﻤﺖ ﻃﺮﻕ‬ ‫ﺍﻟﺒﺤﺮ ﱢ‬
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‫ﻣﺮ ﻛﻞ ﺍﻷﻧﺒﻴﺎﺀ ﻭﺍﻟﺸﻌﺮﺍﺀ ﻭﺍﻟﺼﻮﻓﻴﻴﻦ‪،‬‬ ‫ﱡ‬ ‫ﱠ‬ ‫ﻫﻨﺎ‬ ‫ﻭﺍﻟﻤﻌﺎﺭﺝ‪،‬‬ ‫ﺍﻹﺳﺮﺍﺀﺍﺕ‬
‫ﺍﻷﺭﺽ ُﻣ ْﺨ َﻀ ﱠﻠ ٌﺔ ﻫﻨﺎ‪ ،‬ﺩﺍﻓﻘ ٌﺔ‪،‬‬
‫ُ‬ ‫ﻋﺸﺎﻕ ﺍﻟﻠﻴﻞ‪ ،‬ﺍﻟﺤﻜﻤﺎﺀ ﻭﺍﻟﻤﺠﺎﻧﻴﻦ‪...‬‬ ‫ّ‬
‫ﺮﺑ ٍﻊ ﻣﻌﺠﻮ ٌﻥ ﺑﺎﻟﺬﻛﺮﻳﺎﺕ‪ ،‬ﺑﺎﻷﺷﻮﺍﻕ‪،‬‬ ‫ﻣﺘﺮ ُﻣ ﱠ‬
‫ﻛﻞ ٍ‬ ‫ﺜﺨﻨ ٌﺔ ﺑﺎﻟﺘﺎﺭﻳﺦ‪ .‬ﱡ‬‫ُﻣ َ‬
‫ﺑﺎﻟﻠﻮﻋﺎﺕ‪ ،‬ﺑﺎﻟﺼﺒﺎﺑﺎﺕ‪ ،‬ﺑﺎﻟﺤﺮﻣﺎﻥ‪ ،‬ﺑﺎﻟﺤﺮﻭﺏ ﺍﻟﺘﻲ ﻟﻢ ﺗﺘﻮﻗﻒ‪ ،‬ﺑﺎﻟﺠﺮﺍﺡ‬
‫ﺍﻟﺘﻲ ﻟﻢ ﺗﻨﺪﻣﻞ‪ ...‬ﻫﻨﺎ ﺍﻷﻃﻼﻝ‪ ،‬ﺍﻟﺘﺮﺍﺏ ﺍﻷﻣﻐﺮ‪ ،‬ﺍﻟﺒﺤﺮ ﺍﻷﺣﻤﺮ ﺫﻭ‬
 ‫ﺍﻟﺰﺭﻗ ِﺔ ﺍﻟﻨﺎﺻﻌﺔ ﱡ‬
‫ﻭﺍﻟﺸ ُﻌ ِﺐ ﺍﻟﻤﺮﺟﺎﻧ ّﻴﺔ ﺍﻟﺴﺎﺣﺮﺓ‪ .‬ﻫﻨﺎ ﺍﻟﺼﺤﺮﺍﺀ‪ ...‬ﺍﻟﺘﻲ‬
‫ﺍﻷﻟﻔﻴﺔ‪ ،‬ﻓﻲ ﺧﻴﻤ ٍﺔ‬
‫ﱠ‬ ‫ﻧﺘﻮﺟ ُﻪ ﺇﻟﻴﻬﺎ ﺍﻵﻥ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ‪ِ ،‬ﻟﻘﻀﺎﺀ ﻟﻴﻠ ِﺔ ﻧﻬﺎﻳﺔ‬
‫ﱠ‬
‫ﻓﻲ ﻭﺍﺩﻱ ﺭﻡ!‬

‫ﺗﻮﺟﻬﻨﺎ ﺑﺎﻟﻼﻧﺪﺭﻭﻓﺮ ﻧﺤﻮ ﻭﺍﺩﻱ ﺭﻡ ِﻟﻨﺼ َﻠ ُﻪ ﻗﺒﻞ ﺳﺎﻋﺔ‬ ‫ﱠ‬

‫ﺍﻷﺻﻴﻞ‪ .‬ﺍﻟﺴﻴﺎﺭﺓ ﺗﻤﺨﺮ ﻭﺳﻂ ﻫﺬﺍ ﺍﻟﺨﻼﺀ ﺍﻟﺴﻌﻴﺪ‪ .‬ﺍﻟﺴﻤﺎﺀ ﺷﺪﻳﺪﺓ‬
‫ﺳﺤﺮ ﺍﻟﻤﻜﺎﻥ‪،‬‬ ‫ِ‬ ‫ﺍﻟﺰﺭﻗ ِﺔ ﻭﺍﻟﻨﻘﺎﺀ‪ ،‬ﻛﻤﺎ ﻧﻌﺸ ُﻘﻬﺎ ﺗﻤﺎﻣﴼ‪ .‬ﺇﻟﻬﺎﻡ ُ‬
‫ﺗﻐﺮﻕ ﻓﻲ‬
‫َﺖ ﻣﻨﻬﺎ‪،‬‬ ‫ﻳﻌﻴﺪﻫﺎ ِﺑ ُﻘ ﱠﻮﺓ ﺇﻟﻰ ﺃﺟﻮﺍﺀ ﻃﻔﻮﻟﺘﻬﺎ ﺍﻟﺘﻲ ﻫﺮﺑ ْ‬‫ُ‬ ‫ﻳﺄﺳ ُﺮﻫﺎ‪،‬‬
‫ﻳﺴﺤ ُﺮﻫﺎ‪ ،‬ﻳﻤﻠﺆﻫﺎ ﺭﻏﺒ ًﺔ ﻓﻲ ﺍﻟﺤﺪﻳﺚ ﻋﻦ ﺫﻛﺮﻳﺎﺕ ﻭﺃﺣﺪﺍﺙ ﻗﺪﻳﻤﺔ‬
‫ﺗﺤﺎﺷ ْﺘﻬﺎ ﻣﻨﺬ ﺃﻛﺜﺮ ﻣﻦ ﻋﺸﺮ ﺳﻨﻴﻦ‪.‬‬ ‫َ‬ ‫ﻃﺎﻟﻤﺎ‬
‫ﻏﻤ َﺮ ْﺗﻬﺎ ﺍﻟﺮﻏﺒ ُﺔ ﺑﺎﻟﻐﻨﺎﺀ! ﻟﺴﺖ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﱠ‬
‫ﺗﺘﻔﺠ ُﺮ ﻓﻴﻬﺎ ﻫﺬﻩ‬
‫ﺍﻟﺮﻏﺒﺔ ﺩﻭﻣﴼ ﻋﻨﺪﻣﺎ ﻧﺮﺣﻞ ﻣﻌﴼ ﻓﻲ ﺳﻴﺎﺭ ٍﺓ ﻭﺳﻂ ﻣﻨﺎﻇﺮ ﻃﺒﻴﻌﻴﺔ‬
‫‪77‬‬ ‫ﺍﻟﻤﺮﺓ‪ .‬ﻫﺎﻫﻲ‬ ‫ﻓﺎﺗﻨﺔ ﻣﺘﻼﺣﻘﺔ! ﻏﻴﺮ ﺃﻧﻬﺎ ﻟﻢ ﺗﺘﻮ ﱠﻗ ْﻒ ﻋﻦ ﺍﻟﻐﻨﺎﺀ ﻫﺬﻩ ﱠ‬
‫ﻛﻞ ﻏﺪﺩ‬ ‫ُﺗ َﻐ ﱢﻨﻲ ِﺑﺼﻮﺗﻬﺎ ﺍﻟﺮﻗﻴﻖ ﺍﻟﻌﺬﺏ ﺍﻟﺬﻱ ﻳُﺴﻜﺮﻧﻲ ﺩﻭﻣﴼ ﻭﻳﻮﻗﻆ ﱠ‬
‫»ﺣﺒﻴﺘﻚ ﻓﻲ‬ ‫ﺍﻟﺸﻠﺒﻴﺔ«‪ ،‬ﱠ‬
‫ﱠ‬ ‫»ﺑﻨﺖ‬
‫ِ‬ ‫ﻛﻞ ﻏﺪﺩﻱ ﺍﻟﺤﺴ ّﻴﺔ‪ُ .‬ﺗﻐ ﱢﻨﻲ‪:‬‬ ‫ﺁﺫﺍﻧﻲ‪ ،‬ﱠ‬
‫ﺣﺒﻴﺘﻚ ﻓﻲ ﺍﻟﺸﺘﺎﺀ« ﻟﻔﻴﺮﻭﺯ‪» ،‬ﺃﻧﺖ ُﻋﻤﺮﻱ!« ﻷﻡ ﻛﻠﺜﻮﻡ‬ ‫ﺍﻟﺼﻴﻒ‪ ،‬ﱠ‬
‫ﺍﻟﺘﻲ ﻻ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﺗﻐﺎﺩﺭﻫﺎ ﺩﻣﻌﺘﺎﻥ ﺩﻭﻣﴼ ﻋﻨﺪ ﻣﻘﺎﻃﻌﻬﺎ ﺍﻷﻭﻟﻰ‪.‬‬
‫)ﺗﻐﺎﺩﺭﻧﻲ ﻋﻨﺪﻫﻤﺎ ﺩﻣﻌﺘﺎﻥ ﺩﺍﺧﻠﻴﺘﺎﻥ‪ ،‬ﻻ ﺗﺮﺍﻫﻤﺎ ﺇﻟﻬﺎﻡ‪ ،‬ﻭﻛﺄﻧﻬﻤﺎ‬
‫ﺇﺭﺟﺎ ٌﻉ ِﻟﺼﺪﻯ ﺩﻣﻌﺘﻴﻬﺎ(‪ .‬ﻏ ﱠﻨ ْﺖ ﻋﺪﺩﴽ ﻣﻦ ﺃﻏﺎﻧﻲ ﻓﺮﻗﺔ »ﻧﺎﺱ ﺍﻟﻐﻴﻮﺍﻥ«‬
‫ﺍﻟﻤﻐﺮﺑﻴﺔ ﺍﻟﺘﻲ ﺗﺸﺠﻴﻨﻲ ﻭ ُﺗ َﺨ ﱢﺪ ُﺭﻧﻲ ﻋﻠﻰ ﺍﻟﺪﻭﺍﻡ‪ .‬ﻏ ﱠﻨ ْﺖ »ﻭﺗ ْﺮ َﺣﻞ!«‬
‫ﻣﺪﺍﺡ ﺍﻟﺬﻱ ﻟﻮ ﺳﻤﻌﻬﺎ ﻓﻲ ﻗﺒﺮ ِﻩ ﻟﺘﻨﺎﺯﻝ ﻋﻦ ﻛﻞ ﺣﻘﻮﻗﻪ‬ ‫ِﻟﻄﻼﻝ ّ‬
‫ﻓﻲ ﻫﺬﻩ ﺍﻷﻏﻨﻴﺔ ﻹﻟﻬﺎﻡ‪ .‬ﻏ ﱠﻨ ْﺖ »ﻳﺎ ﺑﺎﻫﻲ ﺍﻟﺠﺒﻴﻦ!« ﻟﻤﺤﻤﺪ ﺻﺎﻟﺢ‬
‫ﺑﺎﻟﺴﻬﺮ!« ﻟﻤﺤﻤﺪ ﻣﺮﺷﺪ ﻧﺎﺟﻲ‪» ،‬ﺃﻧﺖ‬ ‫ﺣﻤﺪﻭﻥ‪» ،‬ﻳﺎ ُﻣ َﻜ ﱢﺤﻞ ﻋﻴﻮﻧﻲ ﱠ‬
‫)ﺫﻛﺮﺗﻨﻲ ﺭﻭﻋ ُﺔ ﺃﺩﺍ ِﺀ‬
‫ﻭﺳﻂ ﻗﻠﺒﻲ!« ِﻟﻤﺤﻤﺪ ﺳﻌﺪ ﻋﺒﺪﺍﷲ ﱠ‬ ‫ﺳﺎﻛﻦ َ‬
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‫ﺇﻟﻬﺎﻡ ِﻟﻬﺬﻩ ﺍﻷﻏﻨﻴﺔ ﺑﺮﻭﻋ ِﺔ ﺃﺩﺍ ِﺋﻬﺎ ﻷﻏﻨﻴ ٍﺔ ﺷﺒﻴﻬﺔ‪Carry me :‬‬
‫ﻘﺖ‬‫‪ِ !like a fire in your heart‬ﻟﻜﺮﻳﺲ ﺩﻭ ﺑﻮﺭﺝ! ﻛﻢ ُﺧ ِﻠ ْ‬
‫ﺍﻟﺤﺰﻥ ﺃﻳﻀﴼ‪(...‬‬ ‫ِ‬ ‫ﺍﻟﻘﻠﺐ ﻭﺍﻟﻤﻨﺎﺟﺎﺓ ﺍﻟﻌﻤﻴﻘﺔ‪ ،‬ﻷﻏﺎﻧﻲ‬ ‫ِ‬ ‫ﺇﻟﻬﺎ ُﻡ ﻷﻏﺎﻧﻲ‬
‫ﻤﺴﻤﻮﻧﻲ!«‬ ‫ﻭﺳ َ‬ ‫ﻐﺮﺩ!« ﻟﻌﻠﻲ ﺍﻵﻧﺴﻲ‪ ،‬ﺛﻢ »ﻋﻠﻴﻚ َﺳ ﱡﻤﻮﻧﻲ َ‬ ‫»ﻭﺍﻣ ﱢ‬
‫ُ‬
‫ﻏ ﱠﻨ ْﺖ‬
‫ﻣﺮﺓ!‬
‫ﻷﻭ ِﻝ ﱠ‬‫ﻗﺼ َﺘﻬﺎ ﻣﻦ ﺇﻟﻬﺎﻡ ﱠ‬ ‫ﻋﺮﻓﺖ ﱠ‬ ‫ُ‬ ‫ِﻟﻤﺤﻤﺪ ﺣﻤﻮﺩ ﺍﻟﺤﺎﺭﺛﻲ‪ ،‬ﺍﻟﺘﻲ‬
‫ﻋﺮﻓﺖ ﺃﻥ ﻣﺆ ﱢﻟ َﻔﻬﺎ ﺷﺎﻋ ٌﺮ ﻣﻦ ﺇﺣﺪﻯ ﺃﻛﺜﺮ ﻣﻨﺎﻃﻖ ﺍﻟﻴﻤﻦ‬ ‫ُ‬
‫ﻋﺬﻭﺑ ًﺔ ﻭﺗﺸ ﱡﺮﺑﴼ ﺑﺎﻟﻔﻦ‪ :‬ﻛﻮﻛﺒﺎﻥ‪ ،‬ﺍﺳﻤﻪ ﻣﺤﻤﺪ ﺷﺮﻑ ﺍﻟﺪﻳﻦ‬
‫ُﻄﻠﻖ ﻋﻠﻴﻪ‪ :‬ﻋﻤﺮﻭ ﺍﺑﻦ ﺃﺑﻲ ﺭﺑﻴﻌ ِﺔ‬ ‫)ﺗﻮ ّﻓﻰ ﻓﻲ ﺍﻟﻘﺮﻥ ﺍﻟﺴﺎﺩﺱ ﻋﺸﺮ‪ ،‬ﻳ ُ‬
‫ﻜﺮﺳ ِﺔ ﻟﻠﺸﻌﺮ ﻭﺍﻟﻌﺸﻖ(‪ .‬ﻛﺎﻥ ﺷﺎﻋﺮﴽ ﺭﻭﻣﺎﻧﺴﻴﴼ‬ ‫ﺍﻟﻤ ﱠ‬
‫ﺍﻟﻴﻤﻦ‪ِ ،‬ﻟﺤﻴﺎ ِﺗ ِﻪ ُ‬
‫ﺨﻼﻑ ﺑﻘ ّﻴﺔ ﻋﺎﺋﻠ ِﺘﻪ ﺍﻻﺭﺳﺘﻘﺮﺍﻃﻴﺔ ﺍﻟﺘﻲ ﺍﻧﺸﻐ َﻠ ْﺖ ﺑﺎﻟﺤﺮﻭﺏ‬ ‫ﺭﻗﻴﻘﴼ‪ِ ،‬ﺑ ِ‬
‫ﺸﻖ‬‫ﻀﻦ ِﻟ ُﺤﻀﻦ‪ ،‬ﻣﻦ ِﻋ ٍ‬ ‫ﻭﺍﻟﺼﺮﺍﻋﺎﺕ ﺍﻟﺴﻴﺎﺳﻴﺔ‪ .‬ﺍﻧﺘﻘ َﻠ ْﺖ ﺣﻴﺎ ُﺗ ُﻪ ﻣﻦ ُﺣ ٍ‬
‫ﺍﻟﻐﺮﺍﻣﻴﺔ ﻣﻊ ﻏﺎﺩ ٍﺓ‬
‫ﱠ‬ ‫ﻗﺼﺺ ﻣﻐﺎﻣﺮﺍ ِﺗ ِﻪ‬ ‫ِ‬ ‫ﻣﺮ ٍﺓ ﺇﺣﺪﻯ‬ ‫ْ‬
‫ﺷﺎﻋﺖ ﺫﺍﺕ ﱠ‬ ‫ِﻟﻌﺸﻖ‪...‬‬
‫ﺻﺤ َﺔ ﺫﻟﻚ‬ ‫ﻤﺴﺎﻣﻊ ﺯﻭﺟ ِﺘﻪ‪ .‬ﺭﺃﺕ ﺯﻭﺟ ُﺘﻪ ﱠ‬ ‫ِ‬ ‫ﻣﻦ ﺫﻭﺍﺕ ﺍﻟﺠﻤﺎﻝ‪ ،‬ﻭﻭﺻ َﻠ ْﺖ ِﻟ‬
‫ﺃﺭﺍﺩﺕ ﺇﻃﻔﺎ َﺀ‬‫ﺯﻻ ِﺕ ﻟﺴﺎ ِﻧﻪ«‪ ،‬ﻛﻤﺎ ﻗﺎﻟﺖ‪ْ .‬‬ ‫ﺻﻔﺤﺎﺕ ﻭﺟﻬ ِﻪ ﻭﻣﻦ ﱠ‬ ‫ِ‬ ‫»ﻣﻦ‬
‫ﻭﻧﻈﻢ ﺑﻌﺪ ﺫﻟﻚ ﻫﺬﻩ‬ ‫ﺷ ﱢﻜﻬﺎ ﺑﺎﺳﺘﺤﻼ ِﻓﻪ ﺑﺎﻟﻤﺼﺤﻒ ﺍﻟﻌﻈﻴﻢ‪ .‬ﺣﻠﻒ! ﱠ‬ ‫‪78‬‬
‫ﺍﻟﻘﺼﻴﺪﺓ ﺍﻟﻐﻨﺎﺋﻴﺔ ﻣﺨﺎﻃﺒﴼ ﻋﺸﻴﻘ َﺘ ُﻪ‪:‬‬
‫ﺴ ُﻤﻮﻧﻲ‬ ‫ﻭﺳ ْﻤ َ‬‫ﺳ ﱡﻤﻮﻧِﻲ َ‬ ‫ﻋﻠﻴﻚ َ‬
‫ﻭﺑﺎﻟـﻤﻼﻣﺔ ﻓﻴﻚ ﻋ ﱠﺬﺑــﻮﻧﻲ‬
‫ﻭﺟﺮﻭﺍ ﺍﻟﻤﺼﺤﻒ ﻭﺣﻠﱠ ُﻔﻮﻧﻲ‬ ‫ﱡ‬
‫ﻭﻗﺼـﺪﻫﻢ ﺑﺎﻟﻨﺎﺭ ﻳﺤﺮﻗﻮﻧﻲ!‬ ‫ُ‬
‫ﺣﻠﻔﺖ‪» :‬ﻣﺎ ﺍﺣﺒﻚ!« ﻓﻜ ﱠﺬﺑﻮﻧﻲ‬
‫ﻭﻗﺒـــﻞ ﺫﺍ ﻛﺎﻧﻮﺍ ﻳﺼﺪﻗﻮﻧﻲ‬
‫ﻟﻢ ُﺗﻨ ِﻘﺬ ُﻩ ﻫﺬﻩ ﺍﻟﻘﺼﻴﺪﺓ ﻣﻦ ﻭﺭﻃﺘ ِﻪ ﺑﺎﻟﻄﺒﻊ‪ ،‬ﺑﺎﻟﻌﻜﺲ!‬
‫ﺬﺭﻳ َﺘ ُﻪ‬
‫ﻭﻋ ﱠ‬‫»ﻓﻀ َﺤ ْﺖ« ﻋﺸ َﻘ ُﻪ ﺍﻟﺠﺪﻳﺪ ﻭ َﻗ َﺴﻤ ُﻪ ﺍﻟﻜﺎﺫﺏ‪ ،‬ﻭﻛﺸ َﻔ ْﺖ ﺑﺮﺍ َﺀﺗﻪ ُ‬ ‫َ‬
‫ﻣﺸﺎﻋﺮﻩ ﻋﻨﺪﻣﺎ ﻳُﺤﺐ‪ ،‬ﺃﻭ ﺑﺎﻷﺣﺮﻯ ﻋﺠﺰ ِﻩ‬ ‫ِ‬ ‫ﻭﻋﺪ َﻡ ﻣﻘﺪﺭ ِﺗ ِﻪ ﻋﻠﻰ ﺇﺧﻔﺎ ِﺀ‬
‫ﻓﻬﻢ ﺍﻵﺧﺮﻳﻦ ﻟﻪ! ﻛﺎﻥ ﻣﺤﻤﺪ ﺷﺮﻑ ﺍﻟﺪﻳﻦ‪ ،‬ﺑﺎﻣﺘﻴﺎﺯ‪،‬‬ ‫ﻋﺪﻡ ِ‬ ‫ﻓﻬﻢ ِ‬ ‫ﻋﻦ ِ‬
‫ﺍﻟﻌﺎﻣﻲ ﺃﻭ‬
‫ﱢ‬ ‫ﺗﺘﺬﻛ ُﺮ ُﻧ َﺘﻔﴼ ﻣﻦ ِ‬
‫ﺷﻌﺮ ِﻩ‬ ‫ﱠ‬ ‫ﺷﺮﺣ ْﺖ ﻟﻲ ﺇﻟﻬﺎﻡ ﻭﻫﻲ‬ ‫َ‬ ‫ﻛﻤﺎ‬
‫ﻭﺍﻟﻌﺸﻖ ﻭﺍﻟﻤﻨﺎﺩﻣﺔ!‪...‬‬ ‫ِ‬ ‫ﻭﺍﻟﺠﻤﺎﻝ‬
‫ِ‬ ‫ّ‬
‫ﺍﻟﻔﺼﻴﺢ‪ ،‬ﺷﺎﻋ َﺮ ﺍﻟﻬﻮﻯ ﻭﺍﻟﺮﻗ ِﺔ‬
 ‫ﺃﻏﺎﻥ ﺃﺧﺮﻯ ﻛﺜﻴﺮﺓ ﺃﺫﻛ ُﺮ ﻣﻨﻬﺎ ﺃﻳﻀﴼ‪» :‬ﻳﺎ ُﻣ ْﻨ َﻴ ِﺘﻲ‪،‬‬ ‫ﻏ ﱠﻨ ْﺖ ﺇﻟﻬﺎﻡ ٍ‬
‫ﺧﺎﻃﺮﻱ« ﻟﻄﻪ ﻓﺎﺭﻉ‪» ،‬ﻣﺴﺘﺤﻴﻞ ﺃﻧﺴﺎﻙ ﻭﺍﷲ ﻣﺴﺘﺤﻴﻞ!«‬ ‫ﻳﺎ ﺳﻼ ِ‬
‫ﻟﻤﺤﻤﺪ ﺻﺎﻟﺢ ﻋ ﱠﺰﺍﻧﻲ‪ ...‬ﻗﺒﻞ ﺃﻥ ُﺗﻨﻬﻲ ﺃﻏﺎﻧﻴﻬﺎ ﻋﻨﺪ ﺍﻻﻗﺘﺮﺍﺏ ﻣﻦ‬
‫ﺸﻜﻞ ﺧﺎﺹ‪» :‬ﻫﺬﻩ‬ ‫ﻭﺷﻬﻴﺘﻲ ِﺑ ٍ‬‫ﱠ‬ ‫ﻭﺍﺩﻱ ﺭﻡ ﺑﺄﻏﻨﻴﺔ ﺃﺛﺎﺭﺕ ﺩﻫﺸﺘﻲ ﻭﻃﺮﺑﻲ‬
‫ﻟﻴﻠﺘﻲ!« ﻷﻡ ﻛﻠﺜﻮﻡ‪...‬‬
‫ﺳﻴﻼﻥ‬
‫ِ‬ ‫ﻤﺠﺮ ِﺩ‬
‫ﻤﺠﺮﺩ ﺍﻟﺴﻔﺮ! ِﻟ ﱠ‬ ‫ﺃﻋﺸﻖ ﺍﻟﺴﻔ َﺮ ﺩﻭﻣﴼ‪ ،‬ﺃﻋﺸﻘ ُﻪ ِﻟ ﱠ‬ ‫ُ‬
‫ﻳﻮﻡ ﻛﻬﺬﺍ‪ ،‬ﻓﻲ‬ ‫ﺃﻣﺎ ﺳﻔ ٌﺮ ﻛﻬﺬﺍ‪ ،‬ﻓﻲ ٍ‬ ‫ﺍﻟﻤﻨﺎﻇﺮ ﻭ َﺗﺪ ﱡﻓ ِﻘﻬﺎ ﻭﺗﻨ ﱡﻮ ِﻋﻬﺎ! ﱠ‬
‫ِ‬
‫ﺍﻟﺘﺎﺭﻳﺦ‬ ‫ﻢ‬‫ﺣ‬ ‫ﺭ‬ ‫ﻩ‬ ‫ﺠﺎ‬ ‫ﺗ‬ ‫ﺑﺎ‬ ‫ﺍﻟﺒﺘﺮﺍﺀ‬ ‫ﻗﻤﻢ‬ ‫ﻣﻦ‬ ‫ُ‬
‫ﻳﻬﺒﻂ‬ ‫ﺮ‬ ‫ﺳﻔ‬ ‫ﻛﻬﺬﺍ‪،‬‬ ‫ﻣﻨﺎﺥ‬
‫ِ‬ ‫ﱢ ِ َِ ِ‬ ‫ِ‬ ‫ٌ‬ ‫ٍ‬
‫ﺑﺮﻳﻖ‬
‫ِ‬ ‫ﻭﺳﻂ‬ ‫ﺍﻟﻤﻼﺋﻜﻲ‪،‬‬ ‫ﺇﻟﻬﺎﻡ‬ ‫ﺻﻮﺕ‬
‫ِ‬ ‫ﺔ‬
‫ِ‬ ‫ﺃﺟﻨﺤ‬ ‫ﻋﻠﻰ‬ ‫ﺍﻷﺳﺎﻃﻴﺮ‪،‬‬ ‫ﻭﻣﻨﺎﺑﻊ‬
‫ِ‬
‫ﺍﻟﺴﻌﺎﺩ ِﺓ ﺍﻟﺘﻲ ﻳﺘﻸﻷ ﻓﻲ ﻋﻴﻨﻴﻬﺎ‪ ...‬ﻓﻬﻮ َﺳﻔ ٌﺮ ﻳﺘ ُﺮﻛﻨﻲ ﻣﺴﻄﻮ ً‬
‫ﻻ‬
‫ﻣﺴﺤﻮﺭﴽ ﺇﻟﻰ ﺍﻷﺑﺪ!‪...‬‬

‫‪79‬‬ ‫ﻳﺘﻔﺠ ُﺮ ﺃﺭﺟﻮﺍﻧﻴ ًﺔ ﻭﺳﺤﺮﴽ‪ .‬ﻫﺎﻧﺤﻦ ﻓﻲ‬ ‫ﱠ‬ ‫ُ‬

‫ﺍﻷﺻﻴﻞ ﻓﻲ ﻭﺍﺩﻱ ﺭﻡ‬
‫ﺭﺑﺎﻧﻲ ﻣﻬﻴﺐ‪.‬‬
‫ﱟ‬ ‫ﺟﻮ‬
‫ﱟ‬ ‫ﺃﻭﺝ ﺳﻌﺎﺩ ِﺗﻨﺎ ﻭﻧﺠﻮ ُﻡ ﺍﻟﺼﺤﺮﺍ ِﺀ ﺗﺒﺪﺃُ ﺗﺄ ﱡﻟ َﻘﻬﺎ ﻓﻲ‬ ‫ِ‬
‫ﺳﻴﺎﺣﻲ ﻗﺒﻞ‬
‫ﱟ‬ ‫ﻨﺘﺠﻊ‬
‫ٍ‬ ‫ﻣ‬
‫ُ‬ ‫ﻓﻲ‬ ‫ﺣﺠﺰﻧﺎﻫﺎ‬ ‫ﺍﻟﺘﻲ‬ ‫ﺍﻟﺨﻴﻤﺔ‬ ‫ﻧﺤﻮ‬ ‫ﻬﻨﺎ‬ ‫َﺗ ﱠ‬
‫ﻮﺟ‬
‫ﺑﺪﻭﻳ ًﺔ ﻭﺍﺳﻌﺔ‪ ،‬ﺟ ّﻴﺪ َﺓ ﺍﻟﺘﺪﻓﺌﺔ ﻭﺍﻹﻧﺎﺭﺓ‪،‬‬ ‫ﻋﺎﻡ ﻣﻦ ﺍﻵﻥ‪ .‬ﻛﺎﻧﺖ ﺧﻴﻤ ًﺔ ﱠ‬ ‫ٍ‬
‫ﺪﻭﺭ ﻭﺍﻟﻤﻼﻳﺎﺕ ﺍﻟﻤﻐﺰﻭﻟ ِﺔ ﻣﻦ ﺻﻮﻑ ﺍﻟﺒﺎﺩﻳﺔ‪ .‬ﺧﺪﻭ ٌﺭ‬ ‫ِ‬ ‫ُ‬
‫ﺎﻟﺨ‬ ‫ﺑ‬
‫ِ‬ ‫ً‬
‫ﺓ‬ ‫ﺯ‬ ‫ﺮ‬
‫ﱠ‬ ‫ﻄ‬‫ُﻣ َ‬
‫ﺤﻒ‬‫ﺑﺪﻭ ﱠﻳﺔ‪ُ ،‬ﺗ ٌ‬
‫ﻗﻄﺎﺋﻒ ِ‬‫ُ‬ ‫ﺍﻟﺼﻨﻊ ُﺗﻮﺣﻲ ﻟﻲ ﻛﺄﻧﻨﺎ ﻓﻲ ﻫﻮﺩﺝ!‬ ‫ِ‬ ‫ﺃﺻﻴﻠ ُﺔ‬
‫ﻴﻨﺎﺕ ﺻﻐﻴﺮﺓ ﻣﻤﻠﻮﺀ ٌﺓ‬ ‫ﺺ ﻋﻠﻴﻬﺎ ﻗ ﱢﻨ ٌ‬ ‫ٌ‬
‫ﺭﻓﻮﻑ َﺗ ْﻨ َﺘ ﱡ‬ ‫ﻣﺤﻠﻴﺔ‪،‬‬
‫ﱠ‬ ‫ﻭﻓﺴﻴﻔﺴﺎﺀ‬
‫ُ‬
‫ﺗﺘﺪﺍﺧﻞ‬ ‫ﻠﻮﻧﺔ‪.‬‬
‫ﺍﻟﻤ ﱠ‬
‫ﺑﻄﺒﻘﺎﺕ ﻣﻦ ﻣﺴﺤﻮﻕ ِﺣﺠﺎﺭ ِﺓ ﺟﺒﺎﻝ ﺍﻟﺒﺘﺮﺍﺀ ُ‬
‫ﺘﻨﻮﻋﺔ‪.‬‬‫ﺍﻷﻟﻮﺍﻥ ِﻟﺘﺮﺳ َﻢ ﺃﺷﻜﺎﻝ ﻭﺯﺧﺎﺭﻑ ُﻣ ﱢ‬
‫ﻛﻞ‬ ‫َ‬ ‫ُ‬
‫ﺘﺮﺍﺻﺔ‪ ،‬ﻧ ِﻘﺸ ْﺖ ﻓﻲ ﱢ‬ ‫ﻴﻨﺎﺕ ُﻣ ﱠ‬ ‫ﺧﻤﺲ ﻗ ﱢﻨ ٍ‬ ‫ُ‬ ‫ﺍﺳﺘﺮﻋ ْﺖ ﻧﺎﻇﺮﻱ‬
‫َ‬
‫ﻗ ﱢﻨﻴﻨ ٍﺔ ﻛﻠﻤ ٌﺔ ﻭﺍﺣﺪﺓ‪ ،‬ﺑﻬﺬﺍ ﺍﻟﺘﺮﺗﻴﺐ‪All you need is Love :‬‬
‫ﺗﺤﺘﺎﺟ ُﻪ ﻫﻮ ﺍﻟﻌﺸﻖ(‪ .‬ﻓﻲ ﻭﺳﻂ ﻣﻨﻀﺪ ِﺓ ﻣﺎﺋﺪ ِﺓ ﺍﻟﺨﻴﻤﺔ‬ ‫ُ‬ ‫)ﻛﻞ ﻣﺎ‬‫ﱡ‬
‫ﻭﺍﻟﻤﻘﺒﻼﺕ‬
‫ﱢ‬ ‫ُﺳ ْﻔ َﺮ ٌﺓ ﻛﺮﻳﻤ ٌﺔ ﻣﻦ ﺍﻟﻌﺴﻒ ﻣﺸﺤﻮﻧ ٌﺔ ﺑﺎﻟﺘﻤﺮ ﻭﺍﻟﻠﻮﺯ‬
‫ﻣﻜﺘﻈ ٌﺔ ﺑﺎﻟﺤﻠﻮﻳﺎﺕ‬‫ﱠ‬ ‫ﺍﻟﺠﺎ ﱠﻓﺔ ﺍﻟﻠﺬﻳﺬﺓ‪ .‬ﻭﺃﺧﺮﻯ‬ ‫ﺍﻟﺸﺮﻗﻴﺔ ﻭﺍﻟﻔﻮﺍﻛ ِﻪ َ‬ ‫ﱠ‬
 ‫ﺍﻟﺸﺮﻗﻴﺔ ﻭﺍﻟﻔﻮﺍﻛﻪ ﺍﻟﻄﺎﺯﺟﺔ‪.‬‬
‫ﱠ‬
‫ﻗﻤﺮﻱ ﻛﺜﻴﻒ ﻳﺄﺳ ُﺮ ﺍﻟﻠﺐ‪،‬‬ ‫ﱞ‬ ‫ﺻﺤﺮﺍﻭﻱ‬
‫ﱞ‬ ‫ٌ‬
‫ﺧﺎﺭﺝ ﺍﻟﺨﻴﻤﺔ ﻟﻴﻞ‬
‫ﻳﺮﻳﺢ ﺍﻟﻨﻔﺲ‪ ،‬ﻳﺴﺮﻱ ﺑﺎﻟﺪﻣﺎﻍ ﻧﺤﻮ ﺳﻤﺎﻭﺍﺕ ﺑﻌﻴﺪﺓ‪ ،‬ﻧﺤﻮ ﻋﻮﺍﻟﻢ‬
‫ﻣﺠﻬﻮﻟﺔ‪ ،‬ﻧﺤﻮ ﺭﻏﺒﺎﺕ ﺑﺎﻟﻬﺮﻭﺏ ﺍﻟﻨﻬﺎﺋﻲ ﻣﻦ ﻫﺬﺍ ﺍﻟﻌﺎ َﻟﻢ‪ ...‬ﻫﺬﺍ ﺍﻟﻌﺎ َﻟ ُﻢ‬
‫ﺍﻟﺬﻱ ﻳﺮﺗﺠﻒ ﻓﻲ ﺍﻟﺨﺎﺭﺝ ﺧﻮﻓﴼ ﻣﻦ ﻛﺎﺭﺛ ٍﺔ ﻏﺮﻳﺒﺔ ﻳﻤﻜﻨﻬﺎ ﺃﻥ ﺗﻨﻔﺠ َﺮ‬
‫ﺑﻌﺪ ﺳﺎﻋﺎﺕ ﻗﻠﻴﻠﺔ ﻣﻦ ﺍﻵﻥ‪ ،‬ﺭﻏ َﻢ ﻣﻠﻴﺎﺭﺍﺕ ﺍﻟﺪﻭﻻﺭﺍﺕ ﺍﻟﺘﻲ ﻛ ﱠﻠﻒ‬
‫ﺳﺒﺐ ﻣﺜﻴ ٌﺮ ﻟﻠﺪﻫﺸﺔ‪ ،‬ﻏﻴ ُﺮ‬ ‫»ﺻ ْﻔﺮ ﺍﻷﻟﻔ ّﻴﺔ«! ﻟﻬﺎ ٌ‬ ‫ﺍﺳﻤﻬﺎ‪ِ :‬‬
‫ﺗﻼﻓﻴﻬﺎ‪ُ ،‬‬
‫ﺍﻋﺘﻴﺎﺩﻱ ﻓﻲ ﺗﺎﺭﻳﺦ ﺍﻟﻜﻮﺍﺭﺙ‪ :‬ﻣﺒﺮﻣﺠﻮ ﺍﻟﻜﻤﺒﻴﻮﺗﺮ ﻛﺘﺒﻮﺍ ﻏﺎﻟﺒﴼ‪ ،‬ﻓﻲ‬ ‫ﱟ‬
‫ﺃﺭﻗﺎﻡ ﺳﻨﻮﺍﺕ ﺍﻟﻘﺮﻥ ﺍﻟﺬﻱ ﻳﻮﺷﻚ ﺃﻥ‬ ‫َ‬
‫ﻧﺼﻮﺹ ﺑﺮﺍﻣﺞ ﺍﻟﻜﻤﺒﻴﻮﺗﺮ‪ ،‬ﺃﺭﺑﻌﺔ ِ‬
‫ﻧﺎﺳﻴﻴﻦ‬ ‫ْﻤ ِﻠﻴﻦ َﺭ ْﻗ َﻤﻲ ﺍﻷﻟﻒ ﻭﺍﻟﺘﺴﻌﻤﺎﺋﺔ! ِ‬ ‫ﺮﻗﻤﻴﻦ ﻓﻘﻂ‪ُ ،‬ﻣﻬ ِ‬
‫ﻳﻨﺼﺮﻡ ِﺑ َ‬
‫ُﻬﻤﻞ!«‬ ‫ُﻤﻬ ُﻞ ﻭﻻ ﻳ ِ‬
‫ﻳﺤﺐ ﺍﻟ َﻌ َﺠﻠﺔ ﻭﺍﻻﺧﺘﺰﺍﻝ‪» ،‬ﻳ ِ‬‫ﺗﻤﺎﻣﴼ ﺃﻥ ﺍﻟﺰﻣﻦ ﻻ ﱡ‬
‫ﺟﺪﺍﺗﻨﺎ ﺍﻟﺤﺒﻴﺒﺎﺕ‪...‬‬
‫ﻛﻤﺎ ﺗﻘﻮﻝ ﱠ‬
‫‪80‬‬
‫ﺍﻟﻠﺬﺓ! ﻏﻤﺮ ْﺗﻨﻲ ﺳﻌﺎﺩ ٌﺓ ﻣﻔﺎﺟﺌﺔ ﺃﺛﻨﺎﺀ‬ ‫ﻛﻨﺖ ﻓﻲ ﻏﺎﻳﺔ ّ‬ ‫ُ‬
‫ﻘﺖ ﻧﺰﻭ ًﺓ ﻏﺎﻟﻴﺔ!‬
‫ﺩﺧﻮﻟﻲ ﻫﺬﻩ ﺍﻟﺨﻴﻤﺔ‪ ،‬ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﻴﻠﺔ ﺑﺎﻟﺬﺍﺕ‪ .‬ﺣ ﱠﻘ ُ‬
‫ﺍﻟﺪﻳﻜﻮﺭ‬
‫ِ‬ ‫ﺗﻔﺎﺻﻴﻞ‬
‫ِ‬ ‫ﺗﻀﺎﻋ َﻔ ْﺖ ﺃﺣﻼﻣﻲ ﻭﺭﻏﺒﺎﺗﻲ ﻭﻧﺰﻭﺍﺗﻲ ﻭﺃﻧﺎ ﺃُ ﱢ‬
‫ﺣﺪ ُﻕ ﻓﻲ‬
‫ﻳﺤﺘﻀ ُﻨﻨﺎ‪ ،‬ﻓﻲ ﻫﺬﻩ ﺍﻟﺨﻴﻤ ِﺔ ﺍﻟﻤﻐﺮﻭﺳ ِﺔ ﻓﻲ ِ‬
‫ﻗﻠﺐ ﺑﺎﺩﻳ ٍﺔ‬ ‫ِ‬ ‫ﺍﻟﺴﺎﺣﺮ ﺍﻟﺬﻱ‬
‫ِ‬
‫ﻣﻞ ﺍﻟﻨﺎﻋﻢ ﺍﻟﺬﻱ ﻃﺎﻝ ﺍﺷﺘﻴﺎﻗﻲ‬ ‫ﱠ ِ‬‫ﺍﻟﺮ‬ ‫ﻣﻦ‬ ‫ﻥ‬‫ٌ‬ ‫ﻛﺜﺒﺎ‬ ‫ﺤﻴﻄﻬﺎ‬ ‫ُ‬
‫ﺗ‬ ‫ﺭﻭﻣﺎﻧﺴﻴﺔ‬
‫ﻟﻠﺘﻤ ﱡﺮ ِﻍ ﻓﻴﻪ‪...‬‬
‫ﺇﻟﻬﺎﻡ ﺗﺒﺪﺃُ ﺑﻌﺪ ﻭﺻﻮﻟﻨﺎ ﺍﻟﺨﻴﻤ َﺔ ﺑﻔﺎﺗﺤﺔ ﻓﺎﺗﺤﺎﺗﻬﺎ‪ :‬ﺍﻟﻌﻄﺮ‪.‬‬
‫ﺗﻀﻊ ﻓﻲ َﻃ َﺮ َﻓﻲ ﺍﻟﺨﻴﻤﺔ ﺷﻤﻌﺪﺍﻧﻴﻦ ﺟﺎﺀﺕ ﺑﻬﻤﺎ ﻣﻦ ﺍﻟﻤﻨﺰﻝ‪ .‬ﺗﻮﻟ ُﻊ‬
‫ﺍﻟﺼﺤﻦ ﺍﻟﺰﺟﺎﺟﻲ‬
‫ِ‬ ‫ﺗﺼﺐ ﻋﻠﻰ‬‫ﱡ‬ ‫ﻛﻞ ﺷﻤﻌﺪﺍﻥ‪،‬‬ ‫ﺷﻤﻌ ًﺔ ﻓﻲ ﺃﺳﻔﻞ ﱢ‬
‫ﻼ ﻣﻦ ﻋﻄﺮ ّ‬
‫ﺍﻟﻔﻞ‪ ،‬ﻭﻋﻠﻰ‬ ‫ﺍﻟﺼﻐﻴﺮ ﺍﻟﺬﻱ ﻳﻌﻠﻮ ﺍﻟﺸﻤﻌ َﺔ ﺍﻷﻭﻟﻰ ﻗﻠﻴ ً‬
‫ﻼ ﻣﻦ ﻋﻄﺮ ﺍﻟﻌﻨﺒﺮ‪ .‬ﺗﻮﻟﻊ ﺍﻟﺸﻤﻌﺘﻴﻦ‪ .‬ﺗﻨﺒﻌﺚ ﻋﻠﻰ ﺍﻟﺘﻮ‬ ‫ﺍﻟﺜﺎﻧﻲ ﻗﻠﻴ ً‬
‫ُﺆﺟ ُﺞ ﺳﺤ َﺮﻫﺎ ﺍﺗﻘﺎ ُﺩ ﺍﻟﺸﻤﻌﺘﻴﻦ ﺍﻟﻤﺘﻮﺍﺻﻞ‪...‬‬ ‫ﻋﻄﺮﻳﺔ ﺩﺍﻓﻘﺔ ﻳ ﱢ‬
‫ﱠ‬ ‫ﺭﺍﺋﺤ ٌﺔ‬
‫ﺛﻢ َﺗﻀ ُﻊ ﺷﻤﻌﺘﻴﻦ ﻛﺒﻴﺮﺗﻴﻦ ﻭﺳﻂ ﻣﻨﻀﺪﺓ ﺍﻟﻤﺎﺋﺪﺓ‪.‬‬ ‫ﱠ‬
 ‫ﺃﻋ ﱠﺪ ْﺕ‬
‫ﺗﻠﻲ ﺫﻟﻚ ﺑﺎﻟﺘﺤﻀﻴﺮ ﻟﻤﻬﺮﺟﺎﻥ ﻋﺸﺎ ِﺀ ﺍﻷﻟﻔ ّﻴﺔ ﺍﻟﺘﻲ َ‬
‫ﺑﺮﻧﺎﻣﺠﻪ ﻗﺒﻞ ﺍﻟﺴﻔﺮ‪ :‬ﺗﺨﺮﺝ ِﻗ ﱢﻨﻴﻨ َﺔ ﺍﻟﺸﻤﺒﺎﻧﻴﺎ‪ ،‬ﻋﻠﺒﺔَ‬ ‫ِ‬ ‫َ‬
‫ﺗﻔﺎﺻﻴﻞ‬
‫ﺳﻤﻚ ﺍﻟﺴ ْﻠ ُﻤﻮﻥ‪ِ ،‬ﻗ ْﺪﺭﴽ‬
‫ِ‬ ‫ﻗﻄﻊ‬
‫ﺍﻟﻤﺴﻤﻦ«‪َ ،‬‬ ‫ّ‬ ‫ﻛﺎﻓﻴﺎﺭ‪ُ ،‬ﻋﻠﺒ َﺔ »ﻛﺒﺪ ﱢ‬
‫ﺍﻟﺒﻂ‬
‫ﻣﻦ ﻭﺟﺒﺔ »ﺍﻟﻤﻨﺴﻒ« ﺍﻷﺭﺩﻧﻴﺔ ﺍﻟﺘﻲ ﺍﺷﺘﺮﻳﻨﺎﻫﺎ ﻣﻦ ﺃﺣﺪ ﻣﻄﺎﻋﻢ‬
‫ﺟﺪﴽ ﺗﻌ ﱠﺘ َﻖ ﻣﻨﺬ ﺯﻣﻦ ﻃﻮﻳﻞ ﺑﺎﻧﺘﻈﺎﺭ ﻫﺬﻩ‬ ‫ﻓﺎﺧﺮ ّ‬
‫ٍ‬ ‫ﺍﻟﺒﺘﺮﺍﺀ‪ ،‬ﻗ ﱢﻨﻴﻨ َﺔ ٍ‬
‫ﻧﺒﻴﺬ‬
‫ﺍﻟﻠﻴﻠﺔ‪...‬‬
‫ُ‬
‫ﻫﺬﻩ ﺇﻟﻬﺎﻡ ﻛﻤﺎ ﺃﻋﺮﻓﻬﺎ ﺃﺑﺪﴽ‪ :‬ﺟﺬ َﻭ ٌﺓ ﺩﺍﺋﻤﺔ! ﻫﻲ‪ ،‬ﻓﻲ ﺍﻟﺨﻴﻤ ِﺔ‬
‫ﺭﺕ ﻣﻨﺰﻟﻨﺎ ﻓﻲ ﻓﺮﻧﺴﺎ‬ ‫ﻭﻃﻮ ْ‬
‫ﻤﺖ ﱠ‬ ‫ﺻﻤ ْ‬ ‫ﻧﻔﺲ ﺗﻠﻚ ﺍﻟﺠﺬﻭ ِﺓ ﺍﻟﺘﻲ ﱠ‬ ‫ﺃﻳﻀﴼ‪ُ ،‬‬
‫ﻟﻴﻜﻮﻥ ﺟ ﱠﻨ ًﺔ ﺣﻘﻴﻘﻴﺔ‪ :‬ﺣﺪﻳﻘ ٌﺔ ﻋﺎﻣﺮ ٌﺓ ﺻﺎﺭﺕ ﻛﻌﺒ ًﺔ ﻟﻠﻌﺼﺎﻓﻴﺮ‪َ ،‬‬
‫ﺯﺭﻋ ْﺖ‬
‫ﺃﺷﺠﺎﺭﻫﺎ ﻭﺩﻭﺣﺎ ِﺗﻬﺎ ﺍﻟﻤﺘﻨﻮﻋﺔ ﺑﻴﺪﻳﻬﺎ ﺍﻟﺮﻗﻴﻘﺘﻴﻦ‪ .‬ﺭﻭﺍﺋﺢ ﻭﺭﻭ ٍﺩ‬ ‫ِ‬ ‫ﻛﻞ‬
‫ﱠ‬
‫ﻛﻞ ﻣﻘﺎﻃﻌﻬﺎ‪.‬‬ ‫ﺗﺘﻨﻮ ُﻉ ﻓﻲ ﱢ‬
‫ﻛﻞ ﺃﺭﺟﺎﺀ ﺍﻟﺤﺪﻳﻘﺔ‪ ،‬ﱠ‬ ‫ﺗﻀﺦ ﻓﻲ ﱢ‬ ‫ﱡ‬ ‫ٌ‬
‫ﻋﺒﻘﺔ‬
‫ﻗﺮﺭﺕ ﺃﻥ‬ ‫ﻧﻔﺲ ﺗﻠﻚ ﺍﻟﺠﺬﻭ ِﺓ ﺍﻟﺘﻲ ﱠ‬ ‫ﺭﻛﻦ ﺍﻟﺤﺪﻳﻘﺔ‪ُ ...‬‬ ‫ﺳﺎﻗﻴ ٌﺔ ﺑﺪﻳﻌﺔ ﻓﻲ ِ‬
‫‪81‬‬ ‫)ﻏﺮﻑ ﺯﺟﺎﺟﻴﺔ‬ ‫ٍ‬ ‫ﻛﻞ ﺍﻟﻐﺮﻑ ﺍﻷﺭﺿﻴﺔ ﻟﻠﻤﻨﺰﻝ ِﺏ»ﻓﻴﺮﺍﻧﺪﺍﺕ«‬ ‫ﺤﺎﻁ ﱡ‬ ‫ُﺗ َ‬
‫ﺍﻟﻤﻨﺰﻝ ﺑﺎﻟﻀﻮﺀ ﺍﻟﺬﻱ ﻧﺸﺘﺎﻕ‬ ‫ُ‬ ‫ﻟﻴﺸﺘﻂ‬
‫ﱠ‬ ‫ﺍﻟﻐﺮﻑ ﺍﻷﺭﺿﻴﺔ(‬
‫ِ‬ ‫ﺗﺘﻮﺍﺻﻞ ﻣﻊ‬
‫ﺍﻟﻤﺪﻥ‬
‫ِ‬ ‫ﺇﻟﻴﻪ ﻛﺜﻴﺮﴽ ﻓﻲ ﺷﻤﺎﻝ ﻓﺮﻧﺴﺎ‪َ ،‬ﻧﺸﺮﺑ ُﻪ ُﺷﺮﺑﴼ‪ ،‬ﻫﻲ ﻭﺃﻧﺎ‪ ،‬ﺃﺑﻨﺎ ُﺀ‬
‫َ‬
‫ﻬﺖ ﺑﻨﺎﺀ ﺗﻠﻚ ﺍﻟﻔﻴﺮﺍﻧﺪﺍﺕ ﺑﻨﻔﺴﻬﺎ‪ .‬ﻣﻸ ْﺕ‬ ‫ﻭﻭﺟ ْ‬
‫ﺻﻤ َﻤ ْﺖ ﱠ‬‫ﺍﻟﻤﻀﻴﺌﺔ‪ .‬ﱠ‬
‫ﺑﺎﻟﺘﺤﻒ‬
‫ِ‬ ‫ﻭﺍﻟﻌﻄﺮ ﻭﺍﻟﻤﻮﺳﻴﻘﻰ‪،‬‬
‫ِ‬ ‫ﻏﺮﻑ ﺫﻟﻚ ﺍﻟﻤﻨﺰﻝ ﺑﺎﻟﻀﻮ ِﺀ‬ ‫ﻛﻞ ِ‬ ‫ﱠ‬
‫ﺍﻟﻨﺎﺩﺭﺓ ﺍﻟﺘﻲ ﺟﻠﺒﻨﺎﻫﺎ ﻣﻦ ﻋﺸﺮﺍﺕ ﺍﻟﺒﻠﺪﺍﻥ ﺍﻟﺘﻲ ﻃﻔﻨﺎﻫﺎ ﺧﻼﻝ ﺳﻨﻮﺍﺕ‬
‫ﺫﺑﺖ ﺇﻋﺠﺎﺑﴼ ﻃﻮﺍﻝ ﺗﻠﻚ ﺍﻟﻌﺸﺮ‬ ‫ﺣﻴﺎﺗﻨﺎ ﺍﻟﻌﺸﺮ ﺍﻟﻤﺸﺘﺮﻛﺔ‪ ...‬ﻛﻢ ُ‬
‫ﺃﻣﻸ ﻧﻈﺮﻱ‪ ،‬ﺍﻟﺬﻱ ﻻ ﻳﺸﺒﻊ‪ ،‬ﺑﻬﺎ ﺗﺘﻨ ﱠﻘ ُﻞ ﺑﻴﻦ ﺍﻟﻔﻴﺮﺍﻧﺪﺍﺕ‬ ‫ﺳﻨﻴﻦ ﻭﺃﻧﺎ ُ‬
‫ﻭﺍﻟﺤﺪﻳﻘﺔ‪ ،‬ﺑﻘﺎﻣﺘﻬﺎ ﺍﻟﻤﺸﺮﺋﺒﺔ ﻭﺧﻄﻮﺗﻬﺎ ﺍﻟﺠﺒﻠﻴﺔ‪ ،‬ﺗﺪﺧﻞ‪ ،‬ﺗﺨﺮﺝ‪،‬‬
‫ﺩﻭﻥ ﺗﻮ ّﻗﻒ ﺃﻭ ﻛﻠﻞ‪ ،‬ﻟﺘﺼﻤﻴﻢ ﺷﻲ ٍﺀ ﻣﺎ‪ ،‬ﻟﺘﻨﻈﻴﻒ ﺷﻲ ٍﺀ ﻣﺎ‪ ،‬ﻹﺿﺎﻓﺔ‬
‫ﻻ ﻭﻋﻄﺮﴽ ﻭﺳﻌﺎﺩ ًﺓ ﺩﺍﺋﻤﺔ!‬ ‫ﺷﻲ ٍﺀ ﻣﺎ‪ ...‬ﺗﻐﻤ ُﺮ ﺫﻟﻚ ﺍﻟﻤﻨﺰﻝ ﺟﻤﺎ ً‬
‫ﺫﻫ َﺒ ْﺖ ﻟﻼﺳﺘﺤﻤﺎﻡ‪ .‬ﻭﺿ َﻌ ْﺖ ﻓﺴﺘﺎﻧﴼ ﺣﺮﻳﺮﻳّﴼ ﺃﺑﻴﺾ‪ ،‬ﺭﻗﻴﻘﴼ‬
‫ﺷﺪﻳﺪ ﺍﻟﺠﺎﺫﺑ ّﻴﺔ‪ ،‬ﻳُﺨ ﱢﻠ ُﺪ ﻫﺬﻩ ﺍﻟﻠﻴﻠﺔ ﺍﻟﻜﻮﻧ ّﻴﺔ ﺍﻟﺘﻲ ﻟﻦ ﱠ‬
‫ﺗﺘﻜﺮﺭ‪...‬‬ ‫َ‬ ‫ﺟﺪﴽ‪،‬‬‫ّ‬
 ‫ﺑﺸﻜﻞ ﺧﺎﺹ!‪ ،‬ﻗﺎﻟﺖ ﻓﺠﺄﺓ‪...‬‬ ‫ٍ‬ ‫ﺃﺗﺬﻛ ُﺮ ﺍﻟﻴﻮﻡ ﺃﺧﺘﻲ ﻧﻌﻴﻢ‪،‬‬
‫ﱠ‬ ‫_‬
‫ﺗﺘﺬﻛﺮﻳﻦ ﺇﻻ ﻫﻲ‪...‬‬
‫ﱠ‬ ‫ﻛﻞ ﻳﻮﻡ ﻛﻤﺎ ﺃﺷﻌﺮ! ﻻ‬ ‫ﺗﺘﺬﻛﺮﻳﻨﻬﺎ ﱠ‬ ‫ﱠ‬ ‫_‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‪ ،‬ﻷﻧﻨﺎ ﻛﻨﺎ ﻧﺮﻗﺺ ﻣﻊ ﺑﻌﺾ ﻓﻲ‬ ‫ٍ‬ ‫ﺃﺗﺬﻛ ُﺮﻫﺎ ﺍﻟﻴﻮﻡ‬
‫ﱠ‬ ‫_‬
‫ﻛﻞ ﺭﺃﺱ ﺳﻨﺔ!‪...‬‬ ‫ﱢ‬
‫_ ﻟﻢ ﺗﺨﺒﺮﻳﻨﻲ ﺑﺬﻟﻚ ﻣﻦ ﻗﺒﻞ! ﻟﻢ ﺗﺨﺒﺮﻳﻨﻲ ﺃﻧﻚ ﻛﻨﺖ ﺗﺤﺘﻔﻠﻴﻦ‬
‫ﺑﺮﺃﺱ ﺍﻟﺴﻨﺔ ﻣﻊ ﺃﺧﺘﻚ ﻓﻲ ﺻﻨﻌﺎﺀ! ﻟﻢ ﺃﻇﻦ ﻳﻮﻣﴼ ﺃﻥ ﻫﻨﺎﻙ ﻣﻦ‬
‫ﻳﺤﺘﻔﻞ ﺑﻬﺎ ﻓﻲ ﺻﻨﻌﺎﺀ ﻓﻲ ﺗﻠﻚ‬‫ُ‬ ‫ﺭﺃﺱ ﺍﻟﺴﻨﺔ ﺃﻭ‬
‫ﻛﺎﻥ ﻳﻌﺮﻑ ﻣﻨﺎﺳﺒﺔ ِ‬
‫ﺍﻟﺴﻨﻮﺍﺕ‪ ...‬ﻟﻢ ﺗ ُﻘﻮ ِﻟﻲ ﻟﻲ ﺣﺘﻰ ﺍﻟﻴﻮﻡ ﺷﻴﺌﴼ ﺫﺍ ﺃﻫﻤ ّﻴ ٍﺔ ﺣﻘﻴﻘﻴﺔ ﻓﻴﻤﺎ‬
‫ﺑﻜﻞ ﺗﻠﻚ ﺍﻟﺴﻨﻴﻦ‪...‬‬ ‫ﻳﺘﻌ ﱠﻠ ُﻖ ﱢ‬
‫ﺗﺸﻌ ُﺮ ﺇﻟﻬﺎﻡ ﺑﺎﻻﻧﻘﺒﺎﺽ ﻋﻨﺪﻣﺎ ﺃﻭﺍﺟﻬﻬﺎ ﺑﻬﺬﻩ ﺍﻟﻄﺮﻳﻘﺔ‪.‬‬
‫ﻟﻜﻨﻬﺎ ﺃﺿﺎ َﻓ ْﺖ ﻫﺬﻩ ﺍﻟﻤﺮﺓ‪:‬‬
‫_ ﻧﻔﺴﻲ ﺃﻥ ﺃﺭﻗﺺ ﻣﻌﻬﺎ ﻏﻴﺎﺑﴼ‪ ،‬ﺍﻵﻥ‪ ،‬ﻫﻨﺎ ﻭﺳﻂ ﺍﻟﺨﻴﻤﺔ‪،‬‬
‫ﻛﻤﺎ ﻛﻨﺎ ﻧﺮﻗﺺ ﻣﻌﴼ ﻓﻲ ﺗﻠﻚ ﺍﻷﻳﺎﻡ!‪...‬‬ ‫‪82‬‬

‫ﻣﺘﻨﻮﻋﺔ‬
‫ﻭﻏﺮﺑﻴﺔ ﱢ‬ ‫ﱠ‬ ‫ﻭﺷﺮﻗﻴﺔ‬
‫ﱠ‬ ‫ﺃﺧﺮﺟ ْﺖ ﺃﺷﺮﻃ َﺔ ﻣﻮﺳﻴﻘﻰ ﻳﻤ ِﻨ ﱠﻴﺔ‬ ‫َ‬
‫َ‬
‫ﻣﻦ ﺣﻘﻴﺒ ِﺔ ﺍﻟﺴﻔﺮ‪ ،‬ﺃﺭﺍﻫﺎ ﻷ ﱠﻭ ِﻝ ﻣ ّﺮﺓ! ﻻ ﺃﺩﺭﻱ ﺇﻥ ﻭﺻ َﻠ ْﺘﻬﺎ ﻳﻮﻣﴼ ﻣﻊ‬
‫ﺗﺼ ُﻠﻬﺎ ﻣﻦ ﺷﻘﻴﻘﺘﻬﺎ ﻧﻌﻴﻢ‪ ،‬ﺃﻭ ﺇﻥ ﻛﺎﻧﺖ ﺗﻤﺘ ِﻠ ُﻜﻬﺎ‬ ‫ﺃﺣﺪ ﺍﻟﻄﺮﻭﺩ ﺍﻟﺘﻲ ِ‬
‫ﻭ ُﺗ ْﺨ ِﻔﻴﻬﺎ ﺩﻭﻣﴼ! ﻻ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ ﻟﻢ ﺗﺴﻤﻌﻨﻲ ﱠﺇﻳﺎﻫﺎ ﻣﻦ ﻗﺒﻞ ﺃﻭ ﺗﺨﺒﺮﻧﻲ‬
‫ُ‬
‫ﺑﻮﺻﻮﻝ ﺫﻟﻚ ﺍﻟﻄﺮﺩ!‪...‬‬
‫ﻣﺪﺧﻞ‬
‫ِ‬ ‫ﺍﻟﻘﺎﺑﻊ ﻋﻠﻰ‬
‫ِ‬ ‫ﺍﻟﺒﺮﻳﺪ‬
‫ِ‬ ‫ﺻﻨﺪﻭﻕ‬
‫ِ‬ ‫ﻋﺎﺩ ﺇﻟﻰ ﺫﻫﻨﻲ ﻟﻐ ُﺰ‬
‫ﻣﺆﺧﺮﴽ ﻛﻢ ﺗﺤﺮﺹ ﺇﻟﻬﺎﻡ ﺃﻥ ﺗﻔﺘﺤﻪ ﻟﻔﺮﺯ‬ ‫ﻻﺣﻈﺖ ﱠ‬ ‫ُ‬ ‫ﺣﺪﻳﻘ ِﺔ ﻣﻨﺰ ِﻟﻨﺎ‪:‬‬
‫ﻣﻔﺘﺎﺡ‬
‫ٍ‬ ‫ﺍﻟﺒﺮﻳﺪ ﻣﻦ ﺍﻟﺼﺒﺢ ﺍﻟﺒﺎﻛﺮ‪ .‬ﻛﻢ ﺗﺤﺮﺹ ﺃﻥ ﻻ ﻳﻜﻮﻥ ﻟﻪ ﻏﻴ ُﺮ‬
‫ﻳﻬﻤﻨﻲ ﻣﻦ ﺍﻟﺒﺮﻳﺪ ﻓﻘﻂ‪.‬‬ ‫ﻭﺍﺣﺪ ﺑﺤﻮﺯﺗﻬﺎ ﺩﺍﺋﻤﴼ! ﺗﻀﻊ ﻋﻠﻰ ﻣﻜﺘﺒﻲ ﻣﺎ ﱡ‬
‫ﻻ ﺃﺩﺭﻱ ﻣﺎﺫﺍ ﻳﺼﻞ ﺇﻟﻰ ﺫﻟﻚ ﺍﻟﺼﻨﺪﻭﻕ ﺧﺎﺭﺝ ﺫﻟﻚ!‪...‬‬
‫ﻭﻧﺒﺮﺍﺳﻪ‪» .‬ﺍﻟﻘﻴﺎﺩﺓ‬‫ُ‬ ‫ُ‬
‫ﺩﻣﺎﻏﻪ‬ ‫ُ‬
‫ﻗﺒﻄﺎﻥ ﺍﻟﻤﻨﺰﻝ‪،‬‬ ‫ﺃﻋﺮﻑ ﺃﻧﻬﺎ‬
‫ُ‬
‫ﺍﻟﻌﺎﻣﺔ«‪ ،‬ﻛﻤﺎ ﻳﺤﻠﻮ ﻟﻲ ﺃﻥ ﺃﺳﻤﻴﻬﺎ ﻣﻦ ﺑﺎﺏ ﺍﻹﻋﺠﺎﺏ ﻭﺍﻟﻤﺰﺍﺡ‪.‬‬ ‫ّ‬
 ‫ﻛﻞ ﺻﺒﺎﺡ ﻋﻨﺪ ﻣﻘﺪﻡ ﺍﻟﺒﺮﻳﺪ‪ .‬ﻛﻤﺎ‬ ‫ﻻﺣﻈﺖ ﺃﻧﻬﺎ ﻗﻠﻘ ًﺔ ﱠ‬ ‫ُ‬ ‫ﻏﻴﺮ ﺃﻧﻲ‬
‫ﻃﻠﺒﺖ ﻣﻨﻬﺎ ﻣﻔﺘﺎ َﺡ‬ ‫ُ‬ ‫ُﺤﺮ ُﺟﻬﺎ ﻛﺜﻴﺮﴽ ﺇﺫﺍ‬ ‫ﻟﻮ ﻛﺎﻧﺖ ﺗﻜﺘ ُﻢ ﺷﻴﺌﴼ ﻣﺎ‪ ...‬ﻳ ِ‬
‫ﻐﻴ ُﺮ ﻣﻮﺿﻮ َﻉ ﺍﻟﺤﺪﻳﺚ‬ ‫ُ‬
‫ﺍﻟﺼﻨﺪﻭﻕ‪ ،‬ﺃﻭ ﻧﺴﺨ ًﺔ ﻣﻨﻪ‪ .‬ﺗﻌﺮﻑ ﻛﻴﻒ ُﺗ ﱢ‬
‫ﺗﻤﺎﻃﻞ ﻓﻲ ﺫﻟﻚ‪ ...‬ﻭﻷﻧﻲ ﺃﻛﺮ ُﻩ ﺗﻜﺪﻳ َﺮﻫﺎ‪ ،‬ﻓﻘﺪ‬ ‫ُ‬ ‫ﺟﺪﴽ‪ ،‬ﺃﻭ‬ ‫ﺣﻴﻨﻬﺎ ﺳﺮﻳﻌﴼ ّ‬
‫ﻭﻣﻔﺘﺎﺣﻪ ﺗﻤﺎﻣﴼ‪ ،‬ﻭﺇﻥ ﺃﻳﻘ ْﻨ ُﺖ‬‫ِ‬ ‫ﺍﻟﺼﻨﺪﻭﻕ‬
‫ِ‬ ‫ﺍﻟﺤﺪﻳﺚ ﻋﻦ ﺫﻟﻚ‬ ‫َ‬ ‫ُ‬
‫ﺃﻫﻤﻠﺖ‬
‫ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ ﺃﻥ ِﺳ ّﺮﴽ ﻣﺎ ﻳﻜﻤﻦ ﻓﻲ ﺫﻟﻚ ﺍﻷﻣﺮ‪...‬‬
‫ﺳﺄﻟ ُﺘﻬﺎ‪» :‬ﻣﺘﻰ ﻭﺻ َﻠ ْﺖ ﻫﺬﻩ ﺍﻷﺷﺮﻃﺔ؟« ﻟﻤﺎﺫﺍ ﻟﻢ ﺗﺴﻤﻌﻴﻨﻲ‬
‫ﺗﺤﺐ ﺇﻟﻬﺎﻡ ﻫﺬﻩ‬ ‫ﺇﻳّﺎﻫﺎ ﻣﻦ ﻗﺒﻞ؟ ﻟﻤﺎﺫﺍ ﻟﻢ ﺗﺨﺒﺮﻳﻨﻲ ﺑﻮﺟﻮﺩﻫﺎ؟‪ «...‬ﻻ ﱡ‬
‫ﻣﺰﺍﺟﻬﺎ ﻓﻲ ﺷﻲﺀ ﺇﻃﻼﻗﴼ‪ ،‬ﺃﻭ‬ ‫َﻋ َﻚ ِ‬ ‫ﺍﻷﺳﺌﻠﺔ ﺍﻟﻬﺠﻮﻣﻴﺔ‪ ،‬ﻭﺃﻧﺎ ﻻ ﺃُ ﱡ‬
‫ﺣﺐ ﺩ ْ‬
‫ﺭﺅﻳ َﺔ ﺩﻣﻌﺘﻴﻬﺎ ﺍﻟﺼﺎﻣﺘﺘﻴﻦ‪ ،‬ﺍﻟﻤﺠﺮﻭﺣﺘﻴﻦ‪...‬‬
‫ﺟﺒﻠﻴ ٌﺔ ﺭﺍﻗﺼ ٌﺔ‬
‫ﱠ‬ ‫ٌ‬
‫ﺇﻳﻘﺎﻋﺎﺕ‬ ‫ﺻﻨﻌﺎﻧﻲ‪.‬‬
‫ّ‬ ‫ﻣﻮﺳﻴﻘﻲ‬
‫ﱟ‬ ‫ﺸﺮﻳﻂ‬
‫ٍ‬ ‫ﺑﺪﺃَ ْﺕ ِﺑ‬
‫ﺗﻤﻸ ﺍﻟﺨﻴﻤﺔ‪ .‬ﺇﻟﻬﺎﻡ ﻓﻲ ﻭﺳﻂ‬ ‫ُ‬ ‫ﺑﻬﻴﺠﺔ ﺗﺨﺮ ُﺝ ﻣﻦ ﺃﻣﻐﺎﻝ ﺍﻟﺰﻣﻦ‪،‬‬
‫‪83‬‬ ‫ﺗﻮﺃﻣﻬﺎ ﺍﻟﻐﺎﺋﺐ ﻋﻦ‬ ‫ﺘﺮﻗﺺ ﻣﻊ ِ‬ ‫ﺗﺘﻮﺟ ُﻪ ِﻟ َ‬‫ﱠ‬ ‫ﺍﻟﺨﻴﻤﺔ‪ ،‬ﺷﻌﻠ ُﺔ ﺟﻤﺎﻝ!‬
‫ﺍﻟﺤﻠﺒﺔ‪ :‬ﻧﻌﻴﻢ! ﺗﺨﻠ ُﻊ ﺣﺬﺍﺀﻫﺎ ِﻟﺘﺮ ُﻗﺺ ﺣﺎﻓﻴ َﺔ ﺍﻟﻘﺪﻣﻴﻦ‪ .‬ﻓﺴﺘﺎ ُﻧﻬﺎ‬
‫ﺍﺭﺗﺪ ْﺗﻪ ﻗﺒﻞ ﻗﻠﻴﻞ ُﺻ ﱢﻤﻢ ﻟﻠﺮﻗﺺ‪ُ ،‬ﺻ ﱢﻤ َﻢ‬ ‫ﺍﻟﺤﺮﻳﺮﻱ ﺍﻷﺑﻴﺾ ﺍﻟﺬﻱ َ‬ ‫ّ‬
‫ﺍﻟﻌﺒﻘﺮﻱ‪ُ ،‬ﺻ ﱢﻤ َﻢ ِﻟ ﱠﻠﻴﺎﻟﻲ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ ﺍﻟﺨﺎﻟﺪﺓ‪...‬‬ ‫ّ‬ ‫ﺠﺴﺪﻫﺎ‬
‫ِﻟ ِ‬
‫ﺧﺎﺭ ُﺝ ﺍﻟﺨﻴﻤ ِﺔ ﻟﻴ ٌﻞ ﺩﺍﻣﺲ‪ ،‬ﻇﻼ ٌﻡ ﻋﻤﻴﻢ‪...‬‬
‫ﻟﻴ ُﻦ ﺍﻟﺘﻤﺎﻳﻞ‪،‬‬ ‫ﺟﺒﻠﻲ ﻣﺴﺘﻘﻴ ُﻢ ﺍﻟﻈﻬﺮ‪ ،‬ﺑﺪﻳ ُﻊ ﺍﻟﺨﻄﻮﺓ‪ ،‬ﱢ‬ ‫ﱞ‬ ‫ﺟﺴ ٌﺪ‬
‫ﺭﺳ ُﺔ ﺭﻗﺺ!‬ ‫ﻷﻭ ِﻝ ﻣ ّﺮﺓ ﺑﻌﺪ ﻋﺸﺮ ﺳﻨﻴﻦ‪ ،‬ﺃﻧﻪ َﻣ ْﺪ َ‬ ‫ﻳﻜﺸﻒ‪ ،‬ﱠ‬ ‫ُ‬ ‫ﻣ ّﻴﺎ ُﺩ ﺍﻻﻫﺘﺰﺍﺯ‪،‬‬
‫ﺺ‪ ،‬ﻣﺜﻞ ﺍﻟﺴﺒﺎﺣﺔ‪ ،‬ﻋﻼﻗ ٌﺔ‬ ‫ُﺫ ِﻫ ْﻠ ُﺖ ﻣﻨﺬ ﺍﻟﺒﺪﺍﻳﺔ‪ :‬ﺇﻟﻬﺎﻡ ﺗﺮﺑﻄﻬﺎ ﱠ‬
‫ﺑﺎﻟﺮ ْﻗ ِ‬
‫َﺪ ْﺕ ﺳﺮﻳﻌﴼ‬ ‫ﺗﺮﻗﺺ ﻣﺜﻠﻤﺎ ﺗﺴﺒﺢ‪ :‬ﺑﺄﻧﺎﻗ ٍﺔ ﻋﺎﻟﻴﺔ‪ .‬ﺑ َ‬ ‫ُ‬ ‫ﻋﻀﻮ ّﻳ ٌﺔ ﺣﻤﻴﻤﺔ!‬
‫ﻛﻞ ﻃﻔﻮﻟﺘﻬﺎ ﺗﺮﻗﺺ! ﻣﺎ ﺃﺗﻌﺴﻨﻲ ﻭﺃﻧﺎ‬ ‫ﻗﻀ ْﺖ ﱠ‬ ‫ﺟﺪﴽ‪ ،‬ﻛﺄﻧﻬﺎ ﱠ‬ ‫َﻨﻴ ًﺔ ّ‬
‫ِﻣﻬ ﱠ‬
‫ﺍﻟﺠﻮﻫﺮﻱ ﻓﻲ ﻫﺬﻩ‬
‫ﱠ‬ ‫ﺃﻛﺘﺸﻒ ﺍﻵﻥ ﻓﻘﻂ ﺃﻧﻲ ﺃﺟﻬﻞ ﺗﻤﺎﻣﴼ ﻫﺬﺍ ﺍﻟ ُﺒ ْﻌ َﺪ‬
‫ﺍﻟﺘﻲ ﺗﻤﻸ ﺣﻴﺎﺗﻲ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻮﺍﺕ! ﻣﻦ ﻳﺪﺭﻱ‪ :‬ﻟﻌ ّﻠﻲ ﺃﺟﻬ ُﻠﻬﺎ ﺗﻤﺎﻣﴼ‬
‫ﻫﺬﻩ ﺍﻟﺤﺴﻨﺎﺀ ﺍﻟﺠﺒ ِﻠ ﱠﻴﺔ!‪...‬‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ ﻗﺒﻞ ﺫﻟﻚ‪.‬‬ ‫ٍ‬ ‫ﺍﻟﺼﻨﻌﺎﻧﻲ‬
‫ﱠ‬ ‫ﺍﻟﺮﻗﺺ‬
‫َ‬ ‫ﻟﻢ ﺃﻛﻦ ﺃُ ﱡ‬
‫ﺣﺐ‬
‫ﺷﺪﻳﺪ ﺍﻻﻧﻀﺒﺎﻁ‪ ...‬ﻧﺎﻫﻴﻚ ﺃﻧﻲ ﻻ ﺃﻃﻴﻖ‬ ‫َ‬ ‫ﻷﻧﻲ ﺍﻋﺘﺒ ْﺮ ُﺗﻪ ﺫﻛﻮﺭﻳّﴼ‪،‬‬
‫»ﺍﻟﺠ ْﻨ ِﺒﻴﺔ« ﺍﻟﺼﻨﻌﺎﻧﻴﺔ ﺍﻟﻤﻐﺮﻭﺳﺔ ﻓﻲ ﺣﺰﺍﻡ ﺍﻟﺒﻄﻦ‪ ،‬ﻻﺳ ّﻴﻤﺎ‬ ‫ﻣﻨﻈﺮ َ‬
‫ﻋﻨﺪﻣﺎ ﺃﺭﺍﻫﺎ ﻭﺳﻂ ﺣﻠﺒ ِﺔ ﺭﻗﺺ‪ .‬ﻻ ﺃُ ِﺣ ﱡﺒﻬﺎ ﺇﻻ ُﻣ َﺴ ﱠﻤﺮ ًﺓ ﻋﻠﻰ ﺍﻟﺠﺪﺭﺍﻥ‪،‬‬
‫ﺣﻴﻨﺬﺍﻙ ﻓﻘﻂ‪ .‬ﺃﻋﺘﺮﻑ ﻣﻊ ﺫﻟﻚ‬ ‫َ‬ ‫ﻟﻠﺰﻳﻨ ِﺔ ﻓﻘﻂ‪ .‬ﺃﻋﺸ ُﻘﻬﺎ ﺣﻴﻨﺬﺍﻙ‪.‬‬
‫ﺍﻟﺮﻗﺺ ﺍﻟﺼﻨﻌﺎﻧﻲ ﻛﺜﻴﺮﴽ ﻋﻨﺪﻣﺎ ﺃﺭﺍﻩ ﻓﻲ ﺃﻓﻼﻡ ﺍﻷﺻﺪﻗﺎﺀ‪،‬‬ ‫َ‬ ‫ﺃﺣﺐ‬
‫ﺃﻧﻲ ﱡ‬
‫ﻗﻮ ًﺓ‬
‫ﻳﺘﻔﺠ ُﺮ ﱠ‬
‫ﱠ‬ ‫ٌ‬
‫ﻧﺎﺑﺾ‬ ‫ﺭﻗﺺ‬
‫ﻓﻮﻕ ﺍﻟﺠﺒﺎﻝ ﺃﻭ ﻓﻲ ﺍﻟﻤﺪﻥ ﺍﻟﺠﺒﻠ ّﻴﺔ‪ .‬ﻫﻮ ٌ‬
‫ﺺ َﺟ َﺒ ِﻠ ﱞﻲ ﺧﺎﻟﺺ‪ ،‬ﻳﻨﺴﺠﻢ ﻣﻊ‬ ‫ﻭﻏﺰﺍﺓ‪ .‬ﺭ ْﻗ ٌ‬
‫ﺤﺎﺭﺑﻴﻦ ُ‬ ‫ﺭﻗﺺ ُﻣ ِ‬
‫ﻭﻓﺨﺮﴽ‪ُ ،‬‬
‫ﺍﻟﻘﻤﻢ ﻭﺍﻟﺒﻴﺌﺎﺕ ﺍﻟﺸﺎﻫﻘﺔ‪ ،‬ﻻ ﻳﺠﻴﺪﻩ ﺇﻻ ﺫﻭﻭ ﺍﻟﺠﺬﻭﻉ ﺍﻟﻤﺘﻴﻨﺔ‬ ‫ِ‬
‫ﻠﺖ َ‬
‫ﻭﻻ َﻳ َﻨ ْﺖ‬ ‫ﺍﻟﻤﺴﺘﻮﻳﺔ‪ ،‬ﺫﻭﻭ ﺍﻟﻘﺎﻣﺎﺕ ﺍﻟﻌﻤﻮﺩﻳّﺔ ﺍﻟﻤﺴﺒﻮﻛﺔ‪ ،‬ﻣﻦ ﺷ ﱠﻜ ْ‬
‫»ﺟ ْﻴ َﻨﺎﺕ« ﺍﻟﺨ ّﻔ ِﺔ ﻭﺍﻟﺮﺷﺎﻗﺔ‪...‬‬ ‫ﻭﻣ َﻨﺤ ْﺘﻬﻢ ِ‬ ‫ﺍﻷﻋﺎﻟﻲ ﺃﺟﺴﺎﺩَﻫﻢ َ‬
‫ﺮﻱ‪ ،‬ﺃﻭ ﻗﺮﺏ ﺍﻟﺸﺎﻃﺊ‪.‬‬ ‫ﱟ‬ ‫َﺤ‬
‫ﺟﻮ ﺑ ْ‬‫ﱟ‬ ‫ﻟﺬﻟﻚ ﻻ ﺃﺳﺘﺴﻴ ُﻐ ُﻪ ﻛﺜﻴﺮﴽ ﻓﻲ‬
‫ﺟﺬﻭﺭ ﻣﺸﺘﺮﻛﺔ‬ ‫ٍ‬ ‫ﻫﻮ ِﻟ ْﻠ ِﺠﺒﺎﻝ ﻣﺜﻞ ﺭﻗﺼﺔ »ﺍ ْﻟ ِﻠ ْﻴ َﻮﻩ« )ﺭﻗﺼﺔ ﻳﻤﻨ ّﻴﺔ ﺫﺍﺕ‬ ‫‪84‬‬
‫ﻣﻘﺎﻡ‬
‫ٍ‬ ‫ﺤﺮﻳﺔ‪ .‬ﻟ ُﻜ ﱢﻞ‬
‫ﻟﻠﺒﻴﺌﺎﺕ ﺍﻟ َﺒ ﱠ‬
‫ِ‬ ‫ﻣﻊ ﺭﻗﺼﺎﺕ ﺳﻮﺍﺣﻞ ﺷﺮﻕ ﺃﻓﺮﻳﻘﻴﺎ(‬
‫ﺟﺒﻠﻲ‪ .‬ﻷﻧﻬﺎ ﺭﻗﺼ ُﺔ ﺍﻷﻣﻮﺍﺝ‬ ‫ّ‬ ‫ﻣﺴﺮﺡ‬
‫ٍ‬ ‫ﻣﻘﺎﻝ‪ :‬ﻻ ﺃﺳﺘﺴﻴ ُﻐﻬﺎ ﻫﻲ ﺃﻳﻀﴼ ﻓﻲ‬
‫ﻭﺍﻟﻜﺜﺒﺎﻥ‪ ،‬ﻟﻬﺎ ﺇﻳﻘﺎﻉ ﺍﻟﺒﺤﺮ ﻭﺍﻟﺸﻮﺍﻃﺊ‪ ،‬ﻟﻬﺎ ﺭﺧﻮﺓ ﺍﻟﻤﺎﺀ ﻭﺍﻟﺮﻣﻞ‪،‬‬
‫ُ‬
‫ﺗﺘﻤﺎﻳﻞ‬ ‫ﺑﺤﺎﺭ ٍﺓ ﻳﺴﺒﺤﻮﻥ ﻓﻲ ﺍﻟﺮﻣﻞ‪،‬‬ ‫ﺍﻟﻤﺪ ﻭﺍﻟﺠﺰﺭ‪ ...‬ﺭﻗﺼ ُﺔ ﱠ‬ ‫ﺣﺮﻛﺎﺕ ﱢ‬
‫ﻭﺃﺷﻴﺸ ِﻪ ﺍﻻﻓﺘﺮﺍﺿ ّﻴﺔ‪.‬‬ ‫ِ‬ ‫ﻭﻫﺪﻳﺮﻩ‬
‫ِ‬ ‫ﺍﻟﺒﺤﺮ‬
‫ِ‬ ‫ﺃﺟﺴﺎﺩُﻫﻢ ﻋﻠﻰ ﺇﻳﻘﺎﻉ ﻣﻮﺟﺎﺕ‬

‫ﺟﺪﴽ ﻓﻴﻤﺎ ﻳﺘﻌ ﱠﻠ ُﻖ ﺑﺎﻟﺮﻗﺺ‬ ‫ﺍﻟﺤﻖ ﺃﻧﻲ ﻟﻢ ﺃﻛﻦ ﺻﺎﺋﺒﴼ ّ‬ ‫ﱡ‬

‫ﺭﻗﺺ‬ ‫ُ‬
‫ﻇﻨﻨﺖ ﺃﻧﻪ ٌ‬ ‫ﺍﻟﺼﻨﻌﺎﻧﻲ‪ :‬ﻟﻢ ﺃﺭ ﻓﺘﺎ ًﺓ ﺗﺮﻗﺼﻪ ﻗﺒﻞ ﺍﻟﻴﻮﻡ‪ ،‬ﻟﺬﻟﻚ‬
‫ﻗﻤ ِﺔ ﺣﻼﻭﺗﻪ ﻭﻋﺬﻭﺑﺘﻪ ﺇﻻ‬ ‫ﺫﻛﻮﺭﻱ ﺑﺤﺖ‪ .‬ﻏﻴﺮ ﺃﻧﻪ ﻻ ﻳﺼﻞ ﺇﻟﻰ ﱠ‬ ‫ﱞ‬
‫ﺷﻲﺀ‬
‫ﻛﻞ ْ‬ ‫ﻳﺘﻐﻴ ُﺮ ﱡ‬
‫ﻋﻨﺪﻣﺎ ﻳﻜﻮﻥ ﺃﻧﺜﻮﻳّﴼ! ﺁﻩ‪ ،‬ﻟﻮ ﻟﻢ ﺗﺮﻗﺼﻪ ﺇﻻ ﺍﻟﻤﺮﺃﺓ! ﱠ‬
‫ﻣﺜﻞ ﺑﻌﺾ ﺍﻟﺘﺠﺎﺭﺏ ﺍﻟﻔﻴﺰﻳﺎﺋﻴﺔ ﺍﻟﺘﻲ ﻳﻜﻔﻲ‬ ‫ﻋﻨﺪﻣﺎ ﺗﺮﻗﺼﻪ ﺍﻷﻧﺜﻰ‪ُ ،‬‬
‫ﻧﺘﺎﺋﺠﻬﺎ ﺗﻤﺎﻣﴼ‪ :‬ﻣﻌﺎﺩﻟ ُﺔ ﺫﻟﻚ ﺍﻟﺮﻗﺺ‬
‫ُ‬ ‫ﻟﺘﺘﻐﻴ َﺮ‬
‫ﱠ‬ ‫ﺗﻐﻴﻴ ُﺮ ﺷﺮﻭﻃﻬﺎ ﺍﻷﻭﻟﻴﺔ‬
‫ﺑﺎﻟﻐﻨﺞ‬ ‫ﱡ‬
‫ﺍﻟﺬﻛﻮﺭﻱ‬ ‫ُ‬ ‫ُ‬ ‫ُ‬
‫ﺗﺨﺘﻠﻒ ﺟﺬﺭﻳّﴼ ﻋﻨﺪﻣﺎ ﻳ َ‬
‫ُﺴﺘﺒﺪﻝ ﺍﻻﻧﻀﺒﺎﻁ ﻭﺍﻟﻐﺰ ُﻭ‬
‫ِ‬
 ‫ﱟﻲ‬ ‫ﺟﺴﺪ َﺟ َﺒ ِﻠ‬
‫ٍ‬ ‫ﺍﻷﻧﺜﻮﻱ!‪ ...‬ﺃﻣﺎ ﻋﻨﺪﻣﺎ ﺗﻜﻮﻥ ﺍﻟﺮﺍﻗﺼ ُﺔ ﺫﺍﺕ‬ ‫ّ‬ ‫ﻭﺍﻟﻌﻄﺎ ِﺀ‬
‫ﺗﺮﺑﻴﻌﻲ«‬
‫ﱞ‬ ‫ﱟﻱ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪ ،‬ﻣﺜﻞ ﺇﻟﻬﺎﻡ‪ ،‬ﻓ ِﻠﻠﻤﻌﺎﺩﻟﺔ »ﺟﺬ ٌﺭ‬ ‫َﺤ ِﺮ‬
‫ﻭﺑ ْ‬
‫ﺍﻟﺨﻴﺎﻟﻴﺔ«‬
‫ﱠ‬ ‫ﻳﺨﺮ ُﺝ ﻣﻦ ﺩﺍﺋﺮﺓ »ﺍﻷﻋﺪﺍﺩ ﺍﻟﻄﺒﻴﻌﻴﺔ« ﺇﻟﻰ »ﺍﻷﻋﺪﺍﺩ‬
‫ﺟﻤﺎﻝ ﻳﺨﺮﺝ ﻋﻦ‬ ‫ٌ‬ ‫ﺛﻤ َﺔ‬
‫ﺧﺮﺍﻓﻲ ﻟﺬﻳﺬ‪ ،‬ﱠ‬ ‫ﱞ‬ ‫ﺛﻤ َﺔ ﺣﻴﻨﻬﺎ ﺑُﻌ ٌﺪ‬ ‫ﺍﻟﺨﺎﻟﺼﺔ! ﱠ‬
‫ﺇﻟﻬﻲ ﺣ ّﻘﴼ!‬‫ﻋﺒﻘﺮﻱ‪ ،‬ﱞ‬ ‫ﱞ‬ ‫ﺛﻤﺔ ﺳﻨﺎ ٌﺀ‬ ‫ﻧﻄﺎﻕ ﺍﻟﻤﻘﺎﺳﺎﺕ ﺍﻟﺒﺸﺮﻳّﺔ! ّ‬
‫ﺭﻗﺼﻬﺎ‬ ‫ُ‬
‫ﺷﻌﺮﺕ ﺑﺎﻟﺮﻫﺒﺔ ﻭﺍﻟﺪﻫﺸﺔ ﻭﺃﻧﺎ ﺃﺭﻯ ﺇﻟﻬﺎﻡ ﺗﺒﺪﺃ َ‬ ‫ُ‬
‫ﺴﻤﻰ‪ .‬ﻧﻮ ٌﻉ‬ ‫»ﺍﻟﺪ ْﻋﺴﺔ« ﻛﻤﺎ ُﺗ ﱠ‬ ‫ﺍﻟﺼﻨﻌﺎﻧﻲ ﺑﻤﺮﺣﻠﺔ ﺍﻟﺘﻤﻬﻴﺪ‪ ،‬ﻣﺮﺣﻠﺔ ﱠ‬ ‫ﱠ‬
‫ﻣﻦ ﺍﻟﺘﺴﺨﻴﻦ ﺍﻟﺒﻄﻲﺀ‪ .‬ﻛﺎﻥ ﺟﻠ ّﻴﴼ ﻣﻦ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺔ ﺃﻧﻬﺎ ﺗﻤﺘﻠﻚ‬
‫ُ‬
‫ﺷﻌﺮﺕ‬ ‫ﻭﺗﻤﻮﻳﺠﻪ‪.‬‬
‫ِ‬ ‫ﺟﺴﺪﻫﺎ‪ ،‬ﻋﻠﻰ ﺍﺳﺘﺮﺧﺎ ِﺋ ِﻪ‬ ‫ِ‬ ‫ﺗﻄﻮﻳﻊ‬
‫ِ‬ ‫ﻣﻘﺪﺭ ًﺓ ﻫﺎﺋﻠ ًﺔ ﻋﻠﻰ‬
‫ﺗﺘﺤﻮﻝ ﻫﺬﻩ ﺍﻟﺮﺍﻗﺼﺔ‬ ‫ﱠ‬ ‫ﺑﺎﻟﻘ َﺮ ِﻑ ﺍﻟﺸﺪﻳﺪ ﺃﻳﻀﴼ ﻷﻧﻲ ﻻ ﺃَﻓﻬ ُﻢ ﻛﻴﻒ‬
‫ﻳﺘﺤﻮ ُﻝ ﺟﺴ ٌﺪ ﺑﻼ‬ ‫ﱠ‬ ‫ﺍﻟﺼﻠﺼﺎﻟﻴﺔ َﻟﻮﺣﴼ ُﻣﺘﺼ ﱢﻠﺒﴼ ﻋﻠﻰ ﺍﻟﺴﺮﻳﺮ! ﻛﻴﻒ‬
‫ﺃﺟﻬﻞ ﺃﺳﺮﺍ َﺭﻫﺎ ﺇﻟﻰ ﺍﻵﻥ! ﻛﻢ‬ ‫ُ‬ ‫ﻓﻮﺝ ﻣﻦ ُﻋ َﻘﺪ‪ ...‬ﻛﻢ‬ ‫َ‬
‫ُﻋﻘ ٍﺪ ﻛﻬﺬﺍ ﺇﻟﻰ ٍ‬
‫‪85‬‬ ‫ﺍﻟﺘﻨﺎﻗﻀﺎﺕ ﻭﺍﻟﻤﻔﺎﺭﻗﺎﺕ!‪...‬‬ ‫ِ‬ ‫ﻫﻲ ﺑﺎﻗ ٌﺔ ﻣﻦ‬
‫ﺃﺻﻌﺐ‬
‫ِ‬ ‫ﺍﻧﺘﻘ َﻠ ْﺖ ﺇﻟﻬﺎﻡ ﺑﻌﺪ ﻣﺮﺣﻠﺔ ﺍﻻﻓﺘﺘﺎﺡ ﺇﻟﻰ ﺇﺣﺪﻯ‬
‫ﺴﻤﻰ‪ ،‬ﺍﻟﺘﻲ‬ ‫ﻣﺮﺍﺣﻞ ﺍﻟﺮﻗﺺ ﺍﻟﺼﻨﻌﺎﻧﻲ‪ ،‬ﻣﺮﺣﻠﺔ »ﺍﻟﺜﺎﻧﻴﺔ« ﻛﻤﺎ ُﺗ ﱠ‬ ‫ِ‬
‫ﺍﻟﺮﺗﻴﺐ ﻫﻨﺎ ﺇﻟﻰ‬ ‫ُ‬ ‫ﻳﻨﺘﻘﻞ ﺍﻹﻳﻘﺎ ُﻉ ﺍﻟﺒﻄﻲ ُﺀ‬ ‫ُ‬ ‫ﺗﻠﻲ ﺍﻟﻤﺮﺣﻠﺔ ﺍﻟﺘﻤﻬﻴﺪﻳﺔ‪.‬‬
‫ﻣﺘﻨﻮﻋﺔ‪ُ .‬ﺫ ِﻫ ْﻠ ُﺖ‬ ‫ﱢ‬ ‫ﺣﺮﻛﺎﺕ ﺩﻗﻴﻘ ٌﺔ ﺻﻌﺒ ٌﺔ‬ ‫ٌ‬ ‫ﱟﻲ ﻣﺘﺴﺎﺭﻉ!‬ ‫ﺎﻣ‬
‫ﺇﻳﻘﺎﻉ ﺍﻟ ِﺘ َﺤ ِ‬‫ٍ‬
‫ُ‬ ‫ُ‬
‫ﻭﺃﻧﺎ ﺃﺭﺍﻫﺎ ﺗﺮ ُﻗ ُﺼﻬﺎ ﻋﻠﻰ ﺃﻏﻨﻴﺔ »ﻟﻴﻠﻚ ﺍﻟﻠﻴﻞ ﻳﺎﻟﻴﻞ!« ِﻟﻌﻠﻲ ﺍﻵﻧﺴﻲ‪.‬‬
‫َ‬ ‫ُ‬
‫ﺷﻌﺮﺕ ﺃﻳﻀﴼ ﺑﺎﻟﺨﺠﻞ ﻭﺃﻧﺎ ﺃﺭﺍﻫﺎ‬ ‫ُ‬ ‫ﻋﺎﻟﻢ ﺁﺧﺮ!‬ ‫ُ‬ ‫ُ‬
‫ﺷﻌﺮﺕ ﺃﻧﻲ ﺃﻧﺘﻘﻞ ﺇﻟﻰ ٍ‬
‫ﻛﻞ ﻫﺬﻩ ﺍﻟﻤﻮﺍﻫﺐ ﺍﻟﺘﻲ ﺃﺟﻬ ُﻠﻬﺎ ﺗﻤﺎﻣﴼ!‪...‬‬ ‫ﺗﻤﺘﻠﻚ ﱠ‬ ‫ُ‬
‫ﺘﺰﻳﺪ ﺫﻫﻮﻟﻲ‪ ،‬ﺇﻟﻰ ﻣﺮﺣﻠﺔ »ﺍﻟﺜﺎﻟﺜﺔ« ﻓﻲ ﺍﻟﺮﻗﺺ‬ ‫ﺛﻢ ﺍﻧﺘﻘ َﻠ ْﺖ‪ِ ،‬ﻟ َ‬ ‫ﱠ‬
‫ﺍﻹﻳﻘﺎﻉ ﻭﺍﻟﺤﺮﻛﺎﺕ‬ ‫ﺴﻤﻰ‪ ،‬ﺫﺍﺕ‬ ‫ُ‬
‫»ﺍﻟﺴ ِﺎﺭﻉ« ﻛﻤﺎ ﺗ ﱠ‬ ‫ﱠ‬ ‫ﺍﻟﺼﻨﻌﺎﻧﻲ‪ ،‬ﺃﻭ‬
‫ِ‬
‫ﺑﺴﺒﺐ‬
‫ِ‬ ‫ﺤﺘﺮﻑ ﻓﻲ ﺍﻟﺮﻗﺺ‪،‬‬ ‫ٍ‬ ‫ﻣﻮﺍﻫﺐ ﻭﺗﺠﺮﺑ َﺔ ُﻣ‬ ‫َ‬ ‫ﺍﻟﺴﺮﻳﻌﺔ ﺍﻟﺘﻲ ﺗﺘﻄ ّﻠ ُﺐ‬
‫ﻧﻮﻉ‬
‫ﻻﺳﻴﻤﺎ ﺍﻟﻬﺒﻮﻁ ﺍﻟﻤﻔﺎﺟﺊ ﻟﻠﺠﺴﺪ ﻓﻲ ٍ‬ ‫ﺣﺮﻛﺎﺕ ﺩﻭﺭﺍ ِﻧﻬﺎ ﺍﻟﺼﻌﺒﺔ‪ ،‬ﱠ‬
‫ﺭﻗﺼ ْﺖ ﱠ‬
‫ﻛﻞ‬ ‫ﺘﺤﺮ ٍﻙ ﻣﻊ ﺍﻟﺪﻭﺭﺍﻥ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪َ ...‬‬ ‫ﺍﻟﻤ ﱢ‬ ‫ﺍﻟﺠﻠﻮﺱ ُ‬
‫ِ‬ ‫ﻣﻦ‬
‫ﺴﻤﺎﻋﻬﺎ‬‫ﻧﺬﻭﺏ ِﻟ ِ‬ ‫ُ‬ ‫ﺪﻫﺶ ﻋﻠﻰ ﺇﻳﻘﺎﻉ ﺃﻏﻨﻴ ٍﺔ ﻣﻴﺜﻮﻟﻮﺟﻴﺔ‬ ‫ﺪﻻﻝ ُﻣ ٍ‬ ‫ﺫﻟﻚ ِﺑ ٍ‬
 ‫»ﺧ َﻄﺮ ُﻏﺼﻦ ﺍﻟﻘﻨﺎ!«‪...‬‬ ‫ﻣﻌﴼ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ‪َ :‬‬
‫ﻫﺎ ﻫﻲ ﺇﻟﻬﺎﻡ ﺍﻟﺘﻲ ﺃﻋﺮ ُﻓﻬﺎ ﺗﻤﺎﻣﴼ‪ ،‬ﻋﺎﺷﻘ ُﺔ ﺍﻟﻬﻮﺍ ِﺀ ﺍﻟﻄﻠﻖ‪،‬‬
‫ﺤﺮﻛﺎﺕ‬
‫ٍ‬ ‫ﺍﻟﺘﻘﻠﻴﺪﻳﺔ ِﺑ‬
‫ﱠ‬ ‫ﺗﺮﻗﺺ ِﺑ ُﺤ ﱢﺮ ﱠﻳﺔ‪ ،‬ﺗﻤﺰ ُﺝ ﺣﺮﻛﺎﺕ ﺍﻟﺮﻗﺺ‬ ‫ُ‬
‫ﺗﺨﻠﻖ‪ ،‬ﻣﻦ ﻧﺎﺣﻴﺔ‪ ،‬ﺗﻨ ﱡﻮ َﻋﺎ ِﺗﻬﺎ ﺍﻟﺨﺎﺻ َﺔ ﺑﻴﻦ ﺍﻟﺤﻴﻦ‬ ‫ُ‬ ‫ﺷﺨﺼﻴ ٍﺔ ﺑﺤﺘﺔ‪.‬‬
‫ﱠ‬
‫ﺍﻟﺼﻨﻌﺎﻧﻲ‬
‫ﱢ‬ ‫ﻭﺍﻵﺧﺮ‪ ،‬ﻭﺗﻠﺘﺰﻡُ‪ ،‬ﻣﻦ ﻧﺎﺣﻴﺔ ﺃﺧﺮﻯ‪ ،‬ﺑﻘﻮﺍﻧﻴﻦ ﺍﻟﺮﻗﺺ‬
‫ﺗﺮﻗﺺ ﺑﺠﺎﻧﺒﻬﺎ‪.‬‬ ‫ُ‬ ‫ﺗﻮﺃﻣﻬﺎ ﺍﻟﻐﺎﺋﺐ‪ :‬ﻧﻌﻴﻢ‪َ ،‬‬
‫ﻭﻛﺄ ﱠﻧﻬﺎ‬ ‫ﺗﺮﺍﻗﺐ َﻗ َﺪ َﻣﻲ ِ‬
‫ُ‬ ‫ﻭﻫﻲ‬
‫ﺍﻻﻓﺘﺮﺍﺿﻴﻴﻦ ِﻟﻨﻌﻴﻢ‪،‬‬
‫ﱠ‬ ‫ﺍﻟﻘﺪﻣﻴﻦ‬
‫َ‬ ‫ﺭﻛ ْﺰ ُﺕ ِﺑﺪ ﱠﻗﺔ‪ :‬ﻻ ﺗﻨﻈﺮ ﺇﻻ ﺑﺎﺗﺠﺎ ِﻩ‬ ‫ﱠ‬
‫ﺍﻟﺼﻨﻌﺎﻧﻲ!‬
‫ّ‬ ‫ﻣﺜﻠﻤﺎ ُﺗﻤﻠﻴ ِﻪ ﺗﻘﺎﻟﻴﺪ ﺍﻟﺮﻗﺺ‬
‫ﺣﺪ ﻟﻪ‪َ :‬ﻏ َﻨ ٌﺞ ﻻ ﻧﻬﺎﺋﻲ‪ ،‬ﻟﻴﻮﻧ ٌﺔ ﻭﻧﻌﻮﻣ ٌﺔ‬ ‫ﺸﻜﻞ ﻻ ﱠ‬‫ﺃﺛﺎﺭ ْﺗﻨﻲ ِﺑ ٍ‬
‫ﻭﺇﻳﺎﻫﺎ‬ ‫ﺗﻨﺴﺞ ﱠ‬
‫ُ‬ ‫ﺑﺪﻳﻌﺔ‪ِ ،‬ﻣ َﻬ ِﻨ ﱠﻴ ٌﺔ ﺧﺎﻟﺼﺔ‪ ...‬ﻛﺎﻧﺖ ﺗﺘﻤﺎﻳﻞ ﻗﺮﺏ ﻧﻌﻴﻢ‪،‬‬
‫ﺃﺟﺪ‬
‫ﺃﻟﺘﻬﻤﻬﺎ! ﻟﻢ ِ‬ ‫ُ‬ ‫ﻛ ْﺪ ُﺕ‬ ‫ﺗﺠﺎﻭﺭ ﻭﺩﻭﺭﺍﻥ‪ِ ...‬‬
‫ٍ‬ ‫ﺗﻘﺎﺭﺏ ﻭﺗﺒﺎﻋﺪ‪،‬‬
‫ٍ‬ ‫ﺣﺮﻛﺎﺕ‬
‫ْ‬
‫ﺗﺂﻛﻠﺖ‪،‬‬ ‫ْ‬
‫ﺗﺪﺍﺧﻠﺖ‪،‬‬ ‫ْ‬
‫ﺗﺤﺸﺮﺟﺖ‪،‬‬ ‫َﺖ ﻛﻠﻤﺎﺗﻲ‪،‬‬ ‫ﺍﻟﻤﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﺘﻌﺒﻴﺮ‪ .‬ﻏﺎﺑ ْ‬
‫ﻜﺎﺕ ﺍﻟﺠﻮﻫﺮ ّﻳ ِﺔ‬ ‫ﺗﻼﻃﻤﺖ‪ ...‬ﺯﺍﺩ ﺷﻌﻮﺭﻱ ﺑﺎﻟﻘﻬﺮ ِﻟﺠﻬﻠﻲ ﻟﻬﺬﻩ ﺍﻟﻤ َﻠ ِ‬ ‫ْ‬ ‫‪86‬‬
‫ﻃﺒﻴﻌﻲ ﻓﻲ ﻋﻼﻗﺘﻨﺎ‬ ‫ﱟ‬ ‫ﺛﻤ َﺔ ﺷﻲ ٌﺀ ﻏﻴ ُﺮ‬ ‫ﺩﺕ ﻓﻲ ﺃﻋﻤﺎﻗﻲ‪ :‬ﱠ‬ ‫ﺍﻟﺨﻔ ّﻴ ِﺔ! ﺭ ﱠﺩ ُ‬
‫ﺛﻤﺔ ﺃﺷﻴﺎﺀ ﻏﺎﻣﻀﺔ ﻛﺜﻴﺮﺓ!‪...‬‬ ‫ﺣ ّﻘﴼ! ّ‬

‫ﺑﻜﺜﻴﺮ ﻣﻦ ﺍﻷﺳﻰ ﻛﻴﻒ ﻳﻤﻜﻦ ﻟﻬﺬﺍ ﺍﻟﺠﺴﺪ‬ ‫ٍ‬ ‫ﻟﻢ ﺃﻓﻬﻢ‬

‫ﺍﻟﻌﺒ ِﻖ‪ ،‬ﺃﻥ ﻳﺘﺼ ﱠﻠ َﺐ ﻋﻠﻰ‬ ‫ﺍﻟﺮﺧﻮ‪ِ ،‬‬
‫ِ‬ ‫ﺍﻟﻤﺮﻥ‪،‬‬
‫ِ‬ ‫ﺎﻥ‪،‬‬‫ﺍﻟﺮﻳ ِ‬
‫ﺍﻟﻄﺮﻱ‪ ،‬ﱠ‬‫ﱢ‬ ‫ﺍﻟﻠﻴ ِﻦ‪،‬‬
‫ﱢ‬
‫ﺍﻟﺪﻟﻊ‬ ‫ﱠ‬ ‫َ‬
‫ﺔ‬ ‫ﻧ‬
‫ﱠ‬ ‫ﺃ‬ ‫ﺍﻟﺴﺮﻳﺮ‬ ‫ﻋﻠﻰ‬ ‫ً‬
‫ﺓ‬ ‫ﻭﺍﺣﺪ‬ ‫ً‬
‫ﺓ‬ ‫ﻣﺮ‬
‫ﱠ‬ ‫ﺃﺳﻤﻊ‬
‫ْ‬ ‫ﻟﻢ‬ ‫ﻟﻤﺎﺫﺍ‬ ‫ﺃﻓﻬﻢ‬ ‫ﻟﻢ‬ ‫ﺍﻟﺴﺮﻳﺮ!‬
‫َﺖ ﻓﻲ ﺇﺣﺪﻯ ﺍﺳﺘﺪﺍﺭﺍﺗﻬﺎ ﺍﻟﺮﺍﻗﺼﺔ؟ )ﻛﺎﻧﺖ ﺗﻠﻚ‬ ‫ﺗﺴﺮﺑ ْ‬
‫ﺍﻷﻧﻴﻘﺔ ﺍﻟﺘﻲ ﱠ‬
‫ﺍﻟﺮﻗﺺ‬
‫َ‬ ‫ُ‬
‫ﻳﺮﺍﻓﻖ‬ ‫ﺻﻮﺕ »ﺍﻟ َﻜ ْﺴ َﻜ ْﺴﺔ« ﺍﻟﺬﻱ‬
‫ِ‬ ‫ﺑﺈﺻﺪﺍﺭ‬
‫ِ‬ ‫ﺍﻟﺨﺎﺻﺔ‬
‫ّ‬ ‫ﻃﺮﻳﻘﺘﻬﺎ‬
‫َ‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﻠﺴﺎﻥ ﻭﺍﻟﺸﻔﺎﺓ ِﻟﺘﺼﺪ َﺭ ﺻﻮﺗﴼ ﻟﺬﻳﺪﴽ‬ ‫ُ‬ ‫ُ‬
‫ﺗﺘﺤﺮﻙ‬‫ﱠ‬ ‫ﺍﻟﺼﻨﻌﺎﻧﻲ ﺣﻴﺚ‬
‫ﱠ‬
‫ﺟﺪﴽ‪ (...‬ﻣﺎ ﺃﺣﻠﻰ ﺃ ﱠﻧﺎﺗﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ ﺳﻤﻌ ُﺘﻬﺎ ﻗﺒﻞ ﻗﻠﻴﻞ ِﺑﻨﺒﺮﺍﺕ‬ ‫ّ‬
‫ﺴﺪ ﻣﺜﻞ ﻫﺬﺍ‪،‬‬ ‫ُ‬
‫ﻳﻤﻜﻦ ِﻟ َﺠ ٍ‬ ‫ﺻﻮ ِﺗﻬﺎ ﺍﻟﺮﻗﺮﺍﻕ ﺍﻟﻌﺬﺏ! ﻟﻢ ﺃﻓﻬﻢ ﻛﻴﻒ‬
‫َﺭ ْﻗ ُﺼ ُﻪ ﺃﻏﻨﻴﺔ‪ ،‬ﺳﺒﺎﺣ ُﺘ ُﻪ ﺃﻏﻨﻴﺔ‪ُ ،‬ﻣﺸ ُﻴ ُﻪ ﺃﻏﻨﻴﺔ‪ ،‬ﺃﻥ ﻳﺼﻴﺮ ﺃﺧﺮﺱ‪ ،‬ﺧﺎﻣﺪﴽ‬
‫ُ‬
‫ﻳﻨﺘﻘﻞ ِﺑﻤﻬﻨ ّﻴ ٍﺔ‬ ‫ﺠﺴﺪ ﻛﻬﺬﺍ‬‫ﻳﻤﻜﻦ ِﻟ ٍ‬ ‫ُ‬ ‫ﻋﻠﻰ ﺍﻟﺴﺮﻳﺮ؟‪ ...‬ﻟﻢ ﺃﻓﻬﻢ ﻛﻴﻒ‬
 ‫ﺺ‬ ‫ﺗﻠﺨ ُ‬
‫»ﺍﻟﺴ ِﺎﺭﻉ« )ﺍﻟﺘﻲ ﱢ‬ ‫»ﺍﻟﺪ ْﻋﺴﺔ«‪» ،‬ﺍﻟﺜﺎﻧﻴﺔ«‪ ،‬ﱠ‬ ‫ﻭﻋﺬﻭﺑﺔ ﺑﻴﻦ ﻣﺮﺍﺣﻞ ﱠ‬
‫ﱟﻱ ﻃﻮﻳﻞ‪،‬‬ ‫َ‬ ‫ﺗﻼﺣ ٍﻢ َﺟ َﺴ ِﺪ‬
‫ﻋﺎﺷﻘﻴﻦ ﻓﻲ ُ‬ ‫َ‬ ‫ﺺ ﺣﺮﻛﺎﺕ ِ‬ ‫ﻠﺨ ُ‬ ‫ﺃﻓﻀﻞ ﻣﺎ ُﺗ ﱢ‬ ‫َ‬
‫ﻳﻜﻮﻥ ﺃﻋﺠﻒ‪،‬‬ ‫َ‬ ‫ﺎﺕ »ﺍﻟ َﻜ ْﺴ َﻜ ْﺴ ِﺔ« ﺍﻟﻐﻨﺠﺔ( ﺃﻥ‬ ‫ﻛﻞ ﺫﻟﻚ ﺑﺄ ّﻧ ِ‬ ‫ُﻣ َﻨ ﱢﺪﻳﴼ ﱠ‬
‫)‪(12‬‬
‫ﻋﻠﻰ ﺍﻟﺴﺮﻳﺮ‪ ...‬ﻏﻴﺮ‬ ‫»ﻣ َﻠ ﱢﺨﺠﴼ«‬
‫ﺎﻭ‪ ،‬ﺃﻫﺒﻞ‪ُ ،‬‬ ‫ﺧﺮﻳﻌﴼ‪ُ ،‬ﻣ َﺘ َﺠ ﱢﻤﺪﴽ‪َ ،‬ﺿ ٍ‬
‫ﺃﻋﺮﻑ ﺑﺎﻟﻤﻘﺎﺑﻞ ﺃﻥ ﺛﻘﺎﻓ َﺔ ﺗﻠﻚ ﺍﻟﺠﺒﺎﻝ ﻗﺎﻣﻌ ٌﺔ ﻗﺎﺳﻴ ٌﺔ ﻓﻲ ﱢ‬
‫ﻛﻞ‬ ‫ُ‬ ‫ﺃﻧﻲ‬
‫ﺑﺎﻟﺤﺐ ﻭﺍﻟﺠﻨﺲ‪...‬‬ ‫ﱢ‬ ‫ّ‬
‫ﻣﺎ ﻳﺘﻌﻠﻖ‬
‫ﻋﺒﺎﺭﺍﺕ ﻳَﺴﺮ ُﻗﻬﺎ‬ ‫ٍ‬ ‫ﺍﻟﺜﻘﺎﻓ ُﺔ ﺍﻟﺠﻨﺴ ّﻴﺔ ﺗﻨﺤﺼ ُﺮ ﻫﻨﺎﻙ ﻓﻲ‬
‫ﺃﺣﺎﺩﻳﺜﻬﻦ‬
‫ﱠ‬ ‫ﺍﻷﻡ ﻭﺻﺪﻳﻘﺎﺗﻬﺎ ﺃﺛﻨﺎﺀ‬ ‫ﺍﻟﺒﻨﺖ ﺧﻠﺴ ًﺔ ﻣﻦ ﻫﻤﺴﺎﺕ ﱢ‬ ‫ِ‬ ‫ﺳﻤ ُﻊ‬
‫ﺣﻴﺎﺗﻬﻦ‬
‫ﱠ‬ ‫ﺍﻟﺠﺎﻧﺒﻴﺔ ﺍﻟﻤﻜﺘﻮﻣﺔ‪ ،‬ﺇﺫﺍ ﻣﺎ َﺗ ْﻤ َﺘ ْﻤ َﻦ ﻳﻮﻣﴼ ُﻧ َﺘﻔﴼ ﻃﺎﺋﺮ ًﺓ ﻣﻦ‬
‫ﺍﻟﺤﻤﻴﻤﻴﺔ‪ .‬ﺍﻟﺜﻘﺎﻓ ُﺔ ﺍﻟﺠﻨﺴ ّﻴﺔ ﻻ ﺗﺘﺠﺎﻭﺯ ﺍﻟﺘﺴﺎﺅﻻﺕ ﻭﺍﻟﺘﻔﺴﻴﺮﺍﺕ‬
‫ﺍﻟﺬﺍﺗﻴﺔ ﺍﻟﺘﻲ ﺗﺪﻭﺭ ﻓﻲ ﺭﺃﺱ ﺍﻟﻄﻔﻞ ﺣﻮﻝ ﺃﺳﺮﺍﺭ ﺍﻟﺤﺮﻛﺎﺕ ﻭﺍﻷﺻﻮﺍﺕ‬
‫ﺳﺮﻳﺮ ﺍﻷﺏ! ﻣﺎ‬ ‫ِ‬ ‫ﺍﻟﻐﺮﻳﺒﺔ ﺍﻟﺘﻲ ﻳﺴﻤ ُﻌﻬﺎ ﺗﺄﺗﻲ ﻓﻲ ﺑﻌﺾ ﺍﻟﻠﻴﺎﻟﻲ ﻣﻦ‬
‫‪87‬‬ ‫ﺃﻣ ُﻪ‪ ،‬ﺍﻟﺘﻲ ﺗﻨﺎﻡ ﺑﺎﻟﻀﺮﻭﺭﺓ‬ ‫ﺸﻜﻞ ﺧﺎﺹ‪ ،‬ﻫﻮ ﺃﻥ ﱠ‬ ‫ﺍﻟﻄﻔﻞ ﺣﻴﻨﻬﺎ‪ِ ،‬ﺑ ٍ‬ ‫َ‬ ‫ﻳﺜﻴﺮ‬
‫ﻣﺮﺓ‬‫ﻛﻞ ﱠ‬ ‫ﺳﺮﻳﺮﻫﺎ ﻓﻲ ﱢ‬ ‫ِ‬ ‫ﻓﻲ ﻏﺮﻓ ٍﺔ ﻣﺨﺘﻠﻔ ٍﺔ ﻋﻦ ﻏﺮﻓ ِﺔ ﺍﻷﺏ‪ ،‬ﻻ ﺗﻜﻮﻥ ﻓﻲ‬
‫ﻳﺴﻤ ُﻊ ﻓﻴﻬﺎ ﺗﻠﻚ ﺍﻷﺻﻮﺍﺕ ﺍﻟﻐﺮﻳﺒﺔ!‪...‬‬
‫ُ‬
‫ﺍﻟﺒﻨﺖ‬ ‫ﺍﻟﺠﻨﺴﻴﺔ ﺍﻟﺮﺳﻤ ّﻴﺔ ﻓﺘﺘﻠ ﱠﻘﺎﻫﺎ‬
‫ﱠ‬ ‫ﺃﻣﺎ ﺩﺭﻭﺱ ﺍﻟﺜﻘﺎﻓﺔ‬ ‫ّ‬
‫ﻠﺨﺼ ًﺔ‬ ‫ﻋﺸ ّﻴ َﺔ ﻟﻴﻠ ِﺔ ﺯﻭﺍﺟﻬﺎ ﻓﻘﻂ! ﺗﺘﻠ ﱠﻘﺎﻫﺎ ﻣﻦ ﺃُ ﱢﻣﻬﺎ ﺩﻓﻌ ًﺔ ﻭﺍﺣﺪﺓ‪ُ ،‬ﻣ ﱠ‬
‫ﻟﻠﺮ ُﺟﻞ‪ ،‬ﻳﻔﻌﻞ ﺑﻬﺎ ﻣﺎ ﻳﺸﺎﺀ‪ ،‬ﻳُﺸ ﱢﻜ ُﻠﻬﺎ‬ ‫ﺍﻟﺒﻨﺖ ﺗﺨﻀ ُﻊ ﱠ‬ ‫ُ‬ ‫ِﺑﺠﻤﻠ ٍﺔ ﻭﺍﺣﺪﺓ‪:‬‬
‫ﻛﻴﻔﻤﺎ ﻳﺸﺎﺀ!‪...‬‬
‫ﻗﺮﻳﺐ‬
‫ٍ‬ ‫ﻟﻜﻞ ﻣﺎ ﻳﺘﻌﻠﻖ‪ ،‬ﻣﻦ‬ ‫ﺗﺤﺮﻳﻤﻲ ﺷﺎﻣﻞ ﱢ‬‫ﱞ‬ ‫ٌ‬
‫ﺻﻤﺖ‬ ‫ﻋﺪﺍ ﺫﻟﻚ‪،‬‬
‫ﺍﻧﺘﻌﺎﺵ ﺍﻟﺠﺴﺪ‬ ‫َ‬ ‫ُ‬
‫ﻳﻘﺘﻞ‬ ‫ﺑﺎﻟﺤﺐ ﺃﻭ ﺍﻟﺠﻨﺲ‪ .‬ﻗﻤ ٌﻊ ﻣﺘﻮﺍﺻﻞ‬ ‫ﱢ‬ ‫ﺃﻭ ﺑﻌﻴﺪ‪،‬‬
‫ﺃﺑﺪﻳﺔ‪ .‬ﺣﺘﻰ ﺍﻟﺘﺴﺮﻳﺒﺎﺕ ﺍﻟﺠﻨﺴ ّﻴﺔ‬ ‫ُﻜﺒﻠﻪ ِﺑﻘﻴﻮ ٍﺩ ﱠ‬ ‫ُ‬ ‫ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ ﻭﻳ ﱢ‬
‫ﺍﻟﺒﺤﺮﻳﺔ ﻓﻲ ﺍﻷﺣﺎﺩﻳﺚ ﺍﻟﻌﺎﻣﺔ‪ ،‬ﻓﻲ ﺍﻟﻠﻐﺔ‬ ‫ﱠ‬ ‫ﺍﻟﺘﻲ ﺗﺴﻤﻌﻬﺎ ﺑﻨﺖ ﺍﻟﻤﺪﻥ‬
‫ﺍﻟﻴﻮﻣﻴﺔ‪ ،‬ﻓﻲ ﺍﻟﺘﻌﻠﻴﻘﺎﺕ ﻭﺍﻟﻨﻜﺖ ﺍﻟﺸﻌﺒ ّﻴﺔ‪ ،‬ﻫﻲ ﻣﻤﻨﻮﻋ ٌﺔ ﺗﻤﺎﻣﴼ ﻓﻲ ﻫﺬﻩ‬
‫ﻭﺗﺒﺨﻴﺮﻩ‪،‬‬
‫ِ‬ ‫ﺘﻌﻄﻴﺮ ِﻩ‬
‫ِ‬ ‫ﺍﻻﻫﺘﻤﺎﻡ ِﺑﺎﻟﺠﺴﺪ ﺃﻳﻀﴼ‪ِ ،‬ﺑ‬
‫ِ‬ ‫ﺍﻟﺠ ِﻠ َﻔﺔ‪ .‬ﺛﻘﺎﻓ ُﺔ‬
‫ﺍﻟﺠﺒﺎﻝ َ‬
‫ٌ‬
‫ﻋﺪﻥ‪ ،‬ﻏﺎﺋﺒﺔ ﺗﻤﺎﻣﴼ‬ ‫ﺍﻟﺸﺪﻳﺪ ُﺓ ﺍﻻﻧﺘﺸﺎﺭ ﻓﻲ ﺍﻟﻤﺪﻥ ﺍﻟ َﺒ ْﺤﺮﻳّﺔ‪ ،‬ﻻﺳ ّﻴﻤﺎ َ‬
‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺤﺮﻣ ٌﺔ‬ ‫ﺍﻟﻘﻤ ِﻢ ﺍﻟﻤﻌﺰﻭﻟ ِﺔ ﻋﻦ ﺍﻟﻌﺎ َﻟﻢ‪ُ .‬ﻣ ﱠ‬
‫ﻓﻲ ﺛﻘﺎﻓﺔ ﺑﻨﺎﺕ ﻫﺬﻩ َ‬
‫َ‬ ‫ُ‬
‫ﻛﻞ ﻣﺎ ﺗﺘﻌ ﱠﻠﻤ ُﻪ ﺍﻟﻔﺘﺎﺓ ﻫﻨﺎ ﻫﻮ ﺍﻟﺘﺎﻟﻲ‪ :‬ﻗ َﺪ ُﺭﻫﺎ ﺃﻥ ﻳﻜﻮﻥ‬ ‫ﻗﺎﻃﻊ‪ .‬ﱡ‬
‫ﺧﺎﻣ ًﺔ ِﺑ َﻴ ِﺪ ﺍﻟﺰﻭﺝ ﻳﺸ ﱢﻜ ُﻠ ُﻪ ﻛﻴﻔﻤﺎ ﻳﺸﺎﺀ!‪ ...‬ﻟﺬﻟﻚ ﻳﻨﻤﻮ‬ ‫ﺟﺴﺪﻫﺎ ﻣﺎ ﱠﺩ ًﺓ ﱠ‬
‫ُ‬
‫ﻣﻴﺘﴼ‪...‬‬ ‫ُ‬
‫ﻭﻳﺸﻴﺦ ﻣﺴﻠﻮﺑﴼ‪ ،‬ﺑﺎﺭﺩﴽ‪ ،‬ﱢ‬
‫َﺕ‬‫ﺗﻤﺮﺩ ْ‬
‫ﺃﻇﻦ ﺫﻟﻚ ﺗﻤﺎﻣﴼ ﻷﻧﻬﺎ ﱠ‬ ‫ﺃﺗﻠﻚ ﻣﺄﺳﺎﺓ ﺇﻟﻬﺎﻡ ﺇﺫﻥ؟ ﻻ ﱡ‬
‫ﻋﻠﻰ ﺛﻘﺎﻓﺔ ﺍﻟﻜﺒﺖ ﻭﺍﻟﺘﺤﺮﻳﻢ‪َ ،‬ﺭ َﻣ ْﺖ ﺑﻬﺎ ﻋﺮﺽ ﺍﻟﺤﺎﺋﻂ! ﻏﻴﺮ ﺃﻥ‬
‫ﺠﺮ ِﺩ ﺫﻟﻚ!‬ ‫ﻳﺴﺘﻌﻴﺪ ﺣﻴﺎ َﺗ ُﻪ ﺍﻟﻤﻨﻬﻮﺑ َﺔ ِﻟ ُﻤ ﱠ‬
‫ُ‬ ‫ﺍﻟﺠﺴﺪ‪ ،‬ﻛﻤﺎ ﻳﺒﺪﻭ‪ ،‬ﻻ‬
‫ﺍﻟﺠﺴﺪ ﻛﻴﻒ ﻳُﻘﺎﻭ ُﻡ ﺍﻟﺠﻤﻮﺩ‪ ،‬ﻛﻴﻒ ﻳﺘﻌ ﱠﻠ ُﻢ ﺍﻟﺴﺒﺎﺣ َﺔ‬ ‫ُ‬ ‫ُ‬
‫ﻳﻌﺮﻑ‬ ‫ﺭﺑّﻤﺎ‬
‫َﺤ ُﻜ ُﻢ ﺍﻟﻔﻀﺎﺀ ﻭﻳُﺸ ﱢﻜ ُﻞ ﺍﻷﺷﻴﺎﺀ‪...‬‬ ‫ﻼ‪ ،‬ﻛﻴﻒ ﻳ ْ‬ ‫ﻼ ﺃﻡ ﺁﺟ ً‬
‫ﻭﺍﻟﺮﻗﺺ ﻋﺎﺟ ً‬
‫ﺟﺮﺍﺣ ِﻪ‬
‫ِ‬ ‫ُ‬
‫ﻳﻌﺮﻑ َﺑ ْﻠ َﺴ َﻤ َﺔ‬ ‫ﻳﻌﺮﻑ ﻛﻴﻒ ﻳﻘﺎﻭ ُﻡ ﺍﻟﺨﺮﺍﺏ‪ .‬ﻻ‬ ‫ُ‬ ‫ﻟﻜ ّﻨ ُﻪ ﻻ‬
‫ﻭﺗﺪﻣ ُﺮ ُﻩ‬
‫ﱢ‬ ‫ﺍﻟﻐﺎﺋﺮﺓ ﺑﺴﻬﻮﻟﺔ‪ :‬ﺍﻟﺠﺮﺍ ُﺡ ﺍﻟﻌﻤﻴﻘ ُﺔ ﺗﺤﻜ ُﻢ ﺍﻟﺠﺴﺪ‪ ،‬ﺗﻘﻬ ُﺮ ُﻩ‬
‫ﻓﻲ ﺍﻟﻐﺎﻟﺐ!‬
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‫ﻛﻞ ﺫﻟﻚ؟ ﻟﻤﺎﺫﺍ ﺗﺨﺸﻰ‬ ‫ﺗﺘﺤﺪ ُﺙ ﺇﻟﻬﺎﻡ ﻣﻌﻲ ﻓﻲ ﱢ‬ ‫ﱠ‬ ‫ﻟﻤﺎﺫﺍ ﻻ‬
‫ﻭﺍﻟﺪﻫﺎ‬
‫ﻭﺑﺸﻜﻞ ﺧﺎﺹ ﻋﻦ ِ‬ ‫ٍ‬ ‫ﺍﻟﺤﺪﻳﺚ ﻋﻦ ﺗﺮﺑﻴﺘﻬﺎ‪ ،‬ﻋﻦ ﺣﻴﺎ ِﺓ ﻃﻔﻮﻟﺘﻬﺎ‪،‬‬ ‫َ‬
‫ﺫﻛﺮﻩ‪ ،‬ﻭﻛﺄﻧﻬﺎ ﺗﺨﺎﻓﻪ ﺇﻟﻰ ﺃﻗﺼﻰ ﺣﺪﻭﺩ‬ ‫ﺍﻻﻗﺘﺮﺍﺏ ﻣﻦ ِ‬
‫َ‬ ‫ُ‬
‫ﺗﺮﻓﺾ‬ ‫ﺍﻟﺬﻱ‬
‫ﻛﻞ ﻣﺎ ﺃﻋﺮﻓﻪ ﻋﻨﻪ ﺃﻧﻪ ﻛﺎﻥ ﺷﻴﺨﴼ ﻣﺮﻣﻮﻗﴼ ﻓﻲ ﺗﻠﻚ ﺍﻟﺠﺒﺎﻝ‪،‬‬ ‫ﺍﻟﺨﻮﻑ‪ .‬ﱡ‬
‫ﱡ‬
‫ﻭﺍﻟﻌﺴﻜﺮﻱ ﺑﻌﺪ‬ ‫ﺍﻟﻘﺒﻠﻲ‬
‫ﱡ‬ ‫ﻣﻘﺎﻣ ُﻪ ﻓﺠﺄﺓ ﻭﻳﺰﺩﺍ َﺩ ﻧﻔﻮ ُﺫ ُﻩ‬
‫َ‬ ‫ﻗﺒﻞ ﺃﻥ ﻳﻌﻠ َﻮ‬
‫ﻭﺃﺣﺪﺍﺙ ﺳﻴﺎﺳ ّﻴ ٍﺔ ﺩﺍﻣﻴﺔ ﺟ َﺮ ْﺕ ﻓﻲ ﺃﻛﺘﻮﺑﺮ ‪1977‬‬ ‫ٍ‬ ‫ﻣﺆﺍﻣﺮ ٍﺓ ﺣﻘﻴﺮﺓ‬
‫ﻃﺒﺨ ُﺘﻬﺎ ﺍﻷﻭﻟﻰ ﻣﻦ ﻣﻨﻄﻘﺔ ُﺛﻼ ﻧﻔﺴﻬﺎ!‪ ...‬ﱡ‬
‫ﻛﻞ‬ ‫ﻭﺑﺪﺃﺕ َ‬ ‫ْ‬ ‫ﻓﻲ ﺻﻨﻌﺎﺀ‬
‫ﻳﺘﻄﺮ ُﻕ ِﻟﻌﻼﻗﺘﻬﺎ‬
‫ﱠ‬ ‫ﺍﻟﺤﺪﻳﺚ ﻋﻨﺪﻣﺎ‬
‫ِ‬ ‫ﺗﻬﺮﺏ ﻣﻦ‬
‫ُ‬ ‫ْ‬
‫ﻻﺣﻈ ُﺘ ُﻪ ﺃﻥ ﺇﻟﻬﺎﻡ‬ ‫ﻣﺎ‬
‫ُ‬ ‫ً‬
‫ﺑﻮﺍ ِﻟﺪﻫﺎ‪ .‬ﺗﺒﺪﻭ ﻗﻠﻘﺔ ﺣﻴﻨﻬﺎ‪ .‬ﻳﻐﺪﻭ ﺍﻟﺤﺪﻳﺚ ﺑﺎﻟﻨﺴﺒ ِﺔ ﻟﻬﺎ ﺷﺎﺋﻜﴼ‪،‬‬
‫ﻣ ْﺆ ِﺭﻗﴼ‪...‬‬
‫ﻛﻞ ﻣﺎ ﻳﻀﻄﺮ ُﻡ ﻓﻲ ﺃﻋﻤﺎﻗﻬﺎ ِﺑﻀﺮﺑ ٍﺔ‬ ‫ﻟﻤﺎﺫﺍ ﻻ ُﺗﻔﻀﻲ ﱠ‬
‫ﻛﻞ ﺷﻲﺀ ﺗﻌﺎﺿﺪﴽ ﻭﺩﻋﻤﴼ‪،‬‬ ‫ﻭﺍﺣﺪﺓ؟ ﺃﻟﻴﺴﺖ ﺍﻟﺤﻴﺎ ُﺓ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻗﺒﻞ ﱢ‬
‫ﻭﺍﻟﻀﺮﺍﺀ؟‪ ...‬ﺃﻡ ﻫﻞ ﻫﻨﺎﻙ‬
‫ﱠ‬ ‫ﺍﻟﺴﺮﺍ ِﺀ‬
‫ﺍﻵﺧﺮ ﻓﻲ ﱠ‬ ‫ِ‬ ‫ﺑَﻮﺣﴼ ﻭﺇﻓﻀﺎ ًﺀ‪ ،‬ﻣﺸﺎﺭﻛ َﺔ‬
 ‫ﺟﺪﴽ‪ ،‬ﻻ ﻋﻼﻗﺔ ﻟﻬﺎ ﺑﺎﻟﻄﻔﻮﻟﺔ‪ُ ،‬‬
‫ﺗﺆﺭﻕ ﺇﻟﻬﺎ َﻡ‬ ‫ﻣﺸﺎﻛﻞ ﺃﺧﺮﻯ ﺣﺪﻳﺜ ٌﺔ ّ‬
‫ﺟﺪﴽ ﻓﻲ ﺍﻵﻭﻧﺔ ﺍﻷﺧﻴﺮﺓ؟‬ ‫ﻭﺗﺴﺘﺤﻮ ُﺫﻫﺎ ﺗﻤﺎﻣﴼ‪ :‬ﻟﻤﺎﺫﺍ ﺃﺭﺍﻫﺎ ﻗﻠﻘ ًﺔ ﻛﺜﻴﺮﴽ ّ‬
‫ﺃﻻﺣﻆ ﺍﺭﺗﺒﺎﻛﻬﺎ ﻓﻲ ﺳﺎﻋﺔ ﺑﺤ ِﺜﻬﺎ ﻋﻦ ﺑﺮﻳﺪ ﺍﻟﺼﺒﺎﺡ؟ ﻣﺎ ﺳ ﱡﺮ‬ ‫ُ‬ ‫ﻟﻤﺎﺫﺍ‬
‫ﺗﺤﺮﺹ ﻋﻠﻰ ﺍﻟﺤﻔﺎﻅ ﻋﻠﻴﻪ ِﺑﺴﺮﻳّﺔ‬ ‫ُ‬ ‫ﻣﻔﺘﺎﺡ ﺻﻨﺪﻭﻕ ﺍﻟﺒﺮﻳﺪ ﺍﻟﺬﻱ‬ ‫ِ‬
‫ﺷﺪﻳﺪﺓ؟…‬
‫ﺑﻜﻞ ﻫﺬﻩ ﺍﻷﺳﺌﻠﺔ ﺑﻌﺪ ﻗﻠﻴﻞ ﻓﻲ ﻫﺬﻩ‬ ‫ﺭﺕ ﺃﻥ ﺃﻭﺍﺟﻬَﻬﺎ ﱢ‬ ‫ﻗﺮ ُ‬‫ﱠ‬
‫ﺍﻟﺨﻴﻤﺔ‪ ،‬ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﻴﻠﺔ!‬
‫ﻣﻮﺳﻴﻘﻲ ﺇﻟﻰ‬
‫ﱟ‬ ‫ﺷﺮﻳﻂ‬
‫ٍ‬ ‫ﺗﻨﺘﻘﻞ ﺇﻟﻬﺎﻡ ﻣﻦ‬ ‫ُ‬ ‫ﺻﺪﻕ ﻋﻴﻨﻴﻲ!‬ ‫ﻻ ﺃُ ﱢ‬
‫ٌ‬
‫ﺭﻗﺼﺎﺕ‬ ‫ﺗﺴﺘﻌﺮﺽ ﻣﻮﺍﻫﺒﻬﺎ ﺍﻟﺮﻗﺼ ّﻴﺔ ِﺑﻨﺸﻮ ٍﺓ ﻋﺎﺭﻣﺔ!‬ ‫ُ‬ ‫ﺷﺮﻳﻂ ﻣﻮﺳﻴﻘﻲ‪،‬‬ ‫ٍ‬
‫ﻧﻤﻮﺫﺟﻲ! ﺳﺘﻈﻞ ﺇﻟﻬﺎﻡ ﻓﻲ ﻧﺎﻇﺮﻱ‪:‬‬ ‫ﱡ‬ ‫ّ‬ ‫ﺨﺮ ُﺟﻬﺎ ﺑﺈﺗﻘﺎﻥ‬ ‫ُ‬
‫ِﺟ ﱡﺪ ُﻣﻌ ﱠﻘﺪﺓ ﺗ ِ‬
‫ﺗﺴﺒﺢ‪ ،‬ﻋﻨﺪﻣﺎ ﺗﺮﻗﺺ‪ ،‬ﻋﻨﺪﻣﺎ‬ ‫ُ‬ ‫ﺗﺘﺤﺮﻙ ﻋﻨﺪﻣﺎ ﺗﻤﺸﻲ‪ ،‬ﻋﻨﺪﻣﺎ‬ ‫ُ‬ ‫ﺳﻌﺎﺩ ٌﺓ‬
‫ﺳﺘﻈﻞ ﻋﺮﻭﺳﺔ ﺍﻟﺒﺤﺮ‪ ،‬ﻋﺮﻭﺳﺔ ﺍﻟﺠﺒﻞ‪ ،‬ﻋﺮﻭﺳﺔ ﺍﻟﺼﺤﺮﺍﺀ‪...‬‬ ‫ﱡ‬ ‫ﺗﻨﺎﻡ‪...‬‬
‫‪89‬‬ ‫ﺍﻟﺨﻤﺲ ﻓﻲ ﻧﻔﺲ‬ ‫ِ‬ ‫ﺍﻟﺤﻮﺍﺱ‬
‫ِ‬ ‫ﻛﻞ‬
‫ﺳﺘﻈﻞ ﺗﻠﻚ ﺍﻟﺘﻲ ﺗﺴﺘﻄﻴ ُﻊ ﺇﺫﻛﺎﺀ ﱢ‬ ‫ﱡ‬
‫ﻟﻤﺴﻬﺎ ُﻣﺘﻌﺔ‪،‬‬ ‫ﺍﻟﻮﻗﺖ‪ :‬ﺭﺅﻳ ُﺘﻬﺎ ﻣﺘﻌﺔ‪ ،‬ﺻﻮ ُﺗﻬﺎ ﻣﺘﻌﺔ‪ ،‬ﺭﺍﺋﺤ ُﺘﻬﺎ ﻣﺘﻌﺔ‪ُ ،‬‬
‫ﺍﻟﺤﻮﺍﺱ ﺍﻟﺒﺎﻃﻨ ّﻴﺔ ﺍﻟﺨﻔ ّﻴﺔ‪...‬‬‫ِ‬ ‫ﻣﺬﺍ ُﻗﻬﺎ ﻣﺘﻌﺔ‪ ...‬ﻧﺎﻫﻴﻚ ﻋﻦ ﱢ‬
‫ﻛﻞ‬
‫ﻛﻞ‬
‫ﺘﻌﻮﻳﺾ ﱢ‬ ‫ِ‬ ‫ﺗﺮﻗﺺ ِﻟ‬‫ُ‬ ‫ﻠﺬ ٍﺓ ﻫﺎﺋﻠ ٍﺔ ﻭﻫﻲ ﺗﺮﻗﺺ‪.‬‬ ‫ﺗﺸﻌ ُﺮ ِﺑ ﱠ‬
‫ﻳﺤﺮ ُﺭ ﺫﻟﻚ ﻻﻭﻋ َﻴﻬﺎ ﻣﻦ ﺑﻌﺾ‬ ‫ﺍﻟﺴﻨﻮﺍﺕ ﺍﻟﺘﻲ ﻟﻢ ﺗﺮﻗﺺ ﺧﻼﻟﻬﺎ‪ .‬ﱢ‬
‫َ‬ ‫ُ‬
‫ﻗﻴﻮﺩﻩ‪ .‬ﺗﺸﻌ ُﺮ ﺃﻳﻀﴼ ِﺑﺎﻟﻨﺸﻮ ِﺓ ﻭﻫﻲ ﺗﺮﺍﻧﻲ ﺃﺣﺘﺮﻕ ﺇﻋﺠﺎﺑﴼ ﺑﻤﻠﻜﺎ ِﺗﻬﺎ‪...‬‬
‫ﻳﻤﻨﻲ‬
‫ﱟ‬ ‫ﺭﻗﺺ‬‫ﺗﻨﺘﻘﻞ ﻣﻦ ٍ‬ ‫ُ‬ ‫ﺑﺮﻏﺒﺎﺕ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ ﺍﺳﺘﻌﺮﺍﺿﻴﺔ!‬ ‫ٍ‬ ‫ﺗﺸﻌ ُﺮ‬
‫ﺗﺮﻗﺺ ﻋﻠﻰ‬ ‫ُ‬ ‫ﺃﺑﺪﻋﻬﺎ ﻭﻫﻲ‬ ‫ﻳﻤﻨﻲ‪َ :‬ﺣ ْﻀ َﺮ ِﻣ ّﻲ‪َ ،‬ﻟ ْﺤ ِﺠ ّﻲ )ﻣﺎ َ‬
‫ّ‬ ‫ﺇﻟﻰ ﺭﻗﺺ‬
‫ﺭﻗﺼﺎﺕ‬
‫ٍ‬ ‫ُ‬
‫ﺗﻨﺘﻘﻞ ﻣﻦ‬ ‫ﺃﻧﻐﺎﻡ ﺃﻏﻨﻴ ِﺔ‪» :‬ﻳﺎ ُﻓﻞ‪ ،‬ﻳﺎ ﻭﺭﺩ‪ ،‬ﻳﺎ ﻛﺎﺫﻱ!« (‪...‬‬ ‫ِ‬
‫ﻣﺒﻬﻮﺕ‪ ،‬ﻣﺄﺧﻮ ٌﺫ‪ ،‬ﻏﻴﺮ‬ ‫ٌ‬ ‫ﻛﻞ ﺫﻟﻚ ﻭﺃﻧﺎ‬ ‫ﺭﻗﺼﺎﺕ ﻏﺮﺑﻴﺔ‪ ...‬ﱡ‬ ‫ٍ‬ ‫ﺷﺮﻗ ّﻴﺔ ﺇﻟﻰ‬
‫ﻣﺼﺪﻕ‪ ...‬ﻟﻤﺎﺫﺍ ﻟﻢ ﺗﺮﻗﺺ ﻗﺒﻞ ﺫﻟﻚ؟ ﺃﻋﺮﻑ ﺃﻧﻬﺎ ﻗﻄ َﻌ ْﺖ ﻋﻼﻗﺘﻬﺎ‬ ‫ﱢ‬
‫ﺑﺜﻘﺎﻓﺔ ﻃﻔﻮﻟﺘﻬﺎ‪ ،‬ﻟﻜﻦ ﻣﺎ ﺟﺮﻳﻤﺔ ﺍﻟﺮﻗﺺ؟ ﺃﻣﺎ ﻛﺎﻥ ﺑﺈﻣﻜﺎ ِﻧ ِﻪ ﺃﻥ‬
‫ﻳﻜﻮﻥ ﻣﻼ َﺫﻫﺎ‪ ،‬ﺩﻭﺍ َﺀﻫﺎ ﻣﻦ ﺁﻻﻣﻬﺎ ﺍﻟﺪﺍﺧﻠﻴﺔ؟‪ ...‬ﻣﺎ ﺟﺮﻳﻤﺘﻲ ﺃﻧﺎ ﺍﻟﺬﻱ‬
‫ﺍﻟﺮﻗﺺ ﻣﻦ ﻋﻤﻖ ﺃﻋﻤﺎﻗﻲ؟‪...‬‬ ‫َ‬ ‫ﺃﻋﺸﻖ‬
 ‫ُ‬
‫ﺗﺼﻌﺪ ﻣﻦ ﻻﻭﻋﻴﻲ‬ ‫ﺗﺮﻗﺺ‪ ،‬ﺗﺮﻗﺺ‪ ...‬ﻓﻴﻤﺎ‬
‫ُ‬ ‫ﺗﺮﻗﺺ‪،‬‬
‫ُ‬ ‫ﻫﺎﻫﻲ‬
‫ُ‬
‫ﺍﻟﺪﻓﻴﻦ ﺫﺍﻛﺮﺓ ﻋﻼﻗﺘﻲ ﺑﺎﻟﺮﻗﺺ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ‪.‬‬

‫ﺃﺫﻫﺐ ﺧﻠﺴ ًﺔ ﻣﻊ ﺑﻌﺾ‬ ‫ُ‬ ‫ُ‬

‫ﻛﻨﺖ‬ ‫ﺍﻟﺮﻗﺺ ﺻﻐﻴﺮﴽ‪.‬‬‫َ‬ ‫ُ‬
‫ﻋﺸﻘﺖ‬
‫ﺃﺻﺪﻗﺎﺋﻲ ﻓﻲ ﺍﻟﻤﺪﺭﺳﺔ ﻟﻤﺸﺎﻫﺪﺓ ﺭﻗﺼﺎﺕ »ﺍ ْﻟ ِﻠ ْﻴ َﻮﺓ« ﺍﻟﺘﻲ ﺗﻘﺎﻡ ﻓﻲ‬
‫ﻋﺪﻥ‪،‬‬ ‫ﺃﻃﺮﺍﻑ َ‬
‫ِ‬ ‫ﺍﻟﺨﻼﺀﺍﺕ ﺍﻟﺮﻣﻠ ّﻴﺔ ﺍﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ ﻓﻲ‬
‫ﺑﺰﻭﺍﺝ ﺃﻭ ﺇﻧﺠﺎﺏ‪ ...‬ﺩﺍﺋﺮ ٌﺓ ﻛﺒﻴﺮ ٌﺓ ﻣﻦ‬ ‫ﺍﻟﻤﻘﻤﺮﺓ‪ ،‬ﺍﺣﺘﻔﺎ ً‬
‫ﻻ‬ ‫ﻓﻲ ﺍﻟﻠﻴﺎﻟﻲ ُ‬
‫ٍ‬
‫ﺍﻟﺮﺍﻗﺼﻴﻦ ﺍﻟﻤﺤﺘﺮﻓﻴﻦ ﺗﺘﻤﺎﻭﺝ‪ ،‬ﺗﺘﻤﺎﻳﻞ ِﺑﺤﺮﻛﺎﺕ ﻓ ﱢﻨ ﱠﻴﺔ ﻣﺴﺘﺮﺧ َﻴ ٍﺔ‬
‫»ﻫ ﱠﻴﺎ َﻟ ِﻮ ْﻱ! ﱠ‬
‫ﻫﻴﺎ‬ ‫ﺑﻄﻴﺌﺔ‪ ،‬ﺷﺪﻳﺪ ِﺓ ﺍﻟﺘﻨﺎﻏﻢ ﻭﺍﻟﺘﺮﻗﺮﻕ‪ ،‬ﻋﻠﻰ ﺃﻧﺸﻮﺩﺍﺕ‪َ :‬‬
‫ﻳﺎﻣ َﻠ ْﻨ َﺠﻪ!« ﺫﺍﺕ ﺍﻟﺠﺬﻭﺭ ﺍﻹﻳﻘﺎﻋﻴﺔ ﺍﻟﺸﺮﻕ ﺍﻓﺮﻳﻘﻴﺔ‪...‬‬ ‫َﻟ ِﻮ ْﻱ! ْ‬
‫ﺟﺪ ﺍﻟﺒﺸﺮﻳﺔ ﺍﻟﺬﻱ ﻋﺎﺵ ﻓﻲ‬ ‫ﺍﻷﻭﻝ‪ ،‬ﱢ‬ ‫ﻟﻌﻞ ﺭﻗﺼﺎﺕ ﺍﻹﻧﺴﺎﻥ ﱠ‬ ‫ﱠ‬
‫ﺟﺪﴽ ﺑﻬﺬﻩ ﺍﻟﺮﻗﺼﺔ‪.‬‬ ‫ﻣﻬﺪ ﺍﻹﻧﺴﺎﻧﻴﺔ‪ :‬ﺷﺮﻕ ﺃﻓﺮﻳﻘﻴﺎ‪ ،‬ﻛﺎﻧﺖ ﺷﺒﻴﻬ ًﺔ ّ‬
‫ﺍﻷ َﻭﻝ‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ ﺍﻻﻧﺜﺮﻭﺑﻮﻟﻮﺟﻴﻮﻥ‪ ،‬ﺗﺤﻔ ُﺮ‬ ‫ﻛﺎﻧﺖ ﺩﺍﺋﺮ ُﺓ ﺍﻟﺮﺍﻗﺼﻴﻦ ُ‬ ‫‪90‬‬
‫ﺸﺒ َﻪ ﺷﻜﻞ َﻓ ْﺮ ِﺝ ﺍﻟﻤﺮﺃﺓ‪ ،‬ﺍﻟﺬﻱ‬ ‫ﺗﺤﻴﻄﻬﺎ ﺑﺎﻟﻌﺸﺐ ِﻟ ُﺘ ِ‬ ‫ُ‬ ‫ﺣﻔﺮ ًﺓ ﻛﺒﻴﺮﺓ‬
‫ﺨﻴﻠ ِﺔ ﺃﺟﺪﺍ ِﺩﻧﺎ ﺍﻷﻓﺎﺭﻗﺔ‪ ،‬ﻟﻺﺧﺼﺎﺏ ﻭﺍﻟﻌﻄﺎﺀ! ﻳﺪﻭﺭ‬ ‫ﻛﺎﻥ َﻳ ْﺮﻣ ُﺰ‪ ،‬ﻓﻲ ُﻣ ﱠ‬
‫ﺍﻟﻘﻤﺮﻳﺔ ُﻣﺮ ﱢﺩﺩﻳﻦ ﺃﻏﻨﻴﺔ ﺍﻹﻧﺴﺎﻥ‬ ‫ﱠ‬ ‫ﺍﻟﺮﺍﻗﺼﻮﻥ ﺣﻮﻝ ﺍﻟﺤﻔﺮ ِﺓ ﻓﻲ ﺍﻟﻠﻴﺎﻟﻲ‬
‫ﺍﻷﻭ ِﻝ ﺍﻟﻘﺪﻳﻤﺔ‪» :‬ﻟﻴﺴﺖ ﺣﻔﺮﺓ! ﻟﻴﺴﺖ ﺣﻔﺮﺓ! ﺇﻧﻬﺎ َﻓ ْﺮﺝ!«‪ ،‬ﺍﻟﺘﻲ ﻳﺤﻠﻮ‬ ‫ﱠ‬
‫َ‬ ‫ﺃﻇﻦ ﺃﻧﻬﺎ ﻫﻲ ﻧﻔﺴﻬﺎ )ﻣﻦ ﻳﺪﺭﻱ؟(‪َ :‬‬
‫»ﻫ ﱠﻴﺎ ﻟ ِﻮ ْﻱ! ﱠ‬
‫ﻫﻴﺎ‬ ‫ﻟﻲ ﺷﺨﺼ ّﻴﴼ ﺃﻥ ﱠ‬
‫ﻭﺍﻻﺣﺘﻔﺎﻝ ﺑﺎﻹﻧﺠﺎﺏ ﻭﺍﻟﺨﺼﻮﺑﺔ‪،‬‬ ‫ﺮﺡ‬ ‫ُ َ‬ ‫َﻟ ِﻮ ْﻱ! ْ َ ْ‬
‫ِ‬ ‫ﻳﺎﻣﻠﻨ َﺠﻪ!«‪ :‬ﺭﻗﺼﺔ ﺍﻟﻔ ِ‬
‫ﺍﻻﺣﺘﻔﺎﻝ ﺑﺎﻟﻄﺒﻴﻌﺔ ﻭﺍﻟﺤﺼﺎﺩ‬ ‫ِ‬ ‫ﺍﻻﺣﺘﻔﺎﻝ ﺑﺎﻟ َﻔ َﺮﺝ‪،‬‬
‫ِ‬ ‫ﺍﻻﺣﺘﻔﺎﻝ ﺑﺎﻟ َﻔ ْﺮﺝ‪،‬‬
‫ِ‬
‫ﻭﺍﻟﻠﺬﺓ‪...‬‬
‫ﱠ‬ ‫ﻭﺍﻟﻌﻄﺎﺀ‬
‫ﻓﻲ ﺍﻟﻤﺪﺭﺳﺔ ﺍﻟﺜﺎﻧﻮﻳﺔ ﻛﻨﺖ ﺃﺣﺮﺹ ﺃﻥ ﻻ ﺃﻏﻴﺐ ﻋﻦ ﺭﻗﺼﺔ‬
‫ﺗﺮﺍﺑﻲ ﻣﻦ‬
‫ﱟ‬ ‫ﺛﻤ َﺔ ﺣﻔﻠ َﺔ ِﻟ ْﻴ َﻮﺓ ﻓﻲ ﺧﻼ ٍﺀ‬‫ِﻟ ْﻴ َﻮ ٍﺓ ﻭﺍﺣﺪﺓ‪ .‬ﻋﻨﺪﻣﺎ ﺃﺳﻤ ُﻊ ﺃﻥ ﱠ‬
‫ﻭﺟ ﱠﺪﺗﻲ! ﺃُ َﻣ ﱢﻬ ُﺪ ِﻟﺤﻀﻮﺭﻱ‬ ‫ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ ﺃﺑﺪﺃُ ِﺑﻤﻐﺎﺯﻟ ِﺔ ﺃُ ﱢﻣﻲ َ‬‫ِ‬ ‫ﺧﻼﺀﺍﺕ‬
‫ِ‬
‫ُ‬ ‫)‪(11‬‬
‫ﻣﺎﺭﺱ‬
‫‪:‬ﺃ ُ‬ ‫ﺍﻟﺤﻔﻠ َﺔ ﺑﺈﻫﺪﺍﺋﻬﻤﺎ ﻣﺎ ﺃﺳﺘﻄﻴﻊ ﺷﺮﺍ َﺀﻩ ﻣﻦ ﺑﺎﻗﺎﺕ ﱢ‬
‫ﺍﻟﻔﻞ‬
‫ﺍﻟﺮﺷﻮ َﺓ ﻳﺠﺪ ُﺭ ﺃﻥ ﺃﻗﻮﻝ‪ ،‬ﻛﻲ ﻳﺴﻤﺤﺎ ﻟﻲ ﺑﺎﻟﺬﻫﺎﺏ ﺇﻟﻰ ﺍﻟﺤﻔﻠﺔ!‬
 ‫ﺎﻥ ﻛﺴﺮ ﺧﺎﻃﺮﻱ‬ ‫ﺎﻥ ﻛﻢ ﺃﻋﺸﻖ ﺫﻟﻚ ﺍﻟﺮﻗﺺ ﻭﻻ ُﺗ ِﺤ ّﺒ ِ‬ ‫ﻌﻠﻤ ِ‬‫ﻛﺎﻧﺘﺎ َﺗ َ‬
‫ﺑﻮﺣﺸ ّﻴﺔ‪ .‬ﻛﺎﻧﺘﺎ َﺗ ِﺜ َﻘﺎﻥ ﺃﻳﻀﴼ ﺑﺄﺻﺪﻗﺎﺋﻲ ﺍﻟﺜﻼﺛﺔ ﺍﻟﺬﻳﻦ ﻳﺮﺍﻓﻘﻮﻧﻨﻲ‬
‫ﻭﻳﻌﺸﻘﻮﻥ ﺍﻟﺬﻫﺎﺏ ﻣﺜﻠﻲ ﻟﻠﺮﻗﺺ ﻫﻨﺎﻟﻚ‪.‬‬
‫ﺧﻀﻢ ﺍﻟﺮﺍﻗﺼﻴﻦ‪.‬‬ ‫ﱢ‬ ‫ﻟﺬﺓ ﻭﺃﻧﺎ ﺃﺫﻭﺏ ﻓﻲ‬ ‫ﻟﺬ ًﺓ ﻣﺎ ﺑﻌﺪﻫﺎ ﱠ‬ ‫ﻛﻨﺖ ﺃَ ِﺟ ُﺪ ﱠ‬‫ُ‬
‫ﺣﺮﻛﺎﺕ ﺍﻟ ِﻠ ْﻴ َﻮﺓ ﺍﻟﻤﺘﻤﺎﻭﺟﺔ ﺍﻟﺮﻗﻴﻘﺔ ﺗﻨﺴﺠﻢ ﻣﻊ ﺇﻳﻘﺎﻋﻲ ﺍﻟﺪﺍﺧﻠﻲ‬
‫ﻛﻞ‬
‫ﺤﺮ ُﺭﻫﺎ ﻣﻦ ﱢ‬ ‫ﺗﻼﻣ ُﺴﻬﺎ ﺑﺤﻨﻮ‪ُ ،‬ﺗ ﱢ‬ ‫ﺗﻤﺎﻣﴼ‪ ،‬ﺗﺪﻏﺪ ُﻍ ﺃﺣﺎﺳﻴﺴﻰ ﺍﻟﺪﻓﻴﻨﺔ‪ِ ،‬‬
‫ﻗﻤ َﺔ ﺳﻌﺎﺩﺗﻲ ﻭﺃﻧﺎ ﺃﺭﻗﺺ ﺍﻟ ِﻠ ْﻴ َﻮﺓ‬ ‫ﻣﻨ ﱢﻐ َﺼﺎ ِﺗﻬﺎ ﻭﻗﻴﻮ ِﺩﻫﺎ‪ ...‬ﻛﻨﺖ ُ‬
‫ﺃﺻﻞ ﱠ‬
‫ﻣﺘﺤﺮﺭﴽ‬
‫ﱢ‬ ‫ﻣﻄﻠﻊ ﺍﻟﻔﺠﺮ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺃﻋﻮﺩ ﺇﻟﻰ ﺍﻟﻤﻨﺰﻝ‬ ‫ِ‬ ‫ﺗﺤﺖ ﺍﻟﻘﻤﺮ‪ ،‬ﺣﺘﻰ‬
‫ﻛﻞ ﻛﻮﺍﺑﺤﻲ ﻭﺍﻧﻘﺒﺎﺿﺎﺗﻲ‪ُ ،‬ﻣﺤ ﱢﻠﻘﴼ ﻓﻲ ﻋﻮﺍﻟﻢ ﻫﻮﺍﺋﻴﺔ ﺷﺪﻳﺪﺓ‬ ‫ﻣﻦ ﱢ‬
‫ﺍﻟﺮ ّﻗﺔ‪ ،‬ﻣﺘﺮ ﱢﻧﺤﴼ‪ ،‬ﺳﻜﺮﺍﻧﴼ ﻣﻦ ﺍﻹﺭﻫﺎﻕ ﺍﻟﻠﺬﻳﺬ ﻭﺍﻟﻨﺸﻮ ِﺓ ﺍﻟﻌﺎﻣﺮﺓ‪.‬‬
‫ﺗﺼﺤ َﺮ‬
‫ﱡ‬ ‫ﺍﻟﺮﻗﺺ ﻳﻤﻨ ُﻊ‬ ‫َ‬ ‫ﺻﺮﺕ ﺃﻋﺘﺒ ُﺮ ﻣﻨﺬ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ ﺃﻥ‬ ‫ُ‬
‫ﺍﻟﺮﻗﺺ ﺻﻼ ُﺓ ﺍﺳﺘﺴﻘﺎ ِﺀ ﺍﻟﺠﺴﺪ! ﺩﻭﺍﺅ ُﻩ ﻣﻦ‬ ‫ُ‬ ‫ﺍﻟﺠﺴﺪ‪َ ،‬ﻳ ْﺮ ِﻭﻳ ِﻪ ﻭﻳﻐﺴ ُﻠﻪ‪.‬‬
‫‪91‬‬ ‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ!‬ ‫ٍ‬ ‫ﺺ ﻳﻌﻨﻲ ﺃﻥ ﺗﺤﻴﻰ ﻛﺴﻴﺤﴼ‬ ‫َﺗ َﺼ ﱡﺪ ِﺋﻪ! ﺃﻥ ﻻ َﺗﺮ ُﻗ َ‬
‫َﺕ‬‫ﺗﺠﺪﺩ ْ‬‫ﺍﻟﺠﺎﻣﻌﻴﺔ ﺣ ّﺘﻰ ﱠ‬ ‫ﱠ‬ ‫ﻭﺑﺪﺃﺕ ﺍﻟﺪﺭﺍﺳ َﺔ‬
‫ُ‬ ‫ﻭﺻﻠﺖ ﻓﺮﻧﺴﺎ‬ ‫ُ‬ ‫ﻣﺎ ﺇﻥ‬
‫ﻣﺮ ًﺓ ﱠ‬
‫ﻛﻞ‬ ‫ﻛﻨﺖ ﺃﺫﻫﺐ ﻣﻊ ُﺷ ﱠﻠ ٍﺔ ﻣﻦ ﺍﻷﺻﺪﻗﺎﺀ ﱠ‬ ‫ُ‬ ‫ﻋﻼﻗﺘﻲ ﺑﺎﻟﺮﻗﺺ‪.‬‬
‫ﺃﻋﻴﺶ ﻣﻦ ﺟﺪﻳﺪ‬ ‫ُ‬ ‫ﺃﺳﺒﻮﻉ ﺗﻘﺮﻳﺒﴼ ﺇﻟﻰ ﻗﺎﻋﺎﺕ ﺍﻟﻤﺮﺍﻗﺺ ﺍﻟﺠﺎﻣﻌﻴﺔ‪.‬‬
‫ﻟﺬﺗﻲ ﺣﻴﻨﻬﺎ ﻭﺃﻧﺎ ﺃﻧﺼﻬ ُﺮ ﺑﻴﻦ ﺟﻤﻮﻉ ﺍﻟﺮﺍﻗﺼﻴﻦ‪ .‬ﺃﻧﺴﻰ ﻧﻔﺴﻲ‬ ‫ﺃﻗﺼﻰ ﱠ‬
‫َ‬ ‫ُ‬
‫ﺍﻟﺤ ﱠﺮﺓ‪ .‬ﺃﻋﺸﻖ ﻋﺸﻮﺍﺋﻴﺘﻬﺎ‪،‬‬ ‫ﺍﻟﺸﺒﺎﺑﻴﺔ ُ‬
‫ﱠ‬ ‫ﺗﻤﺎﻣﴼ ﻓﻲ ﻣﻌﻤﻌﺎﻥ ﺍﻟﺮﻗﺼﺎﺕ‬
‫ﺃﻏﺴﻞ ﺟﺴﺪﻱ ﻭﺩﻣﺎﻏﻲ‬ ‫ُ‬ ‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ ﺃﻧﻲ‬‫ٍ‬ ‫ﺗﻔﺠ َﺮﻫﺎ‪ ...‬ﺃﺷﻌ ُﺮ‬ ‫ﺻﺨ َﺒﻬﺎ‪ ،‬ﱡ‬
‫ﺃﻟﻔﻆ ﺃﺩﺭﺍﻧﻲ‪،‬‬ ‫ﻭﺗﺮﺳﺒﺎ ِﺗﻬﺎ‪ُ ،‬‬ ‫ﻛﻞ ﻫﻤﻮﻣﻲ ﱡ‬ ‫ُ‬
‫ﺑﺎﻟﻤﻮﺳﻴﻘﻰ ﻭﺍﻹﻳﻘﺎﻉ‪ ،‬ﺃﺗﻘﻴﺄ ﱠ‬
‫ﺃﺗﺤﺮ ُﺭ ﻣﻦ ﻗﻠﻘﻲ ﻭﺗﺼ ﱡﻠﺒﺎﺗﻲ‪ ،‬ﺃﺣ ُﻠ ُﻞ ُﻋﻘﺪ ﻣﻔﺎﺻﻠﻲ‪ ،‬ﺃﻧﺴﻰ ﺍﻟﻌﺎ َﻟﻢ‪،‬‬ ‫ﱠ‬
‫ﺃﻧﻄﻠﻖ‪...‬‬
‫ﺑﺤﺚ ﻋﻦ ﺍﻟﺘﻨﺎﻏﻢ ﻭﺗﻌ ﱡﻠ ِﻢ‬ ‫ٍ‬ ‫ﺍﻟﺮﻗﺺ ﺇﻟﻰ‬
‫ُ‬ ‫َ‬
‫ﺗﺤﻮﻝ‬
‫ﺲ ﱠ‬ ‫َ‬
‫ﻣﻊ ﺃ ِﻟ ْﻴ ْ‬
‫ﺍﻟﺮﻗﺺ‪ ،‬ﻋ ﱠﺰ َﺯ ﻣﻦ‬ ‫ُ‬ ‫ﻭﺣ َﺪﻧﺎ‬‫ﻭﺍﺳﺘﻴﻌﺎﺏ ُﻟﻐ ِﺔ ﺍﻟﺠﺴﺪ‪ ...‬ﱠ‬ ‫ِ‬ ‫ﺳﺮ ﺍﻟﺤﺮﻛﺔ‬ ‫ﱢ‬
‫ﺟﺴﺪﻳْﻨﺎ‪ .‬ﻛﻢ ﻛﻨﺖ ﺃﻫﻮﻯ ﺃﻥ ﺃﺭﻗﺺ »ﺍﻟ ﱡﺮﻭﻙ«‬ ‫ُ‬ ‫َ‬ ‫ﻋﺸﻖ‬
‫ﺍﻧﺴﺠﺎﻣﻨﺎ ﻭﻣﻦ ِ‬ ‫ِ‬
‫ﻭﻧﺤﻦ ﻧﺰﺍﻭ ُﺝ ﺣﺮﻛﺎﺗﻨﺎ ﺍﻟﺴﺮﻳﻌﺔ‬ ‫ُ‬ ‫ُ‬ ‫ً‬
‫ﻣﻌﻬﺎ! ﻳﻤﺘﻠﺊ ﺻﺪﺭﻱ ﺑﻬﺠﺔ ﻭﻓﺨﺮﴽ‬ ‫ُ‬
 ‫ﻧﺘﺒﺎﺩﻝ ﺍﻟﻨﻈﺮﺍﺕ ﺍﻟﺘﺸﺠﻴﻌ ّﻴﺔ ﺍﻟﻘﻮﻳﺔ‪ُ ،‬‬
‫ﻧﻠﻬﺚ‪،‬‬ ‫ُ‬ ‫َ‬
‫ﺟﺴﺪﻳﻨﺎ‪،‬‬ ‫ﺽ‬ ‫ﺮﻭ ُ‬
‫ﻣﻌﴼ‪ُ ،‬ﻧ ﱢ‬
‫ﺍﻟﺼﻮﻓﻲ‪ ...‬ﻛﻨﺖ ﺃﺷﻌﺮ ﺃﻧﻲ ﺃُﺧ َﻠ ُﻖ ﻣﻦ‬ ‫ّ‬ ‫ﻧﺒﺤﺚ ﻋﻦ ﻟﺤﻈ ِﺔ ﺍﻟﻔﻨﺎ ِﺀ‬ ‫ُ‬
‫ﺃﻋﺸﻖ ﺃﻳﻀﴼ ﺃﻥ ﻧﺬﻭﺏ ﻣﻊ ﺑﻌﺾ ﻓﻲ ﺭﻗﺼﺎﺕ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺟﺪﻳﺪ! ﻛﻢ‬
‫ﺃﻧﻔﺎﺳﻬﺎ‪ ،‬ﻓﻲ‬
‫ِ‬ ‫ﻋﻄﺮﻫﺎ‪،‬‬ ‫ﺲ ِ‬ ‫ﺃﺗﻠﺬ ُﺫ ﻓﻲ ﺗﻨ ﱡﻔ ِ‬ ‫ﻛﻨﺖ ﱠ‬ ‫ُ‬ ‫»ﺍﻟﺴ ُﻠﻮ« ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ!‬ ‫ﱡ‬
‫ُ‬ ‫ْ‬ ‫ٌ‬
‫ﺗﺮﻗﺺ ﻭﻛﺄ ﱠﻧﻬﺎ ﺯﻫﺮﺓ ﻳﺪﻏ ِﺪﻏﻬﺎ ﺍﻟﻨﺴﻴﻢ‪...‬‬ ‫ُ‬ ‫ﺍﺣﺘﻀﺎ ِﻧﻬﺎ ﻭﻫﻲ‬
‫ﺍﻟﺠﻮﻫﺮﻳﺔ ﻟﻠﺮﻗﺺ ﺑﻌﺪ ﻣﺄﺳﺎﺓ ﻣﻐﺎﺩﺭﺓ‬ ‫ﱠ‬ ‫ﻟﻢ ﺗﺘﻮ ﱠﻗﻒ ﺣﺎﺟﺘﻲ‬‫ْ‬
‫ﺍﻟﺮﻗﺺ ﻣﺸﺮﻭﻋﴼ ﻟﻠﻬﺮﻭﺏ ﻣﻦ‬ ‫ُ‬ ‫ﺗﺤﻮﻝ‬ ‫ﺃَ ِﻟ ْﻴﺲ ﺑﺎﺗﺠﺎﻩ ﺍﻟﺸﺮﻕ‪ .‬ﺑﺎﻟﻌﻜﺲ! ﱠ‬
‫ﺍﻟﻤﺘﻄﺮﻓﺔ ﻓﻲ ﺍﻟﺘﻌﻠﻴﻢ‪ُ ...‬‬
‫ﺃﺭﺩﺕ‬ ‫ﱢ‬ ‫ﻣﺜﻞ ﺍﻟﻘﺮﺍﺀ ِﺓ ﻭﺍﻟﻤﺜﺎﺑﺮ ِﺓ‬ ‫ﻣﺄﺳﺎﺗﻲ‪ ،‬ﻣﺜ ُﻠ ُﻪ ُ‬
‫ﺍﻟﺮﻗﺺ ﻭ ُﻟﻐﺎ ِﺗﻪ ﺍﻷﻛﺜﺮ ﺗﻌﻘﻴﺪﴽ‪» :‬ﺍﻟﻔﺎﻟﺲ«‪ ،‬ﺭﻗﺼﺎﺕ‬ ‫ِ‬ ‫ﺃﻥ ﺃﺗﻌﻠﻢ ﺃﺳﺮﺍ َﺭ‬
‫ﻤﻨﻬﺠﻴﺔ ﻭﻟﻴﺲ‬‫ﱠ‬ ‫َ‬
‫ﺃﺩﺭﺳﻬﺎ ﻭﺃﺅ ﱢﺩﻱ ﻣﻨﺎﺳﻜﻬﺎ ِﺑ‬ ‫ﺃﻣﺮﻳﻜﺎ ﺍﻟﺠﻨﻮﺑﻴﺔ‪ ...‬ﺃﺭﺩﺕ ﺃﻥ َ‬
‫َ‬
‫ﻛ َﺜ ْﻮ ٍﺭ ﻳُﻨﺎﻃﺢ‪ ،‬ﺃﻭ ﺧﻨﺰﻳﺰ » َﻳ َﺘﺒ ْﺮﻃﻊ«‪...‬‬ ‫َ‬
‫ُ‬
‫ﺩﻓﻌﺖ‬ ‫»ﻣ ْﺪﺭﺳﺔ ﺭﻗﺺ«‪.‬‬ ‫ﻬﺖ ﻣﻦ ﺃﺟﻞ ﺫﻟﻚ ﺇﻟﻰ َ‬ ‫ﺗﻮﺟ ُ‬ ‫ﱠ‬
‫ﻛﻞ ﺃﺳﺒﻮﻉ‪...‬‬ ‫ﻣﺮﺓ ﱠ‬ ‫ً‬ ‫ﺍﺷﺘﺮﺍﻛﴼ ﺳﻨﻮﻳّﴼ‪ .‬ﻛﻨﺖ ﺃﺗﻠ ﱠﻘﻰ ﺑﻌﺾ ﺍﻟﺪﺭﻭﺱ ﱠ‬ ‫ُ‬ ‫‪92‬‬
‫ﺃﻗﻞ ﻣﻦ ﺛﻼﺛﺔ ﺃﺷﻬﺮ‪ .‬ﻟﻴﺲ ﻷﻥ ﻋﺸﻘﻲ ﻟﻠﺮﻗﺺ‬ ‫ﻏﻴﺮ ﺃﻧﻲ ﺗﻮ ﱠّﻗ ْﻔ ُﺖ ﺑﻌﺪ ّ‬
‫ﺑﺪﺃ ﺑﺎﻟﺬﺑﻮﻝ‪ ،‬ﻭﻟﻜﻦ ﻟﻌﺪﻡ ﺍﻧﺴﺠﺎﻣﻲ ﻣﻊ ﻃﻠﺒﺔ ﺗﻠﻚ ﺍﻟﻤﺪﺭﺳﺔ‪ .‬ﻛﺎﻥ‬
‫ﻻ ﻣﺤﺮﻭﻣﻴﻦ ﺃﻭ‬ ‫ﺇﻣﺎ ﺭﺟﺎ ً‬ ‫ﻟﻬﻢ ِﺩﻳ ُﻨﻬﻢ ﻭﻟﻲ ِﺩﻳﻦ‪ :‬ﻛﺎﻧﻮﺍ ﻓﻲ ﺍﻟﻐﺎﻟﺐ ّ‬
‫ﻣﻌﺘﻮﻫﻴﻦ ﻳﺒﺤﺜﻮﻥ ﻋﻦ ﺗﻌ ﱡﻠ ِﻢ ﺍﻹﻏﺮﺍﺀ ﻭﺍﻻﺳﺘﺪﺭﺍﺝ ﻭﺍﻟﻐﻮﺍﻳﺔ ﺃﻛﺜﺮ‬
‫ﻣﻦ ﺗﻌ ﱡﻠ ِﻢ ﺍﻟﺮﻗﺺ‪ ،‬ﺃﻭ ﻧﺴﺎ ًﺀ ﻭﺣﻴﺪﺍﺕ ُﻳ ِﺜ ْﺮﻥ ﻧﻔﻮ َﺭ ﺍﻟﺮﺟﺎﻝ ﻷﺳﺒﺎﺏ ِﻋ ّﺪﺓ‪،‬‬
‫ﺳﺤﺮﻱ ِﻟﻤﺸﺎﻛ ِﻠﻬﻦ ﺍﻟﻮﺟﻮﺩﻳّﺔ‬ ‫ﱟ‬ ‫ﺣﻞ‬
‫ﱟ‬ ‫َﻳ ْﺒﺤ ْﺜﻦ ﻓﻲ ﺗﻠﻚ ﺍﻟﻤﺪﺭﺳﺔ ﻋﻦ‬
‫ﻭﻋﺰﻟ ِﺘﻬﻦ ﺍﻟﻘﺎﺗﻠﺔ‪...‬‬ ‫ُ‬
‫ﺛﻢ ﻫﺎﺃﻧﺬﺍ ﺃﻛﺘﺸﻒ ﺃﻥ ﺃﺟﻤﻞ ﻣﻌ ﱢﻠﻤ ٍﺔ ﻟﻠﺮﻗﺺ ﻓﻲ ﺍﻟﻜﺮﺓ‬ ‫ﱠ‬
‫َ‬
‫ﺍﻷﺭﺿﻴﺔ ﻫﻲ ﻫﺬﻩ ﺍﻟﺘﻲ ﺃﺣﻴﺎ ﻣﻌﻬﺎ ﻟﻴﻞ ﻧﻬﺎﺭ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻮﺍﺕ ﻭﻟﻢ‬
‫ﺃﻛﺘﺸﻒ ﺍﻟﻴﻮﻡ ﻓﻘﻂ ﺃﻧﻬﺎ ﻓﻲ‬ ‫ُ‬ ‫ﻣﺮﺓ ﻭﺍﺣﺪﺓ! ﻫﺬﻩ ﺍﻟﺘﻲ‬ ‫ﺃﺭﻗﺺ ﻣﻌﻬﺎ ﱠ‬
‫ﺛﻠﺠﻲ‬
‫ﱟ‬ ‫ﺷﻌﺮﺕ ِﺑﺪ ْﻟ ِﻮ ﻣﺎ ٍﺀ‬
‫ُ‬ ‫ﻜﺎﺕ ﻣﺬﻫﻠﺔ!‪...‬‬ ‫ﺍﻟﺮﻗﺺ ﺃﻳﻀﴼ ﺗﺰﺧ ُﺮ ِﺑﻤ َﻠ ٍ‬ ‫ِ‬
‫ﺍﻟﺸﻮﻛﻲ!‪ ...‬ﺇﻟﻬﻲ‪ ،‬ﻣﺎ ﺃﺗﻌﺴﻨﻲ! ِﻟﺘﺒﺘﻠﻌﻨﻲ‬ ‫ّ‬ ‫ﻳﻨﺴﻜﺐ ﻓﻲ ﻧﺨﺎﻋﻲ‬ ‫ُ‬
‫ﻇﻠﻤﺎﺕ ﺻﺤﺮﺍﺀ ﺭﻡ! ﻟﺘﺮﻣﻲ ﺑﻲ ﻓﻲ ﺑﺤﺮ ﺍﻟﻌﺪﻡ!‪...‬‬
 ‫ﻬﺖ ﻟﻬﺎ ﺍﻟﺴﺆﺍﻝ ﺍﻟﺘﺎﻟﻲ‪:‬‬ ‫ﻭﺟ ُ‬ ‫ﻼ ﺣ ّﺘﻰ ﱠ‬ ‫ﻣﺎ ﺇﻥ ﺗﻮ ﱠﻗ َﻔ ْﺖ ﺇﻟﻬﺎﻡ ﻗﻠﻴ ً‬
‫ﻛﻨﺖ ﺗﺮﻗﺼﻴﻦ ﻣﻊ ﻧﻌﻴﻢ ﻓﻲ ﺭﺃﺱ‬ ‫ِ‬ ‫ﺃﻧﺖ ﻣﺎﻫﺮ ٌﺓ‪ِ ،‬ﻣ َﻬ ِﻨ ﱠﻴ ٌﺔ ّ‬
‫ﺟﺪﴽ!‬ ‫_ ﻛﻢ ِ‬
‫ﻛﻞ ﻟﻴﻠﺔ؟‬ ‫ﺍﻟﺴﻨﺔ ﻓﻘﻂ؟ ﺃﻭ ﻓﻲ ﱢ‬
‫ﺟﺪﴽ‪ ...‬ﺗﻌ ﱠﻠﻤﻨﺎﻩ ﻣﻌﴼ‪ .‬ﻛﺎﻥ ﻭﺳﻴﻠﺘﻨﺎ ﻟﻤﻘﺎﻭﻣﺔ‬ ‫ﻧﺮﻗﺺ ﻛﺜﻴﺮﴽ ّ‬ ‫ُ‬ ‫_ ﻛ ّﻨﺎ‬
‫ﺍﻟﺸﻘﺎﺀ‪ ،‬ﻟﻠﻨﺴﻴﺎﻥ‪ ،‬ﻟﻠﻬﺮﻭﺏ!‪...‬‬
‫ﻳﻤﺲ‬‫ﺟﻮﻫﺮﻱ ﱡ‬ ‫ﱟ‬ ‫ﺘﺴﺮﻳﺐ ﺷﻲ ٍﺀ‬ ‫ُ‬
‫ﻣﺮﺓ ﺗﺘﺠﺮﺃ ﻓﻴﻬﺎ ِﺑ‬ ‫ﻛﺎﻧﺖ ﱠﺃﻭﻝ ﱠ‬
‫ِ‬
‫ﺃﺑﻌﺪ ﺑﻘﻠﻴﻞ‪ .‬ﺳﺄﻟ ُﺘﻬﺎ‬‫ﺳﺪﺍﺩ ِﺓ ﺍﻟﻘ ﱢﻨﻴﻨ ِﺔ َ‬
‫ﻟﺪﻓﻊ ﱠ‬
‫ِ‬ ‫ﻃﻔﻮﻟﺘﻬﺎ‪ ...‬ﺍﺳﺘﻐ ْﻠ ُﺖ ﺫﻟﻚ‬
‫ﻋﻠﻰ ﺍﻟﺘﻮ‪:‬‬
‫َ‬
‫ﻨﺒﺮﺍﺕ ُﻣ ِﺒ ْﻴﻨ ٍﺔ‬
‫ﻧﻄﻘﺖ ﺳﺆﺍﻟﻲ ِﺑ ٍ‬‫ُ‬ ‫_ ِﻟﻨﺴﻴﺎﻥ ﻣﺎﺫﺍ؟ ِﻟﻠﻬﺮﻭﺏ ﻣﻦ ﻣﺎﺫﺍ؟‪،‬‬
‫ﱟﺩ‬ ‫ﺴﻤﺎﻉ ﺭ‬ ‫ً‬ ‫ً‬ ‫ُ‬
‫ﺗﻌﺒﻴﺮﻳّﺔ ﺗﻜﺸﻒ ﺭﻏﺒﺔ ﺣﺎ ﱠﺩﺓ ﻋﺘﻴﺪﺓ ﻭﺭﺟﺎ ًﺀ ﻛﺒﻴﺮﴽ ِﺑ ِ‬
‫ﻔﺼﻞ!‬ ‫ُﻣ ﱠ‬
‫‪93‬‬ ‫ﺃﺣﺐ ﺃﻥ ﺃﺿﻴﻒ ﺃﻛﺜﺮ‬ ‫ﺟﺪﴽ ﻧﻌﻴ ُﻢ ﻭﺃﻧﺎ!‪ ...‬ﻻ ﱡ‬ ‫_ ﻟﻢ ﻧﻜﻦ ﺳﻌﻴﺪﺗﻴﻦ ّ‬
‫ﻣﻦ ﺫﻟﻚ‪.‬‬
‫ﻃﻠ ْﺒ ُﺖ ﺑﺈﺻﺮﺍﺭ‪:‬‬
‫_ ﻳﻠﺰﻡ ﺃﻥ ﺃﻋﺮﻑ ﻟﻤﺎﺫﺍ!‬
‫_ ﻟﻌ ﱠﻠﻨﺎ ُﻭ ِﻟﺪﻧﺎ ﺗﻌﻴﺴﺘﻴﻦ! ﻳﺮﺑﻄﻨﺎ ﺑﺎﻟﺘﻌﺎﺳﺔ ﻭﺍﻟﺨﺮﺍﺏ ﺗﻌﺎﻗ ٌﺪ ﻣﻨﺬ‬
‫ﺃﺣﺐ ﺃﻥ ﺃﻗﻮﻝ ﺃﻛﺜﺮ ﻣﻦ ﺫﻟﻚ!‬ ‫ﻟﺤﻈﺔ ﻭﻻﺩﺗﻨﺎ ﻋﻠﻰ ﻫﺬﻩ ﺍﻷﺭﺽ! ﻻ ﱡ‬
‫ﺃﺷﻌ ُﺮ ﺑﺎﻹﺭﻫﺎﻕ ﺍﻟﺸﺪﻳﺪ ﺍﻵﻥ!‪...‬‬
‫‪ -‬ﻟﻴﺲ ﻃﺒﻴﻌ ّﻴﴼ ﺃﻥ ﺃﺟﻬﻞ ﺃﺳﺒﺎﺏ ﺫﻟﻚ ﺇﻟﻰ ﺍﻵﻥ‪ .‬ﻻ ﺃﻓﻬﻢ ﻋﻼﻗ ًﺔ‬
‫ﻣﺎﺽ ﺍﻧﻘﻀﻰ ﻗﺒﻞ ﺯﻣﻦ‪ ،‬ﻛﻌﻼﻗﺘﻨﺎ‬ ‫ﻳﻤﻠﺆﻫﺎ ﺍﻟﻐﻤﻮﺽ ﻭﺍﻟﺘﻌﺘﻴﻢ ﺣﻮﻝ ٍ‬
‫ﻔﺴﺮﻱ ﻟﻲ ﺃﺳﺒﺎﺏ ﺫﻟﻚ‪...‬‬ ‫ﻳﻠﺰﻣ ِﻚ ﺃﻥ ُﺗ ﱢ‬
‫ﻫﺬﻩ! ُ‬
‫ﻧﺴﻴﺖ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ ﺗﻤﺎﻣﴼ‪ ،‬ﻣﺴﺤ ُﺘﻬﺎ ﻣﻦ ﺫﺍﻛﺮﺗﻲ‪ ،‬ﻛﻤﺎ ُ‬
‫ﻗﻠﺖ‬ ‫ُ‬ ‫‪-‬‬
‫ﻣﺮﺓ‪...‬‬
‫ﻟﻚ ﺃﻟﻒ ﱠ‬ ‫َ‬
‫ﺃﺟ ْﺒ ُﺘﻬﺎ ﺑﺈﺻﺮﺍﺭ ﺃﻛﺒﺮ‪:‬‬ ‫َ‬
‫ﺗﻨﺴﻬﺎ ﺗﻤﺎﻣﴼ! ﺍﻧﻈﺮﻱ ﻛﻴﻒ ﺗﺮﻗﺼﻴﻦ! ﺃﻻ ﺗﺸﻌﺮﻳﻦ ﺑﺎﻷﺳﻒ‬ ‫‪ -‬ﻟﻢ ِ‬
‫ﺍﻛﺘﺸﻒ ﺫﻟﻚ ﺍﻵﻥ ﻓﻘﻂ‪ ،‬ﺑﻌﺪ ﻋﺸﺮ ﺳﻨﻮﺍﺕ! ﻣﺎﺫﺍ ﺗﻌﻨﻲ‬ ‫ُ‬ ‫ﻛﻮﻧﻲ‬
‫ﺟﻮﻫﺮﻳﺔ ﻓﻲ‬ ‫ﱠ‬ ‫ُ‬
‫ﺍﻹﻧﺴﺎﻥ ﺃﺷﻴﺎ َﺀ‬ ‫ﺍﻟﺤﻴﺎ ُﺓ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻋﻨﺪﻣﺎ ﻳﻜﺘﺸﻒ‬
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‫ﺷﺮﻳﻚ ﺣﻴﺎﺗﻪ ﺑﻌﺪ ﻋﺸﺮ ﺳﻨﻴﻦ؟‪ ...‬ﺃﺭﻳﺪ ﺃﻥ ﺃﻋﺮﻑ ﻧﺴﻴﺎﻥ ﻣﺎﺫﺍ‪ ،‬ﺍﻟﻬﺮﻭﺏ‬
‫ﻣﻦ ﻣﺎﺫﺍ‪...‬‬
‫ﺍﻟﻤﺮﺓ ﻋﻠﻰ ﻣﻌﺮﻓﺔ ﺍﻟﺮ ﱢﺩ‬ ‫ﺃﻏﺎﺿ ْﺘﻬﺎ ﺃﺳﺌﻠﺘﻲ ﻭﺇﺻﺮﺍﺭﻱ ﻫﺬﻩ ﱠ‬ ‫َ‬
‫ﺍﻟﺘﻔﺼﻴﻠﻲ‪ ،‬ﺭﻏﻢ ﺗﻜﺮﺍﺭ ﺃﺳﻄﻮﺍﻧﺘﻬﺎ ﻋﻦ ﻧﺴﻴﺎﻧﻬﺎ ﺫﻛﺮﻳﺎﺕ ﻃﻔﻮﻟﺘﻬﺎ‪.‬‬
‫ﺻﺮﺧ ْﺖ ﺑﻼ ﻭﻋﻲ‪:‬‬ ‫َ‬ ‫ﺩﻣﻮﻋﻬﺎ‪،‬‬
‫ُ‬ ‫ﺍﻧﻔﺠ َﺮ ْﺕ‬
‫ﻤﺠﺮ ِﺩ ﺃﻥ‬‫ﺫﻧﺒﻚ ﺃﻧﺖ ِﻟ ﱠ‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﺤﺪﻳﺚ ﻋﻨﻬﺎ! ﻣﺎ‬ ‫ُ‬
‫ﻳﻤﻜﻦ‬ ‫ﺛﻤ َﺔ ﺃﺷﻴﺎ ُﺀ ﻻ‬ ‫‪ -‬ﱠ‬
‫ﺃﻛﻮﻥ ﺳﺒﺒﴼ‬ ‫َ‬ ‫ﺗﺘﺨﻴ َﻞ ﻓﻘﻂ ﻛﻴﻒ ﻭ َﻗ َﻌ ْﺖ‪ .‬ﻻ ُ‬
‫ﺃﺭﻳﺪ ﺃﻥ‬ ‫ﻤﺠﺮ ِﺩ ﺃﻥ ﱠ‬ ‫ﺗﺴﻤﻌﻬﺎ‪ِ ،‬ﻟ ﱠ‬
‫ﻛﻞ‬ ‫ُ‬ ‫َ‬
‫ﻗﻠﺖ ﻟﻚ ﺃﻟﻒ ﻣ ّﺮﺓ‪ :‬ﻗ َﺒ ْﺮﺕ ﱠ‬ ‫ﺛﻢ ﺃﻧﻲ ﻛﻤﺎ ُ‬ ‫ﺗﺄ ﱡﻟ ِﻤ َﻚ ِﻟﻮﻗﻮﻋﻬﺎ!‪ ...‬ﱠ‬ ‫ﻓﻲ َ‬
‫ﺍﻟﻨﺒﺶ ﻓﻲ ﺗﻠﻚ ﺍﻟﻤﺴﺘﻨﻘﻌﺎﺕ‪...‬‬ ‫ُ‬ ‫ُﻨﻬ ُﻜﻨﻲ‬
‫ﻛﻞ ﺫﻟﻚ‪ ،‬ﻳ ِ‬ ‫ﻧﺴﻴﺖ ّ‬ ‫ُ‬ ‫ﺫﻟﻚ‪،‬‬
‫ﺍﻟﺼﻮﻓﻲ‬
‫ﱠ‬ ‫ﺍﻟﻮﺭﺩﻱ‬
‫ﱠ‬ ‫ﻼ‪ .‬ﺃﻟﺒﺴ ُﺘﻬﺎ ﻣﻌﻄ َﻔﻬﺎ‬ ‫ﺍﺣﺘﻀ ْﻨ ُﺘﻬﺎ ﻟﺘﻬﺪﺃَ ﻗﻠﻴ ً‬
‫ﻌﺖ ﻣﻦ ﺟﺪﻳﺪ‬ ‫ﻭﺷﺎ َﻟﻬﺎ ﺍﻷﺳﻮﺩ‪َ .‬ﻭ َﺿ ْ‬ ‫ﻓﺮﻁ ﺭﺷﺎ َﻗ ِﺘﻬﺎ‪َ ،‬‬ ‫ُﺠ ِﻠﻲ َ‬ ‫ﺍﻟﺬﻱ ﻳ ْ‬ ‫‪94‬‬
‫ﻗﺖ ﻓﻲ ﻋﻴﻨﻴﻬﺎ ﺍﻟﻜﺤﻠﻴﺘﻴﻦ ﺍﻟﻮﺍﺳﻌﺘﻴﻦ‪.‬‬ ‫ﻣﻨﺪﻳ َﻠﻬﺎ ﺍﻷﺣﻤﺮ‪ ...‬ﱠ‬
‫ﺣﺪ ُ‬
‫ﺍﻷﺳﺮﺍﺭ ﺍﻟﺘﻲ ﺗﺨﺘﻔﻲ ﻓﻲ ﻧﻈﺮﺍ ِﺗﻬﻤﺎ!‪...‬‬ ‫ِ‬ ‫ُ‬
‫ﺃﺟﻬﻞ ﻏﺎ َﺑ َﺘﻲ‬ ‫ﺇﻟﻬﻲ‪ ،‬ﻛﻢ‬
‫ﺗﺤﻤﻠﻖ ﻓﻲ‬‫ُ‬ ‫ﺃﺣﻴﻄﻬﺎ ﺑﺴﺎﻋﺪﻱ‪ .‬ﻛﺎﻧﺖ‬ ‫ُ‬ ‫ﺃﺧﺮﺟ ُﺘﻬﺎ ﺧﺎﺭ َﺝ ﺍﻟﺨﻴﻤﺔ ﻭﺃﻧﺎ‬
‫ﺍﻟﺘﺮﺍﺏ!‪...‬‬
‫ﺃﻭﺝ ﺳﻜﻴﻨ ِﺘﻪ ﻭﺳﻨﺎ ِﺋﻪ ﻓﻲ ﻫﺬﺍ ﺍﻟﻔﻀﺎﺀ‬ ‫ﱡ‬ ‫ُ‬
‫ﺍﻟﻘﻤﺮﻱ ﻓﻲ ِ‬ ‫ﺍﻟﻐﺴﻖ‬
‫ﺍﻟﻤﻘﺪﺱ‪ ...‬ﺟﻠﺴﻨﺎ ﻋﻠﻰ ﺍﻟﺮﻣﻞ! ﻋﻨﺪﻣﺎ ﻳﻨﻈ ُﺮ ﺍﻹﻧﺴﺎﻥ‬ ‫ﱠ‬ ‫ّ‬
‫ﺍﻟﺼﺤﺮﺍﻭﻱ‬
‫ﺍﻟﺮﻣﻞ ﺍﻟﻨﺎﻋﻢ‪ ،‬ﻓﻲ ﻗﻠﺐ ﺍﻟﻠﻴﻞ‪ ،‬ﻳﺒﺪﺃُ ﺑﺎﻹﻓﻀﺎﺀ‪ ،‬ﺑﺎﻟﺒﻮﺡ‪:‬‬ ‫ِ‬ ‫ﺑﺴﺎﻁ‬
‫ِ‬ ‫ﻧﺤﻮ‬
‫ﺍﻟﺤﺪ ﺃﻭ ﺫﺍﻙ! ﻟﻜ ّﻨﻬﺎ ﻟﻢ ﺗﻜﻦ ﻗﺎﺑﻠ ًﺔ ﻟﻠﺘﻄﺒﻴﻖ‬ ‫ﻧﻈﺮﻳ ٌﺔ ﻣﻌﺮﻭﻓ ٌﺔ ﺇﻟﻰ ﻫﺬﺍ ﱢ‬ ‫ﱠ‬
‫ﺁﻻﻣﻬﺎ! ﻟﻢ ﺗﺘﺠﺮﺃْ‬ ‫ً‬
‫ﻣﻊ ﺇﻟﻬﺎﻡ‪ .‬ﻟﻢ ﺗﺘﺠﺮﺃ ﺍﻟﻤﺴﻜﻴﻨﺔ ﺃﻥ ﺗﻔﻀﻲ ﻗﻠﻴﻼ ﻣﻦ ِ‬ ‫ْ‬
‫ﻭﺟﺮﺍﺣﻬﺎ‬
‫َ‬ ‫ﻘﺐ ﻓﻲ ﺍﻟﺴﻴﺎﺝ ﺍﻟﻤﻨﻴﻊ ﺍﻟﺬﻱ ﻳُﻐ ِﻠ ُﻖ ﺃﺳﺮﺍ َﺭﻫﺎ ﺍﻟﺪﻓﻴﻨﺔ‬ ‫ﻓﺘﺢ ُﺛ ٍ‬ ‫َ‬
‫ﺍﻟﺜﻘﺐ ﻧﺤﻮ َﻭ ْﺟﻬﻲ ﺃﺭﺑﻌﻮﻥ‬ ‫ِ‬ ‫ﺍﻟﻐﺎﺋﺮﺓ! ﻛﺎﻧﺖ ﺗﺨﺸﻰ ﺃﻥ ﻳ ُﻨ ﱠﻂ ﻣﻦ ﺫﻟﻚ‬
‫ﺗﺴﺘﻄﻊ ﺣ ﱠﺘﻰ ﻣﻮﺍﺻﻠ َﺔ ﺣﺪﻳ ِﺜﻬﺎ‪ .‬ﺷﻌ َﺮ ْﺕ‬ ‫ْ‬ ‫ُﺛﻌﺒﺎﻧﴼ ﻓﻲ ﻧﻔﺲ ﺍﻵﻥ!‪ ...‬ﻟﻢ‬
‫ﻛﺮ ْﺭ ُﺕ‬
‫ﺗﺮﺗﺠﻒ ﺧﻮﻓﴼ ﻣﻦ ﺷﻲ ٍﺀ ﻣﺠﻬﻮﻝ‪ ...‬ﱠ‬ ‫ُ‬ ‫ﺑﺎﻟﺘﻌﺐ ﺍﻟﻤﻔﺎﺟﺊ‪ .‬ﻛﺎﻧﺖ‬ ‫ِ‬
 ‫ﺳﺆﺍﻟﻲ ﺑﻬﺪﻭﺀ‪:‬‬
‫ﻭﺟﺮﺍﺣ ُﻪ‪،‬‬
‫َ‬ ‫ﺁﻻﻣ ُﻪ‬ ‫ُ‬
‫‪ -‬ﻣﺎﺫﺍ ﺗﻌﻨﻲ ﺍﻟﺤﻴﺎﺓ ﻋﻨﺪﻣﺎ ﻳﺨﻔﻲ ﺍﻟﻨﺼﻒ ﺍﻵﺧﺮ َ‬
‫ﻣﻠﻜﺎ ِﺗ ُﻪ ﻭﻣﻮﺍﻫ َﺒ ُﻪ ﺃﻳﻀﴼ؟‪...‬‬
‫ﻛﺮ َﺭ ْﺕ ﻣﺎ ﻗﺎﻟﺘﻪ ﻫﻲ ﺃﻳﻀﴼ‪:‬‬ ‫ﱠ‬
‫ْ‬
‫‪ -‬ﺣﻴﺎ ُﺗﻚ ﺃﻧﺖ ﺻﺎﻓﻴﺔ ﻧﻈﻴﻔﺔ! ﻟﻢ ﺗﻌﺮﻑ ﻳﻮﻣﴼ ﺍﻟﺠﺮﺍ َﺡ ﺍﻟﺤﻘﻴﻘﻴﺔ‪ ،‬ﻻ‬ ‫ٌ‬ ‫َ‬
‫ﻛ ﱢﺪﺭ ﺣﻴﺎ َﺗﻚ‬ ‫ﺍﻟﻮﺣﻞ ﻭﺍﻟﺨﺮﺍﺏ‪ .‬ﻟﻦ ﺃُ َ‬ ‫َ‬ ‫ﺗﺘﺼﻮﺭﻫﺎ! ﻟﻢ ﺗﻌﺮﻑ‬ ‫ﱠ‬ ‫َ‬
‫ﻳﻤﻜﻨﻚ ﺃﻥ‬
‫ﺗﺘﺼﻮﺭ‬
‫ﱠ‬ ‫ﺃﺳﺎﻣﺢ ﻧﻔﺴﻲ ﺇﺫﺍ َﺟ َﻌ ْﻠ ُﺘ َﻚ‬ ‫َ‬ ‫ﻛ ﱢﺪﺭﻫﺎ ﺃﺑﺪﴽ‪ .‬ﻟﻦ‬ ‫ﺍﻟﻴﻮﻡ ﺑﻬﻤﺎ‪ ،‬ﻟﻦ ﺃُ َ‬
‫ﺍﻟﻌﺬﺍﺏ ﻭﺍﻻﻧﻬﻴﺎﺭ ﻋﻠﻰ ﺃﻥ‬ ‫َ‬ ‫ﻓﻀ ُﻞ‬‫ﺸﺖ ﺃﻧﺎ ﻓﻴﻪ! ﺃُ ﱢ‬ ‫ﺍﻟﻤﺴﺘﻨﻘﻊ ﺍﻟﺬﻱ ِﻋ ُ‬ ‫َ‬
‫ﺗﺘﺼﻮﺭ‬
‫ﱠ‬ ‫ﺍﻟﻮﺣﻞ ﺇﻟﻰ ﺭﺃﺳﻚ! ﻣﺎ َﺫ ْﻧ ُﺒﻚ ﺣ ّﺘﻰ‬ ‫ِ‬ ‫ﺃﻛﻮﻥ ﺳﺒﺒﴼ ﻓﻲ ﺇﺩﺧﺎﻝ‬
‫ﻧﺴﻴﺖ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ‪ ،‬ﻻ‬ ‫ُ‬ ‫ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪﺓ ﺳﻨﻮﺍﺕ ﻃﻔﻮﻟﺘﻲ ﻓﻲ ﺩﻣﺎﻏﻚ؟‬
‫ﺩﻓﻌﺖ ﻟﻠﺸﻘﺎﺀ ﻭﺍﻟﺨﺮﺍﺏ‬ ‫ُ‬ ‫ﺃﺭﻳﺪ ﺇﺛﺎﺭﺗﻬﺎ‪ .‬ﺃﻛﺮ ُﻩ ﻫﺬﺍ ﺍﻟﺤﺪﻳﺚ ﺗﻤﺎﻣﴼ‪...‬‬ ‫ُ‬
‫ﻛﻞ ﻣﺎ‬ ‫ﺃﻛﺜﺮ ﻣﻦ ﻗﺴﻄﻲ ﺍﻟﻮﺟﻮﺩﻱ ﺑﻤﺎ ﻻ ﻳﺨﻄ ُﺮ ﻋﻠﻰ ﺑﺎﻝ!‪ ...‬ﱡ‬
‫‪95‬‬ ‫ﺃﺑﺤﺚ ﻋﻦ‬ ‫ُ‬ ‫ﺃﺑﺤﺚ ﻋﻨﻪ ﺍﻵﻥ ﻫﻮ ﺍﻟﺤﻴﺎ ُﺓ ِﺑﻬﺪﻭ ٍﺀ ﺣ ّﺘﻰ ﻧﻬﺎﻳﺔ ﺍﻟ ُﻌﻤﺮ!‬ ‫ُ‬
‫ﻠﻴﺔ! ﻫﻞ َﺗﻔﻬﻢ؟‪...‬‬ ‫ﻛﱠ‬ ‫ﺴﻴﺎﻥ ﺫﻟﻚ‪ ،‬ﻋﻦ َﻗ ْﺒ ِﺮ ِﻩ ُ‬‫ِﻧ ِ‬
‫ﻋﻴﻨﺎﻫﺎ ﺟﺎﺣﻀﺘﺎﻥ ﺗﻤﺎﻣﴼ‪ ،‬ﺗﻨﻈﺮﺍﻥ ﻓﻲ ﺍﻟ َﻌ َﺪﻡ‪ .‬ﻛﺄﻧﻬﻤﺎ‬
‫ﻛﺄﻥ »ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ« ﺍﻟﺬﻱ‬ ‫ﱠ‬ ‫ﻣﻜﺎﻥ ﻣﺎ!‬
‫ٍ‬ ‫ﺗﺮﺍﻗﺒﺎﻥ َﻭ ْﺣﺸﴼ ﻳﺨﺘﻔﻲ ﻓﻲ‬
‫ﻭﺍﻟﻬﻠﻊ ﻣﻨﻪ‬
‫َ‬ ‫ﺗﺮﻫ ُﺒ ُﻪ ﺇﻟﻰ ﺃﻗﺼﻰ ﺣﺪﻭﺩ ﺍﻟﺮﻫﺒﺔ‪ ،‬ﺍﻟﺬﻱ ﺃﺭﺿ َﻌﻬﺎ ﺍﻟﺬﻋ َﺮ‬
‫ُﺮﻫﺎ )ﻣﻦ ﻳﺪﺭﻱ؟( ﻳﻨﻈ ُﺮ ﻧﺤﻮﻫﺎ‬ ‫ﻣﻨﺬ ﱠﺃﻭ ِﻝ ﺳﻨﻮﺍﺕ ﺣﻴﺎﺗﻬﺎ‪ ،‬ﱠﺃﻭﻝ ْ‬
‫ﺃﺷﻬ ِ‬
‫ﻣﺰﻳﺪ ﻣﻦ ﺍﻟﺒﻮﺡ‪ ،‬ﻳﻮﻗ ُﻔﻬﺎ ﻋﻦ‬ ‫ٍ‬ ‫ِﺑ َﻌﻴﻨﻴﻦ ﺟﻬﻨﻤﻴﺘﻴﻦ!‪ ...‬ﻳﻤﻨ ُﻌﻬﺎ ﻣﻦ‬
‫ﻳﺮﺿﻊ ﺇﺭﻫﺎﺏ »ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ« ﻣﻨﺬ‬ ‫ْ‬ ‫ﺍﻹﻓﻀﺎ ِﺀ ﺍﻟﻜﺎﻣﻞ‪) ...‬ﻣﻦ ﻟﻢ‬
‫ﻳﺘﺼﻮ َﺭ ﻣﻌﻨﻰ‬
‫ﱠ‬ ‫ﻓﺠﺮ ُﻃﻔﻮﻟﺘﻪ‪ ،‬ﻻ ﻳُﻤ ِﻜﻨ ُﻪ ﺃﻥ‬ ‫ﺃﺷﻬﺮ ﺣﻴﺎ ِﺗ ِﻪ ﺍﻷﻭﻟﻰ‪ ،‬ﻣﻨﺬ ِ‬ ‫ِ‬
‫ﺍﻟﻤﻄﻠﻖ!‪(...‬‬‫ْ‬ ‫ﺍﻟ ﱡﺮﻋﺐ ﺍﻟﺤﻘﻴﻘﻲ‪ ،‬ﺍﻟ ﱡﺮﻋﺐ ُ‬
‫َ‬
‫ﺍﻟﺴﺆﺍﻝ‬ ‫ُ‬
‫ﺃﺿﻔﺖ‬ ‫ﻟﻢ ﺍﺳﺘﻄﻊ ﻛﺘ َﻢ ﻣﺎ ﻳﺪﻭﺭ ﻓﻲ ﺻﺪﺭﻱ‪.‬‬
‫ﺍﻟﺘﺎﻟﻲ‪:‬‬
‫ﺃﺭﺍﻙ ﻗﻠﻘ ًﺔ ﻣﺮﺗﺒﻜ ًﺔ ﻣﺘﻨﺮﻓﺰ ًﺓ‬ ‫‪ -‬ﺑﻌﻴﺪﴽ ﻋﻦ ﺍﻟﻄﻔﻮﻟ ِﺔ ﻭﺃﺣﺪﺍﺙ ﺍﻟﻄﻔﻮﻟﺔ‪ِ ،‬‬
‫ﺨﻔﻴﻦ ﺷﻴﺌﴼ ﻣﺎ؟ ﺃﻭﻋﺪﻳﻨﻲ ﺃﻧﻚ ﻻ‬ ‫َ‬ ‫ﻛﺜﻴﺮﴽ ﻓﻲ ﺍﻵﻭﻧﺔ ﺍﻷﺧﻴﺮﺓ‪ .‬ﻫﻞ ُﺗ‬
 ‫ﺗﺨﻔﻴﻦ ﻋﻨﻲ ﺷﻴﺌﴼ ﻣﺎ؟‪...‬‬
‫َ‬
‫ﻛﻨﺖ ﺃﺭﻳﺪ ﻓﻘﻂ ﺃﻥ ﺃﺧﺘﺘﻢ ﺣﺪﻳﺜﻨﺎ ﺑﻬﺬﺍ ﺍﻟﺴﺆﺍﻝ ﻟﺘﺒﺪﺃ‬ ‫ُ‬
‫ﻛﻨﺖ ﱡ‬
‫ﺃﻇﻦ‬ ‫ُ‬ ‫ﺍﻷﻟﻔﻴﺔ ﻭﺳﻬﺮ ُﺗﻬﺎ ﺍﻟﺨﺎﻟﺪﺓ ﺑﻌﺪ ﺫﻟﻚ ﻣﺒﺎﺷﺮﺓ!‬ ‫ﱠ‬ ‫ﻣﺄﺩﺑ ُﺔ‬
‫ﺃﻥ ﺫﻟﻚ ﺍﻟﺴﺆﺍﻝ ﻫﻮ »ﺍﻟﻤﺨﺮ ُﺝ ﺍﻻﻳﺠﺎﺑﻲ«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ ﺍﻟﺴﻴﺎﺳﻴﻮﻥ‪،‬‬
‫ﺍﻟﺘﺤﻀﻴﺮ‬
‫ِ‬ ‫ﻣﻦ ﻫﺬﺍ ﺍﻟﺤﻮﺍﺭ ﺍﻟﻤﻐﻠﻖ‪ ...‬ﻗﺒﻞ ﺑﺪ ِﺀ ﺳﻬﺮ ِﺓ ﺍﻟ ُﻌ ْﻤﺮ! ﻗﺒﻞ‬
‫ﺍﻟﻌﻜﺲ ﺗﻤﺎﻣﴼ! ﻟﻤﺲ ﻣﻨﻄﻘﺔً‬ ‫َ‬ ‫ﺍﻟﺸﻬﻘﺔ! ﻏﻴﺮ ﺃﻧ ُﻪ ﻛﺎﻥ‬ ‫ﻤﻬﺮﺟﺎﻥ ﱠ‬
‫ِ‬ ‫ِﻟ‬
‫ﺣﺴﺎﺳ ًﺔ ﺷﺪﻳﺪ َﺓ ﺍﻟﻐﻤﻮﺽ! َﺟ َﻨ ْﻴ ُﺖ ﺑ ِﻪ ﻋﻠﻰ ﻧﻔﺴﻲ‪ ،‬ﻋﻠﻰ ﱢ‬
‫ﻛﻞ‬ ‫ُﻣ َﻠ ﱠﻐﻤ ًﺔ ّ‬
‫ﺃﺣﻼﻡ ﻟﻴﻠ ِﺔ ﺍﻷﻟﻔ ّﻴﺔ‪...‬‬
‫ِ‬
‫ُ‬
‫ﺗﺮﺗﺠﻒ‪،‬‬ ‫ﻟﻢ َﺗ ُﺮ ّﺩ ﺇﻟﻬﺎﻡ ﻋﻠﻰ ﺗﺴﺎﺅﻻﺗﻲ! ﺍﻧﻔﺠ َﺮ ْﺕ ﺑﻜﺎ ًﺀ! ﻛﺎﻧﺖ‬
‫ﺍﻟﺼﺤﺮﺍﻭﻱ ﺍﻟﺠﺎﻑ ﺍﻟﻘﺎﺭﺱ‪.‬‬
‫ﱢ‬ ‫ﺗﺸﻌ ُﺮ ﺑﺎﻟﺒﺮﺩ ﺍﻟﺸﺪﻳﺪ ﻓﻲ ﺫﻟﻚ ﺍﻟﺸﺘﺎ ِﺀ‬
‫ُﻋ ْﺪﻧﺎ ﺇﻟﻰ ﺍﻟﺨﻴﻤﺔ‪...‬‬
‫ﺃﺭﺍﺩﺕ ﺇﻟﻬﺎ ُﻡ ﺃﻥ ﺗﺴﺘﻠﻘﻲ‬‫ْ‬ ‫ﺍﻷﻟﻔﻴﺔ ﺑﻌﺪ‪.‬‬ ‫ﱠ‬ ‫ﻟﻢ ﻧﺘﻨﺎﻭﻝ ﻋﺸﺎ َﺀ‬
‫ﺍﺣﺘﻔﺎﻟﻲ ﺑﺎﻫﺮ‪ ،‬ﻛﻤﺎ‬
‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﻻ‪ .‬ﻟﻢ ﺗﺘﻮﺍﺻﻞ ﺍﻟﻠﻴﻠﺔ‬ ‫ﻋﻠﻰ ﺍﻟﻔﺮﺍﺵ ﱠﺃﻭ ً‬ ‫‪96‬‬
‫ﻧﻔﺴﻴ ٍﺔ ﺟ ّﻴﺪﺓ ﺇﻃﻼﻗﴼ ﺑﻌﺪ‬ ‫ﱠ‬ ‫ﺃﻣﺪ! ﻟﻢ ﺗﻜﻦ ﺇﻟﻬﺎﻡ ﺑﺤﺎﻟ ٍﺔ‬ ‫ُ‬
‫ﺣﻠﻤﺖ ﻣﻨﺬ َ‬
‫ﺫﻛﺮﻳﺎﺕ ﻣﻄﻤﻮﺭ ًﺓ ﻣﺆﻟﻤ ًﺔ‬
‫ٍ‬ ‫ﻟﻌﻞ ﺍﻟﺮﻗﺺ ﺃﺫﻛﻰ ﻓﻴﻬﺎ‬ ‫ﻫﺬﺍ ﺍﻟﺤﻮﺍﺭ‪ .‬ﱠ‬
‫ﺩﺍﻫﻤ ْﺘﻬﺎ ﻣﻦ‬
‫ﺴﺘﻈﻞ ﺑﻬﺎ‪َ .‬‬ ‫ﱡ‬ ‫ﺗﻜﻦ ﻭﺍﺣ َﺔ ﺭﺍﺣ ٍﺔ َﺗ‬
‫ﺟﺪﴽ‪ .‬ﺃﺳﺌﻠﺘﻲ ﺃﻳﻀﴼ ﻟﻢ ْ‬ ‫ّ‬
‫ﻛﻞ ﻣﻜﺎﻥ‪ ،‬ﺃَ ْﺭ َﺩ ْﺗﻬﺎ ُﻣ ْﻨﻬﻜ ًﺔ ﻣﻜﺪﻭﺩ ًﺓ ُﻣ ْﻔ َﺮ َﻏﺔ‪ ...‬ﻛﺎﻧﺖ ﺗﺸﻌ ُﺮ ﺑﺎﻹﻋﻴﺎﺀ‬ ‫ﱢ‬
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‫ﺍﻟﺸﺪﻳﺪ‪ ،‬ﺑﺎﻷﻟﻢ‪ ،‬ﻭﺑﺄﺷﻴﺎﺀ ﻛﺜﻴﺮﺓ ﺃﺟﻬﻠﻬﺎ ﺗﻤﺎﻣﴼ‪...‬‬

‫ْﺪﺋ َﺘﻬﺎ‪ .‬ﻛﺎﻧﺖ‬ ‫ﻫﺎﻫﻲ ﺗﺘﻘ ﱠﻠ ُﺐ ﻋﻠﻰ ﺍﻟﻔﺮﺍﺵ‪ .‬ﻟﻢ ﺃﺳﺘﻄﻊ َﺗﻬ ِ‬
‫ﻣﻀﻄﺮﺑ ًﺔ ﻛﻤﺎ ﻟﻢ َﺗ ُﻜ ْﻨ ُﻪ ﺃﺑﺪﴽ‪ .‬ﺍﻷﻟﻔﻴ ُﺔ ﺍﻟﺜﺎﻧﻴﺔ ﺗﻐﺎﺩ ُﺭﻧﺎ ﻣﻦ ٍ‬
‫ﺑﺎﺏ‬
‫ﻭﺿﻊ ﻏﻴﺮ ﻣﺤﻤﻮ ٍﺩ ﺇﻃﻼﻗﴼ‪...‬‬ ‫ُ‬
‫ﺻﻐﻴﺮ! ﺗﺘﺮﻛﻨﺎ ﻓﻲ ٍ‬
‫ﺗﻘﻒ ﺑﻴﻦ‬ ‫ﻓﻲ ﻣﻨﺘﺼﻒ ﺍﻟﻠﻴﻞ‪ ،‬ﻓﻲ ﺍﻟﺪﻗﻴﻘ ِﺔ ﺍﻟﻤﻔﺼ ِﻠ ﱠﻴ ِﺔ ﺍﻟﺘﻲ ُ‬
‫ﺃﻟﻔﻴ ٍﺔ ﻭﺃُﺧﺮﻯ‪ ،‬ﻟﻢ ﺃﻛﻦ ﺃُﻓ ﱢﻜ ُﺮ ﻓﻲ ﺃﻥ ﺃﺳﻤﻊ ﺇﻟﻬﺎﻡ ُﺗ ﱢ‬
‫ﻐﺮ ُﺩ‬ ‫ﻗﺮﻥ ﻭﺁﺧﺮ‪ ،‬ﺑﻴﻦ ﱠ‬
‫ٍ‬
‫ُ‬ ‫َ‬ ‫ُ‬ ‫ُ‬ ‫ْ‬ ‫ُ‬
‫ﺷﻬﻘﺔ ﺍﻟﻌﺸﻖ ﺍﻟﺘﻲ ﻃﺎﻟﻤﺎ ﺗﻘﺖ ِﻟﺴﻤﺎﻋﻬﺎ‪ .‬ﻛﻨﺖ ﺑﺪﻝ ﺫﻟﻚ‪ ،‬ﺃﻓ ﱢﻜ ُﺮ‬ ‫َ‬
‫ﱟﺩ ﻣﻦ‬ ‫ﻓﻲ ﺍﻧﻔﻌﺎﻻﺗﻬﺎ ﻭﺍﺿﻄﺮﺍﺑﺎﺗﻬﺎ‪ ،‬ﺃﺧﺸﻰ ﺃﻥ ﺃﺳﻤﻊ ﺷﻬﻘ َﺔ ﺑﻜﺎ ٍﺀ ﺣﺎ‬
 ‫ﺻﺤ ﱠﻴﺔ!‪...‬‬ ‫ﺟﺪﻳﺪ‪ ،‬ﺃﻭ ﺷﻬﻘ َﺔ ﺻﺪﻣ ٍﺔ ﱢ‬
‫ﻛﻞ ﺍﻻﺗﺠﺎﻫﺎﺕ! ُﻟ ْﻤ ُﺖ‬ ‫ﻧﺎﻣ ْﺖ ﺩﻭﻥ ﻭﻋﻲ! ﻛﺎﻧﺖ ﺗﺘﻘ ﱠﻠ ُﺐ ﻓﻲ ﱢ‬ ‫َ‬
‫ﺣﺎﻭﻟﺖ ﺗﻬﺪﺋ َﺘﻬﺎ‪.‬‬ ‫ُ‬ ‫َﻋ ِﻚ ﻣﺸﺎﻋﺮ ﺇﻟﻬﺎﻡ‪.‬‬ ‫ﺳﺒﺐ ﺩ ْ‬ ‫ﻧﻔﺴﻲ ﻛﺜﻴﺮﴽ‪َ ،‬ﻟﻌ ْﻨ ُﺘﻬﺎ‪ ،‬ﻷﻧﻲ ُ‬
‫ﺟﺪﴽ‪َ .‬ﺗ ْﻔ ُﻠ ُﺖ ﻣﻦ ِﺭﺟﻠﻴﻬﺎ ﺍﻟﻤﻨﻘﺒﻀﺘﻴﻦ ﻫ ﱠﺰ ٌ‬
‫ﺍﺕ‬ ‫ﻛﺎﻧﺖ ﺃﻋﺼﺎﺑُﻬﺎ ﻣﺮﻫﻘ ًﺔ ّ‬
‫ﻣﺎﺯﺍﻟﺖ ﻣﻨﻔﻌﻠ ًﺔ ﺗﻌﺎﻭ ُﺩ‬ ‫ْ‬ ‫ﻛ ُﺪ ﺑﺄﻧﻬﺎ‬ ‫ﻻﻭﺍﻋﻴﺔ ﺑﻴﻦ ﺍﻟﺤﻴﻦ ﻭﺍﻵﺧﺮ‪ُ ،‬ﺗ َﺆ ﱢ‬
‫ﺁﻥ ِﻵﻥ‪ ،‬ﻭﺇﻥ ﻛﺎﻧﺖ ﻧﺎﺋﻤ ًﺔ ﻛﻤﺎ ﻳﺒﺪﻭ ﻣﻊ ﺫﻟﻚ‪...‬‬ ‫ﻏﻠﻴﺎ َﻧﻬﺎ ﻣﻦ ٍ‬
‫ﻋﻠﻰ ﺍﻟﻤﻨﻀﺪﺓ ﻗ ﱢﻨﻴﻨ ُﺔ ﺷﻤﺒﺎﻧﻴﺎ‪ ،‬ﻋﻠﺒ ُﺔ ﻛﺎﻓﻴﺎﺭ‪ ،‬ﻋﻠﺒ ُﺔ َ‬
‫»ﻛ ِﺒ ِﺪ‬
‫ﺍﻟﻤﺴﻤﻦ«‪ ،‬ﻗﻄ ُﻊ ﺳﻤﻚ ﺍﻟﺴ ْﻠ ُﻤﻮﻥ‪ِ ،‬ﻗ ْﺪ ٌﺭ ﻣﻦ ﻭﺟﺒﺔ »ﺍﻟﻤﻨﺴﻒ«‬ ‫ﱠ‬ ‫ﺍﻟﺒﻂ‬
‫ﱢ‬
‫ﻓﺎﺧﺮ‬
‫ٍ‬ ‫ﺃﺣﺪ ﻣﻄﺎﻋﻢ ﺍﻟﺒﺘﺮﺍﺀ‪ ،‬ﻗ ﱢﻨﻴﻨ ُﺔ ٍ‬
‫ﻧﺒﻴﺬ‬ ‫ﺍﻷﺭﺩﻧﻴﺔ ﺍﻟﺘﻲ ﺍﺷﺘﺮﻳﻨﺎﻫﺎ ﻣﻦ ِ‬
‫ﺟﺪﴽ ﺗﻌ ﱠﺘ َﻖ ﻣﻨﺬ ﺯﻣﻦ ﻃﻮﻳﻞ ﺑﺎﻧﺘﻈﺎﺭ ﻫﺬﻩ ﺍﻟﻠﻴﻠﺔ‪...‬‬ ‫ّ‬
‫ﺷﺪﻳﺪ ﺍﻟﺒﻬﺎﺀ‪...‬‬ ‫ِ‬ ‫ﺻﺤﺮﺍﻭﻱ‬
‫ﱟ‬ ‫ﻟﻴﻞ‬
‫ﻓﻲ ﺍﻟﺨﺎﺭﺝ‪ ،‬ﻫﺰﻳ ٌﻊ ﺃﺧﻴ ٌﺮ ﻣﻦ ٍ‬
‫ﺑﺄﻟﻔﻴ ٍﺔ ﺟﺪﻳﺪﺓ‪ .‬ﺍﻟﺸﻤﺒﺎﻧﻴﺎ ﺗﻐﻤ ُﺮ‬ ‫ﱠ‬ ‫ُﻌﺮﺑ ُﺪ ﻣﺤﺘﻔ ً‬
‫ﻼ‬ ‫ﺑﻌﻴﺪﴽ ﻋ ﱠﻨﺎ ﻋﺎ َﻟ ٌﻢ ﻳ ِ‬
‫‪97‬‬ ‫ﻳﻄﻔﺢ ﻓﻲ ﺛﻨﺎﻳﺎ‬ ‫ُ‬ ‫ﺯﺑﺪ ﺍﻟﺸﻤﺒﺎﻧﻴﺎ‬ ‫ﺍﻟﺸﻮﺍﺭﻉ ﻭﺍﻟﻤﻄﺎﻋﻢ ﻭﺍﻟﻄﺮﻗﺎﺕ‪ُ .‬‬
‫ﻭﺛﻐﻮﺭ ﻭﺃﻓﺨﺎ ِﺫ ﺍﻟﻔﻨﺎﺩﻕ ﻭﺍﻟﻔﻴﻼﺕ ﻭﺍﻟﻤﺪﻥ ﺍﻟﻤﺸﺘﻌﻠﺔ ﻭﺍﻟﺠﺰﺭ‬ ‫ِ‬ ‫ﻭﺃﻋﻄﺎﻑ‬
‫ِ‬
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‫ﻋﺸﻖ ﺳﻜﺮﻯ ﺗﻤﻸ ﺍﻷﻓﻖ‪...‬‬ ‫ُ‬
‫ﺷﻬﻘﺎﺕ ٍ‬ ‫ﺍﻟﺒﻌﻴﺪﺓ‪.‬‬
‫ﺗﻌﺸﻖ ﺍﻟﻬﻮﺍ َﺀ ﺍﻟﻄﻠﻖ‪ ،‬ﺗﺤﻴﻰ ﻓﻲ‬ ‫ُ‬ ‫ﺗﺮﺗﺠﻒ ُﻗﺮﺑﻲ‪ .‬ﺣﻮﺭ ّﻳ ٌﺔ‬ ‫ُ‬ ‫ﻫﻲ‬
‫ﻘﻴ ُﺪ ِﺭ ْﺟ َﻠ ْﻴﻬﺎ‬
‫ﻓﻮﻻﺫﻳ ٍﺔ ِﺳ ﱢﺮﻳﺔ ُﺗ ﱢ‬
‫ﱠ‬ ‫ﻛﺒ َﻠ ْﺘﻬﺎ ﺍﻟﺤﻴﺎ ُﺓ ِﺑ ٍ‬
‫ﺤﺒﺎﻝ‬ ‫ﺍﻟﻬﻮﺍ ِﺀ ﺍﻟﻄﻠﻖ‪ .‬ﱠ‬
‫ﻏﺎﻣﺾ ﻣﺠﻬﻮﻝ‪ ...‬ﺃﺭﺍﻫﺎ ﺗﺘﻘ ﱠﻠ ُﺐ ﻋﻠﻰ ﺳﺮﻳﺮ ﺍﻟﺨﻴﻤﺔ‪ ،‬ﺑﻴﻦ‬ ‫ٍ‬ ‫ﻣﺎﺽ‬
‫ﻓﻲ ٍ‬
‫ﺣﺪﻕ ﺑﺠﺎﻧﺒﻬﺎ ﻓﻲ ﺍﻟ َﻌ َﺪﻡ‪،‬‬ ‫ُ‬
‫ﺑﺎﺿﻄﺮﺍﺏ ﻣﻠﺤﻮﻅ‪ .‬ﻓﻴﻤﺎ ﺃ ﱢ‬ ‫ﺍﻟﺤﻴﻦ ﻭﺍﻵﺧﺮ‪،‬‬
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‫ﺍﻷﻟﻔﻴﺔ‬
‫ﱠ‬ ‫ﻳﻮﻡ ﻣﻦ‬ ‫ﺗﻘﺘﺮﺏ ﻋﻘﺎﺭﺑُﻬﺎ ﻣﻦ ﻓﺠﺮ ﱠﺃﻭ ِﻝ ٍ‬ ‫ُ‬ ‫ﻭﻓﻲ ﺳﺎﻋﺘﻲ ﺍﻟﺘﻲ‬
‫ﺍﻟﺠﺪﻳﺪﺓ‪...‬‬
‫ﻋﺮﺵ‬‫ﻟﻴﺘﺮﺑ َﻊ ﻋﻠﻰ ِ‬ ‫ﱠ‬ ‫ﺍﻟﻄﻔﻞ ﺍﻟﺬﻱ ﻧﺤﻠ ُﻢ ﺑﻮﺻﻮ ِﻟ ِﻪ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ‪،‬‬ ‫ُ‬
‫ﺃﺟﻤﻞ ﻏﺮﻓ ٍﺔ ﻓﻲ ﻣﻨﺰ ِﻟﻨﺎ ﻣﻨﺬ ﺳﻨﻴﻦ‪،‬‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﻄﻔﻞ ﺍﻟﺬﻱ َﺗ ْﻨﺘﻈ ُﺮ ُﻩ‬ ‫ﺣﻴﺎﺗﻨﺎ‪،‬‬
‫ﺗﺼﻤﻴﻤ ُﻪ ﺍﻟﺒﻴﻮﻟﻮﺟﻲ ﻓﻲ ﻟﻴﻠ ِﺔ ﺍﻷﻟﻔﻴﺔ ﺍﻟﺜﺎﻟﺜﺔ‪...‬‬ ‫ُ‬ ‫ﻟﻦ ﻳﻜﻮﻥ‬
‫ﺍﻟﻘﺼ ِﺔ ﻓﻲ‬
‫ﱠ‬ ‫ُﻔ َﻬ ُﻢ ﻣﻦ ﱠﺃﻭ ِﻝ ﻧﺒﺮﺍ ِﺗﻪ!«‪» ،‬ﻧﻬﺎﻳ ُﺔ‬ ‫»ﺍﻟﻜﻼ ُﻡ ﻳ ْ‬
‫ﺘﻌﺪﺩﺓ ﻻ ﺃﻋﺮﻑ ﻣﺪﻯ‬ ‫ﺃﻗﻮﺍﻝ ُﻣ ﱢ‬ ‫ٌ‬ ‫ُ‬
‫»ﺍﻟﻘﺮﺁﻥ ﻓﻲ ﻓﺎ ِﺗﺤ ِﺘﻪ!«‪...‬‬ ‫ﺑﺪﺍﻳ ِﺘﻬﺎ!«‪،‬‬
‫ﺣﺪ‬
‫ﱟ‬ ‫ﺍﻟﺨﺎﺻﺔ ﻣﻀﺒﻮﻃ ٌﺔ ﺇﻟﻰ‬ ‫ّ‬ ‫ﺻﺤ ِﺘﻬﺎ‪ ،‬ﻟﻜﻨﻬﺎ ﻓﻲ ﺗﺠﺮﺑﺔ ﺣﻴﺎﺗﻲ‬ ‫ﱠ‬
‫ُ‬ ‫ُ‬
‫ﻛﺒﻴﺮ‪ :‬ﺃﻟﻢ ﺗﻜﻦ ﻗ ْﺒﻠﺔ ﺍﻟﺒﺪﺀ‪ ،‬ﺍﻟﻘ ْﺒﻠﺔ ﺍﻟﻤﻨﻐﻠﻘﺔ ﻹﻟﻬﺎﻡ ﻓﻲ ‪ 22‬ﻣﺎﻳﻮ‬ ‫ُ‬ ‫ُ‬ ‫َ‬
‫ﻓﺼﻮﻝ ﺣﻴﺎ ِﺗﻨﺎ‬
‫ِ‬ ‫ﺃﺣﺪ‬
‫ﺍﻟﺘﻌﺒﻴﺮﻳﺔ ﺑﺎﻧﻐﻼﻕ ِ‬ ‫ﱠ‬ ‫َ‬
‫ﺷﺪﻳﺪ‬ ‫‪ ،1990‬ﻧﺬﻳﺮﴽ َﻗ َﺪ ِﺭﻳّﴼ‬
‫ﺍﻟﻘﺮﻥ‬
‫ِ‬ ‫ﺭﺃﺱ‬
‫ﺭﺃﺱ ﺍﻟﺴﻨﺔ ﺍﻷﺧﻴﺮﺓ‪ِ ،‬‬ ‫ﺣﻤﻴﻤﻴﺔ؟‪ ...‬ﺑﺎﻟﻤﺜﻞ‪ ،‬ﻟﻴﻠ ُﺔ ِ‬ ‫ﱠ‬ ‫ﺍﻷﻛﺜﺮ‬
‫ِ‬
‫ﺑﻌﺎﻡ ﺟﺪﻳﺪ ﻟﻦ ﻳﺨﻠﻮ ﻣﻦ‬ ‫ُ‬
‫ﻭﺍﻷﻟﻔ ّﻴﺔ‪ ،‬ﻛﺎﻧﺖ ﻫﻲ ﺍﻷﺧﺮﻯ ﻧﺬﻳﺮﴽ ﻗﺎﺗﻤﴼ ٍ‬ ‫‪98‬‬
‫ﺍﻟﺨﻴﺒﺎﺕ ﻭﺍﻷﺣﻼﻡ ﺍﻟﺠﺮﻳﺤﺔ‪ ،‬ﺇﻥ ﻟﻢ ﻳﻜﻦ ﻋﺎﻡ ﺍﻟﺨﻴﺒﺎﺕ ﻭﺍﻷﺣﻼﻡ‬
‫ﺍﻟﻤﻐﺘﺎﻟﺔ ﺑﺎﻣﺘﻴﺎﺯ!‬
‫ﻟﻢ ﺗﺴﺘﻬﻞ ﺇﻟﻬﺎ ُﻡ ﺍﻟﻌﺎ َﻡ ﺍﻟﺠﺪﻳﺪ‪ ،‬ﻣﻨﺬ ﻋﻮ َﺩ ِﺗﻨﺎ ﺇﻟﻰ ﺍﻟﻤﻨﺰﻝ‪،‬‬
‫ﺩﺍﻫﻤﻬﺎ‬
‫َ‬ ‫ﻛﻤﺎ ﻫﻲ ﻋﻠﻴﻪ ﺃﺑﺪﴽ‪ :‬ﺟﺬﻭ ٌﺓ ﻣﺘﺄ ﱢﻟﻘ ٌﺔ ﺧﺎﻟﺼ ُﺔ ﺍﻟﺮﻭﻋﺔ!‪...‬‬
‫ﺍﻟﻴﻮﻣﻲ‪ ،‬ﻣﺰﻳ ٌﺪ‬
‫ّ‬ ‫ﺍﻟﻘﻠﻖ ﻭﺍﻷﺭﻕ‪ ،‬ﻣﺰﻳ ٌﺪ ﻣﻦ ُ‬
‫ﺍﻟﺼﺪﺍﻉ‬ ‫ِ‬ ‫ﺑﺎﻧﺘﻈﺎﻡ ﻣﺰﻳ ٌﺪ ﻣﻦ‬
‫ﻛﻞ ﺻﺒﺎﺡ‪ ،‬ﻣﺰﻳ ٌﺪ ﻣﻦ ﺍﻻﻧﻐﻼﻕ‪ ...‬ﺇﻻ ﱠ‬
‫ﺃﻥ‬ ‫ﻣﻦ ﺍﻻﺭﺗﺒﺎﻙ ﻋﻨﺪ ﺑﺪﺀ ﱢ‬
‫ﺃﺑﺪﻳﺔ‪ .‬ﻳﻜﻔﻲ ﺃﻥ ﺃﺭﺍﻫﺎ ﺗﻌﺒ ُﺮ ﺃﻣﺎﻣﻲ‬ ‫ﺻﻤﻤﻬﺎ ﺍﻟ َﻘ َﺪﺭ‪ ،‬ﺳﻌﺎﺩ ٌﺓ ﱠ‬ ‫ﺇﻟﻬﺎﻡ‪ ،‬ﻛﻤﺎ ﱠ‬
‫ﺍﻷﺑﺪﻱ‪ ...‬ﻷﺷﻌ َﺮ‬ ‫ّ‬ ‫ّ‬
‫ﺍﻟﻌﺒﻘﺮﻱ‪ِ ،‬ﺑﻌ َﺒ ِﻘﻬﺎ‬ ‫ﺠﺴﺪﻫﺎ‬
‫ِﺑﺨﻄﻮ ِﺗﻬﺎ ﺍﻟﻬﻮﺍﺋﻴﺔ‪ِ ،‬ﺑ ِ‬
‫َ‬ ‫ّ‬
‫ﺑﺎﻟﺠﻤﺎﻝ ﺍﻟﺸﻔﺎﻑ ﺍﻟﺪﺍﺋﻢ‪ ،‬ﺃﺩﺍﻧﻬﺎ‬ ‫ِ‬ ‫ﺑﺎﻟﺴﻌﺎﺩﺓ! َﺣ َﻜ َﻢ ﻋﻠﻴﻬﺎ ﺍﻟﻘﺪ ُﺭ‬
‫ﺍﻟﻤﺆﺑﺪﺓ‪ ،‬ﺑﺎﻹﺷﺮﺍﻕ ﻭﺍﻟﺮ ﱠﻗﺔ ﺍﻟﺘﻲ ﻻ ﺗﺬﺑﻞ‪ .‬ﺑﺎﻟﻌﻄﺎﺀ ﺍﻟﺪﺍﺋﻢ‪:‬‬ ‫ﱠ‬ ‫ﺑﺎﻟﺮﺷﺎﻗﺔ‬
‫ﺗﻔﺠﻴﺮ ﻃﺎﻗﺎﺗﻬﺎ‬‫ِ‬ ‫ﺃﻭﺟﺎﻋﻬﺎ‪ ،‬ﻋﻦ‬
‫ِ‬ ‫ﺗﻜﻮﻥ ﺃﺳﻴﺮ َﺓ‬‫ﻻ ﺗﺘﻮ ﱠﻗ ُﻒ ﺃﺑﺪﴽ‪ ،‬ﻋﻨﺪﻣﺎ ﻻ ُ‬
‫ُ‬
‫ﺗﺤﺘﺮﻕ‬ ‫ﻣﻨﺰ ِﻟﻨﺎ ﻭﺣﺪﻳﻘ ِﺘﻪ‪.‬‬ ‫ﺍﻹﺑﺪﺍﻋﻴﺔ ﺍﻟﺨﺎﻟﺪﺓ‪ِ :‬‬ ‫ﱢ‬ ‫ﻓﻲ ﺻﻴﺎﻏ ِﺔ ﻟﻮﺣ ِﺘﻬﺎ‬
‫ﻣﺘﺠﺪﺩﺓً‬
‫ﱢ‬ ‫ً‬ ‫ً‬
‫ﺃﺟﻞ ﺻﻴﺎﻧ ِﺘ ِﻪ ﻭﺗﺤﺴﻴ ِﻨ ِﻪ ﻭﺟﻌﻠ ِﻪ ﻗﻄﻌﺔ ﻓﻨ ّﻴﺔ‬ ‫ﺭﻏﻢ ﺁﻻﻣﻬﺎ ﻣﻦ ِ‬
 ‫ﻣﻦ ﺍﻷﻧﺎﻗﺔ ﻭﺍﻟﺘﻨﺎﻏﻢ ﻭﺍﻹﺫﻫﺎﻝ ﻭﺍﻟﻬﻨﺎﺀ‪...‬‬
‫ﺲ ﺟﺪﻳﺪﺓ! ﻟﻢ ﺃﺣﺎﻭﻝ‬ ‫ُ‬
‫ﻟﻢ ﺃﺑﺪﺃ ﺃﻧﺎ ﺃﻳﻀﴼ ﻋﺎ َﻡ ‪ 2000‬ﻋﻠﻰ ﺃ ُﺳ ٍ‬
‫»ﺃﺩﻕ ﻋﻠﻰ ﺍﻟﻤﻨﻀﺪﺓ«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ‪،‬‬ ‫ﺃﺳﺮﺍﺭ ﺇﻟﻬﺎﻡ‪ .‬ﻟﻢ ّ‬ ‫ِ‬ ‫ﻛﻞ‬
‫ﻫﺘﻚ ﱢ‬
‫»ﻣﺴﺘﻨﻘﻊ«‬
‫َ‬ ‫ﺃﺳ َﻤ ْﺘ ُﻪ‬
‫ﺗﻔﺴﻴﺮ ﻣﺎ ْ‬
‫ِ‬ ‫ﻛﻞ ﻣﺎ ﻻ ﺃﺭﺍﻩ ﻃﺒﻴﻌ ّﻴﴼ‪:‬‬ ‫ِﻟﻔﻬﻢ ﱢ‬
‫ﺍﺭﺗﺒﺎﻛﻬﺎ ﻭﻗﻠ ِﻘﻬﺎ ﺑﻴﻦ‬ ‫ِ‬ ‫ﻣﻔﺘﺎﺡ ﺻﻨﺪﻭﻕ ﺍﻟﺒﺮﻳﺪ‪ ،‬ﻧﻮﺑﺎﺕ‬ ‫ِ‬ ‫ﺳﺮ‬
‫ﻃﻔﻮﻟﺘﻬﺎ‪ ،‬ﱢ‬
‫ﺟﺮﺣﻬﺎ ﻭﺩَﻋ ِﻜﻬﺎ‪،‬‬
‫ﻋﺪﻡ ِ‬ ‫ﻛﻨﺖ ﺃﺑﺤﺚ ﺑﺎﻟﺘﺄﻛﻴﺪ ﻋﻦ ِ‬ ‫ُ‬ ‫ُ‬ ‫ﺍﻟﺤﻴﻦ ﻭﺍﻵﺧﺮ‪...‬‬
‫ﺟﺮﺡ ﻭﺟﺮﺡ ﻳﻨﺰﻑ ﻓﻲ ﺍﻟﺪﺍﺧﻞ! ﻛﺎﻥ‬ ‫ﺗﺮﻛﺖ ﺑﺎﻟﻤﻘﺎﺑﻞ ﺃﻟﻒ ٍ‬ ‫ُ‬ ‫ﻟﻜﻨﻲ‬
‫ﺭﻱ‪ ،‬ﺩﻭﻥ ﺷﻚ!‬ ‫ﺍﻟﺠ ْﺬ ّ‬
‫ﺫﻟﻚ ﺧﻄﺌﻲ ﺍﻟﻤﻄﻠﻖ‪ ،‬ﺧﻄﺌﻲ ِ‬
‫ﻟﺴﺖ ﺃﺩﺭﻱ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﺇﻥ ﻛﺎﻥ ﻫﺪﻓﻲ ﻓﻲ ﺍﻟﺠﻮﻫﺮ ﺃﻥ ﻻ‬ ‫ُ‬
‫ﺃﺳﺮﺍﺭ‬
‫ٍ‬ ‫ﺃﻣﺘﻠﻚ ﺍﻟﺸﺠﺎﻋ َﺔ ﺍﻟﻜﺎﻓﻴﺔ ِﻟﻤﻮﺍﺟﻬﺔ‬ ‫ُ‬ ‫ﻛﻨﺖ ﻻ‬ ‫ُ‬ ‫ﺃﺟ َﺮﺣﻬﺎ‪ ،‬ﺃﻭ ﺇﻥ‬
‫ﻭﺃﺷﺒﺎﺡ ﺧﻔ ّﻴﺔ‪ِ ،‬ﻟﻤﻌﺮﻓﺔ ﺟﺬﺭ ﺍﻟﻐﻤﻮﺽ‪ِ ،‬ﻟﻠﻨﺰﻭﻝ ﺇﻟﻰ ﻣﻴﺪﺍﻥ ﺍﻟﻘﺘﺎﻝ‪،‬‬ ‫ٍ‬
‫ﺃﻫﺮﺏ ﻓﻲ‬ ‫ُ‬ ‫ﺃﻫﺮﺏ ﺃﻫﺮﺏ‪...‬‬ ‫ُ‬ ‫ﺃﻫﺮﺏ‪،‬‬
‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ِﻟﻠﻬﺒﻮﻁ ﺇﻟﻰ ﺍﻟﻤﻨﺠﻢ؟‪...‬‬
‫‪99‬‬ ‫ﻗﺮﺍﺀﺍﺗﻲ‪ ،‬ﻓﻲ ﺃﺑﺤﺎﺛﻲ ﺍﻟﻌﻠﻤ ّﻴﺔ‪ ،‬ﻓﻲ ﻛﺘﺎﺑﺎﺗﻲ‪ ،‬ﻓﻲ ﺻﺪﺍﻗﺎﺗﻲ ﺍﻟﻮﺍﺳﻌﺔ‪،‬‬
‫ﻟﻌﻞ ﺷﻌﺎﺭﻱ ﻓﻲ ﺍﻟﺤﻴﺎﺓ ﻟﻢ ﻳﺨﺘﻠﻒ‬ ‫ﻓﻲ ﺳﻔﺮﺍﺗﻲ ﺍﻟﺠﺎﻣﻌﻴﺔ ﺍﻟﺪﺍﺋﻤﺔ‪ ...‬ﱠ‬
‫ﻔﺮ ُﺟﻬﺎ ﺃﺭﺣﻢ ﺍﻟﺮﺍﺣﻤﻴﻦ!«‪ .‬ﺃﻭ َﻟ َﻌ ﱢﻠﻲ‬ ‫»ﺳ ُﻴ ﱢ‬
‫ﺟﺪﺗﻲ‪َ :‬‬ ‫ﻛﺜﻴﺮﴽ ﻋﻦ ﺷﻌﺎﺭ ﱠ‬
‫ﺷﺪﻳﺪ ﺍﻟﺒﺮﺍﺀﺓ ﻭﺍﻟﺴﺬﺍﺟﺔ‪ :‬ﻻ ﺃﺭﻯ ﺃﺑﺪﴽ ﺟﺮﺍﺣﴼ ﺗﻨﺰﻑ‪ ،‬ﻻ‬ ‫َ‬ ‫ُ‬
‫ﻛﻨﺖ ﺩﻭﻣﴼ‬
‫َﺤ ﱠﻠﻬﺎ‬
‫ﺑﺎﻧﺘﻈﺎﺭ ﺃﻥ »ﻳ ُ‬
‫ِ‬ ‫ﺃﻗﺒﻞ ﺍﻟﺤﻴﺎﺓ ﻛﻤﺎ ﻫﻲ‬ ‫ﺃﺭﻯ ﻏﻤﻮﺿﴼ ﻓﻲ ﺷﻲﺀ‪ُ ،‬‬
‫ﺣﻼﻝ«‪...‬‬ ‫ﺃﻟﻒ ﱠ‬‫ُ‬

‫ﺛﻢ ﻛﺎﻥ ﻫﻨﺎﻙ ﺫﻟﻚ ﺍﻟﻄﻔﻞ ﺍﻟﺬﻱ ﻃﺎﻝ ﺍﻧﺘﻈﺎﺭﻩ! ﻋﺸﺮ ﺳﻨﻮﺍﺕ‬ ‫ﱠ‬
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‫ﺩﻭﻥ ﺑﺸﺎﺋﺮ‪ُ .‬ﻋﺸ ُﺮ ﻗ ْﺮ ٍﻥ ﻣﻦ ﺍﻟﻔﺸﻞ! ﺇﻟﻬﺎﻡ ﻓﻲ ﺍﻟﺮﺍﺑﻌﺔ ﻭﺍﻟﺜﻼﺛﻴﻦ ﺍﻵﻥ‪،‬‬
‫ﻻﺳﻴﻤﺎ‬
‫ﻳﺼﻌﺐ ﺍﻟﺼﺒﺮ ﺃﻛﺜﺮ ﻣﻦ ﺫﻟﻚ‪ ،‬ﱠ‬ ‫ُ‬ ‫ﻭﺃﻧﺎ ﻓﻲ ﺍﻟﺜﺎﻟﺜﺔ ﻭﺍﻷﺭﺑﻌﻴﻦ!‬
‫ﻣﺘﺨﺼﺼﴼ ﻛﺒﻴﺮﴽ‬‫ﱢ‬ ‫ﺿﺪ ﺍﻟﻌﻘﻢ ﺃﻭ‬
‫ﻭﺃﻥ ﺇﻟﻬﺎﻡ ﻟﻢ ﺗﺘﺮﻙ ﻋﻼﺟﴼ ﺣﺪﻳﺜﴼ ﱠ‬
‫ﻓﻲ »ﺍﻹﻧﺠﺎﺏ ﺑﺎﻹﺧﺼﺎﺏ ﺍﻟﺼﻨﺎﻋﻲ« ﺩﻭﻥ ﺍﻟﻠﺠﻮﺀ ﺇﻟﻴﻪ‪...‬‬
‫ﺍﻟﻠﻄﻒ ﻭﺍﻟ َﻜﺮﻡ ﻣﻌﻨﺎ ﻓﻲ ﻫﺬﺍ ﺍﻟﺠﺎﻧﺐ‪.‬‬
‫ِ‬ ‫ﻟﻢ ﺗﻜﻦ ﺍﻟﺤﻴﺎ ُﺓ ﺷﺪﻳﺪ َﺓ‬
‫ﻷﻥ ﺇﻟﻬﺎﻡ ﻛﺎﻧﺖ ﺗﺤﻠﻢ ﻣﻨﺬ ﺑﺪﺀ ﺣﻴﺎﺗﻨﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﺑﺨﻤﺴﺔ ﺃﻃﻔﺎﻝ‪،‬‬
‫ﻛﻞ ﺷﻲﺀ‪ .‬ﺍﻟﺤﻴﺎ ُﺓ ِﺑﺪﻭﻧﻬﻢ ﻣﻘﻔﺮ ٌﺓ ﺟﺮﺩﺍﺀ‪،‬‬ ‫ﻫﻴ ْﺄﻧﺎ ﻟﻬﻢ ﱠ‬ ‫ﻭﺃﻧﺎ ﺑﺜﻼﺛﺔ! ﱠ‬
‫ﺍﻷﻭﻝ ﺑﻌﺪ‬ ‫ﻳﻮﻡ ﺿﻨﻜﴼ ﻭﺳﻌﻴﺮﴽ! ﻟﻢ ﻳﻨﻘﺺ ﺇﻻ ﺗﻮﺍﻓﺪﻫﻢ ﱠ‬ ‫ﻛﻞ ٍ‬ ‫ﺗﺰﺩﺍ ُﺩ ﱠ‬
‫َﻌﺪ ﻫﻨﺎﻙ‬ ‫ﺍﻷﻭﻝ ﻻ ﻏﻴﺮ!‪ ...‬ﻟﻢ ﻳ ُ‬ ‫ﺍﻷﻭﻝ ﺩﻭﻥ ﺍﻵﺧﺮ‪ ،‬ﺃﻭ ﱠ‬ ‫ﺍﻵﺧﺮ! ﺃﻭ ﺣ ّﺘﻰ ﱠ‬
‫ﺍﻟﺴﺮﺏ ﺍﻟﺬﻱ ﺣﻠﻤﻨﺎ ﺑﻪ‪.‬‬ ‫ِ‬ ‫ﺘﺼﻤﻴﻢ‬
‫ِ‬ ‫ﻤﺮﻧﺎ ﺍﻵﻥ ِﻟ‬ ‫ﻣ ﱠﺘﺴ ٌﻊ ﺑﻴﻮﻟﻮﺟﻲ ﻓﻲ ُﻋ ِ‬
‫ﻟﻢ ﻳﻜﻦ ﺃﻣﺎﻣﻨﺎ ﻏﻴﺮ ﺍﻟﺘ َﺒ ﱢﻨﻲ ﺃﻭ ﺍﻻﻧﻬﻴﺎﺭ!‪...‬‬
‫ﺮﺕ ﻛﺜﻴﺮﴽ‪ :‬ﻟﻢ ﺃﻋﺪ ﻣﻨﺬ ﺳﻨﻴﻦ ﺣﺎﺟﺰﴽ ﺃﻣﺎﻡ ﻣﺸﺮﻭﻉ‬ ‫ﺗﻐﻴ ُ‬‫ﱠ‬
‫ﻗﻠﺖ ﻹﻟﻬﺎﻡ ﻗﺒﻞ‬ ‫ﻛﻨ ُﺘ ُﻪ ﻳﻮﻣﴼ ﻋﻨﺪﻣﺎ ُ‬ ‫ﺍﻟﺘﺒ ﱢﻨﻲ! ﺃﺷﻌ ُﺮ ﺑﺎﻟﺨﺠﻞ ﺃ ﱢﻧﻲ ُ‬
‫ﻼ ﺇﻻ ﻣﻦ ُﺻ ْﻠ ِﺒﻲ‪،‬‬ ‫ﺃﻛﺜﺮ ﻣﻦ ﺧﻤﺲ ﺳﻨﻮﺍﺕ ﺃﻧﻨﻲ »ﻟﻦ ﺃﻗﺒﻞ ﻃﻔ ً‬
‫َﺖ ﺣﻴﻨﻬﺎ ﻛﺜﻴﺮﴽ ﻣﻦ ﻫﺬﺍ ﺍﻟﻨﻮﻉ‬ ‫ﺍﻟﻤﻨﻮﻳﺔ!« ﺍﺳﺘﻐﺮﺑ ْ‬ ‫ﱠ‬ ‫ﻣﻦ ﺣﻴﻮﺍﻧﺎﺗﻲ‬
‫ْﺖ ﻓﻲ‬ ‫ﺣﺪ ﺗﻌﺒﻴﺮﻫﺎ! ﺍﺳﺘﻐﺮﺑ ُ‬ ‫ﻗﺒﻠﻴﺔ« ﻋﻠﻰ ﱢ‬ ‫ﻣﻦ ﺍﻟﻨﻌﺮﺍﺕ »ﺍﻟﻤﺎﻓﻮﻕ ﱠ‬
‫ﻃﺒﻴﻌﻲ‬
‫ﱞ‬ ‫ﺃﻥ ﻣﺎ ﺃﺻﺒﻮ ﺇﻟﻴﻪ‬ ‫ﺃﻇﻦ ﱠ‬ ‫ﻛﻨﺖ ﱡ‬ ‫ُ‬ ‫ﺍﺳﺘﻐﺮﺍﺑﻬﺎ ﻷﻧﻲ‬
‫ِ‬ ‫ﺍﻟﺤﻘﻴﻘﺔ ﻣﻦ‬
‫ﺍﻟﻤ َﻜ َﱠﺜﻒ ﻓﻲ ﻧﻬﺎﻳﺔ ﺣﺪﻳ ِﺜﻨﺎ‬ ‫ﺗﻤﺎﻣﴼ‪ .‬ﺃﺫﻛﺮ ﺩﺍﺋﻤﴼ ﺗﻌﻠﻴ َﻘﻬﺎ ﺍﻟﻐﺎﻣﺾ ُ‬
‫ﺟﺪﴽ!‪«...‬‬ ‫ﻏﺮﻳﺐ ّ‬ ‫ٌ‬ ‫»ﺭﺃﻱ ﻏﺮﻳﺐ ﻟﻢ ﻳﺨﻄﺮ ﺑﺒﺎﻟﻲ!‬ ‫‪ 100‬ﺣﻴﻨﺬﺍﻙ‪ .‬ﻗﺎﻟﺖ‪ :‬ﱞ‬
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‫ﺎﺕ ﺛﻘﺎﻓﻴﺔ‪ ،‬ﻭﺃﻏﺮﻕ ﻓﻲ‬ ‫ﺛﻢ ﺻﻤ َﺘ ْﺖ ِﺑ ُﻌ ْﻤﻖ‪ِ ،‬ﻟﺘﺘﺮﻛﻨﻲ ﺃﺗﺮ ﱠﻧ ُﺢ ﻓﻲ ﱠ‬
‫ﻣﻄﺒ ٍ‬ ‫ﱠ‬
‫ﺮﺑ َﻜﺔ‪.‬‬
‫ِ‬ ‫ﻣ‬
‫ُ‬ ‫ً‬
‫ﺔ‬ ‫ﻳ‬
‫ّ‬ ‫ﻭﺟﻮﺩ‬ ‫ﺗﺴﺎﺅﻻﺕ‬
‫ٍ‬
‫ﺃﻱ ﺑﻘﻌ ٍﺔ‬ ‫ﱢ‬ ‫ﻣﻦ‬ ‫ﻣﻌﴼ‪،‬‬ ‫ﻴﻦ‬ ‫َ‬
‫ﻠ‬ ‫ﻃﻔ‬ ‫ﻲ‬‫ﻨ‬ ‫ﺘﺒ‬
‫ِ ﱢ‬ ‫ﺑ‬ ‫ﺇﻻ‬ ‫ﺮ‬ ‫ﻜ‬
‫ﺃﻣﺎ ﺍﻵﻥ ﻓﻼ ﱢ‬
‫ﺃﻓ‬
‫ﻣﻦ ﺑﻘﺎﻉ ﺍﻟﻜﻮﻥ! ﻃﻔ َﻠﻴﻦ ﻣﻦ ﻣﺌﺎﺕ ﻣﻼﻳﻴﻦ ﺍﻟﻤﺤﺮﻭﻣﻴﻦ ﺍﻟﻀﺎﺋﻌﻴﻦ‬
‫ﺸﺮﺩﻳﻦ ﻋﻠﻰ ﻫﺬﻩ ﺍﻷﺭﺽ‪ .‬ﻣﻦ ﺃﻭﻟﺌﻚ ﺍﻟﺬﻳﻦ ﺇﺫﺍ ﻟﻢ ﻳﺘﻢ ﺇﻧﻘﺎﺫﻫﻢ‬ ‫ﺍﻟﻤ ﱠ‬
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‫ﻣﻦ ﺣﻴﺎﺗﻬﻢ ﺍﻟﺘﺮﺍﺟﻴﺪﻳﺔ ﻓﺄﻣﺎﻣﻬﻢ ﻣﺼﺎﺋﺮ ﻏﻴﺮ ﺑﻬﻴﺠﺔ‪ :‬ﺍﻟﺘﺴ ﱡﻮﻝُ‬
‫ﻣﺼﻨﻊ‬ ‫ﻣﻨﺠﻢ ﺑﻌﻴﺪ ﺃﻭ ﺃﻗﺒﻴﺔ‬ ‫ﺳﻦ ﺍﻟﺴﺎﺑﻌﺔ ﻓﻲ‬ ‫ﺍﻟﻌﻤﻞ ﻣﻨﺬ ﱢ‬ ‫ُ‬ ‫ﻭﺍﻟﺠﻮﻉ‪،‬‬
‫ٍ‬ ‫ٍ‬
‫ُ‬
‫ﺍﻻﻏﺘﺼﺎﺑﺎﺕ ﺍﻟﻤﺘﺘﺎﻟﻴﺔ‪...‬‬ ‫ﻗﺼﻲ‪ ،‬ﺍﻟ ُﻌﻬ ُﺮ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ‪،‬‬ ‫ﺟﺎﺭﺍﺝ ّ‬ ‫ﱟﻱ ﺃﻭ‬‫ﺳﺮ‬
‫ﱢ‬
‫ٍ‬
‫ﺮﻫﻤﺎ‪ ،‬ﻭﻏﻤ َﺮﻫﻤﺎ‬ ‫ﺗﻨﺘﻈ ُ‬
‫ﻟﻌﻞ ﺇﻧﻘﺎﺫﻫﻤﺎ ﻣﻦ ﺍﻟﻔﻈﺎﺋﻊ ﻭﺍﻟﻤﺼﺎﺋﺐ ﺍﻟﺘﻲ ِ‬ ‫َ‬ ‫ﱠ‬
‫ﺳﻌﻴﺪ ﺑﻬﻤﺎ‬ ‫ٍ‬ ‫ﺃﺏ‬
‫ﺃﺣﻀﺎﻥ ٍ‬
‫ِ‬ ‫ﺑﺎﻟﺴﻌﺎﺩﺓ ﻓﻲ ﺃﺣﻀﺎﻥ ﺇﻟﻬﺎﻡ ﻭﻣﻠﻜﻮﺗﻬﺎ‪ ،‬ﻓﻲ‬
‫ﺃﻧﺒﻞ ﻭﺃﻋﻈ ُﻢ ﻣﻦ ﺍﻟﺒﺤﺚ ﺍﻟﻤﺴﺘﺤﻴﻞ‬ ‫ﻫﺪﻑ ُ‬ ‫ﻭﻣﺜﺎﺑﺮ ﻋﻠﻰ ﺇﺳﻌﺎﺩﻫﻤﺎ‪ٌ ،‬‬ ‫ٍ‬
‫َ‬ ‫ٌ‬ ‫ُ‬
‫ﻋﻦ ﻛﺘﺎﺑ ِﺔ ﻣﻠﺤﻤ ِﺔ ﺃﻣﺠﺎ ٍﺩ ﺑﻄﻠﻬﺎ ﺣﻴﻮﺍﻥ َﻣﻨ ِﻮ ﱞﻱ ﺑﺎﺭﻉ‪...‬‬
‫ﺍﻟﻘﺒﻠﻴﺔ‪ ،‬ﻟﻢ‬‫ﱠ‬ ‫ﻳﺎﻟﻠﻤﻔﺎﺭﻗﺔ! ﺇﻟﻬﺎﻡ‪ ،‬ﺫﺍﺕ ﺍﻟﺘﺮﺑﻴﺔ ﺍﻟﺼﻨﻌﺎﻧ ّﻴﺔ‬
 ‫ﺗﻘﻴ َﺄ ِﺕ ﺍﻟﻘﺒﻴﻠ َﺔ ﻭﺛﻘﺎﻓ َﺔ‬ ‫ﺗﻤﺘﺸﻖ ﻳﻮﻣﴼ ﻋﺎﺋﻘﴼ ﻓﻜﺮﻳّﴼ ﺿﺪ ﺍﻟﺘﺒ ﱢﻨﻲ! ﱠ‬
‫ﻭﺑﻮﻋﻲ ﻛﺎﻣﻞ‪ .‬ﻓﻲ ﺣﻴﻦ ﻇ ﱠﻠ ْﺖ ﺗﺮﺗ ُﻊ ﻓﻲ‬ ‫ﺃﻣﺪ ﻃﻮﻳﻞ ِ‬ ‫ﺍﻟﻘﺒﻴﻠﺔ ﻣﻨﺬ ٍ‬
‫ﺗﺤﻤﻞ ِﺣﺮﺍﺏ ﻗﺒﺎﺋﻞ‬ ‫ُ‬ ‫ﻻﻭﻋﻴﻲ ﺍﻟﺪﻓﻴﻦ‪ ،‬ﺃﻧﺎ ﺍﺑﻦ ﺍﻟﻤﺪﻳﻨﺔ‪ ،‬ﺃﺷﺒﺎ ٌﺡ‬
‫ﺣﺠﺮﻱ ﺗﻠﻴﺪ‪ ...‬ﻣﺸﻜﻠ ُﺔ ﺇﻟﻬﺎﻡ ﺍﻟﻮﺣﻴﺪﺓ ﺃﻧﻬﺎ ﻣﺎ ﺯﺍﻟﺖ ﺗﺘﺮ ﱠﺩ ُﺩ‬ ‫ﱟ‬ ‫ﻋﺼﺮ‬
‫ٍ‬
‫ﻧﻮﻉ ﺁﺧﺮ‬ ‫ﺭﺃﺳﻬﺎ ﻋﻮﺍﺋﻖ ﻏﺎﻣﻀﺔ ﻣﻦ ٍ‬ ‫ﻓﻲ ﺍﺧﺘﻴﺎﺭ ﻟﺤﻈﺔ ﺍﻟﺘﺒ ﱢﻨﻲ! ﻓﻲ ِ‬
‫ﺑﻜﻞ‬
‫ﻻ ﻛﻤﺎ ﻳﺒﺪﻭ! ﺗﺘﺮ ﱠﺩ ُﺩ ﻛﺜﻴﺮﴽ‪ .‬ﻗﺎﻣﺖ ﻣﻦ ﻧﺎﺣﻴﺔ ﱢ‬ ‫ﺗﺤﺘﺎﺝ ِﻟﺮﻓ ِﻌﻬﺎ ﱠﺃﻭ ً‬
‫ﺟﺪﴽ ﻓﻲ ﻓﺮﻧﺴﺎ‪ ،‬ﻟﻜ ّﻨﻬﺎ ﻟﻢ ﺗﺨﺘﺮ‬ ‫ﺍﻹﺩﺍﺭﻳﺔ‪ ،‬ﺍﻟﻤ ُﻌ ﱠﻘﺪﺓ ّ‬
‫ﱠ‬ ‫ﺇﺟﺮﺍﺀﺍﺕ ﺍﻟﺘﺒ ﱢﻨﻲ‬
‫َ‬
‫ﻣﻮﻋﺪ‬ ‫ﺍﻟﺒﻠﺪ ﺍﻟﺬﻱ ﺳﻨﺴﺎﻓﺮ ﺇﻟﻴﻪ ﺑﺤﺜﴼ ﻋﻦ ﺍﻟﻄﻔﻞ‪ ،‬ﻭﻟﻢ ُﺗ ﱢ‬
‫ﻘﺮﺭ‬ ‫َ‬ ‫َﺑ ْﻌ ُﺪ‬
‫ﺭﺑﺎﻧﻴﺔ‬ ‫ﱟﻱ ﻭﺃﺩﻋﻴ ٍﺔ ﱠ‬ ‫ﺗﺘﻮﺳ ُﻞ‪ِ ،‬ﺑ ِﺼ ْﻤ ٍﺖ ﱢ‬
‫ﺳﺮ‬ ‫ﺍﻟﺴﻔﺮ‪ .‬ﺗﻨﺘﻈ ُﺮ ﺃﺷﻴﺎﺀ ﻣﺠﻬﻮﻟﺔ‪ ،‬ﱠ‬
‫ﻣﺒﻴﻀﻬﺎ ﺑﻴﻦ ﻋﺸ ّﻴ ٍﺔ‬ ‫ِ‬ ‫ﻳﺘﻔﺠ َﺮ ﻓﻲ‬‫ﱠ‬ ‫ﻄﻔﻞ ﺃﻥ‬
‫ﺗﺴﻤﺢ ِﻟ ٍ‬ ‫ُ‬ ‫ﺧﻔﻴﺔ‪ ،‬ﻣﻌﺠﺰ ًﺓ‬ ‫ﱠ‬
‫ﻳﺴﺒﺢ ﻓﻲ ﺩﻑ ِﺀ َﺭ ِﺣ ِﻤﻬﺎ‪ ،‬ﺃﻥ ﻳﺮﻗﺺ ﻋﻠﻰ ﺇﻳﻘﺎﻉ ﺧﻔﻘﺎﻥ‬ ‫َ‬ ‫ﻭﺿﺤﺎﻫﺎ‪ ،‬ﺃﻥ‬ ‫ُ‬
‫ﻳﺘﻐﺬﻯ ﻣﻦ‬ ‫ﻬﻞ ﻣﻦ ﺧﻼﻳﺎﻫﺎ‪ ،‬ﺃﻥ ﱠ‬ ‫َﻨﺒﺖ ﻓﻲ ﺃﺿﻼﻋﻬﺎ‪ ،‬ﺃﻥ ﻳ ْﻨ َ‬ ‫ﻗﻠﺒﻬﺎ‪ ،‬ﺃﻥ ﻳ َ‬ ‫ِ‬
‫‪101‬‬ ‫ﺑﻌﺪ ﻣﺎ ﺍﻟﻌﻤﻞ! ﺍﻟﺴﻨﻮﺍﺕ ﺗﻤ ﱡﺮ! ﻟﻢ ْ‬
‫ﻧﻌﺪ‬ ‫ﻘﺮﺭ ﺇﻟﻬﺎ ُﻡ ُ‬ ‫ُ‬
‫ﻋﺮﻭ ِﻗﻬﺎ‪ ...‬ﻟﻢ ﺗ ﱢ‬
‫ً‬
‫ﻧﺤﺘﻤﻞ ﺍﻻﻧﺘﻈﺎﺭ ﻃﻮﻳﻼ‪...‬‬
‫ﻛﻨﺖ ﺳﺨﻴﻔﴼ ﻭﺃﻧﺎ ﺃﺻ ﱡﺮ‪ ،‬ﻓﻲ ﺳﻨﻮﺍﺕ ﺣﻴﺎﺗﻲ ﺍﻷﻭﻟﻰ‬ ‫ُ‬ ‫ُ‬ ‫ﻛﻢ‬
‫ﺍﻟﺬﺍﺕ ﺍﻟﻨﺮﺟﺴ ّﻴﺔ‪ ،‬ﺍﻟﺬﻱ‬ ‫َ‬ ‫ُﻜﺮ ُﺭ‬
‫ﺍﻟﻨﺴﻞ ﺍﻟﺬﻱ ﻻ ﻳ ﱢ‬ ‫ِ‬ ‫ﺭﻓﺾ‬
‫ﻣﻊ ﺇﻟﻬﺎﻡ‪ ،‬ﻋﻠﻰ ِ‬
‫ﻻ ﻳُﺨ ﱢﻠ ُﺪ ﺍﻟﻘﺒﻴﻠﺔ!‪ ...‬ﺁﻩ‪ ،‬ﺻﻔﺎﺀ ﺍﻟﻌ ْﺮﻕ! ﻳﺎﻟﻠﺴﺨﺎﻓﺔ!‪ ...‬ﻛﺜﻴﺮ ٌﺓ ﻫﻲ‬
‫ﻣﻬﺪ ﺍﻹﻧﺴﺎﻥ‬ ‫ﺍﻷﻓﻜﺎﺭ ﺍﻟﺘﻲ ﺍﻧﻐﺮﺳﺖ ﻓﻲ ﻗﺎﻉ ﺃﺩﻣﻐﺘﻨﺎ ﻣﻨﺬ ﺍﻷﺯﻝ‪ .‬ﻣﻨﺬ ِ‬
‫ﻓﻲ ﺷﺮﻕ ﺃﻓﺮﻳﻘﻴﺎ ﻗﺒﻞ ﻣﺎ ﻳﺮﺍﻭﺡ ﺍﻟﺴﺒﻌﺔ ﻣﻠﻴﻮﻥ ﺳﻨﺔ‪ .‬ﻣﻨﺬ ﺛﻘﺎﻓﺘﻪ‬
‫ﺍﻷﻭﻟﻰ ﺍﻟﺘﻲ ﺗﺸ ﱠﻜ َﻠ ْﺖ ﻓﻲ ﺃﻭﺳﺎﻁ ﻣﺠﺎﻣﻴﻊ ﺑﺸﺮﻳّﺔ ﺻﻐﻴﺮﺓ ﺗﻜﺎﻓﺢ ﺳﺒﺎﻉ‬
‫ﻭﺿﻮﺍﺭﻱ ﺍﻟﻄﺒﻴﻌﺔ ﻣﻦ ﺃﺟﻞ ﺍﻟﺒﻘﺎﺀ‪ ،‬ﺗﻬﺎﺟﻢ ﺩﻳﺎﺭ ﺍﻟﻘﺒﺎﺋﻞ ﺍﻷﺧﺮﻯ‪،‬‬
‫ﺧﺮﺟﺖ ﻟﻠﻨﺎﺱ‪،‬‬ ‫ُ‬ ‫ُ‬
‫ﺗﺆﻣﻦ ﺑﺄ ﱠﻧﻬﺎ ﺧﻴ ُﺮ ﻗﺒﻴﻠ ٍﺔ ﺃ ِ‬ ‫ﺗﺮﻓﻊ ﺭﺍﻳﺔ »ﺭﻭﺡ ﺍﻟﻘﺒﻴﻠﺔ«‪،‬‬
‫ﻭﺗﻘﺎﻟﻴﺪﻫﺎ ﻫﻲ ﺍﻷﻓﻀﻞ!‪ ...‬ﻳﺎﻟﻠﺒﻼﻫﺔ!‬ ‫ُ‬ ‫ُﻟﻐ ُﺘﻬﺎ ﺃﻋﻈﻢ ﻟﻐﺔ‪ ،‬ﻋﺎﺩﺍ ُﺗﻬﺎ‬
‫ﻭﺗﺘﺠﻤﺪ‪،‬‬
‫ﱠ‬ ‫ﺗﺘﺮﺳ ُﺐ‬
‫ﱠ‬ ‫ﻛﺜﻴﺮ ٌﺓ ﻫﻲ ﺍﻟﻤﻌﺘﻘﺪﺍﺕ ﺍﻟﻤﻮﺭﻭﺛﺔ ﺍﻟﺘﻲ ﺗﺘﻌ ﱠﺘ ُﻖ‪،‬‬
‫ﻜﺮ ُﺭﻫﺎ‬ ‫ﻣﺮ ﺍﻟﺰﻣﻦ‪ُ ،‬ﻧ ﱢ‬ ‫ﺳﻴﺔ ﻣﻊ ﱢ‬ ‫ﻫﺎﻻﺕ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ ُﻗ ْﺪ ﱠ‬ ‫ٍ‬ ‫ُ‬
‫ﺗﺄﺧﺬ‬ ‫ﺗﺘﺨ ﱠﺜﺮ‪،‬‬
‫ﺸﻜﻞ ﺃﻋﻤﻰ ﻣﻨﺬ ﺃﺑﺪ ﺍﻵﺑﺪﻳﻦ‪ ،‬ﻗﺒﻞ ﺃﻥ ﻧﻜﺘﺸﻒ ﻓﻲ ﻟﺤﻈ ٍﺔ‬ ‫ﻭﻧﺮ ﱢﺗ ُﻠﻬﺎ ِﺑ ٍ‬
‫ﻀﺤﻜ ًﺔ‬ ‫ﺃﻫﻤﻴ ٍﺔ ﺇﻃﻼﻗﴼ‪ ،‬ﺇﻥ ﻟﻢ ﺗﻜﻦ ُﻣ ِ‬ ‫ﱠ‬ ‫ﺟﺪﴽ‪ ،‬ﻏﻴ ُﺮ ﺫﺍﺕ‬ ‫ﻣﺎ ﺃﻧﻬﺎ ﺻﻐﻴﺮ ٌﺓ ّ‬
‫ﺃﺣﻴﺎﻧﴼ ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃ َﻗﻞ!‪...‬‬
‫ﻟﻌﻞ ﺍﷲ ﺍﺧﺘﺎﺭ ﺍﻟﻤﺮﺃ َﺓ ﻣﻠﻜ َﺔ ﺍﻟﺤﻴﺎﺓ ِﻟ ُﺘﻌ ﱢﻠ َﻤﻨﺎ ﺫﻟﻚ! ِﻟﺘﻜﺸﻒ‬ ‫ﱠ‬
‫ﻴﺖ‬‫ﺃﺗﺬﻛ ُﺮ ﻟﺤﻈ ًﺔ ﺷﺒﻴﻬ ًﺔ ﺗﺨ ﱠﻠ ُ‬ ‫ﱠ‬ ‫ﻭﺗﺮﺍﻫﺎﺗﻨﺎ ﺍﻟﺼﻐﻴﺮﺓ!‪...‬‬ ‫ﻟﻨﺎ ﺑﻼﻫﺎﺗﻨﺎ ﱠ‬
‫ﺃﺣﺪ ﺛﻮﺍﺑﺘﻲ ﺍﻟﻘﺪﻳﻤﺔ‪ ،‬ﺑﻔﻀﻞ ﺍﻟﻤﺮﺃﺓ! ﻛﺎﻥ ﺫﻟﻚ ﻣﻊ‬ ‫ﻓﻴﻬﺎ ﺃﻳﻀﴼ ﻋﻦ ِ‬
‫ﺃﺣﺪ ﺍﻟﻤﻄﺎﻋﻢ‬ ‫ُ‬ ‫ُ‬
‫ﻣﻌﺸﻮﻗﺘﻲ ﺍﻷﻭﻟﻰ‪ :‬ﺃ ِﻟ ْﻴﺲ!‪ ...‬ﻛ ﱠﻨﺎ ﻧﺘﻨﺎﻭﻝ ﺍﻟﻌﺸﺎﺀ ﻓﻲ ِ‬
‫ﺑﻬﻴﺞ‬
‫ﱟﻞ ﺃﻭ ٍ‬ ‫ﻣﻮﺿﻮﻉ ﻏﻴﺮ ُﻣ َﺴ‬
‫ٍ‬ ‫ﺍﻟﺤﺪﻳﺚ ﺣﻴﻨﻬﺎ ﺇﻟﻰ‬ ‫ُ‬ ‫ﺍﻟﺠﺎﻣﻌ ّﻴﺔ‪َ .‬ﺟ ﱠﺮ َﻧﺎ‬
‫ﺍﻷﺑﺪﻳﺔ‪ ،‬ﺃَ ِﻟ ْﻴﺲ‪،‬‬
‫ﱠ‬ ‫ﺍﻟﺸﺮﻕ‬
‫ِ‬ ‫ﺑﻜﻞ ﻫﺪﻭﺀ‪ ،‬ﻗﺎﻟﺖ ﻋﺎﺷﻘ ُﺔ‬ ‫ﺟﺪﴽ‪ :‬ﺍﻟﻤﻮﺕ!‪ ...‬ﱢ‬ ‫ّ‬
‫ﻭﻧﺜﺮ ﺭﻣﺎ ِﺩﻩ ﻓﻮﻕ ﺛﺮﻯ‬ ‫ﺟﺴﺪﻫﺎ ِ‬ ‫ِ‬ ‫ﺇﻧﻬﺎ ﺳﺘﻮﺻﻲ ﻋﻨﺪ ﻣﻮﺗﻬﺎ ﺑﺈﺣﺮﺍﻕ‬
‫ﺃﻫﺮﺍﻡ ﺍﻟﺠﻴﺰﺓ!‪...‬‬
‫ﺻﺪﻣ ْﺘﻨﻲ ﺗﻠﻚ ﺍﻟﺮﻏﺒﺔ‬ ‫َ‬ ‫ﻣﺮﺓ‪.‬‬‫ﻷﻭ ِﻝ ﱠ‬
‫ﺟﻦ ﺟﻨﻮﻧﻲ! ﺃﺳﻤ ُﻊ ﺫﻟﻚ ﱠ‬ ‫ﱠ‬
‫ﻣﺘﺮﺳﺒﴼ ﻋﻤ ُﺮ ُﻩ‬‫ﱢ‬ ‫ﻣﻮﺭﻭﺛﴼ‬ ‫ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﻓﻲ‬ ‫ﺖ‬‫ْ‬ ‫ﺻﺪﻣ‬
‫َ‬ ‫ﺍﻟﺠﺴﺪ!‬ ‫ﺑﺘﺮﻣﻴﺪ‬
‫ﺨﺮ ﱠﻳ ِﺘﻲ ﺍﻟﺴﻮﺩﺍﺀ ﺍﻟﺘﻲ ﺗﻌ ﱠﻠﻤ ُﺘﻬﺎ‬ ‫ﻗﻠﺖ ﻟﻬﺎ ﺣﻴﻨﻬﺎ ِﺑ ُﺴ ِ‬ ‫ﻣﻼﻳﻴﻦ ﺍﻟﺴﻨﻴﻦ‪ُ .‬‬ ‫‪102‬‬
‫ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ‪» :‬ﺃﻧﺖ ﻣﺠﻨﻮﻧﻪ؟! ﺃﻭ ﻟﻌ ﱠﻠ ِﻚ ﺗﺮﻳﺪﻳﻦ ﺇﺣﺮﺍﻕ ﺟﺴﺪﻙ‬
‫ﻮﻳﺪ ِﻩ‬
‫ﺘﻤﻬﻴﺪﻩ ﻭﺗ ْﻌ ِ‬
‫ِ‬ ‫ﺗﺪﺭﻳﺒﻴ ٍﺔ ﻟﻴﺲ ﺇﻻ‪ِ ،‬ﻟ‬
‫ﱠ‬ ‫ﻣﻦ ﺑﺎﺏ »ﺍﻟﺘﺴﺨﻴﻦ«‪َ ،‬‬
‫ﻛﺪﻭ َﺭ ٍﺓ‬
‫ﻋﻠﻰ ﻧﺎﺭ ﺟﻬﻨﻢ ﺑﻌﺪ ﺫﻟﻚ؟«‬
‫ﺲ ﻣﻦ ﺗﻌﻠﻴﻘﻲ ﻷﻧﻬﺎ )ﻣﺜﻞ ﻛﻞ ﺃﺑﻨﺎﺀ‬ ‫ﻟﻢ ﺗﻤﺘﻌﺾ ﺃَ ِﻟ ْﻴ ُ‬
‫ﺗﻌﺘﺮﻑ ﺍﻟﺪﻭﻟ ُﺔ ﻭﺍﻟﻤﺪﺭﺳ ُﺔ ﺍﻟﻌﻠﻤﺎﻧﻴﺔ‪ ،‬ﻣﻨﺬ ﺣﻮﺍﻟﻲ‬ ‫ُ‬ ‫ﻓﺮﻧﺴﺎ‪ ،‬ﺣﻴﺚ ﻻ‬
‫ْﻦ ﻛﺎﻥ‪ ،‬ﺑﻤﺎ ﻓﻴﻪ ﺍﻟﻤﺴﻴﺤﻴﺔ!( ﻟﻢ ﺗﺴﻤﻊ ﺷﻴﺌﴼ ﻋﻦ‬ ‫ﺑﺄﻱ ِﺩﻳ ٍ‬‫ﻗﺮﻥ‪ ،‬ﱢ‬
‫ﻤﻌﺖ ﺑﻪ ﻳﻮﻣﴼ ﻣﺎ‬ ‫ﻧﺎﺭ ﺟﻬﻨﻢ! ﺃﻭ َﻧ ِﺴ َﻴ ْﺖ ﻫﺬﺍ ﺍﻻﺳﻢ ﺇﺫﺍ ﻛﺎﻧﺖ ﻗﺪ َﺳ ْ‬
‫ﻭﺟﺪ ْﺕ ﻓﻲ‬ ‫ﺑﻜﻞ ﺑﺴﺎﻃﺔ ﻷﻧﻬﺎ َ‬ ‫ﺣﺪﻳﺚ ﺧﺎﺭﺝ ﺍﻟﻤﺪﺭﺳﺔ! ﺿﺤ َﻜ ْﺖ ﱢ‬ ‫ٍ‬ ‫ﻓﻲ‬
‫ﺷﺮﻗﻴﺔ ﻟﻬﺎ ﺭﻭﺍﺋﺢ ﺍﻷﺳﺎﻃﻴﺮ‪ ،‬ﺗﺮﻭﻕ ﻟﻬﺎ ﻛﺜﻴﺮﴽ! ﻟﻜﻨﻬﺎ‬ ‫ً‬ ‫ﱠ‬ ‫ً‬
‫ﺗﻌﻠﻴﻘﻲ ﻧﻜﻬﺔ‬
‫َﺖ ﻟﻤﺎﺫﺍ ﺗﻘ ﱠﺰ ْﺯ ُﺕ ﻣﻦ ﻓﻜﺮﺓ ﺇﺣﺮﺍﻕ ﺍﻟﺠﺴﺪ ﻗﺒﻞ ﺍﻟﻤﻮﺕ!‪ ...‬ﻗﺎﻟﺖ‬ ‫ﺍﺳﺘﻐﺮﺑ ْ‬
‫»ﺛﻤﺔ ﻣﻠﻴﺎﺭﺍﺕ ﻣﻦ ﺍﻟﺒﺸﺮ ﻓﻲ ﺑﻠﺪﺍﻥ ﺃﺧﺮﻯ ﺗﺘﻘ ﱠﺰ ُﺯ ﺑﻨﻔﺲ‬ ‫ﻟﻲ ﺑﻜﻞ ﺑﺮﻭﺩ‪ّ :‬‬
‫ﺪﺕ ﻓﻲ‬ ‫ﺍﻟﺠﺴﺪ ﻣﺄﺩﺑ ًﺔ ﻟﻠﺪﻳﺪﺍﻥ! ﻟﻮ ُﻭ ِﻟ َ‬ ‫ِ‬ ‫ﺗﺮﻙ‬
‫ﻃﻘﻮﺱ ِ‬ ‫ِ‬ ‫ﺍﻟﺪﺭﺟﺔ ﻣﻦ‬
‫ﺗﻠﻚ ﺍﻟﺒﻠﺪﺍﻥ ﻟﺘﻘ ﱠﺰﺯﺕ ﻣﺜﻠﻬﺎ‪ ،‬ﻣﻨﺬ ﻃﻔﻮﻟﺘﻚ‪ ،‬ﻣﻦ ﻓﻜﺮﺓ ﺗﺮﻙ ﺍﻟﺠﺴﺪ‬ ‫َ‬ ‫َ‬
 ‫ﺟﺪﴽ!‬‫ﺇﺣﺮﺍﻕ ﺍﻟﺠﺴﺪ ﻃﺒﻴﻌ ّﻴﴼ ّ‬ ‫َ‬ ‫َﺮ ﱡﻡ ﻭﻳﺘﺤ ﱠﻠ ُﻞ ﺃﺳﻔﻞ ﺍﻟﺘﺮﺍﺏ‪ ،‬ﻭ َﻟ ْ‬
‫ﻮﺟﺪ َﺕ‬ ‫ﻳِ‬
‫ﻳﺘﺤﻮﻝ ﺟﺴﺪﻱ‬ ‫ﱠ‬ ‫ﺠﺮ ِﺩ ﺃﻥ‬
‫ﺃﻧﺎ ﺑﺎﺧﺘﺼﺎﺭ ﺃﺷﻌﺮ ﺑﺎﻟﻐﺜﻴﺎﻥ ﻣﺴﺒﻘﴼ ِﻟ ُﻤ ﱠ‬
‫ﻭﻋﻴﻨﻴﻲ ﺃﺷﻼ ًﺀ َﻧ ِﺘﻨ ًﺔ ﺗﺘﺮﺍﻛﺾ ﻓﻮﻗﻬﺎ ﻓﺌﺮﺍﻥ ﺍﻷﺭﺽ ﻭﻋﻘﺎﺭﺑﻬﺎ‪،‬‬
‫ﺃﺿﺎﻓﺖ‪» :‬ﻟﻢ ﺃﺧﺘﺮ‬ ‫ْ‬ ‫ﺛﻢ‬
‫ﻣﺦ ﻋﻈﺎﻣﻬﺎ‪ «...‬ﱠ‬ ‫ﻭﺗﻤﺘﺺ ﱠ‬
‫ﱡ‬ ‫ﺗﻘﻀ ُﻢ ﺷﺮﺍﻳﻴﻨﻬﺎ‬
‫ﺫﻟﻚ ﻷﺳﺒﺎﺏ ِﻋ ْﺮ ِﻗ ﱠﻴﺔ‪ ،‬ﺃﻭ ﻷﻧﻬﺎ ﻋﺎﺩﺍﺕ ﺑﻴﺌ ِﺔ ﻣﻮ َﻟﺪﻱ ﻻ ﻏﻴﺮ!‪ «...‬ﻗﺒﻞ‬
‫ﺗﺮﻗﺺ ﻓﻴﻬﻤﺎ ﺍﺑﺘﺴﺎﻣ ٌﺔ ﻣﺎﻛﺮ ٌﺓ ﻟﺬﻳﺬﺓ‪ ،‬ﻋﺬﺑ ٌﺔ‬ ‫ُ‬ ‫ﺃﻥ ﺗﻀﻴﻒ‪ِ ،‬ﺑﻌﻴﻨﻴﻦ‬
‫ﻷﺳﺒﺎﺏ ﺷﺨﺼ ّﻴﺔ‪،‬‬ ‫ٍ‬ ‫ُ‬
‫»ﺍﺧﺘﺮﺕ ﺫﻟﻚ‬ ‫ﺼﻮﺑ ًﺔ ﺳ ّﺒﺎﺑ َﺘﻬﺎ ﺇﻟﻰ ِ‬
‫ﺻﺪﺭﻫﺎ‪:‬‬ ‫ﺟﺪﴽ‪ُ ،‬ﻣ ﱢ‬ ‫ّ‬
‫ﺫﻭﻗ ّﻴ ٍﺔ ﻭﺛﻘﺎﻓﻴ ٍﺔ َﻣ ْﺤ َﻀﺔ!‪«...‬‬
‫ﻟﻢ ﻧﺘﻨﺎﻗﺶ ﺣﻮﻝ ﺫﻟﻚ ﺍﻟﻤﻮﺿﻮﻉ ﺑﻌﺪ ﺫﻟﻚ ﺍﻟﻴﻮﻡ!‪ ...‬ﻻ ﺃﺩﺭﻱ‬
‫ُ‬
‫ﺍﻋﺘﻨﻘﺖ‬ ‫ﺗﻌﻴﺶ ﺃ ِﻟ ْﻴﺲ ﺍﻵﻥ‪ ،‬ﻫﻞ ﺳﺄﺭﺍﻫﺎ ﻳﻮﻣﴼ‪ ،‬ﻟﻜﻨﻲ ﺃﻋﺮﻑ ﺃﻧﻲ‬ ‫ُ‬ ‫ﺃﻳﻦ‬
‫ﻓﻜﺮ َﺗﻬﺎ ِﻟﻮﺣﺪﻱ‪ ،‬ﺑﻌﺪ ﺣﻮﺍﻟﻲ ‪ 15‬ﺳﻨﺔ ﻣﻦ ﻣﻐﺎﺩﺭﺗﻬﺎ‪ .‬ﺭﺑّﻤﺎ ﻷﻧﻲ ﺃﺣﻴﺎ‬
‫ﺻﺮﺕ ﻻ‬ ‫ُ‬ ‫ﻇﻞ ﻋﺎﺷﻘ ِﺔ ﺍﻟﻬﻮﺍ ِﺀ ﺍﻟﻄﻠﻖ‪ ،‬ﻣﻠﻜ ِﺔ ﺍﻟﻌﺼﺎﻓﻴﺮ‪ ،‬ﺇﻟﻬﺎﻡ!‬ ‫ﻓﻲ ﱢ‬
‫‪103‬‬ ‫ﻳﺘﻮﺭﻡ ﻓﻲ ﻣﺴﺘﻨﻘﻌﺎﺕ ﺍﻟﻄﻴﻦ‪،‬‬ ‫ﺃﺗﺼﻮ ُﺭ ﺃﻥ ﻳُﺪ َﻓﻦ ﺟﺴﺪﻱ ﻓﻲ ﺍﻟﻮﺣﻞ‪ ،‬ﺃﻥ ﱠ‬ ‫ﱠ‬
‫ُ‬
‫ﻓﻀﻞ ﺃﻥ‬ ‫ُ‬
‫ﺼﺮﺍﺻﻴﺮ ﺍﻷﺭﺽ ﻭﺟﺮﺍﺫﻳﻨﻬﺎ ﻭﺟﺮﺍﺛﻴﻤﻬﺎ‪ ...‬ﺃ ﱢ‬ ‫ً‬
‫ﺃﻥ ﻳﻜﻮﻥ ﻣﺎﺋﺪﺓ ِﻟ‬
‫ِ‬
‫ﻳﺸﺮﺏ ﺍﻟﻀﻮﺀ‪ ،‬ﺃﻥ ﻳﺤﻤ َﻠ ُﻪ ﺍﻟﻬﻮﺍ ُﺀ‬
‫َ‬ ‫ﺤﺪ ﺑﺎﻟﺮﻳﺢ‪ ،‬ﺃﻥ‬‫ﻳﺘﻄ ﱠﻬ َﺮ ﺑﺎﻟﻨﺎﺭ‪ ،‬ﺃﻥ ﻳ ﱠﺘ َ‬
‫ﺇﻟﻰ ﺃﻃﺮﺍﻑ ﺍﻟﻔﻀﺎﺀ‪ ،‬ﺇﻟﻰ ﻣﻘﺒﺮ ِﺗ ِﻪ ﺍﻟﺤﻘﻴﻘﻴﺔ‪ :‬ﺃﻭﻃﺎﻥ ﺍﻟﻌﺼﺎﻓﻴﺮ‪...‬‬
‫ﻧﺎﻫﻴﻚ ﺃﻧﻲ ﺃﻛﺮ ُﻩ ﺍﻟﻤﺂﺗﻢ ﻭﺍﻟﻤﺮﺍﺳﻴﻢ ﺍﻟﺠﻨﺎﺋﺰﻳﺔ ﻭﺍﺣﺘﻔﺎﻻﺕ ﺍﻟﻨﺤﻴﺐ‬
‫ﻭﻃﻘﻮﺱ ﺍﻟﻌﺰﺍﺀ ﺍﻟﺜﻘﻴﻠﺔ‪...‬‬

‫ﻣﻨﺎﺳﺒ ٌﺔ ﻋﻈﻴﻤ ٌﺔ ﺗﻨﺘﻈ ُﺮﻧﺎ ﻓﻲ ‪ 22‬ﻣﺎﻳﻮ ‪ُ :2000‬‬

‫ﻋﻴﺪ ﻣﻴﻼ ِﺩ‬
‫ﺃﻱ‬ ‫ﺱ ﺍﻧﺘﻈﺮﺗ ُﻪ ﻫﺬﻩ ﱠ‬
‫ﺍﻟﻤﺮﺓ ﺃﻛﺜﺮ ﻣﻦ ﱢ‬ ‫ﺗﻮﺣ ِﺪﻧﺎ ﺍﻟﻌﺎﺷﺮ! َﺣ َﺪ ٌﺙ ُﻣ ﱠ‬
‫ﻘﺪ ٌ‬ ‫ﱡ‬
‫ﺳﻨﺘﺤﺪ ُﺙ ﻓﻴﻪ ﻃﻮﻳﻼً‬
‫ﱠ‬ ‫ﻭﻗﺖ ﻣﻀﻰ‪ ،‬ﻻ ﺗﻔﺼﻠﻨﺎ ﻋﻨﻪ ﻏﻴﺮ ﺃﺳﺎﺑﻴﻊ ﻗﻠﻴﻠﺔ‪.‬‬ ‫ٍ‬
‫ﺭﻭﻣﺎﻧﺴﻲ‬
‫ﱟ‬ ‫ﻣﻄﻌﻢ‬
‫ٍ‬ ‫ﺗﺘﻮﺳﻄﻬﺎ ﺷﻤﻌﺘﺎﻥ ﺟﻤﻴﻠﺘﺎﻥ‪ ،‬ﻓﻲ‬ ‫ﺣﻮﻝ ﻃﺎﻭﻟ ٍﺔ ﺃﻧﻴﻘﺔ ﱠ‬
‫ﺍﻟﺤﻤﻴﻤﻲ ﺍﻟﻄﻮﻳﻞ ﻓﻲ‬
‫ّ‬ ‫َ‬
‫ﻭﺍﻟﺤﺪﻳﺚ‬ ‫ﻧﺤﺐ ﺍﻻﺧﺘﻼ َﺀ‬ ‫ﻧﻌﺸﻘ ُﻪ ﻣﻌﴼ‪ ،‬ﻷﻧﻨﺎ ﱡ‬
‫ﺑﻘﻮ ٍﺓ‬
‫ﺲ‪ ،‬ﻧﺘﻔﺎﻋﻞ ﱠ‬ ‫ﻧﻀﺤﻚ ﻛﺜﻴﺮﴽ‪ ،‬ﻧﺘﻨ ﱠﻔ ُ‬ ‫ُ‬ ‫ﺍﻟﻤﻄﺎﻋﻢ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ‪.‬‬
‫ﺍﻟﻐﺮﺍﻣﻴﺔ ﻭﺍﻟﻤﻔﺎﺟﺂﺕ‪ُ .‬‬
‫ﻧﻜﻮﻥ ﺃﻛﺜﺮ‬ ‫ﱠ‬ ‫ُ‬
‫ﺩﻭﻣﴼ ﺃﺛﻨﺎﺀ ﺫﻟﻚ‪ .‬ﻧﺘﺒﺎﺩﻝ ﺍﻟﻬﺪﺍﻳﺎ‬
‫ﻭﻣﻬﺎﻣﻬﺎ‬
‫ِ‬ ‫ﻣﺸﺎﻛﻞ ﺍﻟﺤﻴﺎ ِﺓ ﺍﻟﻴﻮﻣ ّﻴﺔ‬‫ِ‬ ‫ﺇﺻﻐﺎ ًﺀ ِﻟﺒﻌﻀﻨﺎ‪ ،‬ﺃﻛﺜﺮ ﺗﺠ ﱡﺮﺩﴽ ﻣﻦ‬
‫ً‬ ‫َ‬
‫ﺍﻟﺼﻐﻴﺮﺓ‪ ،‬ﺃﻛﺜﺮ ﺣﻠﻤﴼ ﻭﺣﻤﺎﺳﴼ ﻭﺭﻭﻣﺎﻧﺴﻴﺔ‪ ،‬ﺃﻛﺜﺮ َﺟﺬﻻ‪ ،‬ﺃﻛﺜﺮ‬
‫ﻳﺼﻌﺐ ﺃﻥ‬‫ُ‬ ‫ﺳﻨﻮﺍﺕ ﻛﻬﺬﻩ ﻣﻨﺎﺳﺒ ٌﺔ ﻋﻈﻤﻰ‬ ‫ٍ‬ ‫ﻫﻮﺍﺋﻴﺔ‪ ...‬ﻧﺎﻫﻴﻚ ﺃﻥ ﻋﺸﺮ‬
‫ﻨﻔﺲ ﺍﻟﻤﻘﺎﻡ‪...‬‬‫ﺟﻮﻫﺮﻱ ﺟﺪﻳﺪ ﻓﻲ ﺣﻴﺎﺗﻨﺎ ﻳﺮﺗﻔ ُﻊ ِﻟ ِ‬ ‫ﱟ‬ ‫ﺣﺪﺙ‬
‫ٍ‬ ‫ﺗﻤﺮ ﺩﻭﻥ‬
‫ﱠ‬
‫ُ‬
‫ﺧﺎﺻﺔ ﺗﻌﺸﻘﻬﺎ ﺇﻟﻬﺎﻡ‪،‬‬ ‫ً‬ ‫ً‬
‫ﺣﺠﺰﺕ ﻣﻨﺬ ﺃﻛﺜﺮ ﻣﻦ ﺷﻬﺮ ﻭﺟﺒﺔ ﱠ‬ ‫ُ‬
‫ﺭﺕ ﺃﻥ ﻳﻨﺒﻌﺚ ﻓﻲ ﺫﻟﻚ ﺍﻟﻴﻮﻡ‬ ‫ﻗﺮ ُ‬
‫ﺤﺒ ُﻪ! ﱠ‬ ‫ﺭﻭﻣﺎﻧﺴﻲ ُﺗ ﱢ‬
‫ﱟ‬ ‫ﻣﻄﻌﻢ‬
‫ٍ‬ ‫ﻓﻲ ﺃﺟﻤﻞ‬
‫ُﺨﺮﺟﻬﺎ ﻣﻦ ﻃﺮﻳﻘﻬﺎ‬ ‫ﻳﻘﻠﺐ ﺣﻴﺎ َﺗﻨﺎ ﺭﺃﺳﴼ ﻋﻠﻰ ﻋﻘﺐ‪ ،‬ﻳ ِ‬ ‫ُ‬ ‫ﻗﺮﺍ ٌﺭ ﺣﺎﺳ ٌﻢ‬
‫ﻣﻮﻋﺪ ﺍﻟﺘﺒ ﱢﻨﻲ ﺍﻟﺴﺮﻳﻊ ِﻟﻄﻔ َﻠﻴﻦ ﻓﻲ‬ ‫ِ‬ ‫ُ‬
‫ﺗﺤﺪﻳﺪ‬ ‫ﺍﻟﻤﺴﺪﻭﺩ‪ .‬ﻓﻲ ﺍﻟﺒﺪﺀ‪:‬‬
‫ﺑﻠﺪ ﻧﺴﺎﻓﺮ ﺇﻟﻴﻪ ﺑﺤﺜﴼ ﻋﻨﻬﻤﺎ ﻭﺗﺮﺗﻴﺐ ﺃﻣﻮﺭ‬ ‫ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪ ،‬ﻭﺍﺧﺘﻴﺎﺭ ٍ‬
‫ﺍﻟﻘﻮﻱ ﺍﻟﺼﺎﺭﻡ ﻋﻠﻰ‬ ‫ﱡ‬ ‫ﻣﻮﻋﺪ ﺍﻟﺴﻔﺮ‪ .‬ﺍﻹﻟﺤﺎ ُﺡ‬ ‫ِ‬ ‫ﺍﻟﻌﻮﺩﺓ ﻣﻌﻬﻤﺎ‪ .‬ﺍﺧﺘﻴﺎ ُﺭ‬
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‫ﺍﻟﻨﻘﺎﺵ‬ ‫ﺑﻜﻞ ﺧﻔﺎﻳﺎ ﻣﻌﺎﻧﺎﺗﻬﺎ ﻭﺃﺳﺮﺍﺭﻫﺎ ﺍﻟﻘﺪﻳﻤﺔ‪.‬‬ ‫ﺇﻟﻬﺎﻡ ﺑﺎﻹﻓﻀﺎﺀ ﱢ‬
‫ﺮﺑﻜﴼ ﻟﻬﺎ‪...‬‬ ‫ﻟﻜﻞ ﻣﺎ ﻳﺒﺪﻭ ﻏﺎﻣﻀﴼ‪ ،‬ﻣﺆﺭﻗﴼ‪ُ ،‬ﻣ ِ‬ ‫ﺍﻟﺘﻔﺼﻴﻠﻲ ﱢ‬ ‫ﱡ‬
‫ﺠﺪﻳﺪ ﻳﻐﻤ ُﺮ ﺣﻴﺎﺗﻨﺎ‪ ،‬ﻻﺳ ّﻴﻤﺎ ﻭﺃﻥ‬ ‫ٍ‬ ‫ﺟﻮﻫﺮﻳ ٍﺔ ِﻟ‬
‫ﱠ‬ ‫ﻛﻨﺎ ﺑﺤﺎﺟ ٍﺔ‬ ‫ّ‬ ‫‪104‬‬
‫ّ‬
‫ﺭﺑﻴﻊ ﻹﻟﻬﺎﻡ‪ ،‬ﺣﺘﻰ ﻻ ﺃﻗﻮﻝ ﺃﺳﻮﺃﻫﻢ‬ ‫َ‬ ‫ﺭﺑﻴﻊ ‪ 2000‬ﻟﻢ ْ‬
‫ﺃﺳﻌﺪ ٍ‬ ‫ﻳﻜﻦ‬
‫ﻷﻭ ِﻝ ﻣ ّﺮ ٍﺓ ﻟﻢ ﻧﻐﺎﺩﺭ ﻓﻴﻪ ﻓﺮﻧﺴﺎ‪ ،‬ﺧﻼﻝ ﺇﺟﺎﺯﺓ ﺍﻟﺮﺑﻴﻊ ﻓﻲ‬ ‫ﻗﺎﻃﺒﺔ! ﱠ‬
‫ﺻﺤﻴﺔ ﺗﺴﻤﺢ‬ ‫ﺇﺑﺮﻳﻞ‪ِ ،‬ﻟﺮﺣﻠ ٍﺔ ﺳﻴﺎﺣ ّﻴﺔ‪ ،‬ﻷﻥ ﺇﻟﻬﺎﻡ ﻟﻢ ﺗﻜﻦ ﻓﻲ ﺣﺎﻟ ٍﺔ ّ‬
‫ﺟﺪﴽ‪ِ ،‬ﺑﺤﺎﺟ ٍﺔ ﺇﻟﻰ ﺭﺣﻠ ٍﺔ ﺳﻴﺎﺣ ّﻴﺔ‬ ‫ﻛﻨﺖ ﻣﻊ ﺫﻟﻚ ﻣﺮﻫﻘﴼ ّ‬ ‫ُ‬ ‫ﺑﺬﻟﻚ!‬
‫ﺗﻨﻘﻴﻬﻴﺔ‪.‬‬
‫ﻣﻨﺘﺼﻒ ﻟﻴﻠ ٍﺔ ﻓﻲ ﺷﻬﺮ ﺇﺑﺮﻳﻞ‪ .‬ﻛﺎﻧﺖ‬ ‫ِ‬ ‫ﺍﻟﻄﺒﻴﺐ ﻓﻲ‬
‫َ‬ ‫ﺩﻋ ْﻮ ُﺕ‬
‫ﺑﺄﻭﺟﺎﻉ ﺷﺪﻳﺪ ٍﺓ ﻣﻔﺎﺟﺌ ٍﺔ ﻓﻲ ﺍﻟﺼﺪﺭ ﻭﺍﻟﻘﻠﺐ! ﺗﺘﻘ ﱠﻠ ُﺐ‬ ‫ٍ‬ ‫ﺇﻟﻬﺎﻡ ﺗﺸﻌ ُﺮ‬
‫ﻋﺒﺎﺭﺍﺕ ﻣﻠﺨﺒﻄﺔ‪ .‬ﻋﻴﻨﺎﻫﺎ ﺟﺎﺣﻈﺘﺎﻥ ﻓﻲ‬ ‫ٍ‬ ‫ﻋﻠﻰ ﺍﻟﺴﺮﻳﺮ‪ُ ،‬ﺗﺘﻤﺘ ُﻢ ﺃﺣﻴﺎﻧﺎ‬
‫ﺧﻔﺖ ﻛﺜﻴﺮﴽ‪...‬‬ ‫ﺍﻟﻔﺮﺍﻍ‪ .‬ﻟﻢ ﺃﺭﻫﻤﺎ ﻳﻮﻣﴼ ﻛﺬﻟﻚ‪ُ .‬‬
‫ﻳﺠﺪ ﺍﻟﻄﺒﻴﺐ ﺷﻴﺌﴼ ﻏﻴﺮ ﺍﻹﺭﻫﺎﻕ ﻭﺍﻟﻘﻠﻖ ﺍﻟﺸﺪﻳﺪ‪ .‬ﺃﻭﺻﻰ‬ ‫ﻟﻢ ِ‬
‫ﺣﺎﻭﻟﺖ ﺗﻬﺪﺋﺔ ﺇﻟﻬﺎﻡ ﺑﻄﺮﻳﻘ ٍﺔ‬ ‫ُ‬ ‫ﺑﻌﺾ ﺍﻟﻤﻬﺪﺋﺎﺕ ﻭﺍﻟﻔﻴﺘﺎﻣﻴﻨﺎﺕ ﻻ ﻏﻴﺮ‪.‬‬
‫ﺃﻗﻞ ﻭﻃﺄﺓ ﻣﻦ‬ ‫ﺤﻴ ٍﺔ ﺷﺒﻴﻬﺔ )ﺟﻤﻴﻌﻬﺎ ﱡ‬ ‫ﻣﻌﺎﻧﺎﺕ ِﺻ ﱠ‬ ‫ٍ‬ ‫ﺃﺣﺒ ْﺘﻬﺎ ﻓﻲ‬ ‫ﺧﺎﺻ ٍﺔ ﱠ‬‫ﱠ‬
‫ﻗﺒﻠﺘﻬﺎ ِﺑﺮ ﱠﻗ ٍﺔ ﻭﺣﻨﺎﻥ ﻓﻲ ﺃﻃﺮﺍﻑ ﺃﺻﺎﺑﻌﻬﺎ‪ ،‬ﻓﻲ ﺟﻔﻨﻴﻬﺎ‪،‬‬ ‫ُ‬ ‫ْ‬ ‫ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ(‪ :‬ﱠ‬
 ‫ﻓﻲ ﻋﻴﻨﻴﻬﺎ‪ ،‬ﻓﻲ ﻣﺤﺎﺭﺍﺗﻬﻤﺎ‪ ،‬ﻓﻲ ﺟﺒﻴﻨﻬﺎ‪ ،‬ﻓﻲ ﺁﺫﺍﻧﻬﺎ‪ ،‬ﻓﻲ ﺻﺪﻏﻴﻬﺎ‪،‬‬
‫ﺻﺪﺭﻫﺎ‪ ،‬ﻓﻲ َ‬
‫ﻧﻬﺪﻳْﻬﺎ‪ ،‬ﻓﻲ‬ ‫ِ‬ ‫ﻴﺪﻫﺎ‪ ،‬ﻓﻲ‬
‫ﺛﻐﺮﻫﺎ‪ ،‬ﻓﻲ ِﺟ ِ‬ ‫ﺧﺪﻳْﻬﺎ‪ ،‬ﻓﻲ ِ‬
‫ﻓﻲ ﱠ‬
‫ﺇﻋﺠﺎﺏ ﻏﻴ ُﺮ ﻣﺤﺪﻭ ٍﺩ‬
‫ٌ‬ ‫ﻋﺎﺷﻖ ﻭﻟﻬﺎﻥ ﻳُﺬﻛﻴ ِﻪ‬
‫ٍ‬ ‫ُ‬
‫ﻗﺒﻼﺕ‬ ‫ﺟﺴﺪﻫﺎ‪...‬‬
‫ِ‬ ‫ﻛﻞ‬
‫ﱢ‬
‫ﻤﺎﻝ ﻣﻌﺸﻮﻗﺘﻪ ﺍﻟﻼﻣﺤﺪﻭﺩ‪ .‬ﻟﻢ ﺗﻬﺪﺃ ﺇﻟﻬﺎﻡ ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ ﻋﻠﻰ ﻏﻴﺮ‬ ‫ﺑﺠ ِ‬‫َ‬
‫ﻃﻮ ُﻕ ﻋﻠﻴﻬﺎ ﺑﺄﻏﻼﻝ ﺍﻟﺮ ﱠﻗ ِﺔ ﻭﺍﻟﻌﺸﻖ‪.‬‬ ‫ﺃﺣﺎﺻ ُﺮﻫﺎ ﻭﺃُ ﱢ‬
‫ِ‬ ‫ﻋﺎﺩ ِﺗﻬﺎ ﻋﻨﺪﻣﺎ‬
‫ﻠﺖ ﺃﻣﺎﻣﻬﻤﺎ ﺃﺟﻤﻞ ﻋﺒﺎﺭﺍﺕ ﺍﻟﻐﺮﺍﻡ‪ ،‬ﺃﻛﺜﺮﻫﺎ ُﻭ ْﺟﺪﴽ ﻭﻓﺘﻜﴼ ﻭﺇﺛﺎﺭﺓ!‬ ‫ﺭ ﱠﺗ ُ‬
‫ﺗﻌﺼﻒ ﺑﻬﺎ ﻣﺸﺎﻋﺮ‬‫ُ‬ ‫ﻟﻢ ﺗﻬﺪﺃ ﺃﻳﻀﴼ! ﻛﺎﻧﺖ ﺗﺒﻜﻲ‪ ،‬ﺗﺸﻌ ُﺮ ﺑﺎﻻﺧﺘﻨﺎﻕ‪،‬‬
‫ﻣﺘﻨﺎﻗﻀﺔ‪ ...‬ﻛﺎﻧﺖ ﻓﻲ ﻭﺿﻊ ﻣﺤﻴﺮ‪ ،‬ﻏﻴﺮ ﺃﻟﻴﻒ ﻓﻌ ً‬
‫ﻼ‪...‬‬ ‫ٍ‬
‫‪ 22‬ﻣﺎﻳﻮ ‪ 2000‬ﻋﻠﻰ ﺍﻷﺑﻮﺍﺏ!‬
‫ﻋﺪﺕ ﻣﻦ ﺍﻟﺠﺎﻣﻌ ِﺔ ﻣﺒ ﱢﻜﺮﴽ ﻳﻮﻡ ﺍﻹﺛﻨﻴﻦ‪ 22 ،‬ﻣﺎﻳﻮ ‪.2000‬‬ ‫ُ‬
‫ﻭﺟﺪﺕ ﻣﻔﺘﺎﺡ ﺻﻨﺪﻭﻕ ﺍﻟﺒﺮﻳﺪ‪ ،‬ﺍﻟﺬﻱ ﻟﻢ‬ ‫ُ‬ ‫ﻟﻢ ﺗﻜﻦ ﺇﻟﻬﺎﻡ ﻓﻲ ﺍﻟﻤﻨﺰﻝ‪.‬‬
‫‪105‬‬ ‫ﻟﻤﺤﺖ ﻭﺭﻗ ًﺔ‬
‫ُ‬ ‫ﻭﺳﻂ ﻣﻨﻀﺪ ِﺓ ﻏﺮﻓ ِﺔ ﺍﻻﺳﺘﻘﺒﺎﻝ!‬ ‫ﺃﺭ ُﻩ ﻣﻨﺬ ﺳﻨﻮﺍﺕ‪ ،‬ﻓﻲ ِ‬
‫ﺑﺨﻂ ﺇﻟﻬﺎﻡ‪ ،‬ﺑﺎﻟﺤﺒﺮ ﺍﻷﺳﻮﺩ‪ ،‬ﻋﻠﻰ‬ ‫ﱢ‬ ‫ً‬
‫ﺻﻐﻴﺮ ًﺓ ﻣﺠﺎﻭﺭﺓ‪ .‬ﻛﺎﻧﺖ ﻣﻜﺘﻮﺑﺔ‬
‫ﻘﻠﻢ ﺍﻟﺤﺒﺮ ﺍﻟﺜﻤﻴﻦ ﺍﻟﺬﻱ ﺃﻫﺪﻳ ُﺘﻬﺎ‬ ‫ْ‬
‫ﺻﻔﺤ ٍﺔ ﺑﻴﻀﺎﺀ ﺳﻤﻴﻜﺔ‪ .‬ﻛﺘ َﺒﺘﻬﺎ ِﺑ ِ‬
‫ﺇﻳﺎﻩ ﻏﺪﺍﺓ ﻧﺠﺎﺣﻬﺎ ﻓﻲ ﺍﻣﺘﺤﺎﻧﺎﺕ ﻣﺴﺎﺑﻘﺎﺕ ﺗﺪﺭﻳﺲ ﺍﻟﺮﻳﺎﺿﻴﺎﺕ‪ ،‬ﻗﺒﻞ‬
‫ﺭﻳﺎﺿﻴﺎﺕ ﻓﻲ ﺛﺎﻧﻮﻳﺔ‬
‫ﱠ‬ ‫ﻛ ُﻤ َﺪ ﱢﺭﺳ ِﺔ‬‫ﺃﻥ ﺗﺤﺼﻞ ﻋﻠﻰ ﻭﻇﻴﻔﺘﻬﺎ ﺍﻟﺜﺎﺑﺘﺔ َ‬
‫ﺑﺎﺭﻳﺴﻴﺔ‪ .‬ﺗﻘﻮﻝ ﱠﺃﻭﻝ ﻓﻘﺮﺍﺕ ﺍﻟﺮﺳﺎﻟﺔ‪:‬‬
‫»ﻓﻲ ﻫﺬﺍ ﺍﻟﻴﻮﻡ ﺑﺎﻟﺬﺍﺕ‪ ،‬ﻭﻧﺤﻦ ﻓﻲ ﺍﻟﻤﻄﻌﻢ‪ ،‬ﻟﻦ ﺃﺟﺪ‬
‫ﺍﻟﻤﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﺘﻤﺜﻴﻞ ﺃﻭ ﺍﻹﺧﺒﺎﺀ! ﻟﻦ ﺃﻣﺘﻠﻚ ﺍﻟﻤﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﻨﻘﺎﺵ‬
‫ﺧﻠﻔﻴ ِﺔ ﻣﻨﻈﺮ ﺍﻟﺨﺮﺍﺏ! ﻧﻌﻢ‪ ،‬ﺍﻟﺨﺮﺍﺏ!‬ ‫ﱠ‬ ‫ﺣﻮﻝ ﺃﺣﻼﻣﻨﺎ ﺍﻟﻜﺒﺮﻯ ﻋﻠﻰ‬
‫ﺣﺎﻭﻟﺖ ﻗﺪﺭ ﻣﺎ ﺃﺳﺘﻄﻴﻊ ﺃﻥ ﺃﺧﻔﻴﻪ ﻋﻨﻚ‪ ،‬ﺃﻥ‬ ‫ُ‬ ‫ﻳﻘﺘﺮﺏ ﻣﻨﻚ!‬
‫ُ‬ ‫ﻫﺎﻫﻮ‬
‫ﻄﻰ ﻣﺘﺴﺎﺭﻋﺔ! ﻟﻦ‬ ‫ﻳﻘﺘﺮﺏ ِﺑ ُﺨ ً‬
‫ُ‬ ‫ﺃﺣ ْﻮ َﻝ ﺩﻭﻥ ﺃﻥ ﺗﺮﺍﻩ! ﻟﻢ ﺃﺳﺘﻄﻊ! ﻫﺎﻫﻮ‬
‫ُ‬
‫ﺃﻣﺘﻠﻚ ﺍﻟﺸﺠﺎﻋﺔ ﻟﺮﺅﻳﺘﻚ ﻭﺃﻧﺖ ﺗﻜﺘﺸ ُﻔﻪ! ﺳﺘﻜﺘﺸ ُﻔ ُﻪ ِﻟﻮﺣﺪﻙ ﺇﺫﴽ‪...‬‬
‫ﺍﻟﺼﻔﺢ ﻣﻊ ﺫﻟﻚ! ﻷﻥ ﻟﻌﻨ َﺔ ﺍﻟﺨﺮﺍﺏ ﻣﻠﺘﺼﻘ ٌﺔ ﺑﺠﻠﺪﻱ‬ ‫َ‬ ‫ﺃﺳﺄ ُﻟ َﻚ‬
‫ﻴﻨﺎﺕ{ ﺍﻟﺨﺮﺍﺏ! ﻳﻼﺣﻘﻨﻲ ﻣﻨﺬ‬ ‫}ﺟ ِ‬ ‫ﻣﻨﺬ ﻣﻮﻟﺪﻱ! ﻷﻧﻲ ُﻭ ِﻟ ْﺪ ُﺕ ِﺏ ِ‬
‫ﻳﺘﺤﻮ ُﻝ ﺧﺮﺍﺑﴼ‬
‫ﱠ‬ ‫ﺍﻟﻄﻔﻮﻟﺔ‪ ،‬ﻣﻨﺬ ﻣﻮﻟﺪﻱ )ﻣﻦ ﻳﺪﺭﻱ؟(‪ ،‬ﱡ‬
‫ﻛﻞ ﻣﺎ ﺃﻟﻤﺴ ُﻪ‬
‫ﺳﺄﺳﺒ ُﺒ ُﻪ ﻟﻚ!‪...‬‬
‫ﱢ‬ ‫ﺭﻏﻤﴼ ﻋ ّﻨﻲ!‪ ...‬ﺃﺳﺄﻟﻚ ﺍﻟﺼﻔﺢ ﱢ‬
‫ﻟﻜﻞ ﺍﻟﺸﻘﺎﺀ ﺍﻟﺬﻱ‬
‫ﺃﻳﻦ ﺳﺄﺫﻫﺐ؟ ﻻ ﺃﻋﺮﻑ! ﻫﻞ ﺳﺄﻋﻮﺩ؟ ﻻ ﺃﻋﺮﻑ!‪ ...‬ﻻ ﺗﻨﺘﻈﺮﻧﻲ‬
‫ﺃﻋﺮﻑ ﺷﻴﺌﴼ! ﻻ ﺃﺳﺘﻄﻴﻊ‬ ‫ُ‬ ‫ﻫﺬﺍ ﺍﻟﻤﺴﺎﺀ! ﺭﺑّﻤﺎ ﻻ ﺗﻨﺘﻈﺮﻧﻲ ﺃﺑﺪﴽ‪ .‬ﻻ‬
‫ﻣﻮﺍﺟﻬﺘﻚ ﻫﺬﻩ ﺍﻟﻠﻴﻠﺔ‪ ،‬ﻭﺭﺑّﻤﺎ ﺃﺑﺪﴽ!‬
‫ﺑﺎﻟﻔﺸﻞ‬
‫ِ‬ ‫ﺃﺷﻌ ُﺮ ﺑﺎﻟﻐﺸﺎﻭﺓ‪ ،‬ﺑﺎﻷﻟﻢ! ﺃﺷﻌ ُﺮ ﺑﺎﻟﺨﺠﻞ ﻣﻨﻚ! ﺃﺷﻌ ُﺮ‬
‫ﺍﻟﺬﺭﻳﻊ!‪...‬‬
‫ﺃﺷﻌ ُﺮ ﺑﺎﻟﺨﺠﻞ‪ ،‬ﺑﺎﻟﺨﺠﻞ‪ ،‬ﺑﺎﻟﺨﺠﻞ‪«...‬‬

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 ‫ﻣﺰﻳﺞ‬
‫ٌ‬ ‫ﻓﻲ ﺍﻟﺪﻗﺎﺋﻖ ﺍﻷﻭﻟﻰ ﻻ ﺗﻔﻬ ُﻢ ﺷﻴﺌﴼ ﻣﻤﺎ ﺣﺼﻞ ﻟﻚ‪:‬‬
‫ﺛﻢ ﺗﻨﻈ ُﺮ ﺣﻮﻟﻚ ﻳﺴﺎﺭﴽ‪،‬‬ ‫ّ‬
‫ﺍﻟﺸﻚ‪ ...‬ﱠ‬ ‫ﺩﺍﺋﺮﻱ ﻣﻦ ﻋﺪﻡ ﺍﻟﻔﻬﻢ‪ ،‬ﺍﻻﺳﺘﻐﺮﺍﺏ‪،‬‬
‫ﱞ‬
‫ُ‬
‫ﺗﺘﺠﻮﻝ ﺧﻄﻮﺗﻴﻦ‬‫ﱠ‬ ‫ﻳﻤﻴﻨﴼ‪ ،‬ﻻ ﺃﺣﺪ‪ ...‬ﺗﻤ ﱡﺮ ﺩﻗﺎﺋﻖ ﺇﺿﺎﻓﻴﺔ ﺃﺧﺮﻯ‪ ،‬ﺗﺨﺮ ُﺝ‪،‬‬
‫ﺗﺘﻘﺪ ُﻡ ﻋﻘﺎﺭﺏ ﺍﻟﺴﺎﻋﺔ‬
‫ﱠ‬ ‫ﻓﻲ ﺣﺪﻳﻘﺔ ﺍﻟﻤﻨﺰﻝ‪ ،‬ﻻ ﺃﺣﺪ‪ .‬ﺗﻌﻮﺩ‪ ،‬ﺗﻨﺘﻈﺮ‪،‬‬
‫ﺑﻀﻌﺔ ﺩﻗﺎﺋﻖ ﺃﺧﺮﻯ ﺗﺒﺪﻭ ﻟﻚ ﻃﻮﻳﻠ ًﺔ ﻗﺎﺗﻠﺔ‪ ،‬ﻻﻧﻬﺎﺋﻴﺔ‪ُ ...‬‬
‫ﺗﻌﻴﺪ ﻗﺮﺍﺀﺓ‬
‫‪107‬‬ ‫ﻋﺪﺓ ﻣ ّﺮﺍﺕ‪ ،‬ﺗﺤﻔﻈﻬﺎ ﻋﻦ ﻇﻬﺮ ﻗﻠﺐ‪...‬‬ ‫ﺍﻟﺮﺳﺎﻟﺔ ّ‬
‫ُ‬
‫ﺗﺠﺪ ﻧﻔﺴﻚ ﻭﺣﻴﺪﴽ‪...‬‬
‫ﻭﺑﻨﻮﻉ ﻣﻦ ﺍﻟﺒﺮﺩ‬
‫ٍ‬ ‫ﺼﺪﻕ ﻣﺎ ﺣﺼﻞ‪ ،‬ﺗﺸﻌﺮ ﺑﺎﻟﻘﻠﻖ‪،‬‬ ‫ﻻ ُﺗ ﱢ‬
‫ﺍﻟﺪﺍﺧﻠﻲ ﺍﻟﻤﻘﻴﺖ‪ .‬ﺗﺸ ﱡﻢ ﺭﺍﺋﺤ َﺔ ﺍﻟﺨﻴﺎﻧﺔ! ﺗﺨﻄ ُﺮ ﺑﺒﺎﻟﻚ ﻋﺒﺎﺭﺍﺕ ﻣﺜﻞ‪:‬‬
‫»ﺁﻩ‪ ،‬ﻫﺆﻻﺀ ﺍﻵﺗﻮﻥ ﻣﻦ ﺍﻟﺠﺒﺎﻝ ﺍﻟﺒﻌﻴﺪﺓ! ﻳﻌﺮﻓﻮﻥ ﺍﻟﺨﻴﺎﻧﺔ‪ ،‬ﻳﺠﻴﺪﻭﻥ‬
‫ﺍﻟﻐﺪﺭ‪ ،‬ﻳﺴﺘﻐ ﱡﻠﻮﻥ ﺑﺮﺍﺀﺗﻨﺎ‪ ،‬ﻃﻔﻮﻟﺘﻨﺎ ﺍﻷﺑﺪﻳّﺔ‪ ...‬ﻳﺨﺘﺎﺭﻭﻥ ﺍﻟﻠﺤﻈﺔ‬
‫ﺛﻢ ﺗﻤﺤﻮ‬ ‫ﻏﻴﺮ ﺍﻟﻤﺘﻮ ّﻗﻌﺔ ﻟﻠﻄﻌﻦ ﻓﻲ ﺍﻟﻈﻬﺮ! ﻳﺠﻴﺪﻭﻥ ﺫﻟﻚ!‪ «...‬ﱠ‬
‫ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺍﺕ ﺍﻵﺗﻴﺔ ﻣﻦ ﺃﻏﻮﺍﺭ ﺍﻟﻼﻭﻋﻲ! ﻷﻧﻚ ﺗﻌﺮﻑ ﺃﻥ ﺍﻟﺬﻫﻦ‪،‬‬
‫ﻓﻲ ﺍﻟﻠﺤﻈﺎﺕ ﺍﻟﻌﺼﻴﺒﺔ‪ ،‬ﻻ ﻳﺘﻮ ﱠﻗ ُﻒ ﻋﻦ ﺧﻠﻖ ﺳﻴﻨﺎﺭﻳﻮﻫﺎﺕ ﱢ‬
‫ﻣﺘﻨﻮﻋﺔ‪،‬‬
‫ﺪﺧﻨ ٌﺔ‪ ،‬ﺁﺛﻤﺔ‪ ،‬ﻣﺜﻴﺮﺓ ﻟﻠﺮﻋﺐ!‪ ...‬ﺗﻤﺴﺢ ﻣﺜﻞ ﻫﺬﻩ ﺍﻟﺘﺼﻮﺭﺍﺕ‬ ‫ﺑﻌﻀﻬﺎ ُﻣ ﱢ‬
‫ﺗﺼﺪﻕ ﺷﻴﺌﺎ‬
‫ﺗﻌﺸﻖ ﺇﻟﻬﺎﻡ ﻣﻦ ﺃﻋﻤﺎﻕ ﺃﻋﻤﺎﻗﻚ‪ ،‬ﻻ ﱢ‬ ‫ُ‬ ‫ﻭﺍﻟﻔﺮﺿ ّﻴﺎﺕ ﻷﻧﻚ‬
‫ﻣﻤﺎ ﺣﺼﻞ‪ ،‬ﻷﻧﻚ ﺗﺜﻖ ﺑﻬﺎ‪ ،‬ﺗﺆﻣﻦ ﺑﻬﺎ‪ ،‬ﻻ ﺗﺆﻣﻦ ﺇﻻ ﺑﻬﺎ‪...‬‬
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‫ﺗﺼﻌﺪ ﻣﻦ‬ ‫ﺗﺮﺗﻤﻲ ﻋﻠﻰ ﺍﻟﺴﺮﻳﺮ‪ .‬ﺗﺸﻌﺮ ﺑﺎﻟﻤﺮﺍﺭ ِﺓ ُ‬
‫ﺗﻤﻸ ﻓﻤﻚ‪،‬‬
‫ﺍﻟ َﻜ ِﺒﺪ‪ .‬ﻳﻀﻴﻖ ﺗﻨ ﱡﻔﺴﻚ‪ .‬ﻻ ﺗﺴﺘﻄﻴ ُﻊ ﺃﻥ ﺗﺘﻘ ﱠﻠﺐ ﻳﺴﺎﺭﴽ ﺃﻭ ﻳﻤﻴﻨﴼ‪ .‬ﻋﻴﻨﺎﻙ‬
‫ﻮﺟﻊ ﻓﻲ ﻋﻴﻨﻴﻚ ﻣﻦ ﺍﻟﺪﺍﺧﻞ! ﺗﺸﻌ ُﺮ‪،‬‬ ‫ﻣﻠﺘﺼﻘﺘﺎﻥ ﺑﺎﻟﺴﻘﻒ‪ .‬ﺗﺸﻌ ُﺮ ِﺑ ٍ‬
‫ﺩﻭﻥ ﺃﻥ ﺗﺮﺍﻫﻤﺎ‪ ،‬ﺃ ّﻧﻬﻤﺎ ﺃﺻﺒﺤﺘﺎ ﺷﺪﻳﺪﺗﻲ ﺍﻻﺣﻤﺮﺍﺭ‪ ...‬ﺗﻮ ﱡﺩ ﺍﻟﺒﻜﺎﺀ‪ ،‬ﻻ‬
‫ﺍﺳﺘﻄﻌﺖ َﻟ َﺠ َﺄ ْﺭ َﺕ‪،‬‬
‫َ‬ ‫ﻼ‪ ،‬ﻻ ﺗﺴﺘﻄﻴﻊ! ﻟﻮ‬ ‫ﺗﺴﺘﻄﻴﻊ! ﺗﻮ ﱡﺩ ﺍﻟﺼﺮﺍﺥ ﻗﻠﻴ ً‬
‫ﺰﺃﺭﺕ ﻣﻦ ﻗﺎﻉ ﺃﺣﺸﺎﺋﻚ! ﻟﻜﻨﻚ ﻻ ﺗﺴﺘﻄﻴﻊ‬ ‫ﺼﺮﺧﺖ ﻛﺎﻟﻤﺠﻨﻮﻥ‪َ ،‬ﻟ َ‬‫َ‬ ‫َﻟ‬
‫ﺻﻮﺕ ﺻﻐﻴﺮ!‬
‫ٍ‬ ‫ﺣ ّﺘﻰ ﺇﺧﺮﺍﺝ‬
‫ﻛﺄﺱ ﻭﻗ ﱢﻨﻴﻨ َﺔ ﺍﻟﻤﺎﺀ ﺍﻟﻤﺠﺎﻭﺭ ﻟﻠﺴﺮﻳﺮ‪.‬‬ ‫َ‬ ‫ﺗﺤﺎﻭﻝ ﺍﻟﺘﻘﺎﻁ‬
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‫ﻣﻠﺘﺼﻖ ﺑﺎﻷﺭﺽ‪ .‬ﺗﺤﺎﻭﻝ ﺭﻓ َﻌ ُﻪ‪ ،‬ﻻ‬ ‫ٌ‬ ‫ﺍﻟﻜﺄﺱ ﻳﺮﻓﺾ ﺃﻥ ﻳﺮﺗﻔﻊ ﻛﺄﻧﻪ‬ ‫ُ‬
‫ﻓﻘﺪﺕ ﻗﻮﺍﻙ‪ .‬ﻻ ﺗﻔﻬ ُﻢ‬ ‫َ‬ ‫ﺗﺴﺘﻄﻴﻊ‪ .‬ﻛﺄﻧ ُﻪ ﺟﺰ ٌﺀ ﻣﻦ ﺍﻷﺭﺽ ﺃﻭ ﻛﺄﻧﻚ‬
‫ﻛﻤﺒﻴﻮﺗﺮ‬
‫ِ‬ ‫ﺿﺪﻙ‪ .‬ﺗﻬﺮ ُﻉ ﻧﺤﻮ‬‫ﺷﻴﺌﴼ‪ ،‬ﻛﺄﻥ ﻫﻨﺎﻙ ﻣﺆﺍﻣﺮﺓ ﻛﻮﻧ ّﻴﺔ ﱠ‬
‫ﺗﺠﺪ ﺭﺳﺎﻟ ًﺔ ﺇﻟﻜﺘﺮﻭﻧﻴﺔ ﺗﺠﻌﻠﻚ ﺗﻔﻬﻢ ﻣﺎ ﻳﺪﻭﺭ ﺣﻮﻟﻚ‪.‬‬ ‫ﻏﺮﻓ ِﺘﻚ‪ ،‬ﻋ ﱠﻠﻚ ُ‬
‫ﺍﻟﻜﻤﺒﻴﻮﺗﺮ ﺷﺎﺧﺺ ﺍﻟﺒﺼﺮ! ﺃﻣﺎﻣﻚ ﻣﻞ ُﺀ ﺍﻟﺸﺎﺷﺔ ﺻﻮﺭﺓ ﺇﺣﺪﻯ‬
‫ﻭﺍﺟﻬﺎﺕ ﺷﺎﺷﺔ »ﻧﻈﺎﻡ ﻭﻳﻨﺪﻭﺯ« ﺍﻟﻤﻌﺮﻭﻓﺔ‪ :‬ﻣﻨﻈ ٌﺮ ﺟﻤﻴ ٌﻞ ِﻟ ٍ‬
‫ﺠﺪﺍﺭ‬
‫ﺍﻟﺸﺮﻗﻲ ﻧﺎﻓﺬ ٌﺓ ُﻣﻐﻠ َﻘ ٌﺔ ﻋﻤﻴﻘ ُﺔ‬
‫ﱢ‬ ‫ﺍﻟﻮﺭﺩﻳﺔ ﺗﻌﻠﻮ ُﻩ ﻓﻲ ﺍﻟﺸﻤﺎﻝ‬
‫ﱠ‬ ‫ﻛﺜﻴﻒ‬
‫ِ‬ ‫‪108‬‬
‫ﺍﻟﺰﺭﻗﺔ‪ .‬ﻓﻲ ﻭﺳﻂ ﺍﻟﺸﺎﺷﺔ ﺃﻳﻘﻮﻧﺔ »ﻓﺄﺭﺓ« ﻛﻤﺒﻴﻮﺗﺮﻙ ﺗﺮﻓﺾ ﺗﻤﺎﻣﴼ‬
‫ﺤﺮﻛﻬﺎ ﺑﺮﻋﺸﺎﺕ‬ ‫ﺗﻘﺒﺾ ﻋﻠﻴﻬﺎ ﻓﻮﻕ ﺍﻟﻤﻨﻀﺪﺓ ﺑﺨﺸﻮﻧﺔ‪ُ ،‬ﺗ ﱢ‬ ‫ُ‬ ‫ﺗﺘﺤﺮﻙ‪.‬‬
‫ﺃﻥ ﱠ‬
‫ﻗﻮﻳّﺔ‪ .‬ﻋﺒﺜﴼ‪ ،‬ﺍﻷﻳﻘﻮﻧﺔ ﺟﺎﻣﺪ ٌﺓ ﻋﻠﻰ ﻭﺍﺟﻬﺔ ﺍﻟﺸﺎﺷﺔ! ﺍﻟﻜﻤﺒﻴﻮﺗﺮ ﺳﻘﻂ‬
‫ﻛﻞ ﺷﻲ ٍﺀ ُﻣ ْﻐ َﻠ ٌﻖ ﺗﻤﺎﻣﴼ‪،‬‬‫ﺍﻟﻤﺮﺓ‪ ،‬ﱡ‬‫ﺻﺮﻳﻌﴼ ﻫﻮ ﺃﻳﻀﴼ‪ ،‬ﻗﻀﻰ ﻧﺤﺒﻪ! ﻫﺬﻩ ﱠ‬
‫ﻣﺜﻞ ﺍﻟﻨﺎﻓﺬﺓ ﺍﻟﺰﺭﻗﺎﺀ ﻋﻠﻰ ﺍﻟﺸﺎﺷﺔ‪ ...‬ﺗﺸﻌﺮ ﺣﻴﻨﻬﺎ ﺃﻥ ﻫﻨﺎﻙ ﺇﺿﺮﺍﺑﴼ‬
‫ﻼ‪ .‬ﻫﻨﺎﻙ ﻣﺆﺍﻣﺮ ٌﺓ ﻛﻮﻧ ّﻴ ٌﺔ ﺣﻘﻴﻘﻴﺔ ِﻟﺨﻨﻘﻚ‪ ،‬ﻹﻧﻬﺎﺋﻚ‬ ‫ﻛﻮﻧ ّﻴﴼ ﺷﺎﻣ ً‬
‫ﺇﻟﻰ ﺍﻷﺑﺪ‪ ،‬ﻹﺣﺮﺍﻗﻚ‪ِ ،‬ﻟﺘﺤﻮﻳﻠﻚ ﺇﻟﻰ ﺭﻣﺎﺩ‪...‬‬

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‫ﺗﺪﺭﻙ ﻓﻲ ﻃﺮﻳﻘﻚ ﺃﻧﻚ ﻣﻬﺰﻭ ٌﻡ ﺗﻤﺎﻣﴼ‪،‬‬ ‫ﺗﻌﻮ ُﺩ ﻧﺤﻮ ﺍﻟﺴﺮﻳﺮ‪.‬‬
‫ﻣﻬﺰﻭﻡ ﺣﻘﻴﻘﻲ ﺗﺒﺤﺚ ﻋﻦ ﻗ ﱢﻨﻴﻨﺔ ﻧﺒﻴﺬ ﻓﻲ‬ ‫ﻛﻞ‬
‫ﻣﺜﻞ ﱢ‬ ‫ﻣﻬﺰﻭ ٌﻡ ﺣ ّﻘﴼ! ُ‬
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‫ﺍﻷﻭﻝ ﻭﺣﻴﺪﴽ‪ .‬ﻻ‬ ‫ﻃﺮﻳﻘﻚ‪ ،‬ﺗﻔﺘﺤﻬﺎ‪ ،‬ﺗﻌﺮﻑ ﺃﻧﻚ ﺳﺘﺸﺮﺏ ﺍﻟﻜﺄﺱ ﱠ‬
‫ﻳﻤﻜﻨﻚ ﺑﻌﺪ ﺍﻵﻥ ﺃﻥ ُﺗ َﺮ ﱢﺩﺩ ﺑﻔﺨﺮ ﺃﻧﻚ ﻟﻢ ﺗﺸﺮﺏ ﻓﻲ ﺣﻴﺎﺗﻚ ﺍﻟﻨﺒﻴﺬ ﺇﻻ‬
‫ﺟﺪﴽ‪ .‬ﻟﺬﻟﻚ‬ ‫ﺗﺤﺐ ﺍﻟﻨﺒﻴﺬ ﻭﺍﻷﺻﺪﻗﺎﺀ ﻛﺜﻴﺮﴽ ّ‬
‫ﻣﻌﻬﺎ‪ ،‬ﺃﻭ ﻣﻊ ﺻﺪﻳﻖ‪ .‬ﱡ‬
 ‫ﺍﻟﻨﻮﻉ ﺍﻟﺮﺍﻗﻲ ّ‬
‫ﺟﺪﴽ‪،‬‬ ‫ِ‬ ‫ﻻ ﺗﺸﺮﺏ ﺇﻻ ﻛﺄﺳﴼ ﺃﻭ ﻛﺄﺳﻴﻦ ﻻ ﺃﻛﺜﺮ‪ ،‬ﻣﻦ‬
‫ﻋﺰﻳﺰ ﻋﻠﻰ‬
‫ﺭﻓﻴﻖ ٍ‬
‫ﻧﺪﻳﻢ ﺃﻭ ٍ‬‫ﺍﻷﺳﺒﻮﻉ ﻓﻘﻂ‪ ،‬ﻟﻜﻦ ﺑﺼﺤﺒ ِﺔ ٍ‬ ‫ِ‬ ‫ﺎﻡ‬
‫ﺑﻌﺾ ﱠﺃﻳ ِ‬
‫ﻓﻲ ِ‬
‫ﻛﻄﺎﻟﺐ ﱡ‬
‫ﻳﻐﺶ‬ ‫ﺁﺛﻢ ﺃﻭ‬ ‫ﺍﻟﺪﻭﺍﻡ‪ ...‬ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ ﺃﻧﺖ ﻣﻬﺰﻭ ٌﻡ ﺣ ّﻘﴼ! َ‬
‫ٍ‬ ‫ﺺ ٍ‬ ‫ﱟ‬ ‫ﻛ ِﻠ‬
‫ﺍﻷﻭﻝ‬
‫ﺍﻟﻜﺄﺱ ﱠ‬
‫َ‬ ‫ُ‬
‫ﺗﺘﻨﺎﻭﻝ‬ ‫ﺗﻔﺘﺢ ﺍﻟﻘ ﱢﻨﻴﻨ َﺔ ِﻟﻮﺣﺪﻙ‪،‬‬
‫ُ‬ ‫ﺍﻣﺘﺤﺎﻥ ﻭﺯﺍﺭﻱ‪،‬‬
‫ٍ‬ ‫ﻓﻲ‬
‫ﻟﻮﺣﺪﻙ‪ ...‬ﺗﺸﺮﺏ‪ ،‬ﻻ ﺗ ُﻌ ّﺪ‪ ،‬ﻻ ﺗﺪﺭﻱ ﺃﻳﻦ ﺃﻧﺖ‪ ،‬ﺃﻳﻦ ﻫﻲ‪ ،‬ﻣﺎﺫﺍ ﺣﺼﻞ‬
‫ِﻟﺤﻴﺎﺗﻬﺎ‪ِ ،‬ﻟﺤﻴﺎﺗﻚ‪...‬‬

‫ﺑﻌﺪ ﻳﻮﻣﻴﻦ ﺃﻭ ﺛﻼﺛﺔ‪ ،‬ﺭﺑﻤﺎ ﺃﻛﺜﺮ‪ ،‬ﻳﻔﺎﺟ ُﺌﻚ ﺩﺍﺧﻞ ﺍﻟﻤﻨﺰﻝ‬

‫ﻳﻮﻗﻈ َﻚ ﻣﻦ ﻏﻴﺒﻮﺑﺘﻚ ﺑﺼﻌﻮﺑﺔ‪ .‬ﺗﻜﺎﺩ ﺗﺘﻤﺘ ُﻢ ﺣﺎﻟﻤﴼ‪:‬‬ ‫ُ‬ ‫ﺇﻧﺴﺎ ٌﻥ ﻳﻬ ﱡﺰ َﻙ‪،‬‬
‫»ﺇﻟﻬﺎﻡ! ﺇﻟﻬﺎﻡ!«‪ ...‬ﺗﻨﻈﺮ ﻧﺤﻮﻩ ﺑﺄﻋﻴﻦ ﺧﺎﻣﺪﺓ‪ ،‬ﺗﻌﺮﻓﻪ ﺑﺎﻟﻜﺎﺩ‪ .‬ﺯﻣﻴﻞ‬
‫ﻋﺎﻡ ﺗﻘﺮﻳﺒﺎ!‬
‫ﻋﻤﻞ‪ ،‬ﺗﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ ﺍﻷﺻﻞ‪ ،‬ﻳﻜﺒﺮﻙ ﺑﻌﺸﺮﻳﻦ ٍ‬
‫ﻳﻌﻤﻞ ﻓﻲ ﻏﺮﻓ ِﺔ َﻧ ْﻮ ِﻣﻚ! ﺗﺤﺎﻭﻝ ﺍﺧﺘﺮﺍﻕ ﻏﺸﺎﻭﺓ‬ ‫ُ‬ ‫ﻻ ﺗﻌﺮﻑ ﻣﺎ‬
‫‪109‬‬ ‫ﺤﺪﻕ ﻓﻴﻪ ﻣﻦ ﺟﺪﻳﺪ‪ .‬ﻫﻮ ﻧﻔﺴﻪ! ﻣﺎ ﺯﺍﻝ ﻛﻤﺎ ﻫﻮ ﺃﺑﺪﴽ‪:‬‬ ‫ﻋﻴﻨﻴﻚ‪ُ ،‬ﺗ ﱢ‬
‫ﻣﻬﺬ ٌﺏ ﺇﻟﻰ ﺃﻗﺼﻰ ﺣﺪﻭﺩ ﺍﻷﺩﺏ‬ ‫ﺷﺪﻳﺪ ﺍﻟﻮﺳﺎﻣﺔ ﻭﺍﻟﺜﻘﺎﻓﺔ ﻭﺍﻟﻨﺒﻞ‪ .‬ﱠ‬
‫ﻭﺍﻷﺧﻼﻕ ﺍﻟﻔﺎﺿﻠﺔ! ﻣﺎﺫﺍ ﻳﻌﻤﻞ ﻫﻨﺎ؟‪ ...‬ﻫﻮ ﻟﻴﺲ ﺻﺪﻳﻘﴼ ﺣﻤﻴﻤﴼ‪،‬‬
‫ﺍﻟﻌﺎﻣﺔ‪ُ ،‬ﻧﺒ ِﻠ ِﻪ‪،‬‬
‫ّ‬ ‫ﺸﺪ ِﺓ ﺛﻘﺎﻓ ِﺘ ِﻪ‬
‫ﻭﺇﻥ ﻛﺎﻥ ﺍﻟﺤﺪﻳﺚ ﻣﻌﻪ ﺫﺍ ﺷﺠﻮﻥ ﺩﻭﻣﴼ ِﻟ ﱠ‬
‫ﺣﺴﺎﺳﻴ ِﺘﻪ ﺍﻟﺤﻴﺎﺗ ّﻴﺔ ﻭﺫﻭ ِﻗﻪ ﺍﻟﻌﺎﻟﻲ! ﻣﺎﺫﺍ ﻳﻌﻤﻞ ﻫﻨﺎ؟‪ ...‬ﻟﻢ ﻳﺄﺕ‬
‫ﻣﻨﺰ َﻟ َﻚ ﻣﻦ ﻗﺒﻞ ﺇﻻ ﱠ‬
‫ﻣﺮﺍﺕ ُﺗ َﻌ ﱡﺪ ﺑﺄﺻﺎﺑﻊ ﺍﻟﻴﺪ‪...‬‬
‫ﺗﺤﻴﻂ ﺯﻣﻼﺀﻙ ﻋﻠﻤﴼ ﺑﻤﻜﺎﻥ‬ ‫ُ‬ ‫ُ‬
‫ﻳﻌﺮﻑ ﺃﻧﻚ‬ ‫ﻳﻌﺮﻓﻚ ﺗﻤﺎﻣﴼ‪.‬‬
‫ﺑﺸﻜﻞ ﺩﺍﺋﻢ‪ ،‬ﺗﺮ ﱡﺩ ﻋﻠﻰ ﺑﺮﻳﺪﻙ ﺍﻹﻟﻜﺘﺮﻭﻧﻲ ﻓﻲ ﺍﻟﺤﺎﻝ‪ ،‬ﺇﻻ‬ ‫ٍ‬ ‫ﺗﻮﺍﺟﺪﻙ‬
‫ﺃﺣﺲ‪ ،‬ﻋﻨﺪﻣﺎ ﻻﺣﻆ ﺃﻥ ﺗﻠﻔﻮﻥ‬ ‫ﺑﻠﺪ ﺑﻼ ﺃﻧﺘﺮﻧﺖ‪ ...‬ﱠ‬ ‫ﺇﺫﺍ ﺗﻮﺍﺟﺪﺕ ﻓﻲ ٍ‬
‫َ‬
‫ﻣﻨﺰﻟﻚ ﻻ ﻳﺠﻴﺐ ﻣﻨﺬ ﺃﻳﺎﻡ ﻭﺃﻧﻚ ﻟﻢ ﺗﺘﺮﻙ ﺧﺒﺮﴽ ﺃﻭ ﺗ ﱠﺘﺼﻞ ﺑﺄﺣﺪ ﻭﻟﻢ‬
‫ﺛﻤﺔ ﺷﻴﺌﴼ ﻏﻴﺮ‬ ‫ﺗﺬﻫﺐ ِﻟﺒﻌﺾ ﻣﻮﺍﻋﻴﺪﻙ ﺍﻟﺠﺎﻣﻌﻴﺔ ﺍﻟﺘﻘﻠﻴﺪﻳﺔ‪ ،‬ﺃﻥ ّ‬
‫ﻋﺎﺩﻱ ﻓﻲ ﺣﻴﺎﺗﻚ! ﺭﺑﻤﺎ ﺷﻌﺮ ﺃﻳﻀﴼ ﺃﻥ ﺍﻷﺭﺽ ﺗﺨﻮ ُﺭ ﺗﺤﺖ ﻗﺪﻣﻴﻚ!‪...‬‬ ‫ﱟ‬
‫ﻟﻴﺲ ﻫﻮ ﺃﻋ ﱠﺰ ﺃﺻﺪﻗﺎﺋﻚ ﻭﺃﻛﺜ َﺮﻫﻢ ﺣﻤﻴﻤﻴﺔ‪ ،‬ﻟﻜﻨﻪ ﺃﻓﻄﻨﻬﻢ ﺩﻭﻥ ﺷﻚ‪،‬‬
‫ﺃﻛﺜﺮﻫﻢ ﺟﺮﺃ ًﺓ ﻭﻣﺒﺎﺩﺭ ًﺓ ﻭﻋﻤﻘﴼ ﻓﻲ ﺍﻟﻨﻈﺮ‪...‬‬
‫ﺑﺎﺑﻬﺎ ﺍﻟﺼﻐﻴﺮ‪.‬‬ ‫ﺣﺪﻩ ﻣﺘﺴ ﱢﻠﻘﴼ ﺣﺎﺟ َﺰ ِ‬ ‫ﺩﺧﻞ ﺣﺪﻳﻘﺔ ﺍﻟﻤﻨﺰﻝ ِﻟ َﻮ ِ‬
‫ﻳﺨﻴﻢ ﻋﻠﻰ‬ ‫ﺟﻨﺎﺋﺰﻱ ﱢ‬
‫ﱞ‬ ‫ٌ‬
‫ﺻﻤﺖ‬ ‫ﻣﻐﻠﻖ ﺗﻤﺎﻣﴼ‪.‬‬‫ﻛﻞ ﺷﻲ ٍﺀ ٌ‬ ‫ﺩﻕ ﺟﺮﺱ ﺍﻟﺒﺎﺏ‪ .‬ﱡ‬ ‫ﱠ‬
‫ﺍﻟﺤﺪﻳﻘﺔ‪ .‬ﺍﻟﻌﺼﺎﻓﻴﺮ ﻫﺠﺮﺗﻬﺎ‪ ،‬ﺍﻷﺯﻫﺎ ُﺭ ﻣﻨ ﱢﻜﺴ ُﺔ ﺍﻟﺮﺃﺱ‪ ،‬ﺍﻟﻮﺭﻭ ُﺩ ﻓﻲ‬
‫ﺛﻤﺔ‬ ‫ﻣﺮ ٍﺓ ﺯﺍﺭ ﻓﻴﻬﺎ ﻣﻨﺰﻟﻚ‪ ،‬ﺃﻥ ّ‬ ‫ﻣﺄﺗﻢ!‪ ...‬ﻋﺮﻑ‪ ،‬ﻣﻦ ﺣﺪﻳﺜﻚ ﻣﻌﻪ ﺫﺍﺕ ﱠ‬
‫ﻛﻞ‬
‫ﺗﺤﻴﻂ ﺑﺎﻟﻤﻨﺰﻝ ﻓﻲ ﱢ‬ ‫ُ‬ ‫ﻓﻲ ﺍﻟﺠﺰﺀ ﺍﻟﺨﻠﻔﻲ ﻣﻦ ﺍﻟﺤﺪﻳﻘﺔ‪ ،‬ﺍﻟﺘﻲ‬
‫َ‬
‫ﺍﻟﺠﻬﺎﺕ‪ ،‬ﺑﺎﺑﴼ ﻣﻔﺘﻮﺣﴼ ﺩﺍﺋﻤﴼ ﻳﺆﺩﻱ ِﻟﺠﺎﺭﺍﺝ ﺍﻟﻤﻨﺰﻝ‪ .‬ﺩﺧﻞ ﺍﻟﺠﺎﺭﺍﺝ!‬
‫ﺛﺮﺛﺮﺕ ﻓﻴﻪ ﻛﺜﻴﺮﴽ‬ ‫َ‬ ‫ﻋﺮﻑ ﻣﻨﻚ ﺃﻳﻀﴼ‪ ،‬ﻓﻲ ﻧﻔﺲ ﺫﻟﻚ ﺍﻟﺤﺪﻳﺚ ﺍﻟﺬﻱ‬
‫ﻭﺃﻣﺎﻥ ﻭﺟﻮﺩ ِﺓ ﺍﻟﻤﻨﻄﻘﺔ ﺍﻟﺘﻲ ﺗﺴﻜ ُﻨﻬﺎ‪ ،‬ﺃﻥ ﻓﻲ ﺟﺪﺍﺭ ﺍﻟﺠﺎﺭﺍﺝ‬ ‫ِ‬ ‫ﻋﻦ ﻫﺪﻭ ِﺀ‬
‫ﺍﻟﺮﻑ ﺍﻟﻤﺠﺎﻭﺭ‪ ،‬ﻳﺆ ﱢﺩﻱ ﺇﻟﻰ ﺇﺣﺪﻯ‬ ‫ﺑﺎﺏ ﺻﻐﻴﺮ‪ ،‬ﻣﻔﺘﺎﺣ ُﻪ ﻓﻲ ﱢ‬ ‫ﺍﻟﺪﺍﺧﻠﻲ ٌ‬
‫ﻭﺟﺪﻙَ‬ ‫ً‬
‫ﻏﺮﻑ ﺍﻟﻤﻨﺰﻝ‪ .‬ﻓﺘﺢ ﺍﻟﺒﺎﺏ‪ ،‬ﺩﺧﻞ‪ ،‬ﻓ ﱠﺘﺶ ﻋﻨﻚ ﻏﺮﻓﺔ ﻏﺮﻓﺔ!‪َ ...‬‬
‫ﺃﺧﻴﺮﴽ ﻓﻲ ﻏﺮﻓ ِﺔ ﺍﻟﻨﻮﻡ‪ ،‬ﻏﺮﻓ ِﺘﻚ ﺍﻟﺰﻭﺟﻴﺔ ﺍﻟﺤﻤﻴﻤﺔ ﺍﻟﺘﻲ ﻟﻢ ﻳﺮﻫﺎ‬
‫ﻗﺒﻠ ُﻪ ﺃﺣﺪ!‬
‫َ‬
‫ﺃﺻﺤﺎﻙ‬ ‫ﻓﺘﺤﻬﺎ‪ .‬ﺭﺁﻙ‪ .‬ﺭﺑّﻤﺎ ﻟﻦ ﻳﻨﺴﻰ ﺫﻟﻚ ﺍﻟﻤﻨﻈﺮ ﻳﻮﻣﴼ!‬ ‫‪110‬‬
‫َ‬
‫ﻛﻨﺖ ﺗﺸﻌ ُﺮ‬ ‫ﻬﺪ ﺟﻬﻴﺪ‪.‬‬ ‫ﺑﺼﻌﻮﺑﺔ‪ .‬ﻟﻢ ﺗﻔﻬﻢ ﻣﺎ ﻛﺎﻥ ﻳﻘﻮﻟ ُﻪ ﺇﻻ ﺑﻌﺪ ُﺟ ٍ‬
‫ﻭﺃﻟﻢ ﻭﻣﺮﺍﺭ ٍﺓ ﻭﻏﺸﺎﻭ ٍﺓ ﺷﺎﻣﻠﺔ‪ ...‬ﺷﺮﺡ‬ ‫ﺑﻀﻌﻒ ٍ‬ ‫ٍ‬ ‫ﺷﻨﻴﻊ ﻓﻲ ﺍﻟﺮﺃﺱ‪،‬‬ ‫ٍ‬ ‫ﻮﺟﻊ‬
‫ِﺑ ٍ‬
‫ﺃﺣﺲ ﺃﻥ‬‫ﺑﻜﻠﻤﺎﺕ ﻧﻈﻴﻔ ِﺔ ﺍﻟﻨﻄﻖ ُﻣﺨﺘﺎﺭ ٍﺓ ﺑﻌﻨﺎﻳﺔ‪ ،‬ﺃﻧﻪ ﱠ‬ ‫ٍ‬ ‫ﻟﻚ ﻛﻌﺎﺩ ِﺗﻪ‪،‬‬
‫ﻏﻴﺎﺑﻚ ﻋﻦ ﺍﻟﻌﻤﻞ ﻟﻴﺲ ﻃﺒﻴﻌﻴﴼ ﻭﺃﻧﻚ ﺗﺘﻮﺍﺟﺪ ﺣﺘﻤﴼ ﻓﻲ ﺍﻟﻤﻨﺰﻝ!‪...‬‬
‫َ‬
‫ﻛﻨﺖ‬ ‫ﻟﺖ ﺇﻟﻰ ﻃﻔﻞ!‬ ‫ﺗﺤﻮ َ‬
‫ﺑﻜﻴﺖ‪ ،‬ﱠ‬ ‫َ‬ ‫ﻋﻤﺎ ﺣﺪﺙ ﻟﻚ‪.‬‬ ‫ﺳﺄﻟﻚ ّ‬
‫ٌ‬
‫ﻭﻗﺖ ﻃﻮﻳﻞ ﻛﻲ‬ ‫َ‬
‫ﻳﻠﺰﻣﻚ ٌ‬ ‫ﺟﺪﴽ‪ ...‬ﻟﻢ‬ ‫ﺟﺮﻳﺤﴼ ُﻣﻬﺎﻧﴼ ُﻣﺴﺘﺴﻠﻤﴼ ﺿﻌﻴﻔﴼ ّ‬
‫ﻛﺮ ﺗﻔﺎﺻﻴﻞ ﺍﻟﺮﺳﺎﻟﺔ! ﺗﺤﻔﻈﻬﺎ ﻏﻴﺒﴼ ﺭﻏﻢ ﻏﻴﺎﺑﻚ ﻋﻦ ﺍﻟﺤﻴﺎﺓ‬ ‫َ‬
‫ﺗﺘﺬ ﱠ‬
‫َ‬
‫ﺩﻣﺎﻏﻚ‬ ‫ﺍﻟﺮﻗﻤﻴ ُﺔ« ﺍﻟﻤﻄﺒﻮﻋ ُﺔ ِﺏ»ﺳﻜﺎﻧﻴﺮ«‬ ‫ﱠ‬ ‫ﺑﻀﻌﺔ ﺃﻳّﺎﻡ‪» .‬ﺻﻮﺭ ُﺗﻬﺎ‬
‫ﺣﺎﻭﻟﺖ ﺃﻥ ﺗﺸﺮ َﺡ ﻟ ُﻪ ﻣﺎ ﺣﺪﺙ‪ .‬ﻟﻢ‬ ‫َ‬ ‫ﺗﻤﻸ ُﻣﻘﻠ َﺘ ْﻴﻚ‪ ،‬ﺭﻏﻢ ﺩﻭﺧ ِﺘﻚ ﺍﻟ ُﻜ ﱠ‬
‫ﻠﻴﺔ‪.‬‬
‫ﻫﺠﺮﺗﻚ ﻓﻲ ﻏﻴﺒﻮﺑﺘﻚ‪ ،‬ﺗﺨ ﱠﻠﺖ ﻋﻨﻚ ﺇﻟﻰ‬ ‫َ‬ ‫ﻛﺄ ﱠﻥ ﺍﻟﻠﻐ َﺔ‬‫ﺗﺠﺪ ﺍﻟﻜﻠﻤﺎﺕ‪َ ،‬‬
‫ﻓﻤﻚ ﺑﺼﻌﻮﺑﺔ‪،‬‬ ‫ﻜﻠﻤﺎﺕ ﻣﺘﺤﺸﺮﺟ ٍﺔ َﺗ ِﺼ ُﻞ َ‬ ‫ٍ‬ ‫ﺣﻜﻴﺖ ﻟﻪ ﻣﺎ ﺟﺮﻯ ِﺑ‬ ‫َ‬ ‫ﺍﻷﺑﺪ‪.‬‬
‫ﺘﺴﺎﺭﻉ ﻏﻴﺮ ﻣﻨﺘﻈﻢ‪َ .‬ﺗ َﻠ ْﻮ َﺕ ﻟ ُﻪ ﺍﻟﺮﺳﺎﻟﺔ ﻋﻦ‬ ‫ﺛﻢ ﺗﺨﺮ ُﺝ ِﺑ‬ ‫ﺗﺘﺮﺍﺑﻂ ﺑﺒﻂﺀ‪ ،‬ﱠ‬‫ُ‬
‫ٍ‬
‫ﻇﻬﺮ ﻗﻠﺐ‪...‬‬
 ‫ﻗﻠﺖ ﻟﻪ ﺑﻌﺪ ﺫﻟﻚ‪:‬‬ ‫َ‬
‫َﺖ!‪ ...‬ﻻ ﺃﺩﺭﻱ ﻟﻤﺎﺫﺍ!‪...‬‬ ‫‪ -‬ﻫﺮﺑ ْ‬
‫ﺭ ﱠﺩ‪:‬‬
‫‪ -‬ﻫﻞ ﻗﺎﻟﺖ ﻟﻚ ﻳﻮﻣﴼ ﺇﻧﻬﺎ ﻻ ﺗﺮﻳﺪ ﺍﻟﺤﻴﺎﺓ ﻣﻌﻚ‪ ،‬ﺃﻭ ﺇﻧﻬﺎ ﻟﻢ َﺗ ُﻌﺪ‬
‫ﺗﺤ ﱡﺒﻚ؟‬
‫ٌ‬
‫ُﺬﻳ ُﺒﻨﺎ ﻣﻌﴼ ﻋﺸﻖ ﻋﻨﻴﻒ ﻣﻨﺬ ﺃﻛﺜﺮ ﻣﻦ ﻋﺸﺮ‬‫ٌ‬ ‫‪ -‬ﺃﺑﺪﴽ‪ ،‬ﺑﺎﻟﻌﻜﺲ!‪ ...‬ﻳ ِ‬
‫ﻜﺮﺳﺔ ﻟﻶﺧﺮ‪ ،‬ﻛﺄ ﱠﻧ ُﻪ ﻻ ﻳﺤﻴﺎ‬ ‫ٌ‬ ‫ﺍﻟﻮﺍﺣﺪ ﻣ ّﻨﺎ ُﻣ ﱠ‬
‫ِ‬ ‫ﻛﻞ ﺛﻮﺍﻧﻲ ﺣﻴﺎ ِﺓ‬ ‫ﺳﻨﻴﻦ! ﱡ‬
‫ﺇﻻ ﺑ ِﻪ‪ ،‬ﻓﻴ ِﻪ‪ ،‬ﻣﻦ ﺃﺟ ِﻠﻪ‪...‬‬
‫ﺛﻢ ﺃَ َﺿ ْﻔ َﺖ‪:‬‬
‫ﱠ‬
‫ﺸﻜﻞ ﺣﻠﺰﻭﻧﻲ ﻧﺤﻮ ﻗﻌﺮ ﺍﻟﻬﺎﻭﻳﺔ‪...‬‬ ‫ُ‬ ‫ُ‬
‫‪ -‬ﺃﺷﻌﺮ ﺍﻵﻥ ﺃﻧﻲ ﺃﻫﺮﻭﻝ ِﺑ ٍ‬
‫ﺻﺪﻳ ُﻘ َﻚ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ ﺑﻬﺪﻭﺀ‪:‬‬ ‫ﺭ ّﺩ ِ‬
‫‪ -‬ﻋﻤﻮﻣﴼ‪ ،‬ﻫﺬﻩ ﻟﻴﺴﺖ ﺭﺳﺎﻟﺔ ﻓﺘﺎ ٍﺓ ﻫﺎﺭﺑﺔ!‬
‫‪111‬‬ ‫‪ -‬ﻣﺎ ﺃﺧﺸﺎﻩ ﻫﻮ ﺃﻧﻬﺎ ﻋﻨﺪﻣﺎ ﺗﻐﺎﺩﺭ ﺷﻴﺌﴼ ﻓﻬﻲ ﺗﻘﻄ ُﻊ ﻋﻼﻗﺘﻬﺎ ﺑﻪ‬
‫َﺖ ﻣﻦ ﺣﻴﺎﺗﻬﺎ ﺍﻟﺴﺎﺑﻘﺔ‬ ‫ﺑﺸﻜﻞ ﻛﺎﻣﻞ! ﻫﺬﺍ ﻣﺎ ﻋﻤ َﻠ ْﺘ ُﻪ ﻋﻨﺪﻣﺎ ﻫﺮﺑ ْ‬ ‫ٍ‬
‫ﻓﻲ ﺍﻟﻴﻤﻦ! ﻗﻄ َﻌ ْﺖ ﻋﻼﻗﺘﻬﺎ ﺑﺘﻠﻚ ﺍﻟﺤﻴﺎﺓ ﺗﻤﺎﻣﴼ‪ ...‬ﻋﻨﺪﻣﺎ ﺗﻐﺎﺩ ُﺭ ﻓﻬﻲ‬
‫ﺗﻬﺮﺏ ﻓﻬﻲ‬ ‫ُ‬ ‫ﺗﻘﻄﻊ ﺣﺒﻞ ﺍﻻﺗﺼﺎﻝ ﻛﻠ ّﻴ ًﺔ! ﺗﻨﺴﻰ ﻣﺎﺿﻴﻬﺎ! ﻋﻨﺪﻣﺎ‬
‫ﺗﻬﺮﺏ!‪...‬‬
‫ُ‬
‫ﻫﺮﻭﺏ ﻣﻦ ﺗﻌﺸﻖ ﻫﻮ‬ ‫َ‬ ‫ﺧﻄﺮ ﻓﻲ ﺑﺎﻟﻚ ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﺤﻈﺔ ﺃﻥ‬
‫ﻫﺮﻭﺏ ﺇﻟﻬﺎﻡ‬
‫ُ‬ ‫»ﻫﺮﻭﺏ« ﺃَ ِﻟ ْﻴﺲ ﻧﺤﻮ ﺍﻟﺸﺮﻕ!‬
‫َ‬ ‫ﺗﺬﻛ َ‬
‫ﺮﺕ‬ ‫ﻗﻀﺎﺅﻙ ﻭ َﻗ َﺪ ُﺭﻙ! ﱠ‬ ‫َ‬
‫ﻭﺩﺍﻉ ﺃﻭ‬ ‫ٌ‬ ‫ٌ‬
‫ﺍﻟﻤﺮﺓ ﻣﺨﺘﻠﻒ ﺗﻤﺎﻣﴼ‪ ،‬ﻣﻔﺎﺟﺊ ﺩﻭﻥ ﺃﺩﻧﻰ ﺇﺷﻌﺎﺭ‪ ،‬ﺑﻼ ٍ‬ ‫ﻫﺬﻩ ﱠ‬
‫ﻟﺤﻈﺎﺕ ﻓﻘﻂ‬ ‫ٍ‬ ‫ﻣﻮﻋﺪ‪ .‬ﺿﺮﺑ ٌﺔ ﻗﺎﺿﻴ ٌﺔ ﺗﻘ ُﻊ ﻋﻠﻰ ﺟﻤﺠﻤ ِﺘﻚ ﻗﺒﻴﻞ‬
‫ﻟﻠﺘﻮﺣﺪ! ُﺗﺴ ِﻘ ُﻄ َﻚ‬
‫ﱠ‬ ‫ﻣﻦ ﺍﻻﺣﺘﻔﺎﻝ ﺏ»ﺍﻟﺬﻛﺮﻯ ﺍﻟﻴﻮﺑﻴﻠﻴﺔ ﺍﻷﻭﻟﻰ«‬
‫ﺻﺮﻳﻌﴼ ِﺑﺴﺮﻋﺔ ﺍﻟﺒﺮﻕ‪ ،‬ﺗﺴﺤ ُﻘ َﻚ ﻧﻬﺎﺋ ّﻴﴼ‪...‬‬
‫ﺭ ﱠﺩ ﻋﻠﻴﻚ‪:‬‬
‫ﺟﺪﴽ ﺃﻥ ﻫﺬﻩ ﻟﻴﺴﺖ ﺭﺳﺎﻟ ُﺔ ﻓﺘﺎﺓ ﻫﺎﺭﺑﺔ‪ .‬ﻫﺬﻩ ﺭﺳﺎﻟ ُﺔ ﻋﺎﺷﻘ ٍﺔ‬ ‫ﻭﺍﺿﺢ ّ‬ ‫ٌ‬ ‫‪-‬‬
‫ُ‬
‫ﻌﺬﺑ ٍﺔ ُﻣﻤ ﱠﺰﻗﺔ‪ .‬ﻛﺎﺗﺒﺔ ﻫﺬﻩ ﺍﻟﺮﺳﺎﻟﺔ ﻓﻲ ﻭﺭﻃ ٍﺔ ﻭﺟﻮﺩ ّﻳ ٍﺔ ﻗﺼﻮﻯ!‪...‬‬ ‫ُﻣ ﱠ‬
‫ﺿﻐﻮﻃﺎﺕ ﻣﺎ‪ ،‬ﻣﻦ ﺁﻻﻡ ﻣﻌ ّﻴﻨﺔ‪ ،‬ﺃﻧﻬﺎ ﻻ‬ ‫ٍ‬ ‫ﺃﻟﻢ ﺗﺸﻌﺮ ﺃﻧﻬﺎ ﺗﻌﺎﻧﻲ ﻣﻦ‬
‫ﺗﻄﻴﻖ ﺃﺷﻴﺎ ًﺀ ﻣﺎ ﺗﻜﺎ ُﺩ ُﺗ ﱢ‬
‫ﺪﻣﺮﻫﺎ؟‪...‬‬
‫ﺃﺣﺴﺴﺖ ﺑﺄﻧﻚ ﺻﻐﻴ ٌﺮ ّ‬
‫ﺟﺪﴽ‪،‬‬ ‫َ‬ ‫ﺃﺳﺌﻠ ٌﺔ ﺗﻨﺨ ُﺰ ﺍﻟﻠﺤﻢ ﻛﺪﺑﺎﺑﻴﺲ!‬
‫ﺃﻋﻴﻦ ﻣﻦ ﺗﻌﺸﻘﻪ! ﺗﺤﻴﺎ ﻣﻌﻬﺎ‪ُ ،‬ﺗ َﻘ ﱢﺪ ُﺳﻬﺎ‬ ‫ﻏﻴ ُﺮ ﺫﻱ ﻗﻴﻤ ٍﺔ ﺣﻘﻴﻘﻴﺔ ﻓﻲ ِ‬
‫ﻣﻨﺬ ﺃﻛﺜﺮ ﻣﻦ ﻋﺸﺮ ﺳﻨﻴﻦ‪ ،‬ﻟﻜﻨﻚ ﻻ ﺗﻌﺮ ُﻓﻬﺎ ﺣ ّﻘﴼ! ﻫﻲ ﻗﺮﻳﺒ ٌﺔ ﻣﻨﻚ‬
‫ﺑﺸﻜﻞ ﻻﻧﻬﺎﺋﻲ! ﻟﻢ ﺗﺴﺘﻄﻊ ﻣﺴﺎﻋﺪ َﺗﻬﺎ‬ ‫ٍ‬ ‫ﺑﺸﻜﻞ ﻻﻧﻬﺎﺋﻲ‪ ،‬ﻭﺑﻌﻴﺪ ٌﺓ ﻋﻨﻚ‬ ‫ٍ‬
‫َ‬
‫ﺗﺮﻛﺖ‬ ‫ﻳﻌﺘﻤﻞ ﻓﻲ ﺃﻋﻤﺎﻗﻬﺎ‪.‬‬ ‫ُ‬ ‫ﺟﻮﺍﺭ ِﺣﻬﺎ‪ ،‬ﻣﺎ‬
‫ِ‬ ‫ﻓﻲ‬ ‫ﺭ‬
‫ُ‬ ‫ﻳﺪﻭ‬ ‫ﻣﺎ‬ ‫ﻟﻚ‬ ‫ﻔﻀﻲ‬ ‫ِﻟ ُﺘ‬
‫ﺗﻔﺠ َﺮ ِﺕ ﺍﻟﻌﺎﺻﻔﺔ‪ .‬ﻫﺎ‬ ‫ﺍﻷﻟ َﻢ ﻳﻨﺨ ُﺮ ﻓﻲ ﺍﻟﻌﻈﻢ ﺩﻭﻥ ﻣﻮﺍﺟﻬﺔ‪ .‬ﻟﺬﻟﻚ ﱠ‬
‫ﺃﻧﺖ ﺍﻵﻥ ﺗﺪﻓ ُﻊ ﺍﻟﺜﻤﻦ‪ :‬ﺍﻧﻬﻴﺎ َﺭﻙ ﺍﻟﻤﻌﻨﻮﻱ ﻭﺍﻟﺠﺴﺪﻱ‪...‬‬
‫ﺍﻟﻔﻀﻲ ﻓﻲ ﺃﻋﻠﻰ‬ ‫ﱠ‬ ‫ﺣﻚ ﺯﻣﻴ ُﻠﻚ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ َﺷﻌ َﺮ ُﻩ‬ ‫ﱠ‬
‫ﻗﺎﺩﺭ ﻋﻠﻰ ﺍﻹﺟﺎﺑﺔ‪ .‬ﺃﺿﺎﻑ ﻭﻫﻮ ﻳﻨﻈﺮ ﻓﻲ‬ ‫ﻛﻨﺖ ﻏﻴﺮ ٍ‬ ‫َ‬ ‫ﺟﺒﻴﻨﻪ‪ ،‬ﻓﻴﻤﺎ‬
‫ﻭﺟﻬﻚ ﺑﻌﻴﻨﻴﻪ ﺍﻟﻼﻣﻌﺘﻴﻦ ﻭﺍﺑﺘﺴﺎﻣﺘﻪ ﺍﻟﺨﻔﻴﻔﺔ‪» :‬ﻣﻦ ﺍﻷﻓﻀﻞ ﺃﻥ‬ ‫َ‬
‫ﺗﻈﻞ ﻓﻲ ﻫﺬﻩ ﺍﻟﺤﺎﻟﺔ‬ ‫ﺗﺴﺘﻴﻘﻆ ﺍﻵﻥ ﻭﺗﻔ ّﻜﺮ ﺑﺎﻟﺒﺤﺚ ﻋﻨﻬﺎ‪ ،‬ﻋﻠﻰ ﺃﻥ ﱠ‬ ‫‪112‬‬
‫ﺟﺪﴽ!‪«...‬‬ ‫ﻏﻴﺮ ﺍﻻﻳﺠﺎﺑﻴﺔ ّ‬

‫ﻓﺘﺢ ﻧﻮﺍﻓﺬ ﺍﻟﻐﺮﻓﺔ ﻹﺯﺍﻟﺔ ﺭﺍﺋﺤﺔ ﺍﻟﻨﺒﻴﺬ ﻭﺗﺠﺪﻳﺪ ﺍﻟﻬﻮﺍﺀ‪.‬‬

‫ﻛﻞ ﻣﺎ ﻗﺎﻟﻪ‪.‬‬
‫ﺻﻮﺍﺏ ﻓﻲ ﱢ‬
‫ٍ‬ ‫َ‬
‫ﺗﺴﺎﺀﻟﺖ ﺇﻥ ﻟﻢ ﻳﻜﻦ ﻋﻠﻰ‬ ‫ﺗﺜﻖ ﺑﻪ ّ‬
‫ﺟﺪﴽ‪،‬‬ ‫ﻷﻧﻚ ُ‬
‫ﺃﺏ ﻣﻨﺬ ﺍﻟﻌﺎﺷﺮﺓ ﻣﻦ ﺍﻟ ُﻌﻤﺮ! ﺑﺪﺍ ﻟﻚ ﺯﻣﻴ ُﻠﻚ‬ ‫ﺮﺕ ﺃﻧﻚ ﺑﺪﻭﻥ ٍ‬ ‫ﺗﺬﻛ َ‬
‫ﱠ‬
‫ﻣﺮﺷﺤﴼ ﺭﺍﺋﻌﴼ ﻟﺬﻟﻚ ﺍﻟﻤﻮﻗﻊ ﺍﻟﺸﺎﻏﺮ‪ ،‬ﻟﻮﻻ ﺃﻧﻪ‬ ‫ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ ﱠ‬
‫ﺃﻗﻞ ﺷﺒﺎﺑﴼ ﻣﻨﻚ ﺑﻜﺜﻴﺮ‪ ،‬ﻭﻛﺄﻥ ﺍﻟﺴﻨﻴﻦ ﻻ ﺗﺘﺠﺮﺃ ﺃﻥ ﺗﺘﺮﻙ‬ ‫ﻻ ﻳﺒﺪﻭ ﱠ‬
‫ﺑﺼﻤﺎﺗﻬﺎ ﻋﻠﻰ ﺟﺒﻴ ِﻨ ِﻪ ﺍﻟﻤﻀﻲﺀ‪...‬‬
‫ﻧﻈﻒ ﺷﻴﺌﴼ ﺃﻭ ﺷﻴﺌﻴﻦ‬ ‫ﻃﻠﺐ ﻣﻨﻚ ﺃﻥ ﺗﺼﻌﺪ ﻟﻼﺳﺘﺤﻤﺎﻡ‪ .‬ﱠ‬ ‫َ‬
‫ﺗﺮﺗﻴﺐ ﺑﻌﺾ ﺍﻷﺷﻴﺎﺀ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ‬‫َ‬ ‫ﻓﻲ ﺃﺭﺽ ﺍﻟﻐﺮﻓﺔ‪ .‬ﺃﻋﺎﺩ ﺃﻳﻀﴼ‬
‫ﻳﻈﻞ ﻓﻲ ﺍﻟﻐﺮﻓﺔ ﺷﻲ ٌﺀ ﻣﺎ ﻣﻦ ﺃﺷﻼﺀ‬‫ﻟﻢ ﺗﻜﻦ ﻓﻲ ﻣﺤ ﱢﻠﻬﺎ‪ .‬ﺃﺭﺍﺩ ﺃﻥ ﻻ ﱠ‬
‫ﻏﻴﺒﻮﺑﺘﻚ‪ُ .‬ﺛ ﱠﻢ ﺫﻫﺐ ِﻟ ُﻴ ِﻌ ﱠﺪ ﺍﻟﻘﻬﻮﺓ ﻓﻲ ﺍﻟﻤﻄﺒﺦ‪...‬‬
‫ﺍﻟﺤﻤﺎﻡ‪ .‬ﻋﻴﻨﺎﻙ ﻣﺪﻋﻮﻛﺘﺎﻥ‪،‬‬‫ﺭﺃﻳﺖ ﻣﻨﻈ َﺮﻙ ﺷﻨﻴﻌﴼ ﻓﻲ ﻣﺮﺁﺓ ّ‬ ‫َ‬
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‫ﺍﻟﻘﻠﻖ‬ ‫ﻣﺘﻮﺭﻣﺘﺎﻥ‪ ،‬ﺗﺤﻴﻂ ﺑﻬﻤﺎ ﺣﻠﻘﺘﺎﻥ ﺳﻮﺩﺍﻭﺗﺎﻥ ﻳﺠﺜﻢ ﻋﻠﻴﻬﻤﺎ‬
‫ﺳﺠﻴ ِﺘﻚ‪ .‬ﺗﺒﺪﻭ‬
‫ﱠ‬ ‫ﻭﺍﻟﺘﺬﻣﺮ‪ .‬ﺗﺒﺪﻭ ﺻﺎﺭﻣﴼ ﻗﺎﺳﻴﴼ ﻋﻠﻰ ﻏﻴﺮ‬ ‫ﱡ‬ ‫ﻭﺍﻻﻛﺘﺌﺎﺏ‬
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‫ُﻚ ﻫﺎﺟﻤ ْﺘ ُﻪ‬ ‫ﺛﺄﺭ ﻣﻊ ﺍﻟﻜﺮﺓ ﺍﻷﺭﺿﻴﺔ‪ .‬ﻭﺟﻬ َ‬ ‫ﻣﻘﻬﻮﺭﴽ‪ ،‬ﺗﺤﻴﻰ ﻗﻀ ّﻴ َﺔ ٍ‬
‫ﺗﺠﺎﻋﻴﺪ ﺟﺪﻳﺪﺓ ﺗﺰﻳﺪ ﻣﻦ ﺿﻴﻖ ﻓﺠﻮ ِﺓ ﻓﺎﺭﻕ ﺍﻟﻌﻤﺮ ﻣﻊ »ﺃﺑﻴﻚ«‬ ‫ُ‬
‫ﺍﻻﻓﺘﺮﺍﺿﻲ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ‪...‬‬
‫َ‬
‫ﺃﻓﺼﺢ ﻟﻚ ﺫﻗ ُﻨﻚ ﻋﻨﺪ ﺭﺅﻳﺘﻪ ﺃﻥ ﻏﻴﺒﻮﺑﺘﻚ ﺩﺍﻣﺖ ﻋﻠﻰ ﺍﻷﻗﻞ‬ ‫َ‬
‫ﺍﻟﺸ ْﻌ ُﺮ ﻳﺮﻓﺾ‬‫ﺗﺤﻠﻖ‪ ،‬ﺗﺤﻠﻖ‪ ...‬ﻋﺒﺜﴼ! ﱠ‬‫ُ‬ ‫ُ‬
‫ﺗﺤﻠﻖ‪،‬‬ ‫َ‬
‫ﺣﺎﻭﻟﺖ ﺣﻼﻗﺘﻪ‪.‬‬ ‫‪ 3‬ﺃﻳّﺎﻡ!‬
‫ﺣﻠﻘﺖ ﺃﺣﻴﺎﻧﴼ ﺫﻗﻨﴼ ﻋﻤﺮﻩ‬ ‫َ‬ ‫ﺃﻥ ﻳﻘﺘﻠﻊ ﻣﻦ ﺟﻠﺪﻙ‪ .‬ﻓﻲ ﺣﻴﺎﺗﻚ ﺍﻷﻭﻟﻰ‬
‫ﻣﻮﺱ‬
‫ﺍﻟﻤﺮﺓ ﻓﻲ ُﻋ ْﻤ ِﺮ ِ‬ ‫ﺣﺪ ْﻗ َﺖ ﻫﺬﻩ ﱠ‬ ‫ﺃﻛﺜﺮ ﻣﻦ ﺃﺳﺒﻮﻉ‪ ،‬ﺩﻭﻥ ﺻﻌﻮﺑﺔ‪ .‬ﱠ‬
‫ﻮﺱ ﺟﺪﻳ ٌﺪ ﺗﻤﺎﻣﴼ‪ ،‬ﺷﻔﺮ ُﺗ ُﻪ ﻻﻣﻌﺔٌ‬ ‫ﺍﻟﻤ ُ‬
‫ﺤﺮﻱ ﺍﻟﺴﺒﺐ‪ُ :‬‬ ‫ﺍﻟﺤﻼﻗﺔ ِﻟ َﺘ ﱢ‬
‫ﻋﺮﺯﴽ ﺻﺎﻣﺪﴽ‬ ‫ﻗﻦ ﻋﻨﻮﺩﴽ ِ‬ ‫ﺑﺪ ْﻟ َﺘ ُﻪ ﺭﻏﻢ ﺫﻟﻚ‪ .‬ﻣﺎﺯﺍﻝ َﺷﻌ ُﺮ ﱢ‬
‫ﺍﻟﺬ ِ‬ ‫ﻧﻈﻴﻔﺔ! ﱠ‬
‫ﻧﻔﺲ ﺍﻟﻘ ﱢﻨﻴﻨﺔ‬‫ﻗﺖ ﻓﻲ ﻣﻌﺠﻮﻥ ﺍﻟﺤﻼﻗﺔ‪ُ :‬‬ ‫ﺣﺪ َ‬
‫ﻳﺮﻓﺾ ﺍﻻﻧﺴﺤﺎﺏ‪ .‬ﱠ‬
‫‪113‬‬ ‫ﺍﻟﺠ ّﻴﺪﺓ ﺍﻟﺘﻲ ﺗﺸﺘﺮﻳﻬﺎ ﺇﻟﻬﺎ ُﻡ ﻟﻚ ﻣﻦ ﺳﻨﻴﻦ! ﻻ ﺗﻔﻬﻢ ﺷﻴﺌﴼ ﻣﻤﺎ‬
‫ﻛﻤﻴ َﺔ ﻣﻌﺠﻮﻥ ﺍﻟﺤﻼﻗﺔ‪ .‬ﻻ ﻓﺎﺋﺪﺓ! ﺍﻟﻠﻌﻨ ُﺔ ﻣﺎ‬ ‫ﱠ‬ ‫َ‬
‫ﺿﺎﻋﻔﺖ‬ ‫ﻳﺤﺪﺙ ﻟﻚ‪.‬‬
‫ﺍﻟﻜﺎﺋﻨﺎﺕ‬
‫ِ‬ ‫ﺍﻟﺠﻦ ﻭﺍﻟﻌﻔﺎﺭﻳﺖ ﻭﺑﻘ ّﻴ َﺔ‬
‫ﱠ‬ ‫ﺯﺍﻟﺖ ﺟﺎﺛﻤ ًﺔ ﻋﻠﻴﻚ!‪ ...‬ﺗﺸﻌ ُﺮ ﺃﻥ‬
‫ﺍﻟﻼﻣﺮﺋﻴﺔ ُﺗﻘﻬﻘ ُﻪ ﺍﻵﻥ ﻓﻲ ﺍﻟﺨﻔﺎﺀ ﻋﻨﺪ ﺭﺅﻳﺘﻚ ﻓﻲ ﻫﺬﻩ ﺍﻟﺤﺎﻟﺔ! ﻻ‬
‫ُﻐﺮ ُﻗﻬﺎ‬
‫ﺗﺮﻳﺪﻙ ﺃﻥ ﺗﺘﻮ ﱠﻗﻒ ﻋﻦ ﻫﺬﺍ ﺍﻟﺪﻭﺭ ﺍﻟﺘﻬﺮﻳﺠﻲ ﺍﻟﻤﻤﺘﻊ ﺍﻟﺬﻱ ﻳ ِ‬ ‫ُ‬
‫ﻓﻲ ﺍﻟﻀﺤﻚ ﻣﻨﺬ ‪ 3‬ﺃﻳّﺎﻡ!‪...‬‬

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‫ﺗﺘﻨﺎﻭﻝ ﺍﻟﻘﻬﻮ َﺓ ﻣﻊ ِ‬
‫ﺯﻣﻴﻞ ﻋﻤ ِﻠﻚ ﺑﻌﺪ ﺍﻻﺳﺘﺤﻤﺎﻡ‪ .‬ﺗﺸﻌ ُﺮ ﺃﻧﻚ‬
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‫ﺗﻌﺮﻑ ﺃﻥ‬ ‫ﻋﺎﻟﻢ ﻻ ﺗﻌﺮﻓﻪ‪ ،‬ﻓﻲ ﺣﻴﺎ ٍﺓ ﺃﺧﺮﻯ‪.‬‬ ‫ﺗﺴﺘﻴﻘﻆ ﻭﺣﻴﺪﴽ ﻓﻲ‬
‫ٍ‬
‫ﺍﻟﺤﺪ ﺍﻷﺩﻧﻰ ﻣﻦ ﻣﻬﺎﻣﻚ ﺍﻟﻤﻬﻨ ّﻴﺔ‬ ‫ﱢ‬ ‫ﻋﻠﻴﻚ ﺃﻥ ﺗﻌﻮﺩ ﻣﻊ ﺫﻟﻚ ﻷﺩﺍﺀ‬
‫ﻓﻲ ﺍﻟﺠﺎﻣﻌﺔ‪ .‬ﺃﻥ ﺗﺤﺎﻭﻝ ﻓﻬﻢ ﺍﻟﺰﻟﺰﺍﻝ ﺍﻟﺬﻱ ﺣﺪﺙ ﻓﻲ ﺣﻴﺎﺗﻚ‪ .‬ﺃﻥ‬
‫ﺇﻟﻬﺎﻣﻚ »ﺍﻟﻬﺎﺭﺑﺔ« )ﺣﺴﺐ ﺗﻌﺒﻴﺮﻙ(‪» ،‬ﺍﻟﻤﺘﻮﺍﺭﻳﺔ« )ﺣﺴﺐ‬ ‫َ‬ ‫ﺗﻨﺘﻈ َﺮﻫﺎ‬
‫ﺗﺆﻣﻦ ﺃﻥ ﻋﻠﻴﻚ ﺃﻥ ﺗﺒﺤﺚ ﻋﻨﻬﺎ‬ ‫ﺗﻌﺮﻳﻒ ﺯﻣﻴﻠﻚ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ(‪ُ .‬‬
‫ﺣ ّﺘﻰ ﻟﻮ ﻛﺎﻧﺖ ﻓﻲ ﻃﺮﻑ ﺍﻟﻜ َﺮ ِﺓ ﺍﻷﺭﺿﻴﺔ‪...‬‬
‫ﻛﻞ ﺃﻟﻴﺎﻓﻚ ﺍﻟﻌﺼﺒﻴﺔ‬ ‫ﺍﻷﺳﺌﻠﺔ ﺍﻟﺘﻲ ﺗﺴﻴﻄﺮ ﻓﺠﺄﺓ ﻋﻠﻰ ﱢ‬
‫ﻭﺃﻧﺖ ﺗﺼﺤﻮ ﺭﻭﻳﺪﴽ ﺭﻭﻳﺪﴽ‪ :‬ﺃﻳﻦ ﻫﻲ؟ ﻣﺎﺫﺍ ﻟﻮ ﺃﺻﺎﺑﻬﺎ ﻣﻜﺮﻭﻩ؟ ﻟﻤﺎﺫﺍ‬ ‫َ‬
‫ﻟﻢ َﺗ ُﻌﺪ ﺑﻌﺪ؟ ﻫﻞ ﺳﺘﻌﻮﺩ؟‪...‬‬
‫ﺗﻘﻮ ُﺩ ﺯﻣﻴ َﻠﻚ ﻧﺤﻮ ﺑﺎﺏ ﺍﻟﺤﺪﻳﻘﺔ ِﻟﺘﻮ ﱢﺩﻋﻪ‪ .‬ﺧﻄﻮﺍﺗﻚ ﺛﻘﻴﻠ ٌﺔ‪،‬‬
‫ﻘﻞ ﻭﻣﺮﺍﺭﺓ‪ ،‬ﺃﻧﻚ‬‫ﺷﺒ ُﻪ ﻣﺘﺮ ﱢﻧﺤﺔ‪ .‬ﺗﺸﻌ ُﺮ‪ ،‬ﻭﺃﻧﺖ ﺗﺮﻯ ﻧﻔﺴﻚ ﺗﺴﻴﺮ ﺑ ُﺜ ٍ‬
‫ﺳﺘﺒﺪﺃ ﻣﺮﺣﻠ ًﺔ ﺟﺪﻳﺪ ًﺓ ﻣﻦ ﻋﻤﺮﻙ‪ ،‬ﻟﻢ ﺗﻜﻦ ﻣﺒﺮﻣﺠ ًﺔ ﻣﻦ ﻗﺮﻳﺐ ﺃﻭ‬
‫ﺑﻌﻴﺪ‪ ،‬ﻟﻢ ﺗﺨﻄﺮ ﺑﺒﺎﻟﻚ ﻳﻮﻣﴼ!‬
‫ﺳﺘﺒﺪﺃ ﻣﺮﺣﻠﺔ ﺍﻟﺨﺮﺍﺏ!‬

‫ﺳﻴﻔﺎﺟﺌﻚ ﺯﻣﻴ ُﻠﻚ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ ﻓﻲ ﻣﻜﺘﺒﻚ ﺑﺎﻟﺠﺎﻣﻌﺔ‪،‬‬

‫ﻳﻮﻡ ﻋﻴﺪ ﻣﻴﻼﺩﻙ ﻓﻲ ﻳﻮﻧﻴﻮ ‪ ،2000‬ﺑﻌﺪ ﺃﺳﺎﺑﻴﻊ ﻗﻠﻴﻠﺔ‪ ،‬ﺑﺈﻫﺪﺍﺋﻚ‬
‫َ‬
‫ﺍﻟﻌﺮﻳﺾ‬ ‫ﺳﺘﻔﺘﺢ ﺍﻷﻟﺒﻮ َﻡ‬
‫ُ‬ ‫»ﺷﺨﺼﻲ ّ‬
‫ﺟﺪﴽ«!‬ ‫ﱞ‬ ‫ﻛﺘﺐ ﻋﻠﻴﻪ‪:‬‬‫َ‬ ‫ﺃﻟﺒﻮﻣﴼ‬
‫ﻛﻞ ﺻﻔﺤ ٍﺔ ﻣﻨﻪ ﺗﺤﻮﻱ ﺻﻮﺭﺗﻴﻦ ﺑﺎﻷﺑﻴﺾ ﻭﺍﻷﺳﻮﺩ‪ ،‬ﻣﻦ‬ ‫‪ 114‬ﺍﻟﻔﺨﻢ‪ ...‬ﱡ‬
‫ﺃﺧﺬ ْﺗﻬﺎ ﻋﺪﺳ ٌﺔ ﻣﺎﻫﺮ ٌﺓ‬ ‫ﺍﻟﻤﻬﻨﻴﺔ‪َ ،‬‬
‫ﱠ‬ ‫ﺍﻟﺤﺠﻢ ﺍﻟﻜﺒﻴﺮ‪ 40 .‬ﺻﻮﺭ ٍﺓ ﺷﺪﻳﺪ ُﺓ‬
‫ﻣﺘﻌﺪﺩﺓ‪...‬‬ ‫ﱢ‬ ‫ﺷﻐﻮﻓ ٌﺔ ﻣﺪﻫﺸﺔ ﻣﻦ ﺯﻭﺍﻳﺎ‬
‫ﺗﻌﺮﻑ ﺃﻥ ﺯﻣﻴ َﻠﻚ ﺍﻟﺮﺍﺋﻊ‪ ،‬ﺇﺿﺎﻓ ًﺔ ﻟﻜﻮﻧ ِﻪ ﺑﺮﻭﻓﻴﺴﻮﺭ ﺭﻳﺎﺿﻴﺎﺕ‬
‫ﺷﻬﻴﺮ‪ ،‬ﻫﻮ ﻋﺎﺷﻖ ﺗﺼﻮﻳﺮ! ُﺗﻘﺎﻡ ﻟﻪ ﻣﻌﺎﺭﺽ ﺻﻮﺭ ﺑﻴﻦ ﺍﻟﺤﻴﻦ ﻭﺍﻵﺧﺮ‬
‫ﻓﻲ ﺑﺎﺭﻳﺲ‪ ،‬ﺑﺮﺍﻍ‪ ،‬ﻟﻨﺪﻥ‪ ،‬ﻧﻴﻮﻳﻮﺭﻙ‪ ...‬ﻻ ﺗﻔﺎﺭﻗﻪ ﺍﻟﻜﺎﻣﻴﺮﺍ ﻓﻲ ﺗﻨ ﱡﻘﻼﺗﻪ‪.‬‬
‫ﺗﺼﻮﻳﺮﻙ‬
‫ِ‬ ‫ﻧﻔﺴ ُﻪ ﻣﻦ ُ‬
‫»ﻣﺘ َﻌ ِﺔ«‬ ‫ُﺤﺮ َﻡ َ‬
‫ﻬﻨﻲ ﺣﻘﻴﻘﻲ‪ ،‬ﺃﻥ ﻳ ِ‬ ‫ﱟ‬ ‫ﻛﻤ‬
‫ﻟﻢ ﻳﺴﺘﻄﻊ‪ِ ،‬‬
‫ﻋﻨﺪﻣﺎ ﺭﺁﻙ ﺟ ّﺜ ًﺔ ﻫﺎﻣﺪﺓ ﻓﻲ ﻏﺮﻓﺘﻚ‪ .‬ﻟﻜﻨﻪ ﺍﻣﺘﻠﻚ ﺍﻷﻧﺎﻗﺔ ﻭﺍﻟﺸﻬﺎﻣﺔ‬
‫ﺟﺪﴽ« ﻣﺮﻓﻘﴼ ﺑﻌﻠﺒﺔ ﺍﻟﻔﻴﻠﻢ ﺍﻷﺻﻠﻲ!‬ ‫»ﺍﻟﺸﺨﺼﻲ ّ‬
‫ّ‬ ‫ِﻟ ُﻴﻬﺪﻳﻚ ﺍﻷﻟﺒﻮ َﻡ‬
‫ٌ‬
‫ﻮﺭ ﺍﻷﻟﺒﻮﻡ‪ ...‬ﻫﻮ ﺃﻧﻴﻖ ﻟﻴﺲ‬ ‫ﻣﺮﺓ ﻭﺍﺣﺪﺓ ﻓﻘﻂ ﻹﻋﺪﺍ ِﺩ ُﺻ ِ‬ ‫ﺍﺳﺘﺨﺪ َﻣ ُﻪ ﱠ‬
‫َ‬
‫ﻓﻘﻂ ﻓﻲ ﺍﻟﻨﻈﺮﻳّﺎﺕ ﺍﻟﺮﻳﺎﺿﻴﺔ ﺍﻟﺘﻲ ﺗﺤﻤﻞ ﺍﺳﻤﻪ‪ ،‬ﺍﻟﻤﺸﻬﻮﺭ ِﺓ‪ ،‬ﻟﺪﻯ‬
‫ﺍﻟﻤﺘﺨﺼﺼﻴﻦ ﻓﻲ ﺃﺑﺤﺎﺙ »ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﺍﻟﺨﺎﻟﺼﺔ«‪ِ ،‬ﺑﺄﻧﺎﻗﺘﻬﺎ ِﻓ ْﻜﺮ ًﺓ‬
‫ﻋﻤﻴﻢ ﺷﺎﻣﻞ‪...‬‬ ‫ﺗﺎﻡ‬
‫ﱟ‬ ‫ﱟﻲ‬
‫ﻛ ﱢﻠ‬‫ﺑﺸﻜﻞ ُ‬‫ٍ‬ ‫ﻭﺻﻴﺎﻏ ًﺔ ﻭﺑﺮﻫﺎﻧﴼ‪ .‬ﻫﻮ ٌ‬
‫ﺃﻧﻴﻖ‬
‫ٍ‬
‫ﺗﻌﺞ ﻛﺮﻭﻣﺎﺯﻭﻣﺎﺗﻬﻢ ِﺑ ِﺠﻴﻨﺎﺕ ﺍﻷﻧﺎﻗﺔ!‬ ‫ﺛﻤ َﺔ ﺑﺸ ٌﺮ ﱡ‬
‫ﱠ‬
 ‫ﺤﺖ ﺍﻷﻟﺒﻮﻡ‪ .‬ﺃﻣﺎﻣﻚ ﺟ ّﺜ ٌﺔ ﻣﻨﺒﻄﺤ ٌﺔ ﻭﺳﻂ ﺍﻟﺴﺮﻳﺮ‪،‬‬ ‫ﺗﺼ ﱠﻔ َ‬
‫ﻛﻞ ﺃﺭﺟﺎﺀ ﺍﻟﻐﺮﻓﺔ‪ .‬ﻟﻴﺴﺖ‬ ‫ﺍﻟﻤﻮﺕ ﻳُﺤ ﱢﻠ ُﻖ ﻓﻲ ﱢ‬ ‫ُ‬ ‫ﻓﺎﻏﺮ ٌﺓ َ‬
‫ﻓﺎﻫﻬﺎ ِﻟﻠ َﻌﺪﻡ‪.‬‬
‫ﻻﻣﺴ ْﺘﻬﺎ ﻭﺷ ﱠﻜ َﻠ ْﺘﻬﺎ ﻭﺍﻋ َﺘ َﻨ ْﺖ ﺑﻬﺎ ﺃﺻﺎﺑ ُﻊ‬ ‫َ‬ ‫ﻧﻔﺲ ﺍﻟﻐﺮﻓﺔ ﺍﻟﺘﻲ ﻃﺎﻟﻤﺎ‬
‫ﻧﺒﻴﺬ ﻣﺘﻨﺎﺛﺮﺓ‪،‬‬ ‫ﻋﺪ ُﺓ ﻗ ﱢﻨﻴﻨﺎﺕ ٍ‬ ‫ﺃﻗﺪﺍﺱ ﺍﻟﻤﻨﺰﻝ!‪ ...‬ﱠ‬ ‫ِ‬ ‫ﺪﺱ‬‫ﺇﻟﻬﺎﻡ ِﻟﺘﺠﻌ َﻠﻬﺎ ُﻗ َ‬
‫ﻛﻞ ﺷﻲ ٍﺀ ﺗﻄﻔﻮ‬ ‫ﱢ‬ ‫ﻣﺒﻌﺜﺮ ٍﺓ ﻋﻠﻰ ﺍﻟﻤﻨﻀﺪﺓ ﻭﺣﻮﻝ ﺍﻟﺴﺮﻳﺮ‪ .‬ﻓﻲ‬
‫ﺍﻟﻤﻜﻔﻬﺮﺓ‪،‬‬
‫ﱠ‬ ‫ﻭﻣﻼﻳﺎﺕ ﺍﻟﺴﺮﻳﺮ‬ ‫ِ‬ ‫ﺍﺕ‬
‫ﻣﺨﺪ ِ‬
‫ﱠ‬ ‫ﺍﻟﺨﺮﺍﺏ ﻭﺍﻟﻤﺂﺗﻢ‪ :‬ﻓﻲ‬ ‫ِ‬ ‫ﺭﺍﺋﺤ ُﺔ‬
‫ﺍﻟﻤﺸﻘ َﻠﺒ َﺘﻴﻦ ﺍﻟﻤﺠﺎﻭﺭ َﺗﻴﻦ ﻟﻠﺴﺮﻳﺮ‪ ،‬ﻓﻲ ﺍﻟﻤﻨﻀﺪﺗﻴﻦ‬ ‫ﻓﻲ ﺍﻷﺭﻳﻜﺘﻴﻦ ُ‬
‫ﺍﻟﺼﻐﻴﺮﺗﻴﻦ ﺍﻟﻤﻠﺘﺼﻘﺘﻴﻦ ﺑﺎﻟﺴﺮﻳﺮ‪ ،‬ﻣﻦ ﺟﻬﺔ ﺇﻟﻬﺎﻡ ﻭﻣﻦ ﺟﻬ ِﺘ َﻚ‪،‬‬
‫ﻭﺍﻋﻮﺟ ْﺖ ﻓﻮﻗﻬﻤﺎ‬ ‫ﱠ‬ ‫ﺍﻟ ﱠﻠﺘ ْﻴ ِﻦ ﺗﺒ ْﻌ َﺜ َﺮ ْﺕ ﻛﺘ ُﺒﻬﻤﺎ ﻭ ُﺗﺤ ُﻔﻬﻤﺎ ﺍﻟﺼﻐﻴﺮﺓ‬
‫ﻛ ﱠﻤ َﺘﺎ ﺍﻟﻤﺼﺒﺎﺣﻴﻦ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﻴﻦ!‪...‬‬ ‫ُ‬
‫ُ‬
‫ﺗﻤﺘﻠﺊ‬ ‫ﺃﺭﺽ ﺍﻟﻐﺮﻓ ِﺔ ﻭﺍﻟﻤﻨﻀﺪ ِﺓ ﺍﻟﻜﺒﻴﺮ ِﺓ ﺍﻟﻤﻮﺍﺟﻬ ِﺔ ﻟﻠﺴﺮﻳﺮ‬ ‫ُ‬
‫ﺻﻮ َﺭ ُﻫﻤﺎ‬
‫ﻣﺮﺳﻮﻣﻴﻦ ﻣﻦ ﻗﻄﻊ ﺍﻟﻨﻘﻮﺩ ﺍﻟﻤﻌﺪﻧﻴﺔ‪ ،‬ﱠ‬ ‫َ‬ ‫ﺑﺸ ْﻜ َﻠﻴﻦ ﻏﺮﻳ َﺒﻴﻦ‬
‫‪115‬‬ ‫ﻼ ﺑﻤﻴﻜﺮﻭﺳﻜﻮﺑﻴ ٍﺔ ﻣﺬﻫﻠﺔ!‬ ‫ﺯﻣﻴ ُﻠﻚ ﺍﻟﺘﺸﻴﻜﺴﻠﻮﻓﺎﻛﻲ ﺟﻤﻠ ًﺔ ﻭﺗﻔﺼﻴ ً‬
‫َﻮﻱ ﻣﻮﺍﺟﻪ‪،‬‬ ‫ﱟ‬ ‫ﺟﺎﻧﺒﻲ ﺃﻭ َﺟ ْﺒﻬ‬
‫ﱟ‬ ‫ﺸﻜﻞ‬
‫ﻣﻘﻄﻌﴼ‪ِ ،‬ﺑ ٍ‬ ‫ﻣﻘﻄﻌﴼ َ‬ ‫ﺍﻟﺘﻘﻂ ﻣﻨﻈﺮﻳﻬﻤﺎ َ‬
‫ﻋﻤﻮﺩﻱ ﺃﻭ ﻣﺎﺋﻞ!‪...‬‬‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬
‫ﺇﻧﺴﺎﻥ ﻣﻔﺮﻭﺵ ﺍﻟﻴﺪﻳﻦ ﺃﻓﻘ ّﻴﴼ‬ ‫ٍ‬ ‫ُ‬
‫ﺷﻜﻞ‬ ‫ﺍﻟﻤﻨﻀﺪﺓ‬ ‫ﻋﻠﻰ‬
‫َ‬
‫ﻼ‪ ،‬ﺧﺎﺋﺮﺗﺎﻥ ﺗﻤﺎﻣﴼ‪ .‬ﻋ ْﻴﻨﺎ ُﻩ ُﻣﻜ ﱠﻮﺭﺗﺎﻥ‬ ‫ﻛﻤﺼﻠﻮﺏ‪ ،‬ﺭﺟﻼﻩ ﻣﻨﻔﺘﺤﺘﺎﻥ ﻗﻠﻴ ً‬
‫ُ‬
‫ﻳﺤﻤﻞ ﻓﺠﺎﺋﻌ ُﻪ‬ ‫ﻛ ُﺠ ﱠﺜﺔ‪،‬‬ ‫ﻣﺮﻣﻲ َ‬
‫ﱞ‬ ‫ﻛ َﻮﺣﺶ‪،‬‬ ‫ﺣﺰﻳﻨﺘﺎﻥ‪ ...‬ﺇﻧﺴﺎﻥ ﻣﺠﺮﻭ ٌﺡ َ‬
‫ﻛ َﻐﺮﻳﻖ‪ِ ...‬ﻗ َﻄ ُﻊ ﺍﻟﻨﻘﻮﺩ ﻣﻮ ﱠﺯﻋ ٌﺔ ﻋﻠﻰ ﺍﻟﺴﺎﻋﺪ‪ ،‬ﻋﻠﻰ ﺍﻟﺼﺪﺭ‬ ‫ﻓﻲ ﻋﻴﻨﻴ ِﻪ َ‬
‫ﻭﺑﺤﺚ ﻃﻮﻳﻞ ﻋﻦ‬ ‫ٍ‬ ‫ﻭﻛﻞ ﺃﻧﺤﺎﺀ ﺍﻟﺠﺴﺪ‪ِ ،‬ﺑﺘﻔ ﱡﻨ ٍﻦ ﻭﺩ ﱠﻗ ٍﺔ‬ ‫ﱢ‬ ‫ﻭﺍﻟﻤﻌﺼﻢ‬
‫ﺟﺪﴽ ﺗﺘﺪﺍﺧﻞ‬ ‫ﺍﻟﻘﻄﻊ ﺍﻟﺼﻐﻴﺮ ِﺓ ّ‬ ‫ﺍﻟﺘﻤ ﱡﻴ ِﺰ ﻭﺍﻟﺘﺪﻗﻴﻖ ﻭﺍﻟﻤﻔﺎﺟﺄﺓ‪ُ .‬‬
‫ﻣﺌﺎﺕ‬
‫ِ‬
‫ﻛﺄﺳﻼﻙ‪ ،‬ﻛﺄﻧﺴﺠﺔ‪ ،‬ﻛﺄﻟﻴﺎﻑ‪ ،‬ﻟﺘﺮﺳ َﻢ ﻟﻮﺣ ًﺔ ﻣﻌﺪﻧ ّﻴ ًﺔ ُﻣﺮﻋﺒﺔ‪،‬‬
‫ﻫﻨﺪﺳﻲ ﻣﻠﺤﻮﻅ ﺃﺛﻨﺎﺀ‬ ‫ﱟ‬ ‫ﻭﺣﺴﺎﺏ‬
‫ٍ‬ ‫ﻨﻲ‬
‫ﱟ‬ ‫ﺑﺈﺑﺪﺍﻉ َﻓ‬
‫ٍ‬ ‫ﺗﺮﺳ ُﻤﻬﺎ‬
‫ﺟﺪﴽ‪ُ .‬‬ ‫ﺩﻗﻴﻘ ًﺔ ّ‬
‫ﺍﺧﺘﻼﻑ‬
‫ِ‬ ‫ﺣﺴﺐ‬
‫َ‬ ‫ﺍﺧﺘﻴﺎﺭ ﺍﻟﻘﻄﻊ ﺍﻟﻨﻘﺪﻳّﺔ ﻓﻲ ﻫﺬﺍ ﺍﻟﻤﻜﺎﻥ ﺃﻭ ﺫﺍﻙ‪،‬‬
‫ﺻﻮ َﺭ ﺯﻣﻴ ُﻠ َﻚ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ ﻣﻔﺎﺻﻞ ﺍﻷﺻﺎﺑﻊ‪،‬‬ ‫ﻣﺴﺎﺣﺎ ِﺗﻬﺎ‪ .‬ﱠ‬
‫ﻧﺘﻮﺀﺍﺕ ﺍﻟﻌﻈﺎﻡ‪ ،‬ﺍﻧﺘﻔﺎﺥ ﺍﻟﺼﺪﺭ‪ ،‬ﻋﻀﻼﺕ ﺍﻟﻜﺘﻒ‪...‬‬
‫ﻓﻲ ﺃﺭﺽ ﺍﻟﻐﺮﻓﺔ ﺷﻜ ٌﻞ ﺃﺑﺸﻊ‪ ،‬ﺃﻫﻮﻝ ﺑﻜﺜﻴﺮ‪ ،‬ﺃﻛﺒ ُﺮ ﺣﺠﻤﴼ‬
‫ﻗﺒﻴﺢ‬
‫ٌ‬ ‫ﺧﻴﺎﻟﻲ ﻣﻬﻴﺐ! ﻭﺟﻬ ُﻪ‬ ‫ﱞ‬ ‫ﻭﺃﺩﻕ ﺗﺼﻤﻴﻤﴼ‪ :‬ﻃﺎﺋ ٌﺮ ﺟﺎﺭ ٌﺡ‬ ‫ﻭﺃﻏﺮﺏ ﱡ‬‫ُ‬
‫ﻣﻘﺪﻣ ِﺔ ﺍﻟﺮﺃﺱ‪ ،‬ﻫﺎﺋﻠﺘﺎﻥ‪،‬‬ ‫ﱢ‬ ‫ﺜﺨ ٌﻦ ﺑﺎﻟﺪﻣﺎﻣﻞ‪ .‬ﻋﻴﻨﺎ ُﻩ ﻓﻲ‬ ‫ﻣﺮﻋﺐ ُﻣ َ‬
‫ٌ‬
‫َ‬
‫ﻴﻀﻤﻦ‬ ‫ﺟﺪﴽ‪ُ ،‬ﻣﺴ ﱠﻨ ُﻦ ﺍﻟﻨﻬﺎﻳﺎﺕ ِﻟ‬ ‫ٌ‬
‫ﻣﺨﻴﻒ ّ‬ ‫ﺛﺎﻗﺒﺘﺎﻥ‪ ،‬ﺣﺎ ﱠﺩﺗﺎﻥ‪ِ .‬ﺭﻳﺸ ُﻪ ﻃﻮﻳ ٌﻞ‬
‫ُﻤﻜﻦ ﺗﺮ ﱡﻗ ُﺒﻪ‪ .‬ﻣﺨﺎﻟ ُﺒ ُﻪ ﻏﻠﻴﻈ ٌﺔ ﺟﺴﻴﻤﺔ‪ ،‬ﻣﻌﻄﻮ َﻓ ٌﺔ‬ ‫ﻃﻴﺮﺍﻧﴼ ﺻﺎﻣﺘﴼ ﻻ ﻳ ُ‬
‫ﺷﻮﻛﻲ ﺍﻟﻨﻬﺎﻳﺎﺕ‪ .‬ﻣﻨﻘﺎ ُﺭ ُﻩ ﺻﺨ ٌﻢ‬ ‫ﱡ‬ ‫ﺭﻳﺶ ﺻﻐﻴ ٌﺮ‬‫ﻛﺎﻟﻘﻮﺱ‪ ،‬ﻳُﺤﻴﻄﻬﺎ ٌ‬
‫ﻗﻮﻳﺎﻥ ﻣﻨﺒﺴﻄﺎﻥ ﻋﻠﻰ‬ ‫ﻓﻮﻻﺫﻱ‪َ ،‬ﻳ ْﻨ َﻔ ِﺘ ُﺢ ﻛﺄﺷﺪﺍﻕ ﺍﻟﺘﻤﺎﺳﻴﺢ‪ .‬ﺟﻨﺎﺣﺎ ُﻩ ﱠ‬
‫ﻳﻠﻌﻖ ﺷﻴﺌﴼ ﻣﺎ ﻣﺜﻴ ٌﺮ‬ ‫ﻣﺴﺎﺣ ٍﺔ ﻛﺒﻴﺮﺓ ﻓﻲ ﻭﺳﻂ ﺍﻟﻐﺮﻓﺔ‪ِ .‬ﻟﺴﺎ ُﻧ ُﻪ ﺍﻟﺬﻱ ُ‬
‫ﻟﻠﺮﻋﺐ ﻭﺍﻟﻔﺠﻴﻌﺔ!‪ ...‬ﺍﻟﻄﺎﺋﺮ ﻣﻨﺴﻮ ٌﺝ ﻓﻲ ﺍﻟﻐﺎﻟﺐ ﻣﻦ ﻗﻄﻊ ﺍﻟﻨﻘﻮﺩ‬
‫ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﻤﺘﺪﺍﺧﻠﺔ ِﺑﺪ ﱠﻗ ٍﺔ ﻭﻋﻨﺎﻳ ٍﺔ ﻓﺎﺋﻘﺔ‪ ،‬ﻻ ﺗﻨ ُﻘ ُﺼ ُﻪ ﺇﻻ ﺍﻷﻟﻮﺍﻥ‬
‫ﺍﻟﻔﺎﻗﻌﺔ ﻟﻴﻜﻮﻥ ﻓﻲ ﺃﻗﺼﻰ ﺩﺭﺟﺎﺕ ﺍﻟﺒﺸﺎﻋﺔ‪...‬‬
‫ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ!‬
‫َ‬
‫ﺍﻟﺼﻨﺪﻭﻕ‬ ‫َ‬
‫ﺃﺧﺬﺕ‬ ‫ﺑﺪ ﺃﻧﻚ ﺧﻼﻝ ﺗﻠﻚ ﺍﻷﻳﺎﻡ ﺍﻟﺜﻼﺛﺔ‬ ‫ﻻ ﱠ‬ ‫‪116‬‬
‫ﻛﻞ ﻗﻄﻊ ﺍﻟﺴﻨﺘﻴﻤﺎﺕ ﻭﺍﻟﻔﺮﻧﻜﺎﺕ‬ ‫ﺠﻤ َﻊ ﻓﻴﻪ ﱠ‬ ‫ُ‬
‫ﺍﻟﺬﻱ ﺗﻬﻮﻯ ﺇﻟﻬﺎ ُﻡ ﺃﻥ ﺗ ﱢ‬
‫ﺍﻟﻔﺮﻧﺴﻴﺔ ﺍﻟﺘﻲ ﺗﻌﻮﺩ ﺑﻬﺎ ﻣﻦ ﺍﻟﺴﻮﻕ‪ ،‬ﺃﻭ ﻗﻄﻊ ﺍﻟﻨﻘﻮﺩ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ‬
‫ﺃﻓﺮﻏﺖ ﺗﻤﺎﻣﴼ ﺁﻻﻑ‬ ‫َ‬ ‫ﻻﺑﺪ ﺃﻧﻚ‬ ‫ﺗﻌﻮﺩﺍﻥ ﺑﻬﺎ ﻣﻦ ﺭﺣﻼﺗﻜﻤﺎ ﺍﻟﺨﺎﺭﺟﻴﺔ‪ .‬ﱠ‬
‫ﺭﺳﻢ ﻟﻮﺣﺘﻴﻚ‬ ‫ﺍﻟﻘﻄﻊ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﻤﺘﺮﺍﻛﻤﺔ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻮﺍﺕ ﻓﻲ ِ‬
‫ﺍﻟﻤﺮﻋﺒﺘﻴﻦ!‪...‬‬
‫ﻣﺼﻤﻤﴼ‬ ‫ﱢ‬ ‫َ‬
‫ﻛﻨﺖ‬ ‫ﻣﺎ ﺃﺛﺎﺭﻙ ﺑﺎﻟﻔﻌﻞ ﻫﻮ ﺃﻧﻚ ﻓﻲ ﻻ َﻭ ْﻋ َ‬
‫ﻴﻚ‬
‫ﻻ ﻳﺴﺘﺤﻴﻞ ﺃﻥ‬ ‫ﺗﺸﻜﻴﻠﻴﴼ ﻣﺎﻫﺮﴽ‪ ،‬ﺗﺮﺳ ُﻢ ﺑﺼﺒﺮ ﻭﺇﺑﺪﺍﻉ ﻓﺎﺋ َﻘﻴﻦ ﺃﺷﻜﺎ ً‬
‫ٍ‬ ‫ِ ٍ‬
‫ﺗﺘﺤﺮﺭ‬
‫ﱠ‬ ‫ْ‬ ‫َ‬ ‫َ‬
‫ﺭﺳﻤﻬﺎ ﻓﻲ ﺣﻴﺎﺗﻚ ﺍﻟﻴﻮﻣﻴﺔ! ﻳﻠﺰﻣﻚ ﺇﺫﻥ ﺃﻥ‬ ‫ﻳﺨﻄﺮ ﺑﺒﺎﻟﻚ ُ‬
‫ﺍﻟﻌﻜﺲ‬
‫ُ‬ ‫َ‬ ‫َ‬ ‫ّ‬
‫ﻣﻦ ﻗﻴﻮ ِﺩ ﺍﻟﻮﻋﻲ ﻟﺘﻤﺘﻠﻚ ﻫﺬﻩ ﺍﻟﻤﻮﻫﺒﺔ! ﻷﻧﻚ ﻓﻲ ﻻﻭﻋﻴﻚ‬
‫ﻣﺎﻫﺮ ﺇﻃﻼﻗﴼ ﻓﻲ‬ ‫ٍ‬ ‫ﺍﻟﻨﻤﻮﺫﺟﻲ ﻟﻤﺎ ﺃﻧﺖ ﻋﻠﻴﻪ‪ :‬ﺑﻠﻴ ٌﺪ ﺑﺎﻟﺮﺳﻢ‪ ،‬ﻏﻴ ُﺮ‬ ‫ﱡ‬
‫ً‬
‫ﻛﻞ ﺷﻲﺀ َﺧﻄﺄ‪...‬‬ ‫ﺍﻟﺘﺸﻜﻴﻞ ﻭﺍﻟﺘﺨ ﱡﻴ ِﻞ ﺍﻟﺠﺮﺍﻓﻴﻜﻲ‪ .‬ﺗﺮﺳﻢ ﱠ‬ ‫ِ‬
‫ﻟﻌﻠﻚ ﺗﺤﻤﻞ ﺟﺬﻭ َﺭ ﺗﺨﻠ ِﻔﻚ ﻓﻲ ﺍﻟﺮﺳﻢ ﻣﻨﺬ ﻃﻔﻮﻟﺘﻚ‪.‬‬ ‫َ‬ ‫ﱡ‬ ‫ُ‬ ‫َ‬ ‫ّ‬
‫ﺪﺭﺱ ﺍﻟﺮﺳﻢ ﻓﻲ ﺍﻟﻤﺪﺭﺳﺔ ﺍﻻﺑﺘﺪﺍﺋﻴﺔ ﺃﻣﺎﻡ ﺍﻟﻄﻠﺒﺔ‬ ‫ﺃﻟﻢ ﻳﻘﻞ ﻟﻚ ُﻣ ﱢ‬
 ‫ﺫﺍﺕ ﻳﻮﻡ ﺃﻧﻚ »ﻋﻨﺪﻣﺎ ﺗﺮﺳﻢ ﺳﻠﺤﻔﺎﺓ ﺗﻜﻮﻥ ﺍﻟﻨﺘﻴﺠﺔ َﺟ َﻤﻞ!«؟ ﺃﻟﻢ‬
‫ﺣﺼﺺ »ﺍﻟﺮﺳﻢ ﻭﺍﻷﺷﻐﺎﻝ ﺍﻟﻴﺪﻭﻳّﺔ« ﻓﻲ ﺍﻟﻤﺪﺭﺳﺔ ﺍﻻﺑﺘﺪﺍﺋﻴﺔ‬ ‫ُ‬ ‫ﺗﻜﻦ‬
‫ﺪﺭ ُﺳ َﻚ ﻣﻦ ﻃﻠﺒﺔ‬ ‫ﻳﻄﻠﺐ ُﻣ ﱢ‬
‫ُ‬ ‫ﻻﺳﻴﻤﺎ ﻋﻨﺪﻣﺎ ﻛﺎﻥ‬ ‫ﱠ‬ ‫ﻋﺬﺍﺏ ﻃﻔﻮﻟﺘﻚ؟‬ ‫َ‬
‫ﻐﺮﺽ‬‫ﺍﻟﺨﺎﺻﺔ ﺑﺎﻟﻤﻼﺑﺲ‪ِ ،‬ﺑ ِ‬ ‫ّ‬ ‫ﺍﻟﺼﻒ ﺇﺣﻀﺎﺭ ﺑﻌﺾ ﺍﻟﻜﺮﺍﺗﻴﻦ ﺍﻟﻔﺎﺭﻏﺔ‬ ‫ﱢ‬
‫ﺗﺘﺬﻛ ُﺮ ﻛﻴﻒ‬‫ﱠ‬ ‫ﺑﻴﻮﺕ ﺻﻐﻴﺮﺓ‪.‬‬
‫ﺃﻛﻮﺍﺥ ﺃﻭ ٍ‬
‫ٍ‬ ‫ﻭﻗﺼﻬﺎ ِﻟﺼﻨﺎﻋﺔ‬ ‫ﺗﺼﻤﻴﻤﻬﺎ ﱢ‬
‫ِ‬
‫ﻣﺴﺠﺪ‬
‫ِ‬ ‫ﺠﻤﻊ ﺩﻛﺎﻛﻴﻦ‬ ‫»ﻣ ﱠ‬
‫ﺗﺬﻫﺐ ﺑﻌﺪ ﺍﻟﻌﺸﺎﺀ ﺑﻤﻀﺾ ﺇﻟﻰ ُ‬ ‫ُ‬ ‫َ‬
‫ﻛﻨﺖ‬
‫ﻌﺪﻥ‪ ،‬ﺗﻌﻮ ُﺩ ﺑﻌﺪ ﺫﻟﻚ ﻟﻘﻀﺎﺀ ِﻟﻴﻠ ٍﺔ‬ ‫ﺣﻲ ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ ِﺑ َ‬ ‫ﺍﻟ ﱡﻨﻮﺭ« ﻓﻲ ﱢ‬
‫َ‬
‫ﺗﻨﺘﻈﺮﻙ‬ ‫»ﺣﺼ ِﺔ ﺍﻷﻋﻤﺎﻝ ﺍﻟﺸﺎ ﱠﻗﺔ« ﺍﻟﺘﻲ‬ ‫ﻛﺎﺑﻮﺳ ّﻴﺔ ﺗﻔ ﱢﻜﺮ ﻃﻮﺍﻟﻬﺎ ِﺏ ﱠ‬
‫ﺰﻣﻦ ﻃﻮﻳﻞ‪...‬‬ ‫ﻛﺮﻫﺖ ِﺑﺴﺒﺒﻬﺎ ﺍﻟﻤﺪﺭﺳﺔ ِﻟ ٍ‬ ‫َ‬ ‫ﻓﻲ ﺍﻟﻐﺪ ﻭﺍﻟﺘﻲ‬
‫َ‬ ‫َ‬
‫ﻴﺖ ﻣﻌﻈ َﻢ ﻏﻴﺒﻮﺑ ِﺘﻚ ﺇﺫ ْﻥ ﺗﺮﺳ ُﻢ ﻫﺬﻳﻦ ﺍﻟﺸﻜﻠﻴﻦ! ﻟﻮ ﻟﻢ‬ ‫ﻗﻀ َ‬ ‫ﱠ‬
‫ﻛﻞ ﺁﺛﺎﺭ‬‫ﻳﺼﻮﺭﻫﻤﺎ ﺯﻣﻴﻠﻚ ﺍﻟﻌﺰﻳﺰ ِﺑ ِﺪ ﱠﻗ ٍﺔ ﻭﻋﻨﺎﻳ ٍﺔ ﻭﺃﻧﺎﻗﺔ‪ ،‬ﻗﺒﻞ ﺃﻥ ﻳُﻜ ﱢﻨﺲ ﱠ‬ ‫ﱢ‬
‫َ‬
‫ﻛﻨﺖ ﺗ ﱠﺘﺠ ُﻪ ﺩﺍﺋﺨﴼ‬ ‫ﻭﺍﻧﻬﻴﺎﺭﻙ ﻭﻣﻮ ِﺗﻚ ﻣﻦ ﺍﻟﻐﺮﻓﺔ ﻋﻨﺪﻣﺎ‬ ‫ِ‬ ‫ﻚ‬‫ﺘ‬‫ِ‬ ‫ﻏﻴﺒﻮﺑ‬
‫‪117‬‬ ‫ﺇﻟﻰ ﺍﻟﺤﻤﺎﻡ‪ ،‬ﻟﻤﺎ ﺧﻄﺮ ِﺑﺒﺎﻟﻚ ﺃﻧﻚ ﺃﻧﺖ ﺍﻟﺬﻱ ﺭﺳﻤﺘﻬﻤﺎ ﺑﻴﺪﻳﻚ!‬ ‫َ‬
‫ﺁﻩ‪ ،‬ﺯﻣﻴ ُﻠ َﻚ ﺍﻟﺮﺍﺋﻊ‪ ،‬ﺻﺪﻳ ُﻘ َﻚ ﺍﻟﻌﺰﻳﺰ‪ ،‬ﻭﺍ ِﻟ ُﺪ َﻙ ﺍﻻﻓﺘﺮﺍﺿﻲ‪:‬‬
‫ﺑﺎﻓﻞ ﻧﺎﻣﻜﻴﻦ!‬

‫ﻧﺼﻒ ﺩﺍﺋﺦ‪ .‬ﺗﺨﺮ ُﺝ‬‫ﺗﻘﻮ ُﺩ ﺯﻣﻴ َﻠﻚ ﻧﺤﻮ ﺑﺎﺏ ﺍﻟﺤﺪﻳﻘﺔ ﺿﻌﻴﻔﴼ‪َ ،‬‬
‫ﺍﻟﻤﺤﻴﻂ ﺑﺎﻟﻤﻨﺰﻝ‪ ،‬ﺗﻮ ﱢﺩ ُﻋ ُﻪ ﺷﺎﻛﺮﴽ ﺇﻳﺎﻩ ﻋﻠﻰ‬ ‫ِ‬ ‫ﺍﻟﺤﻲ‬
‫ﱢ‬ ‫ﻣﻌ ُﻪ ﺇﻟﻰ ﻓﻨﺎ ِﺀ‬
‫ﻗﺎﺑﻊ ﻋﻠﻰ ﻗﺎﺭﻋ ِﺔ‬ ‫ﺛﻘﻴﻞ ﺍﻟﺨﻄﻮﺓ‪ ،‬ﻭﺣﻴﺪﴽ ﻛ ُﻘ ٍ‬ ‫ﺗﻘﻒ َ‬ ‫ﻛﻞ ﺷﻲﺀ‪ُ ...‬‬
‫ﻨﻔﺪ ٍ‬ ‫ﱢ‬
‫ﺭﺻﻴﻒ‪ ،‬ﺗﺴﺘﺪﻳ ُﺮ ﻗﻠﻴ ً‬
‫ﻼ‪...‬‬
‫ﺍﻟﺒﺮﻳﺪ‬
‫ِ‬ ‫َ‬
‫ﺻﻨﺪﻭﻕ‬ ‫ﺗﻌﻮ ُﺩ ﻧﺤﻮ ﺍﻟﺤﺪﻳﻘﺔ‪ .‬ﺗﺮﻯ ﻋﻠﻰ ﻃﺮﻳﻘﻚ‬
‫ﺍﻟﻤﺤﺎﺫﻱ ﻟﻠﺒﺎﺏ‪ .‬ﺁﻩ‪ ،‬ﻫﺬﺍ ﺍﻟﺼﻨﺪﻭﻕ ﺍﻟﺬﻱ ﻟﻢ ﺗﻔﺘﺤﻪ ﻣﻨﺬ ﺳﻨﻴﻦ!‬
‫ﻛ ْﺘ ُﻪ ﺇﻟﻬﺎ ُﻡ ﻗﺮﺏ ﺍﻟﺮﺳﺎﻟﺔ‬ ‫ﻣﻔﺘﺎﺣ ِﻪ ﺍﻟﺬﻱ َﺗ َﺮ َ‬
‫ِ‬ ‫ﺗﺬﻫﺐ ﺑﺤﺜﴼ ﻋﻦ‬ ‫ُ‬
‫َ‬
‫ﺍﻧﺘﺒﺎﻫﻚ ﺗﻔ ﱡﺮ ُﺩ ﺇﻟﻬﺎﻡ‬ ‫ْﻮ ﺍﻟﻤﻨﺰﻝ‪ ،‬ﻭﺍﻟﺬﻱ ﻃﺎﻟﻤﺎ ﺃﺛﺎﺭ‬ ‫ﻓﻲ ﻣﻨﻀﺪ ِﺓ َﺑﻬ ِ‬
‫ﺹ ﻻ ﻳﺨﻠﻮ ﺃﺣﻴﺎﻧﴼ ﻣﻦ ﺍﻟﻤﻨﺎﻭﺭﺓ‪...‬‬ ‫ﻭﺍﺳﺘﺌﺜﺎ ُﺭﻫﺎ ﺑﻪ ِﺑ ِﺤ ْﺮ ٍ‬
‫ﺑﺸﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ!‬
‫ِ‬ ‫َ‬ ‫َ‬
‫ﺍﻟﺒﺮﻳﺪ ِﻟﺘﻜﺘﺸﻒ ﱠﺃﻭﻝ‬
‫ِ‬ ‫َ‬
‫ﺗﻔﺘﺢ ﺻﻨﺪﻭﻕ‬ ‫ُ‬
‫ﺭﺃﻳﺖ ﺭﺳﺎﻟﺘﻴﻦ ﻇﺮﻓﺎﻫﻤﺎ ﺃﺷﺒ ُﻪ‬ ‫ﺻﻨﺪﻭﻕ ﺍﻟﺒﺮﻳﺪ‪ُ .‬‬ ‫َ‬ ‫ُ‬
‫ﻓﺘﺤﺖ‬
‫ﻳﻬﺎﺟﻤﻚ ﺑﺄﻃﻨﺎﻥ‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﺒﺮﻳﺪ‪ ،‬ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ‪،‬‬ ‫ﺑﺎﻹﻋﻼﻧﺎﺕ ﺍﻟﺪﻋﺎﺋﻴﺔ‪.‬‬
‫ﺗﺪﻣ ُﺠﻚ ﻓﻲ ﻋﻼﻗ ٍﺔ ﻭﺛﻴﻘ ٍﺔ ﻣﻊ ﺳ ﱠﻠ ِﺔ‬‫َ‬ ‫ﻣﻄﻨﻄﻨﺔ ﻣﻦ ﺍﻟﻤﻄﺒﻮﻋﺎﺕ ﺍﻟﺘﻲ ِ‬
‫ﻛﺪﺕ ﺃﺭﻣﻲ ﺑﻬﻤﺎ ﻓﻲ ﺃﻗﺮﺏ ﺯﺑﺎﻟﺔ‪ ،‬ﻟﻮﻻ ﺃ ّﻧﻬﻤﺎ ﻛﺎﻧﺘﺎ‬ ‫ُ‬ ‫ﺍﻟﻤﻬﻤﻼﺕ‪.‬‬
‫ﻓﺘﺤ ُﺘﻬﻤﺎ ﻣﻦ ﺑﺎﺏ ﺍﻻﺣﺘﻴﺎﻁ‪...‬‬ ‫ﻣ َﻮ ﱠﺟﻬﺘﻴﻦ ِﻹﻟﻬﺎﻡ! ْ‬
‫ﺷﻬﺮﻳﺘﺎﻥ ِﻟﻘ ْﺮ َﺿﻴﻦ ﻣﺎ ِﻟ ﱠﻴﻴﻦ ِﺑﺎِﺳﻢ ﺇﻟﻬﺎﻡ‪ ،‬ﻣﻦ‬ ‫ﱠ‬ ‫ﻓﺎﺗﻮﺭﺗﺎﻥ‬ ‫‪118‬‬
‫ﺷﺮﻛﺘﻲ ﺇﻗﺮﺍﺽ ﻟﻢ ﺃﺳﻤﻊ ِﺑﻬﻤﺎ ﻣﻦ ﻗﺒﻞ‪ .‬ﻣﺠﻤﻮﻋﻬﻤﺎ ﻳُﻌﺎﺩﻝ ﺣﻮﺍﻟﻲ‬ ‫َ‬
‫ﺟﺪﴽ‪ :‬ﻟﻢ ﺃﻋﺮﻑ ﺃﻥ ﺇﻟﻬﺎﻡ‬ ‫ﺍﻷﺭﺑﻌﻴﻦ ﺃﻟﻒ ﺩﻭﻻﺭ!‪ ...‬ﻣﻔﺎﺟﺄ ٌﺓ ﻏﻴﺮ ﺳﻌﻴﺪ ٍﺓ ّ‬
‫ﻣﺪﻳﻮﻧﺔ‪ ،‬ﻟﻢ ﺃﺩﺭ ﻣﺘﻰ ﺍﺳﺘ َﻠ َﻔ ْﺖ ﺫﻟﻜﻤﺎ ﺍﻟ َﻘ ْﺮﺿﻴﻦ ﻭﻟﻤﺎﺫﺍ ﺍﺳ َﺘ َﻠﻔ ْﺘﻬﻤﺎ!‬
‫ﺳﻢ ﻫﺎﺗﻴﻦ ﺍﻟﺸﺮﻛﺘﻴﻦ ﻓﻲ ﻣﺤﻴﻂ ﻋﻤﻠﻲ‪.‬‬ ‫ﺳﺄﻟﺖ ﻋﻦ ﺍِ ِ‬ ‫ُ‬
‫ﺷﺒﺤﻲ‬
‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ُ‬
‫ﻳﻮﺟﺪ‬ ‫ﺍﻟﺠﻤﻴﻊ ﻳﻌﺮﻓﻬﻤﺎ‪ ،‬ﺇﻻ ﺃﻧﺎ! َ‬
‫ﻋﺪ ٌﺩ ﻣﻦ ﺃﻣﺜﺎﻟﻬﻤﺎ‬
‫ﺛﻤﺔ ﻋﻨﻮﺍﻥ‪ ،‬ﺭﻗﻢ ﺗﻠﻔﻮﻥ‪ ،‬ﻣﻮﻗﻊ ﺃﻧﺘﺮﻧﺖ ِﻟﻼﺗﺼﺎﻝ‬ ‫ﻛﻞ ﻣﺪﻳﻨﺔ‪ّ :‬‬ ‫ﻓﻲ ﱢ‬
‫ﻣﺒﺎﺷﺮ ﺃﺣﺪﴽ ﻓﻲ ﺗﻠﻚ‬ ‫ٍ‬ ‫ﺸﻜﻞ‬
‫ﻘﺎﺑﻞ ِﺑ ٍ‬‫ﻻ ﻏﻴﺮ! ﻻ ﺗﺤﺘﺎ ُﺝ ﺃﺑﺪﴽ ﺃﻥ ُﺗ ِ‬
‫ﺷﺮﻛﺎﺕ ﻗﺎﻧﻮﻧﻴ ٌﺔ ﻣﻊ ﺫﻟﻚ‪ ،‬ﻳﻠﺠﺄ ﻟﻬﺎ ﺍﻟﻜﺜﻴﺮﻭﻥ ﻏﺎﻟﺒﴼ‬ ‫ٌ‬ ‫ﺍﻟﺸﺮﻛﺎﺕ!‬
‫ﻘﺮﺽ‪،‬‬ ‫ُﻘﺪ َﻡ ﺍﻟﻤﺮ ُﺀ ﻟﻬﺎ ﻃﻠﺒﴼ ِﺑ ٍ‬ ‫ﻓﻲ ِﺧ َﻀ ﱢﻢ ﺃﺯﻣﺎﺗﻬﻢ ﺍﻟﻤﺎﻟ ّﻴﺔ! ﻳﻜﻔﻲ ﺃﻥ ﻳ ﱢ‬
‫ﺃﻗﻞ ﻣﻦ‬ ‫ﺍﻟﻘﺮﺽ ﻓﻲ ّ‬ ‫ِ‬ ‫ﻣﺮ َﻓﻘﴼ ِﺑﺼﻮﺭ ِﺓ ﺑﻄﺎﻗ ِﺔ َﻋ َﻤ ِﻠﻪ‪ِ ،‬ﻟﻴﺴﺘﻠ َﻢ ﻣﻨﻬﺎ َ‬
‫ﻣﺒﻠﻎ‬
‫ﻭﺑﺘﻘﺴﻴﻂ ﺍﺳﺘﻨﺰﺍﻓﻲ ﻃﻮﻳﻞ‬ ‫ٍ‬ ‫‪ 24‬ﺳﺎﻋﺔ! ﺑﻔﻮﺍﺋﺪ ﺧﻴﺎﻟﻴﺔ‪ ،‬ﺑﺎﻟﺘﺄﻛﻴﺪ‪.‬‬
‫ﺑﻤﻀﺨﺎﺕ َﺷ ْﻔ ِﻂ ﻫﺬﻩ‬ ‫ﱠ‬ ‫ﺟﺪﴽ‪ ،‬ﻳﺮﺑﻂ ﺷﺮﺍﻳﻴﻦ ﺍﻟﻤﺪﻳﻮﻥ‬ ‫ﺧﺎﻧﻖ ّ‬ ‫ٍ‬ ‫ﺍﻟﻤﺪﻯ‪،‬‬
‫ﺪﻓﻊ ﻣﺒﺎﻟﻎ‬ ‫ﺑﺸﻜﻞ ﺩﺍﺋﻢ! ﻧﺎﻫﻴﻚ ﻋﻦ ﺍﻹﻟﺰﺍﻡ ﺍﻹﺿﺎﻓﻲ ِﺑ ِ‬ ‫ٍ‬ ‫ﺍﻟﺸﺮﻛﺎﺕ‬
 ‫ﺿﻤﺎﻥ ﺧﺎﺻﺔ ﺑﻬﺬﻩ ﺍﻟﻘﺮﻭﺽ!‪...‬‬ ‫ٍ‬ ‫ﺸﺮﻛﺎﺕ‬
‫ِ‬ ‫ﺧﻴﺎﻟﻴﺔ ﺷﻬﺮﻳّﺔ ﻣﻮﺍﺯﻳﺔ ِﻟ‬
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‫ﺗﻀﻤﻦ‬ ‫ﺗﺘﺒﺎﻃﺄ َﻋﻤﺪﴽ‪ ،‬ﺗﺠﺜ ُﻢ ﻋﻠﻰ ﺭﻗﺒﺘﻚ ﺑﺈﺣﻜﺎﻡ‪،‬‬ ‫ُ‬ ‫ٌ‬
‫ﻗﺮﻭﺽ‬
‫ﺑﺸﻜﻞ ﺃﻛﻴﺪ‪ ،‬ﺗﺘﻜﺎﺛﺮ ِﻟﻮﺣﺪﻫﺎ ِﺑﺴﺮﻋ ٍﺔ »ﺃُ ﱢﺳ ﱠﻴﺔ«‪،‬‬ ‫ٍ‬ ‫ﻟﻚ ﺃﻧﻴﻤﻴﺎﺀ ﺍﻟﺪﻡ‬
‫ﺗﺼﺎﻋﺪ »ﺩﺍ ﱠﻟ ِﺔ ﻓﻴﺒﻮﻧﺎﺷﻲ« )ﻋﺎﻟﻢ‬ ‫ِ‬ ‫ﻛﻤﺎ ﻳﻘﺎﻝ ﻓﻲ ﺍﻟﺮﻳﺎﺿﻴﺎﺕ‪ِ .‬ﺑﺴﺮﻋ ِﺔ‬
‫ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﺍﻹﻳﻄﺎﻟﻲ ﺍﻟﺬﻱ ُﻭ ِﻟ َﺪ ﻓﻲ ﺍﻟﻘﺮﻥ ﺍﻟﺜﺎﻧﻲ ﻋﺸﺮ( ِﻟ َﻤﻦ ﺳﻤﻊ‬
‫ِﺑﺎِﺳﻢ ﻫﺬﻩ ﺍﻟﺪﺍ ّﻟﺔ ﺍﻟﻤﻤﺘﻌﺔ ﺫﺍﺕ ﺍﻟﺨﻮﺍﺹ ﺍﻟﺮﻳﺎﺿ ّﻴﺔ ﺍﻟﻤﺜﻴﺮﺓ‪ .‬ﺃﻭ‬
‫ﺗﻜﺎﺛﺮ ﺍﻷﺭﺍﻧﺐ ﻟﻤﻦ ﻟﻢ ﻳﺴﻤﻊ ﺑﻔﻴﺒﻮﻧﺎﺷﻲ ﻭﺩﺍ ﱠﻟ ِﺘﻪ‪...‬‬ ‫ِ‬ ‫ِﺑ ُﺴﺮﻋ ِﺔ‬
‫ﺷﺮﻛﺎﺕ ﺗﻬﺪ ُﺭ ﺃﻭﺻﺎﻟﻚ ﻙ»ﺗﺎﺟﺮ ﺍﻟﺒﻨﺪﻗﻴﺔ« ﻟﺸﻜﺴﺒﻴﺮ‪،‬‬ ‫ٌ‬
‫ﺭﺑﻤﺎ ﺃﺛﺎﺭ ﺇﻋﺠﺎﺑَﻚ ﻳﻮﻣﴼ ﺍﻟﻨﻈﺎ ُﻡ‬ ‫ﻋﻨﻘﻚ ﻛﺄﺧﻄﺒﻮﻁ! ّ‬ ‫َ‬ ‫ﺗﻠﺘﻮﻱ ﻋﻠﻰ‬
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‫ﺣﺮ ﻓﻲ ﺫﻟﻚ‪ .‬ﻓﻴﻤﺎ ﻳﺘﻌ ﱠﻠﻖ ﺑﻲ‪ :‬ﺃﻣﻘﺘ ُﻪ‬ ‫ﺍﻻﻗﺘﺼﺎﺩﻱ ﺍﻟﻠﻴﺒﺮﺍﻟﻲ! ﺃﻧﺖ ﱞ‬
‫ﺗﻤﺎﻣﴼ! ﺃﻣﻘﺘ ُﻪ ﻣﻦ ﺍﻷﻋﻤﺎﻕ!‪...‬‬
‫ﻳﻨﻘﺾ ﺷﻬ ٌﺮ ﻛﺎﻣﻞ ﻣﻦ ﻣﻐﺎﺩﺭﺓ ﺇﻟﻬﺎﻡ‪ ،‬ﻓﻲ ‪ 22‬ﻣﺎﻳﻮ‬ ‫ِ‬ ‫ﻟﻢ‬
‫‪119‬‬ ‫ﺍﺳﺘﻠﻤﺖ ‪ 15‬ﺭﺳﺎﻟ ًﺔ ﻣﻦ ﻧﻔﺲ ﺍﻟﻄﺮﺍﺯ! ﻓﻲ ﱢ‬
‫ﻛﻞ‬ ‫ُ‬ ‫‪ ،2000‬ﺇﻻ ﻭﻗﺪ‬
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‫ﺷﻬﺮﻳﺔ ﻣﻦ ﻧﻔﺲ ﺍﻟﻨﻮﻉ‪ ،‬ﻣﻦ ﺷﺮﻛ ٍﺔ ﻣﺨﺘﻠﻔﺔ‪ .‬ﺣﺴﺒﺘﻬﺎ‬ ‫ٌ‬ ‫ﱠ‬ ‫ﺭﺳﺎﻟ ٍﺔ ﻓﺎﺗﻮﺭ ٌﺓ‬
‫ﺟﻴﺪﴽ!(‪ :‬ﺛﻼﺙ‬ ‫ﺩﻳﻮﻥ ﺇﻟﻬﺎﻡ )ﺍﺭﺑﻄﻮﺍ ﺃﺣﺰﻣﺘﻜﻢ ﱢ‬ ‫ﻓﺎﺗﻮﺭ ًﺓ ﻓﺎﺗﻮﺭﺓ‪ :‬ﻣﺠﻤﻮ ُﻉ ِ‬
‫ﻣﺎﺋﺔ ﻭﺧﻤﺴﻴﻦ ﺃﻟﻒ ﺩﻭﻻﺭ!‬
‫ﻳﻮﻡ‬ ‫ﺃﺿﺤﻚ ِﺑﺘﺸ ﱡﻨ ٍﺞ ﻣﻊ ﺗﻮﺍﻓﺪ ﻫﺬﻩ ﺍﻟﺮﺳﺎﺋﻞ ﱠ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻞ ٍ‬ ‫ﻛﻨﺖ‬
‫ﺃﻭ ﻳﻮﻣﻴﻦ! ﻟﻢ ﺃﺧﺮﺝ ﺑﻌﺪ ﻣﻦ ﺻﺪﻣﺔ ﻣﻔﺎﺟﺄﺓ ﻫﺮﻭﺏ ﺇﻟﻬﺎﻡ‪ ،‬ﺇﻻ‬
‫ﻭﺍﻟﻤﺼﺎﺋﺐ ﺍﻟﻐﺎﻣﻀﺔ ﺗﺘﺴﺎﻗﻂ ﻓﻮﻕ ﺭﺃﺳﻲ ﺍﻷﻭﻟﻰ ﺗﻠﻮ ﺍﻷﺧﺮﻯ‪ .‬ﻷﻥ‬
‫ﺍﻟﻤﺼﻴﺒﺔ‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ‪ ،‬ﻻ ﺗﺼﻞ ﻭﺣﻴﺪﺓ‪ .‬ﺍﻟﺴﻤﺎﺀ ﺗﻤﻄ ُﺮ ﻣﺼﺎﺋﺐ‬
‫ﻛﻞ‬
‫ﻣﻬﺮﺟﺎﻥ ﺧﺮﺍﺏ! ﺃﻧﺘﻈ ُﺮ ﺍﻟﻜﻮﺍﺭﺙ ﻓﻲ ﱢ‬ ‫ُ‬ ‫ُ‬
‫ﺍﻷﺭﺽ‬ ‫ﻣﻨﺬ ﻫﺮﻭﺏ ﺇﻟﻬﺎﻡ!‬
‫ﺗﺘﺮﻙ ﻣﻌﺸﻮﻗ ُﺘﻚَ‬ ‫ﺟﺪﴽ ﺑﻌﺪ ﺃﻥ َ‬ ‫ٌ‬
‫ﻣﻤﻜﻦ ّ‬ ‫ﻛﻞ ﺷﻲ ٍﺀ ﻓﻲ ﺍﻟﺤﻴﺎﺓ‬ ‫ﻟﺤﻈﺔ‪ .‬ﱡ‬
‫ﻛﻞ ﺃﺩﻭﺍ ِﺗﻬﺎ ﻭﻣﻤﺘﻠﻜﺎ ِﺗﻬﺎ‪ ،‬ﺩﻭﻥ ﺧﺒﺮ‪ ،‬ﺩﻭﻥ ﺗﻔﺴﻴﺮ‪ ،‬ﺩﻭﻥ‬ ‫ﺍﻟﻌﻤﻞ‪ ،‬ﱠ‬‫َ‬ ‫َ‬
‫ﺍﻟﻤﻨﺰﻝ‪،‬‬
‫ﺃﺳﺘﻐﺮﺏ ﻋﻨﺪﻣﺎ ﺗﻤ ﱡﺮ ﺳﺎﻋ ٌﺔ ﺩﻭﻥ ﻣﺸﻜﻠ ٍﺔ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺍﺗﺼﺎﻝ ﻻﺣﻖ‪ ...‬ﻟﺬﻟﻚ‬
‫ﺑﺼﻴﺺ ﺃﻟﻢ‪...‬‬‫ِ‬ ‫ﻧﺬﻳﺮ ﺷﻘﺎ ٍﺀ ﻗﺎﺩﻡ‪ ،‬ﺩﻭﻥ‬
‫ﺧﺒﺮ ﺗﻌﻴﺲ‪ ،‬ﺩﻭﻥ ِ‬ ‫ﺻﻐﻴﺮﺓ‪ ،‬ﺩﻭﻥ ٍ‬
‫ﺗﻐﻴ ُﺮ ﺍﻟﺤﺎﻓﻠ ُﺔ ﺍﻟﻤﻮﺍﺟﻬﺔُ‬ ‫ﺍﺳﺘﻐﺮﺏ ﺃﺣﻴﺎﻧﴼ‪ ،‬ﻭﺃﻧﺎ ﺃﻗﻮﺩ ﺍﻟﺴ ّﻴﺎﺭﺓ‪ ،‬ﻟﻤﺎﺫﺍ ﻻ ﱠ‬ ‫ُ‬
‫ﺑﻜﻞ ﺑﺴﺎﻃﺔ‪ .‬ﻟﻤﺎﺫﺍ ﻻ ﺃﻋﻮﺩ ﻟﻠﻤﻨﺰﻝ ﻭﺃﺟﺪ‬ ‫ﺘﻄﺤﻦ ﺳ ّﻴﺎﺭﺗﻲ ﱢ‬ ‫َ‬ ‫ﻣﺴﺎ َﺭﻫﺎ ِﻟ‬
‫ﺗﻬﺪﻳﺪ‬
‫ٍ‬ ‫ﺳﺮﻳﴼ ﻟﻘﺎﺩ ِﺓ ﺍﻟﻤﺎﻓﻴﺎ ﻓﻴﻪ! ﻟﻤﺎﺫﺍ ﻟﻢ ﺃﺳﻤﻊ َﺑ ْﻌ ُﺪ ﻋﻦ‬ ‫ﺍﺟﺘﻤﺎﻋﴼ ﱠ‬
‫ﺑﺎﺧﺘﻄﺎﻑ‪ِ ،‬ﺑﻀ ْﺮﺏ‪ِ ،‬ﺑﻘ ْﺘﻞ‪ِ ،‬ﺑﻜﺎﺭﺛ ٍﺔ ﻛﺒﻴﺮﺓ ﺗﻨﺘﻈﺮﻧﻲ ﻗﺮﻳﺒﴼ‪...‬‬
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‫ﻛﻨﺖ‬ ‫ﺍﺭﺗﺒﺎﻙ ﺇﻟﻬﺎﻡ ﻋﻨﺪﻣﺎ‬ ‫ِ‬ ‫ﺳﺒﺐ‬
‫ُ‬ ‫ﺭﺑّﻤﺎ ﺍﻧﻜﺸﻒ ﻟﻲ ﺍﻵﻥ‬
‫ﻤﻔﺘﺎﺡ ﺻﻨﺪﻭﻕ ﺍﻟﺒﺮﻳﺪ‪ .‬ﻏﻴﺮ ﺃﻥ‬ ‫ِ‬ ‫ﺳﺮ ﺗﺸ ﱡﺒ ِﺜﻬﺎ ِﺑ‬ ‫ﺃﺳﺄ ُﻟﻬﺎ ﺃﺣﻴﺎﻧﴼ ﻋﻦ ﱢ‬
‫َﺖ‬‫ﺃﺳﺌﻠﺔ ﻭﺃﺳﺮﺍﺭ ﺟﺪﻳﺪﺓ ﺗﻮﺍﻟﺪﺕ ﻓﻲ ﺃﺗﻼﻡ ﻭﺗﻼﻓﻴﻒ ﺩﻣﺎﻏﻲ‪ ،‬ﺟﺎﺑ ْ‬
‫ﻛﻞ ﻣﻮﺍ ِﺩﻩ‬
‫ﺍﺟﺘﺎﺣﺖ ﱠ‬ ‫ْ‬ ‫ﻭﻣﺨﻴﺨﻪ‪ ،‬ﺍﺳﺘﻌﻤﺮﺕ ﻏﺪ َﺩ ُﻩ ﺍﻟﻨﺨﺎﻣﻴﺔ‪،‬‬ ‫ُﻣ ﱠﺨ ُﻪ ُ‬
‫ﺍﻟﺴﻨﺠﺎﺑﻴﺔ ﻭﺍﻟﺒﻴﻀﺎﺀ‪ :‬ﻣﺎﺫﺍ َﻋﻤ َﻠ ْﺖ ﺇﻟﻬﺎﻡ ﺑﻬﺬﺍ ﺍﻟﻤﺒﻠﻎ ﺍﻟﻜﺒﻴﺮ ﺍﻟﺬﻱ‬
‫ﻼ ﻓﻲ ﺍﻟﻴﻤﻦ؟‬ ‫ﻳﻌﺎﺩﻝ ﻗﻴﻤ َﺔ ﻣﻨﺰ ِﻟﻨﺎ ﺗﻘﺮﻳﺒﴼ؟ ﻫﻞ َﺑ َﻨ ْﺖ ﺑﻪ ﻗﺼﺮﴽ ﻫﺎﺋ ً‬ ‫ُ‬
‫ﻫﻞ ﺍﺷﺘﺮﺕ ﺑﻪ ُﺷ ﱠﻘ ًﺔ ﻓﻲ ﺑﺎﺭﻳﺲ؟‪ ...‬ﻛﻴﻒ ﻳﻤﻜﻦ ﺃﻥ ﻳﺤﻴﺎ ﺍﺛﻨﺎﻥ ﻣﻌﴼ‬
‫ﺃﺣﺪ ُﻫﻤﺎ ﺃﺳﺮﺍﺭﴽ ﻛﻬﺬﻩ ﻋﻠﻰ ﺍﻵﺧﺮ؟ ﻛﻴﻒ ﻳﻤﻜﻦ ﺃﻥ ﻳﻤﺎﺭﺱ‬ ‫ﻳﺨﻔﻲ ُ‬
‫ﻧﻘﻲ ﻃﺎﻫ ٌﺮ ﻛﻤﻼﻙ‪ ،‬ﺣﻴﺎ ًﺓ‬ ‫ﺻﺎﺩﻕ ﱞ‬ ‫ٌ‬ ‫ﺑﻠﻮﺭﻱ‬
‫ﱞ‬ ‫ﺇﻧﺴﺎ ٌﻥ ﻛﺈﻟﻬﺎﻡ‪ ،‬ﺷ ﱠﻔ ٌ‬
‫ﺎﻑ‬
‫ﻣﺪﺧﻨ ًﺔ ﻏﺎﻣﻀﺔ؟‪...‬‬ ‫ﺗﺤﺖ ﺃﺭﺿ ّﻴﺔ‪ ،‬ﻣﻮﺍﺯﻳ ًﺔ ﱢ‬ ‫َ‬ ‫‪120‬‬
‫ﻴﻦ ﻻ ﺛﺎﻟﺚ ﻟﻬﻤﺎ‪:‬‬ ‫ﺃﺣﺪ ﺣ ﱢﻠ ِ‬ ‫ﻟﻢ ﻳﻜﻦ ﺃﻣﺎﻣﻲ ﺇﻻ ُ‬
‫ﻛﻞ ﻫﺬﻩ‬ ‫ﺿﺨﻢ ﻣﻦ ﺍﻟﺒﻨﻚ‪ ،‬ﻹﻟﻐﺎﺀ ﱢ‬ ‫ﻣﺒﻠﻎ‬ ‫ُ‬
‫ﺍﻗﺘﺮﺍﺽ‬ ‫‪(1‬‬
‫ٍ‬ ‫ٍ‬
‫ﻘﺎﺭﻥ ﺑﻔﻮﺍﺋﺪ ﻭﺷﺮﻭﻁ‬ ‫ﺍﻟﺪﻳﻮﻥ ﺩﻓﻌ ًﺔ ﻭﺍﺣﺪﺓ‪) .‬ﻓﻮﺍﺋﺪ ﻗﺮﺽ ﺍﻟﺒﻨﻚ ﻻ ُﺗ ُ‬
‫ﺭﻳﺎﺿﻲ ﺑﺴﻴﻂ‬‫ﱟ‬ ‫ﺣﺴﺎﺏ‬
‫ٍ‬ ‫ﻭﻣﻜﺎﺋﺪ ﺗﻠﻚ ﺍﻟﺸﺮﻛﺎﺕ ﺍﻟﻔﺎﺣﺸﺔ(‪ .‬ﺑﻌﺪ‬
‫ﺷﻬﺮﻳ ٍﺔ ﻛﺒﻴﺮﺓ ﻟﻠﺒﻨﻚ‬ ‫ﱠ‬ ‫ﺃﻗﺴﺎﻁ‬
‫ٍ‬ ‫ﺩﻓﻊ‬
‫ﻠﺰﻣﻨﺎ َ‬ ‫ﺍﻟﺤﻞ ﺳ ُﻴ ِ‬‫ﱠ‬ ‫ُ‬
‫ﻭﺟﺪﺕ ﺃﻥ ﺫﻟﻚ‬
‫ﺳﻴﺨﺮﺑﻂ ﻧﻈﺎ َﻡ ﺣﻴﺎ ِﺗﻨﺎ ﻭﺍﻟﻔﻠﺴﻔﺔ ﺍﻟﺘﻲ‬ ‫ُ‬ ‫ﺑﺴﺒﺐ ﺿﺨﺎﻣﺔ ﺍﻟﻤﺒﻠﻎ‪.‬‬
‫ﺧﺎﺭ‬
‫ﺗﻘﺘﻴﺮ ﺃﻭ ﺍ ﱢﺩ ٍ‬
‫ٍ‬ ‫ﻧﻬﺠﻨﺎﻫﺎ ﻣﻌﴼ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ‪ :‬ﺃﻥ ﻧﺤﻴﺎ ﺍﻟﻠﺤﻈ َﺔ ﺩﻭﻥ‬
‫َﻮﻣﻨﺎ‬
‫ﺍﻟﻤﻘﺪﺱ‪» :‬ﻳ ُ‬
‫ﱠ‬ ‫ﻭﺷﻬﻴﺔ‪ .‬ﺷﻌﺎﺭﻧﺎ‬
‫ﱠ‬ ‫ﺑﺘﻔﺠ ٍﺮ ﻭﺭﻏﺒ ٍﺔ‬
‫ﱡ‬ ‫ﻭﺷﺤﺔ‪ .‬ﺃﻥ ﻧﺤﻴﺎﻫﺎ‬ ‫ﱠ‬
‫ﺎﻣﻨﺎ ﺃﻋﻴﺎﺩ! ﺃﻥ ﻧﺼﺮﻑ ﻓﻲ ﺍﻟﻤﻄﺎﻋﻢ ﻭﺍﻟﺮﺣﻼﺕ‬ ‫ﱡ‬
‫ﻴﺪﻧﺎ!«‪ ،‬ﺃﻱ ﻛﻞ ﱠﺃﻳ ِ‬ ‫ِﻋ ُ‬
‫ﻭﺍﻟﻤﻠﺬﺍﺕ ِﺑ َﺒﺤ ُﺒﻮﺣ ٍﺔ ﻭ َﻧﻬَﻢ‪» .‬ﻻ ﻳﺤﻴﻰ ﺍﻟﻤﺮﺀ‬ ‫ﱠ‬ ‫َ‬
‫ﻭﺍﻟ ُﻌﻄﻞ ﻭﺍﻟﺰﻳﺎﺭﺍﺕ‬
‫ﺟﺪﴽ ﻻ ﻳﻌﺮﻑ‬ ‫ﻣﺮﺗﻴﻦ«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ‪ ،‬ﻧﺎﻫﻴﻚ ﺃﻥ ﺍﻟﺤﻴﺎ َﺓ ﻗﺼﻴﺮ ٌﺓ ّ‬ ‫ﱠ‬
‫ﺍﻟﻤﺮﺀ ﺇﻥ ﻛﺎﻥ ﺳﻴﻮ ﱢﺩﻋﻬﺎ ﺍﻟﻴﻮﻡ ﺃﻡ ﺍﻟﻐﺪ‪...‬‬
‫ً‬
‫ﻛﻞ ﻫﺬﻩ ﺍﻟﻘﺮﻭﺽ ﺩﻓﻌﺔ ﻭﺍﺣﺪﺓ‪.‬‬ ‫ﺘﺴﺪﻳﺪ ﱢ‬ ‫ِ‬ ‫ﺍﻟﻤﻨﺰﻝ ِﻟ‬
‫ِ‬ ‫‪ (2‬ﺑﻴ ُﻊ‬
 ‫ﺍﻟﺤﻖ ﺃﻥ ﻫﺬﺍ ﺍﻟﻤﻨﺰﻝ ﺩﻭﻥ ﺇﻟﻬﺎﻡ ﺃﺻﺒﺢ ﻗﻄﻌ ًﺔ ﻣﻦ ﺍﻟ ﱡﺮﺑﻊ ﺍﻟﺨﺎﻟﻲ! ﺻﺎﺭ‬
‫ﱡ‬
‫ﻛﻞ ﺻﻐﻴﺮ ٍﺓ ﻭﻛﺒﻴﺮ ٍﺓ‬ ‫ﻼ‪ .‬ﱡ‬ ‫ﺃﺟﺮﺩ ﻣﻘﻔﺮﴽ ﻣﻮﺣﺸﴼ ﻛﺌﻴﺒﴼ ﻛﺮﻳﻬﴼ ﻗﺎﺗ ً‬
‫ﻛﻞ ﺛﺎﻧﻴﺔ‪ ،‬ﺑﺈﻟﻬﺎﻡ ﻭﻏﻴﺎﺏ ﺇﻟﻬﺎﻡ‪...‬‬
‫ﺑﺸﻜﻞ ﺻﺎﺭﺥ‪ ،‬ﻓﻲ ﱢ‬
‫ٍ‬ ‫ﻓﻴﻪ ُﺗ ﱢ‬
‫ﺬﻛ ُﺮﻧﻲ‬

‫ﺑﻜﻞ ﺣﺬﺍﻓﻴﺮﻩ!‬ ‫ﻻ ﺃﻥ ﺃﻓﻬﻢ ﺃﺳﺮﺍﺭ ﻫﺬﺍ ﺍﻟﻤﺒﻠﻎ ﱢ‬ ‫ﺃﺭﺩﺕ ﱠﺃﻭ ً‬

‫ُ‬
‫ﻟﻜﻞ ﺷﺮﻛﺔ‬ ‫ﺃﺭﺳﻠﺖ‪ ،‬ﺑﻌﺪ ﻳﻮﻣﻴﻦ ﺃﻭ ﺛﻼﺛﺔ ﻣﻦ ﺗﻮﺍﻓﺪ ﻫﺬﻩ ﺍﻟﻘﺮﻭﺽ‪ ،‬ﱢ‬ ‫ُ‬
‫ﻣﺎﻟﻲ ﻛﺎﻣﻞ ﻋﻦ‬ ‫ﱟ‬ ‫ﺑﻜﺸﻒ‬
‫ٍ‬ ‫ﺗﺼﻞ ﻣﻨﻬﺎ ﺭﺳﺎﻟ ًﺔ ﻹﻟﻬﺎﻡ‪ ،‬ﻃﻠﺒﴼ‬ ‫ُ‬ ‫ﻛﺎﻧﺖ‬
‫ُ‬
‫ﺃﺭﺳﻠﺖ‬ ‫ﺗﻔﺎﺻﻴﻞ ﺣﺮﻛﺔ ﺍﻟﻘﺮﺽ ﻭﺗﻄ ﱡﻮﺭﻩ ﻣﻨﺬ ﺑﺪﺍﻳﺘﻪ ﺣ ّﺘﻰ ﺍﻵﻥ‪.‬‬
‫ﺃﻳﻀﴼ ﻋﻠﻰ ﺍﻟﺘﻮ ِﻟﺒﻨﻚ ﺇﻟﻬﺎﻡ ﺍﻟﺬﻱ ﻳﺼﻞ ﺇﻟﻴﻪ ﺭﺍﺗ ُﺒﻬﺎ ﺍﻟﺸﻬﺮﻱ ﻃﻠﺒﴼ‬
‫ﻭﺳﻜﻨﺎﺕ‬
‫ِ‬ ‫ﺣﺮﻛﺎﺕ‬
‫ِ‬ ‫ﻜﻞ‬
‫ﺗﻔﺼﻴﻠﻲ ﺩﻗﻴﻖ ِﻟ ﱢ‬ ‫ﱟ‬ ‫ﻛﺸﻒ‬
‫ٍ‬ ‫ﻟﻠﺤﺼﻮﻝ ﻋﻠﻰ‬
‫ِ‬ ‫ﺷﺒﻴﻬﴼ‬
‫ﺣﺴﺎﺑﻬﺎ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻮﺍﺕ‪.‬‬ ‫ِ‬
‫ﻟﻢ ﺃﻗﺮﺃ ﻳﻮﻣﴼ ﻗﺒﻞ ﺫﻟﻚ ﺍﻟﻜﺸﻮﻓﺎﺕ ﺍﻟﺸﻬﺮﻳّﺔ ﻟﺤﺴﺎﺏ ﺇﻟﻬﺎﻡ ﻓﻲ‬
‫‪121‬‬ ‫ﺃﺗﺤﻮ ُﻝ ﻓﻲ ﺁﺧﺮ ﺍﻟﻌﻤﺮ ﺇﻟﻰ »ﻟﺠﻨ ِﺔ‬ ‫ﺍﻟﺒﻨﻚ‪ .‬ﻣﺎ ﺃﻏﺮﺏ ﺍﻟﺤﻴﺎﺓ‪ :‬ﻫﺎﺃﻧﺬﺍ ﱠ‬
‫ﺃﺳﻠﻮﺏ ﺣﻴﺎﺗﻨﺎ ﻛﺎﻥ ﺟﻤﻴﻼً‬ ‫َ‬ ‫ُﺪ‪ ،‬ﻷﻥ‬‫ﺗﻔﺘﻴﺶ ﻣﺎﻟﻲ«! ﻟﻢ ﻳﻜﻦ ﻟﺬﻟﻚ ﺑ ﱡ‬ ‫ٍ‬
‫ﺗﺄﺧﺬ ﻗﺴﻄﴼ‬‫ُ‬ ‫ٌ‬
‫ﺷﻬﺮﻳﺔ‬
‫ﱠ‬ ‫ٌ‬
‫ﺔ‬ ‫ﻴ‬‫ّ‬ ‫ﻣﺎﻟ‬ ‫ٌ‬
‫ﻭﺍﺟﺒﺎﺕ‬ ‫ﻹﻟﻬﺎﻡ‬ ‫ﻛﺎﻧﺖ‬ ‫ﺍﻟﺒﺴﺎﻃﺔ‪:‬‬ ‫َ‬
‫ﺷﺪﻳﺪ‬
‫ﻛﻞ ﻣﺎ ﺗﺒ ّﻘﻰ ﻟﻤﺎ ﻳﻄﻴﺐ ﻟﻬﺎ ﺷﺮﺍﺅﻩ‪،‬‬ ‫ﺗﺴﺘﺨﺪ ُﻡ ﱠ‬
‫ِ‬ ‫ﺭﺍﺗﺒﻬﺎ‪.‬‬
‫ﻣﺤﺪﻭﺩﴽ ﻣﻦ ِ‬
‫ﻟﻜﻞ ﻣﺎ ﺗﺒ ّﻘﻰ‬
‫ﺱ ﺭﺍﺗﺒﻲ ﱢ‬ ‫ﻛﺮ ُ‬‫ﻛﻨﺖ ﺃُ ﱢ‬ ‫ُ‬ ‫ﺭﻗﻴﺐ ﺃﻭ ﻋﺘﻴﺪ‪.‬‬
‫ﻣﺜﻠﻤﺎ ﺗﺮﻳﺪ‪ ،‬ﺩﻭﻥ ٍ‬
‫ّ‬
‫ﻭﺍﺳﺘﺨﺪﻡ ﻣﺎ ﺗﺒﻘﻰ ﻛﻴﻔﻤﺎ ﺃﻫﻮﻯ‪...‬‬ ‫ِ‬ ‫ﻣﻦ ﺍﻟﻤﻬﺎﻡ ﻭﺍﻟﻮﺍﺟﺒﺎﺕ ﺍﻟﻤﺎﻟ ّﻴﺔ‪.‬‬
‫ﻋﺪ ﺃﻭ ﻣﻴﺰﺍﻧﻴ ٍﺔ‬
‫ﱟ‬ ‫ﺲ ﻛﺒﻴ ٌﺮ ﻳﺠﻌﻠﻨﺎ ﻧﺤﻴﺎ ﺩﻭﻥ ﺣﺎﺟﺔ ّ‬
‫ﻷﻱ‬ ‫ِﻟ ِﻜﻠ ْﻴﻨﺎ ﻣﺘﻨ ﱠﻔ ٌ‬
‫ﺃﺛﻨﺎﺀ ﺻﺮﻓ ّﻴﺎﺕ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻴﻮﻣﻴﺔ ﺍﻻﻋﺘﻴﺎﺩﻳّﺔ‪...‬‬

‫ﻭﺻ َﻠﺘﻨﻲ ﻛﺸﻮﻓﺎﺕ ﺑﻨﻚ ﺇﻟﻬﺎﻡ ﻭﺷﺮﻛﺎﺕ ﻗﺮﻭﺿﻬﺎ ﱠﺃﻭ ً‬

‫ﻻ‬
‫ﺑﺄﻭﻝ‪ .‬ﺃﻛﻮﺍﻡ ﻋﺪﻳﺪﺓ ﻣﻦ ﺍﻟﻤﻠ ﱠﻔﺎﺕ ﺍﻟﻬﺎﺋﻠﺔ ﺍﻟﺤﺠﻢ‪ ،‬ﺍﻟﺼﻐﻴﺮﺓ‬ ‫ﱠ‬
‫ﻛﺴﺮﺏ‬
‫ٍ‬ ‫ﺍﻟﻘﺮﺍﺻﻨﺔ‪،‬‬ ‫ﻣﻦ‬ ‫ﻛﻔﻴﺎﻟﻖ‬ ‫ﺃﻣﺎﻣﻲ‬ ‫ﺗﺮﺗﺺ‬
‫ﱡ‬ ‫ﻭﺍﻷﺭﻗﺎﻡ‪،‬‬ ‫ﺍﻷﺣﺮﻑ‬
‫ﺍﻟﻄﺮﻕ‪ ...‬ﺩﺭﺳ ُﺘﻬﺎ ِﺑﺪ ﱠﻗ ٍﺔ ﻣﻴﻜﺮﻭﺳﻜﻮﺑﻴﺔ ﻭﻛﺄ ﱢﻧﻲ ﺃُ َﺣ ﱢﻀ ُﺮ‬
‫ﻣﻦ ُﻗ ﱠﻄﺎﻉ ﱡ‬
‫ﻟﻴﺎﻝ ﻛﺎﻣﻠﺔ‬ ‫ﻗﻀ ْﻴ ُﺖ ٍ‬ ‫ﺭﺳﺎﻟ ًﺔ ﺟﺎﻣﻌ ّﻴ ًﺔ ﺣﻮﻟﻬﺎ! ﱠ‬
‫ﻗﺸ ْﺮ ُﺗﻬﺎ ﺭﻗﻤﴼ ﺭﻗﻤﴼ‪ .‬ﱠ‬
‫ﺃﺳﺘﻮﻋﺐ ﺳﻔ َﺮ ﺗﻜﻮﻳ ِﻨﻬﺎ‪ ،‬ﺃﺭﺳ ُﻢ‬ ‫ُ‬ ‫ﺃﺭﻗﺎﻣﻬﺎ‪،‬‬
‫َ‬ ‫ُ‬
‫ﺃﺭﺻﺪ‬ ‫ﺣﺪ ُﻕ ﻓﻲ ﺳﻴﺮﻭﺭ ِﺗﻬﺎ‪،‬‬ ‫ﺃُ ﱢ‬
‫ﻛﻞ ﻣﺆﺷﺮﺍ ِﺗﻬﺎ ﻭﻣﺘﻐ ّﻴﺮﺍﺗﻬﺎ‬ ‫ﺗﺤﺴﺐ ﱠ‬ ‫ُ‬ ‫ﺧﻄﻮﻃﴼ ﺑﻴﺎﻧﻴﺔ ﺗﺸﺮ ُﺡ ﺗﻄ ﱡﻮﺭﺍﺗﻬﺎ‪،‬‬
‫ﻓﻬﻤﺖ ﺃﺛﻨﺎﺀ ﺫﻟﻚ ﻛﻴﻒ ﻛﺎﻧﺖ ﺗﺤﻴﻰ ﺇﻟﻬﺎﻡ ﻟﺤﻈ ًﺔ‬ ‫ُ‬ ‫ﻳﻮﻣﴼ ﺑﻌﺪ ﻳﻮﻡ‪.‬‬
‫ﺍﺳﺘﻌﺪ ُﺕ ﻣﻦ‬
‫ْ‬ ‫ﺗﺤﺲ ﻓﻲ ﻫﺬﺍ ﺍﻟﻴﻮﻡ ﺃﻭ ﺫﺍﻙ‪...‬‬ ‫ﺑﻌﺪ ﻟﺤﻈﺔ‪ ،‬ﻣﺎﺫﺍ ﻛﺎﻧﺖ ﱡ‬
‫ﺧﻼﻝ ﻫﺬﻩ ﺍﻟﻤﻠ ّﻔﺎﺕ ﺍﻟﺴﻴﺮ َﺓ ﺍﻟﻴﻮﻣﻴﺔ ﻟﺤﻴﺎﺗﻬﺎ ﻓﻲ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻟﻤﺎﺿﻴﺔ‬
‫ﺩﻗﻴﻘ ًﺔ ﺩﻗﻴﻘﺔ!‪...‬‬
‫ﺍﻧﺪﻟﻊ ﱠﺃﻭﻝ ﻗﺮﻭﺽ ﺇﻟﻬﺎﻡ ﺑﻌﺪ ﺣﻮﺍﻟﻲ ﺳﻨ ٍﺔ ﻣﻦ ﺣﻴﺎﺗﻨﺎ‬ ‫َ‬
‫ﻓﺘﺤ ْﺖ ﺣﺴﺎﺑﴼ ﻣﻊ ﺇﺣﺪﻯ ﺷﺮﻛﺎﺕ ﺍﻟﻘﺮﻭﺽ ﻋﻨﺪﻣﺎ‬ ‫ﺍﻟﻤﺸﺘﺮﻛﺔ‪َ .‬‬
‫ﻫﺪﻳ ٍﺔ ﺛﻤﻴﻨ ٍﺔ ﻟﻲ ﻓﻲ ﻋﻴﺪ ﻣﻴﻼﺩﻱ ﺍﻟﺨﺎﻣﺲ ﻭﺍﻟﺜﻼﺛﻴﻦ!‬ ‫َﺕ ﺷﺮﺍ َﺀ ﱠ‬ ‫ﺃﺭﺍﺩ ْ‬
‫ﻣﺎﻟﻲ ﺟﺪﻳﺪ‪) .‬ﺗﺴﺘﻤ ﱡﺮ‬ ‫ﱟ‬ ‫ﺿﺦ‬
‫ﱟ‬ ‫ﻋﺮﺽ‬‫ﺍﻟﻘﺮﺽ َ‬ ‫ُ‬ ‫َ‬
‫ﻭﺍﺻﻞ‬ ‫ﻓﻲ ﺍﻟﺸﻬﺮ ﺍﻟﺘﺎﻟﻲ‬
‫ﺳﻘﻒ‬
‫ٍ‬ ‫ﺍﻟﻀﺦ ﻋﻠﻰ ﻫﺬﺍ ﺍﻟﻤﻨﻮﺍﻝ ﺣ ّﺘﻰ ﺗﺼﻞ ﺇﻟﻰ‬ ‫ﱢ‬ ‫ﻫﺬﻩ ﺍﻟﻘﺮﻭﺽ ﻓﻲ‬
‫ﻻ ﻳﺘ ﱡﻢ ﺗﺠﺎﻭ ُﺯﻩ‪(.‬‬
‫ﻫﺪﻳ ِﺔ ﺇﻟﻬﺎﻡ ﺍﻷﻭﻟﻰ َﺗ َﺒ َﻌ ْﺖ ﻫﺪ ّﻳ ٌﺔ ﺃﺧﺮﻯ‪ ...‬ﺍﺯﺩﺍ َﺩ‬ ‫ﺷﻬﺮ ﻣﻦ ﱠ‬ ‫ﺑﻌﺪ ٍ‬ ‫‪122‬‬
‫ﺗﺴﺪﻳﺪﻫﺎ ﺟﺰﺀﴽ ﻣﻠﺤﻮﻇﴼ‬ ‫ُ‬ ‫َ‬
‫ﺍﻟﺸﻬﺮﻳﺔ ِﻟﻠﻘﺮﺽ‪ ،‬ﺍﻟﺘ َﻬ َﻢ‬‫ْ‬ ‫ﱠ‬ ‫ﺍﻷﻗﺴﺎﻁ‬
‫ِ‬ ‫ﺣﺠ ُﻢ‬
‫ﻛﺸﻒ ﺫﻟﻚ ﺑﺎﻟﻠﺠﻮ ِﺀ‬ ‫ِ‬ ‫ﺍﺿﻄﺮ ْﺕ ِﻟ ِ‬
‫ﻌﺪﻡ‬ ‫ﱠ‬ ‫ﺭﺍﺗﺐ ﺇﻟﻬﺎﻡ ﺍﻟﺸﻬﺮﻱ‪.‬‬ ‫ﻣﻦ ِ‬
‫ﺻﺮﻓﻴﺎ ِﺗﻬﺎ ﺍﻟﻴﻮﻣ ّﻴﺔ ﺑﻨﻔﺲ ﺍﻟﻮﺗﻴﺮﺓ‬ ‫ﱠ‬ ‫ﺗﻤﺎﺭﺱ‬
‫ُ‬ ‫ﺛﺎﻥ ﻳﺠﻌ ُﻠﻬﺎ‬ ‫ﻗﺮﺽ ٍ‬ ‫ﺇﻟﻰ ٍ‬
‫ﻛﻞ ﺫﻟﻚ ﺩﻭﻥ ﺃﻥ ﺃﺷﻌﺮ ﺑﺸﻲﺀ‪...‬‬ ‫ﻭﺍﻟﺤﺠﻢ ﻭﺍﻟﻨﻤﻂ‪ .‬ﱡ‬
‫ﻓﺦ ﻫﺬﻩ ﺍﻟﺸﺮﻛﺎﺕ ﺍﻟﻤﺤﺘﺎﻟﺔ ﺍﻵﺛﻤﺔ‪ :‬ﺗﻜﺜﺮ‬ ‫ﻭ َﻗ َﻌ ْﺖ ﺇﻟﻬﺎ ُﻡ ﻓﻲ ﱢ‬
‫ﻃﺎﺯﺝ ﻣﻦ‬ ‫ٍ‬ ‫ﻟﻘﺮﺽ‬
‫ٍ‬ ‫ﺃﻗﺴﺎﻁ ﺍﻟﺘﻌﻮﻳﻀﺎﺕ ﻫﻨﺎ ﻭﻫﻨﺎﻙ‪ ،‬ﺗﺰﺩﺍﺩ ﺍﻟﺤﺎﺟﺔ‬
‫ﻧﺰﻳﻒ ﻳَﻐﻤ ُﺮ ﻧﺰﻳﻒ‪َ ،‬ﺗﺰﺩﺍ ُﺩ‬ ‫ٌ‬ ‫ﺷﺮﻛ ٍﺔ ﺟﺪﻳﺪﺓ‪ ...‬ﺩﻳﻮ ٌﻥ َﺗﺸﺘﺮﻱ ﺩﻳﻮﻥ‪،‬‬
‫ﻳﻨﻐﻠﻖ ِﻟﻴﻨﻔﺘﺢ ﺟﺮﺣﺎﻥ ﺟﺪﻳﺪﺍﻥ‪ ...‬ﺗﻜﺒ ُﺮ‬ ‫ُ‬ ‫ﺍﻟﺠﺮﺍﺡ ﻋﺪﺩﴽ ﻭﻏﻮﺭﴽ‪ُ ،‬ﺟ ْﺮ ٌﺡ‬
‫َ‬
‫ﻬﺮﻭﻝ ﺑﻬﺎ ﻓﻲ ﺟﻮﻑ ﻫﺎﻭﻳﺔ‪ .‬ﺗﻀﻄ ﱡﺮ ﺇﻟﻬﺎ ُﻡ‬ ‫ُ‬ ‫ﺴﺘﻨﺰ ُﻑ ﺇﻟﻬﺎﻡَ‪ُ ،‬ﺗ ِ‬ ‫ﺍﻟﺪﻳﻮﻥ‪َ ،‬ﺗ ِ‬
‫ﻓﻮﺍﺋﺪ ﺍﻟﺸﺮﻛﺎﺕ‬ ‫ُ‬ ‫ﺣﺴﺎﺏ ﺇﻟﻰ ﺣﺴﺎﺏ ِﻟﺘﺰﺩﺍ َﺩ‬ ‫ٍ‬ ‫ﺍﻟﻘﺮﻭﺽ ﻣﻦ‬
‫ِ‬ ‫َ‬
‫ﺗﺤﻮﻳﻞ‬
‫ﺗﺘﺄﺭﺟﺢ ﺍﻟﻤﺒﺎﻟ ُﻎ‪،‬‬
‫ُ‬ ‫ﺮﻣ ُﻢ ﺇﻟﻬﺎﻡ ﻫﻨﺎ‪ُ ،‬ﺗﺮ ﱢﻗ ُﻊ ﻫﻨﺎﻙ‪...‬‬ ‫ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‪ُ .‬ﺗ ﱢ‬
‫ﻻﺳ ّﻴﻤﺎ ﻓﻲ ﺍﻟﺴﻨﻴﻦ ﺍﻷﺧﻴﺮﺓ ﻭﺍﻷﺷﻬﺮ ﺍﻷﺧﻴﺮﺓ ﺑﺸﻜﻞ ﺧﺎﺹ‪ ،‬ﺑﻴﻦ‬
‫ﺣﻮﺽ ﺯﺟﺎﺟﻲ‪،‬‬ ‫ٍ‬ ‫ﻛﺴﻤﻚ ﻓﻲ‬ ‫ٍ‬ ‫ﻭﺗﺘﺤﺮ ُﻙ‬
‫ﱠ‬ ‫ﻣﺨﺘﻠﻒ ﺍﻟﺤﺴﺎﺑﺎﺕ‪ .‬ﺗﺘﻨ ﱠﻘ ُﻞ‬
 ‫ﻛﻞ ﺍﻻﺗﺠﺎﻫﺎﺕ!‪...‬‬ ‫ﻭﺗﺘﺪﺍﺧﻞ ﻓﻲ ﱢ‬ ‫ُ‬ ‫ﻧﺎﺭﻳ ٍﺔ ﺗﺘﻘﺎﻃ ُﻊ‬
‫ﻛﺄﻟﻌﺎﺏ ﱠ‬
‫ٍ‬
‫ﺃﺿﺤﺖ ﻗﻠﻘﺔً‬ ‫ْ‬ ‫ﺗﻮﺭﻃﺖ‪ ،‬ﻭﺃﻧﻬﺎ‬‫ﱠ‬ ‫ﺑﺄﻧﻬﺎ‬ ‫ﺇﻟﻬﺎﻡ‬ ‫ﺗﺨﺒﺮﻧﻲ‬ ‫ﻟﻢ‬ ‫ﻟﻤﺎﺫﺍ‬
‫ﺮﻣﻢ؟‪ ...‬ﻛﻨﺎ ﺳﻨﻮﻗﻒ ﻣﻌﴼ‬ ‫ﻘﻀﻲ ﱠﺃﻳﺎﻣﻬﺎ ُﺗﺮ ﱢﻗ ُﻊ ﻭ ُﺗ ﱢ‬ ‫ﻣﺴﻠﻮﺑ َﺔ ﺍﻟﺬﻫﻦ ُﺗ ﱢ‬
‫ﺍﻟﻄﺎﻣﺔ؟‪...‬‬
‫ّ‬ ‫ﺍﻟﺨﺮﺍﺏ ﻫﺬﻩ ﺍﻟﺪﺭﺟﺔ‬ ‫ُ‬ ‫ﻫﺬﺍ ﺍﻟﻨﺰﻳﻒ ﺳﺮﻳﻌﴼ ﻗﺒﻞ ﺃﻥ ﻳﺒﻠﻎ‬
‫ﺗﻌﺮﻑ ﻛﻢ ﺃﻋﺘﺒ ُﺮﻫﺎ‬ ‫ُ‬ ‫ﺧﺠ َﻠ ْﺖ ﺑﺎﻟﺘﺄﻛﻴﺪ ﻣﻤﺎ ﺍﻗﺘﺮ َﻓ ْﺘ ُﻪ ِﺳ ّﺮﴽ! ﻷﻧﻬﺎ‬
‫ﺇﻧﺴﺎﻧﴼ ﻧﻤﻮﺫﺟ ّﻴﴼ ﻓﻲ ﻃﻬﺎﺭ ِﺗ ِﻪ ﻭﺻﺪ ِﻗﻪ‪ ...‬ﻟﻢ ﺃﻛﻦ ﺧﺎﻃﺌﴼ ﻣﻊ ﺫﻟﻚ‪،‬‬
‫ﺻﺮﺕ ﻭﺍﺛﻘﴼ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﺃﻱ‬ ‫ُ‬ ‫ﻛﻞ ﻫﺬﻩ ﺍﻟﻤﻠﻔﺎﺕ‬ ‫ﻷﻧﻨﻲ ﺑﻌﺪ ﺩﺭﺍﺳ ِﺔ ﱢ‬
‫ﻣﺨﻠﻮﻕ ﻋﻠﻰ ﻭﺟﻪ ﺍﻷﺭﺽ‪:‬‬ ‫ٍ‬ ‫ﺳﺘﻈﻞ ﺩﻭﻣﴼ ﺃﻃﻬ َﺮ‬ ‫ﱡ‬ ‫ﻭﻗﺖ ﻣﻀﻰ‪ ،‬ﺃﻥ ﺇﻟﻬﺎﻡ‬ ‫ٍ‬
‫ﺍﻟﺬﻛﺮ!‪...‬‬ ‫ﱡ‬
‫ﻛﻞ ﺗﻠﻚ ﺍﻟﻘﺮﻭﺽ ﺷﻴﺌﴼ ﻳﺴﺘﺤﻖ ﱢ‬ ‫ﻟﻢ ﺗﺸﺘﺮ ِﻟﻨﻔﺴﻬﺎ ﻣﻦ ﱢ‬
‫ﻧﻔﺴﻬﺎ ﻋﻠﻰ ﻣﺎ‬ ‫ﺗﻌﺎﻗﺐ َ‬ ‫ُ‬ ‫ﺃﺻﻐﺮ ﺍﻷﺷﻴﺎﺀ‪ ،‬ﻭﻛﺄﻧﻬﺎ‬ ‫ِ‬ ‫ﻧﻔﺴﻬﺎ ﻣﻦ‬‫ﺣ َﺮ َﻣ ْﺖ َ‬
‫َﺟ َﻨ ْﺘ ُﻪ‪ ،‬ﻻﺳﻴﻤﺎ ﻓﻲ ﺍﻟﺴﻨﻴﻦ ﺍﻷﺧﻴﺮﺓ ﺍﻟﺘﻲ ﺍﺯﺩﺍﺩﺕ ﻓﻴﻬﺎ ﻭﻃﺄ ُﺓ ﻭﻛﺜﺎﻓ ُﺔ‬
‫ﻫﺬﻩ ﺍﻟﺪﻳﻮﻥ ﺍﻟﻄﺎﺋﻠﺔ!‪...‬‬
‫‪123‬‬ ‫ﺃﻥ ﺧﻄﻴﺌﺘﻬﺎ ﺍﻟﻮﺣﻴﺪﺓ‪ ،‬ﺍﻻﻧﺘﺤﺎﺭﻳﺔ‪ ،‬ﻫﻲ ﺃﻧﻬﺎ ﻛ َﺘ َﻤ ْﺖ‬ ‫ﻏﻴﺮ ﱠ‬
‫ﻛﻞ ﻫﺬﻩ‬ ‫ﺳﺮ ﻛﻬﺬﺍ ﺧﻼﻝ ﱢ‬ ‫ﱟ‬ ‫ْ‬
‫ﺍﺳﺘﻄﺎﻋﺖ ﻛﺘ َﻢ‬ ‫ﺍﻟﺴﺮ! ﻛﻴﻒ‬ ‫ﱢ‬ ‫ﻫﺬﺍ‬
‫ﺍﺳﺘﻄﺎﻋﺖ ﺍﻟﺤﻴﺎ َﺓ ﺍﻟﻴﻮﻣﻴﺔ ﺍﻟﻄﺒﻴﻌﻴﺔ ﻣﻌﻲ ﻃﻮﺍﻝ‬ ‫ْ‬ ‫ﺍﻟﺴﻨﻴﻦ؟ ﻛﻴﻒ‬
‫ﺃﻱ ﻣﻘﺪﺭ ٍﺓ ﺧﺎﺭﻗ ٍﺔ ﻓﻲ ﺍﻟﻜﺘﻤﺎﻥ‬ ‫ﻫﺬﻩ ﺍﻟﺴﻨﻴﻦ ﻭﻛﺄﻥ ﺷﻴﺌﴼ ﻟﻢ ﻳﻜﻦ؟‪ ...‬ﱡ‬
‫ﺗﻤﺘﻠﻜﻬﺎ ﺍﺑﻨﺔ ُﺛﻼ! ﻛﻴﻒ َﻧ َﻤ ْﺖ ﻫﺬﻩ ﺍﻟﻤﻘﺪﺭﺓ؟‪ ...‬ﻫﻞ ﺗﻜﺘﻢ ﻫﺬﻩ‬
‫ﺑﻤﻘﺪﻭﺭﻫﺎ‬
‫ِ‬ ‫ﺍﻟﺒﻠﻮﺭﻳ ُﺔ ﺃﺷﻴﺎ َﺀ ﺃﺧﺮﻯ ﻻ ﺃﻋﺮﻓﻬﺎ ﺃﻳﻀﴼ؟ ﻫﻞ ﻛﺎﻥ‬ ‫ﱠ‬ ‫ﺍﻟﻄﺎﻫﺮ ُﺓ‬
‫ﺃﺳﺮﺍﺭ‬
‫ٍ‬ ‫ﻛﺘﻤﺎﻥ‬
‫ِ‬ ‫ﻛﻞ ﺫﻟﻚ ﻟﻮ ﻟﻢ ﺗﺘﺮﻋﺮ ْﻉ ﻣﻨﺬ ﻃﻔﻮﻟ ِﺘﻬﺎ ﻋﻠﻰ‬ ‫ﻛﺘﻤﺎﻥ ﱢ‬
‫ﺘﺸﻐﻞ ﺫﻫ َﻨﻬﺎ ِﺑ ُﻠﻌﺒ ِﺔ‬ ‫ﺃﻛﺜﺮ ﺿﺮﺍﻭﺓ ﻭﺑﺸﺎﻋﺔ؟ ﻫﻞ ﻛﺎﻧﺖ ِﺑﺤﺎﺟ ٍﺔ ِﻟ َ‬
‫ﺍﻟﺨﺮﺍﺏ ﺍﻟﺼﻐﻴﺮﺓ ﻫﺬﻩ ﻛﻲ َﺗﻨﺴﻰ »ﻃﺎﺋ َﺮ ﺍﻟﺨﺮﺍﺏ«‪ِ :‬ﺟ ْﺬ َﺭ ﺧﺮﺍﺑﺎ ِﺗﻬﺎ‬
‫»ﻣﺴﺘﻨﻘﻊ«‬
‫ِ‬ ‫ﻭﻣﻨﺒﻊ‬
‫َ‬ ‫ﺗﺤﺪ َﺛ ْﺖ ﻋﻨ ُﻪ ﻓﻲ ﺑﺪﺀ ﻋﻼﻗﺘﻨﺎ‪،‬‬ ‫ﻭﻋﺬﺍﺑﺎ ِﺗﻬﺎ ﺍﻟﺬﻱ ﱠ‬
‫ﺍﻷﻟﻔﻴﺔ ﻓﻲ ﻭﺍﺩﻱ ﺭﻡ؟ ﻛﻴﻒ‬ ‫ﱠ‬ ‫ﺗﺤﺪ َﺛ ْﺖ ﻋﻨ ُﻪ ﻓﻲ ﻟﻴﻠ ِﺔ‬ ‫ﺣﻴﺎ ِﺗﻬﺎ ﺍﻟﺘﻲ ﱠ‬
‫ﻧﻘﻲ ﻧﺎﺻﻊ‪ ،‬ﻭﺍﻵﺧﺮ‬ ‫ﺟﻠﻲ ﱞ‬ ‫ﻳﻤﻜﻦ ﺃﻥ ﻳﺰﺩﻭﺝ ﺇﻧﺴﺎﻧﺎﻥ ﻓﻲ ﺇﻟﻬﺎﻡ‪ :‬ﺍﻷ ّﻭﻝ ﱞ‬
‫ﺑﺎﻃﻨﻲ ﻣﻨﻐﻠﻖ؟‪...‬‬
‫ﱞ‬ ‫ﻛﺎﺗ ٌﻢ‬
‫َ‬
‫ﻗﻮﺍﻋﺪ‬ ‫ﺱ‬ ‫ُ‬
‫ﺃﻭ ﻟﻌ ﱢﻠﻲ ﺃﻧﺎ ﺍﻵﺛ ُﻢ ﻓﻲ ﺍﻷﺳﺎﺱ‪ :‬ﻟﻤﺎﺫﺍ ﻟﻢ ﺃ ْﺭ ِ‬
‫ﺃﻱ ﻣﻔﺎﺟﺄ ٍﺓ‬ ‫ﺍﻟﻤﺎﻟﻴ ِﺔ ﺍﻟﻤﺸﺘﺮﻛﺔ ﺃﻛﺜ َﺮ ﺷﻔﺎﻓﻴ ًﺔ ﻭﺍﺣﺘﺮﺍﺯﴽ ﻣﻦ ﱢ‬ ‫ﱠ‬ ‫ِﻟﺤﻴﺎﺗﻨﺎ‬
‫ﺳﻴﺌﺔ؟‪ ...‬ﺁﻩ‪ ،‬ﻳﺴﺘﺤﻴﻞ ﺫﻟﻚ ﻷﻧﻲ ﻻ ﺃﺣﻴﺎ ﺇﻻ ﺍﻟﻠﺤﻈﺔَ‬ ‫ﻣﺴﺘﻘﺒﻠﻴﺔ ﱢ‬
‫ﱠ‬
‫ﻭﻣ ﱠﻠ ُﺔ ُﻣ ُﺜ ِﻠﻲ‬
‫ﺍﻟﺮﺍﻫﻨﺔ ﻓﻘﻂ! ﺗﻠﻚ ِﻣ ﱠﻠ ِﺘﻲ ﺍﻟﺘﻲ ﻻ ﺃﻭ ﱡﺩ ﺧﻴﺎﻧﺘﻬﺎ ﺃﺑﺪﴽ‪ِ ،‬‬
‫ﺍﻟ ُﻌﻠﻴﺎ ﻓﻲ ﺍﻟﺤﻴﺎﺓ‪ :‬ﺃﻣﺮﺅ ﺍﻟﻘﻴﺲ‪ ،‬ﻋﻤﺮ ﺍﻟﺨ ّﻴﺎﻡ‪ ،‬ﺑﻮﺷﻜﻴﻦ!‪ ...‬ﺃﻭ ﻷﻗﻞ‬
‫ﺃﻗﻞ ﺗﺴ ﱡﻴﺒﴼ ﻭﻫﻮﺍﺋﻴ ًﺔ ﻭﺷﺎﻋﺮﻳّﺔ؟‪...‬‬ ‫َ‬
‫ﻗﻮﺍﻋﺪ ﱠ‬ ‫ﺱ‬ ‫ُ‬
‫ﺑﺎﻷﺣﺮﻯ‪ :‬ﻟﻤﺎﺫﺍ ﻟﻢ ﺃ ْﺭ ِ‬
‫ﺷﺪﻳﺪ ﺃﻳﻀﴼ‪،‬‬ ‫ﺨﺠﻞ‬
‫ﻭﺑ ٍ‬ ‫ﻨﻮﻉ ﻣﻦ ﺍﻹﺟﻼﻝ‪ِ ،‬‬ ‫ﱠ ُ‬
‫ٍ‬ ‫ﺗﺬﻛﺮﺕ ﺑﻬﺬﺍ ﺍﻟﺼﺪﺩ‪ِ ،‬ﺑ ٍ‬
‫ﻟﻠﺤﺎﺝ ﺍﻟ ﱡﺮﺩﻳﻨﻲ‪ ،‬ﻓﻴﻠﺴﻮﻑ ﺷﺎﺭﻉ ﻃﻔﻮﻟﺘﻲ‪.‬‬ ‫ِ‬ ‫ﺇﺣﺪﻯ ﺍﻟﻨﻈﺮﻳﺎﺕ ﺍﻷﺛﻴﺮﺓ‬
‫ﻓﺾ‬ ‫ﺍﻟﻜﻠﺐ َﺟ ِﻠ ٌﻒ ﱞ‬ ‫ُ‬ ‫ﻛﺎﻟﻘﻄﺔ!‬
‫ﱠ‬ ‫»ﺍﻟﺮﺟﻞ ﻛﺎﻟﻜﻠﺐ ﻭﺍﻟﻤﺮﺃﺓ‬ ‫ُ‬ ‫ﻛﺎﻥ ﻳﻘﻮﻝ‪:‬‬
‫ﻳﺤﺮﺳ َﻚ‪ ،‬ﻳﺘﻌ ﱠﻠ ُﻖ‬‫ُ‬ ‫ﻳﺨﺪ ُﻣ َﻚ‪،‬‬ ‫َ‬
‫ﻳﻔﺎﺭﻗﻚ ﺃﺑﺪﴽ‪ُ .‬‬ ‫ﻗﻠﻴﻞ ﺍﻟﻜﻴﺎﺳﺔ‪ ،‬ﻟﻜﻨﻪ ﻻ‬ ‫ُ‬
‫ﺲ‬ ‫ﺍﻟﻘﻄﺔ ﺷﺪﻳﺪ ُﺓ ﺍﻟﺮ ّﻗﺔ‪ُ ،‬ﺗ ِ‬
‫ﺪﺍﻋ ُﺒ َﻚ‪ ،‬ﺗﻨﺎ ُﻡ ﻋﻠﻰ ﺃﺣﻀﺎﻧﻚ‪ُ ،‬ﺗ َﻤ ﱢﻠ ُ‬ ‫ﱠ‬ ‫ﺑﻚ‪...‬‬
‫ﺑﺎﺏ ﺍﻟﻤﻨﺰﻝ ﺗﻐﺎ ِﺩ ُﺭﻩ ﺩﻭﻥ‬ ‫ﺗﻔﺘﺢ ﻟﻬﺎ َ‬
‫ﻋﻠﻴﻚ ﻃﻮﺍﻝ ﺍﻟﻮﻗﺖ‪ ،‬ﻟﻜﻨﻬﺎ ﻋﻨﺪﻣﺎ ُ‬
‫ﺗﻔﻌﻞ ﻣﺎ ﻳﺨﻄﺮ ﺑﺒﺎﻟﻬﺎ!‪«...‬‬‫ﺗﺮ ﱠﺩﺩ‪ ،‬ﺗﻄﻴ ُﺮ ﺑﻌﻴﺪﴽ ﻋﻨﻚ‪ُ ،‬‬
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‫ﻣﻜﺘﺐ ﺇﻟﻬﺎﻡ ﻷﻓ ﱢﺘﺶ ﻣﻠﻔﺎ ِﺗﻬﺎ‬ ‫ِ‬ ‫ﺗﻮﺟﻬ ُ‬
‫ْﺖ ِﻷ ﱠﻭﻝ ﻣﺮﺓ ﺇﻟﻰ ﻏﺮﻓ ِﺔ‬ ‫ﱠ‬
‫ﺍﻟﺨﺎﺻﺔ ﺑﺄﻣﻮﺭ ﺍﻟﻤﻨﺰﻝ‪ .‬ﻟﻢ ﺃﺭ ﺃﻭ ﺃﻓﺘﺢ ﻳﻮﻣﴼ ﻫﺬﻩ ﺍﻟﻤﻠ ّﻔﺎﺕ‪ ،‬ﻷﻧﻲ‬
‫ﺍﻟﻌﺎﻣﺔ«‪،‬‬
‫ّ‬ ‫ﺍﺧﺘﺼﺎﺹ ﺇﻟﻬﺎﻡ‪ ،‬ﻗﺎﺋﺪ ِﺓ ﺍﻟﻤﻨﺰﻝ‪ِ » ،‬ﻗﻴﺎﺩ ِﺗ ِﻪ‬
‫ِ‬ ‫ﺍﻋﺘﺒﺮ ُﺗﻬﺎ ﻣﺠﺎﻝ‬
‫ﻣﻜﺮﺳ ًﺔ‬
‫ﺧﻔﻴ ًﺔ ﱠ‬
‫ﻣﻠﻔﺎﺕ ﺧﺎﺻ ًﺔ ﱠ‬ ‫ٍ‬ ‫ﻭﺟﺪ ُﺕ ﺑﻴﻨﻬﺎ‬
‫ﻭﻗﻠﺒ ِﻪ ﺍﻟﻨﺎﺑﺾ‪ْ .‬‬‫ﻗﺒﻄﺎ ِﻧ ِﻪ ِ‬
‫ﻋﺮﻓﺖ ﻭﺃﻧﺎ ﺃﺗﺼ ﱠﻔﺤﻬﺎ ﺃﻥ ﺇﻟﻬﺎﻡ ﻓ ﱠﻜ َﺮﺕْ‬ ‫ُ‬ ‫ِﻟﻬﺬﻩ ﺍﻟﻘﺮﻭﺽ ﺍﻟﺴﺮﻳّﺔ!‪...‬‬
‫ﻗﺒﻞ ﺣﻮﺍﻟﻲ ﺳﻨﺘﻴﻦ ﺑﺈﻟﻐﺎﺀ ﻛﻞ ﻫﺬﻩ ﺍﻟﺪﻳﻮﻥ ﺩﻓﻌ ًﺔ ﻭﺍﺣﺪﺓ )ﻛﺎﻥ‬
‫ﻳﺰﻳﺪ ﻛﺜﻴﺮﴽ ﻋﻦ ﻧﺼﻒ ﻣﺎ ﻫﻮ ﻋﻠﻴﻪ ﺍﻟﻴﻮﻡ!(‬ ‫ﻣﺠﻤﻮﻋﻬﺎ ﺣﻴﻨﺬﺍﻙ ﻻ ُ‬
‫ﺃﺣﺪ ﺍﻟﺒﻨﻮﻙ‪ ،‬ﻳﻤﺤﻲ‬ ‫ﺟﺪﴽ‪ ،‬ﻣﻦ ِ‬ ‫ﻣﻌﻘﻮﻝ ّ‬ ‫ٍ‬ ‫ﻗﺮﺽ‬
‫ٍ‬ ‫ِﻋ ْﺒﺮ ﺍﻟﻠﺠﻮﺀ ﺇﻟﻰ‬
‫ﺗﺴﺪﻳﺪ‬
‫ِ‬ ‫ُ‬ ‫ً‬
‫ﻛﻞ ﺗﻠﻚ ﺍﻟﺸﺮﻛﺎﺕ ﺩﻓﻌﺔ ﻭﺍﺣﺪﺓ‪ .‬ﻳﺘ ﱡﻢ ﺗﻘﺴﻴﻂ‬ ‫ﻗﺮﻭﺽ ﱢ‬‫َ‬
‫ﺃﻣﻸ ْﺕ ﺇﻟﻬﺎﻡ ﺣﻴﻨﻬﺎ ﺍﺳﺘﻤﺎﺭﺍﺕ ﺍﻟﻄﻠﺐ‪،‬‬ ‫ﻋﺪﺓ ﺳﻨﻴﻦ‪َ .‬‬ ‫ﻗﺮﺽ ﺍﻟﺒﻨﻚ ﻋﻠﻰ ﱠ‬ ‫ِ‬
‫ﻭﻛﻞ ﺍﻹﺟﺮﺍﺀﺍﺕ ﺍﻟﻼﺯﻣﺔ ﻟﺬﻟﻚ‪ .‬ﺗﻮ ﱠﻗ َﻔ ْﺖ ﻓﻲ ﺍﻟﻠﺤﻈﺔ ﺍﻷﺧﻴﺮﺓ‪ ،‬ﻷﻧﻪ‬ ‫ﱠ‬
‫ﺃﻭﺍﻓﻖ ﻭﺃﻭ ﱢﻗ َﻊ ﻋﻠﻰ ﺗﻠﻚ ﺍﻻﺳﺘﻤﺎﺭﺍﺕ ﺑﺠﺎﻧﺐ ﺗﻮﻗﻴﻌﻬﺎ!‪...‬‬ ‫ﻛﺎﻥ ﻳﻠﺰﻡ ﺃﻥ َ‬
‫ﺣﺠﻤﻬﺎ ﻗﺒﻞ‬ ‫ُ‬ ‫ﻟﻢ ﺗﺘﺠﺮﺃ ﺑﺎﻟﺘﺄﻛﻴﺪ ﺃﻥ ﺗﺨﺒﺮﻧﻲ ﺑﺎﻟﻔﺎﺟﻌﺔ ﺍﻟﺘﻲ ﻛﺎﻥ‬
 ‫ﻧﺼﻒ ﻣﺎ ﻫﻮ ﻋﻠﻴﻪ ﺍﻟﻴﻮﻡ ﻓﻘﻂ‪...‬‬ ‫َ‬ ‫ﺳﻨﺘﻴﻦ‬
‫ﻗﻠﻖ ﺇﻟﻬﺎﻡ‬ ‫ﺑﺪﺃﺕ ﺃﻓﻬ ُﻢ ﺍﻵﻥ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ ﻟﺤﻈﺎﺕ ِ‬ ‫ُ‬
‫ﻭﺟﺪﺕ ﺃﻳﻀﴼ ﻓﻲ ﺗﻠﻚ ﺍﻟﻤﻠ ّﻔﺎﺕ‬ ‫ُ‬ ‫ﻭﺍﺭﺗﺒﺎﻛﺎﺗﻬﺎ ﻓﻲ ﺍﻟﺴﻨﻴﻦ ﺍﻷﺧﻴﺮﺓ‪...‬‬
‫ﺭﺳﺎﺋﻞ ﺇﻧﺬﺍﺭ ﻣ َﻮ ﱠﺟﻬ ًﺔ ﻹﻟﻬﺎﻡ ﻣﻦ ﺗﻠﻚ ﺍﻟﺸﺮﻛﺎﺕ‪ ،‬ﻗﺒﻴﻞ ﺭﺃﺱ ﺍﻟﺴﻨﺔ‬
‫ﺍﻟﻤﻄﺒﺎﺕ ﺍﻟﻬﻮﺍﺋﻴﺔ ﺍﻟﺘﻲ ﻛﺎﻧﺖ‬ ‫ﱠ‬ ‫ﺍﻷﺧﻴﺮﺓ ﻓﻲ ﻭﺍﺩﻱ ﺭﻡ‪ ،‬ﺟﻌﻠﺘﻨﻲ ُ‬
‫ﺃﺩﺭﻙ‬
‫ﺍﻷﺳﺎﺑﻴﻊ‬ ‫ﻧﻈﺎﻡ ﺣﻴﺎ ِﺗﻬﺎ ﻓﻲ‬ ‫َ‬
‫ﺍﻟﻤﻠﺤﻮﻅ ﻓﻲ‬ ‫ﺗﻤ ﱡﺮ ﺑﻬﺎ ﺁﻧﺬﺍﻙ‪ ،‬ﻭﺍﻟ ﱠﺘﻐ ﱡﻴ َﺮ‬
‫ِ‬ ‫ِ‬
‫ﺍﻟﺘﻲ َﻓﺼ َﻠ ْﺖ ﺭﺣﻠ َﺔ ﻣﺪﻳﻨ ِﺔ »ﻡ‪ ،«...‬ﻣﺪﻳﻨﺔ ﺍﻟﻤﻴﻌﺎﺩ )ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﺇﻟﻬﺎﻡ‬
‫ﻴﻦ ﻣﻦ ﺍﻟﺸﻬﻘﺔ ﺍﻟﻌﺎﺭﻣﺔ( ﻭﺇﺟﺎﺯﺓ‬ ‫ﻗﻮﺳ ِ‬‫ﻗﺎﺏ َ‬ ‫ﻗﻤ ِﺔ ﺳﻌﺎﺩ ِﺗﻬﺎ‪َ ،‬‬ ‫ﺧﻼﻟﻬﺎ ﻓﻲ ﱠ‬
‫ﻭﺍﺩﻱ ﺭﻡ ﻓﻲ ﻟﻴﻠﺔ ﺍﻷﻟﻔ ّﻴﺔ!‬
‫ﺑﺪﺃﺕ ﺃﻓﻬ ُﻢ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‪ :‬ﻛﺎﻥ ﻣﺒﻠﻎ ﺍﻟﺠﺮﺩ ﺍﻹﺟﻤﺎﻟﻲ‬ ‫ُ‬
‫ﻳﻘﺘﺮﺏ ﺣﻴﻨﻬﺎ ﻛﺜﻴﺮﴽ‬ ‫ُ‬ ‫ِﻟﻘﺮﻭﺽ ﻫﺬﻩ ﺍﻟﺸﺮﻛﺎﺕ ﺍﻻﺳﺘﻨﺰﺍﻓﻴﺔ ﻗﺪ ﺑﺪﺃ‬
‫ﻛﺜﻴﺮ ﻣﻦ ﺗﻠﻚ‬ ‫ٍ‬ ‫ﺭﺳﺎﺋﻞ‬
‫ِ‬ ‫ﻋﺮﻓﺖ ﻣﻦ‬‫ُ‬ ‫ﺍﻟﺤﺎﻟﻴﺔ‪.‬‬
‫ﱠ‬ ‫ﺍﻟﺨﻴﺎﻟﻴ ِﺔ‬
‫ﱠ‬ ‫ﻛﻤ َﻴ ِﺘ ِﻪ‬
‫ﻣﻦ ﱢ‬
‫‪125‬‬ ‫ﻤﻌﻈﻢ ﺍﻟﻘﺮﻭﺽ! ﻟﻦ‬ ‫ِ‬ ‫ﺍﻟﺤﺪ ﺍﻷﻗﺼﻰ ِﻟ‬ ‫ﱠ‬ ‫ْ‬
‫ﺑﻠﻐﺖ‬ ‫ﺍﻟﺸﺮﻛﺎﺕ ﺃﻥ ﺇﻟﻬﺎﻡ‬
‫ﺴﺪ َﺩ ﺟﺰﺀﴽ ﺭﺋﻴﺴﴼ ﻣﻦ ﻗﺮﻭﺿﻬﺎ‬ ‫ُ‬
‫ﺗﺴﺘﻠ َﻢ ﺇﺫﻥ ﻗﺮﻭﺿﴼ ﺟﺪﻳﺪﺓ ﻗﺒﻞ ﺃﻥ ﺗ ﱢ‬
‫ﺘﺴﺪﻳﺪ‬
‫ِ‬ ‫ﺷﻔﻴﺮ ﺍﻟﻬﺎﻭﻳﺔ‪ :‬ﺭﺍﺗ ُﺒﻬﺎ ﻻ ﻳﻜﻔﻲ ِﻟ‬ ‫ِ‬ ‫ﺍﻟﻘﺪﻳﻤﺔ! ﻫﺎﻫﻲ ﺇﺫﻥ ﻋﻠﻰ‬
‫ُ‬
‫ﺗﻨﻐﻠﻖ‬ ‫ﺣﻨﻔﻴ ُﺔ ﺍﻟﻘﺮﻭﺽ‬‫ﱠ‬ ‫ﺍﻷﻗﺴﺎﻁ ﺍﻟﺸﻬﺮﻳّﺔ ﻟﻠﻘﺮﻭﺽ ﺍﻟﻘﺪﻳﻤﺔ‪،‬‬
‫ﺗﻘﺘﺮﺏ ﻣﻦ ﺍﻟﻤﺸﻨﻘﺔ!‪...‬‬ ‫ُ‬ ‫ﺗﺨﺘﻨﻖ ﺇﻟﻬﺎﻡ‪،‬‬‫ُ‬ ‫ﺍﻷﻭﻟﻰ ﺑﻌﺪ ﺍﻷﺧﺮﻯ!‪...‬‬
‫ﻣﻌﻈﻢ‬ ‫ﺩﻓﻊ‬
‫ﺗﺴﺘﻄﻊ ﺇﻟﻬﺎ ُﻡ َ‬
‫ْ‬ ‫ُ‬
‫ﺑﺪﺃﺕ ﺑﻌﺪ ﺫﻟﻚ ﺭﻗﺼﺔ ﺍﻟﺨﺮﺍﺏ‪ :‬ﻟﻢ‬ ‫ْ‬
‫ِ‬
‫ﺍﻟﻘﺴﻂ ﻣﻀﺎﻋﻔﴼ ﻓﻲ‬ ‫ِ‬ ‫ﻧﻔﺲ‬
‫ﺍﻷﻗﺴﺎﻁ ﻓﻲ ﺍﻟﺸﻬﻮﺭ ﺍﻷﺧﻴﺮﺓ‪ .‬ﻳَﻌﻮ ُﺩ ُ‬ ‫ِ‬
‫ﺣﺴﺐ ﺍﻟﻠﻮﺍﺋﺢ ﺍﻟﻘﺎﻧﻮﻧ ّﻴﺔ ﻟﺘﻠﻚ ﺍﻟﺸﺮﻛﺎﺕ ﺍﻟﺘﻲ ُ‬
‫ﺗﻌﺮﻑ‬ ‫َ‬ ‫ﺍﻟﺸﻬﺮ ﺍﻟﺘﺎﻟﻲ‪،‬‬
‫ُ‬
‫ﺗﺘﻮﺍﺻﻞ ﺭﻗﺼ ُﺔ‬ ‫ﺍﻟﺮ ْﺟﻞ ﺑﺎﻣﺘﻴﺎﺯ‪.‬‬ ‫ﻓﻲ ﻫﺬﻩ ﺍﻟﺤﺎﻟﺔ ﻛﻴﻒ ﺗﻜﺴ ُﺮ ﻛ ْﻌ َﺐ ﱢ‬
‫ﺩﻳﻮﻥ ﺇﻟﻬﺎﻡ ﺑﺴﺮﻋ ٍﺔ ﺟﻨﻮﻧ ّﻴﺔ! ﺑﻌﺾ ﺍﻟﺸﺮﻛﺎﺕ‬ ‫ﺗﺘﻀﺎﻋﻒ ُ‬ ‫ُ‬ ‫ﺍﻟﺨﺮﺍﺏ‪:‬‬
‫ﺑﺎﻟﺘﻮﺟ ِﻪ ﻟﻠﻘﻀﺎﺀ‪ ،‬ﻛﺎﻥ ﱠﺃﻭ ُﻟﻬﺎ ﺇﻧﺬﺍﺭﴽ‬ ‫ﱡ‬ ‫ﻮﺟ ُﻪ ﻹﻟﻬﺎﻡ ﺇﻧﺬﺍﺭﺍﺕ ﻣﺒﺎﺷﺮﺓ‬ ‫ُﺗ ﱢ‬
‫ﺍﻟﺤﺰﻳﻦ ﻣﻦ ﺇﺟﺎﺯﺓ ﺍﻟﺮﺑﻴﻊ ﺍﻟﻤﺎﺿﻴﺔ‪ ،‬ﺍﻟﺬﻱ‬ ‫ِ‬ ‫ﺍﻟﻴﻮﻡ‬
‫ِ‬ ‫ﺍﺳﺘ َﻠ َﻤ ْﺘ ُﻪ ﻓﻲ ﺫﻟﻚ‬
‫ﺍﻟﻄﺒﻴﺐ ﻹﺳﻌﺎ ِﻓﻬﺎ!‪ ...‬ﺍﻷﺭﺽ ﺗﺨﻮﺭ‬ ‫َ‬ ‫ﻣﻨﺘﺼﻒ َﻟﻴ ِﻠ ِﻪ‬
‫ِ‬ ‫ﺍﺳﺘﺪﻋﻴﺖ ﻓﻲ‬ ‫ُ‬
‫ﺗﻄﻴﻖ ﻣﺎ ﻳﺤﺼﻞ ﻟﻬﺎ‪ ،‬ﺗﺸﻌ ُﺮ‬ ‫ُ‬ ‫ﺗﻌﺪ ﺗﻔﻬ ُﻢ ﺃﻭ‬ ‫ﻗﺪ َﻣﻲ ﺣﺒﻴﺒﺘﻲ‪ .‬ﻟﻢ ْ‬ ‫ﺗﺤﺖ َ‬
 ‫ﺟﺪﴽ‪ُ .‬‬
‫ﺗﺘﺮﻙ ﺭﺳﺎﻟ َﺘﻬﺎ‬ ‫ﺑﺎﻟﻐﺸﺎﻭﺓ‪ ،‬ﺑﺎﻟﺮﻋﺐ‪ ،‬ﺑﺎﻟﺨﺠﻞ‪ .‬ﺑﺎﻟﺨﺠﻞ ﺍﻟﺸﺪﻳﺪ ّ‬
‫ﻗﻮﻝ ﺯﻣﻴﻠﻲ‬‫ﺻﻨﺪﻭﻕ ﺍﻟﺒﺮﻳﺪ‪» .‬ﺗﺘﻮﺍﺭﻯ«‪ ،‬ﺣﺴﺐ ِ‬ ‫ِ‬ ‫ﺍﻷﺧﻴﺮﺓ ﻭﻣﻔﺘﺎﺡ‬
‫ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ‪ .‬ﺗﻬﺮﺏ‪...‬‬
‫ﻗﻠﻖ ﺇﻟﻬﺎﻡ ﻭﺃ َﺭ ُﻗﻬﺎ ﻓﻲ ﺍﻟﺴﻨﻴﻦ‬ ‫ﺃﺩﺭﻙ ﺍﻵﻥ ﻓﻘﻂ ﻛﻢ ﻋ ﱠﻜ َﺮ ُ‬ ‫ُ‬
‫ﺣﻂ‬
‫ﺃﺳﺘﻮﻋﺐ ﺃﺧﻴﺮﴽ ﻟﻤﺎﺫﺍ ﱠ‬ ‫ُ‬ ‫ﻭﺍﻷﺷﻬﺮ ﺍﻷﺧﻴﺮﺓ ﺳﻌﺎﺩ َﺓ ﺣﻴﺎ ِﺗﻨﺎ!‪...‬‬
‫ﻋﻠﻰ ﺭﺃﺳﻬﺎ‪ ،‬ﻛﺠﻠﻤﻮﺩ ﺻﺨﺮ‪ ،‬ﺳﺆﺍﻟﻲ ﻓﻲ ﺧﻴﻤﺔ ﻭﺍﺩﻱ ﺭﻡ‪ ،‬ﺍﻟﺬﻱ‬
‫ْﺕ ﺑﻌﺪﻩ ﺃﻥ ﺗﺒﺪﺃ ﺳﻬﺮﺓ ﺍﻷﻟﻔ ّﻴﺔ‪» :‬ﺃﻭﻋﺪﻳﻨﻲ ﺃﻧﻚ ﻻ ُﺗ ْﺨ ِﻔ َ‬
‫ﻴﻦ ﻋ ّﻨﻲ‬ ‫ﺃَ َﺭﺩ ُ‬
‫ﻣﺄﺳﺎﻭﻱ ﺗﻠﻚ ﺍﻟﻠﻴﻠ ُﺔ ﺍﻟﺘﻲ‬
‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ْ‬
‫ﺍﻧﺘﻬﺖ‬ ‫ﺷﻴﺌﴼ!«‪ ...‬ﺑﻌﺪ ﻫﺬﺍ ﺍﻟﻄﻠﺐ‪،‬‬
‫ﻗﻤ ًﺔ ﻓﻲ ﺍﻟﺮﻭﻣﺎﻧﺴﻴ ِﺔ ﻭﺍﻟﺮ ﱠﻗ ِﺔ‪ ،‬ﻧﻤﻮﺫﺟﴼ ﻓﻲ‬ ‫ﺣﻠﻤﺖ ﺑﺄﻥ ﺗﻜﻮﻥ ﱠ‬ ‫ُ‬ ‫ﻃﺎﻟﻤﺎ‬
‫ُ‬
‫ﺍﻟﻌﺸﻖ ﻭﺍﻟﻠﺬﺓ‪ ...‬ﺍﻧﻄﻔﺄﺕ ﺁﻣﺎﻝ ﺧﻴﻤ ِﺔ ﻭﺍﺩﻱ ﺭﻡ ﺑﻌﺪ ﺫﻟﻚ ﺍﻟﻄﻠﺐ ﺭﻏﻢ‬ ‫ِ‬
‫ﻛﻞ ﺃﺣﻼﻣﻲ ﻋﻨﺪﻣﺎ ﻓﺎﺟﺄﺗﻨﻲ‬ ‫َﺪﺃَ ْﺕ ﺑﺪﺍﻳ ًﺔ ﻣﺪﻫﺸ ًﺔ ﺗﺠﺎﻭ َﺯ ْﺕ ﱠ‬ ‫ﺃﻧﻬﺎ ﺑ َ‬
‫ﺍﻟﻄﻔﻮﻟﻲ‪،‬‬
‫ّ‬ ‫ُ‬
‫ﺗﺘﻐﻠﻐﻞ ﺟﺬﻭ ُﺭﻫﺎ ﻓﻲ َﺷﻐ ِﻔﻬﺎ‬ ‫ﺭﻗﺺ ﺭﻓﻴﻌ ٍﺔ‬
‫ﺇﻟﻬﺎﻡ ِﺑﻤﻮﻫﺒ ِﺔ ٍ‬
‫ﺟﺴﺪﻫﺎ ﺍﻟﺴﺎﺋﻞ‪ ،‬ﻓﻲ ﺃﻧﻐﺎﻣ ِﻪ ﺍﻟﺠﺒﻠ ّﻴﺔ ﺍﻟﺴ ِﻠﺴﺔ‪ ،‬ﻓﻲ‬ ‫ِ‬ ‫ﻓﻲ ﻣﻮﺳﻴﻘﻰ‬ ‫‪126‬‬
‫ﺑﻴﻮﻟﻮﺟﻴﺘ ِﻪ ﺍﻟﻔﺎﺗﻨ ِﺔ ﺍﻟﻤﺘﻤ ّﻴﺰﺓ‪...‬‬

‫ﻣﻜﺘﺐ ﺇﻟﻬﺎﻡ‪ ،‬ﺃﺗﺼ ﱠﻔ ُﺢ‬

‫ِ‬ ‫ﺃﺟﻠﺲ ﻋﻠﻰ ﻛﺮﺳﻲ‬ ‫ُ‬ ‫ُ‬
‫ﻋﺮﻓﺖ ﺍﻵﻥ ﻭﺃﻧﺎ‬
‫ُ‬
‫ﺍﻛﺘﺸﻔﺖ ﺃﺷﻴﺎﺀ ﻏﻴﺮ ﻣﻌﻘﻮﻟﺔ‪:‬‬ ‫ﻛﻨﺖ ﺃﺟﻬ ُﻠﻬﺎ ﻛﺜﻴﺮﴽ!‬ ‫ُ‬ ‫ﻣﻠ ّﻔﺎﺗﻬﺎ‪ ،‬ﻛﻢ‬
‫ﻗﺮﻭﺿﻬﺎ ﻣﻨﺬ ﻋﻮﺩﺗﻨﺎ ﻣﻦ ﺍﻟﺒﺘﺮﺍﺀ‬ ‫ِ‬ ‫َﻮﺍﺭ‬
‫ﺇﻟﻬﺎﻡ‪ ،‬ﺑﻌﺪ ﺍﻧﻔﻼﺕ ﺩﻳُﻮ ِﻧﻬﺎ ﻭﺑ ِ‬
‫)‪(7‬‬
‫ﺗﻠﻌﺐ ﺑﺈﺩﻣﺎﻥ ﻟﻌﺒ َﺔ ﻳﺎﻧﺼﻴﺐ ﺍﻟﻠﻮﺗﻮ! ‪...‬‬ ‫ُ‬ ‫ﺇﻟﻰ ﺍﻟﻤﻨﺰﻝ‪ْ ،‬‬
‫ﺃﺿ َﺤ ْﺖ‪...‬‬
‫ﻭﺟﺪﺕ ﺃﻋﺪﺍﺩﴽ ﻫﺎﺋﻠﺔ ﻣﻦ ﺃﻭﺭﺍﻕ ﻟﻌﺒﺔ ﺍﻟﻠﻮﺗﻮ‬‫ُ‬ ‫ﺃﺻﺪﻕ ﻋﻴﻨﻴﻲ ﻋﻨﺪﻣﺎ‬ ‫ﻟﻢ ﱢ‬
‫ﻭﺩﻓﺎﺗﺮﻫﺎ ﻭﻣﻠ ﱠﻔﺎ ِﺗﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ! ﺍﻟﺨﺮﺍﺏ ﻳﻘﻮﺩ‬‫ِ‬ ‫ﺗﺨﺘﻔﻲ ﻓﻲ ﺃﺟﻨﺪ ِﺗﻬﺎ‬
‫ُ‬ ‫ُ‬
‫ﻣﺰﻳﺪ ﻣﻦ ﺍﻟﺨﺮﺍﺏ! ﺍﻟﻘﻠﻖ ﻭﺍﻟﺨﻮﻑ ﻣﻦ ﺍﻛﺘﻈﺎﻅ ﺩﻳﻮ ِﻧﻬﺎ‪ ،‬ﻣﻦ‬ ‫ٍ‬ ‫ﺇﻟﻰ‬
‫ﻗﺪﻣﻴﻬﺎ‪ ،‬ﻭﺍﻟﺮﻏﺒ ُﺔ ﻓﻲ ﺃﻥ‬ ‫ﺍﻷﺭﺽ ﺗﺤﺖ َ‬ ‫ِ‬ ‫ﻣﺼﺎﺩﺭﻫﺎ‪ ،‬ﻣﻦ ﺗﺸ ﱡﻘ ِﻖ‬
‫ِ‬ ‫ﺿﻤﻮﺭ‬
‫ﺑﺨﻄﻮﺍﺕ ﻋﻤﻼﻗﺔ‪،‬‬
‫ٍ‬ ‫ﺗﻘﺘﺮﺏ ﻣﻊ ﺫﻟﻚ‬
‫ُ‬ ‫ﻻ ﺗﻨﻜﺸﻒ ﺃﻣﺎﻣﻲ ﺍﻟﻬﺎﻭﻳ ُﺔ ﺍﻟﺘﻲ‬
‫ﺗﻠﺠﺄ ﺇﻟﻰ ﺃﻛﺜﺮ ﺍﻟﻤﺴﺎﻟﻚ ﻻﻋﻘﻼﻧﻴ ًﺔ ﻭﺗﻨﺎﻗﻀﴼ ﺻﺎﺭﺧﴼ ﻣﻊ ﻣﺎ‬ ‫ﺟﻌ َﻠﻬﺎ ُ‬
‫ﺍﻟﺤﻆ‬
‫ﱢ‬ ‫ﻧﺮ ﱢﺩﺩﻩ ﺑﺎﺳﺘﻤﺮﺍﺭ‪ :‬ﺳﺨﺎﻓﺔ ﻣﻤﺎﺭﺳﺔ ﻫﺬﻩ ﺍﻟﻠﻌﺒﺔ ﺍﻟﻤﺒﻨ ّﻴﺔ ﻋﻠﻰ‬
 ‫ﺍﻟﻤﺴﺘﺤﻴﻞ!‬
‫ﺃﺗﺬﻛ ُﺮ ﻛﺜﻴﺮﴽ ﻛﻢ ﻛﻨﺎ ﻧﺴﺨﺮ ﻣﻌﴼ ﻣﻦ ﺃﻭﻟﺌﻚ ﺍﻟﺬﻳﻦ‬ ‫ﱠ‬
‫ﻮﻥ ﻳﻮﻣﻬﻢ ﻳﺤﻠﻤﻮﻥ ﺑﻜﺴﺐ ﺛﺮﻭ ٍﺓ ﺑﻮﺍﺳﻄﺔ ﻫﺬﻩ ﺍﻟﻠﻌﺒﺔ! ُﻣ َﺪ ﱢﺭﺳ ُﺔ‬ ‫ُﻘﻀ َ‬
‫ﻳ ﱡ‬
‫ﺍﺣﺘﻤﺎﻝ ﻛﺴﺐ ﻳﺎﻧﺼﻴﺐ ﺍﻟﻠﻮﺗﻮ ﻏﺎﻳ ٌﺔ‬ ‫َ‬ ‫ﺭﻳﺎﺿﻴﺎﺕ ﻣﺜﻞ ﺇﻟﻬﺎﻡ ﺗﻌﺮﻑ ﺃﻥ‬
‫ﻳﻘﺘﺮﺏ ﻣﻦ ﻭﺍﺣﺪ ﻋﻠﻰ ﺍﻟﻤﻠﻴﺎﺭ!‬ ‫ُ‬ ‫ﻓﻲ ﺍﻻﺳﺘﺤﺎﻟﺔ! ﺍﺣﺘﻤﺎﻝ ﺍﻟﻨﺠﺎﺡ ﻓﻴﻪ‬
‫ﺃﺗﺬﻛ ُﺮ ﺃﻥ ﺇﻟﻬﺎﻡ‪ ،‬ﺃﺛﻨﺎﺀ‬ ‫ﱠ‬ ‫ﺍﻟﻌﻤﻠﻲ!‬
‫ّ‬ ‫ﺑﻤﻌﻨﻰ ﺁﺧﺮ‪ :‬ﻻﺷﻲﺀ ﻓﻲ ﺍﻟﻮﺍﻗﻊ‬
‫ﺍﻟﺘﻤﺎﺭﻳﻦ ﺍﻟﺘﻄﺒﻴﻘﻴﺔ ﻟﺪﺭﻭﺱ »ﻧﻈﺮﻳّﺔ ﺍﻻﺣﺘﻤﺎﻻﺕ ﻭﺍﻹﺣﺼﺎﺀﺍﺕ«‬
‫ﺍﻟﻔﻮﺯ‬
‫ِ‬ ‫ﺍﺣﺘﻤﺎﻝ‬
‫ِ‬ ‫ُﺤ َﺴ ُﺐ ﺭﻗ ُﻢ‬‫ﺍﻟﺮﻳﺎﺿ ّﻴﺔ‪ ،‬ﻛﺎﻧﺖ ُﺗ َﻌ ﱢﻠ ُﻢ ﻃﻠﺒ َﺘﻬﺎ ﻛﻴﻒ ﻳ ْ‬
‫ﺭﻳﺎﺿﻲ ﺩﻗﻴﻖ‪ .‬ﺃﻭﺻ َﻠ ْﺘﻬﻢ ﺟﻤﻴﻌﴼ ﺇﻟﻰ ﻗﻨﺎﻋ ٍﺔ ﺑﺪﻳﻬ ّﻴ ٍﺔ‬ ‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺑﺎﻟﻠﻮﺗﻮ‬
‫ُﻣﺒﺮﻫ َﻨﺔ ﺑﺄﻧﻪ ﻣﻦ ﺍﻟﺴﺨﺎﻓﺔ ﺑﻤﻜﺎﻥ ﺗﺒﺬﻳﺮ ﺍﻟﻨﻘﻮﺩ ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﻌﺒﺔ!‪...‬‬
‫ﺑﺈﺩﻣﺎﻥ ﻛﺒﻴﺮ!‪ ...‬ﻣﺎ ﺃﻏﺮﺏ‬ ‫ٍ‬ ‫ﻛﻞ ﺫﻟﻚ‪َ ،‬ﻟ َﻌ َﺒ ْﺖ ﻫﻲ ﻧﻔﺴﻬﺎ ﺍﻟﻠﻮﺗﻮ‬ ‫ﺭﻏﻢ ﱢ‬
‫ﻳﻌﺼﻒ ﺑﻬﺎ ﺍﻟﻴﺄﺱ ﻭﻳﺴﺘﻌﻤ ُﺮﻫﺎ‬ ‫ُ‬ ‫ﺳﻠﻮﻙ ﺍﻟﻨﻔﺲ ﺍﻟﺒﺸﺮﻳﺔ ﻋﻨﺪﻣﺎ‬
‫‪127‬‬ ‫ﺗﻜﻮﻥ ﻋﻠﻰ ﺣﺎﻓ ِﺔ ﺍﻻﺧﺘﻨﺎﻕ!‪...‬‬ ‫ﺍﻟﺨﻮﻑ! ﻣﺎ ﺃﺿﻌﻔﻬﺎ ﻋﻨﺪﻣﺎ ُ‬
‫ﺳﻘﻄ ْﺖ‪،‬‬‫َ‬ ‫ﻭﺃﻫﻮﻝ ﻣﻦ ﺫﻟﻚ ﺑﻜﺜﻴﺮ‪:‬‬ ‫ُ‬ ‫ُ‬
‫ﺍﻛﺘﺸﻔﺖ ﻣﺎ ﻫﻮ ﺃﻏﺮﺏ‬
‫ﻫﺬﻩ ﺍﻟﻤﺤﺘﺮﻓ ُﺔ ﻟﻠﺮﻳﺎﺿﻴﺎﺕ‪ ،‬ﺷﺪﻳﺪ ُﺓ ﺍﻟﻮﺍﻗﻌ ّﻴﺔ ﻭﺍﻟﻌﻘﻼﻧﻴﺔ ﻓﻲ ﺣﻴﺎﺗﻬﺎ‬
‫ُ‬
‫ﺍﻟﺸﻌﻮﺫﺍﺕ‬ ‫ﻤﻘﺎﻣﻬﺎ ﺃﻥ ﻳﻘﻊ ﻓﻴﻪ‪:‬‬ ‫ﻹﻧﺴﺎﻥ ٍﺑ ِ‬ ‫ٍ‬ ‫ُ‬
‫ﻳﻤﻜﻦ‬ ‫ﻓﺦ ﻻ‬ ‫ﱟ‬ ‫ﺍﻟﻴﻮﻣﻴﺔ‪ ،‬ﻓﻲ‬
‫ﺍﻟﻤﺘﻘﺪﻡ‪ ،‬ﻓﻲ ﻫﺬﻩ‬ ‫ﱢ‬ ‫ﺍﻟﺼﻨﺎﻋﻲ‬
‫ﱢ‬ ‫ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ!‪ ...‬ﻧﻌﻢ! ﻓﻲ ﻫﺬﺍ ﺍﻟﻌﺎ َﻟ ِﻢ‬
‫»ﻗﺎﺭﺋﺎﺕ ﻓﻨﺎﺟﻴﻦ«‬ ‫ُ‬ ‫ﺗﻮﺟﺪ ﺷﻌﻮﺫﺍﺕ ﺇﻟﻜﺘﺮﻭﻧﻴﺔ‪:‬‬ ‫ُ‬ ‫ﺍﻷﻟﻔﻴﺔ ﺍﻟﺜﺎﻟﺜﺔ‪،‬‬
‫ﺃﺗﺼﻮﺭ‪ ،‬ﻗﺒﻞ ﻗﺮﺍﺀﺓ‬ ‫ﱠ‬ ‫ﺎﺛﺎﺕ ﻓﻲ ﺍﻟ ُﻌ َﻘﺪ« ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ‪ ...‬ﻟﻢ‬ ‫ﺇﻟﻜﺘﺮﻭﻧﻴﺔ‪» ،‬ﻧ ﱠﻔ ٌ‬
‫ﻣﺠﺮﺩ ﺇﻣﻜﺎﻧﻴﺔ ﺫﻟﻚ ﻓﻲ ﻫﺬﻩ ﺍﻟﻤﺠﺘﻤﻌﺎﺕ ﺍﻟﺘﻲ‬ ‫ﻣﻠﻔﺎﺕ ﺇﻟﻬﺎﻡ ﺍﻟﺨﻔ ّﻴﺔ‪ ،‬ﱠ‬
‫ﺍﻟﻌﻘﻞ ﻭﻣﺒﺪﺃَ ﺍﻟﺴﺒﺒﻴﺔ!‬
‫َ‬ ‫ُﺗ َﺆ ﱢﻟ ُﻪ‬
‫ﺛﻤﺔ ﻣﻮﺍﻗﻊ ﺃﻧﺘﺮﻧﺖ ﺗﺮﻯ ﻓﻴﻬﺎ ﺻﻮﺭﺓ »ﻗﺎﺭﺋ ِﺔ‬ ‫ُ‬
‫ﺍﻛﺘﺸﻔﺖ ﺃﻥ ّ‬
‫ﻓﻨﺠﺎﻥ« ﺟﻤﻴﻠ ٍﺔ ﺑﺎﻫﺮ ِﺓ ﺍﻟﻤﻨﻈﺮ ﺗﺘﺤﺎﻭ ُﺭ ﻣﻌﻚ ﺑﺎﻻﻳﻤﺎﻳﻞ )ﺍﻟﺒﺮﻳﺪ‬
‫ﺑﻜﻠﻤﺎﺕ ﻣﺨﺘﺎﺭ ٍﺓ ﺑﻌﻨﺎﻳﺔ‪ ،‬ﺛﺎﻗﺒ ٍﺔ ﻧﺎﺻﺤ ٍﺔ ﻣﺘﻔﺎﻧﻴ ٍﺔ ﻓﻲ‬ ‫ٍ‬ ‫ﺍﻹﻟﻜﺘﺮﻭﻧﻲ(‬
‫ﺗﺠﺬﺑﻚ ﺇﻟﻰ ﺣﻮﺍﺭﺍﺕ‬ ‫َ‬ ‫ﺍﻟﺮﻏﺒﺔ ﻓﻲ ﺧﺪﻣﺘﻚ ﻭﺇﻧﻘﺎﺫﻙ ﻣﻦ ﻭﺭﻃﺘﻚ!‬
‫ﺗﻘﺪ ُﻡ ﻟﻚ ﻓﻴﻬﺎ ﺑﺮﺍﻫﻴﻦ‬ ‫ﺗﺨﺪ ُﺭ ﺃﻋﺼﺎﺑﻚ‪ ،‬ﱢ‬ ‫ﺍﻷﻣﻞ ﻭﻫﻮ ﺭﻣﻴﻢ‪ ،‬ﱢ‬ ‫َ‬ ‫ُﺗ ْﺤ ِﻴﻲ َ‬
‫ﻓﻴﻚ‬
‫ﺑﻨﻔﺲ ﻭﺭﻃﺘﻚ ﻭﺣ ﱠﻠﺘﻬﺎ ﻟﻬﻢ ﻗﺎﺭﺋ ُﺔ‬ ‫ِ‬ ‫ﻣﺮﻭﺍ‬ ‫ﺗﺘﺤﺪﺙ ﻋﻦ ﻣﺄﺯﻭﻣﻴﻦ ﱠ‬ ‫ﱠ‬ ‫ﺩﺍﻣﻐﺔ‬
‫ُ‬
‫ﻓﻨﺠﺎﻧﻚ ﺍﻟﺮﻗﻴﻘﺔ ﺍﻟﻌﺬﺑﺔ‪» ،‬ﺧﺎﺩﻣﺘﻚ ﺍﻟﻤﺨﻠﺼﺔ«‪ ،‬ﺑﻔﻀﻞ ﻣﻮﺍﻫﺒﻬﺎ‬ ‫ُ‬ ‫َ‬
‫ﻭﺣﺴﺎﺏ ﺍﻟﻔﻠﻚ ﻭﺍﻟﻜﺸﻮﻓﺎﺕ ﺍﻟﺨﺎﺭﻗ ِﺔ ﺍﻟﺜﺎﻗﺒﺔ ﺍﻟﺘﻲ‬ ‫ِ‬ ‫ﻓﻲ ﻗﺮﺍﺀﺓ ﺍﻟﺒﺮﻭﺝ‬
‫َﻣ َﻨ َﺤ ْﺘﻬﺎ ﺇﻳّﺎﻫﺎ ﺍﻟﻤﻌﺎﺭﻑ ﻓﻮﻕ ﺍﻟﻄﺒﻴﻌﻴﺔ ﻭﺍﻟﻌﻨﺎﻳﺔ ﺍﻹﻟﻬﻴﺔ‪ ...‬ﺗﺬﻛ ُﺮ‬
‫ﺤﺖ ﻫﻲ ﻧﻔﺴﻬﺎ ﻟﻬﻢ‬ ‫ﻟﻚ ﺃﺳﻤﺎ َﺀ ﻭﻋﻨﺎﻭﻳﻦ ﺃﻭﻟﺌﻚ ﺍﻟﻤﺄﺯﻭﻣﻴﻦ ﺍﻟﺬﻳﻦ َﻓ َﺘ ْ‬
‫ﺍﻟﺤﺎﺳﻢ‬ ‫ﺑﺎﻟﺤﻞ ﺍﻟﻨﻬﺎﺋﻲ‬
‫ﱢ‬ ‫َ‬
‫ﺗﻨﺼﺤﻚ ﺃﺧﻴﺮﴽ‬ ‫ﺃﺑﻮﺍﺏ ﺍﻟﺮﺯﻕ ﻭﺍﻟﺜﺮﻭﺓ!‪...‬‬
‫َ‬
‫ِ‬
‫ﺍﻟﺠﺬﺍﺑ ُﺔ ﺃﻣﺎﻡ‬
‫ﱠ‬ ‫ُ‬
‫ِﻷﺯﻣﺘﻚ‪» :‬ﺍﻟﺤﺠﺮﺓ ﺍﻟﺴﺤﺮﻳّﺔ« ﺍﻟﺘﻲ ﺗﺘﻸﻷ ﺻﻮﺭ ُﺗﻬﺎ‬
‫ﻋﻴﻨﻴﻚ ﻋﻠﻰ ﺷﺎﺷﺔ ﺍﻟﻜﻤﺒﻴﻮﺗﺮ‪ ،‬ﻓﻲ ﻣﻮﻗﻊ ﻗﺎﺭﺋﺔ ﺍﻟﻔﻨﺠﺎﻥ ﻋﻠﻰ ﺃﻧﺘﺮﻧﺖ!‬
‫ﻳﻜﻔﻲ ﺃﻥ ﺗﺤﻤﻠﻬﺎ ﻋﻠﻰ ﺟﻴﺪﻙ ِﻟ ُﺘ َﺴ ﱢﺨ َﺮ ﻟﻚ ﻣﺜﻠﻬﻢ ﺍﻟﻨﺠﺎﺣﺎﺕ ﺍﻟﺒﺎﻫﺮﺓ‪،‬‬
‫ﻻﺳ ّﻴﻤﺎ ﺍﻟﻔﻮﺯ ﺑﺜﺮﻭﺓ ﻟﻌﺒﺔ ﺍﻟﻠﻮﺗﻮ! ﻳﻠﺰ ُﻡ ﺑﺎﻟﻄﺒﻊ ﺷﺮﺍ ُﺀ ﺗﻠﻚ ﺍﻟﺤﺠﺮﺓ‬
‫ﺍﻟﺴﺤﺮﻳّﺔ!‪ ...‬ﺩﻓ َﻌ ْﺖ ﺇﻟﻬﺎ ُﻡ ﺫﻟﻚ ﺍﻟﻤﺒﻠﻎ ﺍﻟﻜﺒﻴﺮ ﺑﺂﺧﺮ ﺍﻟﻘﺮﻭﺽ ﺍﻟﺘﻲ‬
‫ﺑﻜﻠﻤﺎﺕ ﺃﺧﺮﻯ‪ :‬ﻭﺻ َﻠ ْﺖ ﺇﻟﻬﺎ ُﻡ ﻣﺮﺣﻠﺔ ﺁﺧﺮ‬ ‫ٍ‬ ‫ﺃﻣﻜﻨﻬﺎ ﺍﻟﺤﺼﻮﻝ ﻋﻠﻴﻬﺎ‪.‬‬
‫ﺍﻧﺰﻻﻗﺎﺕ ﻣﺎ ﻗﺒﻞ ﺍﻟﻬﺮﻭﻟﺔ‪...‬‬ ‫‪128‬‬
‫ُ‬ ‫َ‬
‫ﻣﺰﻳﺪ ﻣﻦ ﺍﻟﻨﺰﻳﻒ! ﻛﻴﻒ ﻳُﻌﻘﻞ ﺃﻥ ﺗﻘﻊ‬ ‫ٍ‬ ‫ُ‬
‫ﺍﻟﻨﺰﻳﻒ ﻳﺆﺩﻱ ﺇﻟﻰ‬
‫ﺇﻟﻬﺎ ُﻡ ﺍﻟﻌﺒﻘﺮﻳ ُﺔ ﺍﻟﺮﺍﺋﻌ ُﺔ‪ ،‬ﺍﻟﺤﺎ ّﺩ ُﺓ ﺍﻟﺬﻛﺎ ِﺀ ﻭﺍﻟﺒﺼﻴﺮﺓ‪ ،‬ﻓﻲ ﻫﺬﺍ ﺍﻟﺸ َﺮﻙ!‬
‫ُ‬
‫ﺗﻌﺸﻌﺶ‬ ‫ﻛﻢ ﻫﻮ ﻏﺮﻳﺐ ﻫﺬﺍ ﺍﻟﻌﺎ َﻟﻢ! ﻧﻔﺲ ﺷﻌﻮﺫﺍﺕ ﻣﺎ ﻗﺒﻞ ﺍﻟﺘﺎﺭﻳﺦ‬
‫ﺑﺄﺳﺎﻟﻴﺐ ﺟﺪﻳﺪﺓ ﻓﻲ ﻋﻘﺮ ﺍﻟﺤﻀﺎﺭﺓ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ! ﻣﻦ ﻳﻘﻊ ﻓﻲ َﻓ ﱢﺨﻬﺎ؟‬
‫ﺍﻟﻤﺘﺴﻠﺤﻮﻥ ﺑﻘﻮﺍﻧﻴﻦ ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﻭﺍﻟﻌﻠﻤﺎﻧ ّﻴﺔ ﺍﻟﺮﺍﺳﺨﺔ!‪ ...‬ﻻ ﺃﺩﺭﻱ‬
‫ﻣﺮﺕ ﻫﺬﻩ ﺍﻟﺸﻌﻮﺫﺓ ﺍﻟﺼﺎﺭﺧﺔ ﻋﻠﻰ ﺇﻟﻬﺎﻡ! ﻟﻌ ّﻠﻬﺎ ﻛﺎﻧﺖ ﻓﻲ‬ ‫ﻛﻴﻒ ﱠ‬
‫ﺃ ْﻭ ِﺝ ﺿﻌ ِﻔﻬﺎ ﻭﻗﻠ ِﻘﻬﺎ! ﺃﺟﺰ ُﻡ ﺃ ّﻧﻬﺎ ﻟﻢ ﺗﻘﺮﺃ ﺑﺄﺩﻧﻰ َﺗﻤ ﱡﻌﻦ ﺭﺩﻭ َﺩ ﺍﻳﻤﺎﻳﻼﺕ‬
‫ﺃﻱ ﺇﻧﺴﺎﻥ ﻓﻲ‬ ‫ﺗﻠﻚ »ﺍﻟﺴﺎﺣﺮﺓ« ﻛﻲ ﺗﻼﺣﻆ ﺃﻧﻬﺎ ﻟﻢ ﺗﻜﻦ ﺗﺘﺤﺎﻭﺭ ﻣﻊ ﱢ‬
‫ﺫﻟﻚ ﺍﻻﻳﻤﺎﻳﻞ! ﻛﺎﻧﺖ ﺗﺘﺤﺎﻭﺭ ﻣﻊ ﺑﺮﻧﺎﻣﺞ ﻛﻤﺒﻴﻮﺗﺮ ﻻ ﺃﻛﺜﺮ ﻭﻻ‬
‫ﺃﻗﻞ! ﻫﻮ ﺍﻟﺬﻱ ﻳﺮ ﱡﺩ ﻋﻠﻴﻬﺎ ﺍﺗﻮﻣﺎﺗﻴﻜﻴﴼ ﻭﻟﻴﺴﺖ »ﺍﻟﺴﺎﺣﺮﺓ«!‪...‬‬
‫ﺍﻟﺘﺼﻤﻴﻢ ﺃﻳﻀﴼ‪ :‬ﻳﻨﻄﻠﻖ ﻣﻦ‬ ‫ِ‬ ‫ﺑﺪﻳﻊ‬
‫ِ‬ ‫ﺑﺮﻧﺎﻣﺞ ﻛﻤﺒﻴﻮﺗﺮ ﻏﻴ ُﺮ‬
‫ﻗﺎﻋﺪ ٍﺓ ﻭﺍﺳﻌ ٍﺔ ﻣﻦ ﺍﻟﻔﻘﺮﺍﺕ ﻭﺍﻟﻌﺒﺎﺭﺍﺕ ﺍﻟﺠﻤﻴﻠﺔ‪ ،‬ﻣﻦ ﺃﻛﻠﻴﺸﺎﺕ ُﻣ َﻌ ﱠﺪﺓ‬
‫ﺇﻗﻨﺎﻋ ِﻪ ِﺑﺸﺮﺍﺀ ﺍﻟﺤﺠﺮﺓ‬ ‫َﺪﻑ ِ‬ ‫ﻣﺪﻳﻮﻥ َﻣﺨ ُﻨ ٍ‬
‫ﻮﻕ ِﺑﻬ ِ‬ ‫ٍ‬ ‫ﺃﻱ‬
‫ﺳﻠﻔﴼ ﻟﻠﺘﻔﺎﻋﻞ ﻣﻊ ﱢ‬
 ‫ﻳﺪﻣﺞ ﺑﻌﺾ‬ ‫ُ‬ ‫ﻟﻜﻦ ﺫﻟﻚ ﺍﻟﺒﺮﻧﺎﻣﺞ‪ِ ،‬ﻟﺨﻄ ٍﺄ ﻓﻲ ﺗﺼﻤﻴﻤﻪ‪،‬‬ ‫ﺍﻟﺴﺤﺮﻳﺔ‪ ،‬ﱠ‬
‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﻣﺮ ٍﺓ‬
‫ﺑﻌﻀﻬﺎ ﺃﻛﺜﺮ ﻣﻦ ﱠ‬ ‫َ‬
‫ﻏﻴﺮ ﻃﺒﻴﻌﻲ‪ُ ،‬ﻳﻜ ﱢﺮ ُﺭ َ‬ ‫ﺑﺸﻜﻞ ِ‬ ‫ٍ‬ ‫ﺍﻟﻌﺒﺎﺭﺍﺕ‬
‫ﻨﻔﺲ ﺍﻟﻄﺮﻳﻘﺔ‪،‬‬ ‫ُﺠﻴﺐ ِﺑ ِ‬
‫ﺍﻟﻤﺬﻛ ِﺮ ﻭﺍﻟﻤﺆﻧﺚ‪ ،‬ﻳ ُ‬ ‫ﱠ‬ ‫ُ‬
‫ﻣﻀﺤﻚ‪ ،‬ﻳﺨﻠﻂ ﺑﻴﻦ‬
‫ﻳﺼ ُﻠﻪ ﺣ ّﺘﻰ ﻭﺇﻥ ﻟﻢ‬‫ﺍﻳﻤﺎﻳﻞ ِ‬
‫ٍ‬ ‫ﺃﻱ‬‫ﻌﺪ ِﺓ ﺳ َﻠﻔﴼ‪ ،‬ﻋﻠﻰ ﱢ‬ ‫ﺍﻟﻤ ﱠ‬
‫ﻨﻔﺲ ﺍﻟﻌﺒﺎﺭﺍﺕ ُ‬ ‫ﻭﺑ ِ‬ ‫ِ‬
‫ﺃﻗﺼﺪ ﺣ ّﺘﻰ ﻭﺇﻥ ﻛﺎﻥ ﺍﻳﻤﺎﻳﻠﻚَ‬ ‫ُ‬ ‫َﺗﻜﻦ ﻟﻪ ﺃﺩﻧﻰ ﻋﻼﻗ ٍﺔ ﺑﺄﺯﻣ ٍﺔ ﻣﺎﻟ ّﻴﺔ!‬ ‫ْ‬ ‫ُ‬
‫ً‬
‫ﺍﻟﺒﻄﻴﺦ ﻓﻲ‬ ‫ﺳﻌﺮ ﱢ‬ ‫ﺳﺆﺍﻻ ﻓﻲ ﺍﻟﻜﻴﻤﻴﺎﺀ ﺃﻭ ﺍﻟﺮﻳﺎﺿﻴﺎﺕ ﺃﻭ َﺧ َﺒﺮﴽ ﻋﻦ ِ‬
‫ﻋﺠﻮﻝ ﻓﻲ ﱠﺃﻭﻝ ﺳﻨﺔ ﺟﺎﻣﻌ ّﻴﺔ ﻓﻲ‬ ‫ٌ‬ ‫ﻃﺎﻟﺐ‬
‫ٌ‬ ‫ﺻﻤ َﻤ ُﻪ‬
‫ﺑﺮﻧﺎﻣﺞ ﱠ‬
‫ٌ‬ ‫ﺍﻟﺴﻮﻕ!‪...‬‬
‫ﻣﻤﺤﻮﻥ ﻛﺈﻟﻬﺎﻡ‬‫ٍ‬ ‫ﻃﺎﻟﺐ ﻳﺒﺤﺚ ﻋﻦ‬ ‫ٌ‬ ‫ﺃﻓﻀﻞ ﺍﻟﺤﺎﻻﺕ!‪...‬‬ ‫ِ‬ ‫ﺍﻟﺒﺮﻣﺠﺔ ﻓﻲ‬
‫ﻴﺨﺘﻠﺴ ُﻪ ﻣﺒﻠﻐﴼ ﺳﺮﻳﻌﴼ ﻳﺴﺎﻓ ُﺮ ﺑ ِﻪ ِﻟﻘﻀﺎ ِﺀ ﺇﺟﺎﺯ ٍﺓ ﺳﻌﻴﺪﺓ‬ ‫َ‬ ‫ﺃﻋﻤﺎ ُﻩ ﺍﻟﻘﻠﻖ‪ِ ،‬ﻟ‬
‫ﻣﻜﺸﻮﻑ‪،‬‬
‫ٍ‬ ‫ﻓﺦ‬
‫ﱟ‬ ‫ُ‬
‫ﺰﺭ ﺍﻟﻜﺎﺭﻳﺒﻲ!‪ ...‬ﻭﻗ َﻌ ْﺖ ﺇﻟﻬﺎ ُﻡ ﺍﻟﺮﺍﺋﻌﺔ ﺍﻟﻌﺒﻘﺮﻳﺔ ﻓﻲ‬ ‫ﻓﻲ ُﺟ ِ‬
‫َ‬
‫ﺟﺪﴽ! ﺇﻟﻬﻲ‪ ،‬ﻛﻢ ﻛﺎﻧﺖ ﻗ ِﻠﻘ ًﺔ ﻣﻀﻄﺮﺑﺔ ﻛﻲ ﺗﺴ ُﻘﻂ ﻓﻲ‬ ‫ﺑﺪﻳﻬﻲ ّ‬‫ﱟ‬
‫ﺫﻟﻚ ﺍﻟﻔﺦ!‪...‬‬
‫‪129‬‬ ‫ﻭﻫ ٌﻦ! ﻳﻤﻜﻨ ُﻪ‬‫ﻫﺶ ِ‬ ‫ٌ‬
‫ﺿﻌﻴﻒ ﱞ‬ ‫ﻏﺮﻳﺐ ﻫﻮ ﺍﻹﻧﺴﺎﻥ! ﺟﻬﺎ ٌﺯ ِﺫ ْﻫ ﱢﻨ ﱞﻲ‬ ‫ٌ‬
‫ﻗﺒﻞ ﺍﻻﻧﻬﻴﺎﺭ‪ِ ،‬ﺑﺴﻬﻮﻟ ٍﺔ ﻻ ﺗﺨﻄ ُﺮ ﻋﻠﻰ ﺑﺎﻝ‪ ،‬ﺍﻟﺘﺸ ﱡﺒﺚَ‬ ‫ﻟﺤﻈﺎﺕ ﻣﺎ ِ‬ ‫ِ‬ ‫ﻓﻲ‬
‫ﺍﻷﻭﻫﺎﻡ ﺍﻟﺼﻐﻴﺮﺓ‪...‬‬ ‫ﺑﺄﻣﻮﺍﺝ‬ ‫َ‬
‫ﺪﻡ ﻭﺍﻻﻧﺠﺮﺍﻑ‬
‫ِ‬ ‫ِ‬ ‫ﻓﻲ ﺍﻟ َﻌ ِ‬
‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺑﺄﻟﻢ ﻭﺣﺴﺮ ٍﺓ ﻭﺫﻫﻮﻝ‪،‬‬‫ﻛﻞ ﺫﻟﻚ ٍ‬ ‫ﺭﻏﻢ ﺍﻛﺘﺸﺎﻓﻲ ﱠ‬
‫ُ‬ ‫ُ‬
‫ﺑﻨﻮﻉ ﻣﻦ ﺍﻟﺮﺿﺎ ﻭﺍﻻﺭﺗﻴﺎﺡ ﻷﻧﻲ ﺑﺪﺃﺕ ﺃﺣﻴﻂ ﺑﺄﻗﺎﻟﻴﻢ ﻣﺠﻬﻮﻟﺔ‬ ‫ﺃﺷﻌ ُﺮ ٍ‬
‫ﺼﻴﺔ ﻓﻲ‬‫ﺑﻘﺎﻉ ﻭﺃﻏﻮﺍﺭ َﻗ ﱠ‬ ‫ُ‬ ‫َ‬
‫ﻓﻲ ﺟﻐﺮﺍﻓﻴﺔ ﻣﻌﺸﻮﻗﺘﻲ! ﺑﺪﺃﺕ ﺃ ِﺻﻞ ﺇﻟﻰ ٍ‬
‫ُ‬
‫ﺍﺯﺩﺩﺕ‬ ‫ُ‬
‫ﺍﺯﺩﺩﺕ ﺗﻌ ﱡﺮﻓﴼ‪ ،‬ﻳﺎﻟﻠﻤﻔﺎﺭﻗﺔ!‪ ،‬ﺑﺈﻟﻬﺎﻡ ﻭﻫﻲ ﻏﺎﺋﺒﺔ‪.‬‬ ‫ﺷﺨﺼﻴﺘﻬﺎ‪.‬‬
‫ﱠ‬
‫ً‬ ‫ُ‬
‫)ﺻ ﱢﺪﻗﻮﺍ ﺃﻭ ﻻ ﺗ َﺼ ﱢﺪﻗﻮﺍ!( ﻋﺸﻘﴼ ﻟﻬﺎ ﻭﻟﻬﻔﺔ ﻟﻌﻮﺩ ِﺗﻬﺎ ﺳﺮﻳﻌﴼ ّ‬
‫ﺟﺪﴽ!‪...‬‬ ‫َ‬
‫ٌ‬
‫ﺍﻟﻨﺴﺒﻲ ﺭﻏﺒﺔ ﻣﻔﺎﺟﺌﺔ ﻓﻲ‬ ‫ﱢ‬ ‫ﺍﺟﺘﺎﺣﺘﻨﻲ ﻓﻲ ﻏﻤﺮﺓ ﺫﻟﻚ ﺍﻻﻧﺒﺴﺎﻁ‬
‫ﻛﻞ ﺗﻔﺎﺻﻴﻞ ﻃﻔﻮﻟﺔ ﺇﻟﻬﺎﻡ‬ ‫ﺃﻥ ﺃﺫﻫﺐ ﺃﺑﻌﺪ ﻣﻦ ﺫﻟﻚ‪ ،‬ﻓﻲ ﺃﻥ ﺃﻋﺮﻑ ﱠ‬
‫ﻛﻞ ﺃﻟﻐﺎﺯﻫﺎ‬‫ﺃﺳﺮﺍﺭ ﺣﻴﺎ ِﺗﻬﺎ‪ ،‬ﺗﻔﺴﻴ ُﺮ ﱢ‬
‫ِ‬ ‫ﺛﻤﺔ ﺳ ﱡﺮ‬
‫ﻭﺣﻴﺎﺗﻬﺎ ﻓﻲ ﺍﻟﻴﻤﻦ! ّ‬
‫ﺍﻟﻤﺴﺘﺤﻴﻠﺔ!‪...‬‬
‫ْ‬ ‫ُ‬
‫ﻇﻨﻨﺖ ﺃﻥ ﺇﻟﻬﺎﻡ ﺍﺷﺘ َﺮﺕ ﺑﺬﻟﻚ‬ ‫ﺍﻹﺛﻢ ﻷﻧﻲ‬ ‫ﺑﻨﻮﻉ ﻣﻦ‬ ‫ُ‬
‫ِ‬ ‫ﺷﻌﺮﺕ ٍ‬
‫ﺍﻟﻤﺒﻠﻎ ﻗﺼﺮﴽ ﻓﻲ ﺍﻟﻴﻤﻦ ﺃﻭ ُﺷ ﱠﻘ ًﺔ ﻓﻲ ﺑﺎﺭﻳﺲ!‪ ...‬ﻛﻢ ﺳﻴﻜﻮﻥ ﺭﺍﺋﻌﴼ ﻟﻮ‬
‫ﻼ! ﻟﻢ ﺗﻌﻤﻞ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﺃﻛﺜﺮ ﻣﻦ ﺗﺒﺬﻳﺮ ِﻩ ﺃﺭﺑﺎﺣﴼ‬ ‫ﺣﺼﻞ ﺫﻟﻚ ﻓﻌ ً‬
‫ﺍﻟﺤﻆ‬ ‫ﻟﻌﺎﺏ‬ ‫ً‬ ‫ﻣﺠ ﱠ ً‬
‫ﱢ‬ ‫ﺑﺸﻊ ﺍﻟﺸﺮﻛﺎﺕ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﺍﺳﺘﻐﻼﻻ‪ِ ،‬ﻷ ِ‬ ‫ﺎﻧﻴﺔ ِﻷ ِ‬ ‫ﱠ‬
‫ﺳﺨﺮﺕ ﻣﻦ ﻧﻔﺴﻲ ﺃﻳﻀﴼ‬ ‫ُ‬ ‫ﺍﻟﺴﺨﻴﻔﺔ ﻭﺍﻟﺸﻌﻮﺫﺍﺕ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ!‪...‬‬
‫ﺍﻟﻤﺠﺪ ﻭﺍﻟ َﻌﻈﻤﺔ‪:‬‬ ‫ِ‬ ‫ﺃﺩﺭﻙ ﺃﻧﻲ ﺃُ َﺗ ﱢﻮ ُﺝ ﺣﻴﺎﺗﻲ ﺑﻬﺬﻩ ﺍﻟﺨﺎﺗﻤ ِﺔ ﻗﻠﻴﻠ ِﺔ‬ ‫ﻭﺃﻧﺎ ُ‬
‫‪ 350000‬ﺩﻭﻻﺭ‪ ،‬ﻣﻦ ﻋﺮﻕ ﺟﺒﻴﻨﻨﺎ ﻭﻣﻦ ﻟﻴﺎﻟﻲ ﺩﺭﺍﺳﺘﻨﺎ ﻭﺳﻬﺮﻧﺎ‪،‬‬
‫ْﺪﻳﻬﺎ ﻣﺠﺎﻧﴼ ِﻟ ُﻠﺼﻮﺹ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﺍﻟﺠﺸﻌﺔ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ!‪ ...‬ﺃﻧﺎ ﺍﻟﺬﻱ‬ ‫ُﻧﻬ ِ‬
‫ﺃﻗﺴﻤﺖ ﻳﻮﻣﴼ‪ ،‬ﻣﻦ ﻓﺮﻁ ﻛﺮﺍﻫﻴﺘﻲ ِﻟ ﱢﻠﻴﺒﺮﺍﻟﻴﺔ ﺍﻻﻗﺘﺼﺎﺩﻳﺔ ﺍﻟﻮﺣﺸ ّﻴﺔ‪،‬‬ ‫ُ‬
‫ﺃﻧﻔﻖ ﻛﻴﻔﻤﺎ ﺃﺷﺎﺀ ﺩﻭﻥ ﺃﻥ ﺃُ َﻓ ﱢﺮﻁ ﻟﻘﺮﺍﺻﻨ ِﺔ ﺍﻟﺮﺃﺳﻤﺎﻟﻴﺔ ﺳﻨﺘﻴﻤﴼ‬ ‫ﺃﻥ َ‬
‫ﻛﻞ ﺍﻟﺴﻤﺎﻭﺍﺕ ﺩﻭﻥ ﺃﻥ ﺃﺣ ﱢﻠﻖ ﻳﻮﻣﴼ‬ ‫ﻭﺍﺣﺪﴽ! ﺃﻥ ﺃﻃﻴ َﺮ ﺑﺄﺟﻨﺤﺘﻲ ﻓﻲ ﱢ‬
‫ﻓﻮﻕ ﻣﺴﺘﻨﻘﻊ!‪...‬‬
‫ﺠﻤﻞ ﻫﻔﻮﺍ ِﺗﻬﺎ ﻭﻣﻐﺎﻣﺮﺍ ِﺗﻬﺎ‬ ‫ﻋﺬﺭﺕ ﺇﻟﻬﺎ َﻡ ﻓﻲ ﺳﺮﻳﺮﺗﻲ ِﻟ ُﻤ ِ‬ ‫ُ‬
‫ﺍﻟﻤﺎﻟﻴﺔ ﺑﻌﺪ ﺃﻥ ﺗﺠ ﱠﻠ ْﺖ ﻟﻲ ﺗﻔﺎﺻﻴ ُﻠﻬﺎ ﺍﻟﻜﺎﻣﻠﺔ‪ .‬ﻟﻜﻨﻲ ﻟﻢ ﺃﻋﺬ ْﺭﻫﺎ‬ ‫ﱠ‬ ‫‪130‬‬
‫ﻐﻴ َﺮ‬ ‫ُ‬ ‫ﱡ‬
‫ﺑﺤﺪ ﺫﺍ ِﺗﻬﺎ ﺗﺴﺘﺤﻖ ﺃﻥ ﺗ ﱢ‬ ‫ً‬
‫ﻬﺮﻭﺑﻬﺎ! ﻟﻢ ﺗﻜﻦ ﺍﻟﻨﻘﻮ ُﺩ ﻳﻮﻣﴼ ﻏﺎ َﻳﺔ ﱢ‬‫ُ‬ ‫ِﻟ ِ‬
‫ﺍﻟﺒﻴﺖ‬
‫ِ‬ ‫ﺗﻬﺮﺏ ﻣﻦ‬‫َﻮﻝ ﺍﻟﻤﻔﺎﺭﻗﺔ! ُ‬ ‫ﺒﺮﺭ ﻫﺬﺍ ﺍﻟﻬﺮﻭﺏ! ﻳﺎﻟﻬ ِ‬ ‫ﺃﺳﺲ ﺣﻴﺎ ِﺗﻨﺎ ﺃﻭ ُﺗ ﱢ‬ ‫َ‬
‫ﺃﻗﺪﺍﺱ ﺍﻟﺒﻴﺖ‪ِ ،‬ﻣﺤﺮﺍﺑُﻪ‪ ،‬ﺳﺪﺭ ُﺓ ﻣﻨﺘﻬﺎﻩ!‪...‬‬ ‫ِ‬ ‫ﺱ‬ ‫ﻛ َﺴ ِﺎﺭ َﻗﺔ ﻓﻴﻤﺎ ﻫﻲ ُﻗ ْﺪ ُ‬ ‫َ‬
‫»ﺍﻟﺨﺠﻞ ﺍﻟﺸﺪﻳﺪ« ﻣﻦ ﻫﺬﺍ ﺍﻟﺨﺮﺍﺏ‬ ‫ِ‬ ‫ﻳﺎﻟﻔﺪﺍﺣ ِﺔ ﺍﻟﻤﻔﺎﺭﻗﺔ! ﺗﺸﻌ ُﺮ ِﺏ‬
‫ﺗﺤﺪ َﺛ ْﺖ ﻋﻨ ُﻪ ﻓﻲ ﺭﺳﺎﻟ ِﺘﻬﺎ ﺍﻷﺧﻴﺮﺓ‪ ،‬ﻓﻲ ﺣﻴﻦ ﺃﻥ ﻫﺮﻭﺑَﻬﺎ ﻫﻮ‬ ‫ﺍﻟﺬﻱ ﱠ‬
‫ﺼﻞ؟‬ ‫ﺑﻌﺪ؟ ﻟﻤﺎﺫﺍ ﻟﻢ ﺗ ﱠﺘ ْ‬ ‫َﻋﻴ ُﻨ ُﻪ ﺃ ﱡﻡ ﺍﻟﻜﻮﺍﺭﺙ ﻭﺍﻟﺨﺮﺍﺋﺐ‪ ...‬ﻟﻤﺎﺫﺍ ﻟﻢ َﺗ ُﻌ ْﺪ ْ‬
‫ﺎﻣﻬﺎ؟ ﻣﺎ ﻫﻲ‬ ‫ﺗﺒﻌﺚ ﺭﺳﺎﻟ ًﺔ ﻭﺍﺣﺪﺓ؟ ﺃﻳﻦ ﻫﻲ؟ ﻛﻴﻒ ﺗﻤ ﱡﺮ ﱠﺃﻳ ُ‬ ‫ﻟﻤﺎﺫﺍ ﻟﻢ ْ‬
‫ﺗﻌﻤﻞ ﻭﻛﻴﻒ ﺗﻌﻴﺶ؟‪...‬‬ ‫ُ‬ ‫ﺣﺎﻟ ُﺘﻬﺎ ﺍﻟﻨﻔﺴ ّﻴ ُﺔ ﺍﻵﻥ؟ ﻣﺎﺫﺍ‬
‫ﺑﺎﻟﻘﻠﻖ‬
‫ِ‬ ‫ﺃﻓﺘﻘﺪﻫﺎ! ﻛﻢ ﺃﺷﻌ ُﺮ‬ ‫ُ‬ ‫ﺃﻓﺘﻘﺪﻫﺎ! ﺇﻟﻬﻲ‪ ،‬ﻛﻢ‬ ‫ُ‬ ‫ﻛﻢ‬
‫ﻏﻴﺎﺑﻬﺎ!‪...‬‬
‫ﻭﺍﻟﺨﻮﻑ ﻭﺍﻟﺒﺮ ِﺩ ﺑﻌﺪ ِ‬ ‫ِ‬

‫ﻛﻞ‬
‫ﺣﻞ ﺃﻣﺎ َﻡ ﱢ‬ ‫ﺑﻴﻊ ﻣﻨﺰ ِﻟﻨﺎ ﺑﺄﻗﺼﻰ ﺳﺮﻋ ٍﺔ ﻣﻤﻜﻨﺔ‪ :‬ﻻ ﱠ‬
‫ﺭﺕ َ‬ ‫ﻗﺮ ُ‬
‫ﱠ‬
‫َ‬
‫ﻫﺬﻩ ﺍﻟﺪﻳﻮﻥ ﺍﻟﺘﻲ ﺗﺘﻜﺎﺛﺮ ﺑﺴﺮﻋﺔ ﺍﻟﻔﺌﺮﺍﻥ ﻏﻴﺮ ﻟ ﱢﻤﻬﺎ ﻭﺍﻻﻧﺘﻬﺎ ِﺀ ﻣﻨﻬﺎ‬
 ‫ﻋﻠﻲ ﻳﻠﺰﻣﻨﻲ‬ ‫ﻣﻌﴼ ِﺑﻀﺮﺑ ِﺔ ﻣﻘﺼﻠﺔ!‪ِ ...‬ﻟﻬﺬﻩ ﺍﻟﺪﻳﻮﻥ ﻓﻀ ٌﻞ ﻭﺍﺣ ٌﺪ ﱠ‬
‫ﺍﻣ ِﺔ ﺍﻟﻌﺒﺚ ﻭﺍﻻﻧﺘﺤﺎﺭ ﺍﻟﺒﻄﻲﺀ‬ ‫ﺩﻭ َ‬
‫ﺴﺒﺒﻬﺎ ﻟﻢ ﺃﻏﺮﻕ ﻓﻲ ﱠ‬ ‫ﺍﻻﻋﺘﺮﺍﻑ! ِﺑ ِ‬
‫ﻓﺠ ُﺮ‬ ‫ُ‬
‫ﻭﺟﺪﺕ ﻧﻔﺴﻲ ﺃ ﱢ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ ﺃﺧﺮﺟﻨﻲ ﻣﻨﻬﺎ ﺯﻣﻴﻠﻲ ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ!‬
‫ُ‬
‫ﻛﻨﺖ‬ ‫ﻣﺸﺮﻭﻉ ﻣﺮﻛﺰ ُﻩ ﺇﻟﻬﺎﻡ‪ .‬ﻣﺸﺮﻭ ُﻉ ﺇﻧﻬﺎ ِﺀ ﺩﻳﻮ ِﻧﻬﺎ‪.‬‬ ‫ﻛﻞ ﻃﺎﻗﺎﺗﻲ ﻓﻲ‬ ‫ﱠ‬
‫ٍ‬
‫ﺍﺟﺘﻬﺪﺕ ﺷﺨﺼ ّﻴﴼ ﻟﻠﺘﻨﻘﻴﺐ ﻋﻦ ﺍﻟﻤﻠﻔﺎﺕ‬ ‫ُ‬ ‫ﻣﺮﺗﺎﺣﴼ ﺃﻳﻀﴼ ﻣﻦ ﺃﻧﻲ‬
‫ﺍﻟﺨﻔ ّﻴﺔ‪ِ ،‬ﻟﻔﻬﻢ ﻣﺎ ﺣﺼﻞ‪ ،‬ﻟﻠﺒﺪﺀ ﺃﺧﻴﺮﴽ ﺑﺎﻟﺘﻌ ﱡﺮ ِﻑ ﻋﻠﻰ ﻣﻌﺸﻮﻗﺘﻲ‬
‫ﺑﻌﺪ ﻋﺸﺮ ﺳﻨﻴﻦ ﻣﻦ ﺗ َﻮ ﱡﺣ ِﺪﻧﺎ‪...‬‬
‫ﺑﺪﺃﺕ ﻣﻨﺬ ﻧﻬﺎﻳﺔ ﻳﻮﻧﻴﻮ ﺇﺟﺮﺍﺀﺍﺕ ﺍﻟﺒﻴﻊ ﺍﻟﺴﺮﻳﻊ ﻟﻠﻤﻨﺰﻝ ﻗﺒﻞ‬ ‫ُ‬
‫ﺃﻥ ﺗﺘﻬﺎﻭﻯ ﻓﻮﺍﺗﻴﺮ ﺷﻬﺮ ﻳﻮﻟﻴﻮ ﺑﺄﺭﻗﺎﻡ ﺃﻛﺜﺮ ﺻﻔﻌﴼ ﻭﺭﻋﺒﴼ ﻭﻭﺣﺸ ّﻴﺔ‪،‬‬
‫ﻭﺑﻔﻮﺍﺋﺪ ﻣﺘﺮﺍﻛﺒﺔ ﻣﺘﻀﺎﻋﻔﺔ ﺑﺴﺒﺐ ﻓﻮﺍﺗﻴﺮ ﺃﻗﺴﺎﻁ ﺷﻬﺮ ﻳﻮﻧﻴﻮ‬
‫ﻳﻐﻴﻈﻨﻲ ﻛﺜﻴﺮﴽ‪ ،‬ﻳﻌﺼ ُﺮ ﻓﺆﺍﺩﻱ ﻋﺼﺮﴽ‪ ،‬ﺃﻥ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ ﻟﻢ ُﺗﺪ َﻓﻊ‪ ...‬ﻛﺎﻥ‬
‫ﺟﺪﴽ ﻓﻴﻪ‪ ،‬ﺃﻫﺮﺏ ﻓﻲ ﺃﺣﻀﺎﻧ ِﻪ ﻣﻦ‬ ‫ﻛﻨﺖ ﺳﻌﻴﺪﴽ ّ‬ ‫ُ‬ ‫ﺃﻏﺎﺩﺭ ﻫﺬﺍ ﺍﻟﻤﻨﺰﻝ‪.‬‬
‫‪131‬‬ ‫ﻭﺭﺟﻔﺎﺕ ﺍﻟﻌﺎ َﻟﻢ ﻭﻣﺘﺎﻋﺒ ِﻪ ﺍﻟﺼﻐﻴﺮﺓ‪ ،‬ﺃﺗﻐ ﱠﻠ ُﻒ ﻓﻴﻪ ﺑﺈﻟﻬﺎﻡ ﺣ ّﺘﻰ‬ ‫ِ‬ ‫ﺿﻮﺿﺎﺀ‬
‫ﻫﻲ‪،‬‬ ‫ُ‬ ‫ُ‬ ‫ُ‬
‫ﺃﻃﺮﺍﻑ ﺍﻷﻇﺎﻓﺮ‪ .‬ﻫﻮ ﻣﺘﺤﻔﻬﺎ‪ ،‬ﺗﺤﻔﺘﻬﺎ‪ ،‬ﺻﻮﺭﺗﻬﺎ ﺍﻟﺼﺎﺩﻗﺔ‪ .‬ﻫ َﻮ َ‬
‫ُ‬
‫ﺗﻨﺒﺾ ﺍِ ْﺳ َﻤﻬﺎ‪ ،‬ﺗﺮ ﱢﺩﺩُﻩ‬ ‫ﺫﺭﺍ ِﺗ ِﻪ‬
‫ﻛﻞ ﱠ‬ ‫ﻛﻞ »ﺟﺪﺭﺍﻧ ِﻪ ُﺗ ﱢ‬
‫ﺴﺒ ُﺢ« ﻟﻬﺎ‪ ،‬ﱠ‬ ‫ﻭﻫﻲ ﻫ َﻮ! ﱡ‬‫َ‬
‫ﺑﺨﺸﻮﻉ‪...‬‬

‫ﺃﻋﺪ ﺃﻧﺎﻡ ﻓﻲ ﻏﺮﻓﺘﻨﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ!‬ ‫ﻣﻨﺬ ﺑﺪﺍﻳﺔ ﻳﻮﻧﻴﻮ ﻟﻢ ُ‬

‫ﺧﻴ ْﻤ ُﺖ ﻓﻲ ﻏﺮﻓﺔ ﻣﻜﺘﺐ ﺇﻟﻬﺎﻡ‪ .‬ﺍ ﱠﺗﺨﺬ ُﺗ ُﻪ ﺑﻼ ﻭﻋﻲ ﻏﺮﻓﺘﻲ ﺍﻟﻮﺣﻴﺪﺓ‬ ‫ﱠ‬
‫ﺍﻟﺪﺍﺋﻤﺔ‪ .‬ﻫﻴﺌﺔ ﺃﺭﻛﺎﻧﻲ‪ .‬ﺃﻣﻜﺚ ﻓﻴﻬﺎ ﺳﺎﻋﺎﺕ ﻃﻮﻳﻠﺔ‪ ،‬ﺃﻧﺎﻡ ﻓﻴﻬﺎ‪ ،‬ﺃﻧﻐﻤﺮ‬
‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺍﺳﺘﻨﺸ ُﻘﻬﺎ‬
‫ِ‬ ‫ﻓﻴﻬﺎ ﻃﻮﺍﻝ ﺍﻟﻴﻮﻡ ﺑﺘﻠﻚ ﺍﻟﺮﺍﺋﺤ ِﺔ ﺍﻟﺘﻲ ﺃﻋﺸ ُﻘﻬﺎ‪،‬‬
‫ﺍﻟﺮﺍﺋﻊ ﺍﻟﺘﻨﻈﻴﻢ‪ .‬ﻓﻲ‬ ‫ِ‬ ‫ﻣﻜﺘﺒﻬﺎ‬
‫ﻛﻞ ﺷﻲﺀ‪ .‬ﻓﻲ ِ‬ ‫ﻛﺜﻴﻒ‪ ...‬ﺃﺭﻯ ﺇﻟﻬﺎﻡ ﻓﻲ ﱢ‬
‫ﺍﻟﻤﻨﻘﻮﺵ‬
‫ِ‬ ‫ﺧﻄﻬﺎ ﺍﻟﺮﺷﻴﻖ ﺍﻟﺠﻤﻴﻞ‬ ‫ﻭﺩﻓﺎﺗﺮﻫﺎ ﻭﻣﻠ ّﻔﺎ ِﺗﻬﺎ‪ .‬ﻓﻲ ﱢ‬
‫ِ‬ ‫ﺃﺟﻨﺪ ِﺗﻬﺎ‬
‫ﺻﻔﺤﺎﺕ ﻧﺎﺻﻌ ٍﺔ ﺑﻴﻀﺎﺀ ﻧﻈﻴﻔﺔ‪ .‬ﻓﻲ ُﺻ َﻮ ِﺭﻧﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻓﻲ‬ ‫ٍ‬ ‫ﻋﻠﻰ‬
‫ﻷﺻﺎﺑ ِﻌﻬﺎ‬
‫ِ‬ ‫ﻣﻔﺎﺗﻴﺤ ِﻪ‬
‫ِ‬ ‫ُ‬
‫ﻟﻮﺣﺎﺕ‬ ‫ﻛﻤﺒﻴﻮﺗﺮﻫﺎ ﺍﻟﺘﻲ َﺗ ِﺤ ﱡﻦ‬
‫ِ‬ ‫ﻛﻞ ﻣﻜﺎﻥ‪ ،‬ﻓﻲ‬ ‫ﱢ‬
‫ّ‬
‫ﺗﻈﻞ ﻏﺮﻓﺘﻬﺎ ﺣﺘﻰ ﺁﺧﺮ‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﺪﻗﻴﻘ ِﺔ ﺍﻟﺴﺮﻳﻌ ِﺔ ﺍﻟﺴ ِﻠﺴﺔ‪ ...‬ﺍﺟﺘﻬﺪﺕ ﺃﻥ ﱠ‬
‫ﺍﻫﺘﻤﻤﺖ ﺑﺈﺳﻘﺎﺀ‬ ‫ُ‬ ‫ﺑﻨﻔﺲ ﻧﻜﻬ ِﺘﻬﺎ ﻭﻋﺬﻭﺑ ِﺘﻬﺎ ﻭﺭﻭﻋ ِﺘﻬﺎ ﺍﻟﺪﺍﺋﻤﺔ‪.‬‬ ‫ِ‬ ‫ﻟﺤﻈﺔ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‪ ،‬ﺑﺘﻨﻈﻴ ِﻔﻬﺎ ﺍﻟﻴﻮﻣﻲ‪ ،‬ﺑﺎﻟﺤﻔﺎﻅ ﻋﻠﻰ ﺭﺍﺋﺤﺔ ﺇﻟﻬﺎﻡ‬ ‫ٍ‬ ‫ﻭﺭﻭ ِﺩﻫﺎ‬
‫َ‬
‫ﻓﻴﻬﺎ ﻭﻛﺄ ﱠﻧﻬﺎ ﻟﻢ ُﺗﻐﺎ ِﺩﺭﻫﺎ ﺃﺑﺪﴽ‪...‬‬
‫ﻗﺮﻳﺒﴼ ﺳﺄﻭ ﱢﺩﻉ ﻫﺬﺍ ﺍﻟﻤﻨﺰﻝ‪ .‬ﺳﺄﻭ ﱢﺩﻉ ﻫﺬﻩ ﺍﻟﻔﻴﺮﺍﻧﺪﺍﺕ‪ .‬ﺳﺄﻭ ﱢﺩ ُﻉ‬
‫ﺍﻟﻤﺤﻠﻴ ِﺔ ﻣﻦ ﺍﻟﻴﺎﺳﻤﻴﻦ ﺍﻟﺘﻲ َﺯ َﺭ َﻋ ْﺘﻬﺎ‬ ‫ﱠ‬ ‫ﺍﻷﻧﻮﺍﻉ‬
‫ِ‬ ‫ﺃﺷﺠﺎﺭ ﺍﻟﻮﺭﺩ ﻭﺑﻌﺾ‬
‫ُ‬ ‫َ‬
‫ﻤﺖ ﻣﻮﺍ ِﻗﻌﻬﺎ ِﻟﺘﺘﺴ ﱠﻠﻞ ﺃﻏﺼﺎﻧﻬﺎ ﺇﻟﻰ ﺃﺭﻛﺎﻥ ﺍﻟﻔﻴﺮﺍﻧﺪﺍﺕ‪،‬‬ ‫ﻭﺻﻤ ْ‬
‫ﺇﻟﻬﺎ ُﻡ ﱠ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‬ ‫ٍ‬ ‫ِﻟ ُﺘﺪﻏﺪ َﻍ ﺑﺮﺍﺋﺤﺘﻬﺎ ﺍﻟﻤﻨﺰﻝ ﻃﻮﺍﻝ ﺍﻟﻴﻮﻡ‪ِ ،‬ﻟ ﱠ‬
‫ﻴﺸﺘﻂ ﻋﺒ ُﻘﻬﺎ‬
‫ﻓﻲ ﻟﺤﻈﺎﺕ ﺍﻟﻤﺴﺎﺀ‪...‬‬
‫ﺍﻟﻘﻄﺎﺋﻒ ﺍﻟﺼﻮﻓ ّﻴﺔ‬ ‫َ‬ ‫ﻗﺮﻳﺒﴼ ﺳﺄﻗﺘﻠ ُﻊ ﻣﻦ ﺃﻣﺎﻛﻨﻬﺎ‪(1 :‬‬
‫ﻧﺴﺠ ْﺘﻬﺎ ﺇﻟﻬﺎﻡ ﺑﻴﺪﻳﻬﺎ ﺍﻟﻤﺮﻫﻔﺘﻴﻦ )ﻛﻢ ﺃﺷﺘﺎﻕ‬ ‫َ‬ ‫ﺍﻟﻤﻠﻮﻧﺔ ﺍﻟﺘﻲ‬ ‫ﱠ‬
‫ﻛﻞ ﻣﻜﺎﻥ‬ ‫ﺷﻤﻌﺪﺍﻧﺎﺕ ﺍﻟﻌﻄﺮ ﺍﻟﻤﺘﻨﺎﺛﺮﺓ ﻓﻲ ﱢ‬ ‫ِ‬ ‫ﻌﻚ‪ ،‬ﺇﻟﻬﺎﻡ!( ‪(2‬‬ ‫ﻷﺻﺎﺑ ِ‬
‫ِ‬
‫ﺍﻟﻜﺆﻭﺱ ﺍﻟﻜﺮﻳﺴﺘﺎﻟﻴ َﺔ ﺍﻟﺘﻲ َﺭ َﺳ َﻤ ْﺖ ﻋﻠﻴﻬﺎ ﺃﺭﺍﺑﻴﺴﻚ ﻭﺃﺷﻜﺎﻝ ﻓﻨ ّﻴﺔ‬ ‫َ‬ ‫‪(3‬‬
‫ﻠﺐ ُﻓ ِ‬
‫ﺘﺎﺕ‬ ‫ﺎﻡ ﻭﻟﻴﺎﻝ ‪ُ (4‬ﻋ َ‬ ‫ﻣﺘﺨﺼﺼ ٍﺔ ﺩﻗﻴﻘ ٍﺔ ﻃﻮﺍﻝ ﱠﺃﻳ ٍ‬ ‫ﱢ‬ ‫َﺮ ﻭﺩﺑﺎﺑﻴﺲ‬ ‫ﺑﺈﺑ ٍ‬ ‫‪132‬‬
‫ﻛﻞ ﻭﺟﺒﺔ‪،‬‬ ‫ﺷﺬﺭﺍﺕ ﻣﻨﻪ ﺑﻌﺪ ﱢ‬ ‫ٍ‬ ‫ُ‬
‫ﻭﺗﺆﺭﺥ‬ ‫ُ‬ ‫َ‬
‫ﺧﺒﺰﻧﺎ ﺍﻟﻤﺸﺘﺮﻙ ﺍﻟﺘﻲ ﺗﺆ ْﺭ ِﺷﻒ ﱢ‬ ‫ِ‬
‫ُﻋ َﻠ َﺐ ﻣﻮﻣﻴﺎﺕ ﺑﺎﻗﺎﺕ ﺍﻟﻮﺭﻭ ِﺩ ﺍﻟﺘﻲ ﺃﻫﺪﻳ ُﺘﻬﺎ ﱠﺇﻳﺎﻫﺎ ﻭﺍﻟﺘﻲ ُﺗ َﺠ ﱢﻔ ُﻒ ﻭ ُﺗﺨ ﱢﻠ ُﺪ‬
‫ﻋﺒﻘﺮﻳ َﺘﻬﺎ ﻭﺟﻤﺎ َﻟﻬﺎ ﻭﺳﺤ َﺮﻫﺎ ﺍﻟﺬﻱ‬ ‫ﱠ‬ ‫ﺑﻌﺾ ُﻭ ِﺭﻳْﻘﺎ ِﺗﻬﺎ ﻋﻠﻰ ﺍﻟﺪﻭﺍﻡ‪(5 ...‬‬ ‫َ‬
‫ﻛﻞ ﺃﺭﺟﺎﺀ ﺍﻟﻤﻨﺰﻝ‪...‬‬ ‫ﻳﻨﻀﺢ ﻓﻲ ﱢ‬ ‫ُ‬
‫ﻗﺮﻳﺒﴼ ﺳﺄﻗﺘﻠ ُﻊ ﻗﻠﺒﻲ ﻣﻦ ﻣﻮ ِﻗ ِﻌﻪ!‪...‬‬

‫ﻭﺷﺤﻦ ﺃﺩﻭﺍ ِﺗ ِﻪ ﻓﻲ‬

‫ِ‬ ‫ﺑﺪﺃﺕ ﺑﺈﺟﺮﺍﺀﺍﺕ ﺗﻘﺪﻳﻢ ﺍﻟﻤﻨﺰﻝ ﻟﻠﺒﻴﻊ‬ ‫ُ‬
‫ﻛﺮﺍﺗﻴﻦ ﻋﺪﻳﺪﺓ ﻧﺤﻮ ُﺷ ﱠﻘ ٍﺔ ﺻﻐﻴﺮ ٍﺓ ﺍﺳﺘﺄﺟﺮ ُﺗﻬﺎ ﻣﻨﺬ ﱠﺃﻭ ِﻝ ﻳﻮﻟﻴﻮ‪.‬‬
‫ﻛﻞ ﻣﻠ ﱠﻔﺎﺗﻬﺎ ﻓﻲ‬ ‫ﻤﺖ ﱠ‬ ‫ﻧﻈ ُ‬‫ﺑﺎﻫﺘﻤﺎﻡ ﺧﺎﺹ‪ .‬ﱠ‬
‫ٍ‬ ‫ﻣﻜﺘﺐ ﺇﻟﻬﺎﻡ‬
‫َ‬ ‫ُ‬
‫ﺃﻓﺮﻏﺖ‬
‫ﻭﺧﺎﻧﺎﺕ‬
‫ِ‬ ‫ﺭﻓﻮﻑ‬
‫ِ‬ ‫ﻼ ﻣﻮﺍﻗ َﻌﻬُﻢ ﺍﻷﺻﻠ ّﻴﺔ ﻓﻲ‬ ‫ﺴﺠ ً‬
‫ﻛﺮﺍﺗﻴﻦ ﻣﺮ ﱠﻗﻤﺔ ُﻣ ﱢ‬
‫ُ‬
‫ﺍﻛﺘﺸﻔﺖ ﻓﻲ ﺑﻌﺾ ﻣﻠ ﱠﻔﺎ ِﺗﻬﺎ‬ ‫ﻛﻞ ﻣ َﻠ ٍﻒ ﺑﺴﻬﻮﻟﺔ‪.‬‬
‫ﻣﻜﺘﺒﻬﺎ ِﻟ َﺘ ِﺠ َﺪ ﱠ‬
‫ِ‬
‫ﺧﺎﺹ ﺑﺮﺳﺎﺋﻠﻲ ﺇﻟﻴﻬﺎ‪ .‬ﺑﺮﻗﻴﺔُ‬ ‫ٌ‬ ‫ٌ‬
‫ﻛﻞ ﺁﺛﺎﺭ ﺫﻛﺮﻳﺎﺗﻨﺎ ﺍﻷﻭﻟﻰ! ﻣﻠﻒ‬ ‫ﱠ‬
‫ْ‬ ‫َ‬ ‫ُ‬ ‫ْ‬
‫»ﺃﻋﺸﻘ ِﻚ ﺇﻟﻰ ﻣﺎ ﻻﻧﻬﺎﻳﺔ!« ﺍﻟﺘﻲ َﺑ َﻌﺜﺘﻬﺎ ﻟﻬﺎ ﻣﻦ ﺑﺎﺭﻳﺲ ﺇﻟﻰ ﻧﺎﻧﺖ‬ ‫ُ‬ ‫َ‬
 ‫ﺣﺖ ﻓﻴﻪ ِﺑ ِﻌ ْﺸﻘﻲ‬‫ﺻﺮ ُ‬ ‫ﺍﻟﺮﻭﻣﺎﻧﺴﻲ ﻓﻲ َﻧﺎ ْﻧ ْﺖ ﺍﻟﺬﻱ ﱠ‬
‫ّ‬ ‫ﻋﻘﺐ ﻟﻘﺎﺀ ﺍﻟﻤﻘﻬﻰ‬
‫َ‬
‫ﻟﻬﺎ‪ ،‬ﻓﻲ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﺍﻹﻟﻬﻲ ﺍﻟﺬﻱ ﻗﺎﻟﺖ ﻓﻴﻪ ِﻋﺒﺎﺭﺗﻬﺎ ﺍﻟﺨﺎﻟﺪﺓ ﻭﻧﺤﻦ‬
‫ﻧﺴﻴﺮ ﻓﻲ ﻣﺤﺎﺫﺍﺓ ﺍﻟﻤﺤﻴﻂ‪:‬‬
‫ﱟﻢ ﻓﻲ ﺍﻟﻴﺪ‬ ‫ﺑﺪﻭﻥ ُ‬
‫ﻛ‬ ‫ِ‬ ‫ﻛﻨﺖ ﺃﺗﻤﻨﻰ ﻟﻮ ﻛﺎﻥ ﻣﻌﻄ ُﻔ َﻚ‬ ‫ُ‬ ‫‪-‬‬
‫ﱟﻢ ﻓﻲ ﺍﻟﻴﺪ ﺍﻟﻴﺴﺮﻯ!‪...‬‬ ‫ﻛ‬‫ﺑﺪﻭﻥ ُ‬‫ﺍﻟﻴﻤﻨﻰ‪ ،‬ﻭﻣﻌﻄﻔﻲ ِ‬
‫ُ‬
‫ﻛﻞ ﺑﻄﺎﻗﺎﺕ »ﺃﻋﺸﻘ ِﻚ ﺇﻟﻰ ﻣﺎ ﻻﻧﻬﺎﻳﺔ!«‬ ‫ُ‬
‫ﻳﺤﻮﻱ ﺫﻟﻚ ﺍﻟﻤﻠﻒ ﱠ‬
‫ﺑﺎﻗﺎﺕ ﻛﺒﻴﺮ ٍﺓ ﻣﻦ ﺍﻟﻮﺭﺩ ﺍﻷﺣﻤﺮ‪ ،‬ﻓﻲ ‪22‬‬ ‫ٍ‬ ‫ﻭﺍﺻﻠﺖ ﻭﺿ َﻌﻬَﺎ ﻋﻠﻰ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ‬
‫ﺃﻗﺪ ُﻣﻬﺎ ﻟﻬﺎ ﺑﻴﺪﻱ‪ .‬ﺁﺧ ُﺮ ﺑﺎﻗ ٍﺔ ﻫﻲ ﺗﻠﻚ ﺍﻟﺘﻲ‬ ‫ﻛﻞ ﻋﺎﻡ‪ ،‬ﱢ‬ ‫ﻣﺎﻳﻮ ﻣﻦ ﱢ‬
‫ﺷﻬﺮ‬
‫ٍ‬ ‫ﺍﺷﺘﺮﻳ ُﺘﻬﺎ ﺑﻌﺪ ﻣﻐﺎﺩﺭﺓ ﺍﻟﺠﺎﻣﻌﺔ ﻓﻲ ﺁﺧﺮ ‪ 22‬ﻣﺎﻳﻮ‪ ،‬ﻗﺒﻞ‬
‫ﻭﺑﻀﻌﺔ ﱠﺃﻳﺎﻡ‪َ .‬ﺿ َﻤ َﺮ ْﺕ ﺍﻟﺒﺎﻗ ُﺔ ﻭﺃﻧﺎ ﻓﻲ ﻏﻴﺒﻮﺑﺘﻲ ﻗﺒﻞ ﻭﺻﻮﻝ ﺯﻣﻴﻠﻲ‬
‫ﻭﻣﻔﺘﺎﺡ ﺻﻨﺪﻭﻕ‬‫ِ‬ ‫ﺠﻮﺍﺭ ﺭﺳﺎﻟ ِﺘﻬﺎ ﺍﻷﺧﻴﺮﺓ‬ ‫َﻠﺖ ِﺑ ِ‬ ‫ﺍﻟﺘﺸﻴﻜﻮﺳﻠﻮﻓﺎﻛﻲ‪َ .‬ﺫﺑ ْ‬
‫ﺍﻟﺒﺮﻳﺪ ﻓﻲ ﻭﺳﻂ ﺍﻟﻤﻨﻀﺪﺓ‪ ...‬ﻟﻴﺲ ﻫﻨﺎﻙ ﻓﻲ ﻫﺬﺍ ﺍﻟﻤﻨﺰﻝ ﻣﻦ ﻳ ُ‬
‫ُﺠﻴﺪ‬
‫‪133‬‬ ‫ﻠﺐ ﺯﺟﺎﺟ ّﻴ ٍﺔ ﺑﻬﻴﺠﺔ‪...‬‬ ‫ﻭﺃﺭﺷ َﻔ َﺔ ﺑﻌﺾ ُﻭ ِﺭﻳْﻘﺎﺗﻬﺎ ﻓﻲ ُﻋ ٍ‬ ‫ﺗﺨﻠﻴﺪ َ‬ ‫َ‬
‫ُ‬ ‫ْ‬
‫ﻣﻠﻒ ﺭﺳﺎﺋﻠﻲ ﻭﺑﻄﺎﻗﺎﺗﻲ ﺍﻟﺘﻲ ﺑﻌﺜﺘﻬﺎ ﻟﻬﺎ ﻛﺎﻥ‬ ‫ﻓﻲ ﺃﺳﻔﻞ ﱢ‬
‫ﺍﺏ‬‫ﺟﺬ ٌ‬‫ﺍﻟﻘﻮﻱ ﺍﻟﻼﻣﻊ ﱠ‬ ‫ﱡ‬ ‫ُ‬
‫ﺍﻟﻮﺭﻕ ﺍﻟﻔﺎﺧﺮ‪ِ .‬ﻏﻼﻓ ُﻪ‬ ‫ِ‬ ‫ﺳﻤﻴﻚ ﻣﻦ‬ ‫ٌ‬ ‫ﻫﻨﺎﻙ ﺩﻓﺘ ٌﺮ‬
‫ﺸﺒ ُﻪ ُﺷ َﻌﺒﴼ ﻣﺮﺟﺎﻧﻴ ًﺔ ﺷﺪﻳﺪ َﺓ‬ ‫ﻣﺠﺮﺩﺓ ُﺗ ِ‬
‫ﱠ‬ ‫ﻣﻨﻘﻮﺵ ﺑﺄﺷﻜﺎﻝ‬ ‫ٌ‬ ‫ﻣﺜﻴ ٌﺮ ّ‬
‫ﺟﺪﴽ‪،‬‬
‫ﻭﺭﺩﻳ ٍﺔ ﺃﺭﺟﻮﺍﻧ ّﻴﺔ‪ .‬ﺻﻔﺤ ُﺘ ُﻪ‬‫ﺧﻠﻔﻴ ٍﺔ ﱠ‬ ‫ﱠ‬ ‫ﻭﺍﻟﺘﺪﺍﺧﻞ ﻭﺍﻟﺘﻌﻘﻴﺪ‪ ،‬ﻋﻠﻰ‬ ‫ِ‬ ‫ﺍﻟﺘﻨ ﱡﻮ ِﻉ‬
‫ﺍﻷﻭﻟﻰ ﻛﺎﻧﺖ ﻣﻔﺎﺟﺌﺔ‪ .‬ﻋﻨﻮﺍ ٌﻥ ﻛﺒﻴﺮ‪» :‬ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ«!‬
‫ﻣﺬﻛﺮﺍﺕ؟‪...‬‬ ‫ﻗﺼﺔ؟ ّ‬ ‫ﻟﻢ ﺃﻓﻬﻢ‪ :‬ﺭﻭﺍﻳﺔ؟ ّ‬
‫ﺍﻟﺼﻔﺤﺔ ﺍﻟﺘﺎﻟﻴﺔ‪ ،‬ﺍﻹﻫﺪﺍﺀ‪َ » :‬ﻟ ُﻪ‪ ،‬ﺇﺟﺎﺑ ًﺔ ﻋﻠﻰ ﺃﺳﺌﻠﺘ ِﻪ ﺣﻮﻝ‬
‫ﻃﻔﻮﻟﺘﻲ ﺍﻟﻐﺎﻣﻀﺔ«!‬
‫ﺍﻟﺼﻔﺤﺔ ﺍﻟﻼﺣﻘﺔ ﺗﺒﺪﺃ ﺑﺎﻟﻔﻘﺮﺓ ﺍﻟﺘﺎﻟﻴﺔ‪ ،‬ﻗﺒﻞ ﺃﻥ ﻳﺘﻮ ﱠﻗﻒ‬
‫ﺍﻟﻘﻠﻢ ﻭﻛﺄﻧ ُﻪ ﻟﻢ ﻳﺘﺠﺮﺃ ﺍﻟﻤﻮﺍﺻﻠﺔ‪:‬‬
‫»ﻓﻲ ﺍﻟﺜﺎﻧﻴﺔ ﻣﻦ ُﻋﻤﺮﻱ‪ ،‬ﺃﻭ ﺭﺑّﻤﺎ ﺍﻟﺨﺎﻣﺴﺔ‪ ،‬ﻻ ﺃﺳﺘﻄﻴ ُﻊ‬
‫ﻋﺬﺍﺏ ﺟﻬ ّﻨﻢ! ﻻ ﺃﺳﺘﻄﻴ ُﻊ‪ ،‬ﺑﻴﻦ ﻫﺎﺗﻴﻦ‬ ‫َ‬ ‫ﺍﻟﻘﻄﻊ ﻓﻲ ﺫﻟﻚ‪ ،‬ﺑﺪ ْﺃ ُﺕ‬ ‫َ‬
‫ْ‬
‫ﺗﺤﺪﻳﺪ ﺍﻟﻠﺤﻈﺔ ﺍﻟﺘﻲ ﺍﻧﻜﺴﺮﺕ ﻓﻴﻬﺎ ﺣﻴﺎﺗﻲ ﺇﻟﻰ ﺍﻷﺑﺪ!‬ ‫َ‬ ‫ﺍﻟﺴﻨﺘﻴﻦ‪،‬‬
‫ﺄﻟﻢ ُﻣﺘ َﺮ ﱢﺳ ٍﺐ‬ ‫َ‬
‫ﺍﻟﻤﺨﻀﺒﺔ ِﺑ ٍ‬
‫ﱠ‬ ‫ﻷﻥ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ‪،‬‬ ‫ﺃﺳﺄﻟﻚ ﺍﻟ ُﻌﺬﺭ! ﱠ‬
‫ﺗﺼﻌﺪ ﺩﻭﻥ ﺍﺳﺘﺌﺬﺍﻥ ﻣﻦ‬ ‫ُ‬ ‫ﺣﺪﻫﺎ‪ ،‬ﺩﻭﻥ ﺗﻔﻜﻴﺮ‪.‬‬ ‫ﻧﺘﻦ‪ ،‬ﺗﺼﻞ ﺇﻟﻰ ﻗﻠﻤﻲ ﻟ َﻮ ِ‬
‫ﻼ ِﻟﻄﻤﺴﻬﺎ‪ .‬ﻫﻲ ﻭﺣﺪﻫﺎ ﺃﺻﺪﻕ‬ ‫ﺟﺎﻫﺪﺕ ﻃﻮﻳ ً‬‫ُ‬ ‫ﻗﺎﻉ ﺍﻟﺬﺍﻛﺮ ِﺓ ﺍﻟﺘﻲ‬ ‫ِ‬
‫ﻟﻘﺼ ِﺔ ﺣﻴﺎﺗﻲ!‪...‬‬
‫ﻣﺴﺘﻬﻞ ﱠ‬ ‫ﱟ‬
‫ﺪﺕ ﻓﻲ ‪ 14‬ﺃﻏﺴﻄﺲ ‪ 1965‬ﻓﻲ ﻗﺮﻳ ِﺔ ُﺛﻼ‪«...‬‬ ‫ُﻭ ِﻟ ُ‬
‫ﻋﻠﻲ ﻛﺼﺎﻋﻘﺔ‪.‬‬ ‫ﻧﺰﻟﺖ ﱠ‬‫ﺠﺪ ﺃﻥ ﺃﻗﻮﻝ ﺃﻥ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ ْ‬ ‫ﻏﻴﺮ ُﻣ ٍ‬
‫ﺗﻮ ﱠﻗ َﻔ ْﺖ ﺃﻧﻔﺎﺳﻲ ﻋﻨﺪ ﻗﺮﺍﺀﺗﻬﺎ‪ ...‬ﻣﺸﺮﻭ ٌﻉ ُﻣ ْﺠ ٍﺪ ﻭﺍﺣ ٌﺪ ﺍﺳﺘﻮﻟﻰ ﻋﻠﻰ‬
‫ﻛﻞ ﻛﻴﺎﻧﻲ ﻭﺃﻧﺎ ﺃﻗﺮﺃﻫﺎ‪ :‬ﺇﻋﺎﺩ ُﺓ ﺑﺮﻣﺠﺔ ﻛﻞ ﻣﺤﺎﺿﺮﺍﺗﻲ ﻓﻲ ﺍﻟﺠﺎﻣﻌﺔ‬ ‫ﱢ‬
‫ﺍﻟﻔﺼﻞ ﺍﻟﺜﺎﻧﻲ ﻣﻦ ﻫﺬﺍ ﺍﻟﻌﺎﻡ‪ ،‬ﺑﻴﻦ ﻓﺒﺮﺍﻳﺮ ﻭﻳﻮﻧﻴﻮ؛ ﺍﻟﺴﻔ ُﺮ‬ ‫ِ‬ ‫ﺘﻜﻮﻥ ﻓﻲ‬‫ِﻟ َ‬
‫ﺍﻟﺒﺤﺚ ﻓﻲ ﺻﻨﻌﺎﺀ‬ ‫ُ‬ ‫ﻔﺖ ﻋﻦ ﺯﻳﺎﺭﺗﻬﺎ ﻣﻨﺬ ﺩَﻫﺮ؛‬ ‫ﻟﻠﻴﻤﻦ ﺍﻟﺘﻲ ﺗﻮ ﱠﻗ ُ‬ ‫ﺣﺎ ً‬
‫ﻻ‬
‫ِ‬
‫ﻛﻞ ﻣﺎ ﺃﺟﻬ ُﻠ ُﻪ ﻋﻦ‬ ‫ﻋﻦ ﻧﻌﻴﻢ‪ ،‬ﺷﻘﻴﻘﺔ ﺇﻟﻬﺎﻡ‪ ...‬ﺳﺘﺸﺮ ُﺡ ﻟﻲ ﻧﻌﻴ ُﻢ ﱠ‬
‫ﺳﺄﺟﺪ ﺇﻟﻬﺎﻡ‪ ،‬ﻷﻥ ﺍﺗﺼﺎﻟﻬﻤﺎ ﻻ ﻳﻤﻜ ُﻨ ُﻪ ﺃﻥ‬ ‫ُ‬ ‫ﺃﺧﺘﻬﺎ‪ .‬ﺳﺘﻨﺒ ُﺌﻨﻲ ﺃﻳﻦ‬
‫ﺍﻟﺮﻭﺣﻲ«‪ ،‬ﻛﻤﺎ‬ ‫ّ‬ ‫ﺲ ﺇﺣﺪﺍﻫﻤﺎ ﺩﻭﻥ َﺗ ْﻮﺃَ ِﻣﻬﺎ‬ ‫‪ 134‬ﻳﺘﻮ ﱠﻗ َﻒ ﻳﻮﻣﴼ‪» .‬ﻻ ﺗﺘﻨ ﱠﻔ ُ‬
‫ﻛﺎﻧﺖ ﺗﻘﻮﻝ ﺇﻟﻬﺎﻡ‪.‬‬
‫ﻣﺪﺣ ْﺖ ﺇﻟﻬﺎﻡ ﺗﻔ ﱡﺘ َﺤ ُﻪ‬
‫ﺳﻴﺴﻌﻔﻨﻲ ﺯﻭ ُﺝ ﻧﻌﻴﻢ‪ ،‬ﺍﻟﺬﻱ ﻃﺎﻟﻤﺎ َ‬
‫ﻭﺃﻧﻘﺬﻧﻲ!«‪ ،‬ﻛﻤﺎ ﻗﺎﻟﺖ ﺇﻟﻬﺎﻡ ﻳﻮﻣﴼ‬ ‫َ‬ ‫ﻭﻃﻴ َﺒ َﺘﻪ‪» .‬ﻫﻮ ﺍﻟﺬﻱ ﺃﻧﻘﺬ ﻧﻌﻴﻢ‪...‬‬
‫ﺍﻟﻤﻜ ﱠﺜﻔﺔ ﺃﻛﺜﺮ ﻣﻦ ﺫﻟﻚ‪.‬‬ ‫َﻤﺔ ُ‬ ‫ﺍﻟﻤﺒﻬ َ‬‫ﺩﻭﻥ ﺃﻥ ﺗﻮ ﱠﺩ ﺷﺮﺡ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ُ‬
‫ُ‬
‫ﺳﺄﻃﻠﺐ ﻣﻨﻪ ﺃﻥ ﻳﺴﺎﻋﺪﻧﻲ ﻓﻲ ﺍﻟﻮﺻﻮﻝ ﺇﻟﻰ ﺛﻼ ﻟﺰﻳﺎﺭﺓ ﻣﻨﺰﻝ ﻃﻔﻮﻟ ِﺔ‬ ‫ُ‬
‫ﺩﻓﺎﺗﺮﻫﺎ ﺍﻟﻘﺪﻳﻤﺔ‪،‬‬ ‫ِ‬ ‫ﺭﻓﻮﻑ ﺛﻴﺎﺑﻬﺎ‪،‬‬ ‫ﺇﻟﻬﺎﻡ‪ِ ،‬ﻟﺮﺅﻳ ِﺔ ﻭﺍ ِﻟ َﺪﻳْﻬﺎ‪ُ ،‬ﻏ َﺮ ِﻑ ﻣﻨﺰ ِﻟﻬﺎ‪ِ ،‬‬
‫ﺳﺄﻃﻠﺐ‬
‫ُ‬ ‫ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎ ِﺗﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ‪...‬‬ ‫ِ‬ ‫ﺍﺕ ﺍﻟﺘﻲ ﻋﺒﺮ ْﺗﻬَﺎ‪ ،‬ﱢ‬
‫ﻛﻞ‬ ‫ﺍﻟﻤﻤﺮ ِ‬
‫ﱠ‬
‫ﻛﻞ ﻣﺎ ﻳﻌﺮﻓﺎﻧﻪ ﻋﻦ ﻃﻔﻮﻟ ِﺔ ﺇﻟﻬﺎﻡ‬ ‫ﻣﻨ ُﻪ ﻭﻣﻦ ﻧﻌﻴﻢ ﺃﻥ ﻳﻘﻮﻻ ﻟﻲ ﱠ‬
‫ﺮﻭﺑﻬﺎ«‪ ،‬ﺃﻥ ﻳﺴﺎﻋﺪﺍﻧﻲ ﻓﻲ‬ ‫»ﻫ ِ‬ ‫ﻭﻋﻦ ﺳﻨﻮﺍ ِﺗﻬﺎ ﺍﻷﺧﻴﺮﺓ ﻓﻲ ﺻﻨﻌﺎﺀ ﻗﺒﻞ ُ‬
‫ﻛﻞ ﻣﺎ ﺃﺟﻬﻠﻪ‪...‬‬ ‫ﺍﻛﺘﺸﺎﻑ ﱢ‬
‫ﺃﺣﺪ ﺍﻟﻜﺮﺍﺗﻴﻦ ﺍﻟﻤ ﱠﻠ َﻒ ﺍﻟﺬﻱ ﻳﺤﻮﻱ ﺩﻓﺘ َﺮ‬ ‫ﺃﺿﻊ ﻓﻲ ِ‬ ‫ﻗﺒﻞ ﺃﻥ َ‬
‫ﻻﺣﻈﺖ ﻛﻴﺴﴼ ﺑﻼﺳﺘﻴﻜﻴﴼ ﺻﻐﻴﺮﴽ‬ ‫ُ‬ ‫ﺍﻟﺬﻛﺮﻳﺎﺕ ﺍﻟﺤﻤﻴﻤﻴﺔ ﻹﻟﻬﺎﻡ‪،‬‬
‫ُ‬
‫ﺍﻟﻜﻴﺲ ﻳﺴﻘﻂ ﻣﻦ‬ ‫ُ‬ ‫ﻣﻠﻔﻮﻓﴼ ﻛﺄﻛﻴﺎﺱ ﺍﻟﻄﻼﺳﻢ ﺍﻟﺼﻐﻴﺮﺓ! ﻛﺎﺩ‬
 ‫ﻭﺟﺪﺕ ﻗﺼﺎﺻ ًﺔ ﺻﻐﻴﺮﺓ ﻣﻜﺮﻣﺸﺔ!‬ ‫ُ‬ ‫ﻏﻼﻑ ﺍﻟﺪﻓﺘﺮ‪ .‬ﻓﺘﺤ ُﺘﻪ!‬ ‫ِ‬ ‫ﺑﺎﻃﻦ‬
‫ِ‬
‫ﻘﺼ ٍﺔ ﻗﺼﻴﺮ ٍﺓ‬ ‫ﱠ‬ ‫ﻟ‬
‫ِ‬ ‫ﴽ‬ ‫ّ‬
‫ﺟﺪ‬ ‫ً‬
‫ﺔ‬ ‫ﺭﺩﻳﺌ‬ ‫ﻓﻮﺗﻮﻏﺮﺍﻓﻴﺔ‬ ‫ً‬
‫ﺓ‬ ‫ﺻﻮﺭ‬ ‫ﻳﺒﺪﻭ‪،‬‬ ‫ﻛﻤﺎ‬ ‫ﻛﺎﻧﺖ‪،‬‬
‫ﻟﻌﻞ ﻧﻌﻴﻢ ﻫﻲ ﺍﻟﺘﻲ ﺃﺭﺳﻠﺘﻬﺎ ﻹﻟﻬﺎﻡ!‬ ‫ُﻧ ِﺸ َﺮ ْﺕ ﻓﻲ ﺟﺮﻳﺪ ٍﺓ ﻳﻤﻨ ّﻴﺔ! ﱠ‬
‫ﺍﻟﻘﺼﺔ‪» :‬ﺃﻟﻌﺎﺏ ﻧﺎﺭﻳّﺔ ِﻻﺣﺘﻔﺎﻝ‬ ‫ّ‬ ‫ﻟﻢ ﺃﺗﻤﻜﻦ ﺇﻻ ﻣﻦ ﻗﺮﺍﺀﺓ ﻋﻨﻮﺍﻥ‬
‫ﻓﺾ ﺑﻜﺎﺭﺓ!«‪ .‬ﺃﺛﺎﺭﻧﻲ ﺍﻟﻌﻨﻮﺍﻥ ﻣﻦ ﱠﺃﻭﻝ ﻭﻫﻠﺔ!‪ ...‬ﺍﻟﻠﻌﻨﺔ! ﺍﻟﺼﻮﺭﺓ‬ ‫ﱢ‬
‫ﺃﻏﻠﺐ ﺍﻟﻜﻠﻤﺎﺕ ﻏﻴ ُﺮ َﺟ ِﻠ ﱠﻴﺔ‪،‬‬ ‫ٌ‬ ‫َ‬ ‫َ‬
‫ﺟﺪﴽ‪ ،‬ﺗﺎ ِﻟﻔﺔ ﻛﺜﻴﺮﴽ‪ُ .‬‬ ‫ٌ‬ ‫َ‬ ‫ْ‬
‫ﺍﻟﻔﻮﺗﻮﻏﺮﺍﻓﻴﺔ ُﻣﻨ َﻬﻜﺔ ّ‬
‫ﺍﻟﻘﺎﺻﺔ‪ :‬ﻧﺎﺩﺭﺓ‪،‬‬ ‫ﱠ‬ ‫ﺻﻌﺒ ُﺔ ﺍﻟﻘﺮﺍﺀﺓ ﺗﻤﺎﻣﴼ!‪ ...‬ﻟﻢ ﺃﺳﺘﻄﻊ ﻗﺮﺍﺀ َﺓ ﺍِﺳﻢ‬
‫ﻣﻮﺿﻌﻪ ﻓﻲ ﺑﺎﻃﻦ‬ ‫ﺃﻋﺪﺕ ﺍﻟﻜﻴﺲ ﺇﻟﻰ ﻧﻔﺲ ِ‬ ‫ُ‬ ‫ﺃﻭ ﻧﺎﺩﻳﺔ‪ ،‬ﺃﻭ ﻧﺒﻴﻠﺔ!‪...‬‬
‫ﺍﻟﻤﻠﻒ ﻓﻲ ﻛﺮﺍﺗﻴﻦ ﺍﻟﻮﺩﺍﻉ‪...‬‬‫َ‬ ‫ﺍﻟﻐﻼﻑ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺃُﺭ ﱢﺗ َﺐ‬

‫ﻓﻘﺪﺕ ﺍﻟﻤﻨﺰﻝ ﺇﻟﻰ ﺍﻷﺑﺪ! ﻛﺎﻧﺖ ﻣﺼﺎﺩﻓ ًﺔ ﻻ‬ ‫ُ‬ ‫ﺑﻌﺪ ‪ 3‬ﺃﻳّﺎﻡ‬

‫)‪(8‬‬ ‫ُ‬
‫ﺗﺎﺭﻳﺦ ﺫﻟﻚ ﺍﻟﻴﻮﻡ‪ 7 :‬ﻳﻮﻟﻴﻮ ‪!2000‬‬ ‫ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ ﺃﻥ ﻳﻜﻮﻥ‬
‫‪135‬‬ ‫ﻋﺪﻥ‪ ،‬ﺃُ ﱢﻣﻲ‪ ،‬ﺃﺻﺪﻗﺎﺋﻲ‪ ...‬ﻋﻨﺎﻕ‪،‬‬‫ﺩﺕ ﺑﺮﻧﺎﻣﺞ ﺭﺣﻠﺘﻲ‪َ :‬‬ ‫ﺣﺪ ُ‬
‫ﱠ‬
‫ﺛﻢ ﺻﻨﻌﺎﺀ‪ ،‬ﻧﻌﻴﻢ‪َ ،‬ﺯ ْﻭ ُﺟﻬﺎ‬
‫ﺃﺷﻮﺍﻕ‪ ،‬ﻫﺪﺍﻳﺎ‪ ،‬ﺫﻛﺮﻳﺎﺕ‪ ،‬ﺣﻜﺎﻳﺎﺕ‪ ...‬ﱠ‬
‫ﺛﻢ ُﺛ َﻼ‪...‬‬
‫ﻭﻃ ْﻔ َﻠ ْﻴﻬﺎ‪ ...‬ﱠ‬
‫ِ‬
‫ﻭﺟﻬ َﺔ ﺭﺣﻠﺘﻲ‪ :‬ﻗﺎﻉ ﺍﻟﺨﺮﺍﺏ‪.‬‬‫ﺩﺕ ْ‬ ‫ﺣﺪ ُ‬
‫ﱠ‬
136
 ‫ﺍﻟﺠﺰﺀ ﺍﻟﺜﺎﻟﺚ‬

‫ﻻﺣﺘﻔﺎﻝ ﱢ‬
‫ﻓﺾ ﺑﻜﺎﺭﺓ!«‬ ‫ِ‬ ‫»ﺃﻟﻌﺎﺏ ﻧﺎﺭ ﱠﻳﺔ‬

‫‪137‬‬

‫ﻳﺨﺘﺒﺊ ﻓﻲ ﻇﻼ ِﻝ ﺭﻭﺣﻲ‬ ‫ُ‬ ‫ِﺳﻢ‬

‫ﺛﻤﺔ ﺍ ٌ‬
‫ّ‬
‫ﺗﺮﺍﻩ ﻋﻴﻦ‬
‫ُ‬ ‫ﻭﻻ‬ ‫ﻧﻬﺎﺭ‬ ‫ﻞ‬‫َ‬ ‫ﻟﻴ‬ ‫ﻫﻨﺎﻙ‬ ‫ﻠﻪ‬
‫ُ‬ ‫ﺗ‬
‫ﱢ‬ ‫ﺃﺭ‬
‫ﻳﻨﺰﻟﻖ‬
‫ُ‬ ‫ﻳﺪ ﺍﻣﺮﺃ ٍﺓ‬
‫ﺿﺎﺋﻊ ﺗﺮﻛ ْﺘﻪُ ُ‬
‫ٌ‬ ‫ﺧﺎﺗﻢ‬
‫ﻛﺄﻧﻪُ ٌ‬
‫ﻟﻴﺴﻘﻂ ﻓﻲ ﺧﺮﺍﺑﺎﺕ ﺍﻟﺒﺤﺎﺭ!‬ ‫َ‬ ‫ﻣﻦ ﺇﺻﺒﻌِﻬﺎ‬
‫ﺍﻟﻔﻮﻧﺲ ﻻﻣﺮﺗﻴﻦ‬
138
 ‫ﺗﺼ ُﻠ ُﻪ ﻓﻲ ‪ 17‬ﻳﻮﻟﻴﻮ ‪ (8) 2000‬ﻻ ﺗﻌﺮﻓ ُﻪ ﻣﻦ‬ ‫ﺍﻟﺒﻠﺪ ﺍﻟﺬﻱ ِ‬ ‫ُ‬
‫ﻧﻔﺴﻚ ﻓﻴ ِﻪ ﻏﺮﻳﺒﴼ‬ ‫َ‬ ‫ﻴﻘﻦ ﺃﻧﻚ ﻻ ﺗﻨﺘﻤﻲ ﺇﻟﻴﻪ! ُ‬
‫ﺗﺠﺪ‬ ‫ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ! ُﺗ ُ‬ ‫ٍ‬
‫ﻣﺦ ﺍﻟﻌﻈﻢ!‪...‬‬ ‫ﺗﻤﺎﻣﴼ‪ ،‬ﻣﺴﻠﻮﺑﴼ ﺣ ّﺘﻰ ّ‬
‫ﻻ ﻣﻄﺎﺭ ﺻﻨﻌﺎﺀ‪ :‬ﺃﻛﺒ َﺮ »ﻣﺨﺒﺎﺯﺓ« )‪ (9‬ﻓﻲ ﺍﻟﻴﻤﻦ!‬ ‫ﺗﺼﻞ ﱠﺃﻭ ً‬
‫ُ‬
‫ﻭﺧﺮﺍﺏ ﻣﻨﺬ ﺣﺮﺏ ‪ 13‬ﻳﻨﺎﻳﺮ‬ ‫ٌ‬ ‫ﺍﻟﺠﺪﻳﺪ ﺃﺷﻼ ٌﺀ‬ ‫ُ‬ ‫ﻋﺪﻥ ﺍﻟﻘﺪﻳﻢ‪.‬‬ ‫ﺛﻢ ﻣﻄﺎ َﺭ َ‬ ‫ﱠ‬
‫ﺗﻮﺣ َﺪ ﺃﺧﻴﺮﴽ! ﻟﻮﻻ ﺃﻧﻚ‪،‬‬ ‫ﱠ‬ ‫ﺍﻟﺬﻱ‬ ‫ﻚ‬‫َ‬ ‫ﻨ‬ ‫ﻤ‬ ‫ﻴ‬ ‫ﻟ‬
‫ٍ َِ َ ِ‬ ‫ﻋﺎﻣﺮ‬ ‫ﺑﻔﺮﺡ‬ ‫ﺮ‬
‫ُ‬ ‫ﺗﺸﻌ‬ ‫‪...!1986‬‬
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‫ٍ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‪ ،‬ﻷﻧﻬﺎ ﻟﻴﺴﺖ ﻭﺣﺪﺓَ‬ ‫ٍ‬ ‫َ‬
‫ﺗﺤﺐ ﻫﺬﻩ ﺍﻟﻮﺣﺪﺓ‬ ‫ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ‪ ،‬ﻻ ﱡ‬
‫ﱡ‬
‫ﻭﺍﻟﺘﻘﺪ ِﻡ‬ ‫ﻭﺍﻟﻤﺸﺮﻭﻉ ﺍﻟﺤﻀﺎﺭﻱ‬ ‫ِ‬ ‫ﻭﺍﻟﻌﺪﻝ‬
‫ِ‬ ‫ﻭﺍﻟﻨﻈﺎﻡ‬
‫ِ‬ ‫ﺍﻟﻤﺪﻧﻲ‬
‫ﱢ‬ ‫ﺍﻟﻤﺠﺘﻤﻊ‬
‫ِ‬
‫ﺗﻘﻤﺼﺖ ﺭﺩﺍ َﺀ ﺍﻟﺪﻭﻟﺔ‪،‬‬ ‫ﱠ‬ ‫ﺍﻟﺘﻲ‬ ‫ﺔ‬‫ِ‬ ‫ﺍﻟﻘﺒﻴﻠ‬ ‫ُ‬
‫ﺓ‬ ‫ﻭﺣﺪ‬ ‫ﻫﻲ‬ ‫ﻣﺎ‬ ‫ﺑﻘﺪﺭ‬
‫ِ‬ ‫ﻭﺍﻟﺤﺮﻳﺔ‪،‬‬
‫ﻭﺍﻟﻘﺎﺕ ﻭﺍﻟﺠﻼﺑﻴﺐ‪...‬‬ ‫ِ‬ ‫ﻭﺍﻟﻨﻬﺐ‬
‫ِ‬ ‫ﺍﻟﺘﺠﻮﻳﻊ ﻭﺍﻟﻔﺴﺎ ِﺩ ﻭﺍﻟﻬﻤﺠ ّﻴ ِﺔ‬ ‫ِ‬ ‫ﻭﺣﺪ ُﺓ‬
‫ﺍﻟﺒﺎﺏ ﻣﻔﺘﻮ ٌﺡ‪،‬‬ ‫ُ‬ ‫ﺣﻲ ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ‪.‬‬ ‫ﻣﻨﺰﻝ ﻃﻔﻮﻟﺘﻚ ﻓﻲ ﱢ‬ ‫َ‬ ‫َﺗ ِﻠ ُﺞ‬
‫ﺲ‬ ‫ﺷﺮﻭﺥ ُﺗﻜ ﱢﻨ ُ‬ ‫ﺗﺼﻌﻘﻚ ﻣﻦ ﱠﺃﻭﻝ ﻧﻈﺮﺓ ﻓﺴﻴﻔﺴﺎ ُﺀ‬ ‫َ‬ ‫ﻧﺼﻒ ﻧﺎﺋﻤﺔ!‬ ‫ُ‬ ‫ﺃﻣ َﻚ‬
‫ﱡ‬
‫ٍ‬
‫ُ‬
‫ﻣﻨﺰﻝ‬ ‫»ﺍﻟﺘﺴﺒﻴﺢ« ﻫﺬﻩ ﺍﻟﺠﺪﺭﺍﻥ!‪...‬‬ ‫ُ‬ ‫ﻛﻞ ﺟﺪﺭﺍﻥ ﺍﻟﻤﻨﺰﻝ!‪ ...‬ﺃﺭﻫ َﻘﻬﺎ‬ ‫ﱠ‬
‫ُﺸﺒ ُﻪ ﻫﺬﺍ ﺍﻟﻤﻨﺰﻝ‪.‬‬ ‫ﻼ ﻹﻟﻬﺎﻡ ﻻ ﻳ ِ‬ ‫ﺛﺖ ﻋﻨ ُﻪ ﻃﻮﻳ ً‬ ‫ﺗﺤﺪ َ‬‫ﺭﺃﺳ َﻚ ﺍﻟﺬﻱ ﱠ‬ ‫ﻣﺴﻘﻂ ِ‬ ‫ِ‬
‫ُ‬
‫ﻣﻜﺎﻥ ﺭﺍﺋﺤﺔ ﺷﻴﺨﻮﺧ ٍﺔ‬ ‫ﻛﻞ ٍ‬ ‫ﺛﻤﺔ ﻓﻲ ﱢ‬ ‫َ‬
‫ﺗﻘﻬﻘ َﺮ‪ ،‬ﺍﻧﻬﺰﻡَ‪ ،‬ﺍﻧﻜﻤﺶ ﻛﺜﻴﺮﴽ‪ .‬ﱠ‬
‫ﻭﻃﺤﺎﻟﺐ ﻭﺃﻋﺸﺎﺏ ﺁﺳﻨﺔ‪...‬‬
‫ﺗﻈﻦ ﺃﻧﻬﺎ ﻓﻲ ﺣﻠﻢ! ﺃﺫﻫ َﻠ ْﺘﻬﺎ ﻣﻔﺎﺟﺄ ُﺓ‬ ‫ﱡ‬ ‫ﺗﺼﺤﻮ ﻭﺍﻟﺪ ُﺗ َﻚ‪،‬‬
‫ﻛﻞ ﺳﻨ ٍﺔ ِﻟﺒﺎﺭﻳﺲ‪.‬‬ ‫ﻭﺻﻮﻟﻚ‪ .‬ﻫﻲ ﻟﻢ ﺗﺘﻮ ﱠﻗﻒ ﻋﻦ ﺍﻟﻤﺠﻲﺀ ﻟﺰﻳﺎﺭﺗﻚ ﱠ‬
‫ﺗﺴﺄ ُﻟ َﻚ ﻋﻠﻰ ﺍﻟﺘﻮ ﻋﻦ‬ ‫ﻛﻞ ﺯﻳﺎﺭﺓ‪َ .‬‬ ‫ﻭﺃﺳﻌﺪ ْﺗﻚ ﻛﺜﻴﺮﴽ ﻓﻲ ﱢ‬ ‫َ‬ ‫ﺃﺳﻌﺪ َﺗﻬﺎ‬
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‫ﺃﻣﻚ ﻛﺜﻴﺮﴽ‪ .‬ﻣﻌﺒﻮﺩ ِﺗﻚَ‬ ‫ﱡ‬ ‫ُ‬
‫ﺳﺒﺐ ﻏﻴﺎﺏ ﻣﻌﺒﻮﺩ ِﺗﻚ ﺍﻟﺨﺎﻟﺪﺓ ﺍﻟﺘﻲ ﺗ ِﺠﻠﻬﺎ ﱡ‬
‫ﻷ ﱢﻣ َﻚ‬‫ﺗﻘﻮﻝ ِ ُ‬
‫ﻌﺸ َﻖ ﺃﺑﺪﴽ‪ ...‬ﻻ ﺗﻌﺮﻑ ﻣﺎﺫﺍ ُ‬ ‫ﺱ ﻭ ُﺗ َ‬ ‫ﻘﺖ ِﻟ ُﺘ َﺠ ﱠﻞ ﻭ ُﺗ ﱠ‬
‫ﻘﺪ َ‬ ‫ﺍﻟﺘﻲ ُﺧ ِﻠ ْ‬
‫ﻣﺠﻴﺌﻚ ﻭﺣﻴﺪﴽ ﺩﻭﻥ ﺇﻟﻬﺎﻡ!‬ ‫َ‬ ‫ﻋﻦ ﺳﺒﺐ‬
‫ﻛﺌﻴﺐ ﺇﻟﻰ ﺃﻗﺼﻰ‬ ‫ٌ‬ ‫ﺍﻟﺒﻠﺪ ﺍﻟﺬﻱ ﺗﺼﻠ ُﻪ ﻓﻲ ‪ 17‬ﻳﻮﻟﻴﻮ ‪2000‬‬ ‫ُ‬
‫ﻣﻨﻬﻮﺏ ﺣ ّﺘﻰ ﺍﻟﻨﺨﺎﻉ ﺍﻟﺸﻮﻛﻲ!‪ ...‬ﻟﻦ ﺗﺠﺪ ﺻﻌﻮﺑ ًﺔ‬ ‫ٌ‬ ‫ﺣﺪﻭﺩ ﺍﻟﻜﺂﺑﺔ‪،‬‬
‫ﺍﻟﻴﻤﻦ‪ ،‬ﻳُﺤ ﱢﻠ ُﻖ ﻓﻲ ﻓﻀﺎﺋﻬﺎ ﻣﻦ ﺃﻗﺼﻰ‬ ‫ﺧﺮﺍﺏ ِﺑﺤﺠﻢ َ‬ ‫ٍ‬ ‫ﻓﻲ ﺭﺅﻳ ِﺔ ﻃﺎﺋﺮ‬
‫ﺍﻟﻐﻴﻈﺔ ﻓﻲ ﺷﺮﻕ ﺣﻀﺮﻣﻮﺕ‪ ،‬ﺇﻟﻰ ﺃﻃﺮﺍﻑ ﺟﺒﺎﻝ ﺻﻨﻌﺎﺀ ﻭﺳﻮﺍﺣﻞ‬
‫ﻛﻞ ﻣﻜﺎﻥ‪ ،‬ﻳﻤﻸ ﺍﻟﻔﻀﺎﺀ! ﻳﺮﺳ ُﻢ ﺑﻌﺒﻘﺮ ّﻳ ٍﺔ‬ ‫ﺗﻬﺎﻣﺔ ﻓﻲ ﺍﻟﻐﺮﺏ‪ .‬ﻫﻮ ﻓﻲ ﱢ‬
‫ﻛﻞ‬
‫ﻭﺷﻐﻒ ﱠ‬ ‫ٍ‬ ‫ُﻨﻤ ُﻖ ﻟﻮﺣ َﺘ ُﻪ ﺑﻌﻨﺎﻳ ٍﺔ‬
‫ﺷﺒﺮ ﻓﻴﻬﺎ! ﻳ ﱢ‬
‫ﻛﻞ ٍ‬ ‫ﻟﻮﺣ َﺔ ﺍﻟﺨﺮﺍﺏ ﻓﻲ ﱢ‬
‫ﻬﻤ ُﺘ ُﻪ‬
‫ﻛﻞ ﺟﻤﻴﻞ‪ُ .‬ﻣ ﱠ‬ ‫ﻳﺴﺤﻖ ﱠ‬‫ُ‬ ‫ﻛﻞ ﺟﻤﻴﻞ‪،‬‬ ‫ﺧﺮﺍﺏ ﻧﺎﺩﺭ‪ ،‬ﻳﻜﺮ ُﻩ ﱠ‬ ‫ٍ‬ ‫ﻳﻮﻡ‪ .‬ﻃﺎﺋ ُﺮ‬
‫ﻛﻞ ﻧﻈﻴﻒ‪.‬‬ ‫ﻛﻞ ﺣ ّﺮ‪ ،‬ﱢ‬ ‫ﻛﻞ ﺭﺍﺋﻊ‪ ،‬ﱢ‬ ‫ﻣﺪﻧﻲ‪ ،‬ﱢ‬‫ّ‬ ‫ﻛﻞ‬
‫ﺍﻟﻌﻈﻤﻰ‪ :‬ﺍﻗﺘﻼ ُﻉ ﱢ‬
‫ﻛﻞ ﺳﻤﺎﺀ ﺍﻟﻴﻤﻦ‪ ،‬ﻳﺮﺳ ُﻢ ﺑﺒﺮﺍﺛﻨ ِﻪ‬ ‫ﺑﺄﻡ ﻋﻴﻨﻴﻚ ﻳُﺤ ﱢﻠﻖ ﻓﻲ ﱢ‬ ‫ﺳﺘﺮﺍ ُﻩ ﱢ‬
‫ﺍﻟﺸﻨﻴﻌﺔ‪ :‬ﻣﻤﻠﻜ َﺔ ﺍﻟﺨﺮﺍﺏ!‪...‬‬
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‫ﻋﺜﻤﺎﻥ ﻃﻔﻮﻟﺘﻚ‬ ‫ﺷﻴﺦ‬ ‫َ‬
‫ِ‬ ‫ﺗﺨﺮ ُﺝ ﻣﻦ ﻣﻨﺰﻟﻚ ﻋﺼﺮﴽ ﺑﺎ ﱢﺗﺠﺎﻩ ﻭﺳﻂ ِ‬
‫ﺃﻋﺪ ْﺗﻬﺎ‬ ‫َ‬
‫ﻭﺍﻟﺪﺗﻚ ﺍﻟﺘﻲ ﱠ‬ ‫ﺫﺕ ﺣﺘﻰ ﺍﻟﺜﻤﺎﻟﺔ ﺑﻤﺎﺋﺪ ِﺓ‬ ‫ﺗﻠﺬ َ‬
‫ﺑﻌﺪ ﺃﻥ ﺗﻜﻮﻥ ﻗﺪ ﱠ‬
‫)‪(10‬‬
‫!‬ ‫ﻭ»ﺍﻟﻤﻄ ﱠﻔﺎﻳَﺔ«‬
‫ُ‬ ‫ﻟﻚ ﻛﻤﺎ ﺗﺸﺘﻬﻲ‪ ،‬ﻻﺳ ّﻴﻤﺎ ِﺏ»ﺧﺒﺰ ﺍﻟﻄﺎﻭﺓ«‬
‫ﺑﻘﻴ َﺔ ﻭﺟﺒﺎ ِﺗﻬﺎ ﺍﻟﻠﺬﻳﺬﺓ ﺍﻷﺧﺮﻯ ﺇﻻ ﻣﻦ‬ ‫ﺗﺬ ْﻕ ﱠ‬‫َﻤ َﺘﻬُﻤﺎ ﺑﺸﺮﺍﻫﺔ! ﻟﻢ ُ‬ ‫ﺍﻟ َﺘﻬ ْ‬
‫ﺠﺮ ُﺩ ﺃﻥ‬‫ُﺨﺪ ُﺭ َﻙ ﺩﻭﻣﴼ ُﻣ ﱠ‬
‫ﺍﻟﻤﻄ ﱠﻔﺎﻳَﺔ ﺍﻟﺘﻲ ﻳ ﱢ‬
‫ﺑﺎﺏ ﺟﺒﺮ ﺍﻟﺨﺎﻃﺮ‪ ...‬ﺁﻩ‪ ،‬ﺗﻠﻚ ُ‬
‫ﺳﺮ ﻣﻘﺎﻳﻴﺲ ﺗﻜﻮﻳﻨﻬﺎ‪،‬‬ ‫ﻭﺣﺪﻫﺎ ﱠ‬ ‫ﺃﻣ َﻚ ُ‬ ‫ُ‬
‫ﺗﻤﻠﻚ ﱡ‬ ‫ﺗﺮﺍﻫﺎ ﻓﻲ ﻣﻘﻠﻰ ﻭﺍﻟﺪ ِﺗﻚ!‬
‫ﺳﻄﺤﻬﺎ‬‫ِ‬ ‫ﻭﻫﻼﻣﻴ ِﺘﻬﺎ‪ ،‬ﻛﻴﻤﻴﺎ َﺀ ﻣﺬﺍ ِﻗﻬﺎ‪َ ،‬‬
‫ﻟﻮﻥ‬ ‫ﱠ‬ ‫َ‬
‫ﺩﻳﺎﻟﻜﺘﻴﻚ ﻛﺜﺎﻓ ِﺘﻬﺎ‬
‫ﺛﻘﻮﺏ ﺍﻟﻤﺴﺎﻣﺎﺕ ﺍﻟﻔﻘﺎﻋﻴﺔ‬ ‫ِ‬ ‫ﺍﻷﺭﺟﻮﺍﻧﻲ ﺍﻟﻐﺎﻣﻖ ﻭﻣﻮﺭﻓﻮﻟﻮﺟﻴﺎ‬ ‫ﱢ‬
‫ﺍﻟﻤﺘﻨﺎﺛﺮﺓ ﻋﻠﻴﻪ‪...‬‬
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‫ﺗﻜﺘﺸﻒ ﺃﻧﻚ ﺗﺴﻴ ُﺮ‬ ‫ﻣﻨﺬ ﺧﻄﻮﺍﺗﻚ ﺍﻷﻭﻟﻰ ﻓﻲ ﻣﺪﻳﻨﺔ ﺍﻟﻤﻬﺪ‬
‫ﻋﺜﻤﺎﻥ ﻃﻔﻮﻟ ِﺘﻚ!‬ ‫ﺷﻴﺦ‬ ‫َ‬
‫ِ‬ ‫ﻭﺣﻴﺪﴽ ﻓﻲ ﻣﺪﻳﻨ ٍﺔ ﻋﺪﻭﺍﻧ ّﻴﺔ ﻻ ﺗﻨ ﱡﻢ ِﺑ ِﺼﻠ ٍﺔ ﺇﻟﻰ ِ‬
‫ﺍﻟﻌﺪﻧﻴ ُﺔ ﺍﻟﺸﻌﺒﻴ ُﺔ ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﻣﺰﺩﺣﻤ ًﺔ ﺑﺎﻻﺑﺘﺴﺎﻣﺎﺕ‬ ‫ﱠ‬ ‫ﻫﺬﻩ ﺍﻟﻮﺍﺣ ُﺔ‬
‫ﻃﻮﻝ‬
‫ﻭﺍﻟﻀﺤﻚ ﺻﺎﺭﺕ ﺍﻟﻴﻮﻡ ﻣﻘﺒﺮﺓ! ﻻ ﺗﻌﺮﻑ ﺃﺣﺪﴽ ﺗﻘﺮﻳﺒﴼ ﻋﻠﻰ ِ‬
 ‫ﺍﻟﻤﺮﻛﺰﻱ ﺍﻟﺬﻱ ﻳﺒﺪﺃُ ﻣﻦ »ﻣﺴﺠﺪ ﺍﻟﻌﻴﺪﺭﻭﺱ«‬ ‫ﱠ‬ ‫َ‬
‫ﺍﻟﻄﺮﻳﻖ‬ ‫ﺩﺭﺑﻚ‪َ .‬ﺗ ِﻠ ُﺞ‬‫ِ‬
‫ﺑﺎﺗﺠﺎﻩ »ﻣﺴﺠﺪ ﺍﻟﻨﻮﺭ«‪ُ ،‬ﻣﺤﺎﺫﻳﴼ ﺍﻷﺳﻮﺍﻕ ﺍﻟﺸﻌﺒﻴﺔ ﺍﻟﻘﺪﻳﻤﺔ ﻏﺮﺑﴼ‪،‬‬
‫ﺍﻟﻄﺮﻳﻖ ﺍﻟﺬﻱ ﻛﺎﻧﺖ‬ ‫ُ‬ ‫»ﺍﻟﺪﺑَﻊ« ﻭ»ﺍﻟﻬﺎﺷﻤﻲ« ﺷﺮﻗﴼ‪ ...‬ﻫﺬﺍ‬ ‫ﻭﺷﻮﺍﺭﻉ ﱡ‬
‫ﺍﻟﻮﺩﻳ ُﺔ ﺍﻟﻀﺎﺣﻜﺔ‪ ،‬ﺍﻟﺬﻱ ﻛﺎﻥ ﻣﺨﺘﺒ َﺮ ﺍﻟﻨﻜﺘ ِﺔ‬ ‫ُ‬
‫ﺍﻟﻠﻘﺎﺀﺍﺕ ﱠ‬ ‫ﺗﻤﻸ ﻣﻘﺎﻫﻴﻪ‬ ‫ُ‬
‫ﻣﻠﺠﺄ ﻷﻓﻘﺮ ﺟﻴﺎﻉ ﺍﻟﻴﻤﻦ‪،‬‬ ‫ً‬ ‫ﻭﻣﺼﻨﻊ ﺍﻟﺘﻌﻠﻴﻘﺎﺕ ﺍﻟﻠﺬﻳﺬﺓ‪ ،‬ﺻﺎﺭ ﺍﻟﻴﻮﻡ‬ ‫َ‬
‫ﻭﺍﻟﻤﺤﻄﻤﻴﻦ ﻭﺍﻟﻤﺮﺿﻰ ﻭﺍﻟﻤﺠﺎﻧﻴﻦ ﻭﺍﻟﻤﻌ ّﻮﻗﻴﻦ‬ ‫ﱠ‬ ‫ﻟﻠﻤﺴﺤﻮﻗﻴﻦ‬
‫ﻛﻞ ﻧﻮﻉ‪ ،‬ﻷﻧﻮﺍﻉ ﻧﺎﺩﺭﺓ ﻣﻦ ﺍﻷﺷﺒﺎﺡ ﻭﺍﻟﻤﺨﺒﻮﻟﻴﻦ‬ ‫ﻭﺍﻟﻤﻬﺰﻭﻣﻴﻦ ﻣﻦ ﱢ‬
‫ﺨﺒﺮﻳﻦ ﻭﺍﻟﻤﻌﺘﻮﻫﻴﻦ‬ ‫ﻭﺍﻟﻤ ِ‬
‫ﻫﺎﺋﻞ ﻣﻦ ﺍﻟﻮﺷﺎ ِﺓ ُ‬ ‫ٍ‬ ‫ﺤﺸﺪ‬
‫ﺨﺪﺭﻳﻦ‪ ،‬ﻭ ِﻟ ٍ‬ ‫ﻭﺍﻟﻤ ﱠ‬ ‫ُ‬
‫ﻭﺍﻟﻨﺼﺎﺑﻴﻦ ﻭﺍﻟﻌﺪﻭﺍﻧﻴﻴﻦ!‪ ...‬ﺗﺸﻌ ُﺮ ﺑﺎﻟﺮﻏﺒ ِﺔ ﺍﻟﻤﻔﺎﺟﺌﺔ‬ ‫ّ‬ ‫ﻭﺍﻟﻤﺤﺘﺎﻟﻴﻦ‬ ‫ُ‬
‫ﻭﻓﺠﺮ ﻧﻌﻴﻢ ﺣﻴﺎﺗﻚ ﺍﻷﻭﻟﻰ‪.‬‬ ‫ِ‬ ‫ﻣﻬﺪ ﺳﻌﺎﺩ ِﺗﻚ‬ ‫ﻟﺴﺖ ﻫﻨﺎ ﻓﻲ ِ‬ ‫ﺑﺎﻟﺘﻘﻴﺆ! َ‬
‫ﺍﻟﺜﻘﻞ ﺍﻟﻔﻴﺰﻳﺎﺋﻲ ِﻟﻤﻤﻠﻜﺔ ﺍﻟﺨﺮﺍﺏ!‪...‬‬ ‫ِ‬ ‫ﺃﻧﺖ ﻫﻨﺎ ﻓﻲ ﻣﺮﻛﺰ‬
‫ﻛﻞ ﺍﻷﻭﺟﻪ! ﺍﻷﺣﻴﺎ ُﺀ ﻫﻨﺎ ﻻ‬ ‫ﻳﻜﺘﺴﺢ ﻣﻼﻣﺢ ﱢ‬ ‫ُ‬ ‫ﻭﺣﺪ ُﻩ ﺍﻟﺠﻮ ُﻉ‬
‫‪141‬‬ ‫ﺍﻟﺸﻴﻮﺥ ﻳُﻮ ِﻗ ُﻔ َﻚ ﻋﻠﻰ‬
‫ِ‬ ‫ﺒﺮ ﻋﻦ ﺍﻟﻤﻘﺒﺮﺓ‪ .‬ﺳﻴ ٌﻞ ﻣﻦ‬ ‫ﻳﻔﺼ ُﻠﻬﻢ ﺃﻛﺜﺮ ﻣﻦ ِﺷ ٍ‬
‫ﻳﺘﻮﺳ ُﻞ ﻣﻨﻚ‪ :‬ﱠ‬
‫»ﺣﻖ‬ ‫ﱠ‬ ‫ﺍﻟﺮﻣﻖ‪،‬‬ ‫ﻟﺴﺪ ﱠ‬‫ﻳﺴﺘﺠﺪﻳﻚ ُﻟﻘﻤ ًﺔ ﱢ‬‫َ‬ ‫ﻃﻮﻝ ﺍﻟﻄﺮﻳﻖ‪،‬‬ ‫ِ‬
‫ﺳﺆﺍﻝ ﺣﺎﺋﺮ ﻋﻦ‬ ‫ٍ‬ ‫ﺃﻟﻒ‬ ‫ﻓﻴﻬﺎ‬ ‫ﻳﻐﻮﺭ‬ ‫ﻧﻈﺮﺍﺗﻬﻢ‪.‬‬ ‫ﻓﻲ‬ ‫ﻖ‬‫ُ‬ ‫ﻠ‬
‫ِ‬ ‫ﺤﻤ‬ ‫ُ‬
‫ﺗ‬ ‫ﺍﻟﻐﺪﺍﺀ!«‪.‬‬
‫ﺑﺖ‬‫ﺗﺴﺮ ْ‬
‫ﱠ‬ ‫ﻭﻛﻴﻒ‬ ‫ﻭﻫﻮﺍﻥ ﺣﻴﺎﺗﻬﻢ‪ ،‬ﻋﻦ ﻣﺘﻰ‬ ‫ِ‬ ‫ﺳﺒﺐ ﺑﺆﺳﻬﻢ ﻭﺍﻧﺴﺤﺎﻗﻬﻢ‬
‫ﺗﺤﺎﻭﻝ ﺍﻹﺟﺎﺑﺔ ﺃﻭ ﺣ ّﺘﻰ ﺍﻻﺳﺘﻴﻌﺎﺏ‬ ‫ُ‬ ‫ﻛﺮﺍﻣ ُﺘﻬﻢ ﺑﻴﻦ ﺃﺻﺎﺑﻊ ﺃﻳﺪﻳﻬﻢ!‬
‫ﻼ‪ ،‬ﻋﺒﺜﴼ!‪...‬‬ ‫ﻗﻠﻴ ً‬
‫ﻛﻞ ﺍﻟﺸﻮﺍﺭﻉ! ﺍﻷﻃﻔﺎﻝ ﻳﺪﺍﻫﻤﻮﻧﻚ ﻓﻲ‬ ‫ﺍﻟﺠﻴﺎ ُﻉ ﻧﺎﺋﻤﻮﻥ ﻓﻲ ﱢ‬
‫ﺑﻨﻈﺮﺍﺕ ﻓﺎﻏﺮ ٍﺓ ﺣﺰﻳﻨﺔ‪.‬‬ ‫ٍ‬ ‫ﻛﻞ ﺭﻛﻦ ﺑﺄﻧﺼﺎﻑ ﺟﺴﺪ‪ ،‬ﺑﺒﻌﺾ ﺩﻣﺎﻍ‪،‬‬ ‫ﱢ‬
‫ﻟﻢ ﻳﺴﻤﻊ ﻫﺆﻻﺀ ﺍﻷﻃﻔﺎﻝ ﻗﻄﻌﴼ ﻋﻦ ﻣﻔﻬﻮﻡ ﺍﻟﻌﻄﻠﺔ ﺍﻟﺼﻴﻔﻴﺔ‪،‬‬
‫ﻣﺠﺮ ُﺩ ﺗﺼ ﱡﻮ ِﺭ‬
‫ﺍﻟﻤﻨﺘﺰﻫﺎﺕ‪ ،‬ﺍﻟﺴﻴﻨﻤﺎ‪ ،‬ﺍﻟﺮﺣﻼﺕ‪ ،‬ﺍﻟﺤﺪﺍﺋﻖ‪ ...‬ﻻ ﻳُﻤﻜﻨﻬﻢ ﱠ‬
‫ﻛﻠﻤﺎﺕ ﻣﺜﻞ‪ :‬ﺍﻟﺤﻴﺎﺓ ﺑﻼ ﺟﻮﻉ‪ ،‬ﺑﻼ ﺗﺸ ﱡﺮﺩ‪ ،‬ﺑﻼ ُﻋﻨﻒ‪ ،‬ﺑﻼ‬ ‫ٌ‬ ‫ﻣﺎ ﺗﻌﻨﻴ ِﻪ‬
‫ﻣﻬﺎﻧﺔ‪ ،‬ﺑﻼ ﻗﺬﺍﺭﺓ‪ ...‬ﺗﺨﺮ ُﺝ ﻣﻦ ﺃﻓﻮﺍﻫﻬﻢ ﺟﻤﻴﻌﴼ ﺻﺮﺧ ٌﺔ ﻭﺍﺣﺪﺓ‪:‬‬
‫ﺒﺎﻏ ُﺘﻚ ﻓﻲ‬ ‫ﺍﻟﺼﻤﺎﺀ ُﺗ ِ‬‫ّ‬ ‫»ﺃﻧﺎ ﺟﺎﺋﻊ!«‪ ...‬ﻻ ﺗﺴﻤﻊ ﻏﻴﺮ ﻫﺬﻩ ﺍﻟﺼﺮﺧﺔ‬
‫ﺭﻛﻦ ِﻟﺮﻛﻦ‪،‬‬ ‫ٍ‬ ‫َ‬
‫ﻼﺣﻘﻚ ﻣﻦ‬ ‫ُ‬ ‫ﻛﻞ ﺧﻄﻮﺓ‪ُ ،‬ﺗ ِ‬ ‫ﻌﻚ ﻓﻲ ﱢ‬ ‫ﻘﺎﻃ َ‬ ‫ﻛﻞ ﻣﻜﺎﻥ‪ُ ،‬ﺗ ِ‬ ‫ﱢ‬
‫ﺗﺪﻭﻱ ﻣﻞﺀ ﺩﻣﺎﻏﻚ‪،‬‬ ‫ﺗﺤﺘﻞ ﺟﻤﺠﻤﺘﻚ‪ ،‬ﱢ‬ ‫ﱡ‬ ‫ُﻙ ﺻﺒﺤﴼ ﻭﻣﺴﺎ ًﺀ‪،‬‬ ‫ﺗﻄﺎﺭﺩ َ‬
‫ِ‬
‫ﻭﻣﻨﺎﻣﻚ‪...‬‬‫َ‬ ‫ﺗﻜﺘﺴﺢ ﺻﺤﻮ َﺗ َﻚ‬ ‫ُ‬
‫ﺤﺠﺒﺎﺕ ﺑﺠﻼﺑﻴﺐ ﻭ ُﻧ ُﻘﺐ ﺳﻮﺩﺍﺀ ﺳﻤﻴﻜﺔ ﻻ‬ ‫ﺍﻟﻤ ﱠ‬ ‫ﺃﺳﺮﺍﺏ ﻣﻦ ُ‬ ‫ٌ‬
‫ﺗﺒﺪﻭ ﻣﻨﻬﺎ ﺇﻻ ﺍﻟﻌﻴﻨﺎﻥ ﻓﻘﻂ!‪ ...‬ﺗﻨﻈ ُﺮ ﻧﺤﻮ ﻫﺬﻩ ﺍﻟﺠﻼﺑﻴﺐ ﻭﺍﻟ ُﻨ ُﻘﺐ‬
‫ﻣﻐﻠﻖ ﻛﻠ ّﻴ ًﺔ‪ ،‬ﻳُﺨﻔﻲ‬ ‫ٌ‬ ‫ﺑﻌﺾ ﺍﻟﻨﻘﺐ‬ ‫ُ‬ ‫ﻭﺗﺬﻣ ٍﺮ ﻭﺃﻟﻢ!‬ ‫ﱡ‬ ‫ﻭﺧﻮﻑ‬
‫ٍ‬ ‫ﺑﻐﻴﻆ‬
‫ٍ‬
‫ْ‬
‫ﻬﺪﺩﴽ ﺣﺎﻣﻼ ِﺗ ِﻪ ِﺑ َﺮﻃ ِﻢ ﺃﻗﺮﺏ ﻋﻤﻮﺩ ﻧﻮﺭ ﺃﻭ ﺳ ّﻴﺎﺭﺓ ﻋﻠﻰ‬ ‫َ‬ ‫ﺍﻟﻌﻴﻨﻴﻦ ﺗﻤﺎﻣﴼ ُﻣ ﱢ‬
‫ﺗﺤﺘﻤﻞ ﻓﺎﻧﻴﻠﺘﻚ ﺍﻟﻘﻄﻨﻴﺔ ﻓﻲ ﻫﺬﺍ ﺍﻟﺼﻴﻒ ﺍﻟﺮﻃﺐ‬ ‫ُ‬ ‫ﺃﻧﺖ ﻻ‬ ‫ﺍﻟﻄﺮﻳﻖ! َ‬
‫ﺟﻠﺪﻙ ﺃﻳﻀﴼ ﻓﻲ ﻫﺬﻩ ﺍﻟﻤﻌﺼﺮﺓ ﺍﻟﺒﻴﺌﻴﺔ‬ ‫ﺗﺤﺘﻤﻞ َ‬‫ُ‬ ‫ﺍﻟﺜﻘﻴﻞ ﺍﻟﻤﺮﻋﺐ‪ ،‬ﻻ‬
‫ﺍﻟﺴﺎﺧﻨﺔ ﺍﻟﺘﻲ ﺗﺒﻠﻎ ﺩﺭﺟﺔ ﺣﺮﺍﺭﺗﻬﺎ ﺍﻷﺭﺑﻌﻴﻦ ﻓﻲ ﺍﻟﻈﻞ ﻭﺗﺰﻳﺪ ﺩﺭﺟﺔ‬
‫ﻣﻠﻔﻮﻓﺎﺕ ﺑﺠﻼﺑﻴﺐ‬ ‫ٍ‬ ‫ﺠﺎﺕ‬
‫ﻣﺪﺟ ٍ‬ ‫ﻭﻫﻦ ﱠ‬ ‫ﺭﻃﻮﺑﺘﻬﺎ ﻋﻠﻰ ﺍﻟﺘﺴﻌﻴﻦ ﺩﺭﺟﺔ‪ ،‬ﱠ‬
‫ﻭ ُﻧﻘﺐ ﻭﺑﺮﺍﻗﻊ ﻭﻗ ّﻔﺎﺯﺍﺕ ﺳﻮﺩﺍﺀ ﺛﺨﻴﻨﺔ ﺃﻛﺜﺮ ﺍﻧﻐﻼﻗﴼ ﻣﻦ ﻣﻼﺑﺲ ﺷﺘﺎ ٍﺀ‬
‫ﺃﻱ ﻓﺘﻮﻯ ﺳﺎﺩﻳّﺔ‬ ‫ﺒﻲ‪ ...‬ﻣﻦ ﺃﺟﺒ َﺮ ُﻫ ﱠﻦ ﻋﻠﻰ ﻫﺬﻩ ﺍﻟﻌﺬﺍﺑﺎﺕ ﺍﻟﺸﺎ ّﻗﺔ؟ ﱡ‬ ‫ُﻗ ْﻄ ّ‬
‫ُﻦ ﻋﻠﻰ ﻫﺬﻩ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻼﻧﺴﺎﻧﻴﺔ؟ ﻋﻠﻰ ﺇﺻﺪﺍﺭ ﺗﻠﻚ ﺍﻟﺮﺍﺋﺤﺔ‬ ‫َ‬
‫ﺃﺭﻏ َﻤ ْﺘﻬ ﱠ‬ ‫‪142‬‬
‫ﺮﻕ ﺍﻟﻤﺠ ّﻔ ُﻒ‬ ‫ﺑﺸﻜﻞ ﻣﻘﻴﺖ ﺍﻟ َﻌ ُ‬ ‫ٍ‬ ‫ﺍﻟﻤﺘﻤﻴﺰﺓ ﺍﻟﺘﻲ ﻳﻤﺘﺰ ُﺝ ﻓﻴﻬﺎ‬ ‫ﱢ‬ ‫ﺍﻟﻠﺰﺟﺔ‬
‫ﺍﻟﻤ َﺘ َﻜ ْﻠ ِﺴ ِﻦ ﺍﻟ ﱠﻨ ِﺘﻦ؟‪ ...‬ﺁﻩ‪،‬‬
‫ﻭﺍﻟﻌﻄﺮ ُ‬
‫ِ‬ ‫ﺍﻟﻤﺘﺨ ﱢﺜﺮ‬
‫ﺍﻟﻤﺪﺭﺍﺭ ﺑﺎﻟﺒﺨﻮﺭ ﺍﻟﺮﻃﺐ ُ‬
‫ﻼ ﻓﻲ ﺻﺒﺎﻙ ِﺏ»ﺛﻮﺭﺓ‬ ‫ﺣﻠﻤﺖ ﻃﻮﻳ ً‬ ‫َ‬ ‫ﺗﻌﺼ ُﺮ َﻙ ﺍﻟﺨﻴﺒ ُﺔ ﻭﺍﻟﻔﺸﻞ‪:‬‬ ‫ﻫﺎ ﺃﻧﺖ ِ‬
‫ﻭﻫﺎﻫﻦ ﺃﻣﺎﻡ‬ ‫ﱠ‬ ‫ﻌﺬﺏ ﺍﻟﻤﺨﺬﻭﻝ‪،‬‬ ‫ﺍﻟﻤ ﱠ‬
‫ﺍﻟﺒﻠﺪ ﺍﻟﺒﺎﺋﺲ ُ‬ ‫ﺍﻟﻨﺴﺎﺀ« ﻹﻧﻘﺎﺫ ﻫﺬﺍ ِ‬
‫ﻠﻦ ﻫﺬﻩ ﺍﻟﻌﺒﻮﺩﻳﺔ ﻭﺍﻻﻣﺘﻬﺎﻥ ﺍﻟﺬﻱ ﻟﻢ ﺗﻌﺮﻓﻪ ﺍﻟﻌﺼﻮﺭ‬ ‫ﻋﻴﻨﻴﻚ ﻳ ْ‬
‫َﻘ َﺒ َ‬
‫ﻨﻔﺴﻚ ﻓﻲ ﻣﻌﻤﻌﺎﻥ‬ ‫َ‬ ‫ُ‬
‫ﺗﻘﻮﻝ ِﻟ‬ ‫ﺍﻟﺒﺪﺍﺋﻴﺔ ﻭﺍﻟﻘﺮﻭﻥ ﺍﻟﺴﺤﻴﻘﺔ!‪ ...‬ﺗﻜﺎﺩ‬
‫ﻳﻘﺒﻞ ﻫﺬﻩ ﺍﻹﻫﺎﻧﺔ ﻓﻬﻮ‬ ‫ُ‬ ‫ﻟﻬﻦ! ﻣﻦ‬ ‫ﺍﻟﺴﺨﻂ ﻭﻋﺪﻡ ﺍﻻﺳﺘﻴﻌﺎﺏ‪ُ :‬ﺗ ّﺒﴼ ﱠ‬
‫ﻼ‪ ،‬ﻭ ُﺗﺒ ﱢﻠ ُﻞ‬ ‫ﺭﻭﻋﻚ ﻭﻧﻘﻤ ِﺘﻚ ﻗﻠﻴ ً‬ ‫ﻬﺪ ُﺉ ﻣﻦ ِ‬ ‫ﺛﻢ ُﺗ ﱢ‬ ‫ﻳﺴﺘﺤ ﱡﻘﻬﺎ ﺣﺘﻤﴼ!‪ ...‬ﱠ‬ ‫ِ‬
‫ﺗﺮﻛﺖ ﻫﺬﻩ‬ ‫َ‬ ‫ُ‬
‫ﺑﻌﻀﴼ ﻣﻦ ﺳﺨﻄﻚ ﻭﺃﺣﺰﺍﻧﻚ‪ ...‬ﺗﺪﺭﻙ ﻓﺠﺄﺓ ﺃﻧﻚ‬
‫ﻳﺨﺮﺟﻦ ﻃﻠﻴﻘﺎﺕ ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪ .‬ﺗﺮﻛ َﺘﻬﺎ ﻭﻫﻲ ﺗﻨﻌ ُﻢ‬ ‫َ‬ ‫ﺍﻟﻤﺪﻳﻨﺔ ﻭﻧﺴﺎﺅﻫﺎ‬
‫ﺛﻢ ﺗﻌﻮ ُﺩ ِﻟﺘﺮﺍﻫﺎ ﻣﻠﻔﻮﻓ ًﺔ ﺑﻬﺬﺍ ﺍﻟﺴﻮﺍﺩ ﺍﻟﻘﺎﺗﻢ‬ ‫ﺑﺎﻟﺘﻌﻠﻴﻢ ﺍﻟﻤﺨﺘﻠﻂ!‪ ...‬ﱠ‬
‫َ‬
‫ﺍﻟﺤﺪﻳﺚ‬ ‫ﺍﻟﻤﺨﻴﻒ! ﻳﺎﻟﻠﻤﺼﻴﺒﺔ!‪ ...‬ﻛﻢ ﺗﺴﺨ ُﺮ ﻣﻤﻦ ﺗﺠﺮﺃَ ﻳﻮﻣﴼ‬
‫ﺍﻟﺤﺪﻳﺚ ﻋﻦ »ﺣﺘﻤ ّﻴﺔ‬ ‫ُ‬ ‫ﺍﻟﺘﻘﺪﻡ«! ﺃﻟﻢ ﻳﺠﺪ ُﺭ ﺑ ِﻪ‬ ‫ﱡ‬ ‫»ﺣﺘﻤﻴﺔ‬
‫ﱠ‬ ‫ﻗﺎﻧﻮﻥ‬
‫ِ‬ ‫ﻋﻦ‬
 ‫ﺍﻟﺒﺸﺎﻋﺔ«‪» ،‬ﺣﺘﻤ ّﻴﺔ ﺍﻟﻜﺎﺭﺛﺔ«؟‪...‬‬

‫ﺃﺣﺪ ﺩﻛﺎﻛﻴﻦ ﺍﻟﺪﻭﺭ ﺍﻷﺭﺿﻲ ﻣﻦ‬ ‫ﻃﺮﻳﻘﻚ ﺃﻣﺎﻡ ِ‬ ‫َ‬ ‫ﺗﻮ ﱠﻗ ْﻔ َﺖ ﻓﻲ‬
‫ﻣﺘﻨﻮﻋ ٍﺔ ﺟﻤﻴﻠﺔ ﺗﻠﻮ ُﺡ ﻓﻲ ﺳﻴﻤﺎﺀ‬ ‫ﻓﻀﻴ ٍﺔ ﱢ‬ ‫ﻠﻞ ﱢ‬ ‫ﺩﻛﺎﻥ ُﺣ ٍ‬ ‫ﻣﺴﺠﺪ ﺍﻟﻨﻮﺭ‪ّ :‬‬
‫َ‬
‫ﺍﻧﺘﻈﺮﺕ ﺃﻥ‬ ‫ﺻﺎﺣ ِﺒﻪ ﻛﺜﻴ ٌﺮ ﻣﻦ ﺍﻟﻤﻬﻨ ّﻴﺔ ﻭﺣﺴﻦ ﺍﻟﻄﻠﻌ ِﺔ ﻭﺍﻟﺴﺠ ّﻴﺔ‪.‬‬ ‫ِ‬
‫ﺍﻟﻌﻘﻴﻖ‬
‫ِ‬ ‫ﻟﺘﻄﻠﺐ ﻣﻨ ُﻪ ﺧﺎﺗﻤﴼ ﻓﺨﻤﴼ ﻣﻦ‬ ‫َ‬ ‫ﺃﺣﺪ ﺯﺑﺎﺋﻨﻪ‬ ‫َ‬
‫ُﻜﻤﻞ ﺣﺪﻳﺜﻪ ﻣﻊ ِ‬ ‫َ‬ ‫ﻳ ِ‬
‫ﻳﻬﻤﺎ‬ ‫ﻭﻋﻘﺪﴽ ﻓﻀ ّﻴﴼ ﻣﺘﺄ ﱢﻟﻘﴼ‪ُ ،‬ﺗ ِ‬
‫ﻬﺪ ِ‬ ‫ُﺸﺒ ُﻊ ﺍﻟﻨﻈﺮ‪ْ ،‬‬ ‫ﺍﻟﺨﺎﻟﺺ ﺍﻟﺬﻱ ﻳ ِ‬
‫ِ‬ ‫ﺍﻟﻴﻤﺎﻧﻲ‬
‫ﱢ‬
‫ﺗﻤﻴﻞ ﻛﺜﻴﺮﴽ ﻟﻬﺬﻩ ﺍﻟﻤﻨﺘﺠﺎﺕ ﺍﻟﺤﺮﻓﻴﺔ ﺍﻟﻴﻤﻨ ّﻴﺔ ﺍﻷﺻﻴﻠﺔ‪.‬‬ ‫ﻹﻟﻬﺎﻡ ﺍﻟﺘﻲ ُ‬
‫ﺇﻟﻬﺎﻣﻚ ﺍﻟﺨﺎﻟﺪﺓ!‪ ...‬ﺳ ُﺘﺴﺎﻓ ُﺮ ﻗﺮﻳﺒﴼ‬ ‫َ‬ ‫ﻟﻢ ﺗﺘﻮ ﱠﻗ ْﻒ ﻟﺤﻈ ًﺔ ﺑﺎﻟﺘﻔﻜﻴﺮ ﺑﻬﺎ‪،‬‬
‫ﺘﺒﺤﺚ ﻋﻦ ﺃﺧ ِﺘﻬﺎ‬ ‫ﺍﻷﻳﺎﻡ ﺍﻷﻭﻟﻰ ﻣﻊ ﺃُ ﱢﻣﻚ‪ِ ،‬ﻟ َ‬ ‫ﺇﻟﻰ ﺻﻨﻌﺎﺀ‪ ،‬ﺑﻌﺪ ﻗﻀﺎﺀ ﱠ‬
‫ﺗﻌﺮﻑ ﻣﻨﻬﺎ ﻛﻴﻒ ﺍﻟﻮﺻﻮﻝ ﺇﻟﻰ ﻣﻌﺒﻮﺩ ِﺗ َﻚ ﺍﻟﻐﺎﺋﺒ ِﺔ‬ ‫َ‬ ‫ﻧﻌﻴﻢ ﻛﻴﻤﺎ‬
‫ﺍﻟﺤﺎﺿﺮﺓ‪.‬‬
‫‪143‬‬ ‫ﺷﺤﻴﺢ ﻣﻦ ﺧﻠ ِﻔ َﻚ ﻳﻜﺎ ُﺩ ﻳﻜﻮﻥ ﻫﻤﺴﴼ‬ ‫ٌ‬ ‫َ‬
‫ﺍﻧﺘﺒﺎﻫﻚ ﻧﺪﺍ ٌﺀ‬ ‫ﺍﺳﺘﺮﻋﻰ‬
‫ﻣﺼﺪﺭ ﺍﻟﻨﺒﺮﺍﺕ ﺍﻟﺨﺎﻓﺘﺔ‪ .‬ﺟﺴ ٌﺪ‬ ‫ِ‬ ‫ﺍﺳﺘﺪﺭﺕ ﺇﻟﻰ ﺍﻟﺨﻠﻒ ﺑﺎﺗﺠﺎﻩ‬ ‫َ‬ ‫ﻻ ﻏﻴﺮ!‬
‫ﻜﻴﺴ ٍﺔ ﻣﻦ‬ ‫ﻧﺤﻴﻒ ِﻟﻔﺘﺎ ٍﺓ ﻟﻢ ُﺗﻜﻤﻞ ﺍﻟﻌﺸﺮﻳﻦ ﻣﻦ ﺍﻟ ُﻌﻤﺮ‪ ،‬ﻛﻤﺎ ﻳﺒﺪﻭ‪ُ ،‬ﻣ ﱠ‬ ‫ٌ‬
‫ﻛﺜﻴﻒ ﺃﺳﻮﺩ! ﺗﻠﻮ ُﺡ‬ ‫ٍ‬ ‫ﺠﻠﺒﺎﺏ‬
‫ٍ‬ ‫ﻃﺮﻑ ﺍﻟﺮﺃﺱ ﺇﻟﻰ ﺃﺧﻤﺺ ﺍﻟﻘﺪﻣﻴﻦ ِﺑ‬
‫ﻣﻦ ﻧﻘﺎﺑﻬﺎ ﻋﻴﻨﺎﻥ ﺿﺎﻣﺮﺓ ﺍﻟﻤﺤﺎ َﺭﻳﻦ‪ ،‬ﺧﺠﻮﻟﺘﺎﻥ‪ ،‬ﻫﺎﺭﺑﺘﺎﻥ‪ ،‬ﺟﺮﻳﺤﺘﺎﻥ‬
‫ﺗﻤﺎﻣﴼ!‪...‬‬
‫ﻫﺸ ٍﺔ ﺿﻌﻴﻔ ِﺔ ﺍﻟﻨﺒﺮﺍﺕ‪ ،‬ﺻﻌﺒ ِﺔ ﺍﻟﺴﻤﺎﻉ‪ ،‬ﻋ َﺮ َﺿ ْﺖ ﻟﻚ‬ ‫ﻜﻠﻤﺎﺕ ﱠ‬
‫ٍ‬ ‫ِﺑ‬
‫ﻬﺬﺑ ٍﺔ ﻣﻦ ﻗ ّﻔﺎﺯﻫﺎ‬ ‫ﺼﻤ ٍﺖ ﻭﺍﺑﺘﺴﺎﻣ ٍﺔ ُﻣ ﱠ‬ ‫ﺃﺧﺬ َﺗ ُﻪ ِﺑ ْ‬
‫ﺧﺎﺗﻤﴼ ﻓﻀ ّﻴﴼ ﻟﻠﺒﻴﻊ! ْ‬
‫ﻣﺪ ْﺩ َﺗ ُﻪ ِﻟﺒﺎﺋﻊ ﺍﻟﻤﺤﻞ‪،‬‬ ‫ﻻﺣﻈ َﺖ ﺃﻧﻬﺎ ﻻ ﺗﺘﺠﺮﺃ ﺍﻟﻨﻈ َﺮ ﻧﺤﻮﻙ! َ‬ ‫ْ‬ ‫ﺍﻷﺳﻮﺩ‪.‬‬
‫ﻧﻘﻲ‬
‫ﻓﻀﻲ ﱞ‬ ‫ﱞ‬ ‫ﻀﻴ ِﺘﻪ‪ .‬ﺃﺟﺎﺏ ﺃﻧﻪ ﺧﺎﺗ ٌﻢ‬ ‫ﺻﺤ ِﺔ ِﻓ ﱠ‬ ‫ﻳﺘﺄﻛﺪ ﻣﻦ ﱠ‬ ‫ﱠ‬ ‫ﺭﺍﺟﻴﴼ ﺃﻥ‬
‫ﺠﺒﻚ‪.‬‬‫ﻌﻤ ٌﺪ ﻣﺨﺘﻮﻡ! ﺳﺄﻟ َﺘﻬﺎ‪ :‬ﻛﻢ ﻗﻴﻤﺔ ﺍﻟﺨﺎﺗﻢ؟ ﻟﻢ ُﺗ َ‬ ‫ﺧﺎﻟﺺ ُﻣ ﱠ‬ ‫ٌ‬
‫ﻣﺮﺓ‪ .‬ﻟﻢ ﺗﺮﻏﺐ ﺍﻹﺟﺎﺑﺔ ﻭﻛﺄ ﱠﻧﻬﺎ ﺗﻜﺮ ُﻩ‬ ‫ﺭﺕ ﺍﻟﺴﺆﺍﻝ ﺃﻛﺜﺮ ﻣﻦ ﱠ‬ ‫ﻛﺮ َ‬ ‫ﱠ‬
‫ُ‬
‫ﻛﺄﻥ ﺍﻟﻜﻠﻤﺎﺕ ﻻ ﺗﺼﻞ ِﻟﺜﻐﺮﻫﺎ ﺑﺴﻬﻮﻟﺔ‪ ،‬ﺃﻭ‬ ‫ﺇﻇﻬﺎﺭ ﺻﻮ ِﺗﻬﺎ ﻟﻠﺮﺟﻞ‪ ،‬ﺃﻭ ﱠ‬
‫ﻳﻄﺤﺲ ﻣﻦ ﺷﻔﺘﻴﻚ‪ ،‬ﺑﻴﻦ ﺍﻟﻠﺤﻈﺔ ﻭﺍﻟﻠﺤﻈﺔ‪ ،‬ﺭﻗ ٌﻢ‬ ‫َ‬ ‫َ‬ ‫ﻛﺄ ّﻧﻬﺎ ﺗﺘﻤﻨﻰ ﺃﻥ‬
‫ﻠﻚ‬‫ﺃﺧﻴﺮ ﻣﻦ ِﻗ َﺒ ِ‬ ‫ٍ‬ ‫ﺇﺻﺮﺍﺭ‬
‫ٍ‬ ‫ُﺨﺮﺟﻬﺎ ﻣﻦ ﺍﻟﻌﺬﺍﺏ ﺍﻷﻟﻴﻢ!‪ ...‬ﺑﻌﺪ‬ ‫َﻋﺮﻣﺮ ٌﻡ ﻳ ُ‬
‫ﻋﻠﻲ ﺧﻤﺴﻤﺎﺋﺔ‬ ‫ﻬﺸﻤﺔ ﺳﻤ ْﻌﺘﻬﺎ ﺑﺎﻟﻜﺎﺩ‪» :‬ﻋﺮﺿﻮﺍ ﱠ‬ ‫َ‬ ‫ﻗﺎﻟﺖ ﺑﻜﻠﻤﺎﺕ ُﻣ ﱠ‬
‫ﺭﻳﺎﻝ ﻓﻲ ﺍﻟﺴﻮﻕ ﻟﺸﺮﺍﺀ ﺍﻟﺨﺎﺗﻢ!«‬
‫َ‬
‫ﻧﻈﺮﻙ‬ ‫ﻼ‪ .‬ﻳﺴﻮﻯ ﻓﻲ‬ ‫ﻼ ﻓﻌ ً‬‫ﻛﺎﻥ ﺍﻟﺨﺎﺗ ُﻢ ﺑﺴﻴﻄﴼ ﻭﺟﻤﻴ ً‬
‫ﺃﻛﺜﺮ ﻣﻦ ﺍﻟﺪﻭﻻﺭﻳﻦ ﻭﺍﻟﻨﺼﻒ ﺍﻟﺘﻲ ُﻋ ِﺮ َﺿ ْﺖ ﻟﻬﺎ ﻓﻲ ﺍﻟﺴﻮﻕ‪ .‬ﺳﺄﻟ َﺘﻬﺎ‬
‫ﻣﺜﻞ ﺟﺮﻳﺤ ٍﺔ‬ ‫ﺑﻌﺪ ﺫﻟﻚ‪» :‬ﻟﻤﺎﺫﺍ ُﺗﺮﻳﺪﻳﻦ ﺑﻴﻌﻪ؟«‪ .‬ﻟﻢ ﺗﺠﺐ‪ .‬ﻛﺎﻧﺖ َ‬
‫ﻼ ﻣﻦ ﻫﺬﺍ ﺍﻟﺤﻮﺍﺭ‪ .‬ﺭﺑﻤﺎ ﻛﺎﻧﺖ ﺗﺘﺴﺎﺀﻝ ﻓﻲ ﺫﺍﺕ ﺍﻟﻠﺤﻈﺔ ﻣﺎﺫﺍ‬ ‫ﻓﻌ ً‬
‫ﺘﺠﺪ ﻧﻔﺴﻬﺎ ُﻣﺪﺍﻧ ًﺔ ﺑﺄﻥ ُﺗﺴﺘﺠ َﻮ َﺏ‬ ‫ﺍﺭﺗﻜ َﺒ ْﺖ ﻓﻲ ﺣﻴﺎﺗﻬﺎ ﻣﻦ ﺟﺮﻳﻤ ٍﺔ ِﻟ َ‬
‫ُﻌﺮﻱ ﺣﺎ َﻟﻬﺎ‬ ‫ﺍﻟﻨﻜﺪ ﺍﻟﺬﻱ ﻳ ﱢ‬ ‫ِ‬ ‫ﺼﻲ‬
‫ﺍﻟﺘﻠﺼ ﱢ‬
‫ﱡ‬ ‫ﺍﻟﺒﻮﻟﻴﺴﻲ‬
‫ﱢ‬ ‫ﻓﻲ ﻫﺬﺍ ﺍﻟﺘﺤﻘﻴﻖ‬
‫ُ‬
‫ﺳﺒﻴﻞ ﻻ ﺗﻌﺮﻓﻪ‪ .‬ﺭﺑﻤﺎ ﻛﺎﻧﺖ ﺗﺘﺴﺎﺀﻝ ﻓﻲ ﻗﺮﺍﺭ ِﺓ‬ ‫ٍ‬ ‫ﻌﺎﺑﺮ‬
‫ﺍﻟﻤﺴﺘﻮ َﺭ ِﻟ ِ‬
‫ﻋﺪﺓ‬ ‫ﺭﺕ ﺳﺆﺍﻟﻚ ِﺑ ِﺮ ﱠﻗ ٍﺔ ﱠ‬ ‫ﻛﺮ َ‬‫ﻮﺟ ُﻪ ﻟﻬﺎ ﻫﺬﺍ ﺍﻟﺴﺆﺍﻝ! ﱠ‬ ‫ﺣﻖ ُﺗ ﱢ‬
‫ﱟ‬ ‫ﺑﺄﻱ‬
‫ﻧﻔﺴﻬﺎ ﱢ‬ ‫ِ‬
‫ﻳﺴﺘﺤﻖ ﺃﻛﺜﺮ‬ ‫ﱡ‬ ‫ﻣ ّﺮﺍﺕ ﺑﻌﺪ ﺃﻥ ﺃﺷﻌﺮ َﺗﻬﺎ ﺃﻧﻚ ﺳﺘﺸﺘﺮﻳﻪ ﺑﺄﻟﻒ ﺭﻳﺎﻝ ﻷﻧﻪ‬
‫ﺍﺿﻄﺮ ْﺕ ﻭﻫﻲ ﺗﺨﻔﻲ ﻋﻴ َﻨﻴﻦ ﻣﺒ ّﻠ َﻠﺘﻴﻦ ﺃﻥ ﺗﻘﻮﻝ‬ ‫ﱠ‬ ‫‪ 144‬ﻣﻦ ﺳﻌﺮ ﺍﻟﺴﻮﻕ!‬
‫ً‬
‫ﺃﻣﻲ‪ .‬ﻧﺤﻦ ﺟﻴﺎﻉ! ﺳﻨﺸﺘﺮﻱ ﺑﻘﻴﻤﺘ ِﻪ ﺃﻛﻼ ﻟﻬﺬﺍ‬ ‫ﻟﻚ‪» :‬ﻫﻮ ﺧﺎﺗﻢ ﺯﻭﺍﺝ ّ‬
‫ﺍﻟﻤﺴﺎﺀ!‪«...‬‬
‫ﺟﺮﺣ َﺖ ﻛﺒﺮﻳﺎﺀﻫﺎ‬ ‫ْ‬ ‫ﺷﻌﺮﺕ ﺑﺎﻻﺭﺗﺒﺎﻙ ﻭﺍﻹﺣﺮﺍﺝ ﻷﻧﻚ‬ ‫َ‬
‫ﺮﺕ ﺃُ ﱠﻡ ﻛﻮﺯﻳﺖ‪ ،‬ﻓﻲ‬ ‫ﺗﺬﻛ َ‬‫ﻭﺇﺻﺮﺍﺭﻫﺎ ﻋﻠﻰ ﺇﺧﻔﺎﺀ ﺳﺒﺐ ﺑﻴﻊ ﺍﻟﺨﺎﺗﻢ‪ .‬ﱠ‬
‫ﻄﻊ‬ ‫َ‬ ‫َ‬
‫»ﺑﺆﺳﺎﺀ« ﻓﻴﻜﺘﻮﺭ ﻫﻴﺠﻮ‪ ،‬ﻭﻫﻲ ﺗﺒﻴ ُﻊ ﻣﻤﺘﻠﻜﺎ ِﺗﻬﺎ ﻭﺃﺳﻨﺎﻧﻬﺎ ﻭﺑﻘ ّﻴﺔ ِﻗ َ‬
‫ﺍﻟﺨﺎﺗﻢ‬
‫ِ‬ ‫ﺃﺧﺬ‬
‫ﻣﻨﺤﻬﺎ ﺍﻷﻟﻒ ﺭﻳﺎﻝ ﺩﻭﻥ ِ‬ ‫ﺟﺴﺪﻫﺎ ﻗﻄﻌ ًﺔ ﻗﻄﻌﺔ‪ ...‬ﺷﻌ ْﺮ َﺕ ﺃﻥ َ‬ ‫ِ‬
‫ﺍﻟﻤﺘﺴﻮﻟﻴﻦ ﻣﻦ ﻗﺮﻳﺐ‬ ‫ﱢ‬ ‫ﻣﻨﻬﺎ ﺳﻴﺠﺮ ُﺡ ﻛﺒﺮﻳﺎ َﺀﻫﺎ ﺗﻤﺎﻣﴼ‪ ،‬ﻷﻧﻬﺎ ﻻ ﺗﺸﺒﻪ‬
‫ﻫﺪﻳ ًﺔ ﺟﻤﻴﻠﺔ ﻹﻟﻬﺎﻡ!‬ ‫ﺃﻭ ﺑﻌﻴﺪ‪ .‬ﺧﻄﺮ ﺑﺒﺎﻟﻚ ﺃﻥ ﻫﺬﺍ ﺍﻟﺨﺎﺗﻢ ﺳﻴﻜﻮﻥ ﱠ‬
‫ْﺕ ﻟﺒﺎﺋﻌﺔ ﺍﻟﺨﺎﺗﻢ ﻭﺭﻗﺔ ﺍﻷﻟﻒ‬ ‫ﺗﻠﺨ َﺒ ْﻄ َﺖ‪ ،‬ﻟﻢ ﺗﻌﺮﻑ ﻣﺎ ﺍﻟﻌﻤﻞ! ﻣﺪﺩ َ‬
‫ﻛﻨﺖ ﻣﺼﻴﺒﴼ ﺃﻡ ﻻ‪ .‬ﺍﺑﺘ َﻌ َﺪ ْﺕ ﻋﻦ ﻧﺎﻇﺮﻳﻚ ﻓﻲ‬ ‫َ‬ ‫ﺭﻳﺎﻝ ﺩﻭﻥ ﺃﻥ ﺗﺪﺭﻱ ﺇﻥ‬
‫ﻨﺼﺮ َﻙ ﺑﺤﺮﻛ ٍﺔ‬ ‫ﺃﺳﻔﻞ ِﺑ ِ‬‫ِ‬ ‫ﺍﻟﺤﺎﻝ ﺑﺨﻄﻮﺍﺕ ﺳﺮﻳﻌﺔ‪ْ ...‬‬
‫ﺯﻟﻘ َﺖ ﺍﻟﺨﺎﺗ َﻢ ﻓﻲ‬
‫ﺩﺭﺑ َﻚ ﺑﺎﺗﺠﺎﻩ ﻧﻬﺎﻳﺔ ﻣﺴﺠﺪ ﺍﻟﻨﻮﺭ‪...‬‬ ‫َ‬
‫ﻭﻭﺍﺻﻠﺖ ﻋﺒﻮﺭ ِ‬ ‫ﻻﺇﺭﺍﺩﻳﺔ‪،‬‬
‫ﺑﺄﺳﻰ‬
‫ً‬ ‫ﻟﻢ ﺗﻤﺮ ﺃﻛﺜﺮ ﻣﻦ ﺑﻀﻌﺔ ﺩﻗﺎﺋﻖ ﺇﻻ ﻭﺃﻧﺖ ﺗﺸﻌ ُﺮ‬
 ‫ﻛﻞ ﺣﻴﺎ ِﺗﻬﺎ‬ ‫ﺍﺷﺘﺮﻳﺖ ﱠ‬ ‫َ‬ ‫ﱟﺃﻡ ﻻ ﺗﻌﺮﻓﻬﺎ‪.‬‬ ‫ﺯﻭﺍﺝ‬ ‫ُ‬
‫ﻋﺎﺻﻒ‪ :‬ﺗﺤﻤﻞ ﺧﺎﺗ َﻢ ِ‬
‫ﻛﻞ ﺳﻌﺎﺩﺍ ِﺗﻬﺎ ﻭﺫﻛﺮﻳﺎ ِﺗﻬﺎ ﺍﻟﺤﻤﻴﻤﻴﺔ ﺑﺨﻤﺴﺔ ﺩﻭﻻﺭﺍﺕ!‬ ‫ﺍﻟﺰﻭﺟ ّﻴﺔ‪ ،‬ﱠ‬
‫ﻳﺘﺒﻖ ﻟﻬﺎ ﻣﻦ ﻣﻌﺸﻮﻗﻬﺎ ﺍﻟﻐﺎﺋﺐ ﻏﻴﺮ ﺫﻟﻚ‬ ‫ﺭﺑﻤﺎ ﻛﺎﻧﺖ ﺃﺭﻣﻠ ًﺔ ﻟﻢ ﱠ‬
‫ﺑﺤﺮﻗﺔ‪ :‬ﻣﻦ‬ ‫َ‬
‫ﺗﺴﺎﺀﻟﺖ ُ‬ ‫ﻨﻮﻉ ﻣﻦ ﺍﻟﺨﺰﻯ ﻭﺍﻟﻔﻀﻴﺤﺔ!‬ ‫َ‬
‫ﺍﻟﺨﺎﺗﻢ! ﺷﻌﺮﺕ ِﺑ ٍ‬
‫ﺃﺫﻝ ﻧﺎﺻﻴ َﺔ ﺍﺑﻨﺘﻬﺎ‬ ‫ﺍﻟﺠﻮﻉ ﻭﺍﻟﻤﻬﺎﻧﺔ؟ ﻣﻦ ﱠ‬
‫ِ‬ ‫ﻭﺣﻞ‬
‫ﻣﺮﻍ ﺣﻴﺎﺓ ﻫﺬﻩ ﺍﻷﻡ ﻓﻲ ِ‬ ‫ﱠ‬
‫ﺃﻧﺖ ﺗﺤﻤﻞ ﻫﺬﺍ ﺍﻟﺨﺎﺗﻢ‬ ‫ُ‬ ‫ﻭﻃﻌﻦ ﻛﺮﺍﻣﺘﻬﺎ ﻓﻲ ﻭﺿﺢ ﺍﻟﻨﻬﺎﺭ؟‪ ...‬ﻫﺎ َ‬ ‫َ‬ ‫َ‬
‫َ‬
‫ُﺤﺮﻗﻚ‬ ‫ﺃﺻﺒﻌﻚ‪ ،‬ﻳﺆ ِﻟ ُﻤ َﻚ‪ ،‬ﻳ‬
‫َ‬ ‫ُ‬
‫ﻛﺠ ْﺮﺡ! ﻳُﺤﻴﻂ ﻋﻈ َﻢ‬ ‫ﻨﺼﺮﻙ ﺍﻵﻥ ُ‬ ‫َ‬ ‫ﻓﻲ ِﺑ‬
‫ّ‬
‫ﺍﻟﻤﺮﻛﺰ!‪...‬‬ ‫ﻛﻄ ْﻮ ٍﻕ ﻣﻦ ﺣﻤﺾ ﺍﻟﻜﺒﺮﻳﺘﻴﻚ‬ ‫َ‬
‫ﺗﺮﻳﺪ ﺃﻥ ﺗﻬﺪ َﻳ ُﻪ ﻣﻊ ﺫﻟﻚ ﻹﻟﻬﺎﻡ! ﻳﺎﻟﻠﺸﻴﻄﺎﻥ!‬ ‫ﻗﻠﺖ؟ ُ‬ ‫ﻣﺎﺫﺍ َ‬
‫ﻫﺪ ّﻳ ٌﺔ ﻣﺴﻤﻮﻣ ٌﺔ ﻣﻠﻌﻮﻧﺔ! ﻣﺎ ﺃﺗﻌﺴﻚ ﺣ ّﻘﴼ! ﻟﻬﺬﺍ ﺍﻟﺨﺎﺗﻢ ﻳ ٌﺪ ﻭﺍﺣﺪﺓ‬
‫ﺭﻣﻮﺯ‬
‫ﺁﺧﺮ ِ‬ ‫ﻳﺪ ﺗﻠﻚ ﺍﻷﻡ ﺍﻟﺠﺎﺋﻌﺔ ﺍﻟﺘﻲ َﺣ َﺮﻣ ْﺘﻬﺎ ﺍﻟﺤﻴﺎ ُﺓ ﻣﻦ ِ‬ ‫ﻻ ﻏﻴﺮ‪ُ .‬‬
‫ﺳﻌﺎﺩﺗﻬﺎ ﻗﺒﻞ ﺃﻥ ﺗﺮﻣﻴﻬﺎ ﻭﺃﻃﻔﺎ َﻟﻬﺎ ﻓﻲ ﺍﻟﻐﺪ ﺃﻭ ﺑﻌﺪ ﺍﻟﻐﺪ ﻓﻲ ﺃﻧﻴﺎﺏ‬
‫‪145‬‬ ‫ﻳﺘﻠﺬ ُﺫ ﺑﻪ ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ‪...‬‬ ‫ﻟﺘﻜﻮﻥ ُﻃ ْﻌﻤﴼ ﺟﺪﻳﺪﴽ ﱠ‬ ‫َ‬ ‫ﺍﻟﺠﻮﻉ ﻭﺍﻟﺤﺎﺟﺔ‪،‬‬ ‫ِ‬
‫ﻛﺎﺑﻮﺱ ﻳﻨﻬﺶ ﺃﺻﺎﺑﻌﻚ‪ .‬ﺟﺮ ٌﺡ ﻳُﺪﻣﻲ ﻳﺪﻳﻚ‪ .‬ﺗﺸﻌ ُﺮ‬ ‫ُ‬ ‫ٌ‬ ‫ﺍﻟﺨﺎﺗ ُﻢ‬
‫ُﻠﻄﺨﻚ! ﺗﻌﻮﺩ ﺇﻟﻰ ﺍﻟﺨﻠﻒ ﺑﺎﺗﺠﺎﻩ ﺻﺎﺣﺐ ﺍﻟﻤﻌﺮﺽ‪ .‬ﺗﺴﺄﻟﻪ‬ ‫ﺑﺎﻟﻌﺎﺭ ﻳ ﱢ‬
‫ﻋﺸﺮﺍﺕ ﻣﻦ‬
‫ٍ‬ ‫ﻳﻌﺮﻑ ﺑﺎﺋﻌ َﺔ ﺍﻟﺨﺎﺗﻢ‪ .‬ﻳﺠﻴﺒﻚ ﺃﻧﻪ ﻻ ﻳﻌﺮﻓﻬﺎ ﻷﻥ‬ ‫ُ‬ ‫ﺇﻥ ﻛﺎﻥ‬
‫ﺗﺤﺎﻭﻝ ﺍﻟﺘﻌ ﱡﺮ َﻑ ﻋﻠﻴﻬﺎ ﺑﻴﻦ ﺃﺳﺮﺍﺏ‬ ‫ُ‬ ‫ﺗﺼﻠﻦ ﺍﻟﺴﻮﻕ ﻛﻞ ﻳﻮﻡ!‬ ‫َ‬ ‫ﺃﻣﺜﺎﻟﻬﺎ‬
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‫ﻳﻤﻜﻦ‬ ‫َﺴ ْﺮﻥ ﻓﻲ ﺷﻮﺍﺭﻉ ﺍﻟﻤﺪﻳﻨﺔ! ﻳﺎﻟﻠﻤﻬﺰﻟﺔ! ﻛﻴﻒ‬ ‫ﺍﻟﻨﺴﺎﺀ ﺍﻟﻠﻮﺍﺗﻲ ﻳ ِ‬
‫ﺟﻠﺒﺎﺏ ﺃﺳﻮ ٍﺩ ﺑﻴﻦ ﺁﻻﻑ ﺍﻟﺠﻼﺑﻴﺐ ﺍﻟﺴﻮ ِﺩ ﺍﻟﻤﻄﺎﺑﻘ ِﺔ‬ ‫ٍ‬ ‫ﺍﻟﺘﻌ ﱡﺮ ُﻑ ﻋﻠﻰ‬
‫ﺤﺪ ُﻕ ﻓﻲ‬ ‫ﺸﺎﺑ ٍﺔ ﻧﺤﻴﻔﺔ‪ُ .‬ﺗ ﱢ‬ ‫ﺟﻠﺒﺎﺏ ﺃﺳﻮﺩ ِﻟ ﱠ‬
‫ٍ‬ ‫ﻛﻞ‬
‫ﺗﻘﺘﺮﺏ ﻣﻦ ﱢ‬ ‫ُ‬ ‫ﺗﻤﺎﻣﴼ؟‪...‬‬
‫ﻋﻴﻨﻴﻬﺎ‪ .‬ﻋﺒﺜﴼ!‪...‬‬

‫ﺃﺛﺎﺭﺕ ﺣﺮﻛ ُﺘﻚ ﻟﻠﺘﻌ ﱡﺮ ِﻑ ﻋﻠﻰ ﺑﺎﺋﻌ ِﺔ ﺍﻟﺨﺎﺗﻢ ﺍﻫﺘﻤﺎ َﻡ ِ‬

‫ﺃﺣﺪ‬ ‫ْ‬
‫ﺟﺪﻳﺪ ﻓﻲ ﺭﻛﻦ ﺃﺣﺪ ﺍﻟﺸﻮﺍﺭﻉ! ﺭﺟ ٌﻞ ﻧﺤﻴﻒ‪،‬‬ ‫ٍ‬ ‫ﻓﻨﺪﻕ‬
‫ﺍﻟﻤﺮﺍﺑﻄﻴﻦ ﺃﺳﻔﻞ ٍ‬
‫ﻏﺪ ُﻕ ﺍﻟﺸﺎﺭﺏ‪...‬‬
‫ﺯﻳﺘﻮﻧﻲ ﺍﻟﻠﻮﻥ‪ِ ،‬‬
‫ﱡ‬ ‫ﻤﻲ ﺍﻟﻮﺟﻨﺘﻴﻦ‪،‬‬ ‫ﻗﺼﻴ ُﺮ ﺍﻟﻘﺎﻣﺔ‪َ ،‬ﻋ ْﻈ ﱡ‬
‫ﻋﻴﻨﻴﻚ ﻛﺨﺬﺭﻭﻑ‪ ،‬ﻗﺎﺋ ً‬
‫ﻼ ﺇﻥ ﻟﺪﻳﻪ‬ ‫َ‬ ‫ﺑﻨﻈﺮﺍﺕ ُﺗﺮﺍﻭ ُﺡ ﻭﺳﻂ‬
‫ٍ‬ ‫ﺍﻗﺘﺮﺏ ﻣﻨﻚ‬
‫ﻣﺎ ﻳُﺸﻔﻲ ﻏﻠﻴﻠﻚ! ﻟﻢ ﺗﻔﻬﻢ ﻛﻴﻒ ﻋﺮﻑ ﻣﻦ ﺗﺒﺤﺚ ﻋﻨﻬﺎ ﺑﻬﺬﻩ‬
‫ﺳﺘﺠﺪ ﺗﺤﺪﻳﺪﴽ‬ ‫ُ‬ ‫ﺗﺄﺧ ٍﺮ ﺃﻳﻦ‬‫ﺍﻷﻟﻤﻌﻴﺔ ﻭﺍﻟﻔﻄﻨﺔ ﺍﻟﻤﺬﻫﻠﺔ‪ .‬ﺳﺄﻟ َﺘ ُﻪ ﺩﻭﻥ ﱡ‬
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‫ﺗﺒﺤﺚ‬ ‫ّ‬
‫»ﻟﺪﻱ ﻣﻦ‬ ‫ﺗﺒﺤﺚ ﻋﻨﻬﺎ‪ .‬ﻓﺎﺟﺄﻙ ﺑﺎﻟﻘﻮﻝ‪:‬‬ ‫ُ‬ ‫ﺗﻠﻚ ﺍﻟﻔﺘﺎﺓ ﺍﻟﺘﻲ‬
‫ﻋﻨﻬﺎ ﻭﺃﺣﺴﻦ ﻣﻨﻬﺎ!«‪ ...‬ﻟﻢ ﺗﻔﻬﻢ ﺷﻴﺌﴼ!‬
‫ﺺ ﺏ»ﺍﻟﺰﻭﺍﺝ ﺍﻟﺴﻴﺎﺣﻲ«!‬ ‫ﻣﺘﺨﺼ ٌ‬
‫ﱢ‬ ‫ﻓﻚ ﺑﺄﻧﻪ ﺳﻤﺴﺎ ٌﺭ‬ ‫ﻋﺮ َ‬‫ﱠ‬
‫ﻛ ْﻨ ِﻪ ﻫﺬﺍ ﺍﻟﻤﻔﻬﻮﻡ ﺍﻟﺠﺪﻳﺪ‪ُ .‬ﺗﺜﻴ ُﺮﻙَ‬ ‫ﻭﺟﺪ َﺕ ﺻﻌﻮﺑ ًﺔ ﺃﻛﺒﺮ ﺑﺎﺳﺘﻴﻌﺎﺏ ُ‬ ‫ْ‬
‫ﻮﺭ ﺍﻟﺘﻌﺒﻴﺮﻳﺔ‪ ،‬ﺍﻟﺘﻲ ُ‬
‫ﺗﺼﻞ‬ ‫ﺩﻭﻣﴼ ﺍﻷﺳﻤﺎ ُﺀ ﺍﻟﻤﺒﺘ َﻜﺮ ُﺓ ﺍﻟﺠﺪﻳﺪﺓ ﺫﺍﺕ ﱡ‬
‫ﺍﻟﺼ ِ‬
‫»ﺣﻤﻰ‬ ‫ّ‬ ‫ﺍﻟﻤﺘﺼﺪﻉ«‪،‬‬
‫ﱢ‬ ‫»ﺣﻤﻰ ﺍﻟﻮﺍﺩﻱ‬ ‫ّ‬ ‫ﺍﻟﻘﺎﻣﻮﺱ ﺍﻻﺟﺘﻤﺎﻋﻲ ﻳﻮﻣ ّﻴﴼ‪:‬‬
‫ﺃﻣﺎ »ﺍﻟﺰﻭﺍﺝ ﺍﻟﺴﻴﺎﺣﻲ« ﻓﻠﻢ‬ ‫»ﺣﻤﻰ ﺍﻟﺠﻤﺮﺓ ﺍﻟﺨﺒﻴﺜﺔ«‪ّ ...‬‬ ‫ﺍﻟﻀﻨﻚ«‪ّ ،‬‬
‫ﺗﻔﺴ ُﺮ ﻣﺪﻟﻮﻟﻪ!‬ ‫ﻣﻔﻬﻮﻣﻪ ﺃﻭ ﱢ‬‫ِ‬ ‫ﺗﻘﺘﺮﺏ ﻣﻦ‬‫ُ‬ ‫ﺗﻌﺮﻑ ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ ﻛﻴﻒ‬
‫ﻣﺼﻄﻠﺢ »ﺍﻟﺴﻴﺎﺣﺔ ﺍﻟﺠﻨﺴ ّﻴﺔ« ِﻟﺘﺎﻳﻼﻧﺪﺍ ﻭﺑﻌﺾ ﺍﻟﺪﻭﻝ‬ ‫ِ‬ ‫َ‬
‫ﺳﻤﻌﺖ ﻋﻦ‬
‫ﺍﻟﺴﻮﺍﺡ ﻛﺮﺍﻣ َﺔ‬ ‫ﻭﺧﻨﺎﺯﻳﺮ ﺍﻟﻌﺎﻟﻢ ﻣﻦ ﱠ‬‫ِ‬ ‫ﺛﻴﺮﺍﻥ‬
‫ِ‬ ‫ُﺪ ﱢﻣ ُﺮ ﺃﻗﺬ ُﺭ‬ ‫ﺍﻟﻔﻘﻴﺮﺓ ُ‬
‫ﺣﻴﺚ ﻳ َ‬
‫ﺍﻟﻤﺼﻄﻠﺢ‬
‫ُ‬ ‫ﺃﻃﻔﺎﻝ ﻣﻨﻜﻮﺑﻴﻦ ﺣ ّﺘﻰ ﺁﺧﺮ ﺍﻟ ُﻌﻤﺮ!‪ ...‬ﺃﻣﺎ ﻫﺬﺍ‬ ‫ٍ‬ ‫ﻭﺣﻴﺎ َﺓ‬ ‫‪146‬‬
‫ﻗﻂ ﺑ ِﻪ ﻣﻦ ﻗﺒﻞ!‬ ‫ﺗﺴﻤﻊ ﱡ‬
‫ْ‬ ‫ﺍﻟﺠﺪﻳﺪ ﻓﻠﻢ‬
‫ﺷﺎﺭ َﺑ ُﻪ‬ ‫»ﺳﺎﺋﺢ ﺑﻄﺊ ﺍﻟﻔﻬﻢ!«‪ .‬ﺛ ّﻢ َ‬
‫ﻣﺴﺪ ِ‬ ‫ٌ‬ ‫ﻗﺎﻝ ﻟﻚ ﻣﺪﺍﻋﺒﴼ ﺇﻧﻚ‬
‫ﺍﻟﻜﺜﻴﻒ ﻭﻟﺠﺄ ﺇﻟﻰ ﺍﻟﺘﻔﺼﻴﻞ ﺍﻟﻤﺒﺎﺷﺮ‪:‬‬
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‫ﺗﺒﺤﺚ‬ ‫ﺃﺟﻤﻞ ﻣﻦ ﺗﻠﻚ ﺍﻟﺘﻲ‬ ‫ُ‬ ‫ٌ‬
‫ﻓﺘﻴﺎﺕ‬ ‫ﻟﺪﻱ ﻣﺎ ﺗﺒﺤﺚ ﻋﻨﻪ!‬ ‫‪ -‬ﱠ‬
‫ﻋﻨﻬﺎ ﺑﺎﻟﺘﺄﻛﻴﺪ! ﻣﻦ ﺍﻟﺜﺎﻧﻴﺔ ﻋﺸﺮﺓ ﺣﺘﻰ ﺍﻟﺨﺎﻣﺴﺔ ﻋﺸﺮﺓ! ﺍﻟﺒﻜﺎﺭﺓ‬
‫ﺃﻱ ﻣﻨﻄﻘﺔ‬ ‫ﺎﺕ ﻣﻦ ﱢ‬ ‫ﻳﻀﻤﻨﻬﺎ ﻟﻚ ﺍﻟﻤﻜﺘﺐ ﻣﺎﺋﺔ ﻓﻲ ﺍﻟﻤﺎﺋﺔ! ﺻﺒ ّﻴ ٌ‬
‫ﻭﻃﻮﻝ‬
‫ٍ‬ ‫ﻔﻀ ُﻠﻬﺎ ﻓﻲ ﺍﻟﻴﻤﻦ! ﺣﺴﺐ ﺭﻏﺒ ِﺘ َﻚ ﻭﺫﻭ ِﻗ َﻚ ﻭﻣﻴﻮ ِﻟﻚ! ِﺑﺄﻱ ٍ‬
‫ﻟﻮﻥ‬ ‫ُﺗ ﱢ‬
‫ﺗﻔﻀ ُﻠ ُﻪ ﺃﻳﻀﴼ! ﻷﻱ ﻓﺘﺮﺓ ﺗﺮﻳﺪﻫﺎ‪ :‬ﺃﺳﺒﻮﻉ‪ ،‬ﺃﺳﺒﻮﻋﺎﻥ‪ ،‬ﺷﻬﺮ‪ ،‬ﺷﻬﺮﺍﻥ‪،‬‬ ‫ﱢ‬
‫‪ 6‬ﺃﺷﻬﺮ!‪ ...‬ﻭﺭﻗﺔ ﺍﻟﻄﻼﻕ ﺟﺎﻫﺰﺓ ﻣﻦ ﺍﻵﻥ! ﺑﺈﻣﻜﺎﻧﻚ ﺗﻮﻗﻴﻌﻬﺎ ﻓﻲ‬
‫ﺃﻱ ﻟﺤﻈﺔ ﺃﻭ ﺇﺭﺳﺎﻟﻬﺎ ﻣﻦ ﺍﻟﺨﺎﺭﺝ ﻋﻨﺪ ﻋﻮﺩﺗﻚ ﺇﻟﻰ ﺑﻠﺪﻙ! ﻓﻀﻴﻠ ُﺔ‬
‫ﷲ ﻭﺭﺳﻮﻟ ِﻪ ﺍﻟﻴﻮ َﻡ ﺇﺫﺍ ﺃﺭﺩﺕ!‬ ‫ﺳﻴﻌﻘﺪ ﻟﻚ ﺍﻟﺰﻭﺍﺝ ﻋﻠﻰ ُﺳ ﱠﻨ ِﺔ ﺍ ِ‬ ‫ُ‬ ‫ﺍﻟﻘﺎﺿﻲ‬
‫ﺗﻮﺭﻃﻚ ﺑﺄﻱ‬ ‫ﻻ ﺗﺤﺘﺎﺝ ﻣﻌ ُﻪ ﻷﻱ ﺃﻭﺭﺍﻕ ﺃﻭ ﺷﻬﺎﺩﺍﺕ ﺃﻭ ﺑﻄﺎﻗﺔ ﺷﺨﺼ ّﻴﺔ ﱢ‬
‫ﺩﻋﻮﺍﺕ ﻗﻀﺎﺋﻴﺔ! ﺳﺘﺼﻞ ﺯﻭﺟ ُﺘﻚ ﻣﺴﻜ َﻨﻚ ﻣﺴﺎﺀ‬ ‫ٍ‬ ‫ﺎﺕ ﺃﻭ‬ ‫ﺇﺭﺙ ﺃﻭ ﻣﺴﺘﺤ ّﻘ ٍ‬ ‫ٍ‬
 ‫ﺍﻟﻐﺪ ﺇﺫﺍ ﺃﺭﺩﺕ!‪ ...‬ﺍﻋﻄﻨﻲ ﺍﻟﻤﻮﺍﺻﻔﺎﺕ ﺍﻟﻤﻄﻠﻮﺑﺔ ﻓﻘﻂ ﻟﻠﺰﻭﺟﺔ ﺍﻟﺘﻲ‬
‫ﺗﺒﺤﺚ ﻋﻨﻬﺎ ﻭﺍﻟﺒﺎﻗﻲ ﻋﻠﻴﻨﺎ!‪...‬ﺃﺳﻌﺎﺭ ﻋﻤﻮﻟﺘﻨﺎ ﻓﻲ ﺍﻟﻤﻜﺘﺐ ﻭﺗﻜﺎﻟﻴﻒ‬
‫ﻧﻘﺪ ُﻣﻪ ﻟﻠﺰﺑﺎﺋﻦ ﻻ ُﺗ َﻀﺎﻫﻰ‪...‬‬ ‫ﺍﻟﺰﻭﺍﺝ ﺍﻟﺬﻱ ﱢ‬
‫ﻴﻚ‬‫ﻭﻗﺎﺭ َﻙ ﻭﻫﺪﻭ ِﺀ َﻙ ﻭﺗﺄ ﱢﻧ َ‬‫ِ‬ ‫ﻛﻞ‬
‫ﱠ‬ ‫ﻓﻘﺪﺕ ﺑﺜﺎﻧﻴ ٍﺔ ﻭﺍﺣﺪﺓ‬ ‫َ‬
‫ﻭﺟﺒ َﻨ َﻚ‬ ‫ﻓﻘﺪﺕ ُﺿﻌ َﻔ َﻚ ﻭﺧﻮ َﻓ َﻚ ُ‬ ‫َ‬ ‫ﻭﺩﺑﻠﻮﻣﺎﺳ ّﻴ ِﺘ َﻚ ﻭﺗﻌ ﱡﻘ ِﻠ َﻚ ﻭﺗﻮﺍﺯﻧﻚ!‬
‫َﺼﻘﺖ ﻓﻲ ﻭﺟﻬ ِﻪ ﻣﻦ ﺃﻋﻤﺎﻗﻚ ﺑﻼ ﻭﻋﻲ! ﻟﻢ‬ ‫ﻭﺍﺣﺘﺮﺍﺳﻚ! ﺑ َ‬ ‫َ‬ ‫ﻭﺣﺬ َﺭ َﻙ‬
‫ﻭﺻﺪﻕ ﻭﻋﻔﻮ ّﻳ ِﺔ ﺍﻟﺒﺼﻘﺔ‪...‬‬‫ِ‬ ‫ﺷﺪ ِﺓ ﺇﺧﻼﺹ ﻭﺣﻤﻴﻤﻴ ِﺔ‬ ‫ﻳﻘﻞ ﻛﻠﻤ ًﺔ ﻣﻦ ﱠ‬
‫ﺍﻟﺠﺒﺎﺭﺓ ﻣﻦ ﺭﻏﺒ ِﺔ ﺍﻟﺘﻘﻴﺆ ﺍﻟﻌﻨﻴﻒ ﻣﻤﺎ ﺳﻤﻌﺘﻪ!‬ ‫ﱠ‬ ‫ﻟﻢ ُﺗﻌ ِﻔ َﻚ ﺑﺼﻘ ُﺘﻚ‬
‫ﻻﺳ ّﻴﻤﺎ ﻣﻦ ﺇﻗﺤﺎﻡ »ﺳ ّﻨﺔ ﺍﷲ ﻭﺭﺳﻮﻟﻪ« ﻭﺍﻟﻘﺮﺁﻥ ﺍﻟﻜﺮﻳﻢ ﺑﺄﺳﻔﻞ ﻭﺃﺑﺸﻊ‬
‫ﺍﻟﺠﺮﺍﺋﻢ ﺍﻟﺤﻘﻴﺮﺓ‪...‬‬
‫ﺗﺴﺎﺀﻟﺖ‪ :‬ﻫﻞ ﺳﺘﻠﺠﺄُ‬ ‫َ‬ ‫ﻭﺍﺻﻠﺖ ﻣﺴﻴﺮ َﺗ َﻚ ﺩﻭﻥ ﺃﻥ ﺗﻨﻈﺮ ﺇﻟﻴﻪ!‬ ‫َ‬
‫ﺍﻟﺴﻴﺎﺣﻲ ﺑﻌﺪ‬
‫ﱢ‬ ‫ﺑﺎﺋﻌ ُﺔ ﺍﻟﺨﺎﺗﻢ‪ ،‬ﺫﺍﺕ ﺍﻟﻌﺸﺮﻳﻦ ﺳﻨﺔ ﺑﺎﻟﻜﺎﺩ‪ ،‬ﺇﻟﻰ ﺍﻟﺰﻭﺍﺝ‬
‫‪147‬‬ ‫»ﻣ ِﺴ ﱠﻨ ٌﺔ« ﺗﺠﺎ َﻭ َﺯ ْﺕ ﻗﻄﺎﺭ ﺍﻟ ُﻌﻤﺮ‬‫ﺍﻷﻟﻒ ﺭﻳﺎﻝ؟ ﺃﻡ ﺃﻧﻬﺎ ُ‬ ‫َ‬ ‫ﺃﻥ ﺗﺴﺘﻨ ِﻔ َﺬ ﺃُ ﱡﻣﻬﺎ‬
‫ﺗﻤﺘﻠﻚ »ﺍﻟﻤﻮﺍﺻﻔﺎﺕ ﺍﻟﻤﻄﻠﻮﺑﺔ«؟‪ ...‬ﺍﻟﺒﻠﺪ ﺍﻟﺬﻱ ﻭﺻ ْﻠ َﺘ ُﻪ‬ ‫ُ‬ ‫ﻭﻟﻢ َﺗ ُﻌ ْﺪ‬
‫ﻼ!‪...‬‬ ‫ﻓﻲ ‪ 17‬ﻳﻮﻟﻴﻮ ‪ 2000‬ﻻ ﺗﻨﺘﻤﻲ ﺇﻟﻴﻪ ﻓﻌ ً‬
‫ﻣﻼﻣﺢ ﺑﺎﺋﻌﺔ ﺍﻟﺨﺎﺗﻢ‪ ،‬ﻗﺎﻣ ِﺘﻬﺎ‬ ‫ﻼ ﻋﻠﻰ‬‫ﺃﻭﻗﻔﺖ ﺫﺍﻛﺮ َﺗﻚ ﻃﻮﻳ ً‬ ‫َ‬
‫ِ‬
‫ﻟﻤﻌﺎﻥ‬
‫ِ‬ ‫ﺍﻟﺮﻫﻴﻔﺔ‪ ،‬ﻧﻈﺮﺍ ِﺗﻬﺎ ﺍﻟﻬﺎﺭﺑﺔ‪ ،‬ﺃﺳﻰ ﻣﻘﻠﺘﻴﻬﺎ‪َ ،‬ﻣﻮ َﻗ ْﻴﻬﺎ ﺍﻟﻀﺎﻣﺮﻳﻦ‪،‬‬
‫ﺎﺕ ﺫﺍﻛﺮ ِﺗ َﻚ ﺧﻮﻓﴼ‬ ‫ﻃﻴ ِ‬
‫ﻣﻼﻣﺤﻬﺎ ﻓﻲ ﱠ‬ ‫ِ‬ ‫ﺳﻤ ْﺮ َﺕ‬
‫ﻋﻴﻨﻴﻬﺎ ﺍﻟﺸﺮﻳﺪﺗﻴﻦ‪ ...‬ﱠ‬
‫ُﺸ ﱢﻮ َﺷﻬﺎ ﺗﺸﺎﺑ ُﻪ ﺟﻔﺎﻑ ﺃﻣﻮﺍﻕ‬ ‫ﻇﻠﻤﺎﺕ ﺍﻟﺠﻼﺑﻴﺐ ﺃﻭ ﻳ َ‬ ‫ُ‬ ‫ﺗﻤﺘﺼﻬﺎ‬ ‫ﱠ‬ ‫ﻣﻦ ﺃﻥ‬
‫ﺷﻌﺮﺕ ﻓﻲ ﻣﻮﺟ ِﺔ ﺍﻟﺘﻘ ﱡﺰ ِﺯ ﺃﻧﻚ ﺗﺮﻏﺐ ﺃﻥ ﺗﻨﺘﻘ َﻢ‬ ‫َ‬ ‫ﺍﻷﻋﻴﻦ ﺍﻟﺤﺰﻳﻨﺔ‪...‬‬
‫ﺍﻟﻤﻐﺘﺼﺒﻴﻦ ﺗﺤﺖ ﻳﺎﻓﻄﺔ ﺍﻟﺰﻭﺍﺝ‬ ‫َ‬ ‫ﻟﻜﻞ ﺍﻷﻃﻔﺎﻝ‬ ‫ﻟﺒﺎﺋﻌﺔ ﺍﻟﺨﺎﺗﻢ‪ ،‬ﱢ‬
‫ﻗﻄﻊ ﺃﺟﺴﺎ ِﺩﻫﻢ ِﻟﺸﺮﺍﺀ‬ ‫ﻟﻜﻞ ﺍﻷﻃﻔﺎﻝ ﺍﻟﺬﻳﻦ ﻳﺒﻴﻌﻮﻥ ﺑﻌﺾ ِ‬ ‫ﺍﻟﺴﻴﺎﺣﻲ‪ ،‬ﱢ‬
‫ﺍﻟﺸﻴﻮﺥ‬
‫ِ‬ ‫ﻟﻜﻞ‬
‫ﻟﻜﻞ ﺍﻟﺠﻴﺎﻉ ﺍﻟﺬﻳﻦ ﺍﻋﺘﺮﺿﻮﺍ ﻃﺮﻳﻘﻚ‪ ،‬ﱢ‬ ‫ﻟﻘﻤﺔ ﺍﻟﻌﻴﺶ‪ ،‬ﱢ‬
‫ﻟﻜﻞ ﺍﻟﻤﺮﺿﻰ ﺍﻟﻤﻨﺒﻮﺫﻳﻦ ﻋﻠﻰ ﻗﺎﺭﻋﺔ ﺍﻟﻄﺮﻳﻖ‪...‬‬ ‫ﺍﻟﻤ ْﻤﺘﻬَﻨﻴﻦ‪ ،‬ﱢ‬ ‫ُ‬
‫ﻓﺖ‬‫ﺗﻌﺮ َ‬ ‫ﺑﺤﺜﻚ ﻋﻦ ﺑﺎﺋﻌﺔ ﺍﻟﺨﺎﺗﻢ ﻓﻲ ﺷﻮﺍﺭﻉ ﱠ‬ ‫َ‬ ‫ﻣﺮﺭﺕ ﺧﻼﻝ‬ ‫َ‬
‫َﻏ ُﺒﻮﺱ« ﺍﻟﺬﻱ ﻳﺴﻜﻦ‬ ‫ﺑﻌﺾ ﺳﺎﻛﻨﻴﻬﺎ‪» :‬ﺷﺎﺭﻉ ﺩ ْ‬ ‫ﻣﻨﺎﺯﻝ ِ‬ ‫ِ‬ ‫ﺑﺼﻌﻮﺑ ٍﺔ ﻋﻠﻰ‬
‫ﻃﻼ ِﺏ ﺟﻴﻠﻚ‪ .‬ﻗﺎﻣ ٌﺔ ﺇﻧﺴﺎﻧﻴ ٌﺔ ﻭﺛﻘﺎﻓﻴ ٌﺔ‬‫ﻠﻬ ُﻢ ّ‬
‫ﻓﻴﻪ »ﺍﻷﺳﺘﺎﺫ ﻧﺠﻴﺐ«! ُﻣ ِ‬
‫ﻓﺬﺓ‪ ،‬ﺷﺪﻳﺪ ُﺓ ﺍﻟﺤﻀﻮﺭ ﻭﺍﻟﺘﺄﻟﻖ‪ .‬ﺟﺬﻭﺓ ﻣﺪﻳﻨ ِﺘﻚ‪ ،‬ﺃﻳﻘﻮﻧﺘﻬﺎ ﺍﻟﻤﺘﻨ ﱢﻘﻠﺔ‪.‬‬
‫ُ‬ ‫ُ‬ ‫ﱠ‬
‫ُ‬
‫ﻳﺴﻜﻦ ﻭﺃﻭﻻﺩَﻩ‬ ‫ٌ‬
‫ﺻﻮﺕ َﻣ َﺪ ِﻧ ﱞﻲ ﻧﺎﺟﻊ ﻓﻲ ﺯﻣﻦ ﺍﻟﻘﺒﻴﻠﺔ ﻭﺍﻟﻬﻤﺠ ّﻴﺔ‪ ...‬ﻫﺎﻫﻮ‬
‫ﻋﺴﻜﺮﻱ‬
‫ﱞ‬ ‫ُ‬
‫ﻳﻤﺘﻠﻚ‬ ‫ﻣﺘﺮ ﻣﺮﺑﻊ ﻓﻲ ﺫﻟﻚ ﺍﻟﺸﺎﺭﻉ! ﻓﻴﻤﺎ‬ ‫ﻭﺃﺣﻔﺎﺩَﻩ ﻓﻲ ‪ٍ 60‬‬
‫ﻋﺪﻥ ﻗﺒﻞ ﺫﻟﻚ ﺍﻟﻴﻮﻡ‪،‬‬ ‫ﻗﺪﻣ ُﻪ َ‬
‫ﺼﺮﻱ ‪ 7‬ﻳﻮﻟﻴﻮ ‪ ،1994‬ﻟﻢ ﺗﻄﺄ ُ‬ ‫ﻣﻦ ُﻣ ْﻨ َﺘ ﱢ‬
‫ﻣﺮﺓ ﻣﺴﺎﺣ َﺔ‬ ‫ﺃﺭﺽ ﺗﺒﻠ ُﻎ ﻣﺴﺎﺣ ُﺘﻬﺎ ﺃﻛﺜﺮ ﻣﻦ ﺗﺴﻌﻴﻦ ﺃﻟﻒ ﱠ‬ ‫ﻗﻄﻌ َﺔ ٍ‬
‫ﻛﻴﻠﻮﻣﺘﺮﺍﺕ ﻓﻘﻂ ﻣﻦ ﺫﻟﻚ‬
‫ٍ‬ ‫ﻣﻨﺰﻝ ﺃﺳﺘﺎ ِﺫﻙ ﺍﻟﺮﺍﺋﻊ‪ ،‬ﻋﻠﻰ ﺑُﻌﺪ ﺑﻀﻌ ِﺔ‬‫ِ‬
‫ﺍﻟﻤﻨﺰﻝ!‪...‬‬

‫ﻟﻢ َﺗ ِﺠ ْﺪ ﻣﻨﺬ ﺳﺎﻋﺎﺗﻚ ﺍﻷﻭﻟﻰ ﻓﻲ ﺍﻟﻴﻤﻦ ﺻﻌﻮﺑ ًﺔ ﻓﻲ ﺭﺅﻳﺔ‬

‫ﻣﺰﻳﺞ ﺑﻴﻮﻟﻮﺟﻲ ﻣﻦ ﺍﻟﺮﺧﻢ‬ ‫ٌ‬ ‫ﺃﺳﻄﻮﺭﻱ ﺍﻟﺤﺠﻢ‪،‬‬
‫ﱢ‬ ‫ﺧﺮﺍﺏ ﻛﺎﺳﺮ‪،‬‬‫ٍ‬ ‫ﻃﺎﺋﺮ‬
‫َ‬
‫ﻋﻴﻮﻥ‬ ‫ُ‬
‫ﻳﺄﻛﻞ ﺟﻴ َﻔﻬﺎ‪ ،‬ﻳﻨﻘ ُﺮ‬ ‫ﺑﺎﺏ ﻣﻤﻠﻜ ِﺔ ﺍﻟﺨﺮﺍﺏ‪،‬‬ ‫ﻳﺤﺮﺱ َ‬
‫ُ‬ ‫ﻭﺍﻟﻐﻮﻝ‪،‬‬
‫ﺟﻮﻑ ﺍﻟﻠﻴﻞ‪ ،‬ﻳﻌﺘﺪﻱ ﻋﻠﻰ‬ ‫ِ‬ ‫ﺍﻟﺘﻬﺎﻡ ُﺟ َﺜ ِﺜﻬﻢ‪ ،‬ﻳﻨﻬ ُﺒﻬﺎ ﻓﻲ‬
‫ِ‬ ‫ﺳ ﱠﻜﺎ ِﻧﻬﺎ ﻗﺒﻞ‬ ‫‪148‬‬
‫ً‬ ‫ّ‬
‫ﺃﺻﻐﺮﻫﻢ ﻭﺃﺿﻌ ِﻔﻬﻢ ﻭﺃﻗﻠﻬﻢ ﻣﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﺼﻤﻮﺩ‬ ‫ِ‬ ‫ﻃﻴﺮﻫﺎ‪ ،‬ﻋﻠﻰ‬
‫ُﻐﺎﺙ ِ‬
‫ﺑ ِ‬
‫ﻭﺍﻟﻤﻘﺎﻭﻣﺔ‪...‬‬
 ‫ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ‬ ‫ﺣﻲ‬
‫ﺗﺄﺧﺬ ﺗﺎﻛﺴ ّﻴﴼ ﻳﻌﺒ ُﺮ ﺑﻚ ﻣﻦ ﱢ‬ ‫ﻗﺒﻴﻞ ﺍﻟﻐﺮﻭﺏ‪ُ ،‬‬
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‫ﺍﻟﻤﻤﺘﺪ ﻋﻠﻰ‬ ‫ﱢ‬ ‫ﺣﻲ ﺧﻮﺭﻣﻜﺴﺮ‪ ،‬ﺑﺎﺗﺠﺎ ِﻩ ﻛﻮﺭﻧﻴﺶ »ﺳﺎﺣﻞ ﺃَ ْﺑ َﻴﻦ«‬ ‫ﻧﺤﻮ ﱢ‬
‫ﺍﻟﻤﺮﺗﺼ َﺔ‬
‫ﱠ‬ ‫ﺍﻟﻄﺒﻴﻌﻴ َﺔ‬
‫ﱠ‬ ‫ﺍﻟﻤﺤﻤﻴﺎﺕ ﺍﻟﺒﺤﺮ ّﻳ َﺔ‬
‫ﱠ‬ ‫ﺷﻮﺍﻃﺌﻬﺎ‪ .‬ﻳﻌﺒ ُﺮ ﺍﻟﺘﺎﻛﺴﻲ‬
‫ﺗﺘﺬﻛ ُﺮ‬
‫ﱠ‬ ‫ﻋﺪﻥ‪ :‬ﺍﻟﻮﺍﺣﺔ ﻭﺍﻟﺨﻠﻴﺞ )‪.(4‬‬ ‫ْ‬
‫ﻛﻤﺮﺑﻌﺎﺕ ﺷﻄﺮﻧﺞ ﺑﻴﻦ ُﻗﻄ َﺒﻲ َ‬
‫ﻗﺒ َﻠ َﺘ َﻚ ﺍﻷﻭﻟﻰ ِﻹﻟﻬﺎﻡ‪ ،‬ﻓﻲ ‪ 22‬ﻣﺎﻳﻮ ‪ ،1990‬ﻓﻲ ﺗﻘﺎﻃﻊ ﺍﻷﻃﻠﺴﻲ‬
‫ﻧﻔﺲ ﻫﺬﺍ ﺍﻟﻨﻮﻉ‬ ‫ُﺸﺒ ُﻪ ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ‪ ،‬ﻳﺠﺎﻭ ُﺭ ُﻩ ُ‬ ‫ﺷﺎﻃﺊ ﻳ ِ‬‫ٍ‬ ‫ﺑﺎﻟﻤﺘﻮﺳﻂ‪ ،‬ﻓﻲ‬
‫‪149‬‬ ‫ﺍﻟﻨﺤﺎﻡ‪ ...‬ﻣﺎ‬ ‫ﻧﻔﺲ ﻃﻴﻮﺭ ّ‬ ‫ﺍﻟﺒﺤﺮﻳﺔ ﺍﻟﺘﻲ ﺗﺮﺗ ُﻊ ﻓﻴﻬﺎ ُ‬ ‫ﱠ‬ ‫ﻌﺎﺕ‬
‫ﺍﻟﻤﺮﺑ ِ‬
‫ﱠ‬ ‫ﻣﻦ‬
‫ﺍﻟﺠﻐﺮﺍﻓﻲ ﺃﺣﻴﺎﻧﴼ! ُﺻ ِﻌﻘ َﺖ ﻭﺃﻧﺖ ﺗﻌﺒ ُﺮ ﺑﺎﻟﺘﺎﻛﺴﻲ‬ ‫ْ‬ ‫ّ‬ ‫ﺃﺭﻫﺐ ﺍﻟﺘﺸﺎﺑﻪ‬
‫ﺲ‬ ‫ﻛ ِﺒ َﺴ ْﺖ ﺃﺟﺰﺍ ٌﺀ ﻛﺜﻴﺮ ٌﺓ ﻣﻨﻬﺎ‪ُ ،‬ﺗ ْﺨ َﺘ َﻠ ُ‬ ‫ﺍﻟﻤﺤﻤﻴﺎﺕ! ﺿﻤ َﺮ ْﺕ‪ُ ،‬‬
‫ﱠ‬ ‫ﻫﺬﻩ‬
‫َﺒﻖ ﺍﻟﻴﻮﻡ ﺇﻻ ﻋﺪ ٌﺩ ﺿﺌﻴ ٌﻞ‬ ‫ﻣﻨﻬﺎ ﺍﻟﻘﻄﻌ ُﺔ ﺍﻷﺭﺿﻴﺔ ﺗﻠ َﻮ ﺍﻷﺧﺮﻯ‪ ...‬ﻟﻢ ﻳ َ‬
‫ﺃﺑﺸﻊ ﻃﺎﺋﺮ‬ ‫َ‬ ‫ﺑﻴﺌﻴ ٌﺔ ُﻣﺮﻋﺒﺔ! ﻣﺎ‬ ‫ﺻﺎﻣ ٌﺪ ﻣﻦ ﻃﻴﻮﺭ ﺍﻟ ُﻨ ﱠﺤﺎﻡ! ﻛﺎﺭﺛ ٌﺔ ﱠ‬
‫ُﻨﻤ ُﻖ ﻟﻮﺣ َﺘ ُﻪ ﻳﻮﻣﴼ ﺑﻌﺪ ﻳﻮﻡ!‪...‬‬ ‫ﺍﻟﺨﺮﺍﺏ ﻭﻫﻮ ﻳ ﱢ‬
‫ﺃﻭﺟﺎﻉ ﻭﻣﺂﺳﻲ‬ ‫ُﻮﺍﺳﻴﻚ ﻣﻦ‬ ‫َ‬ ‫َ‬
‫ُﺴﺎﻧﺪﻙ ﻭﻳ‬ ‫ﻭﺣﺪ ُﻩ ﺍﻟﺒﺤ ُﺮ ﻳ‬
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‫ﺗﺼﻞ ﻋﻨﺪ ﺍﻟﻐﺮﻭﺏ ﺇﻟﻰ‬ ‫ُ‬ ‫ﺼﺪﻉ‪...‬‬ ‫ﻫﺬﺍ ﺍﻟﺒﻠﺪ‪ِ ،‬ﻣﻦ َﺿ َﻨ ِﻚ ﻭﺍ ِﺩﻳﻬﺎ ُ‬
‫ﺍﻟﻤ َﺘ ﱢ‬
‫ﻳﻤﻜﻦ ﺍﻟﺘﻤ ﱡﺮ ُﻍ‬ ‫ُ‬ ‫ﺎﻑ ُﺯ ٍ‬
‫ﻻﻝ‬ ‫ﻧﻘﻲ ﺷ ّﻔ ٍ‬ ‫ﱟ‬ ‫ﺗﻘﻒ ﻭﺣﻴﺪﴽ ﺃﻣﺎﻡ ﻣﺎ ٍﺀ‬ ‫ﺍﻟﻜﻮﺭﻧﻴﺶ‪ُ .‬‬
‫ﻟﻚ ﺃﻥ ﺗﺤﻠﻢ‪ :‬ﻣﺎ ٌﺀ‬ ‫ﻛﻞ ﺃﻳﺎﻡ ﺍﻟﺴﻨﺔ‪ ،‬ﻟﻴﻞ ﻧﻬﺎﺭ‪َ .‬‬ ‫ﻓﻲ ﻛﺜﺒﺎﻧ ِﻪ ﺍﻟﺪﺍﻓﺌﺔ ﱠ‬
‫ِﺑﺪﺭﺟ ِﺔ ﺣﺮﺍﺭ ٍﺓ ُﻣ ْﺜﻠﻰ ﺗﺮﺍﻭﺡ ﺣﻮﻝ ‪ 28‬ﺩﺭﺟﺔ ﻃﻮﺍﻝ ﺍﻟﻌﺎﻡ!‬
‫ُ‬
‫ﻳﻐﺴﻞ‬ ‫ﻋﺬﺏ ﺭﻗﻴﻖ‪،‬‬ ‫ﺍﻷﻣﻮﺍﺝ ﻋﻨﺪ ﺃﻗﺪﺍﻣﻚ ﺑﻬﺪﻭ ٍﺀ ٍ‬ ‫ﻳﻨﺘﻬﻲ ُﺯ ُ‬
‫ﺑﺪ‬
‫ِ‬
‫ﺧﻔﻴﻒ ﻳُﺴﻜ ُﺮ ﺳﺎﻣﻌﻴﻚ‪.‬‬ ‫ٌ‬ ‫ٌ‬
‫ﺃﺷﻴﺶ‬ ‫ﺃﻃﺮﺍﻑ ﺃﺻﺎﺑ ِﻌﻚ ﺑﻨﻌﻮﻣ ٍﺔ ﻗﺼﻮﻯ‪.‬‬
‫ﺱ ﻃﻮﻯ‪ .‬ﺗﻀ ُﻌﻬﻤﺎ ﻓﻲ ﺣﻘﻴﺒ ِﺔ‬ ‫ُ‬ ‫ﺍﻟﻤﻘﺪ ِ‬
‫ﱠ‬ ‫ﺍﻟﺴﺎﺣﻞ‬
‫ِ‬ ‫ﺗﺨﻠ ُﻊ ﻧﻌﻠﻴﻚ ﻷﻧﻚ ﻓﻲ‬
‫ﻻﺳﻴﻤﺎ‬‫ﱠ‬ ‫ﺣﻤ َﻠ ْﺘﻬﺎ ﺇﻟﻬﺎ ُﻡ ﻋﻠﻰ ﻇﻬﺮﻫﺎ‪،‬‬ ‫ﺍﻟﻮﺭﺩﻳﺔ ﺍﻟﺘﻲ ﻃﺎﻟﻤﺎ ِ‬ ‫ﱠ‬ ‫ﻬﺮﻙ‬ ‫َﻇ ِ‬
‫ﺑﻠﺬ ٍﺓ ﻛﺒﻴﺮﺓ ﻭﺍﻷﻣﻮﺍﺝ ﺍﻟﺼﻐﻴﺮﺓ ﺗﻨﻜﺴ ُﺮ‬ ‫ﻓﻲ ﻟﻴﻠﺔ ﻭﺍﺩﻱ ﺭﻡ‪ ...‬ﺗﺸﻌﺮ ﱠ‬
‫ﻋﻠﻰ ﺃﻃﺮﺍﻑ ﺭﺟﻠﻴﻚ ﺍﻟﻌﺎﺭﻳﺘﻴﻦ‪ ،‬ﺍﻷﻭﻟﻰ ﺑﻌﺪ ﺍﻷﺧﺮﻯ‪ ،‬ﺑﺮﺗﺎﺑ ٍﺔ ﺳﺎﺣﺮﺓ‪.‬‬
‫ﻼ ﻋﻦ ﻣﺼﺎﺋﺐ ﺍﻟﺠﻮﻉ ﻭ»ﺍﻻﻏﺘﺼﺎﺏ ﺍﻟﺴﻴﺎﺣﻲ«‬ ‫ﻳﺒﺘﻌﺪ ﺫﻫ ُﻨ َﻚ ﻗﻠﻴ ً‬
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‫ﻭ»ﺍﻻﻏﺘﺼﺎﺏ ﺍﻟﺠﻐﺮﺍﻓﻲ« ﺍﻟﺘﻲ ﺃﺭ َﻭ َﻋ ْﺘ َﻚ ﻣﻨﺬ ﱠﺃﻭﻝ ﺳﺎﻋﺎﺕ ﻭﺻﻮﻟﻚ‬
‫ﺇﻟﻰ ﻣﻤﻠﻜﺔ ﺍﻟﺨﺮﺍﺏ‪...‬‬
‫ﺗﺘﺨﺎﻳﻞ ﻣﻌﺸﻮﻗ َﺘ َﻚ ﺍﻟﺨﺎﻟﺪﺓ‪ ،‬ﺇﻟﻬﺎﻡ‪ ،‬ﻋﺮﻭﺳﺔ ﺍﻟﺒﺤﺮ‪ ،‬ﺍﻟﻌﺎﺷﻘﺔ‬ ‫ُ‬
‫ﺑﺠﺎﻧﺒﻚ ﻫﻨﺎ ﻓﻲ ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ!‬ ‫َ‬ ‫ِﻟﺪﺭﺟﺔ ﺍﻟﻤﺮﺽ ِﻟﻠﻤﺎﺀ ﻭﺍﻷﻣﻮﺍﺝ‪،‬‬
‫ﻓﻲ ﻣﻮ ِﻗ ِﻌﻬﺎ ﺍﻷﻣﺜﻞ‪ :‬ﺍﻟﺒﺤﺮ!‪ ...‬ﺗﺘﺨﺎﻳﻠﻬﺎ ﺃﻣﺎﻣﻚ ﻛﻤﺎ ﻛﺎﻧﺖ ﻳﻮﻡ‬
‫ﺗﻮﺣ ِﺪﻛﻤﺎ ﻓﻲ ‪ 22‬ﻣﺎﻳﻮ ‪ ،1990‬ﻓﻲ ﺗﻘﺎﻃﻊ ﺍﻷﻃﻠﺴﻲ ﻭﺍﻟﻤﺘﻮﺳﻂ‪.‬‬ ‫ﱡ‬
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‫ﺳﺤ ٌﺮ ﺧﺎﻟﺺ‪َ ،‬ﺧ ْﺼ ٌﺮ ﻳﻤﻜﻦ ﺇﺣﺎﻃﺘﻪ ﺑﻨﺼﻒ ﻳﺪ‪ ،‬ﻋﺬﻭﺑﺔ ُﻣﻄﻠﻘﺔ‪...‬‬
‫ﺇﻟﻬﺎﻡ ‪ 22‬ﻣﺎﻳﻮ ‪1990‬‬ ‫َ‬ ‫ُﺗ ُ‬
‫ﻌﻴﺪ ﻫﻨﺎ ﺑﻼ ﻭﻋﻲ‪ ،‬ﻓﻲ ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ‪ ،‬ﺻﻴﺎﻏﺔ ِ‬
‫ﺑﺪﻭﻥ ﺗﻠﻚ ﺍﻟﻘﺒﻠﺔ ﺍﻟﺠﺎﻣﺪﺓ ﺍﻟﻤﻨﻐﻠﻘﺔ‬ ‫ﺑﺸﻜﻞ ﺁﺧﺮ‪ ،‬ﻛﻤﺎ ﺗﻬﻮﺍ ُﻩ ﺗﻤﺎﻣﴼ‪ِ ،‬‬ ‫ٍ‬ ‫‪150‬‬
‫ﺗﻬﻀﻤﻬﺎ‬
‫ْ‬ ‫ﺩﺷ َﻨ ْﺖ ﺣﻴﺎ َﺗﻜﻤﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ‪ .‬ﺁﻩ‪ ،‬ﺗﻠﻚ ﺍﻟﻘﺒﻠﺔ ﺍﻟﺘﻲ ﻟﻢ‬ ‫ﺍﻟﺘﻲ ﱠ‬
‫ﺍﻟﺘﺎﺭﻳﺨﻲ ﺍﻟﺨﺎﻟﺪ!‪...‬‬
‫ﱢ‬ ‫ﻣﻨﺬ ﺿﺤﻰ ﺫﻟﻚ ﺍﻟﻴﻮﻡ‬
‫ﻫﻲ ﻓﻲ ﺧﻴﺎﻟﻚ ﺍﻵﻥ ﺑﺠﺎﻧﺒﻚ ﻓﻲ ﺃﻃﺮﺍﻑ ﻧﻬﺎﻳﺔ ﺃﻣﻮﺍﺝ‬
‫ﺲ َﻧﻌﻠﻴﻚ ﻓﻲ ﻧﻔﺲ‬ ‫ﺍﻟﻘﺪ َﻣﻴﻦ! ﻧﻌﻼﻫﺎ ُﺗ ِ‬
‫ﻼﻣ ُ‬ ‫ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ! ﺣﺎﻓﻴﺔ َ‬
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‫ﺍﻟﺤﻘﻴﺒ ِﺔ ﺍﻟﻮﺭﺩ ّﻳ ِﺔ ﺍﻟﺘﻲ ﺗﺤﻤﻠﻬﺎ ﻓﻮﻕ ﻇﻬﺮﻙ!‪ ...‬ﺍﻟﻘﻤ ُﺮ ﻓﻲ ﻋﻠﻴﺎﺀ‬
‫ﻳﺘﺤﻮﻝ ﺑﺪﺭﴽ ﺑﻌﺪ‬ ‫ﱠ‬ ‫ُ‬
‫ﻳﻮﺷﻚ ﺃﻥ‬ ‫ﺍﻟﺒﺤﺮ ﻓﻲ ﻧﻬﺎﻳﺔ ﻃﻮﺭ ﺍﻟﺘﺮﺑﻴﻊ ﺍﻷﻭﻝ‪،‬‬
‫ﺗﺤﺪ ُﻕ ﻣﻠ ّﻴﴼ ﺑﻀﻮﺀ ﺍﻟﻘﻤﺮ‬ ‫ﻧﺴﻤﺎﺕ ﺭﻗﻴﻘ ٌﺔ ﺗﺪﺍﻋﺒﻜﻤﺎ‪ .‬ﱢ‬ ‫ٌ‬ ‫ﻳﻮﻡ ﺃﻭ ﻳﻮﻣﻴﻦ‪.‬‬ ‫ٍ‬
‫ﺟﻤﺎﻝ ﺍﻧﻌﻜﺎﺳﺎﺗﻪ ﺍﻟﻔﻀ ّﻴﺔ ﻓﻲ ﺑﺮﻳﻖ‬ ‫ِ‬ ‫ﺗﺬﻭﺏ ﺃﻣﺎﻡ‬
‫ُ‬ ‫ﻳﻌﺎﻧﻖ ﺑﺸﺮ َﺗﻬﺎ‪.‬‬
‫ُ‬ ‫ﻭﻫﻮ‬
‫ﻼ ﺑﺎﺗﺠﺎﻩ ﻋﺮﺽ ﺍﻟﺒﺤﺮ‪،‬‬ ‫ﺍﻟﺴﻨﻴ َﺘﻴﻦ‪ ...‬ﺗﺴﻴﺮﺍﻥ ﻃﻮﻳ ً‬
‫ﱠ‬ ‫ﻋﻴﻨﻴﻬﺎ ﻭﻭﺟﻨﺘﻴﻬﺎ‬
‫ﺗﺒﺘﻌﺪﺍﻥ ﻋﻦ ﺭﻣﻞ ﺍﻟﺸﺎﻃﺊ‪ ،‬ﻋﻦ ﺃﻋﻴﻦ ﺍﻷﻃﻔﺎﻝ ﻭﺍﻟﻤﻘﺮﻓﺼﻴﻦ ﻋﻠﻰ‬
‫ﺍﻟﺮﻣﻞ ﻗﺮﺏ ﻧﻬﺎﻳﺔ ﺍﻷﻣﻮﺍﺝ‪ ...‬ﺗﻔﻮ ُﺡ ﻣﻦ ﺇﻟﻬﺎﻡ ﺭﺍﺋﺤ ٌﺔ ﻧﻘ ّﻴ ٌﺔ ﺩﺍﻓﻘﺔ‬
‫ﺟﺴﺪﻫﺎ ﻣﻦ ﺃﻗﺼﻰ ﺍﻟﺮﺃﺱ ﺣﺘﻰ ﺍﻟﻘﺪﻣﻴﻦ‪ :‬ﺭﺍﺋﺤﺔ ﺍﻟ ُﻔ ﱢﻞ‬ ‫ِ‬ ‫ﺗﻜﺘﺾ ﻓﻲ‬ ‫ﱡ‬
‫ﻳﻤﻸ ﺧﻴﺎﺷﻴﻤﻚ‪،‬‬ ‫ُ‬ ‫ُ‬
‫ﺗﻌﺒﺪ ُﻩ ﺇﻟﻬﺎ ُﻡ ِﻋﺒﺎﺩﺓ! ﺷﺬﺍ ُﻩ‬ ‫ﺍﻟﺬﻱ‬ ‫)‪(11‬‬
‫ﺍ ْﻟ َﻠ ْﺤ ِﺠ ّﻲ‬
 ‫ﻳﺄﺳﺮﻙ‪ ،‬ﻳُﺴﻜ ُﺮ َﻙ ُﺳﻜﺮﴽ‪...‬‬
‫َ‬
‫ﻣﺘﻸﻟﺊ ﻧﺎﻋﻢ‪َ .‬ﺟ ْﺰ ُﺭ ﺍﻟﺒﺤﺮ ﻟﻢ ﻳﻜﻦ ﻳﻮﻣﴼ ﺑﻬﺬﺍ‬ ‫ٌ‬ ‫ﻃﺮﻱ‬
‫ﺍﻟﻠﻴﻞ ﱞ‬‫ُ‬
‫ﺍﻻﻣﺘﺪﺍ ِﺩ ﺍﻟﺸﺎﺳﻊ! ﺍﻟﺠ ْﺰ ُﺭ ﻗﻄﻴﻔ ٌﺔ ﺗﺤﺖ ﺭﺟﻠﻴﻜﻤﺎ‪ ،‬ﻛﺄﻧﻜﻤﺎ َﻧ ِﺒ ﱠﻴﺎﻥ‬
‫ﻳﺴﻴﺮﺍﻥ ﻓﻮﻕ ﺍﻟﻤﺎﺀ! ﺗﺒﺘﻌﺪﺍﻥ ﻋﻦ ﺍﻷﻧﻈﺎﺭ ﻛﺜﻴﺮﴽ ﻭﺃﻧﺘﻤﺎ‬ ‫ِ‬ ‫ﺗﻮﺭﺍﺗ ّﻴﺎﻥ‬
‫ﺗﺘﻮﻏﻼﻥ ﺩﺍﺧﻞ ﺍﻟﺒﺤﺮ‪ ،‬ﺩﻭﻥ ﺃﻥ ﻳﺮﺗﻔﻊ ﺍﻟﻤﺎ ُﺀ ﺃﺳﻔﻞ ﺭﺟﻠﻴﻜﻤﺎ ﺃﻛﺜﺮ‬ ‫ﱠ‬
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‫ﺍﻟﻘﺪ ُﺭ ﻭﺍﻟﺠﺰﺭ ﻳﻮﻣﴼ ﺣﻠﻴﻔ َﻴﻦ‬ ‫َ‬ ‫ّ‬
‫ﻣﻦ ﺳﻨﺘﻤﺘﺮﺍﺕ ﻗﻠﻴﻠﺔ‪ .‬ﻗﻠﻤﺎ ﻛﺎﻥ‬
‫ِﻟﻠﻌﺸﻖ ﻛﻬﺬﺍ ﺍﻟﻴﻮﻡ!‪...‬‬
‫ﻠﻌﺸﻖ ﻛ ﱢﻠﻴ ًﺔ ﻫﺬﻩ‬ ‫ﻬﻴﺄ ٌﺓ ِﻟ ِ‬ ‫ﺑﻜﻞ ﺟﻤﺎ ِﻟﻬﺎ ﺍﻟﺨﺎﻟﺪ‪ُ ،‬ﻣ ﱠ‬ ‫ﺇﻟﻬﺎﻡ‪ ،‬ﱢ‬
‫ﻛﻞ ﺧﻼﻳﺎﻫﺎ‪ ،‬ﻻ ﺗﻨﺘﻈ ُﺮ ﺇﻻ ﺍﻟﻌﺸﻖ‪ ،‬ﻻ ﺗﺘﻨﻔﺲ‬ ‫ﻛﻞ ُﻏ َﺪ ِﺩﻫﺎ‪ ،‬ﱡ‬ ‫ﺍﻟﻤﺮﺓ! ﱡ‬
‫ﻼ ﻋﻦ‬ ‫ﺗﺘﺤﺪﺛﺎﻥ ﻃﻮﻳ ً‬ ‫ﱠ‬ ‫ﺗﺤﺘﺮﻕ ﺇﻻ ﻣﻦ ﺃﺟﻞ ﺍﻟﻌﺸﻖ!‪...‬‬ ‫ُ‬ ‫ﺇﻻ ﺑﺎﻟﻌﺸﻖ‪ ،‬ﻻ‬
‫ﻛﻞ ﻣﻮﺟ ٍﺔ ﺻﻐﻴﺮ ٍﺓ ُﺗﻼﻣﺲ ﺭﺟﻠﻴﻜﻤﺎ‪،‬‬ ‫ﻣﻮﺍﺿﻴﻊ ﺗﺎﻓﻬﺔ ﻛﺜﻴﺮﺓ‪ :‬ﻋﻦ ﱢ‬
‫ﻛﻞ ﻣﻮﺟ ٍﺔ ﻣﻘﺎﺭﻧ ًﺔ ﺑﺎﻷﺧﺮﻳﺎﺕ ﻣﻦ ﺍﻟﻤﻮﺝ‪ ،‬ﻋﻦ ِ‬
‫ﻭﺷﻚ‬ ‫ﻋﻦ ﺗﻤ ﱡﻴ ِﺰ ﻫﻴﺌ ِﺔ ﱢ‬
‫‪151‬‬ ‫ﻳﻮﻣﻴﻦ‪ ،‬ﻋﻦ ﺍﻟﻨﺴﻤﺎﺕ ﺍﻟﺠﻤﻴﻠﺔ‪ ،‬ﻋﻦ‬ ‫ﻳﻮﻡ ﺃﻭ َ‬ ‫ﺍﻛﺘﻤﺎﻝ ﺍﻟﻘﻤﺮ ﺑﻌﺪ ٍ‬ ‫ِ‬
‫ﺃﺣﺰﺍﻥ ﺍﻟﻤﺪﻳﻨﺔ‪ ...‬ﻻ ﺗﻌﺮﻓﺎﻥ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻛﻴﻒ ُﺗﻬﻴﺌﺎﻥ ﺍﻟﻮﺻﻮﻝَ‬
‫ﺇﻟﻰ ُﻗﺒﻠ ِﺘﻜﻤﺎ ﺍﻷﻭﻟﻰ‪ ،‬ﻛﻴﻒ ﺗﻔﺎﻭﺿﺎﻥ ﻫﺬﻩ ﺍﻟ ُﻘﺒﻠﺔ ﺍﻟﺘﻲ ﺗﺘﻮﻗﺎﻥ ﺇﻟﻴﻬﺎ‬
‫ﻭﺗﺪﻭﺭﺍﻥ ﺣﻮﻟﻬﺎ ﺑﺠﻨﻮﻥ!‪...‬‬ ‫ِ‬ ‫ﻭ ُﺗﻠ ﱠﻔ ِ‬
‫ﺎﻥ‬
‫»ﺍﻟﺜﻘﻮﺏ‬
‫ِ‬ ‫ﻣﻨﺎﻃﻖ‬
‫ِ‬ ‫»ﺍﻟﺜﻘﺐ ﺍﻷﺳﻮﺩ«!‪ِ ...‬ﻣ ُ‬
‫ﺜﻞ‬ ‫ِ‬ ‫ﺛ ّﻢ ﺗﺒﺪﺃُ ﻟﺤﻈ ُﺔ‬
‫ﻛﻞ ﺷﻲﺀ‪ ،‬ﺍﻟﺘﻲ‬ ‫ﺗﻤﺘﺺ ﱠ‬ ‫ﱡ‬ ‫ﺍﻟﺴﻮﺩﺍﺀ« ﻓﻲ »ﺍﻟﺰﻣﻜﺎﻥ« ﺍﻟﻔﻴﺰﻳﺎﺋﻲ ﺍﻟﺘﻲ‬
‫»ﺍﻟﺜﻘﺐ‬
‫ِ‬ ‫ﺗﻤﺘﺺ ﻟﺤﻈ ُﺔ‬ ‫ﱡ‬ ‫ﻳﻔﻠﺖ ﻣﻨﻬﺎ ﺷﻲ ٌﺀ ﺣ ّﺘﻰ ﺍﻟﻀﻮﺀ؛ ِﻣﺜ ُﻠﻬﺎ‬ ‫ُ‬ ‫ﻻ‬
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‫ﺗﺤﺘﻔﻆ‬ ‫ﺍﻟﻤﺘﻠﻌﺜﻤﺔ‪.‬‬‫ﻛﻞ ﺫﻛﺮﻳﺎﺕ ﻋﺒﺎﺭﺍﺗﻜﻤﺎ ﻭﻧﻈﺮﺍﺗﻜﻤﺎ ُ‬ ‫ﺍﻷﺳﻮﺩ« ﱠ‬
‫ﺛﻮﺍﻥ ﻗﻠﻴﻠﺔ‪ ،‬ﻃﻮﻳﻠ ًﺔ‬ ‫ﺟﻮﻑ ﺍﻟ َﻌﺪﻡ‪ .‬ﺗﺪﻭ ُﻡ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﺍﻟﻬﺎﺭﺑﺔ ٍ‬ ‫ﺑﻬﺎ ﻓﻲ ِ‬
‫ﻷﻭﻝ ﻣﺮﺓ‪ ،‬ﻓﻲ ﻟﺤﻈ ٍﺔ ﻫﻮﺍﺋﻴ ٍﺔ‬ ‫ﺟﺪﴽ ﻣﻊ ﺫﻟﻚ‪ ...‬ﻗﺒﻞ ﺃﻥ ﺗﺘﻌﺎﻧﻘﺎﻥ ﻓﺠﺄﺓ‪ ،‬ﱠ‬ ‫ّ‬
‫ﺣﻮﺍﺳﻚ ﻣﻌﴼ‪ ،‬ﺗﺴﺘﺤﻮ ُﺫ ﱠ‬
‫ﻛﻞ‬ ‫َ‬ ‫ﻛﻞ‬
‫ﺗﻤﺘﺺ ﱠ‬‫ﱡ‬ ‫ﻛﺜﻴﻔ ٍﺔ ﻏﺎﻣﻀ ٍﺔ ُﻣﻄ ْﻠ َﺴﻤﺔ‬
‫ﻛﻞ ﺟﺴﺪﻙ!‪...‬‬ ‫ُ‬
‫ﺗﺴﺘﻐﺮﻕ ﱠ‬ ‫ﺗﺄﻣﻼﺗﻚ ﻭﺗﺮﻛﻴﺰﻙ‪،‬‬
‫ﺗﺘﺬﻛ َﺮ ﺗﻔﺎﺻﻴﻞ ﺛﻮﺍﻧﻲ »ﺍﻟﺜﻘﺐ‬ ‫ﱠ‬ ‫ﺸﺖ ﺃﻥ‬‫ﺳﺘﺤﺎﻭﻝ ﻣﺎ ِﻋ َ‬
‫ﺍﻷﺳﻮﺩ« ﺍﻟﺘﻲ ﺳﺒﻘﺖ ﺗﻠﻚ ﺍﻟﻘﺒﻠﺔ‪ ،‬ﻋﺒﺎﺭﺍ ِﺗﻬﺎ ﺍﻟﻤﺮﺗﺠﻔ َﺔ ﻭﻧﻈﺮﺍ ِﺗﻬﺎ‬
‫ﺍﻟﺨﺠﻮﻟﺔ‪ ،‬ﺇﺭﻫﺎﺻﺎ ِﺗﻬﺎ ﺍﻟﺘﻲ ﺃﺳﻘﻄﺘﻜﻤﺎ ﺻﺮﻳﻌ َﻴﻦ ﻓﻲ ﻣﺤﺮﺍﺏ‬
‫ﺍﻟ ُﻘﺒﻠﺔ!‪ ...‬ﻋﺒﺜﴼ! ﻟﻦ ﺗﺴﺘﻌﻴﺪ ﺗﻠﻚ ﺍﻟﺘﻔﺎﺻﻴﻞ ﺍﻟﺼﻐﻴﺮﺓ ﺃﺑﺪﴽ! ﻫﻲ‬
‫ُ‬
‫ﺗﺘﺄﺭﺷﻒ‬ ‫ﻣﺨﻄﻮﻃ ٌﺔ ﻓﻲ ﺍﻷﻟﻮﺍﺡ ﺍﻟﻤﺤﻔﻮﻇﺔ ﻵﻟﻬﺔ ﺍﻟﻌﺸﻖ ﻻ ﻏﻴﺮ! ﻻ‬
‫ﺍﻟﻌﺸﻖ ﺍﻟﺼﺎﺩﻗ ِﺔ‬
‫ِ‬ ‫ﺣﺎﻝ ُﻗﺒﻠ ِﺔ‬ ‫ﻓﻲ ﺍﻟﺬﺍﻛﺮﺓ ﺍﻹﻧﺴﺎﻧﻴﺔ! ﺫﻟﻚ ﻫﻮ ُ‬
‫َﺩ ْﻭﻣﴼ!‪...‬‬
‫ﺗﺘﺬﻛ ُﺮ ُﻩ ﺟ ّﻴﺪﴽ ﺣﺼﻞ ﺑﻌﺪ ﺫﻟﻚ ﻣﺒﺎﺷﺮﺓ‪ :‬ﺛﻐ ُﺮ ﺇﻟﻬﺎﻡ‬ ‫ﱠ‬ ‫ﻣﺎ‬
‫ﺗﺠﻠﻴﺎﺗﻪ ﻋﻨﺪ ﺑﺪﺀ ﺗﻠﻚ‬ ‫ﱠ‬ ‫ﻭﺃﺷﺒﻖ‬
‫ِ‬ ‫ﻭﺃﺭﺿﺐ‬
‫ِ‬ ‫ﻭﺃﺭﻏﺪ‬
‫ِ‬ ‫ﻭﺃﻋﺬﺏ‬
‫ِ‬ ‫ﺃﺭﻕ ﻭﺃﺩﻓ ِﺄ‬
‫ﻓﻲ ﱢ‬
‫ُ‬
‫ﻳﻨﺘﻈﺮﻙ ﻣﻨﺬ ﺍﻷﺯﻝ‪ .‬ﻛﻤﺎ ﻟﻮ ﻛﺎﻥ ﻳﺘﻬﻴﺄ ﺃﺑﺪﴽ‬ ‫َ‬ ‫ﺍﻟﻘﺒﻠﺔ! ﻛﻤﺎ ﻟﻮ ﻛﺎﻥ‬
‫ﻳﺘﻘﺎﺑﻞ ﺛﻐﺮﺍﻛﻤﺎ‪،‬‬‫ُ‬ ‫ﻻﺣﺘﻮﺍﺋﻚ‪ ،‬ﻻﻛﺘﺴﺎﺣﻚ‪...‬‬ ‫َ‬ ‫ﻀﻤ َﻚ‪،‬‬ ‫َ‬
‫ﻟﻤﻮﺍﺟﻬﺘﻚ‪ِ ،‬ﻟ ﱢ‬
‫ﺗﺘﻐﺎﺯﻝ ﻟﺴﺎﻧﺎﻛﻤﺎ‪،‬‬ ‫ُ‬ ‫ﻼ‪ ،‬ﻳﺴﺘﻨﺸﻘﺎﻥ ﻛﻠﻴﻬﻤﺎ ﻃﻮﻳ ً‬
‫ﻼ‪،‬‬ ‫ﻳﻠﺘﺼﻘﺎﻥ ﻗﻠﻴ ً‬
‫ﻳﺘﻌﺎﻧﻖ ﺛﻐﺮﺍﻛﻤﺎ ﻫﺬﻩ‬ ‫ُ‬ ‫ﺼﺪ ُﻕ ﻣﺎ ﻳﺤﺪﺙ‪...‬‬ ‫ﺗﺘﻼﻣﺴﺎﻥ‪ ،‬ﺗ ﱠﺘ ِﺤ َﺪﺍﻥ‪ ...‬ﻻ ُﺗ ﱢ‬
‫ﺗﺘﺮﻛﻬﺎ ﺗﻨﺪﺭ ُﺝ ﻓﻲ ﺃﻋﻤﺎﻗﻚ‪ ،‬ﺗﺘﻨﺎﻏ ُﻢ‬ ‫ُ‬ ‫ﺗﻤﺺ ﻟﺴﺎﻧﻬﺎ ﻃﻮﻳ ً‬
‫ﻼ‪،‬‬ ‫ﺍﻟﻤﺮﺓ‪ ،‬ﱡ‬ ‫ﱠ‬
‫َ‬
‫ﺗﻤﺺ ﺇﻟﻬﺎ ُﻡ ِﻟﺴﺎﻧﻚ ﺑﻌﺪ‬ ‫ﺛﻐﺮﻙ ﻛﺴﻨﻮﻧﻮ‪ ...‬ﱡ‬ ‫ﺗﺘﻤﻮ ُﺝ ﻓﻲ ِ‬ ‫ﻣﻌﻬﺎ ﻭﻫﻲ ﱠ‬ ‫‪152‬‬
‫ﻣﻠﻜﻮﺕ‬
‫ِ‬ ‫ﱡ‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﺤ ﱢﺮﻳﺔ ﻭﺍﻟﻌﺸﻖ‪ .‬ﺗﺘﺮﻙ ﻧﻔﺴﻚ ﺗﻨﻘﺎ ُﺩ ِﺑﺘﻠﺬ ٍﺫ ﻓﻲ‬ ‫ﺫﻟﻚ ﺑﻨﻔﺲ ُ‬
‫ُ‬
‫ﺗﺮﺗﺸﻒ ﺃﺣﻠﻰ‬ ‫ﻘﻦ ﺃﻧﻚ‬ ‫ﻬﻢ ﺃﻛﺒﺮ‪ُ .‬ﺗ ْﻴ ُ‬ ‫َ َ‬
‫ﺘﻀ ﱠﻢ ِﻟﺴﺎﻧﻬﺎ ِﺑﻨ ٍ‬ ‫ﺛﻐﺮﻫﺎ‪ .‬ﺗﻌﻮ ُﺩ ِﻟ ُ‬ ‫ِ‬
‫ﺭﺿﺎﺏ‬
‫ُ‬ ‫ﺭﻗﻴﻖ ﺣﻮﻟﻜﻤﺎ‪.‬‬ ‫ٌ‬ ‫ٌ‬
‫ﻫﺎﺩﺉ‬ ‫ُ‬
‫ﺍﻟﻠﻴﻞ‬ ‫ﺭﺿﺎﺏ ﻓﻲ ﺍﻟﻜﺮﺓ ﺍﻷﺭﺿﻴﺔ!‪...‬‬ ‫ٍ‬
‫ﺗﻨﺪﻣﺞ‬
‫ُ‬ ‫ﺍﻷﻣﻮﺍﺝ ﺍﻟﻨﺎﻋﻤﺔ ﻳﻬﺪﻫﺪ ﺃﻗﺪﺍﻣﻜﻤﺎ‪ .‬ﻓﻲ ﺣﻘﻴﺒﺘﻚ ﺍﻟﻮﺭﺩﻳّﺔ‬
‫ﻧﻌﺎ ُﻟ ُﻜﻤﺎ‪ ،‬ﺗﺘﻌﺎﻧﻖ‪...‬‬
‫ُﻚ ﺇﻟﻬﺎﻡُ‪ ،‬ﺭﺿﺎﺑُﻚ!‬ ‫ﺗﺨﺮ ُﺝ ﻣﻨﻚ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ﺑﻼ ﻭﻋﻲ‪» :‬ﺭﺿﺎﺑ ِ‬
‫ﺗﻜﺮ ُﺭﻫﺎ ﺑﻴﻦ ﺍﻟﺤﻴﻦ ﻭﺍﻵﺧﺮ‪ ،‬ﻻ ﺗﺴﺘﻄﻴﻊ ﺃﻥ‬ ‫ﻣﺪﺩُﻙ!‪ «...‬ﱢ‬ ‫ُﻙ ﺇﻟﻬﺎﻡُ‪َ ،‬‬ ‫ﻣﺪﺩ ِ‬ ‫َ‬
‫ﺮﺿﺎﺏ ﺇﻟﻬﺎﻡ ﺍﻟﺬﻱ ﻳﻨﺰﻟﻖ ﺇﻟﻰ ﻓﺆﺍﺩﻙ ﻋﺬﺑﴼ‪،‬‬ ‫ِ‬ ‫ﺗﻨﻄﻖ ﻏﻴﺮﻫﺎ‪ ...‬ﺗﺮﺗﻮﻱ ِﺑ‬
‫ﺳﺘﻜﺘﺸ ُﻒ ﺃﻥ ﺇﻟﻬﺎﻡ ﺗﺘﺮﻙُ‬
‫ِ‬ ‫ﻣﻌﻄﺮﺍ ﺑﺮﺣﻴﻖ ﺍﻟﻬﻴﻞ!‪...‬‬ ‫ﻻ‪ ،‬ﻧﻘ ّﻴﴼ‪ ،‬ﱠ‬ ‫ﺭﺍﺋﻘﴼ‪ ،‬ﺯﻻ ً‬
‫ﺛﻐﺮﻫﺎ ﻗﺒﻞ ﺃﻥ ﺗﻠﺤ َﻘﻬﺎ‬ ‫ﺗﺬﻭﺏ ﺑﺒﻂﺀ ﻓﻲ ﺧﻼﻳﺎ ِ‬ ‫ُ‬ ‫ﺣﺒ َﺔ َﻫ ْﻴﻞ‬
‫ﻛﻞ ﻳﻮﻡ ﱠ‬ ‫ﱠ‬
‫ﻟﻴﺘﺤﻮﻝ ﺭﺿﺎﺑُﻬﺎ ﺑﻤﻔﻌﻮﻝ‬ ‫ﱠ‬ ‫ﺛﻢ ﺃﺧﺮﻯ‪ ،‬ﺍﻟﻴﻮﻡ ﺗﻠﻮ ﺍﻵﺧﺮ!‪...‬‬ ‫ﺣﺒ ٌﺔ ﺃﺧﺮﻯ ﱠ‬ ‫ﱠ‬
‫ﻏﺪﻕ ﺍﻹﻓﺮﺍﺯ!‬ ‫ﻋﻄﺮﻱ ِ‬‫ﱟ‬ ‫ﺭﺣﻴﻖ‬
‫ٍ‬ ‫ﻛﻴﻤﻴﺎﺀ ﺍﻟﺰﻣﻦ ﻭﺑﻴﻮﻟﻮﺟﻴﺎ ﺍﻟﺮﻏﺒﺔ ﺇﻟﻰ‬
‫ﻟﻦ ﺗﺘﻮ ﱠﻗ َﻒ ﻟﺤﻈ ًﺔ ﺻﻐﻴﺮ ًﺓ ﻣﺪﻯ ﺍﻟﺤﻴﺎﺓ‪ ،‬ﺑﻌﺪ ﻫﺬﻩ ﺍﻟﻘﺒﻠﺔ ﺍﻷﻭﻟﻰ‪ ،‬ﻋﻦ‬
 ‫ﺍﻟﻌﻄﺮﻱ ﺍﻟﻤﺪﺭﺍﺭ‪...‬‬
‫ﱢ‬ ‫ﺍﻟﺮﺣﻴﻖ‬
‫ِ‬ ‫ﺍﻟﻴﻮﻣﻲ ﻟﻬﺬﺍ‬
‫ﱢ‬ ‫ﺍﻟﻈﻤ ِﺄ‬

‫ﻫﻲ ﺳ ّﻴﺪ ُﺓ ﺍﻟﻤﻮﻗﻒ! ﺗﻘ َﺘ ِﺤ ُﻤﻚ ِﺑ ُﺤ ﱢﺮﻳ ٍﺔ ﻭﻋﺒﻘﺮﻳ ٍﺔ ﻭﺇﺑﺪﺍﻉ ﻻ‬

‫ﻳﺨﻄﺮ ﻋﻠﻰ ﺑﺎﻟﻚ‪ .‬ﻫﻲ ﺳﻔﻴﻨ ُﺔ ﻫﺬﺍ ﺍﻟﺒﺤﺮ ﻭﺭﺑّﺎﻧﺘﻪ‪ .‬ﻫﻲ ﺳﻔﻴﻨ ُﺔ ﻫﺬﺍ‬
‫ﺑﻜﻠﻤﺎﺕ ﻏﺮﺍﻣﻴﺔ ﻣﺬﻫﻠﺔ ﺑﻴﻦ‬ ‫ٍ‬ ‫َ‬
‫ﻭﺗﺴﺤﻘﻚ‬ ‫َ‬
‫ﺗﻤﺴﺨﻚ‬ ‫ﺍﻟﻌﺸﻖ ﻭﺭﺑّﺎﻧﺘﻪ‪.‬‬
‫ﻛﻞ ُﻗﺒﻠ ٍﺔ ﻭ ُﻗﺒﻠﺔ‪ ،‬ﺑﺼﻮ ِﺗﻬﺎ ﺍﻹﻟﻴﺎﺫﻱ ﺍﻟﺴﺎﺣﺮ ﺍﻟﺬﻱ ﻳﻜﻔﻲ ﺃﻥ ﺗﺴﻤﻌ ُﻪ‬ ‫ﱢ‬
‫ﻭﻋﻴﻚ ﺗﻤﺎﻣﴼ‪...‬‬‫َ‬ ‫َ‬
‫ﻟﺘﻔﻘﺪ‬ ‫ﺮﻛﺰﺓ ﻭﺍﻹﺩﻫﺎﺵ ﺍﻟﻤﺘﺴﺎﺭﻉ‬ ‫ﺍﻟﻤ ﱠ‬ ‫ﺑﻬﺬﻩ ﺍﻟﺮ ﱠﻗ ِﺔ ُ‬
‫ُﻚ‬‫ﺃﻧﺖ‪ ،‬ﻳﻨﺤﺼ ُﺮ ﻓﻲ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ‪» :‬ﺭﺿﺎﺑ ِ‬ ‫ﺩﻣﺎﻏ َﻚ‪َ ،‬‬
‫ﻗﺎﻣﻮﺱ ِ‬ ‫ُ‬
‫ﻛﻠﻤﺎﺕ‬
‫ٍ‬ ‫َ‬ ‫ُ‬
‫ﻣﺪﺩُﻙ!‪ «...‬ﻻ ﺗﻌﺮﻑ ﻧﻄﻖ‬ ‫ُﻙ ﺇﻟﻬﺎﻡُ‪َ ،‬‬ ‫ﺇﻟﻬﺎﻡُ‪ ،‬ﺭﺿﺎﺑُﻚ! َ‬
‫ﻣﺪﺩ ِ‬
‫ﻛﺄ ﱠﻥ ﺃﺣﺮﻑ ﺍﻟﻬﺠﺎﺀ ﺍﻟﺘﻲ ﻻ ﺗﻨﺘﻤﻲ ﺇﻟﻰ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ ﻟﻴﺴﺖ‬ ‫ﺃﺧﺮﻯ‪َ ،‬‬
‫ﺍﻟﻤﺘﺤﺬﻟﻖ ﺃﺣﻴﺎﻧﴼ‪ ،‬ﺍﻟﺬﻱ ﻻ ﺗﺨﻮ ُﻧ َﻚ‬
‫ُ‬ ‫ﺟﺰﺀﴽ ﻣﻦ ﺃﺑﺠﺪﻳﺘﻚ! ﺻ ْﺮ َﺕ‪ ،‬ﺃﻧﺖ‬
‫ﻣﺨﺪﺭﴽ‪ ،‬ﻣﻔﺘﻮﻧﴼ‪،‬‬ ‫ﱠ‬ ‫ﺍﻟﻜﻠﻤﺎﺕ ﻏﺎﻟﺒﴼ‪ ،‬ﻣﺄﺧﻮﺫﴽ‪ ،‬ﻣﺒﻬﻮﺗﴼ‪ ،‬ﺩﺍﺋﺨﴼ‪ ،‬ﻣﻨﺬﻫ ً‬
‫ﻼ‪،‬‬
‫‪153‬‬ ‫ُﻣﻤﻐ َﻨﻄﴼ‪ ،‬ﻣﺴﺤﻮﺭﴽ ﺗﻤﺎﻣﴼ‪ ...‬ﻫﺎﺃﻧﺖ ﺃﻋﺠﻢ‪ ،‬ﺃﺧﺮﺱ‪ ،‬ﺃﺧﺮﻕ‪ ،‬ﺃﺣﻤﻖ‪،‬‬
‫ﻠﺨ ٌﺞ« )‪(12‬ﻓﻲ ﻣﻠﻜﻮﺕ ُﻗﺒﻠﺔ ﺇﻟﻬﺎﻡ ﺍﻷﻭﻟﻰ‪...‬‬ ‫»ﻣ ﱢ‬
‫ﺃﺑﻠﻪ‪ ،‬ﺃﻫﺒﻞ‪ ،‬ﺃﺧﻔﺞ‪ُ ،‬‬
‫ﺬﻛ َﺮﻙ ﺑﻌﺒﺎﺭﺓ‬ ‫ﻧﻔﺴﻬﺎ ﺗﺮﻓ ُﻊ ﺃﻛﻤﺎ َﻡ ﻗﻤﻴﺼﻴﻜﻤﺎ ِﻟ ُﺘ ﱢ‬ ‫ﻫﺎﻫﻲ ُ‬
‫ﻣﺪﻳﻨﺔ َﻧﺎ ْﻧﺖ ﺍﻟﺘﻲ َﻓ َﺘ َﺤ ْﺖ ﺃﺑﻮﺍﺏ ﺣﻴﺎﺗﻜﻤﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ‪:‬‬
‫ﱟﻢ ﻓﻲ ﺍﻟﻴﺪ‬ ‫ﻛ‬ ‫ﺑﺪﻭﻥ ُ‬
‫ِ‬ ‫ﻛﻨﺖ ﺃﺗﻤﻨﻰ ﻟﻮ ﻛﺎﻥ ﻣﻌﻄ ُﻔ َﻚ‬ ‫ُ‬ ‫‪-‬‬
‫ﱟﻢ ﻓﻲ ﺍﻟﻴﺪ ﺍﻟﻴﺴﺮﻯ!‪...‬‬ ‫ُ‬
‫ﺑﺪﻭﻥ ﻛ‬‫ﺍﻟﻴﻤﻨﻰ‪ ،‬ﻭﻣﻌﻄﻔﻲ ِ‬
‫ﻛ ﱠﻤﻲ‬ ‫ﻠﺼ ُﻖ ﺇﻟﻬﺎ ُﻡ ﺑﺸ َﺮﺗﻲ ﺳﺎﻋﺪﻳﻜﻤﺎ ﺑﻌﺪ ﺃﻥ َﺗ ُﺠ ﱠﺮ ُ‬ ‫ُﺗ ِ‬
‫ﺳﺎﻋﺪﻫﺎ ﺍﻟﺬﻱ‬ ‫ﻼ ﺇﻟﻰ ﺍﻷﻋﻠﻰ! ﺗﻼﺣﻆ ﺃﻥ ﻋﻠﻰ ِ‬ ‫ﻗﻤﻴﺼ ْﻴﻜﻤﺎ ﻗﻠﻴ ً‬ ‫َ‬
‫ﺴﺎﻋﺪﻙ ﻭﺷ ٌﻢ ﻟﺰﺧﺎﺭﻑ ﻭﻋﺮﺍﺟﻴﻦ ﻓﺴﻴﻔﺴﺎﺋﻴﺔ ﺟﻤﻴﻠﺔ‬ ‫ُ‬
‫ﻳﻠﺘﺼﻖ ِﺑ ِ‬
‫ﻣﻌﺼﻤﻬﺎ‬
‫َ‬ ‫ﻘﺒ ُﻞ ﺃﺻﺎﺑ َﻌﻬﺎ ﺍﻟﻄﻮﻳﻠﺔ ﺍﻟﺪﻗﻴﻘﺔ‪،‬‬ ‫ﺩﻗﻴﻘﺔ ﻣﻨﻘﻮﺷﺔ ﺑﺎﻟﺤﻨﺎﺀ! ُﺗ ﱢ‬
‫ﺗﻔﺎﺻﻴﻞ‬
‫ِ‬ ‫ﺳﺎﻋ َﺪﻫﺎ ﺍﻟﺬﻱ ﺗﻨﺒﻬ ُﺮ ﻣﻦ ﺭﻭﻋ ِﺔ‬ ‫ﺷﺪﻳﺪ ﺍﻟﺮ ّﻗﺔ‪ِ ،‬‬ ‫َ‬ ‫َ‬
‫ﺍﻟﻨﺤﻴﻒ‬
‫ﱡ‬
‫ﺗﻤﺘﺪ‬ ‫ﺯﺧﺎﺭﻓ ِﻪ ﺍﻟﻌﺮﺍﺋﺴﻴﺔ‪ُ ...‬ﺗ ْﺒ ِﺤ ُﺮ ُﻗ َﺒ ُﻠ َﻚ ﻓﻲ ﺍﻟﻨﻘﻮﺵ ﺍﻟﺒﺪﻳﻌﺔ ﺍﻟﺘﻲ‬
‫ﻛﺘ ِﻔﻬﺎ‪...‬‬ ‫ﺑﺎﻃﻦ ِ‬
‫ِ‬ ‫ﺳﺎﻋ ِﺪﻫﺎ‪ُ ،‬ﻗ َ‬
‫ﺮﺏ‬ ‫ﻧﺤﻮ ﺃﻋﻠﻰ ِ‬
‫ً‬
‫ﺍﻟﻴﺴﺎﺭ ﻗﻠﻴﻼ! ﻧﺤﻮ‬ ‫ِ‬ ‫ﺟﻨﻮﺏ‬
‫ِ‬ ‫ﺻﻮﺏ‬
‫َ‬ ‫ﺗﻘﻮﺩﻙ ﺇﻟﻬﺎﻡ ﻧﻔﺴﻬﺎ‬ ‫َ‬
‫ﻗﻠﺒﻬﺎ! ﺑﺤﺠﻢ ﺍﻟﻘﻠﺐ‬ ‫ﻣﻮﺿﻊ ِ‬ ‫ِ‬ ‫ﻣﺮﺳﻮﻡ ﻓﻲ‬
‫ٍ‬ ‫ﺑﺪﻳﻊ ﻣﻦ ﺍﻟﺤ ّﻨﺎﺀ‬ ‫ٍ‬ ‫ﻭﺷﻢ‬
‫ٍ‬
‫ﺰﻳﺢ ﻓﺘﺤﺔ ﺃﻋﻠﻰ ﻓﺎﻧﻴﻠﺘﻬﺎ ﺍﻟﻘﻄﻨ ّﻴﺔ‬ ‫َ‬ ‫ُ‬
‫ﻌﺮﻳ ِﻪ ﺃﻣﺎﻡ ﻋﻴﻨﻴﻚ ﻭﻫﻲ ﺗ ُ‬ ‫ﱢ‬ ‫ُ‬
‫ﺗ‬ ‫ﺗﻤﺎﻣﴼ!‬
‫ﻘﺒ ُﻞ‪ ،‬ﺃﻭ ﺗﻠﺘﻬ ُﻢ ﺑﺎﻷﺣﺮﻯ‪،‬‬ ‫ﱢ‬ ‫ُ‬
‫ﺗ‬ ‫ﻭﺃﻧﺖ‬ ‫ﺻﺮﻳﻌﴼ‬ ‫ُ‬
‫ﺗﺴﻘﻂ‬ ‫ﺩ‬
‫ُ‬ ‫ﺗﻜﺎ‬ ‫ﺍﻟﺒﻴﻀﺎﺀ!‬
‫ﻣﻮﺿﻊ ﺍﻟﻘﻠﺐ‪...‬‬ ‫َ‬ ‫ﺍﻟﻌﺸﻖ ﺍﻟﻤﻨﻘﻮﺷ ِﺔ ﻋﻠﻰ ﺍﻟ َﺒﺸ َﺮ ِﺓ ﺍﻟﺘﻲ ُﺗﻐ ﱢﻠ ُﻒ‬ ‫ِ‬ ‫ﺟﺪﺍﺭ ّﻳ َﺔ‬
‫ﻭﺳﻂ ﺗﻠﻚ ﺍﻟﺠﺪﺍﺭﻳﺔ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ﺍﻟﻤﺨﻄﻮﻃﺔ ِﺑ ِﺪ ﱠﻗ ٍﺔ ﺷﺪﻳﺪﺓ‪،‬‬ ‫ﺗﻘﺮﺃُ َ‬
‫ﻛﻞ ﻣﺎ ﺃَ ُﺿ ﱡﺦ ﻣﻦ ِﻋ ْﺸ ٍﻖ‬ ‫»ﻟﻚ ﻧﺸﻮﺍﻥ ﱡ‬ ‫ﺣﻮﻝ ﻣﺮﻛﺰ ﺍﻟﻘﻠﺐ ﺗﻤﺎﻣﴼ‪َ :‬‬ ‫َ‬
‫ﻟﻚ‪ ،‬ﻟﻚ!‪«...‬‬ ‫ﻟﻚ‪َ ،‬‬ ‫ﻭﻋﺒﺎﺩﺓ‪َ ،‬‬
‫ﺍﻟﻌﺸﻖ ﻣﻊ ﺇﻟﻬﺎﻡ‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻝ ﺑﻠﺰﺍﻙ‪» ،‬ﻟﻴﺲ ﻋﺎﻃﻔ ًﺔ ﻓﻘﻂ‪،‬‬ ‫ُ‬
‫ﻓﻦ ﺃﻳﻀﴼ‪«...‬‬ ‫ﻫﻮ ﱞ‬
‫ُ‬
‫ﺟﺴﺪﻫﺎ‪ ...‬ﺗﺠﻮﻝ ﺷﻔﺘﺎﻙ‬ ‫ِ‬ ‫ﻓﻞ‬ ‫ُ‬
‫ﻗﻠﺒﻬﺎ‪ ،‬ﺗﺴﺘﻨﺸﻖ ﱠ‬ ‫ﺗﺴﻤ ُﻊ ﺩﻓﻘﺎﺕ ِ‬
‫ﺍﻟﻜﺮﻭﻱ ﺍﻟﺮﻗﻴﻖ‪ ،‬ﺗﻨﺰﺍ ُﺡ ﻧﺤﻮ ﻋﻠﻴﺎﺋﻪ‬ ‫ﱢ‬ ‫ﻧﻬﺪﻫﺎ‬
‫ﺗﺨﻮﻡ ِ‬
‫ِ‬ ‫ﻘﻮ ٍﺓ ﻻ ﺇﺭﺍﺩﻳﺔ ﻓﻲ‬ ‫ِﺑ ﱠ‬
‫ﻘﺒ ُﻠﻬﺎ ﺑﻜﻞ ﻣﺎ ﺗﻤﺘ ِﻠ ُﻜ ُﻪ‬ ‫ﺑﺈﺟﻼﻝ‪ ،‬ﻧﺤﻮ ﺣﻠﻤ ِﺘ ِﻪ ﺍﻟﻈﺎﻣﺌﺔ ﺍﻟﺴﺎﻣﻘﺔ‪ُ ...‬ﺗ ﱢ‬
‫ﻭﺭ ﱠﻗﺔ‪...‬‬ ‫ﻭﺷﻮﻕ ﻭﺭﻏﺒ ٍﺔ ﻭﻇﻤ ٍﺄ َ‬
‫ﻭﺷ َﺒ ٍﻖ ِ‬ ‫ٍ‬ ‫ﻭﻋﺸﻖ‬
‫ٍ‬ ‫ﻣﻦ َﻭ َﻟ ٍﻪ‬ ‫‪154‬‬
‫ﺗﺴﻤ ُﻌﻬﺎ‪ ،‬ﺑﺼﻮﺗﻬﺎ ﺍﻹﻟﻴﺎﺫﻱ‪ ،‬ﺗﻘﻮﻝ‪» :‬ﻧﺸﻮﺍﻥ! ﺇﻧﻲ ﺃَ ْﻓ ُﻠﺖ‪،‬‬
‫ﺃَ ْﻓ ُﻠﺖ!‪«...‬‬
‫ﺗﻘﻮﺩﻙ ﻫﻲ ﻧﻔﺴﻬﺎ ﺇﻟﻰ ﺫﻟﻚ ﺍﻟﺨﺼﺮ ﺍﻟﺬﻱ ﻳﻤﻜﻦ ﺇﺣﺎﻃ ُﺘ ُﻪ‬ ‫َ‬
‫ُ‬
‫ﺗﻤﺸﻂ‬ ‫ِﺑﻨﺼﻒ ﻳﺪ! ﺗﺮﻛ ُﻊ ﺃﻣﺎﻣﻪ‪ ،‬ﺗﺒ ﱢﻠ ُﻞ ﺭﻛﺒﺘﻴﻚ ﻣﻴﺎ ُﻩ ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ‪،‬‬
‫َ‬
‫ﺷﻔﺘﺎﻙ ِﺑ ُﻤﺘﻌ ٍﺔ‬ ‫ﺫﻟﻚ ﺍﻟﺨﺼﺮ ﺩﺍﺋﺮﻳّﴼ ﺑﻘﺒﻼ ِﺗﻚ ِﺑ ُﻘﺪﺳ ّﻴﺔ‪ ،‬ﺗﺠﻮﺑ ُﻪ‬
‫ﺣﺪ ﻟﻬﻤﺎ!‪...‬‬ ‫ﻭﺍﻧﺼﻌﺎﻕ ﻻ ﱠ‬‫ٍ‬
‫ﻫﺎﻟﻚ‪ ،‬ﻫﺎﻟﻚ!‪ «...‬ﻟﻜﻨﻚ‬ ‫ﺗﻮ ﱡﺩ ﺃﻥ ﺗﻘﻮﻝ ﻟﻬﺎ ﺃﻳﻀﴼ‪» :‬ﺇﻟﻬﺎﻡ‪ ،‬ﺇﻧﻲ ٌ‬
‫ﻼ! ﻻ ﺗﺘﻮ ﱠﻗ ُﻒ ﻫﻲ‪ ،‬ﻭﺃﻧﺖ ُﺗﺼ ﱢﻠﻲ ﻗﺮﺏ‬ ‫ﺳﺖ ِﻟﺴﺎ ُﻧﻚ ﻓﻌ ً‬ ‫ﻻ ﺗﺴﺘﻄﻴﻊ! ﺧ َﺮ ْ‬
‫ﺭﻕ‬
‫ﺑﺄ ﱢ‬ ‫ﺧﺎﺻﺮﺗﻬﺎ‪ ،‬ﻋﻦ ﻣﻮﺍﺻﻠﺔ ﺗﻐﺮﻳﺪ ﺃﺟﻤﻞ ﻋﺒﺎﺭﺍﺕ ﻭﻫﻤﺴﺎﺕ ﺍﻟﻌﺸﻖ‪َ ،‬‬
‫ﻭﺃﻧﺖ ﻣﺎﺯﻟﺖ ﻣﺤﺮﻭﻣﴼ ﻣﻦ ﺍﻟﻨﻄﻖ ﺇﻻ ﻣﻦ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ‬ ‫ﻭﺃﻋﺬﺏ ﻧﺒﺮﺍﺗﻬﺎ‪َ ...‬‬ ‫ِ‬
‫ُﻚ ﺇﻟﻬﺎﻡُ‪ ،‬ﺭﺿﺎﺑُﻚ!‬ ‫ِ‬ ‫ﺑ‬ ‫»ﺭﺿﺎ‬ ‫ﻗﺎﻣﻮﺳﻚ‪:‬‬ ‫ﻛﻠﻤﺎﺕ‬ ‫ﻛﻞ‬
‫ﱠ‬ ‫ﺗﺴﺘﻨﺰﻑ‬ ‫ﺍﻟﺘﻲ‬
‫ﻣﺪﺩُﻙ!‪ «...‬ﻫﺎﻫﻲ‪ ،‬ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ﻧﻔﺴﻬﺎ‪ ،‬ﺗﺨﺮﺝ ﺑﻼ ﻭﻋﻲ‬ ‫ُﻙ ﺇﻟﻬﺎﻡُ‪َ ،‬‬ ‫ﻣﺪﺩ ِ‬ ‫َ‬
‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﻣﺮﺓ ﺃﺧﺮﻯ ﻭﺃﻧﺖ ﺗﺴﺘﻘﻴﻢ ﻣﻦ ﺟﺪﻳﺪ ُﻣ ﱠﺘﺠﻬﴼ‬ ‫ً‬ ‫ﻣﻦ ﺷﻔﺘﻴﻚ ﱠ‬
 ‫ﺸﻒ‬‫ﻣﺮﺓ ﺃﺧﺮﻯ‪ِ ...‬ﻟﺘﺮ َﺗ َ‬ ‫ﺭﺿﺎﺑ ِﻪ ﱠ‬
‫ِ‬ ‫ﺛﻐﺮﻫﺎ‪ِ ،‬ﻟﺘﺴ ُﻜ َﺮ ﻣﻦ‬‫ﻣﻐﻨﺎﻃﻴﺴﻲ ﻧﺤﻮ ِ‬
‫ُ‬ ‫ُ‬ ‫ُ‬
‫ﺗﻌﺘﺼ ُﺮﻫﺎ‪ِ ...‬ﻟﺘﻮ ِﺩ َﻋ ُﻪ ﺃﻟﻒ ﻗ ْﺒﻠ ٍﺔ ﻭﻗﺒﻠﺔ!‪...‬‬
‫ِ‬ ‫ﻟﺴﺎ َﻧﻪ‪،‬‬
‫ﻛﺠﺴﺪ ﻭﺍﺣﺪ‪.‬‬ ‫ٍ‬ ‫ﻣﺘﺠﺎﺷﻤﻴﻦ‬
‫َ‬ ‫ﻼ ﺫﻫﺎﺑﴼ ﻭﺇﻳﺎﺑﴼ‬ ‫ﺗﺴﻴﺮﺍﻥ ﻃﻮﻳ ً‬
‫ﺘﻮﺍﺟﻬﻚ ﺗﻤﺎﻣﴼ ﺑﻴﻦ ﺍﻟﺨﻄﻮﺓ ﻭﺍﻟﺨﻄﻮﺓ‪ ،‬ﻷﻧﻬﺎ‬ ‫َ‬ ‫ﺗﻘﻒ ﺇﻟﻬﺎﻡ ﺃﻣﺎﻣﻚ ِﻟ‬ ‫ُ‬
‫َ‬
‫ﺃﻣﺎﻣﻚ‬ ‫ﻧﻈﺮﻙ ﺑﻬﺎ ﻛﺎﻣﻠ ًﺔ‬ ‫َ‬ ‫ﺑﺄ ﱢﻡ ﻋﻴﻨﻴﻚ‪ ،‬ﺃﻥ َ‬
‫ﺗﻤﻸ‬ ‫ﻼ ُ‬ ‫ﻛ ًّ‬‫ُﺗ ِﺼ ﱡﺮ ﺃﻥ ﺗﺮﺍﻫﺎ ُ‬
‫ﻣﺜﻠﻚ ﺗﻤﺎﻣﴼ‪،‬‬ ‫َ‬ ‫ﻫﻲ‬ ‫ُ‬
‫ﺗﻌﺮﻑ‪َ ،‬‬ ‫َ‬
‫ﺗﻜﺘﺴﺤﻚ ِﺑ ُﺤ ْﺴ ِﻨﻬﺎ ﺍﻟﺘﻲ‬ ‫ﻓﻲ ﺍﻟﻮﺍﺟﻬﺔ‪ ،‬ﺃﻥ‬
‫ﻣﺪﻯ ﺳﻄﻮ ِﺗ ِﻪ ﻭﺟﺒ ُﺮﻭ ِﺗﻪ‪ُ .‬ﺗ ِﺼ ﱡﺮ ﺃﻥ ُﺗﻐﺮﻗﻚ ﺗﻤﺎﻣﴼ!‪ ...‬ﻻ ﺗﺘﺠﺮﺃ ﻋﻴﻨﺎﻙ‬
‫ﺤﺪﻕ ﻓﻴﻬﺎ ﺳﺮﻳﻌﴼ ﺑﺤﻴﺎﺀ‪...‬‬ ‫ﺍﻟﻨﻈ َﺮ ﻟﻬﺎ ﺃﻣﺎﻣﻚ ﻓﻲ ﺍﻟﻮﺍﺟﻬﺔ‪ .‬ﺗﺮﻣ ُﻘﻬﺎ‪ُ ،‬ﺗ ﱢ‬
‫ﺗﺤﺘﻀ ُﻨﻬﺎ ﺑﻴﻦ ﻛﻞ ﺧﻄﻮ ٍﺓ ﻭﺧﻄﻮﺓ‪ .‬ﻻ ﺗﺸﺒ ُﻊ ﺃﺑﺪﴽ ﻣﻦ ﺍﺣﺘﻀﺎ ِﻧﻬﺎ‪...‬‬
‫ﻭﺗﺒﺼﺮ‪ :‬ﻻ ﺃﺣﺪ‬ ‫ﱡ‬ ‫ﻭﺣﺬﺭ‬
‫ٍ‬ ‫ﺑﺎﺣﺘﺮﺍﺯ‬
‫ٍ‬ ‫ﺗﻔﺤﺺ ﺟﻐﺮﺍﻓﻴﺎ ﺍﻟﻤﻜﺎﻥ‬ ‫ُ‬
‫ﺃﻣﺎﻣﻜﻤﺎ ﻓﻲ ﻣﻨﺘﻬﻰ ﺍﻟﻨﻈﺮ ﻗﺮﺏ ﺍﻷﻓﻖ! ﺧﻠﻔﻜﻤﺎ ﺍﻟﻌﺎﺑﺮﻭﻥ‪ ،‬ﻣﺸﻴﴼ ﺃﻭ‬
‫ﻋﻠﻰ ﺍﻟﺪﺭﺍﺟﺎﺕ ﺍﻟﻨﺎﺭﻳّﺔ ﺍﻟﺸﺎﻃﺌﻴﺔ‪ ،‬ﺑﻌﻴﺪﻭﻥ ﺗﻤﺎﻣﴼ‪ ،‬ﻣﻘﺮﻓﺼﻮﻥ ﻋﻠﻰ‬
‫‪155‬‬ ‫ﺍﻟﺠ ْﺰﺭ‬
‫ﺑﻔﻀﻞ ﻫﺬﺍ َ‬ ‫ِ‬ ‫ﻗﺼﻲ‪،‬‬
‫ّ‬ ‫ﺭﻣﻞ ﻛﻮﺭﻧﻴﺶ ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ‪ ،‬ﻓﻲ َﻃ َﺮ ٍﻑ‬
‫ّ‬
‫ﺍﻟﻬﻨﺪﻱ‬ ‫ُ‬
‫ﺍﻟﻤﺤﻴﻂ‬ ‫ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ ﻟﻜﻤﺎ!‬‫ُ‬ ‫ﺳﻲ ﺍﻟﻤﺒﺎﺭﻙ ﺍﻟﺤﻜﻴﻢ‪...‬‬ ‫ﺍﻟ ُﻘ ْﺪ ﱢ‬
‫ُ‬
‫ﺃﺷﻴﺸ ُﻪ‬ ‫ُﻘﺒ ُﻞ ﺃﻗﺪﺍﻣﻜﻤﺎ ﻓﻲ ﺧﺪﻣﺘﻜﻤﺎ!‬ ‫ﻟﻜﻤﺎ! ُﺯﺑﺪ ُﻩ ﺍﻟﺮﻗﻴﻖ ﺍﻟﺬﻱ ﻳ ﱢ‬
‫ﻭﺟﺴﺪ ﺇﻟﻬﺎﻡ‪،‬‬‫ِ‬ ‫ﺃﺷﻌ ِﺘ ِﻪ ﻋﻠﻰ ﻭﺟ ِﻪ‬ ‫ُ‬
‫ﻭﺍﻧﻌﻜﺎﺳﺎﺕ ﱠ‬ ‫ﺻﻼ ٌﺓ ِﻟﻌﺸ ِﻘﻜﻤﺎ‪ ...‬ﺍﻟﻘﻤ ُﺮ‬
‫ﺗﺘﻤﺎﻳﻞ ﺃﻣﺎﻣﻚ ﺳﻜﺮﻯ ﻣﻦ ﺍﻟﻌﺸﻖ‪ ،‬ﻳﻨ ُﻘ ُﻠﻚ ﺇﻟﻰ ﻋﻮﺍﻟﻢ ﻟﻢ ﺗﻄﺄﻫﺎ‬ ‫ُ‬ ‫ﺍﻟﺘﻲ‬
‫ﻳﻮﻣﴼ ﻣﻦ ﻗﺒﻞ‪...‬‬

‫ﻛﻞ ﻣﺎ‬ ‫ﻼ ﺗﺒﺪﺁﻥ ﻋﻨﺎﻗﻜﻤﺎ ﻣﻦ ﺟﺪﻳﺪ َ‬

‫ﻭﻛﺄ ﱠﻥ ﱠ‬ ‫ﺑﻌﺪ ﺍﻟﺴﻴﺮ ﻗﻠﻴ ً‬
‫ﺃﺣﺪﻛﻤﺎ‬ ‫ﺣﺪﺙ ﻛﺎﻥ ﻓﻘﻂ ﺗﺤﻀﻴﺮﴽ ﻟﻸﺟﻤﻞ ﻭﺍﻷﻋﻈﻢ!‪ ...‬ﻻ ﻳﻮ ﱡﺩ ُ‬
‫ﻼ‪ ،‬ﺗﺤﺸﺮﺍﻥ‬ ‫ﻔﺎﻥ ﻗﻠﻴ ً‬ ‫ُ‬
‫ﺍﻟﺠﺪﻳﺪ ﻫﺬﻩ ﺍﻟﻤﺮﺓ‪ .‬ﺗﺘﻮ ﱠﻗ ِ‬ ‫ُ‬
‫ﺍﻟﻌﻨﺎﻕ‬ ‫ﻳﻨﺘﻬﻲ‬
‫َ‬ ‫ﺃﻥ‬
‫ﻇﻬﺮ َﻙ ﺍﻟﻮﺭﺩﻳّﺔ!‬
‫ِ‬ ‫ﺑﻼﺳﺘﻴﻜﻲ ﺩﺍﺧﻞ ﺣﻘﻴﺒ ِﺔ‬
‫ﱟ‬ ‫ﻛﻴﺲ‬
‫ٍ‬ ‫ﻣﻼﺑﺴﻜﻤﺎ ﻓﻲ‬
‫َ‬
‫ﺻﺪﺉ ﻳﻌﻠﻮ ﻗﻀﻴﺒﴼ ﺣﺪﻳﺪﻳّﴼ ﻣﻐﺮﻭﺳﴼ ﻓﻲ‬ ‫ٍ‬ ‫ﺣﺪﻳﺪﻱ‬
‫ﱟ‬ ‫ﺗﺘﻮﺟ ُﻪ ﻧﺤﻮ ٍ‬
‫ﻟﻮﺡ‬ ‫ﱠ‬
‫َ‬
‫ﺍﻟﻮﺭﺩﻳﺔ ﻓﻲ‬
‫ﱠ‬ ‫َ‬ ‫َ‬ ‫ُ‬
‫ﺑﻌﻴﺪ ﻋﻨﻜﻤﺎ‪ .‬ﺗﻮ ِﺛﻖ ﺑﻴﺪﻳﻚ ﺣﻘﻴﺒﺘﻚ‬ ‫ﺭﻣﻞ ﺍﻟﺒﺤﺮ‪ ،‬ﻏﻴﺮ ٍ‬
‫ﺑﻌﺾ ﺍﻟﻤﻨﺎﻃﻖ ﺍﻟﺒﺤﺮﻳّﺔ ﺃﻭ‬ ‫ﺘﻤﻴﻴﺰ ِ‬
‫ِ‬ ‫ﺱ ﻫﻨﺎ ِﻟ‬ ‫ُ‬
‫ﻋﻠﻴﺎﺀ ﺍﻟﻘﻀﻴﺐ ﺍﻟﺬﻱ ﻏ ِﺮ َ‬
 ‫ﺘﺤﺪﻳﺪ ُﻋﻤ ِﻘﻬﺎ‪...‬‬‫ِ‬ ‫ِﻟ‬
‫ﺗﻔﻠﺘﺎﻥ ﻣﻌﴼ ﻋﻠﻰ ﺳﺮﻳﺮ ﺍﻟﻤﻴﺎﻩ! ﻳُﻔ ِﻠ ُﺖ ﻛ ﱞﻞ ﻣﻨﻜﻤﺎ ﺍﻵﺧﺮ‬ ‫ُ‬ ‫ْ‬ ‫َ‬
‫ﻓﻲ ﻧﻔﺲ ﺍﻟﻠﺤﻈﺔ! ﻟﺤﻈ ٌﺔ ﺭﺑّﺎﻧﻴ ٌﺔ ﻻ ﻳﻤﻜﻦ ﺃﻥ َﺗ ْﻔ ُﻠ َﺖ ﻫﻲ ﻧﻔﺴﻬﺎ ﻣﻦ‬
‫ﻣﺘﻤﺮﺩَﻳﻦ ﺻﺎ ِﺩ َﻗﻴﻦ ﻣﺜﻠﻜﻤﺎ!‪ ...‬ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﻟﻬﻤﺎ‪،‬‬ ‫ﱢ‬ ‫ﻴﻦ‬‫ﻴﻦ ﺟﺮﻳ َﺌ ِ‬ ‫ﻋﺎﺷ َﻘ ِ‬
‫ِ‬
‫ُ‬
‫ﺃﺑﺪ ﺍﻵﺑﺪﻳﻦ! ﺗﺄﺧﺬﻫﺎ‬ ‫ﻭﻟﻬﻤﺎ ﻓﻘﻂ!‪ ...‬ﻳﻨﺘﻈﺮﺍﻧﻬﺎ ﻭﺗﻨﺘﻈﺮﻫﻤﺎ ﻣﻦ ِ‬
‫ﻨﺪﺳﻲ‬
‫ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ ﺳﺮﻳ ٌﺮ ُﺳ ﱞ‬ ‫ِ‬ ‫ﻭﺗﺄﺧﺬﻙ ﻋﻠﻰ ﺍﻟﺒﺤﺮ! ُ‬
‫ﺭﻣﻞ‬ ‫ُ‬ ‫ﻋﻠﻰ ﺍﻟﺒﺤﺮ‬
‫ﻼ‪،‬‬‫ﻤﻖ ﻃﻮﻳ ً‬ ‫ﺗﺘﻮﺣﺪﺍﻥ ِﺑ ُﻌ ٍ‬
‫ﱠ‬ ‫ﺍﺕ ﻣﺘﻬ ﱢﻠ َﻠ ُﺔ ﺍﻹﺿﺎﺀﺓ‪.‬‬ ‫ﻣﺠﺮ ٌ‬
‫ﱠ‬ ‫ﺷﺎﺳﻊ‪ .‬ﻓﻮﻗﻜﻤﺎ‬
‫ﻼ‪ ،‬ﻃﻮﻳ ً‬
‫ﻼ‪...‬‬ ‫ﻃﻮﻳ ً‬
‫ﺗﻼﻣﺲ‬
‫ٌ‬ ‫ﻛﻤﺎ‬ ‫ﺘﻮﺣ ِﺪ ُ‬
‫ﺑﺸﻜﻞ ﻣﺨﺘﻠﻒ‪ِ .‬ﻟ ﱡ‬ ‫ٍ‬ ‫ﺗﺸﻌ ُﺮ ﺑﻚ ﻭﺗﺸﻌ ُﺮ ﺑﻬﺎ‬
‫ﻳﺪﺍﻫ ُﻤﻬﺎ‬
‫ﺑﺂﻻﻡ ﻗﺪﻳﻤﺔ‪ ،‬ﻻ ِ‬ ‫ﺁﺧﺮ‪ٌ ،‬‬
‫ﺗﺤﺲ ﻫﻲ ٍ‬ ‫ﻣﺬﺍﻕ ﺁﺧﺮ‪ ،‬ﺗﻨﺎﻏ ٌﻢ ﺁﺧﺮ‪ .‬ﻻ ﱡ‬
‫ﻮﺟﻬﺎ‪ ،‬ﻻ ﺗﺴﺘﻮﻟﻲ ﻋﻠﻴﻬﺎ ﺍﻟﺮﻏﺒ ُﺔ ﺑﺎﻹﺳﺮﺍﻉ‬ ‫ﺠﺮ ِﺩ ُﻭ ُﻟ ِ‬
‫ﺍﻟﺠﻔﺎﻑ ﻣﻦ ُﻣ ﱠ‬ ‫ُ‬
‫ﺍﻟﺘﻮﺣﺪ!‪ ...‬ﺑﺎﻟﻌﻜﺲ‪ ،‬ﻫﻲ ﺳﻔﻴﻨ ُﺔ ﺍﻟﻌﺸﻖ ﻭﺭﺑّﺎﻧﺘﻪ! ُﺗ ُ‬
‫ﻤﺎﺭﺱ‬ ‫ﱡ‬ ‫ﻣﻦ ﺇﻧﻬﺎﺀ‬
‫ﺗﻀﻤ َﻚ‬
‫ﱡ‬ ‫ﺗﺤﺘﻔﻞ ﺑﺎﻟﺒﻂﺀ‪ُ ،‬ﺗﺮ ﱢﺗ ُﻞ ﺳﻮﺭ َﺓ ﺍﻟﺒﻂﺀ!‪...‬‬ ‫ُ‬ ‫ﻣﻨﺎﺳﻚ ﺍﻟﺒﻂﺀ‪،‬‬ ‫َ‬ ‫‪156‬‬
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‫ﺗﻮﺟﺪ‬ ‫ﺘﻔﺎﻥ ﻭﺣﺮﺍﺭﺓ‪ُ .‬ﺗﻔﺎﺟ ُﺌﻚ ﺑﻜﻠﻤﺎﺕ ﺟﺪﻳﺪﺓ ﻟﻢ ﺗﺨﻄﺮ ﺑﺒﺎﻟﻚ‪ ،‬ﻻ‬ ‫ِﺑ ٍ‬
‫ﺷﺪ ِﺓ ﺣﻀﻮﺭﻫﺎ‪ ،‬ﻣﻦ‬ ‫ﻓﻲ ﺃﻱ ﻛﺘﺎﺏ ﻋﺸﻖ!‪ ...‬ﺗﺸﻌ ُﺮ ﺑﺎﻻﺳﺘﻐﺮﺍﺏ ﻣﻦ ﱠ‬
‫ﺟﺴﺪﻫﺎ‪ ،‬ﻣﻦ ُﻗ ﱠﻮﺓ ﺫﻭﺑﺎﻧﻜﻤﺎ ﺍﻟﻤﺸﺘﺮﻙ‪ ،‬ﻣﻦ‬ ‫ِ‬ ‫ﻣﺮﻭﻧ ِﺔ ﻭﻟﻴﻮﻧ ِﺔ ﻭ َﺗ َﻠ ﱢﻮﻱ‬
‫ﻭﻃ ْﻮ ِﻝ ﺗﻼﺣﻤﻜﻤﺎ‬ ‫ﺠﺪ ِﺩ ﺭﻏﺒﺘﻚ ﺍﻻﻧﺪﻣﺎﺟ ّﻴﺔ ﺑﻬﺎ‪ ،‬ﻣﻦ ِﺣ ﱠﺪﺓ ُ‬ ‫َﻫ ْﻮ ِﻝ ﻭ َﺗ ﱡ‬
‫»ﻓﺎﻟﺲ« ﺃﻋﻀﺎﺋﻜﻤﺎ ﺍﻟﺠﻨﺴﻴﺔ‪ ،‬ﻣﻦ‬ ‫ِ‬ ‫ﺍﻟﺒﻴﻮﻟﻮﺟﻲ‪ ،‬ﻣﻦ ِﺟ ﱠﺪ ِﺓ ﺭﻗﺼ ِﺔ‬
‫ﺍﻧﻬﻤﺎﺭﻛﻤﺎ ﺍﻟﺜﻨﺎﺋﻲ‪...‬‬ ‫ِ‬
‫ﻳﻐﺸﺎﻛﻤﺎ »ﺃﻭﺭﺟﺎﺯﻡ« ﻟﻢ ﺗﻌﺮ ْﻓ ُﻪ ﻳﻮﻣﴼ ﻓﻲ ﺣﻴﺎﺗﻚ ﻣﻦ ﻗﺒﻞ‪.‬‬
‫ﻭﺍﻟﻌﻤﻖ‬
‫ِ‬ ‫ﻟﻢ ﺗﺼﻞ ﻧﻈﺮ ّﻳ ُﺔ ﺍﻟﺸﻬﻘ ِﺔ ﻓﻲ ﺛﻘﺎﻓﺘﻚ ﻳﻮﻣﴼ ﺇﻟﻰ ﻫﺬﺍ ﺍﻟﺜﺮﺍ ِﺀ‬
‫ﺃﻋﻄﺎﻑ ﺷﻬﻘ ِﺘﻬﺎ ﺍﻹﻟﻴﺎﺫﻳﺔ‪:‬‬ ‫ِ‬ ‫ﺗﺘﺴﺮ ُﺏ ﺷﻬﻘ ُﺘ َﻚ ﺑﻴﻦ‬
‫ﻭﺍﻟﻤﻨﻬﺠ ّﻴ ِﺔ ﻭﺍﻟﻜﻤﺎﻝ‪ .‬ﱠ‬
‫ﻣﺪﺩُﻙ!‪ «...‬ﺷﻬﻘﺘﺎﻥ ﺗﺘﺮ ﱠﻧ ُﺢ‬ ‫ُﻙ ﺇﻟﻬﺎﻡُ‪َ ،‬‬ ‫ﻣﺪﺩ ِ‬‫ُﻚ ﺇﻟﻬﺎﻡُ‪ ،‬ﺭﺿﺎﺑُﻚ! َ‬ ‫»ﺭﺿﺎﺑ ِ‬
‫ﺍﻟﻬﻨﺪﻱ ﺍﻟﺪﺍﻓﺌﺔ ﺍﻟﺒﻌﻴﺪﺓ‪...‬‬‫ﱢ‬ ‫ﻧﺒﺮﺍ ُﺗﻬﻤﺎ ﻓﻮﻕ ﺗﻤ ﱡﻮﺟﺎﺕ ﻣﻴﺎﻩ ﺍﻟﻤﺤﻴﻂ‬
‫ﻳﻦ‪ ،‬ﻣﺮﺗﺠ َﻔﻴﻦ ﻛﻌﺼﻔﻮ َﺭ ِ‬
‫ﻳﻦ‬ ‫َ‬
‫ﺳﻌﻴﺪ ِ‬ ‫ﺗﺠﻠﺴﺎﻥ ﻣﻌﴼ ﻋﻠﻰ ﺍﻟﻤﺎﺀ‬
‫َ‬
‫ﻭﻣﻄﺮ ﻃﻮﻳﻞ‪ ...‬ﻻﻧﻌﻜﺎﺳﺎﺕ ﺍﻟﻘﻤﺮ ﻋﻠﻰ ﺑَﺸ َﺮﺓ‬ ‫ٍ‬ ‫ﺟﺎﺋ َﻌﻴﻦ ﺑﻌﺪ ﺭﺫﺍ ٍﺫ‬
 ‫ﺟﺴﺪ ﺇﻟﻬﺎﻡ ﺍﻟﻤﻤﺸﻮﻕ ﺳﻨﺎ ٌﺀ ﻻ ﻧﻈﻴﺮ ﻟﻪ! ﻟﻢ ﺗ َﺮﻫﺎ ﻳﻮﻣﴼ ﻣﻤﺸﻮﻗ ًﺔ‬ ‫ِ‬
‫ً‬ ‫ً‬
‫ﻓﺎﺭﻋﺔ ﻛﻤﺎ ﻫﻲ ﺍﻵﻥ ﺗﺤﺖ ﺍﻟﻘﻤﺮ‪ ،‬ﻣﻨﺒﺴﻄﺔ ﺟﺬﻻﻧﺔ ﺗﻤﺎﻣﴼ‪ .‬ﻟﻦ‬ ‫ً‬
‫ﻭﺟﻬﻬﺎ ﻭﻋﻴﻨﻴﻬﺎ ﻓﻲ‬ ‫ﺸﺖ ﻛﺜﺎﻓ َﺔ ﺍﻟﺴﻌﺎﺩ ِﺓ ﺍﻟﺮﺍﻗﺼ ِﺔ ﻓﻲ ِ‬ ‫ﺗﻨﺴﻰ ﻣﺎ ِﻋ َ‬
‫ﺗﻠﻚ ﺍﻟﻠﺤﻈﺔ ﺑﺎﻟﺬﺍﺕ‪ ...‬ﻟﻮ ُﻃ ِﻠ َﺐ ﻣﻨﻚ ﺃﻥ ﺗﺨﺘﺎ َﺭ ﻣﻦ ﺫﺍﻛﺮ ِﺗ َﻚ ﻣﻨﻈﺮﴽ‬
‫ﻭﺍﺣﺪﴽ ﺗﺴﺘﻌﻴﺪ ُﻩ ﻗﺒﻞ ﻟﺤﻈﺔ ﺍﻟﻤﻮﺕ ﻟﻜﺎﻥ ﺫﻟﻚ ﺍﻟﻤﻨﻈﺮ!‪...‬‬
‫ﺗﺘﺤﺪﺛﺎﻥ ﻭﺃﻧﺘﻤﺎ ﻣﺴﺘﻠﻘ َﻴﻴﻦ ﻋﻠﻰ ﺍﻟﻤﺎﺀ! ُﺗﻔﻀﻲ ﻟﻚ ﺇﻟﻬﺎﻡ‬ ‫ﱠ‬
‫ﺗﺤﺪﺛﻚ‬ ‫ﻭﺍﻟﺪﻫﺎ ﺍﻟﺬﻱ ﱢ‬ ‫ﻭﺍﻟﺪﻫﺎ! ُ‬ ‫ﻼ ﻋﻦ ِ‬ ‫ﺤﺪ ُﺛ َﻚ ﻃﻮﻳ ً‬
‫ﺑﺄﺳﺮﺍﺭ ﻃﻔﻮﻟﺘﻬﺎ! ُﺗ ﱢ‬
‫ﺃﺑﺪﻱ ﻳﻤﻸ ﺣﻴﺎﺗﻬﺎ ﺣ ّﺒﴼ ﻭﻋﻄﺎ ًﺀ ﻭﺻﺪﻗﴼ ﻭﻭﻓﺎ ًﺀ ﻭﺇﺷﻌﺎﻋﴼ!‬ ‫ﻋﻨﻪ ﻃﻔ ٌﻞ ﱞ‬
‫ﻭﺑﺮﻳﻖ ﻋﻴﻨﻴﻬﺎ ﺍﻟﺪﺍﺋﻢ! ﻛﺄ ﱠﻧﻬﺎ ﻻ ُﺗ ِﺤ ﱡﺐ ﻓﻲ ﺍﻟﺤﻴﺎﺓ‬ ‫ِ‬ ‫ﻫﻮ ﻣﻨﺒ ُﻊ ﺳﻌﺎﺩ ِﺓ‬
‫ﺃﻧﺖ ﻣﻦ‬ ‫ﻛﻞ ﺇﻋﺠﺎﺑﻬﺎ ﺍﻟﻌﻤﻴﻖ ﺍﻟﺼﺎﺩﻕ! ﺗ ِﻐ ْﻴ ُﺮ َ‬ ‫ﺇﻻ ﱠﺇﻳﺎﻩ! ﻫﻮ ﻣﺜﺎ ُﺭ ﱢ‬
‫ﺤﺪ ُﺛ َﻚ‬
‫ﺇﻋﺠﺎﺑﻬﺎ ﺑﻪ ﺩﻭﻥ ﺃﻥ ﺗﺸﻌﺮ ﺇﻟﻬﺎ ُﻡ ﺑﺬﻟﻚ!‪ ...‬ﻭﺍ ِﻟ ُﺪﻫﺎ ﺍﻟﺬﻱ ُﺗ ﱢ‬
‫ﺗﻌﻴﺪ ﻓﻴ ِﻪ ﻣﻦ ﺟﺪﻳﺪ‪ ،‬ﻫﻨﺎ ﻓﻲ ﺳﺎﺣﻞ‬ ‫ﻠﻤ َﻚ ﻫﺬﺍ )ﺍﻟﺬﻱ ُ‬ ‫ﻋﻨﻪ ﻓﻲ ُﺣ ِ‬
‫‪157‬‬ ‫ﺍﻟﻌﻜﺲ‬
‫ُ‬ ‫ﺃ ْﺑ َﻴﻦ‪ ،‬ﺻﻴﺎﻏﺔ ُﻗﺒﻠ ِﺔ ‪ 22‬ﻣﺎﻳﻮ ‪ 1990‬ﺍﻟﻜﺌﻴﺒﺔ ﺍﻷﻭﻟﻰ( ﻫﻮ‬
‫ﻮﺍﻟﺪﻫﺎ ﺍﻟﺤﻘﻴﻘﻲ ﺍﻟﺬﻱ ﻟﻢ ﺗﺘﺠﺮﺃ‬ ‫ُ‬
‫ﺍﻟﻤﻄﻠﻖ ِﻟ ِ‬ ‫ُ‬
‫ﻭﺍﻟﻨﻘﻴﺾ‬ ‫ﺍﻟﻨﻤﻮﺫﺟﻲ‬
‫ﱡ‬
‫ﺍﻟﺤﺪﻳﺚ ﻋﻨ ُﻪ ﻃﻮﺍﻝ ﺣﻴﺎﺗﻜﻤﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ ﻣﻨﺬ ﻋﺸﺮ ﺳﻨﻴﻦ‪ :‬ﻃﺎﺋﺮ‬ ‫َ‬
‫ﺍﻟﺨﺮﺍﺏ‪.‬‬
‫ﺗﻌﻮﺩﺍﻥ ﻣﻦ ﺟﺪﻳﺪ ﻟﻠﺘﻼﺣﻢ ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ ﺑﻌﺪ ﺃﻥ َ‬
‫ﺃﻓﻀ ْﺖ‬
‫ﺘﻼﺣ ِﻤﻜﻤﺎ ﺍﻵﻥ ﺇﻋﺎﺩ ٌﺓ ﺃﻛﺜ ُﺮ ﻣﻬﻨ ّﻴﺔ‪،‬‬ ‫ﻛﻞ ﻃﻔﻮﻟﺘﻬﺎ‪ِ .‬ﻟ ُ‬ ‫ﻟﻚ ﺇﻟﻬﺎ ُﻡ ﱠ‬
‫ﺃﻛﺜ ُﺮ ﻣﻨﻬﺠ ّﻴﺔ‪ ،‬ﺃﻛﺜﺮ ﻧﻘﺎ ًﺀ‪ ،‬ﺃﻛﺜ ُﺮ ﺍﻧﺰﻳﺎﺣﴼ ﻭﺗﻨ ﱡﻮﻋﴼ ﻭﺣﺮﻳّﺔ‪ ،‬ﺃﻛﺜﺮ‬
‫ﻛﻞ‬
‫ﻭﺗﺠﺎﻭﺯ ﱢ‬ ‫ﻻ ﻭ ِﺛﻘﺔ‪ ،‬ﺃﻛﺜﺮ ﺑﺤﺜﴼ ﻋﻦ ﺍﻟﻜﻤﺎﻝ ﻭﺍﻹﺛﺎﺭ ِﺓ‬ ‫ﺗﻨﺎﻏﻤﴼ ﻭﻃﻮ ً‬
‫ِ‬
‫ﺍﻟﻤﺮﺓ ﺁﺧﺮ‬ ‫ﺗﻔﻘﺪ ﺇﻟﻬﺎ ُﻡ ﻫﺬ ِﻩ ﱠ‬ ‫ُ‬ ‫ﻛﻞ ﺍﻟﺤﺪﻭﺩ‪.‬‬ ‫ﺗﺘﺠﺎﻭﺯﺍﻥ ﱠ‬
‫ِ‬ ‫ﺍﻟﺤﺪﻭﺩ‪...‬‬
‫ﺃﺳﺮﺍﺭ ﻃﻔﻮﻟ ِﺘﻬﺎ‪ .‬ﻫﺎﻫﻲ‬ ‫ِ‬ ‫ﺑﺂﺧﺮ‬
‫ِ‬ ‫ﺃﻓﻀ ْﺖ ﻟﻚ‬‫ﺍﻧﻘﺒﺎﺿﻬﺎ ﻭﻗﺪ َ‬ ‫ِ‬ ‫ﻣﻌﺎﻗﻞ‬
‫ِ‬
‫ﻃﻠﻴﻘ ُﺔ ﺍﻟﺒﺎﻝ‪ُ ،‬ﺣ ﱠﺮ ٌﺓ ﻛﺎﻟﺮﻳﺢ!‪ ...‬ﻛﻢ ﻫﻲ ﻓﻲ ﻣﻨﺘﻬﻰ ﺭﻭﻋ ِﺘﻬﺎ ﺍﻵﻥ!‬
‫ﺗﻼﺣﻤﻜﻤﺎ ﺍﻷ ّﻭﻝ ﻓﻲ ‪ 22‬ﻣﺎﻳﻮ ‪1990‬‬ ‫ِ‬ ‫ﺇﻟﻬﺎﻡ‬
‫ﻛﻢ ﺗﺨﺘﻠﻒ ﺟﺬﺭﻳّﴼ ﻋﻦ ِ‬
‫ُ‬
‫ﺗﺨﺘﻠﻒ ﺟﺬﺭﻳّﴼ‬ ‫ﻓﻲ ﺗﻘﺎﻃﻊ ﺍﻷﻃﻠﺴﻲ ﺑﺎﻷﺑﻴﺾ ﺍﻟﻤﺘﻮﺳﻂ! ﻛﻢ‬
‫ﻨﻮﻃﻚَ‬‫َﺮ َﺣ ْﺖ ُﺗ ِﺜﻴ ُﺮ ُﻗ َ‬
‫ﺇﻟﻬﺎﻡ ﺍﻟﻘﺒﻠ ِﺔ ﺍﻟﺨﺮﺳﺎﺀ ﺍﻟﻤﻨﻘﺒﻀﺔ ﺍﻟﺘﻲ ﻣﺎﺑ ِ‬ ‫ﻋﻦ‬
‫ِ‬
 ‫ﻭﺧﻴﺒ َﺘ َﻚ ﻣﻨﺬ ﺫﻟﻚ ﺍﻟﺘﺎﺭﻳﺦ!‪...‬‬

‫ﺗﺄﺧﺬ ﱠﺃﻭ َﻝ ﺗﺎﻛﺴﻲ‬ ‫ُ‬ ‫َ‬

‫ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ ﺑﻌﺪ ﺍﻧﺘﻬﺎﺀ ﺍﻟﺤﻠﻢ!‬ ‫ﺗﻐﺎﺩ ُﺭ‬
‫ﻣﻨﺰﻝ ﻃﻔﻮ َﻟ ِﺘ َﻚ ﻓﻲ ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ‪ .‬ﻳﻤ ﱡﺮ ﺑﻚ ﺍﻟﺘﺎﻛﺴﻲ ﻗﺮﺏ‬ ‫ِ‬ ‫ﺑﺎﺗﺠﺎ ِﻩ‬
‫ﺑﺤﻲ‬
‫ﺣﻲ ﺧﻮﺭﻣﻜﺴﺮ ﱢ‬ ‫َﺟﻮﻟ ٍﺔ ﺻﻐﻴﺮﺓ ﻓﻲ ﺍﻟﻄﺮﻳﻖ ﺍﻟﻘﺪﻳﻢ ﺍﻟﺬﻱ ُ‬
‫ﻳﺮﺑﻂ ﱠ‬
‫ﺣﻠﻤﻚ‪ ،‬ﺳﻴ ِﺜﻴ ُﺮ‬ ‫ُ‬
‫ﺳﻴﻔﺴﺪ َ‬ ‫ﺑﺄ ﱢﻡ ﻋﻴﻨﻴﻚ ﻣﺸﻬﺪﴽ‬ ‫ﺗﺮﻣﻖ ُ‬
‫ُ‬ ‫ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ‪.‬‬
‫ﻭﺳﻴﻀﺎﻋﻒ ﻣﻦ ﻣﻨﻜﺮﺍﺕ ﻭﻣﺂﺳﻲ ﻭﺷﺬﻭﺫ‬ ‫ُ‬ ‫ﻔﺠ ُﺮ ﻏﻀ َﺒﻚ‪،‬‬ ‫ﻏﺜﻴﺎ َﻧﻚ‪ ،‬ﺳ ُﻴ ﱢ‬
‫َ‬ ‫ﻳﻮﻡ َﺗ ِﺼ ُﻞ ﺑﻪ‬
‫ﻣﺴﻘﻂ ﺭﺃﺳﻚ‪:‬‬ ‫ﻣﺎ ﺭﺃﻳ َﺘ ُﻪ ﻓﻲ ﱠﺃﻭ ِﻝ ٍ‬
‫ﻠﻮ َ‬
‫ﻳﻴﻦ‬ ‫ﺗﺮﻣﻖ ﺑﻀﻌ َﺔ ﻏﻠﻤﺎﻥ ﺻﻐﺎﺭ‪ ،‬ﻳﻘﻔﻮﻥ ﺃﻣﺎﻡ ﺍﻟﺠﻮﻟﺔ‪ُ ،‬ﻣ ﱢ‬ ‫ُ‬
‫ﺑﻨﻔﺲ ﺍﻟﺤﺮﻛﺎﺕ ﺍﻟﺨﻠﻴﻌﺔ ﻟﻠﻌﺎﻫﺮﺍﺕ!‬ ‫ِ‬ ‫ﺃﻳﺪﻳﻬﻢ ﺧﻠﻒ ﺭﺅﺅﺳﻬﻢ‬
‫ﻳﻨﺘﻈﺮﻭﻥ ﺯﺑﺎﺋﻦ ﻣﻦ ﺍﻟﻠﻮﻃﻴﻴﻦ!‪...‬‬
‫ُﻋ ْﻬ ٌﺮ ﺫﻛﻮﺭﻱ! ﺃﻃﻔﺎﻝ ﻳﺒﺤﺜﻮﻥ ﻋﻦ ﻟﻘﻤﺔ ﺍﻟﻌﻴﺶ ﺑﻬﺬﺍ‬
‫ﺯﺝ ﺑﻬﻢ ﻓﻲ ﻫﺬﺍ ﺍﻟﻤﺴﺘﻨﻘﻊ ﺍﻟﻌﻤﻴﻖ؟ ﻓﻲ ﻫﺬﻩ ﺍﻷﺩﻏﺎﻝ‬ ‫ﺍﻟﻤﻨﻮﺍﻝ!‪ ...‬ﻣﻦ ﱠ‬ ‫‪158‬‬
‫ﺍﻟﺴﺤﻴﻘﺔ؟ ﻓﻲ ﻫﺬﻩ ﺍﻟﺬﺭﻭﺓ ﺍﻟﺠﺪﻳﺪﺓ ﻣﻦ ﺍﻻﻣﺘﻬﺎﻥ ﻭﺍﻟﻨﺘﺎﻧﺔ؟‪...‬‬
‫ﻣﺎ ﺃﺑﺸﻊ ﻟﻮﺣﺔ ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ!‬
 ‫ﺃﻫﺪ َﺉ‬
‫ﺣﺎﻭﻟﺖ‪ ،‬ﺑﻌﺪ ﺍﻟﻌﻮﺩ ِﺓ ﺑﺎﻟﺘﺎﻛﺴﻲ ﻣﻦ ﺳﺎﺣﻞ ﺃ ْﺑ َﻴﻦ‪ ،‬ﺃﻥ ﱢ‬ ‫ُ‬
‫ﻭﺃﺧﻠﺪ ﻟﻠﻨﻮﻡ ﻓﻲ ﺳﺮﻳﺮ ﻃﻔﻮﻟﺘﻲ ﺍﻟﺬﻱ ﻭﺟﺪ ُﺗ ُﻪ ﺑﻌﺪ‬ ‫َ‬ ‫ﺃﻋﺼﺎﺑﻲ ﻗﻠﻴ ً‬
‫ﻼ‬
‫ُﻋ ْﻤ ٍﺮ ﻃﻮﻳﻞ‪ .‬ﻟﻢ ﺃﺳﺘﻄﻊ! ﺍﺟﺘﺎﺣﺘﻨﻲ ﺭﻏﺒ ٌﺔ ﻋﻨﻴﻔ ٌﺔ ﻓﻲ ﺃﻥ ﺃُ ﱢ‬
‫ﻋﻄ َﻒ‬
‫ﺣﻘﺎﺋﺒﻲ ﻭﺃﻋﻮ َﺩ ِﻟﺒﺎﺭﻳﺲ! ﻟﻌ ﱢﻠﻲ‪ ،‬ﻃﻮﺍﻝ ﺳﻨﻮﺍﺕ ﺣﻴﺎﺗﻲ ﻓﻲ ﻓﺮﻧﺴﺎ‪،‬‬
‫ﺿﺪ ﺍﻟﻤﻌﺎﺷﺮﺓ‬ ‫ﺿﺪ ﺭﺅﻳﺔ ﺍﻟﻔﻘﺮ ﻭﺍﻟﺒﺆﺱ ﻭﺍﻻﻣﺘﻬﺎﻥ‪ ،‬ﱠ‬ ‫ﻓﻘﺪﺕ ﺍﻟﻤﻨﺎﻋ َﺔ ﱠ‬ ‫ُ‬
‫ﺃﻃﻔﺎﻝ‬
‫ٍ‬ ‫ﻗﺮﺏ‬
‫ﺿﺪ ﺍﻟﻌﻴﺶ َ‬ ‫ﺍﻟﻘﺒﻠﻲ‪ ،‬ﱠ‬
‫ّ‬ ‫ﺍﻟﻴﻮﻣ ّﻴﺔ ﻟﻠﺘﺠﻮﻳﻊ ﻭﺍﻟﻨﻬﺐ ﻭﺍﻟﻨﻈﺎﻡ‬
‫‪159‬‬ ‫ﺷﺨﺖ ﻛﻤﺎ ﺃﻇﻦ‪ ،‬ﻟﻢ ﺃﻋﺪ ﻗﺎﺩﺭﴽ‬ ‫ُ‬ ‫ﺨﺖ ﻛﺮﺍﻣ ُﺘﻬﻢ ﻓﻲ ﻭﺿﺢ ﺍﻟﻨﻬﺎﺭ‪...‬‬ ‫ﺗﻠﻄ ْ‬ ‫ﱠ‬
‫َ‬
‫ﺍﻟﺘﺤﻤﻞ ﺍﻵﻥ! ﻟﻮﻻ ﺃﻥ ﻃﻴﻒ ﺇﻟﻬﺎﻡ ﻛﺎﻥ ﺃﻣﺎﻣﻲ ﻓﻲ ﺍﻟﻤﺮﺻﺎﺩ‬ ‫ﱡ‬ ‫ﻋﻠﻰ‬
‫ﻛﺠﻨﺪﻱ ﻣﻬﺰﻭﻡ!‪ ...‬ﻫﻲ ﻣﺸﺮﻭ ُﻉ ﺣﻴﺎﺗﻲ ﺍﻷﻭﺣﺪ‪،‬‬ ‫ﱟ‬ ‫ﻳﻤﻨﻌﻨﻲ ﻣﻦ ﺍﻟﻔﺮﺍﺭ‬
‫ﺍﻷﻋﻈﻢ‪ ،‬ﻣﺸﺮﻭﻉ ﺳ َﻔ ِﺮﻱ ﺇﻟﻰ ﺍﻟﻴﻤﻦ ﺍﻟﺬﻱ ﻟﻦ ﺃﻋﻮ َﺩ ﺩﻭﻧﻪ‪ :‬ﺃﻟﻢ ﺃﺟﺊ‬
‫ﺑﺤﺜﴼ ﻋﻦ ﺃﺧﺘﻬﺎ‪ ،‬ﻧﻌﻴﻢ‪ ،‬ﻷﻋﺮﻑ ﻣﻦ ِﻟﺴﺎﻧﻬﺎ ﺃﺧﺒﺎﺭ ﺇﻟﻬﺎﻡ ﺍﻟﺤﺎﻟﻴﺔ‪ ،‬ﺃﻳﻦ‬
‫ﺗﺨﺘﻔﻲ‪ ،‬ﻣ ْﻨ َﺸ َﺄﻫﺎ‪ ،‬ﺃﺳﺮﺍ َﺭ ﻃﻔﻮﻟﺘﻬﺎ‪ ،‬ﺗﻔﺎﺻﻴ َﻠﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ؟‪...‬‬
‫ﻤﺖ ﺑﻌﺪ‬ ‫ﺻﻤ ُ‬ ‫ﻷﺗﺮﺍﺟﻊ ﻋﻦ ﻣﺸﺮﻭﻋﻲ! ﱠ‬ ‫َ‬ ‫ﻟﺴﺖ ﺟﺒﺎﻧﴼ ﺃﻭ ﺿﻌﻴﻔﴼ‬ ‫ُ‬
‫ﻛﺮﺍﺭ ﻭﻓﺮﺍﺭ‪ ،‬ﺃﻥ ﻻ ﺃﻫﺮﺏ ﻣﻦ ﻛﺎﺑﻮﺱ ﻫﺬﺍ ﺍﻟﻮﺍﻗﻊ ﺍﻟﺬﻱ‬ ‫ٍ‬ ‫ﺃﺧﺬ َﻭ َﺭﺩ‪ ،‬ﺑﻌﺪ‬
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‫ﺑﺎﻟﻔﺮﺍﺭ ﻣﻨﻪ‪ ،‬ﺑﻞ ﺃﻥ ﺃﻧﻐﻤﺲ ﻓﻴﻪ! ﺃﻥ ﺃﻏﺮﻕ ﻓﻴﻪ!‬ ‫ِ‬ ‫َ‬
‫ﻳُﺤﻴﻄﻨﻲ‪ ،‬ﺃﻥ ﻻ ﺃﻟﻮﺫ‬
‫ﻋﻠﻤﻲ‬
‫ﱟ‬ ‫ﺑﺤﺚ‬
‫ﺃﺩﺭﺱ ﻣﻮﺿﻮ َﻉ ٍ‬ ‫ﺃﻥ ﺃﺳﺘﻮﻋﺒﻪ!‪ ...‬ﻧﻌﻢ‪ ،‬ﺃﻥ ﺃﺳﺘﻮﻋﺒﻪ ﻭﻛﺄﻧﻲ ُ‬
‫ﻛﺮﺑﻲ ﻭﺿﻴﻘﻲ ﻓﻲ‬ ‫ﺧﻔﺖ ﻣﻊ ﺫﻟﻚ ﻣﻦ ﺯﻳﺎﺩ ِﺓ ُ‬ ‫ﺃﻭ ﻇﺎﻫﺮ ٍﺓ ﻓﻴﺰﻳﺎﺋﻴﺔ!‪ُ ...‬‬
‫ﻭﻋﻲ‪» :‬ﺛﻼﺛﺔ ﺃﺳﺎﺑﻴﻊ‬ ‫ﻬﺪﺋﴼ َﺭ ِ‬ ‫ﻛﻞ ﺳﺎﻋ ٍﺔ ﺗﻤ ﱡﺮ ﻋﻠﻰ ﻫﺬﻩ ﺍﻷﺭﺽ‪ُ .‬‬
‫ﻗﻠﺖ ُﻣ ﱢ‬ ‫ﱢ‬
‫ﺃﺻﻌﺐ ﺃﻥ‬
‫َ‬ ‫ﺃﻭ ﺷﻬ ٌﺮ ﻭﺍﺣﺪ ﺑﺎﻟﻜﺜﻴﺮ! ﺳﺄﻋﻮ ُﺩ ﺑﻌﺪﻫﺎ ﺇﻟﻰ ﻓﺮﻧﺴﺎ!‪ «...‬ﻣﺎ‬
‫ﺗﻜﺒﺢ ﺟﻤﺎ َﺡ ﺭﺟﻔ ِﺘ َﻚ ﻭﺃﻧﺖ ﺗﺸﻌ ُﺮ ﺑﺎﻻﺧﺘﻨﺎﻕ!‪...‬‬ ‫َ‬
‫ﻋﻠﻲ ﺃﻥ ﺃﺑﺪﺃ ﺑﺎﻟﺒﺤﺚ ﺍﻟﺒﻴﻠﻮﺟﺮﺍﻓﻲ‬ ‫ﻋﻠﻤﻲ‪ ،‬ﱠ‬ ‫ﱢ‬ ‫ﺑﺤﺚ‬
‫ﺃﻱ ٍ‬ ‫ﻣﺜﻞ ﱢ‬‫ُ‬
‫ﻳﻠﺰﻣ ِﻨﻲ‬
‫ﻳﻤﺲ ﻫﺬﺍ ﺍﻟﻮﺍﻗﻊ ﻣﻨﺬ ﻣﻐﺎﺩﺭﺗﻲ ﻟﻪ! ُ‬ ‫ﻛﻞ ﻣﺎ ﱡ‬ ‫ﺍﻟﻜﺎﻣﻞ ﻋﻦ ﱢ‬
‫ﺇﺫﻥ‪ ،‬ﻭﺃﻧﺎ ﻫﻨﺎ ﺑﺠﺎﻧﺐ ﺃُ ﱢﻣﻲ ﺑﻌﺾ ﺃﻳّﺎﻡ ﻗﺒﻞ ﺍﻟﺴﻔﺮ ﺇﻟﻰ ﺻﻨﻌﺎﺀ‪ ،‬ﺃﻥ‬
‫ﻛ ِﺘ َﺐ ﻋﻦ ﻫﺬﺍ ﺍﻟﻮﺍﻗﻊ ﻓﻲ ﺍﻟﻘﺼﺺ ﻭﺍﻟﺮﻭﺍﻳﺎﺕ ﻭﺍﻟﺸﻌﺮ‪،‬‬ ‫ﺃﻫﻢ ﻣﺎ ُ‬ ‫ﺃﻗﺮﺃَ ﱠ‬
‫ﺍﻟﺪﻭﻟﻴ ِﺔ ﺍﻟﻤﺘﻮ ﱢﻓﺮ ِﺓ ﻋﻠﻰ‬
‫ﱠ‬ ‫ﺍﻟﺪﺭﺍﺳﺎﺕ‬
‫ِ‬ ‫ﻭﺍﻟﻤﺠﻼﺕ‪ ،‬ﻓﻲ‬ ‫ّ‬ ‫ﻓﻲ ﺍﻟﺼﺤﻒ‬
‫ﺃﻧﺘﺮﻧﺖ‪...‬‬
‫ﺍﻟﻜﺘﺐ ﺍﻷﺩﺑﻴﺔ ﻭﺍﻻﺟﺘﻤﺎﻋﻴﺔ‬ ‫ِ‬ ‫ﻛﻞ‬
‫ﺃﺷﺘﺮﻱ ﱠ‬ ‫َ‬ ‫ﺭﺕ ﻟﺬﻟﻚ ﺃﻥ‬ ‫ﻗﺮ ُ‬ ‫ﱠ‬
‫ﻛﻞ ﻣﺎ ﻳﺪﻭﺭ ﻓﻲ‬ ‫ﺃﺗﺎﺑﻊ ﱠ‬
‫ﺻﻤ ْﻤﺖ ﺃﻥ َ‬‫ُ‬ ‫ﻋﺪﻥ‪ .‬ﱠ‬ ‫ﺳﺄﺟ ُﺪﻫﺎ ﻓﻲ ﻣﻜﺎﺗﺐ َ‬ ‫ﺍﻟﺘﻲ ِ‬
‫ﺍﺭﺻﺪ ﺃﺣﺎﺩﻳﺚ ﺍﻟﻨﺎﺱ ﻓﻲ ﺃﺭﻛﺎﻥ ﺍﻟﺸﻮﺍﺭﻉ‪ ،‬ﻓﻲ‬ ‫َ‬ ‫ﺻﻠﺐ ﺍﻟﻤﺠﺘﻤﻊ‪ ،‬ﺃﻥ‬
‫ُ‬
‫‪ ...‬ﺃﻥ ﺃﻓ ﱢﺘ َ‬ ‫)‪(13‬‬
‫ﻋﻤﻦ ﺗﺒ ﱠﻘﻰ ﻣﻦ ﺃﺻﺪﻗﺎﺀ ﻃﻔﻮﻟﺘﻲ‬ ‫ﺶ ّ‬ ‫»ﺍﻟﻠﻮﻛﻨﺪﺍﺕ«‬
‫ْﺕ ﻓﻲ‬ ‫ﺟﺮ ﺣﻴﺎ َﺗﻬﻢ ﺇﻟﻰ ﻣﺎ ﻫﻲ ﻋﻠﻴﻪ ﺍﻵﻥ‪َ ...‬ﺳ َﺮﺩ ُ‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﺨﻴﻂ ﺍﻟﺬﻱ ﱠ‬ ‫ﻷﺗﺎﺑﻊ‬
‫ﻳﺘﺒﻖ ﺍﻟﻴﻮﻡ ﻣﻨﻬﻢ ﺇﻻ ﺍﻟﻘﻠﻴﻞ‪:‬‬ ‫ﺫﺍﻛﺮﺗﻲ ﻗﺎﺋﻤ َﺔ ﺃﺻﺪﻗﺎﺀ ﺍﻟﻄﻔﻮﻟﺔ‪ .‬ﻟﻢ ّ‬ ‫‪160‬‬
‫ﻣﻌﻈﻤﻬﻢ ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ﺍﻟﺬﻱ ﻳﻤﻮﺕ‬ ‫ُ‬ ‫ﻧﺰﺡ ﺃﻭ ﺍﺧﺘﻔﻰ ﺍﻟﻜﺜﻴﺮﻭﻥ! ﻣﺎﺕ‬
‫ﺟﺪﴽ‪ ،‬ﺳﺮﻳﻌﴼ‪ ،‬ﺑﻼ ﺍﺣﺘﻀﺎﺭ‪ ،‬ﺻﻐﻴﺮﴽ ﻓﻲ‬ ‫ﻼ ّ‬ ‫ﻓﻴﻪ ﺍﻹﻧﺴﺎﻥ ﻣﺴﺘﻌﺠ ً‬
‫ﺍﻟﻐﺎﻟﺐ‪ ،‬ﺑﺴﺮﻋ ٍﺔ ﺗﻔﻮﻕ ُﺩ َﻭ َﻝ ﺍﻟﻌﺎ َﻟﻢ‪...‬‬
‫ﻣﺘﺤﻤﺴﴼ! ﻣﺸﺮﻭﻋﻲ ﺍﻷﻭﻝ‪ :‬ﺍﻟﺒﺤﺚ‬ ‫ﱢ‬ ‫ﺻﺤﻮﺕ ﻓﻲ ﺍﻟﻐﺪ‬ ‫ُ‬
‫ﺑﻠﺪ ﺳﺎﻝ ﺑﻴﻦ ﺃﺻﺎﺑﻌﻲ ﻳﻮﻣﴼ ﻣﺎ ﻭﻟﻢ ﺃﻋﺪ ﺃﻋﺮﻑ‬ ‫ﺍﻟﺒﻴﻠﻮﺟﺮﺍﻓﻲ ﻋﻦ ٍ‬
‫ﺃﺟ ِﺪﻩ‪،‬‬ ‫ُ‬
‫ﺃﻗﺒﺾ ﺑﻪ‪ ،‬ﺗﺪﺣﺮ َﺝ ﻓﻲ ﻫﺎﻭﻳﺔ ﻭﻟﻢ ﺃﻋﺪ ﺃﻋﺮﻑ ﺃﻳﻦ َ‬ ‫ُ‬ ‫ﻛﻴﻒ‬
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‫ﻛﻨﺖ‬ ‫ﻭﺃﺗﺨﺎﻃﺐ ﻣﻌﻪ‪ ...‬ﻟﻌ ّﻠﻲ‬
‫ُ‬ ‫ﺃﺗﺼﺎﻟﺢ‬
‫ُ‬ ‫ﻛﻴﻒ ﺃﺗﻔﺎﻫ ُﻢ ﻣﻌﻪ‪ ،‬ﻛﻴﻒ‬
‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ‪ ،‬ﺃﻧﻲ ﻟﻦ ﺃﺟﺪ ﺇﻟﻬﺎﻡ ﺩﻭﻥ‬ ‫ٍ‬ ‫ﺃﺷﻌ ُﺮ‪ ،‬ﻓﻲ ﻻﻭﻋﻴﻲ ﺍﻟﺪﻓﻴﻦ‪،‬‬
‫َ‬
‫ﺍﻟﻮﺍﻗﻊ ﺍﻟﻬﺎﺭﺏ! ﺩﻭﻥ ﺃﻥ ﺃﻋﻴﺸ ُﻪ ﻣﻦ ﺟﺪﻳﺪ! ﺩﻭﻥ ﺃﻥ‬ ‫َ‬ ‫ﻻ ﻫﺬﺍ‬ ‫ﺃﺟﺪ ﱠﺃﻭ ً‬
‫ﺃﻥ َ‬
‫ﺃﺗﻤﺮ َﻍ ﻓﻲ ﺃﺩﺭﺍﻛ ِﻪ ﺍﻟﺴﻔﻠﻰ!‪...‬‬ ‫ﱠ‬
‫ﺭﺕ ﻣﻨﺬ ﺍﻟﺼﺒﺢ ﺍﻟﺒﺎﻛﺮ ﺃﻥ ﺃﺩﻋﻮ ﻭﺍﻟﺪﺗﻲ ﻟﻠﻐﺪﺍﺀ ﻫﺬﺍ‬ ‫ﻗﺮ ُ‬ ‫ﱠ‬
‫ﺍﻟﻴﻮﻡ! ﺃﻥ ﺃﺳﺘﻀﻴ َﻔﻬﺎ ﻓﻲ ﻣﻨﺰ ِﻟﻬﺎ! ﺃﻥ ﺃﻃﺒﺦ ﻟﻬﺎ ﺃﻧﺎ ﻧﻔﺴﻲ ﻭﺟﺒﺔً‬
‫ﺗﻄﺒﺨﻬﺎ ﻟﻬﺎ ﻓﻲ ﺑﺎﺭﻳﺲ‪ :‬ﺻﻮﺻﺔ‬ ‫ُ‬ ‫ﺃﺣﺒ ْﺘﻬﺎ ﻋﻨﺪﻣﺎ ﻛﺎﻧﺖ ﺇﻟﻬﺎ ُﻡ‬ ‫ﻃﺎﻟﻤﺎ ﱠ‬
 ‫»ﺑﻴﻀﻮﻧﺔ ﺍﻟ ِﻌﺠﻞ« )‪ ...!(14‬ﻛﺎﻧﺖ ﻭﺟﻬﺘﻲ ﺍﻷﻭﻟﻰ ﺇﺫﻥ‪ :‬ﺃﺳﻮﺍﻕ‬
‫ﺍﻟﺨﻀﺮﻭﺍﺕ ﻭﺍﻟﻠﺤﻮﻡ ﻓﻲ ﺫﻟﻚ ﺍﻟﺸﺎﺭﻉ ﺍﻟﻜﺌﻴﺐ ﺑﻴﻦ ﻣﺴﺠﺪ ﺍﻟﻌﻴﺪﺭﻭﺱ‬ ‫َ‬
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‫ﺃﺑﺤﺚ‬ ‫ﺍﻟﻮﺍﻗﻊ ﺍﻟﺬﻱ‬ ‫ﻗﻌﺮ‬
‫ﻭﻣﺴﺠﺪ ﺍﻟﻨﻮﺭ! ﺃﻗﺼ ُﺮ ﺍﻟﻄ ُﺮ ِﻕ ﺍﻟﻤﺆ ﱢﺩﻳ ِﺔ ﺇﻟﻰ ِ‬
‫ِ‬
‫ﻋﻨﻪ!‪...‬‬

‫ﻭﺟﺪﺕ ﻧﻔﺴﻲ ﻭﺣﻴﺪﴽ ﻓﻲ ﻣﻄﺒﺦ ﺃﻣﻲ ﺍﻟﻌﺘﻴﻖ ﺫﻱ ﺍﻟﺠﺪﺭﺍﻥ‬ ‫ُ‬

‫ﺪﺧ ٌﻦ ﻳﺨﻠﻮ‬ ‫ٌ‬
‫ﺻﺪﺉ ﻣﻈﻠ ٌﻢ ُﻣ ﱢ‬ ‫ﺿﻴ ٌﻖ‬
‫ﻛﻬﻒ ﱢ‬ ‫ٌ‬ ‫ُ‬
‫ﺍﻟﻤﻄﺒﺦ‬ ‫ﺍﻟﻤﻐﻠﻘﺔ ﺗﻤﺎﻣﴼ!‬
‫ﺑﻜﻞ ﺃﻧﻮﺍﻉ ﺍﻟﻘﺎﺫﻭﺭﺍﺕ‬ ‫ﻣﻦ ﻣﻌﻈﻢ ﺃﺩﻭﺍﺕ ﺍﻟﻄﺒﺎﺧﺔ ﺍﻟﺤﺪﻳﺜﺔ ﻭﻳﻤﺘﻠﺊ ﱢ‬
‫ﻐﺴﻞ ﺍﻟﺨﻀﺮﻭﺍﺕ‪ ،‬ﺛ ّﻢ ﺍﻟﻠﺤﻢ ﺍﻟﺬﻱ ﻛﺎﻥ‬ ‫ﺷﺮﻋﺖ ِﺑ ِ‬‫ُ‬ ‫ﻭﺍﻟﺤﺸﺮﺍﺕ‪...‬‬
‫ﺷﺪﻳﺪ ﺍﻟﺤﺎﺟﺔ ﻟﻠﺘﻨﻈﻴﻒ ﺍﻟﻄﻮﻳﻞ ﻣﻦ ﻓﺮﻁ ﻛﻤ ّﻴ ِﺔ ﺫﺑﺎﺏ ﺍﻟﺴﻮﻕ‬
‫ﻭﺷﺪ ِﺓ ﺣﺮﺍﻛﻬﺎ‪.‬‬ ‫ﱠ‬
‫ﻣﻀﺨ ُﺔ ﻫﻮﺍ ٍﺀ ﻻ ﻏﻴﺮ! ﺍﻟﻤﺎ ُﺀ ﻳﻨﻘﻄﻊ‬ ‫ﱠ‬ ‫ﺔ‬‫ُ‬ ‫ﺍﻟﺤﻨﻔﻴ‬
‫ﱠ‬ ‫ﺟﺎﺩﺓ‪:‬‬ ‫ٌ‬
‫ﺔ‬ ‫ﻣﺸﻜﻠ‬
‫‪161‬‬ ‫ْ‬ ‫َ‬
‫ﻋﺪﻥ ﺍﻟﺘﻲ ﻋ َﺮﻓﺖ ﺍﻟﺤﻨﻔﻴﺔ‪ ،‬ﻣﻊ ﺫﻟﻚ‪ ،‬ﻣﻨﺬ‬ ‫ﻣﻌﻈﻢ ﺳﺎﻋﺎﺕ ﺍﻟﻴﻮﻡ ﻓﻲ َ‬
‫ﻛﻞ ﺃﻳﺎﻡ ﺍﻟﺴﻨﺔ ﺗﻘﺮﻳﺒﴼ ﻓﻲ ﻣﺪﻳﻨﺔ َﺗ ِﻌﺰْ‬ ‫‪) !1928‬ﺍﻟﻤﺎﺀ ﻳﻨﻘﻄ ُﻊ ﱠ‬
‫ﻠﻮ ٌﺙ ّ‬
‫ﺟﺪﴽ‪ ،‬ﺇﻥ ﻟﻢ ﻳﻜﻦ ﺃﻗﺬ َﺭ ﻣﻴﺎ ِﻩ‬ ‫ﺍﻷﻛﺜﺮ ﺳ ّﻜﺎﻧﴼ ﻓﻲ ﺍﻟﻴﻤﻦ! ﺍﻟﻤﺎﺀ ُﻣ ﱠ‬
‫ﺍﻟﻌﺎ َﻟﻢ ﺑﺎﻣﺘﻴﺎﺯ‪ ،‬ﻋﻨﺪﻣﺎ ﻻ ﻳﻨﻘﻄ ُﻊ ﻣﺮﺍﺭﴽ ﻋﻦ ﺣﻨﻔ ّﻴﺎﺕ ﺍﻟﻌﺎﺻﻤﺔ‬
‫ﺻﻨﻌﺎﺀ‪(...‬‬
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‫ﺧﺮﺟﺖ ِﻟﺸﺮﺍﺀ ﻗﻨﻴﻨﺎﺕ ﻣﻴﺎ ٍﻩ ُﻣﻌﺒﺄﺓ‪ ،‬ﻣﻦ ﺍﻟﺒﻘﺎﻟﺔ ﺍﻟﻤﺠﺎﻭﺭﺓ‪.‬‬ ‫ُ‬
‫ﺍﻟﺨ َﻀﺮ ﺑﺎﻟﻨﺎﺭ‪.‬‬ ‫ﺑﺪﺃﺕ ِﺑ َﻐ ْﻠﻲ ﺑﻌﺾ ُ‬ ‫ُ‬ ‫ﻏﺴﻠﺖ ﺍﻟﻠﺤ َﻢ ُ‬
‫ﻭﺍﻟﺨ َﻀ َﺮ ﺟ ّﻴﺪﴽ‪.‬‬ ‫ُ‬
‫ٌ‬
‫ﺧﺎﻧﻖ‬ ‫ﻭﺣﺔ ﺍﻟﻬﻮﺍﺋﻴﺔ ﺍﻟﻜﻬﺮﺑﺎﺋﻴﺔ‪.‬‬ ‫ﺧﺎﻧﻖ ﺭﻏﻢ ﺧﺮﻳﺮ ﺍﻟﻤ ْﺮ َ‬ ‫ٌ‬ ‫ُ‬
‫ﺍﻟﻤﻄﺒﺦ‬
‫ﺟﺪﴽ‪ ...‬ﻗﺒﻞ ﺗﻮ ﱡﻗ ِﻒ ﺍﻟﻜﻬﺮﺑﺎﺀ ﻓﺠﺄﺓ!‬ ‫ّ‬
‫ﺍﻟﻤﻄﺒﺦ ﻻ ﺗﻄﺎﻕ! ﻫﺎﺃﻧﺬﺍ ﺃﺷﺘﻌﻞ! ﻟﻢ‬‫ُ‬ ‫ُ‬
‫ﺍﻟﻠﻌﻨﺔ! ﺳﺨﻮﻧﺔ‬
‫ِ‬
‫ﺗﺘﺒ ﱠﻠ ْﻞ ﺛﻴﺎﺑﻲ ﻳﻮﻣﴼ ﻣﺜﻞ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺎﺕ ﺍﻟﺨﺎﻧﻘﺔ ﻓﻲ ﻟﻬﻴﺐ ﺍﻟﻤﻄﺒﺦ!‬
‫ﻛﻞ ﺳ ّﻜﺎﻥ ﺍﻟﻤﺪﻳﻨﺔ! ﺗﺘﻮ ّﻗ ُﻒ‬ ‫ﻛﺎﺑﻮﺱ ﱢ‬ ‫ُ‬ ‫ﺃﻣﻲ‪،‬‬‫ﻛﺎﺑﻮﺱ ﱢ‬
‫ُ‬ ‫ﺍﻟﻜﻬﺮﺑﺎ ُﺀ‬
‫ﻣﺮﺍﺕ ﻳﻮﻣ ّﻴﺎ ﻋﻠﻰ‬ ‫ﺳﺎﻋﺎﺕ ﻃﻮﻳﻠﺔ‪ ،‬ﺛﻼﺙ ﱠ‬ ‫ٍ‬ ‫ﻛﻬﺮﺑﺎ ُﺀ ﺍﻷﺣﻴﺎﺀ َ‬
‫ﺍﻟﻌﺪﻧ ّﻴﺔ‬
‫ﺍﻷﻗﻞ! ﺳﻌ ُﺮ ﻓﺎﺗﻮﺭ ِﺗﻬﺎ‪ ،‬ﺭﻏﻢ ﺫﻟﻚ‪ ،‬ﺗﻠﺘﻬ ُﻢ ﺃﻛﺜﺮ ﻣﻦ ﻧﺼﻒ ﺭﺍﺗﺐ‬
‫ﺍﻟﻤﻮﺍﻃﻦ ﺍﻟﺒﺴﻴﻂ! ُﺫ ِﻫ ْﻠ ُﺖ‪ :‬ﻻ ﺃﻋﺮﻑ ﺩﻭﻟ ًﺔ ﺃﺧﺮﻯ ﺗﻨﻘﻄ ُﻊ ﻛﻬﺮﺑﺎ ُﺀﻫﺎ‬
‫ﺃﻟﻴﺴﺖ ﺍﻟﻜﻬﺮﺑﺎﺀ »ﺧﺪﻣ ًﺔ«‪،‬‬
‫ِ‬ ‫ﺑﻬﺬﻩ ﺍﻟﻮﺗﻴﺮﺓ‪ ،‬ﻭ ُﺗﻜ ﱢﻠ ُﻒ ﻫﺬﺍ ﺍﻟﺴﻌﺮ!‬
‫ﺑﺎﻟﻤﻌﻨﻰ ﺍﻟﺤﺪﻳﺚ ﻟﻠﻜﻠﻤﺔ‪ ،‬ﻓﻲ ﻣﻌﻈﻢ ﺩﻭﻝ ﺍﻟﻜﻮﻥ؟‪...‬‬
‫ﻫﺎﺃﻧﺬﺍ ﺍﻵﻥ ﺃﻃﺒﺦ ﺑﺎﻟﺸﻤﻮﻉ!‪ ...‬ﻛﺎﻥ ﺑﺈﻣﻜﺎﻥ ﺫﻟﻚ ﺃﻥ ﻳﺨﻠﻖ‬
‫ﺣﺪ ﻣﺎ ﻟﻮﻻ ﺃﻥ ﻫﻨﺎﻙ ﺻﻮﺗﴼ ﺷﺒﺎﺑ ّﻴﴼ ﺻﺎﺭﻣﴼ ﺑﺪﺃ‬ ‫ﱟ‬ ‫ﺟ ّﻮﴽ ﺭﻭﻣﺎﻧﺴ ّﻴﴼ ﺇﻟﻰ‬
‫ﺍﻟﺼﻮﺕ ﺍﻟﺬﻱ‬
‫ِ‬ ‫ً‬
‫ﺃﺻﻐﻴﺖ ﻣﺨﺒﻮﻻ ﻷﺻﺪﺍﺀ ﺫﻟﻚ‬ ‫ُ‬ ‫ُﺠﻠﺠﻞ ﻣﻞﺀ ﺍﻟﻤﻄﺒﺦ!‬ ‫ُ‬ ‫ﻳ‬
‫ﺍﻟﻤﻠﺢ ﻭﺑﻌﺾ‬‫َ‬ ‫ُ‬
‫ﻛﺪﺕ ﺃﻧﺴﻰ‬ ‫ﻳﺮ ﱡﺝ ﻣﺴﻤﻌﻲ ﻫﻨﺎ‪ ،‬ﺩﺍﺧﻞ ﺍﻟﻤﻄﺒﺦ!‪...‬‬
‫ﻛﺪﺕ ﺃُ ْﺣ ِﺮ ُﻕ ﺍﻟﻠﺤﻢ‪...‬‬
‫ُ‬ ‫ﺍﻟﺒﻬﺎﺭﺍﺕ‪،‬‬

‫ﺍﻟﺤﻲ‬
‫ّ‬ ‫ﺘﺒﺎﻋﺪﻳﻦ ﻣﻦ ﺭﻛﻦ‬ ‫ﻴﻦ ُﻣ َ‬ ‫ﺃﺭﺑﻌﺔ ﻣﻴﻜﺮﻭﻓﻮﻧﺎﺕ ﻓﻲ ﻃﺮ َﻓ ِ‬
‫ﺗﺮﺗﺒﻂ ﺑﺄﺳﻼﻙ ﻃﻮﻳﻠﺔ ﻣﻊ ﻣﺌﺬﻧﺔ ﺍﻟﻤﺴﺠﺪ ﺍﻟﻤﺠﺎﻭﺭ ِﻟ ُﺘ َﺪ ﱢﻭﻱ‬ ‫ُ‬
‫ﺍﻟﺨﻄﻴﺐ ﻳﻮﻋﻆ‬ ‫ُ‬ ‫ﺑﻤﻮﺍﻋﻈ ِﻪ ﻭﺃﺩﻋﻴﺘ ِﻪ ﻓﻲ ﺃﺭﻛﺎﻥ ﺍﻟﻤﺪﻳﻨﺔ ﺍﻷﺭﺑﻌﺔ!‬
‫ﻳﺘﺤﺪﺙ؟ ﻋﻦ ﺍﻟﺠﻮﻉ؟ ﻻ! ﻋﻦ ﺍﻟﻔﻘﺮ؟ ﻻ!‬ ‫ﱠ‬ ‫ﻋﻤﺎﺫﺍ‬‫ﻓﻲ ﻋ ﱢﺰ ﺍﻟﻈﻬﺮ! ّ‬ ‫‪162‬‬
‫ﺲ ُﻫ ِﻮ ﱠﻳ ِﺘﻪ‪ ،‬ﻋﻦ‬ ‫َ‬ ‫َ‬
‫ْﺐ ﻫﺬﺍ ﺍﻟﻤﻮﺍﻃﻦ ﺍﻟﺒﺴﻴﻂ ﻭﻃ ﱢﻢ ﺃﺭﺍﺿﻴﻪ ﻭﻃ ْﻤ ِ‬ ‫ﻋﻦ َﻧﻬ ِ‬
‫ﺍﻟﻔﺴﺎﺩ ﺍﻟﺬﻱ ﻳﺠﺜﻮ ﻋﻠﻰ ﺭﺃﺱ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ﻭﻗﺎﻋﺪﺗﻪ‪ ،‬ﻋﻦ ﺍﻧﻘﻄﺎﻉ‬
‫ﺍﻟﻤﺎﺀ ﻭﺍﻟﻜﻬﺮﺑﺎﺀ؟‪ ...‬ﻻ! ﻋﻦ ﺍﻟﺴﻴﺎﺣﺔ ﺍﻟﺠﻨﺴﻴﺔ ﻭﺩﻋﺎﺭﺓ ﺍﻷﻃﻔﺎﻝ؟‬
‫ﻻ! ﻋﻦ ﺍﻟﺨﺪﻣﺎﺕ ﺍﻟﺼﺤ ّﻴﺔ ﻭﺍﻟﺘﻌﻠﻴﻤﻴﺔ ﺍﻷﻛﺜﺮ ﺳﻮﺀﴽ ﻓﻲ ﺍﻟﻌﺎﻟﻢ؟‬
‫ﻋﻦ ﺃﺿﻌﻒ ﺃﺭﻗﺎﻡ ﺍﻟﺘﻨﻤﻴﺔ ﻓﻲ ﺍﻟﻌﺎﻟﻢ ﺍﻟﻤﻮﺟﻮﺩ ِﺓ ﻓﻲ ﺍﻟ َﻴﻤﻦ؟‪ ...‬ﻻ!‬
‫ﻭﻣﻨﻬﺠﻴ ِﺔ‬
‫ﱠ‬ ‫ﻋﻤﺎﺫﺍ ﻳﻮﻋﻆ ﺇﺫﻥ؟‪ ...‬ﻋﻦ »ﺍﻟﺤﺎﻣﻮﺭﺓ«! ﻧﻌﻢ! ﻋﻦ ﻛﻴﻔﻴ ِﺔ‬ ‫ّ‬
‫ﻳﻨﺼﺤ َﻚ ﺑﺎﺳﺘﺨﺪﺍﻡ ﺍﻟﺴﻮﻁ!‬ ‫ُ‬ ‫ﺿﺮﺏ ﺯﻭﺟ ِﺘﻚ ﺇﺫﺍ َﻭ َﺿ َﻌ ْﺖ ﺍﻟﺤﺎﻣﻮﺭﺓ!‪...‬‬
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‫ﻳﺴﺘﺤﺴﻦُ‬
‫ِ‬ ‫ّ‬
‫ﻀﺮﺑﻬﺎ ﻣﻦ ﺍﻟﻌﻨﻖ ﺣﺘﻰ ﺃﺳﻔﻞ ﺍﻟﻘﺪﻣﻴﻦ ﻓﻘﻂ! ﻻ‬ ‫َﻳ ِﻌ ُﻈﻚ ِﺑ ِ‬
‫َ‬
‫ﺿﺮﺑَﻬﺎ ﺑﺎﻟﺴﻮﻁ ﻋﻠﻰ ﺍﻟﻮﺟﻪ! ﻳﺎﻟﻼﻧﺴﺎﻧﻴﺔ ﺍﻟﻄﺎﻓﺤﺔ!‪...‬‬
‫ﺃﺻﺪ ُﻕ ﻣﺎ ﺃﺳﻤ ُﻌ ُﻪ ﻭﺃﻧﺎ ﺃﺿﻄﺮ ُﻡ ﻓﻲ ﻭﻋﺜﺎﺀ ﺍﻟﻤﻄﺒﺦ‪:‬‬ ‫ﺃﻛﺎ ُﺩ ﻻ ﱢ‬
‫ﻭﺿﻊ ﺍﻟﺤﺎﻣﻮﺭﺓ ﻋﻠﻰ‬ ‫ﺟﺴﺪ ﺍﻟﻤﺮﺃﺓ ﺑﻌﺪ ِ‬ ‫َ‬ ‫ﺑﺸﻜﻞ ﺩﺍﻋﺮ‬
‫ٍ‬ ‫َﺼ ُﻒ ﻓﻀﻴﻠ ُﺘﻪ‬‫ﻳِ‬
‫ﺑﻜﻠﻤﺎﺕ‬
‫ٍ‬ ‫ﺃﺣﺎﺳﻴﺴ ُﻪ ﺍﻟﻤﺮﻳﻀﺔ ﺃﻣﺎﻡ ﺭﺅﻳ ِﺔ ﺍﻟﻤﺎﻛﻴﺎﺝ‬ ‫َ‬ ‫ُﻔﺼ ُﻞ‬
‫ﺍﻟﺸﻔﺎﺋﻒ‪ ،‬ﻳ ﱢ‬
‫ﺍﻟﻤﺎﻛﺮ‬
‫ِ‬ ‫ﺍﻟﻮﺻﻔﻲ‬
‫ﱢ‬ ‫ﻻ ﺗﺨﻠﻮ ﻣﻦ ﺍﻟﺨﻼﻋﺔ‪ ،‬ﻳﺘﺠﺎﻭ ُﺯ ﺫﻟﻚ ﻓﻲ ﺍﻧﺰﻳﺎﺣﻪ‬
 ‫ﻷﺳﻤﻊ ﻫﺬﺍ ﺍﻟﻬﺬﻳﺎﻥ‬ ‫َ‬ ‫ﺫﻧﺐ ﺍﺭﺗﻜ ْﺒ ُﺘ ُﻪ‬
‫ﺃﻱ ٍ‬‫ﺟﺴﺪﻫﺎ‪ ...‬ﱡ‬
‫ِ‬ ‫ﻭﻣﻔﺎﺻﻞ‬
‫ِ‬ ‫ﻴﺪﻫﺎ‬‫ِﻟ ِﺠ ِ‬
‫ﺍﻟﻔﺎﺣﺶ؟ ﻫﺬﺍ »ﺍﻟﺘﺤﺮﻳﺾ ﻋﻠﻰ ﺍﻟﻌﻨﻒ«؟ ﻫﺬﻩ ﺍﻟﺒﺬﻭﺭ ﺍﻟﻔﻜﺮﻳّﺔ ﺍﻟﺘﻲ‬
‫ﺗﻨﺸﺊ ﺳﺎ ِﺩ ﱢﻳﻴﻦ ﻭﻣﺠﺮﻣﻴﻦ ﻭﺇﺭﻫﺎﺑﻴﻴﻦ ﻭﻋﺪﻭﺍﻧﻴﻴﻦ ﻭ ُﻗ ﱠﻄﺎ َﻉ ُﻃ ُﺮﻕ؟‪...‬‬ ‫ُ‬
‫ﻗﻠﻴﻞ ﻣﻦ ﺍﻹﻧﺴﺎﻧﻴﺔ ﻓﻘﻂ‪،‬‬ ‫ٍ‬ ‫ﺑﻠﺪ ﻓﻲ ﺍﻟﻌﺎﻟﻢ‪ ،‬ﻻ ﻳﺨﻠﻮ ﻣﻦ‬ ‫ﺃﻱ ٍ‬ ‫ﻓﻲ ﱢ‬
‫ﻭﺍﻋﻆ ﻛﻬﺬﺍ ِﺑﺘﻬﻤ ِﺔ »ﺍﻟﺘﺤﺮﻳﺾ ﻋﻠﻰ ﺍﻟﻌﻨﻒ«! ﺳ ُﻴ َﺰ ﱡﺝ‬ ‫ٌ‬ ‫ﺳ ُﻴ َ‬
‫ﺤﺎﻛ ُﻢ‬
‫ﺑ ِﻪ ﻓﻲ ﺍﻟﺴﺠﻦ ﻓﻲ ﺃﻛﺜﺮ ﺍﻻﺣﺘﻤﺎﻻﺕ‪ ...‬ﻓﻴﻤﺎ ﻫﻮ ﻫﻨﺎ ﻳُﻌ ﱢﻜ ُﺮ ﺻﻮﺻﺘﻲ‬
‫ﻗﺴﺮﴽ‪ ،‬ﻳﺠﺘﺎ ُﺡ ﻣﻄﺒﺨﻲ ﺩﻭﻥ ﺇ ْﺫ ٍﻥ ﻓﻲ ﻋ ﱢﺰ ﺍﻟﻨﻬﺎﺭ!‪...‬‬
‫ﺶ ﻭﻻ ﺑُﺪ!«‪،‬‬ ‫»ﻣ ْ‬‫ﺃﻛﻠﻨﺎﻫﺎ ﻣﻊ ﺫﻟﻚ »ﺑﻴﻀﻮﻧﺔ ﺍﻟ ِﻌﺠﻞ«! ُ‬
‫ﻃﺒﺨ ْﺘﻬﺎ!«‪ ،‬ﺃﺟﺎﺑﺖ‬ ‫ﻛﺄ ﱠﻥ ﺇﻟﻬﺎﻡ ﻫﻲ ﺍﻟﺘﻲ َ‬ ‫ﺟﺪﴽ‪َ ،‬‬‫ﻷ ﱢﻣﻲ‪» .‬ﻟﺬﻳﺬ ٌﺓ ّ‬ ‫ﻗﻠﺖ ُ‬
‫ُ‬
‫ﺣﺪ ُﻕ ﻓﻲ ﻟﻔﺎﺋﻒ ﺍﻟﺸﻌﺮ ﺍﻷﺣﻤﺮ ﺍﻟﺘﻲ‬ ‫ﻛﻨﺖ ﺃُ ﱢ‬
‫ُ‬ ‫ﻭﺍﻟﺪﺗﻲ ﺍﻟﺤﺒﻴﺒﺔ‪ ،‬ﻓﻴﻤﺎ‬
‫ﻭﺟﻬﻬﺎ ﺍﻟﻀﺎﻣﺮ‪.‬‬ ‫ﻭﺗﻀﺎﻋﻒ ﻣﻦ ﺷﻴﺨﻮﺧ ِﺔ ِ‬ ‫ُ‬ ‫ﺭﺃﺳﻬﺎ‬
‫ﺑﺪﺃﺕ ﺗﻐﺰﻭ َ‬
‫ﺗﻜﺘﺴ ُﺤﻬﺎ ﺍﻛﺘﺴﺎﺣﴼ!‪...‬‬ ‫ُ‬
‫ﺇﻟﻬﺎﻡ ﺗﻤﻸ ﺍﻟﺬﺍﻛﺮﺓ‪ِ ،‬‬
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‫ﻛ ُﺘﺐ‪ ،‬ﻓﻲ ﺿﻮﺀ ﺍﻟﺸﻤﻮﻉ ﻓﻲ‬ ‫ﺍﻟﺘﻬﻤﺖ ﻛﻞ ﻣﺎ ﺍﺷﺘﺮﻳ ُﺘ ُﻪ ﻣﻦ ُ‬
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‫ﺗﺸﻒ ﻏﻠﻴﻠﻲ ﻓﻲ ﺷﻲﺀ‪ .‬ﻣﺎ ﺃﺑﻌﺪﻫﺎ ﻋﻦ ﻫﺬﺍ ﺍﻟﻮﺍﻗﻊ!‪...‬‬ ‫ﺍﻟﻐﺎﻟﺐ! ﻟﻢ ِ‬
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‫ﻛﻠﻤﺎﺕ‬ ‫ﻟﺤﻈﺎﺕ ﺷﻌﺮ ّﻳ ٌﺔ ﺟﻤﻴﻠﺔ ﻫﻨﺎ ﻭﻫﻨﺎﻙ‪،‬‬ ‫ٌ‬ ‫ﺍﻟﺸ ْﻌﺮ!‬
‫ﻛﺎﻥ ﻓﺎﺗﺤﺘﻲ‪ :‬ﱢ‬
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‫ﺃﻋﺮﻑ ﺍﻟﺘﻤﻴﻴ َﺰ‬ ‫ﺃﻧﻴﻘ ٌﺔ ﺃﺣﻴﺎﻧﴼ‪ ...‬ﻏﻴﺮ ﺃﻥ ﺍﻟﻘﺼﺎﺋﺪ ﺗﺘﺸﺎﺑ ُﻪ ﻛﺜﻴﺮﴽ! ﻻ‬
‫ُﻜﺮﺭﻭﻥ ﺑﻌﻀﻬﻢ ﻓﻲ ﺍﻟﻐﺎﻟﺐ ﺑﻮﺗﻴﺮ ٍﺓ‬ ‫ﺑﻴﻦ ﺑﻌﺾ ﺷﻌﺮﺍ ِﺀ ﻧﻔﺲ ﺍﻟﺠﻴﻞ‪ .‬ﻳ ﱢ‬
‫ُﻜﺮﺭﻭﻥ ﺃﻧﻔﺴﻬﻢ ﻛﺜﻴﺮﴽ ﻣﻨﺬ ‪ 30‬ﻋﺎﻣﴼ‪ ،‬ﺑﻨﻔﺲ ﺍﻟﺮﺗﺎﺑﺔ‬ ‫ﻣﺬﻫﻠﺔ‪ .‬ﻳ ﱢ‬
‫ﺍﻟﺤﺐ ﻫﻮ ِﺷﻌ ُﺮ‬
‫ﱢ‬ ‫ﻣﻘﺮﻑ ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪ِ ...‬ﺷﻌ ُﺮ‬‫ٍ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﻭﺍﻟﻼﺷﻌﺮ ﺃﺣﻴﺎﻧﴼ‪،‬‬
‫ﺍﻟﻼﺣﺐ ﻓﻲ ﻣﻌﻈﻢ ﺍﻷﻭﻗﺎﺕ‪ِ .‬ﺷﻌﺮ ﺍﻟﻈﻤﺄ ﻟﻠﺤﺐ‪ ،‬ﺃﺳﺎﺳﴼ‪ِ .‬ﺷﻌ ُﺮ‬
‫ﺍﻟﺤﺮﻣﺎﻥ ﻣﻦ ﺍﻟﺤﺐ!‪...‬‬
‫ِ‬
‫ٌ‬
‫ﻭﺍﻧﻄﺒﺎﻋﺎﺕ‬ ‫ٌ‬
‫ﻭﻣﻀﺎﺕ‬ ‫ﺗﺴﺒﺢ ﻓﻲ ﻧﻔﺲ ﺍﻟﻔﻠﻚ‪.‬‬‫ُ‬ ‫ﺍﻟﻘﺼ ُﺔ ﺍﻟﻘﺼﻴﺮﺓ‬
‫ﱠ‬
‫ﻭﻣﺸﺎﻋﺮ ﻃﺎﻓﺤ ٌﺔ ﺟﻤﻴﻠ ٌﺔ ﺃﺣﻴﺎﻧﴼ‪ ،‬ﺧﺎﻓﺘ ٌﺔ ﺳﺮﻳﻌ ٌﺔ ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪ ...‬ﻫﺬﻳﺎ ٌﻥ‬
‫ﻣﺘﻮﺍﺗﺮ‪ ،‬ﺇﻧﺸﺎ ٌﺀ ﺛﻘﻴﻞ‪ُ ،‬ﺟ َﻤ ٌﻞ ﻏﻴ ُﺮ ﺭﺷﻴﻘﺔ‪ ،‬ﻓﻀﻔﺎﺿ ٌﺔ ﺛﻘﻴﻠ ٌﺔ ﻣﺘﺮﺍﺑﻄ ٌﺔ‬
‫ﻓﻘﺮﺍﺕ ﻏﻴ ُﺮ ﻣﻔﻬﻮﻣ ٍﺔ ﺃﻭ ُﻣ َﻜ ﱠﺴﺮ ٌﺓ ﺃﺣﻴﺎﻧﴼ‪.‬‬
‫ٌ‬ ‫ﺑﺄﻭﺗﺎﺩ ﻭﺣﺒﺎﻝ ﻭﺃﻭﺭﺍﻕ ﻻﺻﻘﺔ‪.‬‬
 ‫ﺭﺗﻴﺐ ﻟﻠﻔﺮﺍﻍ ﺍﻹﻧﺴﺎﻧﻲ ﺍﻟﺬﻱ ﻳﻤﻸ ﻫﺬﻩ ﺍﻟﺤﻴﺎﺓ‪...‬‬ ‫َﺳ ْﺮ ٌﺩ ٌ‬
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‫ﺍﻟﺮﻭﺍﻳﺔ ﺍﻷﺩﺑﻴﺔ ﻣﻨﻌﺪﻣﺔ ﺗﻘﺮﻳﺒﴼ! ﻳﺎﻟﻠﻜﺎﺭﺛﺔ! ‪ 18‬ﻣﻠﻴﻮﻥ‬ ‫ُ‬
‫ﻣﻮﺍﻃﻦ ﺑﻼ ﺭﻭﺍﻳﺔ ﻭﺍﺣﺪﺓ! ﻟﻢ ﺃﺟﺪ ﻓﻲ ﺍﻟﻤﻜﺎﺗﺐ ﺭﻭﺍﻳ ًﺔ ﺣﺪﻳﺜ ًﺔ‬
‫ﻭﺍﺣﺪﺓ!‪...‬‬
‫ﺟﺬﺭ‬
‫ﺃﺑﺤﺚ ﻋﻦ ﻛﺘﺎﺑﺎﺕ ﺗﻘﻮﺩﻧﻲ ﺇﻟﻰ ﺍﻟﻌﻤﻖ‪ ،‬ﺇﻟﻰ ِ‬ ‫ُ‬ ‫ُ‬
‫ﻛﻨﺖ‬
‫ﻭﺁﻻﻡ ﻫﺬﺍ ﺍﻹﻧﺴﺎﻥ‪ُ ...‬‬
‫ﺃﺭﺩﺕ ﺃﻥ‬ ‫ِ‬ ‫ﺑﺆﺱ‬
‫ﻣﻨﺒﻊ ِ‬ ‫ﺃﻭﺟﺎﻉ ﻫﺬﺍ ﺍﻟﻮﺍﻗﻊ‪ ،‬ﺇﻟﻰ‬
‫ِ‬ ‫ِ‬
‫ﺃﺷﺎﻫﺪ‪ ،‬ﺗﺤﺖ ﻣﻴﻜﺮﻭﺳﻜﻮﺏ ﺍﻷﺩﺏ ﻭﺍﻟﻜﺘﺎﺑﺎﺕ ﺍﻻﺟﺘﻤﺎﻋﻴﺔ‪ ،‬ﻛﻴﻒ‬ ‫َ‬
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‫ﻭﺗﻨﻬﺶ‬ ‫ﺗﺘﻨﺎﺳﻞ ﻣﻴﻜﺮﻭﺑﺎﺕ ﻫﺬﺍ ﺍﻟﻮﺍﻗﻊ‪ ،‬ﻛﻴﻒ ﺗﻨﻤﻮ ﻭﺗﺘﺤ ّﺮﻙ‬
‫ﺃﺭﺩﺕ ﺃﻥ ﺃﻗﺘﺮﺏ ﻣﻤﺎ ﻳﺪﻭﺭ ﻓﻲ ﻋﻤﻖ ﺃﻋﻤﺎﻕ ﺇﻧﺴﺎﻥ‬ ‫ﺃﻧﺴﺠ َﺘ ُﻪ ﺍﻟﻐﺎﺋﺮﺓ‪ُ ...‬‬
‫ﻛﺘﺎﺑﺎﺕ ُﺗﻔ ﱢﻜ ُﻚ ﻟﻲ‪ ،‬ﻋﺒﺮ ﺍﻟﻤﻨﺸﻮﺭ ﺍﻟﻀﻮﺋﻲ‬ ‫ٍ‬ ‫ﺑﺤﺜﺖ ﻋﻦ‬‫ُ‬ ‫ﻫﺬﺍ ﺍﻟﺒﻠﺪ!‪...‬‬
‫ﻳﻌﻴﺸﻬﺎ ﻫﺬﺍ ﺍﻟﺒﻠﺪ‪،‬‬ ‫ُ‬ ‫ﺗﻀﺎﺭﻳﺲ ﺍﻟﻬﺎﻭﻳ ِﺔ ﺍﻟﺘﻲ‬ ‫َ‬ ‫ِﻟﻜﻠﻤﺎﺗﻬﺎ ﺍﻟﺸﻔﻴﻔﺔ‪،‬‬
‫ﺍﻟﺨﺮﺍﺏ‬
‫ِ‬ ‫ﺍﻟﺴﻘﻮﻁ ﺍﻟﺘﻲ ﺗﺤ ُﻜ ُﻤﻪ‪ ،‬ﻣﻴﻜﺎﻧﻴﻜﺎ‬ ‫ِ‬ ‫َ‬
‫ﻗﻮﺍﻧﻴﻦ‬ ‫ﺃﺳﺘﻮﻋﺐ‬
‫ُ‬ ‫ﺗﺠﻌ ُﻠﻨﻲ‬
‫ﻛﻠﻤﺎﺕ ﺣﻠﻮ ٍﺓ ﺭﺷﻴﻘ ٍﺔ‬
‫ٍ‬ ‫ﻛﻞ ﺍﻟ ُﻜﺘﺐ ﻋﻦ‬ ‫ﺸﺖ ﻓﻲ ﱢ‬ ‫ﺍﻟﺬﻱ ﻳﻌﻴﺸﻪ‪ ...‬ﻓ ﱠﺘ ُ‬ ‫‪164‬‬
‫ﺗﻔﻀﺢ‬
‫ُ‬ ‫ﺗﻜﺸﻒ ﺍﻟﻤﻌﺎﻧﺎﺓ‪،‬‬ ‫ُ‬ ‫ﻌﺮﻱ ﺍﻷﻟﻢ‪،‬‬ ‫ﺗﻘﺘﺮﺏ ﻣﻦ ﺍﻟﺠﺮﺡ‪ُ ،‬ﺗ ﱢ‬ ‫ُ‬ ‫ﻗﻮﻳ ٍﺔ ُﺣ ﱠﺮﺓ‬
‫ﱠ‬
‫َ‬
‫ﻭﺍﻟﺒﺎﻃﻦ‬ ‫ﺍﻟﻼﻭﻋﻲ ﺍﻟﻤﺤﻤﻮ َﻡ‬ ‫َ‬ ‫ﺗﻐﻮﺹ ﻓﻲ ﺍﻟﻌﻤﻖ‪ ،‬ﺗﺴﺮ ُﺩ‬ ‫ُ‬ ‫ﺍﻟﺨﻮﻑ‪،‬‬
‫ﺗﺨﺎﻃﺐ ﺍﻟﻄﺒﻘﺎﺕ ﺍﻟﺪﻓﻴﻨﺔ ﺍﻟﺼﻤﺎﺀ ﻓﻲ‬ ‫ُ‬ ‫ﺮﻣ ُﻢ ﺍﻟﺪﻣﺎﻍ‪،‬‬ ‫ﺍﻟﺨﻔﻲ‪ُ ،‬ﺗ ﱢ‬
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‫ﺍﻟﻌﻘﻞ‪ ،‬ﺗﺒﺎﻏﺖ ﺍﻟﻤﺠﻬﻮﻝ‪ ،‬ﺗﻜﺸﻒ ﻣﺨﻄﻄﺎﺕ ﺍﻟﻜﺎﺭﺛﺔ‪...‬‬ ‫ُ‬
‫ﺻﺮﺧﺎﺕ ﻫﻨﺎ ﻭﻫﻨﺎﻙ‪ .‬ﺗﺠ ﱢﻠﻴﺎﺕٌ‬ ‫ٌ‬ ‫ﻟﻢ ﺃﺟﺪ ﺷﻴﺌﴼ ﻣﻦ ﺫﻟﻚ!‬
‫ﻣﻮﺍﻫﺐ ﻗﻮ ّﻳ ٌﺔ ﺟ ّﺒﺎﺭﺓ ﻣﺤﺮﻭﻣ ٌﺔ ﻣﻦ ﻭﺳﺎﺋﻞ ﺍﻹﺑﺪﺍﻉ‪ ،‬ﻣﻘﻤﻮﻋﺔٌ‬ ‫ٌ‬ ‫ﻋﺪﻳﺪﺓ‪.‬‬
‫ﺻﺤﻔﻴ ٌﺔ ﺟﺮﻳﺌ ٌﺔ ﺷﺠﺎﻋ ٌﺔ ﻋﻤﻼﻗﺔ ﺗﻘﺎﻭ ُﻡ ﻭﺳﻂ ٍ‬
‫ﺑﺤﺮ‬ ‫ﱠ‬ ‫ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪ .‬ﺃﻗﻼ ٌﻡ‬
‫ﻄﺒﻠﻴﻦ ﻭﺍﻟﻤﻮﻣﺴﻴﻦ‬ ‫ﻭﺍﻟﻤ ﱢ‬
‫ﺎﺏ ﺍﻟﻤﻨﺎﻓﻘﻴﻦ ﻭﺍﻟﺨﺎﺋﻔﻴﻦ ُ‬ ‫ُﻟﺠﺎﺝ ﻣﻦ ﺍﻟﻜ ﱠﺘ ِ‬
‫ﺨﺒﺮﻳﻦ ﻭﺍﻟﻤﺮﺗﺰﻗ ِﺔ ﻭﺍﻟﺴﻔ َﻠﺔ‪ ...‬ﻏﻴﺮ ﺃﻥ ﺍﻟﺠﻮ َﻉ‬ ‫ﻭﺍﻟﻤ ِ‬ ‫ﻭﻗﺎﻟﺒﻲ ﺍﻟﻤﻌﺎﻃﻒ ُ‬ ‫ّ‬
‫ﺍﻟﻤﻮﺍﻫﺐ ﻭﺍﻟﻤ َﻠﻜﺎﺕ‪،‬‬
‫ِ‬ ‫ﻛﻞ‬ ‫َ‬
‫ﻭﺍﻟﻀﻴﺎ َﻉ ﺍﻟﻴﻮﻣﻲ ﻭﺍﻟﺨﻮﻑ ﻭﺍﻟﺠﻤﻮ َﺩ ﻳﺒﺘﻠ ُﻊ ﱠ‬
‫ُ‬
‫ﺷﻌﺮﺕ‬ ‫ﻛﻞ ﺍﻟﻜﻠﻤﺎﺕ! »ﺍﻟﺠﺎﺋ ُﻊ ﻻ ﻳُﺒﺪﻉ!«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ‪...‬‬ ‫ﻳﺠﺘﺎ ُﺡ ﱠ‬
‫ﻳﺪﺭﺱ‬
‫ُ‬ ‫َﺤ ِﺜ َﻲ ﺍﻟﺒﻴﻮﻟﻮﺟﺮﺍﻓﻲ‬ ‫ُ‬
‫ﺷﻌﺮﺕ ﺃﻥ ﺑ ْ‬ ‫ﺑﺎﻟﻘ َﺮ ِﻑ ﻣﻦ ﻣﻌﻈﻢ ﻣﺎ ﻗﺮ ْﺃ ُﺗﻪ!‬
‫ﻓﺮﺍﻍ ﺇﻟﻰ ﻓﺮﺍﻍ‪،‬‬ ‫ُ‬
‫ﻓﻴﺰﻳﻮﻟﻮﺟﻴﺎ ﺍﻟﺠﻤﻮﺩ! ﻳﺪﻭ ُﺭ ﻓﻲ ﺍﻟﻔﺮﺍﻍ‪ ،‬ﻳﻨﺘﻘﻞ ﻣﻦ ٍ‬
 ‫َ‬
‫ﻣﺴﺘﻘﺒﻞ ﺍﻟﻔﺮﺍﻍ‪...‬‬ ‫ُ‬
‫ﻳﺴﺘﺸﺮﻑ‬ ‫ﻳﻀﻴ ُﻊ ﻓﻲ ﺟﻐﺮﺍﻓﻴﺔ ﺍﻟﻔﺮﺍﻍ‪،‬‬

‫ﺃﺣﺴﺴﺖ ﺃﻥ ﻫﺬﺍ ﺍﻟﺒ َﻠﺪ‪ ،‬ﺍﻟﺬﻱ ﺃﺻﺒﻮ‬ ‫ُ‬ ‫ﻟﺠﺄﺕ ﺇﻟﻰ ﺃﻧﺘﺮﻧﺖ!‬‫ُ‬
‫ﺑﺸﻜﻞ ﺃﺩﻕ ﻓﻲ ﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻟﺠﺎﻣﻌ ّﻴﺔ‬ ‫ٍ‬ ‫ﺳﺒﺮ ﺃﻏﻮﺍﺭﻩ ﺍﻟﺨﻔ ّﻴﺔ‪ ،‬ﻣﺮﺻﻮ ٌﺩ‬ ‫ﺇﻟﻰ ِ‬
‫ﺍﻟﻤﻨﻈﻤﺎﺕ ﺍﻟﻌﺎﻟﻤﻴﺔ ﻭﺧﻄﻮﻃﻬﺎ ﺍﻟﺒﻴﺎﻧ ّﻴﺔ‪ ،‬ﻓﻲ‬ ‫ّ‬ ‫ﺍﻟﺪﻭﻟﻴﺔ‪ ،‬ﻓﻲ ﺗﻘﺎﺭﻳﺮ‬
‫ﻣﻮﺍﻗﻊ ﻣﻦ ﺯﺍﺭﻭﺍ ﺃﺭﺿ ُﻪ ﻣﻦ ﺃﺑﻨﺎﺀ ﺍﻟﺪﻧﻴﺎ‪ ،‬ﻓﻲ ﻋﻴﻮﻥ ﺃﺑﻨﺎﺋﻪ ﱠ‬
‫ﻭﻋﺸﺎ ِﻗ ِﻪ‬
‫ﺍﻟﺤﺮ ﻋﺒﺮ ﺃﻧﺘﺮﻧﺖ‪ ...‬ﺁﻩ‪ ،‬ﻫﺎﺃﻧﺬﺍ ﺃﻗﻮﻡ‬ ‫ﱢ‬ ‫ﺍﻟﺬﻳﻦ ﻳﻠﺠﺄﻭﻥ ﺇﻟﻰ ﺍﻟﺘﻌﺒﻴﺮ‬
‫ﺑﺎﻟﺒﺤﺚ ﻋﻦ ﺍﻟﻴﻤﻦ‪ ،‬ﺩﺍﺧﻞ ﺍﻟﻴﻤﻦ ﻧﻔﺴﻬﺎ‪ ...‬ﻋﺒﺮ ﺃﻧﺘﺮﻧﺖ!‬
‫ﻛﻞ ﺻﺒﺎﺡ ﺑﺎﻛﺮ‪ ،‬ﺣ ّﺘﻰ ﺍﻟﺤﺎﺩﻳﺔ ﻋﺸﺮﺓ ﻣﺴﺎ ًﺀ‪،‬‬ ‫ُ‬
‫ﻛﻨﺖ ﺃ ﱠﺗ ِﺠﻪ ﱠ‬
‫ﺇﻟﻰ ﻣﻘﻬﻰ ﺃﻧﺘﺮﻧﺖ ﻓﻲ ﺍﻟﺠﻬﺔ ﺍﻟﻤﻮﺍﺟﻬﺔ ﻟﻠﻤﺴﺠﺪ ﺍﻟﻘﺮﻳﺐ ﻣﻦ‬
‫ﻓﺎﺽ ﺗﻤﺎﻣﴼ ﻓﻲ ﻫﺬﻩ ﺍﻟﺴﺎﻋﺔ‪ .‬ﺍﻟﻮﺻﻮﻝ ﺇﻟﻴﻪ ّ‬
‫ﻛﻞ‬ ‫ﻣﻨﺰﻟﻨﺎ‪ ...‬ﺍﻟﻤﻘﻬﻰ ٍ‬
‫ﺻﺒﺎﺡ ﻻ ﻳﻤ ﱡﺮ ﺩﻭﻥ ﺃﻥ ﻳﻤﺘﻸ ﺃُﻟﺒﻮ ُﻡ ﺫﺍﻛﺮﺗﻲ ﺑﻤﺸﺎﻫﺪ ﻣﻮﺟﻌﺔ‪:‬‬ ‫ٍ‬
‫‪165‬‬ ‫ﺑﻨﻘﻞ‬
‫ِ‬ ‫ﻰ‬ ‫ّ‬
‫ﻠ‬ ‫ﻳﺘﺴ‬ ‫ﺍﻟﻌﻤﺮ‬ ‫ﻣﻦ‬ ‫ﺍﻟﺴﺎﺩﺳﺔ‬ ‫ﻳﺘﻌﺪ‬
‫ﱠ‬ ‫ﻟﻢ‬ ‫ٌ‬
‫ﻞ‬ ‫ﻃﻔ‬ ‫ﺍﻷﻭﻝ‪:‬‬ ‫ﺍﻟﻴﻮﻡ‬
‫ﻛﻮﻣ ٍﺔ ﺻﻐﻴﺮ ٍﺓ ﻣﻦ ﺍﻟﻌﻤﻼﺕ ﺍﻟﻤﻌﺪﻧﻴﺔ ﻣﻦ ﺍﻟﻴﺪ ﺇﻟﻰ ﺍﻷﺧﺮﻯ! ﻣﺘﻰ‬
‫ﱟﺃﻡ ﺳﻤﺤﺎ ﻟﻪ ﺑﺎﻟﺨﺮﻭﺝ ﻭﺣﻴﺪﴽ ﻓﻲ ﻫﺬﻩ ﺍﻟﺴﺎﻋﺔ‪،‬‬ ‫ﺃﺏ ﺃﻭ‬
‫ﺃﻱ ٍ‬ ‫ﺟﻤ َﻌﻬﺎ؟ ﱡ‬
‫َ‬
‫ﻛﺎﻣ َﻠﻴﻦ‪...‬‬
‫ِ‬ ‫ﺍﻟﻐﺴﻞ ﻃﻮﺍﻝ ﻳﻮﻣﻴﻦ‬‫َ‬ ‫ﺗﺘﻄﻠﺐ‬
‫ُ‬ ‫ﻭﻓﻲ ﻫﺬﻩ ﺍﻟﻬﻴﺌﺔ ﺍﻟﺘﻲ‬
‫ﺍﻟﺠﻠﺪ!‬
‫ِﻟﺘﻠﻮ َﺡ ﺑﻌﺪ ﺫﻟﻚ ﻓﻘﻂ ﺃﻭﻟﻰ ﻃﺒﻘﺎﺕ ﺑَﺸ َﺮ ِﺓ ِ‬
‫ﻓﺘﻴﺎﺕ ﻓﻲ ُﻋﻤﺮ ﺍﻟﻮﺭﺩ‪ ،‬ﻣﻨﻜﻮﺷﺎﺕ ﺍﻟﺸﻌﺮ‪،‬‬ ‫ٍ‬ ‫ﺍﻟﻴﻮﻡ ﺍﻟﺜﺎﻧﻲ‪ُ :‬‬
‫ﺛﻼﺙ‬
‫ﻠﻦ ﺟﺎﻟﻮﻧﺎﺕ ﺍﻟﻤﺎﺀ ﻋﻠﻰ‬ ‫ﻣ ﱠﺘﺴﺨﺎﺕ ﺍﻟﻤﻼﺑﺲ‪ ،‬ﺣﺎﻓﻴﺎﺕ ﺍﻷﻗﺪﺍﻡ‪ ...‬ﻳﻨ ُﻘ َ‬
‫ﺑﺎﺳﺘﻔﺴﺎﺭﻫﻦ ﻋﻦ ﺃﻋﻤﺎﺭﻫﻦ ﺗﺤﺪﻳﺪﴽ‪» .‬ﻻ ﺃﻋﺮﻑ!«‪،‬‬ ‫ﱠ‬ ‫ﺗﺠﺮ ْﺃ ُﺕ‬
‫ﺳ ّﻴﺎﺭﺓ‪ .‬ﱠ‬
‫ﺻﻴﻔﻬﻦ‬
‫ﱠ‬ ‫ُﻘﻀﻴﻦ ﺇﺟﺎﺯﺓ‬
‫ﺳﺄﻟﺘﻬﻦ ﻟﻤﺎﺫﺍ ﻻ ﻳ ﱢ‬ ‫ﱠ‬ ‫ﺃَ َ‬
‫ﺟﺒﻦ ِﺑ َﺼ ْﻮ ٍﺕ ﻭﺍﺣﺪ!‬
‫َﻔﻬﻤﻦ ﻣﺎ ﻳﻌﻨﻴﻪ ﻫﺬﺍ‬ ‫ﻣﻜﺎﻥ ﺁﺧﺮ؟‪ ...‬ﻟﻢ ﻳ َ‬ ‫ٍ‬ ‫ﺍﻟﻤﺪﺭﺳﻴﺔ ﻓﻲ ﺍﻟﺮﺍﺣﺔ ﻓﻲ‬
‫ﱠ‬
‫ﺃﺟﺒﻦ ﺳﻮﻳّﴼ ِﺑﻀﺤﻜ ٍﺔ ﺧﺠﻮﻟ ٍﺔ‬ ‫َ‬ ‫ﺍﻟﺴﺆﺍﻝ ﺗﺤﺪﻳﺪﴽ! »ﺍﻟﻤﺪﺭﺳﺔ؟‪«...‬‬
‫ُﻣﺸﺘﺮﻛ ٍﺔ ﺑﺮﻳﺌﺔ!‬
‫ﻳﻄﻠﺐ ِﺭﺯ َﻗ ُﻪ ﻣﻦ ﺻﺒﺢ ﺍﷲ ﺍﻟﺒﺎﻛﺮ‪،‬‬ ‫ُ‬ ‫ﺍﻟﻴﻮﻡ ﺍﻟﺜﺎﻟﺚ‪ٌ :‬‬
‫ﺷﻴﺦ‬
‫ﻛ ْﻮﻣ ٌﺔ ﻣﻦ ﻓﻮﺍﻛﻪ ﺍﻟﺨﻮﺥ ﻭ»ﺍﻟﻌ ّﺒﺎﺳﻲ«‬ ‫ﻳﺠ ﱡﺮ ﻋﺮﺑ ًﺔ ﺻﻐﻴﺮﺓ ﻓﻴﻬﺎ َ‬
‫ﺍﻟﺸﻮﻛﻲ! ﻛﺘﻠ ٌﺔ ﻣﻦ ﺭﺟﺎﻝ ﺍﻟﺸﺮﻃﺔ ﺍﻷﺷﺎﻭﺱ ﻳﻘﺘﺎﺩﻭﻧﻪ‬ ‫ّ‬ ‫ﻭﺍﻟﺘﻴﻦ‬
‫ِﺑ ُﺤ ﱠﺠ ِﺔ ﻣﺨﺎﻟﻔ ِﺘ ِﻪ ﻟﻘﻮﺍﻧﻴﻦ ﺍﻟﻤﺮﻭﺭ‪ ،‬ﺗﻌﻄﻴﻠ ِﻪ ﻟﻠﺴﻴﺮ‪ ،‬ﻭﺗﺸﻮﻳﻬ ِﻪ ِﻟ َﺠﻤﺎﻝ‬
‫ﻴﺪﻫﻢ ﺩﻭﻥ ﺃﻥ ﻳﻔﺮﻍ ﻛﻞ‬ ‫ُ‬
‫ﺍﻟﻤﺴﻜﻴﻦ ﻣﻦ ﺷﺒﻜ ِﺔ َﺻ ِ‬ ‫ﺍﻟﻤﺪﻳﻨﺔ‪ ...‬ﻟﻢ ﻳﺨﺮﺝ‬
‫ﺍﻟﺸﻮﻛﻲ ُﺭﺷﻮ ًﺓ‬
‫ﱢ‬ ‫ﻣﺎ ﻓﻲ ﺟﻴﺒ ِﻪ ﻣﻦ ﺭﻳﺎﻻﺕ ﻭﺑﻌﻀﴼ ﻣﻦ ﻛﻮﻣ ِﺔ ﺍﻟﺘﻴﻦ‬
‫ﻟﻬﻢ ﻓﺮﺩﴽ ﻓﺮﺩﴽ!‬
‫ﻏﻴﺮﺕ ﻃﺮﻳﻘﻲ ﺑﻌﺪﻩ ﺑﺎﺗﺠﺎﻩ ﻣﻘﻬﻰ ﺃﻧﺘﺮﻧﺖ‬ ‫ُ‬ ‫ﺍﻟﻴﻮﻡ ﺍﻟﺮﺍﺑﻊ ﺍﻟﺬﻱ ﱠ‬
‫ٌ‬
‫ﻓﻲ ﺟﻬ ٍﺔ ﺃﺧﺮﻯ ﻣﻦ ﺍﻟﻤﺪﻳﻨﺔ‪ :‬ﻃﻔﻞ ﺃﻣﺎﻡ ﺑﺎﺏ ﺍﻟﻤﺴﺠﺪ‪ ،‬ﻣﻘﻄﻮﻉ‬
‫ﻟﻜﺴﺐ ُﻟ َ‬
‫ﻘﻤ ِﺔ‬ ‫ِ‬ ‫ﻛﺮ!‪ ...‬ﻳُﺠﻠﻲ ﺗﺸ ﱡﻮ َﻫ ُﻪ ﺃﻣﺎﻡ ﺍﻟﻌﺎﺑﺮﻳﻦ! ﻭﺳﻴﻠ ٌﺔ ﺟﺪﻳﺪﺓ‬‫ﺍﻟﺬ َ‬
‫ﱠ‬
‫ﺍﻟﻤﺘﺴﻮﻟﻴﻦ؟‬
‫ﱢ‬ ‫َ‬
‫ﺑﻠﺪ ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ! ﻣﻦ َﺑﺘ َﺮﻩُ؟ ﻣﺎﻓﻴﺎ ﺷﺒﻜﺎﺕ‬ ‫ﺍﻟﻌﻴﺶ ﻓﻲ ِ‬
‫ً‬
‫ﻭﺍ ِﻟ َﺪﻳﻪ ﺍﻟﺬﻳﻦ ﺳﻴﻀﻤﻨﻮﻥ ﺑﺬﻟﻚ ﺩﺧﻼ ﻳﻮﻣ ّﻴﴼ ﻣﺤﺘﺮﻣﴼ؟‪...‬‬

‫ﺍﻟﺒﺤﺚ ﺍﻟﺒﻴﻠﻮﺟﺮﺍﻓﻲ ﻛﺎﻥ ﺃﻛﺜ َﺮ ﺛﺮﺍ ًﺀ ﻭﺩ ّﻗﺔ ﻋﺒﺮ ﺃﻧﺘﺮﻧﺖ!‬ ‫ُ‬

‫ﻳﺤﻤﻞ ﺍﺳﻢ‬‫ُ‬ ‫ﺃﺑﺤ ْﺮ ُﺕ ﻛﺜﻴﺮﴽ ﻓﻲ ﻣﻮﺍﻗﻊ ﺷ ّﺘﻰ! ﻟﻢ ﺃﺗﺮﻙ ﻣﻮﻗﻌﴼ ﺃﻭ ّ‬
‫ﻧﺼﴼ‬ ‫‪166‬‬
‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ‪ ،‬ﺟﺎﺩﺕ ﺑﻪ »ﻣﻮﺗﻮﺭﺍﺕ ﺑﺤﺚ« ﺃﻧﺘﺮﻧﺖ‪ ،‬ﺩﻭﻥ ﺃﻥ‬ ‫ٍ‬ ‫ﺍﻟﻴﻤﻦ‬
‫ﺣﺪﺏ‬
‫ٍ‬ ‫ﻛﻞ‬
‫ﻟﻔﻴﻒ ﻣﻦ ﺍﻟﻤﻮﺍﻗﻊ ﻭﺍﻟﻨﺼﻮﺹ ﻣﻦ ﱢ‬ ‫ٌ‬ ‫ﺃﺗﺼ ﱠﻔﺤﻪ! ﻏﻤﺮﻧﻲ‬
‫ﻭﻗﻔﺖ ﻋﻠﻴﻪ ﻟﻢ‬ ‫ُ‬ ‫ﻭﺻﻮﺏ‪ .‬ﻟﻢ ﺃﻋﺮﻑ ﻛﻴﻒ ﺃﺧﻮﺿﻪ‪ .‬ﺣﺸ ٌﺪ ﻛﺒﻴﺮ ﻣﻤﺎ‬ ‫َ‬
‫ُﺴ ِﻤ ُﻦ ﺃﻭ ﻳُﻐﻨﻲ ﻣﻦ ﺟﻮﻉ ﻓﻴﻤﺎ ﺃﺻﺒﻮ ﺇﻟﻴ ِﻪ‬ ‫ُﻬﻤﻨﻲ ﻓﻲ ﺷﻲﺀ‪ ،‬ﻻ ﻳ ْ‬ ‫ﻳﻜﻦ ﻳ ﱢ‬
‫ُ‬ ‫ٌ‬
‫ﺗﺤﺪﻳﺪﴽ‪ ...‬ﻃﺎﺋﻔﺔ ﻣﻦ ﺍﻟﻨﺼﻮﺹ ﺃﺛﺎﺭﺗﻨﻲ ﻭﺇﻥ ﻟﻢ ﺗ ِﻬ ّﻢ ﻣﻮﺿﻮﻉ ﺑﺤﺜﻲ‬
‫ﺍﻟﻴﻤﻦ ﻓﻲ ﻋﻴﻮﻥ ﻣﻦ ﻣ ﱡﺮﻭﺍ ﺃﻭ ﻋﺎﺷﻮﺍ ﻓﻴﻬﺎ ﻣﻦ ﻏﻴﺮ ﺃﺑﻨﺎﺋﻬﺎ‪...‬‬ ‫ﺃﻳﻀﴼ‪َ :‬‬
‫ﻋﺪﻥ ﺃﻗﺮﺃُ‪ ،‬ﺃﻓﺮ ُﺯ‪ ،‬ﺃﺭﻣﻲ ﻓﻲ‬‫ﻛﻞ ﺃﻳﺎﻣﻲ ﺍﻷﻭﻟﻰ ﻓﻲ َ‬ ‫ﻴﺖ ﱠ‬ ‫ﻗﻀ ُ‬‫ﱠ‬
‫ُ‬ ‫ً‬
‫ﺍﻟﺰﺑﺎﻟﺔ ﺃﻓﻮﺍﺟﴼ ﻫﺎﺋﻠﺔ ﻣﻦ ﺍﻟﻤﻮﺍﺿﻴﻊ‪ ...‬ﺗﻤﺤﻮ ْﺭﺕ ﻓﻲ ﺍﻟﺒﺪﺀ ﺣﻮﻝ‬
‫ﻣﻮﻗﻊ ﺍﻟﻴﻤﻦ ﻓﻲ ﺧﺎﺭﻃﺔ ﺍﻟﻌﺎﻟﻢ‬ ‫َ‬ ‫ﺃﺣﺪ ُﺩ‬
‫ﻣﻮﺍﻗﻊ ﻋﺎﻣﺔ ﺟﻌﻠﺘﻨﻲ ﱢ‬ ‫َ‬
‫ﺍﻗﺘﺼﺎﺩﻳّﴼ ﻭﺍﺟﺘﻤﺎﻋﻴﺎ ﻭﺳﻴﺎﺳ ّﻴﴼ ﻭﺗﻌﻠﻴﻤ ّﻴﴼ‪ :‬ﻓﻲ ﺍﻟﺤﻀﻴﺾ ﺗﻤﺎﻣﴼ‪ ،‬ﻓﻲ‬
‫ﺃﺳﻔﻞ ﺍﻟﺴﺎﻓﻠﻴﻦ!‪...‬‬
‫ِ‬
‫ً‬
‫ﻣﺘﺨﺼﺼﺔ ﻗﺎﺩﺗﻨﻲ‬ ‫ﱢ‬ ‫ﻣﻮﺍﻗﻊ‬
‫َ‬ ‫ُ‬
‫ﺛﻢ ﺍﻛﺘﺸﻔﺖ ﺑﻌﺪ ﺫﻟﻚ ﺑﺎﻟﺼﺪﻓﺔ‬ ‫ﱠ‬
‫ﻘﻞ ﺍﻟﻜﺎﺭﺛﺔ! ﻗﺎﺩﺗﻨﻲ ﻣﺒﺎﺷﺮﺓ‪،‬‬ ‫ُ‬
‫ﻋﻤﻮﺩﻳّﴼ ﺇﻟﻰ ﺟﺬﺭ ﺍﻷﻟﻢ! ﺇﻟﻰ ﻣﺮﻛﺰ ﺛ ِ‬
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‫ﺃﺑﺤﺚ ﻋﻨﻬﺎ‪:‬‬ ‫ﺑﺸﻜﻞ ﻻ ﻳﺨﻄ ُﺮ ﻋﻠﻰ ﺑﺎﻝ‪ ،‬ﺇﻟﻰ ﻣﻦ ُ‬
‫ﺟﺌﺖ ﻣﻦ ﻓﺮﻧﺴﺎ‬ ‫ٍ‬
‫ﺷﻘﻴﻘﺔ ﺇﻟﻬﺎﻡ ﺍﻟﺒﻴﻮﻟﻮﺟﻴﺔ ﻭﺗﻮﺃﻣﻬﺎ ﺍﻟﺮﻭﺣﻲ‪ :‬ﻧﻌﻴﻢ!‬

‫ﺤﺖ ﻓﻲ ﺍﻷﻳّﺎﻡ ﺍﻷﻭﻟﻰ ﻣﻮﺍﻗﻊ ﺍﻟﻤﻨﻈﻤﺎﺕ ﺍﻟﺪﻭﻟ ّﻴﺔ‪،‬‬ ‫ﺗﺼ ﱠﻔ ُ‬

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‫ﺍﻟﻤﺘﺤﺪﺓ‬ ‫ﺍﻟﻤﺘﺨﺼﺼﺔ‪ ...‬ﺗﻘﺎﺭﻳ ُﺮ ﺍﻷﻣﻢ‬‫ﱢ‬ ‫ﻣﻌﺎﻫﺪ ﺍﻟﺪﺭﺍﺳﺎﺕ‪ ،‬ﺍﻷﺑﺤﺎﺙ‬
‫ﻭﺍﻟﻤﻨﻈﻤﺎﺕ ﺍﻟﺪﻭﻟ ّﻴﺔ ﺗﺸﺮ ُﺥ ﺍﻟﻌﻈﻢ‪» :‬ﺍﻟﻴﻤﻦ ﺇﺣﺪﻯ ﺃﻓﺸﻞ ﻋﺸﺮﺓ ﺩﻭﻝ‬
‫ﻓﻲ ﺍﻟﻌﺎﻟﻢ!«‪» ،‬ﺍﻟﻴﻤﻦ ﺇﺣﺪﻯ ﺃﻛﺜﺮ ﺩﻭﻝ ﺍﻟﻌﺎﻟﻢ ﻓﺴﺎﺩﴽ«‪ ...‬ﺍﻟﺮﺳﻮﻣﺎﺕ‬
‫ﺍﻟﺒﻴﺎﻧﻴﺔ ﺣﻮﻝ ﺍﺯﺩﻳﺎﺩ ﺍﻟﻔﻘﺮ ﺧﻼﻝ ﺃﻋﻮﺍﻡ ‪ ،2000-1990‬ﺣﻮﻝ‬
‫ﺍﻧﺨﻔﺎﺽ ﻣﺴﺘﻮﻯ ﺩﺧﻞ ﺍﻟﻔﺮﺩ ﺧﻼﻝ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ ِﺑﺄﻛﺜﺮ ﻣﻦ ﺳﺒﻊ‬
‫ﺍﻟﻀﻌﻒ ﺍﻟﻤﻀﻄﺮﺩ ﻟﻺﻧﺘﺎﺝ ﺍﻟﻮﻃﻨﻲ‪ ...‬ﺗﻔﻘ ُﻊ ﺍﻟﻨﻈﺮ!‬ ‫ِ‬ ‫ﻣﺮﺍﺕ‪ ،‬ﺣﻮﻝ‬‫ﱠ‬
‫ﺍﻟﻤﺘﺤﺪﺓ ﻋﻦ »ﻣﺆﺷﺮ‬
‫ﱠ‬ ‫ﻟﻸﻣﻢ‬ ‫ﺍﻟﺴﻨﻮﻳﺔ‬ ‫ﺍﻟﺘﻘﺎﺭﻳﺮ‬ ‫ﻫﻲ‬ ‫ﺃﻭﺟﻌﻨﻲ‬ ‫ﻣﺎ‬ ‫ﺃﻛﺜﺮ‬
‫ﺍﻟﺘﻨﻤﻴﺔ ﺍﻹﻧﺴﺎﻧﻴﺔ«!‬
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‫ﺷﺪﻳﺪ‬ ‫ﻣﺼﻄﻠﺢ ﻛﺜﻴﻒ‪،‬‬‫ٌ‬ ‫»ﻣﺆﺷﺮ ﺍﻟﺘﻨﻤﻴﺔ ﺍﻹﻧﺴﺎﻧﻴﺔ«‬
‫ﺍﻟﺠﻮﻫﺮﻳﺔ‪ ،‬ﺗﻌ ﱠﻠ ْﻤ ُﺘ ُﻪ ِﺑﻔﻀﻞ ﺃﻧﺘﺮﻧﺖ! ﻣﻔﻬﻮ ٌﻡ ﺣﺪﻳﺚ ﺍﺧﺘﺮﻋ ُﻪ ﺧﺒﺮﺍﺀ‬ ‫ﱠ‬
‫ﺍﻟﻤﺘﺤﺪﺓ ﻟﻠﺘﺤﺪﻳﺪ ﺍﻟﺪﻗﻴﻖ ِﻟﺠﻮﺩ ِﺓ ﺣﻴﺎ ِﺓ ﺍﻹﻧﺴﺎﻥ ﺃﻭ ﺳﻮ ِﺋﻬﺎ‬ ‫ّ‬ ‫ﺍﻷﻣﻢ‬
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‫ﺗﺄﺧﺪ ﻓﻲ‬ ‫ﺍﻟﻤﺆﺷﺮ ِﺑﺼﻴﻐ ٍﺔ ﺭﻳﺎﺿﻴﺔ‬
‫ﱢ‬ ‫ﺗﺘﺠﺴ ُﺪ ﻗﻴﻤ ُﺔ ﻫﺬﺍ‬
‫ﱠ‬ ‫ﻓﻲ ﺃﻱ ﺑﻠﺪ‪.‬‬
‫ﻧﻮﻋﻴﺔ ﺣﻴﺎﺓ ﺍﻹﻧﺴﺎﻥ‪ :‬ﺩﺧﻠﻪ ﺍﻟﻤﺎﻟﻲ‪،‬‬ ‫ﱠ‬ ‫ﻛﻞ ﻣﺎ ﻳﺆ ﱢﺛ ُﺮ ﻋﻠﻰ‬ ‫ﺍﻻﻋﺘﺒﺎﺭ ﱠ‬
‫ﻣﺴﺘﻮﻯ ﺍﻟﺨﺪﻣﺎﺕ ﺍﻟﺼﺤﻴﺔ ﻭﺍﻟﺘﻌﻠﻴﻤﻴﺔ ﺍﻟﺘﻲ ﻳﻨﺎﻟﻬﺎ‪ ...‬ﻳﺤﺴ ُﺒﻬﺎ‬
‫ﺑﻠﺪ ﻋﻠﻰ ِﺣﺪﺓ‪ .‬ﺗﻨﺘﻬﻲ‬ ‫ﻟﻜﻞ ٍ‬
‫ﻃﺎﻗ ٌﻢ ﻣﻦ ﺍﻷﺧﺼﺎﺋﻴﻴﻦ‪ ،‬ﺧﻼﻝ ﻋﺎﻣﻴﻦ‪ ،‬ﱢ‬
‫ﱟﻱ‪ ،‬ﺑﻴﻦ ﺍﻟﺼﻔﺮ ﻭﺍﻟﻮﺍﺣﺪ‪،‬‬ ‫ﺴﺮ ُﻋ ْﺸ ِﺮ‬ ‫ﺟﺪﴽ ﺑ ُﻜ ٍ‬‫ﺣﺴﺎﺑﺎ ُﺗﻬﻢ ﺍﻟﺪﻗﻴﻘﺔ ّ‬
‫ﻛﻞ ﺑﻠﺪ! ﻳﺸﺒﻪ ﺩﺭﺟﺔ ﺣﺮﺍﺭﺓ‬ ‫ُﻠﺨﺺ ﻣﻘﺪﺍﺭ ﺍﻟﺴﻌﺎﺩﺓ ﺃﻭ ﺍﻟﺒﺆﺱ ﻓﻲ ﱢ‬ ‫ﻳ ﱢ‬
‫ﻘﺎﺳﺔ ﺑﺎﻟﺘﺮﻣﻮﻣﺘﺮ!‪...‬‬ ‫ﺍﻟﻤ َ‬‫ﺍﻹﻧﺴﺎﻥ ُ‬
‫ﻣﺜﻞ ﺍﻟﺘﺮﻣﻮﻣﺘﺮ ﺗﻤﺎﻣﴼ‪ :‬ﺇﺫﺍ َﻭ َﺻ َﻠ ْﺖ ﺩﺭﺟ ُﺔ ﺍﻟﺤﺮﺍﺭﺓ ﺇﻟﻰ ﺍﻟﺜﺎﻟﺜﺔ‬
‫ﻃﺎﺋﺢ‪ ،‬ﻋﻠﻰ ﻭﺷﻚ ﺍﻟﻤﻮﺕ! ﻛﺬﻟﻚ ﺇﺫﺍ‬ ‫ٌ‬ ‫ﻭﺍﻷﺭﺑﻌﻴﻦ ﺃﻭ ﺃﻛﺜﺮ ﻓﺎﻟﻤﺮﻳﺾ‬
‫ﺃﻱ ﺑﻠﺪ ﺃﻗﻞ ﻣﻦ ‪0.5‬‬ ‫ﻟﻤﻌﺪﻝ ﺍﻟﺘﻨﻤﻴﺔ ﻓﻲ ّ‬ ‫ﱠ‬ ‫ﻛﺎﻥ ﺍﻟﻜﺴ ُﺮ ْ‬
‫ﺍﻟﻌﺸ ِﺮ ﱡﻱ‬
‫ﻣﺮﻳﺾ ﻋﻠﻰ ﻭﺷﻚ ﺍﻻﻧﻬﻴﺎﺭ‪ ،‬ﻋﺎ َﻟ ٌﺔ ﻋﻠﻰ ﺍﻟﻜﺮﺓ ﺍﻷﺭﺿﻴﺔ‪ ،‬ﻻ ﺃﻣﻞ‬ ‫ٌ‬ ‫ﻓﺎﻟﺒﻠﺪ‬
‫ﻓﻲ ﺗﻄ ﱡﻮ ِﺭ ِﻩ ﻓﻲ ﺍﻟﻮﺍﻗﻊ‪ ،‬ﻣﻨﻬﺎ ٌﺭ »ﺍﻛﻠﻴﻨﻴﻜ ّﻴﴼ«‪ ،‬ﻫﺎ ِﻟ ٌﻚ ﻻ ُﻣﺤﺎﻟﺔ‪» ،‬ﻟ ُﻪ‬
‫ﺑﺄﻗﻞ‬
‫ﺑﺄﻗﻞ ﻣﻦ »ﻧﺼﻒ ﺣﻴﺎﺓ«! ﱠ‬ ‫ﻳﻌﻴﺶ ﺃﻫ ُﻠ ُﻪ ﱠ‬
‫ُ‬ ‫ﺍﷲ«‪ ،‬ﻛﻤﺎ ﻳﻘﻮﻟﻮﻥ!‪...‬‬
‫ﻧﺼﻒ ﻗ ْﻠﺐ‪...‬ﺁﻩ‪ ،‬ﺃﻥ‬ ‫ِ‬ ‫ﺑﺄﻗﻞ ﻣﻦ‬‫ﺑﺄﻗﻞ ﻣﻦ ﻧﺼﻒ ﺩﻣﺎﻍ‪ ،‬ﱠ‬ ‫ﻣﻦ ﻧﺼﻒ ُﻋ ْﻤﺮ‪ ،‬ﱠ‬
‫ﺑﺄﻗﻞ ﻣﻦ ﻧﺼﻒ ﺣﻴﺎﺓ«! ﻳﺎﻟﺮﻭﻋ ِﺔ ﻭ ِﺩ ﱠﻗ ِﺔ ﻭﺑﺸﺎﻋ ِﺔ ﻫﺬﺍ ﺍﻟﺘﻌﺒﻴﺮ‬ ‫»ﺗﻌﻴﺶ ﱠ‬
‫ﺗﻀﻤﻨﺘﻬﺎ ﺍﻟﻘﺎﺋﻤﺔ‪،‬‬ ‫ﱠ‬ ‫ﻓﻲ ﻧﻔﺲ ﺍﻵﻥ!‪ 30 ...‬ﺩﻭﻟ ًﺔ‪ ،‬ﺑﻴﻦ ‪ 177‬ﺩﻭﻟﺔ‬
‫ﺑﺄﻗﻞ ﻣﻦ »ﻧﺼﻒ ﺣﻴﺎﺓ«!‬ ‫ﻳﻌﻴﺶ ﺃﻫ ُﻠﻬﺎ ﱠ‬ ‫ُ‬ ‫ﺃﻗﻞ ﻣﻦ ‪!0.5‬‬ ‫ﻌﺪ ُﻝ ﺗﻨﻤﻴ ِﺘﻬﺎ ﱡ‬ ‫ُﻣ ﱠ‬
‫ﺇﺣﺪﺍﻫﺎ ﺍﻟﻴﻤﻦ!‪...‬‬
‫ﻻﺣﻆ ﺃﻥ‬ ‫ﻳﺎﻟﻠﻜﺎﺭﺛﺔ! ُﺻ ِﻌ ْﻘ ُﺖ ﻭﺃﻧﺎ ﺃﻗﺮﺃُ ﺍﻟﺘﻘﺎﺭﻳ َﺮ ﺍﻟﺪﻭﻟﻴﺔ ﻭﺃُ ُ‬
‫ﺃﺿ َﺤ ْﺖ »ﻋﺎ َﻟ َﻢ ﺛﺎﻟﺚ« ﺍﻟﻌﺎ َﻟﻢ ﺍﻟﻌﺮﺑﻲ! ﻫﻲ ﺍﻟﺪﻭﻟﺔ ﺍﻟﻌﺮﺑﻴﺔ‬ ‫ﺍﻟﻴﻤﻦ ْ‬‫َ‬
‫ﻳﻘﻞ ﻣﺆﺷ ُﺮ ﺗﻨﻤﻴ ِﺘﻬﺎ ﻋﻠﻰ‬ ‫ﺍﻟﻮﺣﻴﺪﺓ‪ ،‬ﺑﻴﻦ ﺗﻠﻚ ﺍﻝ ‪ 30‬ﺩﻭﻟﺔ‪ ،‬ﺍﻟﺘﻲ ﱡ‬
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‫ﺍﻟﻤﺜﻞ ﺃﺣﻴﺎﻧﴼ‬ ‫ﻳﻀﺮﺏ ﺑ ِﻪ‬
‫ُ‬ ‫ﺟﻴﺪﴽ‪ :‬ﺣ ﱠﺘﻰ ﺍﻟﺴﻮﺩﺍﻥ‪ ،‬ﺍﻟﺘﻲ‬ ‫‪ !0.5‬ﺗﺤ ﱠﻘ ْﻘ ُﺖ ﱢ‬
‫ﻭﺷﺪ ِﺓ ﺍﻟﺒﺆﺱ‪ ،‬ﻳَﻘ ُﻊ ﺧﺎﺭﺝ ﻫﺬﻩ ﺍﻟﻘﺎﺋﻤﺔ!‪ ...‬ﺍﻟﻐﺎﻟﺒ ّﻴ ُﺔ‬ ‫ﺑﻀﻨﻚ ﺍﻟﺤﻴﺎﺓ ﱠ‬ ‫ِ‬
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‫ﺍﻟﺴﺎﺣﻘﺔ ﻟﺘﻠﻚ ﺍﻟﺪﻭﻝ ﺍﻟﺜﻼﺛﻴﻦ ﻣﺠﻬﻮﻟﺔ ﻣﻦ ﺍﻟﺨﺎﺭﻃﺔ‪ :‬ﺳﻴﺮﺍﻟﻴﻮﻥ‪،‬‬ ‫ُ‬ ‫‪168‬‬
‫ﺭﻭﺍﻧﺪﺍ )ﺍﻟﺘﻲ ﺃﺷﻬﺮﺗﻬﺎ ﺣﺮﻭﺏ ﺇﺑﺎﺩﺗﻬﺎ ﺍﻟﺸﻨﻴﻌﺔ ﻻ ﻏﻴﺮ(‪ ،‬ﺑﻮﺭﻛﻴﻨﺎﻓﺎﺳﻮ‪،‬‬
‫ﻏﻴﻨﻴﺎ ﺍﻻﺳﺘﻮﺍﺋﻴﺔ‪ ...‬ﺃﻏﻠ ُﺒﻬﺎ ﺑﻼ ﻣﻮﺍﺭﺩ ﺗﺴﺘﺤﻖ ﺍﻟﺬﻛﺮ ﻓﻲ ﺍﻟﻐﺎﻟﺐ‪:‬‬
‫ﻣﻮﻗﻊ ﺍﻟﻴﻤﻦ‪ ،‬ﻓﻲ‬ ‫َ‬ ‫ﺍﻟﻜﺎﻛﺎﻭ‪ ،‬ﺍﻟﺠﻠﻮﺩ‪ ،‬ﺍﻟﺒﻦ‪ ،‬ﺍﻟﻨﺎﺭﺟﻴﻞ‪ ...‬ﻧﺎﻫﻴﻚ ﺃﻥ‬
‫ﺧﻄﻮﺍﺕ ﺇﻟﻰ‬‫ٍ‬ ‫ﻛﻞ ﻋﺎﻡ ﺑﻀﻌﺔ‬ ‫ﻳﺘﻘﺪ ُﻡ ﱠ‬
‫ﱠ‬ ‫ﺩﻭﻝ ﺍﻟﻌﺎﻟﻢ‪،‬‬
‫ﺗﺮﺗﻴﺐ ﻗﺎﺋﻤ ِﺔ ِ‬ ‫ِ‬
‫ﺛﺎﺑﺖ ﻣﻨﺘﻈﻢ‪ ،‬ﻭﻛﺄ ﱠﻧﻬﺎ ﺗﺘﺪﺣﺮ ُﺝ ﻓﻲ ﻣﺰﻟﻘﺔ‪ ،‬ﺃﻭ ﻛﺄ ﱠﻧﻬﺎ‬ ‫ﺑﺸﻜﻞ ٍ‬ ‫ٍ‬ ‫ﺍﻟﺨﻠﻒ‪،‬‬
‫ﺗﺒﺤﺚ ﻋﻦ ﻣﻴﺪﺍﻟﻴ ٍﺔ ﺃﻭﻟﻤﺒ ّﻴ ٍﺔ ﻓﻲ ﺳﺮﻋﺔ ﺍﻻﻧﻬﻴﺎﺭ‪...‬‬ ‫ُ‬
‫ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ ﺑﺎﻷﺣﺮﻯ‪ ،‬ﻣﻌﺠﺰ ُﺓ‬ ‫ِ‬ ‫ﻣﻌﺠﺰ ُﺓ ﺍﻟﻴﻤﻦ‪ ،‬ﺃﻭ ﻣﻌﺠﺰ ُﺓ‬
‫ﻧﻬﺐ ﻣﻠﻴﺎﺭﺍ ِﺗﻬﺎ ﻭﺃﺣﻜ َﻢ ﺗﻮﺛﻴ َﻘﻬﺎ ﻓﻲ ﺳﻼﺳﻞ‬ ‫ﺍﻟﺨﺮﺍﺏ ﺍﻟﺬﻱ َ‬ ‫ِ‬ ‫ﻣﻬﻨﺪﺱ‬
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‫ﺍﻟﺘﺨ ﱡﻠ ِﻒ ﻭﺍﻟﻘﺒﻠﻴ ِﺔ ﻭﺍﻟﻔﺴﺎ ِﺩ ﻭﺍﻟﺠﻬﻞ‪ ،‬ﺃﻧﻬﺎ ﺗﻘ ُﻊ ﺿﻤﻦ ﺗﻠﻚ ﺍﻟﺜﻼﺛﻴﻦ‬
‫ﺩﻭﻟﺔ ﻣﻊ ﺃﻥ ﻣﻮﺍﺭﺩَﻫﺎ ﺍﻟﺒﺘﺮﻭﻟﻴﺔ ُﺗ ِﺪ ﱡﺭ ﻋﻠﻴﻬﺎ ﻣﻠﻴﺎﺭﺍﺕ ﻣﻦ ﺍﻟﺪﻭﻻﺭﺍﺕ‬
‫ﺟﺪﴽ! ﻧﺎﻫﻴﻚ ﺃﻧﻬﺎ ﻣﻦ‬ ‫ﻏﻨﻴ ٌﺔ ّ‬‫ﻭﺍﻟﺒﺤﺮﻳﺔ ﱠ‬
‫ﱠ‬ ‫ﺍﻟﺴﻤﻜﻴﺔ‬
‫ﱠ‬ ‫ﺳﻨﻮﻳّﴼ! ﻣﻮﺍﺭﺩُﻫﺎ‬
‫ﺍﻟﻴﻤﻦ ﺛﻼﺛ ُﺔ ﻋﻮﺍﻟﻢ‬ ‫ُ‬ ‫ُﻭﻝ ﺍﻟﻌﺎﻟﻢ ﺑﺎﻟﻤﺆﻫﻼﺕ ﺍﻟﺴﻴﺎﺣ ّﻴﺔ‪:‬‬ ‫ﺃﺛﺮﻯ ﺩ ِ‬
‫ﺑﻠﺪ ﻭﺍﺣﺪ‪:‬‬ ‫ﺟﺪﴽ ﻓﻲ ٍ‬ ‫ٌ‬
‫ﺟﺪﴽ‪ ،‬ﻣﺘﻜﺎﻣﻠﺔ ّ‬ ‫ٌ‬
‫ﺟﺪﴽ‪ ،‬ﻣﺬﻫﻠﺔ ّ‬ ‫ٌ‬
‫ﺳﻴﺎﺣ ّﻴﺔ‪ ،‬ﻣﺨﺘﻠﻔﺔ ّ‬
 ‫ﻭﻣ ُﺪ ُﻥ ﺃﻟﻒ ﻟﻴﻠﺔ ﻭﻟﻴﻠﺔ ﺍﻟﻤﺘﻨﺎﺛﺮﺓ ﻓﻲ‬ ‫‪ (1‬ﻫﻀﺒﺔ ﺣﻀﺮﻣﻮﺕ ﺍﻟﺴﺎﺣﺮﺓ ُ‬
‫ّ‬
‫ﺍﻟﻤﻜﻼ‪ ،‬ﺍﻟﺸ ْﺤﺮ‪ (2 ...‬ﺍﻟﻤﻨﺎﻃﻖ‬ ‫ّ‬ ‫ﺳﻮﺍﺣﻠﻬﺎ ﻭﺻﺤﺎﺭﻳﻬﺎ‪ :‬ﺳﻴﺌﻮﻥ‪ ،‬ﺷﺒﺎﻡ‪ُ ،‬‬
‫ﺍﻟﺸﻤﺎﻟﻴﺔ ﻭﺍﻟﻮﺳﻄﻰ ﻣﻦ ﺻﻨﻌﺎﺀ ﺣ ّﺘﻰ ﻣﺄﺭﺏ ﻭﺇﺏ ﻭ َﺗ ِﻌﺰ‪ ،‬ﺑﺠﺒﺎ ِﻟﻬﺎ‬
‫ﻭﻣﺪ ِﻧﻬﺎ ﺍﻟﻘﺪﻳﻤﺔ‪(3 ...‬‬ ‫ﻣﻌﻤﺎﺭﻫﺎ ﺍﻟﻔﺮﻳﺪ‪ُ ،‬ﺗﺮﺍ ِﺛﻬﺎ ﺍﻟﻌﺮﻳﻖ ُ‬ ‫ِ‬ ‫ّ‬
‫ﺍﻟﺨﻼﺑﺔ‪،‬‬
‫ﺍﻟﺴﺎﺣﻠﻲ ﺍﻟﻤﺪﻫﺶ ﺍﻟﻬﺎﺑﻂ ﻣﻦ ﺗﻬﺎﻣﺔ ﻓﻲ ﺃﺳﻔﻞ ﺍﻟﺒﺤﺮ‬ ‫ﱡ‬ ‫ُ‬
‫ﺍﻟﺸﺮﻳﻂ‬
‫ﻛﻞ ﺳﺎﻋﺎﺕ ﺍﻟﻌﺎﻡ‪،‬‬ ‫ُ‬
‫ﺍﻟﻘﺎﺑﻞ ِﻟﻠﺴﺒﺎﺣ ِﺔ ﻃﻮﺍﻝ ﱢ‬ ‫ﺍﻷﺣﻤﺮ ﺣ ّﺘﻰ ﺣﻀﺮﻣﻮﺕ‪،‬‬
‫ﺍﻟﺸﺘﻮﻳﺔ ﺍﻟﻤﺜﻠﻰ‪ ،‬ﻭﺍﻟﺬﻱ ﺗﺘﻨﺎﺛﺮ‬ ‫ﱠ‬ ‫ﻧﻤﻮﺫﺟﻲ ﻟﻠﺴﻴﺎﺣ ِﺔ‬
‫ﱟ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ُ‬
‫ﺍﻟﻤﺆﻫﻞ‬
‫ﻛﻌﺪﻥ‪َ ،‬ﺯﺑﻴﺪ‪ ،‬ﺍﻟﻤﺨﺎ‪ ...‬ﻧﺎﻫﻴﻚ‬ ‫َ‬ ‫ﻗﺮ ُﺑ ُﻪ ُﻣﺪ ٌﻥ ﻣﻴﺜﻮﻟﻮﺟﻴﺔ ﺷﻬﻴﺮﺓ ﻣﺘﻨﻮﻋﺔ‬
‫ﻣﻘﺪﻣﺘﻬﺎ‪:‬‬ ‫ﺧﻼﺑ ٍﺔ ﻧﺎﺩﺭﺓ‪ ،‬ﺗﻘ ُﻊ ﻓﻲ ﱢ‬ ‫ﻋﻦ ﺃﺭﺧﺒﻴﻞ ُﺟ ُﺰ ٍﺭ ﻳﻤﻨ ّﻴ ٍﺔ ﺑﺪﻳﻌ ٍﺔ ّ‬
‫ﻭﺍﺣﺪ ﻻ ﻏﻴﺮ! ﺑﻠ ٌﺪ ﻻ ﻳﻘﺘﺮﺏ ﻣﻨﻪ‬ ‫ٍ‬ ‫ﺑﻠﺪ‬
‫ﻛﻞ ﺫﻟﻚ ﻓﻲ ٍ‬ ‫ﺳﻮﻗﻄﺮﺓ!‪ ...‬ﱡ‬
‫ﻭﺍﻷﻣﻨﻲ ﻳُﺜﻴ ُﺮ‬
‫ّ‬ ‫ّ‬
‫ﻭﺍﻻﻗﺘﺼﺎﺩﻱ‬ ‫ﺍﻟﺴﻴﺎﺳﻲ‬
‫ّ‬ ‫ﺳﺎﺋﺢ ﻭﺍﺣ ٌﺪ ﺗﻘﺮﻳﺒﴼ‪ ،‬ﻷﻥ ﻭﺿ َﻌ ُﻪ‬‫ٌ‬
‫ﺍﺑﺘﺴﻢ‪ ،‬ﺃﻧﺖ ﻓﻲ ﺑﻠﺪ ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ!‪...‬‬ ‫ْ‬ ‫ﻧﻔﻮﺭ ﺍﻟﻌﺎﻟﻢ!‪...‬‬
‫‪169‬‬
‫ﻗﻀ ْﻴ ُﺘﻬﺎ ﺃﺭﺗ ُﻊ ﻓﻲ ﻣﻮﺍﻗﻊ ﺷ ّﺘﻰ ﻋﻠﻰ ﺃﻧﺘﺮﻧﺖ‪،‬‬‫ﻭﻟﻴﺎﻝ ﱠ‬
‫ٍ‬ ‫ﺎﻡ‬
‫ﺑﻌﺪ ﱠﺃﻳ ٍ‬
‫ﻭﻗﻊ ﻧﻈﺮﻱ ﺑﺎﻟﺼﺪﻓﺔ‪ ،‬ﻓﻲ ﻣﻮﻗﻊ ﺻﺤﻴﻔ ِﺔ ﺑﺎﻧﻴﺒﺎﻝ ﺍﻷﺩﺑ ّﻴﺔ ﺍﻹﻧﺠﻠﻴﺰﻳﺔ‪،‬‬ ‫َ‬
‫ﻗﺼ ٍﺔ ﻗﺼﻴﺮﺓ ﻟﻜﺎﺗﺒﺔ ﻳﻤﻨ ّﻴﺔ ﻟﻢ ﺃﺳﻤﻊ ﺑﻬﺎ ﻣﻦ ﻗﺒﻞ‪ ،‬ﺍِﺳﻤﻬﺎ ﻧﺎﺩﻳﺔ‬ ‫ﻋﻠﻰ ّ‬
‫ﺗﺮﺟ َﻤ ْﺘﻬﺎ ﺇﻟﻰ ﺍﻹﻧﺠﻠﻴﺰﻳﺔ ﺍﻟﻜﺎﺗﺒﺔ ﺟﻴﻨﻲ ﺳﺘﻴﻞ! ﻫ ﱠﺰﺗﻨﻲ‬ ‫ﺍﻟﻜﻮﻛﺒﺎﻧﻲ‪َ ،‬‬
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‫ﻫﺬﻩ ﺍﻟﻘﺼﺔ ﺑﻌﻨﻒ ﻣﻨﺬ ﻋﻨﻮﺍﻧﻬﺎ‪» :‬ﺃﻟﻌﺎﺏ ﻧﺎﺭﻳّﺔ ﻻﺣﺘﻔﺎﻝ ﻓﺾ ﺑﻜﺎﺭﺓ«!‬
‫ﺮﺕ ﺃﻧﻲ ﻗﺎﺑﻠﺖ ﻫﺬﺍ ﺍﻟﻌﻨﻮﺍﻥ‬ ‫ﺗﺬﻛ ُ‬
‫ﺛﻢ ﱠ‬ ‫ﻋﻠﻲ ﺑﺸﻜﻞ ﻏﺎﻣﺾ‪ ...‬ﱠ‬ ‫ﺍﺳﺘ ْﻮ َﻟ ْﺖ ّ‬
‫ﺑﻼﺳﺘﻴﻜﻲ ﻳُﺸﺒ ُﻪ‬
‫ﱟ‬ ‫ﻛﻴﺲ‬
‫ٍ‬ ‫ﻗﺒﻴﻞ ﺃﺳﺎﺑﻴﻊ ﻗﻠﻴﻠﺔ! ﻓﻲ ﻣﻠﻒ ﺇﻟﻬﺎﻡ‪ ،‬ﺩﺍﺧﻞ‬
‫ﺃﻛﻴﺎﺱ ﺍﻟﻄﻼﺳﻢ! ﻓﻲ ﺑﺎﻃﻦ ﻏﻼﻑ ﺩﻓﺘﺮ ﺫﻛﺮﻳﺎﺗﻬﺎ ﺍﻟﺤﻤﻴﻤﻴﺔ!‪...‬‬
‫ﺳﺒﻊ ﻣ ّﺮﺍﺕ ﻣﺘﻮﺍﻟﻴﺔ!‪...‬‬
‫ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮﺓ ﺃﻛﺜﺮ ﻣﻦ ِ‬ ‫ﻗﺮﺃﺕ ّ‬
‫ﺑﻨﻔﺲ ﺑﺮﻭﺩﺓ ﻫﺬﻩ‬ ‫ﻛﻠﻤﺎﺕ ﻛﺎﺗﺒﺘﻬﺎ‪،‬‬
‫ِ‬ ‫ﺑﻨﻔﺲ‬ ‫ً‬
‫ِﻷ ْﺳ ُﺮﺩْﻫﺎ ﱠﺃﻭﻻ‬
‫ِ‬ ‫ِ‬
‫ﺍﻟﻤﺤﺮﻗﺔ‪...‬‬
‫ِ‬ ‫ﺍﻟﻜﻠﻤﺎﺕ‬
‫ﺍﻟﻘﺼﺔ ﻛﺎﻣﻠﺔ ﺑﻴﻦ ﺃﺭﺑﻌﺔ ﺃﻗﻮﺍﺱ ﻛﺒﻴﺮﺓ‪.‬‬ ‫ﺇﻟﻴﻜ ُﻢ ﺍﻵﻥ ﻫﺬﻩ ّ‬
‫ﺟﻴﺪﴽ!‬‫ﺃﺣﺰﻣ َﺘﻜﻢ ﱢ‬‫ﺃﺭﺑﻄﻮﺍ ﺇ َﺫ ْﻥ ِ‬
‫ﻳﻬﻤﻪ ﻛﺜﻴﺮﴽ ﺃﻥ ﻣﺎ ﺳﻴﻘﻮﻡ ﺑ ِﻪ ﺳﻴﺪﻣﺮﻫﺎ‪ ،‬ﺳﻴﺪﻭﺱ‬ ‫))ﻟﻢ ﻳﻜﻦ ﱡ‬
‫ﻛﻞ ﻣﺸﺎﻋﺮﻫﺎ‪ ،‬ﺳﻴﻘﺘﻞ ﺃﺭﻗﻰ ﺇﺣﺴﺎﺱ ﻳﻤﻜﻦ ﺃﻥ ﺗﻨﺎﻟﻪ ﺃﻭ ﺗﺤﻠﻢ ﺑﻪ‬ ‫ﱠ‬
‫ﺍﻣﺮﺃﺓ‪ ،‬ﻭﺳﻴﺤﺮﻣﻬﺎ ﻣﻦ ﺃﻧﺒﻞ ﻣﺘﻌﺔ ﻣﺪﻯ ﺍﻟﺤﻴﺎﺓ‪ ...‬ﺭﻏﻢ ﺃﻧﻬﺎ ﺍﺑﻨﺘﻪ‪ ،‬ﻭﺇﻥ‬
‫ﻛﺎﻥ ﻻ ﻳﻌﺮﻑ ﻣﻊ ﺫﻟﻚ ﺭﻗﻤﻬﺎ ﺍﻟﺘﺴﻠﺴﻠﻲ‪ ،‬ﻭﻣﻦ ﺃﻱ ﺯﻭﺟﺔ ﺟﺎﺀﺕ!‬
‫ﻷﻧﻪ ﻻ ﻳﺤﻔﻆ ﺫﻟﻚ ﺇﻻ ﺑﻌﺪ ﺗﻜﺮﺍﺭ ﺍﻟﺪﺭﺱ ﻋﻠﻴﻪ ﺃﻟﻒ ﻣ ّﺮﺓ‪ ،‬ﺃﻭ ﺣﺴﺐ‬
‫ﻏﻼﻭﺓ ﺃﻣﻬﺎ ﻓﻲ ﻋﻴﻨﻴﻪ‪...‬‬
‫ﻻ ﻳﻌﻴﺮ ﻣﻌﺮﻓﺔ ﻫﺬﻩ ﺍﻟﺘﻔﺎﺻﻴﻞ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻫﺘﻤﺎﻣﴼ ﻛﺒﻴﺮﴽ‬ ‫‪170‬‬
‫ﻻ ﻳﻘﻮﻡ ﺑﻬﺎ ﺣﻀﺮﺓ‬ ‫ﻼ ﻭﺟﻼ ً‬ ‫ﻷﻥ ﻫﻨﺎﻙ ﻣﺸﺎﻏﻞ ﻋﺪﻳﺪﺓ ﺃﻛﺜﺮ ﻧﺒ ً‬
‫ﺍﻟﺸﻴﺦ‪ .‬ﻣﺸﺎﻏﻞ ﺗﻬﻢ ﺍﻟﻘﺒﻴﻠﺔ‪ ،‬ﻭﺍﻟﻨﺎﺱ‪ ،‬ﻭﺍﻟﺠﻮﺍﺭ‪...‬ﺃﻣﺎ ﺷﺌﻮﻥ ﺃﻭﻻﺩﻩ‪،‬‬
‫ﺃﺳﻤﺎﺅﻫﻢ‪ ،‬ﺻﺤﺘﻬﻢ‪ ...‬ﻓﻠﻬﺎ ﻣﻦ ﻳﻬﺘﻢ ﺑﻬﺎ ﻣﻦ ﺍﻟﺨﺪﻡ ﺍﻟﻤﺘﺨﺼﺼﻴﻦ‬
‫ﺑﺎﻟﻨﻈﺎﻓﺔ ﻭﺍﻷﻛﻞ ﻭﺍﻟﺘﻌﻠﻴﻢ‪.‬‬
‫ﺍﻟﻐﺮﻳﺐ ﺃﻥ ﻫﺬﺍ ﺍﻟﺘﻌﻠﻴﻢ ﻛﺎﻥ ﻳﻬ ّﻢ ﺍﻟﺸﻴﺦ ﻛﺜﻴﺮﺍ! ﻛﺎﻥ‬
‫ﺣﺮﻳﺼﴼ ﻋﻠﻰ ﺃﻥ ﻳﺘﻠﻘﺎﻩ ﺟﻤﻴﻊ ﺃﺑﻨﺎﺋﻪ‪ ،‬ﺍﻟﺒﻨﺎﺕ ﻗﺒﻞ ﺍﻷﻭﻻﺩ‪ ،‬ﻭﻋﻠﻰ‬
‫ﻳﺪ ﺃﻓﻀﻞ ﺍﻟﺸﻴﻮﺥ ﻭﻣﺪﺭﺳﻲ ﺍﻟﺒﻼﻏﺔ ﻭﺍﻟﻨﺤﻮ ﻭﺍﻟﺼﺮﻑ‪ .‬ﻟﻜﻦ ﻋﻨﺪﻣﺎ‬
‫ﻳﺘﻌﺪﻯ ﺍﻷﻣﺮ ﻛﻞ ﺫﻟﻚ‪ ،‬ﻭﺗﻘﻊ ﺑﻴﻦ ﻳﺪﻳﻪ ﺭﺳﺎﻟﺔ ﺇﻋﺠﺎﺏ ﺑﺎﺑﻨﺘﻪ ﻣﻦ‬
‫ُ‬
‫ﻳﺨﺘﻠﻒ‬ ‫ﺭﻓﻀ ْﺖ ﺍﻹﻓﺼﺎﺡ ﻋﻦ ﺍﺳﻤﻪ ﺃﻭ ﻋﻦ ﺷﻜﻠﻪ ﻭﻟﻮﻧﻪ‪ ،‬ﻓﺎﻷﻣﺮ‬ ‫ﺷﺎﺏ َ‬
‫ﻭﺍﺿﺢ ﺻﺮﻳﺢ‪ :‬ﻻ ﺗﻌﺮﻑ ﺫﻟﻚ‬ ‫ﻟﺴﺒﺐ‬
‫ٍ‬ ‫ﺗﻤﺎﻣﴼ! ﺣ ّﺘﻰ ﻭﺇﻥ ﻛﺎﻥ ُ‬
‫ﺭﻓﻀﻬﺎ‬
‫ٍ‬
‫ﻣﺠﻬﻮﻝ‬
‫ِ‬ ‫»ﻗﻮﺱ«‬
‫ﻗﺬﻑ ﺍﻟﻮﺭﻗ ِﺔ ﺇﻟﻰ ﻏﺮﻓ ِﺘﻬﺎ ِﺏ ٍ‬‫ُ‬ ‫ﺗﻢ‬
‫ﺍﻟﺸﺨﺺ ﻷﻧﻪ ﱠ‬
‫ﺍﻟﻤﺼﺪﺭ!‬
‫ً‬ ‫َ‬
‫ﻟﻢ ُﻳﻔ ﱢﻜ ْﺮ ﻭﻟﻮ ﻟﺤﻈﺔ ﺃﻧﻬﺎ ﺻﺎﺩﻗﺔ‪ ،‬ﺭﻏﻢ ﺃﻧﻬﺎ ﻻ ﺗﺨﺮﺝ ﺃﻭ ﺗﺪﺧﻞ‬
 ‫ﺇﻻ ﺑﻤﺮﺍﻓﻘﻴﻦ‪ .‬ﻟﻢ ُﻳ َﻔ ﱢﻜ ْﺮ ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪ ًﺓ ﺃﻥ ﻳﺴﺄﻝ ﺍﻟﺸ ﱠﻐﺎﻟ َﺔ ﻛﻴﻒ‬
‫ﺑﻌﺪ ﺍﺑﻨﺘﻪ ﺍﻟﻤﺴﻜﻴﻨﺔ!؟‪...‬‬ ‫ﺟﺪ ْﺕ ﺗﻠﻚ ﺍﻟﻮﺭﻗﺔ ﺍﻟﻠﻌﻴﻨﺔ ﺍﻟﺘﻲ ﻟﻢ ﺗﻘﺮﺃﻫﺎ ُ‬
‫َﻭ َ‬
‫ﺫﻧﺒﻬﺎ‪ ،‬ﺍﺑﻨﺘﻪ ﺍﻟﻤﺴﻜﻴﻨﺔ‪ ،‬ﻫﻮ ﺃﻥ ﺍﺳﻤﻬﺎ ﻛﺎﻥ ﻣﻜﺘﻮﺑﴼ ﻓﻲ ﺍﻟﻮﺭﻗﺔ‬ ‫ﻛﻞ ِ‬‫ﱡ‬
‫ﺭﻏﻢ ﻛﺮﻣﺸﺘﻬﺎ ﻭﻋﺪﻡ ﻭﺿﻮﺡ ﺍﻟﺨﻂ ﻓﻴﻬﺎ‪...‬‬
‫ﺗﻌﺪﻯ ﺫﻟﻚ ﺑﻜﺜﻴﺮ! ﺑﺤﺚ ﻋﻨﻬﺎ‪،‬‬ ‫ﺛﺎﺭﺕ ﺛﺎﺋﺮﺗﻪ! ﻻﺑﺪ ﺃﻥ ﺍﻷﻣﺮ ﱠ‬
‫ﺍﺑﻨﺘﻪ ﺍﻟﻤﺠﺮﻣﺔ ﺍﻟﺘﻲ ﻟﻢ ﺗﺘﺠﺎﻭﺯ ﺍﻟﻌﺎﺷﺮﺓ ﻣﻦ ﻋﻤﺮﻫﺎ! ﻭﺟﺪﻫﺎ‪ :‬ﻫﺎﻫﻲ‬
‫ﺗﻠﻌﺐ ﻣﻊ ﺻﺪﻳﻘﺎﺗﻬﺎ ﺃﻣﺎﻡ ﺍﻟﻤﻨﺰﻝ‪ ،‬ﻓﻲ ﺍﻟﺠﺰﺀ ﺍﻟﺨﺎﺹ ﺑﺎﻟﻨﺴﺎﺀ‪.‬‬
‫ﺍﻟﺘﻘﻄﻬﺎ ﻣﻦ ﺭ َﻗﺒ ِﺘﻬﺎ ﻛﻤﺎ ﻳﻠﺘﻘﻂ ﺣﺸﺮﺓ! ﺃﻟﺠﻤﺘﻬﺎ ﺍﻟﻤﻔﺎﺟﺄﺓ‪ ،‬ﻟﻢ‬
‫ﺗﺴﺄﻝ! ﺃﻭ ﺗﺘﻜﻠﻢ! ﻟﻢ ﺗﺠﺪ ﺍﻟﻔﺮﺻﺔ ﻟﺘﺴﺘﻴﻘﻆ ﻣﻦ ﺍﻟﻜﺎﺑﻮﺱ ﺍﻟﺬﻱ‬
‫ﺑﺪﺃ ﻟﻠﺘﻮ‪...‬‬
‫ﺗﻬﺎﻭﻯ ﻓﻮﻗﻬﺎ ﻫﺬﺍ ﺍﻟﺠﺒﻞ ﺍﻟﻌﻈﻴﻢ‪ ،‬ﺷﻴﺦ ﺍﻟﻘﺒﻴﻠﺔ ﻭﺣﺎﻣﻲ‬
‫ﺣﻤﺎﻫﺎ! ﻗﺎﻡ ﺑﺘﻔﺘﻴﺸﻬﺎ‪ ،‬ﺑﺘﺠﺮﻳﺪﻫﺎ ﻣﻦ ﻣﻼﺑﺴﻬﺎ ﺍﻟﺪﺍﺧﻠﻴﺔ‪ ،‬ﻟﻴﺘﺄﻛﺪ‬
‫‪171‬‬ ‫ﻋﺬﺭﻳﺘﻬﺎ‪ ،‬ﻣﻦ ﺗﻮﺍﺟﺪ ﺫﻟﻚ ﺍﻟﻐﺸﺎﺀ ﺍﻟﻠﻌﻴﻦ ﺍﻟﺬﻱ ﻟﻢ ﺗﻜﻦ‬ ‫ﱠ‬ ‫ﺑﻨﻔﺴﻪ ﻣﻦ‬
‫ﺗﻌﻠﻢ ﻋﻨﻪ ﺷﻴﺌﴼ ﺣﺘﻰ ﺍﻟﻠﺤﻈﺔ‪) ...‬ﺗﻠﻚ ﺍﻟﺒﻜﺎﺭﺓ ﺍﻟﺘﻲ ﻳﺘﻘﻦ ﻭﺍ ِﻟ ُﺪﻫﺎ‬
‫ﻓﻀﻬﺎ‪ ،‬ﻭﺑﺴﻬﻮﻟﺔ‪ ،‬ﻣﺒﺮﻫﻨﴼ ﻋﻠﻰ ﻓﺤﻮﻟﺘﻪ ﺍﻟﺘﻲ ﻟﻢ ﻳﻤﺴﻬﺎ ﺍﻟﺪﻫﺮ ﺑﺴﻮﺀ‪،‬‬ ‫ﱠ‬
‫ُ‬
‫ﻣﻌﺪﻝ‬ ‫ﺃﻭ ﻳﻈﻔﺮ ﻣﻨﻬﺎ ﺍﻟﺰﻣﻦ ﺑﺸﻲﺀ‪ ،‬ﻭﺑﻤﻌﺪﻝ ﺑﻜﺎﺭﺗﻴﻦ ﻛﻞ ﻋﺎﻡ‪:‬‬
‫ﺯﻭﺍﺟﻪ ﺍﻟﺴﻨﻮﻱ ﻣﻦ ﺃﺟﻤﻞ ﺻﻐﻴﺮﺍﺕ ﺍﻟﻘﺮﻳﺔ‪ ،‬ﻭﺍﻟﻘﺮﻯ ﺍﻟﻤﺠﺎﻭﺭﺓ‪(.‬‬
‫ﺍﻟﻤﺴﻜﻴﻨﺔ ﻓﺎﻏﺮ ُﺓ ﺍﻟﻔﺎﻩ‪ ،‬ﻣﺒﺤﻠﻘ ُﺔ ﺍﻟﻌﻴﻨﻴﻦ‪ ،‬ﻟﻢ ﺗﺴﺘﻮﻋﺐ‬
‫»ﻣ َﺰ ﱢﻳﻨﺔ« )‪،(15‬‬ ‫ﺑﻌﺪ ﻣﺎ ﻳﺤﺪﺙ! ﺳﺎﺭﻉ ﺑﻄﻠﺐ ﺧﺒﻴﺮﺓ ﺃﻏﺸﻴﺔ ﺑﻜﺎﺭﺓ‪ُ ،‬‬
‫ﻟﻴﺘﺄﻛﺪ ﺃﻛﺜﺮ ﻭﺃﻛﺜﺮ ﻭﺃﻛﺜﺮ ﻣﻦ ﺷﺮ ِﻓ ِﻪ ﺍﻟﺬﻱ ﻟﻢ ُﺗ َﻠ ﱢﻄ ْﺨ ُﻪ ﻫﺬﻩ‬
‫ﺍﻟﺤﻘﻴﺮﺓ ﺍﻟﺘﻲ‪ ...‬ﺑﺪﺃﺕ ﺗﻌﺸﻖ‪ ،‬ﻭﺗﺤﺐ‪ ،‬ﻭﺗﺄﺗﻴﻬﺎ ﺭﺳﺎﺋﻞ ﻏﺮﺍﻡ ﺃﻳﻀﺎ!‬
‫ﻷﻧﻬﺎ ﻟﻮ ﻓﻌﻠﺖ ﻟﻘﺘﻠﻬﺎ ﺩﻭﻥ ﺃﻥ ﻳﺤﺎﺳﺒﻪ ﻋﻠﻰ ﺫﻟﻚ ﺍﺣﺪ‪ ،‬ﺃﻭ ﺣﺘﻰ‬
‫ﻏﺮﺍﻡ‬
‫ﻮﺷ ِﺘﻬﺎ«‪ ،‬ﻓﻲ ِ‬ ‫»ﺷ َ‬
‫ﺃﻣﻬﺎ ﺍﻟﻮﺍﻗﻌﺔ‪ ،‬ﺣﺘﻰ ُ‬‫ﻳﺴﺄﻟﻪ ﺍﺣﺪ‪ ...‬ﺑﻤﺎ ﻓﻲ ﺫﻟﻚ ﱡ‬
‫ﻭﺍﻟﻤﺴﺘﻌﺪﺓ ﻟﻌﻤﻞ ﺃﻱ ﺷﻲﺀ ﺣﺘﻰ ﺗﻜﻮﻥ ﻣﻦ ﺿﻤﻦ ﺍﻷﺭﺑﻊ‬ ‫ّ‬ ‫ﺍﻟﺸﻴﺦ‬
‫ﺍﻟﺰﻭﺟﺎﺕ ﺍﻟﺪﺍﺋﻤﺎﺕ ﻓﻲ ُﻋﺼﻤﺘﻪ‪ .‬ﺍﻷﻡ ﺍﻟﺘﻲ ﺯﻏﺮﺩﺕ ﻣﻦ ﺃﻣﻌﺎﺋﻬﺎ ﻋﻨﺪﻣﺎ‬
‫ﺍﻝ»ﻣ َﺰ ﱢﻳﻨﺔ« ﺇﻟﻰ ﺍﻟﺸﻴﺦ ﺧﺒ َﺮ ﺑﺮﺍﺀﺓ ﺍﺑﻨﺘﻪ‪ ،‬ﻭﻃﻤﺄﻧﺘﻪ ﻋﻠﻰ ﻭﺟﻮﺩ‬‫ُ‬ ‫ﺯ ﱠﻓﺖ‬
 ‫ﻏﺸﺎﺋﻬﺎ ﺍﻟﻤﺼﻮﻥ ﻓﻲ ﻣﺤ ﱢﻠﻪ‪ ،‬ﻭﻋﻠﻰ ﺛﺒﺎﺕ ﺑﻜﺎﺭﺗﻬﺎ ﺍﻟﻌﻈﻴﻤﺔ‪.‬‬
‫ﺭﻏﻢ ﻛﻞ ﻫﺬﻩ ﺍﻟﺘﺄﻛﻴﺪﺍﺕ ﺇﻻ ﺃﻥ ﺍﻟﺸﻴﺦ ﻟﻢ ﻳﻘﺘﻨﻊ ﺃﺑﺪﺍ‪.‬‬
‫ﺟﺪﴽ‪ ،‬ﻓﻤﺎ ﺑﺎﻟﻚ ُ‬
‫ﺑﺄ ﱢﻡ ﺍﻷﺳﺮﺍﺭ‬ ‫ﺻﻌﺐ ّ‬ ‫ٌ‬ ‫) ﺇﻗﻨﺎﻉ ﺍﻟﺸﻴﻮﺥ‪ ،‬ﺑﺄﻱ ﺷﻲﺀ ﺗﺎﻓ ٍﻪ‬
‫ﻭﺍﻟﺨﻔﺎﻳﺎ!(‪ .‬ﻗﺮﺭ ﻋﻨﺪﻫﺎ ﺃﻥ ﻳﻘﻄﻊ ﺍﻟﺸﻚ ﺑﺎﻟﻴﻘﻴﻦ ﻭﻳﻘﻮﻡ ﺑﺘﺰﻭﻳﺞ‬
‫ﺍﺑﻨﺘﻪ‪ ،‬ﻭﻋﻠﻰ ﻭﺟﻪ ﺍﻟﺴﺮﻋﺔ! ﺃﻱ ﺍﻟﻴﻮﻡ ﺍﻟﺘﺎﻟﻲ ﻣﺒﺎﺷﺮﺓ! ﻭﺑﻤﻦ؟ ﺑﺄﺣﺪ‬
‫ﺃﺗﺒﺎﻋﻪ ﺍﻟﻤﺨﻠﺼﻴﻦ‪ ،‬ﺍﻟﺬﻱ ﻳﻤﻜﻨﻪ ﺃﻥ ﻳﺨﺮﺱ ﻟﺴﺎﻧﻪ ﻓﻴﻤﺎ ﻟﻮ ﻛﺎﻥ ﻗﺪ‬
‫ﻓﺤﺼﻪ ﻟﺒﻜﺎﺭﺓ ﺍﺑﻨﺘﻪ‪ ،‬ﻭﻓﻴﻤﺎ ﻟﻮ ﻛﺎﻧﺖ »ﺍﻟﻤﺰﻳﻨﺔ«‬ ‫َ‬ ‫ﺃﺧﻄﺄ ﺷﺨﺼ ّﻴﴼ‬
‫ﺗﻜﺬﺏ ﺑﺴﺒﺐ ﺧﻮﻓﻬﺎ ﻣﻦ ﻋﻘﺎﺏ ﺍﻟﺸﻴﺦ‪...‬‬
‫ﺃﺩﻕ ﺃﻣﻮﺭ ﺍﺣﺘﻔﺎﻝ‬ ‫ﺑﺄﻭﻝ ﱠ‬
‫ﻻ ﱠ‬ ‫ﻛﺎﻧﺖ ﺍﻟﻘﺒﻴﻠﺔ ﺑﺄﺳﺮﻫﺎ ﺗﺘﺎﺑﻊ ﺃ ّﻭ ً‬
‫ﺗﻢ ﺗﺠﻬﻴﺰﻫﺎ ﻟﻠﻌﺮﻭﺱ‪.‬‬ ‫ﻧﻮﻡ ﱠ‬
‫ﺯﻭﺍﺝ ﺑﻨﺖ ﺍﻟﺸﻴﺦ‪ ...‬ﺍﻟﺘﻲ ﺍﻗ ِﺘ ْﻴﺪﺕ ﺇﻟﻰ ﻏﺮﻓﺔ ٍ‬
‫ﻟﻢ ﺗﻔﻖ ﺍﻟﻄﻔﻠﺔ ﺍﻟﺼﻐﻴﺮﺓ ﻣﻦ ﺻﺪﻣﺔ ﺍﻷﺏ‪ ،‬ﻟﺘﻘﻊ ﻓﻲ ﺻﺪﻣ ٍﺔ ﻣﻦ ﻧﻮﻉ‬
‫ﺳﻤ َﻌ ْﺖ‬
‫ﺑﺎﺏ ﻭﺍﺣ ٌﺪ ﻋﻠﻴﻬﺎ ﻭﻋﻠﻰ َﺭ ُﺟ ٍﻞ ﻻ ﺗﻌﺮﻓﻪ‪ِ ،‬‬ ‫ﺁﺧﺮ‪ .‬ﺻﺪﻣ ُﺔ ﺃﻥ ﻳُﻘ َﻔ َﻞ ٌ‬
‫ﺍﺳﻤ ُﻪ ﻓﻘﻂ‪ ،‬ﻭﺑﺄ ﱠﻧ ُﻪ ﺧﺎﺩ ٌﻡ ﺃﻣﻴﻦ ﻟﻠﺸﻴﺦ‪ .‬ﺻﺪﻣ ُﺔ ﺃﻥ ﻳﻘﺘﺮﺏ ﻣﻨﻬﺎ ﻋﻠﻰ‬ ‫َ‬ ‫‪172‬‬
‫ﺇﻳﻘﺎﻉ ﺍﻟﺮﻗﺺ ﻭﺍﻵﺫﺍﻥ ﺍﻟﺼﺎﻏﻴﺔ ﺧﺎﺭﺝ ﺍﻟﺒﺎﺏ‪ ،‬ﺃﻥ ﻳﻠﻤﺴﻬﺎ‪ ،‬ﺃﻥ ﻳﻌﺒﺚ‬
‫َ‬
‫ﺗﺄﺟﻴﻞ ﻣﺎ‬ ‫ُﻘﺮ َﺭ‬
‫ﺑﺒﺮﺍﺀﺗﻬﺎ‪ ،‬ﺃﻥ ﻳﺴﺘﻘﺒﻞ ﺩﻣﻮﻋﻬﺎ ﺑﺸﻔﻘﺔ‪ ...‬ﻗﺒﻞ ﺃﻥ ﻳ ﱢ‬
‫ﻳﻨﺘﻈﺮﻩ ﺍﻟﺸﻴﺦ ﺧﻠﻒ ﺍﻟﺒﺎﺏ ﺇﻟﻰ ﺍﻟﻐﺪ!‬
‫‪ -‬ﻫﻞ ﺃﻧﺖ ﻣﺠﻨﻮﻥ؟‪ ...‬ﻟﻦ ﺗﺘﺄﺧﺮ ﻟﺤﻈﺔ ﻭﺍﺣﺪﺓ ﻳﺎ ﻣﻐﻔﻞ!‬
‫ﻫﺐ ﻓﻲ ﻭﺟﻬﻪ ﺍﻟﺸﻴﺦ‪ ،‬ﺭﻛﻞ ﺍﻟﺒﺎﺏ ﺑﻘﺪﻣﻪ‪ ،‬ﻭﺃﻣﺮ‬ ‫ﻫﻜﺬﺍ ﱠ‬
‫ﺣﺒﻞ ﻟﻬﺬﻩ ﺍﻟﻤﺘﻤﺮﺩﺓ‪ .‬ﺑﻴﺪ ِﻩ ﺃﻭﺛﻘﻬﺎ ﻣﻦ ﻳﺪﻳﻬﺎ ﻭﻗﺪﻣﻴﻬﺎ‪...‬‬ ‫ﺑﺈﺣﻀﺎﺭ ٍ‬
‫ﻭﺍﻟﻮﺻﻮﻝ‬
‫ِ‬ ‫ﺻﺮﺍﺧﻬﺎ‪ ،‬ﺍﺳﺘﻐﺎﺛ ِﺘﻬﺎ ﺍﻟﺘﻲ ﻟﻢ ﺗﺠﺪ ﻟﻬﺎ ﺳﺎﻣﻊ‪،‬‬ ‫ِ‬ ‫ﺑﺴﻤﺎﻉ‬
‫ِ‬ ‫ﺗﻠﺬ َﺫ‬
‫ﱠ‬
‫ﺧﺎﺩﻣ ُﻪ ﻋﻠﻰ ﺍﻏﺘﺼﺎﺑﻬﺎ‬ ‫َ‬ ‫ﺮﺣﻬﺎ ﺇﻟﻰ ﺃﻗﺼﻰ ﺩﺭﺟﺎﺕ ﺍﻷﻟﻢ‪ ...‬ﺃﺟﺒﺮ‬ ‫ِﺑ ُﺠ ِ‬
‫ﺑﺄﻡ ﻋﻴﻨﻴﻪ ﺩﻣﴼ ﺃﺣﻤﺮﴽ ﻳﺴﻴﻞ ﻣﻦ ﺃﺣﺸﺎﺋﻬﺎ! ﺭﺁﻩ ﺃﺧﻴﺮﴽ‬ ‫ﺃﻣﺎﻣﻪ! ﻟﻴﺮﻯ ﱢ‬
‫ﻛﻤﺎ ﻳﺸﺘﻬﻲ‪ ،‬ﺭﺁﻩ ﻛﺜﻴﻔﴼ ﺩﺍﻓﻘﴼ ﻳﺨﺮﺝ ﻣﻦ ﺃﻛﺜﺮ ﺃﺣﺸﺎﺋﻬﺎ ﻏﻮﺭﴽ!‪...‬‬
‫ﺗﻢ‬
‫ﺑﺪﺕ ﻋﻠﻴﻪ ﻋﻼﻣﺎﺕ ﺍﻻﺑﺘﻬﺎﺝ‪ ،‬ﺍﻟﺴﻌﺎﺩﺓ‪ ،‬ﺍﻟﺮﺿﺎ‪ ،‬ﺍﻟﻔﺨﺮ! ﱠ‬
‫ﺣﻴ َﺮ ُﻩ ﻣﻌﺮﻓ ُﺔ ﻭﺟﻮ ِﺩ ِﻩ ﻣﻦ ﻋﺪﻣﻪ‪ ،‬ﻭﺃﺛﻘ َﻠ ُﻪ‬
‫ﻓﺾ ﺫﻟﻚ ﺍﻟﻐﺸﺎﺀ ﺍﻟﺬﻱ ﱠ‬‫ﺃﺧﻴﺮﺍ ﱡ‬
‫ﻣﺰﺍﺟ ُﻪ ﻭﺃﺭﻫﻘ ُﻪ ﻃﻮﺍﻝ ﻳﻮﻡ ﻭﻧﺼﻒ! ﻣﻨﺬ‬ ‫ﻛﺪ َﺭ َ‬
‫ﻬﻢ ﱠ‬‫ﱟ‬ ‫ُ‬
‫ﺍﻟﺨﻮﻑ ﻣﻦ ﻏﻴﺎﺑﻪ ِﺑ‬
 ‫ﻭﺻﻮﻝ ﺗﻠﻚ ﺍﻟﺮﺳﺎﻟﺔ ﺍﻟﻤﺸﺌﻮﻣﺔ ﺑﻴﻦ ﻳﺪﻳﻪ ﺗﺤﺪﻳﺪﴽ!‬
‫ﻫﺎ ﻫﻮ ﻳﻘﻔﺰ ﻓﺮﺣﺎ‪ ،‬ﻳ ﱠﺘ ِﺠ ُﻪ ﻧﺤﻮﻫﺎ‪ ،‬ﻳُﻘ ﱡﺒﻠﻬﺎ‪ ،‬ﺍﺑﻨﺘﻪ ﺍﻟﺸﺮﻳﻔﺔ‬
‫ﺍﻟﻌﻔﻴﻔﺔ!‪ ...‬ﺃﻋﺘﺬﺭ ﻟﻬﺎ ﻋﻤﺎ ﺑﺪﺭ ﻣﻨﻪ! ﺁﻩ‪ ،‬ﻛﺎﻥ ﻳﺠﺐ ﻋﻠﻴﻪ ﺃﻥ ﻳﺘﺄﻛﺪ‬
‫ﻣﻦ ﺃﻧﻬﺎ ﻟﻦ ﺗﺨﺬﻟﻪ!‪ ...‬ﺃﻋﺘﺬﺭ ﻟﻬﺎ ﻭﺟﺴﺪﻫﺎ ﻣﺎ ﺯﺍﻝ ﻳﻨﺘﻔﺾ ﻣﻦ‬
‫ﺍﻟﺨﻮﻑ‪ ،‬ﻭﺩﻣﻬﺎ ﻳﺒﻘﺒﻖ ﺳﺎﺧﻨﺎ ﻓﻲ ﻛﻞ ﺃﺭﺟﺎﺀ ﺍﻟﻘﺒﻴﻠﺔ‪ .‬ﻗ ّﺮﺭ ﺃﻥ ﻳﺤﺘﻔﻞ‬
‫ﻛﻤﻴ ٍﺔ ﻣﻦ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ ﻟﺘﻔﺠﻴﺮﻫﺎ ﻓﻲ‬ ‫ﱠ‬ ‫ﺑﺬﻟﻚ! ﺃﻣﺮ ﺑﺈﺣﻀﺎﺭ ﺃﻛﺒﺮ‬
‫ﺳﻤﺎﺀ ﺍﻟﻘﺮﻳﺔ‪ ،‬ﻓﻮﻕ ﺭﺃﺱ ﺍﻟﺠﺒﻞ‪ ،‬ﻋﻠﻰ ﺑﻌﺪ ﺧﻄﻮﺗﻴﻦ ﻣﻦ ﺍﻟﺴﻤﺎﺀ!‪...‬‬
‫ﺍﺭﺗﻔﻌﺖ ﺯﻏﺎﺭﻳﺪ ﺍﻟﻨﺴﻮﺓ ﻟﻨﺼﻒ ﻳﻮﻡ ﺣﺘﻰ ﻭﺻﻠﺖ ﺍﻟﻘﺒﺎﺋﻞ‬
‫ﺍﻟﺒﻌﻴﺪﺓ‪ ،‬ﻭﺗﻌﺎﻟﻰ ﺻﻮﺕ ﺍﻟﺮﺻﺎﺹ ﺣﺘﻰ ﺻﻢ ﺍﻵﺫﺍﻥ‪ .‬ﻧﻈ َﺮ ْﺕ ﺍﺑﻨﺘ ُﻪ ﻓﻲ‬
‫ﻭﺟﻬﻪ ﻭﻣﺮﺍﺭﺓ ﺍﻟﻌﺎﻟﻢ ﻣﺮﺗﺴﻤﺔ ﻋﻠﻰ ﻣﻼﻣﺤﻬﺎ‪ .‬ﻟﻢ ﻳﻜﺘﺮﺙ‪ ،‬ﺃﻭ ﻳﺆﻧﺒﻬﺎ‬
‫ﻛﻞ ﺷﻲﺀ ﻻ ﻗﻴﻤﺔ ﻟﻪ‬ ‫ﻋﻠﻰ ﺗﻠﻚ ﺍﻟﻨﻈﺮﺍﺕ ﺍﻟﺘﻲ ﺗﺒﺼﻖ ﻓﻲ ﻭﺟﻬﻪ‪ .‬ﱡ‬
‫ﺃﻣﺎﻡ ﺣﻔﺎﻇﻬﺎ ﻋﻠﻰ ﺑﻜﺎﺭﺗﻬﺎ‪ ،‬ﻫﺬﺍ ﺍﻹﻧﺠﺎﺯ ﺍﻟﻌﻈﻴﻢ!‬
‫‪173‬‬ ‫ﻗﺮﺭ ُﺳﻤ ﱡﻮﻩ‪ ،‬ﻭﺳﻂ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ ﺍﻟﺼﺎﺧﺒﺔ ﺍﻟﺘﻲ ﺗﻤﻸ‬
‫ﺳﻤﺎﺀ ﺍﻟﺠﺒﻞ‪ ،‬ﺗﻼﻓﻲ ﻫﺬﻩ ﺍﻟﻤﻌﻀﻠﺔ ﺑﺘﺰﻭﻳﺞ ﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﺼﻐﺮﻯ ﻓﻲ‬
‫ﺳﻦ ﺍﻟﺜﺎﻣﻨﺔ ﻋﻠﻰ ﺃﺣﺪ ﺭﺟﺎﻟﻪ ﺃﻳﻀﺎ‪ ،‬ﺷﺮﻳﻄﺔ ﺃﻥ ﻳﺘﻢ ﺍﻟﺪﺧﻮﻝ ﺑﻬﺎ ﻓﻲ‬
‫ﺍﻟﻬﻢ ﻣﻦ ﺟﺪﻳﺪ‪.‬‬ ‫ﺍﻟﺸﻴﺦ ﻻ ﻳﺮﻳﺪ ﺃﻥ ﻳﺤﻴﻰ ﻫﺬﺍ ﱠ‬ ‫ُ‬ ‫ﺳﻦ ﺍﻟﺜﺎﻧﻴﺔ ﻋﺸﺮﺓ‪.‬‬
‫َ‬
‫ﻛﺎﻫﻞ‬ ‫ُ‬
‫ﺍﻟﺸﻴﺦ‬ ‫ﺣﻤ َﻠ ُﻪ‬
‫ﺍﻟﺮﺟﻞ ﺍﻟﺬﻱ ﱠ‬‫ُ‬ ‫ﻟﻢ ﻳﺴﺘﻄﻊ ﺻﺒﺮﺍ‬
‫ﺍﻟﺤﻔﺎﻅ ﻋﻠﻰ ﺑﻜﺎﺭﺗﻬﺎ ﺃﺭﺑﻊ ﺳﻨﻴﻦ! ﺫﺍﺕ ﻳﻮﻡ‪ ،‬ﺫﻫﺒﺖ ﺍﻟﺸﻘﻴﻘﺔ ﺇﻟﻰ‬
‫ﺭﺟ َﻠ ُﻪ ﺍﺩﺧﻠﻬﺎ ﻏﺮﻓﺔ »ﻣﺤﺮﺍﺱ«‬ ‫ﺃﺑﻴﻬﺎ ﻟﺘﺤﻜﻲ ﻟﻪ ﺑﻤﻨﺘﻬﻰ ﺍﻟﺒﺮﺍﺀﺓ ﺃﻥ ُ‬
‫)‪(17‬‬
‫ﺍﻟﻴﻮﻡ‪.‬‬ ‫)‪ (16‬ﺍﻟﻤﺰﺭﻋﺔ ﻋﻨﺪﻣﺎ ﺫﻫﺒﺖ ِﻟ ُﺘﺤﻀ َﺮ ﻟﻪ َﻭ ْﺟﺒ َﺔ »ﻏﻮﺍﺙ«‬
‫ﱟﺩ ﻟﻢ ﺗﺴﺘﻄﻊ ﺗﻤﻴﻴﺰﻩ‬ ‫ﺛﻘﺐ ﻓﺨﺬﻳﻬﺎ ﺑﺸﻲ ٍﺀ ﺣﺎ‬
‫ﺃﻏﻠﻖ ﻓﺎﻫﻬﺎ ﺑﻤﻨﺪﻳﻞ‪َ ،‬‬
‫ﻭﺳﺒﺐ ﻟﻬﺎ ﺟﺮﺣﴼ ﺃﻟﻴﻤﴼ‪...‬‬ ‫َﻣﻬﺎ ﱠ‬ ‫ﻣﻦ ﺷﺪﺓ ﺍﻟﻈﻼﻡ‪ ،‬ﺃﺳﺎﻝ ﺩ َ‬
‫ﺍﻟﺨﺎﺋﻦ ﺩﻭﻥ ﺃﻥ ﻳﺮﻯ ﻭﺟﻬَﻪ‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﺸﻴﺦ ﻃﻮﻳﻼ ﺫﻟﻚ‬ ‫ﺑﺤﺚ ﻋﻨﻪ‬
‫ﺇﻟﻰ ﺍﻷﺑﺪ‪((...‬‬
‫ﺮﻳ ٌﺔ ﻣﻔﺎﺟﺌ ٌﺔ ﺭﺑﻄ ْﺘﻨﻲ ﺑﻬﺬﻩ ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮﺓ‬ ‫ﻋﻼﻗ ٌﺔ ِﺳ ﱠ‬
‫ﺍﻟﺘﻲ ﺃﺧ َﻔ ْﺖ ﺇﻟﻬﺎ ُﻡ ﺻﻮ َﺭ َﺗﻬﺎ ﻓﻲ ﻣﻔ ﱢﻜﺮ ِﺓ ﺫﻛﺮﻳﺎﺗﻬﺎ ﺍﻟﺤﻤﻴﻤﻴﺔ! ﻟﻢ‬
‫ﻓﻴﻠﻤﻬﺎ‬
‫ﺑﺄﻭﻝ‪ .‬ﺃﺗﺎﺑ ُﻊ َ‬ ‫ﻻ ﱠ‬ ‫ﺃﺗﺨﻴ ُﻞ ﺗﻔﺎﺻﻴ َﻠﻬﺎ ﱠﺃﻭ ً‬ ‫ﻣﻜﺜﺖ ﱠ‬ ‫ُ‬ ‫ﺃﻧﻢ ﻟﻴﻠﺔ ﻗﺮﺍﺀﺗﻬﺎ!‬
‫ُ‬ ‫ً‬
‫ﻭﺍﻗﻌﻴ ِﺔ ُﺣﺪﻭ ِﺛ ِﻪ ﻓﻌﻼ‪ .‬ﺳﻬﺮﺕ ﻣﺴﻜﻮﻧﴼ‬ ‫ﱠ‬ ‫ﻣﺼﺪ ٍﻕ ﺑﺈﻣﻜﺎﻧﻴ ِﺔ‬‫ﱢ‬ ‫ﺍﻟﻤﺮﻋﺐ ﻏﻴ َﺮ‬
‫َ‬
‫ﺍﻟﻤﻐﺘﺼﺒﺔ‪ ،‬ﺃﻭ ﺍﻟﻤﻐﺘﺼ َﺒﺘﻴﻦ ﻣﻌﴼ!‪...‬‬ ‫َ‬ ‫ﻛﻨﺖ ﺃﻧﺎ‬‫ُ‬ ‫ﺑﻔﺠﻴﻌﺘﻬﺎ ﻛﻤﺎ ﻟﻮ‬
‫ﻛﻴﺲ‬
‫ٍ‬ ‫ﺍﻟﻘﺼﺔ ﺩﺍﺧﻞ‬ ‫ﺗﺤﺘﻔﻆ ﺇﻟﻬﺎ ُﻡ ﺑﻬﺬﻩ ﱠ‬ ‫ُ‬ ‫ﺗﺴﺎﺀﻟﺖ ﺩﻭﻥ ﺗﻮ ّﻗﻒ‪ :‬ﻟﻤﺎﺫﺍ‬
‫ُ‬
‫ﺩﻓﺘﺮ ﺫﻛﺮﻳﺎ ِﺗﻬﺎ؟‪...‬‬ ‫ﺑﻼﺳﺘﻴﻜﻲ ُﻣﻐﻠﻖ؟ ﻟﻤﺎﺫﺍ ﺣﺸ َﺮ ْﺗﻬﺎ ﻓﻲ ِ‬ ‫ﱟ‬ ‫‪174‬‬
‫ﺍﻟﻘﺼﺔ ﻳﻜﻤﻦ ﺃﻳﻀﴼ ﻓﻲ ﺃﻥ‬ ‫ّ‬ ‫ﺍﻟﺨﻔﻴﺔ ﺑﻬﺬﻩ‬ ‫ﱠ‬ ‫ﺳﺮ ﻋﻼﻗﺘﻲ‬ ‫ﻟﻌﻞ ﱠ‬‫ﱠ‬
‫ﺃﺣﺪﺍﺛﻬﺎ ﺗﺪﻭ ُﺭ ﻓﻲ ﺍﻟﻤﻨﺎﻃﻖ ﺍﻟﺠﺒﻠ ّﻴﺔ ﺍﻟﺸﻤﺎﻟﻴﺔ ﺍﻟﻤﺤﻴﻄﺔ ﺑﺼﻨﻌﺎﺀ‪:‬‬
‫ﻧﻔﺲ ﺑﻴﺌ ِﺔ ﻃﻔﻮﻟ ِﺔ ﺇﻟﻬﺎﻡ! ﻟﻢ ﺃﻋﺮﻑ ﻇﺮﻭﻑ ﺗﻠﻚ ﺍﻟﺒﻴﺌﺔ ﺑﺴﺒﺐ ﻭﺿﻊ‬
‫ﺍﻟﺘﺸﻄﻴﺮ ﻓﻲ ﺍﻟﻴﻤﻦ‪ ،‬ﻭﺑﺴﺒﺐ ُﻋﺰ َﻟ ِﺘﻬﺎ ﺍﻟﺠﻐﺮﺍﻓﻴﺔ ﺍﻟﺸﺎﻣﻠﺔ ﻋﻦ ﺍﻟﻌﺎﻟﻢ‪.‬‬
‫ﺍﻟﻔﻮﺿﻮﻱ‪،‬‬
‫ﱠ‬ ‫ﻛﻞ ﺻﻨﻌﺎﺀ ﻭﻧﻮﺍﺣﻴﻬﺎ ﺇﻻ ﻣﻄﺎ َﺭﻫﺎ‬ ‫ﻻ ﺃﻋﺮﻑ ﺷﺨﺼ ّﻴﴼ ﻣﻦ ﱢ‬
‫ﻣﻄﺎﺭ ﻓﻲ ﺍﻟﻌﺎﻟﻢ‪ ،‬ﻭﺍﻟﺬﻱ َﻋ َﺒ ْﺮ ُﺗ ُﻪ ُﻗ َﺒ ْﻴﻞ‬ ‫ٍ‬ ‫ُﺸﺒ ُﻪ ﱠ‬
‫ﺃﻱ‬ ‫ﺍﻟﻌﺸﻮﺍﺋﻲ‪ ،‬ﺍﻟﺬﻱ ﻻ ﻳ ِ‬
‫ﺃﺟﻬﻞ ﺃﻳﻀﴼ ﺛﻘﺎﻓ َﺔ ﻭﻋﺎﺩﺍﺕ ﻭﻣﻮﺭﻭﺙ‬ ‫ُ‬ ‫ﺃﻳّﺎﻡ ﻓﻘﻂ‪ ،‬ﻓﻲ ﻃﺮﻳﻘﻲ ِﻟ َﻌ َﺪﻥ‪.‬‬
‫ﺗﻠﻚ ﺍﻟﻤﻨﺎﻃﻖ‪ .‬ﻟﻢ ﺗﺴﺎﻋﺪﻧﻲ ﺇﻟﻬﺎﻡ‪ ،‬ﺃﺟﻤﻞ ﻭﺃﺭﻗﻰ ﻣﺨﻠﻮﻗﺎﺕ ﺗﻠﻚ‬
‫ﺟﺎﻫﺪﺕ ﻫﻲ‬ ‫ْ‬ ‫ﻣﻴﺘﻲ ﺑﺎﻟﺜﻘﺎﻓ ِﺔ ﺍﻟﺴﺎﺋﺪ ِﺓ ﻫﻨﺎﻙ‪ ،‬ﻷﻧﻬﺎ‬ ‫ﻣﺤﻮ ﺃُ ﱠ‬
‫ﺍﻟﺒﻴﺌﺔ‪ ،‬ﻋﻠﻰ ِ‬
‫ﻧﻔﺴﻬﺎ ﻋﻠﻰ ﻧﺴﻴﺎ ِﻧﻬﺎ‪ ،‬ﻭﻋﻠﻰ َﺭ ْﻣ ِﻴﻬﺎ ﻓﻲ ﺯﺑﺎﻟﺔ ﺍﻟﺬﺍﻛﺮﺓ‪...‬‬ ‫َ‬
‫ﺳﺒﺐ ﺁﺧﺮ‪ :‬ﺣﺴﺎﺳﻴﺘﻲ ﺍﻟﻤﻔﺮﻃﺔ ﻋﻨﺪﻣﺎ ﺃﺳﻤﻊ‬ ‫ﺛﻤ َﺔ ٌ‬ ‫ﺃﻭ ﺭﺑﻤﺎ ﱠ‬
‫ﺳﺮﻱ ﺑﺸﻜﻞ ﺧﺎﺹ‪ ،‬ﻻﺳ ّﻴﻤﺎ ﺫﻟﻚ‬ ‫ُ‬
‫ﺑﺸﻜﻞ ﻋﺎﻡ‪ ،‬ﻭﺍﻷ ّ‬ ‫ﺑﺄﺣﺪﺍﺙ ﺍﻟﻌﻨﻒ‬
‫ٍ‬
‫َﻴﻤﻦ ﻋﻠﻰ‬ ‫ﻋﺎﻡ ُﻳﻬ ُ‬ ‫ﺑﺎﺳﺘﻨﻔﺎﺭ ٍ‬
‫ٍ‬ ‫ﻳﻤﺲ ﺍﻷﻃﻔﺎﻝ! ﺃﺷﻌﺮ ﺣﻴﻨﻬﺎ‬ ‫ﱡ‬ ‫ﺍﻟﺬﻱ‬
 ‫ﺍﻏﺘﺼﺎﺏ ﺍﻷﻃﻔﺎﻝ ﻫﻮ ﻓﺎﺟﻌﺘﻲ ﺍﻟﻜﺒﺮﻯ‪ ،‬ﺃ ﱡﻡ‬ ‫ُ‬ ‫ﻭﻛﻞ ﻣﺸﺎﻋﺮﻱ!‬ ‫ﱢ‬ ‫ﺩﻣﺎﻏﻲ‬
‫ﺍﻟﻘﺼﺔ!‪...‬‬ ‫ﺗﺤﻮﻝ ﻟ ْﻴ ِﻠﻲ ﻛﺎﺑﻮﺳﴼ ﺑﻌﺪ ﻗﺮﺍﺀﺓ ﺗﻠﻚ ﱠ‬ ‫َ‬ ‫َ‬ ‫ﺍﻟﻔﻮﺍﺟﻊ!‪ ...‬ﻟﺬﻟﻚ ﱠ‬
‫ﻧﻤﻮ ﻫﺬﻩ ﺍﻟﺤﺴﺎﺳﻴﺔ‬ ‫ﻏﺎﻣﺾ ﻓﻲ ﱢ‬ ‫ٌ‬ ‫ﺳﺒﺐ ﻣﺒﺎﺷ ٌﺮ‬ ‫ﻧﻔﺴﻬﺎ ٌ‬ ‫ﻟﻌﻞ ﻹﻟﻬﺎﻡ ِ‬ ‫ﱠ‬
‫َ‬
‫ﺷﺪﻳﺪ‬ ‫ﺻﺮﺕ‪ ،‬ﺑﺪﻭﻥ ﻭﻋﻲ‪،‬‬ ‫ُ‬ ‫ﺍﻟﻤﻔﺮﻃﺔ‪ :‬ﻣﻨﺬ ﻋﻼﻗﺘﻲ ﺑﻬﺎ ﻓﻘﻂ‪،‬‬
‫ﺗﺮﻋ ُﺒﻨﻲ ﻋﻠﻰ ﺍﻟﺪﻭﺍﻡ‪،‬‬ ‫ﺗﻤﺲ ﺍﻷﻃﻔﺎﻝ‪ِ ،‬‬ ‫ﺍﻟﺤﺴﺎﺳﻴﺔ ﻟﻠﺠﺮﺍﺋﻢ ﺍﻟﺘﻲ ﱡ‬
‫ﻌﺸﻌﺶ ﻓﻲ ﺭﺃﺳﻲ‪ ...‬ﻣﻨﺬ ﺳﻨﻮﺍﺕ ﺇﻟﻬﺎﻡ ﻓﻘﻂ‪ ،‬ﺻﺎﺭ‬ ‫ُ‬ ‫ُ‬ ‫ﻛﻮﺍﺑﻴﺲ ُﺗ‬
‫َ‬ ‫ﺗﺘﺤﻮ ُﻝ‬
‫ﱠ‬
‫ﻫﻨﺎﻙ ﺣﻠ ُﻢ ﻳﻘﻈ ٍﺔ ﻣﺰﻋﺞ ﻳﺘﺎﺑﻌﻨﻲ ﻋﻨﺪﻣﺎ ﺃﻛﻮﻥ ﻣﺴﺘﺮﺧﻴﴼ ﻓﻲ ﻧﻬﺎﻳﺔ‬
‫ﻳﻮﻡ ﺷﺪﻳﺪ ﺍﻹﻋﻴﺎﺀ! ﻟﻢ ﺃﺗﺠﺮﺃ ﻳﻮﻣﴼ َﺑ ْﻮ َﺣ ُﻪ ﻹﻟﻬﺎﻡ ﻭﻛﺄﻧﻲ ﺃﺷﻌﺮ ﻓﻲ‬ ‫ٍ‬
‫ﺫﻛﺮﻳﺎﺕ ﺃﻟﻴﻤ ًﺔ ﻣﻜﺒﻮﺗ ًﺔ ﻓﻲ ﻗﺮﺍﺭﺗﻬﺎ‪ ،‬ﺳﻮﻑ‬ ‫ٍ‬ ‫ﻗﺮﺍﺭﺗﻲ ﺃﻧﻲ ﺳﻮﻑ ُ‬
‫ﺃﻧﺒﺶ‬
‫ﺯﻋ ُﺠﻬﺎ ِﺑ َﺒ ْﻮﺣﻲ ﺣﺘﻤﴼ‪ ،‬ﺳﺄﺟﻌ ُﻠﻬﺎ‬ ‫ﺳﺄ ِ‬‫ﺷﻌﺮﺕ ﺃﻧﻲ ُ‬ ‫ُ‬ ‫ﻧﻜﺊ ﺟﺮﺍﺣﴼ ﻣﺎ‪...‬‬ ‫ﺃُ ُ‬
‫ﺴﺒﺐ ﺃﻭ ﻵﺧﺮ!‪...‬‬ ‫ﺗﻠﻮ ُﻡ ﻧﻔﺴﻬﺎ ِﻟ ٍ‬
‫ﺇﺭﻫﺎﻕ‬
‫ِ‬ ‫ﺃﻭﺝ‬
‫ﺣﻠ ُﻢ ﻳﻘﻈﺘﻲ ﺍﻟﺬﻱ ﻳﺮﺍﻭﺩﻧﻲ ﻓﻲ ﺇﻏﻔﺎﺀﺍﺕ ِ‬
‫‪175‬‬ ‫ﺮﻋﺐ ﻳﺠﺜﻢ ﻋﻠﻰ‬ ‫ﻳﺮ ُﻣ ٍ‬ ‫ﺷﺮ ٍ‬
‫ﺍﻟﻌﻤﻞ‪ ،‬ﺑﻴﻦ ﺍﻟﺤﻴﻦ ﻭﺍﻟﺤﻴﻦ‪ ،‬ﻳﺪﻭ ُﺭ ﺣﻮﻝ ﱢ‬
‫ﻗﻮﺓ‬‫ﺃﻭﺗﻴﺖ ﻣﻦ ﱠ‬ ‫ُ‬ ‫ﺑﻜﻞ ﻣﺎ‬‫ﻃﻔﻠ ٍﺔ ﺻﻐﻴﺮﺓ ﻻﻏﺘﺼﺎﺑﻬﺎ! ﺃﻫﺠﻢ ﻋﻠﻴﻪ ﱢ‬
‫ﺃﺻﺎﺭﻋ ُﻪ ﺑﻀﺮﺍﻭﺓ! ﺃُﻧ ِﻘ ُﺬﻫﺎ ﻣﻦ ﻣﺨﺎ ِﻟﺒﻪ‪ ،‬ﺃﺣﻮﻝ ﺩﻭﻥ‬
‫ُ‬ ‫ُ‬ ‫ﻹﻧﻘﺎﺫ ﺍﻟﻄﻔﻠﺔ!‬
‫ﺣﻠﻢ‬ ‫ﻳﺨﺘﻠﻒ ُ‬‫ُ‬
‫ﺍﻟﻤﺠﺮﻡ ﻣﻦ ٍ‬ ‫ِ‬ ‫ﺷﻜﻞ‬ ‫ﺛﻢ ﻳﻨﺘﻬﻲ ﺍﻟﺤﻠﻢ!‪...‬‬ ‫ﺍﻏﺘﺼﺎﺑﻬﺎ!‪ ...‬ﱠ‬
‫ﺍﻟﺤﻠﻢ ﻭﺑﻨ َﻴ َﺘ ُﻪ‬ ‫ﻛ ْﻨ َﻪ‬ ‫ﺷﻜﻞ ﺍﻟﻄﻔﻠ ِﺔ‪ ،‬ﻣﻮﻗ ُﻊ ﺍﻻﻏﺘﺼﺎﺏ‪ ...‬ﻟﻜﻦ ُ‬ ‫ِﻟﺤﻠﻢ‪ُ ،‬‬
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‫ﻳﻈﻞ ﺛﺎﺑﺘﴼ!‪ ...‬ﻟﻤﺎﺫﺍ ﻳﺘﻮﺍﺗ ُﺮ ﻫﺬﺍ ﺍﻟﺤﻠ ُﻢ ﻛ َﻬ َﻮﺱ؟ ﻟﻤﺎﺫﺍ ﻟﻢ ﻳَﻌ ُﺒ ْﺮ ﺑﺎﻟﻲ‬ ‫ﱡ‬
‫ﻫﺬﻳﺎﻥ ﺃﻭ ﺷﺮﻭ ِﺩ ﺧﺎﻃﺮ؟‪...‬‬ ‫ٍ‬ ‫ﻣﻨﺎﻡ ﺃﻭ ﻳﻘﻈ ٍﺔ ﺃﻭ‬ ‫ﺳﻨﻮﺍﺕ ﺇﻟﻬﺎﻡ ﻓﻲ ٍ‬ ‫ِ‬ ‫ﻗﺒﻞ‬
‫ﺃﻭﺷ َﺠ ْﺖ ﻭﻭ ﱠﺛ َﻘ ْﺖ ﻋﻼﻗ ًﺔ‬ ‫ﺛﻤﺔ ﺃﻳﻀﴼ ﺃﺳﺒﺎﺏ ﺃﺧﺮﻯ ﺻﻐﻴﺮﺓ َ‬ ‫ّ‬
‫ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮﺓ‪ :‬ﺍﻷﻟﻌﺎﺏ‬ ‫ّ‬ ‫ﺧﻔﻴ ًﺔ ﻋﺠﻴﺒﺔ ﺑﻴﻨﻲ ﻭﺑﻴﻦ ﺗﻠﻚ‬ ‫ﻋﻤﻴﻘ ًﺔ ﱠ‬
‫ﺭﺃﺱ ﺫﻟﻚ ﺍﻟﺠ َﺒﻞ ﺍﻟﻨﺎﺋﻲ‬ ‫ﺍﻟﻨﺎﺭﻳﺔ! ﻟﻴﺲ ﻷﻥ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ ﻓﻲ ِ‬
‫ﺍﻻﻏﺘﺼﺎﺑﻲ‬
‫ﱠ‬ ‫َ‬
‫ﺍﻟﺤﻔﻞ‬ ‫ﻷﻥ ﺫﻟﻚ‬‫ﺑﺤﺪ ﺫﺍﺗﻪ! ﻟﻴﺲ ﱠ‬ ‫ﺳﺮﻳﺎﻟﻲ ﱢ‬ ‫ﱞ‬ ‫ﺍﻟﺒﻌﻴﺪ ﻣﻨﻈ ٌﺮ‬
‫ﻄﺒ ْﻴﻌ ِﺘﻪ‪ ...‬ﺑﻞ ﻷﻥ‬ ‫ﻣﺮﻋﺐ ﺍﻹﺛﺎﺭ ِﺓ ِﺑ ِ‬ ‫ُ‬ ‫ﺍﻟﻤﻜ ﱠﻠ َﻞ ﺑﺎﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ‬ ‫َ‬
‫ﺍﻟﻤﺠﻨﻮﻥ ُ‬
‫ﺳﻨﻮﺍﺕ ﺇﻟﻬﺎﻡ ﺃﻳﻀﴼ! ﺇﻟﻬﺎ ُﻡ ﻻ‬ ‫ِ‬ ‫ﺗﻐﻴ َﺮ ْﺕ ﻣﻨﺬ‬‫ﺍﻟﻨﺎﺭﻳ ِﺔ ﱠ‬
‫ﱠ‬ ‫ﻋﻼﻗﺘﻲ ﺑﺎﻷﻟﻌﺎﺏ‬
‫ﺳﻤﺎﻉ‬ ‫ْ‬ ‫َ‬
‫ﺿﺠﻴﺠﻬﺎ‪ ،‬ﺗﻜ َﺮ ُﻩ ﻣﺠﺮ َﺩ‬ ‫ُ‬ ‫ُﻔﺰ ُﻋﻬﺎ ﻣﻨﻈ ُﺮﻫﺎ‪،‬‬ ‫ﺗﺤﺐ ﻫﺬﻩ ﺍﻷﻟﻌﺎﺏ‪ ،‬ﻳ ِ‬ ‫ﱡ‬
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‫ﺍﻟﺬﻫﺎﺏ‬
‫ِ‬ ‫ﻋﺰﻓﺖ ﻣﻨﺬ ﺇﻟﻬﺎﻡ‪ ،‬ﺃﻧﺎ ﺃﻳﻀﴼ‪ ،‬ﻋﻦ‬ ‫ُ‬ ‫ﺍﺳﻢ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ!‪...‬‬
‫ﻟﻼﺣﺘﻔﺎﻻﺕ ﺍﻟﺸﻌﺒﻴﺔ ﺍﻟﺘﻲ ﺗﻨﺘﻬﻲ ﺑﺎﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ‪ ،‬ﺭﻏﻢ ﺃﻥ ﻫﺬﻩ‬
‫ﻋﺼﺮ ﺍﻷﺷﻌﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ‪ ،‬ﻭﺻﺎﺭﺕ ﻓﻲ‬ ‫ِ‬ ‫ﺗﻄﻮ َﺭ ْﺕ ﻫﻲ ﺃﻳﻀﴼ ﻓﻲ‬
‫ﺍﻷﻟﻌﺎﺏ ﱠ‬
‫ﺍﻟﺴﻨﻮﺍﺕ ﺍﻷﺧﻴﺮﺓ ﻟﻄﻴﻔ ًﺔ ﻫﺎﺩﺋ ًﺔ ﻟﻠﻐﺎﻳﺔ‪ ،‬ﺷﺪﻳﺪ َﺓ ﺍﻟﺘﻨ ﱡﻮ ِﻉ ﻭﺍﻟﺘﺠﺪﻳﺪ‪،‬‬
‫ﺗﺘﺮﺍﻗﺺ ﻋﻠﻰ‬‫ُ‬ ‫ﻣﺜﻴﺮ ًﺓ ﻣﺬﻫ َﻠ ًﺔ ﻣﻤﺘﻌ ًﺔ ﻟﻠﻨﻈﺮ‪ ،‬ﺑﺎﻫﺮ َﺓ ﺍﻹﺧﺮﺍﺝ ﻭﻫﻲ‬
‫ﺃﻧﻐﺎﻡ ﺍﻟﻤﻮﺳﻴﻘﻰ ﻭﺍﻟﻨﻘﻮﺵ ﺍﻟﻀﻮﺋﻴﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ‪...‬‬
‫ﺍﻟﻘﺎﺻﺔ ﻧﺎﺩﻳﺔ ﺍﻟﻜﻮﻛﺒﺎﻧﻲ ﻫﻲ ﻫﺬﻩ‬ ‫ّ‬ ‫ﺃﻫﻢ ﻣﺎ ﻓﻲ ﺣﻜﺎﻳﺔ‬ ‫ﻏﻴﺮ ﺃﻥ ﱠ‬
‫ﺍﻏﺘﺼﺎﺏ ﺍﻷﻃﻔﺎﻝ‪» ،‬ﺍﻟﺒﻴﺪﻭﻓﻴﻠﻴﺎ«‪،‬‬ ‫ُ‬ ‫ﺍﻟﻤﻔﺎﺭﻗ ُﺔ ﺍﻟﺠﻮﻫﺮ ّﻳ ُﺔ ﺍﻟﻔﺎﻗﻌﺔ‪:‬‬
‫ﺍﻟﻤﺤﺮﻣﺎﺕ‪ ،‬ﻳﺘ ﱡﻢ ﻫﻨﺎ ﻓﻲ‬ ‫ﱠ‬ ‫ﺍﻟﺬﻱ ﻳﻌﺘﺒ ُﺮ ﻣﻦ ﺃﻛﺒﺮ ﺍﻟﻜﺒﺎﺋﺮ‪ ،‬ﻣﻦ ﺃﺑﺸﻊ‬
‫ﷲ ﻭﺭﺳﻮ ِﻟﻪ«‪ ،‬ﺗﺤﺖ ﺃﺻﺪﺍ ِﺀ ﺯﻏﺮﺩ ِﺓ ﺍﻟﻘﺒﻴﻠﺔ‬ ‫َﻭ َﺿ ِﺢ ﺍﻟﻨﻬﺎﺭ‪» ،‬ﻋﻠﻰ ُﺳ ﱠﻨ ِﺔ ﺍ ِ‬
‫ﺍﻏﺘﺼﺎﺏ ﺍﻷﻃﻔﺎﻝ ﺍﻟﺬﻱ ﻻ‬ ‫ُ‬ ‫ﻭﺿﻮﺿﺎﺀ ﻃﻠﻘﺎﺗﻬﺎ ﺍﻟﻨﺎﺭﻳّﺔ ﺍﻟﻤﺒﺘﻬﺠﺔ!‬
‫ﺃﻓﺘﻚ ﺍﻟﻮﺣﻮﺵ ﺍﻟﺒﺸﺮﻳﺔ ﺍﻟﻀﺎﺭﻳﺔ‪ ،‬ﺃﺧﻄ ُﺮ ﻛﺒﺎﺭ ﺍﻟﻤﺮﺿﻰ‬ ‫ﻳﻤﺎﺭﺳ ُﻪ ﺇﻻ ُ‬
‫ﺍﻟﻨﺎﺭﻳ ِﺔ‬
‫ﱠ‬ ‫ﺍﻷﻟﻌﺎﺏ‬
‫ِ‬ ‫ﻭﻣﻴﺾ‬
‫ِ‬ ‫‪ 176‬ﺍﻟﻤﻌﺘﻮﻫﻴﻦ‪ ،‬ﻣﺠﺮﻣﻮ ﺍﻟﺤﺮﻭﺏ‪ ،‬ﻳ ِﺘ ﱡﻢ ﻫﻨﺎ ﺗﺤﺖ‬
‫ﺭﻗﺼﺎﺕ »ﺍﻟ َﺒ َﺮ ِﻉ« ﺍﻟﺠﺒﻠ ّﻴﺔ‬
‫ِ‬ ‫ﺇﻳﻘﺎﻉ‬
‫ِ‬ ‫ﺍﻻﺣﺘﻔﺎﻟﻲ ﺍﻟﺴﺎﻃﻊ‪ ،‬ﻋﻠﻰ‬‫ﱢ‬ ‫ﻭﺃَ َﻟ ِﻘﻬَﺎ‬
‫ﺍﻟﻔﻀﻴ ِﺔ ﺍﻟﻤﺘﻸﻟﺌﺔ!‪ ...‬ﻻ‬ ‫ﱢ‬ ‫ُﻠﻮ ُﺡ ﻓﻴﻬﺎ ﺍﻟﺮﺍﻗﺼﻮﻥ ﺑﺎﻟﺠﻨﺎﺑﻲ‬ ‫ﺍﻟﺘﻲ ﻳ ﱢ‬
‫ﺍﻟﻘﺼﺔ‬ ‫ّ‬ ‫ﺃﺟﺪ ﺷﺨﺼ ّﻴﴼ ﻣﺎ ﻫﻮ ﺃﺷﻨ ُﻊ ﻭﺃﺣﻘ ُﺮ ﻭﺃﺑﺸ ُﻊ ﻣﻦ ﻣﻔﺎﺭﻗ ِﺔ ﻫﺬﻩ‬ ‫ُ‬
‫ﺃﺟ ُﺪ ﻣﺎ ﻫﻮ ﺃ ْﻟﻈﻰ ﻣﻦ‬ ‫ﺍﻟﻘﺼﻴﺮﺓ‪ ،‬ﻣﻦ ﺳﻴﺮﻳﺎﻟﻴﺘﻬﺎ ﺍﻟﻤﺮﻳﺮﺓ‪ ...‬ﻻ ِ‬
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‫ﺃﺳﻄ ِﺮﻫﺎ ﻭﻫﻲ ﺗﺘﺴ ﱠﻠﻞ ِﺑﺼﻤﺖ ﺑﻴﻦ ﺗﻼﺑﻴﺐ‬ ‫ﺍﻷﺳﺌﻠﺔ ﺍﻟﻤﺨﺘﺒﺌﺔ ﺑﻴﻦ ُ‬
‫ﺴﺒﺒﺎﺕ‬ ‫ﺶ ﻋﻦ ُﻣ ﱢ‬ ‫ﺩﻣﺎﻍ ﺍﻟﻘﺎﺭﺉ‪ ،‬ﺗﺤﺎﺻ ُﺮﻩ‪ ،‬ﺗﺮﻫ ُﻘﻪ‪ ،‬ﺗﻠﺴ ُﻌﻪ‪ ،‬ﺗﺪﻋﻮﻩ ِﻟﻴﻨ ُﺒ َ‬
‫ﺍﻟﻘﺼﺔ ﻳﻮﻣﴼ ﻣﺎ‪ ،‬ﻓﻲ‬ ‫ّ‬ ‫َ‬
‫ﺗﺤﺪﺙ ﻫﺬﻩ‬ ‫ُ‬
‫ﻳﻤﻜﻦ ﺃﻥ‬ ‫ﻫﺬﻩ ﺍﻟﻤﻔﺎﺭﻗﺔ )ﻛﻴﻒ‬
‫ﻣﺠﺘﻤﻊ ﻣﺎ؟(‪ ،‬ﺣﻮﻝ ﻣﻔﻬﻮﻡ ﺍﻟﻘﺒﻴﻠﺔ )ﺍﻟﺬﻱ ﺩﺧﻞ ﻣﻨﺬ ﺑﻀﻌ ِﺔ ﻗﺮﻭﻥ‬ ‫ٍ‬
‫ﺍﻟﺘﻘﺪﻡ‪ (...‬ﻭﺍﻟﺬﻱ ﺻﺎﺭ‬ ‫ّ‬ ‫ﻛﻬﺮﺑﺎﺋﻲ ﻣﻊ ﺍﻟﺤﻀﺎﺭﺓ‪ ،‬ﻣﻊ‬
‫ﱟ‬ ‫ﺗﻤﺎﺱ‬
‫ﱟ‬ ‫ﻧﻘﻄﺔ‬ ‫ﻓﻲ‬
‫ﻳﻤﻦ ﺍﻟﻴﻮﻡ‪ ،‬ﻣﺠﺮﺍﻫﺎ ﻭﻣﺮﺳﺎﻫﺎ!‪...‬‬ ‫ﻣﺘﻦ ﻭﻗﺎﻋﺪ َﺓ ﺣﻴﺎ ِﺓ ِ‬ ‫َ‬

‫ﺍﻟﻘﺼﺔ ﻟﻢ ﺃﻋﺪ ﺃﺗﺮﺩﺩ ﻋﻠﻰ ﻣﻘﺎﻫﻲ ﺃﻧﺘﺮﻧﺖ‬ ‫ّ‬ ‫ﺑﻌﺪ ﻗﺮﺍﺀﺓ ﻫﺬﻩ‬
‫ﻗﻮﻳ ٍﺔ ﺑﺎﻟﻬﺮﻭﺏ ﺇﻟﻰ ﺍﻟﻮﺍﻗﻊ‪،‬‬ ‫ُ‬
‫ﺑﻨﻔﺲ ﺍﻟﻮﺗﻴﺮﺓ ﺍﻟﺴﺎﺑﻘﺔ! ﺷﻌﺮﺕ ِﺑﺮﻏﺒ ٍﺔ ﱠ‬
 ‫ﺑﺎﻻﻧﺪﻣﺎﺝ ﺑﺎﻟﻨﺎﺱ‪ ،‬ﺑﺎﻻﻧﻔﺘﺎﺡ ﻋﻠﻴﻬﻢ‪ ،‬ﺑﺎﻟﺬﻫﺎﺏ ﺇﻟﻴﻬﻢ ﺃﻧﺎ ﻧﻔﺴﻲ!‪...‬‬
‫ﻛﺎﻧﺖ ﺭﻏﺒ ًﺔ ﺻﺎﺩﻗ ًﺔ ﻣﺨﻠﺼ ًﺔ ﻋﻨﻴﻔﺔ‪ ،‬ﻭﺇﻥ ﻟﻢ ﺗﺨﻞ ﻣﻦ ﺷﻲ ٍﺀ ﻣﺎ ﻓﻲ‬
‫ﻧﻔﺲ ﻳﻌﻘﻮﺏ!‪...‬‬
‫ﺸﻜﻞ‬
‫ﻷﻭﻝ ﻣﺮﺓ ﺍﻟﻤﺮﺍﻛﺰ ﺍﻷﺛﻴﺮﺓ ﺍﻟﺘﻲ ﻳﻠﺘﻘﻲ ﺣﻮﻟﻬﺎ‪ِ ،‬ﺑ ٍ‬ ‫ﺭﺍﻭﺩﺕ ﱠ‬‫ُ‬
‫ﻭﺍﻟﻤﻌﺎﺭﻑ ﻭﺍﻟﺰﻣﻼﺀ‪ .‬ﺃﻗﺼﺪ ﺑﺎﻟﻄﺒﻊ‪:‬‬ ‫ِ‬ ‫ﻛﻞ ﺍﻷﺻﺪﻗﺎﺀ‬ ‫َﻮﻣﻲ‪ ،‬ﱡ‬ ‫ﺷﺒ ِﻪ ﻳ ّ‬
‫ﺗﻮﺟﻬ ُ‬ ‫ُ‬ ‫)‪(13‬‬
‫ْﺖ‬ ‫ﺴﻤﻰ‪ .‬ﱠ‬ ‫‪ ،‬ﺃﻭ »ﻣﻨﺘﺪﻳﺎﺕ ﺍﻟﻘﺎﺕ« ﻛﻤﺎ ﺗ ّ‬ ‫»ﻣﺠﺎﻟﺲ ﺍﻟﻘﺎﺕ«‬
‫ﺑﺎﻟﺬﺍﺕ ﻟﺘﻠﻚ ﺍﻟﻤﺠﺎﻟﺲ ﺍﻟﺘﻲ ﻳﺮﺗﺎﺩُﻫﺎ ﻣﻦ ﺗﺒ ﱠﻘﻰ ﻣﻦ ﺯﻣﻼﺀ ﺟﻴﻠﻲ‬
‫ﻭﺃﺻﺪﻗﺎﺋﻲ ﺍﻟﻘﺪﺍﻣﻰ‪...‬‬
‫ﻠﻴ ًﺔ‬
‫ﻛﱠ‬ ‫ﻛ ُﻪ ُ‬ ‫ﻷﻭ ِﻝ ﻣ ّﺮﺓ ﻓﻲ ﺣﻴﺎﺗﻲ! ِﻋ ْﻔ ُﺖ َﻟ ْﻮ َ‬ ‫َ‬
‫ﺍﻟﻘﺎﺕ ﱠ‬ ‫ُ‬
‫ﺍﺷﺘﺮﻳﺖ‬
‫ُ‬
‫ﺗﻈﺎﻫﺮﺕ ِﺑﺘﺨﺰﻳ ِﻨ ِﻪ‬ ‫ﻭﺍﺻﻠﺖ ﺷﺮﺍ َﺀﻩ ﻣﻊ ﺫﻟﻚ‪.‬‬ ‫ُ‬ ‫ﻣﻦ ﺃﻭﻝ ﻏﺼﻦ‪ ،‬ﻟﻜﻨﻲ‬
‫ﺃﺭﺩﺕ ﺃﻥ ﺃﻛﻮﻥ ﺿﻤﻦ ﺍﻟﺴﺮﺏ‪ ،‬ﻭﻟﻴﺲ ﺳﺎﺋﺤﴼ ﻳﺘﻌﺎﻟﻰ‬ ‫ﻓﻲ ﺍﻟﻔﻚ! ُ‬
‫ﺣﺎﻭﻟﺖ ﺃﻥ ﺃﻛﻮﻥ ﻛﻤﺎ ﻳﺤ ﱡﺒﻮﻥ ﺃﻥ ﻳﺮﻭﻧﻲ‪ :‬ﻣﺜﻠﻬﻢ‬ ‫ُ‬ ‫ﻋﻠﻰ َﺫ ِﻭﻳﻪ‪...‬‬
‫‪177‬‬ ‫ﻳﻤﻴﻞ ﺯﻭﺍ ُﺭ ﺩﻋﺎﺭﺓ ﻟﻠﺬﻫﺎﺏ‬ ‫َ‬ ‫ﻳﺼﻌﺐ ﺃﻥ‬
‫ُ‬ ‫ﺑﺎﻟﻀﺒﻂ!‪ ...‬ﺃﻓﻬﻤﻬﻢ ﺗﻤﺎﻣﴼ‪:‬‬
‫ﻤﺖ ﺃﻥ ﺍﻧﺪﻣﺞ ﺑﺤﻴﺎﺓ‬ ‫ﺻﻤ ُ‬ ‫ﻣﺘﺼﻮ ٍﻑ ﻧﺎﺳﻚ! ﻟﺬﻟﻚ ﱠ‬ ‫ﱢ‬ ‫ﺑﻤﻌﻴ ِﺔ‬
‫ﱠ‬ ‫ﺇﻟﻴﻬﺎ‬
‫ُ‬
‫ﺃﺿﺤﻚ‪ ،‬ﺃﻥ ﺃﺛﺮﺛ َﺮ ﻭﺃ َﻧ ﱢﻈ َﺮ‬ ‫َ‬ ‫ﺑﺸﻜﻞ ﻣﺒﺎﺷﺮ! ﺃﻥ‬ ‫ٍ‬ ‫ﺍﻟﻘﻄﻴﻊ ﻣﻦ ﺍﻟﺪﺍﺧﻞ‪،‬‬
‫ﻤﺖ ﺃﻥ ﺃﻏﺮﻕ‬ ‫ﺻﻤ ُ‬ ‫ﺑﺎﺧﺘﺼﺎﺭ ﺷﺪﻳﺪ‪ :‬ﱠ‬ ‫ٍ‬ ‫ﻭﺃﺷﻌ َﺮ ﺏ»ﺍﻟ َﻜﻴﻒ« ﻣﺜﻠﻬﻢ ﺗﻤﺎﻣﴼ!‬
‫ﻣﻌﻬﻢ ﻓﻲ ﻧﻔﺲ ﺍﻟﻬﺎﻭﻳﺔ!‪...‬‬
‫ﺼﻦ‬ ‫ُ‬ ‫َ‬ ‫ً‬
‫ﻣﺮﺓ‪ ،‬ﺃﻥ ﺃﻓﺎﻭﺽ ﻃﻮﻳﻼ ﱠﺃﻭﻝ ﻏ ِ‬ ‫َ‬ ‫ﺣﺎﻭﻟﺖ ﺟﺎﻫﺪﴽ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﱠ‬
‫ﺍﻟﻤ ّﺮ‪ ...‬ﻋﺒﺜﴼ! ﻟﻢ ﺃﺳﺘﻄﻊ‪،‬‬ ‫ﺃﻣﻀﻎ ﻋﺼﻴ َﺮﻩ ُ‬ ‫َ‬ ‫ﻛﻪ‪ ،‬ﺃﻥ‬ ‫ﺟﺮ َﺏ َﻟ ْﻮ َ‬‫ﻗﺎﺕ‪ ،‬ﺃﻥ ﺃُ ﱢ‬
‫ﺍﺳﺘﺤﺎﻝ ﺫﻟﻚ ﺗﻤﺎﻣﴼ‪ ...‬ﻟﻢ ﺃﻛﻦ ﻣﻊ ﺫﻟﻚ ﻣﻨﺎﻫﻀﴼ ﻟﻠﻘﺎﺕ‪ ،‬ﻟﻢ ﺃﻛﻦ‬
‫ﻟﺴﺒﺐ ﺃﻳﺪﻳﻮﻟﻮﺟﻲ ﺃﻭ ﺛﻘﺎﻓﻲ ﺃﻭ‬ ‫ٍ‬ ‫ﺤﺘﺮﻓﴼ ﻋﻠﻰ ﺗﻨﺎﻭ ِﻟ ِﻪ‬ ‫ﻗﻂ ﻣﺘﺤ ﱢﻔﻈﴼ ُﻣ ِ‬ ‫ﱡ‬
‫ﻛ ﱡﻦ ﻟ ُﻪ ﻋﺪﺍ ًﺀ ﺑﻴﻮﻟﻮﺟﻴﴼ ﻓﻘﻂ‪ ،‬ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ‪.‬‬ ‫ﻛﻼ! ﺃُ ِ‬ ‫ﺣﻀﺎﺭﻱ‪ّ ...‬‬
‫ﺍﻟﻔﻘﺎﻋﻲ ﺍﻟﻤﻬﺘﺮﺉ‬ ‫ﱡ‬ ‫ُ‬
‫ﺍﻟﻨﺸﺎﻁ‬ ‫ﺟﺬﺭﻱ ﻣﻄﻠﻖ‪...‬‬ ‫ﱞ‬ ‫ﻳﻌﺘﺮﻳﻨﻲ ﺃﻣﺎﻣﻪ ﺗﻘ ﱡﺰ ٌﺯ‬
‫ﺍﻟﺠﺴﺪ ﻓﻲ ﺍﻟﺴﺎﻋﺎﺕ ﺍﻷﻭﻟﻰ ﻣﻦ ﺧﺰ ِﻧﻪ‬ ‫ِ‬ ‫ُ‬
‫ﺍﻟﻘﺎﺕ ﻓﻲ‬ ‫ُﺤ ِﺪ ُﺛ ُﻪ‬
‫ﺍﻟﺬﻱ ﻳ ْ‬
‫ﻭﺍﻻﻧﻜﻤﺎﺵ ﺍﻟﺬﻱ ﻳﺘﺒ ُﻊ ﺫﻟﻚ ﻃﻮﺍﻝ ﺃﻛﺜﺮ‬ ‫ُ‬ ‫ﻭﻋﻠ ِﻜ ِﻪ‪ ،‬ﻭﺍﻟﺨﻤﻮ ُﺩ ﻭﺍﻻﻧﻄﻔﺎ ُﺀ‬
‫ﻳﺘﻬﺎﺩﻥ ﻣﻊ ﺗﻜﻮﻳﻨﻲ ﺍﻟﻔﻴﺰﻳﻮﻟﻮﺟﻲ ﻣﻦ‬ ‫ُ‬ ‫ﻳﺘﺠﺎﻧﺲ ﺃﻭ‬
‫ُ‬ ‫ﻳﻮﻡ ﻭﻟﻴﻠﺔ ﻻ‬ ‫ﻣﻦ ٍ‬
‫َﺪ« ﺍﻟﻘﺎﺕ‪:‬‬ ‫ُﺴﻤﻰ » َﻗﻬ َ‬ ‫ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ!‪ ...‬ﺟﺴﺪﻱ ﻻ ﻳﺴﺘﺴﻴﻎ ﻣﺎ ﻳ ّ‬ ‫ٍ‬
‫ﺍﻟﻼﻧﻮﻡ ﻭﺍﻟﻼﻳﻘﻈﺔ! ﺃﻭ ﺍﻟﻨﻮﻡ ﻓﻲ ﺍﻟﻴﻘﻈﺔ ﻭﺍﻟﻴﻘﻈﺔ ﻓﻲ ﺍﻟﻨﻮﻡ‪.‬‬ ‫ِ‬ ‫ﺣﺎﻟﺔ‬
‫ﺩﻳﺎﻟﻜﺘﻴﻚ ﺍﻝ» َﻗﻬَﺪ« ﻳﺘﺠﺎﻭﺯ ﺣ ّﻘﴼ ﻣﻘﺪﺭﺍﺗﻲ ﺍﻟﻔﻴﺰﻳﻮﻟﻮﺟﻴﺔ!‪...‬‬
‫ﺣﺸﻮ ﻭﺭﻳﻘﺎﺕ‬ ‫ِ‬ ‫ﻣﺠﺮ ِﺩ‬
‫ﺷﻌﺮﺕ ﺑﺎﻟﺮﻏﺒﺔ ﺍﻟﻌﻨﻴﻔﺔ ﺑﺎﻟﻄﺮﺵ ﻣﻦ ﱠ‬ ‫ُ‬
‫ﺃﺗﻌﻮﺩ‪ ،‬ﺃﻥ ﺃﺭﻏﻢ ﻧﻔﺴﻲ ﻋﻠﻰ‬ ‫ﺣﺎﻭﻟﺖ ﻣﺮﺍﺭﴽ ﺃﻥ ﱠ‬ ‫ُ‬ ‫ﺍﻟﻘﺎﺕ ﺍﻷﻭﻟﻰ ﻓﻲ ﻓﻤﻲ!‬ ‫ِ‬
‫ﺍﻟﺼﺒﺮ‪ ،‬ﻋﻠﻰ ﺍﻟﺘﻜ ّﻴﻒ‪ ،‬ﻋﻠﻰ ﺗﺠﺮﻳﺐ ﻣﺨﺘﻠﻒ ﺃﻧﻮﺍﻉ ﺍﻟﻘﺎﺕ ﺍﻟﻤﻮﺟﻮﺩﺓ‪،‬‬
‫ﻋﻠﻰ ﻣﺤﺎﻭﻟﺔ ﺗﻔﻀﻴﻞ ﺑﻌﻀﻬﺎ ﻋﻠﻰ ﺍﻵﺧﺮ‪ ...‬ﻋﺒﺜﴼ! ﻟﻢ ﻳﻜﻦ ﻫﻨﺎﻙ ﺃﺩﻧﻰ‬
‫ﺟﻴﻨﻲ ﻋﻨﻴﻒ‪ ...‬ﻟﻴﺲ ﺫﻟﻚ ﻷﻧﻲ ﻟﻢ ﺃﻛﻦ ﻣﻨﻔﺘﺤﴼ‬ ‫ﱞ‬ ‫ﺛﻤﺔ ٌ‬
‫ﺭﻓﺾ‬ ‫ﺃﻣﻞ! ّ‬
‫ﻭﺟﺒﺎﺕ‬
‫ٍ‬ ‫ﻗﺖ‬‫ﻟﺴﺖ ﻣﻨﻐﻠﻘﴼ ﺃﺑﺪﴽ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ‪ُ :‬ﺫ ُ‬ ‫ﻛﻼ! ُ‬ ‫ﺑﺸﻜﻞ ﻛﺎﻑ! ّ‬ ‫ٍ‬
‫ﺩﻳﺎﺭ ﻭﺃﺻﻘﺎﻉ ﺑﻌﻴﺪ ٍﺓ‪» :‬ﺳﻨﺠﺎﺏ ِﺑﺼﻮﺻﺔ‬ ‫ٍ‬ ‫ﺇﻟﻰ‬ ‫ﺍﻟﺮﺣﻼﺕ‬ ‫ﺑﻌﺾ‬ ‫ﻓﻲ‬ ‫ﻧﺎﺩﺭﺓ‬
‫ﺮﺑﻰ ﺍﻟﺒﺮﺗﻘﺎﻝ«‪» ،‬ﻟﺤ ُﻢ‬ ‫ﻭﻣ ﱠ‬ ‫َ‬
‫ﺍﻟﺼﺒﺎﺭ ﺑﺎﻟ ِﻘ ْﺮﻓ ِﺔ ُ‬
‫ﱠ‬ ‫َ‬
‫ﺍﻟﺰﻧﺠﺒﻴﻞ«‪» ،‬ﺳ َﻠﻄ ُﺔ ﺃﺯﻫﺎﺭ‬
‫ﻣﻀﻎ ﻧﺒﺎﺗﺎﺕ‬ ‫َ‬ ‫ﺟﺮﺏ‬ ‫ﻗﻄﻂ ﺑﺎﻟﻄﺤﺎﻟﺐ ﻭﺛﻤﺎﺭ ﺍﻟﺒﻨﺪﻕ«‪ ...‬ﺑﺈﻣﻜﺎﻧﻲ ﺃﻥ ﺃُ ﱢ‬
‫ﺑﺘﻠﻊ ﻣﺄﻛﻮﻻﺕ ﻣﺴﺘﺤﻴﻠﺔ‪...‬‬ ‫ﺃﺗﺬﻭ َﻕ ﻃﺤﺎﻟﺐ ﻧﺎﺩﺭﺓ‪ ،‬ﺃﻥ ﺃَ َ‬ ‫ﻏﺮﻳﺒﺔ‪ ،‬ﺃﻥ ﱠ‬ ‫‪178‬‬
‫ﺗﻨﺎﻭﻝ ﺃﻋﻼﻑ ﺍﻷﻏﻨﺎﻡ ﻭﺍﻟﺤﻤﻴﺮ‪،‬‬ ‫ِ‬ ‫ﺨﻮﺽ ﺗﺠﺮﺑﺔ‬ ‫ﺃﺷﻌ ُﺮ ﺑﺎﻻﺳﺘﻌﺪﺍﺩ ِﻟ ِ‬
‫َ‬
‫ﺃﻛﻞ‬ ‫ﻛﻞ ﻣﺂﺩﺑﻬﺎ ﺗﻘﺮﻳﺒﴼ‪ ،‬ﻣﺸﺎﺭﻛﺔ ﺍﻟﻀﻔﺎﺩﻉ‬ ‫ﻣﺸﺎﺭﻛﺔ ﺍﻟﺪﻭﺍﺟﻦ ﱠ‬
‫ﺑﻌﺾ ﺍﻟﻼﻓﻘﺎﺭﻳﺎﺕ ﻭﺍﻟﺮﺧﻮﻳﺎﺕ ﻭﺍﻟﺒﺮﻣﺎﺋﻴﺎﺕ ﺍﻟﺼﻐﻴﺮﺓ‪ ...‬ﻟﻜﻦ ﻣﻊ‬
‫ﺣﻴﻮﻱ ﻻ ﺃَ َﻣ َﻞ ﻓﻲ‬‫ﱞ‬ ‫ﻋﻀﻮﻱ ﺭﺍﻓﺾ ﻭﻧﻔﻮ ٌﺭ‬ ‫ﱞ‬ ‫ﺍﻟﻘﺎﺕ ﻛﺎﻥ ﻫﻨﺎﻙ ﺍﺳﺘﻬﺠﺎ ٌﻥ‬
‫ﺍﻟﻠﻒ ﻭﺍﻟﺪﻭﺭﺍﻥ ﺣﻮ َﻟﻬﻤﺎ‪...‬‬ ‫ﱢ‬
‫ﺃﺣﺒﺒﺖ ﻛﺜﻴﺮﴽ ﻟﻘﺎﺀﺍﺕ ﺍﻟﻘﺎﺕ ﻣﻊ ﺫﻟﻚ‪ ،‬ﻻﺳ ّﻴﻤﺎ ﻓﻲ ﺍﻷﻳﺎﻡ‬ ‫ُ‬
‫ﺗﺮﻭﻳﺢ ﻋﻠﻰ ﺍﻟﻨﻔﺲ‪ ،‬ﺛﺮﺛﺮ ٌﺓ ﻟﺬﻳﺬﺓ!‪ ...‬ﺃﻛﺜﺮ ﻣﺎ‬ ‫ٌ‬ ‫ﺍﻷﻭﻟﻰ‪ .‬ﻫﺮ ٌﺝ ﻭﻣﺮﺝ‪،‬‬
‫ﺍﻟﻴﻮﻣﻲ ِﻟ ُﺼ ْﻨ ِﻊ ﺍﻟﻨﻜﺘﺔ‪ِ ،‬ﻟﻠﺴﺨﺮﻳﺔ‬ ‫ﱡ‬ ‫ﱡ‬
‫ﺍﻟﻔﻜﺮﻱ‬ ‫ﺃﻋﺠﺒﻨﻲ ﻫﻮ ﺍﻟﻤﺠﻬﻮ ُﺩ‬
‫ﻛﻞ ﺷﻲﺀ‪...‬‬ ‫ﺍﻟﻴﻮﻣﻴﺔ ﻣﻦ ﺍﻟﺤﻴﺎﺓ‪ ،‬ﻣﻦ ﺍﻵﺧﺮﻳﻦ‪ ،‬ﻣﻦ ﺍﻟﺬﺍﺕ‪ ،‬ﻣﻦ ﱢ‬
‫ﻧﺴﻴﺖ ﻫﺬﻩ ﺍﻟﻌﺎﺩﺓ ﺍﻹﻧﺴﺎﻧﻴﺔ ﺍﻟﺮﺍﺋﻌﺔ ﻃﻮﺍﻝ ﺣﻴﺎﺗﻲ ﻓﻲ ﻓﺮﻧﺴﺎ ﺣﻴﺚ‬ ‫ُ‬
‫ﻻ ﻳﺼﻨ ُﻊ ﺍﻹﻧﺴﺎﻥ ﺍﻟﻨﻜﺘﺔ! ﺗﺄ ِﺗﻴ ِﻪ ِﺳﻠﻌ ًﺔ ُﻣ َﻌ ﱠﻠﺒ ًﺔ ﻓﻲ ﺑﺮﺍﻣﺞ ُﻣﻌ ّﻴﻨﺔ ﻓﻲ‬
‫ُﻔﺮ ُﻍ ﺧﻼﻟﻬﺎ‬ ‫ﻣﺤﺪﺩﺓ ﻣﻦ ﺍﻟﻴﻮﻡ‪ ،‬ﻳ ِ‬ ‫ﱠ‬ ‫ُﺸﺎﻫ ُﺪﻫﺎ ﻓﻲ ﺩﻗﺎﺋﻖ‬ ‫ﺍﻟﺘﻠﻔﺰﻳﻮﻥ‪ ،‬ﻳ ِ‬
‫ﻋﻘﻼﻧﻲ‬
‫ﱟ‬ ‫ﱟﻲ‬ ‫ﺧﻄ‬
‫ﺑﺸﻜﻞ ﱢ‬ ‫ٍ‬ ‫ﻳﻮﻣ ُﻪ‬ ‫ُ‬
‫ﺛﻢ ﻳﻮﺍﺻﻞ َ‬ ‫ﺟﻌ َﺒ َﺘ ُﻪ ﺍﻟﻴﻮﻣﻴﺔ ﻣﻦ ﺍﻟﻀﺤﻚ‪ ،‬ﱠ‬
 ‫ﻛﻞ ﻟﺤﻈﺔ‪،‬‬ ‫ﺫﻫﻨﻲ ﻳﻘ ُﻊ ﻋﻠﻴ ِﻪ ﺷﺨﺼ ّﻴﴼ‪ ،‬ﻓﻲ ﱢ‬ ‫ﱟ‬ ‫ﺑﻮﺍﺟﺐ‬
‫ٍ‬ ‫ﺑﺎﺭﺩ! ﻻ ﻳﺸﻌﺮ‬
‫ﺍﻟﺘﻠﻘﺎﺋﻲ‬
‫ﱢ‬ ‫ﺑﺎﻟﻀﺤﻚ‬
‫ِ‬ ‫ﺍﻟﻌﺒﺎﺭﺍﺕ ﺍﻟﺴﺎﺧﺮﺓ‪،‬‬
‫ِ‬ ‫ﺑﺎﺧﺘﺮﺍﻉ‬
‫ِ‬ ‫ﺑﺼﻨﺎﻋ ِﺔ ﺍﻟﻨﻜﺘﺔ‪،‬‬
‫ّ‬
‫ﺍﻟﻄﻔﻮﻟﻲ ﻏﻴﺮ ﺍﻟﻤﻨﻈﻢ‪...‬‬ ‫ﱢ‬ ‫ﺍﻟﻌﺸﻮﺍﺋﻲ‬
‫ﱢ‬
‫ُﻜﺮ ُﺭ‬
‫ﻳ‬ ‫ﻗﺎﺕ‬
‫ِ ٍ ﱢ‬ ‫ﻳﻮﻡ‬ ‫ﻛﻞ‬
‫ﱠ‬ ‫ﺃﻥ‬ ‫ُ‬
‫ﻻﺣﻈﺖ‬ ‫ﻑ!‬ ‫ﺮ‬‫َ‬ ‫ﺑﺎﻟﻘ‬ ‫ﺮ‬
‫ُ‬ ‫ﺃﺷﻌ‬ ‫ُ‬
‫ﺑﺪﺃﺕ‬ ‫ﺛﻢ‬
‫ﱠ‬
‫ُ‬
‫ﻌﺠﻦ ﺃﻟﻒ ﻣ ّﺮﺓ‪،‬‬ ‫ُ‬
‫ﻧﻔﺲ ﺍﻟﻤﻮﺍﺿﻴﻊ ﺗ َ‬ ‫ﻌﻴﺪ ﺍﻷﺧﺮﻯ‪ُ ...‬‬ ‫ُ‬
‫ﻛﻞ ﺳﺎﻋ ٍﺔ ﺗ ُ‬ ‫ﺍﻵﺧﺮ‪ ،‬ﱠ‬
‫ﺍﻟﻘﻠﻖ ﻣﻦ ﺍﻟﺤﻴﺎﺓ ﻳُﺤﻜﻰ‬ ‫ِ‬ ‫ﻧﻔﺲ‬
‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ‪ُ ،‬‬ ‫ٍ‬ ‫َ‬
‫ﻧﻔﺲ ﺍﻟﻨﻜﺘﺔ ﺗﺮﺟ ُﻊ‬ ‫ُ‬
‫ﻧﻔﺲ ﺍﻷﻟﻢ‪.‬‬
‫ﻧﻔﺲ ﺍﻟﺮﺗﺎﺑﺔ‪َ ،‬‬ ‫ﻳﻠﻮﻙ َ‬‫ﻛﻞ ﻟﺤﻈﺔ‪ ...‬ﺍﻟﺠﻤﻴ ُﻊ ُ‬ ‫ﻣﻦ ﺟﺪﻳﺪ‪ّ ،‬‬
‫ُﻮﺟ ُﻪ ﺃﻧﻈﺎ َﺭ ُﻩ ِﻟﻨﻔﺲ‬
‫ﺍﻟﺠﻤﻴﻊ ﻳﺴﺘﻠ ُﻢ ﻧﻔﺲ ﺍﻟﺼﻔﻌﺔ ﻳﻮﻣﴼ ﺑﻌﺪ ﻳﻮﻡ‪ ،‬ﻳ ﱢ‬
‫ﺾ ﻋﻴﻨﻴﻪ‬ ‫ُﻐﻤ ُ‬
‫ﻛﺮﺍﻫﻴ ِﺘ ِﻪ ﻋﻠﻰ ﻧﻔﺲ ﺍﻟﻼﻃﻢ‪ ،‬ﻳ ِ‬ ‫ﱠ‬ ‫َﺼ ﱡﺐ ﺟﺎ َﻡ‬‫ﺍﻟﻼﻃﻢ‪ ،‬ﻳ ُ‬
‫ﺧﺪﻩ ﻣﻦ ﺟﺪﻳﺪ ِﻟﻨﻔﺲ ﺍﻟﻼﻃﻢ‪ ،‬ﻳﻤﺪ ُﺡ‬ ‫ُﻘﺪ ُﻡ ﱠ‬‫ﺃﻣﺎﻡ ﻧﻔﺲ ﺍﻟﻼﻃﻢ‪ ،‬ﻳ ﱢ‬
‫ﻧﻔﺲ ﺍﻟﻼﻃﻢ!‪...‬‬ ‫ُﻔﺨ ُﻢ َ‬ ‫َﺤ ُﻤ ُﺪ ﻭﻳ ﱢ‬
‫ﻭﻳ ْ‬

‫‪179‬‬ ‫ﺻﺮﺕ ﺃﺫﻫﺐ‬ ‫ُ‬ ‫ﺃﺣﺠﻤﺖ ﻋﻦ ﻣﺮﺍﻭﺩﺓ ﻣﻘﺎﻫﻲ ﺃﻧﺘﺮﻧﺖ‪،‬‬ ‫ُ‬ ‫ﻣﻨﺬ ﺃﻥ‬
‫ﻣﺤﺪﺩ‪ ،‬ﺷﻲ ٌﺀ ﻣﺎ ﻓﻲ ﻧﻔﺲ‬ ‫ﻣﺄﺭﺏ ﱠ‬‫ﻟﻤﺠﺎﻟﺲ ﺍﻟﻘﺎﺕ ﻳﻮﻣﻴﴼ‪ ،‬ﻭﻓﻲ ﺭﺃﺳﻲ ٌ‬
‫ﻛﻨﺖ ﺃﺭﺍﻗﺐ ﻓﻲ ﺗﻠﻚ ﺍﻟﻤﺠﺎﻟﺲ ﻇﺎﻫﺮ ًﺓ ﻣﺜﻴﺮﺓ!‬ ‫ُ‬ ‫ﻳﻌﻘﻮﺏ‪ ،‬ﻛﻤﺎ ُ‬
‫ﻗﻠﺖ‪:‬‬
‫ﺛﻤﺔ ﻓﻲ ﺳﻠﻮﻙ ﺍﻟﻨﺎﺱ ﺷﻴﺌﴼ ﻣﺤﻴﺮﴽ‪ ،‬ﻏﻴ َﺮ َﺟ ِﻠ ّﻲ‪ ،‬ﻻ‬ ‫ُ‬
‫ﺃﺣﺴﺴﺖ ﺃﻥ ّ‬
‫ﻣﺠﻠﺲ ﺣﻀﺮ ُﺗﻪ‪.‬‬ ‫ٍ‬ ‫ﻻﺣﻈﺖ ﺫﻟﻚ ﻓﻲ ﱠﺃﻭ ِﻝ‬‫ُ‬ ‫ﺑﺸﻜﻞ َﺳ ِﻮ ّﻱ!‪...‬‬
‫ٍ‬ ‫ﻳﺴﺘﻘﻴﻢ‬
‫ُ‬ ‫ْ‬
‫ﻛﻨﺖ ﺣﻴﻨﻬﺎ ﻣﻬﻮﻭﺳﴼ ﺑﺎﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮ ِﺓ ﺍﻟﺘﻲ ﻗﺮﺃﺗﻬﺎ ﻗﺒﻴﻞ ﺫﻟﻚ ﺑﻴﻮﻡ‬ ‫ُ‬
‫ﺍﻟﻤﺘﺤﺪﺛﻴﻦ‬
‫ﱢ‬ ‫ﺗﻄﺮ َﻕ ﺇﻟﻴﻪ ﺃﺣﺪ‬ ‫ﺃﻭ ﻳﻮﻣﻴﻦ‪ .‬ﺍﺳﺘﻐ ْﻠ ُﺖ ﺣﻴﻨﻬﺎ ﻣﻮﺿﻮﻋﴼ ﻣﺎ ﱠ‬
‫ﺳﺮﺏ ﺗﻔﺎﺻﻴﻞ ﺗﻠﻚ‬ ‫ﻓﻲ ﺍﻟﻤﺠﻠﺲ‪ ،‬ﺣﻮﻝ ﺍﻟﺰﻭﺍﺝ ﺍﻟﻤﺒ ﱢﻜﺮ‪ ،‬ﻷﺣﻜﻲ ﻭﺃُ ﱢ‬
‫ﻣﺴﻤﻮﻉ ﻟﻠﺠﻤﻴﻊ‪.‬‬
‫ٍ‬ ‫ﺑﺼﻮﺕ‬
‫ٍ‬ ‫ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮﺓ‬
‫ﺑﺄﻭﻝ‪ ،‬ﻭﻛﺄ ﱢﻧﻲ ﺃﺣﻜﻲ ﻓﻴﻠﻤﴼ‪...‬‬ ‫ً‬
‫ﺳﺮﺩ ُﺗﻬﺎ ﺑﻬﺪﻭ ٍﺀ ﻭﺣﻤﻴﻤﻴﺔ‪ ،‬ﱠﺃﻭﻻ ﱠ‬
‫ﺃﺭﺑﻜﻨﻲ ﺍﻻﻫﺘﻤﺎ ُﻡ ﺍﻟﻤﺤﺪﻭﺩ‪ ،‬ﺇﻥ ﻟﻢ ﺃﻗﻞ ﺍﻟﺒﺮﻭ َﺩ ﺍﻟﺬﻱ ﺍﺳ ُﺘ ْﻘ ِﺒ َﻠ ْﺖ ﺑﻪ‬
‫ﺛﻢ‬
‫ﺷﻌﺮﺕ ﺑﺎﻟﺨﻴﺒﺔ! ﱠ‬ ‫ُ‬ ‫ﻣﻮﺿﻮﻉ ﺁﺧﺮ!‬ ‫ﻗﺼﺘﻲ ﻭﺍﻻﻧﺘﻘﺎﻝ ﺍﻟﺴﺮﻳﻊ ﺇﻟﻰ‬ ‫ّ‬
‫ٍ‬
‫ﻳﻮﻡ ﻣﻦ ﺫﻟﻚ‪...‬‬ ‫ﺍﻟﻘﺼﺔ ﺑﻌﺪ ٍ‬ ‫ﻧﺴﻴﺎﻥ ﺍﻟﺠﻤﻴﻊ ﻟﺘﻔﺎﺻﻴﻞ ﻫﺬﻩ ّ‬ ‫ُ‬ ‫ﺻﻌﻘﻨﻲ‬
‫ُ‬
‫ﻛﻨﺖ‬ ‫ﺃﻋﺪ ُﺗﻬﺎ ﻓﻲ ﻇﺮﻭﻑ ﺃﺧﺮﻯ‪ ،‬ﺃﻣﺎﻡ ﺑﻌﺾ ﻣﻦ ﺳﻤﻌﻮﻫﺎ‪ ،‬ﻭﻛﺄﻧﻲ‬
‫ﻧﻮ ْﻋ ُﺖ‬ ‫ﺗﺘﺒﺨﺮ ﻓﻲ ﺃﺩﻣﻐﺘﻬﻢ ﻣﻦ ﺟﺪﻳﺪ‪ ...‬ﱠ‬ ‫ﻷﻭﻝ ﻣﺮﺓ‪ ...‬ﻗﺒﻞ ﺃﻥ ﱠ‬ ‫ﺃﺣﻜﻴﻬﺎ ﱠ‬
‫ُ‬
‫ﻭﺍﺳﺘﻨﺘﺠﺘﻪ‪ .‬ﻻ‬ ‫ْ‬ ‫ُ‬
‫ﻷﺗﺄﻛ َﺪ ﻣﻤﺎ ﻻﺣﻈﺘ ُﻪ‬ ‫ﱠ‬ ‫ُ‬
‫ﻣﺠﺎﻟﺲ ﺍﻟﻘﺎﺕ ﺍﻟﺘﻲ ﺣﻀﺮﺗﻬﺎ‬ ‫َ‬
‫ﺛﻤﺔ ﻣﻊ ﺫﻟﻚ‬ ‫ﺗﺘﺒﺨ ُﺮ ﺩﻭﻣﴼ ﺑﻌﺪ ﻟﺤﻈﺎﺕ ﻣﻦ َﺳ ْﺮ ِﺩﻫﺎ!‪ّ ...‬‬ ‫ﺍﻟﻘﺼﺔ ﱠ‬ ‫ﺃﻣﻞ! ّ‬
‫ﺍﻟﺠ ْﻤ ِﻌ ﱠﻴ ِﺔ ِﻟﺮﻓﺎﻕ ﺍﻟﻤﺠﻠﺲ‪.‬‬ ‫ﺃﺷﻴﺎﺀ ﻻ ﺣﺼﺮ ﻟﻬﺎ َﺗ ْﻌ ُﻠ ُﻖ ﻓﻲ ﺍﻟﺬﺍﻛﺮﺓ َ‬
‫ﺟﺪﴽ ُﺗ ِﻄ ﱡﻞ ﻣﻦ ﺳﻨﻴﻦ ﺳﺤﻴﻘﺔ‪ ،‬ﻭﺑﻌﻀﻬﺎ ﺣﺪﻳﺜ ٌﺔ‬ ‫ﺑﻌﻀﻬﺎ ﻋﺘﻴﻘ ٌﺔ ّ‬
‫ﺛﻘﻮﺑﻬﺎ ﺃﺷﻴﺎﺀ‬ ‫ﺗﺘﺴﺮ ُﺏ ﻣﻦ ِ‬ ‫ﱠ‬ ‫ﻃﺎﺯﺟﺔ‪ .‬ﻏﻴﺮ ﺃﻥ ﺫﺍﻛﺮﺍﺗﻬﻢ ﺍﻧﺘﻘﺎﺋﻴ ٌﺔ ّ‬
‫ﺟﺪﴽ‪،‬‬
‫ﻗﺼ ِﺘﻲ ﺍﻟﻘﺼﻴﺮﺓ!‪...‬‬ ‫ﻣﺤﺪﺩﺓ ﻛﺜﻴﺮﺓ‪ ،‬ﻣﻨﻬﺎ ﱠ‬ ‫ﱠ‬
‫ﻭﺍﻻﻏﺘﺼﺎﺏ‬
‫ِ‬ ‫ﺍﻟﻌﻨﻒ‬
‫ِ‬ ‫ﻉ‬‫َ‬ ‫ﻧﻮ‬ ‫ﺃﻥ‬ ‫ﺃﺳﺘﻨﺘﺞ‬
‫ُ‬ ‫ﻭﺃﻧﺎ‬ ‫ﻛﺜﻴﺮﴽ‬ ‫ُ‬
‫ﺍﺳﺘﻐﺮﺑﺖ‬
‫ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮﺓ ﻻ ﻳﺒﺪﻭ ﻟﻬﻢ ﻣﻠﻔﺘﴼ ﻟﻠﻨﻈﺮ‬ ‫ّ‬ ‫ﺍﻟﻤﻤﺎﺭﺱ ﻓﻲ ﺗﻠﻚ‬
‫ِ‬
‫ﺻﻐﻴﺮ ﺗﺎ ِﻓﻪ‪ُ ،‬ﻣ َﺒ ﱠﺮ ٍﺭ‬
‫ٍ‬ ‫ﺙ‬‫ٍ‬ ‫َ‬
‫ﺪ‬ ‫ﺤ‬
‫َ‬ ‫ﻛ‬‫َ‬ ‫ﻣﻨﻬﺎ‬ ‫ﺳﺮﻳﻌﴼ‬ ‫ﺏ‬
‫ُ‬ ‫ﻳﺘﺴﺮ‬
‫ﱠ‬ ‫ﺑﺎﻟﺬﺍﻛﺮﺓ!‬ ‫ِﻟ َﻴ ْﻠ َ‬
‫ﺘﺼﻖ‬
‫ﻜﻌ َﺐ ﻓﻲ ﺧﻼﻳﺎ ﺍﻟﺪﻣﺎﻍ ﺍﻟﺒﺸﺮﻱ‪،‬‬ ‫ﺍﻟﻤ ﱠ‬
‫ﻭﻛﺄﻥ ﺍﻟﻤﻠﻴﻤﺘ َﺮ ُ‬ ‫ﱠ‬ ‫ﺣﺪ ﻣﺎ!‬ ‫ﱟ‬ ‫ﺇﻟﻰ‬
‫ﻭﺍﻟﺘﺄﻟﻢ ﺃﻣﺎﻡ ﻫﺬﺍ ﺍﻟﻨﻮﻉ ﻣﻦ ﺍﻟﻌﻨﻒ‪ ،‬ﻣﻘﻠﻮ ٌﻉ‬ ‫ِ‬ ‫ﺑﺎﻟﺘﺄﺛﺮ‬
‫ِ‬ ‫ﺺ‬ ‫ﺍﻟﻤﺘﺨﺼ ِ‬
‫ﱢ‬
‫ﻣﺨﺪ ٌﺭ ﻋﺎﻃﻞ ﺗﻤﺎﻣﴼ ﻋﻦ ﺍﻟﻌﻤﻞ‬ ‫ٌ‬ ‫‪ 180‬ﺑﻴﻮﻟﻮﺟ ّﻴﴼ ﻣﻦ ﺃﺩﻣﻐ ِﺔ ﻣﻦ ﺳﻤﻌﻮﻧﻲ‪ ،‬ﺃﻭ ﱠ‬
‫ﻐﺘﺼ ِﺐ ﻗﺪ‬ ‫ﺍﻟﻤ َ‬ ‫ﺍﻟﻄﻔﻞ ُ‬‫ِ‬ ‫ﺍﻹﺣﺴﺎﺱ ﺑﻌﺬﺍﺏ‬‫ِ‬ ‫ﻛﺄﻥ ِﻋ ْﺮ َﻕ‬
‫ﱠ‬ ‫ﻣﻨﺬ ﻗﺮﻭﻥ!‬
‫ﺍﻧﻘﻄﻊ ﻓﻲ ﺟﺒﻴﻨﻬﻢ ﻳﻮﻣﴼ ﻣﺎ!‪...‬‬
‫ﺃﺣﺪﻫﻢ‬ ‫ُﻌﺒ َﺮ ُ‬ ‫ﻗﺼ ٌﺔ ﺟﻮﻫﺮ ّﻳ ٌﺔ ﻛﻬﺬﻩ ﺩﻭﻥ ﺃﻥ ﻳ ﱢ‬ ‫ﺇﺫ ﻛﻴﻒ ﺗﻤ ﱡﺮ ّ‬
‫ﻋﻦ ﺗﻘ ﱡﺰ ٍﺯ ﻓﻈﻴﻊ‪ ،‬ﺃﻭ ُﻳ َﻌ ﱢﻠ َﻖ ﻣﻦ ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ ﻋﻦ ﺍﻟﺠﺮﻳﻤﺔ ﺍﻟﺘﻲ‬
‫ﻋﻮﻗﺐ ﺻﺎﻧ ُﻊ‬ ‫َ‬ ‫ﺃﺭﺗﻜﺒﻬﺎ ﺫﻟﻚ ﺍﻟﺸﻴﺦ! ﻟﻢ ﻳﺘﺴﺎﺀﻝ ﺃﺣﺪﻫﻢ ﻫﻞ ﺃُﻋ ُﺘ ِﻘﻞ ﺃﻭ‬
‫ﺍﻟﺸﺮﻋﻲ‪،‬‬
‫ّ‬ ‫ﻣﺎﺭﺱ ﻭﺍﺟ َﺒ ُﻪ‬ ‫َ‬ ‫ﺍﻟﺠﺮﻳﻤﺔ! ﺑﻞ ﺭﺑﻤﺎ ﺑﺪﺍ ﻟﻠﺒﻌﺾ ﺃﺑﴼ ﻏﻴﻮﺭﴽ‬
‫ﺃﺣﺪﻫﻢ ﻋﻦ ﻣﺼﻴﺮ ﻓﺘﺎ ٍﺓ ﻛﺘﻠﻚ‪،‬‬ ‫ﻭﺍﺟ َﺒ ُﻪ ﺍﻷﺧﻼﻗﻲ!‪ ...‬ﻟﻢ ﻳﺴﺘﻔﺴﺮ ُ‬
‫ﺧﺮﺍﺑﻬﺎ ﺍﻟﻨﻬﺎﺋﻲ!‪ ...‬ﻟﻢ‬ ‫ﺩﻣﺎﺭ ﺣﻴﺎ ِﺗﻬﺎ ﺍﻟﻜﺎﻣﻞ ﺑﻌﺪ ﺫﻟﻚ ﺍﻻﻏﺘﺼﺎﺏ‪ِ ،‬‬ ‫ﻋﻦ ِ‬
‫ﻗﺼﺔ ﻓﻈﻴﻌﺔ ﻛﻬﺬﻩ‪،‬‬ ‫ٌ‬ ‫ٌ‬ ‫َ‬
‫َﻳ ْﺒ ُﺪ ْﺭ ﺳﺆﺍﻝ ﻭﺍﺣﺪ ﻋﻦ ﻛﻴﻒ ﻳﻤﻜﻦ ﺃﻥ ﺗﺤﺪﺙ ﱠ‬ ‫ٌ‬
‫ﺻﻤﺖ ﻭﺑﺮﻭﺩ!‪ ...‬ﻟﻢ ﻳﺴﺨ ْﺮ ﺃﺣﺪﻫﻢ ﺣ ّﺘﻰ ﻣﻦ‬ ‫ٍ‬ ‫ﻣﺠﺘﻤﻊ ﻣﺎ‪ ،‬ﺑﻜﻞ‬
‫ٍ‬ ‫ﻓﻲ‬
‫ﺗﻤ ْﺖ ﻓﻴﻪ ﺍﻟﻜﺎﺭﺛﺔ!‪...‬‬ ‫ﺍﻟﻤﺴﺮﺡ ﺍﻻﺣﺘﻔﺎﻟﻲ ﺑﺎﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳّﺔ ﺍﻟﺬﻱ ﱠ‬
‫ﻧﻔﺲ ﺍﻟﻐﻴﺎﺏ‪،‬‬ ‫ﻧﻔﺲ ﺍﻟﺼﻤﺖ‪َ ،‬‬ ‫ﻛﻨﺖ ﺃﻻﺣﻆ ﺧﻼﻝ ﺳﺮ ِﺩﻱ َ‬ ‫ُ‬ ‫ﺑﺎﻟﻌﻜﺲ‪،‬‬
‫ﻤﺖ ﻣﻨﺬ ﻗﺮﻭﻥ ﺃﻥ‬ ‫َ‬ ‫ْ‬
‫ﻧﻔﺲ ﻋﺪﻡ ﺍﻻﻛﺜﺮﺍﺙ‪ ...‬ﺃﻳﻘﻨ ُﺖ ﺃﻥ ﺃﺩﻣﻐﺘﻬﻢ ﺗﻌ ﱠﻠ ْ‬ ‫َ‬
 ‫ﺗﻠﻔﻆ ﺫﻛﺮﻳﺎ ِﺗﻬﺎ‪ ،‬ﺃﻥ ﺗﻤﺤ َﻮ ﺑﺼﻤﺎﺗﻬﺎ‪...‬‬‫ﺗﻬﺮﺏ ﻣﻦ ﻫﺬﻩ ﺍﻟﻤﻮﺍﺿﻴﻊ‪ ،‬ﺃﻥ َ‬
‫ﺿﻲ ﻓﻲ‬ ‫ﱟ‬ ‫ﺑﺸﻜﻞ َﻣ َﺮ‬
‫ٍ‬ ‫ﺇﻣﺎ ﺃﻧﻬﻢ ﺍﻧﺘﻘﺎﺋﻴﻮﻥ‬ ‫ﻨﻮﻉ ﻣﻦ ﺍﻟﺘﻤ ﱡﺰﻕ‪ّ :‬‬ ‫ُ‬
‫ﺷﻌﺮﺕ ِﺑ ٍ‬
‫ﺗﺤﺪﻳﺪ ﻣﺪﻟﻮﻝ ﺍﻟﺸ ّﺮ‪ ،‬ﻓﻲ ﻣﻮﺍﺟﻬﺔ‬ ‫ِ‬ ‫ﺗﻌﺮﻳﻒ ﻣﻔﻬﻮﻡ ﺍﻟﺠﺮﻳﻤﺔ‪ ،‬ﻓﻲ‬
‫ٌ‬
‫ﻃﺎﺋﺶ‪،‬‬ ‫ٌ‬
‫ﺳﺎﺧﻂ‪،‬‬ ‫ﺍﻟﺬﺍﺕ‪ ...‬ﺃﻭ ﺃﻧﻲ ﺃﻧﺎ ﻧﻔﺴﻲ ﺇﻧﺴﺎ ٌﻥ ﻏﻴ ُﺮ ﻃﺒﻴﻌﻲ‪ ،‬ﺯﺍﺋ ٌﻎ‪،‬‬
‫ﻣﺘﻄﺮ ٌﻑ ّ‬
‫ﺟﺪﴽ‪...‬‬ ‫ﱢ‬ ‫ﻣﺘﻬﻮ ٌﺭ‪،‬‬
‫ﱢ‬

‫ٌ‬
‫ﺻﺪﻳﻖ ﻗﺪﻳ ٌﻢ ﺭﺍﺋ ٌﻊ‬ ‫ﺣﺪﺛ ُﺘﻬﻢ ﺑﻬﺬﻩ ّ‬
‫ﺍﻟﻘﺼﺔ ﻫ َﻮ‬ ‫ﻛﺎﻥ ﺁﺧﺮ ﻣﻦ ﱠ‬
‫ﺑﻘﻴ ِﺘﻬﺎ ﻫﻮ‬
‫ﻼ ﺳﺮﺩ ﱠ‬ ‫ﺍﻟﻘﺼﺔ ﻣﻮﺍﺻ ً‬
‫ﻧﺎﺩﺭ! ﻓﺎﺟﺄﻧﻲ ﺑﻤﻘﺎﻃﻌﺘﻲ ﻭﺃﻧﺎ ﺃﺣﻜﻲ ّ‬
‫ﺗﻔﺎﺻﻴﻞ ﺃﺧﺮﻯ ﻛﺜﻴﺮ ًﺓ ﻟﻢ ﺃﻛﻦ ﺃﻋﺮﻓﻬﺎ )ﻳﺎﻟﻠﻜﺎﺭﺛﺔ!‬ ‫َ‬ ‫ﻧﻔﺴﻪ! ُﻣ ِﻀﻴﻔﴼ‬
‫ﺍﻷﺧﺖ‬
‫ِ‬ ‫ﺍﻟﻘﺼﺔ ﻭﺍﻗﻌﻴ ٌﺔ ﻭﻟﻴﺴﺖ ﺧﻴﺎﻟﻴﺔ ﺇﺫﻥ!‪ (...‬ﻗﺒﻞ ﺃﻥ ﻳﻨﻄﻖ ﺍﺳ َﻢ‬
‫َ‬ ‫ٌ‬ ‫ّ‬
‫ﺍﻟﻀﺤﻰ ﺇﻟﻰ‬ ‫ﺍﻏﺘﺼ َﺒﻬﺎ ﺧﻄﻴ ُﺒﻬﺎ ﻭﻫﻲ َﺗ ُ‬
‫ﺤﻤﻞ ﻟ ُﻪ ﻭﺟﺒ َﺔ ﱡ‬ ‫َ‬ ‫ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ‬
‫ﺍﻟﻤﺰﺭﻋﺔ!‪...‬‬
‫‪181‬‬ ‫ﻟﻢ ﺃﺗﻤﺎﻟﻚ ﻧﻔﺴﻲ ﻋﻨﺪﻣﺎ ﺫﻛﺮ ﺍﺳﻤﻬﺎ! ُﺻ ِﻌ ْﻘ ُﺖ ﺗﻤﺎﻣﴼ!‬
‫ﻷﻧﻲ ﺃﻋﺮﻓﻬﺎ ﺃﻧﺎ ﺃﻳﻀﺎ!‬
‫ُ‬
‫ﺃﺑﺤﺚ‬ ‫ﺎﻉ ﺍﻟﺬﻱ‬ ‫َ‬ ‫ُ‬ ‫ُ‬
‫ﻫﺮﻭﻟﺖ‪ ،‬ﻫﺮﻭﻟﺖ‪ ،‬ﻫ ْﺮ َﻭﻟﺖ‪ ...‬ﻻﺭﺗﻄ َﻢ ِﺑﺎﻟﻘ ِ‬
‫ﻋﻨﻪ!‬
‫ﻗﺎﻉ ﻛﺎﺭﺛ ِﺔ ﺇﻟﻬﺎﻡ!‪...‬‬
‫ِ‬
‫ﻧﻮﻳﺖ ﺷﺮﺍ َﺀ ﻣﺎ ﻳﻠﺰﻡ‬ ‫ﻋﺪﻥ‪ُ ،‬‬ ‫ﺑﻌﺪ ﺛﻼﺛﺔ ﺃﺳﺎﺑﻴﻊ ﻣﻦ ﻭﺻﻮﻟﻲ َ‬
‫ﺨﻮﺽ ﻣﻐﺎﻣﺮ ِﺓ ﺩﻋﻮ ِﺓ ﺃُ ﱢﻣﻲ ﻣﻦ ﺟﺪﻳﺪ‬ ‫ﻣﻦ ﺍﻟﺨﻀﺮﻭﺍﺕ ﻭﺍﻟﺴﻤﻚ ِﻟ ِ‬
‫ﻛﻨﺖ ﻓﻲ ﻃﺮﻳﻘﻲ ﺇﻟﻰ ﺳﻮﻕ‬ ‫ُ‬ ‫ﺃﺻﻮﻝ ﻣﺮﺳﻴﻠﻴﺔ‪.‬‬
‫ٍ‬ ‫َﺤ ِﺮﻳّﺔ ﺫﺍﺕ‬ ‫ِﻟﻄﺒﺨ ٍﺔ ﺑ ْ‬
‫ﺍﻟﺴﻤﻚ‪ ،‬ﻓﻲ ﺫﻟﻚ ﺍﻟﺸﺎﺭﻉ ﺍﻟﻜﺌﻴﺐ ﺍﻟﺬﻱ ﻳ ﱠﺘ ِﺠ ُﻪ ﻣﻦ ﻣﺴﺠﺪ ﺍﻟﻌﻴﺪﺭﻭﺱ‬
‫ﺻﺪﻳﻖ ﻗﺪﻳﻢ‪ُ ،‬ﻣ ْﺸ ِﺮ ُﻕ ﺍﻷﺳﺎﺭﻳﺮ‬ ‫ٌ‬ ‫ﺇﻟﻰ ﻣﺴﺠﺪ ﺍﻟﻨﻮﺭ‪ ،‬ﻋﻨﺪﻣﺎ ﻟﻤﺤﻨﻲ‬
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‫ﻣﻔﺘﻮﻝ ﺳﺎﻣﻖ!‪...‬‬ ‫ﺭﻳﺎﺿﻲ‬
‫ﱞ‬ ‫ﺩﺍﺋﻤﴼ‪ ،‬ﻟﻪ ﺟﺴ ٌﻢ‬
‫ﻫﺮﻉ ﻧﺤﻮﻱ‪ ،‬ﻋﺎﻧﻘﻨﻲ ﻋﻨﺎﻗﴼ ﻋﻨﻴﻔﴼ ﻫﺼﺮ ﺟﻮﺍﻧﺤﻲ‪ .‬ﺃﻧﻬﻰ‬ ‫‪182‬‬
‫ﻋﻨﺎ َﻗﻪ ﺑﺎﻟﻌﺒﺎﺭﺍﺕ ﺍﻟﺘﺎﻟﻴﺔ‪:‬‬
‫ﺃﻱ ﺧﺪﻣﺔ! ﺃﺭﻳﺪ ﺃﻥ ﺃﺧﺪﻣﻚ ﻓﻲ ﺷﻲ ٍﺀ‬ ‫ﻗﻞ ﻟﻲ ّ‬ ‫ﺃﻱ ﺧﺪﻣﺔ! ﺃﺭﺟﻮﻙ ْ‬ ‫‪ّ -‬‬
‫ﻣﺎ! ﻫﺎﻡ ﺃﻭ ﻏﻴﺮ ﻫﺎﻡ! ﻳﻠﺰﻣﻨﻲ ﺃﻥ ﺃﺧﺪﻣﻚ! َﺣ ﱢﻘ ْﻖ ﻟﻲ ﻫﺬﺍ ﺍﻟﻄﻠﺐ! ُﻣ ّﻦ‬
‫ﻋﻠﻲ ﺑﻬﺬﺍ ﺍﻟﺠﻤﻴﻞ‪ :‬ﺩﻋﻨﻲ ﺃﺧﺪﻣﻚ ﺑﺸﻲ ٍﺀ ﻣﺎ!‪...‬‬ ‫ﱠ‬
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‫ﻓﺎﺭﻗﺖ‬ ‫ﻗﻴﺪ ﺃﻧﻤﻠﺔ ﻣﻨﺬ‬ ‫ﻳﺘﻐﻴ ْﺮ َ‬
‫ﱠ‬ ‫ﻟﻢ‬ ‫ﺪﻱ!‬ ‫ﺮﺷ‬
‫ِ‬ ‫ﺍﻟﻤ‬
‫ُ‬ ‫ﻦ‬ ‫ﺴ‬
‫َ‬ ‫ﺣ‬‫َ‬ ‫ﻪ!‬ ‫ُ‬
‫ﺘ‬ ‫ﻋﺮﻓ‬
‫ﻋﺪﻥ!‪ ...‬ﺍﻟﻠﻌﻨﺔ! َﻏ َﺰ ْﺗ ُﻪ ﺍﻟﺘﺠﺎﻋﻴﺪ ﻭﻫﺰﺍﺋﻢ ﺍﻟﺠﺴﺪ! ﻟﻜﻨ ُﻪ ﻣﺎﺯﺍﻝ‬ ‫َ‬
‫ﻨﻈﺎﺭﺍﺕ ﺩﺍﺋﺮﻳﺔ ﺻﻐﻴﺮﺓ‪ ،‬ﺗﺸﺒﻪ ﻧﻈﺎﺭﺍﺕ ﺗﺮﻭﺗﺴﻜﻲ‪،‬‬ ‫ﺑﺎﺳﻤﴼ‪ ،‬ﺻﻠﺒﴼ‪ِ ،‬ﺑ ﱠ‬
‫َ‬
‫ﺍﻟﺴﺎﺋﻞ ﺫﻱ‬ ‫ُ‬
‫ﻳﺘﺮﻙ ﺷﻌ َﺮﻩ‬ ‫ﺗﻤﻨﺤ ُﻪ ُﺳ ْﺤ َﻨ ًﺔ ﺛﻘﺎﻓﻴ ًﺔ ﻣﺘﻤ ّﻴﺰﺓ‪ .‬ﻣﺎﺯﺍﻝ‬
‫ُ‬
‫ﻌﺮ ﺍﻟﻤﻔ ﱢﻜﺮ‬ ‫َ‬ ‫ً‬
‫ﺍﻟﻨﻬﺎﻳﺎﺕ ﺍﻟﺪﺍﺋﺮﻳﺔ ﺍﻟﺠﻤﻴﻠﺔ ﻣﺴﺘﺮﺳﻼ ﻋﻠﻰ ﻛﺘﻔﻴ ِﻪ ﻛﺸ ِ‬
‫ﺍﻟﻴﻤﻨﻲ‪ ،‬ﺃﺳﺘﺎﺫ ﺍﻟﻔﻠﺴﻔﺔ ﺍﻟﺮﺍﺋﻊ‪ :‬ﺃﺑﻮﺑﻜﺮ ﺍﻟﺴ ّﻘﺎﻑ‪ ...‬ﻣﺎﺯﺍﻝ ﻣﺎﻛﻨ ًﺔ‬ ‫ﱢ‬
‫ﺍﻟﻌﺪﻧﻴﻴﻦ‪ ،‬ﻓﻲ ﻣﻨﺘﺼﻒ‬ ‫ﱢ‬ ‫ﺃﺑﻮﻳﻪ‬ ‫ﻣﻊ‬ ‫ﺣﻂ‬
‫ﱠ‬ ‫ﺃﻥ‬ ‫ﻣﻨﺬ‬ ‫ﺍﻵﺧﺮﻳﻦ‬ ‫ﺨﺪﻣﺔ‬ ‫ِﻟ‬
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‫ﺍﻧﺘﻘﻠﺖ ﺑﻬﻢ‬ ‫ﺷﺎﺭﻉ ﻏﻴﺮ ﺑﻌﻴﺪ ﻣﻦ ﺷﺎﺭﻋﻨﺎ‪ ،‬ﺑﻌﺪ ﻫﺠﺮ ٍﺓ‬ ‫ﺍﻟﺴﺘﻴﻨﺎﺕ‪ ،‬ﻓﻲ ٍ‬
‫ﺛﻢ ﺍﻟﺴﻮﺩﺍﻥ‪ .‬ﻛﺎﻥ ﺣﺴﻦ ﻭﻣﺎﺯﺍﻝ ﻣﺎﻛﻨﺔَ‬ ‫ﻣﻦ ﺗﻨﺰﺍﻧﻴﺎ ﺇﻟﻰ ﺍﻟﺤﺒﺸﺔ ﱠ‬
 ‫ﻋﺪﻥ!‬ ‫ﻧﺼﻒ ﺳ ﱠﻜﺎﻥ َ‬ ‫َ‬ ‫ُ‬
‫ﺃﻗﺼﺪ‬ ‫ﻣﻌﺎﺭﻓﻪ‪،‬‬
‫ِ‬ ‫ﻭﻛﻞ‬
‫ﱢ‬ ‫ﺇﺳﻌﺎﺩ ِﻟﺬﻭﻳ ِﻪ ﻭﺻﺤﺒ ِﻪ‬
‫ﻳﺘﻮﺳ ُﻂ ِﻟﻤﺴﺎﻋﺪ ِﺓ ﻫﺬﺍ ﻓﻲ ﻗﻀﺎ ِﺀ ﺃﻣﺮ‪ ،‬ﻳﻔﺎﻭﺽ ِﻟ َﺤ ﱢﻞ ﻣﺸﻜﻠﺔ ﺫﺍﻙ‪...‬‬
‫ُ‬ ‫ﱠ‬
‫ﻛﻞ ﻣﺸﺎﺩّﺍﺕ ﻭﺍﺷﺘﺒﺎﻛﺎﺕ‬ ‫ﻳﻔﺼﻞ ﺑﻴﻦ ﱢ‬ ‫ُ‬ ‫ﻣﺘﺨﺎﺻﻤﻴﻦ‪،‬‬‫َ‬ ‫ﻳُﺼ ِﻠ ُﺢ ﺑﻴﻦ‬
‫ﻠﻔﺼﻞ ﺑﻴﻦ ﺍﻟﻤﺘﻀﺎﺭﺑﻴﻦ ﻓﻲ ﺍﻟﻌﺮﺍﻛﺎﺕ‬ ‫ِ‬ ‫ﺗﺪﺧﻼ ُﺗ ُﻪ ِﻟ‬ ‫ﻛ ْﺖ ﱡ‬ ‫ﺍﻟﺸﻮﺍﺭﻉ‪ .‬ﺗ َﺮ َ‬
‫ﻧﺎﺏ‬
‫ﻗﺪﻳﻢ ﻫﻨﺎ‪ٌ ،‬‬ ‫ٍ‬ ‫ﺛﻤ َﺔ ﻭﺷ ٌﻢ ِﻟ ُﺠ ْﺮ ٍﺡ‬
‫ﺍﻟﺠﺴﺪﻳّﺔ ﺗﻮﻗﻴ َﻌﻬﺎ ﻋﻠﻴ ِﻪ ﺇﻟﻰ ﺍﻷﺑﺪ‪ّ :‬‬
‫ﻭﺳﻦ ﻣﻔﻘﻮﺩﺍﻥ ﻫﻨﺎﻙ!‪...‬‬ ‫ﱞ‬
‫ﺍﻟﺼﻒ‬
‫ﱢ‬ ‫ﻣﺎﺯﺍﻝ ﺣﺴﻦ‪ ،‬ﻛﻤﺎ ﻛﺎﻥ ﻋﻨﺪﻣﺎ ﻋﺮﻓ ُﺘ ُﻪ ﻓﻲ ﻧﻔﺲ‬
‫ﺍﻟﺪﺭﺍﺳﻲ ﺑﻌﺪ ﻋﻮﺩﺗ ٍﻪ ﻣﻦ ﺍﻟﺴﻮﺩﺍﻥ‪ :‬ﻓﻘﻴﺮﴽ‪ ،‬ﺑﺴﻴﻄﴼ‪ُ ،‬ﻣ ْﺨ ِﻠﺼﴼ‪ ...‬ﺍﺟﺘﻤﺎﻋﻴﴼ‬ ‫ّ‬
‫ﻛﻞ ﻳﻮﻡ‪،‬‬ ‫َ‬
‫ﺑﺸﻜﻞ ﻻ ﻣﺜﻴﻞ ﻟﻪ! ﻳﺬﺭ ُﻉ ﺍﻟﻤﺪﻳﻨﺔ ﻣﻦ ﺃﻗﺼﺎﻫﺎ ﺇﻟﻰ ﺃﻗﺼﺎﻫﺎ ﱠ‬ ‫ٍ‬
‫ﻋﺪﺓَ‬‫ﻛﻞ ﺭﻛﻦ‪ ...‬ﻳﻄﻮﻑ ﻓﻲ ﻧﻔﺲ ﺍﻟﻴﻮﻡ ﱠ‬ ‫ﻛﻞ ﺷﺎﺭﻉ‪ ،‬ﻓﻲ ﱢ‬ ‫ﺗﺠﺪﻩ ﻓﻲ ﱢ‬
‫ﻣﺠﺎﻟﺲ ﻗﺎﺕ ﻓﻲ ﺃﺣﻴﺎﺀ ﻣﺘﺒﺎﻋﺪﺓ‪ ،‬ﺳﺎﻋ ًﺔ ﻫﻨﺎ‪ ،‬ﺳﺎﻋ ًﺔ ﻫﻨﺎﻙ‪ ...‬ﻳﻌﺮ ُﻓ ُﻪ‬
‫ﻳﺘﺤﺪﺛﻮﻥ‬ ‫ﱠ‬ ‫ُﺤ ﱡﺒﻪ ﺍﻟﺠﻤﻴ ُﻊ ﺩﻭﻥ ﺍﺳﺘﺜﻨﺎﺀ‪،‬‬ ‫ﺷﺨﺺ ﻓﻲ ﺍﻟﻤﺪﻳﻨﺔ‪ ،‬ﻳ ِ‬ ‫ٍ‬ ‫ﱡ‬
‫ﻛﻞ‬
‫‪183‬‬ ‫ﻭﻛﺄﻥ ﻫﻨﺎﻙ ﺃﻛﺜﺮ‬ ‫ﱠ‬ ‫ﻛﻞ ﻣﻜﺎﻥ‬ ‫ﻋﻨ ُﻪ ﺑﺎﺳﺘﻤﺮﺍﺭ‪ ...‬ﺗﺮﺍ ُﻩ ﺃﻣﺎﻣﻚ ﻓﻲ ﱢ‬
‫ﻣﻦ ﻧﺴﺨ ٍﺔ ﺑﻴﻮﻟﻮﺟﻴﺔ ﻣﻨﻪ ﺗﺤﻴﻰ ﻓﻲ ﻧﻔﺲ ﺍﻟﻤﺪﻳﻨﺔ‪ :‬ﺗﺮﺍ ُﻩ ﻗﺎﺑﻌﴼ ﻓﻲ‬
‫ﺣﻲ ﻣﺎ ﻣﻦ ﺃﺣﻴﺎﺀ‬ ‫ﱟ‬ ‫ﺭﻛﻦ ﻣﺎ ﻻﺳﺘﻴﻘﺎﻑ ﺳ ّﻴﺎﺭ ٍﺓ » َﻳ َﺘ َﻌ ﱠﺒ ُﺮ« ﺑﻬﺎ ﺇﻟﻰ‬ ‫ٍ‬
‫ﺘﺤﻴ ِﺔ‬
‫ِ ﱠ‬ ‫ﻟ‬ ‫ﻩ‬
‫ُ‬ ‫ﻳﺪ‬ ‫ﻳﺮﻓﻊ‬ ‫ﺔ‬
‫ﱠٍ‬‫ﺟﻤﺎﻋﻴ‬ ‫ﺔ‬
‫ٍ‬ ‫ﺣﺎﻓﻠ‬ ‫ﺓ‬
‫ِ‬ ‫ﻧﺎﻓﺬ‬ ‫ﻗﺮﺏ‬ ‫ﺟﺎﻟﺴﴼ‬ ‫ُ‬
‫ﻪ‬ ‫ﺗﺮﻣﻘ‬ ‫ﻥ‪،‬‬ ‫َ‬
‫ﻋﺪ‬
‫ﺑﺨﻄﻮﺍﺕ ﻫﺎﺩﺋﺔ ﻭﺃﻧﺖ‬ ‫ٍ‬ ‫َ‬
‫ﺧﻠﻔﻚ‬ ‫ﻋﺎﺑﺮ ﺳﺒﻴﻞ‪ ...‬ﻟﻴﺲ ﻧﺎﺩﺭﴽ ﺃﻥ ﺗﺮﺍ ُﻩ ﻳﻤﺸﻲ‬
‫َ‬
‫ﺗﻤﺨ ُﺮ ﻓﻲ ﺳ ّﻴﺎﺭ ٍﺓ ﺳﺮﻳﻌﺔ‪ِ ،‬ﻟﺘﺮﺍ ُﻩ ﺑﻌﺪ ﻗﻠﻴﻞ ﺃﻣﺎﻣﻚ‪ ،‬ﻗﺪ ﻭﺻﻞ ﻗﺒﻠﻚ‬
‫ﺑﺄﻋﺠﻮﺑﺔ ﺇﻟﻰ ﻧﻔﺲ ﺍﻟﻤﻮﺿﻊ!‪...‬‬
‫ﺧﺮ َﺟ ْﺖ ﻣﻦ ﺑﺤﺮ ﺍﻟﻌﻼﻗﺎﺕ ﺍﻻﺟﺘﻤﺎﻋﻴﺔ‬ ‫ُ‬
‫»ﺣﺴﻦ ﺳﻤﻜﺔ ﺇﺫﺍ ﺃ ِ‬
‫ﻓﺴﺘﻤﻮﺕ ﻓﻲ ﺍﻟﺤﺎﻝ!« ﻫﺬﻩ ﻋﺒﺎﺭ ُﺗ ُﻪ ﻫﻮ ﻧﻔﺴﻪ! ﻗﺎﻟﻬﺎ ﻳﻮ َﻡ ﻓﺼ َﻠ ْﺘ ُﻪ‬ ‫ُ‬
‫ﻣﻨﻈﻤ ُﺘ ُﻪ ﺍﻟﻘﺎﻋﺪﻳّﺔ ﻟﻠﺤﺰﺏ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻴﻤﻨﻲ‪ ،‬ﻓﻲ ﺇﺣﺪﻯ ﺟﻮﻻﺕ‬
‫ﺻﺮﺍﻋﺎﺕ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ ﺍﻟﻤﺘﻮﺍﻟﻴﺔ ﻓﻲ ﺍﻟﺤﻴﺎﺓ ﺍﻟﺴﻴﺎﺳﻴﺔ ﻓﻲ ﺟﻨﻮﺏ‬
‫ﻳﺘﺬﻛ ُﺮ ﺍﻟﺠﻤﻴ ُﻊ ﺻﺮﺧ َﺘ ُﻪ ﺍﻻﺳﺘﻨﺠﺎﺩﻳﺔ ﺣﻴﻨﻬﺎ ﻋﻨﺪﻣﺎ‬ ‫ﱠ‬ ‫ﺍﻟﻴﻤﻦ!‪...‬‬
‫ﻗﺎﻝ‪» :‬ﺃﺭﺟﻮﻛﻢ ﻻ ﺗﻔﺼﻠﻮﻧﻲ ﻳﺎ ﺭﻓﺎﻕ!‪ ...‬ﺍﻋﻤﻠﻮﺍ ﺑﻲ ﻣﺎ ﺷﺌﺘﻢ‪:‬‬
‫ﺍﺳﺠﻨﻮﻧﻲ‪ ،‬ﻋﺎﻗﺒﻮﻧﻲ ﻛﻴﻔﻤﺎ ﺷﺌﺘﻢ‪ ،‬ﻟﻜﻦ ﻻ ﺗﻔﺼﻠﻮﻧﻲ ﻣﻦ ﺍﻟﺤﺰﺏ!‪...‬‬
‫ﺣﺰﺏ ﺁﺧﺮ ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ‪،‬‬ ‫ﻻ ﺃﺳﺘﻄﻴﻊ ﺃﻥ ﺃﺣﻴﺎ ﺩﻭﻥ ﺍﻧﺘﻤﺎﺀ! ﻻ ﻳﻮﺟﺪ ٌ‬
‫ﻭﺃﻧﺎ ﻻ ﺃﺳﺘﻄﻴﻊ ﺃﻥ ﺃﺣﻴﺎ ﺧﺎﺭﺝ ﺍﻟﻤﻌﻤﻌﺔ‪ ،‬ﺩﻭﻥ ﻣﻬﺎﻡ‪ ،‬ﺩﻭﻥ ﺭﻓﺎﻕ‪ ،‬ﺩﻭﻥ‬
‫ﺣﺮﻛﺔ‪ ،‬ﺩﻭﻥ ﺍﺟﺘﻤﺎﻋﺎﺕ‪ ،‬ﺩﻭﻥ ﺗﻜﺎﻟﻴﻒ‪ ،‬ﺩﻭﻥ ﻧﻀﺎﻝ!‪ ...‬ﺃﻧﺎ ﺳﻤﻜﺔ ﻻ‬
‫ﺗﺤﻴﻲ ﺇﻻ ﻓﻲ ﺑﺤﺮ ﺍﻟﻌﻼﻗﺎﺕ ﺍﻻﺟﺘﻤﺎﻋﻴﺔ‪ ،‬ﻓﻲ ﺑﺤﺮ ﺍﻟﺤﺰﺏ! ﺇﺫﺍ‬
‫ﻓﺼﻠﺘﻤﻮﻧﻲ ﻓﺴﺄﻓﻘﺪ ﺍﻟﻤﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﺘﻨ ﱡﻔﺲ ﺣﺎ ً‬
‫ﻻ‪«...‬‬ ‫ِ‬
‫ﻓﺼﻠﻮﻩ ﻣﻊ ﺫﻟﻚ! ﺇﻻ ﺃﻥ ﺍﻟﻤﻔﺎﺟﺄﺓ ﺍﻟﺘﻲ ﻟﻢ ﺗﺤﺼﻞ ﺃﺑﺪﴽ‬
‫ﻓﻲ ﺗﺎﺭﻳﺦ ﺍﻟﺤﺰﺏ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻴﻤﻨﻲ ﻫﻲ ﺍﻟﺘﺎﻟﻴﺔ‪ :‬ﻋﺎﺩ ﻟﻬﻢ ﻓﻲ‬
‫ﺍﻟﻐﺪ ﻣﻦ ﺍﻟﻨﺎﻓﺬﺓ! ﻫﺎﻫﻮ ﻳﻤﺘﻠﻚ ﺑﻄﺎﻗﺔ ﺍﻟﻌﻀﻮﻳﺔ ﻓﻲ ﻓﺮﻉ ﺍﻟﺤﺰﺏ‬
‫ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻴﻤﻨﻲ ﻓﻲ ﺷﻤﺎﻝ ﺍﻟﻴﻤﻦ! ﻳﺤﻀﺮ ﺍﺟﺘﻤﺎﻋﺎﺕ ﻣﻨﻈﻤ ٍﺔ‬
‫ﺑﻌﺾ ﺃﻋﻀﺎﺀ ﺫﻟﻚ ﺍﻟﻔﺮﻉ‪ ،‬ﺍﻟﺬﻱ‬ ‫ﻋﺪﻥ ﺗﻀ ﱡﻢ َ‬ ‫ﻗﺎﻋﺪﻳ ٍﺔ ﻣﺘﻮﺍﺟﺪﺓ ﻓﻲ َ‬
‫ﱠ‬
‫ﺍﻻﺷﺘﺮﺍﻛﻲ‬
‫ﱢ‬ ‫ﺍﻟﺤﺰﺏ‬ ‫ﺩﺍﺧﻞ‬ ‫ﺍﻟﻜﺎﻣﻠﺔ‬ ‫ﺍﻟﺘﻨﻈﻴﻤﻴﺔ‬ ‫ُ‬
‫ﻪ‬ ‫ﺍﺳﺘﻘﻼﻟﻴﺘ‬ ‫ﻟﻪ‬ ‫ﻛﺎﻧﺖ‬
‫ﻭﺃﺣﺪ‬
‫ِ‬ ‫ﻤﺮ ِﻩ‬
‫ﺭﻓﻴﻖ ُﻋ ِ‬
‫ﺑﻔﻀﻞ ِ‬ ‫ِ‬ ‫ﻋﻀﻮﻳ ِﺘ ِﻪ ﺑﺴﻬﻮﻟﺔ‬
‫ﱠ‬ ‫ﺸﻜﻞ ﻋﺎﻡ‪ ...‬ﺣﺼﻞ ﻋﻠﻰ‬‫ِﺑ ٍ‬
‫ﺍﻟﺸﺮﻓﻲ ﺍﻟﺬﻱ ﻛﺎﻥ ﻋﻀﻮﴽ‬ ‫ﺃﻗﻮﻯ ﻭﺃﺧﻠﺺ ﺃﺻﺪﻗﺎﺀ ﺣﻴﺎﺗﻪ‪ :‬ﺧﺎﻟﺪ ﱠ‬ ‫‪184‬‬
‫ﺍﻟﺴﺮﻱ ﻓﻲ ﺻﻨﻌﺎﺀ!‪...‬‬
‫ﱢ‬ ‫ﻫﺎﻣﴼ ﻧﺸﻄﴼ ﻓﻲ ﻓﺮﻉ ﺍﻟﺤﺰﺏ‬
‫ّ‬

‫ﺣﺴﻦ ﻭﺧﺎﻟﺪ ﺻﺪﻳﻘﺎﻥ ﻗﺪﻳﻤﺎﻥ ﺭﺍﺋﻌﺎﻥ‪ ،‬ﻣﻦ ﻧﻔﺲ ﺍﻟﻤﻌﺪﻥ!‬ ‫َ‬

‫ﻣﻦ ﻧﻔﺲ ﺍﻟﺴﺒﻴﻜﺔ! ﻛﻼﻫﻤﺎ ﻗﺮﻳﺒﺎﻥ ﻣﻦ ﺍﻟﻨﺎﺱ‪ ،‬ﻋﻠﻤﺎﻧﻴﺎﻥ‪ ،‬ﻣﺨﻠﺼﺎﻥ‪،‬‬
‫ﻛﻞ ﺷﻲﺀ‪.‬‬‫ﺻﺎﺩﻗﺎﻥ‪ ...‬ﻳﻀﺤﻜﺎﻥ ﻭﻳﺴﺨﺮﺍﻥ ﺩﺍﺋﻤﴼ ﻣﻦ ﺑﻌﻀﻬﻤﺎ‪ ،‬ﻣﻦ ﱢ‬
‫ﻳﻘﺮﺁﻥ ﻧﻔﺲ ﺍﻟﻜﺘﺎﺏ ﻓﻲ ﻧﻔﺲ ﺍﻟﻔﺘﺮﺓ‪ ،‬ﻳﻐﺎﺯﻻﻥ ﻧﻔﺲ ﺍﻟﻔﺘﺎﺓ ﻓﻲ‬
‫ﻧﻔﺲ ﺍﻵﻥ‪ ،‬ﻣﻨﻔﺘﺤﺎﻥ ﻋﻠﻰ ﺍﻟﺠﺪﻳﺪ ﺩﺍﺋﻤﴼ‪ ،‬ﺑﻮﻫﻴﻤ ّﻴﺎﻥ ﺣﺘﻰ ﺃﻗﺼﻰ‬
‫ﺣﺪﻭﺩ ﺍﻟﺒﻮﻫﻴﻤ ّﻴﺔ‪ ،‬ﻳﻌﺮﻓﺎﻥ ﺍﻟﺘﻤ ّﺮﺩ ﻭﻋﺪﻡ ﺍﻻﻧﺼﻴﺎﻉ‪ ،‬ﻳﻜﺮﻫﺎﻥ ﺍﻟﺮﻛﻮﺩ‬
‫ﻭﺍﻟﺮﺗﺎﺑﺔ‪ ،‬ﻳﻤﻴﻼﻥ ﻛﺜﻴﺮﴽ ﺇﻟﻰ ﺍﻟﺘﺠﺮﻳﺐ‪ ،‬ﺇﻟﻰ ﺍﻟﺘﻐﻴﻴﺮ ﻭﺍﻟﻤﻐﺎﻣﺮﺓ‪...‬‬
‫ﺣﺎﻓﻈﺎ ﻋﻠﻰ ﺟﻮﻫﺮ ﺭﻭﺣﻬﻤﺎ ﺍﻟﻄﻔﻮﻟﻲ‪ ،‬ﻋﻠﻰ ﺻﻔﺎﺋﻬﻤﺎ ﻭﺗﻮﺍﺯﻥ ﺍﺗﺠﺎﻩ‬
‫ﺣﻴﺎﺗﻬﻤﺎ‪ ،‬ﻭﺇﻥ ﺗﻐ ّﻴﺮﺍ ﺃﻟﻒ ﻣ ّﺮﺓ ﻭﻣ ّﺮﺓ ﺣ ّﺘﻰ ﺍﻵﻥ! ﱠ‬
‫ﺗﻨﻮ َﻋ ْﺖ ﺍﻧﺘﻤﺎﺀﺍﺗﻬﻤﺎ‬
‫ﺍﻟﺴﻴﺎﺳﻴﺔ ﺃﺣﻴﺎﻧﴼ‪ ،‬ﺗﻔﺎ َﻭ َﺗ ْﺖ ﻋﺪ ُﺩ ﺍﻟﺮﻛﻌﺎﺕ ﺍﻟﺘﻲ ﻳﺆﺩﱡﻭﻧﻬﺎ ﻓﻲ ﻫﺬﻩ‬
‫ﺗﺄﺭﺟ َﺤ ْﺖ ﻣﺼﺎﺋﺮﻫﻤﺎ ﻣﻦ ﻓ َﻠ ٍﻚ ﺇﻟﻰ ﻓ َﻠﻚ‪ ...‬ﻟﻜﻨﻬﻤﺎ‬
‫ﺍﻟﺴﻨﺔ ﺃﻭ ﺗﻠﻚ‪َ ،‬‬
 ‫ﻇﻼ ﺣﺘﻰ ﺍﻟﻴﻮﻡ‪ ،‬ﻭﺇﻥ ﺃﺑﻌﺪﺗﻬﻤﺎ ﺍﻟﻤﺴﺎﻓﺎﺕ ﺍﻟﺠﻐﺮﺍﻓﻴﺔ ﺃﺣﻴﺎﻧﴼ‪ ،‬ﺃﺻﺪﻕ‬ ‫ّ‬
‫ﻭﺃﻗﻮﻯ ﻭﺃﻗﺮﺏ ﺻﺪﻳ َﻘﻴﻦ‪...‬‬
‫ﻋﺮﻓﺖ ﺣﺴﻦ ﻋﻦ ﻗﺮﺏ ﻓﻲ ﺃﻭﻝ ﺳﻨﻮﺍﺕ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ ﻋﻨﺪﻣﺎ‬ ‫ُ‬
‫ﻛ ّﻨﺎ ﻓﻲ ﻧﻔﺲ ﺍﻟﺴﻨﺔ ﺍﻟﺪﺭﺍﺳﻴﺔ‪ .‬ﻛﺎﻥ ﺃﻛﺒﺮ ﻣ ّﻨﻰ ﺑﻌﺎﻣﻴﻦ ﻓﻘﻂ‪.‬‬
‫ﺃﺿﺎﻉ ﺃﺣﺪﻫﻤﺎ ﺑﺴﺒﺐ ﺗﻨ ﱡﻘﻼﺕ ﺣﻴﺎﺗﻪ ﺍﻟﻌﺎﺋﻠﻴﺔ ﻣﻦ ٍ‬
‫ﺑﻠﺪ ﺇﻟﻰ ﺑﻠﺪ‪،‬‬
‫ﺍﺧﺘﺼﺮﺕ ﺳﻨ ًﺔ ﺩﺭﺍﺳﻴﺔ‪ .‬ﺍﻧﺘﻘﻞ ﺣﺴﻦ ﻣﻦ‬
‫ُ‬ ‫ﻭﻛﺴﺒﺖ ﻋﺎﻣﴼ ﺩﺭﺍﺳ ّﻴﴼ ﻷﻧﻲ‬ ‫ُ‬
‫ﺣﺰﺏ ﺳﻴﺎﺳﻲ ﻣﻨﺬ ﻧﻬﺎﻳﺔ ﺍﻟﺴﺘﻴﻨﺎﺕ‪ :‬ﺣﺰﺏ ﺍﻟﺮﺍﺑﻄﺔ‪،‬‬ ‫ﺣﺰﺏ ﺳﻴﺎﺳﻲ ﺇﻟﻰ ٍ‬ ‫ٍ‬
‫ﺑﻜﻞ ﺃﻟﻮﺍﻧﻪ‪ ،‬ﺍﻻﺗﺤﺎﺩ ﺍﻟﺸﻌﺒﻲ ﺍﻟﺪﻳﻤﻘﺮﺍﻃﻲ )ﺍﻟﺤﺰﺏ‬ ‫ﺃﺣﺰﺍﺏ ﺍﻟﺒﻌﺚ ﱢ‬
‫ﺍﻟﺸﻴﻮﻋﻲ( ﻗﺒﻞ ﺍﻧﺘﻤﺎﺀﻩ ﻟﻠﺤﺰﺏ ﺍﻟﻮﺍﺣﺪ‪ :‬ﺍﻟﺤﺰﺏ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻴﻤﻨﻲ‪،‬‬
‫ﺗﺴﻤﻰ ﺑﺒﻼﻏﺔ ﺗﻠﻚ ﺍﻷﻳﺎﻡ‪» :‬ﻓﺼﺎﺋﻞ ﺍﻟﻌﻤﻞ‬ ‫ﺑﻌﺪ »ﺍﻧﺼﻬﺎﺭ« ﻣﺎ ﻛﺎﻧﺖ ّ‬
‫ﺍﻟﺪﻳﻤﻘﺮﺍﻃﻲ«‪...‬‬
‫ّ‬ ‫ﺍﻟﻮﻃﻨﻲ‬
‫ﺃﻣﺎ ﺧﺎﻟﺪ ﻓﻬﻮ ﺃﺻﻐﺮ ﻣ ّﻨﻲ ﺑﺜﻼﺛﺔ ﺃﻋﻮﺍﻡ ﺗﻘﺮﻳﺒﴼ‪ ،‬ﺃﺻﻐﺮ ﻣﻦ‬
‫‪185‬‬ ‫ﺑﺸﻜﻞ ﻋﺎﻡ ﺑﺒﻀﻌﺔ ﺳﻨﻮﺍﺕ‪ ...‬ﻛﺎﻥ ﻧﺤﻴﻔﴼ‪،‬‬ ‫ٍ‬ ‫ﻣﻌﻈﻢ ﺷﺒﻜﺔ ﺃﺻﺪﻗﺎﺋﻪ‬
‫ﺇﺫﺍﻋﻲ‬
‫ﱞ‬ ‫ٌ‬
‫ﺑﺸﻜﻞ ﻣﺘﻤﻴﺰ )ﻟ ُﻪ ﺻﻮﺕ‬‫ٍ‬ ‫ﺣﺪ ﻣﺎ‪ ،‬ﺭﺧﻴﻢ ﺍﻟﺼﻮﺕ‬ ‫ﱟ‬ ‫ﻗﺼﻴﺮﴽ ﺇﻟﻰ‬
‫ﻣﺒﺮﺯﴽ ّ‬
‫ﺟﺪﺍ‪،‬‬ ‫ﺑﺸﻜﻞ ﺭﺍﺋﻊ‪ .‬ﻛﺎﻥ ﺃﻟﻤﻌ ّﻴﴼ ﱢ‬‫ٍ‬ ‫ﺑﺸﻬﺎﺩﺓ ﺍﻟﺠﻤﻴﻊ(‪ ،‬ﻳﺠﻴﺪ ﺍﻟﻐﻨﺎﺀ‬
‫ﺯﻋﻴﻢ ﺃﻭ ﺭﺋﻴﺲ‪ ،‬ﻧﺎﻗﺪﴽ ّ‬
‫ﺟﺪﴽ‬ ‫ﺳﺎﺑﻘﴼ ِﻟ ُﻌﻤﺮﻩ‪ ،‬ﺟﺮﻳﺌﴼ‪ ،‬ﺳﺎﺧﺮﴽ ﻣﻦ ﺗﺄﻟﻴ ِﻪ ٍ‬ ‫ِ‬
‫ﻭﺍﻟﺴﻬﺮﺍﺕ ﺑﺎﻋﺘﺮﺍﻑ ﺍﻟﺠﻤﻴﻊ‪...‬‬
‫ِ‬ ‫ﺍﻟﺤﺪﻳﺚ‬
‫ِ‬ ‫َ‬
‫ﻟﻜﻞ ﻣﺎ ﻳﺪﻭﺭ ﺣﻮﻟﻪ‪ ،‬ﻟﺬﻳﺬ‬ ‫ﱢ‬
‫ﻋﺪﻥ ِﻟﻴﺘﻌ ﱠﻠﻢ ﻓﻴﻬﺎ‪ .‬ﺍﻧﺘﻤﻰ‬ ‫َ‬
‫ُﻭ ِﻟﺪ ﺑﺼﻨﻌﺎﺀ‪ .‬ﺑﻌﺜ ُﻪ ﻭﺍ ِﻟ ُﺪ ُﻩ ﻣﻨﻬﺎ ﺻﻐﻴﺮﴽ ﺇﻟﻰ َ‬
‫ﻓﻴﻬﺎ ﻟﻔﺮﻉ ﺍﻟﺤﺰﺏ ﺍﻻﺷﺘﺮﺍﻛﻲ ﺍﻟﻴﻤﻨﻲ ﻓﻲ ﺍﻟﺸﻤﺎﻝ‪...‬‬

‫ﺤﺴﻦ ﻭﺧﺎﻟﺪ ﺣﻜﺎﻳ ٌﺔ ﺑﻮﻫﻴﻤﻴ ٌﺔ ﺍﺷﺘﻬﺮﺕ ﻛﺜﻴﺮﺍ ﻓﻲ ﺍﻟﻨﺼﻒ‬ ‫ِﻟ َ‬

‫ﻧﻈﻤﺎ ﻣﻌﴼ ﺣﻔﻠ ًﺔ ﺷﺒﺎﺑﻴﺔً‬‫ﺍﻷﻭﻝ ﻣﻦ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ‪ ،‬ﻗﺒﻴﻞ ﺳﻔﺮﻱ ﻟﻔﺮﻧﺴﺎ‪ّ .‬‬
‫ﺟﺪﴽ‪ ،‬ﻟﻌ ﱠﻠ ُﻪ ﱠ‬
‫ﺍﻷﻭﻝ‬ ‫ﻟﻘﻀﺎﺀ ﻟﻴﻠﺔ ﺭﺃﺱ ﺍﻟﺴﻨﺔ‪ :‬ﺗﻘﻠﻴ ٌﺪ ﻏﻴﺮ ﺃﻟﻴﻒ‪ ،‬ﻃﺎﺯ ٌﺝ ّ‬
‫ﻴﻼ‬‫ﻣﻔﺘﺎﺡ ِﻓ ﱠ‬
‫ِ‬ ‫ﻣﻦ ﻧﻮﻋﻪ ﻛﻤﺎ ﺃﻇﻦ! ﺗﻤ ّﻜﻦ ﺣﺴﻦ ﻣﻦ ﺍﻟﺤﺼﻮﻝ ﻋﻠﻰ‬
‫ﻣﺘﻌﺒ ٌﺪ‬
‫ﱢ‬ ‫ﻣﻌﺎﺭ ِﻓﻪ‪ٌ :‬‬
‫ﺷﻴﺦ‬ ‫ِ‬ ‫ﻣﻌﺎﺭ ِﻑ‬
‫ِ‬ ‫ﺣﻲ ﺧﻮﺭﻣﻜﺴﺮ‪ ،‬ﻳﻤﺘﻠ ُﻜﻬﺎ ُ‬
‫ﺃﺣﺪ‬ ‫ﻓﻲ ّ‬
‫ﺣﺴﻦ ﻭﺧﺎﻟﺪ ﺇﻟﻰ ﻫﻨﺎﻙ‪،‬‬ ‫ﺗﻮﺟ َﻪ َ‬ ‫ﺯﺍﻫ ٌﺪ ِ‬
‫ﻭﺭﻉ ﻣﺴﺎﻓ ٌﺮ ِﻟﻘﻀﺎﺀ ﺍﻟ ُﻌ ْﻤﺮﺓ!‪ ...‬ﱠ‬
‫ﻛﻴﺴ ْﻴﻦ ﻛﺒﻴ َﺮﻳْﻦ ﻣﻦ‬ ‫َ‬ ‫ﺍﻟﻤﺪﻋﻮﻳﻦ‪ ،‬ﺣﺎﻣ َﻠﻴﻦ ﻋﻠﻰ ﻇﻬﺮﻳﻬﻤﺎ‬ ‫ﱢ‬ ‫ﺑﺎﻧﺘﻈﺎﺭ‬
‫َ‬
‫»ﺟﻮ ِﻧ َﻴﺘ ْﻴﻦ«‪ ،‬ﻣﻤﻠﻮﺀﺗ ْﻴﻦ ﺑﺎﻟﺒﻴﺮﺓ ﻭﺑﺄﺷﺮﻃ ِﺔ ﻓﻴﺪﻳﻮ ﻻ‬ ‫َ‬ ‫ﺃﻟﻴﺎﻑ ﺍﻟﺠﻮﺗﺔ‪ُ ،‬‬
‫ﺗﺨﻠﻮ ﻣﻦ ﺍﻹﺑﺎﺣﻴﺔ!‪...‬‬
‫ﺟﻴﻞ ﺍﻧﻔﺘﺤﺖ ﺃﺳﻤﺎﻋﻪ ﻋﻠﻰ ﺧﻠﻴﻂ‬ ‫ﻛﺎﻥ ﺣﺴﻦ ﻭﺧﺎﻟﺪ ﻣﻦ ٍ‬
‫ﻣﺘﻨﻮ ٍﻉ ﻣﻦ ﺍﻷﻓﻜﺎﺭ ﻭﺍﻟﺸﻌﺎﺭﺍﺕ‪ :‬ﻣﻘﻮﻻﺕ ﺛﻮﺭﺓ ‪ 1968‬ﺍﻟﺸﺒﺎﺑﻴﺔ ﻓﻲ‬ ‫ﱢ‬
‫ﻋﺘﻴﻖ ﻣﻦ‬ ‫ٍ‬ ‫ﻧﻮﻉ‬
‫ﺃﻭﺭﻭﺑﺎ؛ ﺇﺭﻫﺎﺻﺎﺕ »ﺍﻟﺜﻘﺎﻓﺔُ ﺍﻟﺠﺪﻳﺪﺓ« ﻭﺗﺪﺍﻋﻴﺎﺕ ٍ‬
‫ﺍﻟﻌﻼﻗﺎﺕ ﺍﻻﺟﺘﻤﺎﻋﻴﺔ ﻭﺍﻷ َﺳ ِﺮ ﱠﻳﺔ؛ ﺻﺮﺧﺎﺕ ﺍﻟﺤﺮﻛﺎﺕ ﺍﻟﺸﺒﺎﺑ ّﻴﺔ‬
‫ﺑﺎﻟﺘﻔﺠﺮ ﺍﻟﺸﺒﺎﺑﻲ‪ ،‬ﺏ»ﺗﺮﻙ ﺍﻟﺤﺮﺏ ﻭﻣﻤﺎﺭﺳﺔ‬ ‫ﱡ‬ ‫ﺍﻟﻤﺘﻨﻮﻋﺔ ﺍﻟﺘﻲ ﺗﻨﺎﺩﻱ‬
‫ﺍﻟﺤﺐ«‪ ،‬ﺑﻤﻤﺎﺭﺳﺔ ﺍﻟﺬﺍﺕ ﻭﺍﻟﺒﺤﺚ ﻋﻨﻬﺎ ﻋﺒﺮ ﺍﻟﺘﺠﺮﻳﺐ ﻭﺍﻟﺴﻔﺮ‬
‫ﻛﻞ ﺷﺒﺎﺏ ﺍﻟﻌﺎﻟﻢ‪،‬‬ ‫ﻭﺍﻟﺮﺣﻼﺕ ﻭﺍﻟﻤﻐﺎﻣﺮﺍﺕ ﻭﺍﻛﺘﺸﺎﻑ ﺍﻟﻌﺎﻟﻢ‪ ...‬ﻣﺜﻞ ﱢ‬
‫ﻭﻫﻤﺴﺎﺕ‬
‫ِ‬ ‫ﺘﻤﺘﻤﺎﺕ‬
‫ِ‬ ‫ﻋﺪﻥ ﻳﺼﻐﻮﻥ ﺑﺤﺴﺎﺳﻴﺔ ﻛﺒﻴﺮﺓ ِﻟ‬ ‫ﺷﺒﺎﺏ َ‬‫ُ‬ ‫ﻛﺎﻥ‬
‫ﻟﻜﻞ ﻣﺎ ﻳﻌﺘﻤﻞ ﺑﻀﺮﺍﻭﺓ ﻓﻲ‬ ‫ﻌﺎﺕ ﺍﻟﻌﺎﻟﻢ ﺍﻟﺨﺎﺭﺟﻲ‪ ،‬ﱢ‬ ‫ﻭﺿﺠﻴﺞ ﺗﻄ ﱡﻠ ِ‬ ‫ِ‬
‫ﺑﺂﺫﺍﻥ‬
‫ِ‬ ‫‪ 186‬ﺣﺮﻛﺎﺗﻪ ﺍﻟﺸﺒﺎﺑﻴﺔ‪ .‬ﻳﺼﻐﻮﻥ ﻟﻬﺎ ﺑﺒﺮﺍﺀﺓ ﻭﺩﻭﻥ ﻭﻋﻲ ﺃﺣﻴﺎﻧﺎ‪،‬‬
‫ْﻞ‬
‫ﻏﻠﻴﻆ ﺑﺎﺋﺲ‪ِ ،‬ﺑ َﺠﻬ ٍ‬ ‫ٍ‬ ‫ﺍﺟﺘﻤﺎﻋﻲ‬
‫ﱟ‬ ‫ﻭﺿﻊ‬
‫ٍ‬ ‫َ‬
‫ﻣﻜﺒﻮﺗﻴﻦ ﺩﺍﺧﻞ‬ ‫َ‬
‫ﻣﺤﺮﻭﻣﻴﻦ‬
‫ﺠﻮﻫﺮﻫﺎ ﻭﻣﺤﺘﻮﺍﻫﺎ ﻭﺳﻴﺎ ِﻗﻬﺎ ﺍﻻﺟﺘﻤﺎﻋﻲ ﻭﺍﻟﺘﺎﺭﻳﺨﻲ‬ ‫ِ‬ ‫ﺣﻘﻴﻘﻲ ِﻟ‬
‫ﱟ‬
‫ﺑﺎﻟﻈﻦ َﻭ ْﻫﻤﴼ ﺃﻧﻬﻢ ﻳُﻘ ﱢﻠﺪﻭﻧﻬﺎ ﺇﻟﻰ‬ ‫ﱢ‬ ‫ﻛﺜﻴﺮﺓ‪،‬‬ ‫ﺃﺣﻴﺎﻧﴼ‬ ‫ﻭﺍﻟﺠﻐﺮﺍﻓﻲ‬
‫ﺍﻟﺤﺪ ﺃﻭ ﺫﺍﻙ‪ ...‬ﻛﺎﻧﻮﺍ‪ ،‬ﻻ ﺃﻛﺜﺮ ﻭﻻ ﺃﻗﻞ‪ ،‬ﻳﺘﻨ ﱠﻔﺴﻮﻥ ﻛﻤﺎ‬ ‫ﱢ‬ ‫ﻫﺬﺍ‬
‫ﻳﺴﺘﻄﻴﻌﻮﻥ‪ ،‬ﺑﺎﻟﻄﺮﻳﻘﺔ ﺍﻟﺘﻲ ﺗﺨﻄﺮ ﺑﺒﺎﻟﻬﻢ‪ ،‬ﻋﻠﻰ ﺇﻳﻘﺎﻉ ﺭﺟﻔﺎﺕ ﺷﺒﺎﺏ‬
‫ﺍﻟﻌﺎﻟﻢ ﺍﻟﺨﺎﺭﺟﻲ ﻭﻋﻠﻰ ﺍﻟﻤﻌﺰﻭﻓﺎﺕ ﺍﻟﺘﻨﻮﻳﻤﻴﺔ ﻟﺒﻌﺾ ﺍﻷﻃﺮﻭﺣﺎﺕ‬
‫ﺍﻟﻤﻮﺳﻢ ﺍﻟﻴﻤﻨ ّﻴﺔ‪» :‬ﻳﺎ‬ ‫ِ‬ ‫ﺇﻳﻘﺎﻉ ﺃﻏﻨﻴ ِﺔ‬
‫ِ‬ ‫ﺍﻷﻳﺪﻳﻮﻟﻮﺟﻴﺔ ﺍﻟﺒﻠﻴﺪﺓ!‪ ...‬ﻭﻋﻠﻰ‬
‫ﻓﻼﺣﻴﻦ!‪«...‬‬ ‫ﺷﺒﺎﺏ ﺍﻟﻌﺎﻟﻢ‪ :‬ﺛﻮﺭﻭﺍ‪ ،‬ﻳﺎ ُﻋ ّﻤﺎﻝ ﻳﺎ ّ‬
‫ﺗﻜﻦ ﺣﻔﻠ ُﺔ ﺭﺃﺱ ﺍﻟﺴﻨﺔ ﻫﺬﻩ ﺇﺫﻥ ﺯﻧﺪﻗ ًﺔ ﺧﺎﻟﺼ ًﺔ ﺃﻭ‬ ‫ﻟﻢ ْ‬
‫ﺃﻗﻞ ﻧﻔﺎﻗﴼ‬ ‫ﻛﻞ ﺍﻷﺣﻮﺍﻝ ﱠ‬ ‫ﻫﺮﻃﻘ ًﺔ ﺍﺳﺘﺜﻨﺎﺋ ّﻴ ًﺔ ﺧﺎﺭﺝ ﺍﻟﺰﻣﻦ‪ .‬ﻛﺎﻧﺖ ﻓﻲ ﱢ‬
‫ﻭﺇﻫﺪﺍﺭ‬
‫ٍ‬ ‫ﻭﻣﺂﺛﻢ ﻫﺬﻩ ﺍﻷﻳﺎﻡ ﺍﻟﺘﻲ ﺗﺘ ﱡﻢ ﺑﺨﻔﺎ ٍﺀ ﻭﺭﻳﺎ ٍﺀ ﻭﺗﻨ ﱡﻜ ٍﺮ‬ ‫ِ‬ ‫ﻓﻀﺎﺋﺢ‬
‫ِ‬ ‫ﻣﻦ‬
‫ﻟﻠﻤﺎﻝ ﺍﻟﻌﺎﻡ!‪...‬‬
‫ٌ‬
‫ﻟﻢ َﺗ ْﺠ ِﺮ ﺍﻟﺮﻳﺎﺡ ﻛﻤﺎ ﺍﺷﺘﻬﻰ ﺣﺴﻦ ﻭﺧﺎﻟﺪ! ﻣﻔﺎﺟﺄﺓ ﱠ‬
‫ﻃﺒ ْﺖ‬
 ‫ﻴﻼ ﻣﻦ ﺍﻟ ُﻌ ْﻤﺮﺓ ﻓﻲ ﻧﻬﺎﻳﺔ ﺍﻟﻌﺼﺮ!‬ ‫ُ‬
‫ﻣﺎﻟﻚ ﺍﻟ ِﻔ ﱠ‬ ‫ﺣﺎﻝ ﻭﺻﻮﻟﻬﻤﺎ‪ :‬ﻋﺎﺩ‬
‫ﺷﻴﺦ‬
‫ﺟﺪﴽ ﻓﻲ ﺣﻀﺮﺓ ٍ‬ ‫ﻳﺼ ُﻌ ُﺐ ﻗﻀﺎ ُﺀ ﺗﻠﻚ ﺍﻟﻠﻴﻠﺔ ﺍﻻﺣﺘﻔﺎﻟﻴﺔ ﺍﻟﺨﺎﺻﺔ ّ‬ ‫ْ‬
‫ﺃﻓﻀﻞ ﻣﻦ ﺻﻼﺓ ﺍﻟﻔﺮﺩ‬ ‫ُ‬ ‫ﻳﺠﻬﻞ ﺃﻥ ﺻﻼﺓ ﺍﻟﺠﻤﺎﻋﺔ‬ ‫ُ‬ ‫ﺗﻘﻲ ﺻﺎﺭﻡ ﻻ‬ ‫ﱟ‬
‫ﻴﻼ ُﻣﺨ ِﻔ َﻴﻴﻦ‬ ‫ﺑﺴﺒﻌﺔ ﻭﻋﺸﺮﻳﻦ ﺩﺭﺟﺔ!‪ ...‬ﻫﺎﻫﻤﺎ ﺇﺫﻥ ﻳﻐﺎﺩﺭﺍﻥ ﺍﻟ ِﻔ ﱠ‬
‫ﺛﻢ ﻳﺤﻤﻼﻧﻬﺎ ﻋﻠﻰ ﻇﻬ َﺮﻳﻬﻤﺎ ﻣﻦ‬ ‫»ﺟﻮ ِﻧ َﻴ َﺘ ْﻴﻬﻤﺎ« ﻋﻦ ﻣﺮﺃﻯ ﻓﻀﻴﻠ ِﺘﻪ‪ .‬ﱠ‬ ‫ُ‬
‫َ‬ ‫َ‬
‫ﺷﺎﺭﻉ ﺇﻟﻰ ﺷﺎﺭﻉ‪ ...‬ﻳ ﱠﺘﺼﻼﻥ ﺑﺎﻟﺠﻤﻴﻊ ﻹﺷﻌﺎﺭﻫﻢ ِﺑﺘﻐ ﱡﻴ ِﺮ ﻣﻜﺎﻥ ﺍﻟﺤﻔﻠﺔ‪.‬‬ ‫ٍ‬
‫ﻳﺒﺤﺜﺎﻥ ﻋﻦ ﻣﻜﺎﻥ ﺁﺧﺮ ﻻﻧﻌﻘﺎﺩﻫﺎ!‪ ...‬ﺑﻌﺪ َﻋﺪ ٍﺩ ﻣﻦ ﺍﻻﺗﺼﺎﻻﺕ‬
‫ﺍﻟﻤﺘﺠﺪﺩﺓ‪ ،‬ﺗﻤ ﱠﻜﻨﺎ ﻣﻦ ﺍﻟﺤﺼﻮﻝ ﻋﻠﻰ ﻣﻔﺘﺎﺡ‬ ‫ﱢ‬ ‫ﻭﺍﻟﺘﻮﺳﻼﺕ ﻭﺍﻻﺗﺼﺎﻻﺕ‬
‫ﻋﺪﻥ‪ :‬ﺩﺍ ْﺭ َﺳ ْﻌﺪ‪ ،‬ﻓﻲ ﺿﻮﺍﺣﻲ‬ ‫ﺷﻌﺒﻲ ﻓﻲ ﺃﺣﺪ ﺃﻓﻘﺮ ﺃﺣﻴﺎﺀ َ‬ ‫ﱟ‬ ‫ﻣﻨﺰﻝ‬
‫ٍ‬
‫ﻌﺮﺽ‬ ‫ٌ‬
‫ﻴﻼ ﺧﻮﺭﻣﻜﺴﺮ‪ ،‬ﺟﻬﺎﺯ ِﻟ ِ‬ ‫ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ!‪ ...‬ﻻ ﻳﻮﺟﺪ ﻫﻨﺎ‪ ،‬ﻣﺜﻞ ِﻓ ﱠ‬
‫ﻟﺰ َﻣ ْﺖ ﺟﻬﻮ ٌﺩ ﺇﺿﺎﻓﻴﺔ ﺧﺎﺭﻗﺔ‪ ،‬ﺗﻠﻔﻮﻧﺎﺕ ﺟﺪﻳﺪﺓ‪،‬‬ ‫ﺃﺷﺮﻃ ِﺔ ﺍﻟﻔﻴﺪﻳﻮ! ِ‬
‫ﺍﻟﻤﺪﻋﻮﻳﻦ ﻭﻋﻠﻰ ﻇﻬﻮﺭﻫﻢ‬ ‫ﱢ‬ ‫ﻣﻔﺎﻭﺿﺎﺕ ﺻﻌﺒﺔ‪ ...‬ﻗﺒﻞ ﺃﻥ ﻳﺼﻞ ﺑﻌﺾ‬
‫‪187‬‬ ‫ﻨﺘﻈﺮ!‪...‬‬‫ﺍﻟﻤ َ‬
‫ﺍﻟﺠﻬﺎﺯ ُ‬
‫ٌ‬
‫ﻣﺸﻜﻠﺔ ﺗﻠﻚ ﺍﻟﻤﻨﺎﺯﻝ ﺍﻟﺸﻌﺒﻴﺔ ﻫﻲ ﺃﻧﻬﺎ ﻣ ﱠﺘﺼﻠﺔ ﺑﺒﻌﻀﻬﺎ‬ ‫ُ‬
‫ﻛﻞ ﻣﻨﺰﻝ ﻣﺎ ﻳﺪﻭﺭ ﻓﻲ‬ ‫ﻛﻘﻄﻊ ﺳﺎﺭﺩﻳﻦ ﻓﻲ ﻋﻠﺒﺔ ﺳﺎﺭﺩﻳﻦ! ﻳﺴﻤﻊ ﱡ‬
‫»ﺍﻟﺪﺍﺭﺓ«‪،‬‬
‫ﺍﻟﻤﻨﺎﺯﻝ ﺍﻟﻤﺠﺎﻭﺭﺓ‪ .‬ﻧﺎﻫﻴﻚ ﺃﻥ ﺍﻟﻐﺮﻓﺔ ﺍﻟﺮﺋﻴﺴﺔ ﺍﻟﻮﺳﻄﻰ‪ ،‬ﱠ‬
‫ﻓﻲ ﺗﻠﻚ ﺍﻟﻤﻨﺎﺯﻝ ﺍﻟﺸﻌﺒﻴﺔ ﺗﺨﻠﻮ ﺩﻭﻣﴼ ﻣﻦ ﺍﻟﺴﻘﻒ ﺑﺴﺒﺐ ﺣﺎﺟﺔ ﻫﺬﻩ‬
‫ﺍﻟﻌﺪﻧﻲ ﺍﻟﺨﺎﻧﻖ‪...‬‬ ‫ّ‬ ‫ﺍﻟﻤﻨﺎﺯﻝ ﺇﻟﻰ ﺍﻟﺘﻬﻮﻳﺔ ﻻﺳ ّﻴﻤﺎ ﻓﻲ ﻗﻴﻆ ﺍﻟﺼﻴﻒ‬
‫ﻣﺪﺧﻞ‬
‫ِ‬ ‫ﺳﻘﻒ‬
‫ِ‬ ‫»ﺍﻟﺪﺍﺭﺓ« ﺃﻭ ﻋﻠﻰ‬
‫ﻼ ﻷﻋﻠﻰ ﱠ‬ ‫ﻟﺬﻟﻚ ﻳﻜﻔﻲ ﺍﻟﺼﻌﻮ ُﺩ ﻗﻠﻴ ً‬
‫ﺗﻔﺎﺻﻴﻞ‬
‫ِ‬ ‫ﺍﻟﻤﻨﺰﻝ ِﻟﻤﺮﺍﻗﺒ ِﺔ ﻣﺎ ﻳﺪﻭ ُﺭ ﻓﻲ ﺍﻟﻤﻨﺎﺯﻝ ﺍﻟﻤﺠﺎﻭﺭﺓ‪ ،‬ﻭﻟﺮﺅﻳﺔ‬
‫ﻭﺣﻤﺎﻣﺎ ِﺗﻬﺎ ﺃﻳﻀﴼ!‪...‬‬‫ﻣﻄﺎﺑﺨﻬﺎ ﱠ‬‫ِ‬
‫ً‬
‫ﺍﻟﻤﺪﻋﻮﻳﻦ ﺇﻟﻰ ﺫﻟﻚ ﺍﻟﻤﻨﺰﻝ‪ .‬ﺃﺭﺍﺩﻭﺍ ﱠﺃﻭﻻ ﺣﺠﺐ‬ ‫ﱢ‬ ‫ﺟﻤﻴﻊ‬ ‫ﻭﺻﻞ‬
‫»ﺍﻟﺪﺍﺭﺓ« ﻋﻦ ﺃﻋﻴﻦ ﺍﻟﺠﻴﺮﺍﻥ! ﺻﻌﺪ ﺑﻌﻀﻬﻢ ﻓﻮﻕ ﺃﻛﺘﺎﻑ ﺍﻟﺒﻌﺾ‬ ‫ﱠ‬
‫ﺵ‬ ‫ُِ‬‫ﺮ‬‫ﻔ‬‫ُ‬ ‫ﻭﺍﻟ‬ ‫ﻁ‬ ‫ﻮ‬
‫َ‬ ‫ﻭﺍﻟﻔ‬ ‫ﺍﻟﺤﺒﺎﻝ‬ ‫ﻣﻦ‬ ‫ﻟﻬﻢ‬ ‫ﺮ‬ ‫ﺗﻴﺴ‬
‫ّ‬ ‫ﺑﻤﺎ‬ ‫ﻬﺎ‬ ‫ﻔ‬
‫ِ‬ ‫ﺳﻘ‬ ‫ﺪ‬ ‫ﺴ‬
‫َِﱢ‬‫ﻟ‬ ‫ﺍﻵﺧﺮ‬
‫ﻭﺍﻟﺜﻴﺎﺏ ﻭﺍﻟﻠﺒﺎﺱ ﻭﺍﻷﻗﻤﺸﺔ ﻭﺍﻟﺠﻮﺥ ﻭﺍﻟﺒﻄﺎﻧﻴﺎﺕ ﻭﺍﻟﻤﻨﺎﺷﻒ‪...‬‬
‫ﺛﻢ ﺩ ﱠﻗ ْﺖ ﺳﺎﻋ ُﺔ ﺳﻬﺮﺓ ﺭﺃﺱ ﺍﻟﺴﻨﺔ! ﺍﻧﻄﻠ َﻘ ْﺖ ﺑﺘﻨﺎﻭﻝ ﺍﻟﺒﻴﺮﺓ! ﻣﺎ ﺇﻥ‬ ‫ﱠ‬
‫ﺟﻦ ﺍﻟﻠﻴﻞ ﺇﻻ ﻭﻫﻢ ﻳﺪﺭﺟﻮﻥ ﱠﺃﻭ َﻝ ﺃﺷﺮﻃﺔ ﺍﻟﻔﻴﺪﻳﻮ!‪ ...‬ﺍﻟﻠﻌﻨﺔ! ﻻ‬ ‫ﱠ‬
‫ﻓﺘﺢ ﺍﻟﺼﻮﺕ ﻛﻴﻤﺎ ﻻ ﻳﺜﻴﺮﻭﻥ ﺳﺨﻂ ﻭﻏﺎﺭﺍﺕ ﺷﻴﻮﺥ‬ ‫ﻳﺴﺘﻄﻴﻌﻮﻥ َ‬
‫ُﻬﻴﺠﻮﻥ ﺃﻓﻮﺍ َﺝ ﺍﻟﻤﻜﺒﻮﺗﻴﻦ ﻣﻦ ﺷﺒﺎﺏ‬ ‫ﺍﻟﻤﻨﺎﺯﻝ ﺍﻟﻤﺠﺎﻭﺭﺓ‪ ،‬ﻭﻛﻴﻤﺎ ﻻ ﻳ ﱢ‬
‫ُﺤﺮﺿﻮﻧﻬﻢ ﻋﻠﻰ ﺍﻗﺘﺤﺎﻡ ﺍﻟﻤﻨﺰﻝ ﻟﺤﻀﻮﺭ ﺍﻟﺤﻔﻞ!‪ ...‬ﻻ‬ ‫ﺍﻟﺸﺎﺭﻉ ﻭﻳ ﱢ‬
‫ﺃﻓﻼﻡ‬
‫ٍ‬ ‫ﻣﺪﻋﻮﻱ ﺣﺴﻦ ﻭﺧﺎﻟﺪ ﻋﻠﻰ ﺃﻥ ﻣﺸﺎﻫﺪ َﺓ‬ ‫ﱢ‬ ‫ﻳﺨﺘﻠﻒ ﺍﺛﻨﺎﻥ ﻣﻦ‬ ‫ُ‬
‫ﻣﺤﻤﻮﻣ ٍﺔ ﻛﻬﺬﻩ ﺑﺪﻭﻥ ﺃﺻﻮﺕ ﺍﻟﺼﺮﺍﺥ ﻭﺍﻟﻌﻮﺍﺀ ﻭﺍﻟﺼﻬﻴﻞ ﻭﺍﻟﺤﻤﺤﻤﺔ‬
‫ﺍﻟﻤﻠﺢ ﺍﻟﻀﺮﻭﺭﻱ ﻭﺍﻟﺒﻬﺎﺭﺍﺕ ﺍﻟﻼﺯﻣﺔ!‪...‬‬ ‫ُ‬ ‫ﺍﻟﺘﻲ ﺗﺼﺤ ُﺒﻬﺎ ﻳﻨ ُﻘ ُﺼ ُﻪ‬
‫ﻣﺎ ﺍﻟﻌﻤﻞ ﺇ َﺫ ْﻥ؟‪ ...‬ﺧﻄ َﺮ ْﺕ ﻷﺣﺪ ﺍﻟﺤﻀﻮﺭ ﻓﻜﺮ ُﺓ ﺟﺬﺏ ِ‬
‫ﺃﺣﺪ‬
‫ﺃﺻﻮﺍﺕ ﺍﻷﺷﺮﻃﺔ ﻓﻲ‬‫َ‬ ‫ﻧﺒﺎﺣ ُﻪ‬
‫ُﻤ ﱢﻮ َﻩ ُ‬‫ﻛﻼﺏ ﺍﻟﺸﺎﺭﻉ ﺇﻟﻰ ﺍﻟﻤﻨﺰﻝ ﻛﻲ ﻳ َ‬ ‫ِ‬
‫ﻣﻌﺎﺭﻓﻬﻢ‪ ،‬ﻋﻦ‬ ‫ﺛﻼﺟﺎﺕ‬ ‫ﻓﻲ‬ ‫‪،‬‬ ‫ً‬
‫ﻻ‬ ‫ﺃﻭ‬
‫ﱠ‬ ‫َ‬
‫ﺍﻟﺒﺤﺚ‬ ‫ﺍﺿﻄﺮﻭﺍ‬ ‫ﺍﻟﺠﻴﺮﺍﻥ!‬ ‫ﻣﺴﺎﻣﻊ‬
‫ِ‬
‫ﻟﺤﻢ‬ ‫ﺳﻠﻌ ٍﺔ ﻧﺎﺩﺭ ٍﺓ ﻹﻏﺮﺍﺀ ﺍﻟﻜﻠﺐ ﻭﺍﺳﺘﺪﺭﺍﺟﻪ ﺇﻟﻰ ﺍﻟﻤﻨﺰﻝ‪ :‬ﻗﻄﻌ ُ‬
‫ﺔ‬
‫ٍ‬
‫ﻛﺒﻴﺮﺓ ﻟﻠﻜﻠﺐ ﻓﻲ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻟﺜﻮﺭﻳﺔ ﺍﻟﻜﺌﻴﺒﺔ ﺍﻟﺘﻲ ﺍﺧﺘﻔﻰ ﻓﻴﻬﺎ‬
‫ﺍﻟﺴﻮﻕ ﻋﻠﻰ ﺍﻟﺒﺸﺮ!‪ ...‬ﺗﻤ ﱠﻜﻨﻮﺍ‪ ،‬ﺑﻌﺪ ﻣﺠﺎﺯﻓﺎﺕ ﻭﺻﻌﻮﺑﺎﺕ‬ ‫ِ‬ ‫ﺍﻟﻠﺤ ُﻢ ﻣﻦ‬ ‫‪188‬‬
‫ﺿﺎﻝ‬
‫ﱟ‬ ‫ﻛﻠﺐ‬
‫ٍ‬ ‫ﻟﻢ ﻳﻔﺘﺮﺿﻮﻫﺎ ﻓﻲ ﺍﻟﺒﺪﺀ‪ ،‬ﻣﻦ ﺗﻀﻠﻴﻞ ﻭﺍﺳﺘﻘﻄﺎﺏ‬
‫ﺇﻏﻼﻕ ﺍﻟﺒﺎﺏ ﻋﻠﻴﻪ!‬
‫ِ‬ ‫ﻋﺎﺭﻡ ﺍﻟﻨﺒﺎﺡ‪ ،‬ﺇﻟﻰ ﻣﻄﺒﺦ ﺍﻟﻤﻨﺰﻝ‪ ،‬ﻗﺒﻞ‬ ‫ﺟﺎﺋﻊ‪ِ ،‬‬
‫ﺣﻴﻦ ﻟﺤﻴﻦ‪ ،‬ﻋﻨﺪ ﺍﻟﻀﺮﻭﺭﺓ‬ ‫ﺍﻟﻜﻠﺐ ﻣﻦ ٍ‬ ‫ِ‬ ‫ﺍﻟﺤﻀﻮﺭ ﺑﺎﺳﺘﺜﺎﺭﺓ‬
‫ِ‬ ‫ﻛ ﱢﻠ َﻒ ُ‬
‫ﺃﺣﺪ‬ ‫ُ‬
‫ﺗﺸﻮﻳﺸ ِﻪ ِﻟﻤﺴﺎﻣﻊ‬
‫ِ‬ ‫ﻧﺒﺎﺣ ِﻪ ﻭﻟﺘﺘﻮﺍﺻﻞ َﺟ ْﻮ َﺩ ُﺓ‬ ‫ﻓﻘﻂ‪ ،‬ﻟﻴﻨﺘﻈ َﻢ ﺇﺻﺪﺍ ُﺭ ِ‬
‫ﺍﻟﺠﻴﺮﺍﻥ!‪...‬‬

‫ﺣﺪﺛﴼ ﻋﺎﺑﺮﴽ ﻧﺴﺎ ُﻩ ﻛﺜﻴﺮﻭﻥ‬ ‫ُ‬

‫ﺍﻻﺣﺘﻔﺎﻝ ﺍﻟﻄﺎﺋﺶ َ‬ ‫ﻛﺎﻥ ﺫﻟﻚ‬
‫ﻣﺮ ﺑﻬﺎ ﺍﻟﺜﻨﺎﺋﻲ ﺍﻟﻨﺎﺩﺭ‪:‬‬ ‫ﻣﺤﻄ ٍﺔ ﱠ‬
‫ﱠ‬ ‫ﻣﺤﻄ ًﺔ ﺻﻐﻴﺮ ًﺓ ﻻ ﻏﻴﺮ ﻣﻦ ِ‬
‫ﺃﻟﻒ‬ ‫ﱠ‬ ‫ﺍﻟﻴﻮﻡ‪،‬‬
‫ّ‬
‫ﺍﻟﺜﻨﺎﺋﻲ ﺍﻟﺬﻱ ﺍﻓﺘﺮﻕ ﻓﻲ ‪ 1975‬ﻋﻨﺪﻣﺎ ﺗﻮﻓﻰ‬ ‫ﱡ‬ ‫ﺣﺴﻦ ﻭﺧﺎﻟﺪ!‪...‬‬
‫َ‬
‫ﻳﺮﺣﻞ ﻛﺒﻴ ُﺮ ﺃﻭﻻ ِﺩﻩ ِﻟ ُﻴ ِﺪﻳ َﺮ ﺩ ﱠﻓ َﺔ‬ ‫ﻭﺍﻟﺪ ﺧﺎﻟﺪ ﻓﻲ ﺻﻨﻌﺎﺀ‪ ،‬ﻭﻟﺰﻡ ﺃﻥ‬ ‫ُ‬
‫ﺍﻟﻤﻨﺰﻝ!‪...‬‬
‫َﻭﺩﺍ ُﻉ ﺣﺴﻦ ﻭﺧﺎﻟﺪ‪ ،‬ﻓﻲ ﻣﻔﺘﺮﻕ ﺍﻟﺤﺪﻭﺩ ﺍﻟﺠﻨﻮﺑﻴﺔ ﺍﻟﺸﻤﺎﻟﻴﺔ‬
‫ﺣﺪﺙ ﻳﺼﻌﺐ ﻧﺴﻴﺎ ُﻧ ُﻪ ﻣﻦ ﺫﺍﻛﺮ ِﺓ ﻣﻦ ﻋﺮﻓﻬﻤﺎ! ﺫﻫﺐ ﺣﺴﻦ‬ ‫ٌ‬ ‫ﺁﻧﺬﺍﻙ‪،‬‬
 ‫»ﻛﺮﺵ«‬‫ِ‬ ‫ﻟﻮﺩﺍﻉ ﺻﺪﻳﻘﻪ ﺍﻷﺛﻴﺮ ﺇﻟﻰ ﻣﻔﺘﺮﻕ ﺍﻟﺸﻄﺮﻳﻦ ﺑﻴﻦ ﻗﺮﻳَﺘﻲ‬
‫َ‬ ‫ْ‬
‫ْﺠﺔ« )ﺍﻟﺸﻤﺎﻟﻴﺔ(! ﻛﺎﻥ ﻋﻨﺎﻗﴼ ﺣﺎ ّﺭﴽ ُﻣﺜﺨﻨﴼ‬ ‫ﱡ‬
‫ﻭ»ﺍﻟﺸ َﺮﻳ َ‬ ‫)ﺍﻟﺠﻨﻮﺑﻴﺔ(‬
‫ﺍﻟﻮﺩﺍﻉ ﺍﻷﺧﻴﺮﺓ! ﺑﻜﻰ‬ ‫ِ‬ ‫ﺑﺎﻟﺪﻣﻮﻉ ﻭﺍﻟﻌﻬﻮﺩ ﻭﺍﻟﻤﻮﺍﺛﻴﻖ ﺍﻟﻐﻠﻴﻈﺔ‪ ...‬ﻭ ُﻧ َﻜ ِﺖ‬
‫ﻼ ﻛﻄﻔﻠﻴﻦ ﺻﻐﻴﺮﻳﻦ‪.‬‬ ‫ﻭﺍﺣﺪ ﻓﻲ ﺃﺣﻀﺎﻥ ﺍﻵﺧﺮ‪ .‬ﺑﻜﻴﺎ ﻃﻮﻳ ً‬ ‫ٍ‬ ‫ﱡ‬
‫ﻛﻞ‬
‫ﺍﻟﺒﺎﺋﺴﺘﻴﻦ‬
‫ِ‬ ‫ﺃﻗﺴﻤﺎ ﺃﻳﻀﴼ‪ ،‬ﻭﻫﻤﺎ ﻳﺠﻮﻻﻥ ﻧﺎﻇﺮﻳﻬﻤﺎ ﺑﺘﻠﻜﻤﺎ ﺍﻟﻘﺮ َﻳ َﺘ ِ‬
‫ﻴﻦ‬
‫ﻛﻼ ﻓﻲ‬ ‫ًّ‬ ‫ﺮﺗﻴﻦ ﺍﻟﺮ ﱠﺛﺘﻴﻦ ﻋﻠﻰ ﺍﻟﺪﻭﺍﻡ‪ ،‬ﺃﻥ ﻳﻮﺍﺻﻼ ﺍﻟﻨﻀﺎﻝ‪،‬‬ ‫ﻜﺸ ِ‬‫ﺍﻟﻤ ﱢ‬
‫ُ‬
‫ﺟﺒﻬﺘﻪ‪ :‬ﺣﺴﻦ ﺳﻴﺪﺍﻓ ُﻊ ﻋﻦ »ﺍﻟﺠﻨﻮﺏ ﺍﻟﺜﺎﺋﺮ«‪ ،‬ﻋﻦ »ﺳﻠﻄﺔ ﺍﻟﻄﺒﻘﺔ‬
‫ﺍﻟﻤﻘ ﱠﻨﻌﺔ‬‫ﺍﻟﻌﺎﻣﻠﺔ«! ﻭﺧﺎﻟﺪ ُﻣﻜ ّﻠﻒ ِﺏ»ﺗﺤﺮﻳﺮ ﺍﻟﺸﻤﺎﻝ« ﻣﻦ ﺍﻹﻣﺎﻣ ِﺔ ُ‬
‫ﻣﻮﻋﺪ ﻟﻘﺎﺋﻬﻤﺎ ﺍﻟﻘﺎﺩﻡ‪» :‬ﺍﻟﻴﻤﻦ ﺍﻟﺪﻳﻤﻮﻗﺮﺍﻃﻲ‬ ‫ُ‬ ‫ﻭﺍﻟﺮﺟﻌﻴﺔ!‪...‬‬
‫ﱠ‬ ‫ﻭﺍﻟﺘﺨﻠﻒ‬
‫ِ‬
‫ﺍﻟﻤﻮﺣﺪ«‪» ،‬ﻳﻤﻦ ﺍﻟﻌﻤﺎﻝ ﻭﺍﻟﻔﻼﺣﻴﻦ ﻭﺳﺎﺋﺮ ﺍﻟﻜﺎﺩﺣﻴﻦ«!‪...‬‬ ‫ّ‬

‫َ‬
‫ﻣﻔﺎﺻﻞ ﺍﻟﻴﻤﻦ ﺷﻤﺎ َﻟ ُﻪ‬ ‫ﻫﺸ َﻤ ْﺖ‬
‫ﻣ ّﺮﺕ ﺍﻟﺴﻨﻴﻦ‪ .‬ﺃﺣﺪﺍﺙ ﻛﺒﻴﺮﺓ ﱠ‬
‫‪189‬‬ ‫ﻛ ْﻨ ِﻬ ِﻬﻤﺎ‬‫ﻳﺘﻐﻴ ْﺮ ﺧﻼﻟﻬﺎ ﻫﺬﺍﻥ ﺍﻟﻄﻔﻼﻥ ﺍﻷﺑﺪﻳّﺎﻥ ﻓﻲ ُ‬ ‫ﻭﺟﻨﻮﺑَﻪ‪ .‬ﻟﻢ ﱠ‬
‫ُ‬
‫ﺃﺳﺎﻟﻴﺐ ﻭﻇﺮﻭﻑ ﺣﻴﺎ ِﺗﻬﻤﺎ ﺑﻤﺎ ﻓﻴﻪ ﺍﻟﻜﻔﺎﻳﺔ‪...‬‬
‫ُ‬ ‫ْ‬
‫ﺗﻐﻴ َﺮﺕ‬
‫ﺍﻟﻐﺎﺋﺮ‪ ،‬ﻭﺇﻥ ﱠ‬
‫ﺳﺎﻓﺮ ﺧﺎﻟﺪ ﺇﻟﻰ ﺻﻨﻌﺎﺀ ﻟﻴﺘﻮ ّﻟﻰ ﺃﻋﻤﺎﻝ ﻭﺍﻟﺪ ِﻩ ﺍﻟﺬﻱ ﻛﺎﻥ‪،‬‬
‫ﺭﺣﻤ ُﻪ ﺍﷲ‪ ،‬ﻣﺘﻔ ﱢﺘﺤﴼ‪ ،‬ﻓﻄﻨﴼ ﻧﺎﻓﺬ ﺍﻟﺒﺼﻴﺮﺓ‪ .‬ﻟﻴﺲ ﻓﻘﻂ ﻷﻧﻪ ﱠ‬
‫ﺃﺻﺮ‬
‫ﻋﺪﻥ )ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﻓﻲ ﺃﻭﺿﺎﻉ ﺣﻀﺎﺭﻳﺔ‬ ‫َﺪ ُﺭﺱ ﺍﺑ ُﻨ ُﻪ ﻓﻲ َ‬ ‫ﻋﻠﻰ ﺃﻥ ﻳ ْ‬
‫ﺳﺘﺘﻮﺳ ُﻊ‬
‫ﱠ‬ ‫ﺃﺣﺲ ﺑﺄﻥ ﺻﻨﻌﺎﺀ‬‫ﻭﺗﻌﻠﻴﻤﻴﺔ ﻻ ﺗﻘﺎﺭﻥ ﺑﺼﻨﻌﺎﺀ(‪ ،‬ﺑﻞ ﻷﻧﻪ ﱠ‬ ‫ُ‬
‫ﻛﻞ ﻣﺎ ﻛﺎﻥ‬ ‫ﻛﺮﺱ ﱠ‬ ‫ﺟﺪﴽ‪ .‬ﻟﺬﻟﻚ ﱠ‬ ‫ﻭﻗﺮﻳﺐ ّ‬
‫ٍ‬ ‫ﺳﺮﻳﻊ‬
‫ٍ‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﻣﻌﻤﺎﺭﻳّﴼ‬
‫ﻣﺴﺎﺣﺎﺕ ﺃﺭﺿ ّﻴﺔ ﻓﻲ ﺿﻮﺍﺣﻲ ﺻﻨﻌﺎﺀ ﺁﻧﺬﺍﻙ‪ .‬ﻗﺒﻞ ﺃﻥ‬ ‫ٍ‬ ‫ﻳﻤﺘ ِﻠ ُﻜﻪ ِﻟﺸﺮﺍ ِﺀ‬
‫ﺣﻲ‬
‫ﻻﺳﻴﻤﺎ ﺃﺭﺍﺿﻲ ﱢ‬ ‫ﺗﺼﺒﺢ ﻫﺬﻩ ﺍﻷﺭﺍﺿﻲ‪ ،‬ﺑﻌﺪ ﺫﻟﻚ ﺑﺴﻨﻴﻦ ﻗﻠﻴﻠﺔ‪ ،‬ﱠ‬
‫َﺣ ﱠﺪﺓ‪ ،‬ﺃﻏﻠﻰ ﺃﺭﺍﺿﻲ ﺻﻨﻌﺎﺀ ﺍﻟﻴﻮﻡ ﻭﺃﻛﺜﺮﻫﺎ ﺟﺬﺑﴼ ﻟﻔﻴﻼﺕ ﺍﻷﺛﺮﻳﺎﺀ‬
‫ﻭﺍﻟﺪ ِﻩ ﺇﻻ ﻭﺑﺪﺃَ ْﺕ‬
‫ﻭﺍﻟﻌﻤﺎﺭﺍﺕ ﺍﻟﻤﻜ ﱢﻠﻔﺔ‪ ...‬ﻣﺎ ﺇﻥ ﺃﺷﺮﻑ ﺧﺎﻟﺪ ﻋﻠﻰ ﺃﻋﻤﺎﻝ ِ‬
‫ﺛﺮﻭ ُﺓ ﺍﻟﻌﺎﺋﻠﺔ ﺗﺰﺩﻫ ُﺮ ﻭ ُﺗﻴﻨ ُﻊ ﻋﺎﻣﴼ ﺑﻌﺪ ﻋﺎﻡ‪...‬‬
‫ﺃﻣﺎ ﺣﺴﻦ ﻓﺎﻧﺘﻘﻞ ﻣﻦ ﻣﻨﺤ ٍﺔ ﺩﺭﺍﺳﻴﺔ ﺟﺎﻣﻌﻴﺔ ﻓﻲ ﻣﻮﺳﻜﻮ‬
‫ﺳﻴﺎﺳﻲ ﺇﻟﻰ‬‫ﱟ‬ ‫ﻣﻮﻗﻊ‬
‫ٍ‬ ‫ﺇﻟﻰ ﻣﻨﺤ ٍﺔ ﺣﺰﺑﻴﺔ ﻋﻠﻴﺎ ﻓﻲ ﺑﺮﻟﻴﻦ ﺍﻟﺸﺮﻗ ّﻴﺔ! ﻣﻦ‬
‫ﺣﺰﺑﻲ!‪ ...‬ﻳﺴﺎﻓﺮ‬ ‫ّ‬ ‫ﻛﻮﻧﻔﺮﻧﺲ‬
‫ٍ‬ ‫ﺣﺰﺑﻲ ﺇﻟﻰ‬
‫ّ‬ ‫ﻣﺆﺗﻤﺮ‬
‫ٍ‬ ‫ﻣﻮﻗﻊ ﺳﻴﺎﺳﻲ! ﻣﻦ‬ ‫ٍ‬
‫ﺳﻴﺎﺳﻲ ﻋﺎﻟﻤﻲ! ﻣﻦ ﻟﻘﺎ ٍﺀ‬ ‫ﱟ‬ ‫ﻣﻬﺮﺟﺎﻥ‬
‫ٍ‬ ‫ﺇﻟﻰ‬ ‫ﻋﺎﻟﻤﻲ‬
‫ّ‬ ‫ﺷﺒﺎﺑﻲ‬
‫ﱟ‬ ‫ﻣﻬﺮﺟﺎﻥ‬
‫ٍ‬ ‫ﻣﻦ‬
‫ﺎﻟﻲ ﺗﻀﺎﻣﻨﻲ!‪ ...‬ﻧﺠﺎ ﺃﻳﻀﴼ ﻣﻦ ﺍﻟﻤﻮﺕ‬ ‫ﱟ‬ ‫ﻃﻼﺑﻲ ﺗﺸﺎﻭﺭﻱ ﺇﻟﻰ ﻟﻘﺎﺀ ُﻋ ﱠﻤ‬ ‫ﱟ‬
‫ﻳﺘﺬﻛ ُﺮ ُﻩ ﺃﺻﺪﻗﺎﺅﻩ ﺇﻟﻰ ﺍﻟﻴﻮﻡ‪ ،‬ﻓﻲ ﱠﺃﻭﻝ‬ ‫ﱠ‬ ‫ﺷﻬﻴﺮ‬
‫ٍ‬ ‫ﺣﺪﺙ‬
‫ٍ‬ ‫ﻓﻲ‬ ‫ﺑﺄﻋﺠﻮﺑﺔ‪،‬‬
‫ﻟﺤﻈﺎﺕ ﺍﻧﻔﺠﺎﺭ ﺣﺮﺏ ‪ 13‬ﻳﻨﺎﻳﺮ ‪!1986‬‬
‫ﺣﻲ‬
‫ﻋﺪﻥ‪ ،‬ﻓﻲ ﱢ‬ ‫ﻛﺎﻥ ﺣﻴﻨﻬﺎ ﻳﻌﻮﻡ ﻓﻲ ﻣﺴﺒﺢ ﻓﻨﺪﻕ َ‬
‫ﺧﻮﺭﻣﻜﺴﺮ‪ ،‬ﻣﻊ ُﺛ ﱠﻠ ٍﺔ ﻣﻦ ﺃﺻﺪﻗﺎﺋﻪ‪ ،‬ﻏﻴﺮ ﺷﺎﻋﺮﻳﻦ ﺑﺄﻥ ﺣﺮﺑﴼ ﻃﺎﺣﻨﺔ‬
‫ﺤﺮ ُﻕ ﺍﻷﺧﻀﺮ ﻭﺍﻟﻴﺎﺑﺲ ﺑﻴﻦ ﺍﻟﺪﻗﻴﻘﺔ ﻭﺍﻷﺧﺮﻯ! ﺍﺗﺼﻞ ﺑ ِﻪ ُ‬
‫ﺃﺣﺪ‬ ‫َﺳ ُﺘ ِ‬
‫ﻼ ﻟﻪ ﺇﻧﻪ ﻣﻮﺟﻮ ٌﺩ ُﻗﺮﺏ ﺑﺎﺏ ﺍﻟﻔﻨﺪﻕ‪ ،‬ﻭﺇﻧﻪ‬ ‫ﺃﺻﺪﻗﺎﺋﻪ ﺇﻟﻰ ﺍﻟﻤﺴﺒﺢ ﻗﺎﺋ ً‬
‫ﻷﺧﺬ ِﻩ ﻣﻌﻪ ﺇﺫﺍ ﺃﺭﺍﺩ!‬
‫ِ‬ ‫ﺣﻲ ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ ﻭﻣﺴﺘﻌ ﱞﺪ‬ ‫ﺫﺍﻫﺐ ﺑﺴ ّﻴﺎﺭ ِﺗﻪ ﺇﻟﻰ ﱢ‬‫ٌ‬
‫ﺣﺴﻦ ﺃﻥ‬ ‫ﺃﺿﺎﻑ ﺃﻧﻪ ﻳﻮ ﱡﺩ ﺩﻋﻮ َﺗﻪ ﺃﻳﻀﴼ ﻟﻠﻐﺪﺍﺀ ﻓﻲ ﻣﻄﻌﻢ!‪ ...‬ﺭﻓﺾ َ‬
‫ﺼﻤﻤﴼ ﻋﻠﻰ ﺗﻨﺎﻭﻝ‬ ‫ﻳﻐﺎﺩﺭ ﻣﺴﺒﺢ ﺍﻟﻔﻨﺪﻕ! ﻏﻴﺮ ﺃﻥ ﺻﺪﻳ َﻘ ُﻪ ﻛﺎﻥ ُﻣ ﱢ‬
‫ﻋﺎﺟﻠﺔ!‬‫»ﻣﻬﻤ ٍﺔ ﻏﺮﺍﻣﻴﺔ« ِ‬ ‫ﱠ‬ ‫ﻟﻄﻠﺐ ﻋﻮﻧ ِﻪ ﻓﻲ‬ ‫ِ‬ ‫‪ 190‬ﺍﻟﻐﺪﺍﺀ ﻣﻌﻪ‪ ،‬ﺑﺄﻱ ﻭﺳﻴﻠﺔ‪،‬‬
‫ﺍﻟﺼﺪﻳﻖ ﺍﻟ َﻘ َﺪ ِﺭ ﱡﻱ ﻛﻴﻒ ﻳُﺮﻫﻒ ﺃﻭﺗﺎﺭ ﺣﺴﻦ ﺍﻟﺤﺴﺎﺳﺔ ﻭﻳﻐﺮﻳﻪ‬ ‫ُ‬ ‫ﻋﺮﻑ‬
‫ﺑﺎﻟﺨﺮﻭﺝ ﺣﺎﻻ‪ :‬ﻗﺎﻝ ﻟﻪ ﺇﻥ ﻟﺪﻳﻪ ﺻﻨﺪﻭﻗﴼ ﻣﻦ ﺍﻟﺘﻔﺎﺡ ﺍﻟﻤﺴﺘﻮﺭﺩ‬ ‫ً‬
‫ﻳﻨﻮﻱ ﺗﺸﺎﻃ َﺮ ُﻩ ﻣﻌﻪ ﺍﻵﻥ ﺇﺫﺍ ﺃﺭﺍﺩ‪ ،‬ﻗﺒﻞ ﺃﻥ ﻳﻠﺘﻬﻤﻪ ﻣﻨﻪ ﺑﻘ ّﻴﺔ ﺍﻷﻗﺎﺭﺏ‬
‫ﻭﻟﻊ َﺣ َﺴﻦ ﻭﺿﻌ ِﻔ ِﻪ ﺃﻣﺎﻡ ﺍﻟﺘﻔﺎﺡ‬ ‫ﻭﺍﻷﺻﺪﻗﺎﺀ!‪ ...‬ﻛﺎﻥ ﻳﻌﺮﻑ ﻣﺪﻯ ِ‬
‫ﺻﻨﺪﻭﻕ ﻛﺎﻣﻞ ﻣﻦ ﺍﻟﺘﻔﺎﺡ ﺍﻟﻤﺴﺘﻮﺭﺩ‪،‬‬ ‫ٌ‬ ‫ٌ‬ ‫ﺍﻟﻤﺴﺘﻮﺭﺩ! ﻭﻛﺎﻥ ﻟﺪﻳ ِﻪ ﻓﻌ ً‬
‫ﻼ‬
‫ﺍﺳﺘﻠﻤ ُﻪ ﻫﺪ ّﻳ ًﺔ ﻓﻲ ﺫﻟﻚ ﺍﻟﺼﺒﺎﺡ ﻣﻦ »ﺟﻬ ٍﺔ ﺣﺰﺑ ّﻴﺔ« ﺭﻓﻴﻌﺔ!‬
‫ﻟﻢ ﻳﺘﺒﺎﻃﺄ ﺣﺴﻦ ﺩﻗﻴﻘ ًﺔ ﻭﺍﺣﺪﺓ! ﻟﺒﺲ ﺛﻴﺎﺑﻪ ِﺑ َﻌ َﺠﻞ‪ ،‬ﻭﻫﺮ َﻉ‬
‫ﺍﻟﻤﺴﺒﺢ‬
‫ِ‬ ‫ﻧﺤﻮ ﺍﻟﺴﻴﺎﺭﺓ ﺍﻟﺘﻲ ﺗﻨﺘﻈﺮ ُﻩ ﺃﻣﺎﻡ ﺑﺎﺏ ﺍﻟﻔﻨﺪﻕ! ﻟﻢ ﻳﻐﺎﺩ ْﺭ ﻋﺘﺒ َﺔ‬
‫ﺑﺎﺑ ِﻪ ﺍﻟﺨﺎﺭﺟﻲ‬ ‫ﻭﻳﺪﺧﻞ ﺑﻬ َﻮ ﺍﻟﻔﻨﺪﻕ ﻣ ﱠﺘ ِﺠﻬﴼ ﻧﺤﻮ ِ‬ ‫ْ‬ ‫ﺧﻄﻮﺍﺕ ﻓﻘﻂ‬ ‫ٍ‬ ‫ﺛﻼﺙ‬
‫ﻗﺖ‬‫ﺣﻄ ْﺖ ﻭﺳﻂ ﺍﻟﻤﺴﺒﺢ ﺑﺎﻟﻀﺒﻂ‪َ ،‬ﻣ ﱠﺰ ْ‬ ‫ٌ‬ ‫ٌ‬
‫ﺇﻻ ﻭﺍﻧﻔﺠﺮﺕ ﻗﺬﻳﻔﺔ ﻫﺎﺋﻠﺔ‪ ،‬ﱠ‬
‫ﺃﻛﺜﺮ ﺍﻟﺤﺮﻭﺏ ﺍﻟﻴﻤﻨﻴﺔ ﺧﺴﺎﺳ ًﺔ‬ ‫ِ‬ ‫ﻛﻞ ﺃﺻﺪﻗﺎﺋﻪ ﺇﺭﺑﴼ ﺇﺭﺑﴼ‪ُ ،‬ﻣ ْﻌ ِﻠﻨ ًﺔ ﺑﺪ َﺀ‬ ‫ﱠ‬
‫ﻭﻏﺪﺭﴽ ﻭﺑﺸﺎﻋﺔ!‪...‬‬
‫ﺣﺴﻦ ﺗﺮﺩﻳﺪ ﺍﻟﻌﺒﺎﺭﺓ ﺍﻟﺘﺎﻟﻴﺔ‬ ‫ﻳﻤﻞ َ‬‫ﻟﻴﺲ ﻏﺮﻳﺒﴼ ﺑﻌﺪ ﺫﻟﻚ ﺃﻥ ﻻ ﱠ‬
 ‫ﺍﻟﺘﻲ ﺻﺎﺭﺕ ﻣﻦ ﺃﻛﺜﺮ ﻣﻘﻮﻻﺗ ِﻪ ﺗﻜ ﱡﺮﺭﴽ ﻭﻓﻠﻜﻠﻮﺭﻳ ًﺔ ﻭﻇﺮﺍﻓﺔ‪» :‬ﺧﺮﺝ‬
‫ﺭﻳﺐ ﻓﻴﻬﺎ{ ِﺑﺴﺒﺐ ﺗﻔﺎﺣﺔ! ﺑﺴﺒﺐ‬ ‫ﻋﺪ ٍﻥ ﻻ َ‬ ‫ﺟﺪﻧﺎ ﺁﺩ ُﻡ ﻣﻦ }ﺟ ّﻨﺎﺕ ْ‬ ‫ﱡ‬
‫ﺍﻟﻌﺬﺍﺏ ﻭﺍﻟﺤﺮﻭﺏ ﻭﺍﻟﻜﻮﺍﺭﺙ ﻓﻲ ﺃﺭﺽ ﺍﻟﻤﻬﺎﻥ‬‫َ‬ ‫ﺗﺘﺠﺮ ُﻉ ﺍﻟﺒﺸﺮﻳ ُﺔ‬
‫ﱠ‬ ‫ﺗﻔﺎﺣﺔ‬
‫ﺃﺧﺮﺟ ْﺖ ﺍﻟﺒﺸﺮﻳﺔ ﻣﻦ ﺍﻟﺠﻨﺔ‪،‬‬
‫َ‬ ‫ﺣﺘﻰ ﻳﻮﻡ ﺍﻟﻘﻴﺎﻣﺔ!‪ ...‬ﻧﻌﻢ! ﺍﻟﺘﻔﺎﺣ ُﺔ‬
‫ﺃﺧﺮﺟ ْﺘﻨﻲ ﻣﻦ ﺍﻟﻨﺎﺭ!«‬
‫َ‬ ‫ﺃﻣﺎ ﺃﻧﺎ ﻓﻘﺪ‬

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‫ﻋﺰﻓﺖ ﻋﻦ‬ ‫ُ‬ ‫ﺣﺴﻦ ﻗﺮﺏ ﺳﻮﻕ ﺍﻟﺴﻤﻚ‪،‬‬ ‫ﺑﻌﺪ ﺩﻗﺎﺋﻖ ﻣﻦ ﺭﺅﻳﺔ َ‬
‫ُ‬
‫ﻣﺸﺮﻭﻉ ﻣﻐﺎﻣﺮﺓ ﺗﺤﻀﻴﺮ ﺍﻟﻄﺒﺨﺔ ﺍﻟﻤﺮﺳﻴﻠﻴﺔ ﻷﻣﻲ! ﺑﺪﺍ ﺍﻟﺤﺪﻳﺚ‬
‫ﺷﺠﻮﻥ ﻭﺧﻼﺻﺎﺕ ﻋﻤﻴﻘﺔ‪...‬‬ ‫ٍ‬ ‫ﺷﻴﻘﴼ ﻣﺜﻴﺮﴽ ﻫﺎﺋﻤﴼ ﺫﺍ‬ ‫ﻣﻦ ﺩﻗﺎﺋﻘﻪ ﺍﻷﻭﻟﻰ ﱢ‬
‫ّ‬ ‫ُ‬
‫ﻟﻢ ﺃﻛﻦ ﺣﻴﻨﻬﺎ ﺃﻋﺮﻑ ﻣﻦ ﺳﻴﺮﺓ ﺣﻴﺎﺗ ِﻪ ﺇﻻ ﻣﺎ ﺳﺮ ْﺩﺗ ُﻪ ﻫﻨﺎ ﺣﺘﻰ ﺍﻵﻥ‪:‬‬
‫ﺻﺪﻳﻖ ﺣﻤﻴ ٌﻢ‬ ‫ٌ‬ ‫ﺧﻠﻴﻂ ﻣﻤﺎ ﺃﺗﺬﻛﺮﻩ ﻣﻦ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ ﻭﻣﺎ ﺃﺳﻌﻔﻨﻲ ﺑﻪ‬ ‫ٌ‬
‫َ‬
‫ﺟﺪﻳﺪ ﺣﻴﺎ ِﺗ ِﻪ‬ ‫ُ‬
‫ﺃﺟﻬﻞ‬ ‫ﻣﺮ ﺑﺒﺎﺭﻳﺲ ﻓﻲ ﻧﻬﺎﻳﺔ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ‪.‬‬ ‫ٌ‬
‫ﻣﺸﺘﺮﻙ ﻟﻨﺎ ﱠ‬
‫ﺍﻟﺨﻴﻂ ﺍﻟﺬﻱ ﻗﺎﺩﻫﺎ ﺇﻟﻰ‬ ‫ِ‬ ‫ﻬﺖ ﻟﻪ ﺃﻛﺜﺮ ﻣﻦ ﺳﺆﺍﻝ ِﻟﻤﻌﺮﻓ ِﺔ‬ ‫ﻭﺟ ُ‬‫ﺑﺎﻟﻤﺮﺓ! ّ‬
‫ﱠ‬ ‫‪192‬‬
‫ﻣﺎ ﻫﻲ ﻋﻠﻴﻪ ﺍﻵﻥ!‪ ...‬ﺃﻏﺪﻗﻨﻲ ﺑﺎﻟﺘﻔﺎﺻﻴﻞ ﻭﺑﺎﻟﻘﺼﺺ ﺍﻟﺘﻲ ﺃﺛﺎﺭﺗﻨﻲ‬
‫ﺯﻣﻦ ﻃﻮﻳﻞ ﺃﻥ ﺣﻴﺎ َﺓ ﺣﺴﻦ ﺭﻭﺍﻳ ٌﺔ‬ ‫ﺍﻷﻭﻟﻰ ﺑﻌﺪ ﺍﻷﺧﺮﻯ! ﺃﻋﺮﻑ ﻣﻨﺬ ٍ‬
‫ﺿﺨﻤﺔ ﺷﺪﻳﺪﺓ ﺍﻟﺘﺸ ﱡﻌﺐ ﻭﺍﻟﻤﻔﺎﺟﺂﺕ‪ ،‬ﻏﻴﺮ ﺃﻥ ﺻﻔﺤﺎﺗﻬﺎ ﺍﻟﻤﻌﺎﺻﺮﺓ‬
‫ﻻ!‪...‬‬‫ﻫﻲ ﺍﻷﻛﺜﺮ ﺇﺛﺎﺭ ًﺓ ﻭﺇﺫﻫﺎ ً‬
‫ﻭﺍﺣﺪ ﻻ ﻳﻨﺴﺠﻢ ﻛﺜﻴﺮﴽ ﻣﻊ ﻣﻨﻄﻖ‬ ‫ﻻ ﻣﻦ ﺷﻲ ٍﺀ ٍ‬ ‫ﺍﺳﺘﻐﺮﺑﺖ ﱠﺃﻭ ً‬
‫ُ‬
‫ﻭﺍﺗﺠﺎﻩ ﺣﻴﺎﺗﻪ‪ :‬ﺍﻧﺘﻤﺎﺋﻪ ﻟﻠﺤﺰﺏ ﺍﻟﺤﺎﻛﻢ ﺍﻟﺤﺎﻟﻲ!‪ ...‬ﻫﻮ ﺍﻟﺬﻱ ﻛﺎﻥ‬
‫ﻭﺍﻟﻤﺘﺨﺼﺼﻴﻦ‬‫ﱢ‬ ‫ﺃﺷﺪ ﺍﻟﻤﻠﺘﺰﻣﻴﻦ ﺑﺎﻟﻤﺎﺭﻛﺴﻴﺔ‬ ‫ﻛﻤﺎ ﺃﺫﻛﺮ ﻣﻦ ﱢ‬
‫ﺏ»ﺍﻟﻨﻘﺎﺀ ﺍﻟﻔﻜﺮﻱ«‪ .‬ﺃﻓﻬ ُﻢ ﻣﻊ ﺫﻟﻚ ﺃﺷﻴﺎﺀ ﻛﺜﻴﺮﺓ ﺃﺧﺮﻯ‪ ،‬ﻗﺪ ﺗﺒﺪﻭ‬
‫ﺗﻔﻮﻕ ﺍﻟﻴﻮﻡ ﻋﺪﺩ‬ ‫ُ‬ ‫ﺭﻛﻌﺎﺕ ﺻﻼ ِﺗﻪ ﺍﻟﺘﻲ‬
‫ِ‬ ‫ﻣﺜﻞ ﻋﺪ ِﺩ‬ ‫ﻏﻴﺮ ﻣﻨﻄﻘ ّﻴﺔ‪َ ،‬‬
‫ﺭﻛﻌﺎﺕ ﺍﻵﺧﺮﻳﻦ ﻓﻲ ﺍﺳﺘﺮﺍﺣﺎﺕ )‪ (18‬ﻣﺠﺎﻟﺲ ﺍﻟﻘﺎﺕ!‪...‬‬ ‫ِ‬
‫ﺍﻟﺠﺪﻳﺪ ِﻟﻠﺤﺰﺏ ﺍﻟﺤﺎﻛﻢ ﺣﺎﻟ ّﻴﴼ‬‫َ‬ ‫ﺍﻟﺴﻴﺎﺳﻲ‬
‫ﱠ‬ ‫ﻟﻢ ﺃﻓﻬﻢ ﺍﻧﺘﻤﺎﺀﻩ‬
‫ﻇﻞ ﻓﻘﻴﺮﴽ‪،‬‬ ‫ﻣﻌﺎﺭﺽ ﺩﺍﺋ ٌﻢ ﻓﻲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻪ‪ .‬ﻧﺎﻫﻴﻚ ﺃﻧﻪ ﱠ‬ ‫ٌ‬ ‫ﻓﻲ ﺍﻟﻴﻤﻦ ﻷﻧﻪ‬
‫ُ‬
‫ﻃﺎﻫﺮﴽ‪ ،‬ﻛﺎﺭﻫﴼ ﻟﻠﻔﺴﺎ ِﺩ ﻭﺍﻟﻤﻔﺴﺪﻳﻦ‪ ...‬ﺳﺄﻟﺘ ُﻪ ﺑﺎﻟﺤﺮﻑ ﺍﻟﻮﺍﺣﺪ‪:‬‬
 ‫ﻔﺴ ُﺮ ﺍﻧﺘﻤﺎﺀﻙ ﺍﻟﺠﺪﻳﺪ ﻫﺬﺍ‪ ،‬ﻭﻣﻌﺎﺷﺮ َﺗﻚ ِﻟﻜﺒﺎﺭ ﺍﻟﺤﻴﺘﺎﻥ‬ ‫»ﻛﻴﻒ ُﺗ ﱢ‬
‫ﺍﻻﻗﺘﺼﺎﺩﻳﺔ‪ ،‬ﻟﻜﺒﺎﺭ ﺍﻟﻔﺎﺳﺪﻳﻦ ﻓﻲ ﺍﻟﺴﻠﻄﺔ‪ ،‬ﻟﻞ» ﻓﻨﺪﻣﺎﺕ« ﺍﻟﺬﻳﻦ ﻻ‬
‫ﻭﺿﺮﺑﻬﻢ‬
‫ِ‬ ‫ﻘﻤﻊ ﺍﻟ ُﻌ ﱠﺰﻝ ﻭﺍﻟﻤﺴﺎﻛﻴﻦ‬‫ﻳﺠﻴﺪﻭﻥ ﺍﺳﺘﺨﺪﺍﻡ ﺍﻟﺴﻼﺡ ﺇﻻ ِﻟ ِ‬
‫ﺑﻘﺬﺍﺋﻒ ﺍﻟﺪﺑّﺎﺑﺎﺕ ﻭﺍﻟﻤﺠﻨﺰﺭﺍﺕ ﺃﺛﻨﺎﺀ ﻣﺴﻴﺮﺍﺕ ﺍﻻﺣﺘﺠﺎﺟﺎﺕ‬
‫ﺍﻟﺴﻠﻤ ّﻴﺔ ﺿﺪ ﺭﻓﻊ ﺃﺳﻌﺎﺭ ﺍﻟﺨﺒﺰ ﺍﻟﺬﻱ ﻣﺎﺕ ﻓﻴﻬﺎ ﺍﻟﻌﺸﺮﺍﺕ ﻓﻲ ﺻﻨﻌﺎﺀ‬
‫ﻇﻞ ﺍﻧﺘﻤﺎﺀﻙ ﺍﻟﻔﻜﺮﻱ ﺍﻟﺜﺎﺑﺖ‬ ‫ﻔﺴ ُﺮ ﺫﻟﻚ ﻓﻲ ﱢ‬‫ﻭﻋﺪﻥ!‪ ...‬ﻛﻴﻒ ُﺗ ﱢ‬ ‫ﻭ َﺗ ِﻌﺰ َ‬
‫ﻟﻠﻤﺎﺭﻛﺴﻴﺔ؟«‪...‬‬
‫ﻠﺖ‬‫ﺣﺪ ﻛﺒﻴﺮ‪ .‬ﻗﺎﻝ ﻟﻲ‪» :‬ﻣ َﻠ ُ‬ ‫ﱟ‬ ‫ﺗﻘﻠﻴﺪﻱ ﺇﻟﻰ‬
‫ﱟ‬ ‫ﻛﺎﻥ ﺭﺩﱡﻩ ﻏﻴ َﺮ‬
‫ﺍﻻﻧﺘﻤﺎﺀ ﻟﻠﺨﺎﺳﺮﻳﻦ! ﺭﺃﻳﺖ ﺍﻟﻤﻮﺕ ﺃﻛﺜﺮ ﻣﻦ ﻣ ّﺮﺓ ﻋﻠﻰ ﺑﻌﺪ‬
‫ﺳﻨﺘﻴﻤﺘﺮﺍﺕ! ﻟﻢ ﺃﻧﺘﻢ ﻳﻮﻣﴼ ﻓﻲ ﺣﻴﺎﺗﻲ ﺍﻟﺴﺎﺑﻘﺔ ﻟﻄﺎﺋﻔ ٍﺔ ﺣﺰﺑﻴﺔ‪ ،‬ﻟﻔﺮﻗ ٍﺔ‬
‫ﻛﻞ ﻭﻻﺀﺍﺗﻲ ﺍﻟﻘﺪﻳﻤﺔ‪،‬‬ ‫ﻟﺘﻨﻈﻴﻢ ﻣﺎ‪ ...‬ﺇﻻ َﻭ ُﺑ ِﻠ َﻲ ﺑﺎﻟﻔﺸﻞ!‪ ...‬ﻓﻲ ﱢ‬
‫ٍ‬ ‫ﻣﺎ‪،‬‬
‫ُ‬
‫ﺣﻤﻠﺖ‬ ‫ُ‬
‫ﺍﻧﺘﻤﻴﺖ ﻟﻬﺎ! ﺭﺑﻤﺎ ﺃﻧﺎ ﺍﻟﺬﻱ‬ ‫ﺧﺴ َﺮ ْﺕ ﺍﻟﻤﺠﻤﻮﻋﺔ ﺍﻟﺤﺰﺑﻴﺔ ﺍﻟﺘﻲ‬ ‫ِ‬
‫‪193‬‬ ‫ﺃﺟﺮﺏ ﺷﻴﺌﴼ ﺁﺧﺮ! ﺃﺭﻳﺪ ﺃﻥ‬ ‫ﻟﻬﺎ ﺍﻟﻠﻌﻨﺔ ﻭﺍﻟﺨﺮﺍﺏ! ﺃﺭﻳﺪ ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ ﺃﻥ ﱢ‬
‫ﺟﺪﴽ ﺑﺤﺠﻢ ﺍﻟﻴﻤﻦ! ﺃﺭﻳﺪ ﺃﻥ‬ ‫ﻛﺒﻴﺮ ّ‬‫ٍ‬ ‫ﺣﺰﺑﻲ‬
‫ﱟ‬ ‫ﺃﺷﺎﻫﺪ ﺍﻟﺒﻮﺍﺭ ِﻟﺤﺴﺎ ٍﺀ‬
‫ﺣﺰﺏ‬
‫ﺃﻱ ٍ‬ ‫ﻳﺤﻞ ﻋﻠﻰ ﱢ‬‫ﻓﺮﺿﻴ ُﺔ ﺳﻮ ِﺀ ﺍﻟﻄﺎﻟﻊ ﺍﻟﺬﻱ ﱡ‬
‫ﱠ‬ ‫ﺃﺗﺄﻛﺪ ﺇﺫﺍ ﻛﺎﻧﺖ‬
‫ِ‬
‫ﺃﻧﺘﻤﻲ ﺇﻟﻴﻪ ﻗﺎﻧﻮﻧﴼ ﻣﻄﻠﻘﴼ ﻓﻲ ﺣﻴﺎﺗﻲ!‪«...‬‬

‫ﺟﺮﻧﺎ ﺣﺪﻳ ُﺜﻨﺎ ﺍﻟﻤﺰﺩﺣﻢ‪ ،‬ﺃﻣﺎﻡ ﺑﺎﺏ ﺳﻮﻕ ﺍﻷﺳﻤﺎﻙ ﺍﻟﻨﺘﻦ‪،‬‬ ‫ﺛﻢ ﱠ‬
‫ﱠ‬
‫ﺇﻟﻰ ﺍﻟﺨﻴﻮﻁ ﺍﻟﻤﺤﺸﺒﻜﺔ ﻟﻠﺤﻴﺎﺓ ﺍﻟﻌﺎﺋﻠﻴﺔ ِﻟﺤﺴﻦ‪ ،‬ﺇﺫﺍ ﻛﺎﻥ ﻟﻲ ﺃﻥ‬
‫ﺃﺳﻤﻴﻬﺎ ﺣﻴﺎ ًﺓ ﻋﺎﺋﻠﻴﺔ! ﻻ ﺃﺳﺘﻄﻴﻊ ﱠ‬
‫ﻋﺪ ﺍﻟﻌﻼﻗﺎﺕ ﻭﺍﻟﺰﻳﺠﺎﺕ‪ ،‬ﺍﻟﺮﺳﻤ ّﻴﺔ‬ ‫ﱢ‬
‫ﻭﻏﻴﺮ ﺍﻟﺮﺳﻤ ّﻴﺔ‪ ،‬ﻓﻲ ﺣﻴﺎﺗﻪ! ﻻ ﺃﻋﺮﻑ‪ ،‬ﻭﻻ ﻳﻌﺮﻑ ﻫﻮ ﻧﻔﺴﻪ‪ ،‬ﻛﻢ‬
‫ﺁﺕ ﻣﻦ ﺯﻳﺠﺎﺕ ﺇﺟﺒﺎﺭﻳّﺔ ﻣﺒ ّﻜﺮﺓ ﻓﻲ‬
‫ﺑﻌﻀﻬﻢ ٍ‬ ‫ﻋﺪﺩ ﺃﻃﻔﺎﻟﻪ ﺑﺎﻟﺘﺤﺪﻳﺪ! ُ‬
‫ُ‬
‫ﺗﻌﻤﻞ ﻓﻲ ﻣﻨﺰﻝ‬ ‫ﺍﻟﺤﺒﺸﺔ ﻭﺍﻟﺴﻮﺩﺍﻥ‪ (1 :‬ﻣﻦ ﺷ ﱠﻐﺎﻟ ٍﺔ ﺣﺒﺸ ّﻴﺔ ﻛﺎﻧﺖ‬
‫ﺣﺴﻦ ﻓﻲ ﺑﺪﺀ‬ ‫ﻭﺍﻟﺪﻩ ﺑﺄﺛﻴﻮﺑﻴﺎ‪ ،‬ﺍﻛﺘﺸﻒ ﺍﻟﺠﻤﻴﻊ ﺃﻧﻬﺎ ُﺣﺒﻠﻰ ﻣﻦ َ‬
‫ﻋﻤ ِﻪ ﺍﻟﻤﻬﺎﺟﺮ ﻓﻲ‬ ‫ﺯﻭﺍﺝ ﻏﻴﺮ ﺇﺟﺒﺎﺭﻱ ﺑﺎﺑﻨﺔ ّ‬ ‫ﺳﻦ ﻣﺮﺍﻫﻘﺘﻪ‪ (2 ،‬ﻣﻦ ٍ‬ ‫ﱢ‬
‫ﺃﺣﺒﻬﺎ ﺑﺎﻟﺨﻔﺎﺀ‬‫ﺇﺟﺒﺎﺭﻱ ﻣﻦ ﻋﺸﻴﻘ ٍﺔ ﺳﻮﺩﺍﻧﻴﺔ ﱠ‬
‫ﱟ‬ ‫ﺍﻟﺤﺒﺸﺔ‪ (3 ،‬ﻣﻦ ٍ‬
‫ﺯﻭﺍﺝ‬
‫ﻭﺣﻤ َﻠ ْﺖ ﻣﻨﻪ‪ ...‬ﻏﻴﺮ ﺃﻧﻲ ﺃﻋﺮﻑ ﺇﺣﺪﻯ ﺯﻭﺟﺎﺗﻪ‪ ،‬ﺍﻷﻛﺜﺮ ﺭﺳﻤ ّﻴﺔ ﻛﻤﺎ‬ ‫ِ‬
‫َ‬ ‫َ‬ ‫ً‬ ‫ً‬ ‫ً‬
‫ﻳﺒﺪﻭ ﻟﻲ‪ ،‬ﻧﺠﺎﺓ‪ ،‬ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﺭﻓﻴﻘﺔ ﺣﺰﺑ ّﻴﺔ ﻗﺪﻳﻤﺔ ﻟﻪ! َﻋﻘ َﺪﺍ ﻗﺮﺍﻧﻬﻤﺎ‬
‫»ﺑﺎﺳﻢ ﺍﻟﺤﺰﺏ ﻭﺍﻟﺜﻮﺭﺓ« ﻓﻲ ﻧﻬﺎﻳﺔ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ! ﻟﻪ ﻣﻨﻬﺎ ﻋﺪ ٌﺩ ﻣﻦ‬
‫ﻼ‪ ...‬ﺳﺄﻟﺘ ُﻪ‪:‬‬ ‫ﺍﻷﻃﻔﺎﻝ‪ .‬ﻛﺒﻴﺮﻫﻢ‪ ،‬ﻭﺍﺋﻞ‪ ،‬ﻳﺘﺠﺎﻭﺯ ﺍﻟﻌﺸﺮﻳﻦ ﻗﻠﻴ ً‬
‫‪ -‬ﻛﻴﻒ ﺣﺎﻝ ﻧﺠﺎﺓ؟‪...‬‬
‫ﻭﻛﻞ ﺷﻲﺀ‬ ‫ﱠ‬ ‫َ‬
‫ﺗﺮﻛﺖ ﻟﻬﺎ ﻭﻟﻸﻃﻔﺎﻝ ﺍﻟﻤﻨﺰﻝ‬ ‫ُ‬ ‫‪ -‬ﺍﻧﻔﺼﻠﻨﺎ ﻗﺒﻞ ‪ 6‬ﺃﺷﻬﺮ!‬
‫ﻭﻏﺎﺩﺭ ُﺗﻬﻢ ﺩﻭﻥ ﺭﺟﻌ ٍﺔ ﺇﻟﻰ ﺍﻷﺑﺪ!‬
‫‪ -‬ﻣﺎﺫﺍ ﺣﺼﻞ ﻫﺬﻩ ﺍﻟﻤ ّﺮﺓ؟‬
‫ﺘﺐ ﻣﺎﺭﻛﺴﻴﺔ‬ ‫‪ُ -‬ﻋ ْﺪ ُﺕ ﺫﺍﺕ ﻳﻮﻡ ﻭﻣﻜﺘﺒﺔ ﺑﻴﺘﻲ ﺍﻟﻜﺒﻴﺮﺓ‪ ،‬ﺍﻟﻤﻤﻠﻮﺀﺓ ﺑ ُﻜ ٍ‬
‫ﻣﺘﻄﺮﻓﺔ! ﻟﻴﺲ‬ ‫ﱢ‬ ‫ﺳﻠﻔﻴ ٍﺔ‬
‫ﱠ‬ ‫ﻭﻓﻠﺴﻔﻴﺔ ﻭﺗﻘﺪﻣﻴﺔ‪ ،‬ﻗﺪ ﺍﺳﺘﺒﺪﻟﺖ ِﺑ ُﻜ ُﺘ ٍﺐ‬
‫ﺗﻢ ﺇﺣﺮﺍﻕ ﻛﺘﺒﻲ ﺃﻳﻀﴼ ﻓﻲ ﻏﻴﺎﺑﻲ! ﻭﺍﺋﻞ ﻭﻓﺠﺮ‬ ‫ﺫﻟﻚ ﻓﺤﺴﺐ ﺑﻞ ﱠ‬
‫ﺇﺳﻼﻣﻴﻴﻦ‬
‫ِ‬ ‫ﻭﺃﻣﻬﻢ ﻧﺠﺎﺓ ﺃﻳﻀﴼ‪ ،‬ﺻﺎﺭﻭﺍ ﺟﻤﻴﻌﺎ‬ ‫ﻭﻫﻴﺎﻡ‪ ،‬ﺃﻃﻔﺎﻟﻲ ﺍﻟﻜﺒﺎﺭ‪ ،‬ﱡ‬
‫ﺗﻘﻼ ﻛﺜﺎﻓ ًﺔ ﻋﻦ ﻟﺤﻴ ِﺔ ﺃﺳﺎﻣﺔ ﺑﻦ‬ ‫ﻣﺘﻄﺮﻓﻴﻦ!‪ِ ...‬ﻟ ْﺤ َﻴ َﺘﺎ ﻭﺍﺋﻞ ﻭﻓﺠﺮ ﻻ ّ‬ ‫‪194‬‬
‫ُﻢ ﺟﻤﻴﻌﴼ‪ ،‬ﻭﺍﻟﺤﻤﺪ ﷲ‪ ،‬ﻭﻫﺎﺃﻧﺬﺍ ﺃﻋﻴﺶ ﻓﻲ »ﺟﺎﺭﺩﻥ‬ ‫ﻻﺩﻥ!‪ ...‬ﺗﺮﻛ ُﺘﻬ ْ‬
‫ﺳﻴﺘﻲ« ﻣﻊ ﺯﻭﺟﺔ ﺻﻮﻣﺎﻟﻴﺔ!‬
‫ْﺖ ﺑﺎﺳﺘﻐﺮﺍﺏ!‬ ‫ﺍﻟﺤﻲ ﺇﻃﻼﻗﴼ‪ ،‬ﺭ ﱠﺩﻳ ُ‬ ‫ﱢ‬ ‫‪ -‬ﺟﺎﺭﺩﻥ ﺳﻴﺘﻲ؟ ﻟﻢ ﺃﺳﻤﻊ ﺑﻬﺬﺍ‬
‫‪ -‬ﻫﺬﻩ ﺗﺴﻤ َﻴ ٌﺔ ﺷﻌﺒﻴ ٌﺔ ﺣﺪﻳﺜﺔ ﺳﺎﺧﺮﺓ ﻝ»ﻣﻨﻄﻘﺔ ﺍﻟﺒﺴﺎﺗﻴﻦ«!‬
‫ﻫﻞ ﺗﺬﻛﺮ ﺗﻠﻚ ﺍﻟﻤﻨﻄﻘﺔ ﻓﻲ ﺿﻮﺍﺣﻲ‪ ،‬ﺿﻮﺍﺣﻲ‪ ،‬ﺿﻮﺍﺣﻲ ﺍﻟﺸﻴﺦ‬
‫ﻋﺜﻤﺎﻥ؟‬
‫ﻋﺪﻥ‪ ،‬ﻓﻲ ﺃﻃﺮﺍﻑ‬ ‫ﺮﺕ ﺗﻠﻚ ﺍﻟﻤﻨﻄﻘﺔ ﺍﻷﻛﺜﺮ ﻓﻘﺮﴽ ﻓﻲ َ‬ ‫ﺗﺬﻛ ُ‬‫ﱠ‬
‫ﺣﻲ »ﺍﻟﻤﻤﺪﺍﺭﺓ«! ﺧﻼﺀﺍﺕ ﺗﺮﺍﺑﻴﺔ ﺭﺧﻮﺓ ﻋﻠﻰ ﺃﻧﻘﺎﺽ ﻭﺍﺣ ٍﺔ ﻗﺪﻳﻤﺔ‬ ‫ّ‬
‫ﺗﺘﺼﺤ ُﺮ ﻳﻮﻣﴼ ﺑﻌﺪ ﻳﻮﻡ!‪...‬‬
‫ﱠ‬
‫‪ -‬ﻧﻌﻢ ﺃﺫﻛ ُﺮﻫﺎ!‪...‬‬
‫ﺶ ﺍﻟﺨﺸﺒﻴﺔ ﺍﻟﻤﻬﺘﺮﺋﺔ! ﻳﻌﻴﺶ ﻓﻴﻬﺎ‬ ‫‪ -‬ﻫﻲ ﺍﻟﻴﻮﻡ ﻣﻤﻠﻮﺀ ٌﺓ ﺑﺎﻟ ُﻌ َﺸ ِ‬
‫ﻓﻘﺮﺍﺀ ﻣﺪﻗﻌﻮﻥ ﻓﻲ ﺍﻟﺠﻮﻉ‪ ،‬ﻣﺮﺿﻰ ﻣﻨﺒﻮﺫﻭﻥ‪ ،‬ﻻﺟﺌﻮﻥ ﺻﻮﻣﺎﻝ‪...‬‬
‫ْﺕ‪ ،‬ﻟﻠﻐﺪﺍﺀ ﻫﻨﺎﻙ‪ ،‬ﻓﻲ ﻓﻴ ّﻠ ِﺘﻲ ﺍﻟﺠﺪﻳﺪﺓ‪ ،‬ﻣﻊ ﺯﻭﺟﺘﻲ‬ ‫َ‬
‫ﺳﺄﺩﻋﻮﻙ‪ ،‬ﺇﺫﺍ ﺃﺭﺩ َ‬
 ‫ﺍﻟﺼﻐﻴﺮﺓ‪ِ :‬ﻭ ْﻳ ِﻠﻲ!‬

‫ﺤﻤ ِﻠﻬﺎ ﺇﻟﻰ‬ ‫»ﺍﻟﺴ َﻔ ِﺮﻳّﺔ« ِﻟ ْ‬

‫ﺍﺷﺘﺮﻳﺖ ﺑﻌﻀﴼ ﻣﻦ ﺍﻟﻤﺄﻛﻮﻻﺕ َ‬ ‫ُ‬
‫ﺭﻳﺎﻻﺕ‬
‫ِ‬ ‫ﺃﻋﺮﻑ ﺃﻥ ﻋﺪ َﺩ ﺃﻃﻔﺎﻟ ِﻪ ﻳﺰﻳﺪ ﻋﻠﻰ ﻋﺪ ِﺩ‬ ‫ُ‬ ‫ﻭﻟﻴﻤﺔ ﺻﺪﻳﻘﻲ ﺍﻟﺬﻱ‬
‫ﻔﺠ َﺮ‬
‫ﻧﻮﻋﻪ‪ِ ،‬ﻟ ُﻴ ﱢ‬ ‫ﺗﺮﻛﺖ ﻟﻪ ﺍﺧﺘﻴﺎﺭ ِ‬ ‫ُ‬ ‫ﺭﺍﻕ‪،‬‬
‫ﻧﻮﻉ ٍ‬ ‫ُ‬
‫َﺟ ْﻴ ِﺒﻪ‪ .‬ﺃﺷﺘﺮﻳﺖ ﻗﺎﺗﴼ ﻣﻦ ٍ‬
‫ﺍﻟﺸﺠﻲ ﻭﺍﻟﻬﻤﺰ ﻭﺍﻟﻠﻤﺰ ﻭﺍﻹﻓﻀﺎﺀ‬ ‫ّ‬ ‫ﻣﻮﺍﻫ َﺒﻪ ﻭﻣﻠﻜﺎ ِﺗﻪ ﻓﻲ ﺍﻟﺤﺪﻳﺚ‬
‫ﻘﺪﻳﻦ ﻣﻦ‬ ‫ﺷﻌﺮﺕ ﺃﻧﻲ ﺳﺄﺳﺒ ُﺮ ﺃﻏﻮﺍﺭ ﻭﺟﺮﺍﺡ ﺃﻛﺜﺮ ﻣﻦ َﻋ َ‬ ‫ُ‬ ‫ﻭﺍﻟﻔﻀﻔﻀﺔ‪.‬‬
‫ﻗﺎﺕ ﻭﺍﺣﺪﺓ‪...‬‬ ‫ﻋﺪﻥ ﻓﻲ ﺟﻠﺴ ِﺔ ٍ‬ ‫ﺣﻴﺎ ِﺓ َ‬
‫ﺍﻧﻄﻠﻘﻨﺎ ﺑﻌﺪ ﺫﻟﻚ ﺇﻟﻰ ﺭﺣﺎﺏ ﺟﺎﺭﺩﻥ ﺳﻴﺘﻲ!‬
‫ﺃﺭﺽ ﻗﻔﺎﺭ!‬ ‫ﻣﻜﺘﻈﺔ‪ ،‬ﻣﺒﻌﺜﺮ ٌﺓ ﺑﻌﺸﻮﺍﺋﻴﺔ‪ ،‬ﻓﻲ ٍ‬ ‫ﱠ‬ ‫ﺸﺶ ﺻﻐﻴﺮﺓ‬ ‫ُﻋ ٌ‬
‫ﻛﻞ‬
‫ﺳﻤﺎ ٌﺀ ﺯﺭﻗﺎﺀ ﻧﺎﺻﻌﺔ‪ ،‬ﻓﻀﺎ ٌﺀ ﻣﻀﻲ ٌﺀ ﻣﺸﺘﻌﻞ! ﻣﻘﺮﻓﺼﻮﻥ ﻓﻲ ﱢ‬
‫ﻣﺨﺪﺭﺓ‪،‬‬
‫ﱠ‬ ‫ﺑﺸﺮﻳ ٌﺔ ﻣﺘﻨﺎﺛﺮﺓ‪ِ ،‬ﺷ ْﺒ ُﻪ‬
‫ﱠ‬ ‫ﻣﻜﺎﻥ! َﻋ َﺮ ٌﻕ ﻣﻨﻬﻤ ٌﺮ ﻣﺘﻮﺍﺻﻞ! ُﺷ َﻠ ٌﻞ‬
‫‪195‬‬ ‫ﺗﺘﺤﺮ ُﻙ ﺑﺒﻂﺀ‪ُ ،‬ﺗ َﺤ ﱢﺪ ُﻕ ﻓﻲ ﺍﻟﻔﺮﺍﻍ!‪...‬‬ ‫ﱠ‬
‫ﻧﻘﻲ‬
‫ﻛﺘﻞ ﻣﻨﺰﻭﻳﺔ ﻛﺜﻴﺮﺓ ﻣﻦ ﺍﻟﻼﺟﺌﻴﻦ ﺍﻟﺼﻮﻣﺎﻝ‪ :‬ﺳﻮﺍ ٌﺩ ﱡ‬ ‫ٌ‬ ‫ٌ‬
‫ﺗﺼﺪﻕ ﺃﻧﻚ ﻓﻲ ﺍﻟﻴﻤﻦ ﻭﺃﻧﺖ‬ ‫ﺟﺬﺍﺏ‪ .‬ﻧﺴﺎ ٌﺀ ﺑﻼ ﺣﺠﺎﺏ ﻭﺑﺮﺍﻗﻊ‪ ،‬ﻻ ﱢ‬ ‫ﻻﻣ ٌﻊ ﱠ‬
‫ٌ‬
‫ﻗﺎﻣﺎﺕ‬ ‫ﺛﻴﺎﺏ ﺭ ﱠﺛﺔ‪.‬‬ ‫ﺑﺴﺠﻮﻥ ﺳﻮﺩﺍﺀ ُﻣ َﺘ َﻨ ﱢﻘﻠﺔ! ٌ‬ ‫ٍ‬ ‫ﻣﺴﺮﺑﻼﺕ‬
‫ٍ‬ ‫ﺗﺮﻯ ﺇﻧﺎﺛﴼ ﻏﻴﺮ‬
‫ﺻﺪﺭﻳ ٌﺔ ﻧﺎﺗﺌﺔ‪.‬‬‫ﱠ‬ ‫ﺃﻗﻔﺎﺹ‬
‫ٌ‬ ‫ﺟﺪﴽ‪ .‬ﻭﺟﻮ ٌﻩ ﺣﺎ ﱠﺩ ُﺓ ﺍﻟﻤﻼﻣﺢ‪.‬‬ ‫ﻃﻮﻳﻠﺔ‪ ،‬ﻧﺤﻴﻔ ٌﺔ ّ‬
‫ﺍﻟﺮﺹ ﻭﺍﻟﺒﻨﻴﺎﻥ‪ .‬ﺃﻋﻴﻦ ﻭﺍﺳﻌ ٌﺔ ﺩﺍﺋﺨ ٌﺔ‬ ‫ﱢ‬ ‫ﺃﺳﻨﺎ ٌﻥ ﻧﺎﺻﻌ ُﺔ ﺍﻟﺒﻴﺎﺽ ﺟﻤﻴﻠ ُﺔ‬
‫ﺑﻨﻈﺮﺍﺕ ﺷﺎﺧﺼ ٍﺔ ﻓﺎﺣﺼ ٍﺔ ﻗﻠﻘ ٍﺔ‬ ‫ٍ‬ ‫ﺧﺎﺋﻔ ٌﺔ ﺷﺪﻳﺪ ُﺓ ﺍﻟﺘﻌﺒﻴﺮﻳﺔ‪ ،‬ﺗﺜ ُﻘ ُﺒ َﻚ‬
‫ﺗﺴﺎﺀﻟﺖ ﻣﺎﺫﺍ ﺳﻴﻘﻮﻝ ﻫﺆﻻﺀ ﺍﻟﻼﺟﺌﻮﻥ ﺇﻟﻰ‬ ‫ُ‬ ‫ﻣﺮﺗﺎﺑ ٍﺔ ﺟﺎﺋﻌ ٍﺔ ﻣﻘﻬﻮﺭﺓ‪...‬‬
‫ﺗﻌﺮﻳﻒ‬
‫ٍ‬ ‫ﺃﻓﻀﻞ‬
‫ِ‬ ‫ﺍﻟﺤﻄﻤﺔ‪ ،‬ﺇﺫﺍ ﺳﺄﻟ ُﺘﻬُﻢ ﻋﻦ‬ ‫ﺍﻟﺤﻄﻤﺔ‪ ،‬ﻭﻣﺎ ﺃﺩﺭﺍﻙ ﻣﺎ ُ‬ ‫ُ‬
‫ﻳﻘﺘﺮﺣﻮﻧﻪ ﻟﻤﺼﻄﻠﺤﺎﺕ ﺷﻬﻴﺮﺓ ﻣﺜﻞ‪ :‬ﺍﻟﺴﻌﺎﺩﺓ‪ ،‬ﺍﻟﺤﺮﻳّﺔ‪ ،‬ﺍﻻﺳﺘﻘﺮﺍﺭ‬
‫ﺍﻟﻨﻔﺴﻲ ﻭﺍﻟﻀﻤﺎﻥ ﺍﻻﺟﺘﻤﺎﻋﻲ‪ ،‬ﺗﺤﺮﻳﺮ ﺍﻟﺬﺍﺕ ﻭﺍﻧﻌﺘﺎﻗﻬﺎ؟‪...‬‬
‫ﻭﻛﺄﻥ‬
‫ﱠ‬ ‫ﺟﺴﺪﻱ ﻋﺎﻡ‪،‬‬ ‫ﱞ‬ ‫ٌ‬
‫ﻫﺰﺍﻝ‬ ‫ﻛﻞ ﻣﻜﺎﻥ‪.‬‬ ‫ﺃﻃﻔﺎﻝ ﺻﻐﺎﺭ ﻓﻲ ﱢ‬ ‫ٌ‬
‫ﺃﻃﻔﺎﻟﻬﻦ ﺑﺴﺮﻋ ِﺔ ﺍﻷﺭﺍﻧﺐ! ﻳﻨﺠﺒﻦ ﻓﻲ‬ ‫ﱠ‬ ‫ﻧﺴﺎﺀ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ُﻳ ْﻨ ِﺠ ْﺒ َﻦ ﱠ‬
‫ﻛﻞ‬
‫ﻛﻞ ﺍﻷﺣﻮﺍﻝ ﺑﺴﺮﻋﺔ ﺷﻌﻮﺍﺀ ﻻ ﺗﻀﺎﻫﻴﻬﺎ ﺇﻻ ﺳﺮﻋﺔ ﺭﺣﻴﻞ ﺍﻟﻤﻮﺗﻰ!‬ ‫ﱢ‬
‫ﻛﻮﻧﻲ ﻋﻨﻔﻮﺍﻧﻲ ﺑﻴﻦ‬ ‫ﱟ‬ ‫ﻭﺻﺮﺍﻉ‬
‫ٍ‬ ‫ﺃﻭﻟﻤﺒﻲ ﻣﺤﻤﻮﻡ‬
‫ﱟ‬ ‫ﺗﻨﺎﻓﺲ‬
‫ٍ‬ ‫ﺍﻟﻴﻤﻦ َﺣ َﻠﺒ ُﺔ‬
‫ﻳﻤﻦ ﻫﺬﻩ‬ ‫ﺁﻟﻬﺔ ﺍﻟﻤﻮﺕ ﺍﻟﺴﺮﻳﻊ ﻭﺁﻟﻬﺔ ﺍﻹﻧﺠﺎﺏ ﺍﻷﺳﺮﻉ! ﺗﻀﺮﺏ ُ‬
‫ﻣﺆﺷ َﺮﻳﻦ‬‫ﺍﻟﻤﺘﺤﺪﺓ ﻓﻲ ﱢ‬‫ّ‬ ‫ﺍﻟﺴﻨﻮﺍﺕ ﺍﻷﺭﻗﺎ َﻡ ﺍﻟﻘﻴﺎﺳﻴﺔ ﻓﻲ ﺗﻘﺎﺭﻳﺮ ﺍﻷﻣﻢ‬
‫ﻳﺘﻌﺎﻧﻖ ﻓﻴﻬﻤﺎ‬‫ُ‬ ‫ﺍﻟﺮﺧﻴﺺ ﺑﺎﻟﺤﻴﺎ ِﺓ ﺍﻟﺮﺧﻴﺼﺔ‪،‬‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﻤﻮﺕ‬ ‫ﻳﺘﻌﺎﻧﻖ ﻋﺒﺮﻫﻤﺎ‬ ‫ُ‬
‫ﻣﻮﺕ ﺍﻷﻃﻔﺎﻝ ﻗﺒﻞ ﺍﻟﺨﻤﺲ ﺳﻨﻮﺍﺕ‪،‬‬ ‫ﺍﻟﻤﻮﺕ ﺑﺎﻟﻤﻮﺕ‪ُ :‬ﻣ َﺆ ﱢﺷ ُﺮ ﻧﺴﺒ ِﺔ ِ‬ ‫ُ‬
‫ﻳﻤ َﻦ‬
‫ﻳﻤ َﻦ ﺍﻟﻴﻮﻡ‪َ ،‬‬ ‫ﻣﻌﺪﻝ ﺃﺭﻗﺎﻡ ﺍﻹﻧﺠﺎﺏ!‪ ...‬ﻳﺒﺪﻭ ﻟﻚ ﺃﺣﻴﺎﻧﴼ ﺃﻥ َ‬ ‫ﻭﻣﺆﺷﺮ ّ‬
‫ﻫﺎﻟﻚ ﺍﻟﺠﺴﺪ‪ ،‬ﻳﺴﻜ ُﺮ‬ ‫ﻓﺎﺭﻍ ﺍﻟﻤﻌﺪﺓ‪ِ ،‬‬ ‫ﺑﺸﻴﺦ ﻋﺠﻮﺯ‪ِ ،‬‬ ‫ٍ‬ ‫ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ‪ ،‬ﺃﺷﺒ ُﻪ‬
‫ﻮﻝ ﺭﺧﻴﺺ ﻣﻦ ﻋﺼﻴﺮ ﺍﻟﻔﻮﺍﻛﻪ ﻭﺍﻟﺨﻀﺮﻭﺍﺕ‬ ‫ﺣ ّﺘﻰ ﺍﻟﺜﻤﺎﻟﺔ ِﺑ ُﻜ ُﺤ ٍ‬
‫ﺍﻟﻤﺘﻌ ﱢﻔﻨﺔ!‬
‫ﻛﻞ‬
‫ﺑﺒﺌﺮ ﻣﺎ ٍﺀ ﻳُﺴﻘﻲ ﱠ‬ ‫ُ‬
‫ﺃﻛﻮﺍﻡ ﻣﻦ ﺍﻟﺮﺟﺎﻝ ﻭﺍﻟﻨﺴﺎﺀ ﺗﺤﻴﻂ ِ‬
‫ٌ‬
‫ﻭﺗﻌﻠﻴﻘﺎﺕ‬ ‫ﺗﺘﻼﻣﺲ ِﺑﺨ ﱠﻔﺔ! ﻣ َﺮ ٌﺡ ٌ‬
‫ﺭﺍﺋﻖ‬ ‫ُ‬ ‫ﺎﻥ ﺟﺎﺭﺩﻥ ﺳﻴﺘﻲ! ﺃﺟﺴﺎ ٌﻡ‬ ‫ُﺳ ﱠﻜ ِ‬
‫ﺷﺎﺕ ﻏ ِﻨ َﺠﺔ! ﺿﺤﻜ ٌﺔ ﻫﻨﺎ‪ ،‬ﺷﺘ ٌﻢ‬ ‫ﺲ ﺃﻭﺭﺍﻙ! ﺗﺤ ﱡﺮ ٌ‬ ‫ﻼﻣ ُ‬‫ﺳﺎﺧﺮﺓ! ﺃﺻﺎﺑﻊ ُﺗ ِ‬
‫ﺣﺴﻦ‪ ،‬ﻏﻨﺠﴼ ﻭﺟﺮﺃ ًﺓ‬ ‫ﻃﻔﻮﻟﻲ ﻳﺰﺩﺍﺩُ‪ ،‬ﻛﻤﺎ ﻗﺎﻝ ﻟﻲ َ‬ ‫ﱞ‬ ‫ﺟﻮ‬
‫‪ 196‬ﻫﻨﺎﻙ!‪ ...‬ﱞ‬
‫ﻓﻲ ﺁﺧﺮ ﺍﻟﻠﻴﻞ‪ ،‬ﻓﻲ ﻇﻠﻤﺎﺕ ﺟﺎﺭﺩﻥ ﺳﻴﺘﻲ ﺍﻟﺘﻲ ﻻ ﺗﺼﻠﻬﺎ ﺍﻟﻜﻬﺮﺑﺎﺀ‬
‫ﺑﺎﻟﻄﺒﻊ‪ ...‬ﺗﺰﺩﺣ ُﻢ ﺣﻴﻨﻬﺎ ﻃﻮﺍﺑﻴﺮ ﺍﻟﺒﺎﺣﺜﻴﻦ ﻋﻦ ﺍﻟﻤﺎﺀ ﺗﺤﺖ ﻧﺠﻮﻡ‬
‫ﺑﺸﻜﻞ ﺧﺎﺹ‪،‬‬ ‫ٍ‬ ‫ُ‬
‫ﻭﺍﻟﺘﻌﻠﻴﻘﺎﺕ‬ ‫ﺍﻟﻬﺰﻳﻊ ﺍﻷﺧﻴﺮ ﻣﻦ ﺍﻟﻠﻴﻞ‪ ،‬ﺗﺤﻠﻮ ﺍﻟ ﱡﻨ ُ‬
‫ﻜﺖ‬
‫ﺗﺮﻕ ﺍﻷﺟﻮﺍﺀ ﻭﺗﻤﺘﻠﺊ ﻟﻄﻔﴼ ﻭﺑﺮﺍﺀ ًﺓ ﻭﺗﺴﺎﻣﺤﴼ ﻭﻃﻴﺸﴼ ﻭﺇﺛﺎﺭﺓ‪...‬‬ ‫ﱡ‬
‫ﻣﺮﺷﻮﺵ ﺑﺼﻮﺻ ٍﺔ ﺻﻔﺮﺍﺀ‬ ‫ٍ‬ ‫ﱟﺯ‬ ‫ُ‬
‫ﺻﺤﻮﻥ ُﺭ‬ ‫ﻗﺮﺏ ﺃﺑﻮﺍﺏ ﺍﻟﻌﺸﺶ‬
‫ﺗﺘﻜﻮﻥ ﻣﻦ ﺍﻟﻤﺎﺀ ﻭﺍﻟﺒﻬﺎﺭﺍﺕ ﻓﻘﻂ‪» :‬ﺻﻮﺻﺔ ﺍﻟﻬﻮﺍﺀ« ﻛﻤﺎ‬ ‫ﻬﺮﺓ ﱠ‬ ‫ُﻣ ْﻜ َﻔ ﱠ‬
‫ﺷﻌﺒﻲ ﺭﻓﻴﻊ ﺍﻟﺒﻼﻏﺔ‪ ،‬ﻋﻠﻰ ﻏﺮﺍﺭ »ﺻﻮﺻﺔ ﺍﻟﻠﺤﻢ«‬ ‫ﱟ‬ ‫ﺑﺘﻌﺒﻴﺮ‬
‫ٍ‬ ‫ﺴﻤﻰ‬ ‫ُﺗ ّ‬
‫ﺍﻟﻘﺎﻣﻮﺱ ﻭﺍﻟﺬﺍﻛﺮ ِﺓ‬
‫ِ‬ ‫ﻭ»ﺻﻮﺻﺔ ﺍﻟﺴﻤﻚ« ﺍﻟﻠﺘﻴﻦ ﺃﺧﺘ َﻔ َﻴﺘﺎ ﺍﻟﻴﻮﻡ ﻣﻦ‬
‫ﻣﻜﺘﻈﺔ‪ ،‬ﺃﺷﺒﺎ ٌﺡ ﻓﺎﻏﺮﺓ‪ِ ،‬ﻣ َﻌ ٌﺪ‬
‫ﱠ‬ ‫ﺍﻟﺸﻌﺒﻴﺔ‪ .‬ﺗﺰﺩﺣ ُﻢ ﺣﻮﻝ ﺍﻟﺼﺤﻮﻥ ﺩﻭﺍﺋ ُﺮ‬
‫ﺜﻘﻮﺏ‬ ‫ٌ‬
‫ﺃﻋﻴﻦ ﻣﻠﺘﺼﻘﺔ ِﺑ ِ‬ ‫ﺻﻤﺖ ﻣﻔﺎﺟﺊ‪ٌ ،‬‬ ‫ٌ‬ ‫ﻓﺎﺭﻏﺔ‪ ،‬ﺃﻳﺎ ٍﺩ ﻋﺠﻮﻟﺔ ﻣﺘﻨﺮﻓﺰﺓ‪،‬‬
‫ﻋﺼﺒﻲ ﻋﻨﻮﺩ‬ ‫ﱞ‬ ‫ﺫﺑﺎﺏ‬
‫ﻗﻄﻂ ﺑﻼ ﺃﻣﻞ‪ٌ ،‬‬ ‫ٍ‬ ‫ُ‬
‫ﻫﻴﺎﻛﻞ‬ ‫ﻭﻧﺘﻮﺀﺍﺕ ﻃﺒﻘﺔ ﺍﻟ ﱡﺮﺯ‪،‬‬ ‫ِ‬
‫ﻳﺠ ُﺪ ﻏﻴﺮ ﺃﻛﻴﺎﺱ‬ ‫ٌ‬
‫ﻳﻌﺮﻑ ﻛﻴﻒ ﻳﻨﺘﺰﻉ ﺣ ﱠﻘﻪ ﺑﺠﺪﺍﺭﺓ‪ ،‬ﻣﺎﻋﺰ ﻻ ِ‬ ‫ُ‬
‫ﺑﻼﺳﺘﻴﻚ ﺳﻮﺩﺍﺀ ﻓﺎﺭﻏﺔ ﺗﺨﺮ ُﺝ ﻣﻦ ﻋﺮﻭﻕ ﺍﻟﺘﺮﺍﺏ!‪...‬‬
 ‫ﻭﻳﻠﻲ‪ ،‬ﺯﻭﺟﺔ ﺣﺴﻦ‪ ،‬ﻛﺘﻜﻮﺗ ٌﺔ ﺣﻘﻴﻘﻴﺔ! ﺷﺎ ّﺑ ٌﺔ ﺻﻮﻣﺎﻟﻴ ٌﺔ‬
‫ﻋﺮﺑﻴ ًﺔ‬
‫ﱠ‬ ‫ﻃﻴﺒ ٌﺔ ّ‬
‫ﺟﺪﴽ‪ .‬ﺗﺘﻜ ﱠﻠ ُﻢ‬ ‫ﻓﺎﺭ َﻋ ٌﺔ ﺭﺷﻴﻘﺔ‪ ،‬ﺷﻬ ّﻴ ٌﺔ ﺩﺍﺋﻤ ُﺔ ﺍﻻﺑﺘﺴﺎﻣﺔ‪ .‬ﱢ‬ ‫ِ‬
‫ﺗﻘﺮﻳﺒ ّﻴ ًﺔ ﺑﺼﻌﻮﺑ ٍﺔ ﻛﺒﻴﺮﺓ‪ .‬ﺗﺼﻐ ُﺮ ﺣﺴﻦ ‪ 27‬ﻋﺎﻣﴼ! ﻻ ﺗﺘﺠﺎﻭﺯ‬
‫ﻛﻞ ﻗﻠﺒﻪ! َ‬
‫ﻋﺸﻖ‬ ‫ﺣﺴﻦ ﻣﻦ ﱢ‬ ‫ﺍﻟﺜﺎﻣﻨﺔ ﻋﺸﺮﺓ ﻣﻦ ﺍﻟﻌﻤﺮ ﻓﻘﻂ! ﻳﻌﺸ ُﻘﻬﺎ َ‬
‫ﻴﻌﺸ ُﻖ ﺍﻟﻼﺣﻘﺎﺕ‬ ‫ﻛﻞ ﻗﻠﺒﻪ‪َ .‬ﺳ َ‬ ‫ﻛﻞ ﺯﻭﺟﺎﺗﻪ ﺍﻹﺣﺪﻯ ﻭﺍﻟﻌﺸﺮﻳﻦ ﻣﻦ ﱢ‬ ‫ﱠ‬
‫»ﺍﻟﺴﻔﺮﻳﺔ« ﻓﻲ‬
‫ﱠ‬ ‫ﻛﻞ ﻗﻠﺒﻪ! ﺗﻨﺎﻭﻟﻨﺎ‪ ،‬ﺛﻼﺛﺘﻨﺎ‪ ،‬ﺍﻟﻤﺄﻛﻮﻻﺕ‬ ‫ﺃﻳﻀﴼ ﻣﻦ ﱢ‬
‫ﺣﻴﻂ ُ‬
‫ﺃﺣﺪ‬ ‫ﺃﻗﺼﺪ ﻓﻲ ﻭﺳﻂ ﻏﺮﻓﺘﻬﺎ ﺍﻟﻮﺣﻴﺪﺓ ﺍﻟﺘﻲ ﺃُ َ‬ ‫ُ‬ ‫ﻭﺳﻂ ﺍﻟ ُﻌ ﱠﺸﺔ‪.‬‬
‫ﺍﻟﻤﺸﻤﻊ‪ .‬ﻟﻌ ﱠﻠ ُﻪ ﺍﻟﻤﻄﺒﺦ! ﺟﺪﺭﺍﻥ ﺍﻟ ُﻌ ﱠﺸﺔ‬ ‫ﱠ‬ ‫ﺃﺭﻛﺎﻧﻬﺎ ﺑﺴﻴﺎﺝ ﻣﻦ ﺍﻟﻘﻤﺎﺵ‬
‫ﺍﻟﺴﻘﻒ ﻣﺴﺒﻮﻙٌ‬ ‫ُ‬ ‫ﺍﻟﺮﻣﺎﺩﻱ ﺍﻟﻜﺌﻴﺐ‪» :‬ﺍﻟﺒﺮﺩﻳﻦ«‪.‬‬ ‫ّ‬ ‫ﻣﻦ ﻃﻮﺏ ﺍﻹﺳﻤﻨﺖ‬
‫ﺑﺠﺬﻭﻉ ﺍﻷﺷﺠﺎﺭ‪ُ ،‬ﻣﻐ ﱠﻠ ٌﻒ ِﺑﺎﻟ َﻌ َﺰﻑ!‪ ...‬ﺁﻩ‪ ،‬ﻫﻮ ﺍﻟﻤﻄﺒﺦ ﻓﻌﻼ‪َ :‬ﺣ َﺰ ْﺭ ُﺕ ﻓﻴﻪ‬
‫ﺃﺩﻭﺍﺕ ﻣﻄﺒﺨ ّﻴ ٍﺔ ﺑﺪﺍﺋﻴﺔ ﻋﻨﺪﻣﺎ ﻓ َﺘ َﺤ ْﺖ ﻭﻳﻠﻲ ِﺳﻴﺎﺟ ُﻪ ِﻟ ُﺘ ِﻌ ﱠﺪ ﻟﻨﺎ‬ ‫ﺑﻌﺾ ٍ‬
‫‪197‬‬ ‫ﺇﺑﺮﻳﻘﴼ ﻣﻦ ﺍﻟﺸﺎﻱ!‪...‬‬
‫ﺘﺨﺰﻳﻦ ﺍﻟﻘﺎﺕ! ﻭﻳﻠﻲ ﻣﻮ ﱠﻟﻌﺔٌ‬ ‫ِ‬ ‫ﺍﻟﺘﺮﺍﺏ ِﻟ‬
‫َ‬ ‫ُ‬
‫ﺍﻟﺘﺤﻔﻨﺎ‪ ،‬ﺛﻼﺛﺘﻨﺎ‪،‬‬
‫ﻻﺣﻈﺖ ﺃﻧﻬﺎ ﺣﺒﻠﻰ ﻓﻲ ﺃﺷﻬﺮﻫﺎ ﺍﻷﻭﻟﻰ! ﺍﻟﻴﻤﻦ‬ ‫ُ‬ ‫ﺑﺎﻟﻘﺎﺕ ﻫﻲ ﺃﻳﻀﴼَ!‬
‫ﺣﺴﻦ ِﺑﺤﺴﺎﺏ ﻋﺪ ِﺩ‬ ‫ﺣﺎﻭﻟﺖ ﻣﺴﺎﻋﺪ َﺓ َ‬ ‫ُ‬ ‫ﺗﺴﻴ ُﺮ ﻋﻠﻰ َﺑ َﺮﻛ ِﺔ ﺍﷲ‪...‬‬
‫ﺭﻗﻢ ﻳﺮﺍﻭﺡ ﺑﻴﻦ ﺍﻝ ‪33‬‬ ‫ْ‬ ‫ﺃﻃﻔﺎ ِﻟ ِﻪ ِﺑﺪ ّﻗﺔ‪ .‬ﺑﻌﺪ‬
‫ﺣﺼﺮ ﺻﺎﺭﻡ ﻭﺻﻠﻨﺎ ﺇﻟﻰ ٍ‬ ‫ٍ‬
‫ﺍﻟﺠﻨﻴﻨﻴﺔ ﺍﻟﻮﺍﻋﺪﺓ ﻛﺘﻠﻚ ﺍﻟﺘﻲ‬ ‫ﱠ‬ ‫ﺍﻟﻤ ْﻀ َﻐ ِ‬
‫ﺎﺕ‬ ‫ﺣﺴﺎﺏ ُ‬‫ِ‬ ‫ﻭﺍﻝ ‪ ،35‬ﺩﻭﻥ‬
‫ﺣﺴﻦ‬ ‫ﻳﻌﺸﻘﻬﻦ َ‬
‫ﱠ‬ ‫ﺗﺨﻔﻖ ﺣﺎﻟ ّﻴﴼ ﻓﻲ ﺩﻑ ِﺀ ﺃﺣﺸﺎﺀ ﻭﻳﻠﻲ ﺃﻭ ﻏﻴﺮﻫﺎ ﻣﻤﻦ‬ ‫ُ‬
‫ﻋﺪ ﺃﻃﻔﺎﻟ ِﻨﺎ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ‪ .‬ﻟﻢ ﺃﺟﺪ ﺻﻌﻮﺑ ًﺔ‬ ‫ﺣﺎﻭﻟﺖ ﱠ‬ ‫ُ‬ ‫ﻛﻞ ﻗﻠﺒﻪ!‪...‬‬ ‫ﻣﻦ ﱢ‬
‫ُ‬
‫ﺃﺟﻮﻑ ﺻﺎﺭﻡ‪َ ...‬ﻧ َﻈ ْﺮ ُﺕ ِﺑﺤﺴﺮ ٍﺓ‬ ‫ﺷﺪﻳﺪ ﺍﻟﺪﺍﺋﺮﻳﺔ! ﺻﻔ ٌﺮ‬ ‫ُ‬ ‫ﻛﺒﻴﺮﺓ‪ :‬ﺻﻔ ٌﺮ‬
‫ُ‬ ‫ْ‬
‫َﻄﻦ ﻭﻳﻠﻲ ﺍﻟﺘﻲ ﺗﺘ َﻤﻠ َﻤﻞ ﻗﺮﺑﻨﺎ ﻭﻛﺄﻧﻬﺎ ﺗﺸﻜﻮ ﻣﻦ‬‫َ‬ ‫َ‬ ‫ﻭﻏ ْﻴ َﺮ ٍﺓ ﺃﻳﻀﴼ ﺇﻟﻰ ﺑ ِ‬ ‫ِ‬
‫ﻭﺟﻊ ﻣﺎ!‪...‬‬
‫ٍ‬
‫ﻭﻓﺼﻞ‬
‫ﻟﻢ ﻳﺘﺮﻙ ﺣﺴﻦ ﺻﺪﻳﻘﴼ ﻗﺪﻳﻤﴼ ﻋﺮﻓﻨﺎﻩ ﻣﻌﴼ ﺇﻻ ﱠ‬
‫ﺗﺎﺭﻳﺦ ﺣﻴﺎﺗﻪ! ﺣﺴﻦ ﻣﻮﺳﻮﻋ ٌﺔ ﻫﺎﺋﻠﺔ‪،‬‬
‫ِ‬ ‫ﻭﻛﻞ‬
‫ﱠ‬ ‫ﺳﻴﺮ َﺗﻪ ﺍﻟﺘﻲ ﺃﺟﻬ ُﻠﻬﺎ‬
‫ﺃﻫﻞ ﻫﺬﺍ ﺍﻟﺒﻠﺪ‬ ‫ﻣﺮﺟ ٌﻊ ﻣﻤﺘ ٌﻊ ﻻ ﻳﻨﻀﺐ! ﻛﺸﻒ ﻟﻲ ﺃﻳﻀﴼ ﻣﻌﺎﻧﺎ َﺓ ِ‬
‫ﻗﻴﺎﺩﻱ‬
‫ﱞ‬ ‫ﻭﺗﻌﻠﻴﻘﺎﺕ ﺣﺎ ﱠﺩ ٍﺓ ﻻ ﻳﺘﺠﺮﺃُ‬
‫ٍ‬ ‫ﺎﻣﻪ‪ ،‬ﺑﻌﺒﺎﺭﺍﺕ ﻣﻜ ﱠﺜﻔ ٍﺔ‬ ‫ﻭﺃﻛﺎﺫﻳﺐ ُﺣ ﱠﻜ ِ‬
‫َ‬
‫ﺗﺤﺪ َﺙ ِﺑ ِﺪ ﱠﻗ ٍﺔ ﺷﺪﻳﺪﺓ ﻭﺗﻔﺎﺻﻴﻞ‬ ‫ﱠ‬ ‫ﻳﺘﻔﻮ َﻩ ﺑﻬﺎ!‪...‬‬
‫ﱠ‬ ‫ﻓﻲ ﺍﻟﻤﻌﺎﺭﺿﺔ ﺃﻥ‬
‫ﻣﺬﻫﻠﺔ ﻋﻦ ﺍﻟﻔﺴﺎﺩ‪ ،‬ﻋﻦ ﺍﻟﻨﻬﺐ‪ ،‬ﻋﻦ ﺗﻌﻤﻴﻢ ِﻗ َﻴ ِﻢ ﺍﻟﻘﺒﻴﻠﺔ‪ ،‬ﻋﻦ ﻫﻨﺪﺳﺔ‬
‫ﺍﻟﺨﺮﺍﺏ‪ ،‬ﻋﻦ ﺍﻻﻧﻬﻴﺎﺭ ﺍﻟﻤﺮﺗﻘﺐ!‪...‬‬
‫ﺍﻟﺤ ْﻤﻞ‬ ‫ّ‬
‫ﻏﺎﺩ َﺭ ْﺗﻨﺎ ﻭﻳﻠﻲ ﻟﺘﺮﺗﺎﺡ ﻓﻲ ﺍﻟﻤﻄﺒﺦ! ﻟﻌﻠﻬﺎ ﺗﺸﻌﺮ ﺑﺂﻻﻡ ِ‬
‫ُﺤﺮ ُﺟ ُﻪ ﺃﻱ ﺳﺆﺍﻝ ﻭﻻ‬ ‫ﺣﺴﻦ‪ .‬ﺳﺄ ْﻟ ُﺘ ُﻪ‪ ،‬ﻫﻮ ﺍﻟﺬﻱ ﻻ ﻳ ِ‬ ‫ﻛﻤﺎ ﻫﻤﺲ ﻟﻲ َ‬
‫ﻳﺮﻭﻕ ﻟﻪ ﺃﻥ َ‬
‫ﻳﻜﻮﻥ ﻟﻪ‬ ‫ﻳﻠﻮﻙ ﻛﻠﻤﺎﺗﻪ ﻋﻨﺪ ﺃﻳﺔ ﺇﺟﺎﺑﺔ‪ ،‬ﻛﻴﻒ ُ‬ ‫ﻳﺘﺮ ﱠﺩ ُﺩ ﺃﻭ ُ‬
‫ﻃﻔ ٌﻞ ﻣﻦ ﻓﺘﺎ ٍﺓ ِﺑ ُﻌ ْﻤ ِﺮ ﺍﺑﻨﺘﻪ! ﺃﺟﺎﺑﻨﻲ ﺃﻧﻪ ﺍﺭﺗﺒﻂ‪ ،‬ﺧﻼﻝ ﺣﻴﺎﺗﻪ ﺃﻳﻀﴼ‪،‬‬
‫ِﺑﺰﻭﺟﺎﺕ ِﺑ ُﻌ ْﻤ ِﺮ ﺃُ ﱢﻣﻪ! ﻗﻠﺖ ﻟﻪ ﺇﻧﻲ ﻻ ﺃﺗﺤﺪﺙ ﻋﻦ ﺍﻟﻈﻮﺍﻫﺮ ﺍﻟﻨﺎﺩﺭﺓ‬
‫ﺟﺪﴽ‪ ،‬ﻷﻥ ﺍﻟﺒﻠﺪ ﻣﺜﻘ َﻠ ٌﺔ ﺑﺎﻟﻌﻜﺲ ﺗﻤﺎﻣﺎ‪ :‬ﺍﻟﺰﻭﺍﺝ ﺍﻟﻤﺒ ﱢﻜﺮ‪ ،‬ﺍﻻﻏﺘﺼﺎﺏ‬ ‫ّ‬
‫ﺍﻟﺴﻴﺎﺣﻲ‪ ،‬ﻋﻬﺮ ﺍﻷﻃﻔﺎﻝ‪ ،‬ﺍﻧﺘﻬﺎﻙ ﻃﻔﻮﻟﺘﻬﻢ ﺑﺸ ّﺘﻰ ﺍﻷﺷﻜﺎﻝ‪ ...‬ﻟﻢ‬
‫ﻳﺘﻜﻮﻥ ﻣﻦ ﻋﺒﺎﺭﺓ ﺃﻭ ﻋﺒﺎﺭﺗﻴﻦ‬ ‫ﻳﻨﻘﺼﻨﻲ ﺑﻌﺪ ﺫﻟﻚ ﺇﻻ ﺟﺴ ٌﺮ ﺻﻐﻴﺮ ﱠ‬ ‫ْ‬ ‫‪198‬‬
‫ﻓﺾ ﺍﻟﺒﻜﺎﺭﺓ ﺑﺎﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳّﺔ!‪...‬‬ ‫ﻫﻴﺄﺗﺎ ﻟﻲ ﺳﺮ َﺩ ﺣﻜﺎﻳﺔ ﺍﺣﺘﻔﺎﻝ ﱢ‬ ‫ﱠ‬
‫ﺣﻜﻴﺖ ﻟﻬﻢ ﺗﻠﻚ ﺍﻟﻘﺼﺔ!‬ ‫ُ‬ ‫ﺁﺫﺍﻥ ﻣﻦ‬ ‫ِ ِ‬‫ﺑﻨﻔﺲ‬ ‫ﻦ‬‫ْ‬ ‫ﺣﺴ‬
‫َ‬ ‫ﻟﻲ‬ ‫ﻳﺼﻎ‬ ‫ﻟﻢ‬
‫ﻐﻴﺎﺏ ﻣﺜﻠﻬﻢ‪ .‬ﻟﻢ ﻳﻜﻦ ﻣﺸﺪﻭﺩﴽ ِﻟﻤﻔﺎﺟﺂﺗﻬﺎ ﺃﻳﻀﴼ‪.‬‬ ‫ﻟﻢ ﻳﻨﻈ ْﺮ ﻧﺤﻮﻱ ِﺑ ٍ‬
‫ﺍﻟﻮﻗﺖ ﻣﻦ ﺷﻲ ٍﺀ ﻣﺎ! ﻣﺎ ﺇﻥ ﻭﺻ ْﻠ ُﺖ‬ ‫ِ‬ ‫ﺮﻛﺰﴽ‪ ،‬ﻭﻣﺘﻀﺎﻳﻘﴼ ﻓﻲ ﻧﻔﺲ‬ ‫ﻛﺎﻥ ُﻣ ﱢ‬
‫ﺍﻛﺘﺸﻔﺖ ﺃﻥ ﺣﺴﻦ ﻳﻌﺮﻑ‬ ‫ُ‬ ‫ّ‬
‫ﻓﺾ ﺍﻟﺒﻜﺎﺭﺓ ﺣﺘﻰ‬ ‫ﺫﻛﺮ ﻟﻴﻠﺔ ﺍﺣﺘﻔﺎﻝ ﱢ‬ ‫ﺇﻟﻰ ِ‬
‫ﺃﺣﺪﺍﺙ ﺍﻟﻘﺼﺔ ﺃﻛﺜﺮ ﻣﻨﻲ! ﻗﺎﻃﻌﻨﻲ ﻫﻮ ﻧﻔﺴﻪ ِﻟﻴﻮﺍﺻﻠﻬﺎ‪ِ ،‬ﻟ ُﻴ ِﻀ َ‬
‫ﻴﻒ‬
‫ﻛ ُﺮ ﺍﻟﺸﻘﻴﻘﺔ ﺍﻟﺼﻐﻴﺮﺓ‬ ‫ﺍﻗﺘﺮﺏ ِﺫ ْ‬
‫َ‬ ‫ﺗﻔﺎﺻﻴﻞ ﺃﺟﻬ ُﻠﻬﺎ ﻻﺳ ّﻴﻤﺎ ﻋﻨﺪﻣﺎ‬
‫ﺍﻟﺘﻲ ﺍﻏﺘﺼ َﺒﻬﺎ ﺧﻄﻴ ُﺒﻬﺎ ﻭﻫﻲ ﺗﺤﻤﻞ ﻟﻪ ﻭﺟﺒ َﺔ ﺍﻟﻀﺤﻰ!‬
‫ﻛﻬﺮﺑﺎﺋﻲ ﻣﻔﺎﺟﺊ ﻋﻨﺪﻣﺎ‬ ‫ٍ‬ ‫ﻛﺘﻴ ٍﺎﺭ‬
‫ﺣﺴﻦ ﺑﻌﺒﺎﺭ ٍﺓ ﻫ ﱠﺰﺗﻨﻲ ﱠ‬ ‫ﺗﻔﻮ َﻩ َ‬‫ﱠ‬
‫ﺗﻤﺘ َﻢ‪» :‬ﺁﻩ‪ ،‬ﺍﻟﻤﺴﻜﻴﻨﺔ َﻧ ِﻌ ْﻴﻢ!«‪.‬‬
 ‫ﻟﻌﻞ ﺍﺳﻢ »ﻧﻌﻴﻢ« ﺷﻬﻴ ٌﺮ ﻓﻲ‬ ‫ﻫﺪ َﺉ ﻣﻦ َﺭﻭﻋﻲ‪ :‬ﱠ‬ ‫ﺣﺎﻭﻟﺖ ﺃﻥ ﺃُ ﱢ‬
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‫ﺍﻟﻤﻨﺎﻃﻖ ﺍﻟﺠﺒﻠ ّﻴﺔ ﺍﻟﻤﺤﻴﻄﺔ ﺑﺼﻨﻌﺎﺀ ﻟﻮﺟﻮﺩ ﻭﺍ ٍﺩ ﺷﻬﻴﺮ‪ ،‬ﺃﺳﻔﻞ ﺟﺒﺎﻝ‬
‫ُﺛ َﻼ‪ ،‬ﺍﺳﻤﻪ »ﻭﺍﺩﻱ ﻧﻌﻴﻢ«‪ ،‬ﻛﺎﻥ ﻏﻨ ّﻴﴼ ﺑﺰﺭﺍﻋﺔ ﺍﻟﻔﻮﺍﻛﻪ ﻭﺍﻟﺨﻀﺮﻭﺍﺕ‬
‫ﺍﻟﻤﺘﺼﺪﻉ‪ :‬ﺯﺭﺍﻋﺔ ﺍﻟﻘﺎﺕ!‪...‬‬ ‫ّ‬ ‫ﻭﺍﻟﺒﻦ‪ ،‬ﻭﺻﺎﺭ ﺍﻟﻴﻮﻡ ﻣﻮﺑﻮﺀﴽ ﺑﻤﺮﺽ ﺍﻟﻮﺍﺩﻱ‬
‫ﻣﺄﻟﻮﻑ ﺍﻻﺳﺘﻌﻤﺎﻝ ﻫﻨﺎﻙ‪ ،‬ﻭﺇﻥ ﻟﻢ ﺃﺳﻤﻊ ﻓﻲ ﺣﻴﺎﺗﻲ‬ ‫ُ‬ ‫ﻟﻌ ّﻠ ُﻪ ﺍﺳ ٌﻢ‬
‫ﺷﺨﺼ ّﻴﴼ ﺑﻬﺬﺍ ﺍﻻﺳﻢ ﺍﻷﻧﺜﻮﻱ ﺍﻟﺒﺪﻳﻊ ﺇﻻ ﻋﻨﺪﻣﺎ ﻟ َﻔ َﻈ ْﺖ ﺇﻟﻬﺎ ُﻡ ﺑ ِﻪ‬
‫‪199‬‬ ‫ﺛﻨﺎﺋﻲ‬
‫ﱟ‬ ‫ﺍﻟﺮﻭﺣﻲ«‪ ،‬ﻓﻲ ﱠﺃﻭ ِﻝ ﻟﻘﺎ ٍﺀ‬
‫ّ‬ ‫ﺍﻟﺤﺪﻳﺚ ﻋﻦ » َﺗ ْﻮ ِ‬
‫ﺃﻣﻬﺎ‬ ‫ِ‬ ‫ﻣﺮﺓ‪ ،‬ﻋﻨﺪ‬ ‫ﻷﻭﻝ ﱠ‬ ‫ﱠ‬
‫ﻳﻮﻡ ﺗﻘﺮﻳﺒﴼ‪...‬‬ ‫ُ‬ ‫ْ‬ ‫َ‬
‫ﻛﻞ ٍ‬ ‫ﻟﻨﺎ ﻓﻲ ﻧﺎﻧﺖ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺗﺮ ﱢﺩ َﺩ ُﻩ ﱠ‬
‫ﺳﺄﻟﺖ ﺣﺴﻦ ﻣﺨﻔﻴﴼ ﻗﺪﺭ ﻣﺎ ﺃﺳﺘﻄﻴﻊ ﺗﺸ ﱡﻨﺠﴼ ﺍﻋﺘﺮﻯ‬ ‫ُ‬ ‫ﺗﻌﺮ ُﻓﻬﺎ؟‪،‬‬
‫‪ -‬ﻫﻞ ِ‬
‫ﺟﻔﻮﻧﻲ ﻓﺠﺄﺓ‪...‬‬
‫ﺟﻴﺪﴽ‪ .‬ﻫﻲ ﺯﻭﺟﺔ ﺻﺪﻳﻘﻲ ﺍﻟﻘﺪﻳﻢ‪ :‬ﺧﺎﻟﺪ!‬ ‫‪ -‬ﻧﻌﻢ! ﱢ‬
‫ﺗﺠﻤﻴﻊ ﻣﺎ ﺃﺳﺘﻄﻴﻊ ﻣﻦ ﺍﻟﺮﻳﻖ ﻓﻲ‬ ‫َ‬ ‫ُ‬
‫ﺣﺎﻭﻟﺖ‬ ‫ﺴﺖ ﺑﺼﻌﻮﺑﺔ‪،‬‬ ‫ﺗﻨ ﱠﻔ ُ‬
‫ُ‬
‫ﻭﺍﺻﻠﺖ‪:‬‬ ‫ّ‬
‫ﺛﻐﺮﻱ‪ .‬ﻛﺎﻥ ﺟﺎﻓﴼ ﺗﻤﺎﻣﴼ‪.‬‬
‫‪ -‬ﻭﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﻜﺒﻴﺮﺓ؟ ﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﺘﻲ ﺗﻜﺒﺮﻫﺎ ﺑﺴﻨﺘﻴﻦ‪ ،‬ﻫﻞ‬
‫ﺗﻌﺮ ُﻓﻬﺎ؟‬
‫ِ‬
‫‪ -‬ﻻ ﻟﻢ ﺃﺭﻫﺎ ﻳﻮﻣﴼ! ﻷﻥ ﺧﺎﻟﺪ ﺳﺎﻋﺪﻫﺎ‪ ،‬ﻓﻲ ﻣﻨﺘﺼﻒ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ ﻋﻨﺪ‬
‫ﺍﻟﻬﺮﻭﺏ ﺇﻟﻰ ﺃﻭﺭﻭﺑﺎ ﺃﻭ ﻛﻨﺪﺍ‪،‬‬ ‫ِ‬ ‫ﺍﻟﺸﻴﺦ ﻟﻠﻌﻼﺝ ﺇﻟﻰ ﺃﻟﻤﺎﻧﻴﺎ‪ ،‬ﻋﻠﻰ‬ ‫ِ‬ ‫ﺫﻫﺎﺏ‬
‫ِ‬
‫ﺯﻭﺟﻬﺎ‬
‫ِ ِ ِ‬ ‫ﺓ‬ ‫ﺮﺷﻮ‬ ‫ﺑ‬ ‫ﺪﻫﺎ‪،‬‬ ‫ﻟ‬ ‫ﻭﺍ‬
‫ِ ِ‬ ‫ﺳﻔﺮ‬ ‫ﺃﺛﻨﺎﺀ‬ ‫ﻬﺎ‪،‬‬ ‫ﻗ‬‫َ‬ ‫ﻃﻼ‬ ‫ﺧﺎﻟﺪ‬ ‫ﺃﺷﺘﺮﻯ‬ ‫ﺃﻋﺮﻑ!‪...‬‬ ‫ﻻ‬
‫ﺧﺎﻟﺪ ﻣﺒﻠﻐﴼ ﻳﻜﻔﻲ ﻟﻠﻬﺮﻭﺏ‬ ‫ُ‬ ‫ﻤﻌﻴ ِﺔ ﺍﻟﺸﻴﺦ! ﺃﻋﻄﺎ ُﻩ‬ ‫ُ‬
‫ﻳﻌﻤﻞ ِﺑ ﱠ‬ ‫ﺍﻟﺬﻱ ﻛﺎﻥ‬
‫ﺳﻴ ِﺪﻩ‪...‬‬
‫ﻭﺍﻟﺤﻴﺎﺓ ﺑﻌﻴﺪﴽ ﻋﻦ ﱢ‬
 ‫ﻟﻤﺰﻳﺪ ﻣﻦ ﺍﻟﺘﻔﺎﺻﻴﻞ‪:‬‬ ‫ٍ‬ ‫ﺩﻓﻴﻦ‬
‫ﺑﻨﻬﻢ ٍ‬ ‫ﺃﺿﻔﺖ ٍ‬ ‫ُ‬
‫ﺟﺪﴽ! ﻛﻴﻒ ﻭﺻﻞ ﺧﺎﻟﺪ ﺍﻟﺬﻱ ﻳﺴﻜﻦ ﻓﻲ ﺻﻨﻌﺎﺀ ﺇﻟﻰ‬ ‫ﻏﺮﻳﺐ ّ‬ ‫ٌ‬ ‫‪-‬‬
‫ﺗﺰﻭﺟﻬﺎ؟‪...‬‬ ‫ﻧﻌﻴﻢ؟ ﻛﻴﻒ ﱠ‬
‫‪ -‬ﻛﺎﻥ ﺫﻟﻚ ﻓﻲ ﺻﻴﻒ ‪ 1977‬ﺗﺤﺪﻳﺪﴽ! ﺻﻌﺪ ﺧﺎﻟﺪ ﺇﻟﻰ ﺟﺒﺎﻝ ُﺛﻼ‬
‫ﻣﺮ ِﺑﻤﻨﻄﻘ ِﺔ ﺍﻟﺸﻴﺦ‪.‬‬ ‫ﺃﺣﺪ ﺃﻗﺎﺭﺑﻪ‪ .‬ﱠ‬ ‫ﺑﺴ ّﻴﺎﺭﺗ ِﻪ ﺍﻟﻼﻧﺪﺭﻭﻓﺮ ﻓﻲ ﺭﺣﻠ ٍﺔ ﻣﻊ ِ‬
‫ﻧﻴﺮﴽ ﻧﺒﻴﻼً‬ ‫ﺃﺣﺪ ﺃﻗﺮﺑﺎﺋﻬﻤﺎ ﺍﻟﺬﻱ ﻛﺎﻥ ﻓﻘﻴﻬﴼ ﱢ‬ ‫ﻋﺮ َﻓ ُﻪ ﻣﺮﺍﻓ ُﻘ ُﻪ ﻋﻠﻰ ِ‬ ‫ﱠ‬
‫ﺘﺪﺭﻳﺲ ﺑﻨﺎﺕ ﻭﺃﺑﻨﺎﺀ ﺍﻟﺸﻴﺦ ﺍﻟﻠﻐ َﺔ ﻭﺍﻟﻨﺤ َﻮ‬ ‫ِ‬ ‫ﺑ‬‫ِ‬ ‫ﻡ‬
‫ُ‬ ‫ﻭﻳﻘﻮ‬ ‫ﻼ‪،‬‬ ‫ﺛ‬‫ُ‬ ‫ﻓﻲ‬ ‫ﻳﻌﻴﺶ‬
‫ُﺪﺭﺱ ﺁﻧﺬﺍﻙ ﻧﻌﻴ َﻢ ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﻓﻲ ﺍﻟﻌﺎﺷﺮﺓ‪،‬‬ ‫ﻭﺍﻟﺒﻼﻏﺔ!‪ ...‬ﻛﺎﻥ ﻳ ﱢ‬
‫ﻛﻤﺎ ﺩ ّﺭﺱ ﻗﺒﻠﻬﺎ ﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﻜﺒﺮﻯ‪ ،‬ﻭﺑﻘ ّﻴﺔ ﺃﺧﻮﺍﻧﻬﺎ ﻭﺃﺧﻮﺍﺗﻬﺎ ﻏﻴﺮ‬
‫ﺍﻷﺷ ّﻘﺎﺀ‪...‬‬
‫ﺧﺎﻟﺪ ﻭﺭﻓﻴ َﻘﻪ ﺇﻟﻰ ﺍﻟﻐﺪﺍﺀ ﻭﺗﺨﺰﻳﻦ ﺍﻟﻘﺎﺕ ﺑﻌﺪ‬ ‫َ‬ ‫ﺩﻋﺎ ﺍﻟﻔﻘﻴ ُﻪ‬
‫ﺫﻟﻚ‪ .‬ﺩﺧﻞ ﺛﻼﺛﺘﻬﻢ ﻓﻲ ﺣﻮﺍﺭﺍﺕ ﻭﺃﺣﺎﺩﻳﺚ ﻛﺜﻴﺮﺓ‪ .‬ﺍﻧﺴﺠﻢ ﺍﻟﻔﻘﻴ ُﻪ‬
‫ﺍﻷﻭ ُﻝ ﺑﺎﻟﺜﺎﻧﻲ ﺣﺘﻤﴼ! ﺑﺎﺡ ﺍﻟﻔﻘﻴ ُﻪ‬ ‫ﻋﺠﺐ ﱠ‬ ‫ﻭﺧﺎﻟﺪ ﻛﺜﻴﺮﴽ‪ ،‬ﻣﻦ ﱠﺃﻭ ِﻝ ﻭﻫﻠﺔ! ﺃُ َ‬ ‫َ‬ ‫‪200‬‬
‫ﻳﻮﻡ ﻣﻦ ﺫﻟﻚ‪ :‬ﺍﻏﺘﺼﺎﺑُﻬﺎ ﻣﻦ ﺧﻄﻴﺒﻬﺎ ﺍﻟﻬﺎﺭﺏ!‬ ‫ﺑﻤﺎ ﺣﺪﺙ ِﻟﻨﻌﻴﻢ ﻗﺒﻴﻞ ٍ‬ ‫َ‬ ‫َ‬
‫ﻭﺃﻡ ﻧﻌﻴﻢ‪ .‬ﻭﺭﺑﻤﺎ‬ ‫ﺍﻟﻘﺼ ُﺔ ﻣﻌﺮﻭﻓ ًﺔ ﻷﺣﺪ ﺗﻘﺮﻳﺒﺎ ﻋﺪﺍ ﺍﻟﺸﻴﺦ ﱠ‬ ‫ّ‬ ‫ﻟﻢ ﺗﻜﻦ‬
‫ِﻵﺧﺮﻳﻦ ﻗﻠﻴﻠﻴﻦ ﺃﺭﻏﻤﻬﻢ ﺍﻟﺸﻴﺦ ﻋﻠﻰ ﻛﺘﻤﺎﻥ ﺍﻟﺴﺮ! ﻛﺎﻥ ﺍﻟﻔﻘﻴ ُﻪ‬
‫ﺍﻟﻌﻄﻒ‬
‫ِ‬ ‫ﺑﻜﺜﻴﺮ ﻣﻦ‬
‫ٍ‬ ‫ﺷﺪﻳﺪ ﺍﻟﺘﻌ ﱡﻠ ِﻖ ِﺑ َﻨﻌﻴﻢ ﻭﺃﺧ ِﺘﻬﺎ ﺍﻟﻜﺒﻴﺮﺓ‪ُ ،‬ﻳ ْﻐ ِﺪ ُﻗﻬﻤﺎ‬ ‫َ‬
‫ﻭﺍﻟﺤﻨﺎﻥ‪ .‬ﻳﺤﺎﻭﻝ ﺃﻥ ﻳﺨﺘﻠﻲ ﺑﻬﻤﺎ ﺃﺛﻨﺎﺀ ﺩﺭﻭﺳﻪ ﻗﺪﺭ ﻣﺎ ﻳﺴﺘﻄﻴﻊ‪،‬‬ ‫ُ‬
‫ﻳﺨﺘﻠﺞ ﻓﻲ ﻣﺸﺎﻋﺮﻫﻤﺎ‪ ...‬ﻛﺎﻧﺘﺎ ﻫﻤﺎ‬ ‫ُ‬ ‫ﺑﻜﻞ ﻣﺎ‬
‫ﺍﻟﺒﻮﺡ ﻟﻪ ﱢ‬ ‫ِ‬ ‫ﻳﺤ ﱡﺜﻬﻤﺎ ﻋﻠﻰ‬
‫ﺑﺒﻌﺾ ﻣﻌﺎﻧﺎﺗﻬﻤﺎ‪...‬‬
‫ِ‬ ‫ﺃﻳﻀﴼ ُﺗ ِﺤ ﱠﺒﺎﻧ ُﻪ ﻛﺜﻴﺮﴽ‪ُ ،‬ﺗ ِ‬
‫ﻔﻀﻴﺎﻥ ﻟﻪ ﺳ ّﺮﴽ‬
‫ﺍﻏﺘﺼﺎﺏ‬
‫ُ‬ ‫ﻳﺘﻔﺠ ُﺮ ﻏﻀﺒﴼ ﻳﻮﻡ ﻟﻘﺎﺋ ِﻪ ﺑﺨﺎﻟﺪ‪.‬‬ ‫ﱠ‬ ‫ﻛﺎﻥ ﺍﻟﻔﻘﻴ ُﻪ‬
‫ﻧﻌﻴﻢ َﺟ َﺮ َﺣ ُﻪ ﻓﻲ ﺍﻟﻘﻠﺐ‪ .‬ﺟﺮﺍ ُﺡ ﻭﺩﻣﺎ ُﺭ ﺣﻴﺎ ِﺓ ﺷﻘﻴﻘ ِﺘﻬﺎ ﺍﻟﻜﺒﺮﻯ ﻳﻮﻡ‬
‫ﺍﺣﺘﻔﺎﻝ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳّﺔ ﺳ َﺘ ْﺴ ُﻜﻨ ُﻪ ﺇﻟﻰ ﺍﻷﺑﺪ! ﺷﻘﻴﻘ ُﺘﻬﺎ ﺍﻟﻜﺒﺮﻯ ﺍﻟﺘﻲ‬
‫ﺗﺘﺤﺪﺙ ﻣﻊ ﺇﻧﺴﺎﻥ‬ ‫ﱠ‬ ‫ْ‬
‫ﺭﻓﻀﺖ ﺃﻥ‬ ‫ﺍﻣﺘﻨﻌﺖ ﻋﻦ ﺍﻟﻜﻼﻡ ﺑﻌﺪ ﺫﻟﻚ ﺍﻟﻴﻮﻡ!‬ ‫ْ‬
‫ﻋﺪﺍ ﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ ﻧﻌﻴﻢ!‪ ...‬ﺣﻜﻰ ﺍﻟﻔﻘﻴ ُﻪ ِﻟﺨﺎﻟﺪ ﻣﺎ ﺣﺼﻞ‬
‫ﺟﺴﺪ ﺧﺎﻟﺪ‬ ‫ُ‬ ‫ﺃﻗﺸﻌﺮ‬
‫ﱠ‬ ‫ﻟﻠﺸﻘﻴﻘﺔ ﺍﻟﻜﺒﺮﻯ ﻓﻲ ﻳﻮﻡ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳّﺔ!‬
 ‫ﻫﻮﻝ ﺍﻟﻤﺄﺳﺎﺓ ﻭﻣﻦ‬ ‫ﻳﻔﻘﺪ ﺍﻟﻮﻋﻲ ﻣﻦ ِ‬ ‫ُ‬ ‫ﻛﻤﺎ ﻟﻢ ﻳﻘﺸﻌﺮ ﻳﻮﻣﴼ! ﻛﺎﺩ‬
‫ُ‬
‫ﻳﺘﺄﻭ َﻩ ﺍﻟﺸﻴﺦ ﺃﻣﺎﻣﻪ‪ ،‬ﺑﺪﻭﻥ ﻭﻋﻲ‪ ،‬ﺑﺎﻟﻌﺒﺎﺭﺍﺕ‬ ‫ﺑﺸﺎﻋﺔ ﺍﻟﻜﺎﺭﺛﺔ!‪ ...‬ﻗﺒﻞ ﺃﻥ ﱠ‬
‫ﺍﻟﺘﺎﻟﻴﺔ‪:‬‬
‫ُ‬
‫»ﺍﺳﺘ ْﺮ ﻧﻌﻴ َﻢ ﻳﺎ ﻭﻟﺪﻱ! ﺳ ُﻴ ِﻌ ﱡﺰ َﻙ ﺍﷲ ﺇﺫﺍ ﺃﻋﺰﺯ َﺗﻬﺎ ﻳﻮﻡ ﻻ ﻋ ﱠﺰ‬
‫ﺳﺘﻜﻮﻥ ﻟﻚ ﺣﻮﺭﻳ َﺔ ِﻋ ْﻴ ٍﻦ‬
‫ُ‬ ‫ﻣﻼﻙ ﻃﺎﻫ ٌﺮ ﻓﻲ ﺟﺴﺪ ﺇﻧﺴﺎﻥ!‬ ‫ﺇﻻ ﻋ ﱠﺰﻩ! ﻫﻲ ٌ‬
‫ﺃﻱ ﺇﻧﺴﺎﻥ‬ ‫ِﺑ َﻬ ْﻴﺌ ِﺔ ﺇﻧﺴﺎﻥ! ﺃﻧﺎ ﺃﻋﺮﻓﻬﺎ ﻫﻲ ﻭﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﻜﺒﺮﻯ ﺃﻛﺜﺮ ﻣﻦ ﱢ‬
‫ﺍﺑﻨﺘﻲ‬
‫ﱠ‬ ‫ﺁﺧﺮ! ﻫﻤﺎ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻲ ﺃﻏﻠﻰ ﻣﻦ ﺑﺆﺑﺆﻱ ﻋﻴﻨﻴﻲ! ﺃﺣ ﱡﺒﻬُﻤﺎ ﻣﺜﻞ‬
‫ﺳﺘﻜﻮﻥ ﻧﻌﻴ ُﻢ ﻛﻨ َﺰ ﺣﻴﺎﺗﻚ! ﺳﺘﺸﻜﺮﻧﻲ‬ ‫ُ‬ ‫ﺻﺪﻗﻨﻲ ﻳﺎ ﻭﻟﺪﻱ‬ ‫ﻭﺃﻛﺜﺮ! ّ‬
‫ﻛﻞ ﻳﻮﻡ‪ ،‬ﻣﻦ‬ ‫ﺼﺤﻲ‪ ،‬ﺳﺘﺪﻋﻮ ﺍﷲ ﻟﻲ ﺑﻌﺪ ﻣﻤﺎﺗﻲ ﱠ‬ ‫ﻛﺜﻴﺮﴽ ﻋﻠﻰ ُﻧ ِ‬
‫ﻳﺠﺪ ﺃﺑﻮﻫﺎ ﻟﻬﺎ ﺯﻭﺟﴼ ﺟﺪﻳﺪﴽ!‬ ‫ﻳﺪﻫﺎ ﻗﺒﻞ ﺃﻥ َ‬ ‫ﺑﻄﻠﺐ ِ‬
‫ِ‬ ‫ﻳﺪﺭﻱ!‪ ...‬ﺍﺳﺮ ْﻉ‬
‫ُ‬
‫ﺗﺰﻭ ْﺟﻬﺎ ﻓﻲ ﺍﻟﺤﺎﻝ!‪ ...‬ﺃﻋﺮﻑ ﺍﻟﺸﻴﺦ! ﻫﻮ ﻓﻲ ﻏﻤﺮ ِﺓ ﻏﻀﺒ ِﻪ ِﻟﻤﺎ ﺣﺼﻞ‬ ‫ﱠ‬
‫ُﻜﺪﺭ ُﻩ‬
‫ﱢ‬ ‫ﻳ‬ ‫ﺍﻟﺬﻱ‬ ‫ﺍﻟﺠﺪﻳﺪ‬ ‫ﺍﻟﻬﻢ‬
‫ﱠ‬ ‫ﻫﺬﺍ‬ ‫ﻳﻨﺴﻰ‬ ‫ﺃﻥ‬ ‫ﻳﺮﻳﺪ‬ ‫ﺍﻟﺠﻠﻴﻠﺔ!‬ ‫ﻪ‬ ‫ﺘ‬
‫ِﻟ ُﺴ ِ‬
‫ﻌ‬‫َ‬ ‫ﻤ‬
‫ْ‬
‫‪201‬‬ ‫ﺳﻴﺠﺪ ﻟﻬﺎ ﺑﻴﻦ ﺃﺗﺒﺎﻋ ِﻪ ﺯﻭﺟﴼ ﺟﺪﻳﺪﴽ‬ ‫ُ‬ ‫ﺍﻵﻥ‪ ،‬ﻳﺮﻳﺪ ﺃﻥ ﻳﻨﺴﺎ ُﻩ ﺑﺴﺮﻋﺔ!‬
‫ﻳﻮﻡ ﻭﻟﻴﻠﺔ!‪«...‬‬‫ﻓﻲ ٍ‬
‫ﻭﺍﺻﻞ ﺣﺴﻦ‪:‬‬ ‫َ‬
‫ﻼ ﻣﻦ‬ ‫‪ -‬ﻻ ﺃﻋﺮﻑ ﺇﻧﺴﺎﻧﴼ ﺃﻛﺜﺮ ﺟﺮﺃ ًﺓ ﻭﺷﺠﺎﻋ ًﺔ ﻭﺻﺪﻗﴼ ﻭﺇﻧﺴﺎﻧﻴ ًﺔ ﻭﻧﺒ ً‬
‫ﻭﺗﺤﺴﺴﴼ ﻵﻻﻡ ﻭﻋﺬﺍﺑﺎﺕ‬ ‫ﱡ‬ ‫ﺧﺎﻟﺪ‪ ،‬ﻻ ﺃﻋﺮﻑ ﻣﻦ ﻫﻮ ﺃﻛﺜﺮ ﻣﻨﻪ ﺇﺻﻐﺎ ًﺀ‬
‫َ‬ ‫ﱡ‬ ‫َ‬
‫ﻗﺮﺭ ﺩﻭﻥ ﺗﺄﺧﺮ ﺃﻥ ﻳُﻨ ِﻘﺬ ﻧﻌﻴﻢ ﻣﻦ‬ ‫ﺍﻵﺧﺮﻳﻦ‪ ،‬ﻻﺳ ّﻴﻤﺎ ﺍﻷﻃﻔﺎﻝ‪ ...‬ﱠ‬
‫ﻭﻳﻼﺗﻬﺎ ﺍﻟﻘﺎﺩﻣﺔ! ﻭﺍﻓﻖ ﻋﻠﻰ ﺍﻟﺰﻭﺍﺝ ﻣﻨﻬﺎ ﻓﻲ ﺍﻟﺤﺎﻝ! ﻛﺎﻥ ﻋﻤ ُﺮﻩ‬
‫ﻧﻔﺴﻪ ﺃﻥ ﻻ‬ ‫‪ 18‬ﺳﻨﺔ ﺣﻴﻨﻬﺎ‪ ،‬ﻭﻋﻤ ُﺮﻫﺎ ‪ 10‬ﺳﻨﻮﺍﺕ! ﺃﻗﺴﻢ ﻓﻲ ﻗﺮﺍﺭ ِﺓ ِ‬
‫ﺳﻦ ﺍﻟ ﱡﺮ ْﺷﺪ!‪...‬‬
‫ﺗﺒﻠﻎ ﱠ‬‫َﻤ ّﺴﻬﺎ ﻗﺒﻞ ﺃﻥ َ‬ ‫ﻳُ‬
‫ﺗﻮﺟ َﻪ ﺍﻟﻔﻘﻴ ُﻪ ﺷﺨﺼ ّﻴﴼ ﺑﻌﺪ ﺫﻟﻚ ﺇﻟﻰ ﺍﻟﺸﻴﺦ ﺍﻟﺬﻱ ﺍﻋﺘﺒﺮ‬ ‫ّ‬
‫ﻫﺪﻳ ًﺔ ﺗﺼ ُﻠ ُﻪ ﻣﻦ ﺍﻟﺴﻤﺎﺀ! ﺻ ّﻠﻰ‬ ‫ﺪﺕ ﺑﻜﺎﺭﺗﻬﺎ ﱠ‬ ‫ﻳﺪ ﺍﺑﻨ ِﺘ ِﻪ ﺑﻌﺪ ﺃﻥ ﻓ َﻘ ْ‬
‫ﻃﻠﺐ ِ‬ ‫َ‬
‫ﺭﻛﻌﺘﻴﻦ ﻣﺒﺎﺷﺮﺓ ﺣﻤﺪﴽ ﷲ ﻭﻋﺮﻓﺎﻧﴼ ﺑﺎﻟﺠﻤﻴﻞ‪ ...‬ﺍﺳﺘﻄﺎﻉ ﺍﻟﻔﻘﻴ ُﻪ‬
‫ﻃﻴ َﺒ ًﺔ ﻋﻦ ﺧﺎﻟﺪ ِﻟﻨﻌﻴﻢ ﺍﻟﺘﻲ َﺗ ِﺜ ُﻖ ﺑﺎﻟﻔﻘﻴ ِﻪ‬ ‫ﻛﻠﻤﺎﺕ ﱢ‬
‫ٍ‬ ‫ُﻮﺻ َﻞ‬
‫ﺃﻳﻀﴼ ﺃﻥ ﻳ ِ‬
‫ُ‬
‫ﺇﻧﺴﺎﻥ ﺁﺧﺮ‪ .‬ﺗ ِﺜﻖ ﺑ ِﻪ ﺑﻌﺪ ﺷﻘﻴﻘ ِﺘﻬﺎ ﺍﻟﻜﺒﺮﻯ ﻣﺒﺎﺷﺮﺓ‪،‬‬ ‫َ‬ ‫ٍ‬ ‫ﺃﻱ‬
‫ﺃﻛﺜﺮ ﻣﻦ ﱢ‬
‫ُ‬ ‫ْ‬
‫ﺍﻟﺸﻴﺦ‬ ‫ﺑﺎﻟﻄﺒﻊ‪ ...‬ﺭ ﱠﺗ َﺐ ﺍﻟﻔﻘﻴ ُﻪ ﺃﻳﻀﴼ ﻣﺎ ﻳﻠﺰﻡ ِﻟﻌﻘ ِﺪ ٍ‬
‫ﺯﻭﺍﺝ ﻋﺎﺟﻞ ﺃﺭﺍﺩ ُﻩ‬
‫ﻣﻘﺘﻀﺒﴼ ﺳﺮﻳﻌﴼ ﺣ ّﺘﻰ ﻻ ﻳﻨﺘﺸﺮ ﻟﻠﻤﻸ ﺧﺒﺮ ﻣﺎ ﺣﺪﺙ ﻟﻨﻌﻴﻢ!‪...‬‬
‫ﻭﺳ ْﻤ َﻌ ُﺘﻪ ﺍﻟﺠﻠﻴﻠﺔ!‪...‬‬ ‫ُ‬
‫ﺍﻟﺸﻴﺦ ُ‬ ‫ﺁﻩ‪ ،‬ﻫﺬﺍ‬

‫ﺻﺐ ﺟﺎ َﻡ ﺩﻋﻮﺍ ِﺗ ِﻪ‬ ‫ﻣﺎ ﺇﻥ ﻋﺎﺩ ﺧﺎﻟﺪ ﻣﻊ ﻧﻌﻴﻢ ﺇﻟﻰ ﺻﻨﻌﺎﺀ ﺣ ّﺘﻰ ﱠ‬
‫ﺍﻟﻄﻴﺒ ُﺔ ﻋﻦ ﺧﺎﻟﺪ‪ ،‬ﺍﻟﺘﻲ‬ ‫ﻛﻠﻤﺎﺕ ﺍﻟﻔﻘﻴﻪ ﱢ‬ ‫ُ‬ ‫ﻭﻋﺮﻓﺎ ِﻧ ِﻪ ﻭﺍﻣﺘﻨﺎ ِﻧﻪ ﻟﻠﻔﻘﻴﻪ!‬
‫ﺗﻮﺟﻬُﻬﺎ ﻧﻌﻴ ُﻢ ِﻟﺨﺎﻟﺪ‬ ‫ُ‬
‫ﺳﺎﻋﺪﺕ ﻓﻲ ﺃﻥ ﺗﻜﻮﻥ ﱠﺃﻭﻝ ﻧﻈﺮ ٍﺓ ﱢ‬ ‫ْ‬ ‫ﺃﻭﺻ َﻠﻬﺎ ِﻟﻨﻌﻴﻢ‪،‬‬
‫ﻳﺘﺼﻮﺭﻩ ﻭﻳﺨﺸﺎﻩ!‪...‬‬‫ﱠ‬ ‫ﺃﻗﻞ ﺗﺠﻬﱡﻤﴼ ﻭﺭﻋﺒﴼ ﻭﻗﺴﺎﻭ ًﺓ ﻣﻤﺎ ﻛﺎﻥ ﺧﺎﻟﺪ‬ ‫ﱠ‬
‫ﺧﺎﻟﺪ ﻣﻦ ﺷﻜﺮ ﺍﻟﻔﻘﻴ ِﻪ ﻓﻲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻪ!‬ ‫ُ‬ ‫ﺛﻢ ﻟﻢ ﻳﺘﻮ ﱠﻗﻒ‬ ‫ﱠ‬
‫ﺑﻔﻀ ِﻠﻪ‪ ،‬ﺻﺎﺭ ﻋﺎﺷﻘﴼ ﻣﻦ ﻋﻤﻖ ﺃﻋﻤﺎﻗﻪ ﻟﻬﺬﻩ ﺍﻷﻣﻴﺮﺓ ﺍﻟﺼﻐﻴﺮﺓ!‬
‫ﻛﻞ ﺷﻲ ٍﺀ ﻓﻴﻬﺎ‪ :‬ﺟﻤﺎ ُﻟﻬﺎ ﺑﺎﻟﻄﺒﻊ )ﻣﻦ ﻳﺴﺘﻄﻴ ُﻊ ﺃﻥ ﻻ ﻳﺬﻭﺏ‬ ‫ﻳﺬﻫ ُﻠ ُﻪ ﱡ‬
‫ﻛﺠﻤﺎﻝ ﻧﻌﻴﻢ؟(‪ ،‬ﺑﺮﺍﺀ ُﺗﻬﺎ‪ ،‬ﺫﻛﺎﺅﻫﺎ‪ ...‬ﻳ ِ‬
‫ُﺮ ْﻳ ُﻌ ُﻪ‬ ‫ِ‬ ‫ِﻋ ْﺸﻘﴼ ﺃﻣﺎﻡ َﺟ ٍ‬
‫ﻤﺎﻝ‬
‫ﻳﺤﺎﻭﻝ ﺃﻥ ﻳﻘﺘﻠﻌﻪ‬ ‫ُ‬ ‫ﻭﺍﻟﻘﻠﻖ ﻓﻲ ﻋﻴﻨﻴﻬﺎ!‬
‫ِ‬ ‫ﻭﺍﻟﺤﺬﺭ‬
‫ِ‬ ‫ﺍﻟﺮﻋﺐ‬
‫ِ‬ ‫ﻓﻘﻂ ﻣﻨﻈ ُﺮ‬ ‫‪202‬‬
‫ﻣﻨﻬﺎ‪ :‬ﻻ ﻳﺴﺘﻄﻴﻊ! ﻳﺸﻌﺮ ﺑﺎﻻﻛﺘﺌﺎﺏ! ﺳﻴﺤﺘﺎﺝ ﻟﺴﻨﻴﻦ ﻃﻮﻳﻠﺔ!‬
‫ﺟﺪﴽ! ﺭﺑﻤﺎ ﻟﻦ ﻳﺴﺘﻄﻴﻊ ﺫﻟﻚ ﻳﻮﻣﴼ!‪...‬‬ ‫ﺭﺑﻤﺎ ﻃﻮﻳﻠﺔ ّ‬
‫ﺗﺴﺘﻴﻘﻆ ﻗﻠﻘ ًﺔ‪،‬‬‫ُ‬ ‫ُ‬
‫ﻳﺤﺪﺙ ﻓﻲ ﺣﻴﺎ ِﺗﻬﺎ‪.‬‬ ‫ﻫﻲ ﻻ ﺗﻔﻬ ُﻢ ﺷﻴﺌﴼ ﻣﻤﺎ‬
‫ﻣﻀﻄﺮﺑ ًﺔ‪ ،‬ﻣﺮﺗﺠﻔﺔ!‪ ...‬ﻟﻜﻨﻬﺎ ﺗﺸﻌﺮ ﺑﻨﻮﻉ ﻣﻦ ﺍﻷﻣﺎﻥ ﻗﺮﺏ ﻫﺬﺍ ﺍﻟﺸﺎﺏ‬
‫ﺗﺘﻌﻮﺩ ﻓﻲ‬ ‫ﺳﻴ َﺪﻫﺎ! ﻟﻢ ﱠ‬ ‫ﺧﺎﺩﻣﻬﺎ ﻭﻟﻴﺲ ﱢ‬ ‫ُ‬ ‫ﺍﻟﺮﻗﻴﻖ ﺍﻟﺬﻱ ﻳﻌﺎﻣﻠﻬﺎ ﻛﺄ ﱠﻧ ُﻪ‬
‫ﺍﻟﻤﻬﺬﺏ‪ ،‬ﺍﻟﺮﻓﻴﻊ‬ ‫ﱠ‬ ‫ﺍﻹﻧﺴﺎﻧﻲ‬
‫ﱢ‬ ‫ﻛﻞ ﺣﻴﺎﺗﻬﺎ ﻋﻠﻰ ﻫﺬﺍ ﺍﻟﻨﻮﻉ ﻣﻦ ﺍﻟﺘﻌﺎﻣﻞ‬ ‫ﱢ‬
‫ﺟﺪﴽ‪...‬‬‫ﺟﺪﴽ‪ ،‬ﺍﻟﺮﻗﻴﻖ ّ‬ ‫ّ‬
‫ﺑﺪﺃ ﺧﺎﻟﺪ‪ ،‬ﺑﻌﺪ ﺃﻳﺎﻡ ﻗﻠﻴﻠﺔ ﻣﻦ ﻭﺻﻮﻟﻬﻤﺎ ﻣﻨﺰ َﻟ ُﻪ ﻓﻲ ﺻﻨﻌﺎﺀ‪،‬‬
‫»ﺷﻬﺮ ﺍﻟﻌﺴﻞ« ﻓﻲ ﺍﻷﺳﻜﻨﺪﺭﻳﺔ‪ ...‬ﻛﺎﻥ ﻳﺤﻤﻞ‬ ‫ِ‬ ‫ﺑﺘﺮﺗﻴﺐ ﺭﺣﻠ ٍﺔ ِﻟﻘﻀﺎﺀ‬
‫ِ‬
‫ﺳﺮﻳﺮﻫﺎ ﺍﻟﺨﺎﺹ ﻓﻲ ﺍﻟﻔﻨﺪﻕ! ﻫﻲ ﻻ‬ ‫ِ‬ ‫ﺇﻟﻰ‬ ‫ﻪ‪،‬‬ ‫ﻧﻔﺴ‬
‫ُ‬ ‫ﻫﻮ‬ ‫ﺍﻟﻔﻄﻮﺭ‪،‬‬ ‫ِﻟﻨﻌﻴﻢ‬
‫ﺠﻨﺎﺡ ﻣﻼﻙ‪ ،‬ﺫﺍﺕ ﻟﻴﻠﺔ َﻗ ْﺪ ٍﺭ ﺳﻌﻴﺪﺓ‪،‬‬ ‫َ‬
‫ﺗﻔﻬﻢ ﻏﻴ َﺮ ﺷﻲ ٍﺀ ﻭﺍﺣﺪ‪ :‬ﺍﻧﺘﻘﻠ ْﺖ ِﺑ ِ‬
‫ﻣﻦ ﺍﻟﻨﺎﺭ ﺇﻟﻰ ﺍﻟﺠﻨﺔ‪ ...‬ﻻ ُﺗ َﺼ ﱢﺪ ُﻕ ﻣﺎ ﺗﺮﺍﻩ‪:‬‬
‫ﻋﺪﻥ! ﻳﺤﻜﻴﻬﺎ ﻟﻬﺎ ﺑﺮﻏﺒ ٍﺔ‬ ‫ﻛﻞ ُﻧ َﻜ ِﺖ ﻃﻔﻮﻟ ِﺘ ِﻪ ﻓﻲ َ‬ ‫ﻳﺘﺬﻛ ُﺮ ﱠ‬ ‫ﱠ‬ ‫ﻫﻮ‬
 ‫ﻫﺎﺋﻠﺔ ﺑﺈﺿﺤﺎﻛﻬﺎ! ﺻﺎﺭ ﻫﺪ ُﻓ ُﻪ ﻃﻮﺍﻝ ﺍﻟﺜﻤﺎﻥ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻷﻭﻟﻰ ﻣﻦ‬
‫ﺍﻟﻤﻘﺪﺱ‪ :‬ﺃﻥ ﻳﺮﺍﻫﺎ ﺗﻀﺤﻚ!‪...‬‬ ‫ﱠ‬ ‫ﻫﺪﻑ ﺣﻴﺎ ِﺗﻪ‬‫ﺣﻴﺎﺗﻬﻤﺎ ﺍﻟﻤﺸﺘﺮﻛﺔ‪ُ ،‬‬
‫ﺛﻢ‬
‫ﻤﺖ ﺫﻟﻚ ﻣﻨﺬ ﻧﻌﻮﻣ ِﺔ ﺃﻇﺎﻓﺮﻫﺎ!‪ ...‬ﱠ‬ ‫ﺗﻀﺤﻚ ﺃﻣﺎﻡ ﺍﻟﺮﺟﻞ! ﺗﻌ ﱠﻠ ْ‬‫ُ‬ ‫ﻫﻲ ﻻ‬
‫ُ‬
‫ﺗﻀﺤﻚ‬ ‫ﺑﺪﺃَ ْﺕ ﺗﺒﺘﺴ ُﻢ ِﺑﺼﻌﻮﺑ ٍﺔ ﺃﻣﺎﻡ ﺧﺎﻟﺪ! ﺗﺒﺘﺴ ُﻢ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ!‬
‫ُ‬
‫ﺗﺨﺠﻞ‬ ‫ﺭﺃﺳﻬﺎ ﺑﻴﻦ ﺭﺍﺣﺘﻴﻬﺎ‪ ،‬ﻭﻛﺄﻧﻬﺎ‬ ‫ﻐﻤﻀ ًﺔ ﻋﻴﻨﻴﻬﺎ‪ُ ،‬ﻣﺨﻔﻴ ًﺔ َ‬ ‫ﺃﺣﻴﺎﻧﴼ ُﻣ ِ‬
‫ﻔﺠ ُﺮﻫﺎ ﺿﺤﻜﴼ ﻳﻮﻣﴼ‬ ‫ﻣﻦ ﺃﻧﻬﺎ ﺗﻀﺤﻚ ﺃﻣﺎﻡ ﺭﺟﻞ!‪ ...‬ﻫﻮ ﻳﻌﺮﻑ ﺃﻧﻪ ﺳ ُﻴ ﱢ‬
‫ﺳﻼﺣ ُﻪ‬
‫ُ‬ ‫ﺳﻴﻜﺘﺴ ُﺤﻬﺎ ﺑﺎﻟﻀﺤﻚ‪ ،‬ﺳﻴﻨﺘﺼ ُﺮ ﻋﻠﻴﻬﺎ ﺑﺎﻟﻀﺤﻚ!‬ ‫ِ‬ ‫ﻣﺎ!‬
‫ﺍﻟﺠ ﱠﺒﺎﺭ ِﻟﻬﺰﻳﻤ ِﺘﻬﺎ‪ :‬ﺍﻟﻀﺤﻚ!‪...‬‬ ‫َ‬
‫ﻛﺎﺋﻦ ﺭﺍﺋﻊ‬
‫ٍ‬ ‫ُﻌﺮ ُﻓﻬﺎ ﻋﻠﻰ‬
‫ﻣﻜﺎﻥ ﺇﻟﻰ ﻣﻜﺎﻥ‪ .‬ﻳ ﱢ‬‫ُﻔﺴ ُﺤﻬﺎ ﻣﻦ ٍ‬ ‫ﻫﻮ ﻳ ﱢ‬
‫ﻟﻢ ﺗﺮﻩ ﻓﻲ ﺣﻴﺎﺗﻬﺎ ﻣﻦ ﻗﺒﻞ‪ ،‬ﻟﻜﻨﻬﺎ ﺗﺸﻌ ُﺮ ﺃﻥ ﺑﻴﻨﻪ ﻭﺑﻴﻨﻬﺎ ﻋﻼﻗﺔً‬
‫ﺃﻋﻤﺎﻕ ﺃﻋﻤﺎﻗﻬﺎ‪،‬‬‫ِ‬ ‫ﻛﺎﺋﻦ ﻣﺬﻫ ٌﻞ ﻣﺬﻫ ٌﻞ ﻣﺬﻫﻞ‪ُ ،‬ﺗﺤ ﱡﺒﻪ ﻧﻌﻴﻢ ﻣﻦ‬ ‫ٌ‬ ‫ﺃﺯﻟ ّﻴﺔ‪.‬‬
‫ﺑﻜﻞ ﺧﺒﺎﻳﺎ ﻧﻔﺴﻬﺎ‪ ،‬ﺗﻌﺸ ُﻘﻪ‪،‬‬ ‫ُﺗﻨﺎﺟﻴﻪ‪ ،‬ﺗﺸﻜﻲ ﻟﻪ ﻫﻤﻮﻣﻬﺎ‪ُ ،‬ﺗ ِﺴ ﱡﺮ ﻟﻪ ﱢ‬
‫‪203‬‬ ‫ﻛﺎﺋﻦ ﺍﺳﻤ ُﻪ ﺍﻟﺒﺤﺮ!‬ ‫ٌ‬ ‫ﺗﻌﺸ ُﻘﻪ‪ ،‬ﺗﻌﺸ ُﻘﻪ‪...‬‬
‫ﻳﺘﺤﺪﺙ ﻣﻌﻬﺎ ﺩﻭﻥ ﺗﻮ ّﻗﻒ‪،‬‬ ‫ﱠ‬ ‫ﻫﻮ ﻳﻬﺘ ﱡﻢ ﺑﻬﺎ‪ ،‬ﻳﺤﺘﺮﻣﻬﺎ‪،‬‬
‫ﻣﺪﺣ ُﻪ‬
‫ُﻌﺠ ُﺒﻬﺎ ُ‬ ‫ﺧﺪﺍﻫﺎ ﺣﻴﻦ ﺫﻟﻚ(‪ .‬ﺻﺎﺭ ﻳ ِ‬ ‫ﻳﻤﺪﺣﻬﺎ ﺑﺎﺳﺘﻤﺮﺍﺭ )ﻳﺤﻤ ﱡﺮ ﱠ‬ ‫ُ‬
‫ﻣﺮ ﺍﻟﺰﻣﻦ‪ .‬ﺗﺤﺘﺎﺝ ﺇﻟﻴﻬﻤﺎ‪َ ،‬ﺗﺸﺘﺎﻕ ﺇﻟﻴﻬﻤﺎ‪ُ ،‬ﺗ ِﺤ ﱡﺒﻬﻤﺎ‪،‬‬ ‫ﻭﻣﻐﺎﺯﻟ ُﺘﻪ ﻟﻬﺎ ﻣﻊ ﱢ‬
‫ﺗﻌﺸ ُﻘﻬﻤﺎ!‪...‬‬
‫ﻫﻲ ﻻ ﺗﻔﻬ ُﻢ ﺃﺷﻴﺎ َﺀ ﻛﺜﻴﺮﺓ ﻣﻊ ﺫﻟﻚ‪ ،‬ﻫﺬﻩ ﺍﻟﻄﻔﻠﺔ ﺍﻟﺼﻐﻴﺮﺓ‪.‬‬
‫ﺃﻗﻞ ﺑﺸﺎﻋﺔ‬ ‫ﺗﻌﺘﻘﺪ ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪﺓ ﺃﻥ ﺍﻟﺤﻴﺎ َﺓ ﺑﺈﻣﻜﺎﻧﻬﺎ ﺃﻥ ﺗﻜﻮﻥ ﱠ‬ ‫ُ‬ ‫ﻟﻢ ﺗﻜﻦ‬
‫ﻣﻤﺎ ﺗﺘﺼ ّﻮﺭ‪ ،‬ﻭﺇﻟﻰ ﻫﺬﻩ ﺍﻟﺪﺭﺟﺔ ﺃﻳﻀﴼ!‪ ...‬ﺑﻞ ﺃﻥ ﺗﻜﻮﻥ ﺳﻌﻴﺪ ًﺓ ﺃﻳﻀﴼ‪،‬‬
‫ﺟﺪﴽ‪ :‬ﺗﺘﻮﺍﻟﻰ »ﺃﺷﻬ ُﺮ ﺍﻟﻌﺴﻞ« ﻓﻲ ﺍﻟﺴﻨﻴﻦ ﺍﻟﻼﺣﻘﺔ‪ :‬ﺑﻴﺮﻭﺕ‪،‬‬ ‫ﺳﻌﻴﺪ ًﺓ ّ‬
‫ﺳﺮﻳﺮ ﻧﻌﻴﻢ‪،‬‬
‫ِ‬ ‫ﺩﻣﺸﻖ‪ ،‬ﺍﻟﻼﺫﻗﻴﺔ‪ ،‬ﺍﺳﻄﻨﺒﻮﻝ‪ ،‬ﺃﺛﻴﻨﺎ‪ ...‬ﻳﺘﻮﺍﻟﻰ ﺍﻟﻔﻄﻮﺭ ﺇﻟﻰ‬
‫ُﺸﺒ ُﻪ ﺇﻧﺴﺎﻧﴼ‪ ...‬ﱠ‬
‫ﺗﺘﻌﻮ ُﺩ ﻧﻌﻴ ُﻢ ﻋﻠﻰ‬ ‫ﺍﻹﻧﺴﺎﻥ ﺍﻟﺬﻱ ﻻ ﻳ ِ‬ ‫ُ‬ ‫ﻳﺤﻤ ُﻠ ُﻪ ﻟﻬﺎ ﻫﺬﺍ‬
‫ﻟﺬﺓ ﺧﺎﻟﺼ ًﺔ ﻓﻲ ﻣﻤﺎﺭﺳ ِﺘﻬﺎ ﻭﺍﻋﺘﻨﺎ ِﻗﻬﺎ!‪ ...‬ﱠ‬
‫»ﺛﻢ‬ ‫ﻫﺬﻩ ﺍﻟﻄﻘﻮﺱ! ُ‬
‫ﺗﺠﺪ ﱠ‬
‫ﺣﺴﻦ‪ .‬ﻗﺒﻞ ﺃﻥ ﻳُﻀﻴﻒ‪ِ » :‬ﻟﺤﻼﻭ ِﺓ‬ ‫ﺗﺴﺘﺤﻖ ﺫﻟﻚ!«‪ ،‬ﻛﻤﺎ ﻗﺎﻝ َ‬ ‫ﱡ‬ ‫ﻫﻲ‬
‫َ‬
‫ﺍﻟﻤ َﺪ ﱠﻟﻠﺘﻴﻦ ﻋﻠﻰ ﺍﻷﻗﻞ‪«...‬‬ ‫َ‬
‫ﻋﻴﻨﻴﻬﺎ ﺍﻟﻮﺍﺳ َﻌﺘ ْﻴﻦ ُ‬
‫ﻷﻭﻝ‬‫ﻓﻄﻮﺭﻫﺎ ﺍﻟﻤﺜﺎﺑﺮ ﺷﻴﺌﴼ ﺟﺪﻳﺪﴽ ﻳﺤﺪﺙ ﱠ‬ ‫ِ‬ ‫ُ‬
‫ﺣﺎﻣﻞ‬ ‫ﻻﺣﻆ‬
‫ﺗﺠﺪ‬ ‫َ‬
‫ﻣﺮﺓ ﻋﻨﺪﻣﺎ ﻳﺤﻤﻠﻪ ﻟﻬﺎ ﻭﻫﻲ ﺗﺘﻘ ﱠﻠ ُﺐ ﻋﻠﻰ ﺍﻟﻔﺮﺍﺵ ﻧﺼﻒ ﻧﺎﺋﻤﺔ‪ُ :‬‬ ‫ﱠ‬
‫ﻧﻌﻴﻢ ﺍﻵﻥ ُﻣ ْﺘﻌ ًﺔ ِﺑ ِ‬
‫ﺘﺮﻙ ﺃ ﱠﻧ ِﺔ َﺩ َﻟ ٍﻊ ﺻﻐﻴﺮ ٍﺓ‪ ،‬ﻭﺍﺣﺪ ٍﺓ ﻓﻘﻂ‪ِ ،‬ﺑﺼﻮ ِﺗﻬﺎ ﺍﻟﺘﻲ‬
‫ﻣﺴﻤﻊ ﺧﺎﻟﺪ!‪...‬‬
‫ِ‬ ‫ﺗﻜﺘﺸﻒ ﺍﻵﻥ ﻓﻘﻂ ﺁﺛﺎ َﺭ ﺭﻭﻋ ِﺔ ﻧﺒﺮﺍ ِﺗ ِﻪ ﻋﻠﻰ‬ ‫ُ‬ ‫ﺑﺪﺃَ ْﺕ‬
‫ﻳﺘﺬﻛ ُﺮ ﺃﻧﻪ‬
‫ﱠ‬ ‫ﻳﻜﺒﺤﻬﺎ ﺑﺼﻌﻮﺑﺔ!‪...‬‬ ‫ُ‬ ‫ﻳﻜﺒﺢ ﺟﻤﺎ َﺡ ﺭﻏﺒﺎ ِﺗﻪ ﻋﻨﺪ ﺫﻟﻚ‪.‬‬ ‫ﻫﻮ ُ‬
‫ﺃﻗﺴﻢ ﻓﻲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻪ‪ ،‬ﻓﻲ ﺣﻀﺮﺓ ﺍﻟﻔﻘﻴﻪ‪ ،‬ﺃﻥ ﻳﻜﻮﻥ ﺷﻬ ُﺮ ﻋﺴ ِﻠﻬﻤﺎ‬
‫ﺗﺼﻞ ﻣﻌﺸﻮﻗﺘﻪ‬ ‫ﺍﻟﺤﻘﻴﻘﻲ‪ ،‬ﺍﻷﻭﺣﺪ‪ ،‬ﻓﻲ ﺁﺧﺮ ﻟﻴﻠ ٍﺔ ﻣﻦ ‪ ،1984‬ﻋﻨﺪﻣﺎ ُ‬
‫ﺳﻦ ﺍﻟﺜﺎﻣﻨﺔ ﻋﺸﺮﺓ‪ ،‬ﻫﻨﺎ ﻓﻲ َ‬
‫ﻋﺪﻥ!‪...‬‬ ‫ّ‬

‫ﻋﺪﻥ ﻣﺴﺎ ًﺀ ﻓﻲ ﻧﻬﺎﻳﺔ ‪ .1984‬ﺳﻜﻨﺎ‬ ‫ﻭﺻﻼ ﺇﻟﻰ ﻓﻨﺪﻕ َ‬

‫ﻣﺮﺓ‪ ،‬ﻭﻫﻮ‬ ‫ﻷﻭﻝ ﱠ‬ ‫ﻏﺪ ﻭﺻﻮ ِﻟﻬﻤﺎ! ﻫﻲ ﱠ‬ ‫ﺍﻟﻐﺮﻓﺔ ‪ !405‬ﺭﺃﻳ ُﺘﻬﻤﺎ ﺻﺒﺎ َﺡ ِ‬
‫ﺗﻐﻴ َﺮ ﺧﺎﻟﺪ ﻣﻨﺬ ﻋﺮﻑ ﻧﻌﻴﻢ! ﻛﻢ ﺻﺎﺭ‬ ‫ﺑﻌﺪ ﻓﺮﺍﻕ ﻋﺸﺮ ﺳﻨﻮﺍﺕ! ﻛﻢ ﱠ‬
‫ﻳﻌﺪ ﻳﺴﺎﻓﺮ ﺍﻵﻥ ﺇﻻ‬ ‫ﻳﻌﺪ ﺑﻮﻫﻴﻤ ّﻴﴼ ﻣﺜﻠﻤﺎ ﻛﺎﻥ! ﻟﻢ ْ‬ ‫ﺇﻧﺴﺎﻧﴼ ﺁﺧﺮ! ﻟﻢ ْ‬ ‫‪204‬‬
‫ﱡ‬
‫ﺃﻋﻴﻦ ﻧﻌﻴﻢ! ﻫﻲ ﻛﻞ ﺷﻲ ٍﺀ ﻓﻲ ﺣﻴﺎ ِﺗﻪ!‪...‬‬ ‫ﻣﻠﻜﻮﺕ ﻧﻌﻴﻢ‪ ،‬ﻓﻲ ِ‬ ‫ِ‬ ‫ﻓﻲ‬
‫ﻋﺪﻥ ﻋﻨﺪﻣﺎ َﻭ َﺻ ْﻠ ُﺖ!‬‫ﻓﻨﺪﻕ َ‬
‫ِ‬ ‫ﻣﺴﺒﺢ‬
‫ِ‬ ‫ﻛﺎﻧﺎ ﻳﺴﺒﺤﺎﻥ ﻣﻌﴼ ﻓﻲ‬
‫ﻋﺼﺮﻱ‪ ،‬ﺑﺪﻭﻥ ﺳﻨﺘﻤﺘﺮ ﻣﺮﺑﻊ ﻳﺰﻳﺪ‬ ‫ّ‬ ‫ﺗﻠﺒﺲ ﻣﺎﻳﻮ ﺳﺒﺎﺣ ٍﺔ‬
‫ﻛﺎﻧﺖ ﻧﻌﻴﻢ ُ‬
‫ﺃﻭ ﻳﻨﻘﺺ ﻋﻠﻰ ﻣﺎﻳﻮﻫﺎﺕ ﺍﻟﺴﺒﺎﺣﺔ ﺍﻟﻌﺼﺮﻳﺔ!‪ ...‬ﺭﺃﻳﺘﻬﻤﺎ ﻳﺴﺒﺤﺎﻥ‬
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‫ﺃﺣﺘﺮﻕ‬ ‫ﻛﺪ ُﺕ‬
‫ﺳﻌﻴﺪﻳﻦ‪ ،‬ﻓﻲ ﺫﻟﻚ ﺍﻟﻤﺴﺒﺢ ﺍﻟﺬﻱ ْ‬ ‫َ‬ ‫ﻳﻦ‬
‫ﻛﻄﻔﻠﻴﻦ‪ُ ،‬ﺣ ﱠﺮ ِ‬
‫ﺩﺍﺧ َﻠ ُﻪ ﺑﺎﻟﻘﺬﻳﻔﺔ‪ ،‬ﻓﻲ ﻇﻬﻴﺮﺓ ‪ 13‬ﻳﻨﺎﻳﺮ ‪ ،1986‬ﺑﻌﺪ ﺣﻮﺍﻟﻲ ﺳﻨ ٍﺔ‬
‫ﻣﻦ ﺭﺅﻳﺘﻬﻤﺎ!‬
‫ﺭﺃﻳﺖ ﺣ ّﺘﻰ ﺍﻵﻥ ﻳﻤﻨ ّﻴﴼ ﻭﺍﺣﺪﴽ ﻳﺴﺒﺢ‬ ‫ﺗﺼﺪﻕ ﺫﻟﻚ؟ ﻫﻞ َ‬ ‫ﻫﻞ ﱢ‬
‫ﻣﻊ ﺯﻭﺟﺘﻪ ﻫﻜﺬﺍ‪ :‬ﺗﺤﺖ ﺍﻟﺸﻤﺲ‪ ،‬ﺑﺤﺮ ّﻳ ٍﺔ ﻭﻓﺨﺮ‪ ،‬ﺩﻭﻥ ﺃﻥ ﻳﺮﺗﺠﻒ‬
‫ﺎﺷﺔ« ﻭﻫﻮ ﻳﺮﺍﻫﺎ ﺗﻄﻔﻮ ﺃﻣﺎﻡ ﺍﻟﻌﺎﻟﻢ‬ ‫ﺑﺮﺃﺳ ِﻪ ُﻗ َﺸ َ‬
‫ﻛﻤﺬﻧﺐ ﺃﻭ ﻙ»ﺳﺎﺭﻕ ِ‬
‫ﺗﺸﻮﺷ ُﻪ‬
‫ﺍﻟﺤﺮ ﻛﻤﺎ ﺧﻠﻘ ُﻪ ﺍﷲ‪ ،‬ﺩﻭﻥ ﺃﻥ ﱢ‬ ‫ﺍﻟﻄﻠﻴﻖ ﱢ‬‫ِ‬ ‫ﺠﺴﺪﻫﺎ‬
‫ﻓﻮﻕ ﺍﻟﻤﺎﺀ‪ِ ،‬ﺑ ِ‬
‫ﻭﻋﺒﺎﺀﺍﺕ ﻭﺃﻏﻼﻝ ﺍﻟﺒﺸﺮ؟‪ ...‬ﻫﻞ ﺗﺴﺘﻄﻴ ُﻊ ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ﺃﻥ‬ ‫ُ‬ ‫ﺟﻼﺑﻴﺐ‬
‫ُ‬
‫ﺑﺸﻜﻞ ﻃﺒﻴﻌﻲ‪،‬‬ ‫ٍ‬ ‫ﺃﺣﺪ ﺃﺻﺪﻗﺎﺋﻚ‪ ،‬ﺃﻥ ﺗﺘﻨﺎﻭﻝ ﺍﻟﻌﺸﺎﺀ ﻣﻌﻬﻤﺎ‬ ‫َ‬
‫ﺗﺮﻯ ﺯﻭﺟﺔ ِ‬
 ‫ﺑﻜﻞ ﺑﺴﺎﻃﺔ‪ ،‬ﻣﺜﻞ ﺑﻘ ّﻴﺔ ﻣﺨﻠﻮﻗﺎﺕ ﺍﻷﺭﺽ؟‪ ...‬ﺃﻋﺮﻑ ﻋﺪﺩﴽ‬ ‫ﺇﻧﺴﺎﻧﻲ‪ ،‬ﱢ‬
‫ﺟﺪﺍ«‪ ،‬ﺍﻟﺬﻳﻦ ﻳﻘﻠﺒﻮﻥ ﺍﻟﺪﻧﻴﺎ ﺭﺃﺳﴼ‬ ‫ﻛﺒﻴﺮﴽ ﻣﻦ ﺃﻭﻟﺌﻚ »ﺍﻟﺘﻘﺪﻣﻴﻴﻦ ّ‬
‫ﺒﻞ ﺗﺤ ﱡﺮ ِﺭﻫﺎ‬
‫ﻳﺘﺤﺪﺛﻮﻥ ﻋﻦ »ﻗﻀ ّﻴﺔ ﺍﻟﻤﺮﺃﺓ«‪ ،‬ﻋﻦ ُﺳ ِ‬ ‫ّ‬ ‫ﻋﻠﻰ ﻋﻘﺐ ﻋﻨﺪﻣﺎ‬
‫ﺗﻨﺎﻭﻝ ﺍﻟﻌﺸﺎ َﺀ ﻣﻌﻲ ﻭﻣﻊ‬ ‫َ‬ ‫ﻭﺍﻧﻌﺘﺎ ِﻗﻬﺎ‪ ...‬ﺑﻌﻀﻬﻢ ﺩﻋﻮ ُﺗ ُﻪ ﺇﻟﻰ ﺑﻴﺘﻲ‪،‬‬
‫ﻧﻈﺮ! ﻻﺳ ّﻴﻤﺎ‬ ‫ﻧﻈﺮ‪ ،‬ﱠ‬
‫ﻧﻈﺮ‪ ،‬ﱠ‬ ‫ﻣﺮﺓ! ﱠ‬‫ﻛﻞ ﻋﺎﺋﻠﺘﻲ ﻓﻲ ﺍﻟﻤﻨﺰﻝ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﱠ‬ ‫ﱢ‬
‫»ﺗﺤﺮﻳﺮ ﺍﻟﻌﻼﻗﺎﺕ‬
‫ِ‬ ‫»ﺣﺮ ّﻳ ِﺔ ﺍﻟﻤﺮﺃﺓ ﻭﻣﺴﺎﻭﺍ ِﺗﻬﺎ ﺑﺎﻟﺮﺟﻞ«‪ ،‬ﻋﻦ‬ ‫ﻋﻦ ُ‬
‫ﺟﻨﺴﻴ ٍﺔ »ﻣﻦ‬
‫ﱠ‬ ‫ﻋﻼﻗﺎﺕ‬
‫ٍ‬ ‫ﺍﻻﺟﺘﻤﺎﻋﻴﺔ ﻣﻦ ﺁﺛﺎﺭ ﺍﻹﻗﻄﺎﻉ ﻭﺍﻟﺮﺟﻌﻴﺔ«‪ ،‬ﻋﻦ‬
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‫ﺃﻋﺮﻑ ﺯﻭﺟ َﺘﻪ!‬ ‫ﺃﺩﺧﻞ ﻣﻨﺰ َﻟ ُﻪ ﺇﻟﻰ ﺍﻟﻴﻮﻡ‪ ،‬ﻻ‬ ‫ْ‬ ‫ﻃﺮﺍﺯ ﺟﺪﻳﺪ«‪ ...‬ﻟﻜﻨﻲ ﻟﻢ‬
‫ﻳﺪﻋﻨﻲ ﻳﻮﻣﴼ ﺇﻻ ﻝ»ﻋﺰﻭﻣﺔ‬ ‫ﻣﻨﺰ ِﻟﻬﺎ ﺇﻻ ﺑﺠﻠﺒﺎﺏ‪ .‬ﻟﻢ ُ‬ ‫ﻻ ﺗﺨﺮ ُﺝ ﻣﻦ ِ‬
‫ﺭﺟﺎﻝ«! ﻓﻲ ﻣﻄﻌﻢ‪ ،‬ﺭﺃﺳﴼ ﺑﺮﺃﺱ‪ ،‬ﺷﺎﺭﺑﴼ ﺑﺸﺎﺭﺏ!‪ ...‬ﻳﺎﻟﻠﻨﻔﺎﻕ! ﻛﻢ ﻫﻢ‬
‫ﺍﻟﻨﻮﻉ ﺍﻟﻤﺒﺘﺬﻝ!‪...‬‬ ‫ِ‬ ‫ﻣﺴﺮﺣ ﱡﻴﻮﻥ ﻫﺰﻟ ﱡﻴﻮﻥ ﻣﻦ‬ ‫ِ‬
‫ﻋﻜﺲ ﻫﺆﻻﺀ ﺗﻤﺎﻣﴼ! ﻻ ﻳﺤﺘﻘ ُﺮ ﻣﻦ ﺃﻋﻤﺎ ِﻗ ِﻪ‬ ‫ُ‬ ‫ﺧﺎﻟﺪ‪ ،‬ﻫﻮ‬
‫‪205‬‬ ‫ﺷﻴﺌﴼ ﺃﻛﺜ َﺮ ﻣﻦ ﺍﻟﻨﻔﺎﻕ‪ ،‬ﺍﻟﻜﺬﺏ‪ ،‬ﺍﻟﺮﻳﺎﺀ‪ ،‬ﺍﻟﺘﻤﺜﻴﻞ‪ ،‬ﺍﻟﺘﺨﻠﻒ‪ ،‬ﺍﻧﺘﻬﺎﻙ‬
‫ﻳﺠﺪ ُﻣﺘﻌ ًﺔ‬
‫ﺣﻘﻮﻕ ﺍﻟﻀﻌﻔﺎﺀ‪ ،‬ﺍﻟ ُﻌ َﻘﺪ‪ ،‬ﺃﻣﺮﺍﺽ ﺍﻟﻜﺒﺖ ﺍﻟﺘﻘﻠﻴﺪﻳﺔ‪ُ ...‬‬
‫ﺍﺣﺘﻘﺎﺭ ِﻩ ﺍﻟﻤﻜﺸﻮﻑ‪ ،‬ﻓﻲ‬
‫ِ‬ ‫ﺍﻟﻤﻮﺭﻭﺙ ﺍﻟﻨﺘﻦ‪ ،‬ﻓﻲ‬ ‫ِ‬ ‫ﺍﺳﺘﻔﺰﺍﺯ‬
‫ِ‬ ‫ﺟﻠﻴ ًﺔ ﻓﻲ‬ ‫ﱠ‬
‫ﺳﻠﻮﻛﻪ‬‫ِ‬ ‫ﻣﻤﺎﺭﺳﺔ‬ ‫ﻓﻲ‬ ‫ﺭﺍﺋﻌﺔ‬ ‫ً‬
‫ﺔ‬ ‫ﺧﺒﻴﺜ‬ ‫ً‬
‫ﺓ‬ ‫ﻟﺬ‬
‫ﱠ‬ ‫ﻳﺠﺪ‬ ‫ﻣﻨﻪ!‬ ‫ﺔ‬‫ِ‬ ‫ﺍﻟﺪﺍﺋﻤ‬ ‫ﺔ‬
‫ﱠِ‬‫ﺍﻟﺴﺨﺮﻳ‬
‫ﺑﻜﻞ‬
‫ﺍﻟﻤﻌﺎﻛﺲ ﻟﻠﻌﺎﺩﺍﺕ ﻭﺍﻟﺘﻘﺎﻟﻴﺪ ﺍﻟﻤﺘﻌ ﱢﻔﻨﺔ‪ ،‬ﻓﻲ ﻭﺿﺢ ﺍﻟﻨﻬﺎﺭ‪ ،‬ﱢ‬ ‫ِ‬
‫ﻭﺣ ﱢﺮﻳﺔ‪...‬‬‫ﻭﻓﺨﺮ ُ‬
‫ٍ‬ ‫ﺔ‬
‫ٍ‬ ‫ﻘ‬ ‫ﺛ‬
‫ِ‬ ‫ﻭ‬ ‫ﺔ‬
‫ٍ‬ ‫ﻭﺑﺴﺎﻃ‬ ‫ﺷﻔﺎﻓ ّﻴ ٍﺔ‬

‫ﺧﺎﻟﺪ ﺣﻔﻠ َﺔ ﻋﺸﺎ ٍﺀ‬

‫ﻧﻈﻢ ُ‬ ‫ﻋﺪﻥ‪ ،‬ﱠ‬‫ﺃﺳﺒﻮﻉ ﻣﻦ ﻭﺻﻮﻟﻬﻤﺎ ﺇﻟﻰ َ‬ ‫ٍ‬ ‫ﺑﻌﺪ‬
‫ﻓﻲ ﺻﺎﻟ ِﺔ ﺣﻔﻼﺕ ﺍﻟﻔﻨﺪﻕ ﻓﻲ ﻟﻴﻠ ِﺔ ﺭﺃﺱ ﺍﻟﺴﻨﺔ‪ .‬ﺩﻋﺎ ﺇﻟﻴﻬﺎ ﺛ ﱠﻠ ًﺔ ﻣﻦ‬
‫َﺖ ﺃﻣﺎﻣﻨﺎ ﱡ‬
‫ﻛﻞ‬ ‫ﺃﺻﺪﻗﺎﺋﻪ‪ ،‬ﺣﻮﻝ ﻭﻟﻴﻤ ٍﺔ ﻻ ُﺗﻨﺴﻰ‪ ،‬ﻭﻟﻴﻤ ُﺔ ﺍﻟ ُﻌﻤﺮ‪ :‬ﺍﻧﺴﺎﺑ ْ‬
‫ﺍﻟﻌﺪﻧﻲ ﺍﻟﻌﺮﻳﻖ‪ ،‬ﺗ َﻠ ْﺘﻬﺎ ﱡ‬
‫ﺃﻟﺬ‬ ‫ّ‬ ‫ﺍﻷﻃﺒﺎﻕ ﺍﻟﺸﻬ ّﻴﺔ ِﻝ»ﺍﻟﻤﻄﻌﻢ ﺍﻟﺼﻴﻨﻲ«‬
‫ﺃﻟﺬ ﺍﻟﻮﺟﺒﺎﺕ‬ ‫ﻋﺪﻥ‪ ،‬ﱡ‬ ‫ﺍﻟﻴﻤﻨﻴﺔ ﺍﻟﺘﻘﻠﻴﺪﻳﺔ ﺍﻟﺘﻲ ﻧﻌﺮﻓﻬﺎ ﻓﻲ َ‬ ‫ﱠ‬ ‫ﺍﻟﻮﺟﺒﺎﺕ‬
‫ﻛﻨﺖ ﱠﺃﻭ َﻝ‬
‫ُ‬ ‫ﻷﻭ ِﻝ ﻣﺮﺓ‪...‬‬
‫ﺍﻟﺼﻨﻌﺎﻧﻴﺔ ﺍﻟﺘﻲ ﺍﻛﺘﺸﻔﻨﺎﻫﺎ ﺫﻟﻚ ﺍﻟﻴﻮﻡ ﱠ‬
‫ﻋﻘﺪ ﻗﺮﺍ ِﻧﻬﻤﺎ ﺍﻟﺤﻘﻴﻘﻲ!‬ ‫ﺍﻟﻤﺪﻋﻮﻳﻦ ﺑﺎﻟﻄﺒﻊ ﻓﻲ ﺗﻠﻚ ﺍﻟﺤﻔﻠﺔ‪ :‬ﺣﻔﻠ ُﺔ ِ‬ ‫ﱢ‬
 ‫ﺑﻌﺪﻫﺎ ﺷﻬ َﺮ ﻋﺴ ِﻠﻬﻤﺎ ﺍﻟﺤﻘﻴﻘﻲ‪ ،‬ﻫﻨﺎ ﻓﻲ َ‬
‫ﻋﺪﻥ!‪...‬‬ ‫ﺑﺪﺁ َ‬
‫ﻗﺎﻃﻌﺘ ُﻪ ﺑﻼ ﻭﻋﻲ‪ ،‬ﺑﺴﺆﺍﻝ ﻋﻦ ﻧﻌﻴﻢ ﻭﺇﻥ ﻛﺎﻥ ﻓﻲ ﺣﻘﻴﻘﺘ ِﻪ‬
‫ﻋﻦ ﺷﻘﻴﻘﺘﻬﺎ ﺍﻟﻜﺒﺮﻯ‪ ،‬ﺇﻟﻬﺎﻡ‪:‬‬
‫ﺳﻤﺤﺖ؟ ﻛﻴﻒ ﻫﻲ؟‪...‬‬ ‫َ‬ ‫‪ِ -‬ﺻ ْﻒ ﻟﻲ ﻧﻌﻴ َﻢ ﻟﻮ‬
‫‪ -‬ﺁﻩ‪ ،‬ﻟﻮ ﻗﺎﺑﻠ َﺘﻬﺎ َﻟﻌ َﺮ ْﻓ َﺖ ﺃﺳﺒﺎﺏ ﺍﻟﺴﻌﺎﺩ ِﺓ ﺍﻟﺘﻲ ﺗﻐﻤ ُﺮ ﺧﺎﻟﺪ ﻣﻨﺬ ﺃﻥ‬
‫ﻭﻋﺬﻭﺑ ٌﺔ ﻻ ﻣﺜﻴﻞ ﻟﻬﻤﺎ! ﻻ ﺗﺘﻮ ﱠﻗ ُﻒ‬ ‫ﻠﻲ! ِﻃ ْﻴ َﺒ ٌﺔ ُ‬
‫ﻣﺮﺓ‪ :‬ﺫﻛﺎ ٌﺀ َﺟ ّ‬‫ﺭﺁﻫﺎ ﱠﺃﻭﻝ ﱠ‬
‫ٌ‬
‫ﻣﻔﺎﺟﺊ‪،‬‬ ‫ﻏﻴﺮ ﺃﻟﻴﻒ! ﻣﺮ ٌﺡ‬ ‫ﺭﺍﻕ‪ِ ،‬‬‫ﻧﻮﻉ ٍ‬
‫ﻋﻦ ﺍﻟﻤﺮﺡ‪ ،‬ﻟﻬﺎ ﺭﻭ ُﺡ ﻓﻜﺎﻫ ٍﺔ ﻣﻦ ٍ‬
‫ﺛﻢ ﻫﻲ ﺯﻭﺟ ُﺔ ﺃﻋ ﱢﺰ ﺃﺧﻮﺗﻲ‪ ،‬ﺣﺒﻴﺒﻲ‬ ‫ﺃﺻ ُﻔﻪ!‪ ...‬ﱠ‬ ‫ﺃﻋﺮﻑ ﻛﻴﻒ ِ‬ ‫ﻛﺜﻴﻒ‪ ،‬ﻻ ُ‬
‫ﻣﺪﺣﻬﺎ‪:‬‬ ‫ﺃﻣﻞ َ‬ ‫ﻣﺪﺣﻬﺎ‪ ،‬ﻻ ﱡ‬ ‫ﻭﺻﺪﻳﻘﻲ ﺍﻟﺨﺎﻟﺪ‪ :‬ﺧﺎﻟﺪ‪ .‬ﻻ ﺃﺧﺠﻞ ﻣﻦ ِ‬
‫ﻋﺬﺏ ﻻ‬ ‫ﻗﺎﻣ ٌﺔ ﺭﺷﻴﻘ ٌﺔ ﻧﻤﻮﺫﺟ ّﻴﺔ! ﻋﻴﻨﺎﻥ ﺧﻀﺮﺍﻭﺍﻥ ﻭﺍﺳﻌﺘﺎﻥ! ﺻﻮﺕ ٌ‬
‫ٌ‬
‫ﺬﻳﺐ ﺍﻟﻘﻠﺐ!‪ ...‬ﻟﻮ ﻛﺎﻧﺖ ﻟﻲ‬ ‫ﺗﻤﺘﻠﻜﻪ ﺇﻻ ﺍﻟﻤﻼﺋﻜﺔ! ﻟﻬﺠ ٌﺔ ﺻﻨﻌﺎﻧﻴﺔ ُﺗ ُ‬
‫ﻀﻦ ِﻟ ُﺤﻀﻦ‪ ،‬ﻟﻤﺎ ﺗﺮ ﱠﻧ ْﺤ ُﺖ ﻣﻦ ُﻋ ﱠﺸ ٍﺔ‬
‫ﻌﺖ ﻣﻦ ُﺣ ٍ‬ ‫ﺯﻭﺟ ٌﺔ ﻛﻬﺬﻩ ﻟﻤﺎ ﺗﺴ ﱠﻜ ُ‬
‫ﻣﺮﺓ ﺣ ّﺘﻰ ﺍﻵﻥ‪...‬‬
‫ﺟﺖ ﺇﺣﺪﻯ ﻭﻋﺸﺮﻳﻦ ﱠ‬ ‫ﺗﺰﻭ ُ‬‫ِﻟ ُﻌ ﱠﺸﺔ‪ ،‬ﻟﻤﺎ ﱠ‬ ‫‪206‬‬

‫ﺃﺧﺖ ﺇﻟﻬﺎﻡ‪ ،‬ﻭﻻ‬ ‫ﺃﺑﺤﺚ ﻋﻨﻬﺎ! ﻫﻲ ُ‬ ‫ُ‬ ‫ﻭﺟﺪ ُﺗﻬﺎ! ﻫﻲ ﻣﻦ ِﺟ ْﺌ ُﺖ‬

‫ﺗﺮﺑﻄﻨﻲ ﺇ َﺫ ْﻥ‪ ،‬ﺩﻭﻥ ﺃﻥ ﺃﺩﺭﻱ‪ ،‬ﺑﺘﻠﻚ ﺍﻟﻘﺼ ِﺔ ﺍﻟﻘﺼﻴﺮ ِﺓ‬ ‫ﺃﺣﺪ ﻏﻴﺮﻫﺎ!‪ُ ...‬‬
‫ﻋﻀﻮﻳ ًﺔ‬
‫ﱠ‬ ‫ﺃﺧ َﻔ ْﺘﻬﺎ ﺇﻟﻬﺎ ُﻡ ﻓﻲ ﻣﻔ ﱢﻜﺮ ِﺗﻬﺎ ﺍﻟﺤﻤﻴﻤﻴﺔ ﻋﻼﻗ ٌﺔ ﺃﻛﺜ ُﺮ‬ ‫ﺍﻟﺘﻲ ْ‬
‫ﺗﺬﻛ ْﺮ ُﺕ ﻓﺠﺄﺓ ﺇﻟﻬﺎﻡ ﻓﻲ ﺧﻴﻤ ِﺔ ﻭﺍﺩﻱ ﺭﻡ ﻋﻨﺪﻣﺎ ﻗﺎﻟﺖ‬ ‫ﺃﺗﺼﻮﺭ!‪ ...‬ﱠ‬ ‫ﱠ‬ ‫ﻣﻤﺎ‬
‫ﺑﺪ ْﺕ ﻟﻲ ﻏﺎﻣﻀ ًﺔ ﻟﻴﻠ َﺔ‬ ‫ﻋﺒﺎﺭﺍﺕ َ‬
‫ٍ‬ ‫ﻛﻞ ﺃﺳﻰ ﺍﻟﻌﺎﻟﻢ‪،‬‬ ‫ﻟﻲ‪ ،‬ﺑﻌﻴﻨﻴﻦ ﺗﺤﻤﻼﻥ ﱠ‬
‫ﺗﺠﺬ َﺭ ﻓﻲ ﺗﻘﺎﻃﻴﻌ ِﻪ ﺃﻟ ٌﻢ‬ ‫ﺗﺬﻛﺮ ُﺗﻬﺎ ﻭﻫﻲ ﺗﻨﻈﺮ ﻧﺤﻮﻱ ِﺑ َﻮ ْﺟ ٍﻪ ﱠ‬ ‫ﺫﺍﻙ‪ .‬ﱠ‬
‫ﻃﺎﺋﺮ‬
‫ﻴﻦ ﻧﺤﻮ ِ‬ ‫ﻴﻨﻴﻦ ﺷﺎﺧﺼ َﺘ ِ‬
‫ﻭﺑ َﻌ ِ‬ ‫ﻳﺼﻌﺪ ﻣﻦ ﺃﺳﻔﻞ ﺍﻟﺬﺍﻛﺮﺓ‪ِ ،‬‬ ‫ُ‬ ‫ٌ‬
‫ﺳﺤﻴﻖ‬
‫ﺃﺑﺤﺚ ﻋﻨﻪ ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ‪:‬‬ ‫ُ‬ ‫ﺧﺮﺍﺏ ُ‬
‫ﺟﺌﺖ‬ ‫ٍ‬
‫ﻤﺠﺮ ِﺩ ﺃﻥ‬ ‫ﱠ‬ ‫ﻟ‬
‫ِ‬ ‫ﺃﻧﺖ‬ ‫َ‬
‫ﺫﻧﺒﻚ‬ ‫ﻣﺎ‬ ‫ﻋﻨﻬﺎ!‬ ‫ُ‬
‫ﺍﻟﺤﺪﻳﺚ‬ ‫ُ‬
‫ﻳﻤﻜﻦ‬ ‫ﻻ‬ ‫ﺀ‬
‫ُ‬ ‫ﺃﺷﻴﺎ‬ ‫َ‬
‫ﺔ‬ ‫ﺛﻤ‬
‫‪ -‬ﱠ‬
‫َ‬
‫ﺃﻛﻮﻥ‬ ‫ﺃﺭﻳﺪ ﺃﻥ‬‫ﺗﺘﺨﻴ َﻞ ﻓﻘﻂ ﻛﻴﻒ ﻭ َﻗ َﻌ ْﺖ‪ .‬ﻻ ُ‬ ‫ﱠ‬ ‫ﻤﺠﺮ ِﺩ ﺃﻥ‬
‫ﺗﺴﻤﻌﻬﺎ‪ِ ،‬ﻟ ﱠ‬
‫ﻗﻠﺖ ﻟﻚ ﺃﻟﻒ ﻣ ّﺮﺓ‪َ :‬ﻗ َﺒ ْﺮ ُﺕ‬ ‫ﺛﻢ ﺃﻧﻲ ﻛﻤﺎ ُ‬ ‫ﺳﺒﺒﴼ ﻓﻲ َ‬
‫ﺗﺄ ﱡﻟ ِﻤ َﻚ ِﻟﻮﻗﻮﻋﻬﺎ!‪ ...‬ﱠ‬
‫ﺍﻟﻨﺒﺶ ﻓﻲ ﺗﻠﻚ ﺍﻟﻤﺴﺘﻨﻘﻌﺎﺕ‪...‬‬ ‫ُ‬ ‫ُﻨﻬ ُﻜﻨﻲ‬
‫ﻛﻞ ﺫﻟﻚ‪ ،‬ﻳ ِ‬ ‫ﻧﺴﻴﺖ ّ‬‫ُ‬ ‫ﻛﻞ ﺫﻟﻚ‪،‬‬ ‫ﱠ‬
 ‫ﻭﺍﻟﺨﺮﺍﺏ ﺃﻛﺜﺮ ﻣﻦ ﻗﺴﻄﻲ ﺍﻟﻮﺟﻮﺩﻱ ﺑﻤﺎ ﻻ ﻳﺨﻄ ُﺮ‬ ‫ِ‬ ‫ﺩﻓﻌﺖ ﻟﻠﺸﻘﺎ ِﺀ‬‫ُ‬
‫ﻋﻠﻰ ﺑﺎﻝ!‪...‬‬
‫ُ‬
‫ﺃﺩﺭﻛﺖ‬ ‫ﺑﻐﺜﻴﺎﻥ ﻣﻔﺎﺟﺊ ﻋﻤﻴﻖ!‬ ‫ٍ‬ ‫ﺑﺠ َﻴ َﺸﺎﻥ ﺍﻟﻨﻔﺲ‪،‬‬ ‫ُ‬
‫ﺷﻌﺮﺕ َ‬
‫ﻛﻞ‬
‫ﻋﺎﻧﺖ ﻣﻌﺸﻮﻗﺘﻲ ﺇﻟﻬﺎ ُﻡ ﱠ‬ ‫ْ‬ ‫ﺃﻱ ﻫﺎﻭﻳ ٍﺔ ﺃﻫﺮﻭﻝ!‬ ‫ﺃﻳﻦ ﺃﻧﺎ ﺍﻵﻥ ﻭﻓﻲ ﱢ‬
‫ﻛﻞ ﻫﺬﺍ ﺍﻟﺨﺮﺍﺏ!‪ ...‬ﻟﻤﺎﺫﺍ ﺃﺧﻔ ْﺘ ُﻪ‬ ‫ﻛﻞ ﻫﺬﻩ ﺍﻟﻮﻳﻼﺕ! ﱠ‬ ‫ﻫﺬﺍ ﺍﻟﻌﺬﺍﺏ! ﱠ‬
‫ْﺖ ﻣﻤﺎ ﻳﺤﺪﺙ‬ ‫ﺃﻇﻞ ﻓﻲ ﺍﻟﻈﻠﻤﺎﺕ؟‪ ...‬ﺍﺳﺘﻐﺮﺑ ُ‬ ‫ﻓﻀ َﻠ ْﺖ ﺃﻥ ﱠ‬ ‫ﻋ ﱢﻨﻲ؟ ﻟﻤﺎﺫﺍ ﱠ‬
‫ﺍﻟﺒﻠﺪ ﺇﻟﻰ ﺍﻷﺑﺪ‪ :‬ﻫﺎﺃﻧﺬﺍ‬ ‫ِ‬ ‫ﺃﻫﺮﺏ ﻣﻦ ﻫﺬﺍ‬
‫َ‬ ‫ﺃﺭﺩﺕ ﻳﻮﻣﴼ ﺃﻥ‬ ‫ﻟﻲ‪ ،‬ﺃﻧﺎ ﺍﻟﺬﻱ ُ‬
‫ﺃﺑﺸﻊ ﺑﺎﻟﻮﻋﺎ ِﺗﻪ!‪...‬‬ ‫ﺃﺗﺮ ﱠﻧ ُﺢ ﺍﻵﻥ ﻓﻲ ِ‬
‫ﻭﺟﺪ ُﺗﻬﺎ ﺩﺍﺧﻞ‬ ‫ﺇﻟﻲ ﻣﻦ ﺟﺪﻳﺪ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺍﺕ ﺍﻟﺘﻲ ْ‬ ‫ﺛﻢ ﻋﺎﺩﺕ ﱠ‬ ‫ﱠ‬
‫ﺸﺒ ُﻪ‬ ‫ُ‬
‫ﻣﺠﺮﺩﺓ ﺗ ِ‬
‫ﱠ‬ ‫ﺍﻟﻤﻨﻘﻮﺵ ﺑﺄﺷﻜﺎﻝ‬
‫ِ‬ ‫ﻣﻔ ﱢﻜﺮ ِﺓ ﺃﺳﺮﺍﺭ ﺇﻟﻬﺎﻡ ﺫﺍﺕ ﺍﻟﻐﻼﻑ‬
‫ﺧﻠﻔﻴ ٍﺔ‬
‫ﱠ‬ ‫ﻭﺍﻟﺘﺪﺍﺧﻞ ﻭﺍﻟﺘﻌﻘﻴﺪ‪ ،‬ﻋﻠﻰ‬
‫ِ‬ ‫ُﺷ َﻌﺒﴼ ﻣﺮﺟﺎﻧﻴ ًﺔ ﺷﺪﻳﺪ َﺓ ﺍﻟﺘﻨ ﱡﻮ ِﻉ‬
‫ﻌﺬﺑُﻨﻲ ﻣﻨﺬ ﺗﻠﻚ‬ ‫ﻭﺭﺩﻳ ٍﺔ ﺃﺭﺟﻮﺍﻧ ّﻴﺔ‪ .‬ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺍﺕ ﺍﻟﺼﻤﺎﺀ ﺍﻟﺘﻲ ُﺗ ﱢ‬ ‫ﱠ‬
‫‪207‬‬ ‫ﻗﺮﺭﺕ ﻓﻴﻬﺎ ﺍﻟﺴﻔﺮ ﺇﻟﻰ ﺍﻟ َﻴ َﻤﻦ ﺑﺤﺜﴼ ﻋﻦ ﻧﻌﻴﻢ‪،‬‬ ‫ُ‬ ‫ﺍﻟﻠﻴﻠﺔ ﺍﻟﻠﻴﻼﺀ ﺍﻟﺘﻲ ﱠ‬
‫ﻭﺣﺪﻫﺎ‪ ،‬ﺳ ُﺘ َﻔ ﱢﺴﺮ ﻟﻲ ﺫﻟﻚ‪:‬‬ ‫ﻷﻧﻬﺎ‪َ ،‬‬
‫»ﻓﻲ ﺍﻟﺜﺎﻧﻴﺔ ﻣﻦ ُﻋﻤﺮﻱ‪ ،‬ﺃﻭ ﺭﺑّﻤﺎ ﺍﻟﺨﺎﻣﺴﺔ‪ ،‬ﻻ ﺃﺳﺘﻄﻴ ُﻊ‬
‫ﻋﺬﺍﺏ ﺟﻬ ّﻨﻢ! ﻻ ﺃﺳﺘﻄﻴ ُﻊ‪ ،‬ﺑﻴﻦ ﻫﺎﺗﻴﻦ‬ ‫َ‬ ‫ﺍﻟﻘﻄﻊ ﻓﻲ ﺫﻟﻚ‪ ،‬ﺑﺪ ْﺃ ُﺕ‬ ‫َ‬
‫ﺍﻧﻜﺴﺮﺕ ﻓﻴﻬﺎ ﺣﻴﺎﺗﻲ ﺇﻟﻰ ﺍﻷﺑﺪ!‬ ‫ْ‬ ‫ﺗﺤﺪﻳﺪ ﺍﻟﻠﺤﻈﺔ ﺍﻟﺘﻲ‬ ‫َ‬ ‫ﺍﻟﺴﻨﺘﻴﻦ‪،‬‬
‫ﺄﻟﻢ ُﻣﺘ َﺮ ﱢﺳ ٍﺐ ﻧﺘﻦ‪،‬‬ ‫َ‬
‫ﺍﻟﻤﺨﻀﺒﺔ ِﺑ ٍ‬
‫ﱠ‬ ‫ﻷﻥ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ‪،‬‬ ‫ﺃﺳﺄﻟﻚ ﺍﻟ ُﻌﺬﺭ! ﱠ‬
‫ﻗﺎﻉ‬
‫ﺗﺼﻌﺪ ﺩﻭﻥ ﺍﺳﺘﺌﺬﺍﻥ ﻣﻦ ِ‬ ‫ُ‬ ‫ﺣﺪﻫﺎ‪ ،‬ﺩﻭﻥ ﺗﻔﻜﻴﺮ‪.‬‬ ‫َﺗ ِﺼ ُﻞ ﺇﻟﻰ ﻗﻠﻤﻲ ﻟ َﻮ ِ‬
‫ﻣﺴﺘﻬﻞ‬
‫ﱟ‬ ‫ﻼ ِﻟﻄﻤﺴﻬﺎ‪ .‬ﻫﻲ ﻭﺣﺪﻫﺎ ﺃﺻﺪﻕ‬ ‫ﺟﺎﻫﺪﺕ ﻃﻮﻳ ً‬ ‫ُ‬ ‫ﺍﻟﺬﺍﻛﺮ ِﺓ ﺍﻟﺘﻲ‬
‫ﺪﺕ ﻓﻲ ‪ 14‬ﺃﻏﺴﻄﺲ ‪ 1965‬ﻓﻲ ﻗﺮﻳ ِﺔ ُﺛﻼ‪«...‬‬ ‫ﻟﻘﺼ ِﺔ ﺣﻴﺎﺗﻲ!‪ُ ...‬ﻭ ِﻟ ُ‬ ‫ﱠ‬

‫ﻳﻤﺎﺭﺱ »ﺍﻟﻨﻘﺪ‬
‫ُ‬ ‫ﻳﻘﻮﻝ ﺣﺴﻦ ﺍﻟﺬﻱ ﺑﺪﺃَ‬
‫ُ‬ ‫ﻟﻢ ﺃﻋﺪ ﺃُﺗﺎﺑ ُﻊ ﻣﺎ‬
‫ﺎﻻﺕ‬
‫ﺣﻤ ِ‬‫ﺧﻠﻒ ﱠ‬‫ﻭﻋﺒﺚ ﺭﻛﻀ ِﻪ َ‬‫ِ‬ ‫ﻓﺸﻞ ﺣﻴﺎﺗ ِﻪ ﺍﻟﻌﺎﻃﻔ ّﻴﺔ‬‫ﺍﻟﺬﺍﺗﻲ« ﺣﻮﻝ ِ‬
‫ﺗﻠﻔﻮﻥ ﺧﺎﻟﺪ‬
‫ِ‬ ‫ﻃﻠﺒﺖ ﻣﻨ ُﻪ ﻋﻠﻰ ﱢ‬
‫ﺍﻟﺘﻮ ﺃﻥ ﻳﻌﻄﻨﻲ ﺭﻗ َﻢ‬ ‫ُ‬ ‫ﺍﻟﻔﺴﺎﺗﻴﻦ!‪...‬‬
‫ﻭﻧﻌﻴﻢ ﻭﻋﻨﻮﺍﻧﻬﻤﺎ ﻓﻲ ﺻﻨﻌﺎﺀ‪...‬‬
‫ﻛﻞ ﺣﻘﺎﺋﺒﻲ‪،‬‬ ‫ﺃﺧﺬ ُﺕ ﻣﻦ ﺍﻟﻤﻨﺰﻝ ﱠ‬ ‫ﻓﻲ ﻓﺠﺮ ﺍﻟﻴﻮﻡ ﺍﻟﺘﺎﻟﻲ ْ‬
‫ﻭﺁﺧﺮ ﻣﺎ ﺗﺒ ّﻘﻰ ﻟﻲ ﻣﻦ ﺩﻓﺎﺗﺮ ﻭﺃﻭﺭﺍﻕ ﺷﺨﺼ ّﻴﺔ ﻗﺪﻳﻤﺔ ﻟﻢ ﺁﺧﺬﻫﺎ ﻣﻌﻲ‬
‫ﺇﻟﻰ ﻓﺮﻧﺴﺎ ﻓﻲ ﺍﻟﺴﺒﻌﻴﻨﺎﺕ‪ :‬ﺷﻬﺎﺩﺓ ﺍﻟﻤﻴﻼﺩ‪ ،‬ﻧﺘﺎﺋﺞ ﺍﻟﺴﻨﻮﺍﺕ ﺍﻟﺪﺭﺍﺳ ّﻴﺔ‬
‫ﻓﻲ ﺍﻟﻤﺪﺭﺳﺔ ﺍﻻﺑﺘﺪﺍﺋﻴﺔ‪...‬‬
‫ﺃﻣﻲ ﺑﺤﺮﺍﺭﺓ‪ .‬ﺫ َﺭ َﻓ ْﺖ ﻛﺜﻴﺮﴽ ﻣﻦ ﺍﻟﺪﻣﻮﻉ ﻭﻛﺄ ﱠﻧﻬﺎ ﺗﺸﻌ ُﺮ‬‫ﻭ ﱠﺩ ْﻋ ُﺖ ﱢ‬
‫ﺛﻢ‬
‫ﻣﺮﺓ ﺃﺧﺮﻯ ﺑﻌﺪ ﺫﻟﻚ ﺍﻟﻴﻮﻡ!‪ ...‬ﱠ‬ ‫ﺑﺄﻧﻬﺎ ﻟﻦ ﺗﺮﺍﻧﻲ ﻓﻲ ﻫﺬﺍ ﺍﻟﻤﻨﺰﻝ ﱠ‬
‫ﻋﺪﻥ ﺇﻟﻰ‬‫ﺻﻌﺪ ُﺕ ﻃﺎﺋﺮ َﺓ ﺍﻟﺴﺎﺩﺳﺔ ﻭﺍﻟﻨﺼﻒ ﺻﺒﺎﺣﴼ ﺍﻟﺘﻲ ﺗ ﱠﺘ ِﺠ ُﻪ ﻣﻦ َ‬ ‫ْ‬
‫ﺻﻨﻌﺎﺀ‪...‬‬

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 ‫ﺍﻟﺠﺰﺀ ﺍﻟﺮﺍﺑﻊ‬

‫َﻧ ِﻌ ْﻴـــﻢ‬
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‫ﻳﺸﻌﺮ ﺍﻟﻤﺮﺀ ﺃﻧﻪ ﻳﻬﺮﻭﻝ ﻓﻲ ﺍﻟﺨﺮﺍﺏ ﻋﻨﺪﻣﺎ ﻳﻜﺘﺸﻒ ﺃﻥ‬

‫ُ‬
‫ﺍﻟﺒﺸﺮ ﻳﺮﺗﻜﺒﻮﻥ ﺷﺮﻭﺭﴽ ﻻ ﺣﺼﺮ ﻟﻬﺎ‪ ،‬ﻓﻲ ﺣﻀﺮﺓ ﺍﻟﻨﺠﻮﻡ!‬
‫َ‬
‫ﻓﻴﻜﺘﻮﺭ ﻫﻴﺠﻮ‬

‫ﺍﻟﻌﺸﻖ ﻫﻮ ﺍﻟﻨﻈﺮ ﻓﻲ‬

‫ُ‬ ‫ﺍﻟﻌﺸﻖ ﻟﻴﺲ ﺍﻟﻨﻈﺮ ﻭﺟﻬﴼ ﻟِﻮﺟﻪ‪،‬‬
‫ﻧﻔﺲ ﺍﻻﺗﺠﺎﻩ!‪...‬‬
‫ﺍﻧﻄﻮﺍﻥ ﺳﺎﻧﺖ ﺍﻳﺠﺰﻭﺑﺮﻱ‬
210
 ‫ﻭﺻﻠﺖ ﺻﻨﻌﺎ َﺀ ﺻﺒﺎ َﺡ ﺍﻟﻌﺎﺷﺮ ﻣﻦ ﺃﻏﺴﻄﺲ ‪ .2000‬ﻗﺎﺩﻧﻲ‬ ‫ُ‬
‫ﺍﻟﺘﺎﻛﺴﻲ ﺇﻟﻰ ﻣﻴﺪﺍﻥ ﺍﻟﺘﺤﺮﻳﺮ‪ .‬ﺃﻭﻟﻰ ﺍﻟﻨﻈﺮﺍﺕ ِﻟﻌﺎﺻﻤﺘﻲ ﺍﻟﺠﺪﻳﺪﺓ‬
‫ﺟﺪﴽ‪ :‬ﻣﺪﻳﻨ ٌﺔ ﺻﺎﺭﻣ ٌﺔ ﻋﺪﻭﺍﻧﻴ ٌﺔ ﺑﻌﺾ ﺍﻟﺸﻲﺀ‪،‬‬ ‫ﺸﺠﻌ ًﺔ ّ‬ ‫ﻟﻢ ﺗﻜﻦ ُﻣ ﱢ‬
‫ﺴﺤﺔ‪ ،‬ﻣﻦ‬ ‫ُ‬
‫ﻓﻀﺎﺀﺍﺕ ﺍﻟﻔ َ‬
‫ِ‬ ‫ٌ‬
‫ﻛ ُﻤ ُﺪﻥ ﺟﺒﺎﻝ ﺃﻓﻐﺎﻧﺴﺘﺎﻥ‪ ،‬ﺧﺎﻟﻴﺔ ﻣﻦ‬ ‫َﺟ ِﻠ َﻔ ٌﺔ َ‬
‫ﺍﻟﻤﻘﺎﻫﻲ ﺍﻟﻠﻄﻴﻔﺔ‪ ،‬ﻣﻦ ﺍﻟﺨﻼﺀﺍﺕ ﺍﻟﻤﻔﺘﻮﺣﺔ‪ُ ...‬ﺗ ِﻜ ﱡﻦ ﻋﺪﺍ ًﺀ ﺩﻓﻴﻨﴼ‬
‫ﻣﻌﻤﺎﺭﻳّﴼ ﻣﺜﺎﻟ ّﻴﴼ ِﻟﻤﺪﻳﻨ ٍﺔ‬
‫ِ‬ ‫ﺘﻜﻮﻥ ﻧﻤﻮﺫﺟﴼ‬‫ﻭﺍﻟﻤﺪﻧﻴﺔ‪ُ ،‬ﺻ ﱢﻤ َﻤ ْﺖ ِﻟ َ‬
‫ﱠ‬ ‫ﻟﻠﻨﻈﺎﻡ‬
‫‪211‬‬ ‫ﻳﺠﺪ ﻓﻴﻬﺎ ﻋﺎﺷﻘﺎﻥ ﺳﻨﺘﻤﺘﺮﴽ ﻣﺮﺑﻌﴼ ﻟﻼﺧﺘﻼ ِﺀ ﻭﺍﻟﻤﻨﺎﺟﺎ ِﺓ‬ ‫ﻳﺴﺘﺤﻴﻞ ﺃﻥ َ‬‫ُ‬
‫ﻟﺴﺒﺐ ﺑﺴﻴﻂ‪ :‬ﻫﻲ‬ ‫ٍ‬ ‫ﺍﻟﺴﺮﻳﺔ‪ ...‬ﻋﺸﻘ ُﺘﻬﺎ ﻣﻊ ﺫﻟﻚ ﻣﻦ ﱠﺃﻭﻝ ﻧﻈﺮﺓ‬ ‫ﱠ‬ ‫ﻭﺍﻟ ُﻘ َﺒ ِﻞ‬
‫ﻣﺪﻳﻨ ُﺔ ﺇﻟﻬﺎﻡ!‬
‫ﺑﻄﺎﺑﻊ‬
‫ٍ‬ ‫ﺍﺧﺘﺮﺕ ﻓﻲ ﻣﻴﺪﺍﻥ ﺍﻟﺘﺤﺮﻳﺮ ﻓﻨﺪﻕ ﻫﻴﻠﺘﺎﻭﻥ‪ :‬ﻋﻤﺎﺭ ٌﺓ‬ ‫ُ‬
‫ﻣﻮﻇﻒ ﺍﻻﺳﺘﻘﺒﺎﻝ ﺃﺭﻗﺎ َﻡ‬ ‫ُ‬ ‫ﻋﻠﻲ‬
‫ﺽ ﱠ‬ ‫ﺻﻨﻌﺎﻧﻲ ﻗﺪﻳﻢ!‪ ...‬ﻋ َﺮ َ‬
‫ﱟ‬ ‫ﻣﻌﻤﺎﺭﻱ‬
‫ﱟ‬
‫ُ‬
‫ﻏﺮ ِﻓ ِﻪ »ﺍﻟﺴﻮﺑﺮ ﻟﻮﻛﺲ«‪ ...505 ،405 ،305 ،205 :‬ﺍﺧﺘﺮﺕ ﺑﻼ‬
‫ﻋﺪﻥ!‪...‬‬‫ﻧﻔﺲ ﻏﺮﻓ ِﺔ ﺷﻬﺮ ﻋﺴﻞ ﻧﻌﻴﻢ ﻭﺧﺎﻟﺪ ﻓﻲ ﻓﻨﺪﻕ َ‬ ‫ﻭﻋﻲ ‪َ :405‬‬
‫ﺮﺕ ﺇﻟﻬﺎﻡ! ﻫﻲ ﺍﻟﺘﻲ ﻋ ﱠﻠ َﻤﺘﻨﻲ ﺍﻻﻋﺘﻨﺎ َﺀ ﺑﺬﺍﻛﺮﺓ ﺍﻷﺭﻗﺎﻡ ﻭﺃﻭﻗ َﻌﺘﻨﻲ‬ ‫ﺗﺬﻛ ُ‬ ‫ﱠ‬
‫ﻓﻲ ﻃﻘﻮﺱ ﺍﻹﻳﻤﺎﻥ ﺑﺄﺳﺮﺍﺭﻫﺎ ﻭﺃﺑﻌﺎﺩﻫﺎ ﺍﻟﺮﻣﺰﻳﺔ‪...‬‬
‫ﺩﺕ ﻋﻠﻰ ﺳﺮﻳﺮ ﺍﻟﻐﺮﻓﺔ ﻟﻠﺮﺍﺣﺔ ﺑﻌﺪ ﻫﺬﻩ ﺍﻟﺮﺣﻠﺔ‬ ‫ﺗﻤﺪ ُ‬‫ﱠ‬
‫ﺭﻥ ﺗﻠﻔﻮﻧﻲ ﺍﻟﻨ ّﻘﺎﻝ‪َ :‬ﺣ َﺴﻦ! ﺳﺄﻟﻨﻲ ﻓﻲ ﺃﻱ‬ ‫ﺍﻟﻔﺠﺮﻳّﺔ ﺍﻟﻤﻀﻨﻴﺔ! ﱠ‬
‫ﺍﺳﺘﺮﺧﻴﺖ ﺣﻮﺍﻟﻲ ﺳﺎﻋﺘﻴﻦ‪ .‬ﻟﻢ‬ ‫ُ‬ ‫ﻧﺰﻟﺖ ﻓﻲ ﺻﻨﻌﺎﺀ‪ :‬ﻫﻴﻠﺘﺎﻭﻥ‪...‬‬ ‫ﻓﻨﺪﻕ ُ‬ ‫ٍ‬
‫ﺃﺳﺘﻮﻋﺐ ﻫﻨﺎ‪ ،‬ﻓﻲ ﻫﺪﻭﺀ ﻫﺬﻩ ﺍﻟﻐﺮﻓﺔ‪ ،‬ﻓﻲ ﻫﺬﺍ‬ ‫ُ‬ ‫ُ‬
‫ﺃﺳﺘﻄﻊ ﺍﻟﻨﻮﻡ‪ ...‬ﺑﺪﺃﺕ‬
‫َ‬
‫ﺍﻟﻘﺮﻳﺐ ﻣﻦ ﺛﻼ‪ ،‬ﻫ ْﻮﻝ ﻣﺎ ﺣﺼﻞ ﻹﻟﻬﺎﻡ ﻓﻲ ﺍﺣﺘﻔﺎﻝ‬ ‫ُ‬ ‫ِ‬ ‫ﺍﻟﺠﺒﻠﻲ‬
‫ّ‬ ‫ﺍﻟﻤﻨﺎﺥ‬
‫ﻋﻠﻲ ﻛﻞ ﺫﻟﻚ‪ ،‬ﻭﻛﻴﻒ‬ ‫ﻛﺘﻤ ْﺖ ﱠ‬ ‫َ‬ ‫ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ!‪ ...‬ﻟﻢ ﺃﻓﻬﻢ ﻟﻤﺎﺫﺍ‬
‫ﻛﻞ ﻫﺬﻩ ﺍﻟﺴﻨﻴﻦ ﺩﻭﻥ ﺃﻥ ﺗﺘﻘﻴﺄ ﻫﺬﺍ‬ ‫ﺍﺳﺘﻄﺎﻋﺖ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻴﻮﻣ ّﻴﺔ ﱠ‬
‫ﺍﻟﻮﺯﺭ ﺍﻟﺨﺎﻧﻖ!‪...‬‬
‫ﻣﻮﻇ ُﻒ ﺍﻻﺳﺘﻘﺒﺎﻝ ﻳﺨﺒﺮﻧﻲ ﺃﻥ‬ ‫ﺻﺤﻮﺕ‪ .‬ﱠ‬‫ُ‬ ‫ُ‬
‫ﺗﻠﻔﻮﻥ ﺍﻟﻐﺮﻓﺔ!‬ ‫ﺩﻕ‬
‫ﱠ‬
‫ُ‬
‫ﺯﺍﺋﺮﴽ ﻳﻨﺘﻈ ُﺮﻧﻲ ﻓﻲ ﺑﻬﻮ ﺍﻟﻔﻨﺪﻕ!‪ ...‬ﺍﺳﺘﻐﺮﺑﺖ‪ :‬ﻟﻢ ﺃﺯﺭ ﻫﺬﻩ ﺍﻟﻤﺪﻳﻨﺔ‬
‫ﻣﻦ ﻗﺒﻞ! ﻻ ﺃﻋﺮﻑ ﻓﻴﻬﺎ ﻣﺨﻠﻮﻗﴼ ﻭﺍﺣﺪﴽ ﻳﻌﺮﻑ ﺃﻧﻲ ﻫﻨﺎ!‪ ...‬ﺭ ﱠﺗ ْﺒ ُﺖ‬
‫ﻼ‪ .‬ﺁﻩ‪،‬‬ ‫ﺍﻧﺘﻈﺮﺕ ﻃﻮﻳ ً‬
‫ُ‬ ‫ﻫﺮﻋﺖ ﻧﺤﻮ ﺍﻟﻤﺼﻌﺪ ﺍﻟﻜﻬﺮﺑﺎﺋﻲ‪.‬‬ ‫ُ‬ ‫ﻧﻔﺴﻲ ﻗﻠﻴ ً‬
‫ﻼ‪.‬‬
‫ﺃﺗﻌﻮﺩ ﻋﻠﻰ‬ ‫ﺑﻌﺪ ﻣﻊ ﺭﻗﺼﺔ ﺍﻧﻘﻄﺎﻉ ﺍﻟﻜﻬﺮﺑﺎﺀ‪ ،‬ﻭﻟﻢ ﱠ‬ ‫ﻳﺒﺪﻭ ﺃﻧﻲ ﻟﻢ ﺃﺗﻨﺎﻏﻢ ُ‬
‫ُ‬
‫ﺟﺴﺖ‬ ‫ﺇﻳﻘﺎﻋﺎﺗﻬﺎ ﺍﻟﻄﻮﻳﻠﺔ ﺍﻟﻤﺘﻮﺍﺗﺮﺓ!‪ُ ...‬‬
‫ﻧﺰﻟﺖ ﺍﻟﺴ ﱠﻠ َﻢ ﺃﺭﺑﻌﴼ ﺃﺭﺑﻌﴼ‪...‬‬
‫ﺑﻨﻈﺮﻱ ﺍﻟﺒﻬ َﻮ ﻣﻦ ﻃﺮﻓ ِﻪ ِﻟﻄﺮﻓﻪ‪ :‬ﻻ ﺃﻋﺮﻑ ﺃﺣﺪﴽ!‪ ...‬ﺛ ّﻠ ٌﺔ ﻣﻦ ﺍﻟﺴ ّﻮﺍﺡ‬
‫ﻣﺪﻧﻴ ٍﺔ‬
‫ﺜﻴﺎﺏ ﱠ‬ ‫ﺍﻷﺳﺒﺎﻥ ﻓﻲ ﺃﻗﺎﻣﺔ ﺗﺮﺍﻧﺰﻳﺖ ﻋﻠﻰ ﻭﺷﻚ ﺍﻟﻤﻐﺎﺩﺭﺓ‪ُ .‬ﻣﺴ ﱠﻠ ٌﺢ ِﺑ ٍ‬
‫ﺃﺣ َﻮ ُﻝ ﺍﻟﻌﻴﻨﻴﻦ ﻓﻲ ﺧﻼﻑ ﻣﻊ ﺯﺑﻮﻥ‬ ‫ﺳﺎﺋﻖ ﺗﺎﻛﺴﻲ ْ‬ ‫ﻳﺤﻮ ُﻡ ﺣﻮﻝ ﺍﻟﺒﺎﺏ! ُ‬
‫ﺣﻮﻝ ﺳﻌﺮ ﺍﻷﺟﺮﺓ ﺍﻟﺬﻱ ﺍﺗﻔﻘﺎ ﻋﻠﻴﻪ ﻗﺒﻞ ﺍﻟﻤﺠﻲﺀ ﺇﻟﻰ ﺍﻟﻔﻨﺪﻕ‪ .‬ﻛ ﱞﻞ‬ ‫‪212‬‬
‫ﻳﺨﺘﻠﻒ ﻋﻦ ﺍﻵﺧﺮ‪ .‬ﻳﺤﻠﻔﺎﻥ ﻣﻌﴼ ﺑﺎﻟﻤﺼﺤﻒ‬ ‫ُ‬ ‫ﻳﺪﻋﻲ ﻣﺒﻠﻐﴼ‬ ‫ﻣﻨﻬﻤﺎ ﱠ‬
‫ﻳﺪﻋﻴﻪ ﻛ ﱞﻞ ﻣﻨﻬﻤﺎ ﻫﻮ ﺍﻟﺼﺤﻴﺢ!‪ ...‬ﻣﺠﻤﻮﻋﺔٌ‬ ‫ﺍﻟﻜﺮﻳﻢ ﺃﻥ ﺍﻟﻤﺒﻠﻎ ﺍﻟﺬﻱ ﱠ‬
‫ﻣﻦ ﺃﻫﻞ ﺍﻟﺠﺒﺎﻝ ﺍﻟﻤﺠﺎﻭﺭﺓ ﻓﻲ ﻭﺳﻂ ﺍﻟﺒﻬﻮ‪ ،‬ﻓﻲ ﺧﻼﻑ ﺣﻮﻝ ﺃﻣﻼﻙ‬
‫ﺎﺕ ﻫﺎﺋﻠﺔ ﻣﻦ‬ ‫ﻭﻋﻘﺎﺭﺍﺕ ﺃﺭﺿﻴﺔ‪ .‬ﻓﻲ ﺃﺣﻀﺎﻧﻬﻢ ﻭﻋﻠﻰ ﺧﺼﻮﺭﻫﻢ ﻛﻤ ّﻴ ٌ‬
‫ﺍﻟﻘﺎﺕ ﻭﺍﻟﺠﻨﺎﺑﻲ ﻭﺍﻟﺮﺷﺎﺷﺎﺕ ﻭﺍﻟﻘﻨﺎﺑﻞ ﻭﺍﻟﻤﺴﺪﺳﺎﺕ‪ .‬ﻳﻨﺘﻈﺮﻭﻥ ﺃﺣﺪﴽ‬
‫ﺍﻟﻔﻨﺪﻕ ِﻟ َﺠ ْﻠﺴ ِﺔ ﻗﺎﺕ‪ :‬ﻟﻘﺎ ُﺀ ُﻣﺼﺎﻟﺤﺔ‪،‬‬‫ِ‬ ‫ﻣﺎ‪ ،‬ﻗﺒﻞ ﺍﻟﺼﻌﻮﺩ ﺇﻟﻰ ﻏﺮﻓ ٍﺔ ﻓﻲ‬
‫ﻓﻲ ﺃﻏﻠﺐ ﺍﻟﻈﻦ! ﻏﻴﺮ ﺃﻥ ﻧﺮﻓﺰ َﺗﻬﻢ ﻭﻛﻤ ّﻴﺎﺕ ﺍﻷﺳﻠﺤ ِﺔ ﺍﻟﻤﻮﺟﻮﺩ ِﺓ ﻓﻲ‬
‫ﺑﺸﻜﻞ ﺳﺎﻃﻊ!‪...‬‬
‫ٍ‬ ‫ﺒﺸﺮ ﺑﺬﻟﻚ‬‫ﺣﻮﺯﺗﻬﻢ ﻻ ُﺗ ﱢ‬

‫ﻫﻮﻳ ِﺔ ﺫﻟﻚ ﺍﻟﺰﺍﺋﺮ!‬‫ﺃﺭﺩﺕ ﺍﺳﺘﻔﺴﺎ َﺭ ﻣﻮﻇﻒ ﺍﻻﺳﺘﻘﺒﺎﻝ ﻋﻦ ﱠ‬ ‫ُ‬

‫َﻟ َﻤﺤﻨﻲ‪ ،‬ﻓﻬ َﻢ ﻗﺼﺪﻱ‪ ،‬ﺃﺷﺎﺭ ﻟﻲ ِﺑ ﱠ‬
‫ﺴﺒﺎﺑ ِﺘ ِﻪ ﻣﻦ ﺑﻌﻴﺪ ﺇﻟﻰ ﺯﺍﻭﻳ ٍﺔ ﺑﺎﻫﺘ ِﺔ‬
‫ْﺖ ﻧﺤﻮ‬ ‫ﺗﻮﺟﻬ ُ‬
‫َﻤ ْﻴ ِﻨﻪ‪ ...‬ﱠ‬
‫ﺍﻹﺿﺎﺀﺓ ﻓﻲ ﺃﻗﺼﻰ ﺭﻛﻦ ﺍﻟﺒﻬﻮ‪ ،‬ﻋﻠﻰ ﻳ ِ‬
‫ٌ‬
‫ﺟﺎﻟﺲ ﻓﻲ ﻣﻘﻌﺪ ﺯﺍﻭﻳ ِﺔ ﺍﻟ ﱡﺮﻛﻦ! ﺳﺎﺋﺤﺔ ﻛﻤﺎ ﻳﺒﺪﻭ‬ ‫ٍ‬ ‫ﺇﻧﺴﺎﻥ‬
‫ٍ‬ ‫ﺷﺒﺢ‬
‫ِ‬
 ‫ﻣﺸﺒﻮﺏ ﺑﺎﻧﻌﻜﺎﺳﺎﺕ ﺑﻴﻀﺎﺀ ﻫﺎﺋﻤﺔ‪ .‬ﺣﺬﺍﺅﻫﺎ‬ ‫ٍ‬ ‫ﺭﻣﺎﺩﻱ ﺃﺳﻮﺩ‬
‫ﱟ‬ ‫ﺑﺒﻨﻄﻠﻮﻥ‬
‫ﺍﻟﻘﻄﻦ‬
‫ِ‬ ‫ُ‬
‫ﺍﻷﺻﻴﻞ ﺍﻟﻔﺎﺧﺮ‪ .‬ﺍﻟﻔﺎﻧﻴﻠﺔ ﻣﻦ‬ ‫ِ‬ ‫ﺍﻟﺠﻠﺪ‬
‫ِ‬ ‫ﺧﻔﻴﻒ ﻣﻔﺘﻮﺡ‪ ،‬ﻣﻦ‬ ‫ٌ‬
‫ﺍﻟﻤﺎﺋﻞ ﺇﻟﻰ ﺍﻟﻮﺭﺩﻳّﺔ‪ ،‬ﻋﻠﻴﻬﺎ‬ ‫ِ‬ ‫ﺍﻟﻨﺎﻋﻢ ِﺑ َﻠ ْﻮﻥ ﺍﻟﺼﻮﻑ )ﺑﻴﺞ(‪،‬‬ ‫ِ‬ ‫ﺍﻟﻨﻘﻲ‬
‫ﱢ‬
‫ﻭﻋﺒﺎﺭﺍﺕ ﺑﺎﻟﻠﻐﺔ ﺍﻟﻬﻨﺪﻳﺔ )ﺍﻟﺴﻨﻜﺮﻳﺘﻴﺔ(‪.‬‬ ‫ٌ‬ ‫ﻛﺎﺭﻳﻜﺎﺗﻮﺭﻱ ﺟﻤﻴﻞ‪،‬‬
‫ﱞ‬ ‫ﺭﺳ ٌﻢ‬
‫ﺃﺳﺘﻄﻊ ﻗﺮﺍﺀ َﺓ ﺍﻟﻌﺒﺎﺭﺍﺕ ﺑﺎﻟﺘﺄﻛﻴﺪ‪ ،‬ﻟﻜﻦ ﺍﻟﺮﺳﻢ ﻳﻮﺣﻲ ﺑﺸﺠﺮ ٍﺓ‬ ‫ْ‬ ‫ﻟﻢ‬
‫ﻭﻧﻘﻮﺵ‬
‫ِ‬ ‫ﺳﻮﻣﺎﺕ‬
‫ِ‬ ‫ُ‬
‫ﺗﺨﻨﻘﻬﺎ ﺍﻟﻨﻔﺎﻳﺎﺕ ﻭﺃﺩﺧﻨﺔ ﺍﻟﺘﻠ ﱡﻮ ِﺙ ﺍﻟﺒﻴﺌﻲ‪ ،‬ﺃﺷﺒ ُﻪ ِﺑ ُﺮ‬ ‫ُ‬ ‫ُ‬ ‫ُ‬
‫»ﺍﻟﺨ ْﻀﺮ« ﻭﻣﻨﺎﻫﻀﻲ ﺗﻠ ﱡﻮ ِﺙ ﺍﻟﺒﻴﺌﺔ ﻓﻲ ﺃﻭﺭﻭﺑﺎ‪...‬‬ ‫ﻤﺎﺕ ُ‬ ‫ﻨﻈ ِ‬ ‫ُﻣ ﱠ‬
‫ﺃﻗﺘﺮﺏ ﻣﻨﻬﺎ! ﺍﺑﺘﺴﺎﻣ ٌﺔ ﺑﻌﻴﺪﺓ! ﺍﻟﻔﺘﺎ ُﺓ ﺑﻴﻀﺎ ُﺀ‬ ‫ُ‬ ‫ﺍﺳﺘﻘﺎﻣ ْﺖ ﻭﺃﻧﺎ‬
‫َ‬
‫ﻣﻮﺳﻴﻘﻲ ﺭﺍﺋ ُﻊ ﺍﻟﻘﻮﺍﻡ ﻭﺍﻟﺮﺷﺎﻗﺔ‪ .‬ﻫﻲ ﻟﻴﺴﺖ‬ ‫ﱞ‬ ‫ﺗﻤﻴﻞ ﺇﻟﻰ ﺍﻟﻮﺭﺩﻳّﺔ‪ .‬ﺟﺴ ٌﺪ‬
‫ﺑﺜﻴﺎﺏ ﻣﺪﻧ ّﻴﺔ‪ ،‬ﺩﻭﻥ ﺟﻠﺒﺎﺏ ﺃﻭ ﺣﺠﺎﺏ!‪ ...‬ﻧﻮ ٌﻉ‬ ‫ٍ‬ ‫ﻳﻤﻨﻴ ٌﺔ ﺃﺻﻴﻠﺔ‬‫ﺳﺎﺋﺤﺔ! ﱠ‬
‫ﻣﺴﺘﺤﻴﻞ‬
‫ِ‬ ‫ﺷﺪﻳﺪ ﺍﻟﻨﺪﺭ ِﺓ ﻓﻲ ﺍﻟﻴﻤﻦ‪ ،‬ﻟﻜ ﱠﻨ ُﻪ‪ ،‬ﻛﻤﺎ ﻳﺒﺪﻭ‪ ،‬ﻏﻴ ُﺮ‬ ‫ُ‬ ‫ﺃﻧﺜﻮﻱ‬
‫ﱞ‬
‫ﺑﺸﻜﻞ ﻣﻠﺤﻮﻅ! ﻋﻴﻨﺎﻫﺎ ﺃﻭﺳ ُﻊ‬ ‫ٍ‬ ‫ﺇﻟﻬﺎﻡ‬ ‫ﻪ‬‫ُ‬ ‫ﺸﺒ‬
‫ِ‬ ‫ُ‬
‫ﺗ‬ ‫ﻣﻄﻠﻖ!‪...‬‬ ‫ﺑﺸﻜﻞ‬
‫ٍ‬ ‫ﺍﻟﺘﻮﺍﺟﺪ‬
‫ِ‬
‫‪213‬‬ ‫ُ‬
‫ﻨﻔﺲ ﻟﻤﻌ ِﺔ ﺍﻟﻌﻴﻨﻴﻦ ﺍﻟﻜ ْﺤ ِﻠ ﱠﻴﺘﻴﻦ ﻹﻟﻬﺎﻡ‪ .‬ﺑﻨﻔﺲ‬ ‫ﻼ‪ ،‬ﺧﻀﺮﺍﻭﺗﺎﻥ‪ِ ،‬ﺑ ِ‬ ‫ﻗﻠﻴ ً‬
‫ﺭﺑﻤﺎ‪،‬‬ ‫ُ‬
‫ﻳﻤﻜﻦ‪ ،‬ﱠ‬ ‫ﻃﻮﻝ ﺇﻟﻬﺎﻡ ﺗﻘﺮﻳﺒﴼ‪ :‬ﻣﺘﺮ ﻭ‪ 69‬ﺳﻨﺘﻤﺘﺮ‪ .‬ﺧﺼ ُﺮﻫﺎ ﻗﺪ ﻻ‬ ‫ِ‬
‫ﺭﺷﻴﻖ ﺳﺎﺋﻞ‪ ...‬ﺷﻌ ُﺮﻫﺎ‬ ‫ٌ‬ ‫ﺧﺼﺮ ﺇﻟﻬﺎﻡ‪ ،‬ﻟﻜﻨ ُﻪ‬ ‫ِ‬ ‫ﻣﺜﻞ‬ ‫ﻳﺪ‬
‫ٍ‬ ‫ﻨﺼﻒ‬
‫ِ‬ ‫ﺑ‬
‫ِ‬ ‫ُ‬
‫ﻪ‬ ‫ُ‬
‫ﺘ‬ ‫ﺇﺣﺎﻃ‬
‫ﺃﻗﻞ ﻏﺰﺍﺭ ًﺓ ﻣﻦ ﺷﻌﺮ ﺇﻟﻬﺎﻡ ﺍﻟﻜﺴﺘﻨﺎﺋﻲ‪ ،‬ﻻ ﻳﻨﺘﻬﻲ ﻣﺜﻞ ﺷﻌﺮ‬ ‫ﻓﺎﺣ ٌﻢ ﱡ‬
‫ﻻ ﺃﺣﻤﺮﴽ‬ ‫ﺆﻃ ُﺮ ﺍﻟﻮﺟﻪ‪ ...‬ﺗﻀﻊ ﻋﻠﻰ ُﻋﻨ ِﻘﻬﺎ ﺷﺎ ً‬ ‫ﺑﺨﺼﻼﺕ ﺩﺍﺋﺮﻳﺔ ُﺗ ﱢ‬ ‫ٍ‬ ‫ﺇﻟﻬﺎﻡ‬
‫ﻣﻦ ﺣﺮﻳﺮ ﺍﻟﻜﺸﻤﻴﺮ!‪...‬‬
‫ﻣﺮﺗﺼﺔ ِﺑﺤﻼﻭﺓ ﺍﺭﺗﺼﺎﺹ‬ ‫ٌ‬ ‫ﱠ‬ ‫ﺍﺑﺘﺴﻤ ْﺖ ﻭﺃﻧﺎ ﺃﻗﺘﺮﺏ! ﺃﺳﻨﺎ ُﻧﻬﺎ‬ ‫َ‬
‫ﻳﻤﻨﻴ ٌﺔ ﺩﻭﻥ ﺷﻚ! ﻫﻞ‬ ‫ﱠ‬ ‫ﺃﺳﻨﺎﻥ ﺇﻟﻬﺎﻡ‪ ،‬ﻧﺎﺻﻌ ُﺔ ﺍﻟﺒﻴﺎﺽ ﺃﻳﻀﴼ‪ ...‬ﻫﻲ‬
‫َﻤ ْﻠﻦ ﻛﺜﻴﺮﴽ ﺇﻟﻰ ﻣﺼﺎﻓﺤ ِﺔ ﺍﻟﺮﺟﺎﻝ‬ ‫ﺃﺻﺎ ِﻓ ُﺤﻬﺎ؟‪ ...‬ﻧﺴﺎ ُﺀ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ﻻ ﻳ ِ‬
‫ُ‬
‫ﻳﺪ ﺍﻟﺮﺟﻞ! ﻳﺎﻟﻠﻌﻴﺐ! ﻳﺎﻟﻼﺑﺎﺣ ّﻴﺔ!‪ (...‬ﺗﺤﺎﻭﻝ ﺃﻥ ﺗﻘﺮﺃ‬ ‫)ﺁﻩ‪ ،‬ﻣﻼﻣﺴ ُﺔ ِ‬
‫ﺍﺳﺘﻄﻼﻉ ﻗﻮﻳﺔ‪ :‬ﻫﻞ ﺳﺄﻋﺮﻓﻬﺎ؟‪...‬‬ ‫ٍ‬ ‫ﻗﺴﻤﺎﺗﻲ! ﻧﻈﺮﺍﺗﻬﺎ ﻣﻤﻠﻮﺀ ٌﺓ ﺑﺮﻏﺒ ِﺔ‬
‫ﺗﻘﺘﺮﺏ‬
‫ُ‬ ‫ﺍﺳﺘﻘﺮ ْﺕ ﻋﻴﻨﺎﻱ ﻓﻲ ﻋﻴﻨﻴﻬﺎ ﺍﻟﺨﻀﺮﺍﻭﺗﻴﻦ‪ ،‬ﺍﻟﻤﺪ ﱠﻟﻠﺘﻴﻦ‪ ...‬ﻫﻲ‬ ‫ﱠ‬
‫ﻌﺮﻑ ﺑﻨﻔﺴﻬﺎ‪ :‬ﻧﻌﻴﻢ!‪ ...‬ﺗﻌﺎﻧﻘﻨﻲ! ﺗﻌﺎﻧﻘﻨﻲ‪،‬‬ ‫ُ‬
‫ﻣ ّﻨﻲ! ﺗﺼﺎﻓﺤﻨﻲ! ﺗ ﱢ‬ ‫ُ‬
‫ﻳﺪﻫﺎ ﺍﻟﺴﻮﺩﺍﺀ! ُﺗﺨﻔﻲ‬ ‫ﻣﻨﺪﻳﻞ ﻓﻲ ﺣﻘﻴﺒ ِﺔ ِ‬ ‫ٍ‬ ‫ُ‬
‫ﺗﺒﺤﺚ ﻋﻦ‬ ‫ﺃﺻﺪﻕ!‬ ‫ﻻ ﱢ‬
‫ﺍﻟﺮﻭﺣﻲ ﻹﻟﻬﺎﻡ ﻓﻘﻂ‪،‬‬
‫ﱠ‬ ‫ﺩﻣﻌﺘﻴﻦ ﺑﺼﻌﻮﺑﺔ‪ ...‬ﺇﻟﻬﻲ‪ ،‬ﻫﺬﻩ ﻟﻴﺴﺖ ﺍﻟﺘﻮﺃ َﻡ‬
‫ﺍﻟﺠﺴﺪﻱ ﺃﻳﻀﴼ! ﻫﻤﺎ ﺻﻴﻐﺘﺎﻥ ﻣﺘﺸﺎﺑﻬﺘﺎﻥ ّ‬
‫ﺟﺪﴽ ِﻟﻨﻔﺲ‬ ‫ﱡ‬ ‫ﺗﻮﺃﻣﻬﺎ‬
‫ﻫﺬﻩ ُ‬
‫ﻤﺎﻝ ﻻ ﻳُﻘﺎ َﺭ ُﻥ ِﺑ َﺠﻤﺎﻝ‪...‬‬
‫ﺍﻟﺠﻤﺎﻝ‪ِ .‬ﻟ َﺠ ٍ‬
‫ﻤﺎﻝ ﺃﺭﻭﻉ ﻣﻦ َ‬
‫ﺍﻟﺠﻤﺎﻝ‪ِ .‬ﻟ َﺠ ٍ‬
‫َ‬

‫ﺴﺪﻝ ﻋﻠﻰ ُﻋ ُﻨ ِﻘﻬﺎ‪.‬‬ ‫ﺺ ﺇﻟﻰ ﺷﺎﻝ ﺍﻟﻜﺸﻤﻴﺮ ﺍﻟﻤ ْﻨ ِ‬ ‫ﻧﻈﺮﺕ ِﺑ َﺘ َﻔ ﱡﺤ ٍ‬

‫ُ‬
‫ﻣﻜﺎﻥ ﻣﺎ! ﺳﺄ َﻟ ْﺘﻨﻲ‪» :‬ﻫﻞ َﻋ َﺮ ْﻓ َﺘﻪ؟ «‪ ...‬ﻟﻢ‬ ‫ٍ‬ ‫ﻳﻮﻡ ﻓﻲ‬ ‫ﻟﻌ ﱢﻠﻲ ﺭﺃﻳ ُﺘ ُﻪ ﺫﺍﺕ ٍ‬
‫ﻨﺒﺮﺍﺕ ﻻ ُﺗﺨﻔﻲ‬ ‫ﺣﺪ َﺩ ﺃﻳﻦ ﻭﻣﺘﻰ ﺭﺃﻳ ُﺘ ُﻪ ﻣﻦ ﻗﺒﻞ!‪ ...‬ﺭ ﱠﺩ ْﺕ ِﺑ ٍ‬ ‫ﺃﺳﺘﻄﻊ ﺃﻥ ﺍُ ﱢ‬
‫ﺍﺳﺘﻨﻜﺎﺭ ُﻭ ﱢﺩﻱ‪» :‬ﻫﻮ ﺷﺎﻝ ﺇﻟﻬﺎﻡ! ﻫﻮ ﻧﻔﺴﻪ ﺍﻟﺬﻱ ﻗﺎﺑ َﻠ ْﺘ َﻚ ﺑﻪ ﻓﻲ‬ ‫ٍ‬ ‫ﻇﻞ‬
‫ﱠ‬
‫ﻼ ﻧﺤﻮ‬ ‫ﺃﺣ َﻨ ْﺖ ﻭﺟﻬَﻬﺎ ﻗﻠﻴ ً‬ ‫ﺛﻢ ْ‬ ‫ﺍﻷﻭﻝ ﻓﻲ َﻧﺎ ْﻧ ْﺖ!‪ «...‬ﱠ‬ ‫ﻟﻘﺎﺋﻜﻤﺎ ﺍﻟﺜﻨﺎﺋﻲ ﱠ‬
‫َ‬ ‫ً‬
‫ﺍﻟﻴﺴﺎﺭ ﺑﺎﺗﺠﺎ ِﻩ ﺍﻟﺸﺎﻝ‪ ،‬ﻣﻐﻤﻀﺔ ﻋﻴﻨﻴﻬﺎ‪ .‬ﻟ ِﻤ َﺴﺖ ﺣﺮﻳ َﺮ ُﻩ ﺍﻟﺴﺎﺋﻞ ِﺑﺮﺍﺣ ِﺔ‬
‫ﻧﺒﺮﺍﺕ‬
‫ِ‬ ‫ﺑﻨﻔﺲ ُﻋﺬﻭﺑ ِﺔ‬
‫ِ‬ ‫ﺑﺨﺸﻮﻉ ﻭﻗﺪﺳ ّﻴﺔ‪َ ،‬ﺗ ْﻤ َﺘ َﻤ ْﺖ‬‫ٍ‬ ‫ﻗﺒ َﻠ ْﺘ ُﻪ‬
‫ﺑﻜﻞ ﺭ ّﻗﺔ‪ ،‬ﱠ‬
‫ﻳﺪﻫﺎ ﱢ‬ ‫ِ‬
‫ﻮﻕ ﻭﺍﻟﻠﻮﻋﺔ‪» :‬ﺁﻩ‪،‬‬ ‫ﻭﺍﻟﺸ ِ‬
‫ﺍﻟﺸﺠ ِﻦ ﻭﺍﻟ ُﻮ ْﺟ ِﺪ ﱠ‬ ‫َ‬ ‫ﻃﻘﻮﺳﻬﺎ ﻓﻲ‬ ‫ِ‬ ‫ﻭﺑﻨﻔﺲ‬
‫ِ‬ ‫ﺇﻟﻬﺎﻡ‬
‫ﺍﺷﺘﻘﺖ ﺇﻟﻴﻚ! ﺇﻟﻬﺎﻡ!‪«...‬‬ ‫ُ‬ ‫‪ 214‬ﺇﻟﻬﺎﻡ!‬
‫ﺛﻮﺍﻥ ﺳﺮﻳﻌﺔ‪ ،‬ﺫﻛﺮﻳﺎﺕ‬ ‫ﺃﻋﺎﺩ ﻟﻲ ﻫﺬﺍ ﺍﻟﺸﺎﻝ ﺍﻷﺣﻤﺮ‪ ،‬ﻓﻲ ٍ‬
‫ﺇﻟﻬﺎﻡ ﺃﺛﻨﺎﺀ ﻟﻘﺎﺀﺍﺗﻨﺎ ﺍﻷﻭﻟﻰ ﻓﻲ ﻣﺪﻳﻨﺔ َﻧﺎ ْﻧﺖ‪ ،‬ﻗﺒﻞ ﺃﻥ ﻳﺨﺘﻔﻲ ﻋﻦ‬
‫ﺸﻴ َﻨﺎ ﺍﻟﻄﻮﻳﻞ ﺑﻤﺤﺎﺫﺍﺓ‬ ‫ﺗﺬﻛ ْﺮ ُﺗﻬﺎ ﻭﻫﻲ ﺗﻠﺒﺴ ُﻪ ﺃﺛﻨﺎﺀ ُﻣ ِ‬ ‫ﻧﺎﻇﺮﻱ ﺗﻤﺎﻣﴼ! ﱠ‬
‫ﻧﻬﺮ »ﺍﻟﻠﻮﺍﺭ« ﻓﻲ ﻭﺳﻂ ﺍﻟﻤﺪﻳﻨﺔ‪ ،‬ﺃﺛﻨﺎﺀ ﺗﻮ ﱡﻗ ِﻔ َﻨﺎ ﺑﻴﻦ ﺍﻟﻔﻴﻨ ِﺔ ﻭﺍﻟﻔﻴﻨ ِﺔ‬
‫ﻟﻠﺘﺤﺪﻳﻖ ﻓﻲ‬ ‫ﻭﺍﻟﺤﺪﻳﺚ ﺍﻟﻌﻤﻴﻖ ﺍﻟﻬﺎﺩﺉ‪،‬‬ ‫ِ‬ ‫ﻓﻮﻕ ﺑﻌﺾ ﺟﺴﻮﺭﻩ َ‬
‫ﻟﻠﺘﺄ ﱡﻣ ِﻞ‬
‫ِ‬ ‫ِ‬
‫ﺍﻟﻘﺼﻮﺭ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﺍﻟﻘﺪﻳﻤﺔ‪ ،‬ﻓﻲ ﺍﻟﺴﻔﻦ ﺍﻟﺴﻴﺎﺣﻴﺔ‪ ،‬ﻓﻲ ﺗﺠﺎﻋﻴﺪ‬
‫ﺗﺬﻛ ْﺮ ُﺗﻬﺎ ﺑﺬﻟﻚ ﺍﻟﺸﺎﻝ ﺃﺛﻨﺎﺀ ﺍﺳﺘﺮﺧﺎﺋﻨﺎ ﻓﻲ ﻣﻘﻬﻰ‬ ‫ﻣﻴﺎﻩ ﺍﻟﻨﻬﺮ‪ ...‬ﱠ‬
‫ُ‬
‫ﻧﺘﻨﺎﻭﻝ‬ ‫ﺗﺬﻛ ْﺮ ُﺗﻬﺎ ﺑ ِﻪ ﻭﻧﺤﻦ‬
‫ﱠ‬ ‫ﺭﻭﻣﺎﻧﺴﻲ ﻋﻠﻰ ﺿﻔﺎﻑ ﻧﻬﺮ ﺍﻟﻠﻮﺍﺭ‪...‬‬ ‫ﱟ‬
‫ﺣﻠﻮﻳﺎﺕ ﺧﻔﻴﻔﺔ ﻓﻲ ﻣﻘﻬﻰ ﺻﻐﻴﺮ‬ ‫ٍ‬ ‫ﺍﻟﺸﺎﻱ ﺍﻟﻤﻐﺮﺑﻲ ﺑﺎﻟﻨﻌﻨﺎﻉ ﻭﺑﻌﺾ‬
‫ﺗﺬﻛ ْﺮ ُﺗﻬﺎ ﺃﺛﻨﺎﺀ ﺿﺤﻜﻨﺎ ﺍﻟﻤﺘﺎﺧﻢ‬ ‫ﱠ‬ ‫ﻗﺮﻳﺐ ﻣﻦ ﻗﺼﺮ ﺍﻟﺒﻠﺪﻳّﺔ‪...‬‬
‫ﻳﻮﻡ ﺳ َﺮ ْﺩ َﻧﺎ ﻓﻴﻪ ﻫﻔﻮﺍﺗﻨﺎ ﻭﺣﻤﺎﻗﺎﺗﻨﺎ ﻋﻠﻰ ﺳﻮﺍﺣﻞ‬ ‫ﻟﻠﻬﻴﺴﺘﻴﺮﻳﺔ ﻓﻲ ٍ‬
‫ﻛﺄﺱ ﻧﺒﻴﺬ ﺷﺎﺗﻮ ﺩﻭ ﻛﺎﻳﺮﻭ‪،‬‬ ‫ِ‬ ‫ﺍﺭﺗﺸﺎﻑ‬
‫ِ‬ ‫ﺗﺬﻛ ْﺮ ُﺗﻬﺎ ﺑ ِﻪ ﺃﺛﻨﺎﺀ‬ ‫ﻻﺑُﻮﻝ‪ ...‬ﱠ‬
‫ﺛﻨﺎﺋﻲ ﻟﻨﺎ‪ ،‬ﻓﻲ ﻧﻔﺲ ﺍﻟﻤﻘﻬﻰ ﺍﻟﺬﻱ‬ ‫ٍ‬ ‫ﻗﺒﻞ ﺃﻥ ﺃﻭ ﱢﺩ َﻋﻬﺎ ﻓﻲ ﺛﺎﻧﻲ ﻟﻘﺎ ٍﺀ‬
 ‫ﻷ ﱠﻭ ِﻝ ﻣﺮﺓ ﻣﻊ ﺯﻣﻴﻠﻲ ﺍﻟﻔﺮﻧﺴﻲ‪...‬‬ ‫ﺍﻟﺘﻘﻴﻨﺎ ﻓﻴﻪ َ‬
‫ﺧﺎﺗﻤﻬﺎ‬‫َ‬ ‫َ‬
‫ﺍﻟﺸﺎﻝ‪ ،‬ﺃﻥ‬ ‫ﻘﺒ ُﻞ‬
‫ﻻﺣﻈﺖ‪ ،‬ﻋﻨﺪﻣﺎ ﻛﺎﻧﺖ ﻧﻌﻴﻢ ُﺗ ﱢ‬ ‫ُ‬
‫ٌ‬
‫ﻣﻦ ﺍﻟﻴﺎﻗﻮﺕ ﺍﻟﻤﻬﻴﺐ ﺍﻟﺮﺍﺋﻖ‪ .‬ﻋﺮﻓ ُﺘ ُﻪ ﺳﺮﻳﻌﴼ‪ :‬ﻫﺪ ّﻳﺔ ﻣﻦ ﺇﻟﻬﺎﻡ ﺃﻳﻀﴼ!‬
‫ﺷﻤﺎﻝ ﻏﺮﺏ ﺍﻟﻬﻨﺪ‪ ،‬ﻋﻨﺪﻣﺎ‬ ‫ِ‬ ‫ﺍﺷﺘﺮﻳﻨﺎﻩ ﻓﻲ ﺭﺣﻠ ٍﺔ ﻟﺮﺍﺟﺎﺳﺘﺎﻥ‪ ،‬ﻓﻲ‬
‫ﻣﻌﺮﺽ ﺟﻤﻴﻞ‪،‬‬ ‫ٍ‬ ‫ﺗﻮ ﱠﻗ ْﻔﻨﺎ ﺑﺎﻟﺴ ّﻴﺎﺭﺓ‪ ،‬ﺍﻟﺘﻲ ﻛﺎﻧﺖ ﺗﻘﻮﺩُﻫﺎ ﺇﻟﻬﺎﻡ‪ ،‬ﺃﻣﺎﻡ‬
‫ﺍﻟﺴﺮﻣﺪﻳﺘﻴﻦ‪:‬‬
‫ﱠ‬ ‫ﻓﻲ ﻭﺳﻂ ﺍﻟﻄﺮﻳﻖ ﺑﻴﻦ ﺍﻟﻤﺪﻳﻨﺘﻴﻦ ﺍﻟﻤﻴﺜﻮﻟﻮﺟﻴﺘﻴﻦ‬
‫)ﺣﻴﺚ ﻳﺘﺨ ﱠﻠ ُﺪ ﻗﺼ ُﺮ ﺗﺎﺝ َﻣ َﺤ ْﻞ( ﻭﺟﻴﺒﻮﺭ ﺍﻟﺮﻭﻣﺎﻧﺴﻴﺔ ﺍﻟﺴﺎﺣﺮﺓ‪...‬‬ ‫ُ‬ ‫ﺃﺟ َﺮﺍ‬
‫ْ‬
‫ﺁﻩ‪ ،‬ﺣﺬﺍ ُﺀ ﻧﻌﻴﻢ ﺃﻳﻀﴼ! ﻋﺎﺩ ﺇﻟﻰ ﺫﺍﻛﺮﺗﻲ ﺍﻵﻥ! ﺍﺷﺘ َﺮ ْﺗ ُﻪ ﺇﻟﻬﺎ ُﻡ ﻓﻲ ﺷﺎﺭﻉ‬
‫ﺇﻳﻄﺎﻟﻲ ﻓﺎﺧﺮ! ﻟﻢ‬ ‫ﱟ‬ ‫ﻣﻌﺮﺽ‬
‫ٍ‬ ‫ﺳﺎﻧﺖ ﺩﻭﻧﻲ ﻓﻲ ﻣﻮﻧﺘﺮﻳﺎﻝ ﺑﻜﻨﺪﺍ‪ ،‬ﻣﻦ‬
‫َ‬
‫ﺃﻛﻦ ﺃﻋﺮﻑ ﺣﻴﻨﻬﺎ ﺇﺫﺍ ﻛﺎﻧﺖ ﺇﻟﻬﺎﻡ ﺗﻨﻮﻱ ﺍﻻﺣﺘﻔﺎﻅ ﺑﻪ ﺃﻭ ﺇﻫﺪﺍ َﺀ ُﻩ‬
‫ﻟﺴﺖ ﻣﺘﺄﻛﺪﴽ ﺇﻃﻼﻗﴼ ﺃﻥ ﻓﺎﻧﻴﻠ َﺔ ﻧﻌﻴﻢ‬ ‫ﺍﻟﺮﻭﺣﻲ‪ ...‬ﻏﻴﺮ ﺃﻧﻲ ُ‬ ‫ّ‬ ‫ﺘﻮﺃﻣﻬﺎ‬
‫ِﻟ ِ‬
‫ﺃﺗﺬﻛ ُﺮ ﺃﻥ ﺇﻟﻬﺎﻡ ﺍﺷﺘﺮ ْﺗﻬﺎ ﻓﻲ ﻧﻔﺲ ﺗﻠﻚ ﺍﻟﺮﺣﻠﺔ‬ ‫ﱠ‬ ‫ﻫﺪ ّﻳ ٌﺔ ﻣﻦ ﺇﻟﻬﺎﻡ! ﻻ‬
‫‪215‬‬ ‫ﻣﻜﺎﻥ‬
‫ﺍﻟﻤﻨﻘﻮﺵ ﻋﻠﻴﻬﺎ ﻓﻲ ٍ‬ ‫َ‬ ‫ﺃﻇﻦ ﺃﻧﻲ ُ‬
‫ﺭﺃﻳﺖ ﺍﻟﺮﺳ َﻢ‬ ‫ﻟﺮﺍﺟﺴﺘﺎﻥ‪ ،‬ﺑﻞ ﻻ ﱡ‬
‫ﻣﺎ ﻗﺒﻞ ﻫﺬﺍ ﺍﻟﻴﻮﻡ‪...‬‬
‫ﺟﺌﺖ ﻣﻦ ﻓﺮﻧﺴﺎ‬ ‫ﺃﺻﺪ ُﻕ ﻋﻴﻨﻴﻲ‪ :‬ﺃﻣﺎﻣﻲ ﺍﻵﻥ ﺗﻠﻚ ﺍﻟﺘﻲ ُ‬ ‫ﻻ ﱢ‬
‫ﻭﺍﻟﺠﺴﺪﻱ ﻣﻌﴼ ِﻟﻤﻌﺒﻮﺩﺗﻲ ﺍﻟﺨﺎﻟﺪﺓ!‬ ‫ﱡ‬ ‫ﺍﻟﺮﻭﺣﻲ‬
‫ﱡ‬ ‫ُ‬
‫ﺃﺑﺤﺚ ﻋﻨﻬﺎ! ﺍﻟﺘﻮﺃ ُﻡ‬
‫ﺃﻭﺟ َﻪ ﺍﻟﺴﺆﺍﻝ‪ :‬ﺍﺗﺼﻞ َﺣ َﺴﻦ‬ ‫َﺖ ﻗﺒﻞ ﺃﻥ ﱢ‬ ‫ﻛﻴﻒ ﻋﺮ َﻓ ْﺖ ﺃﻧﻲ ﻫﻨﺎ؟‪ ...‬ﺃﺟﺎﺑ ْ‬
‫ﺍﻟﺒﺎﺭﺣﺔ ﺑﻨﺎ ﻓﻲ ﺍﻟﻤﻨﺰﻝ‪ .‬ﺣﻜﻰ ِﻟﺨﺎﻟﺪ ﻭﻟﻲ ﻟﻘﺎﺀﻛﻤﺎ ﻭﺃﺣﺎﺩﻳﺜﻜﻤﺎ‬
‫ﺍﺳﻤﻚ ﺣﺘﻰ‬ ‫ﻓﻲ ﺟﺎﺭﺩﻥ ﺳﻴﺘﻲ‪ ،‬ﻭﺃﺳﺌﻠﺘﻚ ﻋ ﱢﻨﻲ!‪ ...‬ﻣﺎ ﺇﻥ ﺫﻛﺮ َﺣ َﺴﻦ َ‬
‫ﺳﺘﺼﻞ ﺻﻨﻌﺎﺀ ﺍﻟﻴﻮﻡ‪ .‬ﻃﻠ ْﺒﻨﺎﻩ‬ ‫ُ‬ ‫ﻋﺮﻓﻨﺎ ﺃﻧﻚ ﻓﻲ ﺍﻟﻴﻤﻦ!‪ ...‬ﺃﺧ َﺒ َﺮﻧﺎ ﺃﻧﻚ‬
‫ﻓﻨﺪﻕ ُﺗﻘﻴﻢ‪...‬‬
‫ٍ‬ ‫ﺃﻥ ﻳﺴﺄﻟﻚ ﺑﺄﻱ‬
‫ﺃﺩﺭﻛﺖ‪ ،‬ﻭﺃﻧﺎ ﺃﺭﻯ ﻧﻌﻴﻢ‪ ،‬ﻣﺪﻯ ﻋﺪﺍ ِﺀ ﺧﺎﻟﺪ ﻟﻠﻌﺎﺩﺍﺕ‬ ‫ُ‬
‫ﺣﺪ ﺍﻟﺘﺤ ﱡﺮﺵ‬ ‫ﻳﺮﻓﻀﻬﺎ ﺑﻮﺿﻮﺡ‪ ،‬ﻳﺤﺘﻘ ُﺮﻫﺎ ﺇﻟﻰ ﱢ‬ ‫ُ‬ ‫ﻭﺍﻟﺘﻘﺎﻟﻴﺪ ﺍﻟﻤﺘﻌ ﱢﻔﻨﺔ!‬
‫ﻟﻮﺣﺪﻫﺎ ﺇﻟﻰ ﺍﻟﻔﻨﺪﻕ‪ ،‬ﻣﺮﻓﻮﻋ َﺔ‬ ‫ِ‬ ‫ﻳﺘﺮﻙ ﺯﻭﺟ َﺘ ُﻪ ﺗﺄﺗﻲ‬‫ُ‬ ‫ﺃﺣﻴﺎﻧﴼ! ﻫﺎﻫﻮ‬
‫ﻳﺘﻔﺠ ُﺮ ﺳﻌﺎﺩ ًﺓ ﻭﺣﺮﻳّﺔ!‪...‬‬‫ﱠ‬ ‫ﻋﺼﺮﻱ‬
‫ﱟ‬ ‫ﺍﻟﺮﺃﺱ ﻃﻠﻴﻘ َﺔ ﺍﻟﺠﺴﺪ! ِﺑ ٍ‬
‫ﻠﺒﺎﺱ‬
‫ﺟﻼﺑﻴﺐ‬
‫ُ‬ ‫ﺸﻮﻫﻬﺎ ﺃﻭ ُﺗﺪ ﱢﺛﺮﻫﺎ‬ ‫ﺃﻧﺎﻗ ٌﺔ ﺭﻓﻴﻌﺔ ﻻ ﺗﺴﺤﻘﻬﺎ ﺃﻭ ﺗﻤﺤﻘﻬﺎ‪ ،‬ﻻ ُﺗ ﱢ‬
‫ﻭﺍﻟﻜﺒﺖ‬
‫ِ‬ ‫ﺍﻟﻘﺒﺎﺋﻞ‬
‫ِ‬ ‫ﻛﻞ ﺫﻟﻚ ﻓﻲ ﻗﻠﺐ ﺻﻨﻌﺎﺀ‪ ،‬ﻋﺎﺻﻤﺔ‬ ‫ﺃﻫﻞ ﻫﺬﺍ ﺍﻟﺒﻠﺪ! ﱡ‬ ‫ِ‬
‫ﺳﺎﻋﺎﺕ ﻗﻠﻴﻠ ٍﺔ ﻓﻘﻂ ﻣﻦ ﻭﺻﻮﻟﻲ‪ ،‬ﻭﻛﺄﻧﻬﺎ‬ ‫ٍ‬ ‫ﻭﻋﺪﺍ ِﺀ ﺍﻟﻤﺪﻧ ّﻴﺔ!‪ ...‬ﺗﺄﺗﻲ ﺑﻌﺪ‬
‫ﺍﻟﻤﺆﺟﻠﺔ!‪...‬‬
‫ﱠ‬ ‫ﻭﺍﻟﻤﻮﺍﻋﻴﺪ‬
‫ِ‬ ‫ﻭﺍﻻﻧﺘﻈﺎﺭ‬
‫ِ‬ ‫ﻻ ﺗﺤﻴﻰ ﻓﻲ ﻋﺎﺻﻤﺔ ﺍﻟﺒﻂ ِﺀ‬
‫ﻛﻞ ﺷﻲﺀ ﻣﻤﻜﻦ! ﺣﺘﻰ ﻫﺬﺍ‬ ‫»ﻛﻞ ﺷﻲﺀ ﻣﻌﻘﻮﻝ« ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ! ﱡ‬ ‫ﱡ‬
‫ﺍﻟﻠﻘﺎﺀ ﺍﻹﻋﺠﺎﺯﻱ ﺍﻟﺬﻱ ﻟﻢ ﻳﺨﻄﺮ ﺑﺒﺎﻟﻲ ﺇﻣﻜﺎﻧﻴﺔ ﺣﺪﻭﺛﻪ‪ ،‬ﻭﺑﻬﺬﻩ‬
‫ﻛﻞ ﺍﻷﺣﻮﺍﻝ‪ ،‬ﻳﻠﺰﻡ ﻓﻲ ﺍﻟﻴﻤﻦ ﺃﻥ‬ ‫ﺍﻟﺴﺮﻋﺔ ﺍﻟﺨﺎﺭﻗﺔ ﺃﻳﻀﴼ!‪ ...‬ﻓﻲ ﱢ‬
‫ﺑﺎﻟﺘﺤﺪﻱ ﻭﺍﻟﺜﻘﺔ ﺑﺎﻟﻨﻔﺲ ﻭﺍﻟﺸﺠﺎﻋﺔ‬
‫ﱢ‬ ‫ﺗﻜﻮﻥ ﺟﻤﺠﻤ ُﺔ ﺍﻟﻤﺮﺀ ﻣﺼﺒﻮﺑ ًﺔ‬ ‫َ‬
‫َﺸﺮ ﱞﻱ‬
‫ﻭﺍﻟﺠﺮﺃﺓ ﻭﺍﻟﻜﺒﺮﻳﺎﺀ ﻭﺍﻟﻌﻈﻤﺔ ﻟﻴﻜﻮﻥ ﻣﺜﻞ ﻧﻌﻴﻢ ﻭﺧﺎﻟﺪ‪ ...‬ﻧﻮ ٌﻉ ﺑ ِ‬
‫ﺑﺸﻜﻞ ﻗﺎﻃﻊ!‪...‬‬
‫ٍ‬ ‫ﻣﺴﺘﺤﻴﻞ‬
‫ٍ‬ ‫ﺷﺪﻳﺪ ﺍﻟﻨﺪﺭﺓ‪ ،‬ﻟﻜ ﱠﻨ ُﻪ‪ ،‬ﻛﻤﺎ ﻳﺒﺪﻭ‪ ،‬ﻏﻴ ُﺮ‬‫ُ‬

‫ﻛﺄﺳ ْﻴﻦ ﻣﻦ ﻋﺼﻴﺮ ﺍﻟﻠﻴﻤﻮﻥ‬ ‫ﻣﻄﻌﻢ ﺍﻟﻔﻨﺪﻕ َ‬ ‫ِ‬ ‫ﻃﻠ ْﺒ ُﺖ ﻣﻦ ِ‬

‫ﻧﺎﺩﻝ‬
‫ﻋﺪﻥ‪.‬‬ ‫ﺃﻣﻲ ﻭﻣﻨﺰ ِﻟﻬﺎ ﻓﻲ َ‬‫ﺍﻷﺧﻀﺮ ﺍﻟﻄﺎﺯﺝ‪ .‬ﺳﺄﻟﺘﻨﻲ ﻧﻌﻴﻢ ﻋﻦ ﺃﺣﻮﺍﻝ ﱢ‬
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‫ﻛﻨﺖ ُﻣﺸ ﱠﺘﺘﴼ ﺃﺗﺮ ﱠﻧ ُﺢ ﻓﻲ ﺃﻛﺜﺮ ﻣﻦ ُﺑ ْﻌﺪ‪ ،‬ﻳﺘﺸﺎﻃﺮﻧﻲ‬ ‫ُ‬
‫ﺗﻠﻌﺜﻤﺖ ﻛﺜﻴﺮﴽ‪،‬‬ ‫‪216‬‬
‫ﺃﻛﺜﺮ ﻣﻦ ﺫﻫﻮﻝ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﺳﺆﺍﻝ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﺃﻟﻢ‪ :‬ﺍﻻﺳﺘﻔﺴﺎ ُﺭ ﻋﻦ‬
‫ﻭﺍﻟﺘﻔﺎﺻﻴﻞ ﺍﻟﺘﻲ ﻋﺮ ْﻓ ُﺘﻬﺎ ﺍﻟﺒﺎﺭﺣﺔ‬
‫ُ‬ ‫ﺃﺧﺒﺎﺭ ﺇﻟﻬﺎﻡ؛ ﻗﺼ ُﺔ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ‬
‫ﻓﻲ ﺟﺎﺭﺩﻥ ﺳﻴﺘﻲ؛ ﺍﻟﻄﻔﻮﻟ ُﺔ ﺍﻟﻤﺠﻬﻮﻟ ُﺔ ﺍﻟﻐﺎﻣﻀ ُﺔ ﻹﻟﻬﺎﻡ؛ ﺃﻳﻦ ﻫﻲ‬
‫ﻭﻛﻴﻒ ﺍﻟﻮﺻﻮﻝ ﺇﻟﻴﻬﺎ؛ ﻣﻔﺎﺟﺄ ُﺓ ﻣﻘﺎﺑﻠﺔ ﻧﻌﻴﻢ ﺃﻣﺎﻣﻲ ﺍﻵﻥ‪ ،‬ﻭﺟﻬﴼ‬
‫ﺴﺒﺐ ُﺣ ﱢﺐ ﺇﻟﻬﺎﻡ‬ ‫ﻛﻦ ﻟﻬﺎ ﺇﻋﺠﺎﺑﴼ ﻻﻣﺤﺪﻭﺩﴽ ِﺑ ِ‬ ‫ﻮﺟﻪ‪ ...‬ﻧﻌﻴﻢ ﺍﻟﺘﻲ ﺃُ ﱡ‬ ‫ِﻟ ْ‬
‫ﺍﻟﻜﻮﻥ ﻛ ﱢﻠ ِﻪ‬
‫ِ‬ ‫ﺗﺤﺐ ﻓﻲ ﻫﺬﺍ‬
‫ﻟﻬﺎ! ﻛﻢ ﺧﻄﺮ ﺑﺒﺎﻟﻲ ﻣﺮﺍﺭﴽ ﺃﻥ ﺇﻟﻬﺎ َﻡ ﻻ ﱡ‬
‫ُﺣ ّﺒﴼ ﺧﺎﻟﺼﴼ ﺃﺑﺪﻳّﴼ ُﻣ ْﻄﻠﻘﴼ ﺇﻻ ﺃﺧﺘﻬﺎ ﺍﻟﺼﻐﻴﺮﺓ ﺍﻟﺘﻲ ﺗﻮﺍﺟﻬﻨﻲ ﺍﻵﻥ!‬
‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ‪ ،‬ﻟﻜﻨﻲ ﺃُ ِﺟ ﱡﻦ ﻟﻬﺎ‬
‫ٍ‬ ‫ﺭﺿﻴﺖ ﺃﻡ ﺃَﺑ ْﻴ ُﺖ‪ِ ،‬‬
‫ﺃﻏ ْﻴ ُﺮ ﻣﻦ ﻧﻌﻴﻢ‬ ‫ُ‬ ‫ﻟﻌ ﱢﻠﻲ‪،‬‬
‫ُ‬
‫ﻳﺼﻌﺐ ﻭﺻﻔﻬﺎ!‪...‬‬
‫ُ‬ ‫ً‬
‫ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ ﻣﺸﺎﻋﺮ ﻋﺎﺭﻣﺔ ﻣﺘﺪﺍﺧﻠﺔ‬
‫ﺍﺳﺘﻔﺴﺮﺗﻨﻲ ﻧﻌﻴﻢ ﻋﻦ ﺍﻧﻄﺒﺎﻋﺎﺗﻲ ﻋﻦ ﺍﻟﻴﻤﻦ‪ .‬ﺃﺟﺒ ُﺘﻬﺎ‬
‫ﺻﺒﺒﺖ ﺟﺎ َﻡ ﺳﺨﻄﻲ‬ ‫ُ‬ ‫ﺣﺪ ﻣﺎ‪.‬‬
‫ﱟ‬ ‫ﻋﺼﺒﻴ ٍﺔ ﺇﻟﻰ‬
‫ﱠ‬ ‫ﺑﻜﻠﻤﺎﺕ ﺳﺮﻳﻌ ٍﺔ ﻣﺸﻌﺒﻜﺔ‪،‬‬
‫ٍ‬
‫ﻋﻠﻰ ﺍﻟﺘﺨﻠﻒ ﻭﺍﻟﺠﻮﻉ ﻭﺍﻟﻨﻬﺐ ﻭﺍﻟﻔﻮﺿﻰ ﻭﺳﻠﻄﺔ ﺍﻟﻘﺒﺎﺋﻞ! ﻋﻠﻰ‬
‫ﻣﻬﻨﺪﺳﻲ ﺍﻟﺨﺮﺍﺏ ﺍﻟﺬﻳﻦ ﻳﺠﺜﻤﻮﻥ ﻋﻠﻰ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ﻣﻨﺬ ﺃﻣﺪ!‪...‬‬
 ‫ﻧﻔﺲ ﺍﻟﻌﺒﺎﺭ ِﺓ‬‫ﺃﻛﺮﺭ ﺃﺣﻴﺎﻧﴼ َ‬ ‫ﱢ‬ ‫ﻛﻨﺖ ﺣﺎﺋﺮﴽ ﻣﺮﺗﺒﻜﴼ ﺃﺛﻨﺎﺀ ﺍﻟﺤﺪﻳﺚ!‬ ‫ُ‬
‫ﻛﻨﺖ ﺃُ َﻧ ﱢﻈ ُﻢ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻓﻲ ﻛﻮﺍﻟﻴﺲ ﺩﻣﺎﻏﻲ‬ ‫ُ‬ ‫ﺃﻛﺜﺮ ﻣﻦ ﻣ ّﺮﺓ!‬
‫ﺃﻫﺘﻢ ﺑﺎﻟﺮ ﱢﺩ ﻋﻠﻴﻬﺎ‬‫ﺃﻭﺟﻬُﻬﺎ ﻟﻨﻌﻴﻢ‪ ،‬ﺃﻛﺜﺮ ﻣﻦ ﺃﻥ ﱠ‬ ‫ﺟﺌﺖ ﱢ‬‫ﺍﻷﺳﺌﻠ َﺔ ﺍﻟﺘﻲ ُ‬
‫ﺮﻛﺰﺓ‪...‬‬‫ﺑﻜﻠﻤﺎﺕ ﺑﻠﻴﻐ ٍﺔ ﻭﺍﺿﺤ ٍﺔ ُﻣ ﱠ‬ ‫ٍ‬
‫ﺛﻢ ﺳﺄﻟﺘﻨﻲ ﻛﻴﻒ َﻣ ﱠﺮﺕ ﺁﺧﺮ ﺍﻷﻳﺎﻡ ﻓﻲ ﻓﺮﻧﺴﺎ ﺑﻌﺪ ﻣﻐﺎﺩﺭﺓ‬‫ْ‬ ‫ﱠ‬
‫ﻛﻞ ﺻﻐﻴﺮ ٍﺓ‬ ‫ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎﺗﻨﺎ‪ ،‬ﱠ‬ ‫ِ‬ ‫ﻛﻞ‬ ‫ُ‬
‫ﻻﺣﻈﺖ ﺃﻧﻬﺎ ﺗﻌﺮﻑ ﱠ‬ ‫ُ‬ ‫ﺇﻟﻬﺎﻡ!‪...‬‬
‫ﻮﺟ َﺌ ْﺖ ﺍﻵﻥ‬ ‫ُ‬
‫ﻭﻛﺒﻴﺮ ٍﺓ ﻓﻴﻬﺎ‪ ،‬ﺣﺘﻰ ﻳﻮﻡ »ﻫﺮﻭﺏ« ﺃﺧ ِﺘﻬﺎ! ﻏﻴﺮ ﺃﻧﻬﺎ ﻓ ِ‬
‫ﺩﻳﻮﻥ ﺇﻟﻬﺎﻡ ﺩﻓﻌ ًﺔ‬
‫ﺘﺴﺪﻳﺪ ِ‬ ‫ِ‬ ‫ﻓﻘﻂ ِﺑﻤﻌﺮﻓ ِﺔ ﺃﻧﻲ ِﺑ ْﻌ ُﺖ ﻣﻨﺰ َﻟﻨﺎ ﻓﻲ ﺑﺎﺭﻳﺲ ِﻟ‬
‫ﻭﺍﺣﺪﺓ! ﺳﺄﻟﺘﻨﻲ ِﺑﺤﺴﺮ ٍﺓ ﻛﺒﻴﺮﺓ‪:‬‬
‫‪ -‬ﻟﻢ ﻳﻜﻦ ﻫﻨﺎﻙ ﺣ ﱞﻞ ﺁﺧﺮ؟‪...‬‬
‫‪ -‬ﻻ!‪...‬‬
‫ﻭﺟﻼﻝ ﺇﻟﻬﺎﻡ! ﺇﻟﻬﻲ‪،‬‬ ‫ﺳﺤﺮ‬ ‫ﻨﻔﺲ‬ ‫ﻻ ّ‬ ‫ﻛﻨﺖ ﻣﺬﻫﻮ ً‬ ‫ُ‬
‫ِ‬ ‫ِ‬ ‫ﺟﺪﴽ! ﻫﻲ ِﺑ ِ‬
‫‪217‬‬ ‫ﻛﻴﻒ ﻳﻤﻜﻦ ِﻟﻔﺘﺎﺗﻴﻦ ﺧﺎﺭﺟﺘﻴﻦ ﻣﻦ ﺃﺑﺸﻊ ﺑﺎﻟﻮﻋﺎﺕ ﺍﻟﻴﻤﻦ ﺃﻥ ﻳﻜﻮﻧﺎ‬
‫ﻳﻤﻜﻦ ﻟﻔﺘﺎﺗﻴﻦ ُﻭ ِﻟ َﺪ َﺗﺎ ﻓﻲ ﺃﻛﺜﺮ ﻣﻨﺎﻃﻖ ﺍﻟﻴﻤﻦ‬ ‫ُ‬ ‫ﺑﻬﺬﻩ ﺍﻟﺮﻭﻋﺔ؟ ﻛﻴﻒ‬
‫ﻗﺒﻠﻴﺔ ﻭﺗﺨﻠﻔﴼ‪ ،‬ﺫﺍ َﻗ َﺘﺎ ﺃﻟﻌﻦ ﺍﻟﻤﺼﺎﺋﺐ ﻭﺍﻟﻮﻳﻼﺕ ﻭﺍﻟﻌﺬﺍﺑﺎﺕ‪ ...‬ﺃﻥ ﻳ ِ‬
‫َﺼ ْﺮ َﻥ‬ ‫ﱠ‬
‫ﻧﺒﺮﺍﺳ ُﻪ ﺍﻟﻤﺘﻮ ّﻗﺪ؟‪ ...‬ﺁﻩ‪ ،‬ﻳﻠﺰ ُﻡ‬ ‫َ‬ ‫ﻪ‪،‬‬ ‫ﺃﻗﺪﺍﺳ‬
‫ِ‬ ‫ﺪﺱ‬‫َ‬ ‫ﻗ‬‫ُ‬ ‫ﺍﻟﺒﻠﺪ‪،‬‬ ‫ﻫﺬﺍ‬ ‫َ‬
‫ﺇﻛﻠﻴﻞ‬
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‫ﺃﺣﻴﺎﻧﴼ ﺃﻥ ﺗﺨﺮﺝ ﻣﻦ ﻗﺎﻉ ﺍﻟﺨﺮﺍﺏ ِﻟﺘﺤ ﱢﻠﻖ ﻓﻲ ﺭﺣﺎﺏ ﺍﻟﻼﻧﻬﺎﻳﺔ‪ ...‬ﻻ‬
‫ﻳﻤﻨﻴ ًﺔ ﻭﺍﺣﺪﺓ‪ ،‬ﻣﻬﻤﺎ ﻛﺎﻧﺖ ﺛﻘﺎﻓ ُﺘﻬﺎ ﻭﻣﺪ ِﻧ ﱠﻴ ُﺔ ﺑﻴﺌ ِﺘﻬﺎ ﺍﻟﻌﺎﺋﻠﻴﺔ‪،‬‬ ‫ﺃﻋﺮﻑ ﱠ‬ ‫ُ‬
‫ﻭﻓﺨﺮ ﻭﺍﻧﺒﺴﺎﻁ‪ ،‬ﻓﻲ‬ ‫ٍ‬ ‫ﺑﻜﻞ ﺛﻘ ٍﺔ‬ ‫ﻳﻤﻜ ُﻨﻬﺎ ﺃﻥ ﺗﻘﺎﺑﻠﻨﻲ ﻫﻜﺬﺍ ﻭﺟﻬﴼ ِﻟﻮﺟﻪ‪ ،‬ﱢ‬
‫ﻳﻐﻄﻲ‬ ‫ﻣﻨﺪﻳﻞ ّ‬
‫ٍ‬ ‫ﻣﺪﻧﻲ ﺩﻭﻥ ﺟﻼﺑﻴﺐ ﺃﻭ ﺣﺠﺎﺏ ﺃﻭ‬ ‫ﱟ‬ ‫ﻠﺒﺎﺱ‬
‫ﺑﻬﻮ ﻓﻨﺪﻕ‪ِ ،‬ﺑ ٍ‬
‫ُﻌﻘﻞ ﺫﻟﻚ؟ ﺳﺄﺣﺘﺎ ُﺝ ِﻟ َﻨﻌﻴﻢ‬ ‫ﻛﻴﻒ ﻳ ُ‬ ‫َ‬ ‫ﻛﻞ ﺍﻟﺮﺃﺱ ﺃﻭ ﺷﻄﺮﴽ ﻣﻨﻪ‪...‬‬ ‫ﱠ‬
‫ﻟﻺﺟﺎﺑﺔ ﻋﻠﻰ ﻫﺬﻩ ﺍﻷﺳﺌﻠﺔ ﺍﻟﺠﺪﻳﺪﺓ‪...‬‬
‫ﺗﻨﻬﺸﻨﻲ ﺍﻷﺳﺌﻠ ُﺔ ﺍﻟﻘﺪﻳﻤﺔ ﺍﻵﻥ! ﺃﻧﺘﻈ ُﺮ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﻣﻨﺬ‬ ‫ُ‬
‫ْﺖ ﻧﻈﺮﻱ‬ ‫ﻭﺟﻬ ُ‬
‫ﺴﺖ ﺑﻌﻤﻖ‪ .‬ﱠ‬ ‫ﺭﻛ ْﺰ ُﺕ ﺫﻫﻨﻲ ﻗﺪﺭ ﻣﺎ ﺃﺳﺘﻄﻴﻊ‪ .‬ﺗﻨ ﱠﻔ ُ‬ ‫ﺩﻫﺮ! ّ‬
‫ﺃﺳﺒﺎﺏ‬
‫ِ‬ ‫ﺑﺎﺳﺘﻔﺴﺎﺭﻫﺎ ﻋﻦ‬
‫ِ‬ ‫ﻠﺖ ﺃﻥ ﺃﺑﺪﺃ ﺃﺳﺌﻠﺘﻲ‬ ‫ﻓﻀ ُ‬ ‫ﻋﻤﻮﺩﻳّﴼ ﻟﻌﻴ َﻨﻲ ﻧﻌﻴﻢ‪ .‬ﱠ‬
‫ﻟﻌﻞ‬
‫ﺟﻠﺒﺎﺏ ﺃﺳﻮ ٍﺩ ﻗﺎﺗﻢ‪ .‬ﱠ‬ ‫ٍ‬ ‫ﺇﺻﺮﺍﺭ ﺇﻟﻬﺎﻡ ﺇﺧﻔﺎ َﺀ ﺗﻔﺎﺻﻴﻞ ﻃﻔﻮ َﻟ ِﺘﻬﺎ ﻭﺭﺍﺀ‬ ‫ِ‬
 ‫ﻭﻭﻳﻼﺕ ﺇﻟﻬﺎﻡ‪ُ ...‬‬
‫ﻗﻠﺖ‬ ‫ﺟﺮﺍﺡ‬ ‫ُ‬
‫ِ‬ ‫ﻫﺬﻩ ﺃﻓﻀﻞ ﺍﻟﺒﺪﺍﻳﺎﺕ ﻟﻼﻗﺘﺮﺍﺏ ﻣﻦ ﺧﻔﺎﻳﺎ ِ‬
‫ﻧﻔﺴﻬﺎ‪:‬‬
‫ﺑﺬﺑﺬﺑﺎﺕ ﺻﻮﺗ ّﻴ ٍﺔ ﻣﺘﺴﺎﺭﻋ ٍﺔ ﻣﺘﺪﺍﻓﻌﺔ ﻏﻴﺮ ﻭﺍﺛﻘ ٍﺔ ﻣﻦ ِ‬ ‫ٍ‬
‫ﺻﺎﺭﺕ َﺗ ْﺨ ُﻨ ُﻘﻨﻲ ﺍﻵﻥ‪َ ،‬ﺗ ْﻤ َﻨ ُﻌﻨﻲ ﻣﻦ‬
‫ْ‬ ‫ٌ‬
‫ﺛﻤﺔ ﺃﺳﺌﻠﺔ ﺃﺭﻫﻘﺘﻨﻲ ﻣﻨﺬ ﺳﻨﻴﻦ‪،‬‬ ‫‪ّ -‬‬
‫ﺃﻧﺖ ﺍﻟﻮﺣﻴﺪ ُﺓ ﺍﻟﺘﻲ ﺗﺴﺘﻄﻴﻌﻴﻦ ﺇﺟﺎﺑﺘﻲ ﻭﻣﺴﺎﻋﺪﺗﻲ ﻓﻲ ﻓﻬﻢ‬ ‫ﺍﻟﺘﻨ ّﻔﺲ! ِ‬
‫ﺽ ﻻ ﻏﻴﺮ!‪ ...‬ﺍﻋﺬﺭﻳﻨﻲ‬ ‫ﺟﺌﺖ ﻣﻦ ﻓﺮﻧﺴﺎ ﻟﻬﺬﺍ ﺍﻟ َﻐ َﺮ ِ‬
‫ﻳﺤﺪﺙ ﺣﻮﻟﻲ! ُ‬ ‫ُ‬ ‫ﻣﺎ‬
‫ﺃﺳﺮﻋﺖ ﻓﻲ َﺯ ﱢﺥ ﺃﺳﺌﻠﺘﻲ ﻣﻨﺬ ﺍﻟﺪﻗﺎﺋﻖ ﺍﻷﻭﻟﻰ ﻟﻬﺬﺍ ﺍﻟﻠﻘﺎﺀ‪ ...‬ﺃﻭ ﱡﺩ ﺃﻥ‬ ‫ُ‬ ‫ﺇﺫﺍ‬
‫ﻣﺠﺪﺩﴽ ﺇﺫﺍ‬
‫ﺃﺑﺪﺃ ﺍﻵﻥ ﺑﺸﻜﻞ ﻣﺒﺎﺷﺮ! ﻻ ﺃﺳﺘﻄﻴﻊ ﺍﻻﻧﺘﻈﺎﺭ! ﺍﻋﺬﺭﻳﻨﻲ ﱠ‬
‫ﺍﻷﻭﻝ‪ ،‬ﺩﻭﻥ ﻣﻘﺪﻣﺎﺕ‪:‬‬
‫ﺫﻫﺒﺖ ﻋﻤﻮﺩﻳّﴼ ﻟﻠﺴﺆﺍﻝ ﱠ‬ ‫ُ‬
‫ﺃﺻﺮ ْﺕ ﻋﻠﻰ ﺫﻟﻚ‬ ‫ﻛﻞ ﻃﻔﻮﻟﺘﻬﺎ؟ ﻟﻤﺎﺫﺍ ﱠ‬ ‫ﻛﺘﻤ ْﺖ ﺇﻟﻬﺎ ُﻡ ﻋﻨﻲ ﱠ‬
‫َ‬ ‫‪ -‬ﻟﻤﺎﺫﺍ‬
‫ﺣﺘﻰ ﺁﺧﺮ ﻟﺤﻈﺔ؟‪...‬‬

‫ﻫﺖ ِﺑﻨﺒﺮ ٍﺓ ﻻﺷﻌﻮﺭﻳﺔ‬ ‫ﺃﺣﻤﺮ ْﺕ ﻛﺜﻴﺮﴽ! ﱠ‬

‫ﺗﺄﻭ ْ‬ ‫ﱠ‬ ‫ﺍﺭﺗﺒ َﻜ ْﺖ ﻧﻌﻴﻢ‪،‬‬
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‫ﺍﺣﺘﺎﺭﺕ‪ ،‬ﻟﻢ‬ ‫ﺧﺎ ِﻓﺘﺔ‪ ...‬ﻛﺎﻧﺖ ﺭﺍﺑﻄ َﺔ ﺍﻟﺠﺄﺵ ﻣﺘﻤﺎﺳﻜ ًﺔ ﻣﻊ ﺫﻟﻚ!‬ ‫‪218‬‬
‫ﺗﻌﺮﻑ ﻣﻦ ﺃﻳﻦ ﺗﺒﺪﺃ ﺍﻟﺮ ﱠﺩ ﻛﻤﺎ ﻳﺒﺪﻭ‪ ...‬ﻗﺎﻟﺖ‪:‬‬
‫ﺃﺩﻳﺐ ﻻ ﺃﺫﻛ ُﺮ ﺍﺳﻤﻪ!‬ ‫ﺍﺕ ٍ‬ ‫ﻣﺬﻛﺮ ُ‬
‫ﱠ‬ ‫ﻛﻨﺖ ﺃﻗﺮﺃُ ﻛﺘﺎﺑﴼ ﻗﺒﻞ ﻓﺘﺮﺓ‪،‬‬ ‫ُ‬ ‫‪-‬‬
‫ﺇﻧﺴﺎﻥ‬
‫ٍ‬ ‫ﺑﺎﻟﻈﻠﻢ ﻋﻨﺪﻣﺎ ﻭﺻ ْﻠ ُﺖ ﺇﻟﻰ ﺻﻔﺤ ٍﺔ ﻳﻘﻮﻝ ﻓﻴﻬﺎ‪ :‬ﱡ‬
‫»ﺃﻱ‬ ‫ﺷﻌﺮﺕ ﱡ‬‫ُ‬
‫ﻭﺇﺳﻬﺎﺏ ﻋﺎﺭﻡ ﻋﻦ‬‫ٍ‬ ‫ﻳﺘﺤﺪ َﺙ ِﺑ ٍ‬
‫ﺴﺤﺮ‬ ‫ﱠ‬ ‫ﻓﻲ ﻫﺬﺍ ﺍﻟﻌﺎﻟﻢ ﻳﺴﺘﻄﻴ ُﻊ ﺃﻥ‬
‫ﺳﻦ ﺍﻟﻤﺮﺍﻫﻘﺔ ﻭﺍﻟﺸﺒﺎﺏ! ﺍﻟﻄﻔﻮﻟ ُﺔ ﻋﻬ ٌﺪ ﻣﺒﺎﺭﻙ! ﻛﻞﱡ‬ ‫ﻃﻔﻮﻟ ِﺘ ِﻪ ﻗﺒﻞ ﱢ‬
‫ﺛﻤ َﺔ ﻣﺴﺘﻘﺒﻞٌ‬ ‫ﺳﻦ ﺍﻟﻄﻔﻮﻟﺔ‪ ،‬ﱠ‬‫ﻣﺎﺽ ﻓﻲ ﱢ‬ ‫ﺛﻤ َﺔ ٍ‬ ‫ﻧﻈﻴﻒ ﻓﻴﻬﺎ! ﻟﻴﺲ ﱠ‬ ‫ٌ‬ ‫ﺷﻲ ٍﺀ‬
‫ﻓﻘﻂ!‪ ...‬ﺑﻌﺪ ﺳﻨﻮﺍﺕ ﺍﻟﻄﻔﻮﻟﺔ ﻳﺒﺪﺃُ ﺍﻟﻤﺮ ُﺀ ِﺑ َﺠ ﱢﺮ ﺍﻟﻤﻘﺎﻟﻲ ﺍﻟﻮﺳﺨﺔ‪:‬‬
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‫ﺷﻌﺮﺕ‬ ‫ﺃﻭﺯﺍﺭﻫﺎ‪ ،‬ﺫﻛﺮﻳﺎ ِﺗﻬﺎ ﺍﻟﺴﻴﺌﺔ‪ ،‬ﺍﻧﺘﻜﺎﺳﺎ ِﺗﻬﺎ‪«...‬‬ ‫ِ‬ ‫ﻗﻴﻮ ِﺩ ﺍﻟﺤﻴﺎﺓ‪،‬‬
‫ﺣﺴﺪﺕُ‬
‫ْ‬ ‫ُ‬
‫ﺍﻛﺘﻈﻤﺖ ﻋﻨﺪﻣﺎ ﻗﺮﺃﺕ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺍﺕ!‪...‬‬ ‫ُ‬ ‫ﺑﺎﻟﻀﻴﻢ ﻭﺍﻟﺴﺨﻂ‪،‬‬
‫ﺭﺃﻱ ﺇﻟﻬﺎﻡ‬
‫ﻋﻜﺲ ِ‬ ‫ﻗﺎﺋ َﻠﻬﺎ ﻛﺜﻴﺮﴽ‪ ،‬ﻳﻠﺰ ُﻡ ﺃﻥ ﺃﻋﺘﺮﻑ‪ ،‬ﻷﻥ ﻣﺎ ﻛﺘ َﺒ ُﻪ ﻫﻮ ُ‬
‫ﻭﺭﺃﻳﻲ ﺗﻤﺎﻣﴼ! ﺍﻟﻄﻔﻮﻟ ُﺔ ﻫﻲ ﺃﺳﻮﺃُ ﻭﺃﺑﺸ ُﻊ ﺳﻨﻮﺍﺕ ﺣﻴﺎﺗﻨﺎ! ﺍﻟﻤﻘﺎﻟﻲ‬
‫ﻭﺍﻟﻄﺴﻮﺕ ﺍﻟﻮﺳﺨ ُﺔ ﺍﻟﻤﺘﻌ ﱢﻔ َﻨﺔ َﻧ ُﺠ ﱡﺮﻫﺎ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ‪ ،‬ﻣﻨﺬ ﺍﻟﻤﻬﺪ‪ ،‬ﻣﻨﺬ‬
‫ﻜﺖ ﻃﻔﻮﻟ ُﺘﻨﺎ ﻣﻨﺬ ﺍﻟﺒﺪﺀ!‪...‬‬ ‫ﱠﺃﻭ ِﻝ ﺍﻟﻌﻤﺮ‪ ...‬ﻟﻴﺲ ﻟﻨﺎ ﻃﻔﻮﻟﺔ‪ ،‬ﺍ ْﻧ ُﺘ ِﻬ ْ‬
 ‫ﻳﺴﻴﻞ ﺳﺮﻳﻌﴼ‪ .‬ﺑَﺤ َﺜ ْﺖ‬ ‫ُ‬ ‫ُ‬ ‫َ‬
‫ﻣﻔﺎﺟﺊ‬
‫ٍ‬ ‫ﺗﻮ ﱠﻗﻔ ْﺖ ﻋﻦ ﺍﻟﻜﻼﻡ‪ .‬ﺧﻴﻂ ٍ‬
‫ﺩﻣﻊ‬
‫ﻃﻔﺤ ْﺖ ﻣﺪﺍﻣ ُﻊ ﺃﺧﺮﻯ‪...‬‬ ‫َ‬ ‫ﻣﻨﺪﻳﻞ ﻓﻲ ﺣﻘﻴﺒﺔ ﻳﺪﻫﺎ ﺍﻟﺴﻮﺩﺍﺀ‪.‬‬ ‫ٍ‬ ‫ﻋﻦ‬
‫ﻧﻈﺮﺍ ُﺗﻬﺎ ﺗﻨﺤﺪ ُﺭ ﻧﺤﻮ ﺍﻷﺳﻔﻞ ﺑﺰﺍﻭﻳﺔ ‪ 45‬ﺩﺭﺟﺔ‪ُ ،‬ﺗﺤﻤ ِﻠ ُﻖ ﻓﻲ ِ‬
‫ﻭﺳﻂ‬
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‫ﺍﻧﺘﻈﺮﺕ‬ ‫ﻣﻼﻣ ِﺤﻬﺎ‪...‬‬
‫ﻛﻞ ِ‬ ‫ﺻﻤﺖ ﻋﻤﻴﻖ‪ .‬ﺃﻟ ٌﻢ ﺑﻌﻴ ٌﺪ ﻳﺠﺘﺎ ُﺡ ﱠ‬ ‫ٌ‬ ‫ﺍﻟﻤﻨﻀﺪﺓ‪.‬‬
‫ﺃﻓﻜﺎﺭﻫﺎ‪،‬‬
‫ﺣﺒﻞ ِ‬ ‫ﺃﻗﻄﻊ َ‬ ‫َ‬ ‫ِﺑ َﺘ َﻮ ﱡﺗ ٍﺮ‪ِ ،‬ﺑ َﻘﻠﻖ‪ِ ،‬ﺑﺤﺮﺍﺭﺓ‪ ...‬ﻟﻢ ﺃﻧﺒﺲ ِﺑ ِﺒ ْﻨ ِﺖ ﺷﻔﺔ ﻟﺌﻼ‬
‫ﻟﺌﻼ ﺗﺘﻮ ﱠﻗ َﻒ ﻋﻦ ﺍﻟﺤﺪﻳﺚ‪ ...‬ﻧﻈﺮﺍ ُﺗﻬﺎ ﺍﻟﻤﻨﺤﺪﺭﺓ ﻻ ﺗﻐﺎﺩﺭ ﻧﻔﺲ‬
‫ﺍﻟﺘﺬﻛﺮ؟ ﺗﻼﻓﻲ ﺃﺣﺎﺳﻴﺲ‬ ‫ﱡ‬ ‫ﺍﻟﺒﺆﺭﺓ ﻓﻲ ﺍﻟﻤﻨﻀﺪﺓ! ﺗﺤﺎﻭﻝ ﺍﻟﺘﺮﻛﻴﺰ؟‬
‫َﺕ ﺇﻟﻰ ُﻋﻨ ِﻘﻬﺎ‬ ‫ﻛﺄﺱ ﺍﻟﻠﻴﻤﻮﻥ ﻣﻦ ﺍﻟﻤﻨﻀﺪﺓ‪ ،‬ﺃﻋﺎﺩ ْ‬ ‫َ‬ ‫ُﻣ َﻌ ﱠﻴﻨﺔ؟‪ ...‬ﺗﻨﺎﻭ َﻟ ْﺖ‬
‫ﺳﻮ ْﺕ ِﺑﺤﺮﻛ ٍﺔ‬ ‫ﺍﻟﺴﻘﻮﻁ ﻋﻠﻰ ﺍﻷﺭﻳﻜﺔ‪ ،‬ﱠ‬ ‫َ‬ ‫َ‬
‫ﺃﻭﺷﻚ‬ ‫ﺍﻟﺸﺎﻝ ﺍﻷﺣﻤﺮ ﺍﻟﺬﻱ‬ ‫َ‬
‫ﺑﻨﺒﺮﺍﺕ‬
‫ٍ‬ ‫ﺛﻢ ﻭﺍﺻ َﻠ ْﺖ ﺭ ﱠﺩﻫﺎ‬ ‫ﺷﻌﺮﻫﺎ ﺍﻟﻬﺎﺭﺑﺔ‪ ،‬ﱠ‬ ‫ﺧﺼﻼﺕ ِ‬ ‫ِ‬ ‫ﺁﻟ ّﻴ ٍﺔ ﻣﺮﺗﺒﻜ ٍﺔ َ‬
‫ﺑﻌﺾ‬
‫ﻣﺮﺗﻴﻦ(‪:‬‬ ‫ﻣﻼﻣﺢ ﻭﺟﻬﻲ ﻣ ّﺮ ًﺓ ﺃﻭ ﱠ‬ ‫َ‬ ‫ﻋﺼﺒﻴﺔ ) َﺭ َﻣ َﻘ ْﺖ ﺃﺛﻨﺎﺀ ﺫﻟﻚ‬ ‫ﱠ‬ ‫ﺃﻛﺜﺮ‬
‫ﺍﻟﻌﺬﺍﺏ ﺍﻷﻛﺒﺮ‪،‬‬ ‫ِ‬ ‫ﺍﻟﺮﺟﺲ ﺍﻷﻛﺒﺮ‪،‬‬ ‫ِ‬ ‫ﺍﻟﺤﺪﻳﺚ ﻫﻨﺎ ﻋﻦ‬ ‫َ‬ ‫‪ -‬ﻻ ﻳﺘﺠﺮﺃُ ﺃﺣ ٌﺪ‬
‫‪219‬‬ ‫ﺍﻟﻤﺘﻘﺪﻣﺔ‪ ،‬ﻛﻤﺎ ُ‬
‫ﺗﻌﺮﻑ‬ ‫ﱢ‬ ‫ﺍﻧﺘﻬﺎﻙ ﺍﻟﻤﺤﺎﺭﻡ‪ ،‬ﺯﻧﻰ ﺍﻟﻤﺤﺎﺭﻡ!‪ ...‬ﻓﻲ ﺍﻟﺪﻭﻝ‬ ‫ِ‬
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‫ﻣﺆﺧﺮﴽ! ﺻﺎﺭﺕ ﺍﻟﻤﺪﺭﺳﺔ ﻓﻲ‬‫ْ‬ ‫ﺍﻟﺼﻤﺖ ﱠ‬ ‫ِ‬ ‫ﺣﺠﺎﺏ‬
‫ُ‬ ‫ُ‬
‫ﺃﻛﺜ َﺮ ﻣ ﱢﻨﻲ‪ ،‬ﻛ ِﺴ َﺮ‬
‫ﻛﻞ‬
‫ﺍﻟﻄﻔﻞ ﻋﻠﻰ ﺍﻟﺠﺮﺃﺓ ﻓﻲ ﺍﻟﺤﺪﻳﺚ ﻋﻦ ﱢ‬ ‫َ‬ ‫ﺍﻟﺴﻨﻮﺍﺕ ﺍﻷﺧﻴﺮﺓ ُﺗ ﱢ‬
‫ﺸﺠ ُﻊ‬
‫ﻭﺣﺪ َﻙ‬
‫»ﺟﺴﺪ َﻙ ِﻣﻠ ُﻜ َﻚ ُ‬ ‫ُ‬ ‫ﺩﻣﺎﻏ ِﻪ ﺍﻟﻌﺒﺎﺭﺓ ﺍﻟﺘﺎﻟﻴﺔ‪:‬‬ ‫ﺗﻐﺮﺱ ﻓﻲ ِ‬ ‫ُ‬ ‫ﻣﻌﺎﻧﺎﺗﻪ‪،‬‬
‫ﻟﻠﻄﻔﻞ ﻛﻴﻒ‬ ‫ِ‬ ‫ﺇﻧﺴﺎﻥ ﺁﺧﺮ«‪ ...‬ﺗﺸﺮ ُﺡ‬ ‫ٍ‬ ‫ﺃﻱ‬
‫ﺤﺮ ٌﻡ ﻋﻠﻰ ﱢ‬ ‫ﺷﺮﻳﻚ ﻟﻚ! ُﻣ ﱠ‬ ‫َ‬ ‫ﻻ‬
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‫ﻋﻨﻒ ﻳﻮﺍﺟﻬﻪ‪ ،‬ﺗﻌ ﱢﻠ ُﻤ ُﻪ ﻛﻴﻒ ﻳﻜﺸﻔﻪ‪،‬‬ ‫ُ‬ ‫ﺍﻧﺘﻬﺎﻙ ﺃﻭ ٍ‬ ‫ٍ‬ ‫ﺃﻱ‬‫ﻳﺘﺤﺪﺙ ﻋﻦ ﱢ‬ ‫ُ‬ ‫ﱠ‬
‫ﻣﺘﺨﺼﺼﺔ ﻟﻠﺪﻓﺎﻉ ﻋﻦ ﺿﺤﺎﻳﺎ‬ ‫ٌ‬ ‫ﱢ‬ ‫ﻳﺮﻓﻀﻪ‪ ...‬ﻫﻨﺎﻙ ﻟﺠﺎ ٌﻥ‬ ‫ُ‬ ‫ﻛﻴﻒ‬
‫ﺍﻟﺨﻮﻑ‬
‫ِ‬ ‫ﺣﺎﺟﺰ‬
‫ِ‬ ‫ﺯﻧﻰ ﺍﻟﻤﺤﺎﺭﻡ‪ِ ،‬ﻟ َﺸ ﱢﺪ ﺍﻻﻧﺘﺒﺎﻩ ﺍﻟﻌﺎﻡ ﻟﻤﺂﺳﻴﻬﻢ‪ِ ،‬ﻟ َﻜ ْﺴ ِﺮ‬
‫ﺑﻜﻞ‬
‫ﻣﻮﺿﻮﻉ ﺍﻻﻏﺘﺼﺎﺏ ﻭﺍﻻﻧﺘﻬﺎﻙ ﺍﻟﺠﻨﺴﻲ ﱢ‬ ‫ِ‬ ‫ﺗﻨﺎﻭﻝ‬
‫ِ‬ ‫ﺍﻟﺠﻤﻌﻲ ﻣﻦ‬
‫ﱢ‬
‫ﺍﻟﻤﺘﻌﻤﺪ!‪ ...‬ﺍﻟﺒﺎﺣﺜﻮﻥ ﻭﻭﺳﺎﺋﻞ‬ ‫ﱠ‬ ‫ﻏﻴﺮ‬ ‫ﺃﻭ‬ ‫ﺪ‬
‫ِ‬ ‫ﺍﻟﻤﺘﻌﻤ‬
‫ﱠ‬ ‫ﻪ‬
‫ِ‬ ‫ﺗﻨﺎﺳﻴ‬ ‫ﻌﺪﻡ‬
‫ﺃﻧﻮﺍﻋﻪ‪ِ ،‬‬
‫ﻟ‬
‫ِ‬
‫ﺍﻹﻋﻼﻡ ﻳﻨﺎﻗﺸﻮﻥ ﻫﺬﺍ ﺍﻟﻤﻮﺿﻮﻉ‪ ،‬ﻳُﺴ ﱢﻠﻄﻮﻥ ﻋﻠﻴﻪ ﺍﻟﻀﻮ َﺀ ﺑﻴﻦ ﺍﻟﺤﻴﻦ‬
‫ﺛﻤﺔ ﺁﺑﺎ ٌﺀ‬‫ُﺪﻳ ُﻨﻬﺎ ﺍﻟﻘﺎﻧﻮﻥ‪ّ .‬‬ ‫ﻭﺍﻟﺤﻴﻦ‪ .‬ﺯﻧﻰ ﺍﻟﻤﺤﺎﺭﻡ ﺟﺮﻳﻤ ٌﺔ ﻛﺒﻴﺮ ٌﺓ ﻳ ِ‬
‫ﻳﻘﺒﻌﻮﻥ ﻓﻲ ﺍﻟﺴﺠﻮﻥ ﺑﺴﺒﺒﻬﺎ ﺑﻌﺪ ﻣﺤﺎﻛﻤﺎﺕ ﻋﻠﻨ ّﻴﺔ!‪ ...‬ﻭﻣﻊ ﺫﻟﻚ‪،‬‬
‫ﺼﺪﻕ! ﻛﻢ ﻫﻢ ﺯﻧﺎ ُﺓ ﺍﻟﻤﺤﺎﺭﻡ ﺍﻟﺬﻳﻦ‬ ‫ﺍﻷﺭﻗﺎ ُﻡ ﺍﻟﻤﻜﺸﻮﻓ ُﺔ ﻫﻨﺎﻙ ﻻ ُﺗ ﱠ‬
‫ﻣﺎﺭﺳﻮﻩ ﻭﻳﻤﺎﺭﺳﻮﻧﻪ ﻓﻲ ﺃﻭﺭﻭﺑﺎ! ﻛﻢ ﻫﻢ ﺍﻟﻘﺴﺎﻭﺳﺔ ﺍﻟﺬﻳﻦ ﺍﻧﺘﻬﻜﻮﺍ‬
‫ﻻ ﺻﻐﺎﺭﴽ! ﻛﻢ ﻫﻢ ﺍﻟﻤﺠﺮﻣﻮﻥ ﻭﺍﻟﻤﻌﺘﻮﻫﻮﻥ ﺍﻟﺬﻳﻦ‬ ‫ﻭﻳﻨﺘﻬﻜﻮﻥ ﺃﻃﻔﺎ ً‬
‫ﻳﻤﺎﺭﺳﻮﻥ ﺍﻏﺘﺼﺎﺏ ﺍﻷﻃﻔﺎﻝ!‪ ...‬ﺃﺭﻗﺎ ٌﻡ ﻏﻴﺮ ﻣﻌﻘﻮﻟﺔ‪ ،‬ﻫﺎﺋﻠﺔ! ﻟﻜﻨﻬﺎ‬
‫ﺧﺠﻞ ﺃﻭ ﻏﺶ‪،‬‬
‫ٍ‬ ‫ﻣﻜﺸﻮﻓ ٌﺔ ﻫﻨﺎﻙ ﺗﺤﺖ ﺍﻟﺸﻤﺲ‪ ،‬ﺗﺤﺖ ﺍﻟﻤﺠﻬﺮ‪ ،‬ﺩﻭﻥ‬
‫ﺗﺨﻀ ُﻊ ِﻟﻠﺪﺭﺍﺳﺔ‪ ،‬ﻟﻠﻤﻘﺎﺭﻧﺎﺕ ﻭﺍﻹﺣﺼﺎﺋﻴﺎﺕ ﺍﻟﺪﺍﺋﻤﺔ!‪...‬‬

‫ﺛﻮﺍﻥ ﻋﻦ ﺍﻟﺤﺪﻳﺚ‪ .‬ﻧﻈ َﺮ ْﺕ ِﻟﺘ ِﻠﻔﻮﻧﻬﺎ ﺍﻟﻨ ﱠﻘﺎﻝ‬ ‫ﺗﻮ ﱠﻗ َﻔ ْﺖ ﻧﻌﻴﻢ ٍ‬

‫ﺧﻄﻴﺔ‪ .‬ﻗﺮﺃَ ْﺗﻬﺎ ِﺑﺴﺮﻋﺔ ﺩﻭﻥ ﺃﻥ ﺗﺮ ﱠﺩ ﻋﻠﻴﻬﺎ‪.‬‬ ‫ﺍﻟﺬﻱ ﺍﺳﺘﻘﺒﻞ ﺭﺳﺎﻟ ًﺔ ﱢ‬
‫ﻭﺻﻮﻝ ﺑﻘ ّﻴ ِﺔ‬
‫ِ‬ ‫ﺑﻬﻮ ﺍﻟﻔﻨﺪﻕ ﺑﻌﺪ‬ ‫ﻟﻤﺤﺖ ﻓﻮﺿﻰ ﻭﺿﻮﺿﺎ َﺀ ﻣﺠﺎﻭﺭ ًﺓ ﻓﻲ ِ‬ ‫ُ‬
‫ﺃﻓﺮﺍﺩ ﺍﻟﻘﺒﺎﺋﻞ‪ ،‬ﺍﻟﻤﺨﺘ ِﻠ ِﻔﻴﻦ ﻋﻠﻰ ﺍﻟﻌﻘﺎﺭﺍﺕ ﺍﻷﺭﺿﻴﺔ‪ ...‬ﻭﺍﺻ َﻠ ْﺖ ﻧﻌﻴ ُﻢ‬
‫ﺣﺒﻞ ﺣﺪﻳﺜﻬﺎ‪:‬‬‫ﺩﻭﻥ ﺃﻥ ﻳﻨﻘﻄﻊ ُ‬
‫ُ‬
‫ﻭﺃﻫﻮﻝ ﻭﺃﻛﺜ ُﺮ ﺗﻌﻘﻴﺪﴽ ﻭﺗﻨ ﱡﻮﻋﴼ‬ ‫‪ -‬ﻓﻲ ﻣﺠﺘﻤﻌﺎ ِﺗﻨﺎ ﺣﺠ ُﻢ ﺍﻟﻜﺎﺭﺛ ِﺔ ﺃﻛﺒ ُﺮ‬
‫ﺍﻟﺤﺮﻣﺎﻥ‪ ،‬ﺍﻟﺠﻮﻉُ‪ ،‬ﺍﻟﻔﻘ ُﺮ‪ ،‬ﺣﺎﺟ ُﺰ ﺍﻟﺼﻤﺖ ﻭﺍﻟﻌﺎﺭ‪،‬‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﻜﺒﺖ‪،‬‬ ‫ﺑﺎﻟﻀﺮﻭﺭﺓ‪:‬‬ ‫‪220‬‬
‫ﻛﻞ ﺍﻟﺮﺫﺍﺋﻞ ﻭﺍﻟﻔﻮﺍﺣﺶ!‪...‬‬ ‫ﺍﻟﺘﺴ ﱡﺘ ُﺮ ﻭﺍﻻﺣﺘﻤﺎ ُﺀ ﺑﺎﻟﺪﻳﻦ‪ ...‬ﻫﻢ ﻣﻨﺒﻊ ﱢ‬
‫َﺨﻴﺴ ُﺔ ﺍﻟﺜﻤﻦ ﺃﻳﻀﴼ ﻓﻲ ﻣﺠﺘﻤﻌﺎﺗﻨﺎ‪ ،‬ﻻ ﻗﻴﻤﺔ ﻟﻬﺎ‪،‬‬ ‫ﺍﻟﻄﻔﻠ ُﺔ ﺃﻧﺜﻰ ﺑ ِ‬
‫ﻛﺎﻧﺖ ﻗﺒﻞ ‪ 15‬ﻗﺮﻥ ﻓﻘﻂ ُﺗ ْﻮﺃَ ُﺩ ﻋﻨﺪ ﻣﻴﻼ ِﺩﻫﺎ ﺗﺤﺖ ﺍﻟﺘﺮﺍﺏ‪ ،‬ﱠ‬
‫ﺛﻢ‬
‫ﺃﺿ َﺤ ْﺖ ﺍﻟﻴﻮﻡ ُﺗﻮﺃ ُﺩ ﻋﻨﺪ ﻣﻴﻼ ِﺩﻫﺎ‪ ...‬ﻓﻮﻕ ﺍﻟﺘﺮﺍﺏ!‬ ‫ْ‬
‫ﺛﻤ َﺔ ﺃﻋﺪﺍ ٌﺩ ﻛﺒﻴﺮ ٌﺓ ﻣﻦ ﺍﻷﻃﻔﺎﻝ ﺍﻟﺬﻳﻦ‬ ‫ﻟﻬﺬ ِﻩ ﺍﻷﺳﺒﺎﺏ ﱠ‬
‫ﻼ‬‫ﻋﺎﺋﻼﺕ ﻓﻘﻴﺮﺓ ﻻ ﻳﺠﺪﻭﻥ ﻋﻤ ً‬ ‫ٍ‬ ‫ٌ‬
‫ﺛﻤ َﺔ ﺃﻃﻔﺎﻝ ﻣﻦ‬ ‫ﻣﺤﺎﺭ ُﻣﻬﻢ! ﱠ‬
‫ِ‬ ‫ُﺗ ْﻨ َﺘﻬ ُ‬
‫َﻚ‬
‫َ‬
‫ﺍﻻﻧﺘﻬﺎﻙ‬ ‫ﺸﺮﻁ ﺃﻥ ﻳﻘﺒﻠﻮﺍ‬ ‫ُﻛﺎﻥ ﺇﻻ ِﺑ ِ‬ ‫ﺳﻮﻕ ﺃﻭ ﺩ ﱠ‬‫ﻣﻘﺼﻒ ﺃﻭ ٍ‬ ‫ٍ‬ ‫َﻫ ﱢﻴﻨﴼ ﻓﻲ‬
‫ﺣﺎﻻﺕ ﺇﺿﺎﻓﻴ ٌﺔ ﺧﺎﺻ ٌﺔ‬‫ٌ‬ ‫ﺛﻤ َﺔ‬
‫ﺍﻟﺠﻨﺴﻲ ﺍﻟﺪﺍﺋﻢ ﻣﻦ ﺃﺭﺑﺎﺏ ﺃﻋﻤﺎﻟﻬﻢ!‪ ...‬ﱠ‬ ‫ﱠ‬
‫ﺍﻟﻴﻤﻨﻲ ﺍﻟﻔﻘﻴﺮ ﺍﻟﺒﺎﺋﺲ‪ :‬ﺍﻟﺰﻭﺍ ُﺝ‬ ‫ﱢ‬ ‫ﻨﺎ‬ ‫ﻌ‬
‫ِ‬ ‫ﻣﺠﺘﻤ‬ ‫ﻓﻲ‬ ‫ﻉ‬ ‫ﻮ‬
‫ﱡ‬ ‫ﺍﻟﺘﻨ‬ ‫ُ‬
‫ﺓ‬ ‫ﺷﺪﻳﺪ‬ ‫ّ‬
‫ﺟﺪﴽ‬
‫ِ‬
‫ﺍﻟﺴﻴﺎﺣﻲ )ﺍﻟﺬﻱ ﺻﺎﺭ ﻛﻤﺎ ﻗﺎﻝ ﺃﺣﺪﻫﻢ‪» :‬ﻭﺳﻴﻠ ًﺔ ﻹﺩﺧﺎﻝ ﺍﻟﻌﻤﻠﺔ‬ ‫ّ‬
‫ﺍﻟﺼﻌﺒﺔ ﻓﻲ ﺍﻟﻴﻤﻦ!«(؛ ﺩﻋﺎﺭ ُﺓ ﺍﻷﻃﻔﺎﻝ؛ ﺍﻟﺰﻭﺍﺝ ﺍﻟﻤﺒ ﱢﻜﺮ ﻟﻸﻃﻔﺎﻝ؛‬
‫ﺍﻧﺘﻬﺎﻙ ﺍﻟﻤﺤﺎﺭﻡ ﻣﻦ ﺑﻌﺾ ﺍﻷﻗﺎﺭﺏ ﻓﻲ ﺑﻌﺾ ﺍﻟﻌﺎﺋﻼﺕ ﺫﺍﺕ ﺍﻵﺑﺎﺀ‬ ‫ُ‬
‫ﺃﻃﻔﺎﻝ ﺍﻟﻘﺮﻯ‬‫ِ‬ ‫ﺍﻟﻤﻬﺎﺟﺮﻳﻦ؛ ﺍﻧﺘﻬﺎﻙ ﺃﻃﻔﺎﻝ ﺍﻟﻌﺎﺋﻼﺕ ﺍﻟﻔﻘﻴﺮﺓ‪ ،‬ﻣﺜﻞ‬
 ‫ﺍﻟﺪﻭﻝ ﺍﻟﻤﺠﺎﻭﺭﺓ‪ ،‬ﺃﺛﻨﺎﺀ ﺇﺭﺳﺎ ِﻟﻬﻢ‬ ‫ﺍﻟﻨﺎﺋﻴﺔ ﻋﻠﻰ ﺍﻟﺤﺪﻭﺩ ﻣﻊ ﺑﻌﺾ ﱡ‬
‫ﺛﻤﺔ ﺣﺎﻻﺕ ﺃﺧﺮﻯ ﻛﺜﻴﺮﺓ‪،‬‬ ‫ٌ‬ ‫ﻟﻠﻌﻤﻞ ﺧﺎﺭﺝ ﺗﻠﻚ ﺍﻟﺤﺪﻭﺩ‪ّ ...‬‬ ‫ِ‬ ‫ﺍﻟﻴﻮﻣﻲ‬
‫ﱢ‬
‫ﺮﺻ ِﺪﻫﺎ‪ِ ،‬ﻟﺪﺭﺍﺳﺘﻬﺎ‪،‬‬ ‫ﻣﺘﻔﺮﻏﻮﻥ ِﻟ ْ‬
‫ﱢ‬ ‫ﺍﺟﺘﻤﺎﻋﻴﻮﻥ‬ ‫ﺑﺎﺣﺜﻮﻥ‬ ‫ﻟﺪﻳﻨﺎ‬ ‫ﻟﻴﺲ‬ ‫ﻟﻜﻦ‬
‫ِﻟﺘﺤﻠﻴﻠﻬﺎ‪...‬‬
‫ﻫﺎﺕ ﻗﻠﺒ ّﻴ ٌﺔ ﺧﺎﻓﺘﺔ ﺍﻟﺘﻘﻄ ُﺘﻬﺎ‬ ‫ﺭﺷﻔ ٌﺔ ﺃﺧﺮﻯ ﻣﻦ ﺍﻟﻠﻴﻤﻮﻥ‪ .‬ﱠ‬
‫ﺗﺄﻭ ٌ‬
‫ُ‬
‫ﺗﻮﺍﺻﻞ ﺭ ﱠﺩﻫﺎ‪:‬‬ ‫ِﺑ ِﺴ ﱢﺮ ﱠﻳﺔ‪ .‬ﻧﻌﻴﻢ‬
‫ﻛﻞ ﻫﺬﻩ ﺍﻻﻧﺘﻬﺎﻛﺎﺕ‬ ‫ﺗﻬﺪ َﻣ ْﺖ ﺣﻴﺎ ُﺗﻬﻢ ﺇﻟﻰ ﺍﻷﺑﺪ ﻣﻦ ﱢ‬ ‫‪ -‬ﺃﺭﻗﺎ ُﻡ ﺍﻟﺬﻳﻦ ﱠ‬
‫ﺟﺪﴽ‬‫ُﻘﻄ ُﻊ ﺍﻟﻘﻠﺐ! ﻻ ﻳﻈﻬﺮ ﻋﻠﻰ ﺍﻟﺴﻄﺢ ﻣﻨﻬﺎ ﺇﻻ ﻋﺪ ٌﺩ ﻳﺴﻴ ٌﺮ ّ‬ ‫ﻳ ﱢ‬
‫ﻣﺤﺎﺭﻣﻬﺎ‬
‫ِ‬ ‫ْ‬
‫ﻭﺃﻧﺠﺒﺖ ﻣﻦ ﺃﺣﺪ‬ ‫ﺣﻤ َﻠ ْﺖ‬
‫ﻮﺣ ِﺪﻩ‪ :‬ﺣﺎﻟ ُﺔ ﻣﻦ ِ‬ ‫ُ‬
‫ﻳﻨﻜﺸﻒ ِﻟ ْ‬
‫ﺍﻷﺳﺮﻱ ﻭﺣﻤﺎﻳﺔ ﺍﻟﻄﻔﻞ«‪،‬‬ ‫ّ‬ ‫»ﻟﺠﺎﻥ ﻣﺤﺎﺭﺑ ِﺔ ﺍﻟﻌﻨﻒ‬ ‫ُ‬ ‫ﻭﺳ ِﻤ َﻌ ْﺖ ﻋﻨﻬﺎ‬ ‫َ‬
‫»ﺍﻟﻤﺨﻔﻲ ﺃﻋﻈﻢ«‬‫ﱠ‬ ‫ﺑﻔﻀﺢ ﺫﻟﻚ‪ ...‬ﻟﻜﻦ‬
‫ِ‬ ‫ﺩﻭﻥ ﺃﻥ ﺗﺘﺠﺮﺃ ﻫﺬﻩ ﺍﻟﻠﺠﺎﻥ‬
‫ﺑﺸﻜﻞ ﻣﺮﻳﻊ!‬ ‫ٍ‬ ‫ﱡ‬
‫ﻭﺃﺷﺪ ﺍﻧﺘﺸﺎﺭﴽ‬ ‫ُ‬
‫ﺃﻫﻮﻝ‬ ‫ﺍﻟﻤﺨﻔﻲ‬
‫ﱡ‬ ‫ﻓﻲ ﻭﺍﻗ ِﻌﻨﺎ ﺍﻟﻤﻨﺎﻓﻖ!‬
‫‪221‬‬ ‫ﻧﻔﺴﻬﺎ‬
‫ﺗﺠﺪ َ‬ ‫ﺃﻱ ﻓﺘﺎ ٍﺓ ﻓﻲ ﻣﺠﺘﻤﻌﺎﺗﻨﺎ ﺍﻹﺳﻼﻣﻴﺔ‪ ،‬ﻋﺪﺍ ﺗﻠﻚ ﺍﻟﺘﻲ ُ‬ ‫ﱡ‬
‫ﺣﺒﻠﻰ ﺃﻣﺎﻡ ﺍﻟﻤﻸ ﻣﻦ ﺯﺍﻧﻲ ﺍﻟﻤﺤﺎﺭﻡ‪ ،‬ﺗﺴﺘﻄﻴ ُﻊ ﺃﻥ ﺗﺘﺠﺮﺃ ﺍﻟﺤﺪﻳﺚ‬
‫َﻮﻱ‪ ،‬ﻋﻦ ﺍﻧﺘﻬﺎﻙ ﺃُ َﺳ ِﺮ ّﻱ‪ ،‬ﻋﻦ ﺍﻏﺘﺼﺎﺏ؟ ﻣﻦ ﺗﺴﺘﻄﻴﻊ‬ ‫ﱟ‬ ‫ﺍﻧﺘﻬﺎﻙ ﺃَﺑ‬
‫ٍ‬ ‫ﻋﻦ‬
‫ﺍﻷﺏ ﻫﻨﺎ‪ ،‬ﺍﻷ ُﺥ‬ ‫ﺍﻟﺠﺮﺃ َﺓ ﻋﻠﻰ ﺍﻟﺤﺪﻳﺚ ﻓﻘﻂ ﻋﻦ ﺃﺑﺴﻂ ﻣﻌﺎﻧﺎﺗﻬﺎ!‪ُ ...‬‬
‫ُ‬
‫ﻭﺍﻟﻘﺮﺁﻥ‬ ‫ﺍﻟﻜﻞ ﻓﻲ ﺍﻟﻜﻞ! ﻳﺤﻤﻴ ِﻪ ﺍﻟﺸﺮ ُﻉ‬ ‫ﺑﺸﻜﻞ ﻋﺎﻡ‪ ...‬ﻫﻮ ﱡ‬ ‫ٍ‬ ‫ُ‬
‫ﺍﻟﺮﺟﻞ‬ ‫ﺃﻳﻀﴼ‪،‬‬
‫ٌ‬ ‫َ‬ ‫َ‬
‫ﻭﺍﻟﻌﺎﺩﺍﺕ ﻭﺍﻟﺘﻘﺎﻟﻴﺪ‪ ...‬ﺃﻣﺎ ﻫﻲ ﻓ ُﻤ َﺪﺍﻧﺔ ﺑﺎﻟﺼﻤﺖ ﻭﺍﻟﻘﺒﻮﻝ! ﻫﻲ ﺍﻟﻌﺎﺭ!‬ ‫ُ‬
‫ﺍﻟﻌﻘﻞ ﻭﺍﻟﺪﻳﻦ! ﻫﻲ ﺳﻠﻌ ٌﺔ ﻟﻬﺎ ٌ‬
‫ﺛﻤﻦ ُﺗﺸ َﺘ َﺮﻯ‬ ‫ِ‬ ‫ﻫﻲ ﺍﻟﻔﺘﻨﺔ! ﻫﻲ ﻧﺎﻗﺼ ُﺔ‬
‫ﻛ ِﻤﻼﻳ ٍﺔ ﻗﺪﻳﻤ ٍﺔ ﻋﻨﺪﻣﺎ ﻳﺮﻳﺪ‪ .‬ﻳﺸﺘﺮﻱ‬ ‫ﺑﻪ ﻋﻨﺪ ﺍﻟﺰﻭﺍﺝ! ﻳﺮﻣﻴﻬﺎ ﺍﻟﺰﻭ ُﺝ َ‬
‫ﻳﺤﻖ ﻟﻪ ﻗﺎﻧﻮﻧﻴﴼ ﺃﻥ‬ ‫ﺑﺠﺎﻧﺒﻬﺎ ِﻣﻼﻳ ًﺔ ﺃﺧﺮﻯ ﺃﺻﻐﺮ ُﻋﻤﺮﴽ ﻋﻨﺪﻣﺎ ﻳﺮﻳﺪ‪ .‬ﱡ‬
‫ﺗﺼﻮ ْﺭ‪ :‬ﻣﺎﺯﺍﻟﺖ‬ ‫ﺃﻱ ﻗﺎﻧﻮﻥ! ﱠ‬ ‫ﻳﺸﺘﺮﻱ ﺃﺭﺑﻊ ﻣﻼﻳﺎﺕ!‪ ...‬ﻫﻲ ﻻ ﻳﺤﻤﻴﻬﺎ ﱡ‬
‫ٌ‬
‫ﻛﺜﻴﺮﺍﺕ ﻳﺘ ﱡﻢ‬ ‫ﺛﻤ َﺔ‬
‫ﺘﺎﻥ ﺍﻟﻔﺘﻴﺎﺕ«! ﱠ‬ ‫»ﺧ ِ‬ ‫ﺗﻤﺎﺭﺱ ﻓﻲ ﻫﺬﺍ ﺍﻟﺒﻠﺪ ﺟﺮﻳﻤ ُﺔ ِ‬ ‫ُ‬
‫ﺍﻧﺘﺰﺍ ُﻉ ﺑﻈﻮﺭﻫﻦ‪ ،‬ﻣﻨﺬ ﺍﻟﻮﻻﺩﺓ ﺃﻭ ﺑﻌﺪ ﺍﻟﺰﻭﺍﺝ ﺃﺣﻴﺎﻧﴼ!‪...‬‬
‫ﺛﻢ ﺃ ْﺭ َﺩ َﻓ ْﺖ ِﺑ َﻨ ٍ‬
‫ﻈﺮﺍﺕ ُﻣ ْﻜﺘﺌﺒﺔ‪:‬‬ ‫ﱠ‬
‫ﻳﺒﺤﺜﻮﻥ ﻓﻲ ﺍﻟﻄﺮﻗﺎﺕ‬ ‫َ‬ ‫ﱡ‬
‫‪ -‬ﺍﻧﻈ ْﺮ ﺣﻮﻟﻚ‪ :‬ﻛﻞ ﻫﺆﻻﺀ ﺍﻷﻃﻔﺎﻝ ﺍﻟﺬﻳﻦ‬
‫ﻟﻜﺴﺐ ﻗﻮ ِﺗﻬﻢ ﻣﻨﺬ‬
‫ِ‬ ‫ﻋﻦ ﻟﻘﻤ ِﺔ ﺍﻟﻌﻴﺶ‪ ،‬ﱡ‬
‫ﻛﻞ ﻫﺆﻻﺀ ﺍﻟﺬﻳﻦ ﻳﻌﻤﻠﻮﻥ‬
‫ﻛﻞ ﻫﺆﻻﺀ ﺍﻟﺬﻳﻦ ﻳﺘﺴ ﱠﻜﻌﻮﻥ ﻓﻲ‬ ‫ﺍﻟﺨﺎﻣﺴﺔ ﺃﻭ ﺍﻟﺴﺎﺑﻌﺔ ﻣﻦ ﺍﻟ ُﻌﻤﺮ‪ ،‬ﱡ‬
‫ﺍﻟﺸﻮﺍﺭﻉ ﺻﺎﺭﺧﻴﻦ‪» :‬ﺃﻧﺎ ﺟﺎﺋﻊ!«‪ ...‬ﻣﻦ ﻳﺤﻤﻴﻬﻢ؟ ﺃﻟﻴﺴﻮﺍ ُﻋ ْﺮﺿ ًﺔ‬
‫ﺳﻬﻠ ًﺔ ّ‬
‫ﺟﺪﴽ ﻟﻠﻨﻬﺐ‪ ،‬ﻟﻼﺳﺘﻐﻼﻝ‪ ،‬ﻟﻠﺪﻋﺎﺭﺓ‪ ،‬ﻟﻼﻏﺘﺼﺎﺏ؟‪...‬‬

‫ﺗﻮﺍﺻﻞ ﺍﻧﺴﻜﺎﺑَﻬﺎ ﺍﻟﻜﺜﻴﻒ ﻋﻠﻰ ﻣﺮﻛﺰ‬ ‫ُ‬ ‫ُ‬

‫ﻧﻈﺮﺍﺕ ﻧﻌﻴﻢ‬
‫ﺑﺄﻟﻢ ﺃﻛﺒﺮ‪،‬‬ ‫ﺑﻨﻬﻢ ﺃﻛﺒﺮ‪ٍ ،‬‬ ‫ﺮﻳ ٍﺔ ﺃﻛﺒﺮ‪ٍ ،‬‬ ‫ﺃﺣﺪ ُﻕ ﻓﻲ ِ‬
‫ﻭﺟﻬﻬﺎ ِﺑ ُﺤ ﱠ‬ ‫ﺍﻟﻤﻨﻀﺪﺓ‪ .‬ﱢ‬
‫ﻛﺄﻥ ﺇﻟﻬﺎﻡ ﺃﻣﺎﻣﻲ‬ ‫ﱠ‬ ‫ُ‬
‫ﺃﺭﺗﺠﻒ‪،‬‬ ‫ﺮﻋﺸ ٍﺔ ﺩﺍﺧﻠﻴﺔ‪...‬‬ ‫ﺑﺘﺮﻛﻴﺰ ﻻ ﻧﻬﺎﺋﻲ‪ِ ،‬ﺑ ْ‬‫ٍ‬
‫ﻭﻧﺒﺮﺍﺕ‬
‫ِ‬ ‫ﺗﻘﺎﺳﻴﻢ‬
‫ِ‬ ‫ﻧﻔﺲ‬
‫ﺍﻟﺠﻤﺎﻝ ﺗﻤﺎﻣﴼ‪َ ،‬‬ ‫ِ‬ ‫ﻧﻔﺲ‬
‫ﺍﻵﻥ! ﻫﻤﺎ ﻳﺘﺸﺎﻃﺮﺍﻥ َ‬
‫ﺍﻟﺤﺪﻳﺚ ﻓﻲ‬‫ِ‬ ‫ﻧﻮﻋﻴ ِﺔ ﺍﻟﺤﻤﻠﻘ ِﺔ ﻭﺍﻟﺘﺮﻛﻴﺰ ﻋﻨﺪ‬ ‫ﱠ‬ ‫ﻧﻔﺲ‬
‫ﻭﺩﻣﻮﻉ ﺍﻷﻟﻢ‪َ ،‬‬ ‫ِ‬
‫ﻤﺴ ُﺢ ﻧﻌﻴ ُﻢ ﺧﻴﻄﴼ ﺁﺧ َﺮ ﻣﻦ ﺍﻟﺪﻣﻮﻉ‪...‬‬ ‫ﻣﻮﺍﺿﻴﻊ ﻣﻌ ﱠﻘﺪ ٍﺓ ﺷﺎﺋﻜﺔ‪َ ...‬ﺗ َ‬
‫ﻧﺸﻴﺞ ﻣﺆﻟﻢ!‪ ...‬ﻗﺒﻞ ﺃﻥ ﺗﻮﺍﺻﻞ‪:‬‬ ‫ٌ‬
‫ﻛﻨﺖ ﺗﻌﺮﻑ ﺃﻧﻪ‬ ‫َ‬ ‫‪ -‬ﺳﺆﺍﻟﻚ ُﻣ َﻠ ﱠﻐ ٌﻢ ﻳُﺨﻔﻲ ﻗﻨﺒﻠ ًﺔ ﻣﻮﻗﻮﺗﺔ‪ ...‬ﻻ ﺃﺩﺭﻱ ﺇﻥ‬ ‫‪222‬‬
‫ﻣﺤﺎﺭﻣﻚ‬ ‫َ‬ ‫َ‬
‫ﻳﻨﺘﻬﻚ‬ ‫ﻳﻔﺘﺮﺳ َﻚ »ﻃﺎﻫﺶ« )‪ (19‬ﻋﻠﻰ ﺃﻥ‬ ‫َ‬ ‫ﻣﻦ ﺍﻷﻓﻀﻞ ﺃﻥ‬
‫ﻭﺣﺸﻴﺔ ﻓﻘﻂ‪ .‬ﻓﻲ ﺍﻟﺜﺎﻧﻴﺔ ﺗﺠﺘﻤ ُﻊ ﱡ‬
‫ﻛﻞ‬ ‫ٌ‬ ‫ﱠ‬ ‫ﺛﻤ َﺔ‬
‫ﺃﺏ! ﻓﻲ ﺍﻟﺤﺎﻟﺔ ﺍﻷﻭﻟﻰ ﱠ‬
‫ﺍﻟﻮﺣﺸﻴﺔ ﻭﺍﻟﻐﺪﺭ ﻭﺍﻟﺠﺒﻦ ﻭﺍﻟﺴﻔﺎﻟﺔ‬ ‫ﱠ‬ ‫ﺍﻟﺮﺫﺍﺋﻞ ﻓﻲ ﻧﻔﺲ ﺍﻟﻮﻗﺖ‪ :‬ﺃﻗﺼﻰ‬
‫ﻛﻞ ﻣﻘﺎﻳﻴﺲ ﺍﻟﺤﻴﺎﺓ ﻭﻗﻮﺍﻧﻴﻨﻬﺎ‬ ‫ﻭﺍﻟﺒﺸﺎﻋﺔ‪ ...‬ﻓﻲ ﺍﻟﺤﺎﻟﺔ ﺍﻟﺜﺎﻧﻴﺔ ﱡ‬
‫ﺗﻨﻘﻠﺐ ﺭﺃﺳﴼ ﻋﻠﻰ ﻋﻘﺐ‪ :‬ﺍﻟﻤﻼﻙ ﺍﻟﺤﺎﺭﺱ‪ ،‬ﺍﻟﺬﻱ ﺍﺧﺘﺎ َﺭ ُﻩ‬ ‫ُ‬ ‫ﺍﻟﺮﺋﻴﺴﺔ‬
‫ﻭﻣﻄﺒﺎ ِﺗﻬﺎ ﻭﺃﻧﻮﺍﺋﻬﺎ‪ ،‬ﺍﻟﺬﻱ‬ ‫ﱠ‬ ‫ﺍﻟ َﻘ َﺪ ُﺭ ِﻟﻴﺤﻤﻴﻚ ﻣﻦ ﻣﺼﺎﻋﺐ ﺍﻟﺤﻴﺎ ِﺓ‬
‫ﻴﻄﻮﻑ ﺑﻚ ﻋﻠﻰ ﺃﺟﻨﺤ ِﺘ ِﻪ ﻓﻲ ﻣﻠﻜﻮﺕ ﻫﺬﻩ ﺍﻟﺤﻴﺎ ِﺓ ﺍﻟﺘﻲ‬ ‫َ‬ ‫ﺍﺧﺘﺎﺭ ُﻩ َ‬
‫ﺍﻟﻘﺪ ُﺭ ِﻟ‬
‫ُ‬
‫ﺗﺤﺎﻟﻒ‬ ‫ﺍﻟﻤﻼﻙ ﺍﻟﺤﺎﺭﺱ ﺍﻟﺬﻱ ﺃﺧﺘﺎ َﺭ ُﻩ‬ ‫ُ‬ ‫ﻷﻭﻝ ﻣﺮﺓ‪،‬‬ ‫ﺟﺌﺖ ﺗﻘ َﺮ ُﻉ ﺃﺑﻮﺍﺑَﻬﺎ ﱠ‬‫َ‬
‫ﺍﻟﻤﻼﻙ ﺍﻟﺤﺎﺭﺱ‬ ‫ُ‬ ‫ﻬﻚ ﻭﻳُﻌ ﱢﻠ َ‬
‫ﻤﻚ‪،‬‬ ‫ﻴﻮﺟ َ‬ ‫ﺍﻟﺒﻴﻮﻟﻮﺟﻴﺎ ﻭﺍﻟﺠﻐﺮﺍﻓﻴﺎ ﻭﺍﻟﺘﺎﺭﻳﺦ ِﻟ ﱢ‬
‫ﺍﻟﺬﻱ ﻳَﻠ َﺰ ُﻣ َﻚ ﻃﺎﻋ َﺘﻪ ﻭﺍﻻﺣﺘﺬﺍ َﺀ ﺑﻪ‪ ،‬ﻭﺍﻟﺬﻱ َﻳ ْﻠ َﺰ ُﻣ ُﻪ ﺃﻥ ﻳﻌﺘﺒ َﺮ ﻃﻔﻮﻟ َﺘﻚ‬
‫ُ‬
‫ﺍﻟﻤﻼﻙ‬ ‫ﻣﺸﺎﺭﻳﻊ ﺣﻴﺎﺗﻪ‪ ...‬ﺫﻟﻚ‬ ‫ِ‬ ‫ﺃﻗﺪﺍﺱ‬
‫ِ‬ ‫ﻣﺸﺮﻭ َﻉ ﺣﻴﺎﺗ ِﻪ ﺍﻷﻛﺒﺮ‪ُ ،‬ﻗ َ‬
‫ﺪﺱ‬
‫ﺭﻗﺒﺘﻚ ﻭﺃﻧﺖ ﻓﻲ ﺍﻟﻤﻬﺪ‪،‬‬ ‫َ‬ ‫ﺛﻌﺒﺎﻥ ﻳﻠﺘﻮﻱ ﻋﻠﻰ‬ ‫ٍ‬ ‫ﺍﻟﺤﺎﺭﺱ ﻟﻴﺲ ﺃﻛﺜﺮ ﻣﻦ‬
‫ﺟﺴﺪﻙ ﺍﻟﻀﻌﻴﻒ‪،‬‬ ‫َ‬ ‫ِ‬ ‫ﻭﺣ ﱠﺒ َﻚ ﻭﻭﻻ َﺀﻙ ﻟﻪ‪ِ ،‬ﻟﻴﻌﺜﻮ ﻓﻲ‬ ‫ﱡ‬
‫ﻳﺴﺘﻐﻞ ﻃﺎﻋ َﺘ َﻚ ُ‬
 ‫ﻳﻤﺘﻠﻚ ِﻟﻤﻮﺍﺟﻬ ِﺔ ﺻﻔﻌﺎﺕ ﺍﻟﺤﻴﺎﺓ‬ ‫ُ‬ ‫ﺟﺴﺪﻙ ﺍﻟﻄﺎﻫ َﺮ ﺍﻟﺬﻱ ﻻ‬ ‫َ‬ ‫ﻴﻨﻬﺐ‬
‫ِﻟ َ‬
‫ﺛﻤ َﺔ ﻣﺆﺍﻣﺮﺓٌ‬ ‫ﻭﻣﻔﺎﺟﺂﺗﻬﺎ ﻏﻴﺮ ﺍﺑﺘﺴﺎﻣ ِﺘ ِﻪ ﺍﻟﻤﻼﺋﻜﻴﺔ ﺍﻟﺴﺎﺫﺟﺔ!‪ ...‬ﱠ‬
‫ﻣﻼﻛ َﻚ ﺍﻟﺤﺎﺭﺱ ﺗﺤﺖ ﻗﻤﻴﺼ ِﻪ‬ ‫ُ‬ ‫ﻛﻮﻧ ّﻴ ٌﺔ ﻏﻴ ُﺮ ﻣﺘﻮﺍﺯﻧﺔ ﻋﻨﺪﻣﺎ ﻳُﺨﻔﻲ‬
‫ﻣﻘﺼﻮﺹ ﺍﻟﺠﻨﺎﺣﻴﻦ‪...‬‬ ‫َ‬ ‫ﻭﺣﺸﴼ ﻳﻠﺘﻬ ُﻢ ﻋﺼﻔﻮﺭﴽ ﺟﺮﻳﺤﴼ‬
‫ﻓﺤﺼ ْﺖ ﻭﺟﻬﻲ ﺑﻨﻈﺮ ٍﺓ ﺛﺎﻗﺒﺔ‪ ،‬ﻗﺒﻞ ﺃﻥ‬ ‫َ‬ ‫ﺗﻨ ﱠﻔ َﺴ ْﺖ ﻧﻌﻴ ُﻢ ِﺑ ُﻌﻤﻖ‪.‬‬
‫ﺗﻮﺍﺻﻞ‪:‬‬
‫ﻳﺨﺘﺒ ُﺊ ﻓﻴﻪ ﺳ ﱡﺮﻧﺎ‬ ‫ِ‬ ‫ﻼ ﺣﻮﻝ ﺯﻳﺮ ﺍﻟﻤﺴﺘﻨﻘﻌﺎﺕ ﺍﻟﺬﻱ‬ ‫‪ -‬ﻟﻦ ﺃﺩﻭﺭ ﻃﻮﻳ ً‬
‫ﺳﺎﻋﺪﻧﻲ ﺧﺎﻟﺪ‪ ،‬ﺧﻼﻝ‬ ‫َ‬ ‫ﺍﻷﻛﺒﺮ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ! ﺳﺄ ْﻓ ُﻘ ُﺴ ُﻪ ﺍﻵﻥ ﺃﻣﺎﻣﻚ!‪...‬‬
‫ﺳﻨﻴﻦ ﻃﻮﻳﻠﺔ ﻣﻦ ﺍﻟﻨﻘﺎﺵ ﻭﺍﻟﺼﺒﺮ‪ ،‬ﻋﻠﻰ ﺍﻟﺘﺤﺮﺭ ﻣﻦ ﺍﻟﺮﻋﺐ ﻣﻦ‬
‫ﺍﻟﺤﺪﻳﺚ ﻋﻨﻪ ﺑﺠﺮﺃﺓ‪َ ...‬ﻟ ْﻮ َﻻ ُﻩ‬‫ِ‬ ‫ﻓﺘﺢ ﻫﺬﺍ ﺍﻟﻤﻮﺿﻮﻉ‪ ،‬ﻋﻠﻰ ﻛﺸ ِﻔﻪ‪ ،‬ﻋﻠﻰ‬
‫ﻣﺠﺮ ُﺩ ﺍﻟﺘﻄ ﱡﺮ ِﻕ ِﻟﻬﺬﺍ ﺍﻟﻤﻮﺿﻮﻉ!‪...‬‬ ‫ﻻﺳﺘﺤﺎﻝ ﺍﻟﻴﻮﻡ ﱠ‬ ‫َ‬
‫ﺣﺪ َﻗ ْﺖ ﻓﻲ ﻧﻔﺲ ﺍﻟﺒﺆﺭﺓ ﻓﻲ‬ ‫ﺗﻮ ﱠﻗ َﻔ ْﺖ ﻧﻌﻴ ُﻢ ﺑﻀﻌﺔ ﺛﻮﺍﻥ‪ .‬ﱠ‬
‫‪223‬‬ ‫ﺃﻗﻞ ﺗﻤﺎﺳﻜﴼ ﻣﻦ ﻗﺒﻞ‪ ،‬ﺃﻛﺜﺮ‬ ‫ﺍﻟﻤﺮﺓ‪ّ ،‬‬‫ﺍﻟﻤﻨﻀﺪﺓ ﺑﻌﻴﻨﻴﻦ ﺯﺍﺋﻐﺘﻴﻦ ﻫﺬﻩ ﱠ‬
‫ْ‬ ‫َ‬
‫ﺍﻧﻔﻼﺷﴼ ﻭﺍﺳﺘﺴﻼﻣﴼ ﻭﺣﺴﺮﺓ!‪ ...‬ﻟﻌ ﱠﻠﻬﺎ ﺑﺪﺃﺕ ﺗﺸﻌﺮ ﺑﺎﻟﻐﺜﻴﺎﻥ ﻣﻦ‬
‫ﺍﻟﺤﺪﻳﺚ ﻣﻌﻨﻮﻳّﴼ ﺩﻭﻥ ﺷﻚ‪.‬‬ ‫ُ‬ ‫ﺍﻟﺘﺮ ﱡﻧ ِﺢ ﻓﻲ ﻫﺬﻩ ﺍﻟﻤﻴﺎ ِﻩ ﺍﻵﺳﻨﺔ‪ .‬ﺃﺭﻫ َﻘﻬﺎ‬
‫ﺃﻓﻬﻤﻬﺎ ﺗﻤﺎﻣﴼ‪ .‬ﺃﺿﺎﻓﺖ ﻭﻫﻲ‬ ‫ﻻ ﺗﺘﻤﻨﻰ ﺃﻥ ﺗﺨﻮﺽ ﻓﻴﻪ ﻭﻗﺘﴼ ﺃﻃﻮﻝ‪ُ .‬‬
‫ﻛﻞ ﻗﻮﺍﻫﺎ‪:‬‬ ‫ﺗﺤﺎﻭﻝ ﺍﺳﺘﺠﻤﺎﻉ ﱢ‬
‫ﺍﻧﺘﻬﻚ ﻣﺤﺎﺭ َﻡ ﺇﻟﻬﺎﻡ ﻭﻣﺤﺎﺭﻣﻲ ﻣﻨﺬ ﻃﻔﻮﻟﺘﻨﺎ‪ ،‬ﻣﻨﺬ ﺳﻨﻮﺍﺕ‬ ‫َ‬ ‫ُ‬
‫ﺍﻟﺸﻴﺦ‬ ‫‪-‬‬
‫ﺟﺲ ﺍﻷﻛﺒﺮ!‪...‬‬ ‫ﺍﻟﺮ ُ‬‫ﻭﺍﻟﺪﻧﺎ ﻫﻮ ﱢ‬ ‫ﺍﻟﻤﻬﺪ!‪ُ ...‬‬

‫ﻛﻨﺖ ﱡ‬
‫ﺃﻇﻦ ﺃﻥ ﻧﻌﻴﻢ‬ ‫ُ‬ ‫ﻫﻮﻝ ﻣﺎ ﺳﻤﻌ ُﺘﻪ!‬
‫ﺍﺳﺘﻘﺎ َﻡ ﺷﻌ ُﺮ ﺭﺃﺳﻲ ﻣﻦ ِ‬
‫ﻗﺼﺔ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳّﺔ‪ ،‬ﻭﻫﺎﺃﻧﺬﺍ‬ ‫ﻭﺇﻟﻬﺎﻡ ﻋﺎﺷﺘﺎ ﻓﻲ ﺍﻟﺠﺤﻴﻢ ﺑﺴﺒﺐ ﱠ‬
‫ﺠﺤﻴﻢ ﺑﺪﺃ ﻣﻨﺬ ﻓﺠﺮ ﻃﻔﻮﻟﺘﻬﻤﺎ‬ ‫ٍ‬ ‫ﺃﻛﺘﺸﻒ ﺃﻥ ﺫﻟﻚ ﺍﻟﺠﺤﻴ َﻢ ﺣﻔﻴ ٌﺪ ِﻟ‬
‫ﺻﻤﻴﻤﻪ ﺃﻥ‬
‫ِ‬ ‫ﻣﻄﻌﻮﻥ ﻓﻲ‬
‫ٍ‬ ‫ﻘﻠﺐ‬ ‫ﻭﺩﺍﻡ ﺳﻨﻴﻦ ﻃﻮﻳﻠﺔ!‪ ...‬ﻫﺎﺃﻧﺬﺍ ُ‬
‫ﺃﺩﺭﻙ ِﺑ ٍ‬
‫ﺍﻟﺠﻨﺴﻲ ﺍﻹﻧﺴﺎﻧﻲ َﻋ َﺜ ْﺖ ِﺑ َﺠ َﺴ َﺪﻱ ﺇﻟﻬﺎﻡ‬
‫ّ‬ ‫ﻛﻞ ﺳﻼﻻﺕ ﺍﻻﻏﺘﺼﺎﺏ‬ ‫ﱠ‬
‫َ‬
‫ﻛﻞ ﻣﺎ ﺍﺳﺘﻄﺎﻉ ﻫﺬﺍ ﺍﻟﻮﺍﻗ ُﻊ ﺍﻟﺰﺍﺋﻒ ﺻﻨﺎﻋﺘ ُﻪ ﻣﻦ‬ ‫ﻭﻧﻌﻴﻢ ﺍﻟﻄﺎﻫﺮﺗﻴﻦ! ﱠ‬
 ‫ﺭﺃﺳ ْﻴﻬﻤﺎ ﺍﻟ ُﻘ ﱢ‬
‫ﺪﺳﻴﻴﻦ!‪...‬‬ ‫ﻭﻣﺤﺎﻝ ﻭﻓﻈﺎﺋﻊ ﺗﻬﺎﻭﻯ ﻓﻮﻕ َ‬ ‫ﻭﺇﺟﺮﺍﻡ ُ‬
‫ٍ‬ ‫ﺑﺸﺎﻋ ٍﺔ‬
‫َ‬
‫ﻋﺮﻓﺖ ﺃﻳﻀﴼ ﻓﻲ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ ﺑﺎﻟﺬﺍﺕ ﻋﻈﻤﺔ ﺧﺎﻟﺪ! ﻳﺎ ﻟ ُﻪ‬ ‫ُ‬
‫ُﺤ ِﻴﻲ ﻫﺬﻩ ﺍﻟﻤﻐﺘﺼﺒ َﺔ‬ ‫ﻧﺎﺩﺭ ﺣ ّﻘﴼ! ﻛﻴﻒ ﺍﺳﺘﻄﺎﻉ ﺃﻥ ﻳ ْ‬ ‫ﺇﻧﺴﺎﻥ ٍ‬
‫ٍ‬ ‫ﻣﻦ‬
‫ﻳﺤﻮ َﻟﻬﺎ ﻧﺒﺮﺍﺳﴼ‪ ،‬ﺇﻧﺴﺎﻧﴼ ﺁﺧﺮ؟‪ ...‬ﻛﻴﻒ‬ ‫ﺪﻣﺮ َﺓ ﻭﻫﻲ ﺭﻣﻴﻢ‪ ،‬ﺃﻥ ﱢ‬ ‫ﺍﻟﻤ ﱠ‬
‫ُ‬
‫ُﻌﻴﺪ ﺑﻨﺎ َﺀﻫﺎ ﻣﻦ‬ ‫ﺍﻟﻬﻠﻊ ﻭﺍﻟ ﱡﺮﻋﺐ‪ ،‬ﺃﻥ ﻳ َ‬ ‫ِ‬ ‫ُﻬﺪ َﻡ ﻓﻴﻬﺎ ﺣﺎﺟﺰ‬ ‫ﺍﺳﺘﻄﺎﻉ ﺃﻥ ﻳ ﱢ‬
‫ﺤﺪﺛﻨﻲ ﻋﻦ ﺍﻟﺨﻮﻑ!‪ ...‬ﻫﻮ ﺃﻋﺘﻰ ﺍﻟﻌﻮﺍﺋﻖ‬ ‫ُ‬
‫ﻧﻔﺴﻬﺎ ﺗ ﱢ‬ ‫ﺟﺪﻳﺪ؟‪ ...‬ﻫﺎﻫﻲ ُ‬
‫ﺃﻣﺎﻡ ﺿﺤﺎﻳﺎ ﻫﺬﻩ ﺍﻟﺠﺮﺍﺋﻢ ﻻﺳ ّﻴﻤﺎ ﻋﻨﺪﻣﺎ َﺗ ْﻨ َﻜ ﱡﺐ ﻋﻠﻴﻬﻢ ﻭﻳﻼ ُﺗﻬﺎ‬
‫َ‬
‫ﺍﻟﺨﻮﻑ‬ ‫َ‬
‫ﻳﺮﺿﻌﻮﻥ‬ ‫ﻧﻤﻮﻫﺎ ﺍﻟﺒﻴﻮﻟﻮﺟﻲ ﺑﻌﺪ! ﻟﺬﻟﻚ‬ ‫ﻜﻤ ْﻞ ﱠ‬ ‫ﻭﺃﺩﻣﻐ َﺘﻬُﻢ ﻟﻢ ُﺗ ِ‬
‫ﻣﻦ ﺍﻟﻐﻮﻝ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ‪ ،‬ﻳﻨﻤﻮ ﻣﻌﻬﻢ ﺫﻟﻚ ﺍﻟﺨﻮﻑ‪ ،‬ﻳﻜﺒ ُﺮ ﻳﻮﻣﴼ ﺑﻌﺪ‬
‫ﻳﺠﺘﺎﺣﻬﻢ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‪ ،‬ﻳﺼﻴ ُﺮ ﺟﺰﺀﴽ ﻋﻀﻮﻳّﴼ ﻣﻦ ﺗﺮﻛﻴﺒﻬﻢ‬ ‫ُ‬ ‫ﻳﻮﻡ‪،‬‬
‫ﻭﺍﻟﺬﻫﻨﻲ‪ ،‬ﻳﺼﻴ ُﺮ َﻗ َﺪ َﺭﻫﻢ!‪ ...‬ﺍﻟﺸﻌﻮ ُﺭ ﺑﺎﻟﻌﺎﺭ ﺃﻳﻀﴼ ﻭﺍﺣﺘﻘﺎ ُﺭ‬ ‫ّ‬ ‫ﺍﻟﻨﻔﺴﻲ‬
‫ّ‬
‫ﻟﻜﻞ ﻫﺆﻻﺀ ﺍﻟﻀﺤﺎﻳﺎ‪ ،‬ﻛﻤﺎ َﺷ َﺮ َﺣ ْﺖ‬ ‫ﺍﻟﻨﻔﺲ ﻫﻮ ﺍﻟﺤﺎﺟ ُﺰ ﺍﻟﻤﺮﻋﺐ ﱢ‬
‫ﻟﻲ ﻧﻌﻴﻢ‪...‬‬ ‫‪224‬‬
‫ﺗﺘﺨﺒﻂ ﻓﻲ ﺃﺩﻏﺎﻝ‬ ‫ُ‬ ‫ﱠ‬ ‫ﺑﻨﻈﺮﺍﺕ‬
‫ٍ‬ ‫ُ‬
‫ﻔﺖ ﻗﻠﻴﻼ ﻗﺒﻞ ﺃﻥ ﺗﻀﻴﻒ‬ ‫ً‬ ‫ﺗﻮ ﱠﻗ ْ‬
‫ُﻣﻈﻠﻤﺔ‪:‬‬
‫ﻳﺤﺼﻞ ﻟﻬﻢ‬ ‫ُ‬ ‫‪ -‬ﻋﻨﺪﻣﺎ ﻳُﻨ َﺘﻬﻜﻮﻥ ﻓﻲ ﻓﺠﺮ ﻃﻔﻮﻟﺘﻬﻢ ﻳﻈﻨﻮﻥ ﺃﻥ ﻣﺎ‬
‫ﺷﻲ ٌﺀ ﺍﻋﺘﻴﺎﺩﻱ! ﻳﺘﻬﻴﺄ ﻟﻬﻢ ﺃﻥ ﻫﺬﻩ ﻃﺒﻴﻌ ُﺔ ﺍﻟﺤﻴﺎ ِﺓ‪ ،‬ﻫﺬﻩ ﻋﺎﺩﺍ ُﺗﻬﺎ‬
‫ُﺪﺭﻛﻮﺍ ﺃﻥ ﺧﻄﻮﺍﺗﻬﻢ‬ ‫ّ‬
‫ﺍﻟﺴﻦ ﺃﻥ ﻳ ِ‬ ‫ﻭﺗﻘﺎﻟﻴﺪﻫﺎ!‪ ...‬ﻛﻴﻒ ﻟﻬﻢ ﻓﻲ ﺫﻟﻚ‬ ‫ُ‬
‫ﱡ‬
‫ﺍﻷﻭﻟﻰ‪ ،‬ﻋﻠﻰ ﻋ َﺘﺒ ِﺔ ﻫﺬﻩ ﺍﻟﺤﻴﺎﺓ ﺍﻟﺘﻲ َﺣﻄﻮﺍ ﻓﻲ ﺭﺣﺎﺑﻬﺎ ﻋﻠﻰ ﺍﻟﺘﻮ‪،‬‬
‫ﻬﺮﻭﻝ ِﺑﻬﻢ ﻓﻲ ﻫﺎﻭﻳﺔ؟‪...‬‬ ‫ُﺗ ُ‬
‫ﺃﺧ َﻔ ْﺖ ﻧﻌﻴ ُﻢ ﻏﺜﻴﺎ َﻧﻬﺎ ﻭﻣﺮﺍﺭﺍ ِﺗﻬﺎ ِﺑﺼ ُﻌﻮﺑَﺔ‪ .‬ﺗﺎﻫﺖ ﻋﻴﻨﺎﻫﺎ‬
‫ﺟﺮﺍﺣﺎﺕ‬
‫ٍ‬ ‫ﻓﺮﺍﻍ ﺳﺤﻴﻖ‪ ...‬ﺍﻟ َﺘ َﻘ ْﻄ ُﺖ ﻧﺒﺮﺍ ِﺗﻬﺎ ِﺑ ُﺠﻬﺪ ﻭﻫﻲ ُﺗ َﺘ ْﻤ ِﺘ ُﻢ‬ ‫ﻓﻲ ٍ‬
‫ﺧﺮﺍﺑﺎﺕ ﺃﺯﻣﻨ ٍﺔ ﻏﺎﺑﺮﺓ‪:‬‬
‫ِ‬ ‫ﻭﻋﺬﺍﺑﺎﺕ ﺗﺨﺮ ُﺝ ﻣﻦ‬ ‫ٍ‬
‫ﺍﻟﻐﻮﻝ ﻗﻠﻘﴼ ﻭﻫﻮ ﻳﺴﻤ ُﻊ ﺻﻮﺗﴼ ﻗﺮﻳﺒﴼ ﻣﻦ ﺍﻟﺒﺎﺏ!‬ ‫َ‬ ‫ﺛﻢ ﺫﺍﺕ ﻳﻮﻡ َﻳ َﺮ ْﻭ َﻥ‬ ‫‪ -‬ﱠ‬
‫ﻳُﺨﻔﻲ ﻣﻼﺑﺴﻪ ﺍﻟﺪﺍﺧﻠﻴﺔ ﺑﻬﻠﻊ! ﻳﺨﻔﻲ ﻣﻼﺑﺴﻬﻦ ﺍﻟﺪﺍﺧﻠﻴﺔ ﺑﻬﻠﻊ!‬
‫ﺛﻤﺔ ﺷﻴﺌﴼ ﻏﻴ َﺮ ﻃﺒﻴﻌﻲ!‬ ‫ﺗﻜﺘﺸﻒ ﺃﺩﻣﻐ ُﺘﻬﻢ ﺍﻟﺼﻐﻴﺮ ُﺓ ﺣﻴﻨﺬﺍﻙ ﺃﻥ ّ‬ ‫ُ‬
 ‫ﻣﻨﻬﻦ‬
‫ﱠ‬ ‫ﻳﻤﺎﺭﺱ ِﻓ ْﻌ َﻠ ُﻪ ﺗﺤﺖ ﺍﻟﺸﻤﺲ! ﻫﻮ ﺣﺬ ٌﺭ‪ ،‬ﺧﺎﺋﻒ! ﻳﻄﻠﺐ‬ ‫ُ‬ ‫ُ‬
‫ﺍﻟﻐﻮﻝ ﻻ‬
‫ُﻬﺪﺩُﻫﻦ ﺑﺎﻟﺘﻌﺬﻳﺐ ﻭﺍﻟﻘﺘﻞ ﺇﺫﺍ ﺍﻧﻜﺸﻒ ﺍﻟﺴ ّﺮ!‪...‬‬ ‫ﺍﻟﻜﺘﻤﺎﻥ‪ ،‬ﻳ ﱢ‬
‫ﺍﻟﺤﺲ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ ﺑﺄﻧﻬﻢ ﻟﻴﺴﻮﺍ‬ ‫ﱡ‬ ‫ﻳﻨﻤﻮ ﻓﻲ ﻫﺆﻻﺀ ﺍﻟﻀﺤﺎﻳﺎ‬
‫ﺍﻟﺴﺮ ﻭﺍﻟﻜﺬﺏ‪ ،‬ﺃﻥ‬ ‫ﻣﺜﻞ ﺍﻵﺧﺮﻳﻦ‪ُ ،‬ﻗ ﱢﺪ َﺭ ﻟﻬﻢ ﺃﻥ ﻳﺘﺮﻋﺮﻋﻮﺍ ﻓﻲ ﺃﻭﻛﺎﺭ ﱢ‬
‫َﺤ َﻴﻮﺍ ُﻣﺴ َﺘ َﻠﺒﻴﻦ ﺩﻭﻣﴼ ِﻟ ٍ‬
‫ﺴﺒﺐ‬ ‫ﺃﻧﻔﺴﻬﻢ ﻋﻠﻰ ﺍﻟﻜﺘﻤﺎﻥ‪ ،‬ﺃﻥ ﻳ ْ‬ ‫َ‬ ‫ُﺠ ﱢﺒ ُﻠﻮﺍ‬
‫ﻳَ‬
‫ﻳﺠﻬﻠﻮﻧﻪ‪ ،‬ﺃﻥ ﺗﺘﻘﺎﺫﻓﻬُﻢ ﺍﻟﺘﻨﺎﻗﻀﺎﺕ‪ :‬ﺿﺮﻭﺭﺓ ﺍﻟﻄﺎﻋﺔ‪ ،‬ﺭﻏﺒﺔ ﺍﻟﺮﻓﺾ‪...‬‬ ‫َ‬
‫ﻣﺜﻞ ﺍﻟﻤﻌﻮﻗﻴﻦ‬ ‫ﺍﻟﻴﻘﻴﻦ ﺑﺄ ﱠﻧﻬﻢ ﻏﻴ ُﺮ ﻃﺒﻴﻌﻴﻴﻦ ﺑﺎﻟﺘﺄﻛﻴﺪ‪ُ ،‬‬ ‫ُ‬ ‫ﻳﻜﺒ ُﺮ ﻓﻴﻬﻢ‬
‫ﻣﻨﺬ ﺍﻟﻮﻻﺩﺓ‪ ،‬ﻳُﻌﺎ َﻗ ُﺒﻮﻥ ِﻟﺬ ْﻧ ٍﺐ ﺍﺭﺗﻜﺒﻮﻩ ﻳﻮﻣﴼ ﻣﺎ )ﻳﻮ َﻡ ﻭﻻﺩ ِﺗﻬﻢ؟ ﻗﺒﻞ‬
‫ﺯﻣﻦ ﻗﺒﻞ ﺍﻟﺰﻣﻦ؟‪(...‬‬ ‫ﻭﻻﺩ ِﺗﻬﻢ؟ ﻓﻲ ٍ‬
‫ُ‬ ‫ً‬
‫ﺮﺕ ﻧﻌﻴﻢ ﻧﺤﻮﻱ ﺛﺎﻧﻴﺔ ﻭﻛﺄ ﱠﻧﻬﺎ ﺗﺮﺍﻗﺐ ﻛﻴﻒ ﻳﺘﻘﺎﺫﻑ ﺑﻲ‬ ‫َ‬
‫ﻧﻈ ْ‬
‫ﺇﻋﺼﺎ ُﺭ ﻛﻠﻤﺎ ِﺗﻬﺎ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺗﻮﺍﺻﻞ‪:‬‬
‫ﻳﻨﺼ ُﺐ ﻭ َﺗ َﺪﻳ ِﻪ ﻓﻲ ُﻗ ْﻄ َﺒﻲ ﺍﻟﻤﺦ‪:‬‬
‫‪ -‬ﻳﺴﻜ ُﻨﻬﻢ ﺃﺧﻴﺮﴽ ﺷﻌﻮ ٌﺭ ﻭﺍﺣ ٌﺪ ﺛﺎﺑﺖ ُ‬
‫‪225‬‬ ‫ﺴﺒﺐ ﺩﻓﻴﻦ!‪...‬‬‫ﻟﻢ ﻳُﺨ َﻠﻘﻮﺍ ﻫﻜﺬﺍ ُﻋﺮﺿ ًﺔ ﻟﻼﻧﺘﻬﺎﻙ ﻣﻨﺬ ﺍﻟﻤﻬﺪ ﺇﻻ ِﻟ ٍ‬
‫ﻛ َﻤ ْﻴ َﺴ ٍﻢ ﻓﻲ ﺍﻟﺠﺒﻴﻦ‪،‬‬ ‫ﻳﺤﻤﻠﻮﻥ ﻫﺬﺍ ﺍﻟﺸﻌﻮﺭ ﺍﻻﻧﻜﺴﺎﺭﻱ ﺍﻟﻘﺎﺗﻞ َ‬
‫ﻳﺪ ﻓﻲ ﺍﻟﻤﻌﺪﺓ‪...‬‬ ‫ﱡﻮﺱ ﻓﻲ ﺍﻟ َﻜ ِﺒﺪ‪َ ،‬‬
‫ﻛﺼ ِﺪ ٍ‬ ‫ﻛﺸﻮﻛ ٍﺔ ﻓﻲ ﺍﻟﺠﻮﻑ‪ ،‬ﻛﺪﺑ ٍ‬
‫ﻳﻜﺮﻫﻮﻥ ﻭﻳﺤﺘﻘﺮﻭﻥ ﺃﻧﻔﺴﻬﻢ ﻋﻠﻰ ﺍﻟﺪﻭﺍﻡ! ﻳﺸﻌﺮﻭﻥ ﺑﺎﻟﻘﺬﺍﺭﺓ! ﻳﺸﻌﺮﻭﻥ‬
‫َﻮﻝ ﻣﻔﺎﺭﻗ ِﺔ ﺣﻴﺎ ِﺗﻬﻢ‬‫ﺑﺎﻟﺬﻧﺐ ﻓﻴﻤﺎ ﻫﻢ ﺍﻟﻤﺠﻨﻲ ﻋﻠﻴﻬﻢ ﻣﻊ ﺫﻟﻚ! ﻳﺎ َﻟﻬ ِ‬
‫ﻣﻘﻠﻮﺏ ﻓﻴﻬﺎ ﺭﺃﺳﴼ ﻋﻠﻰ ﻋﻘﺐ!‪ ...‬ﻳﻨﻤﻮ ﻓﻴﻬﻢ‬ ‫ٌ‬ ‫ﻛﻞ ﺷﻲ ٍﺀ‬‫ﻭﻛﺎﺭ َﺛ ِﺘﻬﺎ! ﱡ‬
‫ِ‬
‫ﺍﻻﻧﺴﺤﺎﻗﻲ ﺑﺎﻟﻨﻘﺺ‪ ،‬ﺑﺎﻟﺨﻮﻑ‪ ،‬ﺑﺎﻟﻌﺎﺭ‪ ،‬ﺑﺎﻟﺬﻧﺐ‪ ،‬ﺑﻜﺮﺍﻫﻴﺔ‬ ‫ﱡ‬ ‫ﺍﻹﺣﺴﺎﺱ‬
‫ُ‬
‫ﺍﻟﺬﺍﺕ‪ ...‬ﻳﻐﺪﻭ »ﻃﺒﻴﻌﺘﻬﻢ ﺍﻟﺜﺎﻧﻴﺔ«! )ﺃﺛﺎﺭﻧﻲ ﻫﺬﺍ ﺍﻟﻤﺼﻄﻠﺢ ﺍﻟﺬﻱ‬
‫ﻭﺣ ﱢﻲ ﻹﻟﻬﺎﻡ(‪...‬‬ ‫ﺛﻐﺮ ﺍﻟﺘ ْﻮ ِﺃﻡ ﺍﻟ ﱡﺮ ِ‬
‫ﻷﻭﻝ ﻣ ّﺮﺓ ﻣﻦ ِ‬ ‫ﺃﺳﻤﻌ ُﻪ ﱠ‬

‫ﺍﻟﻤﻨﻘﺒﻀﺔ‪...‬‬
‫ِ‬ ‫ﻛ ﱢﻠﻲ ﺁﺫﺍ ٌﻥ ﻣﺸﺪﻭﺩ ٌﺓ ِﻟﻮﺟ ِﻪ ﻧﻌﻴﻢ‪ِ ،‬ﻟﺘﻘﺎﺳﻴﻤ ِﻪ‬‫ُ‬
‫ﺗﺘﺨﺒ ُﻂ‪،‬‬
‫ﱠ‬ ‫ﻣﻮﺍﺿﻴﻊ ﻋﻨﻴﻔ ًﺔ ﺟﺎﺭﺣﺔ‪،‬‬
‫َ‬ ‫ُ‬
‫ﺗﺨﻮﺽ‬ ‫ﺃﺗﺎﺑ ُﻊ ﻛﻠﻤﺎ ِﺗﻬﺎ ﻭﻫﻲ‬
‫ﻋﺎﻟﻢ ﺁﺧﺮ‪،‬‬ ‫ﺗﻘﺎﻭﻡُ‪ُ ،‬ﺗ ْﺒ ِﺤﺮ‪ ...‬ﱢ ُ‬
‫ﺃﺣﺪﻕ ِﺑﺘﻤ ﱡﻌ ٍﻦ ﻓﻲ ﻋﻴﻨﻴﻬﺎ ﺍﻟﻐﺎﺋﺮﺗﻴﻦ ﻓﻲ ٍ‬
‫ﺃﺧﺬ ْﺕ ﺭﺷﻔ ًﺔ ﻣﻦ ﺍﻟﻠﻴﻤﻮﻥ‪...‬‬
‫ﻼ‪َ ،‬‬ ‫ﻓﻲ ﻧﻈﺮﺍ ِﺗﻬﺎ ﺍﻟﻬﺎﺭﺑﺔ‪ ...‬ﺗﻨ ﱠﻔ َﺴ ْﺖ ﻗﻠﻴ ً‬
 ‫ﻟﻤﺮﻛﺰ ﺳﺆﺍﻟﻲ ﺍﻟﺴﺎﺑﻖ‪:‬‬ ‫ِ‬ ‫ﻋﺎﺩﺕ‬
‫ﺗﺘﺬﻛ ُﺮ ﺷﻴﺌﴼ ﻣﻦ‬ ‫ﱠ‬ ‫‪ -‬ﻫﻞ ﺗﻔﻬﻢ ﺍﻵﻥ ﻟﻤﺎﺫﺍ ﻗﺎﻟﺖ ﻟﻚ ﺇﻟﻬﺎﻡ ﺇﻧﻬﺎ ﻻ‬
‫ﻣﺜﻞ ﺫﺍﻛﺮ ِﺓ‬ ‫ﻣﺜﻞ ﺫﺍﻛﺮ ِﺓ ﻃﻔﻮﻟﺘﻲ‪ُ ،‬‬ ‫ﻃﻔﻮﻟﺘﻬﺎ!‪ ...‬ﺫﺍﻛﺮ ُﺓ ﻃﻔﻮﻟ ِﺘﻬﺎ ُ‬
‫ﻣﺤﺎﺭﻣﻬﻢ‪ ،‬ﻳﻤﻠﺆﻩ ﺷﻲ ٌﺀ ﻭﺍﺣﺪ‪ :‬ﺍﻟﻐﻮﻝ‪ ،‬ﺍﻟﺴ ّﺮ‬ ‫ُ‬ ‫ﻃﻔﻮﻟﺔ ﻣﻦ ﺍ ْﻧ ُﺘ ِﻬ َﻜ ْﺖ‬
‫ﻛﻞ ﻣﺎ ﻋﺪﺍ ﺫﻟﻚ ﻣﻨﺒﻮ ٌﺫ ﺧﺎﺭﺝ ﺍﻟﺬﺍﻛﺮﺓ!‪...‬‬ ‫ﺍﻷﻛﺒﺮ! ﱡ‬
‫ﻀﻤﻴﺮ‬
‫ِ‬ ‫ﺣﺎ َﻭ َﻟ ْﺖ ﺃﻥ ﺗﻜﻮﻥ ﺃﻛﺜﺮ ﻭﺿﻮﺣﴼ‪ ،‬ﺃﺿﺎ َﻓ ْﺖ ِﺑ‬
‫ﺍﻟﻤﺨﺎﻃﺐ‪:‬‬
‫ﻛﻞ ﻃﻔﻮﻟﺘﻚ‪،‬‬ ‫‪ -‬ﻫﻜﺬﺍ ُﺗﺤ َﺮ ُﻡ ﻣﻦ ﺫﺍﻛﺮ ِﺓ ﻃﻔﻮﻟﺘﻚ‪ُ ،‬ﺗﺤ َﺮﻡ ﻣﻦ ﱢ‬
‫ﻛﻞ ﻟﺤﻈﺎﺕ ﺗﻔﻜﻴﺮﻙ ﻭﺃﻧﺖ ﺗﺨﺘﻠﻲ ِﺑ َﻨ ْﻔ ِﺴ َﻚ‬ ‫ﻛﻞ ﺳﺎﻋﺎﺗﻬﺎ‪ ،‬ﱠ‬ ‫ﻷﻥ ﱠ‬
‫ﺛﻘﻞ‬
‫ﻣﺮﻛﺰ ِ‬ ‫ِ‬ ‫َ‬ ‫َ‬
‫ﺳﻨﻮﺍﺕ ﻃﻔﻮﻟ ِﺘﻚ ﺗﺪﻭ ُﺭ ﺣﻮﻝ‬
‫ِ‬ ‫ﺃﻭ ﺗﻮﺍﺟ ُﻪ ﺍﻟﻌﺎﻟﻢ‪ ،‬ﱠ‬
‫ﻛﻞ‬
‫ﺣﻴﺎﺗﻚ‪ :‬ﺍﻟﻐﻮﻝ‪ ،‬ﺍﻟﺴ ّﺮ ﺍﻷﻛﺒﺮ!‪ ...‬ﺫﻟﻚ ﻣﺮﻛ ُﺰ ﺣﺮﻛ ِﺔ ﺩﻣﺎﻏﻚ!‬
‫ﺍﻟﺪﺍﺧﻠﻲ ﺍﻟﺪﺍﺋﻢ! ﻻ ﺗﻔ ﱢﻜ ُﺮ ﻓﻲ ﺳﺮﻳﺮﺗﻚ ﺇﻻ‬ ‫ﱡ‬ ‫ﺍﻟﻴﻮﻣﻲ! ﻋﺬﺍﺑُﻚ‬ ‫ّ‬ ‫ﺭﻋ ُﺒﻚ‬
‫ﻛﻞ ﻣﺎ ﻋﺪﺍﻫﻤﺎ ﻳﻨﻤﺤﻲ‬ ‫ﻓﻴﻬﻤﺎ‪ .‬ﻻ ﺗﺘﻮ ﱠﻗ ُﻒ ﻋﻦ ﺫﻟﻚ ﻟﺤﻈ ًﺔ ﻭﺍﺣﺪﺓ! ﱡ‬ ‫‪226‬‬
‫ﺍﻋﻠﻢ ﺃﻧﻪ ﺇﺫﺍ‬ ‫ﻳﺠﺪ ﻟﻪ ﻣﻜﺎﻧﴼ ﺷﺎﻏﺮﴽ ﻓﻴﻬﺎ‪ْ ...‬‬ ‫ﻮﺣﺪﻩ ﻣﻦ ﺫﺍﻛﺮﺗﻚ‪ ،‬ﻻ ُ‬ ‫ِﻟ ِ‬
‫ُ‬
‫ﻳﺴﺘﺤﻴﻞ‬ ‫ﻛﺎﻥ ﻫﻨﺎﻙ ﺟﺮ ٌﺡ ﻭﺍﺣ ٌﺪ ﻳﺘﻤﻮﺿ ُﻊ ﺃﺑﺪﴽ ﻓﻲ ﻣﺮﻛﺰ ﺍﻟﺤﻴﺎﺓ‪،‬‬
‫ﺍﻏﺘﺼﺎﺏ ﺍﻟﻤﺤﺎﺭﻡ! ﺇﺫﺍ ﻛﺎﻥ‬ ‫ِ‬ ‫ﻳﻨﺪﻣﻞ ﺣﺘﻰ ﻧﻬﺎﻳﺔ ﺍﻟ ُﻌﻤﺮ ﻓﻬﻮ ﺟﺮ ُﺡ‬ ‫َ‬ ‫ﺃﻥ‬
‫ﻫﻨﺎﻙ ﺗﺪﻣﻴ ٌﺮ ُﻣ ْﻄ َﻠ ٌﻖ ﻟﻠﻨﻔﺲ ﺍﻟﺒﺸﺮﻳﺔ ﻓﻬﻮ ﻫﺬﺍ ﺍﻟﺘﺪﻣﻴﺮ!‪...‬‬

‫ُﺨﺮ َﺝ ﻧﻌﻴﻢ ﻣﻦ ﺍﻟﺨﺮﺍﺏ‬‫ﺇﻟﻬﻲ‪ ،‬ﻛﻴﻒ ﺍﺳﺘﻄﺎﻉ ﺧﺎﻟﺪ ﺃﻥ ﻳ ِ‬

‫ﺧﺮﺍﺏ‬
‫ُ‬ ‫ﺍﻟﺠﺴﺪﻱ ﻓﻲ ﺍﻟﻄﻔﻮﻟﺔ؟‪...‬‬
‫ﱢ‬ ‫ﺍﻻﻧﺘﻬﺎﻙ‬
‫ِ‬ ‫ﻛﻞ ﺿﺤﺎﻳﺎ‬‫ﺍﻟﺬﻱ ﻳﻮﺍﺟ ُﻪ ﱠ‬
‫ﺧﺮﺍﺏ‬
‫ُ‬ ‫ﺍﻟﺸﻌﻮﺭ ﺑﺎﻟﻌﺎﺭ‪،‬‬
‫ِ‬ ‫ﺧﺮﺍﺏ‬
‫ُ‬ ‫ﺍﻟﻤﻤﺤ ﱠﻴﺔ‪،‬‬
‫ِ‬ ‫ﺧﺮﺍﺏ ﺍﻟﻄﻔﻮﻟﺔ‬
‫ُ‬ ‫ﺍﻟﺨﻮﻑ‪،‬‬
‫َ‬
‫ﻳﻔﻘﺪ ﺍﻟﻤﻘﺪﺭﺓ ﻋﻠﻰ ﺍﻟﺤﻴﺎﺓ‬‫ُ‬ ‫ﺍﻟﺪﻣﺎﻍ ﺍﻟﺬﻱ‬ ‫ﺧﺮﺍﺏ‬
‫ُ‬ ‫ﻏﻴﺒﻮﺑ ِﺔ ﺍﻟﺬﺍﻛﺮﺓ‪،‬‬
‫ِ‬
‫ﺍﻛﺘﺌﺎﺏ‬
‫ٍ‬ ‫ﺑﺸﻜﻞ ﻃﺒﻴﻌﻲ!‪ ...‬ﺿﺤﺎﻳﺎ ﻛﻬﺆﻻﺀ ﻳﻌﻴﺸﻮﻥ ﻏﺎﻟﺒﴼ ﻓﻲ‬ ‫ٍ‬
‫ﺑﻌﻀﻬﻢ‪ .‬ﻳُﻨﻬﻲ ﻛﺜﻴ ٌﺮ‬‫ُ ِ‬ ‫ﺮ‬ ‫ﻣﺼﻴ‬ ‫ُ‬
‫ﺓ‬ ‫ﺍﻟﺪﻋﺎﺭ‬ ‫ﺃﻭ‬ ‫ﺭ‬
‫ُ‬ ‫ﺍﻻﻧﺘﺤﺎ‬ ‫ﺩﺍﺋﻢ‪.‬‬ ‫ﺩ‬‫ﱟ‬‫ﺣﺎ‬ ‫ﻧﻔﺴﻲ‬
‫ﱟ‬
‫ً‬
‫ﺪﻣﺮﴽ ﻧﻔﺴ ّﻴﴼ ﺗﻤﺎﻣﴼ‪ ،‬ﻣﺨﺒﻮﻻ ﻋﻘﻠ ّﻴﴼ‪ ،‬ﻣﺴﺘﺴﻠﻤﴼ ﺑﻼ‬ ‫َ‬
‫ﻣﻨﻬﻢ ﺣﻴﺎﺗﻪ ُﻣ ﱠ‬
‫ُ‬
‫ﺟﻨﺴﻴ ٍﺔ ﺣﻘﻴﻘﻴﺔ )ﺑﺪﺃﺕ ﺍﻵﻥ ﻓﻘﻂ ﺃﻓﻬ ُﻢ‬ ‫ﱠ‬ ‫ﺃﻱ ﺣﻴﺎ ٍﺓ‬
‫ﺭﻭﺡ‪ ،‬ﻣﺤﺮﻭﻣﴼ ﻣﻦ ﱢ‬
 ‫ﻣﻌﻴﻨ ٍﺔ ﻣﻦ‬
‫ﺍﻟﺠ َﻤﺎﻉ‪ ،‬ﻧﻔﻮ َﺭﻫﺎ ﻣﻦ ﺃﻧﻮﺍﻉ ﱠ‬ ‫ﺃﻭﺟﺎﻋﻬﺎ ﺍﻟﻌﻤﻴﻘﺔ ﺃﺛﻨﺎﺀ ِ‬ ‫َ‬ ‫ﺇﻟﻬﺎﻡ‪،‬‬
‫ﻧﻈﺮﻳ ِﺔ ﺍﻟﺸﻬﻘﺔ!‪ .(...‬ﻳَﻀﺤﻮﻥ ﻫﻜﺬﺍ ﻣﺤﺮﻭﻣﻴﻦ‬ ‫ﱠ‬ ‫ﺍﻟﻌﺸﻖ‪ُ ،‬ﺯ ْﻫ َﺪﻫﺎ ﻓﻲ‬
‫ﺃﻱ ﺣﻴﺎ ٍﺓ ﻃﺒﻴﻌﻴ ٍﺔ ﻛﺎﻣﻠﺔ!‪...‬‬ ‫ﻣﻦ ﱢ‬
‫ﺧﺎﻟﺪ ﺫﻟﻚ!‪ ...‬ﻟﻢ ﻳﺴﺘﻄﻊ ﺑﺎﻟﺘﺄﻛﻴﺪ‬ ‫ُ‬ ‫ﺇﻟﻬﻲ‪ ،‬ﻛﻴﻒ ﺍﺳﺘﻄﺎﻉ‬
‫ﺛﻤ َﺔ ِﺟﺮﺍ ٌﺡ ﻻ ﺗﻨﺪﻣﻞ ﺣﺘﻰ ﻧﻬﺎﻳﺔ‬ ‫ﺟﺮﺍﺡ ﻃﻔﻮﻟ ِﺘﻬﺎ‪ :‬ﱠ‬ ‫ِ‬ ‫ﻣﺤ َﻮ ﺫﻛﺮﻳﺎﺕ‬
‫ﺭﻓﻊ ﺛﻘ ِﻞ ﻭﻃﺄ ِﺓ ﺍﻟﺠﺮﻳﻤﺔ ﻋﻠﻰ‬ ‫ْ‬ ‫ُ‬ ‫ﻳﺴﺘﻄﻊ ﺑﺎﻟﺘﺄﻛﻴﺪ َ‬ ‫ْ‬ ‫ﺍﻟ ُﻌﻤﺮ! ﻟﻢ‬
‫ﺛﻤ َﺔ ﺃﺛﻘﺎﻝ ﺗﺠﺜﻮ ﻋﻠﻰ ﺍﻟﻜﺎﻫﻞ ﺇﻟﻰ ﺍﻷﺑﺪ!‪...‬‬ ‫ٌ‬ ‫ﺃﺣﺎﺳﻴﺴﻬﺎ ﺍﻟﺪﻓﻴﻨﺔ‪ :‬ﱠ‬
‫ﺟﺮﺍﺣﻬﺎ ﺑﻬﺬﺍ ﺍﻟﺸﻜﻞ‪،‬‬ ‫ِ‬ ‫َ‬
‫ﺍﻟﺤﺪﻳﺚ ﻋﻦ‬ ‫ﻣﺠﺮ َﺩ ﺃﻥ ﻧﻌﻴﻢ ﺗﺴﺘﻄﻴ ُﻊ‬ ‫ﻟﻜﻦ ﱠ‬
‫ﻣﺠﺮ َﺩ ﺣﺪﻳ ِﺜﻬﺎ ﻋﻦ‬ ‫ﱠ‬ ‫ﻣﺠﺮ َﺩ ﺗﻘﻴﻴﻤﻬﺎ ِﻟﻄﻔﻮ َﻟﺘﻬﺎ ﺑﻬﺬﻩ ﺍﻟﺠﺮﺃﺓ‪،‬‬ ‫ﱠ‬
‫ﺍﻟﻤﺠﺮﻡ‪ ،‬ﻣﺤﺎﻛﻤ ِﺘ ِﻪ ﻏﻴﺎﺑ ّﻴﴼ ﻭﻭﺿ ِﻌ ِﻪ ﻓﻲ ﻣﺤ ﱢﻠ ِﻪ ﺍﻟﺤﻘﻴﻘﻲ ﺩﻭﻥ‬
‫ﻳﻜﺸﻒ ﺃﻧﻬﺎ ﺗﻘﺎﻭ ُﻡ ﻟﻌﻨ َﺔ ﺍﻟﻘﺪﺭ‪ ،‬ﺗﻨﺘﺼ ُﺮ ﻋﻠﻰ ﺍﻟﻤﻮﺕ‪ ...‬ﻟﻌ ﱠﻠﻬﺎ‬ ‫ُ‬ ‫ﺧﻮﻑ‪...‬‬
‫ُ‬
‫ﺗﻮﺍﺻﻞ‬ ‫ﻔﻀﻞ ﺧﺎﻟﺪ‬ ‫ﺃﺿﺎﻋﺖ ﻃﻔﻮﻟ َﺘﻬﺎ ﺇﻟﻰ ﺍﻷﺑﺪ‪ ،‬ﻟﻜ ﱠﻨﻬﺎ ِﺑ ِ‬ ‫ْ‬ ‫ﺑﺎﻟﺘﺄﻛﻴﺪ‬
‫‪227‬‬ ‫ﺗﺨﻔﻖ ﻓﻴ ِﻪ ِﺑ ُﻠﻐ ٍﺔ ﺟﺪﻳﺪﺓ‪،‬‬‫ُ‬ ‫ﺍﻟﻴﻮﻡ ﺍﻟﺤﻴﺎ َﺓ ﺑﺸﻤﻮﺥ! ﺗﺤﻴﻰ ُﻋ ْﻤﺮﴽ ﺟﺪﻳﺪﴽ‬
‫ﺻﺎﺩﻕ‬
‫ٍ‬ ‫ﺾ‬‫ﻣﺪﻧﻲ‪ِ ،‬ﺑ َﺮ ْﻓ ٍ‬
‫ّ‬ ‫ﻄﺎﻗﺎﺕ ﺩﺍﻓﻘﺔ‪ِ ،‬ﺑ ٍ‬
‫ﻠﺒﺎﺱ‬ ‫ٍ‬ ‫ُﺤ ﱢﺮﻳﺔ‪ِ ،‬ﺑ‬‫ﺗﻤﺎﺭﺱ ﺣﻴﺎ َﺗﻬﺎ ﺑ ُ‬
‫ُ‬
‫ﻟﻜﻞ ﻣﺎ‬‫ﻭﻇﻠﻢ ﺣﻴﺎ ِﺓ ﻧﺴﺎ ِﺀ ﻫﺬﺍ ﺍﻟﺒﻠﺪ‪ ،‬ﱢ‬ ‫ِ‬ ‫ﺑﺆﺱ‬
‫ﻳﺘﺼﺎﻟﺢ ﻣﻊ ِ‬ ‫ُ‬ ‫ﻟﻜﻞ ﻣﺎ‬‫ﱢ‬
‫ﻓﺾ‬ ‫ﻻﺣﺘﻔﺎﻝ ﱢ‬
‫ِ‬ ‫ﻭﺍﻗﻊ ﻳﺮﺿﻰ ِﻟﻨﻔﺴ ِﻪ ﺃﻥ ﻳﻜﻮﻥ ﻣﺴﺮﺣﴼ‬ ‫ﻳﺘﻌﺎﺷ ُﺮ ﻣﻊ ٍ‬
‫ﺑﻜﺎﺭﺓ ﺑﺎﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳّﺔ‪...‬‬
‫ﺮﺕ ﻋﺒﺎﺭ ًﺓ ُﻣﻜ ﱠﺜﻔﺔ ﺳﻤ ْﻌﺘﻬﺎ ﻻ ﺃﺩﺭﻱ ﺃﻳﻦ‪» :‬ﻳﻠﺰ ُﻡ ﺃﻥ‬
‫ُ‬ ‫ﺗﺬﻛ ُ‬
‫ﱠ‬
‫ﺍﻟﻔﺠﺮ ﻭﺍﻟﺤﺮ ّﻳ ِﺔ ﻣﻦ ﺃﻃﺮﺍﻑ‬ ‫ِ‬ ‫َﺗ ْﺨ ُﺮ َﺝ ﻣﻦ ﻣﺴﺘﻨﻘﻊ ﺁﺳﻦ ِﻟ َ‬
‫ﺘﺴﻴﻞ ﻧﻮﺍﻓﻴﺮ‬ ‫ٍ‬
‫ﺃﺻﺎﺑﻌﻚ!‪«...‬‬
‫ﺃﻗﻞ ﺃﻭ ﺃﻛﺜﺮ ﺗﻌﺒﻴﺮﻳﺔ‪ ،‬ﻻ ﺃﺩﺭﻱ ﺃﻳﻦ‬ ‫ﺮﺕ ﻋﺒﺎﺭ ًﺓ ﻣﺮﺍﺩﻓﺔ‪ّ ،‬‬ ‫ﺗﺬﻛ ُ‬
‫ﱠ‬
‫ً‬ ‫َ‬
‫ﺳﻤﻌ ُﺘﻬﺎ ﺃﻳﻀﴼ‪» :‬ﻗﺒﻞ ﺃﻥ ﺗﻬﺒﻂ ﻣﻦ ﺍﻟﺴﻤﺎﺀ ﻳﻠﺰ ُﻡ ﺃﻥ ﺗﺨﺮ َﺝ ﱠﺃﻭﻻ ﻣﻦ‬
‫ﻗﺎﻉ ﺍﻟﺨﺮﺍﺏ!‪« ...‬‬

‫ﺍﻟﻐﻮﻝ ﻧﻤﻮﺫﺟﴼ ﻷﻗﺼﻰ‬ ‫ُ‬ ‫ﺷﺮﺡ ﻧﻌﻴﻢ ﻛﻢ ﻛﺎﻥ‬ ‫ُ‬

‫ﺃﺩﺭﻛﺖ ﻣﻦ ِ‬
‫ُﻦ »ﻋﻠﻰ ﺳ ﱠﻨ ِﺔ‬
‫ﺗﺰﻭﺟﻬ ﱠ‬
‫ﺑﻜﻞ ﺗﻠﻚ ﺍﻟﻄﻔﻼﺕ ﺍﻟﻠﻮﺍﺗﻲ ﱠ‬
‫ﺍﻟﺒﺸﺎﻋﺔ! ﻟﻢ ﻳﻜﺘﻒ ﱢ‬
‫ﺍﷲ ﻭﺭﺳﻮﻟﻪ«! ﻟﻢ ﻳﻜ ِﻔ ِﻪ ﺫﻟﻚ ﺍﻟﻘﺼ ُﺮ ﻓﻲ ﺭﺃﺱ ﺍﻟﺠﺒﻞ ﺍﻟﺬﻱ ﻛﺎﻧﺖ‬
‫ﺗﻘﺒ ُﻊ ﻓﻴﻪ ﺯﻭﺟﺎ ُﺗﻪ ﺍﻟﻘﺪﻳﻤﺎﺕ ﻭﺍﻟﺠﺪﻳﺪﺍﺕ‪ ...‬ﺻﺎﺭ ﺃﻳﻀﴼ ﻏﻴﺮ ٍ‬
‫ﻗﺎﺩﺭ‬
‫ﻭﺃﺳﺮﺍﺏ ﺑﻨﺎ ِﺗ ِﻪ‬
‫ِ‬ ‫ُﻤﻴ َﺰ ﺑﻴﻦ ﺯﻭﺟﺎﺗﻪ ﺍﻷﻛﺜﺮ ﻓﺄﻛﺜﺮ ﻃﻔﻮﻟﺔ‪،‬‬ ‫ﻋﻠﻰ ﺃﻥ ﻳ ﱢ‬
‫ﻛﻠﻬﻦ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻪ ﺃﺭﺣﺎﻡ ُﺧ ِﻠ َﻘ ْﺖ‬ ‫ﱠ‬ ‫ﺍﻟﻠﻮﺍﺗﻲ ﻻ ﻳﻌﺮﻑ ﺣ ّﺘﻰ ﺃﺳﻤﺎﺀﻫﻦ!‬
‫ﺍﻧﺘﻬﻚ ﺃﺧﺮﻳﺎﺕ ﻣﻦ‬ ‫َ‬ ‫ﻛﻞ ﺷﻲ ٍﺀ ﻏﻨﻴﻤ ٌﺔ ﻓﻲ َﻧ َﻈ ِﺮﻩ!‪ ...‬ﻫﻞ‬ ‫ﻟﻼﺳﺘﻼﺏ! ﱡ‬
‫ﺍﻷﺧﻮﺍﺕ ﻏﻴﺮ ﺍﻟﺸﻘﻴﻘﺎﺕ ِﻟﻨﻌﻴﻢ ﻭﺇﻟﻬﺎﻡ؟ ﻧﻌﻴﻢ ﻻ ﺗﻤﺘﻠﻚ ﺍﻟﺪﻟﻴﻞ‪،‬‬
‫ﻟﻜﻨﻬﺎ ﻣﺘﺄﻛﺪﺓ ﻣﻦ ﺫﻟﻚ ﺗﻘﺮﻳﺒﴼ!‪...‬‬
‫ﺼﺤﺔ ﻣﺎ ﻭﺭﺩ ﻓﻲ ﺍﻟﻘﺼﺔ ﺍﻟﻘﺼﻴﺮﺓ‪» :‬ﺃﻟﻌﺎﺏ‬ ‫ﺃﺧﺒ َﺮ ْﺗﻨﻲ ِﺑ ﱠ‬
‫ﺻﻮ َﺭ ْﺗﻬﺎ ﻭﺃﺭﺳ َﻠ ْﺘﻬﺎ ﻧﻌﻴ ُﻢ ﻹﻟﻬﺎﻡ(‬ ‫ﻓﺾ ﺑﻜﺎﺭﺓ« )ﺍﻟﺘﻲ ﱠ‬ ‫ﻻﺣﺘﻔﺎﻝ ﱢ‬
‫ِ‬ ‫ﻧﺎﺭﻳﺔ‬
‫ﱠ‬
‫ﺃﺳﻤﺎﺀ ﺑﻨﺎ ِﺗﻪ! ﻟﻢ ﺗﻜﻦ ﺗﻠﻚ ﺃﺣﺒﻮﻟﺔٌ‬ ‫ﺬﻛ ُﺮ َ‬ ‫َ‬
‫ﺣﻮﻝ ﺃﻥ ﺍﻟﺸﻴﺦ ﻟﻢ ﻳﻜﻦ ﻳﺘ ﱠ‬
‫ﺍﻟﻘﺼﺔ! ﻛﺎﻧﺖ ﺣﻘﻴﻘ ًﺔ ﺑﺪﻳﻬﻴﺔ ﻟﻠﺠﻤﻴﻊ‪،‬‬ ‫ّ‬ ‫ﺃﺩﺑﻴ ٌﺔ ﺍﺧﺘ َﺮ َﻋ ْﺘﻬﺎ ﻛﺎﺗﺒ ُﺔ‬‫ﱠ‬
‫ﺍﻟﺸﻴﺦ ﻻ ﻳﻬﺘ ﱡﻢ‬ ‫َ‬ ‫ﻋﺮﻓﺖ ﻣﻦ ﻧﻌﻴﻢ ﺃﻥ‬ ‫ُ‬ ‫ﻛﻤﺎ ﺃﺑﺎﺣﺖ ﻟﻲ ﻧﻌﻴ ُﻢ ﻧﻔﺴﻬﺎ!‪...‬‬
‫ﺃﺣﺎﺳﻴﺴﻬﻦ‬‫ُ‬ ‫ﺘﺬﻛ ِﺮ ﺃﺳﻤﺎ ِﺀ ﺑﻨﺎ ِﺗﻪ ﻣﻦ ﻗﺮﻳﺐ ﺃﻭ ﺑﻌﻴﺪ‪ ،‬ﻻ ُﺗ ﱡ‬
‫ﻬﻤ ُﻪ‬ ‫ﻼ ِﺑ ﱡ‬ ‫ﻓﻌ ً‬ ‫‪228‬‬
‫ﻳﺘﺬﻛ ُﺮ‬
‫ﱠ‬ ‫ﺷﻖ ﺃﻭ ﻃﺮﻑ‪ ...‬ﻻ‬ ‫ﱟ‬ ‫ﻭﺻﺤ ُﺘﻬﻦ ﻣﻦ‬ ‫ﱠ‬ ‫ﻭﺗﻄ ﱡﻠﻌﺎ ُﺗﻬﻦ ﻭﻣﻌﺎﻧﺎ ُﺗﻬﻦ‬
‫ﺃﺳﻤﺎ َﺀ ﺯﻭﺟﺎ ِﺗ ِﻪ ﺃﻳﻀﴼ‪ ،‬ﺇﻻ ﺍﻟﻤﺨﺘﺎﺭﺍﺕ ﻣﻨﻬﻦ ﻓﻘﻂ‪ ،‬ﺍﻷﻗﺮﺏ ﺇﻟﻰ ﻗﻠﺒﻪ‬
‫)ﺇﺫﺍ ﻛﺎﻥ ﻟﻨﺎ ﺃﻥ ُﻧ َﺴ ﱢﻤ َﻴ ُﻪ ﻗﻠﺒﴼ(!‬
‫ُﻤﻴ ُﺰ ﺑﻴﻦ ﺯﻭﺟﺎﺗﻪ ﻭﺑﻨﺎﺗﻪ‪ ،‬ﺑﻴﻦ ﺑﻨﺎﺗﻪ‬ ‫ﻫﻜﺬﺍ ﻟﻢ ﻳﻌﺪ ﺍﻟﺸﻴﺦ ﻳ ﱢ‬
‫ﻭﺯﻭﺟﺎﺗﻪ!‪ ...‬ﺇﻻ ﻓﻲ ﺷﻲﺀ ﻭﺍﺣﺪ‪ :‬ﻏﺸﺎﺀ ﺍﻟﺒﻜﺎﺭﺓ! ﻟﻢ ﻳﺮﺩ ﺍﻏﺘﺼﺎﺏ‬
‫ﻬﻦ ﺟﻨﺴ ّﻴﴼ ﻛﻴﻔﻤﺎ ﻳﺮﻳﺪ‪،‬‬ ‫ﺑﻜﺎﺭ ِﺓ ﺑﻨﺎ ِﺗ ِﻪ ﺣﻔﺎﻇﴼ ﻋﻠﻰ ﺍﻟﺸﺮﻑ!‪َ ...‬ﻳ ْﻨ َﺘ ِﻬ ُﻜ ﱠ‬
‫َ‬ ‫ُ‬
‫ﻇﻞ‬
‫ﺷﻴﺦ ﺟﻠﻴﻞ! ﱠ‬ ‫ﻟﻜﻨﻪ ﻳﺤﺎﻓﻆ ﻋﻠﻰ ﺍﻟﺸﺮﻑ! ﺍﷲ ﺃﻛﺒﺮ! ﻳﺎﻟ ُﻪ ﻣﻦ ٍ‬
‫ﺛﺎﺭﺕ ﺛﺎﺋﺮ ُﺗﻪ‬ ‫ﺟﺪﴽ‪ ،‬ﻋﻠﻰ ﻏﺸﺎ ِﺀ ﺍﻟﺸﺮﻑ!‪ ...‬ﻟﺬﻟﻚ ْ‬ ‫ﺟﺪﴽ‪ ،‬ﺣﺮﻳﺼﴼ ّ‬ ‫ﻣﻬﺘﻤﴼ ّ‬
‫ّ‬
‫َ‬
‫ﻳﻮ َﻡ ﺍﻛﺘﺸﺎﻓ ِﻪ ﺍﻟﺮﺳﺎﻟﺔ ﺍﻟﺘﻲ ﻭﺻﻠ ْﺖ ﻹﻟﻬﺎﻡ ﻗﺒﻴﻞ ﺍﺣﺘﻔﺎﻝ ﺍﻷﻟﻌﺎﺏ‬ ‫َ‬
‫ﻳﺤﺎﻓﻆ ﻫﻮ ﻋﻠﻰ ﺫﻟﻚ‬ ‫َ‬ ‫ﻳﻤﻜﻦ ﺃﻥ‬ ‫ُ‬ ‫ﺍﺭﺗﻌﺪ ﻏﻀﺒﴼ! ﻛﻴﻒ‬ ‫َ‬ ‫ﺍﻟﻨﺎﺭﻳﺔ!‬
‫ﺍﻟﺤﻤﻰ‪ ،‬ﺍﻟﻘﻠﻌ َﺔ ﻭﻳُﺴ ِﻘ ُﻄﻬﺎ‬ ‫ﻳﺼﻮﻥ ﻫﻮ‪ ،‬ﺣﺎﻣﻲ ِ‬ ‫ُ‬ ‫ﻭﻳﻠﻄ َﺸ ُﻪ ﺁﺧﺮ!‬‫ﺍﻟﻐﺸﺎﺀ‪َ ،‬‬
‫ﻳﺎﻟﻠﻐﺪﺭ ﻭﺍﻟﺨﻴﺎﻧﺔ!‬‫ِ‬ ‫ﻳﻄﻌﻦ ﺍﻟﺸﻴﺦ ﻣﻦ ﺍﻟﺨﻠﻒ!‪...‬‬ ‫ُ‬ ‫ﻣﻨﺪﺱ ﺩﻧﻲ ٌﺀ‬
‫ﱞ‬ ‫ﺩﺧﻴ ٌﻞ‬
‫ﺍﻟﻐﺪﺭ ﺣﺎﻝ ﻭﺻﻮﻝ ﺗﻠﻚ ﺍﻟﺮﺳﺎﻟﺔ! ﻛﺎﻥ ﻣﻬﻮﻭﺳﴼ‬ ‫ِ‬ ‫ﺍﻟﺸﻴﺦ ﺭﺍﺋﺤ َﺔ‬
‫ُ‬ ‫ﺷﻢ‬
‫ﱠ‬
 ‫ﻛﻞ‬
‫ﻛﻞ ﺣﺪﺙ‪ ،‬ﻓﻲ ﱢ‬ ‫ﺍﻟﻐﺪﺭ ﻭﺍﻟﻤﺆﺍﻣﺮﺓ ﻓﻲ ﱢ‬ ‫ِ‬ ‫ﻭﺍﺳﺘﺸﺮﺍﻑ‬
‫ِ‬ ‫ﺲ‬‫ﺑﺘﻮﺟ ِ‬
‫ﺩﻭﻣﴼ ﱡ‬
‫ْ‬
‫ﻛﻞ ﻋﺒﺎﺭﺓ‪ ...‬ﺍﺟﺘﺎﺣﺘ ُﻪ ﺣﻴﻨﺬﺍﻙ ﺍﻟﺤﻤﻴﺔ‪ ،‬ﺍﻟﻐﻴﺮﺓ‪ ،‬ﺍﻟﻨﺨﻮﺓ‪،‬‬ ‫ﻧﻈﺮﺓ‪ ،‬ﻓﻲ ﱢ‬
‫ﺍﻟﻜﺮﺍﻣﺔ‪ ،‬ﺍﻟﺰﺍﺟﺮ ﺍﻟﺪﻳﻨﻲ‪ ...‬ﺍﻟﺘﻬﺒﺖ ﻓﻴﻪ ﻧﻴﺮﺍﻥ ﺍﻹﺑﺎﺀ ﻭﺍﻟﺤﺮﺹ ﻋﻠﻰ‬
‫ﺷﺮﻑ ﺍﻟﻘﺒﻴﻠﺔ‪ ،‬ﺷﺮﻑ ﺍﻟﻌﻘﻴﺪﺓ‬ ‫ﺷﺮﻑ ﺍﻟﻌﺎﺋﻠﺔ‪ِ ،‬‬ ‫ﺻﻔﺎﺀ ﺍﻟﺴﺮﻳﺮﺓ‪ ،‬ﻧﻘﺎ ِﺀ ِ‬
‫ﻻ ﻟﻴﺘﺄﻛﺪ ﺃﻧﻬﺎ ﺻﺎﻧﺖ‬ ‫ﺍﻟﺪﻳﻨ ّﻴﺔ‪ ...‬ﻟﺬﻟﻚ ﺃﻣﺮ ﺑﺘﺰﻭﻳﺞ ﺇﻟﻬﺎﻡ ﺣﺎ ً‬
‫ِ‬ ‫ِ‬
‫ﺍﻟﺸﺮﻑ!‪ ...‬ﺇﻟﻰ ﺁﺧﺮ ﻗﺼﺔ ﺍﺣﺘﻔﺎﻝ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ ﺍﻟﺘﻲ ﺃﻃ َﻠ َﻘﻬﺎ‬
‫ﻓﺮﺣﴼ ﺑﺼﻴﺎﻧﺔ ﺍﻟﺸﺮﻑ!‪...‬‬
‫ﻭﺷ َﺮ ُﻓﻪ!‪...‬‬
‫ﺍﻟﺸﻴﺦ ﻭﻧﻘﺎﺅﻩ َ‬
‫ُ‬ ‫ﺁﻩ‪ ،‬ﻫﺬﺍ‬

‫ﻛﻞ ﺫﻟﻚ‪ ،‬ﻟﻤﺎﺫﺍ ﻟﻢ‬ ‫ﺳﺄﻟﺖ ﻧﻌﻴﻢ‪ :‬ﻭﻭﺍﻟﺪﺗﻜﻤﺎ‪ ،‬ﺃﻳﻦ ﻫﻲ ﻣﻦ ﱢ‬ ‫ُ‬

‫ﺗﺤﻤﻜﻤﺎ ﻣﻦ ﺍﻟﻐﻮﻝ؟‪...‬‬ ‫ِ‬
‫ﻛﺎﻥ ﺭﺩﱡﻫﺎ ﻗﻮﻳّﴼ ﻭﻣﻔﺎﺟﺌﴼ‪ ،‬ﺗﺴﺎﻗﻄﺖ ﺇﺛﺮﻩ ﻗﻨﺎﻋﺎﺗﻲ‬
‫‪229‬‬ ‫ﺍﻷﻡ ﻭﺍﻷﺳﺮﺓ‪:‬‬ ‫ﺟﺪﴽ ﺣﻮﻝ ﻣﻔﻬﻮﻡ ﱢ‬ ‫ﺍﻟﻤﺒﺴﻄﺔ ّ‬ ‫ﱠ‬ ‫ﻭﺗﺮﺳﻴﻤﺎﺗﻲ‬
‫ﻟﻌﻞ ﺃُ ﱠﻣﻨﺎ ﻛﺎﻧﺖ ﺗﻐﻤﺾ ﻋﻴﻨﻴﻬﺎ ﺑﻮﻋﻲ ﺃﻭ ﺑﻼ ﻭﻋﻲ‪ ،‬ﺇﻥ ﻟﻢ ﺗﻜﻦ‬
‫ُ‬ ‫‪ّ -‬‬
‫ُ‬
‫ﻣﻨﻄﻖ‬ ‫ُ‬
‫ﻳﺨﺘﻠﻒ‬ ‫ﺍﻧﺘﻬﺎﻙ ﺍﻟﻤﺤﺎﺭﻡ‬ ‫ِ‬ ‫ﻣﺘﻮﺍﻃﺌﺔ ﻫﻲ ﻧﻔﺴﻬﺎ!‪ ...‬ﻓﻲ ﺑﻴﺌﺔ‬
‫ﺗﺤﺎﻭﻝ ﻓﻲ ﺗﻠﻚ ﺍﻟﺒﻴﺌﺔ ﺃﻥ ﺗﺴﺄﻝ ﺃﺳﺌﻠ ًﺔ ﺗﺴﺘﺨﺪ ُﻡ‬ ‫ْ‬ ‫ﺍﻷﺳﺮﻳﺔ! ﻻ‬
‫ﱠ‬ ‫ﺍﻟﻌﻼﻗﺎﺕ‬
‫ﻋﻼﻗﺎﺕ ﺃُ َﺳ ِﺮ ﱠﻳ ًﺔ ﻃﺒﻴﻌﻴﺔ‪ ...‬ﺃﻧﺖ‬
‫ٍ‬ ‫ﺍﻟﻤﻨﻄﻖ ﺍﻟﻄﺒﻴﻌﻲ ﺍﻟﺬﻱ ﻳﺤﻜ ُﻢ‬ ‫َ‬ ‫ﻓﻴﻬﺎ‬
‫ٌ‬ ‫ﱡ‬
‫ﻣﻨﻄﻖ ﻳﺨﺮ ُﺝ ﻋﻦ ﺍﻟﻤﻨﻄﻖ! ﻛﻞ ﺷﻲ ٍﺀ ﺯﺍﺋﻒ ﻣﻦ ﺃﺳﺎﺳﻪ!‬ ‫ٍ‬ ‫ﻫﻨﺎ ﻓﻲ‬
‫ﺤﺮﻓ ٌﺔ ﻫﻨﺎ‪ ،‬ﻣﻌ َﻮ ﱠﺟﺔ‪ ،‬ﻣﻌﻜﻮﺳﺔ‪ٌ،‬‬ ‫ﺍﻟﻌﻼﻗﺎﺕ ﺍﻟﻄﺒﻴﻌﻴﺔ ﺍﻟﻐﺮﻳﺰﻳﺔ ُﻣ ﱠ‬ ‫ِ‬ ‫ﱡ‬
‫ﻛﻞ‬
‫ُ‬
‫ﻣﻨﻄﻖ ﺍﻟﺨﺮﺍﺏ‪،‬‬ ‫ﺍﻟﺮﺟﺲ ﺍﻷﻛﺒﺮ ﻳﺴﻮ ُﺩ‬ ‫ِ‬ ‫ﻣﺪﻣﺮﺓ ﺗﻤﺎﻣﴼ!‪ ...‬ﻓﻲ ﻋﺎﺋﻠﺔ‬ ‫ﱠ‬
‫ﻻ ﻏﻴﺮ!‪...‬‬
‫ّ‬ ‫َ‬ ‫َ‬
‫ﺗﻮ ﱠﻗﻔ ْﺖ ﺑُﺮﻫﺔ ﻋﻦ ﺍﻟﺤﺪﻳﺚ‪ .‬ﺍﺭﺗﺸﻔ ْﺖ ﻣﺎ ﺗﺒﻘﻰ ﻣﻦ ﻛﺄﺱ‬ ‫ً‬ ‫َ‬
‫ﺣﺴﺎﺏ ﻣﺎ ﺧﺎﺭﺝ‬
‫ٍ‬ ‫ﺗﻘﺎﺳﻴﻤﻬﺎ ﺭﻏﺒ ٌﺔ ﺩﻓﻴﻨ ٌﺔ ِﺑﺘﺼﻔﻴ ِﺔ‬
‫ِ‬ ‫ﺑﺪﺕ ﻋﻠﻰ‬ ‫ﺍﻟﻠﻴﻤﻮﻥ‪ْ .‬‬
‫ﻭﺟﻬﻬﺎ‬
‫ﻣﻜﺒﻮﺕ ﻏﺎﺋﺮ ﻻ ﻳﺘﻨﺎﻏ ُﻢ ﻣﻊ ﺭ ﱠﻗ ِﺔ ِ‬ ‫ٌ‬ ‫ﺍﻟﺰﻣﻦ! ﻓﻲ ﻧﻈﺮﺍ ِﺗﻬﺎ ﺣﻘ ٌﺪ‬
‫ﻭﻣﻼﺋﻜﻴﺘﻪ‪ ...‬ﻭﺍﺻ َﻠ ْﺖ‪:‬‬
‫ﱠ‬
‫ُ‬
‫ﻛﻞ ﺯﻭﺟﺎﺕ ﺍﻟﺸﻴﺦ‪ ،‬ﻛﺎﻥ ﻷ ﱢﻣﻨﺎ ﻏﺮﻓﺘﺎﻥ ﻓﻲ ﻗﺼﺮ ﺍﻟﺠﺒﻞ‪.‬‬ ‫ﻣﺜﻞ ﱢ‬ ‫‪ُ -‬‬
‫)ﺑﻌﺪ ﺃﺣﺪﺍﺙ ﺃﻛﺘﻮﺑﺮ ‪ ،1977‬ﺍﺭﺗﻔﻊ ﻣﻘﺎﻡ ﺍﻟﺸﻴﺦ ﻋﺴﻜﺮﻳّﴼ ﻭﺳﻴﺎﺳ ّﻴﴼ‬
‫ﻟﻜﻞ ﺯﻭﺟ ٍﺔ ﻣﻦ ﺯﻭﺟﺎ ِﺗ ِﻪ‬ ‫ﻭﻣﺎﻟ ّﻴﴼ‪ ،‬ﻋ َﻠ ْﺖ ﺳﻄﻮﺗ ُﻪ ﻭﺟﺒﺮﻭ ُﺗ ُﻪ ﻭﻧﻔﻮ ُﺫﻩ‪ ،‬ﻭﺻﺎﺭ ﱢ‬
‫ﺣﻲ ُﻣ َﺠ ﱠﻤ ِﻊ ﻗﺼﻮﺭ ِﻩ ﺍﻟﺨﺎﺹ ﺑﺼﻨﻌﺎﺀ!‪(...‬‬ ‫ﺷﺨﺼﻲ ﻓﻲ ﱢ‬ ‫ﱞ‬ ‫ﻗﺼ ٌﺮ‬
‫َ‬
‫ﻣﺮ ًﺓ ﺃﺧﺮﻯ ﻋﻦ ﺍﻟﺤﺪﻳﺚ‪َ .‬ﻟ َﺠﺄ ْﺕ ِﻟﻤﻨﺪﻳ ِﻠﻬﺎ ﻣﻦ‬ ‫ﺗﻮ ّﻗ َﻔ ْﺖ ﱠ‬
‫ﻭﺟﻬﻬﺎ ﻣﺸﺪﻭﺩ ٌﺓ ﻣﺘﻮ ﱢﺗﺮﺓ‪،‬‬ ‫ﺗﻘﺎﺳﻴﻢ ِ‬ ‫ﺟﺪﻳﺪ‪ .‬ﺗﺤﺸﺮ َﺝ ﺻﻮ ُﺗﻬﺎ‪ .‬ﱡ‬
‫ﻛﻞ‬
‫ِ‬
‫ﺮﻛﺰﺗﺎﻥ ﺑﺎﻧﻘﺒﺎﺽ ﻧﺤﻮ ﻧﻔﺲ ﺍﻟﺒﺆ َﺭ ِﺓ ﻓﻲ ﺍﻟﻤﻨﻀﺪﺓ‪...‬‬ ‫ﻋﻴﻨﺎﻫﺎ ُﻣ ﱢ‬
‫ﻀﻄﺮﺏ‪:‬‬‫ﺼﻮﺕ ُﻣ ِ‬ ‫ﻭﺍﺻ َﻠ ْﺖ ِﺑ ٍ‬
‫ﺷﺮﻳﻂ ﺃﻳﺎﻡ ﻃﻔﻮﻟﺘﻲ ﺍﻟﻤﺮﻋﺒﺔ‪،‬‬ ‫َ‬ ‫ُ‬
‫ﺃﺳﺘﻌﻴﺪ‬ ‫ﺃﺳﺘﻐﺮﺏ ﻛﺜﻴﺮﴽ‪ ،‬ﻭﺃﻧﺎ‬‫ُ‬
‫ﺍﻟﺸﻴﺦ ﻓﻲ‬ ‫َ‬ ‫ُ‬
‫ﺗﻌﺮﻑ ﺃﻥ‬ ‫ﺃﻣﻨﺎ ُﺗﺒ ِﻘﻲ ﺇﺣﺪﺍﻧﺎ ﺑﺠﺎ ِﻧ ِﺒﻬﺎ ﻭﻫﻲ‬ ‫ﻟﻤﺎﺫﺍ ﻛﺎﻧﺖ ﱡ‬
‫ﺍﻟﻐﺮﻓﺔ ﺍﻷﺧﺮﻯ ﻣﻊ ﺍﻷﺧﺖ ﺍﻟﺜﺎﻧﻴﺔ!‪ ...‬ﻻ ﺗﺴﻤﺢ ﻟﻸﻭﻟﻰ ﺑﺎﻟﺨﺮﻭﺝ‬
‫ﺗﺮﻫﺐ‬
‫ُ‬ ‫ﻭﺍﻟﺬﻫﺎﺏ ﺇﻟﻰ ﺍﻟﻐﺮﻓ ِﺔ ﺍﻟﺜﺎﻧﻴﺔ ﻗﺒﻞ ﺃﻥ ﻳﻐﺎﺩﺭﻫﺎ ﺍﻟﻐﻮﻝ!‪ ...‬ﻛﺎﻧﺖ‬
‫ﺴﺘﻌﺪﺓ‬
‫ﺗﺨﺎﻑ ﺃﻥ ﻳﺮﻣﻴﻬﺎ ﻓﻲ ﺍﻟﺸﺎﺭﻉ! ﻛﺎﻧﺖ ُﻣ ﱠ‬ ‫ُ‬ ‫ﺍﻟﻐﻮﻝ ﺑﺎﻟﺘﺄﻛﻴﺪ!‬ ‫َ‬
‫ﺳﻘﻒ ﻓﻲ ﻗﺼﺮﻩ‪،‬‬ ‫ٌ‬ ‫َ‬
‫ﻟﻴﻜﻮﻥ ﻟﻬﺎ‬ ‫ﻟﺘﻈﻞ ﻓﻲ ﻋﺼﻤﺘﻪ‪،‬‬ ‫ﱠ‬ ‫‪ 230‬ﺃﻥ ﺗﻌﻤﻞ ﻣﺎ ُ‬
‫ﻳﺮﻳﺪ‬
‫ﻌﻒ‬ ‫ﺛﻤﺔ ﺣﺪﻭ ٌﺩ ِﻟ ُﻀ ِ‬‫َ‬ ‫ﻳﺮﻳﺪ ﺗﻔ ﱢﺸﻴﻪ!‪ ...‬ﻟﻴﺲ ّ‬‫َ‬ ‫َ‬ ‫ﱟﺮ ﻣﺎ ﻻ ُ‬ ‫ِﻟﺘﻀ َﻐ َﻂ ﻋﻠﻴﻪ ِﺑ ِﺴ‬
‫ﺍﻷﻡ ﺑﻬﺬﻩ ﺍﻟﻄﺮﻳﻘﺔ‪،‬‬ ‫ﺍﻟﺤﺪﻳﺚ ﻋﻦ ﱢ‬ ‫ُ‬ ‫ﺍﻟﻨﻔﺲ ﺍﻟﺒﺸﺮﻳﺔ!‪ ...‬ﻗﺪ ﻳﻜﻮﻥ ﺻﻌﺒﴼ‬
‫ﻟﻜﻦ ﺍﻧﻈﺮ ﺣﻮﻟﻚ‪ :‬ﻛﻢ ﻫﻢ ﺍﻟﻴﻮﻡ ﺍﻵﺑﺎﺀ ﻭﺍﻷﻣﻬﺎﺕ‪ ،‬ﻓﻲ ﺑﻌﺾ ﺑﻴﻮﺕ‬
‫ﺍﻟﻔﻘﺮﺍﺀ ﻭﺍﻟﻤﻨﺒﻮﺫﻳﻦ ﻣﻦ ﺍﻟﻤﺠﺘﻤﻊ‪ ،‬ﺍﻟﺬﻳﻦ ﻳﻘﻮﻟﻮﻥ ِﻷﻃﻔﺎﻟﻬﻢ‬
‫ﻋﺪ ﻟﻲ ﻓﻲ ﺍﻟﻤﺴﺎﺀ ِﺑﺄ ْﻟﻒ‬ ‫ﺍﻟﺼﻐﺎﺭ ﻣﻦ ﺍﻟﺼﺒﺎﺡ ﺍﻟﺒﺎﻛﺮ‪» :‬ﺍﺧﺮﺝ ﺍﻵﻥ! ْ‬
‫ﺄﻱ ﻃﺮﻳﻘﺔ‪ ،‬ﻟﻜﻦ ﺍﻛﺴﺒﻬﺎ ﻳﻮﻣ ّﻴﴼ!‪«...‬‬ ‫ﺍﻛﺴ ْﺒﻬﺎ ِﺑ ﱢ‬ ‫ﺭﻳﺎﻝ! ْ‬
‫ُ‬
‫ﻗﺪ ﻳﻜﻮﻥ ﺻﻌﺒﴼ ﺍﻟﺤﺪﻳﺚ ﻋﻦ ﺍﻷ ﱢﻡ ﺑﻬﺬﻩ ﺍﻟﻄﺮﻳﻘﺔ‪ ،‬ﻟﻜﻦ‪،‬‬
‫ﻧﻈ ْﻔ ُﺖ‬‫ﻛﻤﺎ ﺗﻼﺣﻆ‪ ،‬ﺑﻔﻀﻞ ﺧﺎﻟﺪ ﺭ ﱠﺗ ْﺒ ُﺖ ﺃﺷﻴﺎ َﺀ ﻛﺜﻴﺮﺓ ﻓﻲ ﺩﻣﺎﻏﻲ! ﱠ‬
‫ﺣﺎﻭﻟﺖ‪ ،‬ﺧﻼﻝ ﺳﻨﻴﻦ ﻃﻮﻳﻠﺔ ﻗﺒﻞ ﺫﻟﻚ‪ ،‬ﺇﻗﻨﺎ َﻉ‬ ‫ُ‬ ‫ﺣﺠﺮﺍﺗﻪ ﺗﻤﺎﻣﴼ ﺍﻵﻥ!‪...‬‬
‫ﺃﺗﺤﺮ ُﺭ‬
‫ﱠ‬ ‫ْ‬
‫ﺛﻢ‪ ،‬ﻣﺎ ﺇﻥ ﺑﺪﺃ ُﺕ‬ ‫ﺃﻣﻨﺎ ﻛﺎﻧﺖ ﺗﺠﻬﻞ ﻣﺎ ﻳﺤﺪﺙ‪ ...‬ﱠ‬ ‫ﻧﻔﺴﻲ ﺃﻥ ﱠ‬
‫ﺫﻛﺮ ﺍِﺳﻢ ﺍﻟﻐﻮﻝ‪ ،‬ﺇﻻ ﻭﺃﻧﺎ ﺃُﺳ ﱢﻠ ُﻢ ِﺑ ِ‬
‫ﻬﻮﻝ‬ ‫ِ‬ ‫ﻣﺠﺮ ِﺩ‬
‫ﺍﻟﺨﻮﻑ ﺃﻣﺎﻡ ﱠ‬ ‫ِ‬ ‫ﻣﻦ ﻭﻃﺄ ِﺓ‬
‫ﻛﻞ ﻣﺎ ُﻗﻠ ُﺘ ُﻪ ﻫﻨﺎ ﻣﻦ ﻣﺸﺎﻋﺮ‬ ‫ﺃﺻﻞ ﺇﻟﻰ ﱢ‬ ‫ﺳﻠﻮﻙ ﺯﻭﺟﺘ ِﻪ ﺃﻳﻀﴼ!‪ ...‬ﻟﻢ ْ‬ ‫ِ‬
‫ﻛﻔﺎﺡ ﻭﻣﻜﺎﺑﺪﺍﺕ ﻧﻔﺴ ّﻴﺔ ﻃﻮﻳﻠﺔ ُﻣﻀﻨﻴﺔ‪...‬‬ ‫ٍ‬ ‫ﻭﺃﺣﻜﺎﻡ ﻧﻬﺎﺋﻴﺔ ﺇﻻ َ‬
‫ﺑﻌﺪ‬ ‫ٍ‬
 ‫ﻛﻞ ﺍﻷﺣﻮﺍﻝ ﺗﻮ ﱠﻗ ْﻔ ُﺖ ﻭﺧﺎﻟﺪ‪ ،‬ﻣﻨﺬ ﻣﻨﺘﺼﻒ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ‪،‬‬ ‫ﻓﻲ ﱢ‬
‫َ‬
‫ﻓﻀﻞ ﺗﺴﻤﻴﺘﻬﻤﺎ‪.‬‬ ‫ُ‬ ‫ُ‬ ‫َ‬
‫ﻋﻦ ﺭﺅﻳﺘﻬﻤﺎ‪ ،‬ﺃﺑﻲ ﻭﺃﻣﻲ‪ ،‬ﺃﻭ ﺍﻟﺸﻴﺦ ﻭﺯﻭﺟﺘﻪ ﻛﻤﺎ ﺃ ﱢ‬
‫ﻣﺠﺮ ِﺩ ﺭﺅﻳ ِﺘﻬﻤﺎ‪ .‬ﻻ‬
‫ﺭﻓﺾ ﱠ‬ ‫ﺑﻔﻀﻞ ﺧﺎﻟﺪ‪ ،‬ﺗﻌ ﱠﻠ ْﻤ ُﺖ ﻣﻨﺬ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ َ‬
‫ﻓﻲ‬
‫ﻣﺠﺮ ُﺩ ﺭﺅﻳﺘﻬﻤﺎ ﻳﺜﻴﺮ ﱠ‬ ‫ﱠ‬ ‫ﺃﺷﻌ ُﺮ ﺑﺎﻟﻨﺪﻡ ﻋﻠﻰ ﺫﻟﻚ‪ ،‬ﺑﺎﻟﻌﻜﺲ! ﻛﺎﻥ‬
‫ﺛﻢ ﺗﻮ ﱠﻓ ْﺖ ﻭﺍﻟﺪ ُﺗﻨﺎ )ﺭﺣﻤﻬﺎ ﺍﷲ!( ﺑﻌﺪ‬ ‫ﺳﺨﻂ ﻭﻏﺜﻴﺎﻥ!‪ ...‬ﱠ‬ ‫ٍ‬ ‫ﺃﺣﺎﺳﻴﺲ‬
‫ُﺸﺒ ُﻪ ﺍﻟﺰﺍﻳﻤﺮ‬
‫ﺑﻤﺮﺽ ﻳ ِ‬
‫ٍ‬ ‫ً‬
‫ﺳﻔﺮ ﺇﻟﻬﺎﻡ ﺑﺜﻼﺙ ﺳﻨﻮﺍﺕ‪ ...‬ﻛﺎﻧﺖ ﻣﺼﺎﺑﺔ‬ ‫ِ‬
‫ﻣﻨﺬ ﺑﺪﺍﻳﺔ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ ﺗﻘﺮﻳﺒﴼ‪...‬‬
‫ﻌﺒﺎﺭﺍﺕ ﺍﺳﺘﺴﻼﻣﻴﺔ‪ ،‬ﺭﺍ َﻓ َﻘ ْﺘﻬﺎ ﺣﺮﻛ ٌﺔ ﻓﻲ ﺍﻟﻴﺪ‬ ‫ٍ‬ ‫ﺃﺭﺩ َﻓ ْﺖ ﻧﻌﻴﻢ ِﺑ‬
‫ﻭﺍﻟﻌﻴﻨﻴﻦ ُﺗ َﻌ ﱢﺒ ُﺮ ﻋﻦ ﺍﻟﻴﺄﺱ‪:‬‬
‫ﺿﺪ ﺍﻟﺸﻴﺦ! ﻷﻧ ُﻪ ﺻﺎﺭ ﺍﻟﻴﻮﻡ ﻣﻦ‬ ‫ﻛﻞ ﻣﺎ ﻧﺴﺘﻄﻴﻊ ﻋﻤ َﻠ ُﻪ ﱠ‬ ‫‪ -‬ﺫﻟﻚ ﱡ‬
‫ﺃﻛﺒﺮ ﺭﻣﻮﺯ ﺍﻟﺴﻠﻄﺔ ﻭﺍﻟﻘﺒﻴﻠﺔ ﻭﺍﻟﻤﺎﻝ! ﻟ ُﻪ ﺍﻟﻴﻮ ُﻡ ُﺣ ﱠﺮﺍﺱ ﻛﺜﻴﺮﻭﻥ‪.‬‬
‫ﺍﺱ ﺃﻳﻀﴼ!‪...‬‬ ‫ﺍﺱ ُﺣ ﱠﺮﺍﺳ ِﻪ ُﺣ ﱠﺮ ٌ‬ ‫ﺍﺳ ِﻪ ُﺣ ﱠﺮﺍﺱ‪ .‬ﻭ ِﻟ ُﺤ ﱠﺮ ِ‬‫ﻭ ِﻟ ُﺤ ﱠﺮ ِ‬
‫‪231‬‬ ‫ﺃﺧﺮﺟ ْﺖ ﻗ ﱢﻨﻴﻨ َﺔ ﻣﺎﺀ »ﺷﻤﻼﻥ« ﻣﻦ ﺣﻘﻴﺒ ِﺘﻬﺎ ﺍﻟﺴﻮﺩﺍﺀ‪ ،‬ﺷﺮﺑ ْ‬
‫َﺖ‬ ‫َ‬
‫َ‬
‫ﻣﻨﻬﺎ ﺭﺷﻔ ًﺔ ﻭﺍﺣﺪﺓ‪ ...‬ﻭﺍﺻﻠ ْﺖ‪:‬‬
‫ﺣﺼﻞ ِﻟﺨﺎﻟﺪ‪ ،‬ﻓﻲ ﻣﻨﺘﺼﻒ ﺍﻟﺜﻤﺎﻧﻴﻨﺎﺕ‪ ،‬ﻓ ﱠﻜﺮ‬ ‫َ‬ ‫ُ‬
‫ﺃﻓﻀﻴﺖ ﺑﻤﺎ‬ ‫‪ -‬ﻋﻨﺪﻣﺎ‬
‫ﻳﺮﺑ ُﻄﻬﺎ‬ ‫ﱠﺃﻭ ً‬
‫ُﺬﻛ ُﺮﻫﺎ ﺃﻭ ِ‬
‫ﻛﻞ ﻣﺎ ﻳ ﱢ‬ ‫ﻭﺗﻬﺮﻳﺒﻬﺎ ﻹﺑﻌﺎ ِﺩﻫﺎ ﻋﻦ ﱢ‬ ‫ِ‬ ‫ﻻ ﺑﺈﻧﻘﺎ ِﺫ ﺇﻟﻬﺎﻡ‬
‫ﺯﻭﺟﻬﺎ ِﻟﺸﺮﺍ ِﺀ ﻃﻼ ِﻗﻬﺎ‬‫ﺍﻟﺤﻞ ﺍﻷﻭﺣﺪ ﺭﺷﻮ َﺓ ِ‬ ‫ِﺑﻌﺬﺍﺑﺎﺕ ﻃﻔﻮﻟﺘﻬﺎ‪ ...‬ﻛﺎﻥ ﱡ‬
‫ﻟﻐﻮﻳﺔ ﻓﻲ ﻓﺮﻧﺴﺎ!‪...‬‬ ‫ﺗﻬﺮﻳﺒﻬﺎ ِﻟﺪﻭﺭ ٍﺓ ﱠ‬ ‫ﻻ‪ ،‬ﻗﺒﻞ‬ ‫ﱠﺃﻭ ً‬
‫ِ‬

‫ﺍﻟﺮﺍﺋﻊ‬
‫ِ‬ ‫ﺷﻌﺮﺕ ِﺑ ُﺼ ْﻐ ِﺮﻱ ﺃﻣﺎﻡ ﻫﺬﺍ‬
‫ُ‬ ‫ﺍﻧﺘﺎﺑﺘﻨﻲ ِﻏ ْﻴﺮ ٌﺓ ﻋﺎﺭﻣﺔ!‬
‫ﺃﺩﻳﻦ ﻟ ُﻪ ﻭ ِﻟﻨﻌﻴﻢ ﺑﺈﻧﻘﺎﺫ ﺇﻟﻬﺎﻡ‪َ ...‬‬
‫ﺳﺄ ْﻟ ُﺖ‬ ‫ﺍﻟﻌﻈﻴﻢ ﺣ ّﻘﴼ‪ :‬ﺧﺎﻟﺪ‪ ،‬ﺍﻟﺬﻱ ُ‬ ‫ِ‬
‫ﻧﻌﻴﻢ‪:‬‬
‫ﺗﺘﺤﺪ ْﺙ ﻣﻌﻲ ﺇﻟﻬﺎ ُﻡ ﻋﻦ‬
‫ﱠ‬ ‫ﺑﻜﻞ ﺷﻲ ٍﺀ ِﻟﺨﺎﻟﺪ‪ ،‬ﻭﻟﻢ‬
‫ﺃﻧﺖ ﱢ‬ ‫ﺃﻓﻀﻴﺖ ِ‬
‫ِ‬ ‫‪ -‬ﻟﻤﺎﺫﺍ‬
‫ﺷﻲ ٍﺀ ﻣﻤﺎ ﺣﺼﻞ ﻟﻬﺎ؟‪...‬‬
‫ﻨﺒﺮﺍﺕ‬
‫ﻭﺑ ٍ‬ ‫ﻳﺴﺘﺮﺟ ُﻊ ﺿﻴﺎ َﺀﻩ ﻭﻫﺪﻭ َﺀ ﻗﺴﻤﺎ ِﺗﻪ ِ‬
‫ِ‬ ‫ﺭ ﱠﺩ ْﺕ ﻧﻌﻴ ُﻢ ِﺑ َﻮﺟ ٍﻪ‬
‫ﻳﻨﻘﺸ ُﻊ ﺗﻮ ﱡﺗ ُﺮﻫﺎ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‪:‬‬
 ‫ُ‬
‫ﺃﻓﻀﻴﺖ‬ ‫ﺃﻛ ﱡﻨﻪ ﻟﺨﺎﻟﺪ! ﻟﻮﻻ ﺫﻟﻚ ﻟﻤﺎ‬ ‫ﻧﻔﺲ ﻣﺎ ِ‬ ‫‪ -‬ﺇﻟﻬﺎﻡ ُﺗ ِﻜ ﱡﻦ ﻟﻚ َ‬
‫ﺗﺄﺧ َﺮﻫﺎ‬ ‫ﺑﻜﻞ ﻫﺬﻩ ﺍﻷﺳﺮﺍﺭ ﺍﻟﺪﻓﻴﻨﺔ ﻣﻦ ﱠﺃﻭﻝ ﺳﺎﻋﺔ!‪ ...‬ﻏﻴﺮ ﺃﻥ ﱡ‬ ‫ﻟﻚ ﱢ‬
‫ﺗﺪﻫﻮﺭ ﺣﻴﺎ ِﺗﻬﺎ ﻓﻲ ﺍﻟﻔﺘﺮﺓ ﺍﻷﺧﻴﺮﺓ‪...‬‬ ‫ِ‬ ‫ﺃﺳﺒﺎﺏ‬
‫ِ‬ ‫ﻋﻦ ﺍﻹﻓﻀﺎﺀ ﻫﻮ ﺃﻫ ﱡﻢ‬
‫ﻼ ﺃﻥ ﺃُﻓﻀﻲ ِﻟﺨﺎﻟﺪ ﺑﻤﺎ ﺣﺼﻞ! ﻟﻢ‬ ‫ﻓﻲ ﺣﺎﻟﺘﻲ ﺃﻳﻀﴼ ﻛﺎﻥ ﻣﺴﺘﺤﻴ ً‬
‫ﺍﻷﻭﻝ‪ :‬ﺑﺎﺳﻞ!‪ ...‬ﻟﻢ ﺃﻛﻦ ﻗﺎﺩﺭ ًﺓ ﻗﺒﻞ‬ ‫ﺃﺗﻤ ﱠﻜﻦ ﺫﻟﻚ ﻗﺒﻞ ِﺣ ْﻤ ِﻠﻲ ﺑﻄﻔ ِﻠﻨﺎ ﱠ‬
‫َ‬
‫ُﺪﻣ ُﺮ ﺣﻴﺎﺓ ﺧﺎﻟﺪ! ﺭﺑﻤﺎ‬ ‫ﱟﺮ ﻛﻬﺬﺍ ﻗﺪ ﻳ ﱢ‬ ‫ﺑﺒﻮﺡ ِﺳ‬
‫ﺫﻟﻚ‪ ،‬ﻣﺜﻠﻬﺎ ﺗﻤﺎﻣﴼ‪ِ ،‬‬
‫ﻐﻴ ُﺮ ﻃﺮﻳﻘ َﺘ ُﻪ ﻓﻲ ﺭﺅﻳﺘﻲ‬
‫ﻔﺴ ُﺮ ُﻩ ﺑﻄﺮﻳﻘ ٍﺔ ﺃﺧﺮﻯ‪ ،‬ﺭﺑﻤﺎ ﻛﺎﻥ ﺳ ُﻴ ﱢ‬ ‫ﻛﺎﻥ ﺳ ُﻴ ﱢ‬
‫ﻭﻳﺘﺮﻛﻨﻲ‬ ‫ُ‬ ‫ﺳﻴﻬﺮﺏ ﻣﻨﻲ‬
‫ُ‬ ‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ! ﺭﺑﻤﺎ ﻛﺎﻥ‬ ‫ٍ‬ ‫ﻭﺍﻟﺘﻌﺎﻣﻞ ﻣﻌﻲ‬
‫ﻓﻲ ﺍﻟﻌﺮﺍ ِﺀ ﺇﻟﻰ ﺍﻷﺑﺪ‪...‬‬
‫َ‬ ‫ْ‬ ‫ُ‬
‫ﻛ ﱠﻨﺎ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ‪ ،‬ﻧﺸﻌ ُﺮ ﺑﺴﻌﺎﺩ ٍﺓ ﻣﻌﻜﻤﺎ ﻟﻢ ﻧﺤﻠﻢ ِﺑﻨﺘﻔ ٍﺔ‬
‫ﻛﻞ‬
‫ﻳﺮﻳﺪ ﺃﻥ ﻳﻌﺘﺬ َﺭ ﻟﻨﺎ ﻋﻠﻰ ﱢ‬ ‫»ﻛﺄﻥ ﺍﻟﻘﺪ َﺭ ُ‬ ‫ﱠ‬ ‫ﺻﻐﻴﺮ ٍﺓ ﻣﻨﻬﺎ ﻗﺒﻞ ﺫﻟﻚ‪.‬‬
‫ﻧﻘﻮﻝ‪ ،‬ﺇﻟﻬﺎﻡ ﻭﺃﻧﺎ‪ ،‬ﺑﺎﻟﺘﻠﻔﻮﻥ ﺃﻛﺜﺮ ﻣﻦ‬ ‫ﺟﺮﺍﺋﻤ ِﻪ ﻭﻋﺬﺍﺑﺎ ِﺗﻪ«‪ ،‬ﻛﻤﺎ ﻛ ّﻨﺎ ُ‬ ‫ِ‬
‫ﻹﻫﺪﺍﺭ ﻫﺬﻩ ﺍﻟﺴﻌﺎﺩﺓ!‬‫ِ‬ ‫َ‬
‫ﻣﺴﺘﻌﺪﺗﻴﻦ‬
‫ﱠ‬ ‫ُ‬
‫ﻣ ّﺮﺓ!‪ ...‬ﻻ ِﻟﺸﻲ ٍﺀ ﻓﻲ ﺍﻟﺪﻧﻴﺎ ﻛ ﱠﻨﺎ‬ ‫‪232‬‬
‫ُ‬
‫ﺷﻜﻞ ﻣﻦ ﺍﻷﺷﻜﺎﻝ! ﻛ ﱠﻨﺎ‬ ‫ﺑﺄﻱ ٍ‬ ‫ﻳﺪﻫﺎ ﺃﻭ ﻛﺴ َﺮ ﺇﻳﻘﺎﻋﻬﺎ ﱢ‬ ‫ﺗﺒﺪ َ‬ ‫ُ‬
‫ﻧﺨﺎﻑ ِ‬ ‫ﻛ ّﻨﺎ‬
‫ﺗﻜﻮﻥ ﻟﻬﺎ ﻧﺘﻴﺠ ٌﺔ‬
‫ﻘﺼ ٍﺔ ﻋﻨﻴﻔ ٍﺔ ﻛﻬﺬﻩ ﻗﺪ ُ‬ ‫ﻬﺮ ِﺑ ﱠ‬ ‫ﻧﺮﻫﺐ ﻃﻌ َﻨﻜﻤﺎ ﻓﻲ ﱠ‬
‫ﺍﻟﻈ ِ‬ ‫ُ‬
‫ﻧﺮﻏﺐ ﻳﻮﻣﴼ ﺗﻌﻜﻴ َﺮ‬
‫ْ‬ ‫ﻭﺧﻴﻤ ٌﺔ ﻋﻠﻴﻜﻤﺎ ﻭﻋﻠﻴﻨﺎ‪ِ ...‬ﺑﺴ َﺒ ِﺐ ُﺣ ﱢﺒﻨﺎ ﻟﻜﻤﺎ ﻟﻢ‬
‫ﺍﻟﻮ ْﺯﺭ ﺍﻟﺬﻱ ﺳ ُﻴﺜ ِﻘ ُﻠﻜﻤﺎ ﺣﺘﻰ ﺁﺧﺮ ﺍﻟ ُﻌﻤﺮ‪،‬‬ ‫ﻭﺗﻨﻜﻴﺪ ﺣﻴﺎﺗﻴﻜﻤﺎ ﺑﻬﺬﺍ ِ‬ ‫َ‬
‫ﺳﻴﺆﺛﺮ ﻓﻲ ﺃﻗﻞ ﺍﻷﺣﻮﺍﻝ ﻋﻠﻰ ﺑﺮﺍﺀﺓ ﻧﻈﺮﺗﻜﻤﺎ ﻟﻠﺤﻴﺎﺓ ﻭﺳﻌﺎﺩﺗﻜﻤﺎ‬ ‫ّ‬
‫ﻣﺮﺍﺭﺍﺕ ﻛﺜﻴﺮﺓ!‪ ...‬ﻧﺤﻦ ﻻ ُ‬
‫ﻧﺜﻖ‬ ‫ٍ‬ ‫ﺍﻟﻴﻮﻣ ّﻴﺔ‪ ،‬ﺳﻴﺰﺭ ُﻉ ﻓﻴﻜﻤﺎ ﺣﻘﺪﴽ ﻣﺎ‪،‬‬
‫ﺍﻟﻘﺪ ُﺭ ﻣﻨﺬ ﻃﻔﻮﻟﺘﻨﺎ! ﻣﻦ ﻳﺪﺭﻱ‪:‬‬ ‫ﺑﺎﻟ َﻘ َﺪ ِﺭ ﻛﺜﻴﺮﴽ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ! ﺧﺎﻧﻨﺎ َ‬
‫ﻼ‪ ،‬ﺃﻭ ﺭﺑﻤﺎ ﻛﻨﺘﻤﺎ‬ ‫ﺭﺑﻤﺎ ﻛﻨﺘﻤﺎ ﺑﻌﺪ ﺍﻟﺒﻮﺡ ﺑﺎﻟﺴ ّﺮ ﺳﻮﻑ ﺗﺘﺮﻛﺎﻧﻨﺎ ﻓﻌ ً‬
‫ِ‬
‫ﺑﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ!‪...‬‬
‫ٍ‬ ‫ﻟﻨﺎ‬ ‫ﺳﻮﻑ ُﺗ ﱢ‬
‫ﻐﻴﺮﺍﻥ ﺭﺅﻳ َﺘﻜﻤﺎ‬

‫ﺗﻔﻜﻴﺮ‬
‫ٍ‬ ‫ﻏﻀ َﻨ ْﺖ ﻋﻴﻨﻴﻬﺎ‪ ،‬ﱠ‬
‫ﺛﻢ ﺃﺿﺎﻓﺖ ﺑﻌﺪ‬ ‫ﻗﻄ ْ‬
‫ﺒﺖ ﺣﺎﺟﺒﻴﻬﺎ‪ ،‬ﱠ‬ ‫ﱠ‬
‫ﻭﻧﻬﺪ ٍﺓ ﺧﻔﻴﻔﺔ‪:‬‬
‫ﺍﻟﺼﻤﺖ‬
‫ِ‬ ‫ﻛﻞ ﺳﻨﻮﺍﺕ‬
‫‪ -‬ﻏﻴﺮ ﺃﻥ ﺳﻨﻮﺍﺕ ﺍﻟﺼﻤﺖ ﻟﻴﺴﺖ ﻫﻲ ﺍﻟﺤﻞ! ﻓﻲ ﱢ‬
 ‫ﺗﺘﻌﻮ ُﺩ ﺇﻇﻬﺎ َﺭ ﻭﺟ ٍﻪ ﺁﺧﺮ ﻓﻲ ﺳﺒﻴﻞ‬ ‫ﻛﻞ ﺷﻲﺀ‪ .‬ﱠ‬ ‫ﺍﻟﺴﻜﻮﺕ ﻋﻠﻰ ﱢ‬ ‫َ‬ ‫ﺗﺘﻌ ﱠﻠ ُﻢ‬
‫َ‬ ‫ُ‬
‫ﺍﻟﻜﺬﺏ ﺍﻟﺪﺍﺋﻢ‪ ...‬ﺗﺘﻌ ﱠﻠ ُﻢ ﺃﻥ ﺗﻐ ِﻠﻖ ﻋﻴﻨﻴﻚ‬ ‫َ‬ ‫ﺇﺧﻔﺎ ِﺀ ﺍﻟﺤﻘﻴﻘﺔ! ﺗﺘﻌ ﱠﻠ ُﻢ‬
‫ﻛﻞ ﻣﺎ ﻳﺪﻭﺭ ﺣﻮﻟﻚ‪ ...‬ﺗﻐﺪﻭ ﺣﻴﺎ ُﺗﻚ ﻏﻴ َﺮ ﺷﻔﺎﻓﺔ‪،‬‬ ‫ﻭﺃﺫﻧﻴﻚ ﻋﻠﻰ ﱢ‬
‫ﻘﻨﺎﻉ ﻳُﺨﻔﻲ ﺟﺮﺍ َﺡ ﻃﻔﻮﻟﺘﻚ‪ ،‬ﻳُﺨﻔﻲ‬ ‫ُ‬ ‫ً‬
‫ﻣﻤﻠﻮﺀﺓ ﺑﺎﻷﺳﺮﺍﺭ‪ ...‬ﺗﻌﻴﺶ ِﺑ ٍ‬
‫ﻳﻜﺘﺸﻒ ﻣﻌﺸﻮ ُﻗﻚ‬
‫َ‬ ‫ﻫﻤ َﻚ ﺃﻥ ﻻ‬ ‫ﺁﻻﻣﻚ ﻭﻭﺭﻃﺎﺗﻚ ﻭﻣﻌﺎﻧﺎﺗﻚ‪ ...‬ﱡ‬
‫ﻛﻞ ﱢ‬ ‫َ‬
‫َ‬
‫ﺗﺘﻜﺪ َﺭ ﺣﻴﺎﺗﻪ‪ ...‬ﻫﺪﻓﻚ ﺍﻷﻭﺣﺪ ﻫﻮ ﺃﻥ ﺗﺴﺘﻤﺮ‬ ‫ُ‬ ‫ُ‬ ‫ﱠ‬ ‫ﻫﺬﻩ ﺍﻵﻻﻡ‪ ،‬ﺃﻥ ﻻ‬
‫ﻫﺬﻩ ﺍﻟﺴﻌﺎﺩﺓ ﺍﻟﺘﻲ ﻟﻢ ﺗﺤﻠﻢ ﺑﻬﺎ ﻳﻮﻣﴼ ﻣﺎ!‪ ...‬ﻣﺎ ﻋﺪﺍﻫﺎ ﻻ ﺃﻫﻤ ّﻴﺔ‬
‫ﻟﻪ‪ :‬ﺍﻷﺭﻗﺎﻡ‪ ،‬ﺍﻟﺪﻳﻮﻥ‪ ،‬ﻣﺸﺎﻛﻞ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻴﻮﻣﻴﺔ‪ ...‬ﻟﺬﻟﻚ ﺑﺎﻟﺘﺄﻛﻴﺪ‬
‫ﻛ ْﺘﻬﺎ ﺗﺘﻔﺎﻗﻢ‪،‬‬ ‫ﺍﺳﺘﻄﺎﻋﺖ ﺇﻟﻬﺎ ُﻡ ﺇﺧﻔﺎ َﺀ ﻭﺭﻃ ِﺘﻬﺎ ﺍﻟﻤﺎﻟﻴﺔ ﻋﻨﻚ ﻭ َﺗ َﺮ َ‬
‫ﺗﻌﺮ ُﻓﻬﺎ ﺃﻧﺖ‬
‫ﻛﻞ ﺗﻠﻚ ﺍﻟﺴﻨﻴﻦ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺗﺘﻄﻮﺭ ﺇﻟﻰ ﻛﺎﺭﺛ ٍﺔ ِ‬ ‫ﺗﻨﺰﻑ ﱠ‬‫ُ‬
‫ﺃﻛﺜﺮ ﻣﻨﻲ‪ ...‬ﻛﺎﻧﺖ ﺗﻠﻚ ﺍﻟﻮﺭﻃ ُﺔ ﺍﻟﻤﺎﻟﻴﺔ‪ ،‬ﻓﻲ ﻻﻭﻋﻲ ﺇﻟﻬﺎﻡ‪ ،‬ﺛﺎﻧﻮﻳ ًﺔ‬
‫ُ‬
‫ﻳﻌﺘﻤﻞ ﻓﻴﻬﺎ‬ ‫ﺑﺎﻟﺴﺮ ﺍﻷﻛﺒﺮ ﺍﻟﺬﻱ ﻛﺎﻥ‬ ‫ﱢ‬ ‫ﺑﺎﻟﻐﻮﻝ‪،‬‬
‫ِ‬ ‫ﺟﺪﴽ ﺑﺎﻟﻤﻘﺎﺭﻧ ِﺔ‬ ‫ّ‬
‫‪233‬‬ ‫ﻔﻀﻴ ِﻪ ﺃﻣﺎﻣﻚ‪...‬‬ ‫ﺗﻌﺮﻑ ﻛﻴﻒ ُﺗ ِ‬ ‫ْ‬ ‫ﻭﻳُﻬﻴﻤﻦ ﻋﻠﻰ ﺃﺣﺎﺳﻴﺴﻬﺎ‪ ،‬ﻭﺍﻟﺬﻱ ﻟﻢ‬
‫ﻧﺰﻳﻒ ﺗﻠﻚ ﺍﻟﻮﺭﻃﺔ ﻭﻟﻢ ﺗﺘﺠﺮﺃ‬ ‫ِ‬ ‫ﻟﻢ ﺗﻌﺮﻑ ﺇﻟﻬﺎﻡ ﻛﻴﻒ ﺗﻨﺠﻮ ﻣﻦ‬
‫ﺍﻟﻄﻔﻞ ﻣﺜﻠﻲ ِﻟﺘﺘﺠﺮﺃ ﺍﻟﺒﻮ َﺡ ﻟﻚ‬ ‫َ‬ ‫ﻣﺼﺎﺭﺣ َﺘﻚ ﺑﻬﺎ‪ ...‬ﻛﺎﻧﺖ ﺗﻨﺘﻈ ُﺮ‬
‫ﻻ ﻗﺒﻞ ﻣﺼﺎﺭﺣ ِﺘ َﻚ‬ ‫ﺍﻟﺤ ْﻤ َﻞ ﱠﺃﻭ ً‬
‫ﻜﻞ ﻣﺎ ﻳﺪﻭﺭ ﻓﻲ ﺃﻋﻤﺎ ِﻗﻬﺎ!‪ ...‬ﺗﻨﺘﻈ ُﺮ ِ‬ ‫ِﺑ ﱢ‬
‫ﻳﺄﺕ‬
‫ﺍﻟﻄﻔﻞ ﺍﻟﺬﻱ ﻟﻢ ِ‬ ‫ِ‬ ‫ِﺑ ُﻜ ﱢﻞ ﺷﻲﺀ‪ ...‬ﺁﻩ‪ ،‬ﻛﻢ ﻛﺎﻥ ﺍﻧﺘﻈﺎﺭﻛﻤﺎ ِﻟﺬﻟﻚ‬
‫ﻼ ّ‬
‫ﺟﺪﴽ!‪...‬‬ ‫ﺑﻌﺪ ﻃﻮﻳ ً‬

‫ْ‬
‫ﻧﻈﺮﺕ ﻧﺤﻮﻱ‬ ‫ﻟﺤﻈﺎﺕ ﻗﻠﻴﻠﺔ‪.‬‬
‫ٍ‬ ‫ﻔﺖ ﻧﻌﻴ ُﻢ ﻋﻦ ﺍﻟﺴﺮ ِﺩ‬ ‫ﺗﻮ ﱠﻗ ْ‬
‫ﺗﺘﺤﺪ ُﺙ ﻋﻦ‬
‫ﱠ‬ ‫ﻭﻛﺄ ﱠﻧﻬﺎ ﺗﻌﺘﺬ ُﺭ ﻷ ﱠﻧﻬﺎ َﻣ ﱠﺴ ْﺖ ﻗﻌ َﺮ ُﺟ ْﺮ ٍﺡ ﻧﺎﻛﺊ ﻭﻫﻲ‬
‫ﺻﻠﻮﺍﺕ‬
‫ٍ‬ ‫ﻨﺖ ﺃﺭ ﱢﺗ ُﻞ ﻓﻲ ﻗﺮﺍﺭﺓ ﻧﻔﺴﻲ ﺩﻋﺎ ًﺀ ﻏﺎﻣﻀﴼ‪،‬‬
‫ﻛ ُ‬ ‫ﻃﻔ ِﻠﻨﺎ ﺍﻟﻐﺎﺋﺐ‪ُ .‬‬
‫ُﻣ ْﺒﻬَﻤﺔ‪...‬‬
‫ْ‬
‫ﻭﺍﺻﻠﺖ‪:‬‬ ‫ﺭﺷﻔ ٌﺔ ﺃﺧﺮﻯ ﻣﻦ ﻣﺎﺀ ﺍﻟﻘ ﱢﻨﻴﻨﺔ‪.‬‬
‫‪ -‬ﻏﻴﺮ ﺃﻥ ﺍﺳﺘﻤﺮﺍﺭ ﺳﻨﻮﺍﺕ ﺍﻟﺼﻤﺖ ﻛﺎﺭﺛ ٌﺔ ﻛﻤﺎ ﺣﺼﻞ ﻓﻲ‬
‫ﺣﻴﺎﺗﻜﻤﺎ!‪ ...‬ﻣﺎ ﺍﺧﺘﻠﻒ ﻓﻲ ﺣﻴﺎﺗﻲ ﺑﺎﻟﻤﻘﺎﺭﻧﺔ ﺑﺈﻟﻬﺎﻡ ﺑﺪﺃ ﺣﻴﻨﻤﺎ‬
 ‫ﺷﻌﺮﺕ ﺑﺄﻧﻲ ﺣﺎﻣﻞ ﻓﻲ ﺍﻷﺷﻬﺮ ﺍﻷﻭﻟﻰ ﻣﻦ ‪ .1985‬ﺍﻧﺘﺎ َﺑ ْﺘﻨﻲ ﱠ‬
‫ﻷﻭ ِﻝ‬ ‫ُ‬
‫ﺍﻟﻄﻔﻞ ِﺑﺸﻲ ٍﺀ ﻣﺎ‪،‬‬
‫ِ‬ ‫ﻣﺮ ٍﺓ ﻣﺸﺎﻋ ٌﺮ ﻏﻴ ُﺮ ﺃﻟﻴﻔﺔ‪ِ .‬ﺧ ْﻔ ُﺖ ﺃﻥ ﺃﺟﻨﻲ ﻋﻠﻰ‬
‫ﱠ‬
‫ﺸﻜﻞ ﺃﻭ ﺑﺂﺧﺮ!‬‫ِ ٍ‬ ‫ﺑ‬ ‫ﺷﻈﺎﻳﺎﻫﺎ‬ ‫ُ‬
‫ﻪ‬ ‫ﺗﺼﻠ‬ ‫ﺃﻥ‬ ‫ﻋﺬﺍﺑﺎﺗﻲ‪،‬‬ ‫ﻣﻦ‬ ‫ﻳﻌﺎﻧﻲ‬ ‫ﺃﻥ‬ ‫ُ‬
‫ﺧﺸﻴﺖ‬
‫ﺗﻨﻜﺘﺐ ﺇﻃﻼ َﻟ ُﺘ ُﻪ ﻓﻲ ﺻﻔﺤ ٍﺔ ﺟﺪﻳﺪﺓ ﻣﻦ ﺣﻴﺎﺗﻲ‪ ،‬ﺃﻥ ﻳﺸﻌ َﺮ‬ ‫َ‬ ‫ﺃﺭﺩ ُ‬
‫ْﺕ ﺃﻥ‬
‫ﻳﺘﺨﻞ ﻋﻨﻲ ﺑﻌﺪ‬ ‫ﱠ‬ ‫ﺃﻳﻘﻨﺖ ﺃﻳﻀﴼ ﺃﻥ ﺧﺎﻟﺪ ﻟﻦ‬ ‫ُ‬ ‫ﺑﺎﻟﺴﻌﺎﺩﺓ ﺍﻟﺨﺎﻟﺼﺔ‪...‬‬
‫ّ‬
‫ﺍﻵﻥ! ﺭﺑﻤﺎ ﻛﺎﻥ ﺳﻴﻌﺎﺿﺪﻧﻲ ﺑﺎﻟﺘﺄﻛﻴﺪ ﺣﺘﻰ ﻭﺇﻥ ﻟﻢ ﺃﻛﻦ ُﺣﺒﻠﻰ‪،‬‬
‫ﺃﺛﻖ ﺑﺎﻟ َﻘ َﺪﺭ‪ ،‬ﺍﺷﻌ ُﺮ ﺃﻧﻪ ﻳﻜﻴﺪ‬
‫ﻗﻠﺖ ﻟﻚ ﻗﺒﻞ ﻗﻠﻴﻞ ﻟﻢ ﺃﻛﻦ ُ‬ ‫ﻟﻜ ﱢﻨﻲ ﻛﻤﺎ ُ‬
‫ﻟﻲ ﺃﻟﻒ ﻛﻴﺪ ﻣﻨﺬ ﻧﻌﻮﻣ ِﺔ ﺃﺻﺎﺑﻌﻲ‪...‬‬

‫ْ‬
‫ﻭﺍﺻﻠﺖ‪:‬‬
‫ﺷﻌﺮﺕ ﺃﻧﻪ‬‫ُ‬ ‫ﺣﺪ ﻟﻬﺎ!‪...‬‬‫ﺷﺤﺬ ْﺗﻨﻲ ﺑﺸﺠﺎﻋ ٍﺔ ﻻ ﱠ‬ ‫َ‬ ‫‪ -‬ﺑﺪﺀ ﻓﺘﺮﺓ ﺍﻟﺤﻤﻞ‬
‫َ‬
‫ﻳﻠﺰﻣﻨﻲ ﺃﻥ ﺃﺗﻘﻴﺄ ﺍﻟﺴ ّﺮ‪ .‬ﻟﺬﻟﻚ‪ ،‬ﺫﺍﺕ‬ ‫ﻣﻦ ﺃﺟﻞ ﻫﺬﺍ ﺍﻟﻄﻔﻞ ﻋﻠﻰ ﺍﻷﻗﻞ ُ‬
‫ﻣﻔﺎﺟﺊ ﻟﻢ ُ‬
‫ﻳﺨﻄ ْﺮ‬ ‫ٌ‬ ‫ﺇﺣﺴﺎﺱ‬
‫ٌ‬ ‫ﺩﺍﻫﻤﻨﻲ‬
‫ﺍﻟﺤ ْﻤﻞ‪َ ،‬‬ ‫ﻟﻴﻠ ٍﺔ ﻋﺴﻴﺮ ٍﺓ ﻣﻦ ﻟﻴﺎﻟﻲ ِ‬ ‫‪234‬‬
‫ﺷﻌﺮﺕ ﻟﻴﻠﺔ ﺫﺍﻙ ﺃﻥ ﻋﺪ َﻡ ﻓﻀﻴﺤ ِﺔ ﻣﺎ ﻓﻌﻠ ُﻪ ﺍﻟﺸﻴﺦ‬ ‫َ‬ ‫ُ‬ ‫ِﺑﺒﺎﻟﻲ ﻣﻦ ﻗﺒﻞ‪:‬‬
‫ﺇﻧﺠﺎﺏ ﺍﻟﻄﻔﻞ‬ ‫َ‬ ‫ﻳﻌﻨﻲ ﻗﺒﻮ َﻟﻪ! ﻳﻌﻨﻲ ﻣﺒﺎﺭﻛ َﺘ ُﻪ ﻭﺍﻟﺨﻀﻮ َﻉ ﻟﻪ! ﻳﻌﻨﻲ‬
‫ﻌﺖ ﻣﻦ ﺃﻗﺒﻴ ِﺔ‬ ‫ﺟﺪﴽ ﺍﻗﺘ َﻠ ُ‬‫ﻣﻨﺎﺥ ﻓﺎﺳﺪ‪ ...‬ﻓﻲ ﺗﻠﻚ ﺍﻟﻠﻴﻠ ِﺔ ﺍﻟ َﻌ ِﺴﻴﺮ ِﺓ ّ‬ ‫ﻓﻲ ٍ‬
‫ﺑﻜﻞ ﺃﺛﻘﺎ ِﻟ ِﻪ‬
‫ﺑﻜﻞ ﺟﺬﻭﺭﻩ ﺍﻟﻌﻤﻴﻘﺔ ﺍﻟﻨﺘﻨﺔ‪ ،‬ﱢ‬ ‫ﺍﻟﺴﺮ ﺍﻷﻛﺒ َﺮ ﱢ‬ ‫ﱠ‬ ‫ﺟﻮﺍﻧﺤﻲ‬
‫ُ‬ ‫ْ‬
‫ﺍﻷﺯﻟﻴﺔ‪ ،‬ﻭﻟﻔﻈﺘ ُﻪ ِﺑﻀﺮﺑ ٍﺔ ﻭﺍﺣﺪﺓ ﺃﻣﺎﻡ ﺧﺎﻟﺪ!‪ ...‬ﺍﻭﻭﻭﻭﻭﻭﻭﻑ!‬ ‫َ‬
‫ﺃﺿﺎﻓﺖ ﺑﻌﺪ ﻧﻬﺪ ٍﺓ ﻭﺍﺑﺘﺴﺎﻣ ٍﺔ ﺧﻔﻴﻔﺔ‪:‬‬ ‫ْ‬
‫ﺧﺎﻟﺪ ﺧﻼﻟﻬﺎ ﻛﺜﻴﺮﴽ‪ ،‬ﻗﺒﻞ ﺃﻥ ﺃﺑﺪﺃ‬ ‫ُ‬ ‫َ‬
‫ﺳﺎﻋﺪﻧﻲ‬ ‫ﻟﺰﻣ ْﺖ ﺳﻨﻴﻦ ﻃﻮﻳﻠﺔ‪،‬‬‫‪َ -‬‬
‫ﻛ ُﺘﺒﴼ ﻛﺜﻴﺮﺓ ﺧﻼﻝ ﺗﻠﻚ ﺍﻟﺴﻨﻮﺍﺕ ِﻟﻴﺴﺘﻮﻋﺐ‬ ‫ﺣﻴﺎ ًﺓ ﻃﺒﻴﻌﻴﺔ‪ .‬ﻗﺮﺃ ُ‬
‫ﺍﻟﻤﻘ ﱠﻨ ِﻊ‬
‫ﺍﻟﻨﻔﺴﻲ ُ‬
‫ّ‬ ‫ﻳﺸﺪ ﺃﺯﺭﻱ‪ ،‬ﻛﻴﻒ ﻳﺨﺮﺟﻨﻲ ﻣﻦ ﻗﺎﻉ ﺍﻟﺨﺮﺍﺏ‬ ‫ﻛﻴﻒ ﱡ‬
‫ﻛﻞ ﻣﺎ ﻓﻲ ﺟﻮﻓﻲ‪ ،‬ﻋﻠﻰ‬ ‫ﺷﺠ َﻌﻨﻲ ﻋﻠﻰ ﺇﻓﺮﺍﻍ ﱢ‬ ‫ﻛﻨﺖ ﺃﻋﻴﺸﻪ‪ ...‬ﱠ‬‫ُ‬ ‫ﺍﻟﺬﻱ‬
‫»ﺍﻟﺸﻴﺦ ﺍﺭﺗﻜﺐ ﺟﺮﻳﻤ ًﺔ ﺷﻨﻴﻌ ًﺔ‬ ‫َ‬ ‫ﺃﻥ ﺃﻓﻬ َﻢ ﻣﺎ ِﻋﺸ ُﺘ ُﻪ ﻣﻦ ﻣﻨﻈﻮﺭ ﺃﻥ‬
‫ﻟﺰﻡ ﺃﻥ ﻳُﺮ ﱢﺩ َﺩ ﺧﺎﻟﺪ‬ ‫ﻗﺎﻧﻮﻥ ﻋﺎﺩﻝ«‪ِ ...‬‬
‫ٍ‬ ‫ُﺤﺎﻛ َﻤ ُﻪ ﻋﻠﻴﻬﺎ ﱡ‬
‫ﺃﻱ‬ ‫ﺽ ﺃﻥ ﻳ ِ‬ ‫ﻳُﻔﺘ َﺮ ُ‬
‫ﻼ ﻓﻬ ُﻢ ﻣﺎ‬ ‫ﻳﻜﻦ ﺳﻬ ً‬ ‫ﺍﻟﻤﻐﻠﻖ! ﻟﻢ ْ‬ ‫ﺘﻠﺞ ﺭﺃﺳﻲ ُ‬ ‫ﻣﺮﺓ ِﻟ َ‬
‫ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ﻣﻠﻴﻮﻥ ﱠ‬
 ‫ﺍﻟﺨﻮﻑ‬
‫ِ‬ ‫ﺣﺼﻞ‪ ،‬ﻣﻦ ﺯﺍﻭﻳﺔ ﻫﺬﻩ ﺍﻟﻌﺒﺎﺭﺓ ﺍﻟﺒﺪﻳﻬﻴﺔ ّ‬
‫ﺟﺪﴽ ﻣﻊ ﺫﻟﻚ‪ ،‬ﺑﺴﺒﺐ‬
‫ﺃﻋ ْﺪ‬
‫ﻔﻀﻞ ﺫﻟﻚ ﻟﻢ ُ‬
‫ﺍﻟﻤﺘﺠﺬ ِﺭ ﻣﻨﺬ ﺍﻟﻄﻔﻮﻟﺔ‪ِ ...‬ﺑ ِ‬
‫ﱢ‬ ‫ﺍﻟﻨﻔﺴﻲ‬
‫ﱢ‬ ‫ﻭﺍﻟﺨﺮﺍﺏ‬
‫ِ‬
‫َ‬
‫ﺃﺧﺎﻑ ﺍﻟﻐﻮﻝ ﺍﻟﻴﻮﻡ! ﻛﺎﻥ ﺫﻟﻚ ﺃﺻﻌﺐ ﻣﺎ ﺍﺳﺘﻄﺎﻉ ﺧﺎﻟﺪ ﺃﻥ ﻳﻬﻴ َﺌﻨﻲ‬ ‫ُ‬
‫ِﻟﺒﻠﻮﻏﻪ!‪...‬‬

‫‪235‬‬
‫ﺃﺳﺘﻮﻋﺐ ﺃﺷﻴﺎﺀ ﻛﺜﻴﺮ ًﺓ ﺟﻮﻫﺮ ّﻳ ًﺔ ﺣﺎﺳﻤ ًﺔ ﺷﺪﻳﺪ َﺓ‬ ‫ُ‬ ‫ُ‬
‫ﺑﺪﺃﺕ‬
‫ﻇﻠﻤﺎﺕ ﻛﺜﻴﻔ ٌﺔ ﻓﻲ ﺭﺃﺳﻲ‪...‬‬ ‫ٌ‬ ‫ﺍﻧﺒﻠﺠ ْﺖ‬
‫َ‬ ‫ﺷﺮﺡ ﻧﻌﻴﻢ!‬‫ﻔﻀﻞ ِ‬ ‫ﺍﻷﻫﻤﻴﺔ ِﺑ ِ‬
‫ﱠ‬
‫ﺃﺗﺬﻛ ُﺮ ﻳﻮﻣﴼ‬ ‫ﱠ‬ ‫ِﺑ ِﻤ ْﺜ ِﻞ ﻫﺬﻩ ﺍﻟﻨﻮﺭﺍﻧ ّﻴﺔ ﻟﻢ َﻳﻨﻀ ﱠﺦ ﺩﻣﺎﻏﻲ ﻳﻮﻣﴼ ﻣﺎ! ﻻ‬
‫َ‬ ‫ْ‬
‫ﻣﺤﺎﺿﺮ ًﺓ ﺃﻭ ﻛﺘﺎﺑﴼ ﺃﻭ ﻣﻮﻋﻈ ًﺔ ﻏﺴ َﻠ ْﺖ ﺩﻣﺎﻏﻲ ﺑﺎﻟﻀﻮﺀ ﺑﻬﺬﺍ ﺍﻟ َﻘ ِ‬
‫ﺪﺭ‬
‫ﻧﻘﻴ ًﺔ ﺻﺎﺩﻗ ًﺔ ﻋﻤﻴﻘ ًﺔ ُﻣ ﱠﺘ ِﺴﻘ ًﺔ‬ ‫ﻋﺒﺎﺭﺍﺕ ﻧﻌﻴﻢ ﱠ‬ ‫ُ‬ ‫ﻭﺍﻟﻤﻨﻮﺍﻝ‪ ...‬ﻛﺎﻧﺖ‬
‫ﻔﻀ ِﻠﻬﺎ ﺍﻟ ُﻜ ْﻨ َﻪ ﺍﻟﻐﺎﺋ َﺮ ﻷﺣﺪﺍﺙ ﻭﻇﻮﺍﻫﺮ‬ ‫ﺃﺩﺭﻛﺖ ِﺑ ْ‬
‫ُ‬ ‫ُﻣ َﻨ ﱠﺴﻘ ًﺔ ُﻣﺘﺴﻠﺴﻠﺔ‪...‬‬
‫َﺪ ْﺕ ﻟﻲ ﻗﺒﻞ ﺫﻟﻚ ﻏﺎﻣﻀ ًﺔ ُﻣﺴﺘﺤﻴﻠ َﺔ ﺍﻟﺘﻔﺴﻴﺮ‪...‬‬ ‫ﻭﺗﺼ ﱡﺮﻓﺎﺕ ﺑ َ‬ ‫‪236‬‬
‫ُ‬
‫ﻋﺎﺩ ﺇﻟﻰ ﺍﻟﺴﻄﺢ ﻣﻦ ﺟﺪﻳﺪ ﺍﻟﺴﺆﺍﻝ ﺍﻟﺬﻱ ﺧﻄﺮ ﺑﺒﺎﻟﻲ‬
‫َ‬
‫ﺃﺗﻮﺍﻥ ﻓﻲ‬ ‫ﺑﻬﻮ ﺍﻟﻔﻨﺪﻕ‪ .‬ﻟﻢ‬ ‫ﺭﻛﻦ ِ‬ ‫ِ‬ ‫ﺭﺃﻳﺖ ﻧﻌﻴﻢ ﺗﻨﺘﻈ ُﺮﻧﻲ ﻓﻲ‬ ‫ﻋﻨﺪﻣﺎ ُ‬
‫ﺗﻮﺟﻴﻬﻪ‪:‬‬
‫ﻛﻞ ﻫﺬﺍ ﺍﻟﺨﺮﺍﺏ ﺃﻥ ﺗﻜﻮﻧﺎ ﺑﻬﺬﻩ‬ ‫ﻳﻤﻜﻦ ِﻟﻔ َﺘﺎ َﺗ ْﻴ ِﻦ ﻋﺎﺷﺘﺎ ﱠ‬
‫ُ‬ ‫‪ -‬ﻛﻴﻒ‬
‫ﺍﻟﺮﻭﻋﺔ‪ ،‬ﺑﻬﺬﺍ ﺍﻟﺴﻨﺎﺀ؟‪...‬‬
‫ﻨﺒﺮﺍﺕ‬
‫ﺃﻋﺬﺏ ﺍﺑﺘﺴﺎﻣﺘﻬﺎ! ﺭ ﱠﺩﺕ ِﺑ ٍ‬ ‫َ‬ ‫ﺍﺑﺘﺴ َﻤ ْﺖ ﺃﺧﻴﺮﴽ! ﻣﺎ‬
‫ﺍﺑﺘﺴ َﻤ ْﺖ‪َ ،‬‬
‫َ‬
‫ﻨﻈﺮﺍﺕ َﺗﻌ ُﺒ ُﺮﻫﺎ ﺑﻴﻦ‬
‫ٍ‬ ‫ﻭﺑ‬
‫ﺻﻮﺕ ﺇﻟﻬﺎﻡ ﺍﻟﺴﻴﻤﻔﻮﻧﻲ ِ‬ ‫ِ‬ ‫ﺸﺒ ُﻪ ﻛﺜﻴﺮﴽ ﻧﺒﺮﺍﺕ‬ ‫ُﺗ ِ‬
‫ﻇﻼﻝ ﺑﻬﻴﺠﺔ‪:‬‬ ‫ٌ‬ ‫ﺍﻟﺤﻴﻦ ﻭﺍﻟﺤﻴﻦ‬
‫ً‬ ‫َ‬
‫ﺗﺮﻳﺪ ﺃﻥ ﺗﻔﻬﻢ ﻟﻤﺎﺫﺍ ﻟﻢ ﻧﻨﺘﺤﺮ َﻣﺜﻼ! ﻟﻤﺎﺫﺍ ﻟﻢ ﻧﻨﻬﺎ َﺭ ﺟﺴﺪﻳّﴼ‬ ‫‪ -‬ﻟﻌ ﱠﻠﻚ ُ‬
‫َﻤﺎﻥ ﺣﺎﻟ ّﻴﴼ ﻓﻲ ﺫﻟﻚ‪ :‬ﺃﻧﺖ ﻭﺧﺎﻟﺪ!‪...‬‬ ‫ﺼﺎﺏ ﺑﺎﻟﺠﻨﻮﻥ!‪ ...‬ﺃﻧﺘﻤﺎ ﺍﻟﻤ ﱠﺘﻬ َ‬ ‫ﺃﻭ ُﻧ َ‬
‫ﺃﻧﺘﻤﺎ ﺍﺛﻨﺎﻥ ﻳﻤﻜﻨﻬﻤﺎ ﺃﻥ ﻳُﻌﻄﻴﺎ ﻛﺜﻴﺮﴽ ﻣﻦ ﺍﻟﻌﺸﻖ ﻭﺍﻟﺒﻬﺠﺔ ﻭﺍﻟﺴﻌﺎﺩﺓ‬
‫ﻟﺴﺖ ﺃﺩﺭﻱ ﺇﺫﺍ ﻛﺎﻧﺖ ﻫﻨﺎﻙ ﻛﻠﻤ ٌﺔ ﻓﻲ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‬ ‫ﻭﺍﻟﻠﺬﺓ ِﻟﻔﺘﺎﺓ! ُ‬
‫ﻏﻴﺎﺏ ﻛﻠﻤ ٍﺔ‬ ‫ﻟﻌﻞ َ‬ ‫ﺭﺟﻞ ﻣﻦ ﻫﺬﺍ ﺍﻟﻘﺒﻴﻞ! ﱠ‬ ‫ﻮﺻﻒ ٍ‬ ‫ﻳﻤﻜﻦ ﺍﺳﺘﺨﺪﺍﻣﻬﺎ ِﻟ ِ‬ ‫ُ‬
 ‫ﻟﻌﺒﺜﻴ ِﺘﻬﺎ ﻓﻲ ﻫﺬﺍ‬ ‫ﱠ‬ ‫ﻌﺪﻡ ﺍﻟﺤﺎﺟﺔ ﺍﻟﻤﻮﺿﻮﻋ ّﻴﺔ ﻟﻬﺎ‪،‬‬ ‫ﻛﻬﺬﻩ ﻳﺄﺗﻲ ِﻟ ِ‬
‫ﺣﻲ ﻣﻠﻤﻮﺱ‪...‬‬ ‫ﱟ‬ ‫ﻣﺪﻟﻮﻝ‬
‫ٍ‬ ‫ﺃﻱ‬
‫ﻭﺧﻠﻮﻫﺎ ﻣﻦ ﱢ‬ ‫ﱢ‬ ‫ﺍﻟﻮﺍﻗﻊ‬
‫ﻧﻮﻋﻴ ُﺔ‬
‫ﱠ‬ ‫ﺍﻟﺴﺒﺐ ﺍﻷﻭﻝ‪ ،‬ﺍﻟﺬﻱ ﺳ َﺒ َﻖ ﻣﻌﺮﻓ َﺘﻜﻤﺎ‪ ،‬ﻫﻮ‬ ‫َ‬ ‫ﻏﻴﺮ ﺃﻥ‬
‫ﺗﺘﺼﻮﺭﻩ‪.‬‬‫ﱠ‬ ‫ﺑﺸﻜﻞ ﻻ ﻳُﻤ ِﻜﻨﻚ ﺃﻥ‬ ‫ٍ‬ ‫ﻋﻼﻗ ِﺘﻨﺎ‪ ،‬ﺇﻟﻬﺎ ُﻡ ﻭﺃﻧﺎ! ُﻧ ِﺤ ﱡﺐ َ‬
‫ﺑﻌﻀﻨﺎ‬
‫ﺗﻔﺎﺻﻴﻞ ﺣﻴﺎ ِﺗﻨﺎ‪ ،‬ﺁﻻﻣﻨﺎ‪،‬‬ ‫َ‬ ‫ﻛﻞ ﺷﻲﺀ‪ :‬ﺗﻔﺎﻫﺎﺗﻨﺎ‪،‬‬ ‫ﺒﻌﻀﻨﺎ ﱠ‬ ‫ُﻧﻔﻀﻲ ِﻟ ِ‬
‫ﻛﻞ‬
‫ﺑﻌﻀﻨﺎ ﻓﻲ ﱢ‬ ‫ﺁﺭﺍﺀﻧﺎ‪ ،‬ﺗﻄ ﱡﻠﻌﺎﺗﻨﺎ‪ ،‬ﺳﻌﺎﺩﺍﺗﻨﺎ ﺍﻟﺼﻐﻴﺮﺓ!‪ ...‬ﻧﺴﺘﺸﻴ ُﺮ َ‬
‫ﺣﺪ ﻟﻪ! ﻳﻜﻔﻲ ﺃﻥ ﺗﺸﻌ َﺮ ﺇﺣﺪﺍﻧﺎ ِﺑ َﺄ َﻟ ٍﻢ‬ ‫ﺸﻜﻞ ﻻ ﱠ‬ ‫ﺑﻌﻀﻨﺎ ِﺑ ٍ‬ ‫ﻧﺤﺐ َ‬ ‫ﺷﻲﺀ‪ ،‬ﱡ‬
‫ﺍﻟﺮﻭﺣﻲ‪ ،‬ﻟﺘﺮﺗﻤﻲ ﻓﻴ ِﻪ ﺣﺘﻰ‬ ‫ّ‬ ‫ﺗﻮﺃﻣﻬﺎ‬
‫ﺣﻀﻦ ِ‬ ‫ِ‬ ‫ﺘﺴﻜﺐ ﺩﻣﻮﻋﻬﺎ ﻓﻲ‬ ‫َ‬ ‫ﻣﺎ ِﻟ‬
‫ﺃﻱ‬‫َﺖ ﺇﻟﻬﺎ ُﻡ ﻋﻦ ﺍﻟﻜﻼﻡ ﻣﻊ ﱢ‬ ‫ﺍﻟﻤﻮﺕ‪ ...‬ﺑﻌﺪ ﻟﻴﻠ ِﺔ ﺍﻷﻟﻌﺎﺏ ﺍﻟﻨﺎﺭﻳﺔ ﺃﺿ َﺮﺑ ْ‬
‫ﺗﺘﺤﺪ ُﺙ‬
‫ﱠ‬ ‫ﻛﻨﺖ ﺃﺯﻭ ُﺭﻫﺎ ﻳﻮﻣ ّﻴﴼ ﺁﻧﺬﺍﻙ‪.‬‬ ‫ُ‬ ‫ﺷﺨﺺ ﺇﻻ ﻣﻌﻲ ﺑﺎﻟﻄﺒﻊ!‪...‬‬ ‫ٍ‬
‫ﺨﺎﻃﺐ ﺇﻟﻬﺎﻡ ﺃﺣﺪﴽ ﻏﻴﺮﻱ!‪...‬‬ ‫ْ‬ ‫ﺴﻨﻴﻦ ﻋﺪﻳﺪﺓ ﻟﻢ ُﺗ‬ ‫ﺟﺪﴽ‪ِ .‬ﻟ َ‬ ‫ﻼ ّ‬ ‫ﻣﻌﻲ‪ ،‬ﻃﻮﻳ ً‬
‫ﺍﻟﺒﺎﺏ‬
‫َ‬ ‫ﻧﺮﻗﺺ ﻓﻲ ﺍﻟﺴ ّﺮ‪ُ ،‬ﻧﻐ ِﻠ ُﻖ‬ ‫ُ‬ ‫ﻧﺮﻗﺺ‪ ،‬ﻧﺮﻗﺺ‪...‬‬ ‫ُ‬ ‫ﻧﺮﻗﺺ‪،‬‬
‫ُ‬ ‫ﻛ ّﻨﺎ ﺃﻳﻀﴼ‬
‫‪237‬‬ ‫ﺑﻌﺾ‬ ‫ﺍﻟﺮﻗﺺ ﻭﺳﻴﻠ َﺘﻨﺎ ﻟﻤﻘﺎﻭﻣﺔ ِ‬ ‫ُ‬ ‫ﻭﻧﺮﻗﺺ ﺣﺘﻰ ﺍﻟﺜﻤﺎﻟﺔ!‪ ...‬ﻛﺎﻥ‬ ‫ُ‬
‫ﻭﺳﺤﺮ‬
‫ِ‬ ‫ْﺖ ﺃﻣﺎﻡ ﺭﻭﻋ ِﺔ‬ ‫ُ‬
‫)ﺗﺬﻛ ْﺮﺕ ﻛﻢ ﺫﺑ ُ‬‫ُ‬ ‫ﱠ‬ ‫ﺘﺒﺪﻳﺪﻫﺎ ﺃﻳﻀﴼ!‬ ‫ِ‬ ‫ﺁﻻﻡ ﺍﻟﻌﺎﻟﻢ‪ِ ،‬ﻟ‬
‫ﺭﻗﺺ ﺇﻟﻬﺎﻡ ﻓﻲ ﻭﺍﺩﻱ ﺭﻡ ﻓﻲ ﻟﻴﻠﺔ ﺭﺃﺱ ﺍﻟﺴﻨﺔ ﺍﻟﻤﺎﺿﻴﺔ!‪(...‬‬ ‫َﻨﻴ ِﺔ ِ‬
‫ﻭﻣﻬ ﱠ‬ ‫ِ‬
‫ﺃﻧﺖ ﻭﺧﺎﻟﺪ‪ ،‬ﺇﻟﻰ ﺣﻴﺎﺗﻴﻨﺎ ﻣﻦ ﺍﻟﺴﻤﺎﺀ!‪ ...‬ﺑﻘ ّﻴ ُﺔ ﺍﻟﻘﺼﺔ‬ ‫ﺛﻢ ﺟ ْﺌ ُﺘﻤﺎ‪َ ،‬‬ ‫ﱠ‬
‫ﺗﻌﺮﻓﻬﺎ ﺍﻵﻥ ﻛﺎﻣﻠﺔ‪...‬‬
‫ﻋﻠﻲ‪ ،‬ﺑﻌﺪ‬ ‫ﻳﺮﻳﺪ ﺃﻥ ﻳَﺮﺍﻙ! ﺍﻗﺘﺮﺡ ّ‬ ‫ﺃﻃﻴﻞ ﺍﻟﺤﺪﻳﺚ! ﺧﺎﻟﺪ ُ‬ ‫َ‬ ‫ﻟﻦ‬
‫ﺼﻞ ﺑﻪ ﺗﻠﻔﻮﻧ ّﻴﴼ ِﻟﻨﻠﺘﻘﻲ ﻣﻌﴼ ﺍﻵﻥ‪...‬‬ ‫ﻛ ِﻤ َﻞ ﺍﻻﺧﺘﻼ َﺀ ﺑﻚ‪ ،‬ﺃﻥ ﻧ ﱠﺘ َ‬ ‫ﺃﻥ ﺃُ ْ‬
‫ﻳﻠﺰ ُﻡ ﺃﻥ ﺗﺮﻯ ﺍ ْﺑ َﻨﻨﺎ ﺍﻟﻜﺒﻴ َﺮ ﺑﺎﺳﻞ ﻭﺍ ْﺑ َﻨ َﺘﻨﺎ ﺍﻟﺼﻐﻴﺮﺓ‪ ...‬ﺇﻟﻬﺎﻡ!‬

‫ﺭ ﱠﺩ ُ‬
‫ﻳﺖ‪:‬‬
‫ﺃﻫﻢ ﺍﻷﺳﺌﻠﺔ ﺍﻟﺘﻲ ُ‬
‫ﺟﺌﺖ ﻣﻦ‬ ‫‪ -‬ﻟﻴﺲ ﻗﺒﻞ ﺁﺧﺮ ﺍﻷﺳﺌﻠﺔ‪ .‬ﻟﻴﺲ ﻗﺒﻞ ﱢ‬
‫ﺍﻷﻭﻟﻴﻦ ﻭﺍﻷﺧﻴﺮﻳﻦ‪ :‬ﻛﻴﻒ ﺣﺎﻝ‬ ‫ﺃﺟﻠﻬﺎ‪ ،‬ﺃﻭ ﺑﺎﻷﺣﺮﻯ ﺍﻟﺴﺆﺍﻟﻴﻦ ﱠ‬
‫ﺇﻟﻬﺎﻡ؟ ﻭﺃﻳﻦ ﻫﻲ ﺍﻵﻥ؟‪...‬‬
‫ٌ‬
‫ﺟﻴﺪﺓ ﻟﻜﻨﻬﺎ ﻣﻀﻄﺮﺑﺔ ّ‬
‫ﺟﺪﴽ! ﻟﻢ ﻳﻤﺮ ﻫﺬﺍﻥ ﺍﻟﺸﻬﺮﺍﻥ‬ ‫‪ِ -‬ﺻ ﱠﺤ ُﺘﻬﺎ ﱢ‬
‫ﻛﻞ ﺳﺎﻋﺎﺗﻬﺎ‬ ‫ﻭﺍﻟﻨﺼﻒ ﻣﻨﺬ ﻓﺮﺍﻗﻜﻤﺎ ﺑﺴﻬﻮﻟ ٍﺔ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻬﺎ‪َ ...‬ﻗ ﱠﻀ ْﺖ ﱠ‬
‫ﺗﻜﺘﺐ ﺃﺷﻴﺎﺀ ﻛﺜﻴﺮﺓ ﻻ ﺃﻋﺮﻓﻬﺎ‪.‬‬ ‫ﻓﻲ ﺍﻷﺳﺎﺑﻴﻊ ﺍﻟﻤﺎﺿﻴﺔ ﻭﻫﻲ ﺗﻜﺘﺐ! ُ‬
‫ُ‬
‫ﻭﺍﺻ َﻠ ْﺖ ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ ﻛﺘﺎﺑ َﺔ ﺭﻭﺍﻳ ِﺘﻬﺎ ﺍﻟﺘﻲ ﺗﺒﺪﺃ ﺑﻬﺬﻩ ﺍﻟﻔﻘﺮﺓ‪:‬‬
‫»ﻓﻲ ﺍﻟﺜﺎﻧﻴﺔ ﻣﻦ ُﻋﻤﺮﻱ‪ ،‬ﺃﻭ ﺭﺑّﻤﺎ ﺍﻟﺨﺎﻣﺴﺔ‪ ،‬ﻻ ﺃﺳﺘﻄﻴ ُﻊ‬
‫ﻋﺬﺍﺏ ﺟﻬ ّﻨﻢ! ﻻ ﺃﺳﺘﻄﻴ ُﻊ‪ ،‬ﺑﻴﻦ ﻫﺎﺗﻴﻦ‬ ‫َ‬ ‫ﺍﻟﻘﻄﻊ ﻓﻲ ﺫﻟﻚ‪ ،‬ﺑﺪ ْﺃ ُﺕ‬ ‫َ‬
‫ْ‬
‫ﺗﺤﺪﻳﺪ ﺍﻟﻠﺤﻈﺔ ﺍﻟﺘﻲ ﺍﻧﻜﺴﺮﺕ ﻓﻴﻬﺎ ﺣﻴﺎﺗﻲ ﺇﻟﻰ ﺍﻷﺑﺪ!‪...‬‬ ‫َ‬ ‫ﺍﻟﺴﻨﺘﻴﻦ‪،‬‬
‫ﺄﻟﻢ ُﻣﺘ َﺮ ﱢﺳ ٍﺐ ﻧﺘﻦ‪،‬‬ ‫َ‬
‫ﺍﻟﻤﺨﻀﺒﺔ ِﺑ ٍ‬
‫ﱠ‬ ‫ﻷﻥ ﻫﺬﻩ ﺍﻟﻜﻠﻤﺎﺕ‪،‬‬ ‫ﺃﺳﺄﻟﻚ ﺍﻟ ُﻌﺬﺭ! ﱠ‬
‫ﻗﺎﻉ‬
‫ﺗﺼﻌﺪ ﺩﻭﻥ ﺍﺳﺘﺌﺬﺍﻥ ﻣﻦ ِ‬ ‫ُ‬ ‫ﺣﺪﻫﺎ‪ ،‬ﺩﻭﻥ ﺗﻔﻜﻴﺮ‪.‬‬ ‫ﺗﺼﻞ ﺇﻟﻰ ﻗﻠﻤﻲ ﻟ َﻮ ِ‬
‫ﻣﺴﺘﻬﻞ‬
‫ﱟ‬ ‫ﻼ ِﻟﻄﻤﺴﻬﺎ‪ .‬ﻫﻲ ﻭﺣﺪﻫﺎ ﺃﺻﺪﻕ‬ ‫ﺟﺎﻫﺪﺕ ﻃﻮﻳ ً‬
‫ُ‬ ‫ﺍﻟﺬﺍﻛﺮ ِﺓ ﺍﻟﺘﻲ‬
‫ُ‬ ‫ُ‬
‫ﻟﻘﺼ ِﺔ ﺣﻴﺎﺗﻲ!‪ُ ...‬ﻭ ِﻟﺪﺕ ﻓﻲ ‪ 14‬ﺃﻏﺴﻄﺲ ‪ 1965‬ﻓﻲ ﻗﺮﻳ ِﺔ ﺛﻼ‪«...‬‬ ‫ﱠ‬
‫ﺍﻟﺴﺮﻳﺔ! ﺗﻮ ﱠﻗ َﻔ ْﺖ‬
‫ﱠ‬ ‫ﺇﻟﻬﺎﻡ‬ ‫ﺓ‬
‫ِ‬ ‫ﺮ‬ ‫ﻜ‬
‫ﱢ‬ ‫ﻣﻔ‬ ‫ﻓﻲ‬ ‫ﺍﻟﻔﻘﺮﺓ‬ ‫ﻫﺬﻩ‬ ‫َ‬
‫ﻗﺮﺃﺕ‬ ‫َ‬
‫ﻚ‬ ‫ﻠ‬
‫ﱠ‬ ‫ﻟﻌ‬
‫ﺗﺴﺘﻄﻊ‬
‫ْ‬ ‫َ‬
‫ﻻﺣﻈﺖ‪ .‬ﻟﻢ ﺗﺘﺠﺮﺃ ﺃﻭ‬ ‫ﺇﻟﻬﺎﻡ ﻋﻨﺪ ﻧﻬﺎﻳﺔ ﻫﺬﻩ ﺍﻟﻔﻘﺮﺓ ﻛﻤﺎ‬
‫ﺃﺳﻤ ْﺘﻬﺎ‪» :‬ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ«!‪...‬‬ ‫ﺣﻴﻨﻬﺎ ﻣﻮﺍﺻﻠ َﺔ ﻛﺘﺎﺑ ِﺔ ﺭﻭﺍﻳﺘﻬﺎ ﺍﻟﺘﻲ َ‬ ‫‪238‬‬
‫ﻟﻌ ّﻠﻚ ﺍﺧﺘ ْﺮ َﺕ‪ ،‬ﺃﻧﺖ ﺃﻳﻀﴼ ﻣﺜﻞ ﺇﻟﻬﺎﻡ‪ ،‬ﻧﻔﺲ ﻫﺬﻩ ﺍﻟﻔﻘﺮﺓ ِﻟﻠﻐﻼﻑ‬
‫ﺍﻷﺧﻴﺮ ﻓﻲ ﺭﻭﺍﻳﺘﻚ ﺍﻟﺘﻲ ﺃﺳﻤﻴ َﺘﻬﺎ‪ ،‬ﺃﻧﺖ ﺃﻳﻀﴼ‪» :‬ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ«!‬
‫ﺗﻮﺷﻚ ﻋﻠﻰ ﺇﻧﻬﺎﺀ ﺭﻭﺍﻳ ِﺘﻬﺎ! ﻣﺎ ﻛ َﺘ َﺒ ْﺘ ُﻪ ﻓﻲ ﻫﺬﻩ‬ ‫ُ‬ ‫ﻫﻲ ﺍﻵﻥ‬
‫ﻴﺖ ﺧﻼﻝ‬ ‫ﻣﺸﺤﻮ ٌﻥ ﺑﺎﻟﻌﺠﺎﺋﺐ ﻭﺍﻟﻤﻔﺎﺟﺂﺕ‪ ،‬ﻛﻤﺎ ﺍﺳﺘﺸ ﱠﻔ ُ‬ ‫ُ‬ ‫ﺍﻷﺳﺎﺑﻴﻊ‬
‫ﻗﺼ ِﺔ‬
‫ﺑﻌﺾ ﻣﻜﺎﻟﻤﺎﺗﻨﺎ ﺍﻟﺘﻠﻔﻮﻧﻴﺔ!‪ ...‬ﺃﺷﻌ ُﺮ ﺃﻥ ﺭﻭﺍﻳﺘﻬﺎ ﺗﺘﻤﺤﻮ ُﺭ ﺣﻮﻝ ﱠ‬
‫ﺟﺬﺭ ﺍﻷﻟﻢ‪ ،‬ﻧﺤﻮ‬ ‫ﻋﺸﻖ ﺧﺎﻟﺪ‪ِ :‬ﻋ ْﺸ ُﻘ ُﻜﻤﺎ! ﺍﻟﺮﻭﺍﻳ ُﺔ ﺃﻳﻀﴼ ﺭﺣﻠ ٌﺔ ﻧﺤﻮ ِ‬ ‫ٍ‬
‫ﻣﻨﺒﻊ ﺍﻟﺰﻳﻒ‪ ...‬ﻟﻦ ﺃﻗﻮﻝ ﺃﻛﺜﺮ ﻣﻦ ﺫﻟﻚ ﻷﻧﻲ ﻟﻢ ﺃﻗﺮﺃﻫﺎ ﺑﻌﺪ!‪ ...‬ﻟﻢ‬ ‫ِ‬
‫ُﺗ ْﻜ ِﻤﻠﻬﺎ ﺇﻟﻬﺎ ُﻡ ﺣﺘﻰ ﻫﺬﻩ ﺍﻟﻠﺤﻈﺔ‪ .‬ﻭﺻ َﻠ ْﺖ ﺣﺎﻟﻴﴼ‪ ،‬ﻛﻤﺎ ﻗﺎﻟﺖ ﻟﻲ ﻓﻲ‬
‫ﻟﺤﻈﺎﺕ ﻓﻘﻂ‪ ،‬ﺇﻟﻰ ﺻﻔﺤﺔ ‪ 238‬ﻣﻦ ﺭﻭﺍﻳ ِﺘﻬﺎ )ﻧﻔﺲ‬ ‫ٍ‬ ‫ﺁﺧﺮ ﺗﻠﻔﻮﻥ ﻗﺒﻞ‬
‫ُ‬
‫ﺗﻜﻤﻞ‬ ‫ﺗﻜﺘﺐ ﺭﻭﺍﻳ َﺘﻚ‪» :‬ﻃﺎﺋ ُﺮ ﺍﻟﺨﺮﺍﺏ«!(‪...‬‬ ‫ﺻﻔﺤ ِﺘ َﻚ ﺍﻟﺤﺎﻟﻴﺔ ﻭﺃﻧﺖ ُ‬
‫ﻣﺜﻠﻚ ﺍﻵﻥ ﺗﻤﺎﻣﴼ‪ ،‬ﺍﻟﺴﻄﻮ َﺭ ﺍﻷﺧﻴﺮﺓ ﻣﻦ ﺟﺰﺋﻬﺎ ﺍﻟﺮﺍﺑﻊ‬ ‫َ‬ ‫ﺇﻟﻬﺎ ُﻡ ﺣﺎﻟ ّﻴﴼ‪،‬‬
‫ﻭﺍﻷﺧﻴﺮ‪...‬‬
‫ﻛﻞ ﺧﻼﻳﺎ ﺟﺴﺪﻱ‬ ‫ُ‬
‫‪ -‬ﻭﺃﻳﻦ ﻫﻲ ﺍﻵﻥ؟‪ ،‬ﻗﺎﻃ ْﻌﺘﻬﺎ ﺑﺄﺣﺮﻑ ﺍﻧﺪﻟ َﻌ ْﺖ ﻣﻦ ﱢ‬
 ‫ﻓﻲ ﻧﻔﺲ ﺍﻟﻠﺤﻈﺔ‪...‬‬
‫ﻗﺎﻟﺖ ﺑﻬﺪﻭﺀ‪:‬‬
‫‪ -‬ﻻ ﺃﻋﺮﻑ!‪...‬‬
‫َﻓﺖ ُﻣﺨ ِﻔ َﻴ ًﺔ ﺍﺑﺘﺴﺎﻣ ًﺔ ﻏﺎﻣﻀﺔ‪ ،‬ﻋﺬﺑ ًﺔ ّ‬
‫ﺟﺪﴽ‪:‬‬ ‫ﺛﻢ ﺃﺭﺩ ْ‬
‫ﱠ‬
‫ُ‬ ‫ُ‬
‫ﺗﻠﻔﻮﻥ ﺍﺳﺘﻠﻤﺘﻪ ﻣﻨﻬﺎ‬ ‫ٍ‬ ‫ﺁﺧﺮ‬ ‫ُ‬
‫‪ -‬ﺳﺄﻓﻀﻲ ﻟﻚ ﺳ ّﺮﴽ‪ :‬ﻻﺣﻈﺖ ﺃﻥ ﻣﻔﺘﺎ َﺡ ِ‬
‫ﺑﻠﺪ ﺯﺭ ُﺗ َﻤﺎ ُﻩ ﻓﻲ ﺃﻛﺘﻮﺑﺮ ﺍﻟﻌﺎﻡ ﺍﻟﻤﺎﺿﻲ!‪...‬‬ ‫ﻣﻔﺘﺎﺡ ٍ‬‫ِ‬ ‫ﻧﻔﺲ‬
‫ﺻﺒﺎﺡ ﺍﻟﻴﻮﻡ ﻫﻮ ُ‬
‫ﻋﺮﻓﺖ!‪ ...‬ﺃﺫﻛ ُﺮ ﺣﻴﻨﻬﺎ ﺃﻧﻬﺎ ﻗﺎﻟﺖ ﻟﻲ‬ ‫ُ‬ ‫ﻓﻀ َﻞ ﺇﺟﺎﺯﺍ ِﺗ ُﻜﻤﺎ ﻛﻤﺎ‬ ‫ﻛﺎﻧﺖ ﺃَ َ‬
‫ﺍﻟﺨﺎﻣﺲ ﻭﺍﻟﺜﻼﺛﻴﻦ ﻓﻲ ‪14‬‬ ‫ِ‬ ‫ﻋﻴﺪ ﻣﻴﻼ ِﺩﻫﺎ‬ ‫ﺑﺄﻧﻚ ﺩﻋﻮ َﺗﻬﺎ ِﻟﻘﻀﺎ ِﺀ ِ‬
‫ﺃﻏﺴﻄﺲ ﺍﻟﻘﺎﺩﻡ‪ ،‬ﻓﻲ ﻧﻔﺲ ﺍﻟﻤﻜﺎﻥ!‪...‬‬
‫َﻧ َﻈ َﺮ ْﺕ ﻧﻌﻴ ُﻢ ِﻟﺴﺎﻋ ِﺘﻬﺎ! ﺃ ْﺭ َﺩ َﻓ ْﺖ‪:‬‬
‫ﺃﺳﺒﻮﻉ ﻣﻦ ﺍﻵﻥ‬ ‫ﺃﻗﻞ ﻣﻦ ﺃﺳﺒﻮﻉ ﻣﻦ ﺍﻵﻥ! ﺑﻌﺪ ّ‬
‫ﺃﻗﻞ ﻣﻦ‬ ‫‪ -‬ﺁﻩ! ﺑﻌﺪ ّ‬
‫ٍ‬ ‫ٍ‬
‫ﻓﻘﻂ!‪...‬‬
‫‪239‬‬ ‫ُ‬
‫ﺷﻌﺮﺕ ﺑﺎﻟﺪﻭﺧﺔ!‬
‫ﻛﻤ ْﻦ ُﻳ ْﻮ َﻟ ُﺪ ﻣﻦ ﺟﺪﻳﺪ!‬ ‫ﻛﻨﺖ َ‬ ‫ُ‬
‫ﺃﺻﻎ ﺑﻌﺪﻫﺎ ِﻟﻨﻌﻴﻢ ﻭﻫﻲ ﺗﻮﺍﺻﻞ‪:‬‬ ‫ﻟﻢ ِ‬
‫ﺗﻔﺠ َﺮ ْﺕ‬
‫َﺠ ْﺖ ﻛﺜﻴﺮﴽ ﻓﻲ ﺗﻠﻚ ﺍﻹﺟﺎﺯﺓ‪ ،‬ﱠ‬ ‫ﻋﺮﻓﺖ ﻣﻦ ﺇﻟﻬﺎﻡ ﺃﻧﻬﺎ ﺍﺑﺘﻬ َ‬ ‫ُ‬ ‫‪-‬‬
‫ﻳﻮﻣﺬﺍﻙ ﻓﺮﺣﴼ ﺑﺪﻋﻮﺗﻚ‪َ ،‬ﻭﺍ َﻓ َﻘ ْﺖ ﻋﻠﻴﻬﺎ ﻋﻠﻰ ﺍﻟﺘﻮ‪َ ،‬ﻃ َﻠ َﺒ ْﺖ ﻣﻨﻚ ﺃﻥ‬
‫ﺍﻟﺨﺎﺻﺔ‬
‫ّ‬ ‫ﺗﺤﺘﻔﻆ ﺑﺎﺳﻢ ﺍﻟﻤﺪﻳﻨﺔ‪» :‬ﻡ‪ «...‬ﻟﻜﻤﺎ ﻓﻘﻂ‪ِ ،‬ﻟﺬﻛﺮﻳﺎ ِﺗﻜﻤﺎ‬ ‫َ‬
‫ُ‬
‫ﺗﺨﻮﻥ‬ ‫ُ‬
‫ﻭﺃﻋﺮﻑ‪ ،‬ﻻ‬ ‫ُ‬
‫ﺗﻌﺮﻑ‬ ‫ﺸﻬﺮﻫﺎ ﻷﺣﺪ!‪ ...‬ﺇﻟﻬﺎﻡُ‪ ،‬ﻛﻤﺎ‬ ‫ﺟﺪﴽ‪ ،‬ﺃﻥ ﻻ ُﺗ ِ‬ ‫ّ‬
‫ﺍﻟ َﻮ ْﻋﺪ!‪...‬‬
‫ﺛﻢ ﺃﺿﺎﻓﺖ‪:‬‬ ‫ﱠ‬
‫ً‬ ‫ً‬
‫ﺗﻘﻞ ﻟﻲ ﺇﻟﻬﺎ ُﻡ ﻛﻠﻤﺔ ﻭﺍﺣﺪﺓ ﻋﻦ ﻣﺸﺎﺭﻳ ِﻌﻬﺎ ﺍﻟﻤﺴﺘﻘﺒﻠﻴﺔ‪ ،‬ﺃﻭ‬ ‫‪ -‬ﻟﻢ ْ‬
‫ﻛﻞ ﺫﻟﻚ ﺍﻓﺘﺮﺍﺿﴼ!‪...‬‬ ‫ﺃﻓﺘﺮﺽ ﱠ‬‫ُ‬ ‫ﺍﻷﻳﺎﻡ ﺍﻟﻘﺎﺩﻣﺔ!‬ ‫ﻋﻤﺎ ﺗﻌﺰ ُﻡ ﻋﻤ َﻠﻪ ﻓﻲ ﱠ‬ ‫ﱠ‬

‫ﻳﺎ ﺇﻟﻪ ﺍﻟﺴﻤﺎﻭﺍﺕ ﻭﺍﻷﺭﺽ! ‪ 14‬ﺃﻏﺴﻄﺲ‪ُ ،‬‬

‫ﻋﻴﺪ ﻣﻴﻼﺩﻫﺎ!‬
‫ُ‬
‫ﻣﺪﻳﻨ ُﺔ »ﻡ‪ ،«...‬ﻣﺪﻳﻨ ُﺔ ﺍﻟﻤﻴﻌﺎﺩ! ﻣﺪﻳﻨ ُﺔ ﺍﻟﺸﻬﻘﺔ!‪ ...‬ﺳﻨﻮﺍﺻﻞ ﺣﻴﺎﺗﻨﺎ‬
‫َ‬
‫ﻋﻠﻲ ﺇﺫﻥ ﺃﻥ‬ ‫ﺗﻨﻜﺚ ﺍﻟﻮﻋﺪ!‪ ...‬ﱠ‬ ‫ﻭﻋﺪﴽ ﻭﺇﻟﻬﺎ ُﻡ ﻻ ُ‬ ‫ﺍﺑﺘﺪﺍ ًﺀ ﻣﻨﻬﺎ! ﻧﻌﻢ ﻛﺎﻥ ْ‬
‫ً‬ ‫َ‬ ‫ً‬
‫ﺃﺭﺣﻞ ﻓﻲ ﱠﺃﻭ ِﻝ ﻃﺎﺋﺮﺓ! ﺃﻥ ﺃﻋﻮ َﺩ ِﻟﺒﺎﺭﻳﺲ ﱠﺃﻭﻻ! ﺃﻥ ﺃﺭﺣﻞ ﻣﻨﻬﺎ ﺣﺎﻻ ﺇﻟﻰ‬ ‫َ‬
‫ﻣﺪﻳﻨ ِﺔ ﺍﻟﻤﻴﻌﺎﺩ!‪...‬‬
‫ﻻ ﺃﻥ ﺍﺷﺘﺮﻱ‬ ‫ﻳﻠﺰﻣ ِﻨﻲ ﱠﺃﻭ ً‬
‫ُ‬ ‫ﻟﺪﻱ ﻣ ﱠﺘﺴ ٌﻊ ﻣﻦ ﺍﻟﻮﻗﺖ!‬‫ﻟﻴﺲ ﱠ‬
‫ﺃﻃﻮﻑ ﺑﻌﺾ ﺃﺣﻴﺎﺀ ﺻﻨﻌﺎﺀ‬ ‫َ‬ ‫ﺗﺬﻛﺮ َﺓ ﺍﻟﻌﻮﺩ ِﺓ ِﻟﺒﺎﺭﻳﺲ ﻓﻲ ﺍﻟﺤﺎﻝ‪ ،‬ﺃﻥ‬
‫ِﺑﺮﻓﻘ ِﺔ ﻧﻌﻴﻢ‪ ،‬ﺃﻥ ﺃﺭﻯ ﻓﻲ ﻋ ْﻴ َﻨ ْﻴﻬﺎ ﺍﻟﺴﺎﺣﺮ َﺗﻴﻦ ﺍﻟﺸﻮﺍﺭ َﻉ ﺍﻟﺘﻲ ﻋﺒ َﺮ ْﺗﻬﺎ‬
‫ﺇﻟﻬﺎ ُﻡ ﻳﻮﻣﴼ ﻣﺎ‪...‬‬
‫َ‬
‫ﺑﺎﺳﻞ‬ ‫ﺃﺗﻮﺟﻪ ﺇﻟﻰ ﻣﻨﺰ ِﻟﻬﺎ‪ ،‬ﺃﻥ ﺃُ ﱢ‬
‫ﻗﺒ َﻞ‬ ‫ﻳﻠﺰﻣﻨﻲ ﺑﻌﺪ ﺫﻟﻚ ﺃﻥ ﱠ‬
‫ﺃﺗﻮﺟ َﻪ ﻣﻌﻬُﻢ‬‫ﻋﺎﻧﻖ ﺧﺎﻟﺪ‪ ،‬ﺃﻥ ﱠ‬ ‫ﺻﺎﻓﺢ ﺧﺎﻟﺪ‪ ،‬ﺃﻥ ﺃُ َ‬
‫َ‬ ‫ﻭﺇﻟﻬﺎ َﻡ ﺍﻟﺼﻐﻴﺮﺓ‪ ،‬ﺃﻥ ﺃُ‬
‫ﺃﺷﺎﻫﺪ ﻋﻦ ﺑُﻌﺪ ﺍﻟ َﻘﺼ َﺮ ﺍﻟﺬﻱ ُﻭ ِﻟ َﺪ ْﺕ ﻓﻴﻪ ﺇﻟﻬﺎﻡ‪،‬‬‫َ‬ ‫ﻧﺤﻮ ﺟﺒﺎﻝ ُﺛﻼ‪ ،‬ﺃﻥ‬
‫ﻃﺎﺋﺮ ﺍﻟﺨﺮﺍﺏ‪...‬‬
‫ِ‬ ‫ْﺼ َﻖ ﻋﻦ ُﻗ ْﺮﺏ ﻓﻲ ﻭﺟ ِﻪ‬
‫ﻭﺃﻥ ﺃﺑ ُ‬

‫ﻓﺮﻧﺴﺎ‪ 23 ،‬ﻣﺎﺭﺱ ‪ 22 - 2005‬ﺳﺒﺘﻤﺒﺮ ‪2005‬‬ ‫‪240‬‬

 ‫ﻫﻮﺍﻣﺶ‪:‬‬
‫)‪ُ (1‬ﺛﻼ‪ :‬ﻗﺮﻳﺔٌ ﺟﺒﻠﻴﺔٌ ﺟﻤﻴﻠﺔٌ ﻗﺮﻳﺒﺔٌ ﻣﻦ ﺻﻨﻌﺎﺀ‪.‬‬
‫)‪ 22 (2‬ﻣﺎﻳﻮ ‪ :1990‬ﻳﻮﻡ ﺗﻮﺣﻴﺪ ﺟﻨﻮﺏ ﻭﺷﻤﺎﻝ ﺍﻟﻴﻤﻦ‪.‬‬
‫)‪ (3‬ﻧﺎﻧﻮﻣﺘﺮ‪ :‬ﻭﺍﺣﺪ ﻋﻠﻰ ﺍﻟﻤﻠﻴﻮﻥ ﻣﻦ ﺍﻟﻤﻠﻴﻤﺘﺮ‪.‬‬
‫‪241‬‬ ‫ﺗﺘﻨﺎﺛﺮ ﻋﻠﻰ ﺷﻮﺍﻃﺌﻬﺎ ﻭﻋﻨﺪ‬ ‫ُ‬ ‫)‪ (4‬ﺍﻟﻘﻄﺐ ﺍﻷﻭﻝ‪ :‬ﺷﺒﻪُ ﺟﺰﻳﺮ ٍﺓ‬
‫ﺼﻠﺔ‪ِ :‬ﻛ ِﺮ ْﻳﺘَﺮ‪،‬‬‫ﺃﺣﻴﺎﺀ َﺑﺤ ِﺮ ﱠﻳﺔٌ ﻣﺘﱠ ِ‬
‫ٌ‬ ‫ﺃﻗﺪﺍ ِﻡ ﺟﺒﺎﻟِﻬﺎ ﺍﻟﺒﺮﻛﺎﻧﻴﺔ ﺍﻟﺠﺮﺩﺍﺀ‬
‫ﻮﺍﻫﻲ‪ ،‬ﻛﺎﻟﺘﻜﺲ‪...‬‬ ‫ﺻ ْﻴﺮﺓ‪ ،‬ﺍﻟﺘﱡ ِ‬ ‫ﺘﻨﻮﻋﺔ‪ِ :‬‬ ‫ﺍﻥ ُﻣ ﱢ‬ ‫ﺍﻫﻲ‪َ ...‬ﻣ َﻮ ٍ‬ ‫ﻌﻼ‪ ،‬ﺍﻟﺘﱡ َﻮ ِ‬
‫ﺍﻟﻤ ﱠ‬
‫ُ‬
‫ﺸﺎﻕ‪ ،‬ﺳﺎﺣﻞ ﺃَْﺑﻴَﻦ‪...‬‬ ‫ﺍﻟﻌ ﱠ‬
‫ُ‬ ‫ﺳﺎﺣﻞ‬ ‫ﺎﺕ‪،‬‬ ‫ﻘ‬
‫ّ‬ ‫ﺣ‬ ‫ﺭ‪،‬‬‫ﻮ‬
‫ُ ُْْ ُ‬ ‫ﻣ‬ ‫ﺪ‬‫ﻟ‬‫ْ‬ ‫ﻮ‬‫ﺟ‬ ‫ﺑﺔ‪:‬‬‫ﺧﻼ‬‫ﱠ‬ ‫ﻞ‬
‫ٌ‬ ‫ﺳﻮﺍﺣ‬
‫ﺃﺷﺒﻪ‬
‫ُ‬ ‫ﺻﻐﻴﺮ‪،‬‬ ‫ﻱ‬ ‫ﺮ‬‫ﺑ‬
‫َﱢ ﱟ‬ ‫ﺬ‬
‫ٍ‬ ‫ﻣﻨﻔ‬ ‫ﻋﺒﺮ‬
‫َ‬ ‫ﻥ‬ ‫ﻋﺪ‬
‫)ﺗﻠﺘﻘﻲ ﺷﺒﻪُ ﺍﻟﺠﺰﻳﺮ ِﺓ ِﺑﺒﻘﻴﱠ َ‬
‫ﺔ‬
‫ِ‬
‫ﺴﺮ(‪.‬‬ ‫ﻮﺭ َﻣ ْﻜ َ‬
‫ﺣﻲ ُﺧ ْ‬ ‫ﺑﻌﻨ ِﻖ ﺯﺟﺎﺟﺔ‪ُ ،‬ﻳ ِﻄ ﱡﻞ ﻣﻨﻪُ ﱡ‬ ‫ُ‬
‫ﺃﺣﻴﺎﺀ‬
‫ُ‬ ‫ﻓﻴﻬﺎ‬ ‫ﺗﺰﺩﺣﻢ‬
‫ُ‬ ‫ﻛﺜﻴﺮﴽ‪،‬‬ ‫ﺍﻟﻴﻮﻡ‬ ‫ﺮﺕ‬
‫ﱠ ْ‬ ‫ﺗﺼﺤ‬ ‫‪،‬‬‫ﺔ‬
‫ٌ‬ ‫ﻭﺍﺣ‬ ‫ﺍﻟﺜﺎﻧﻲ‪:‬‬ ‫ﺍﻟﻘﻄﺐ‬
‫ﻳﻘﻊ‪ ،‬ﻓﻲ ﺃﺣ ِﺪ ﺃﺣﻴﺎﺋﻪ‬ ‫ﺍﻟﻤﻨﺼﻮﺭﺓ‪ ،‬ﺩﺍﺭﺳﻌﺪ‪ ،‬ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ )ﺣﻴﺚ ُ‬
‫ﺻﺮﺕ‪ ،‬ﻣﻨﺬ ﻭﻓﺎ ِﺓ ﺃﺑﻲ‪ ،‬ﺃﺳﻜ ُﻨﻪُ ﻭﺣﻴﺪﴽ ﻣﻊ ﺃُ ﱢﻣﻲ‬ ‫ُ‬ ‫ﺍﻟﻘﺪﻳﻤﺔ‪ ،‬ﻣﻨﺰﻟ ُﻨﺎ ﺍﻟﺬﻱ‬
‫ﻳﻌﺮﺝ ﻃﺮﻳ ٌﻖ ﻃﻮﻳﻞ ﺑﺎﺗﺠﺎﻩ ﺷﻮﺍﻃﻰﺀ‬ ‫ُ‬ ‫ﺟﺪﺗﻲ(‪ ...‬ﻣﻦ ﻫﺬﻩ ﺍﻟﻮﺍﺣﺔِ‬ ‫َﻭ ﱠ‬
‫»ﻋﺪﻥ ﺍﻟﺼﻐﺮﻯ«‪ ،‬ﻓﻲ ﺟﻬﺔٍ‬ ‫ﺍﻟﺒ ِﺮ ْﻳ َﻘﺔ‪ ،‬ﺃﻭ َ‬ ‫ﺣﻲ ُ‬ ‫ﻳﻘﻊ ﻋﻠﻴﻬﺎ ﱡ‬ ‫ﺑﻌﻴﺪﺓ‪ُ ،‬‬
‫ﻣﻘﺎﺑﻠﺔٍ ﻟِﺸﺒﻪِ ﺍﻟﺠﺰﻳﺮﺓ‪.‬‬
‫ﻳﺰﻳﺪ ﻋﻠﻰ ﻋﺸﺮﺓ ﻛﻴﻠﻮﻣﺘﺮﺍﺕ‪ ،‬ﻋﻠﻰ‬ ‫ﺑﻴﻦ ﺍﻟﻘﻄﺒﻴﻦ ﻃﺮﻳ ٌﻖ ﻃﻮﻳﻞ‪ُ ،‬‬
‫ﺃﺣﻮﺍﺽ َﺑ ْﺤ ِﺮ ﱠﻳﺔٌ ﻣﺘﺮﺍﻣﻴﺔ ﺍﻷﻃﺮﺍﻑ‪ ،‬ﻫﻲ‬ ‫ٌ‬ ‫ﻳﺴﺎﺭ ِﻩ ﻭﻳﻤﻴﻨﻪِ ﻣﺒﺎﺷﺮﺓ‬
 ‫ﻭﺟﻬﻬﺎ ﺍﻟﻤﺘﻤﻴﱢ ُﺰ‪ ،‬ﻣﻘﺒﺮ ُﺓ ﻫﻤﻮﻣﻬﺎ‪،‬‬ ‫ﻗﻠﺐ ﻋﺪﻥ‪ ،‬ﺭﺋﺘﺎﻫﺎ‪ُ ،‬‬ ‫ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔِ ُ‬
‫ﻳﻨﺒﻮﻉ ﺭ ﱠﻗﺘِﻬﺎ ﻭﺳﻌﺎﺩﺗِﻬﺎ ﺍﻟﻤﻄﻠﻘﺔ‪...‬‬ ‫ُ‬
‫ﺍﻟﻤﺮﺑﻌﺔُ ﺍﻟﺸﻜﻞ‪ ،‬ﺫﺍﺕ ﺍﻟﺰﺭﻗﺔِ‬ ‫ﱠ‬ ‫ﺍﻷﺣﻮﺍﺽ‬ ‫ﻫﺬﻩ‬ ‫ﺗﺮﺗﺺ‬
‫ﱡ‬
‫ﺍﻟﺴﻤﺎﻭﻳﺔ ﺍﻟﻨﺎﺻﻌﺔ‪ ،‬ﻛﺨﺎﻧﺎﺕ ﺷﻄﺮﻧﺞ ﺑﻠﱡﻮ ِﺭ ﱠﻳﺔٍ ﻣﺘﻸﻟﺌﺔ‪ .‬ﺗﺒﺪﺃُ ﻗﺮﺏ‬
‫ﺍﻟﺸﻤﺎﻟﻲ ﻟِﺨﻠﻴﺞ ﻋﺪﻥ ﺍﻟﻤﺘﺎﺧﻢ ﻟﻤﻴﻨﺎﺀ ﺍﻟﺘﻮﺍﻫﻲ‪ ،‬ﻭﺗﻨﺘﻬﻲ‬ ‫ّ‬ ‫ﺍﻟﺸﺎﻃﺊ‬
‫ﻋﻠﻰ ﺑﻌﺪ ﺣﻮﺍﻟﻲ ﺳﺒﻌﺔ ﻛﻴﻠﻮﻣﺘﺮﺍﺕ‪ ،‬ﻗﺮﺏ ﺷﺎﻃﺌﻪ ﺍﻟﺠﻨﻮﺑﻲ‪ :‬ﺳﺎﺣﻞ‬
‫ﺗﻤﺘﻠﺊ ﻫﺬﻩ ﺍﻷﺣﻮﺍﺽ ِﺑﻄﺒﻘﺔٍ ﺧﻔﻴﻔﺔٍ ﻣﻦ ﻣﻴﺎ ِﻩ ﺍﻟﺸﻮﺍﻃﺊ‬ ‫ُ‬ ‫ْﺃﺑﻴَﻦ‪.‬‬
‫ﺗﺤﺖ‬
‫ِ‬ ‫ﻣﻤﺮﺍﺕ‬
‫ﺣﻮﺽ ِﺑﺠﻴﺮﺍﻧﻪ ِﺑﻮﺍﺳﻄﺔ ﱠ‬ ‫ٍ‬ ‫ﺍﻟﺸﻤﺎﻟﻴﱠﺔ‪ .‬ﻳﺮﺗﺒﻂ ﻛ ﱡﻞ‬
‫ﺎﺕ ﻛﻬﺮﺑﺎﺋﻴﺔ )ﺣﻠﱠ ْﺖ ﻣﺤﻞ‬ ‫ﻣﻀﺨ ٌ‬
‫ﱠ‬ ‫ﺗﺪﻓﻌﻪُ‬
‫ﺍﻟﻤﺎﺀ‪ُ ،‬‬ ‫ﺃﺭﺿﻴﺔ‪ ،‬ﻳﻨﺘﻘ ُﻞ ﻋِﺒﺮﻫﺎ ُ‬
‫ِﻳﺮ‬
‫ﻣﺮﺍﻭﺣﻬﺎ ِﺑﺘﺄﺛﻴ ِﺮ ﺍﻟﺮﻳﺢ‪ ،‬ﻭ ُﺗﺪ ُ‬
‫ُ‬ ‫ﺗﺪﻭﺭ‬
‫ﻃﺎﺣﻮﻧﺎﺕ ﺍﻟﻬﻮﺍﺀ ﺍﻟﻌﺘﻴﺪﺓ ﺍﻟﺘﻲ ُ‬
‫ﺗﺤﺖ ﺍﻷﺭﺿﻴﺔ‪،‬‬ ‫ِ‬ ‫ﺍﻟﻤﻤﺮﺍﺕ‬
‫ِ‬ ‫ﺗﻘﻊ ﻓﻲ ﺃﺳﻔﻠﻬﺎ‪ ،‬ﻭﺳﻂ‬ ‫ﻋﺠﻼﺕ ُ‬ ‫ٍ‬ ‫ﻣﻌﻬﺎ‬
‫ﺣﻮﺽ ﻟﺤﻮﺽ‪(.‬‬ ‫ٍ‬ ‫ﺍﻟﻤﺎﺀ ﻣﻦ‬
‫ﺗﺪﻓﻊ ﺃﺛﻨﺎﺀ ﺩﻭﺭﺍﻧِﻬﺎ َ‬ ‫ُ‬
‫ﺍﻟﺪﻣﻮﻳﺔِ ﺍﻟﻤﺘﻮﺍﺻﻠﺔ ﻓﻲ ﻣﺴﺎﻟﻚ‬ ‫ﱠ‬ ‫ﺍﻟﻤﺎﺀ‪ ،‬ﺃﺛﻨﺎﺀ ﺩﻭﺭ ِﺗﻪِ‬‫ُ‬ ‫ﻳﺘﺒﺨ ُﺮ‬
‫ﱠ‬ ‫‪242‬‬
‫ﺷﻤﺲ‬
‫ٍ‬ ‫ﺴ ْﺮﻋﺔٍ ﻣﺮﻣﻮﻗﺔ ﺗﺤﺖ‬ ‫ﻳﺠﻒ ِﺑ ُ‬
‫ﻭﺣﻮﻳﺼﻼﺕ ﻫﺬﻩ ﺍﻷﺣﻮﺍﺽ‪ ،‬ﱡ‬
‫ﻳﺘﺤﻮﻝ ﻓﻲ‬
‫ﱠ‬ ‫ﺳﺎﻃﻌﺔٍ ﻣﺪﺭﺍﺭ ٍﺓ ﻻ ﺗﻐﻴﺐ‪ .‬ﻳﺘﺒﻠﻮﺭ ﺃﻛﺜﺮ ﻓﺄﻛﺜﺮ‪ ،‬ﻗﺒﻞ ﺃﻥ‬
‫ﻳﻔﻘﻊ ﺍﻟﻨﻈﺮ‪...‬‬
‫ﺻﺎﻑ ُ‬ ‫ٍ‬ ‫ﻧﻘﻲ‬
‫ﺍﻷﺣﻮﺍﺽ ﺍﻟﺠﻨﻮﺑﻴﺔ ﺇﻟﻰ ﺟﻠﻴ ٍﺪ ﻣﻦ ﻣﻠ ٍﺢ ﱟ‬
‫ﺭﻭﺍﻕ َﻗﺬِﺭ ﺧﻠﻒ ﻣﻨﺎﺯﻝ ﺃﺣﻴﺎﺀ ﺍﻟﺸﻴﺦ ﻋﺜﻤﺎﻥ ﺍﻟﻘﺪﻳﻤﺔ‪،‬‬ ‫ﺍﻟﺠﻠﱢﻲ‪ٌ :‬‬ ‫)‪َ (5‬‬
‫ﺗﻤﺮ ﻓﻴﻪ ﻣﺠﺎﺭﻱ ﺍﻟﻤﻴﺎﻩ ﺍﻟﺒﺪﺍﺋﻴﺔ‪.‬‬ ‫ﱡ‬
‫ﺷﺨﺼﻴﺎﺕ‬
‫ّ‬ ‫ﻭﺃﻏﺮﺏ‬ ‫ﻭﺃﺧﻄﺮ‬ ‫ﺃﺭﻫﺐ‬ ‫ﺃﺣﺪ‬
‫ُ‬ ‫ﺍﻟﺼﺒﺎﺡ‪:‬‬ ‫ﺣﺴﻦ‬ ‫)‪(6‬‬
‫ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻟﺪﺭﺍﺳﺎﺕ ﻭﺍﻷﻋﻤﺎﻝ ﺍﻷﺩﺑﻴﺔ‬ ‫ُ‬ ‫ﺍﻟﺘﺎﺭﻳﺦ ﺍﻹﺳﻼﻣﻲ! ﺗﻨﺎﻭﻟﺘﻪُ‬
‫ﺳ ﱢﺮ ﱠﻳﺔٍ ﻟﻺﺭﻫﺎﺏ ﻓﻲ‬ ‫ﻣﻨﻈﻤﺔٍ ِ‬
‫ﱠ‬ ‫ﺃﻭ َﻝ‬
‫ﺲ ﱠ‬ ‫ﺃﺳ َ‬‫ﺑﺈﺳﻬﺎﺏ ﻭﺇﺛﺎﺭﺓ‪ .‬ﱠ‬‫ٍ‬ ‫ﻓﻲ ﺍﻟﻐﺮﺏ‬
‫»ﺍﻟﺤﺸﺎﺷﻴﻦ«‪ ،‬ﺣﺴﺐ ﺗﺴﻤﻴَﺔٍ‬ ‫ﱠ‬ ‫ﺍﻟﻌﺎﻟﻢ ﺇﺳﻤﻬﺎ‪» :‬ﺍﻷﺳﺎﺳﻴﻴﻦ« )ﺃﻭ‬
‫ﺤﺼ ٍﻦ‬‫ﺃﻛﺜﺮ ﺍﺷﺘﻬﺎﺭﴽ(‪ .‬ﺃﻧﻄﻠ َﻘ ْﺖ ﻫﺠﻤﺎ ُﺗﻬﺎ ﺍﻹﺭﻫﺎﺑﻴﺔ ﻣﻦ ﻗﺼ ٍﺮ ُﻣ ﱠ‬
‫ﺧﻔﻲ ﻓﻲ ﺷﻤﺎﻝ ﺷﺮﻕ‬ ‫ﻣﻨﻴﻊ ﻳﺴﺘﺤﻴﻞ ﺍﻟﻮﺻﻮﻝ ﺇﻟﻴﻪ‪ ،‬ﻓﻮﻕ ﺟﺒ ٍﻞ ﱟ‬
‫ﺇﻳﺮﺍﻥ‪.‬‬
‫ﺍﻟﺸﺨﺼﻴﺔ‪،‬‬
‫ّ‬ ‫ﻛﺎﻥ »ﺷﻴ ُﺦ ﺍﻟﺠﺒﻞ«‪ ،‬ﺣﺴﺐ ﺗﺴﻤﻴﺘﻪِﺍﻟﺸﻬﻴﺮﺓ‪ ،‬ﻣﺬﻫ َﻞ‬
 ‫ﻣﻨﻈﻤ ُﺘﻪ‬
‫ﻗﻴﺎﺩﻳﺔٍ ﻭﺗﻨﻈﻴﻤﻴﺔٍ ﻧﺎﺩﺭﺓ‪ .‬ﻫ ﱠﺰﺕ ﱠ‬
‫ّ‬ ‫ﻭﺍﺳﻊ ﺍﻟﻤﻌﺮﻓﺔ‪ ،‬ﺫﺍ ﻣﻘﺪﺭ ٍﺓ‬ ‫َ‬
‫ِﻤ ﱠﺪﺓ ﻗﺮﻧﻴﻦ ﺍﻹﻣﺒﺮﺍﻃﻮﺭﻳﺔ ﺍﻟﺴﻠﺠﻮﻗﻴﺔ ﻭﺍﻏﺘﺎﻟﺖ ﻋﺪﺩﴽ ﻫﺎﺋﻼً ﻣﻦ‬ ‫ﻟُ‬
‫ﺇﺳﻢ ﻣﻨﻈﻤﺔ »ﺍﻟﻘﺎﻋﺪﺓ«‪ ،‬ﻭﺷﺨﺼﻴﺔَ‬ ‫ﺃﺋﻤﺘﻬﺎ ﻭﻭﺯﺭﺍﺋﻬﺎ ﻭﻭﻻﺗﻬﺎ‪) .‬ﻟﻌ ﱠﻞ َ‬
‫ﻭﺃﺳﻠﻮﺏ ﻋﻤﻠِﻬﺎ ﻣﺴﺘﻮﺣﴼ ﺗﻤﺎﻣﴼ ﻣﻦ‬
‫َ‬ ‫ﺭﺋﻴﺴﻬﺎ »ﺍﻟﺸﻴﺦ« ﺍﺑﻦ ﻻﺩﻥ‪،‬‬
‫ﺍﺳ ِﻢ ﻣﻨﻈﻤﺔ ﺣﺴﻦ ﺍﻟﺼﺒﺎﺡ‪ ،‬ﻣﻦ ﺷﺨﺼﻴﺘِﻪ‪ ،‬ﻭﻣﻦ ﻃﺮﺍﺋ ِﻖ ﻋﻤ ِﻞ‬
‫ﻣﻨﻈﻤﺘﻪ!(‪.‬‬
‫)‪ (7‬ﻟﻌﺒﺔ ﺍﻟﻠﻮﺗﻮ‪ :‬ﻟﻌﺒﺔ ﺣﻆ‪ ،‬ﻳﺸﺘﺮﻱ ﺍﻟﻼﻋﺐ ﻭﺭﻗﺘﻬﺎ ﻣﻦ ﺃﻱ‬
‫ﻣﻜﺘﺐ ﺑﻴﻊ ﺳﺠﺎﺋﺮ‪ .‬ﻳﺨﺘﺎﺭ ﻓﻴﻬﺎ ﺳﺒﻌﺔ ﺃﻭ ﺛﻤﺎﻧﻴﺔ ﺃﺭﻗﺎﻡ ﻣﻦ ﺧﻤﺴﻴﻦ‬
‫ﺍﻻﻗﺘﺮﺍﻉ ﺍﻷﺳﺒﻮﻋﻲ ﺍﻟﺬﻱ ﻳﻨﻘﻠﻪُ ﺍﻟﺘﻠﻔﺰﻳﻮﻥ ﻣﺒﺎﺷﺮﺓ‪،‬‬ ‫َ‬ ‫ﻳﻨﺘﻈﺮ‬
‫ُ‬ ‫ﺭﻗﻢ‪.‬‬
‫ﻭﺍﻟﺬﻱ ﻳﻨﺘﻬﻲ ﺃﻣﺎﻡ ﺍﻟﻤﺸﺎﻫﺪﻳﻦ ﺑﺎﺧﺘﻴﺎﺭ ﺳﺒﻌﺔ ﺃﺭﻗﺎﻡ ﻣﻦ ﺍﻟﺨﻤﺴﻴﻦ‬
‫ﺗﻘﺪﺭ‬
‫ﻧﻔﺲ ﺗﻠﻚ ﺍﻷﺭﻗﺎﻡ ﺟﺎﺋﺰﺓ ﱠ‬ ‫ﺑﻄﺮﻳﻘﺔ ﺍﻟﻴﺎﻧﺼﻴﺐ‪ .‬ﻳﻨﺎﻝ ﻣﻦ ﻟَ َﺪ ْﻳﻪِ ُ‬
‫ﺑﻤﻼﻳﻴﻦ ﺍﻟﺪﻭﻻﺭﺍﺕ‪...‬‬
‫‪243‬‬ ‫ﺑﺖ‬
‫ﺧﺮ ْ‬‫)‪ 7 (8‬ﻳﻮﻟﻴﻮ ﻫﻮ ﻳﻮﻡ ﺍﻧﺘﻬﺎﺀ ﺣﺮﺏ ‪ 1994‬ﺍﻟﺒﺸﻌﺔ ﺍﻟﺘﻲ ﱠ‬
‫ﻋﺪﻥ ﻏﻨﻴﻤﺔً ﻟﻠﻘﺒﺎﺋﻞ ﺍﻟﻤﻨﺘﺼﺮﺓ‪ 17 .‬ﻳﻮﻟﻴﻮ ‪1978‬‬ ‫ﻭﺃﻋﻠﻨﺖ َ‬
‫ْ‬ ‫ﺍﻟﻴﻤﻦ‬
‫ﻫﻮ ﻳﻮﻡ ﺑﺪﺍﻳﺔ ﺍﻟﻨﻈﺎﻡ ﺍﻟﺬﻱ ﻳﺤﻜﻢ ﺍﻟﻴﻤﻦ ﻣﻨﺬ ﺃﻛﺜﺮ ﻣﻦ ‪ 28‬ﺳﻨﺔ‬
‫ﺣﺘﻰ ﺍﻵﻥ‪.‬‬
‫)‪» (9‬ﻣﺨﺒﺎﺯﺓ«‪ :‬ﺍﺳﻢ ﺳﻠﺴﻠﺔ ﻣﻦ ﺍﻟﻤﻄﺎﻋﻢ ﺍﻟﺸﻌﺒﻴﱠﺔ ﺍﻟﻴﻤﻨﻴﱠﺔ‪،‬‬
‫ﺗﺘﻤﻴﱠﺰ ﺑﺎﻟﻀﺠﻴﺞ ﻭﺍﻟﻀﻮﺿﺎﺀ ﺍﻟﺪﺍﺋﻤﺔ‪ ...‬ﻭﺑﺄﻧﻮﺍﻉ ﻣﻦ ﺍﻷﻃﺒﺎﻕ‬
‫ﺟﺪﴽ‪.‬‬
‫ﺍﻟﺨﺎﺻﺔ ﺍﻟﺸﻬﻴﱠﺔ ّ‬
‫»ﺍﻟﺤ َﻤﺮ«‪ ،‬ﻋﻠﻰ ﺍﻟﻄﺮﻳﻘﺔ‬
‫»ﺍﻟﻤﻄ ﱠﻔ َﺎﻳﺔ«‪ :‬ﺻﻮﺻﺔ ﺍﻟﺴﻤﻚ ِﺏ ُ‬ ‫)‪ُ (10‬‬
‫ﻧﻴﺔ‪.‬‬
‫ﺍﻟﻌﺪ ّ‬
‫َ‬
‫ﻳﻨﺒﺖ ﺃﺭﻗﻰ ﺃﻧﻮﺍﻋِﻪ‬
‫)‪» (11‬ﺍﻟ ُﻔ ﱢﻞ ﺍ ْﻟﻠَ ْﺤ ِﺠ ّﻲ«‪ :‬ﺍﻟﻴﺎﺳﻤﻴﻦ ﺍﻟﺰﻧﺒﻘﻲ‪ُ .‬‬
‫ﺩﺍﻓﻖ ﺍﻟﺮﺍﺋﺤﺔ‬
‫ﺃﺭﻳﺠﻪُ ُ‬
‫ِﻌﺪﻥ‪ُ .‬‬‫ﻓﻲ ﺍﻟﻴﻤﻦ ﻓﻲ ﻣﺪﻳﻨﺔِ ﻟَ ْﺤﺞ ﺍﻟﻤﺠﺎﻭﺭﺓ ﻟ َ‬
‫ﺃﻭﺟﻪُ ﻓﻲ ﺍﻷﺷﻬﺮ ﺍﻷﻛﺜﺮ ﺳﺨﻮﻧﺔٍ ﻭﺭﻃﻮﺑﺔ‪،‬‬ ‫ﺑﺸﻜ ٍﻞ ُﻣﺘﻤﻴﱢﺰ‪ ،‬ﻳﺒﻠ ُﻎ َ‬
‫ﺷﺬﺍﻩ ﻓﻲ ﺗﻠﻚ ﺍﻷﺷﻬﺮ ﺑﺸﻜ ٍﻞ ﻓﺎﻏﻢ‪.‬‬‫ُ‬ ‫ﻭﻳﺘﻀﻮ ُﻉ‬
‫ﱠ‬ ‫ﺣﺒﺎ ُﺗﻪ‬
‫ﺣﻴﺚ ﺗﺘﻔﺘﱠ ُﺢ ّ‬
‫ﻋﺪﺓ‬
‫ﺗﻀﻌﻪُ ﺍﻟﻤﺮﺃﺓ ﻓﻲ ﺍﻟﻴﻤﻦ ﺳﺎﻋﺎﺕ ﻃﻮﻳﻠﺔ ﺑﻴﻦ ﺛﻴﺎﺑﻬﺎ ﻭﻓﻲ ﺃﻣﺎﻛﻦ ﱠ‬
 ‫ﻟﺘﺘﻔﺠ َﺮ ﻓﻴﻬﺎ ﺭﺍﺋﺤ ُﺘﻪُ ﺍﻟﻌﺒﻘﺔُ ﺍﻟﺰﻛﻴﱠﺔ‪...‬‬
‫ﱠ‬ ‫ﻣﻦ ﺟﺴﺪِﻫﺎ ﻭﺷﻌ ِﺮﻫﺎ ‪،‬‬
‫ِﺨﺎﺝ«‪ :‬ﻣﺰﻳﺞ ﻣﻦ ﻣﻈﺎﻫﺮ ﺍﻟﺘﺒﻠﱡﺪ ﻭﺍﻟﻐﺒﺎﺀ ﻭﺍﻟﻮﻫﻦ‪...‬‬ ‫)‪» (12‬ﺍ ْﻟﻠ ﱠ‬
‫ﻛﺜﻴﺮ ﻣﻦ ﺃﺑﻨﺎﺀ ﺍﻟﻴﻤﻦ‬
‫ﻤﺎﺭﺱ ٌ‬ ‫»ﺍﻟﻌﻠَﻒ« ُﻳ ُ‬‫ﻧﻮﻉ ﻣﻦ َ‬ ‫)‪» (13‬ﺍﻟﻘﺎﺕ«‪ٌ :‬‬
‫ﻟَﻮ َﻛﻪ ﺃﻭ »ﺗﺨﺰﻳﻨَﻪ« ﻟِﺴﺎﻋﺎﺕ ﻃﻮﻳﻠﺔ‪ ،‬ﻓﻲ ﻣﺠﺎﻟﺲ ﺧﺎﺻﺔ‪ ،‬ﺃﻭ ﻋﺎﻣﺔ‬
‫ﺗﺴﻤﻰ »ﺍﻟﻠﻮﻛﻨﺪﺍﺕ«!‬ ‫ّ‬
‫)‪» (14‬ﺑﻴﻀﻮﻧﺔ ﺍﻟﻌِﺠﻞ«‪ ،Blanquette de Veau :‬ﻛﺘﻒ‬
‫ﻋِﺠﻞ ﺑﺎﻟﺨﻀﺮﻭﺍﺕ ﻭﺍﻟﻜﺮﻳﻤﺔ‪.‬‬
‫)‪» (15‬ﺍﻟﻤﺰﻳﻨﺔ«‪ :‬ﻫﻲ ﺍﻟﻤﺮﺃﺓ ﺍﻟﺘﻲ ﺗﺬﻫﺐ ﻣﻊ ﺍﻟﻌﺮﻭﺱ ﺇﻟﻰ ﺑﻴﺖ‬
‫)ﺧ ْﺮﻗﺔ(‬
‫ﺯﻭﺟﻬﺎ‪ ،‬ﺗﻨﺘﻈﺮ ﺃﻣﺎﻡ ﺍﻟﺒﺎﺏ ﺣﺘﻰ ﻳﺘﻢ ﺗﺴﻠﻴﻤﻬﺎ ﻗﻄﻌﺔ ﻗﻤﺎﺵ ِ‬
‫ﺍﻟﺨ ْﺮﻗﻪ‪...‬‬
‫ﺗﻌﻮﺩ ﺑﻬﺎ ﻷﻫﻞ ﺍﻟﻌﺮﻭﺱ ﻭﻳﺘﻢ ﺑﻌﺪﻫﺎ ﺍﺣﺘﻔﺎﻝ ِ‬
‫)‪» (16‬ﺍﻟﻤﺤﺮﺍﺱ«‪ :‬ﻫﻮ ﻏﺮﻓﺔ ﻭﺍﺣﺪﺓ ﻭﺳﻂ ﻣﺰﺍﺭﻉ ﺍﻟﻘﺎﺕ‬
‫ﺧﺎﺻﺔ‪ ،‬ﻳﺘﻢ ﻓﻴﻬﺎ ﺍﻟﺤﺮﺍﺳﺔ‪ ،‬ﻟﻴﻞ ﻧﻬﺎﺭ‪ ،‬ﻳﺘﻨﺎﻭﺏ ﺍﻟﺤﺮﺍﺱ ﻃﻮﺍﻝ ﺍﻟﻴﻮﻡ‪،‬‬
‫ﻭﻳﺘﻢ ﺇﻳﺼﺎﻝ ﺍﻟﻄﻌﺎﻡ ﺇﻟﻴﻬﻢ ﻭﻓﻲ ﺍﻟﻮﻗﺖ ﺍﻟﻤﺤﺪﺩ‪...‬‬ ‫‪244‬‬
‫)‪» (17‬ﻏﻮﺍﺙ«‪ :‬ﻫﻲ ﺍﻟﻮﺟﺒﺔ ﺍﻟﺘﻲ ﻳﺘﻢ ﺗﻨﺎﻭﻟﻬﺎ ﻭﻗﺖ ﺍﻟﻀﺤﻰ‬
‫ﺑﻴﻦ ﻭﺟﺒﺘﻲ ﺍﻟﻔﻄﻮﺭ )ﺍﻟﺘﻲ ﻳﺘﻨﺎﻭﻟﻬﺎ ﺃﻫﻞ ﺍﻟﻘﺮﻯ ﺑﺎﻛﺮﺍ( ﻭﺍﻟﻐﺪﺍﺀ‪.‬‬
‫)‪» (18‬ﺍﺳﺘﺮﺍﺣﺎﺕ ﺍﻟﻘﺎﺕ« ﺗﺒﺪﺃ ﺍﺳﺘﺮﺍﺣﺎﺕ ﻣﺠﺎﻟﺲ ﻗﺎﺕ ﻫﺬﻩ‬
‫ﺛﻢ ﺑﺼ ِﻖ‬‫ﻮﻗﻒ ﺍﻟﺤﺪﻳﺚ ﻋﻨﺪ ﺑﺪﺀ ﺗﻜﺒﻴﺮﺓ ﺃﺫﺍﻥ ﺍﻟﻤﺴﺠﺪ! ﱠ‬ ‫ﺍﻷﻳﺎﻡ ِﺑ ِ‬
‫ﺍﻟﻘﺎﺕ ﺍﻟﺮﺧﻮ ِﺓ ﺍﻟﻤﻄﺤﻮﻧﺔِ ﺑﻴﻦ ﺍﻷﺿﺮﺍﺱ ﻣﻨﺬ ﺳﺎﻋﺎﺕ ﺩﺍﺧﻞ‬ ‫ﻛﻮﻣﺔِ ِ‬
‫ﺭﻭﺍﺩ‬
‫ﺑﻘﻴﺔ ّ‬
‫ﻛﻴﺲ ﺻﻐﻴﺮ‪ ،‬ﻟِﺤﻔﻈﻬﺎ ﺃﺛﻨﺎﺀ ﺃﺩﺍﺀ ﺻﻼﺓ ﺍﻟﺠﻤﺎﻋﺔ ﻣﻊ ّ‬ ‫ٍ‬
‫ﺗﻢ ﺗﻘﻴﺆﻫﺎ ﻗﺒﻞ‬ ‫ﺍﻟﻤﺠﻠﺲ‪ ،‬ﻗﺒﻞ ﺍﺳﺘﺨﺮﺍﺝ ﺗﻠﻚ ﺍﻟﻜﺘﻠﺔِ ﺍﻟﺮﺧﻮ ِﺓ )ﺍﻟﺘﻲ ﱠ‬
‫ﺍﻟﺼﻼﺓ( ﻣﻦ ﺍﻟﻜﻴﺲ ﻭﺇﻋﺎﺩ ِﺓ ﻏﺮ ِﺯﻫﺎ ﻓﻲ ﺃﻗﺼﻰ ﺃﺣ ِﺪ ﺍﻟﻔ ّﻜﻴﻦ ﻣﻦ‬
‫ﻳﻠﺰﻡ ﺍﻻﻋﺘﺮﺍﻑ! ﺣﺮﻛﺔٌ ﻻ‬ ‫ﻏﻴﺮ ﺭﻓﻴ ِﻊ ﺍﻟﺬﻭ ِﻕ ﻛﺜﻴﺮﴽ ُ‬ ‫ﻃﻘﺲ ُ‬‫ٌ‬ ‫ﺟﺪﻳﺪ!‪...‬‬
‫ﺗﻔﺘﺢ ﺍﻟﻨﻔﺲ‪ ،‬ﻻ ﺗﺜﻴﺮ ﺍﻟﺸﻬﻮﺓ!‪...‬‬ ‫ُ‬
‫)‪ُ (19‬ﻳﻄﻠﻖ ﺫﻟﻚ ﻋﻠﻰ ﺍﻟﻀﺒﻊ ﺃﻭ ﺍﺑﻦ ﺁﻭﻯ‪ ،‬ﺃﻭ ﺃﻱ ﺣﻴﻮﺍﻥ ﻣﻔﺘﺮﺱ‬
‫ﺃﺣﻴﺎﻧﴼ‪.‬‬
 ‫ﻛﻠﻤﺔ ﺷﻜﺮ‬
‫ﻛﻞ‬
‫ﺑﻜﻞ ﻃﺎﻗﻤﻬﺎ ﺍﻟﺮﺍﺋﻊ ﱠ‬
‫ِﻝ»ﻣﺆﺳﺴﺔ ﺍﻟﻌﻔﻴﻒ ﺍﻟﺜﻘﺎﻓﻴﺔ« ﱢ‬
‫ﺍﻟﺸﻜﺮ ﻋﻠﻰ ﺍﻻﻫﺘﻤﺎﻡ ﺍﻟﻜﺎﻣﻞ ﺑﺈﻋﺪﺍﺩ ﻭﺇﺧﺮﺍﺝ ﻭﻧﺸﺮ ﻭﺗﻮﺯﻳﻊ ﻫﺬﻩ‬
‫ﺍﻟﺮﻭﺍﻳﺔ‪.‬‬
‫ِﻟﻠﻘﺴﻢ ﺍﻟﺜﻘﺎﻓﻲ ﻓﻲ ﺻﺤﻴﻔﺔ »ﺍﻟﺜﻮﺭﻱ« ﺍﻟﻐﺮﺍﺀ ﺧﺎﻟﺺ‬
‫ﺍﻟﺸﻜﺮ ﻋﻠﻰ ﻧﺸﺮ ﺍﻟﺮﻭﺍﻳﺔ ﺑﺤﻠﻘﺎﺕ ﻓﻲ ﺍﻟﺼﻔﺤﺎﺕ ﺍﻟﺜﻘﺎﻓﻴﺔ‪ .‬ﺃﺧﺺ‬
‫ﺑﺎﻟﺸﻜﺮ ﺍﻷﺳﺎﺗﺬﺓ ﺍﻷﻋﺰﺍﺀ ﺧﺎﻟﺪ ﺳﻠﻤﺎﻥ‪ ،‬ﻋ ﱠﺰﺕ ﻣﺼﻄﻔﻰ ﻭﻋﻠﻰ‬
‫ﺩُﻫﻴﺲ‪...‬‬
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‫ﻟﻸﺻﺪﻗﺎﺀ ﺍﻷﻋﺰﺍﺀ‪:‬‬
‫ﺍﺣﻤﺪ ﺟﺎﺑﺮ ﻋﻔﻴﻒ‪ ،‬ﻋﺒﺪﺍﻟﺒﺎﺭﻱ ﻃﺎﻫﺮ‪ ،‬ﻋﺒﺪﺍﻟﻠﻄﻴﻒ ﺍﻹﺩﺭﻳﺴﻲ‪ ،‬ﻧﺎﺩﻳﺔ‬
‫ﺍﻟﻜﻮﻛﺒﺎﻧﻲ‪ ،‬ﺍﻟﻄﺎﻑ ﻋﺒﺪﺍﻟﺮﺏ ﺳﺮﻭﺭﻱ‪ ،‬ﺯﺍﻳﺪﺓ ﺷﺒﺎﻡ‪ ،‬ﻋﺒﺪﺍﻟﺮﺣﻤﻦ‬
‫ﻋﺒﺪﺍﻟﺨﺎﻟﻖ‪ ،‬ﻋﻠﻲ ﻣﺤﻤﺪ ﺯﻳﺪ‪ ،‬ﻣﺤﻤﺪ ﺍﻟﺼ ّﻴﺎﺩﻱ‪ ،‬ﺃﺣﻤﺪ ﻓﺮﺝ‬
‫ﻛﻞ ﺍﻟﻌﺮﻓﺎﻥ ﻭﺍﻟﺸﻜﺮ ِﻟﻘﺮﺍﺀﺗﻬﻢ ﺍﻟﻤﺘﺄﻧﻴﺔ ﻟﻬﺬﻩ ﺍﻟﺮﻭﺍﻳﺔ‪،‬‬ ‫ﺑﺎﺷﻤﻴﻠﺔ‪ ...‬ﱠ‬
‫ﻜﻞ ﺗﺼﺤﻴﺤﺎ ِﺗﻬﻢ ﻭﻣﻼﺣﻈﺎﺗﻬﻢ ﺍﻟﺮﺍﺋﻌﺔ‪...‬‬ ‫ﻨﻘﺎﺷﻬﻢ ﺍﻟﻤﻨﻴﺮ‪ ،‬ﻭ ِﻟ ﱢ‬
‫ِﻟ ِ‬
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 ‫ﺣﺒﻴﺐ ﻋﺒﺪ ﺍﻟﺮﺏ ﺳﺮﻭﺭﻱ‬
‫‪http://abdulrab.free.fr‬‬

‫‪ -‬ﻣﻦ ﻣﻮﺍﻟﻴﺪ ﺃﻏﺴﻄﺲ ‪ِ 1956‬ﺑ َﻌ َﺪ ْﻥ؛‬

‫‪ -‬ﺑﺮﻭﻓﻴﺴﻮﺭ ﻣﻨﺬ ‪ 1992‬ﻳﻘﻮﻡ ﺑﺘﺪﺭﻳﺲ‬
‫ﺍﻟﺮﻳﺎﺿﻴﺔ‬
‫ّ‬ ‫ﻋﻠﻮﻡ ﺍﻟﻜﻤﺒﻴﻮﺗﺮ ﻓﻲ ﻗﺴﻢ ﺍﻟﻬﻨﺪﺳﺔ‬
‫ﻓﻲ ﺍﻟﻤﻌﻬﺪ ﺍﻟﻘﻮﻣﻲ ﻟﻠﻌﻠﻮﻡ ﺍﻟﺘﻄﺒﻴﻘﻴﺔ‪،‬‬
‫ﻭﺟﺎﻣﻌﺔ ﺭﻭﺍﻥ‪ ،‬ﺑﻔﺮﻧﺴﺎ؛‬
‫ﺮﺕ ﻟﻪ ﺍﻟﻌﺪﻳﺪ ﻣﻦ ﺍﻷﺑﺤﺎﺙ ﻭﺍﻟﻜﺘﺐ‬ ‫ﺸ ْ‬ ‫‪ُ -‬ﻧ ِ‬
‫ﺍﻟﻌﻠﻤﻴﺔ ﺑﺎﻟﻔﺮﻧﺴﻴﺔ ﻭﺍﻻﻧﺠﻠﻴﺰﻳﺔ‪ ،‬ﻭﺭﻭﺍﻳﺔ‬
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‫ﺑﺎﻟﻔﺮﻧﺴﻴﺔ‪» :‬ﺍﻟﻤﻠﻜﺔ ﺍﻟﻤﻐﺪﻭﺭﺓ« )ﺩﺍﺭ‬
‫ﺍﻻﺭﻣﺎﺗﺎﻥ( ﺗﺮﺟﻤﻬﺎ ﺇﻟﻰ ﺍﻟﻌﺮﺑﻴﺔ ﺍﻻﺳﺘﺎﺫ ﺩ‪.‬‬
‫ﻋﻠﻲ ﻣﺤﻤﺪ ﺯﻳﺪ )ﺩﺍﺭ ﺍﻟﻤﻬﺎﺟﺮ(؛‬
‫ﺮﺕ ﻟﻪ ﻋﻦ ﻣﺆﺳﺴﺔ ﺍﻟﻌﻔﻴﻒ ﺍﻟﺜﻘﺎﻓﻴﺔ‬ ‫ﺸ ْ‬‫‪ُ -‬ﻧ ِ‬
‫ﺣﺮﻯ ﻣﻦ‬ ‫»ﻫﻤﺴﺎﺕ ّ‬ ‫ٌ‬ ‫ﻗﺼﺼﻴﺔ‪:‬‬
‫ّ‬ ‫ﻣﺠﻤﻮﻋﺔٌ‬
‫»ﺷﻴﺊ ﻣﺎ‬
‫ٌ‬ ‫ﺩﻳﻮﺍﻥ ﺷﻌﺮ‪:‬‬
‫ُ‬ ‫ﻣﻤﻠﻜﺔِ ﺍﻟﻤﻮﺗﻲ«‪،‬‬
‫ُﻳﺸﺒِﻪ ﺍﻟﺤﺐ«‪ ،‬ﺛﻼﺛﻴﺔ ﺭﻭﺍﺋﻴﺔ‪» :‬ﺩﻣﻼﻥ«‪،‬‬
‫ﻳﻀﻢ ﻣﺠﻤﻮﻋﺔ ﻣﻘﺎﻻﺕ ﻭﺩﺭﺍﺳﺎﺕ‪:‬‬ ‫ﱡ‬ ‫ﻭﻛﺘﺎﺏ‬
‫ٌ‬
‫ﺑﻄﻦ«‪.‬‬ ‫ﻇﻬﺮ ﻣﻨﻬﺎ ﻭﻣﺎ َ‬‫»ﻋﻦ ﺍﻟﻴﻤﻦ‪ ،‬ﻣﺎ َ‬
‫ﻳﻤﻜﻦ ﻗﺮﺍﺀﺓ ﻭﺷﺤﻦ ﺟﻤﻴﻊ ﻫﺬﻩ ﺍﻷﻋﻤﺎﻝ‬
‫ﺍﻷﺩﺑﻴﺔ ﻣﻦ ﺍﻟﻤﻮﻗﻊ ﺍﻷﺩﺑﻲ ﻟﻠﻤ َﺆﻟﱢﻒ ﻋﻠﻰ‬
‫ﺍﻷﻧﺘﺮﻧﺖ‪http://abdulrab.free.fr :‬‬