Paula West

Paula West is an American jazz and cabaret singer known for her rich, powerful contralto voice and for her sensitive
interpretations of an extraordinarily eclectic selection of songs ranging far beyond jazz standards and cabaret
chestnuts.[1]
Contents
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1Early career

21990s

32000 to present

4Discography
4.1Temptation (1997; self-released)

4.1.1Track listing

4.1.2Personnel
4.2Restless (1999; Noir Records, Self-released)

4.2.1Track listing

4.2.2Personnel
4.3Come What May (2001; Hi Horse Records, Self released)

4.3.1Track listing

4.3.2Personnel

5References

6External links

Early career[edit]
West was born on April 4, 1959 and raised in the San Diego, California area, the daughter of a Marine Corps family. As
a child she wasn't exposed to very much jazz music, as her father preferred classical music. She only started to explore
jazz and jazz vocal music during college; these explorations became more serious and focussed when she moved
to San Francisco after graduating from college.[2] She has also been at some pains in the past to note that "I never sang
in church".[3]
She arrived in San Francisco around 1988-89 and worked as a waitress (indeed, she held one job or another waiting
tables for many years until her singing career was well established). During this time, she gradually started to appear at
open mike jam sessions, during the course of which she met pianist Ken Muir, who would eventually become her longtime accompanist. She also undertook a program of serious vocal study while continuing to appear at local lounges. [4]

1990s[edit]
As word spread through the Bay Area, West started to get one- and two-week residencies at San Francisco hotel
lounges, most notably the Ritz-Carlton. During this period she started to refine the distinctive elements of her approach
to the expectations placed upon jazz singer/cabaret performers: a careful attention to the lyrics of the songs ("I sing the
verses," she was once quoted, "not just the chorus." [3] ), an ability to sustain notes without use of vibrato, a sparing
reliance on the hoary chestnuts of the genre, a willingness to re-imagine the standards that she does perform, [5] and an
eagerness to identify worthy songs not usually found within the jazz/cabaret repertoire.
As an illustration of the last point, she has performed or recorded such non-standard songs as Bob Dylan's
"Subterranean Homesick Blues" and "Mr. Tambourine Man", "If I Only Had A Brain" from The Wizard of Oz, The
Beatles' "Fixin' A Hole", Ella Mae Morse's "Cow Cow Boogie", "Who Will Buy" from Oliver!, Bert Williams' turn of the
(20th) century classic "Nobody", and Johnny Cash's "Folsom Prison Blues", as well as "Danny Boy", to name but a few.
West performed predominately in clubs in San Francisco and New York, with occasional performances in Europe. For
ten years she held a one-month residency at the Empire Plush Room at the York Hotel in San Francisco (since closed).
[6]

She also had recurring engagements at the Oak Room of the Algonquin Hotel in New York. Paula is one of the

contributors on BBC World News' The Real...[7] talking about her favorite places in San Francisco.

2000 to present[edit]
For a number of years, West performed with Eric Reed and reviewers began to take note that her career was "spiraling
in the right direction." "[8] Stephen Holden, The New York Times, October 29, 2004
In 2007 West began performing with noted pianist/arranger George Mesterhazy (who accompanied the late Jazz great
Shirley Horn), and their work together has been lauded in the New York Times, Ms. West is accompanied by the
George Mesterhazy Quartet, a limber ensemble whose leader, pianist and arranger shares her passion for taking songs
in unexpected directions and deepening their meanings without wrenching them out of shape. With each engagement
Ms. West, who made her Oak Room debut in 1996, displays more courage, maturity, interpretive insight and vocal
confidence. She and the quartet, which also includes Ed Cherry on guitar, Tony Reedus on drums and Barak Mori on
bass, are a match made in pop-jazz heaven. [9]Stephen Holden, The New York Times, October 22, 2007
As that collaboration grew into a full fledged partnership she performed most often with Mesterhazy's quartet of Barak
Mori on bass, Jerome Jennings on drums, and Ed Cherry on guitar, in residencies at the Empire Plush Room and the
Rrazz Room in San Francisco. They then established themselves at Yoshis in San Franciscos revitalized Fillmore Jazz
District, and in New York at The Jazz Standard where West, Mesterhazy and his Quartet recorded her first album in 11
years "Live at The Jazz Standard". The CD is now available on iTunes and Amazon.
In February 2013, West returns to New York to appear with Wynton Marsalis and the Jazz at Lincoln Center Orchestra
to perform in the work for which Marsalis won a Pulitzer Prize, "Blood on the Fields".