Professional Documents
Culture Documents
Fashion Marketing
DECLARATION
This is to certify that, the project on brand Anokhi is a bonafide work of Tanya Nagpal, Apoorva
Sahu, Srishti Bhatia and Kanika Pahwa in the fulfillment of the degree in B.A. (HONS.) in
Fashion Marketing and Retail Management, Pearl Academy.
Acknowledgement
We would like to express our profound gratitude to all those who have been instrumental in the
preparation of this project. We wish to place on records, our deep gratitude to our project guides,
Mrs. Rachna Imam, Mr. Yogesh Potaliya, Mr. Gaurav Vashisht and Mr. Gaggan Bhatia, for
guiding us through this project with valuable and timely advice.
We would also like to thank all those who filled in the survey, without which the research would
be incomplete.
Table of Content
S.No.
Topic
Page No.
1.
1.1
1.2
1.3
Anokhi
History
Evolution
7 Ps
1-10
1
1-2
2-3
1.4
1.5
1.5.1
1.5.2
1.5.3
1.5.4
1.6
1.7
Competitor Analysis
Prints of Anokhi
Bagru
Sanganeri
Ajrak
Balotra
Supply Chain
Segmentation, Targeting and
Positioning
Segmentation
Targeting
Positioning
Data Analysis
Organic Bound
Introduction
Logo
Tagline
Unique Selling Proposition
Competitive Analysis
SWOT Analysis
Strengths
Weaknesses
Opportunities
Threats
Segmentation, Targeting and
Positioning
Segmentation
Targeting
Positioning
Supply Chain
Promotional Strategies
Anokhis Product Range
Consumer Profile and
DILO
Mood Board
Fabric Board
4
5-7
5
5-6
6
6-7
7
7-10
1.7.1
1.7.2
1.7.3
2.
3.
3.1
3.2
3.3
3.4
3.5
3.6
3.6.1
3.6.2
3.6.3
3.6.4
3.7
3.7.1
3.7.2
3.7.3
3.8
3.9
4.
5.
6.
7.
7-9
9-10
10
10-19
20-25
20
20
20
20
21
21-22
21
22
22
22
22-24
22-24
24
24
24
25
26-34
35-36
37
38
8.
9.
10.
11.
12.
13.
14.
15.
16.
39-50
51-55
56
57
58
59
60
61
62
Topic
Page No.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.
31
32.
32.1
32.2
32.3
32.4
32.5
32.6
32.7
32.8
Figure 1.1
Figure1.2
Figure 1.3
Figure 1.4
Figure 1.5
Figure 1.6
Figure 1.7
Figure 1.8
Figure 1.9
Figure 1.10
Figure 1.11
Figure 2.1
Figure 2.2
Figure 2.3
Figure 2.4
Figure 2.5
Figure 2.6
Figure 2.7
Figure 2.8
Figure 2.9
Figure 2.10
Figure 2.11
Figure 2.12
Figure 2.13.1
Figure 2.13.2
Figure 2.13.3
Figure 2.13.4
Figure 3.1
Figure 3.2
Figure 3.3
Figure 3.4
Anokhis Product Range
Kurti
Skirts
Dresses
Jackets
Tops
Men Shirts
Childrens wear
Home Decor
5
5
6
6
6
6
7
7
8
9
9
11
12
12
13
13
14
15
15
16
16
17
17
18
18
19
19
20
23
23
24
26-34
26
27
28
29
30
31
32
33
32.9
33.
34.
35.
36.
37.
37.1
37.2
37.3
37.4
37.5
37.6
37.7
37.8
37.9
37.10
37.11
37.12
38.
38.1
38.2
38.3
38.4
38.5
39.
40.
41.
42.
43.
44.
Stationery
Consumer Profile
DILO
Mood Board
Fabric Board
Organic Bounds Product
Range
Kurtis
Tops
Jackets
Dresses
Swimwear
Beachwear
Kurta
Shirts
Childrens wear-Girls
Childrens wear-Boys
Home Decor
Stationery
Look Books
Beach Honeymoon
Beach Concert
Beach Holiday
Poolside Brunch
Bachelorette Beach
Weekend
Window Display
Price Tag
Carry Bag
Visiting Card
Poster
Newspaper Advertisement
34
35
36
37
38
39-50
39
40
41
42
43
44
45
46
47
48
49
50
51-55
51
52
53
54
55
56
57
58
59
60
61
Chapter 1: Anokhi
1.1 History
Anokhi the name itself means outstanding in english. Anokhi is a unique brand of clothes and
home accessories. The philosophy of the brand is a symbiosis of ancient traditions and socially
conscious business. The Anokhi story began over 40 years ago in Jaipur, when the brand was
created by Faith Singh and J.P. John Singh. Pritam Singh, their son, is the Managing Director of
Rajasthan Pvt. Ltd., the company that owns the Anokhi brand. The focus was primarily on
reviving Rajasthan's traditional techniques of hand block-printing that had lost local relevance,
while simultaneously creating products for Western audiences out of the local craft tradition.
Anokhi is special in that the collections are designed using the technique of block printing, a
method which involves transferring ornaments to fabric by means of carved wood blocks. The
preparation of a single teak block for work is a matter of several hours. When that's done, fabric
is stretched on a special table and the printing may begin. The length of the process depends on
the number of colours involved: one block may be used to transfer only one colour. Only natural
plant-derived dyes and organic cotton are used for the printed fabric, lovingly adorned with
motifs of nature and traditional Rajasthani ornaments. The design of the clothes is an incarnation
of the brand's history - a unique symbiosis of Indian and western cultures, thereby adding a
special flavour to the Anokhi production.
Everything you will find there, from home textiles to adults' and children's clothing, is
handmade; therefore each piece is in a way unique. Each of the Anokhi items of clothing comes
with a label explaining the history of its making and the best way of caring for it. And, instead of
building yet another modern factory, Anokhi chooses to avail of small workshops in tiny Jaipur
villages, the way it has been for centuries. This way the natural environment of the culture and
local traditions are preserved and the welfare of the more than 200 Anokhi workers is taken care
of (they are guaranteed free medical care, transport and education for their children). When the
design is ready, samples are sent to local craftsmen and women who dye and print the fabric; the
final process of cutting and sewing takes place in a small production unit not far from Jaipur.
1.2 Evolution
During the initial years of Anokhi, Rajputs of Rajasthan were not supposed to work for their
living, this was around the year 1970. Block printing was done by the traditional printers,
working completely for traditional markets. During those times, stores for ready to wear attires
did not exist.
Anokhi put resources into the fabric which drove the specialist put his constrained assets in
applying his abilities and build up a business. In 1971, Anokhi purchased conventional prints,
made garments from them and took them to Liberty's of London-one of the prestigious stores in
those days. Its first items were finely sewn cotton skirts, fitted coats and a dramatic night coat in
printed cotton - recreating a conventional nearby Angarkha which were highlighted on a few
pages of a 1971 issue of Vogue magazine.
However, by the late 1970s, the large number of copies of its products affected the success of the
brand and therefore, the demand for its clothing, also declined. The brand kept on working on its
products and went into hand printed, soft furnishings. The brand Anokhi was again able to
establish its place in the markets of UK and France. In the 1980s, Anokhi supplied to stores all
over the world.
In late 1990s, the demand for exports of the brand started falling but again, Anokhi not only
created its own worldwide brand but also entered Indian market by opening stores in cities like
Jaipur, Delhi and Mumbai. Today, Anokhi is available in 19 cities in India.
In 2005, as an initiative of creating awareness about hand printing and for people to gain more
understanding of the craftsmenship and traditional prints, The Anokhi Museum of Hand Printing
was founded by the director, Rachel Bracken Singh and her husband Pritam Singh.
1.3 7 Ps
1.3.1 Products:
Anokhis product range consists of:
Mens wear
Womens wear
Kids wear
Accessories
Home decor
Stationery
1.3.2 Price
The price ranges from Rs.150-8000 in order to provide something for all its customers
9
1.3.3 Place
Available in 19 cities in India
Delhis Nizamuddin Store is a discount store
1.3.4 Promotion
Doesnt use mobile marketing
Only active on social media
1.3.5 Physical evidence
Unspoilt goods except, jewelry and discounted items within 14 days with original cash
memo.
Excahnges have to be within the state of purchase
1.3.6 People
1.3.7 Process
The process of Anokhi consists of contemporary fabrics ranging from unique designs which are
done by craftsmen. Printing and dye work is outsourced while stitching is done by the women of
the villages since Anokhi promotes women employment.
10
BRAND NAME
FabIndia
STRENGTHS
WEAKNESSES
Differerentiable products
No
specific
promotional strategy.
Brand
Recognition
and
loyalty
Limited
international
market penetration.
Different
categories
of
stores.
Good Earth
11
Bagru
Sanganer
Ajrakh
Balotra
1.5.1
Bagru
Bagru printing is one of the traditional techniques of printing with natural colour followed by the
chippas of a remote place of Rajasthan. The process starts from preparing the cloth to finished
12
Fig. 1.1
Fig. 1.2
1.5.2
Sanganeri
Sanganer, near Jaipur, is famous for its fine hand block printing in subdued colors. Hand block
printing was patronised by the royal family. Sceen printing is also largely done here. Saganer has
1.5.3
Ajrak
Traditionally, Ajrak is the name of a block printed cloth with deep crimson red and indigo blue
Fig 1.3
Fig. 1.4
Fig. 1.3
1.5.4
Balotra
Balotra is a small market town in the Barmer District of Rajasthan state in India. It is about 100
km from Jodhpur. Balotra is known for its traditional hand block printed textiles done with
Fig. 1.6
Fig. 1.5
wooden blocks and dyed with soft shades of Indigo, yellow and red onto hard weaving cotton.
he textiles are often loaded with social meaning and can reveal the wearers position in society,
status, occupation, ethnic and religious relations,
gender and marital status. Different tribes and castes
such as the Rabaris, Chaudhurys etc. living in Balotra
have their own dialects and social codes. In addition
they also have their own symbols and visual images,
which are reflected through their textiles. (Anokhi
Museum et al. 2016)
Fig. 1.7
Fig. 1.8
14
Dyed fabric is purchased in from neighborhood towns, and screen printing runs are done nearby.
Block printing test runs are done here, however the squares are pressed up and the work
outsourced to towns, for example, Bagru. Blocks are produced using Shisham wood, also called
Indian rosewood. The block printing is done in a huge screen, and it is excessively sodden in
rainstorm season, making it impossible to work. Screen printing is finished with substantial
screens worked by men in sets. Alternate repeats are printed to avoid smudging the pattern, using
registration notches on the table edge. The men then move back to the beginning to print the
remaining repeats. (Anokhi et al. 2016)
As per our observation most of Anokhis female customers belong to the age group 18 40
years that includes both students and working employees. The income level including allowances
from parents of this age category falls in the bracket of 30,000 50,000.
18-40
42%
58%
Fig. 1.9
others
OTHERS
31%
69%
Fig. 1.10
Total Population of India living in urban and metro cities = 4.93 Crores
Total population of India with middle income group and above
MIDDLE INCOME GROUP AND ABOVE
OTHERS
21%
79%
Fig. 1.11
Total Population Of India With Middle Income Group & above = 26.7 Crores
16
1.7.2 Target
Anokhi targets an urban middle and upper class customer. Anokhi is also able to serve the tastes
and preferences of foreign tourists who are fond of Indian crafts.
1.7.3 Positioning
Anokhi is a typical Indian ethnic wear promoting the ages old dyeing crafts originating from
Rajasthan blended with hand block printing which is also available in categories like stationary,
accessories and home dcor.
17
26-33
34-40
11%
13%
24%
41-47
48-54
27%
25%
Fig. 2.1
Findings: As per the data analysis, majority of the respondents, i.e., 27% of the respondents
belongs to the age group 18-25.
18
2. Anokhi buyer
Anokhi buyer
Yes
No
4%
96%
Fig. 2.2
Findings: As per the data analysis, 96% of the respondents are the customers of Anokhi.
3. Monthly family income
50,000-70,000
70,000-90,000
6%
39%
15%
40%
Fig. 2.3
19
Above 90,000
Findings: As per the data analysis, 40% of the respondents have an income of Rs.70,000Rs.90,000.
word of mouth
print ads
17%
21%
7%
55%
Fig. 2.4
Findings: : As per the data analysis, majority of the consumers,i.e., 55% of the respondents
became aware about Anokhi through the word of mouth.
5. Clothing Preference
20
Clothing preference
western
ethnic
casual
others
14%
formal wear
3%
33%
7%
43%
Fig. 2.5
Findings: : As per the data analysis, 43% of the respondents preferred to wear ethnic clothing.
6. Store of Anokhi
Stores of Anokhi
khan market
nizamuddin
mahavir enclave
vasant kunj
chandni chowk
GK-I
gurgaon
2%
9%
6%
6% 5%
32%
21%
9%
Fig. 2.6
21
10%
Findings: As per the data analysis, majority of the consumers i.e. 32% of the respondents prefer
the store of Anokhi in Khan Market for their shopping.
once in 6 months
once in a year
10%9%
32%
49%
Fig. 2.7
Findings: As per the data analysis, 49% of the respondents shop at Anokhi once/more than once
in a month.
22
season specific
special occasion
generally
19%
36%
20%
25%
Fig. 2.8
Findings: As per the data analysis, majority of the consumers i.e. 36% of the respondents
generally visit Anokhi.
9. Knowledge about Anokhi products
home dcor
stationary
22%
53%
22%
3%
Fig. 2.9
23
apparels
Findings: : As per the data analysis, 53% of the respondents knew about apparels before visited
the Anokhi store.
10. What do you like most about Anokhi
price
style
others
13% 8%
36%
2%
3%
12%
5%21%
Fig. 2.10
Findings: As per the data analysis, majority of the consumers i.e. 36% of the respondents like the
traditional work of Anokhi.
11. Additional products or services
24
online shopping
beach wear
fragnance
handbags
maternity wear
beauty products
2%
4%
13%
10% 16%
16%
10%
29%
Fig. 2.11
Findings: : As per the data analysis, majority of the consumers i.e., 29% of the respondents
would like Anokhi to introduce Beachwear.
12. Preference for online availability of Anokhi
maybe
no
9%
24%
67%
Fig. 2.12
25
Findings: As per the data analysis, majority of the consumers i.e. 67% of the respondents would
prefer online availability of Anokhi.
13. Price bracket
3500-5000
2000-3500
500-2000
0%
10%
20%
30%
Fig. 2.13.1
26
40%
50%
60%
Findings: As per the data analysis, majority of the consumers i.e, 51% of the respondents buy
clothing more often from the range of Rs.2000-Rs.3500.
350-450
250-350
150-250
Findings: As per the data analysis, majority of the consumers i.e, 43% of the respondents buy
stationary more often from the range of Rs.150-Rs.250.
5500-8000
3000-5500
500-3000
0%
Findings: As per the data analysis, majority of the consumers i.e,80% of the respondents buy
home decor more often from the range of Rs.3000-Rs.8000.
27
1500-2000
1000-1500
500-1000
Findings: As per the data analysis, majority of the consumers i.e, 41% of the respondents buy
acessories more often from the range of Rs.1000- Rs.1500.
3.2 Logo
28
Fig.3.1
3.3 Tagline
Bounding you
to the heritage.
3.4 Unique
Selling
Proposition
The
unique
selling
proposition of
Organic Bound is
The
combination
Organic Bound
Anokhi
29
Fab India
of
Product
stationery, decor,
stationery, decor,
accessories,
wear
personal
stationery,
organic
care
and
organic food
Price
Rs.50- Rs.7000
Promotion
Promotes
social
newspaper
Rs.150-Rs.9000
and
marketing,
newspapers, magazines
magazines.
Place
Rs.100-Rs.60,000
to promote itself.
Strong
presence
Online Selling
Available
Not available
3.6.2 Weakness
30
Available
market
3.6.3 Opportunity
Online availability
3.6.4 Threats
18-40
42%
58%
Fig. 3.2
31
others
OTHERS
31%
69%
Fig. 3.3
Total Population of India living in urban and metro cities = 4.93 Crores
21%
79%
Fig. 3.4
Source:32
World Factbook
Source: World Factbook
Total Population Of India With Middle Income Group & above : 26.7 Crores
3.7.2 Targeting
Organic Bounds target market is people living in urban and metro cities falling under middle
income group and above.
3.7.3 Positioning
Organic bound is a brand attached to their culture which provides its customers with traditional
prints and organic fabrics with stylish and trendy blend.
Paid Search: We will invest in both Google Ads and Facebook Ads.
Instagram: We will upload images to our product pages to build a community around our
fashion magazines and newspaper ads emphasising on our heritage and culture.
Ephemeral Marketing
33
34
35
36
37
38
39
40
41
42
43
44
45
MOOD BOARD
46
47
48
49
50
51
52
53
54
55
56
57
58
59
Rs1200
60
LOOK BOOKS
61
62
63
64
65
66
WINDOW DISPLAY
67
PRICE TAG
68
CARRY BAG
VISITING CARD
69
70
71
POSTER
NEWSPAPER AD
72
Referencing
73
1. Anokhi. 2013. About Us. [ONLINE] Available at: http://www.anokhi.com/anokhi/aboutus.html. [Accessed 18 April 2016]
2. Anokhi Museum of Hand Printing. 2007. Anokhi Museum of Hand Printing Publications. [ONLINE] Available
at: http://www.anokhi.com/museum/publications.html. [Accessed 18 April 2016].
3. FabIndia. 2005. About the company. [ONLINE] Available
at: http://www.fabindia.com/company/. [Accessed 31 March 2016].
4. GoodEarth. 2015. Our Story . [ONLINE] Available at: https://www.goodearth.in/ourcompany/our-story. [Accessed 30 March 2016]
5. Instagram.com. 2016. anokhijaipur. [ONLINE] Available at:
https://www.instagram.com/anokhijaipur/. [Accessed 7 April 2016].
6. Kaur, R, 2015. A Brief Review of Block Printing in India, with a Comparative Analysis
of Ajrak and Sanganer Styles of Printing. Asian Resonance, [Online]. IV/II, 96-100.
Available
at:http://www.socialresearchfoundation.com/upoadreserchpapers/1/44/1506261124361st
%20praddeep%20brar.pdf[Accessed 18 April 2016].
7. Polyvore.com.2008. Anokhi Dresses.[ONLINE] Available at:
http://www.polyvore.com/cgi/shop?query=anokhi+dresses. [Accessed 18April 2016].
8. The Hindu Business Line,Radhakrishnan s. 2003. A truly anokhi story. [ONLINE]
Available at:
http://www.thehindubusinessline.com/life/2003/12/15/stories/2003121500020100.htm.
[Accessed 18 April 2016].
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75
76