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Th
Strength of Materials
The course covers the following topics; stress and strain concepts, axial load, statically indeterminate
axially loaded members, thermal stress, torsion, angle of twist, statically indeterminate torque-loaded members,
bending, eccentric axial loading of beams, transverse shear, shear flow in build-up members, combined loadings, stress
Course Description:
and strain transformation, deflection of beams and shafts, statically indeterminate beams and shafts.
eory
of Structures 1
THEORY OF STRUCTURES
DESCRIPTION
To introduce students to mechanics of structures under static loading conditions. The course forms
the second of the sequence dealing with structural engineering and geotechnics for Civil and
Environmental engineering students.
Specifically, the objective is to teach students the methods and techniques outlined in the syllabus
such that they can solve the type of problems as outlined in the lectures, in the lecture notes and as
discussed in tutorials.
Architectural Structures 1
4 credits
A basic structural course, designed primarily for Architectural and Construction majors, covering the fundamentals of
statics. Timber design emphasized. Prerequisite: MAC1114; pre-/corequisites: PHY 2053, 2053L and ARC 1126,
2461. Laboratory fee. (3 hr. lecture; 2 hr. lab)
ARC2581
Architectural Structures 2
4 credits
Fundamentals of structural design: beams, columns, frames, axial force, shear, bending and torsion. Load-deflection
behavior and properties of common structural materials. Steel design emphasized. Prerequisite: ARC 2580.
Laboratory fee. (2 hr. lecture; 4 hr. lab)
NOVA COLLEGE-WIDE COURSE CONTENT SUMMARY ART 131-132 FUNDAMENTALS OF DESIGN (4 CR.) (4 CR.) Course Description Explores the concepts of
two- and three-dimensional design and color. May include field trips as required. Lecture 2
hours. Studio instruction 4 hours. Total 6 hours per week.
Interior architecture
Interior Architecture is the design of a space which has been created by structural boundaries and
the human interaction within these boundaries. It can also be the initial design and plan for use, then
later redesign to accommodate a changed purpose, or a significantly revised design for adaptive
reuse of the building shell.[2] The latter is often part of sustainable architecture practices, conserving
resources through "recycling" a structure by adaptive redesign. Generally referred to as the spatial
art of environmental design, form and practice, interior architecture is the process through which the
interiors of buildings are designed, concerned with all aspects of the human uses of structural
spaces. Put simply, Interior Architecture is the design of an interior in architectural terms.
Interior Architecture may refer to:
The art and science of designing and erecting building interiors as a licensed architect and
related physical features.
The practice of an interior architect, where architecture means to offer or render professional
services in connection with the design and construction of a building's interior that has as its
principal purpose human occupancy or use.[3]
COURSE DESCRIPTION
Develop plans that satisfy programmatic needs and use space efficiently. Learn techniques for
assimilating client-project information, analyzing program requirements, and developing
schematic space-planning solutions for residential and commercial situations. You also study
building codes, fire safety and barrier-free designs as essential components of laying out a
workable interior space.
Site planning
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Site planning in landscape architecture and architecture refers to the organizational stage of the
landscape design process. It involves the organization of land use zoning, access, circulation,
privacy, security, shelter, land drainage, and other factors. This is done by arranging the
compositional elements of landform, planting, water, buildings and paving in site plans.
Course Syllabus Spring 2014 UP426: Urban Design and Planning Instructors: Devin Lavigne
(dlavigne@illinois.edu) Kai Tarum (tarum@illinois.edu) Course Description What many
practicing planners do not often realize is that through their daily duties they are shaping the
urban form of their cities, and in essence are more active urban designers than any other
profession. Urban design is about creating neighborhoods, districts, cities and regions, extending
far beyond yet being inclusive of architecture, streetscape, aesthetics and the design of a plaza or
building. It is about arranging land uses, transportation networks and amenities in order to create
a fabric that can foster healthy, functional and vibrant communities. This course will explore the
fundamentals of urban design as they relate to all scales of the built environment - including
regions, cities, districts, neighborhoods, blocks and parcels - and will reinforce the basics of
sound community planning. Focusing on the neighborhood and public space as the quintessential
building blocks, we will explore how these cities and areas have changed, and how the advent of
the automobile, rapid suburbanization, and past planning practices have created challenges for
todays planners and urban designers. We will learn how to analyze and measure design, how to
apply its principles, how to understand the design process of creating new areas and the
fundamentals of retrofitting existing ones, and why connectivity and walkability are critical to
healthy communities. We will answer the question of how a planner can impact the design of a
city positively without designing buildings, and what tools are available to implement urban
design plans and policies. Lastly, through three student projects, we will introduce planning
studio techniques and technologies and build presentation skills. Objectives To introduce
students to the application of basic urban design; to gain practice in the basic skills of urban
design analysis; to gain an appreciation of both the process and product of the design of the built
environment; to emphasize the need for planners to learn design, and designers to learn planning;
to provide practice in visual, graphic and spatial literacy. Method This course emphasizes an
appreciation of experiential learning and the interdependence of procedural and substantive
knowledge. Fundamental for experiential learning is the studio method, which is typical of all
design schools, and often used in workshop courses elsewhere. The studio method includes
lectures, instructional sessions and discussion, but the emphasis is on student work. Learning by
doing through exercises and projects is the focus that is supported by collaboration with
Course Syllabus
Established Course Syllabus as PDF:
ships are well over 300 metres long, and are thereby the largest mobile structures that we humans have
ever created. Whether you are facing the task of designing a large tanker, a canoe, a sailingboat or a
ferry, the fact that the ship is moving puts specific demands on structure optimization. At the same time
ship structures are subjected to large and complex loads from the wind generated sea. The objective of
this course is that you after finishing should be able to handles these challenges in design of ships and
other complex structures.
Spring 2014
The purpose of this course is to prepare advanced students for independent study in the
following semester(s). Although most students are able to imagine compelling questions for
research, many find it difficult to refine the research question to manageable scope, identify the
variables at play, design a research program, order the data collection process, and interpret or
order the sometimes conflicting data found.
Historically design has been understood as a prescriptive activity, meaning that designers wish
to change the world. Likewise, research has been understood as an analytic activity, meaning
that scholars interpret the world but never seek to change it. In reality, however, designers are
always engaged in analysis and scholars have intentions for change. This course will question
the distinction between critical design and research and pose alternative methods of reasoning
that will be helpful for scholars, designers and those in-between.
ARC2201
An introduction to the meaning of Architecture to society, the foundation theories of architecture and an exposure
Course Description
This course is a global-oriented survey of the history of architecture, from the prehistoric to the sixteenth century. It
treats buildings and environments, including cities, in the context of the cultural and civilizational history. It offers an
introduction to design principles and analysis. Being global, it aims to give the student perspective on the larger
pushes and pulls that influence architecture and its meanings, whether these be economic, political, religious or
climatic.
CET 120 Construction Materials Course Description This course includes a study of basic
materials used in construction, including research of building product specifications. 3 Cr (3
lec/pres, 0 lab, 0 other)
Modular Genius offers the following general technical design drawings for your review. These drawings depect how
wood, steel and concrete constructed modulars assemble to frames, walls and roof. Modular building foundation
designs also show how the frames attache to concrete.
Please contact us if you want to discuss your specific project further 888-420-1113.
International Building Code Type V-B Combustible Unprotected Wood Construction. Please review the standard cross section
this type of construction.
International Building Code Type II-B Non-Combustible Protected Steel Construction. Please review the standard cross sectio
of this type of construction.
International Building Code Type II-B Non-Combustible Protected Steel Construction. Please review the standard cross sectio
of this type of construction.
Types of Elevations
Technical Drawings and information relating to modular building Elevations.
ARC2178C
A BIM course introducing building surfacing and form finding technology. Students will learn the practice of cre
QSV 511 Specification Writing COURSE PARTICULARS Course Code: QSV 511
Course Title: Specification Writing No. of Units: 3 Course Duration: one hour of lecture
and one hour of tutorial per week for 15 weeks. Status: Compulsory Course Email
Address: qsv511@futa.edu.ng Course Webpage:
http://www.qsv.futa.edu.ng/courseschedule.php?coursecode=QSV%20511 Prerequisite: NIL
COURSE INSTRUCTOR Mr O. T. Ibironke Room 3, QSV STAFF OFFICES, Dept. of Quantity
Surveying, Federal University of Technology, Akure, Nigeria. Phone: +2348038359339 Email:
otibironke@futa.edu.ng COURSE DESCRIPTION This course is descriptive, the course in
specification writing is designed primarily for students in quantity surveying and allied
disciplines. The focus is to impart useful skills on the students in order to enhance their theory of
quantity surveying and prepare them for professional practice after graduating from University
and to specifically know how to go about writing specification for construction works. Topics to
be covered include principles and methods involved in the compilation of a specification for
building and other engineering works. Objective and purpose of a specification. The
specification as a contract document, legal tender and working aspects. Schedules, sources of
information, references. Outright and performance specifications, prime cost and provisional
sums. Specification sections, clause and language master specification, preparation, format,
building and printing. Explanation of documents and general conditions.
Department of Biosystems Engineering BIOE 4700 Alternative Building Design Instructor:
Kris J. Dick, Ph.D., P.Eng. , Associate Professor Biosystems Engineering Rm E1-344 EITC
T: 474.6457 F: 474.7512 email: kjdick@ms.umanitoba.ca 1.0 Course Description This course
will provide students with design and hands-on experience in the design of structures that utilize
various alternative building systems. Students will get hands-on experience with various natural
building materials such as straw, straw-light clay, cob, earth building and stackwall.
Differentiation is made between so-called green building and natural building. The intent of
this course will be to explore natural building techniques, the principles of which can be utilized
in more conventional building systems. Overall objectives of this course are to provide students
with: - Design strategies for various natural building techniques - A working understanding of
rating systems for sustainable design - Hands on experience with selected natural building
techniques - Design project that incorporates structural and building envelope design in
conjunction with a rating system evaluation
Course Description
Plumbing System Design Level 01
Learn the fundamentals of pressurized water distribution systems for commercial and
residential high rise buildings, Topics include pressure flow equations ,friction, mechanical
pumping, cold water distribution, backflow prevention ,applicable codes and their use ,and
system selection.
Overview
Description
Teaching
Course Overview
This course provides students with an integrated development of methods for modelling,
analysing and designing systems comprising electrical and mechanical components. In doing
so it intends to emphasise to the students the similarity in behaviour between electrical and
mechanical systems. The course aims to give an introduction to both electrical machines,
circuit and systems, transformers, and similar mechanical systems like gearbox, vibrating
system and principles of dynamics, and thus provide the foundation material for several
courses at level 3 .
Course
This course
Description integrates two
different fields:
applied
acoustics and
lighting.
Related to the
former the aim
is to deliver
basic
knowledge on
Architectural
Acoustics and
Noise, e the
necessary
standard tools
needed to
satisfy the legal
requirement on
noise pollution,
with special
care of plants
emission end
3 credits
their input to
the
environment
(both for
ambient
comfort and
power
production) For
the latter,
lighting, the
aim is to
deliver the
basic
knowledge for
evaluating
ambient natural
light
contribution
and for
designing
simple artificial
lighting
systems,
mainly
concerning the
typology,
number and
position of
lighting
equipments
with special
care of glare
problems and
chromatic
performance . .
ARC2701
History of Architecture 1
A general survey of architecture from primitive times through the 18th century including an
integration of art forms, structural forms and ornamental forms used in various cultures of the
world during those times. (3 hr. lecture)
ARC2702
History of Architecture 2
3 credits
A general survey of architecture from the 19th century through the present, including an
integration of art forms, structural forms, and ornamental forms used in various cultures of the
world during these times. Gordon Rule assigned. (3 hr. lecture)
Abstract
The 21st Century Practitioner will be Transformed
by Process not Software. As the boundaries of
architecture change there is a feeling that we are
going to fall off the edge. The future of architecture
and quality design will matter only if we can make
a process change and realize that the horizon has
no edge. Technological change will support the
process change and allow architecture to be tightly
integrated with all aspects of the life cycle of
projects and to improve the value provided to
clients.
This article will not focus on specific software. As
architects we must drive the definition of how
software will support us. Imagine if authors and
screenwriters depended on Microsoft for their
creativity. Would they wait for the next version of
Microsoft Word to be able to put out a new novel?
Do they look to Bill Gates for creativity beyond that
of creating the software that they use to write that
screenplay?
3 credits
This W-course requires the writing of a research paper. The student should discuss a
topic with a faculty member and write the paper under that faculty member's
supervision. This course is open to History of Art and Architecture majors with an
overall QPA of 3.5 and a departmental QPA of 3.5. Successful completion of this course
with a A- or higher, and the completion of all requirements for the intensive major will
enable the student to graduate with departmental honors.
Site plan
From Wikipedia, the free encyclopedia
Urban planning
From Wikipedia, the free encyclopedia
Urban planning designs settlements, from the smallest towns to the largest cities. Shown here is Hong
Kong from Western District overlookingKowloon, across Victoria Harbour.
Urban planning is a technical and political process concerned with the development and use of
land, protection and use of the environment, public welfare, and the design of the urban
environment, including air, water, and the infrastructure passing into and out ofurban areas, such
as transportation, communications, and distribution networks.[1] Urban planning is also referred to
as urban and regional planning, regional planning, town planning, city planning, rural
planning or some combination in various areas worldwide. It takes many forms and it can share
perspectives and practices with urban design.[2]
ARC2171
Computer-aided drafting as it applies in the fields of architecture and interior design using office simulation. Emp
ARC2172
This course is designed for students with previous computer-aided design knowledge. Students will use both 2-di
This course is obligatory for the ECO MOYO Education Centre studio students, others may join but the s
Course content
Tropical architecture consists of buildings specifically designed for tropical climates, with the objective
This course teaches students to develop the knowledge which makes them aware of the principles of s
Some of the most important architectural principles which apply to tropical architecture are simple to e
(1) Shading the sun and protecting from the rain using eaves, roof overhangs, verandas etc.;
(2) Using a double roof system to limit heat gain and to allow hot air to escape;
(3) Making sure that high thermal mass materials (materials that retain heat and release it slowly) are
(4)
(5)
(6)
(7)
Limiting exposure to the sun on the east and west sides, so that the rising/setting sun does not pen
Opening the house to the prevailing breezes to facilitate the passage of cooling breezes;
Placing openings in the ceiling to allow hot air to rise;
Raising the structure above ground to avoid invasions by insect, pests, and floods.
There are lots of opportunities in the housing industry. As well as housing management
jobs, you can also work in finance, development, repairs and maintenance, customer
services and work your way up to senior management.
Many people look to a career in social housing as they may have experienced homelessness themselves or
live in social housing and want to know more about how it works and how people access housing provision.
To work in the industry, we suggest you start with at least a level 2 housing qualification which is an introduction
to social housing and provision. Hackney Community College is a really good place to study as being based in
Hackney, its ideally located. There is lots of social housing in the area, so we take the opportunity to visit
estates throughout the courses and get a real sense of how what we study fits in with the real world.
Many students get valuable work experience and placements with local housing providers and tenant
management organisations. This experience looks great on your CV and really adds meaning to the work that
youll learn in the classroom.
COURSE DESCRIPTION
This unique cross-disciplinary and industry-oriented program is open to graduates who are
passionate about the social and cultural dimensions of the built environment in the 21st
century.
Urban and cultural heritage is central to global cities today. The interpretation, management and
conservation of urban and cultural heritage is increasingly a matter of urgency and significance
for global cities and communities. Challenges for heritage professionals include the pressures of
rapid urbanization; issues of economic, social and environmental sustainability; and social and
cultural change.
Taking an international perspective on the heritage of buildings, cities and landscapes, the
program will explore key heritage issues from around the world, with a particular focus on
Australia and the Asia-Pacific region. It introduces students to the integrated skills and
knowledge required to contribute to the burgeoning fields of urban and cultural heritage, and is
suitable for students from a range of academic backgrounds and cultures.
Ecclesiastical architecture
Small enough to fit in a pocket yet serious enough to provide real answers, this primer is a musthave for architecture and history buffs, tourists, and churchgoers interested in decoding the styles
and symbols of religious buildings. Every building contains clues embedded in its design that identify
not only its architectural style but also who designed it, what kind of congregation it was built for, and
why. This practical yet charming handbook is the key to decoding the style, history, evolution, and
social significance of religious buildings. Not strictly limited to churches, it also covers abbeys,
chapels, and monasteries, among other structures. Organized according to architectural element
(windows, domes, arches, etc.), each element is presented in chronological order. Additional
chapters explore the
Ecclesiastical Architecture
Help support New Advent and get the full contents of this website as an
instant download. Includes the Catholic Encyclopedia, Church Fathers,
Summa, Bible and more all for only $19.99...
The best definition of architecture that has ever been given is likewise the
shortest. It is "the art of building" (Viollet-le-Duc, Dict., I, 116). The art, be
it observed, and not merely the act of building. And when we say the art of
building, the term must be held to imply the giving to buildings of whatever
beauty is consistent with their primary purpose and with the resources that
may be available. As a recent writer has said: "It can hardly be held that
there is one art of making things well, and another of making them
badly. . . Good architecture is . . . the art of building beautifully and
expressively; and bad architecture is the reverse. But architecture is the art
of buildingin general" (Bond, Gothic architecture in England, 1). Since,
however, the word building is apt to suggest, primarily, "the actual putting
together of . . . materials by manual labour and machinery", it may be
desirable to amend or restrict the definition given above by saying that
architecture is the art of planning, designing, and drawing buildings, and of
directing the execution thereof (Bond, op. cit., 2). And in this art as in all
others, including that of life itself, the fundamental principle should always
be that of subordinating means to ends and secondary to primary ends.
Where this principle is or has been abandoned or lost sight of, the result may
indeed be, or may have been, a building which pleases the eye, but it must
needs be also one which offends that sense of the fitness of thing 3, which is
the criterion of the highest kind of beauty. Now a church is, primarily, a
building intended for the purpose of public worship; and in all
sound ecclesiastical architecture this purpose should be altogether
paramount. To build a church for the admiration of "the man the street",
who sees it from outside, or of the tourist who pays it a passing visit, or of
the artist, or of anyone else whatsoever except that of the faithfulwho use
the church for prayer, the hearing of Mass, and the reception of
the sacraments, is to commit a solecism in the liturgy of all the material
arts. Even the needs of the liturgy itself are in a sense subsidiary to the
needs of the faithful. Sacramenta propter homines is an old and sound
saying. But, on the other hand, among the needs of the faithful must be
reckoned, under normal circumstances, the adequate carrying out of
the liturgy. It is, of course, perfectly true to say that a church is not only a
building, in which we worship God but also itself the expression of an act of
worshipful homage. This, however, it ceases to be, at least in the highest
degree, unless, as has been said, the sthetic qualities of the building have
been entirely subordinated to its primary purpose. It only needs a little
reflection to see that these preliminary remarks have a very practical
bearing on modernchurch-building. There is a danger lest we should be
dominated by technical terms and conventional opinions about the merits of
this or that style of architecture, derived from times and circumstances that
have passed away lest we should be led by sentiment or fashion, or mere
lack of originality, to copy from the buildings of a bygone age without
stopping to consider whether or how far the needs of our own day are those
of the days when those buildings were raised. And the chief use of the study
of the history of ecclesiastical architecture is not that it directs attention to a
number of buildings more or less beautiful in themselves, but that it cannot
fail to bring home to us that all true architectural development was inspired,
primarily, by the desire to find a solution of some problem of practical utility.
Church architecture
From Wikipedia, the free encyclopedia
St. Andrew Memorial Church in South Bound Brook, New Jersey was constructed as a memorial honoring
victims of theHolodomor and serves as the headquarters of the Ukrainian Orthodox Church of the USA.
Church architecture refers to the architecture of buildings of Christian churches. It has evolved
over the two thousand years of the Christian religion, partly by innovation and partly by imitating
other architectural styles as well as responding to changing beliefs, practices and local traditions.
From the birth of Christianity to the present, the most significant objects of transformation for
Christian architecture and design were the great churches of Byzantium, the Romanesque abbey
churches, Gothic cathedrals andRenaissance basilicas with its emphasis on harmony. These large,
often ornate and architecturally prestigious buildings were dominant features of the towns and
countryside in which they stood. But far more numerous were the parish churches scattered across
the Christian world, the focus of Christian devotion in every town and village. While a few are
counted as sublime works of architecture to equal the great cathedrals, the majority developed along
simpler lines, showing great regional diversity and often demonstrating local vernacular technology
and decoration.
Socioeconomics
From Wikipedia, the free encyclopedia
Economics
Index
Outline
Category
History
Types
Classification
History of economics
Schools of economics
Microeconomics
Macroeconomics
Methodology
Heterodox economics
Concepts
Theory
Techniques
Econometrics
Economic growth
Economic system
Experimental economics
Mathematical economics
Game theory
Market
National accounting
By application
Agricultural
Behavioral
Business
Computational
Cultural
Demographic
Development
Digitization
Ecological
Education
Environmental
Evolutionary
Expeditionary
Geography
Health
Industrial organization
Information
International
Knowledge
Labour
Law
Managerial
Monetary / Financial
Natural resource
Personnel
Regional
Rural
Service
Urban
Welfare
Lists
Economists
Publications (journals)
Socioeconomics (also known as social economics) is the social science that studies
how economic activity affects and is shaped by social processes. In general it analyzes
how societies progress, stagnate, or regress because of their local or regional economy, or
the global economy.
Architecture (ARCH)
ARCH 121 Visual Communications I (2) Development of two and three-dimensional graphic communications
skills and techniques required for the practice of architecture.
ARCH 121 Visual Communications I (2)
The course is designed to introduce two and three-dimensional graphic communication skills. Assignments
will develop the student's understanding and skills associated with the hand-drawing techniques used in the
practice of architecture. Exercises provide exposure to the variety of representational techniques available to
architects for the visual communication of design ideas and design documentation.
Visual Communications I is organized as an interactive studio environment which combines lectures and
demonstrations with individual instruction. The basic concepts and theories of documenting, representing,
and presenting architecture will be introduced through a series of lectures, seminars, and examples. In
studio, skills will be developed through project workshops. Instruction includes working sessions, individual
desk reviews, technique demonstrations and group discussions.
Students will learn the fundamentals of architectural drawing by hand, introductory-level descriptive
geometry, orthographic projection, paraline and perspective drawings. These skills and principles are
imparted primarily through studio-based assigned projects.
Note : Class size, frequency of offering, and evaluation methods will vary by location and instructor. For
these details check the specific course syllabus.
Architecture (ARCH)
ARCH 122 Visual Communications II (2) Development of two-dimensional digital graphic communications
skills and techniques required for the practice of architecture.
3 credits
The course will examine the development of Roman architecture from its origins in
Etruria and Central Italy to the High Empire (ca. 150 AD). Special attention will be
given to 1) the relationship of architectural forms, types and functions to changes in
Roman politics and society, 2) the significance of materials and outside influences for
the development of local Italian traditions and forms, and 3) the problems of
interpreting the development of an ancient building tradition, when the monuments
themselves are so fragmentarily preserved.