1600-1750

1750

Early(1600-1650) Middle(1650-1700) High(1700-1750)

Characters

1.Figure Bass+improvisationcadenza()

EX:BACH NO.5 SOLO

:harpsichord .Lute

2.

:
3.
1709
plug
4.
20 2 pedals
5. Ornamentation

6. Ornamentation

( Harpsichord ornamentation )

7. ----( ensemble group)

8. figure bass(bass )

Keyboard Music ----Toccata,Suite(partita), Variation, Fugue

J.S.Bach

( partita)
 SUITE(PARTITA) EX:partita NO.2 Gigue

( )

Toccata

* Toccata Fantasia

*Bach Toccata *e minor Toccata

Toccata fatasia ,, ,

ex: /Bach 7

SUITE

Allemande(): 4/4()
* II
*section I(C )---
*section II(?)----I#()
* taste
Courante():
: FUGUE
: 3/4
Sarabande():
(,,)

(Minuet) (Bourree)( Paven)( Gavotte)

Gigue():

VARIATON

( : op.120)

BACH:GOLDBERG VARIATION

 PIERRE HANTAI

* *

* *

FUGUE

* ricercarcanzona

* :expositionepisodestrettoclionosing section

I(1722) II(1742-44) 20

*BACH

*prelude+Fugue ?

* Fuga

NO.1 sequence
()I-II-V-I ()

Pedal

NO.2 like a Etude or Toccata

Toccata ( )

--- -( pedal NO.1 C C )

--- (I-IV-V-I)

NO.3 GIGUE CouranteNO.4 Courante

NO.5 Allemande NO.6 Allemande NO.7 Sarabande NO.8 Sarabande

NO.9 Courante NO.10 Courante NO.11 Gigue

NO.12Allemande NO.13 GIGUE NO.14 Allemande NO.15 Gigue

NO.16 Sarabande NO.17 Courante NO.18 Courante NO.19 Allemande NO.20

Gigue NO.21 Gigue NO.22 Allemande NO.23 Allemande NO.24 Sarabande

NO.1 Allemande NO.2 Allemande NO.3 Allemande NO.4 Courante

NO.5 Courante NO.6 Courante NO.7 Courante NO.8 Allemande

NO.9 Sarabande NO.10 Courante NO.11Sarabande NO.12 Saraband

NO.13Gigue NO.14 Courante NO.15 Courante NO.16 Sarabande

NO.17 Courante NO.18 Allemande NO.19 Courante NO.20Allemande

NO.21 Courante NO.22 Sarabande No.23 Allemande No.24Gigue

NO.1

* :II-I-III-IV
*stretto---pedal Fuga

*mm23-24

NO.2

NO.5

NO.6 (mm.21-24)

( 1600~1640)

1. Monteverdi/ofeo, madrigal

2. Giovanni Gabrieli/

3. Girolamo Frescobaldi/ keyboard music

4. Jan Pieterszoon Sqeelinck

5. Samuel Scheidt

6. Heinrich Schutz/

7. John Hermann Schein

( 1640~1690)

1. Jean-Henri dArglebert

2. Giacomo Carissimi

3. Luigi Rossi

4. Jean-Baptiste Lully

5. Johann Jacob Froberger

 6. Henry Purcell(1659-1695)----Working Bass

( 1690~1750)

1. D.Scarlatti

SONATA

2. Francois Couperin()

repeatecho

3. Jean-Philippe Rameau()

4. J.S. Bach

5. George Frideric Handel

BACH HANDEL

BACH HANDEL



clear()

2-3-4-3-4

1.Performance practice

2.Doctrine of affections

C.P.E.Bach (

)Empfindersam()

3.Keyboard influcence

*Organ /(ppp->fff)

*Harpsichord 1~2

*Clavichord

*Harpsichord Clavichord

*piano forte

a. Butterfly pedal trill.

b.

c. Finger pedal

pedal

d. Non-legato( legato 1800 )non-legato

1.

2.

3. ()

4. :SONATA(SONARE )

Sonata form Sonata Sonata

*MOZART (K.457 )

*Haydn

*Beethoven-

SONATA

-------------------- --------------------

()

*Haydn(1732-1809)

EX: Brahms Haydn Variation()

*Mozart balance

J.C. BACH

*Beethoven (1770-1827)

Op.2 Sonata Haydn()

: 1802

:1802-1816

:1817-1827 piano sonata