Producing Sample

Academic Template
Production: " Redeployment "
Days Location - Director: Kathryn Bigelow

Days Stage -
Total Days - 6 Producer: Becca Cox
Start Photo:
Finish Photo:
Unions: WGA, DGA, SAG, IA, 399
Acct# Category Description Page Total
1000 Story and Rights 1 $500
1100 Producers 1 $0
1200 Directors 1 $2,000
1300 Cast 1 $4,633
1400 Above-The-Line Travel/Other 2 $1,720
Total Above-The-Line $8,853
1500 Production Staff 4 $3,950
1600 Extra Talent 5 $2,000
1700 Art Department 5 $2,225
1800 Set Dressing 6 $1,340
1900 Set Operation 7 $1,273
2000 Props 8 $1,650
2100 Special Effect 8 $1,300
2200 Wardrobe 9 $1,275
2300 Makeup and Hairdressing 9 $650
2400 Set Construction 10 $0
2500 Set Lighting 10 $1,480
2600 Camera 11 $2,950
2700 Production Sound 12 $2,560
2800 Locations 12 $3,808
2900 Transportation 13 $3,750
3000 Production Film & Lab 14 $0
3100 Video 14 $0
3200 Facilities 15 $0
3300 Second Unit 15 $0
Total Production $30,211
3400 Editing 17 $750
3500 Music 17 $100
3600 Post Production Sound 17 $600
3700 Post Production Film & Lab 18 $0
3800 Titles & Opticals 18 $300
Total Post Production $1,750
3900 Insurance 19 $300
4000 Publicity 19 $0
4100 Product Placement 19 $0
4200 General Expense 19 $125
The Entertainment Partners Services Group, EP Budgeting
Acct# Category Description Page Total
Total Other $425
Contingency : 5.0% $2,381
Total Below-The-Line $32,386
Total Above and Below-The-Line $41,239
Total Fringes $6,380
Grand Total $50,000
Acct# Description Amt Units X Rate Sub T Total
1000 Story and Rights
1001 Writer Fee
Total $0
1002 Story Rights
1 1 500 500
Total $500
1010 Supplies $0
Account Total for 1000 $500
1100 Producers
1101 Executive Producer
Total $0
1102 Associate Producer $0
1130 Producer Misc. Expenses $0
1200 Directors
1201 1st Unit Director
2 Weeks 1 1,000 2,000
Total $2,000
1202 2nd Unit Director $0
1230 Miscellaneous Expenses $0
Account Total for 1200 $2,000
1300 Cast
1301 Principal Players
Price 6 Days 1 150 900
Cheryl 4 Days 1 150 600
O'Leary 3 Days 1 150 450
Weissert 4 Days 1 150 600
Slaughter 4 Days 1 150 600
Continuation of Account 1301
Total $3,150
1302 Day Players
Eicholtz 1 Day 1 100 100
CO 1 Day 1 100 100
Total $200
1303 Stunt Coordinator
War Scene Days 1 Day 1 933 933
Total $933
1304 Stunt Players $0
1306 Stunt Equipment
Stunt Mat 1 Week 2 100 200
Total $200
1307 Cast Looping & Expenses $0
1308 SAG Costs $0
1312 Overtime/Adjustments $0
1330 Miscellaneous Expenses
1 1 150 150
Total $150
1400 Above-The-Line Travel/Other

1501 Actors From LA-Location Round Trip
Flight 1 1 250 250
Total $250
1502 Hotel
Hotel 7 Days 1 125 875
Total $875
1503 Transport
Transport 7 Days 1 25 175
Total $175
1504 Per Diem
Per Diem 8 Days 1 52.5 420
Total $420

1500 Production Staff
1501 Unit Production Manager
2 Weeks 1 750 1,500
Total $1,500
1502 1st Assistant Director
1 Week 1 600 600
Total $600
1503 Production Coordinator
1 Week 1 500 500
Total $500
1504 Script Supervisor
1 Week 1 500 500
Total $500
1505 Location Manager
1 Week 1 500 500
Total $500
1506 Production Assitants
Free Intern 1 Week 2 0
Total $0
1507 Teacher-Welfare Worker $0
1510 Supplies
1 1 50 50
Total $50
1511 Purchases
Total $0
1513 Rentals
Copy Machine 1 1 300 300
Total $300
Total $0
1600 Extra Talent

1602 General Background
Male Marine 2 Days 5 25 250
Female Adolescents 1 Day 1 25 25
Male Adolescents 1 Day 1 25 25
Adult Females 1 Day 2 25 50
Adult Males 1 Day 2 25 50
Insurgents 1 Day 3 25 75
Sales People 1 Day 1 25 25
Lone Insurgent 1 Day 1 25 25
Camera Crew 1 Day 2 25 50
Eicholtz Father 1 Day 1 25 25
Females 40-60 1 Day 4 25 100
Males 40-60 1 Day 4 25 100
Females 20-30 1 Day 4 25 100
Older Children 1 Day 2 25 50
Younger Children 1 Day 2 25 50
Total $1,000
1603 Mileage/Car Allowances $0
1604 Fittings/Interviews $0
1612 Overtime/Adjustments $0
1700 Art Department

1701 Production Designer
Total $0
1702 Art Director
Also Production Designer 1 Week 1 750 750
Total $750
1703 Set Designers
1 Week 1 750 750
Total $750
1704 Production Assistants
Free Intern 2 Weeks 2 0 0
Total $0
1711 Purchases
1 1 300 300
Total $300
1713 Art Department Rentals
1 1 300 300
Total $300
1 1 125 125
Total $125
1800 Set Dressing

1801 Set Decorator
1 Week 1 500 500
Total $500
1802 On-set Dresser
Free Intern 2 Weeks 2 0 0
Total $0
1811 Purchases
1 1 400 400
Total $400
1813 Rentals
1 1 200 200
Total $200
1814 Loss & Damage
1 1 140 140
Total $140
1830 Miscellaneous Expense
1 1 100 100
Total $100
1900 Set Operation

1901 Key Grip
1 Week 1 600 600
Total $600
1902 Best Boy
Total $0
1903 Dolly Grip/Crane Grip $0
1904 Set Assistant
Free Intern 1 Week 2 0 0
Total $0
1905 Craft Service
1 Person 127 4 508
Total $508
1906 Craft Service Supplies
Total $0
1907 Dolly Rentals $0
1908 Crane Rentals $0
1909 First Aid
1 1 50 50
Total $50
1910 Materials & Supplies $0
1911 Purchases
1 1 15 15
Total $15
1913 Rentals $0
1914 Loss & Damage
1 1 100 100
Total $100
2000 Props
2001 Propmaster
1 Week 1 500 500
Total $500
2002 Asst Propmaster $0
2003 Wranglers/Handlers
Animal Wrangler + Anima 1 Week 1 500 500
Total $500
2004 Animals
1 Week 1 250 250
Total $250
2005 Picture Vehicles
Price 1 1 150 150
Total $150
2011 Purchases
1 1 100 100
Total $100
2013 Rentrals $0
2014 Loss & Damage
1 1 150 150
Total $150
2100 Special Effect

2101 Speical Effects Foreman
1 Week 1 750 750
Total $750
2102 Special Effects Technician
Total $0
2103 Labor $0
2110 Supplies $0
2111 Purchases
1 1 275 275
Total $275
2113 Rentals
1 1 225 225
Total $225
1 1 50 50
Total $50
2200 Wardrobe
2201 Designers $0
2202 Lead Costumers
Lead Costumer/Designer 1 Week 1 750 750
Free Intern
Total $750
2210 Materials/Supplies $0
2211 Purchases
1 1 425 425
Total $425
2213 Rentals $0
2214 Loss & Damage
1 1 100 100
Total $100
2230 Miscellaneous Expense $0
2300 Makeup and Hairdressing

2301 Key Makeup Artist
Head Makeup 1 Week 1 500 500
Free Intern
Total $500
2302 Head Hair Stylist
Total $0
2303 SPFX Makeup
Total $0
2311 Purchases
1 1 150 150
Total $150
2313 Rentals $0
2314 Loss and Damages $0
2400 Set Construction

2401 Construction Coordinator
Total $0
2402 Construction Labor $0
2403 Strike & Restorations $0
2404 Trash Removal $0
2410 Materials & Supplies $0
2413 Equipment Rentals $0
2414 Loss & Damages $0
2430 Misc. Expenses $0
2500 Set Lighting

2501 Gaffer
1 Week 1 600 600
Total $600
2502 Best Boy
1 Week 1 500 500
Total $500
2503 Generator Operators $0
2504 Rig/Strike Labor $0
2505 Globes & Carbons $0
2511 Purchases
1 1 100 100
Total $100
2513 Rentals
1 1 100 100
Total $100
2514 Loss & Damages
1 1 130 130
Total $130
1 1 50 50
Total $50
2600 Camera
2601 Director of Photography
1 Week 1 750 750
Total $750
2602 Camera Operator $0
2603 1st Asst. Cameraman
1 Week 1 500 500
Total $500
2604 2nd Asst. Cameraman
1 Week 1 500 500
Total $500
2605 Still Photographer $0
2611 Purchases $0
2613 Rentals
Camera Package 1 Week 1 1,000 1,000
Total $1,000
2614 Loss, Damage, & Repair
1 1 200 200
Total $200
2700 Production Sound

2701 Production Mixer
1 Week 1 750 750
Total $750
2702 Boom Operator
1 Week 1 500 500
Total $500
2703 Audio Playback $0
2704 Electricians
1 Week 2 500 1,000
Total $1,000
2710 Sound Equp. Supplies $0
2711 Sound Equp. Purchases $0
2713 Sound Equp. Rentals
1 Week 1 210 210
Total $210
2714 Loss & Damage
1 1 100 100
Total $100
2730 Miscellaneous Exoenses $0
2800 Locations
2801 Site Rentals, Fees, & Permits
Permits 1 1 100 100
Total $100
2802 Fireman/Police/Watchmen $0
2803 Additional Grips
Additional Grips 1 Week 2 500 1,000
Total $1,000
2804 First Aid & Medical Services $0
2805 Location Employees $0
2806 Catered Meals
Cast/Crew Lunch 1 Meals 84 12 1,008
Extras 1 Meals 33 5 165
Cast/Crew Dinner 1 19 18 342
Cast/Crew Breakfast 1 103 6 618
Total $2,133
2807 Catering Staff
1 Week 1 500 500
Total $500
2808 Location Parking $0
2809 Shipping & Forwarding Costs $0
2810 Special Equipment $0
2811 Purchases $0
2813 Rentals $0
2814 Loss & Damages
1 1 75 75
Total $75
2900 Transportation
2901 Coordinator
1 Week 1 500 500
Total $500
2902 Trans Captin $0
2903 Location Drivers
1 Week 1 500 500
Total $500
2904 Truck Rental
Mobile Production Office 1 Week 1 300 300
Grip Truck 1 Week 1 1,200 1,200
Total $1,500
2905 Dressing Room Rental
Motorhomes 1 Week 1 700 700
Total $700
2906 Location Equipment $0
2907 Gas, Oil & Vehicle Washes
1 1 300 300
Total $300
2908 Repairs & Maintenance $0
2909 Self-Drivers $0
2913 Rentals $0
2914 Loss & Damages
1 1 250 250
Total $250
3000 Production Film & Lab

3001 Raw Stock / Mini DV $0
3002 Negative Developing $0
3003 Positive Prints $0
3004 1/4" Tape / DAT $0
3005 Sound Transfer $0
3006 Telecine Transfer $0
3007 Digital Film Media $0
3100 Video
3101 Supervisor $0
3102 Video Operator $0
3103 Additional Labor $0
3104 Video Editiing $0
3105 Video Transfers $0
3106 Video Contracts $0
3111 Purchases $0
3113 Rentals $0
3114 Loss & Damages $0
3130 Miscellaneous $0
3200 Facilities
3201 Producers Office $0
3202 Production Office
Mobile- See Line 2904
Total $0
3203 Directors Office $0
3204 Stage #1 $0
3205 Stage #2 $0
3206 Storage $0
3300 Second Unit

3301 Producer $0
3302 Director $0
3303 Cast $0
3304 Bits & Stunts $0
3305 Extras $0
3306 Travel/Expenses $0
3307 Production Staff $0
3308 Makeup & Hair $0
3309 Camera $0
3314 Loss & Damage $0
3315 Film/Lab $0
3316 Set Construction/Design $0
3317 Set Lighting $0
3318 Sound $0
3319 Locations $0
3320 Transportation $0
3330 Miscellaneous $0
Total Production $30,211

3400 Editing
3401 Editor
1 Week 1 750 750
Total $750
3402 Assistant Editor $0
3411 Purchases $0
3413 Rentals $0
3500 Music
3501 Clearences
1 1 100 100
Total $100
3502 Song Writers $0
3503 Composers $0
3504 Music Supervisor $0
3600 Post Production Sound

3601 Sound Mixing and Stage Package
1 1 600 600
Total $600
3602 ADR Stage $0
3603 Foley and EFX Recording $0
3604 Tape Transfers $0
3611 Purcahses
Total $0
3613 Rentals
Total $0
3700 Post Production Film & Lab

3701 Film Leader $0
3702 Negative Splicing $0
3703 Picture Reprints $0
3704 Stock Shots $0
3705 Opticals $0
3706 Duplication $0
3707 Video Cassette / DVD $0
3708 Lab Fee $0
3711 Purchases $0
3713 Rentals $0
3800 Titles & Opticals

3801 Titles
Main Titles 1 1 300 300
Total $300
3802 Main & End Titles $0
3803 Optical Development $0
Total Post Production $1,750

3900 Insurance
3901 Cast Insurance
Entertainment Package 1 1 300 300
Total $300
3902 Negative Insurance $0
3903 Extra Expense $0
4000 Publicity
4001 Publicist $0
4002 Film Festivals $0
4003 Marketing Materials $0
4100 Product Placement

4101 Product 1 $0
4102 Product 2 $0
4200 General Expense

4201 Office Supplies
1 1 100 100
Total $100
4202 Local Meals $0
4203 Photocopies
Also See Line 1513 1 1 25 25
Total $25
4204 Office Postage & Shipping $0
4205 Telephones $0
4206 Fax $0
4213 Rentals $0
Total Other $425

Contingency : 5.0% $2,381
Total Below-The-Line $32,386
Total Above and Below-The-Line $41,239
Total Fringes $6,380
Grand Total $50,000
CAST MEMBERS
1.Price 4. Weissert 7.CO
2. Cheryl 5.Slaughter 8.First Sergeant
3.O'Leary 6. Eicholtz
Oct 26, 2017 Page 1 of 2
1:37 AM Day Out of Days Report for Cast Members
Month/Day 10/12 10/13 10/14 10/15 10/16 10/17 Co.
Day of Week Thu Fri Sat Sun Mon Tue Travel Work Hold Holiday
Shooting Day 1 2 3 4 5 6
1. Price SW W W W W WF 6
2. Cheryl SW W W WF 4
3. O'Leary SW W WF 3
4. Weissert SW W W WF 4
5. Slaughter SW W W WF 4
6. Eicholtz SWF 1
7. CO SWF 1
8. First Sergeant SWF 1
Oct 26, 2017 Page 2 of 2
1:37 AM Day Out of Days Report for Cast Members
Month/Day
Day of Week Start Finish TOTAL
Shooting Day
1. Price 10/12 10/17 6
2. Cheryl 10/12 10/17 4
3. O'Leary 10/15 10/17 3
4. Weissert 10/14 10/17 4
5. Slaughter 10/14 10/17 4
6. Eicholtz 10/16 10/16 1
7. CO 10/17 10/17 1
8. First Sergeant 10/17 10/17 1
Sheet #: 27 Scenes: EXT Outdoor Mall 1, 2 Est. Time
2/8 pgs 27 Day 2:30
Cheryl and Price are at the mall, and Price can't stop seeing threats around every corner.
Sheet #: 30 Scenes: EXT Mall Parking Lot 1, 2 Est. Time

1/8 pgs 30 Day Cheryl and Price walk to their car and Price gets more and more jumpy. 0:45
Sheet #: 31 Scenes: EXT Price's Car 1, 2 Est. Time
3/8 pgs 31 Day Cheryl loads the car but as Price goes to get in the driver seat she stops him. :45
Company Move 1:00
Lunch 1:00
Sheet #: 28 Scenes: INT Store 1, 2 Est. Time
2/8 pgs 28 Day 1:00
Cheryl is picking out new clothes for Price, but Price is too jumpy to actually participate.
Sheet #: 29 Scenes: INT Dressing Room 1 Est. Time

1/8 pgs 29 Day Price sits in the dressing room of the store, barely holding it together. 1:00
End of Shooting Day 1 -- Thursday, October 12, 2017 -- 1 1/8 Pages -- Time Estimate: 8:00
Sheet #: 19 Scenes: INT House Entryway 1, 2 Est. Time
1/8 pgs 19 Day Cheryl and Price walk into their home. :45
Sheet #: 32 Scenes: INT House Entryway 1, 2 Est. Time
2/8 pgs 32 Day :45move.
Price and Cheryl enter the house to find the Vicar has thrown up again and can barely
Sheet #: 21 Scenes: INT House Stairs 1, 2 Est. Time

1/8 pgs 21 Day Cheryl and Price share a moment as he carries her upstairs. :45
Sheet #: 9 Scenes: EXT Yard (Dream) 1, 2 Est. Time
4/8 pgs 9 Day Price dreams about Cheryl and VIcar, which quickly turns into a nightmare. 1:30
Lunch 1:00
Sheet #: 20 Scenes: INT House Living Room 1, 2 Est. Time
5/8 pgs 20 Day Cheryl and Price walk into the living room to where Vicar is lying on the couch, Price1:00
notices what has changed during his a
Sheet #: 25 Scenes: INT House Living Room 1 Est. Time

4/8 pgs 25 Day :45up again.
Price watches a baseball game with Vicar, spoiling him with treats, when Vicar throws

2/8 pgs 26 Day Cheryl comes in to find Price and Vicar still on the couch watching baseball. 1:00
1 pgs 33 Day 1:15how to do it, then say their goodby
Cheryl and Price realize that they both know they need to put Vicar down, but fight over
Sheet #: 24 Scenes: INT House Bedroom 1, 2 Est. Time

1/8 pgs 24 Night Price arrives home late and tries not to wake Cheryl as he gets in bed. :45
End of Shooting Day 2 -- Friday, October 13, 2017 -- 3 4/8 Pages -- Time Estimate: 9:30
Sheet #: 34 Scenes: EXT Dirt Road 1 Est. Time
2/8 pgs 34 Day Price drives Vicar to a calm spot and carries him out of the car. 2:00
Sheet #: 35 Scenes: EXT Stream 1 Est. Time
4/8 pgs 35 Day Price carries Vicar down to the stream and lays him down gently, after a moment he1:30
levels his gun and shoots VIcar in the
Lunch 1:00
Company Move 1:00

Sheet #: 18 Scenes: INT Price's Car 1, 2 Est. Time
5/8 pgs 18 Night Price and Cheryl have a tense ride home. 1:45
Sheet #: 23 Scenes: INT Price's Car 1, 4, 5 Est. Time
3/8 pgs 23 Night Price hands off a drunken Weissert to Slaughter 1:15
End of Shooting Day 3 -- Saturday, October 14, 2017 -- 1 6/8 Pages -- Time Estimate: 8:30
Sheet #: 3 Scenes: INT War Torn House Hallway 1 Est. Time
3/8 pgs 3 Day As Price is sweeping a house, he sees an insurgent and kills him. 1:30
Sheet #: 22 Scenes: INT Training Room 1, 3, 4, 5 Est. Time
4/8 pgs 22 Day 1:00
Price and his Squadron sit through mandatory training, some of them look worse than they did getting off the plane.
Sheet #: 6 Scenes: INT Logistics Base Lounge 1, 3, 4, 5 Est. Time

3/8 pgs 6 Night The squadron sits around and plays a poker game that gets rowdy. 1:00
Sheet #: 7 Scenes: INT Military Base Shower 1 Est. Time
2/8 pgs 7 Night Price masturbates in the shower to let off steam. 1:00
Lunch 1:00
Company Move 1:00

Sheet #: 8 Scenes: INT Military Transport Plane 1, 3, 4, 5 Est. Time
2/8 pgs 8 Day Price boards the plane to head home and doesn't know what to do with himself. 1:00
Sheet #: 11 Scenes: INT Military Transport Plane 1, 3, 4, 5 Est. Time
1/8 pgs 11 Night The plane touchesdown, startling Price awake. 1:00
Sheet #: 15 Scenes: INT Bus 1, 3, 4, 5 Est. Time
2/8 pgs 15 Night Price and his squadron ride the bus to Camp Lejeune 1:00
End of Shooting Day 4 -- Sunday, October 15, 2017 -- 2 1/8 Pages -- Time Estimate: 9:30
Sheet #: 1 Scenes: EXT War Torn Street 1, 3, 4, 5, 6 Est. Time
6/8 pgs 1 Day 2:30 which they decide to shoot.
Price and his squadron walk down a war torn street and see a dog drinking from a corpse,
Sheet #: 10 Scenes: EXT Warzone Street (Dream) 1, 6 Est. Time

2/8 pgs 10 Day Price staves off the same brown dog from before and holds Eicholtz as he dies from1:30
a gunshot wound.
Lunch 1:00
Sheet #: 2 Scenes: EXT War Torn Street 2 1, 3, 4, 5, 6 Est. Time
1/8 pgs 2 Day Price and his squadron see a dog dragging away a human arm and shoot it. 1:00
Sheet #: 4 Scenes: EXT Warzone Allyway 1, 3, 4, 5, 6 Est. Time
1/8 pgs 4 Day Price and his squadron shoot a pack of dogs fighting over a corpse. 1:00
Sheet #: 5 Scenes: EXT War Torn Crumbling Buildings 1, 3, 4, 5, 6 Est. Time
1/8 pgs 5 Day The squadron is ambushed by insurgents, a fire fight ensues. 2:00
End of Shooting Day 5 -- Monday, October 16, 2017 -- 1 3/8 Pages -- Time Estimate: 9:00
Sheet #: 17 Scenes: EXT Barracks 1, 2, 3, 4, 5 Est. Time
7/8 pgs 17 Night Price and his squad reach the crowd of people and reunite with their families. 3:00
Dinner 1:00
Company Move 1:00

Sheet #: 12 Scenes: EXT Military Base Loading Zone 1, 3, 4, 5, 7 Est. Time
1/8 pgs 12 Night The Marines exit the plane and get orders to unload the plane. 1:00
Sheet #: 14 Scenes: EXT Military Base Loading Zone 1, 3, 4, 5 Est. Time
1/8 pgs 14 Night The Marines finish loading everything and get onto waiting buses. 1:00
Sheet #: 13 Scenes: EXT Military Base Trucks 1, 3, 4, 5 Est. Time
1/8 pgs 13 Night The Marines unload the gear from the plane onto waiting trucks. 1:00
Sheet #: 16 Scenes: EXT Armory 1, 3, 4, 5, 8 Est. Time
3/8 pgs 16 Night Price gets off the bus and turns in his gun, and doesn't know what to do after. 1:30
End of Shooting Day 6 -- Tuesday, October 17, 2017 -- 1 5/8 Pages -- Time Estimate: 9:30
Silent Z Media ASU School of Film, Dance and Theater DECEMBER 4TH 2017 Day 1 of 6
Producer Becca Cox (480) 813-1248 BREAKFAST 7:00 AM CRAFT SERVICES

Director Becca Cox (480) 813-1248 LUNCH 12:00 PM Chloe Adams (480) 555-5555
UPM Becca Cox (480) 813-1248 SUNRISE SUNSET
Nearest Hospital (480) 728-8000
Redeployment 7:16 AM 5:20 PM
Mercy Gilbert Medical Center WEATHER 56° AM 65° NOON 72° PM
3555 S Val Vista Dr, Gilbert, AZ 85297 Humidity 60% Partly Cloudy
Walkie Assignments Will Be Given By Becca Cox on set

Closed Toe Shoes Required
Individual call times may vary. **NO SOCIAL MEDIA**CLOSED
SET**
Questions? Call Becca Cox (480) 813-1248
CALL 7:15 AM “Monday would like you to leave it alone. It’s not its fault that you
are emotionally unprepared for your professional lives.” —
Welcome to Night Vale Episode 3: Station Management
SCENES SET AND DESCRIPTION CHARACTER # D/N PAGES LOCATION/NOTES

EXT. Outdoor Mall 1,2 D 2/8ths SanTan Village Mall – Main Strip
27 2218 E Williams Field Rd Suite 235, Gilbert, AZ 85295
Cheryl and Price are at the mall and Price can't stop seeing threats.
EXT. Mall Parking Lot 1,2 D 1/8th SanTan Village Mall - Food Court Parking Lot
30 2218 E Williams Field Rd Suite 235, Gilbert, AZ 85295
Price and Cheryl walk to their car and Price goes on red alert because of all the noise.
EXT. Price's Car 1,2 D 3/8ths SanTan Village Mall - Food Court Parking Lot
31
Cheryl loads the car but as Price goes to get in the drivers seat, she stops him. 2218 E Williams Field Rd Suite 235, Gilbert, AZ 85295
INT. Store 1,2 D 2/8ths SanTan Village - H&M
28
Cheryl is picking out new clothes for Price, but he is too distracted to really take part. 2218 E Williams Field Rd Suite 235, Gilbert, AZ 85295
INT. Dressing Room 1 D 1/8th SanTan Village - H&M
29
Price sits in the dressing room of the store, barely holding it together. 2218 E Williams Field Rd Suite 235, Gilbert, AZ 85295
TOTAL PAGES 1 1/8ths
# CAST CHARACTER SWHF MU SET MINOR? SPECIAL INSTRUCTIONS

1 Chris Evans Price W 7:45 AM 8:30 N
2 Felicia Day Cheryl W 7:45 AM 8:30 N
PRODUCTION NOTES
Production Note 1 PRODUCTION OFFICE WILL BE IN FOOD COURT LOT

Production Note 2 2 Stand-ins - Call @ 7:45am
Production Note 3 6 Extras - Call @ 7:45am
Production Note 4 Special Atmosphere: Busy Mall
POSITION NAME PHONE IN POSITION NAME PHONE IN

Director Becca Cox (555)-555-5555 7:00 AM
1st AD Robyn Cox (555)-555-5555 7:00 AM
Set PA Andrew Johns (555)-555-5555 7:15 AM
Set PA Rachel Lowry (555)-555-5555 7:15 AM
Dir. of Photography Savannah Payton (555)-555-5555 7:00 AM
Cam OP Thao Ngo (555)-555-5555 7:15 AM
1st AC Carlos Diaz (555)-555-5555 7:15 AM
DIT
Still Photographer
Key Grip Kristian Schroeder (555)-555-5555 7:15 AM
Best Boy Grip Matt Rhoe (555)-555-5555 7:15 AM
Addl Grip
Key Makeup Artist Christina Swanson (555)-555-5555 7:00 AM
Key Hairstylist Hannah Jordan (555)-555-5555 7:00 AM
Key Costumer Makayla Painter (555)-555-5555 7:15 AM
Production Designer Lindsey Antonio (555)-555-5555 7:15 AM
Set Designer Tatum Hendrix (555)-555-5555 7:15 AM
Scenes: CAST IDs: 1, 2
EXT Outdoor Mall 2/8 pgs.
27 VEHICLE IDs:
EXT Mall Parking Lot 1/8 pgs.
30 VEHICLE IDs:
EXT Price's Car 3/8 pgs.
31 VEHICLE IDs:
Company Move 1:00
Lunch 1:00
INT Store 2/8 pgs.
28 VEHICLE IDs:
Scenes: CAST IDs: 1
INT Dressing Room 1/8 pgs.
29 VEHICLE IDs:
End of Shooting Day 1 -- Thursday, October 12, 2017 -- 1 1/8 Pages

INT House Entryway 1/8 pgs.
19 VEHICLE IDs:
INT House Entryway 2/8 pgs.
32 VEHICLE IDs:
INT House Stairs 1/8 pgs.
21 VEHICLE IDs:
EXT Yard (Dream) 4/8 pgs.
9 VEHICLE IDs:
Lunch 1:00
INT House Living Room 5/8 pgs.
20 VEHICLE IDs:
Scenes: CAST IDs: 1
25 VEHICLE IDs:
26 VEHICLE IDs:
INT House Living Room 1 pgs.
33 VEHICLE IDs:
INT House Bedroom 1/8 pgs.
24 VEHICLE IDs:
End of Shooting Day 2 -- Friday, October 13, 2017 -- 3 4/8 Pages

Scenes: CAST IDs: 1
EXT Dirt Road 2/8 pgs.
34 VEHICLE IDs:
Scenes: CAST IDs: 1
EXT Stream 4/8 pgs.
35 VEHICLE IDs:
Lunch 1:00
Company Move 1:00

INT Price's Car 5/8 pgs.
18 VEHICLE IDs:
Scenes: CAST IDs: 1, 4, 5
INT Price's Car 3/8 pgs.
23 VEHICLE IDs:
End of Shooting Day 3 -- Saturday, October 14, 2017 -- 1 6/8 Pages

Scenes: CAST IDs: 1
INT War Torn House Hallway 3/8 pgs.
3 VEHICLE IDs:
Scenes: CAST IDs: 1, 3, 4, 5
INT Training Room 4/8 pgs.
22 VEHICLE IDs:
INT Logistics Base Lounge 3/8 pgs.
6 VEHICLE IDs:
Scenes: CAST IDs: 1
INT Military Base Shower 2/8 pgs.
7 VEHICLE IDs:
Lunch 1:00
Company Move 1:00

INT Military Transport Plane 2/8 pgs.
8 VEHICLE IDs:
INT Military Transport Plane 1/8 pgs.
11 VEHICLE IDs:
INT Bus 2/8 pgs.
15 VEHICLE IDs:
End of Shooting Day 4 -- Sunday, October 15, 2017 -- 2 1/8 Pages

Scenes: CAST IDs: 1, 3, 4, 5, 6
EXT War Torn Street 6/8 pgs.
1 VEHICLE IDs:
EXT Warzone Street (Dream) 2/8 pgs.
10 VEHICLE IDs:
Lunch 1:00
EXT War Torn Street 2 1/8 pgs.
2 VEHICLE IDs:
EXT Warzone Allyway 1/8 pgs.
4 VEHICLE IDs:
EXT War Torn Crumbling Buildings 1/8 pgs.
5 VEHICLE IDs:
End of Shooting Day 5 -- Monday, October 16, 2017 -- 1 3/8 Pages

EXT Barracks 7/8 pgs.
17 VEHICLE IDs:
Dinner 1:00
Company Move 1:00
EXT Military Base Loading Zone 1/8 pgs.
12 VEHICLE IDs:
EXT Military Base Loading Zone 1/8 pgs.
14 VEHICLE IDs:
EXT Military Base Trucks 1/8 pgs.
13 VEHICLE IDs:
EXT Armory 3/8 pgs.
16 VEHICLE IDs:
End of Shooting Day 6 -- Tuesday, October 17, 2017 -- 1 5/8 Pages

Redeployment
Becca Cox
ThisisBeccaCox@Gmail.com
Cell: 480-813-1248
Silent Z Media
1
Silent Z Media
Founded in 2017 by university students Becca Cox and Rachel Lowry, Silent Z Media
focuses on a wide range of media forms, from film to written word. Throughout all these
different forms of media, they put an emphasis on what stories are being told and how we are
doing so. Silent Z Media strives to tell impactful and diverse stories by representing those who
may find themselves lost in current trends, while still maintaining what it is that draws people to
those trends. They want to work within popular genres, narratives and other forms of media to
accomplish this goal, not against them. They love popular media, from blockbuster films to
bestselling books and everything in between, and want to see them evolve into something that
even more people can enjoy and recognize themselves in. It is not about big radical changes, but
about small shifts in how narratives, characters, and plots are crafted, be those written or what
we see on screen. Alongside this they want to continue to look critically at these current trends to
gain a deeper understanding of where we are in the world of media today and what can be done
to accomplish their goals and put our mark upon the world of media. Although they are just
getting started, they are excited for the future and the amazing stories that will come of it. Their
current projects in development include a parody web series as well as two short stories that we
hope to continue moving forward with.
Becca Cox
Hailing from Phoenix Arizona, Becca Cox has been making films from the moment she
was given her first camera. At first, it started as a fun way to pass time with friends but over the
years it evolved into a love of all forms of popular media and a desire to make films, books and
other media to inspire others, just as she has been. This led her to peruse concurrent degrees in
both Filmmaking Practices and English Studies at Arizona State University which she will
complete in May 2018. She is working to expand her skillset in many areas of filmmaking as
well as in her English studies so that she can take on any challenge that is thrown her way and
come out of school with a well-rounded knowledge in both of areas. During her studies, she has
developed a passion for working with stories in their development phase, helping to make them
stronger. She hopes to continue to help others see their ideas through from start to finish and to
make the world of media a bigger place, all while maintaining the fun and excitement that drew
her in.
2
“Redeployment” by Phil Klay tells the story of Sergeant Price, a Marine returning from
deployment in the Iraq War. Many things stand out to him as he makes his way home,
‘Operation Scooby’ where the men began to shoot dogs because they were drinking blood from
dead bodies and the fact that killing, be it dogs or people, had become so commonplace that he
didn’t even think about it at the time. Yet, now that he has time to reflect, these moments are
starting to surface. The story progresses between antidotes about what happened during the war
and what Price is going back to at home, which is are in stark contrast to one another. He thinks
about his old, happy, lab, Vicar, that he and his wife, Cheryl adopted a few years before his
deployment in comparison to the dogs that he killed in Iraq. He thinks about the destruction he
saw, people left to rot in cages, pictures of families as the country fell apart and the spot where
some of his comrades died while also thinking about being back with Cheryl.
When he finally arrives home, the moment is almost surreal. The gun that he has had
constantly with him for months is taken, and he is told to go back to his old life, with minimal
support. He puts on his best front when he sees Cheryl, but things are different, there is an
unseen tension, even though everything at home is seemingly the same. When he walks into his
house he sees that Vicar has gotten sick since he has been gone and is having trouble doing
almost anything, although he is still a happy, carefree dog. Price struggles to adjust, and many of
his fellow soldiers are faring even worse. All of them are leaning on each other for support,
although it seems to not be working. He trudges through his responsibilities each day, going to
mandatory appointments and passing off his alcoholic friends between one another. Then he goes
home to sit on the couch watching recorded baseball with Vicar laying in his lap and sneaking
the old dog treats. The same unresolved tension continues to bode over him.
The contrast between the delicate and clean nature of life in the United States versus the
chaos and death during in Iraq comes to a head during a shopping trip with Cheryl. Price can’t
stop seeing enemies around every corner, and wondering if he will ever be able to go back to a
normal state of being, instead of being hyper vigilant all the time. He even ponders going back to
the warzone. Finally, they return home to find that Vicar has thrown up again, and finally the
tension splits, he confronts Cheryl about it being time to put the dog down and she seems to have
known the entire time. Price insists on doing it himself. He loads up Vicar and takes him to a
beautiful spot next to a creek and executes him just as he had been trained to do, just as he did to
the dogs in Iraq. After he just stands there, forgetting what he had planned to do after.
3
Director – Kathryn Bigelow
Kathryn Bigelow is an American director, producer and writer best known for her work on The
Hurt Locker and Zero Dark Thirty, both of which she directed as well as produced. Born in San
Carlos, California in 1951 Bigelow always had an interest in the arts. She attended both the San
Francisco Art Institute and the Whitney Museum of American Art before attending the flm
graduate program at Columbia University and studying film through theory and critical response.
She has directed a wide variety of films from crime film Point Break to the sci-fi thriller Strange
Days. She was the first and, as of 2017, only women to receive the Academy Award for Best
Directing, the Directors Guild of America Award for Outstanding Directing, the BAFTA Award
for Best Direction and the Critics’ Choice Movie Award for Best Direction.
Kathryn brings a wide range of experience in both directing and producing films, but in
particular in the area of modern war films. Her two war films, The Hurt Locker and Zero Dark
Thirty were both critical and financial successes, with her directing of the sensitive topics
addressed in each highly praised. Her experience in dealing will these sensitive topics is ideal
for a story such as Redeployment, which toes a fine line on similar topics as a narrative. Her
expertise will help to guide the film down this line and one step closer to success. Alongside this,
she knows how to direct these types of film for a wide audience, without losing their deep
themes, even when they are hard to swallow. Her skills at directing have led to incredibly
impactful and wonderfully beautiful films, and will lead Redeployment down the same path.
4
Sergeant Price
John Boyega Adam Driver

Starting his Career in England’s National Theater, A former Marine turned Actor, he graduated
he was chosen as one of the UK’s Stars of from The Juilliard School with a BA in Drama.
tomorrow in 2011. In 2014 he received the role of He is best known for portraying Kylo Ren in
Finn in Star Wars: The Force Awakens. Star Wars: The Force Awakens.
Chris Evans Rami Malek

Best known for his role as Captain America, An LA native of Egyptian decent, his feature film
Evans began his career in 2000 in television but debut was as the Pharaoh Ahkmenrah in Night at
quickly moved to the big screen. He has been in a the Museum. His critical success came more
variety of other films both big and small such as recently, with his role as Elliot in USA’s Mr.
Gifted and Snowpiercer. Robot.
5
Cheryl Price
Aubrey Plaza Felicia Day

Best known for her role on the NBC Sitcom Parks After graduating with degrees in both
and Recreation and her comedic style, Plaza began Mathematics and Music performance, Day set
her career as an intern, doing improve and comedy her sights on an acting career in LA. Now, she is
sketches on the side. She broke onto the big screen known for her work in both television and on
in films such as Scott Pilgrim vs. The World and the web. She has starred in projects such as
Safety Not Guaranteed. Supernatural and Dr. Horrible’s Sing Along as
well as multiple films.
Anna Kendrick Margot Robbie

Beginning her career in theater, Kendrick was Born in Queensland, Australia, Margot Robbie
nominated for a Tony Award at the age of 13. She moved to Hollywood in 2011. She found early
moved into the world of film in 2003, finding success in films such as The Wolf of Wall Street.
success in films such as Twilight and Up in the She has since starred in a number of films such as
Air. Her fame reached new heights with her Focus, The Legend of Tarzan and Suicide Squad.
portrayal of Beca in Pitch Perfect.
6
Financial Forecast
War Films Genre:
Dunkirk (2017)
Production Budget: $100 Million
Total Lifetime Gross (as of Sept. 12th 2017): $493,450,867
o Domestic: $183,450,867
o Foreign: $310,000,000
Fury (2014)
Total Lifetime Gross: $211,817,906
o Domestic: $85,817,906
o Foreign: $126,000,000
Similar Films – Iraq/Afghanistan War

American Sniper (2014)
Production Budget: $58.8 Million
o Domestic: $350,126,372
o Foreign: $197,300,000
Zero Dark Thirty (2012)

o Domestic: $95,720,716
o Foreign: $37,100,000
The Hurt Locker (2009)

Total Lifetime Gross: $49, 230,772
o Domestic: $17,017,811
o Foreign: $32,212,961
7
Redeployment’s haunting themes and close to home story make it a one of a
kind film. It shows the reality of war that we talk about as a society, but rarely
address the true impact of, especially on those coming home. However, what sets it
apart is how it accomplishes this. The impacts of war are laid out in such a way
that your average audience member can understand. You do not have to have been
on the battlefield to fully grasp the impact that the war has had on Sergeant Price.
You only have to understand the dynamic between man and dog, husband and
wife, to see how twisted they have become as a result of war. It gives you a
glimpse into Sergeant Price’s mind as a whole and connects the audience on a
more fundamental level to let them into a bigger picture. It does not sugar coat the
consequences of war, and that is what makes the film so impactful. There is no
happy ending, no resolution to Sergeant Price’s problems and that is just the way it
is, both in the film and in real life. That is what makes this story resonate with
people and creates its true impact. That is what makes it a story that needs to be
told.
Alongside this, similar films continue to be both critical and financial
successes, showing that these types of films continue to resonate with audiences
today. Many go on to win academy awards and to pull in millions upon millions at
the Box office. This demonstrations that there is a strong market for war films, but
in particular, thoughtful ones that tell more truthful narratives about the realities of
war, such as Dunkirk and American Sniper. Redeployment fits right in among these
films, while still differentiating itself from what has come before. When done
right, Redeployment will connect with audiences in a similar way, and bring to life
a truly remarkable story.

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Production: " Redeployment "

Days Location - Director: Kathryn Bigelow

1400 Above-The-Line Travel/Other

Total Above-The-Line $8,853

1600 Extra Talent

1700 Art Department

1800 Set Dressing

1900 Set Operation

2100 Special Effect

2300 Makeup and Hairdressing

2400 Set Construction

2500 Set Lighting

2700 Production Sound

3000 Production Film & Lab

3300 Second Unit

Total Production $30,211

3600 Post Production Sound

3700 Post Production Film & Lab

3800 Titles & Opticals

Total Post Production $1,750

4100 Product Placement

4200 General Expense

Total Other $425

Sheet #: 30 Scenes: EXT Mall Parking Lot 1, 2 Est. Time

Company Move 1:00

Sheet #: 29 Scenes: INT Dressing Room 1 Est. Time

Sheet #: 21 Scenes: INT House Stairs 1, 2 Est. Time

Sheet #: 25 Scenes: INT House Living Room 1 Est. Time

Sheet #: 26 Scenes: INT House Living Room 1, 2 Est. Time

Sheet #: 24 Scenes: INT House Bedroom 1, 2 Est. Time

Company Move 1:00

Sheet #: 6 Scenes: INT Logistics Base Lounge 1, 3, 4, 5 Est. Time

Company Move 1:00

Sheet #: 10 Scenes: EXT Warzone Street (Dream) 1, 6 Est. Time

Company Move 1:00

Producer Becca Cox (480) 813-1248 BREAKFAST 7:00 AM CRAFT SERVICES

Walkie Assignments Will Be Given By Becca Cox on set

SCENES SET AND DESCRIPTION CHARACTER # D/N PAGES LOCATION/NOTES

# CAST CHARACTER SWHF MU SET MINOR? SPECIAL INSTRUCTIONS

Production Note 1 PRODUCTION OFFICE WILL BE IN FOOD COURT LOT

POSITION NAME PHONE IN POSITION NAME PHONE IN

Company Move 1:00

End of Shooting Day 1 -- Thursday, October 12, 2017 -- 1 1/8 Pages

End of Shooting Day 2 -- Friday, October 13, 2017 -- 3 4/8 Pages

Company Move 1:00

End of Shooting Day 3 -- Saturday, October 14, 2017 -- 1 6/8 Pages

Company Move 1:00

End of Shooting Day 4 -- Sunday, October 15, 2017 -- 2 1/8 Pages

End of Shooting Day 5 -- Monday, October 16, 2017 -- 1 3/8 Pages

End of Shooting Day 6 -- Tuesday, October 17, 2017 -- 1 5/8 Pages

John Boyega Adam Driver

Chris Evans Rami Malek

Aubrey Plaza Felicia Day

Anna Kendrick Margot Robbie

Similar Films – Iraq/Afghanistan War

Zero Dark Thirty (2012)

The Hurt Locker (2009)

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