Professional Documents
Culture Documents
Varsha Karadia
2ndYear Diploma In Fashion Design
Conforming To NSQF Level 6 Of NSDC
Dezyne E’cole College , Ajmer
A Project On
FASHION
HISTORY
Submitted To
Dezyne E’cole College,
Civil Line,
www.dezyneecole.com
By Varsha Karadia
2nd Year Diploma In Fashion Design
Conforming to NSQF Level 6 of NSDC
Dezyne E’cole College
106/10 Civil Lines
Ajmer-305001, Raj
Tel. 0145-2624679
www.dezyneecole.com
This project report of Ms. Varsha Karadia student of 2nd Year Fashion Design Diploma, NSQF Level 6 of NSDC, has been
checked and has been graded as ______________________________________________________________
____________________________________
Thanking you,
Principal
(seal & signature)
Acknowledgement
I am Varsha Karadia, student of Fashion Design department of Dezyne E’cole College. I would
like to thank to all the mentors who had helped me to complete this project.
I also thank Dezyne E’cole College for giving me this opportunity to make this project and
helped me to understand the working of fashion designing
ANCIENT WORLD
The clothing used in the ancient world strongly reflects the technologies that these
peoples mastered. Archaeology plays a significant role in documenting this aspect of
ancient life, for fabric fibers, and leathers sometimes are well-preserved through time. In
many cultures the clothing worn was indicative of the social status achieved by various
members of their society.
ANCIENT HISTORY
• EGYPT
• MINION CULTRE
• CLASSICAL GREECE
• ROMANS
• BYZANTINE STYLE
EGYPT
ANCIENT EGYPT
CLOTHING
The linen was also define the class of the people. The finer
and translucent linen was only worn by the royalties and the
corse linen worn by the common people.
ANCIENT EGYPT
CLOTHING
Men’s wear
Loin cloth
A triangular piece of cloth worn by commoners, nobilities and royalties.
Slaves were only allowed to wear it after the formation of new kingdom.
Schenti
A skirt which is pleated in front worn by nobilities and royalties. The
schenti was use to tie at the waist and wrap around the thigh
Till knee level Till thigh level in the old kingdom. 3000 B.C. to 2000 B.C.
ANCIENT EGYPT
CLOTHING
Women’s wear
Kalasiris
Worn by women. Sheath or a tube dress with straps. 2 or one strap
going over the shoulder. Mid-calf or ankle length. Starched and pleated.
Tunic
A rectangular piece of cloth with a hole in the centre for the neck worn
by pharaohs after conquering Ceria.
Bead Dress
Bead dress was worn by the dancers of Egypt. This dress is made from
cylindrical beads in green, blue, red, turquois etc. colour. And fringes are
attached at the hem.
ANCIENT EGYPT
ACCESSORIES &
MAKE UP
Accessories Make Up
• Aegis – Disc shape Necklace
• Kohl eyes
• Headgear Postiche
• Heena as nail paint
• Footwear
• Postiche - wooden beard
• Gold jewellery
Kohl eyes
Aegis
MINONIAN CULTURE
MINONIAN CULTURE
CLOTHING &
ACCESSORIES
• Long dresses
• Decollate neckline
• Loin cloth
• Headgear
MINONIAN CULTURE
CLOTHING &
ACCESSORIES
Main Garments
Chiton
Himation
Peplos
Chlamys
CLASSICAL GREECE
CLOTHING
Main garments
• Ancient Greek women also used make up—pale or light skin was
considered a status symbol for women
• Long hair was typical for Greek women; only slave women would
wear their hair short
ROMAN
ROMAN
CLOTHING &
ACCESSORIES
• The Toga
• The Warfare Dress Code Armour
ROMAN
CLOTHING &
ACCESSORIES
• Toga - The most significant item in the ancient Roman wardrobe was
the toga, a one-piece woollen garment that draped loosely around
the shoulders and down the body. Togas could be wrapped in
different ways.
• simple clothes
• Garment as aprons to carry tools
• tippet sleeve
• pleated leather purse.
• buttons on dress,
• frayed hems
• brimmed hats.
Priests And The
People- 1100 -1450
CLOTHING
• Voluminous garments
• Surcoat
• Beginning of tailoring
SOCIAL STATEMENT
1200 - 1300
CLOTHING
• Hats
• Veils
• Head Coverings
Medieval trade and
romance
HEAD COVERINGS
•Fitted garments
•Art of tailoring
•Detachable sleeves,
•Sleeveless jerkins
• Breeches
•Wide shoulders,
•Codpieces
• This was the period when fashion finally moved from draped clothing
to fitted garments and the art of tailoring came into its own.
• The masculine form was enhanced by the latest clothing, with its
wide shoulders, codpieces strong legs and bellies.
RENAISSANCE
SPLENDAR
FROM DRAPE TO SHAPE
1500-1560
Soft draped lines began to disappear as the century went on the. Women’s
dress has two main parts bodice and skirt and sleeves were often separate too.
Full skirts widened with gathered and pleated waistlines. Outer skirts were
opened up in front to reveal a petticoat or forepart underneath. The Spanish
farthingales created a bell shaped and defined the century’s silhouette. Bodice
became smooth and fitted by adding stiff materials inside.
RENAISSANCE
SPLENDAR
ELEGANT FORMALITY
1560-1590
Mantua was a garment that was open from a front and gradually
the shape changed with the use of hooped petticoat and
underskirt of canvas or linen with rings made of whale bone or
cane
FROM REVOLUTION
TO FRIVOLITY
FROM REVOLUTION
TO FRIVOLITY
NEO CLASSICISUM
1790 - 1800
• less is more.
• Suits for city gentlemen.
• The flapper look
LA BELLA EPOQUE &
JAZZ AGE
CLOTHING
DESIGNERS
• PAUL POIRET
• COCO CHANEL
LA BELLA EPOQUE &
JAZZ AGE
PAUL POIRET
Paul Poiret was born on 20 April 1879 to a cloth merchant in the poor
neighborhood of les hells, Paris. Poiret’s route into couture followed the
common practice of shopping around one’s drawings in original fashion
designs.
In the early 1920s, she was the arch exponent of the Garonne or
flapper look, the boyish style that dominated the decade. Her
women wore sweaters, short pleated skirts with dropped waistlines
and cloche hats. Boni de Castellane, a Parisian dandy, said: ‘Women
no longer exist. All that’s left are the boys created by Chanel.’ The
little black dress, a reaction to Paul Poiret’s orientalist colours and
derived from the chemise dress, was a signature piece.
LA BELLA EPOQUE &
JAZZ AGE
COCO CHANEL
FROM GLAMOUR TO
UTILITY
FROM GLAMOUR TO
UTILITY
CLOTHING
• DESIGNER - Elsa Schiaparelli
• During this time very simple
• dress code entered.
• Because this was the time of great
depression.
• The main feature that we see here is the
dress becoming longer at the hemline to the
floor length and roaring twenties came to a
hawlt.
FROM GLAMOUR TO
UTILITY
CLOTHING
• During this time very simple dress code entered. Because this was
the time of great depression.
• The main feature that we see here is the dress becoming longer at
the hemline to the floor length and roaring twenties came to a
hawlt.
FROM GLAMOUR TO UTILITY
DESIGNERS
• ELSA SCHIPARELLI
FROM GLAMOUR TO
UTILITY
ELSA SCHIAPARELLI
(1890–1973)
DESIGNERS
• CHRISTIAN DIOR
• CRISTOBAL BALENCIAGA
OPTIMISM & YOUTH
CHRISTIAN DIOR
Mod style first emerged in the late 1950s and was popularized
throughout the mid 60s. Short for “modernist” style.
miniskirts, bold colors and prints are all hallmarks of the style
with models like Jean Shrimpton and Twiggy who personified the
mod look..
SWINGING SIXTIES
DESIGNERS
DESIGNERS
• Vivienne Westwood
• Jean Paul Gaultrier
• Bohochic and Vintage
THE DESIGNER
DECADE
JEAN PAUL GAULTIER