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  • Tus Ojos PDF

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    Daniel Pineda
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    The document contains musical notation for a drum part. It is divided into sections labeled intro, verse 1, interlude, verse 2, chorus, solo synth, bridge, and final. Each line of the document contains rhythmic notation represented by symbols above a staff. The rhythmic patterns are played by the drum set on different parts of the song.

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    Tus Ojos.pdf

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    The document contains musical notation for a drum part. It is divided into sections labeled intro, verse 1, interlude, verse 2, chorus, solo synth, bridge, and final. Each line of the document contains rhythmic notation represented by symbols above a staff. The rhythmic patterns are played by the drum set on different parts of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    18 views2 pages

    Tus Ojos PDF

    Uploaded by

    Daniel Pineda
    The document contains musical notation for a drum part. It is divided into sections labeled intro, verse 1, interlude, verse 2, chorus, solo synth, bridge, and final. Each line of the document contains rhythmic notation represented by symbols above a staff. The rhythmic patterns are played by the drum set on different parts of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Tus Ojos

    Drum Set Los Cafres


     = 96 INTRO
                                      
     44              
    Fill VERSO 1
    6
        
                              
    INTERLUDIO
    11
                                           
                
    Fill VERSO 2
    16
        
                              
    CORO
    1. 2.
    21
        
                               
    1. 2. SOLO SYNTH
    26 Fill
                                           
                
    VERSO 2 1.
    31
        
                               
    2. CORO
    1.
    36
        
                               
    BRIDGE
    41
    2.
        
                              
    Fill
    46
        
                   
    INTRO
    51
        
                   

    Fill CORO
     
    56
                                    
      
               

    FINAL
    1. 2.
    61
        
                              

    66
                                           
              

    71
     

      
                    

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