The document is a comment sheet for evaluating a marching band's performance across three categories: tone, musicianship, and marching execution. For each category, the comment sheet provides descriptive criteria for ratings from poor (V) to superior (I). For tone, it describes characteristics like control, awareness of tuning, and blend/balance. For musicianship, it covers shaping of music, use of dynamics, and control of rhythm. For marching, it addresses posture, carriage, and uniformity. The highest rating of superior (I) is for highly developed tone qualities, exceptional shaping of music, and a high degree of uniformity in marching.
The document is a comment sheet for evaluating a marching band's performance across three categories: tone, musicianship, and marching execution. For each category, the comment sheet provides descriptive criteria for ratings from poor (V) to superior (I). For tone, it describes characteristics like control, awareness of tuning, and blend/balance. For musicianship, it covers shaping of music, use of dynamics, and control of rhythm. For marching, it addresses posture, carriage, and uniformity. The highest rating of superior (I) is for highly developed tone qualities, exceptional shaping of music, and a high degree of uniformity in marching.
The document is a comment sheet for evaluating a marching band's performance across three categories: tone, musicianship, and marching execution. For each category, the comment sheet provides descriptive criteria for ratings from poor (V) to superior (I). For tone, it describes characteristics like control, awareness of tuning, and blend/balance. For musicianship, it covers shaping of music, use of dynamics, and control of rhythm. For marching, it addresses posture, carriage, and uniformity. The highest rating of superior (I) is for highly developed tone qualities, exceptional shaping of music, and a high degree of uniformity in marching.
Poor (V) Below Average (IV) Average (III) Excellent (II) Superior (I) •For this classification, student performers •For this classification, student performers •For this classification, student performers •For this classification, student performers •For this classification, student performers demonstrate undesirable characteristic tone demonstrate inadequate characteristic tone demonstrate average characteristic tone qualities demonstrate above average characteristic tone demonstrate highly developed characteristic tone qualities for their instrument, musical style of qualities for their instrument and musical style for their instrument and musical style of qualities for their instrument and musical style of qualities for their instrument and musical style of performance, and lose control most of the of performance, and they lose control often. performance, however, they lose control at performance, but there some minor lapses. performance with minimal lapses. time. •Student performers demonstrate little times. •Student performers demonstrate an awareness •Student performers demonstrate an elevated of tuning tendencies of instruments and •Student performers demonstrate little or no awareness of tuning tendencies of •Student performers demonstrate an awareness of tuning tendencies of instruments sensitivity to uniform intonation within their awareness of tuning tendencies of instruments instruments and sensitivity to uniform adequate awareness of tuning tendencies of and sensitivity to uniform intonation within their section, however, there are some flaws. and sensitivity to uniform intonation within their intonation within their section. instruments and sensitivity to uniform intonation section with a few minor flaws. •For the most part student performers section. •The ensemble demonstrates below average within their section, but there are several flaws. •Student performers demonstrate a highly demonstrate an excellent concept of balanced •The ensemble demonstrates improper concepts concepts of balance and blend of sounds, and •The ensemble demonstrates intermediate developed concept of balanced musical lines and musical lines and blend of sounds within their of balance and blend of sounds, and produces an does not produce a desirable or appropriate concepts of balanced musical lines and blend of blend of sounds within their section to produce a section to produce an appropriate sonority of undesirable and inappropriate sonority of the sonority of the music performed. sounds to produce an acceptable sonority of music performed, but there are some minor desirable and appropriate sonority of music music performed. the music performed. performed. lapses. MUSICIANSHIP: Ensemble Performance Poor (V) Below Average (IV) Average (III) Excellent (II) Superior (I) •For this classification, the suitability of the •For this classification, the suitability of the •For this classification, the suitability of the •For this classification, the suitability of the •For this classification, the suitability of the music is unsatisfactory. music is inadequate. music is adequate. music is excellent. music is superior. •Little or no evidence of clear, meaningful and •Little evidence of clear, meaningful and •Clear, meaningful and expressive shaping of •For this classification, clear, meaningful and •For this classification, clear, meaningful and expressive shaping of musical passages exists expressive shaping of musical passages exists musical passages is somewhat evident within and expressive shaping of musical passages is expressive shaping of musical passages is often within and between sections of the ensemble. within and between sections of the ensemble. between sections of the ensemble, but is not somewhat evident within and between sections achieved within and between sections of the •An inadequate use of dynamics proves •A below average use of dynamics proves consistent. of the ensemble, but there ensemble with some minor breaks in phrases. musically ineffective and results in little or no musically ineffective and results in little contrast •At times, an average use of dynamics provides are some inconsistencies. •Throughout the majority of the performance, contrast for music performed. for music performed. musically effective and appropriate contrast for •At times, an excellent use of dynamics provides an exceptional use of dynamics provides •The ensemble exhibits little or no control of all •The ensemble exhibits little control of all aspects music performed. musically effective and appropriate contrast for musically effective and appropriate contrast for aspects of rhythm, tempo and pulse. of rhythm, tempo, and pulse. •The ensemble exhibits adequate control of music performed. music performed. all aspects of rhythm, tempo, and pulse with •The ensemble exhibits above average control of •Control of all aspects of rhythm, tempo, and some lapses. all aspects of rhythm, tempo, and musical style musical style is exceptional. with minor lapses. MARCHING: Execution Poor (V) Below Average (IV) Average (III) Excellent (II) Superior (I) •For this classification, student performers •For this classification, student performers •For this classification, student performers •For this classification, student performers •For this classification, student performers demonstrate poor posture and body carriage, demonstrate inadequate posture and body demonstrate average uniformity of posture and demonstrate above average uniformity of demonstrate a high degree of uniformity of and fail to maintain carriage of equipment. carriage, and fail to maintain consistent body carriage, and maintain carriage of posture and body carriage, and maintain posture and body carriage, and maintain •Students demonstrate inappropriate foot carriage of equipment. equipment, with some lapses. carriage of equipment with some minor lapses. appropriate carriage of all equipment. placement for length of step and style of stride •Students demonstrate inadequate foot •Students demonstrate adequate foot placement •Students demonstrate above average foot •Students effectively demonstrate proper foot being utilized, and there are major placement for length of step and style of stride for length of step and style of stride being placement for length of step and style of stride placement for length of step and style of stride inconsistencies. being utilized, and there are many utilized, but there are inconsistencies. being utilized, but there are inconsistencies. being utilized. •There is inconsistency in marching in step and inconsistencies. •There is inconsistency in marching in step, and •There is inconsistency in marching in step, and •Students demonstrate a high level of there is little or no recovery from error. •There is inconsistency in marching in step and recovery from errors is slow. recovery from errors is not always immediate. consistency in marching in step with quick •For this classification, the ensemble recovery from errors is sluggish. •The ensemble demonstrates adequate alignment •The ensemble demonstrates above average recovery from errors. demonstrates poor alignment in linear forms •The ensemble demonstrates below average in linear forms (ranks, files, diagonals, etc.) with alignment in linear forms (ranks, files, diagonals, •The ensemble demonstrates a high level of (ranks, files, diagonals, etc.) with major flaws, alignment in linear forms (ranks, files, several flaws, and curvilinear forms (arcs, circles, etc.) and visually precise curvilinear forms (arcs, achievement in linear forms (ranks, files, and curvilinear forms (arcs, circles, other diagonals, etc.) with many flaws, and other nonlinear shapes, etc.) are inconsistent and circles, other nonlinear shapes, etc.), however, diagonals, etc.) and visually precise curvilinear nonlinear shapes, etc.) are inconsistent, lack curvilinear forms (arcs, circles, other nonlinear lack visual precision. there are some flaws. forms (arcs, circles, other nonlinear shapes, etc.) definition, and are generally unreadable. shapes, etc.) are inconsistent and lack definition. •Students demonstrate an average application of •Students demonstrate excellent application of with minor lapses. •Students demonstrate poor application of •Students demonstrate below average timing, spacing and halts required to define all timing, spacing and halts required to define all •Students demonstrate a high level of timing, spacing and halts required to define all application of timing, spacing and halts forms present in the design of the drill, but there forms present in the design of the drill with some achievement of timing, spacing and halts forms present in the design of the drill. required to define all forms present in the are errors. flaws. required to define all forms present in the design design of the drill. of the drill. Drill/Integration of Marching Components Poor (V) Below Average (IV) Average (III) Excellent (II) Superior (I) •For this classification, the marching style and •For this classification, the marching style and •For this classification, the marching style and •For this classification, the marching style and •For this classification, the marching style and competencies demonstrated by both the competencies demonstrated by both the competencies demonstrated by both the competencies demonstrated by both the competencies demonstrated by both the ensemble and its individual performers are ensemble and its individual performers are ensemble and its individual performers are ensemble and its individual performers are above ensemble and its individual performers are at a unsatisfactory for the drill design of the inadequate for the drill design of the presentation. adequate for the drill design of the presentation. average for the drill design of the presentation. high level for the drill design of the presentation. presentation. •The ensemble combines the visual program with •The ensemble combines the visual program with •The ensemble combines the visual program with •The ensemble combines the visual program •The ensemble combines the visual program with the musical elements in below average manner. the musical elements in an adequate manner, but the musical elements in an appropriate manner, with the musical elements in a convincing the musical elements in a poor manner with little •The visual enhancement of the musical flow and continuity of presentation are affected. but flow and continuity of presentation are manner to maximize flow and continuity of or no continuity. presentation by the ensemble through staging and •The visual enhancement of the musical affected. presentation. •The visual enhancement of the musical choreography of the written program is presentation by the ensemble through staging •The ensemble visually enhances the musical •The ensemble visually enhances the musical presentation by the ensemble through staging inadequate and is very inconsistent. and choreography of the written program is presentation through staging and choreography presentation through staging and and choreography of the written program is poor •The ensemble projects very little uniformity of adequate, but there are inconsistencies. of the written program in an above average choreography of the written program in a with no consistency. apparel and attention to detail. •The ensemble projects little uniformity of apparel manner with some inconsistencies. superior manner. •The ensemble projects little or no uniformity of and attention to detail. •The ensemble projects some uniformity of •The ensemble projects exceptional attention to apparel and attention to detail. apparel and attention to detail. detail and uniformity of apparel.