MUSIC 7 | 2ND QUARTER|LESSON 2

1. Cordillera- style a.Ibaloi Badiw

of singing without
prior preparation b. Dagdagay

or practice in c. Oppia
leader-chorus
form. d. Owiwi
2. The following a.Bua
Cordillera Vocal
Music are infancy- b. Dagdagay
related songs of the
Kalinga except c. Oppia
________.
d. Owiwi
3. Langan Bata- a.Ifugao
Bata is an infancy-
related Cordilleran b. Kalinga

vocal music of the c. Subbanen

_______ tribe.
d. Tausug
4. Ifugao epic a.Bua
poetry which is
b. Hudhud
recited and
chanted during c. Kawayana
occasions. d. Langan
Bata
5. Ifugao gongs a.Bungkaka
played by striking
with the palm while b. Gangsa
Palook
rested on the lap c. Gangsa
Toppaya
d. Tongali
6. Ifugao gongs a.Bungkaka
strike or beaten with
wooden mallets b. Gangsa
while held by the left Palook
hand. Usually played c. Gangsa
Toppaya
by men. d. Tongali
7. Cordillera a.Bungkaka
bamboo
instrument played b. Gangsa
Palook
by striking against c. Gangsa
the palm of one Toppaya
hand. d. Tongali
8. Cordillera nose a.Bungkaka
flute played with
the extreme b. Gangsa
Palook
forward edge of c. Gangsa
the right or left Toppaya
nostril d. Tongali
9. Which of the a. Antang
following are
Cordilleran vocal b. Sindaay,
ensemble with Tarasul
instrumental c. Tamuyong
Dango,
accompaniment used Oggayam
for matchmaking? d. Salidummay &
Dangdayang-ay
10. Which of the a. Antang
following are
Cordilleran vocal b. Sindaay,
ensemble with Tarasul
instrumental c. Tamuyong
Dango,
accompaniment used Oggayam
for entertainment? d. Salidummay &
Dangdayang-ay
MUSIC 7 | 2ND QUARTER|LESSON 2
Mangyan is the
collective name for the
eight indigenous groups
living in Mindoro, each
with its own name,
language, and set of
customs.
MUSIC OF
MANGYAN OF
MINDORO
“MARAYAW”
Song used to communicate
with spirits; rituals for
healing the sick and
protecting the community.
MARAYAW
“PAMUYBUYEN”
a Mangyan legend
which means "fear of
water"
 “AMBAHAN”
Composed of seven-
syllable line ending in
rhymes; often used by
parents for teaching their
children, in courtship, and
by visitors to ask for food.
AMBAHAN
LOOK AT THE FIGURE.
READ & INTERPRET THE WORDS.
AMBAHAN
INSTRUMENTAL
MUSIC
MUSIC OF MANGYAN OF MINDORO
“KUDYAPI”
Lute with long neck, and has two
strings that run from the neck to
the base of a resonating chamber.
“GITGIT”
An instrument with
3 to 4 strings with
a wooden body
and human hair for
the bow.
“KALUTANG”
A pair of
equal-sized
wood struck
together.
 Is the music in
solo or in
ensemble? Why?
How can you
describe the
sound of
kalutang?
EVALUATION TIME!
DIRECTIONS: On your notebooks (Music
Segment), write the LETTER of the BEST
answer corresponding their respective
definitions.
1. Song used to a.Ambahan
communicate with
spirits; rituals for b. Marayaw
healing the sick and
c. Oppia
protecting the
community. d. Pamuybuyen
2. Composed of seven- a.Ambahan
syllable line ending in
rhymes; often used by b. Marayaw
parents for teaching
their children, in c. Oppia
courtship, and by
visitors to ask for food. d. Pamuybuyen
3. Mangyan lute with a.Gangsa
long neck, and has
two strings that run b. Gitgit
from the neck to the
c. Kalutang
base of a resonating
chamber. d. Kudyapi
4. Mangyan a.Gangsa
instrument with 3
b. Gitgit
to 4 strings with a
wooden body and c. Kalutang
human hair for the
bow. d. Kudyapi
5. Mangyan a.Gangsa
instrument which is
b. Gitgit
a pair of equal-
sized wood struck c. Kalutang
together.
d. Kudyapi
LET’S CHECK!