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For example, if a type A tank is rated as 8 ohms at 1kHz and has 124
turns;
I(nominal) = Amps per turn / number of turns.
I(nominal) = 3.5 / 124
= 28mA
This out-of-date
method can be improved
slightly by using a smaller
coupling cap, so that the
drive voltage to the power
valve doubles with every
octave, thereby
compensating for the
increasing impedance of
the coil.
Obviously the headroom
of the stage should be
sufficient to accommodate
the larger high frequency
amplitudes, and the more
headroom the better- a
distorted reverb sound is
rarely a good thing.
Choosing the roll-off point
for the input filter
depends somewhat on taste. For good reverb sounds there is no particular
need for strong frequency content above 1kHz as these can sound too
'tinny' or shrill. If we set the roll-off at 1kHz then, the frequency response of
the reverb driver will end up being flat up to 1kHz, then attenuated at
higher frequencies, which is fine. Normal rules apply for the design of the
power stage, and normally an 8 or 10 ohm tank would be used, to suit a
conventional output transformer, but any tank would do, provided the
impedance ratio of the OT is suitable.
A simple circuit is shown [right], and is similar to many old designs. There is
no screen bypass capacitor since excessive output power is not required.
The input signal required for 1W output is about 4.5Vp-p at 1kHz, so the
signal from the previous stage will probably need attenuating somewhat! At
the roll-off frequency it is already attenuated by ^/2, so the potential divider
in the schematic has been chosen to suit a 100Vp-p guitar signal from the
previous stage. Other designs using different power valves will have
different requirements of course. The lower resistor in the input divider
could be made a potentiometer, but the reverb 'depth' control is normally
placed on the recovery side of the tank, since this keeps the quality of the
reverb good even at low levels (because the tank is always fully driven).
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23/3/2019 The Valve Wizard
Obviously the drawback of this method is that we must use both
triodes to obtain sufficient power since no OT is used. A larger triode like
an ECC99 or even a triode-strapped pentode might be used on its own.
Since the stage now functions like a current source, all the frequency
shaping can be done at the input. In this case, C1 and C2 attenuate
frequencies below about 300Hz and above 2.6kHz respectively. R1 simply
allows the coupling capacitor to discharge if the tank is disconnected.
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