De Leon, Michael Angelo E.

ART APPRECIATION T-Th 12PM-1:30PM

201511991 Ms. Bernardino

“Architecture of Happiness”
1. What are the evidences of happiness to which architecture has made its distinctive
contribution?
2. How did the world's most intelligent people disdain any interest in decoration and
design?
3. How does architecture shape humans upon who they might ideally be?
4. How does sensitivity to architecture contain problematic aspects?
5. How does great architecture appear to be calm and relaxed despite of the bankruptcies,
the delays, the fear or generally the construction demand impose?
6. Why did Rilke looked oblivious to the beauty around him as they pass the Dolomite
Mountains?
7. How did Freud’s essay show Rilke’s reflection of practicality upon living?
8. Who usually see too well how futile architectural work is?
9. What is the relationship between appreciation of objects in the building and values
learned from it?
10. Is architecture forcing us to be shaped and to live in a limited intent or purpose?
11. What turns out to be one of the more unusual prerequisites of architectural
appreciation?
12. Why do we need to be a little sad or have grief as a background before?
13. What does architecture mainly demand us to become?
14. Can we find the architecture of happiness even in the smallest and not so obvious
details of a building?
15. Why is difficulty in philosophy in comparison with difficulty in being a good architect?
16. What is the significance of home in a psychological sense?
17. How does religious architecture play a role in determining what humans are able to
believe in?
18. What did the theologians made claim and proposed about the architecture of beautiful
buildings?
19. How is secular Architecture defined in Chapter IV?
20. What triggers people to raise a structure for their lost loved ones?
21. What is the purpose of art and their buildings of the idealising traditional artist?
22. How do Greek Architecture much deserve our interest?
23. How does architecture produced under the influence of an idealising theory of the arts
might be described as a form of propaganda?
24. How does psychological mechanism behind taste\ control our reaction to what we don’t
like with simple disbelief?
25. What is the diversity of styles in architecture as defined in why ideals change?