41699967

VWB - Verlag für Wissenschaft und Bildung
the world of music bibliography

Source: The World of Music, Vol. 53, No. 1/3, the world of music bibliography: Index,
Contents, Abstracts vol. 1, 1959-vol.52, 2010 (2011), pp. 369-440
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3
the world of music bibliography
(in Alphabetical Order

by the Authors of Articles)
A
Adamo, Giorgio: "The Archivi de Etnomusicologia at the Accademia Nazionale di

Santa Cecilia, Rome." the world of music 37, 1995(2): 124-26.
Adriaansz, Willem: "Music and Tradition of the Edo Period." the world of music 20,
1978(2):69-75.
al Faruqi, Lois Ibsen: "Ornamentation in Arabian Improvisational Music." the world
of music 20, 1978(1): 17-32.
al Faruqi, Lois Ibsen: "The Suite in Islamic History and Culture." the world of music
27, 1985(3):46-66.
al Faruqi, Lois Lamyã: "The Mawlid." the world of music 28, 1986(3):79-89.
Alaszewska, Jane/Tsuge Gen'ichi (guest eds.) and Max Peter Baumann (ed.): [Topi-
cal Issue:] "Japanese Musical Traditions." the world of music 46, 2004(2): 1-
143.
Alaszewska, Jane and Gen'ichi, Tsuge: "Preface [Topical Issue: Japanese Musical
Traditions]." the world of music 46, 2004(2):7.
Alaszewska, Jane: "Edo Traditions on the 'Islands of Exile:' The Narrative Ballads
of the Southern Izu Islands." the world of music 46, 2004(2):99-121.
Alexandre Tansman: "Hommage à Mario Labroca," the world of music 6, 1964(2-
3):3 1-32.
Allgayer-Kaufmann, Regine: "From the Innocent to the Exploring Eye: Transcrip-
tion on the Defensive." the world of music 47, 2005(2):71-86. (Reprint in Read-
ings in Ethnomusicology , Max Peter Baumann, ed., the world of music 52,
2010(1- 3):416- 3 1).
Allorto, Riccardo: "La musique et le public en Italie: Aujourd'hui et demain." the
world of music 5, 1963(l-2):25-26.
Alvarez-Pereyre, Frank and Simha Arom: "Ethnomusicology and the Emic/Etic Is-
sue." the world of music 35, 1 993( 1 ):7- 33.
Alvarez-Pereyre, Frank and Simha Arom: "The Holistic Approach to Ethnomusico-
logical Studies." the world of music 28, 1 986(2):3 - 13 .
Alvin, Juliette: "Music and Therapy." the world of music 16, 1 974(2):3- 1 6 (incl.
French and German transi.).
Ambrazevičius, Rytis: "The Perception and Transcription of the Scale Reconsid-
ered: Several Lithuanian Cases." the world of music 47, 2005(2):32-53.
Amir, Dorit: "Understanding the Role of Folksongs in Jewish-Israeli Culture: Impli-
cations for Music Therapy." the world of music 39, 1997(1): 11 1-28.
3. the world of music bibliography - Authors vol. 1, 1959-vol. 2, 2010 • 371
Amman, Raymond: "How Kanak is Kaneka Music? The Use of Traditional Percus-
sion Instruments in the Modern Music of the Melanesians in New Caledonia."
the world of music 40, 1 998(2):9- 28.
Anakesa, Apollinaire and Marc Jeannin: "Rhythmic and Melodic Variations in Tra-
ditional African Music and Dance: Mongo's Bobongo Culture." the world of mu-
sic 50, 2008(1 ):73-88.
Anon.: "Institute of Slovene Ethnology/Department of Ethnomusicology." the world
of music 32, 1990(1): 117-19.
Anon.: "Alain Daniélou 1907-1994." the world of music 36, 1994(1): 120.
Anon.: "Alain Daniélou Honored by the Berlin Senate." the world of music 34,
1 992( 1 ):3- 7.
Anon.: "International Rostrum of Composers: Outstanding Forum for the Exchange

of Contemporary Music - Ninth Meeting." the world of music 5, 1963(4):83.
Anon.: "Introduction: International Congress on Music and Its Public, Rome, Sep-
tember 27th-30th, 1962." the world of music 5, 1 963( 1- 2):3.
Anon.: "La formule des 'Vacances musicales' est devenue un succès pour les Jeu-
nesses musicales de Belgique." the world of music 5, 1 963(3):60- 6 1 .
Anon.: "Le Département d'ethnomusicologie du Musée de l'Homme et l'Equipe de
recherche no 165 du C.N.R. S." the world of music 30, 1988(2): 100-03.
Anon.: "Round Table Discussion: The Composer's Point of View." the world of mu-
sic 3, 1 96 1 (3):64- 65 (incl. French and German transi.).
Anon.: "Stockhausen 's Plea for Intuition - An Interview." the world of music 12,
1970(2):6- 12 (incl. French and German transi.).
Anon.: "Tenth Meeting of the International Rostrum of Composers." the world of
music 6, 1964(5-6): 121-22.
Anon.: "The Season That Was." the world of music 10, 1968(1):3- 12 (incl. French
and German transi.).
Anon.: Tribune internationale des compositeurs, 35ième session, 30mai^juin
1988." the world of music 30, 1988(2): 120-28
Anon.: "Troisième Tribune de Musique de l 'Amérique Latine et des Caraibes (TRI-
MALCA)." the world of music 28, 1 986( 1 ): 1 20-0 1 .
Anon.: "World Decade for Cultural Development Launched." the world of music 30,
1 988(2): 1 1 6-1 9.
Anoyanakis, Fivos: "Heritage of Antiquity in Greek Music Today." the world of mu-
sic 13, 1971(3):26^1 (incl. French and German transi.).
Ansaloni, Paolo: "The Acoustic Dynamics of Bridges of Bowed Instruments: An
Outline of Comparative Instrument-making." the world of music 24, 1 982( 1 ):35-
56.
372 • the world of music 53, 2011 (1-3)
Appleton, Jon H.: "Electronic Music and the Composer's Future." the world of mu-
sic 13, 1971(1):29^K) (incl. French and German transi.).
Araujo, Samuel and José Alberto Salgado e Silva: "Musical Knowledge, Transmis-
sion, and Worldviews: Ethnomusicological Perspectives from Rio de Janeiro,
Brazil." the world of music 5 1 , 2009(3): 93-1 1 0.
Archer, William Kay: "On the Ecology of Music." the world of music 5, 1963(1-
2): 13.
Armstrong, David: "The Harassed TV Composer." the world of music 12, 1970(4):37-
44 (incl. French and German transi.).
Aretz, Isabel de Ramón y Rivera: "Indigenous Music of Venezuela." the world of
music 24, 1982(2):22-37.
Arom, Simha and Frank Alvarez-Pereyre: "Ethnomusicology and the Emic/Etic Is-
sue." the world of music 35, 1 993( 1 ):7- 33.
Arom, Simha and Frank Alvarez-Pereyre: "The Holistic Approach to Ethnomusico-
logical Studies." the world of music 28, 1 986(2):3- 1 3.
Arom, Simha: "New Perspectives for the Description of Orally Transmitted Music."
the world of music 23, 1981(2):40-62.
Arom, Simha: "The Constituting Features of Central African Rhythmic Systems: A
Tentative Typology." the world of music 26, 1 984( 1 ):5 1- 67.
Arom, Simha: "Trapping Considered as a Liturgy." the world of music 16, 1974(4):3-
Arozarena Pierre: "Notes on Some Mossi Drums of Upper Volta." the world of music
23, 198 1(1):26- 34.
Askari, Ulrike: "Bauchtanz in Berlin. Ein Dokumentationsprojekt am HTM." the
world of music 33 , 199 1(3): 127-28.
Astrauskas, Rimantas and Dalia Urbanaviciene: "Department of Ethnomusicol-
ogy, Lithuanian Academy of Music and Section of Ethnomusicology at the In-
stitute of Musicology, Lithuanian Academy of Music." the world of music 44,
2002(3): 163-65.
Atanasov, Vergilij: "Children's Musical Instruments and Musical Playthings in Bul-
garia." the world of music 29, 1 987(3):68- 85.
Aubert, Laurent: "The Swiss Folkloric Masks." the world of music 22, 1 980(1 ):53-
71.
Austerlitz, Paul: "Local and International Trends in Dominican merengue the

world of music 35, 1993(2):70-89.
Averill, Gage: "Bell Tones and Ringing Chords: Sense and Sensation in Barbershop
Harmony." the world of music 41, 1 999( 1 ) : 3 7-5 1 .
Avorgbedor, Daniel: "Dee Hoo! Sonic Articulations in Healing and Exorcism Prac-
tices of the Anlo-Ewe." the world of music 42, 2000(2):9-24.
Avorgbedor, Daniel: "Preface [Topical Issue: Cross-Cultural Aesthetics]." the world

of music 45, 2003(3):7-10.
Avordgbedor, Daniel (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:]
"Cross-Cultural Aesthetics." the world of music 45, 2003(3): 1-129.
Ayyangar, Ranganayaki: "Composition in South Indian Music." the world of music
20, 1978(2): 136-39.
Azevedo, Luis Heitor Correa de: "Music and Musicians of African Origin in Brazil."
Azevedo, Luis Heitor Correa de: "Preliminary Study on the Project of Preparing a
Universal History of Music and on the Role of the Music of Latin America and
the Caribbean in This History." the world of music 22, 1980(3):56-65.
Bachmann-Geiser, Brigitte: "The Musical Instruments Used during the Zurich

'Schulsilvester.'" the world of music 29, 1987(3):47-67.
Bahat Avner and Noémi Bahat: "Some Notes on Traditional Scriptural Reading
Hand Movements as a Source to the Dance of the Yemenite Jews." the world of
music 23, 1 98 1(1 ):20- 25.
Bahat, Avner: "The Musical Traditions of the Oriental Jews." the world of music 22,
1980(2):46-58.
Bahat, Noémi and Bahat Avner: "Some Notes on Traditional Scriptural Reading
Hand Movements as a Source to the Dance of the Yemenite Jews." the world of
music 23, 1 98 1 ( 1 ):20- 25.
Baily John: "Professional and Amateur Musicians in Afghanistan." the world of mu-
sic 21, 1979(2):46-64.
Baily, John: "Afghan Perceptions of Birdsongs." the world of music 39, 1 997(2):5 1-
60.
Baily, John: "Filmmaking as Musical Ethnography." the world of music 31,

1989(3):3-20.
Baily, John: "Introduction [Topical Issue:] Working With Blacking: The Belfast
Years], the world of music 37, 1995(2):4-9.
Baily, John: "Music and the Body." the world of music 37, 1995(2): 1 1-30.
Baily, John and Peter Driver: "Spatio-Motor Thinking in Playing Folk Blues Gui-
tar." the world of music 34, 1 992(3):57- 7 1 .
Baily, John (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Working
with Blacking: The Belfast Years." the world of music 37/1995(2): 1-102.
Bain, David and Barry S. Brooks: "Music in the Life of Man: Theoretical and Practi-
cal Foundations for a World History." the world of music 26, 1984(2): 120-36.
Bain, David and Barry S. Brooks: "Musik im Leben des Menschen: Theoretische
und praktische Grundlagen für eine Weltgeschichte." the world of music 26,
1984(3):94- 123.
Bain, David and Barry S. Brooks: "World Music, World History, and the Music in
the Life of Man Project." the world of music 27, 1985(1 ): 1 11-15.
Bamberger, Jeanne and Evan Ziporyn: "Getting It Wrong." the world of music 34,
1992:22-56.
Bändern, I Made: "Barong Dance." the world of music 18, 1976(3):45-52.

Bareis, Urban and Jane Bowers: "Bibliography on Music and Gender - Women in
Music." the world of music 33, 1 99 1 (2):65- 1 03 .
Barendregt, Bart: "Recording Review Essay: Sounds from the Indonesian Archi-
pelago; Musical Monographs, Common Themes and New Contexts." the world
of music 41, 1999(3): 17 1-5.
Barney, Katelyn: "Sending a Message: How Indigenous Australian Women U
Contemporary Music Recording Technologies to Provide a Space for Agency,
Viewpoints and Agendas." the world of music 49, 2007(1): 105-24.
Barraud, Henry: "IMC Congress on 'The Performer'." the world of music
1961(1 ):7-9 (incl. French and German transi.).
Barreto, Sofia: "Venezuelan Carnival Songs: Singing Calipso in El Callao." th
world of music 50, 2008 (1 ):63- 7 1 .
Barreto, Sofia and Eva Ordóñez Flores: "Dance and Music in Canarian Malagu
ñas ." the world of music 50, 2008( 1 ): 1 7-3 1 .
Bartmann, Manfred: "Spotlights on Festival History and Communication: Folk Leg
ends Work on the Great Hits of Rock and Popular Music." the world of music 4
2001(2-3): 193-206.
Barz, Gregory F.: "Musicking the World's Religions: Whose Music? Whose Re
gion? A Review Essay: Lawrence E. Sullivan, ed., Enchanting Powers: Music in
the Worlds Religions the world of music 42, 2000(2): 137-45.
Barz, Gregory F.: "Soundscapes of Disaffection and Spirituality in Tanzanian Kway
Music." the world of music 47, 2005(1 ):5-30. (Reprint in Readings in Ethnom
sicology , Max Peter Baumann, ed., the world of music 52, 2010(l-3):204-28).
Barz, Gregory F.; Cooley, Timothy J.; Wong, Deborah; Lysloff, René T. A.; Kertés
Wilkinson, Irén; Lortat-Jacob, Bernard: "Review Symposium: Shadows in the
Field: New Perspectives for Fieldwork in Ethnomusicology , ed. Gregory F. Bar
and Timothy J. Cooley." the world of music 40, 1998(3): 18 1-99.
Bashir, Mounir: "Musical Planning in a Developing Country: Iraq and the Preserv
tion of Musical Identity." the world of music 20, 1978(l):74-78.
Bastos, Rafael José de Menezes: "Apùap World Hearing: On the Kamayurá Phono
Auditory System and the Anthropological Concept of Culture." the world of mu
sici, 1 999( 1 ):85- 96.
Bastos, Rafael José de Menezes: "Music in Lowland South America: A Review Es-
say." the world of music 39, 1997(2): 143-51.
Baud-Bovy, Samuel: "La cinquième conférence international de la Société in-
ternationale pour l'éducation musicale, Tokyo 1963." the world of music 5,
1963(5): 107 (in French only).
Baumann, Gerd: "Music and Dance: The Royal Road to Affective Culture?" the
world of music 37 , 1 995(2):3 1- 42.
Baumann, Gerd: "The Re-Invention of bhangra. Social Change and Aesthetic Shifts
in a Punjabi Music in Britain." the world of music 32, 1990(2):81-97.
Baumann, Max Peter: "An Internationl Symposium on 'Cosmology and Music in the
Andes'." the world of music 32, 1990(1): 123-24.
Baumann, Max Peter: "Editorial." the world of music 39, 1997(1):3^4.
Baumann, Max Peter: "Festivals, Musical Actors and Mental Constructs in the
Process of Globalization." the world of music 43, 2001(2-3): 9-29. (Reprint in
Readings in Ethnomusicology , Max Peter Baumann, ed., the world of music 52,
20 1 0( l-3):294-3 13).
Baumann, Max Peter: "Folk Music Revival: Concepts between Regression and
Emancipation." the world of music 38, 1 996(3):7 1-86.
Baumann, Max Peter: "From the Editor [twenty years of editorship]." the world of
music 49, 2007(3):5-6.
Baumann, Max Peter: "In Honor of the Right Honourable The Lord Yehudi Menuhin
on His 80th Birthday," the world of music 38, 1996(l):3-5.
Baumann, Max Peter: "International Symposium: Folk Music in Public Perfor-
mance," the world of music 41, 1999(3): 18 1-85.
Baumann, Max Peter: "Listening as an Emic/Etic Process in the Context of Observa-
tion and Inquiry." the world of music 35, 1 993( 1 ):34- 62.
Baumann, Max Peter: "Listening to Nature, Noise and Music." the world of music
41, 1 999(1 ):97-l 11.
Baumann, Max Peter: "Music in the Dialogue of Cultures: Traditional Music and
Cultural Policy. Symposium on the Occasion of the 25th Anniversary of the In-
ternational Institute of Comparative Music Studies and Documentation, Berlin,
November 8-12, 1988." the world of music 30, 1988(2): 109-10.
Baumann, Max Peter: "Music of the Indios in Bolivia's Andean Highlands (Sur-
vey)." the world of music 24, 1982(2):80-98.
Baumann, Max Peter: "Preface [Index: the world of music 1977-1987]." the world
of music 30(1):3^4.
Baumann, Max Peter: "Preface [Special Topic: Folk Music in Public Performance]."
the world of music 43, 200 1(2-3): 7-8.
Baumann, Max Peter: "Preface [Special Topic: Local Musical Traditions in the Glo-
balization Process]." the world of music 42, 2000(3):5.
Baumann, Max Peter: "Preface: Hearing and Listening in Cultural Context." the
world of music 39, 1997(2):3-8.
Baumann, Max Peter: "Preface: Mental Constructs of Identification and Authentic-
ity in the Discourse of Folk Music Preservation and Cultivation in Bavaria." the
world of music 41, 1999(2):7-11.
Baumann, Max Peter: "Preface: Music and Healing in Transcultural Perspectives."
the world of music 39, 1997(l):5-9.
Baumann, Max Peter: "The Local and The Global: Traditional Musical Instruments
and Modernization." the world of music 42, 2000(3): 121-44.
Baumann, Max Peter: "The Musical Performing Group: Musical Norms, Tradition,
and Identity." the world of music 31, 1989(2):80- 1 13.
Baumann, Max Peter: "The Reflection of the Roma in European Art Music." the
world of music 38, 1996(1):95- 138.
Baumann, Max Peter and Linda Fujie: "To Prof. Dr. Reinhold Weyer on his Sixtieth
Birhday," the world of music 42, 2000(1 ):5.
Baumann, Max Peter and Tiago de Oliveira Pinto: "Kooperationsprojekte in Brasil-
ien: 'Memória Musical de Pernambuco' (Recife) und 'Setor de Etnomusicologia'
(São Paulo)." the world of music 33, 1991(3): 121-26.
Baumann, Max Peter; Michel, Ursula and Ulrich Wegner: "The World of Music In-
dex 1977-1987." the world of music 30, 1 978(1 ):5-226.
Baumann, Max Peter (ed.): [Topical Issue:] "Brazil." the world of music 30,
1988(2): 1-85.
Baumann, Max Peter (ed.): [Topical Issue:] "Cultural Concepts of Hearing and Lis-
tening." the world of music 39, 1997(2): 1-1 37.
Baumann, Max Peter (ed.): [Topical Issue:] "Emics and Etics in Ethnomusicology."
the world of music 35, 1993(1): 1-95.
Baumann, Max Peter (ed.): [Topical Issue:] "Film and Video in Ethnomusicology."
Baumann, Max Peter (ed.): [Topical Issue:] "Folk Music in Public Performance." the
world of music 43, 2001(2-3): 1-206.
Baumann, Max Peter (ed.): [Topical Issue:] "Hearing and Listening in Cultural Con-
text" the world of music 41, 1999(1): 1-1 11.
Baumann, Max Peter (ed.): [Topical Issue:] "Index 1977-1987." the world of music
30, 1988(1): 1-226.
Baumann, Max Peter (ed.): [Topical Issue:] "Local Musical Traditions in the Global-
ization Process." the world of music 42, 2000(3): 1-144.
3. the world of music bibliography - Authors vol. 1, 1959-vol 2, 2010 • 377
Baumann, Max Peter (ed.): [Topical Issue:] "Music of the Roma: Ethnicity, Identity,
and Multiculturalism." the world of music 38, 1996(1): 1-1 38.
Baumann, Max Peter (ed.): [Topical Issue:] "Musical Iconography." the world of
musici, 1 988(3): 1-1 07.
Baumann, Max Peter (ed.): [Topical Issue:] "South Africa." the world of music 31,
1 989( 1 ): 1-1 04.
Baumann, Max Peter (ed.): [Topical Issue:] "the world of music bibliography: Index
vol. 1, 1959-vol. 53, 2011." the world of music 53, 2011(1-3).
Baumann, Max Peter (ed.): [Topical Issue:] "the world of music - Readings in Eth-
nomusicology." the world of music 52, 20 10(1-3): 1-767.
Baumann, Max Peter (ed.): [Topical Issue:] "Traditional Music in Bavaria: Regional
Identity, History, and Culture." the world of music 41, 1999(2): 1-167.
Baumann, Max Peter (ed.) with Adelaida Reyes Schramm (guest ed.): [Topical Is-
sue:] "Music and Forced Migration." the world of music 32, 1990(3): 1-89.
Baumann, Max Peter (ed.) with Amanda Minks (guest ed.): [Topical Issue:] "Music
and Childhood: Creativity, Socialization, and Representation." the world of mu-
sic 48, 2006( 1 ): 1-1 32.
Baumann, Max Peter (ed.) with Arnd Adje Both and Julia L. J. Sanchez (guest eds.):
[Topical Issue:] "Music Archaeology: Mesoamerica." the world of music 49,
2007(2): 1-138.
Baumann, Max Peter (ed.) with Ashok D. Ranada and Christian Utz (guest eds.):
[Topical Issue:] "Traditional Music and Composition." the world of music 45,
2003(2): 1-1 52.
Baumann, Max Peter (ed.) with Bonnie C. Wade (guest ed.): [Topical Issue:] "In-
dia." the world of music 32, 1990(2): 1-98.
Baumann, Max Peter (ed.) with Bonnie C. Wade (guest ed.): [Topical Issue:]
"Historical Performance Practices across the Pacific." the world of music 38,
1996(2): 1-83.
Baumann, Max Peter (ed.) with Britta Sweers (guest ed.): [Topical Issue:] "Contem-
porary British Music Traditions." the world of music 46, 2004(1): 1-132.
Baumann, Max Peter (ed.) with Bruno Deschênes (guest ed.): [Topical Issue:] "The
Music of 'Others' in the Western World." the world of music 47, 2005(3): 1-
160.
Baumann, Max Peter (ed.) with Bruno Netti (guest ed.): [Topical Issue:] "New Per-
spectives on Improvisation." the world of music 33, 199 1(3): 1-91.
Baumann, Max Peter (ed.) with Catherine J. Ellis (guest ed.): [Topical Issue:] "Pow-
er-Laden Australian Aboriginal Songs: Who Should Control the Research?." the
world of music 36, 1994(1): 1-103.
Baumann, Max Peter (ed.) with Cynthia Schmidt (guest ed.): [Topical Issue:] "Gui-
tar in Africa: 1950s-1990s." the world of music 36, 1994(2): 1-147.
Baumann, Max Peter (ed.) with Daniel Avordgbedor (guest ed.): [Topical Issue:]
"Cross-Cultural Aesthetics." the world of music 45, 2003(3): 1-129.
Baumann, Max Peter (ed.) with Ellen Koskoff (guest ed.): [Topical Issue:] "Ethno-
musicology and Music Cognition." the world of music 34, 1992(3): 1-1 39.
Baumann, Max Peter (ed.) with Frank Gunderson (guest ed.): [Topical Issue:] "Con-
testing Tradition: Cross Cultural Studies of Musical Competition." the world of
music 45, 2003(1 ): 1-147.
Baumann, Max Peter (ed.) with Jane Alaszewska and Tsuge Gen'ichi (guest eds.):
[Topical Issue:] "Japanese Musical Traditions." the world of music 46, 2004(2): 1-
143.
Baumann, Max Peter (ed.) with John Baily (guest ed.): [Topical Issue:] "Working
with Blacking: The Belfast Years." the world of music 37/1995(2): 1-102.
Baumann, Max Peter (ed.) with Jonathan P.J. Stock (guest ed.): [Topical Issue:]
"Ethnomusicology and the Individual." the world of music 43, 2001(1): 1-172.
Baumann, Max Peter (ed.) with Jonathan P. J. Stock (guest ed.): [Topical Issue:]
"Echoes of Our Forgotten Ancestors II." the world of music 48, 2006(3): 1-63.
Baumann, Max Peter (ed.) with Karl Neuenfeldt (guest ed.): [Topical Issue:] "In-
digenous Peoples, Recording Techniques, and Recording Industry." the world of
music 49, 2007( 1 ): 1- 1 87.
Baumann, Max Peter (ed.) with Karl Neuenfeldt (guest ed.): [Topical Issue:] "In-
digenous Popular Music in North America: Continuations and Innovations." the
world of music 44, 2002( 1 ): 1-1 5 1 .
Bauman, Max Peter (ed.) with Karl Neuenfeldt (guest ed.): [Topical Issue:] "Old
Instruments in New Contexts." the world of music 40, 1998(2): 1-106.
Baumann, Max Peter (ed.) with Linda Fujie (guest ed.): [Topical Issue:] "Folk Music
Revival in Europe." the world of music 38, 1996(3): 1-86.
Baumann Max Peter (ed.) with Marcia Herndon and Susanne Ziegler (guest eds.):
[Topical Issue:] "Women in Music and Music Research." the world of music 33,
1 99 1 (2): 1-1 03.
Baumann, Max Peter (ed.) with Marin Marian-Bãlaça (guest ed.): [Topical Is-
sue:] "Notation, Transcription, Visual Representation." the world of music 47,
2005(2): 1-162.
Baumann, Max Peter (ed.) with Mark F. Dewitt (guest ed.): [Topical Issue:] "Music,
Travel and Tourism." the world of music 41, 1999(3): 1-1 55.
Baumann, Max Peter (ed.) with Martin Boiko (guest ed.): [Topical Issue:] "Tradi-
tional Music in the Baltic Countries." the world of music 44, 2002(3): 1-151.
Baumann, Max Peter (ed.) with Martin Zenck (guest ed.): [Topical Issue:] "Music,
the Arts, and Ritual." the world of music 40, 1998(1): 1-156.
Baumann, Max Peter (ed.) with Martina Claus-Bachmann (guest ed.): [Topical Is-
sue:] "Gothic, Metal, Rap, and Rave - Youth Education and Its Educational Di-
mensions." the world of music 42, 2000(1): 1-147.
Baumann, Max Peter (ed.) with Martina Claus-Bachmann and Paul Greene (guest
eds.): [Topical Issue:! "Women and Music in Sri Lanka." the world of music 46,
2004(3): 1-144.
Baumann, Max Peter (ed.) with Nathan Hesselink (guest ed.): [Topical Issue:] "Mu-
sic and Politics on the Korean Peninsula." the world of music 49, 2007(3): 1-
118.
Baumann, Max Peter (ed.) with Paul D. Greene (guest ed.): [Topical Issue:] "Body
and Ritual in Buddhist Musical Cultures." the world of music 44, 2002(2): 1-
175.
Baumann, Max Peter (ed.) with Richard Keeling (guest ed.): [Topical Issue:] "Music
and Spiritual Power among the Indians of North America." the world of music
34, 1992(2): 1-90.
Baumann, Max Peter (ed.) with Richard Moyle (guest ed.): [Topical Issue:] "Ocea-
nia." the world of music 32, 1990(1): 1-98.
Baumann, Max Peter (ed.) with Ron Emoff (guest ed.): [Topical Issue:] "Spirit Prac-
tices in a Global Ecumene." the world of music 42, 2000(2): 1-1 36.
Baumann, Max Peter (ed.) with Svanibor Pettan (guest ed.): [Topical Issue:] "Music
and Music Research in Croatia." the world of music 40, 1998(3): 1-1 79.
Baumann, Max Peter (ed.) with T.M. Scruggs (guest ed.): [Topical Issue:] "Musi-
cal Reverberations from the Encounter of Local and Global Belief Systems." the
world of music 47, 2005(1): 1-165.
Baumann, Max Peter (ed.) with Uri Sharvit (guest ed.): [Topical Issue:] "Jewish Mu-
sical Culture." the world of music 37, 1 995( 1 ): 1-72.
Baumann, Max Peter (ed.) with Veit Erlmann and Deborah Pacini Hernandez (guest
eds.): [Topical Issue:] "The Politics and Aesthetics of 'World Music'." the world
of music 35, 1993(2): 1-125.
Baumann, Max Peter (ed.) with Victor A. Grauer (guest ed.): [Topical Issue:] "Echoes
of Our Forgotten Ancestors I." the world of music 48, 2006(2): 1-134.
Beaudry, Nicole: "The Language of Dreams: Songs of the Dene Indians (Canada)."
Becerra-Schmidt, Gustavo: "Modern Music South of the Rio Grande." the world of
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Bech, Terry: "Nepal: the Gaine Caste of Beggar-Musicians." the world of music 17,
1 975( 1 ):28- 35 (French and German transi., 51-54; 72-75).
Becker Judith: "'Aesthetics' in Late 20th Century Scholarship." the world of music
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Becker, Judith: "Listening Selves and Spirit Possession." the world of music 42,
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Becker, Tim and Raphael Woebs: "'Back to the Future': Hearing, Rituality and
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Béhague, Gérard: "Folk and Traditional Music of Latin America: General Prospect
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Béhague Gérard: "Musical Change: A Case Study from South America." the world
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Béhague Gérard: "Some Liturgical Functions of Afro-Brazilian Religious Music in
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Béhague Gérard: "South American Masked Dances: An Overview." the world of
music 22, 1 980( 1):23- 38.
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Benamou, Marc: "Comparing Musical Affect: Java and the West." the world of mu-
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Bender, Wolfgang: "African Music Archive, Johannes-Gutenberg University,
Mainz." the world of music 36, 1994(2): 155-57.
Bendrups, Dan: "Easter Island Music and the Voice of Kiko Pate: A Biographical
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Bentzon, Johan: "Music and the Amateur." the world of music 5, 1963(l-2):44.
Berendt, Joachim-Ernst: "Jazz Meets the World." the world of music 10, 1968(3):8-
Bhagwati, Sandeep: "Stepping on the Cracks, or, How I Compose with Indian Mu-
sic in Mind." the world of music 45, 2003(2): 1 13-24.
Binas, Susanne: "Youth Subcultures are Dead? - On the Cultural Logic of the 'Gen-
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3. the world of music bibliography - Authors vol. 1, 1959-vol. 2 , 2010 • 381
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Utopian?" the world of music 32, 1990(1): 125-33.
Blaukopf, Kurt: "The Sociography of Musical Life in Industrialized Countries - A
Research Task." the world of music 21, 1979(3):78-86.
Blažekovič, Zdravko: "A Bibliography of Writings on Music and Music Research
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Boiko, Martin: "The Latvian Folk Music Movement in the 1980s and 1990s: From
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Boiko, Martin (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Tradi-
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Boiles, Charles: "Universais of Musical Behavior: A Taxonomie Approach." the
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Bokhari, Z. A.: "The Composer in Pakistan Faces New Problems." the world of mu-
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Boris, Siegfried: "Contemporary Music Theater in Germany." the world of music 6,
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Bornoff, Jack: "Balkan Journey." the world of music 7, 1 965(4- 5):8 1 -82.
Bornoff, Jack: "Executive Secretary's Visits to Hungary and the Soviet Union." the
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Bornoff, Jack: "Hermann Scherchen - Youth and Music." the world of music 1 , 1959
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Bornoff, Jack: "Johan Evarts, born September 16, 1908 in Windsor, Vermont, dies
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Bornoff, Jack: "Music - A Challenge to Television." the world of music 11,
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Bornoff, Jack: "Music, Musicians, and Communication: An Interview with Lucia-
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Bornoff, Jack: "The IMZ - 25 Years at the Service of Music (a Survey)." the world
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Bornoff, Jack: "The Salzburg Congress on Opera and Ballet in Television and Film."
the world of music 1, 1959(4):61-66 (incl. French and German transi.).
Bornoff, Jack: "The Teheran Congress." the world of music 3, 1961(4):87-90 (incl.
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Both, Arnd Adje / Sanchez, Julia L.J. (guest eds.) and Max Peter Baumann (ed.):
¡Topical Issue :1 "Music Archaeology: Mesoamerica." the world of music 49,
2007(2): 1-138.
Both, Arnd Adje and Sanchez, Julia L. J.: "Preface [Topical Issue: Music Archaeol-
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Boulez, Pierre: "Traditional Music - A Lost Paradise?." the world of music 9,
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as Exemplified by Le Sacre du printemps ." the world of music 40, 1998(1):37- 60.
Brennan, Brennan, Vicki L.: "Chamber Music in the Barn: Tourism, Nostalgia, and
the Reproduction of Social Class." the world of music 41,1 999(3): 1 1-29.
Brennecke, Wilfried: "Chopin and Polish Music: Impressions of a Visit to Warsaw."
Brennecke, Wilfried: "Venice-Biennale: Nono's 'Intoleranza I960' and Electronic
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Brinner, Ben: "Cognitive and Interpersonal Dimensions of Listening in Javanese
Gamelan Performance." the world of music 41,1 999( 1 ): 1 9-35. (Reprint in Read-
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Brook, Barry S.: "Master Plan for the Implementation of the World Inventory of
Sources of Music Information." the world of music 22, 1980(1): 138-44.
Brook, Barry S.: "Part III - Master Plan for the Implementation of the World Inven-
tory of Sources of Music Information." the world of music 22, 1980(3):84-88.
Brook, Barry S.: "Part II - Master Plan for the Implementation of the World Inven-
tory of Sources of Music Information." the world of music 22, 1980(2):69-74.
Brook, Barry S. and David Bain: "Music in the Life of Man: Theoretical and Practi-
cal Foundations for a World History." the world of music 26, 1984(2): 120-36.
Brook, Barry S. and David Bain: "Musik im Leben des Menschen: Theoretische
und praktische Grundlagen für eine Weltgeschichte." the world of music 26,
1 984(3):94- 1 23.
Brook, Barry S. and David Bain: "World Music, World History, and the Music in the
Life of Man Project." the world of music 27, 1985(1 ): 1 1 1-15.
Brown, Ernest D. "The Guitar and the mbira : Resilience, Assimilation, and Pan-
Africanism in Zimbabwean Music." the world of music 36, 1 994(2):73- 1 17.
Browning, Robert H.: "The World Music Institute." the world of music 31,
1989(3): 11 5-1 7.
Brunet, Jacques: " Nang Sbek , Danced Shadow Theatre of Cambodia." the world of
music 11, 1969(4):19-37 (incl. French and German transi.).
Bucht, Gunnar: "Western Europe: Who Needs the Composer?." the world of music
14, 1 972(4):3- 1 6 (incl. French and German transi.).
Buckley, Ann: "Professional Musicians, Dancing and Patronage: Continuity and
Change in a Transylvanian Community." the world of music 36, 1994(3):3 1-48.
Burckhardt, Yvonne: "Die Internationale Musikerföderation." the world of music 26,
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Bürde, Wolfgang: "Non-European Music: Reflections of a Critic." the world of mu-
sic 16, 1974(1): 15-27 (incl. French and German transi.).
Busch, Hans: "The American Opera Workshop." the world of music 2, 1960(4):70-
Canzio, Ricardo: "Review Essay: The Power of Singing Versus the Construction of
a People's Music - Trebinjac, Sabine. Le pouvoir en chantant: L ' art de fabriquer
une musique chinoise ." the world of music 43, 2001(2-3):230-36.
Caron, Nelly: "The Ta 'zieh, the Sacred Theatre of Iran." the world of music 17,
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Casano, Steven: "From Fuke Shuu to Uduboo : The Transnational Flow of the Shaku-
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Catlin, Amy: "Puzzling the Text: Thought-Songs, Secret Languages, and Archaic
Tones in Hmong Music." the world of music 39, 1997(2):69-82.
Cellier, Claude; Daniélou, Alain and André Kudelski: "A New Electronic Instrument
for Musical Research: The S 52." the world of music 23, 1 98 1 (2):63- 73.
Ceribašic, Naila: "Folklore Festivals in Croatia: Contemporary Controversies." the
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Chabrier, Jean-Claude: "New Developments in Arabian Instrumental Music." the
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Chailly, Luciano: La Musique Classique à la Télévision Italienne." the world of mu-
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Chambers, Ian: "Some Notes on Neapolitan Song: From Local Tradition to Worldly
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Charry, Eric: "The Grand Mande Guitar Tradition of the Western Sahel and Savan-
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Chaudhuri, Shubha: "Archives and Research Centre for Ethnomusicology of
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Cheng, Shui-Cheng: "Permissions and Prohibitions Concerning the Playing of the
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Cheng, Shui-Cheng: "The 'Anti-Music' Theory of the School of Mozi." the world of
music 23, 1981(1): 14-19.
Cheng, Shui-Cheng: "The Role of the Traditional Musician in China." the world of
music 21, 1979(2):85-95.
Chernoff, John: "'Hearing' in West African Idioms." the world of music 39,
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Chopyak, James D.: "Hearing and Seeing in the Electronic Age: Preliminary Com-
parisons Between Malaysia and California." the world of music 39, 1997(2):27-
40.
Chou, Wen-Chung: "A Visit to Modern China." the world of music 20, 1978(2):40-
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Chrétien, Annette: " Under the Double Eagle : From Military March to Métis Mizik-
sharing." the world of music 44, 2002(1 ):95- 1 14.
Christensen, Dieter: "Obituary: Linda Kiyo Fujie, 1953-2002." the world of music
44, 2002(2):7-8.
Christensen, Dieter: "The Center for Ethnomusicology at Columbia University, New
York, NY." the world of music 40, 1998(3):2 11-12.
Christoff, Dimiter: "A Personal Statement: As the Tenth Anniversary of the IMC's
International Composer's Workshop Approaches." the world of music 27,
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Claus-Bachmann, Martina: "Cultural Identity and Educational Possibilities in Hu-
manistic Studies." the world of music 42, 2000(1): 13-24.
Claus-Bachmann, Martina: " Jataka Narrations as Multimedial Reconstructive Em-
bodiments of the Mental System Buddha Shakyamuni." the world of music 44,
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Claus-Bachmann, Martina: "Kuveni, or the Curse of a Woman as Flash Point for
Music-oriented (Re)Constructions." the world of music 46, 2004(3): 14-36. (Re-
print in Readings in Ethnomusicology , Max Peter Baumann, ed., the world of
music 52, 20 1 0( l-3):432-52).
Claus-Bachmann, Martina: "Preface [Topical Issue: Gothic, Metal, Rap, and Rave]."
Claus-Bachmann, Martina and Paul Greene: "Preface [Topical Issue: Women and
Music in Sri Lanka]." the world of music 46, 2004(3):7-13.
Claus-Bachmann, Martina (guest ed.) and Max Peter Baumann (ed.): [Topical Is-
sue:] "Gothic, Metal, Rap, and Rave - Youth Education and Its Educational Di-
mensions." the world of music 42, 2000(1): 1-147.
Claus-Bachmann, Martina/Greene, Paul (guest eds.) and Max Peter Baumann
(ed.): [Topical Issue:] "Women and Music in Sri Lanka." the world of music 46,
2004(3): 1-144.
Cohen, Judith: "Constructing a Spanish Jewish Festival: Music and the Appropria-
tion of Tradition." the world of music 41, 1999(3):85- 1 13.
Collaer, Paul: "African Music." the world of music 12, 1970(l):34-45 (incl. French
Colombo, Pierre: "Ten Years of the International Rostrum of Composers." the world
of music 7, 1965(3):57-60 (French and German transi., 60-63; 63-70).
Conlon, Paula: "The Native American Flute: Convergence and Collaboration as Ex-
emplified by R. Carlos Nakai." the world of music 44, 2002(l):61-74. (Reprint
in Readings in Ethnomus ico logy, Max Peter Baumann, ed., the world of music
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Cook, Nicholas: "Review-Essay: Improvisation. Bruno Netti with Melinda Rüssel
(eds.), In the Course of Performance: Studies in the World of Musical Improvisa-
tion. " the world of music 45, 2003(2): 154-61.
Cook, Pat Moffitt: "Sacred Music Therapy in North India." the world of music 39,
1 997( 1 ):6 1- 84.
Cooke, Peter: "Response to 'Echoes of Our Forgotten Ancestors'." the world of mu-
sic 48, 2006(2):93-100.
Cooke, Peter: "Was Ssempeke Just Being Kind? Listening to Instrumental Music in
Africa South of the Sahara." the world of music 41, 1999(1):73- 83.
Cooke, Peter and Francis Ratamba: " Ssematimba ne Kikwabanga : The Music and
Poetry of a Ganda Historical Song." the world of music 29, 1987(2):49-68.
Cooley, Timothy J.: "Folk Festival as Modern Ritual in the Polish Tatra Mountains."
the world of music 41, 1999(3): 31-55. (Reprint in Readings in Ethnomusicol-
ogy , Max Peter Baumann, ed., the world of music 52, 2010(l-3):270-93).
Cooley, Timothy J.; Wong, Deborah; Lysloff, René T. A.; Kertész- Wilkinson, Irén;
Lortat-Jacob, Bernard; Barz, Gregory F.: "Review Symposium: Shadows in the
Field: New Perspectives for Fieldwork in Ethnomusicology , ed. Gregory F. Barz
Corn, Aaron: "Sound Exchanges: An Ethnomusicologisťs Approach to Interdisci-
plinary Teaching and Learning in Collaboration with a Remote Indigenous Aus-
tralian Community." the world of music 51, 2009(3):21-50.
Corrêa de Avezedo, Luiz Heitor: "Roland Manuel - Portrait Souvenir du Premier
[IMC] Président." the world of music 6, 1964(2-3): 32-3 3.
Courte, Robert: "The Role of a Resident String Quartet in an American University."
the world of music 3, 1 96 1 (2):34- 35 (incl. French and German transi.).
Craig, Dale A.: "Whither Chinese Traditional Music?." the world of music 15,
Crook, Larry N.: "Black Consciousness, Samba Reggae , and the Re- Africanization
of Bahian Carnival Music in Brazil." the world of music 35, 1993(2):90-108.
Cross, Ian: "Four Issues in the Study of Music in Evolution." the world of music 48,
2006(3):55-63.
Crowdy, Denis: "Studios at Home in the Solomon Islands: A Case Study of Home-
sound Studios, Honiara." the world of music 49, 2007(1): 143-54.
Crowe, Peter: "Dancing Backwards?" the world of music 32, 1990(1): 84-98.
Culshaw, John: "Video-canned Opera." the world of music 12, 1970(4):6-25 (incl.
Cunningham, James E.: "The Nammys Versus the Grammys: Celebrity, Technology,
and the Creation of an Indigenous Music Recording Industry in North America."
the world of music 49, 2007( 1 ): 1 55-70.
Cvetko, Dragotin: "Historical Relations between Musical Folklore and Art Music in
Yugoslavia." the world of music 25, 1983(2): 17-32.
Cvetko, Dragotin: "New Music in Yugoslavia." the world of music 4, 1962(3):52-53
Dallapiccola; Luigi: ["Music Education in the World Today"], the world of music 8,
1966(4-5):82-83 (also in French and German transi., 88-89; 98-100).
Daniélou, Alain: "ad libitum..." the world of music 9, 1967(l):20-22 (incl. French
Daniélou, Alain: "Aesthetics and Indian Music." the world of music 18, 1976(2): 1 7-
22 (French and German transi., 44-46; 60-62).
Daniélou, Alain: "Craftsmanship and Industry." the world of music 14, 1 972(2): 1 8-
Daniélou, Alain: "Cultural Genocide." the world of music 11, 1969(1):6- 16 (incl.
Daniélou, Alain: "Days of Non-European Music in West Berlin." the world of music
16, 1 974( 1 ):7- 14 (incl. French and German transi.).
Daniélou, Alain: "Ethical and Spiritual Values in Music." the world of music 22,
1 980(2):3- 1 0.
Daniélou, Alain: "Isolationnisme ou Compréhension Mutuelle en Musique." the

world of music 8, 1 966( 1 ):3 - 4 (in French only).
Daniélou, Alain: "La Musique Orientale en Occident." the world of music 5, 1963(1-
2): 1 9.
Daniélou, Alain: "Magic and Pop Music." the world of music 12, 1970(2): 13-1 8
Daniélou, Alain: "Musical Education in Asia and Africa." the world of music 10,
Daniélou, Alain: "Non-European Music and World Culture." the world of music 15,
Daniélou, Alain: "Religious Music in the Countries of the Orient." the world of mu-
sic 16, 1974(4):20-35 (incl. French and German transi.).
Daniélou, Alain: "Symbolism in the Musical Theories of the Orient." the world of
music 20, 1978(3):24-37.
Daniélou, Alain: "The Importance of the Preservation of the Traditional Musical

Culture in Oriental Countries." the world of music 2, 1960(1):2- 4- (incl. French
Daniélou, Alain: "The Psychology of Improvisation in the Music of North India." the
world of music 17, 1975(4): 16-22 (French and German transi., 40-42; 55-58).
Daniélou, Alain: "The Relationships between Music and Language According to
Hindu Theory." the world of music 17, 1975(1): 14 - 23 (French and German
transi., 44^18; 64-69).
Daniélou, Alain; Cellier, Claude and André Kudelski: "A New Electronic Instument
for Musical Research: The S 52." the world of music 23, 1 98 1 (2) : 63-7 3 .
Dannemann, Manuel R.: "Autochthonous Musical Culture in Chile." the world of
music 26, 1 984( 1 ):68- 77.
Dannemann, Manuel R.: "The Musical Traditions of the Indigenous Peoples of
Chile." the world of music 19, 1977(3-4): 104-20.
Datta, Vivek and Mukund Lath: "Improvisation in Indian Music." the world of music
9, 1 967(1 ):27- 34 (incl. French and German transi.).
Davidson, Lyle and Bruce Torff: "Situated Cognition in Music." the world of music
34, 1992(3): 120-39.
Davies, Nollene: "The Guitar in Zulu Maskanda Tradition." the world of music 36,
1994(2): 11 8-37.
Davis, Ruth: "The Effects of Notation on Performance Practice in Tunisian Art Mu-
sic." the world of music 34, 1 992( 1 ):85- 1 14.
Dawe, Kevin: "Roots Music in the Global Village: Cretan Ways of Dealing with the
World at Large." the world of music 42, 2000(3): 47-66.
De Leeuw, Ton: "Music in Orient and Occident - A Social Problem, the world of
De Leeuw, Ton: "Questions, Ideas and Expectations: Premises and Aims of an East-
West Encounter." the world of music 20, 1978(2): 19-33.
De Leeuw, Ton: "Ton de Leeuw 's Composition GendingP the world of music 20,
1978(2):98-99.
De Pablo, Luis: "The Contemporary Composer and the Music of the Third World."
the world of music 10, 1968(4): 19-27 (incl. French and German transi.).
De Reding, Marguerite: "La Musique et son Public." the world of music 5, 1 963(1-
2):32.
Del Perugia, Paul: "From Music to Ecstasy." the world of music 13, 1971(3):3- 1 7
Delorenzi-Schenkel, Silvia: "Children's Music of Greece." the world of music 29,
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Denissow, Edison: "New Music and Jazz." the world of music 10, 1968(3):30-37
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of music 47, 2005(3):5-16. (Reprint in Readings in Ethnomusicology , Max Peter
Baumann, ed., the world of music 52, 2010(l-3):69-79).
Deschênes, Bruno (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "The
Music of 'Others' in the Western World." the world of music 47, 2005(3): 1-
160.
DeVale, Sue Carole and I Wayan Dibia: "Sekar Anyar: An Exploration of Meaning
in Balinese Gamelan the world of music 33, 1991(1):5- 5 1 .
DeWitt, Mark F.: "Heritage, Tradition and Travel: Louisiana French Culture Placed
on a California Dance Floor." the world of music 41, 1 999(3):57- 83 .
De Witt, Mark F.: "Louisiana Creole Bals de maison in California and the Accumula-
tion of Social Capital." the world of music 51, 2009(1): 17-34.
Dewitt, Mark F. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Music,
Travel and Tourism." the world of music 41, 1999(3): 1-1 55.
DeWoskin, Kenneth J.: "Philosophers on Music in Early China." the world of music
27, 1985(l):33-47.
Diamond, Beverly: "'Allowing the Listener to Fly as They Want to': Sámi Perspec-
tives on Indigenous CD Production in Northern Europe." the world of music 49,
2007(1 ):23^48.
Diamond, Beverly: "Native American Contemporary Music: The Women." the
world of music 44, 2002(1): 11-39. (Reprint in Readings in Ethnomusicology ,
Max Peter Baumann, ed., the world of music 52, 201 0( 1- 3):387 - 414).
Dibia, I Wayan and Sue DeVale: "Sekar Anyar: An Exploration of Meaning in Bali-
nese Gamelan ." the world of music 33, 1 99 1(1 ):5- 5 1 .
Diehl, Gunther: "'...the Fleeting Association in a Flash of Inspiration': On the Di-
mension of Aesthetic Intensity in Music-Related Expressive Forms of Youth
Culture." the world of music 42, 2000(1): 11 1-24.
Diettrich, Brian: "Across All Micronesia and Beyond: Innovation and Connections
in Chuukese Popular Music and Contemporary Recordings." the world of music
49, 2007(1 ):65-81.
Doliner, Gorana: "Traditional Church Singing in Kraljevica (Croatia): The Work of
Lujza Kozinovic." the world of music 33, 1991(2):50-64.
Dominé-Datta, Marie-Thérèse: "Himalaya: The Epics of Kumaon." the world of mu-
sic 18, 1976(1): 23-29 (French and German transi., 42^4; 57-60).
Donnet, Hadelin: "The Position and Purpose of Jeunesses Musicales in the World."
the world of music 4, 1 962( 1 ):3- 5 (incl. French and German version).
Donnet, Hadelin: "XVIIème Congrès et XVIIIème Assemblée générale des Jeuness-
es Musicales." the world of music 5, 1963(3):59 (in French only).
Doruzka, Lubomir: "Protest through Popular Music." the world of music 12,
Douglas, Gavin: "The Sokayeti Performing Arts Competition of Burma/Myanmar:
Performing the Nation." the world of music 45, 2003(1 ):35-54.
Driver, Peter and John Baily: "Spatio-Motor Thinking in Playing Folk Blues Gui-
tar." the world of music 34, 1 992(3):57- 7 1 .
Dudley, Shannon: "Creativity and Control in Trinidad Carnival Competitions." the
world of music 45, 2003(1): 1 1-33.
During, Jean: "Acoustic Systems and Metaphysical Systems in Oriental Traditions."
the world of music 29, 1 987(2): 1 9-3 1 .
During, Jean: "Hearing and Understanding in the Islamic Gnosis." the world of mu-
sic 39, 1997(2): 127-38. (Reprint in Readings in Ethnomusicology , Max Peter
During, Jean: "Music, Poetry, and the Visual Arts in Persia." the world of music 24,
1 982( 1 ):72- 88.
During, Jean: "Revelation and Spiritual Audition in Islam." the world of music 24,
1982(3):68-84.
During, Jean: "The 'Imaginai' Dimension and Art of Iran." the world of music 19,
1 977(3 - 4):24^4-4.
Eckstein, Pavel: "Contemporary Music in Czechoslovakia." the world of music 4,

Ekwueme, Laz E.N.: "Towards Preserving and Presenting African Music: A Theory
of Notation and Transcription." the world of music 18, 1976(4): 20-26.
El Mahdi Salah: "A Few Notes on the History of Arabian Music." the world of music
20, 1978(1 ):5- 16.
Ellingson, Ter: "Indian Influences in Tibetan Music." the world of music 24,
1982(3):85-93.
Ellis, Catherine J.: "Introduction. Powerful Songs: Their Placement in Aboriginal
Thought." the world of music 36, 1994(l):3-20.
Ellis, Catherine J. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Pow-
er-Laden Australian Aboriginal Songs: Who Should Control the Research?." the
world of music 36, 1 994(1 ): 1-1 03.
El-Mallah, Issam: "The Oman Center for Traditional Music." the world of music 33,
1991(1): 109-11.
Eloy, Jean-Claude: "Improvisation: Refuge, Utopia or Necessity?." the world of mu-
sic 12, 1 970(3):6- 2 1 (incl. French and German transi.).
Elschek, Oskár: "Film and Video in Ethnomusicological Research." the world of

music 3 1 , 1 989(3):2 1- 37.
Elschek, Oskár: "Folklore Festivals and their Current Typology." the world of music
43, 200 1(2-3): 153-69.
Elschek, Oskár: "Research on Stylistic Areas of Slovak Instrumental Folk Music."
the world of music 38, 1 996(3):5 1-70.
Elscheková, Alica: "Functions and Transformational Processes of Central European
Wedding Songs." the world of music 39, 1 997(3):3 1 -50.
El-Shawan Castelo-Branco, Salwa: "Documentation of Portuguese Traditional Mu-
sic (1988). A Joint Project of the International Institute for Comparative Music
Studies and Documentation Berlin and the University Nova de Lisboa, Departa-
mento de Ciências Musicais." the world of music 31, 1989(2): 160 (s. also 30(3),
1988:124-26).
El-Shawan Castelo-Branco, Salwa: "Some Aspects of the Cassette Industry in
Egypt." the world of music 29, 1987(2):32^8.
Eisner, Jürgen: "Listening to Arabic Music." the world of music 39, 1 997(2): 1 1 1-
26.
Emigh, John: "Masking and Playing: Observations on Masked Performance in New

Guinea." the world of music 23, 1 98 1 (3):5- 25.
Emoff, Ron: "Clinton, Bush, and Hussein in Madagascar." the world of music 42,
2000(2):51-73.
Emoff, Ron (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Spirit Prac-
tices in a Global Ecumene." the world of music 42, 2000(2): 1-136.
Emsheimer, Ernst: "On the Symbolism of the Lapp Magic Drum." the world of mu-
sic 19, 1977(3-4):45-61.
Emsheimer, Hans: "Splendor and Misery of the American Musical." the world of
Erlmann, Veit.: "A Conversation with Joseph Shabalala of Ladysmith Black Mam-
bazo: Aspects of African Performers' Life Stories..." the world of music 31,
1 989( 1 ):3 1-58.
Erlmann, Veit: "In Memoriam John Anthony Randoll Blacking (1928-1990)." the
world of musical, 1989(3): 1 14-15.
Erlmann, Veit: "The Politics and Aesthetics of Transnational Musics." the world of
music 35, 1 993(2):3- 1 5.
Erlmann, Veit / Pacini Hernandez, Deborah (guest eds.) and Max Peter Baumann
(ed.): [Topical Issue:] "The Politics and Aesthetics of 'World Music'." the world
of music 35, 1993(2): 1-125.
Euba, Akin: "Aspects of the Preservation and Presentation of Music in Nigeria." the
world of music 18, 1976(4):27-42.
Euba, Akin: "Evaluation and Propagation of African Traditional Music." the world
of music 15, 1973(3):34-51 (incl. French and German transi.).
Evarts, John: "Electronic Experimentation Flourishing." the world of music 1, 1959
(3):45-48 (incl. French and German transi.).
Evarts, John: "Festival Donaueschingen." the world of music 10, 1 968(2) :4 1-45
Evarts, John: "Highlights of the 'Semaines Musicales Internationales de Par-
is' - 1962." the world of music 4, 1962(6): 125-26 (incl. French and German
transi.).
Evarts, John: "Domingo Santa Cruz-Wilson - Portrait of the Third [IMC] Presi-
dent." the world of music 6, 1964(2-3):33-34.
Evarts, John: "The First Thirty Years of the IMC." the world of music 30, 1 988(3): 131-
18.
Evarts, John: "To Our Readers." the world of music 15, 1 973(1 ):3 (incl. French and
German transi.).
Evarts, John: Steuart Wilson - Portrait of the Second [IMC] President." the world of
music 6, 1964(2-3):33.
Evarts, John and Christian Poche: "Foreword." the world of music 16, 1974(1):3- 5
Fábián, Imre: "Hungary's New Music between Tradition and Progress." the world of
Fales, Cornelia: "Acoustic Intuition of Complex Auditory Phenomena by 'Whis-
pered Inanga ' Musicians of Burundi." the world of music 37, 1995(3): 3-35.
Fargion, Janet Topp: "For My Own Research Purposes? Examining Ethnomusicol-
ogy Field Methods for a Sustainable Music." the world of music 51, 2009(1 ):75-
93.
Farhat, Hormoz: "Form and Style in Persian Music." the world of music 20,
1978(2): 109-1 8.
Faux, Tom: "Don Roy, Fiddle Music, and Social Sustenance in Franco New Eng-
land." the world of music 51, 2009(1 ):35-54.
Fédorov, Vladimir: "Congress and General Assembly of the International Associa-
tion of Music Libraries (I.A. M. L.)." the world of music 4, 1962(5): 100-01 (incl.
French and German version).
Fédorov, Vladimir: "The International Music Council Viewed by One of Its Mem-
bers." the world of music 3, 1961(6): 142-44 (incl. (incl. French and German
transi.).
Fichte, Tobias: ""don't you think this could become a new kind of cantata?' Ritual-
ity, Authenticity and Stage-Setting in Mendelssohn's Walpurgisnacht." the world
of music 40, 1998(1): 11 9-34.
Finney, Ross Lee: "International Rostrum of Composers." the world of music 6,
1964(5-6): 122.
Finscher, Ludwig: "Memorial Editions in History." the world of music 3, 1 96 1 (2):36-
Fleuret, Maurice: "A Trip to the United States." the world of music 9, 1967(4):9-16
Focht, Josef: "Denominational Roots of Swabian Amateur Music-making." the
world of music 41 , 1999(2): 123-36.
Frey, Heike: "Traditional Urban Entertainment in Bavaria: The Volkssänger as Ex-
emplified by Bally Prell." the world of music 41, 1999(2):99-122.
Fujie, Linda: "'Draw the Chords of Union Stronger': The Musical Life of the Ameri-
can Shakers." the world of music 35, 1 993(3):5 1-79.
Fujie, Linda: "Field Work Report: Traditional Music in Maine, U. S.A." the world of
music 3 1 , 1989(1): 123.
Fujie, Linda: "Japanese Taiko Drumming in International Performance: Converg-
ing Musical Ideas in the Search for Success on Stage." the world of music 43,
200 1 (2- 3):93- 1 01 . (Reprint in Readings in Ethnomusicology , Max Peter Bau-
mann, ed., the world of music 52, 2010(1-3): 193-201).
Fujie, Linda (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Folk Music
Revival in Europe." the world of music 38, 1996(3): 1-86.
Gansemans, Jos: " Ethnomusicologie au Musée Royal de l'Afrique Centrale

(MRAC)." the world of music 28, 1986(3): 101-2.
Garfias, Robert: "A Musical Visit to Burma." the world of music 17, 1 975( 1 ):3- 1 3
(French and German transi., 39^3; 58-63).
Garofalo, Reebee: "Whose World, What Beat: The Transnational Music Industry,
Identity, and Cultural Imperialism." the world of music 35, 1993(2): 16-32.
Gay, Leslie C.: "Hearing is Seeing: Listening for New York Rock Musicians." the
world of music 41, 1 999( 1 ):9- 1 7.
Geraedts, Jaap: "International Congress 'The Composer of Today and the Public'."
the world of music 8, 1966(6): 1 15-16.
Germain, Jean: "Le 'Marketing' d'un Festival." the world of music 5, 1963(l-2):46-
48.
Gerson-Kiwi, Edith: "The Oriental Musician." the world of music 10, 1 968(4):8- 1 8
Ghrab, Anas: "Occident and Intervals in 'Arabic Music,' from the Eighteenth Cen-
tury to the Cairo Music Congress." the world of music 47, 2005(3):55-79.
Gligo, Nikša: "Why Do We Like Symphonic Kolol National Coloring and Its Articu-
lation Through Folklore-based Idioms." the world of music 40, 1998(3):99- 1 12.
Goertzen, Chris: "Galax, Virginia's 'Old Fiddlers Convention': The Virtues and
Flaws of a Giant Fiddle Contest." the world of music 45, 2003(1): 133^47.
Goldbeck, Frédéric: "Note on the Rostrum of Composers." the world of music 4,
1962(4):75-76 (incl. French and German version).
Gombrich, Carl: "Expressions of Inexpressible Truths: Attempts at Descriptions of
Mystical and Musical Experiences." the world of music 50, 2008(1):89-105.
music 52, 20 1 0( l-3):563-79).
Gómez Amat, Carlos: "Some Aspects of 20th Century Spanish Music." the world of
music 16, 1974(3):3- 21 35 (incl. French and German transi.).
Goodman, Linda J.: "Aspects of Spiritual and Political Power in Chiefs' Songs of the
Makah Indians." the world of music 34, 1992(2):23-42.
Gottheim, Vivian I.: " Bumba-meu-boi , a Musical Play from Maranhao." the world
of music 30, 1988(2):40-68.
Gottlieb, Robert: "Musical Scales of the Sudan as Found among the Gumuz, Berta,
and Ingessana Peoples." the world of music 28, 1986(2):56-76.
Gourlay, Renneth A.: "The Non-Universality of Music and the Universality of Non-
Music." the world of music 26, 1984(2):25-39.
Gradenwitz, Peter: "East and West Meet in Jerusalem, Israel." the world of music 5,
1963(5): 107-08.
Grater, Manfred: "The Future of Music Lies in TV." the world of music 13,
1971(4):20- 3 1 (incl. French and German transi.).
Grau, Andrée: "Dance as Part of the Infrastructure of Social Life." the world of mu-
sic 11, 1995(2):43-59.
Grauer, Victor A.: "'Echoes of Our Forgotten Ancestors' - Author's Reply." the
world of music 48, 2006(2): 101-34.
Grauer, Victor A.: "Echoes of Our Forgotten Ancestors: Some Points of Clarifica-
tion." the world of music 48, 2006(3):9-12.
Grauer. Victor A.: "Echoes of Our Forgotten Ancestors." the world of music 48,
2006(2):5-59.
Grauer, Victor A. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Echoes
of Our Forgotten Ancestors I." the world of music 48, 2006(2): 1-1 34.
Grebe, Maria Ester: "Relationships between Musical Practice and Cultural Context:
The Kultrún and Its Symbolism." the world of music 20, 1978(3):84-106.
Greene, Paul D: "Preface: Body, and Ritual in Buddhist Musical Cultures." the world
of music 44, 2002(2):9-16.
Greene, Paul D.: "Sounding the Body in Buddhist Nepal: Neku Horns, Himalayan
Shamanism, and the Transmigration of the Disembodied Spirit." the world of
music 44, 2002(2):93-114.
Greene, Paul and Martina Claus-Bachmann: "Preface [Topical Issue: Women and
Music in Sri Lanka]." the world of music 46, 2004(3):7-13.
Greene, Paul D.: Howard, Keith; Miller, Terry E.; Nguyen, Phong T. and Tan, Hwee-
San: "Buddhism and the Musical Cultures of Asia: A Critical Literature Survey."
Greene, Paul D. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Body
and Ritual in Buddhist Musical Cultures." the world of music 44, 2002(2): 1-
175.
Greene, Paul/Claus-Bachmann, Martina (guest eds.) and Max Peter Baumann

(ed.): [Topical Issue:] "Women and Music in Sri Lanka." the world of music 46,
2004(3): 1-144.
Griebel, Armin: "Forschungsstelle für fränkische Volksmusik / Research Center for
Franconian Folk Music, Simmershofen." the world of music 41, 1999(2): 192-
13.
Griebel, Armin: "The Discovery of Franconian Folk Song." the world of music 41,
1999(2): 159-67.
Grigorovici, Lucian: "Socialist Politmusic - Viewed Sociologically." the world of
music 12, 1 970( 1 ):6- 1 7 (incl. French and German transi.).
Groemer, Gerald: "The Rise of 'Japanese Music'." the world of music 46, 2004(2):9-
33. (Reprint in Readings in Ethnomusicology , Max Peter Baumann, ed., the world
of music 52, 2010(l-3):29-53).
Grosser Piéjus, Anne-Marie: "Flamenco." the world of music 10, 1968(4):28-^3
Grosser, Sabine: "Changing Worlds: Music, Women, and Fine Arts in Postcolo-
nial Sri Lanka: A Postmodern/Critical Reading of Four Sri Lankan Art Works
with Female Authors Relating to The World of Music." the world of music 46,
2004(3): 101-19.
Grout, Donald J.: "Report on the New York Meeting of the International Musicologi-
cal Society." the world of music 3, 1 96 1 (6): 139 - 40 (incl. French and German
summary).
Grupe, Gerd: "Notating African Music: Issues and Concepts." the world of music
47, 2005(2):87-103.
Guaccero, Domenico: "La Structure du Public et l'Enseignement Musical en Italie."

the world of music 5, 1963(1- 2):3 1-32.
Guilbault, Jocelyne: "On Redefining the 'Local' Through World Music." the world
of music 35, 1 993(2):33- 47.
Guizzi, Febo: "The Continuity of the Pictorial Representation of a Folk Instrument's
Playing Technique: The Iconography of the Tamburello in Italy." the world of
music 30, 1 988(3):28- 58.
Guida, Friedrich: "Liberation Through Improvisation." the world of music 13,
1971(3):42^9 (incl. French and German transi.).
Gummow, Margaret: "The Power of the Past in the Present: Singers and Songs from
Northern New South Wales." the world of music 36, 1994(l):42-50.
Gunderson, Frank: "Preface [Topical Issue: Contesting Tradition: Cross-cultural
Studies of Musical Competition]." the world of music 45, 2003(1 ):7- 1 0.
Gunderson, Frank (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Con-
testing Tradition: Cross Cultural Studies of Musical Competition." the world of
music 45, 2003(1): 1-147.
Gunnar Bucht: "Scandinavia - A Musical Unity?, the world of music 11,1 969(2): 1 8-
Guo Wenjing: "Traditional Music as Material." the world of music 45, 2003(2): 125-
6.
Gutzwiller, Andreas: "The Shakuhachi of the Fuke-Sect: Instrument of Zen." the

world of music 26, 1984(3):53-65.
Hagedorn, Katherine J.: "Bringing down the Santo: An Analysis of Possession Per-
formance in Afro-Cuban Santería ." the world of music 42, 2000(2):99-l 13.
Hahn Man-young: "The Origin of Korean Music." the world of music 27, 1 985(2): 1 6-
31.
Hahn, Kurt: "Sixth General Assembly of the German National Music Committee in
Berlin from November 16th to 19th." the world of music 3, 1961(1):5- 7 (incl.
Halliwell, Patrick: "Groupism and Individualism in Japanese Traditional Music."
the world of music 46, 2004(2):35^6.
Han, Kuo-huang: "Titles and Program Notes in Chinese Musical Repertoires." the
world of music 27, 1 985(1):68- 77.
Handman, Dorel: "Le Disque et le Public." the world of music 5, 1963(1-2): 19-20.
Hanna, Judith Lynne.: "Aesthetics - Whose Notions of Appropriateness and Com-

petency, What Are They and What Do We Know?" the world of music 45,
2003(3):29-55.
Hanna, Judith Lynne: "Is Dance Music? Resemblances and Relationships." the
world of music 24, 1 982( 1 ):57- 7 1 .
Hanna, Judith Lynne: "Towards Discovering the Universais of Dance." the world of
music 26, 1 984(2):88- 1 03.
Hannan Michael: "Eastern Music and the Australian Composer." the world of music
20, 1978(2): 103-05.
Hanneken, Bernhard: "Concepts and Contexts of the Tanz&FolkFest Rudolstadt."
the world of music 43, 1 200 1 (2-3 ) : 3 1 -47 .
Hanneken, Bernhard: "Stadt Rudolstadt, Kulturdezernat: Tanz&FolkFest Rudolstadt
(Member of the European Forum of Worldwide Music Festivals)." the world of
music 41, 1999(3): 179-80.
Hanson, Raymond: "Music in Australia." the world of music 1 , 1 959 (2):24-26 (incl.
Harewood, George: "The Critic's Column." the world of music 12, 1970(1):3- 5
Harewood, George: "The Critic's Column." the world of music 12, 1970(2):3-5
Harewood, Gorge: "The Critic's Column." the world of music 12, 1970(3):3- 5 (incl.
Harewood, George: "The Critic's Column." the world of music 12, 1970(4):3-5
Harich-Schneider, Eta: "Dances and Songs of the Japanese Shintõ Cult." the world
of music 25, 1983(1): 16-29.
Harnish, David: "A Hermeneutical Arc in the Life of Balinese Musician, I Made
Lebah." the world of music 43, 2001 (1):2 1-41.
Harrison, Frank: "Universals in Music: Towards a Methodology of Comparative
Research." the world of music 19, 1977(l-2):30-42.
Harrison, Klisala: "The Kwagiulth Dancers: Addressing Intellectual Property Issues
at Victoria's First Peoples Festival." the world of music 44, 2002(1): 137-51.
Härtel, Hermann: "The Styrian Volksliedwerk / Das Steirische Volksliedwerk." the
world of music 39, 1997(1): 129-30.
Harvey, Jane with Huip Schipper and Joep Bor: "International Society for Tradition-
al Arts Research (ISTAR), Nederland." the world of music 31, 1989(1): 1 17-19.
Harwood Dane L.: "Contributions from Psychology to Musical Universais." the
world of music 21 , 1979(l):48-64.
Haryadi, Frans: "Modern Music in Java." the world of music 20, 1978(2): 100-02.
Hayford, Aba: "Traditional Music and Dance in the Visual Media (TV and Film)."
Heikinheimo, Seppo: "The Situation of New Music in Finland," the world of music
4, 1962(4):78-79 (incl. German and French version).
Heinemann, Rudolf: "A Plea for More Tolerance." the world of music 15, 1 973(4):3-
Heinemann, Rudolf: "Zoltán Kodály (1882-1967)." the world of music 9,
1967(1):40.
Heins Ernst: "An Introduction to Javanese Culture and Music." the world of music
20, 1978(2):86-88.
Heinsheimer, Hans W.: "Opera in the US A Today. "//*e world of music 15, 1973(2): 16-
Helffer, Mireille: "The ' Cham of Padmasambhava in the Monastery of Hemis
(Ladakh)." the world of music 22, 1980(1): 107-24.
Helm, Everett: "Contemporary American Music." the world of music 4, 1 962(3):5 1
Helm, Everett: "IMC Congress on Contemporary Music Theatre'." the world of mu-
sic 6, 1964(5-6): 11 9-21.
Helm, Everett: "The Dilemma of Avant-Garde Music." the world of music 4,
Helm, Everett: "The Performer." the world of music 2, 1960(6): 123-27 (incl. French
Hemetek, Ursula: "Music of Minorities between Exclusion and Ethnoboom. Inter-
cultural Encounter in Austria." the world of music 43, 200 1(2-3): 139-52.
Hemetek, Ursula: "Šunen, Šunen, Romalen (Listen, Listen, Roma): Reception of Lo-
vari Songs - A Cultural Misunderstanding?" the world of music 39, 1997(2):97-
110.
Hemetk, Ursula: "The Institute for Folk Music Research at the Hochschule für Musik
und darstellende Kunst , Vienna," the world of music 40, 1 998( 1 ): 1 79-8 1 .
Henneberg, Claus: "Notes on the Problems of an Art Form." the world of music 15,
Herndon, Mareia: "Insiders, Outsiders: Knowing our Limits, Limiting our Know-
ing." the world of music 35, 1993(1):63- 80.
Herndon, Marcia / Ziegler, Susanne (guest eds.) and Max Peter Baumann (ed.):
1991(2): 1-103.
Hesselink, Nathan: "Music and Politics on the Korean Peninsula (Introduction)." the
world of music 49, 2007(3): 7-1 2.
Hesselink, Nathan: "Taking Culture Seriously: Democratic Music and Its Transfor-
mative Potential in South Korea." the world of music 49, 2007(3):75-106. (Re-
music 52, 2010(1- 3):670- 701 ).
Hesselink, Nathan (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Music
and Politics on the Korean Peninsula." the world of music 49, 2007(3): 1-1 18.
Hickmann, Ellen: "Kontinuität und Wandel des südamerikanischen Musikinstru-
mentariums und des Musizierens im Bereich präkolumbischer Kulturen des An-
denraums." the world of music 29, 1987(1): 100-1 8.
Hidekazu, Yoshida: "Housing Japan's Avantgard q" the world of music 11, 1969(3):6-
Hirshberg, Jehoash: "Radical Discplacement, Post Migration Conditions and Tradi-
tional Music." the world of music 32, 1990(3):68-89.
Hirshberg, Jehoash and Margaret Seares: "The Displaced Musician - Transplanta-
tion and Compartmentalization." the world of music 35, 1 993(3):3- 34.
Ho, Meilu: "A True Self Revealed: Song and Play in Pushti Marg Liturgical Ser-
vice." the world of music 51, 2009(2):23^3.
Hodeir, André: "Free Jazz." the world of music 10, 1968(3):20-29 (incl. French and
German transi.).
Hoefnagels, Anna: " Powwow Songs: Traveling Songs and Changing Protocol." the
world of music 44, 2002(1): 127-36.
Holmes, Ramona: "It's a Girl Bonding Thing: Softball Set Cheers in the United
States." the world of music 45, 2003(1 ):1 19-32.
Holzapfel, Otto: "Deutsches Volksliedarchiv. Arbeitsstelle für Internationale Volk-
sliedforschung." the world of music 35, 1993(3): 124-26.
Hood, Mantle: "Historical Reconstructions for Oral Traditions of Music." the world
of music 23, 1 98 1 (2):5- 2 1 .
Hood, Mantle: "Musical Dialogues." the world of music 29, 1 987( 1 ):3- 7.
Hood, Mantle: "Universal Attributes of Music." the world of music 19, 1977(1-
2):63-75.
House, Jill/Jeannin, Marc (guest eds.) and Jonathan P.J. Stock (ed.): [Topical Issue:]
"Music, Languages and Dance: The Articulation of Structures and Systems." the
world of music 50, 2008(1): 1-105.
Hout, Guy: "International Music Day: A Just Cause for Celebration." the world of
music 27, 1985(2):96-99.
Howard, Keith: "Bands and Songs: Precedents for the Contemporary Confluence
of Local and Popular Folk Music Styles in Korea." the world of music 28,
1986(2): 14-26.
Howard, Keith: "Different Spheres: Perceptions of Traditional Music and Western

Music in Korea." the world of music 39, 1997(2):61-68.
Howard, Keith; Miller, Terry E.; Nguyen, Phong T.; Tan, Hwee-San and Greene,
Paul D.: "Buddhism and the Musical Cultures of Asia: A Critical Literature Sur-
vey." the world of music 44, 2002(2): 135-75.
Howard, Wayne: "Music and Accentuation in Vedic Literature." the world of music
24, 1982(3):23-34.
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Maslowski, Igor B.: "Modern Music - A Deficit Undertaking for the Record Indus-
try." the world of music 13, 1 97 1 (2):33 - 43 (incl. French and German transi.).
Matějček, Jan: " Vera Musica Nova in Czechoslovakia." the world of music 9,
1967(3): 14-1 7 (incl. French and German transi.).
Mauerhofer, Alois: "Listening to Music: Attitudes of Contemporary Austrian Youth."
Mayer, Günther: "The State of Musics in the World Today: The Role of the Elec-
tronic Media." the world of music 27, 1985(3): 113-14.
Mayer, Horst Friedrich: "48 Länder - Eine Sprache: Der 19. Weltkongress der 'Jeu-
nesses Musicales' tagte in Wien." the world of music 7, 1965(4-5):82-83 (in
German only).
Mbuyamba, Lupwishi: "Le département de musicologie et des arts du spectacle du
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Mbuyamba, Lupwishi: "The State of Musics in the World Today: The Status of the
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justive Response in Oceania." the world of music 28, 1986(1):29^3.
Meer, Wim van der: "The Influence of Social Change in Indian Music." the world of
music 20, 1 978(2): 133-35.
Meer, Wim van der: "Visions of Hindustani Music." the world of music 47,
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Mel, Vasana K. de: " Ehkee maara baduwakne (Isn't She a Hot Item?): Contradic-
tions and Controversy Facing Sri Lankan Women in Chorus Baila and Sinhala
Pop Music." the world of music 46, 2004(3): 121-44.
Menon, Narayana: "Editorials." the world of music 9, 1 967( 1 ):3- 4 (incl. French and
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Menon, Narayana: "India's Place among Music Cultures." the world of music 14,
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Menon, Narayana: "The Language of Music." the world of music 24, 1 982(1 ):3-
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Mensink, Onno: " Gamelan Carabalèn ." the world of music 20, 1978(2):93-94.
Menuhin, Yehudi: "Massage." the world of music 5, 1 963( 1 - 2):22 - 23 .
Menuhin, Yehudi: "Music in the Education of Children." 19, 1977(3-4): 153-65.
Menuhin, Yehudi: "On Tolerance." the world of music 28, 1986(3): 127-29.
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world of music 6, 1964(4):80-84 (incl. French and German transi.).
Messner, Florian: "Jaap Kunst Revisited. Multipart Singing in Three East Florinese
Villages Fifty Years Later: A Preliminary Investigation." the world of music 31,
1 989(2):3- 5 1 .
Messner, Gerald Florian: "Ethnomusicological Research: Another 'Performance'

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1 993( 1 ):8 1- 95.
Messner, Gerald Florian: "The Shark-Calling Ceremony in Paruai, New Ireland,

Papua New Guinea." the world of music 32, 1 990(1) :49-84.
Michel, Andreas: "Changes in Central European Concepts of Folk Musical Instru-
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39, 1 997(3):7 1- 90.
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dex 1977-1987." the world of music 10, 1978(1):5- 226.
Mila, Massimo and Fred K. Prieberg: "Bartók - Webern: 25 Years Later." the world
of music 12, 1970(3):32^18 (incl. French and German transi.).
Miller, Christopher J.: "Orchids (and Other Difficult Flowers) Revisited: A Reflec-
tion on Composing for Gamelan in North America." the world of music 47,
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Miller, Rebecca S.: "'Me Ain' Lie on Nobody!' Locality, Regionalism, and Identity
at the Parang String Band Competition in Carriacou, Grenada." the world of mu-
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Miller, Terry E.: "Kent State University, Hugh A. Glauser School of Music. Center
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Miller, Terry E.; Nguyen, Phong T.; Tan, Hwee-San; Greene, Paul D. and Howard,
Keith: "Buddhism and the Musical Cultures of Asia: A Critical Literature Sur-
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Minks, Amanda: "Introduction." the world of music 48, 2006(1 ):5-8.
Minks, Amanda (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Music
and Childhood: Creativity, Socialization, and Representation." the world of mu-
sic 48, 2006(1): 1-132.
Miroglio, Francis: "ad libitum. . ." the world of music 9, 1967(l):23-26 (incl. French
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tion in China: An Analysis of Taking Tiger Mountain by Strategy ." the world of
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American Music: Reformulation of Cultural Meaning and Musical Form." the
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Moyle, Richard M. : "The Polynesian Nose Flute." the world of music 32, 1 990( 1 ):29-
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Moyle Richard (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Ocea-
nia." the world of music 32, 1990(1): 1-98.
Muhambetova, Asiya I.: "The Traditional Musical Culture of Kazakhs in the Social
Context of the 20th Century." the world of music 37, 1995(3):66-83.
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and Traditions." the world of music 44, 2002(3):21-54.
Muller, Carol: "'Reading' the Book, Performing the Words of Izihlabelelo zamaNaz-
aretha ." the world of music 47, 2005(l):31-64.
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world of music 36, 1 994( 1 ):93- 1 03 .
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1 978(2): 1 21-28.
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lore." the world of music 44, 2002(3): 166-86.
Nam, Sang-sook: "The Debate over the Distortion of Chongmyo Cheryeakr the
world of music 49, 2007(3):31-52.
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inventing Baakisimba Music and Dance of the Baganda (Uganda)." the world of
music 45, 2003( 1 ):97 - 1 1 8.
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Inuit (Canada): A Comparison." the world of music 25, 1983(2):33-44.
Nattiez, Jean-Jacques: "Under What Conditions Can One Speak of the Universais of
Music?" the world of music 19, 1 977( 1- 2):92- 1 16.
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bers of the International Radio and Television Organization (O.I.R.T.)." the
world of music 5, 1 963( 1- 2):2 1- 22.
Netti, Bruno: "Ethnomusicology Today." the world of music 17, 1 975(4): 1 1-15
Netti, Bruno: "Heartland Excursions: Exercises in Musical Ethnography." the world

of music 34, 1 992( 1 ):8- 34.
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Thought." the world of music 28, 1 986( 1 ):70- 86.
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Netti, Bruno: ...Preface [to the Topical Issue: New Perspectives on Improvisation]."
Netti, Bruno: "Response to Victor Grauer: On the Concept of Evolution in the His-
tory of Ethnomusicology." the world of music 48, 2006(2):59-72.
Netti, Bruno: "Western Musical Values and the Character of Ethnomusicology." the
world of music 26, 1984(1):29^3.
Netti, Bruno (guest ed.) with Max Peter Baumann (ed.): [Topical Issue:] "New Per-
spectives on Improvisation." the world of music 33, 1991(3): 1-91.
Neuenfeldt, Karl: "An Overview of Case Studies of Contemporary Native American
Music in Canada, the United States of America and on the Web." the world of
music 44, 2002(1):7-10.
Neuenfeldt, Karl: "'Bring the Past to Present': Recording and Reviving Rotuman
Music via a Collaborative Rotuman / Fijian/ Australian CD Project." the world of
music 49, 2007(1):83-103.
Neuenfeldt, Karl: "From Silence to Celebration: Indigenous Australian Performers
at the Woodford Folk Festival." the world of music 43, 200 1 (2- 3):65- 9 1 .
Neuenfeldt, Karl: "Good Vibrations? The 'Curious' Cases of the Didjeridu in Spec-
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Neuenfeldt, Karl: "Notes on Old Instruments in New Contexts." the world of music
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Neuenfeldt, Karl: "Notes on the Engagement of Indigenous Peoples with Recording
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Neuenfeldt, Karl: "www.nativeamericanmusic.com: Marketing Recordings in an In-
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Neuenfeldt, Karl (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Old
Instruments in New Contexts." the world of music 40, 1998(2): 1-106.
Neuenfeldt, Karl (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "In-
digenous Popular Music in North America: Continuations and Innovations." the
world of music 44, 2002(1): 1-151.
Neuenfeldt, Karl (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Indig-
enous Peoples, Recording Techniques, and Recording Industry." the world of
music 49, 2007(1):
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Neumann, Gerhard: "Iphigenia: Sacrifice and Ritual in Drama." the world of music
40, 1 998( 1):101- 18.
Nguyen, Phong T.: "Music and Movement in Vietnamese Buddhism." the world of
music 44, 2002(2):57-71.
Nguyen, Phong T.; Tan, H wee-San; Greene, Paul D.; Howard, Keith and Miller,
Terry E.: "Buddhism and the Musical Cultures of Asia: A Critical Literature Sur-
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for the Exchange of New Music." the world of music 5, 1963(4):83-84.
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Nketia, J. H. Kwabena: "The Place of Traditional Music and Dance in Contemporary
African Society." the world of music 18, 1 976(4):5- 1 5.
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Nketia, J.H. Kwabena: "Integrating Objectivity and Experience in Ethnomusicolo-
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Nketia, J.H. Kwabena: "Processes of Differentiation and Interdependency in Af-
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Nketia, J.H. Kwabena: "The Aesthetic Dimension of Ethnomusicological Studies."
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Nketia, J.H. Kwabena: "The Juncture of the Social and the Musical: The Methodol-
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Ojo, J.R.O.: "Masked Dances of the Yoruba Peoples." the world of music 23,
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Olsen, Dale A.: "The Complementarity and Interdisciplinarity of Archaeomusi-

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Opoku, M.: "Presentation of Traditional Music and Dance in the Theatre." the world
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Oras, Janika and Ergo-Hart Västrik: "Estonian Folklore Archives of the Estonian
Literary Museum, Tartu, Estonia." the world of music 44, 2002(3): 153-56.
Ordóñez Flores, Eva: "Dance Improvisation Rules and Practice in the Cuadro Fla-
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Ordóñez Flores, Eva and Marc Jeannin: "Metrical and Rhythmic Interpretations in
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Ordóñez Flores, Eva and Sofia Barreto: "Dance and Music in Canarian Malague-
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Ornstein Ludwig, Ruby: " Wayang Wong , the Javanese Classical Theater." the world
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Ottosson, Âse: "'We're Just Bush Mob': Producing Aboriginal Music and Maleness
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Pacholczyk, Józef M.: "The Relationship between the Nawba of Morocco and the
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Pacholczyk, Józef M.: "Traditional Music of Kashmir." the world of music 21,
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Park; Chan E.: "Poetics and Politics of Korean Oral Tradition in a Cross-cultural
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Pash, DonaldA.: "Music Education on Television." the world of music 13, 1 97 1 (4):3-
Pauli, Hansjörg: "Music - Heard and Seen." the world of music 13, 1971(4):32-47
Pennanen, Risto Pekka: "All-Comprehending, United and Divine. The Myth of Ila-
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Petersen, Alvin: "Teaching African Musics: Personal Reflections in a South African
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Petrovic, Ankica: "Perceptions of Ganga" the world of music 37, 1995(2):60-71.
Petrovič, Ankica: "Sacred Sephardi Chants in Bosnia." the world of music 24,
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Pettan, Svanibor: "Encounter with 'The Others' from Within: The Case of Gypsy
Musicians in Former Yugoslavia." the world of music 43, 2001(2-3): 1 19-37.
Pettan, Svanibor: "Gypsies, Music, and Politics in the Balkans: A Case Study from
Kosovo." the world of music 38, 1996(1):33- 62. (Reprint in Readings in Ethno-
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Pettan, Svanibor: Institute of Ethnology and Folklore Research (Zagreb, Croatia)."
Pettan, Svanibor (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Music
and Music Research in Croatia." the world of music 40, 1998(3): 1-1 79.
Philippot, Michel: "Reflections of a Composition Teacher and Radio Man." the
world of music 15, 1 973( 1 ):2 1- 35(incl. French and German transi.).
Pichard, Jean-François: "Interview with Simha Arom." the world of music 21,
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Picken, Laurence E. R.: "13th Annual Conference of the International Folk Mu-
sic Council Held in Vienna, July 24th to 29th, 1969." the world of music 2,
Picken, Laurence E. R.: "14th Annual Conference of the International Folk Music
Council." the world of music 3, 1961(6): 140-42 (incl. (incl. French and German
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Pimentel Díaz, Ángel Agustín: "Music Iconography of the Codex Nuttall ." the world
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Pinto, Tiago de Oliveira: "'Art is Universal.' On Nationalism and Universality in the
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Pinto, Tiago de Oliveira: "'Making Ritual Drama': Dance, Music, and Representa-
tion in Brazilian Candomblé and Umbanda ." the world of music 33, 1 99 1(1 ):70-
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Pinto, Tiago de Oliveira: "The Healing Process as Musical Drama: Remarks on

the Ebó Ceremony in Bahian Candomblé (Brazil)." the world of music 39,
1997(1): 1 1-34. . (Reprint in Readings in Ethnomusicology , Max Peter Baumann,
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Pinto, Tiago de Oliveira and Max Peter Baumann: "Kooperationsprojekte in Brasil-
ien: 'Memória Musical de Pernambuco' (Recife) und 'Setor de Etnomusicologia'
(São Paulo)." the world of music 33, 1991(3): 121-26.
Pleasants, Henry: "Jazz and the Movies." the world of music 10, 1968(3):38-47
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Sources." the world of music 25, 1983(2): 5 8-75.
Poché, Christian: " Zikr and Musicology." the world of music 20, 1 978( 1 ):59- 73.
Poche, Christian and John Evarts: "Foreword." the world of music 16, 1 974( 1 ):3- 5
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Bamako, West Africa, and Beyond." the world of music 42, 2000(3):7-46. (Re-
music 52, 2010(1-3): 134-70).
Prieberg, Fred K.: "The Critic is Superfluous Today." the world of music 14,
Prieberg, Fred K. and Massimo Mila: "Bartók - Webern: 25 Years Later." the world
Profeta, Laurentiu: "Existe-t-il une Crise du Public pour la Musique Contempo-
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Provine, Robert C.: "Korean Music in Historical Perspective." the world of music
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Provine, Robert C.: "Music, Measurements, Pitch Survivals, and Bell Shapes in Ko-
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on Korea." the world of music 29, 1 987(2):5- 1 8.
Qin Wenchen: "On Diversity." the world of music 45, 2003(2): 143^6.
Qureshi, Regula Burckhardt: "In Search of Begum Akhtar: Patriarchy, Poetry, and
Twentieth-century Indian Music." the world of music 43, 2001 ( 1 ):97- 1 37. (Re-
music 52, 20 1 0( l-3):347-86).
Racliffe, Hardie: "Social and Economic Position of the Performing Musician." the
world of music 3, 1 96 1 (3):6 1- 64 (incl. French and German transi.).
Racy, Ali Jihad: "Arabian Music and the Effects of Commercial Recording." the
world of music 20, 1 978( 1 ):47- 58.
Racy, Ali Jihad: "Creativity and Ambience: an Ecstatic Feedback Model from Arab
Music." the world of music 33, 1 99 1 (3):7- 28.
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of music 28, 1986(2):27-40.
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flection." the world of music 29, 1 987( 1 ):9- 1 8.
Rajapakse, Mangalika: "Songs Associated with Sri Lanka's Paddy Cultivation: Mu-
sic and Gender Aspects." the world of music 46, 2004(3):37^8.
Rajapakse, Waidyawathie: "On the Origin of Sri Lankan Dancing: Between Spirit
Beliefs and Great Tradition, Appeasement of the Gods, and Healing Methods."
Ramnarine, Tina K.: "Imperial Legacies and the Politics of Musical Creativity." the
world of music 46, 2004(1 ):9 1-1 08.
Ramsten, Märta: "The Swedish Centre for Folk Song and Folk Music Research." the
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Ranade, Ashok D.: "Traditional Musics and Composition in the Indian Context." the
world of music 45, 2003(2):95-l 12.
Ranada, Ashok D. / Utz, Christian (guest eds.) and Max Peter Baumann (ed.):
[Topical Issue:l "Traditional Music and Composition." the world of music 45,
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Ranganathan, Thanjavur: "Rhythm in South Indian Music." the world of music 20,
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of music 47, 2005(1 ):65-89.
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tion." the world of music 3, 1961(4): 90-92(incl. French and German transi.)
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in Southwest China." the world of music 43, 2001(l):43-67.
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Reinhard, Kurt: "Festival Konya." the world of music 10, 1968(2):45^7 (incl.
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Reyes Schramm, Adelaida: "Music and the Refugee Experience." the world of music
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Reyes Schramm, Adelaida (guest ed.) and Max Peter Baumann (ed.): [Topical Is-
sue:] "Music and Forced Migration." the world of music 32, 1990(3): 1-89.
Rhein, Stefanie: "'Being a Fan is More than That' - Fan-Specific Involvement with
Music." the world of music 42, 2000(1):95-109.
Ritz, Hans: "Schallplatte und Publikum." the world of music 5, 1 963( 1- 2):20- 2 1 .
Roccor, Bettina: "Heavy Metal: Forces of Unification and Fragmentation within a
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Rodriguez, Olavo Alén: "Centro de Investigación y Desarollo de la Música Cuba-
na." the world of music 35, 1993(2): 139^11.
Rohlfs, Eckhardt: "Orchesternachwuchs praktiziert in Weikersheim." the world of
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Romero, Raúl R.: "The Archive of Traditional Andean Music. Riva- Aguero Institute
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Ronström, Owe: "Concerts and Festivals: Public Performances of Folk Music in
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Ronström, Owe: "Revival Reconsidered." the world of music 38, 1996(3):5-20. (Re-
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Rörich, Mary: "Shebeens, Slumyards and Sophiatown. Black Women, Music, and
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Rüssel, Ian: "Sacred and Secular: Identity, Style, and Performance in Two Singing
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Rüütel, Ingrid: "Department of Ethnomusicology at the Estonian Literary Museum."

Rüütel, Ingrid: "Wedding Songs and Ceremonies of the Kihnu Island in Estonia." the
world of music 44, 2002(3): 131-51.
Sachs, Nahoma: "The Facts of Death: An Anthropologist Views Musical Symbol-

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Sager, Rebecca D.: "My Song is My Bond: Haitian Vodou Singing and the Transfor-
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Sakata, Hiromi Lorraine: "The Complementary Opposition of Music and Religion in
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Sakata, Hiromi Lorraine: "The Sacred and the Profane: Qawwâlï Represented in the
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Salgado e Silva, José Alberto and Samuel Araujo: "Musical Knowledge, Transmis-
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Salter, Lionel: "Seminar on 'Music Education through Technical Media." the world
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Sánchez Santiago, Gonzalo: "An Introduction to the Music Cultures of Ancient
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Sanchez, Julia L. J.: "Procession and Performance: Recreating Ritual Soundscapes
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Sanchez, Julia L. J. and Both, Arnd Adje: "Preface [Topical Issue: Music Archaeol-
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Sanchez, Julia L.J. / Both Arnd Adje (guest eds.) and Max Peter Baumann (ed.):
[Topical Issue:] "Music Archaeology: Mesoamerica." the world of music 49,
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Santoro, Claudio: "Latin American Music - Victim of Poor Communication." the
world of music 9, 1967(4):3-8 (incl. French and German transi.).
Santos Barbosa, Guilherme dos: " Capueira de Angola. A Personal View of a Capuei-
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Sasamori, Takefusa: "Therapeutic Rituals Performed by Itako (Japanese Blind Fe-

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Sass, Herbert: "Europa Cantat - Europäische Föderation Junger Chöre - Impulse fur
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Satyo, Sizwe: "A Linguistic Study of KwaitoT the world of music 50, 2008(2):91-
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1 973( 1 ):4- 20 (incl. French and German transi.).
Schiffer, Brigitte: "Darmstadt, Citadel of the Avantgarde." the world of music 11,
Schiffer, Brigitte: "Debussy & Rãga - Grieg & Tãla." the world of music 13,
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Schiffer, Brigitte: "London: The World of Islam in Word and Sound." the world of
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Schiffer, Brigitte: "Music: East and West." the world of music 5, 1963(4):85-86.
Schipper, Huip with Joep Bor and Jane Harvey: "International Society for Tradition-
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Latin American Orchestra and the International Music Camps." the world of mu-
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Schischlik, Alexander: "Jeunesses Musicales and the International Youth Year." the
world of music 27 , 1985(1): 106-10.
Schleifer, Eliyahu: "Current Trends of Liturgical Music in the Ashkenazi Syna-
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Schmidt, Cynthia: "An Interview with John Collins on Cultural Policy, Folklore, and
the Recording Industry in Ghana." the world of music 36, 1994(2): 138-47.
Schmidt, Cynthia: "The Guitar in Africa: Issues and Research." the world of music
36, 1994(2):3-20.
Schmidt, Cynthia (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Guitar
in Africa: 1950s-1990s." the world of music 36, 1 994(2): 1 - 1 47.
Schneerson, Grigory: "Aims of the Moscow IMC Congress." the world of music 13,
1 97 1 (3):50- 54 (incl. French and German transi.).
Schneider, Marius: "On Gregorian Chant and the Human Voice." the world of music
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Schneider, Marius: "The Birth of the Symbol in Music." the world of music 26,
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Schomer, Karine: "The 'Álhď Epic in Contemporary Performance." the world of
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Schötz, Franz: "'Cultivated' and 'Non-cultivated' Folk Music: On Music-mak-
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Schüller, Dietrich: "The Phonogrammarchiv of the Austrian Academy of Sciences."
the world of music 29, 1987(1):87- 91 .
Schuyler, Philip D.: "Moroccan Andalusian Music." the world of music 20,
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Schuyler, Philip D.: "Music and Meaning among the Gnawa Religious Brotherhood
of Morocco." the world of music 23, 1 98 1 ( 1 ):3- 1 3.
Schuyler, Philip D.: "Music Education in Morocco: Three Models." the world of
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Schuyler, Philip D.: " Rwais and Ahwash : Opposing Tendencies in Moroccan Berber
Music and Society." the world of music 21, 1979(1):65- 80.
Schwadron, Abraham A. : "Music Education and Non- Western Traditions." the world
of music 18, 1976(3):25-30.
Scruggs, T. M.: "(Re)Indigenization?: Post-Vatican II Catholic Ritual and 'Folk
Masses' in Nicaragua." the world of music 47, 2005(1):91- 123.
Scruggs, T. M. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Musical
Reverberations from the Encounter of Local and Global Belief Systems." the
world of music 47, 2005(1): 1-165.
Seares, Margaret and Jehoash Hirshberg: "The Displaced Musician - Transplanta-
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Seebass, Tilman: "Léopold Robert and Italian Folk Music." the world of music 30,
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Seeger, Anthony: "The Indiana University Archives of Traditional Music." the world
of music 29, 1987(3):95-98.
Seeger, Anthony: "The Smithsonian Institution Office of Folklife Programs, Wash-
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Seeger, Anthony: "Voices, Flutes, and Shamans in Brazil." the world of music 30,
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Seifert, Manfred: "Functionality and Aesthetic: On the Structural Principles of Tra-
ditional Folk Music and Their Transformation in the Bavarian 'Cultivation'
Movement." the world of music 41, 1999(2): 13-93.
Sepp, Erich: "Der Bayerische Landesverein für Heimatpflege, e.V. / Bavarian State
Association for the Preservation of Local Traditions, Munich." the world of mu-
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Seroussi, Edwin: "Reconstructing Sephardi Music in the 20th Century: Isaac Levy
and his 'Chants judeo-espagnols'." the world of music 37, 1 995( 1 ):39- 58.
Setti, Kilza: "Notes on Caiçara Musical Production: Music as the Focus of Cultural
Resistance among the Fishermen of the Coastal Region of São Paulo." the world
of music 30, 1988(2):3- 2 1 .
Seyama, Toru: "The Re-contextual ization of the Shakuhachi (Syakuhati) and Its
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Shapiro, Anne Dhu: "A Critique of Current Research on Music and Gender." the
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Sharvit, Uri: "Jewish Musical Culture - Past and Present." the world of music 37,
1 995(1 ):3-l 7.
Sharvit, Uri (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Jewish Mu-
sical Culture." the world of music 37, 1995(1): 1-72.
Shelemay, Kay Kaufman: "Mythologies and Realities in the Study of Jewish Mu-
sic." the world of music 37, 1 995( 1 ):24- 38.
Shelemay, Kay Kaufman: " Zemä' A Concept of Sacred Music in Ethiopia." the world
of music 24, 1982(3):52-67.
Sheppard, Mubin: " Ma'yong - The Malay Dance Drama." the world of music 15,
1 973(3):2 1- 33 (incl. French and German transi.).
Sherinian, Zoe: "The Indigenization of Tamil Christian Music: Musical Style and
Liberation Theology." the world of music 47, 2005(1): 125-65.
Shetler, Donald: "The Salzburg Opera Prize and the Congress on 'Music in Televi-
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Shiloah, Amnon: "The Symbolism of Music in the Kabbalistic Tradition." the world
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Shiloah, Amnon: "The Traditional Artist in the Limelight of the Modern City." the
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Sieffert, René: "The Literary Sources of the Noh." the world of music 1 7, 1 975(3): 1 3-
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Sieffert, René: "The Literary Sources of the Noh." the world of music 25, 1 983 ( 1 ):44-
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Sifonia, Firmino: "Report of the Meetings." the world of music 5, 1 963( 1- 2):4- 1 0
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Silbermann, Alphons: "New Music on the Air - For Whom?." the world of music 12,
1 970(4):26- 36 (incl. French and German transi.).
Silvant, Jean: "The 'Semaines Musicales Internationales de Paris'." the world of
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sies) of Skopje, Macedonia." the world of music 38, 1 996( 1 ):63- 76.
Simon, Artur: "The Department of Ethnomusicology at the Museum of Ethnography
in Berlin." the world of music 32, 1 990(2): 113-16.
Simon, Artur: "The Eye of the Camera. On the Documentation and Interpretation of
Music Cultures by Audiovisual Media." the world of music 31, 1 989(3):38- 55.
Simonett, Helena: "Narrativity and Selfhood in Mayo-Yoreme Mortuary Rituals."
the world of music 5 1 , 2009(2):45-64.
Simonett, Helena (guest ed.) and Jonathan P.J. Stock (ed.): [Topical Issue:] "Music
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Sittner, Hans: "Youth and the Music Public." the world of music 5, 1 963( 1- 2):24-
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Smith, Barbara B.: "The Role of American Universities and the other Institutions of
Higher Learning in Increasing the Appreciation of Music in the Community at
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Smith, Gordon E.: "Ernest Gagnon's ' Chansons populaires du Canada ': Processes
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Smith, Graeme: "Irish Button Accordion: From Press and Draw and Back Again."
Smith, Gregory E.: "In Quest of a New Perspective on Improvised Jazz: A View
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Sneibe, Zaiga: "The Collection of Folk Music in the Archives of Latvian Folklore."
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world of music 27, 1 985(2):63- 77.
Souster, Tim: "Rock, Beat, Pop - Avantgarde." the world of music 12, 1970(2):32-
Sowande, Feia: "The African Musician in Nigeria." the world of music 9, 1967(3):27-
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Steingo, Gavin: "Preface" [Topical Issue: Kwaito]." the world of music 50,
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Steingo, Gavin: "Producing Kwaito : Nkosi SikeleV i Afrika After Apartheid." the
world of music 50, 2008(2): 103-20.
Steingo, Gavin (guest ed.) and Jonathan P. J. Stock (ed.): [Topical Issue:] "Kwaito."
Steszewski, Jan: "The State of Musics in the World Today: A Question of Values."
the world of music 27, 1 985(3): 1 02-04.
Stewart, Rebecca: "North Indian Rhythm." the world of music 20, 1978(2): 129-32.
Stewart, Stephen: "The Record Producer's Role in the Dissemination of Music to the
Public." the world of music 5, 1963(l-2):42-43.
Stillmann, Amy Ku'uleialoha: "Sound Evidence: Conceptual Stability, Social Main-
tenance, and Changing Performance Practices in Modern Hawaiian Hula Songs."
Stipčevič, Ennio: "The Presence of the Past. The Earliest Musical Notations of Folk
Music in Croatia." the world of music 40, 1998(3):9-24.
Stock, Jonathan P. J.: "Clues from Our Present Peers? A Response to Victor Grauer."
the world of music 48, 2006(2):73-9 1 .
Jonathan Stock: "From the Book Reviews Editor: Whither Historical Ethnomusicol-
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Stock, Jonathan P. J.: "Introduction [Topical Issue: Echoes of Our Forgotten Ances-
tors II]." the world of music 48, 2006(3):7-8.
Stock, Jonathan P. J.: "Ordering Performance, Leading People: Structuring an Eng-
lish Folk Music Session." the world of music 46, 2004(l):41-70.
Stock, Jonathan P. J.: "The British Forum for Ethnomusicology." the world of music
40, 1998(2): 135-36.
Stock, Jonathan P. J.: "Toward an Ethnomusicology of the Individual, or Biographi-
cal Writing in Ethnomusicology." the world of music 43, 2001(1):5-19. (Reprint
52, 2010(1- 3):332- 46).
Stock, Jonathan P.J. (ed.) with Gavin Steingo (guest ed.): [Topical Issue:] "Kwaito."
Stock, Jonathan P.J. (ed.) with Helena Simonett (guest ed.): [Topical Issue:] "Music
and Being." the world of music 51, 2009(2): 1-1 37.
Stock, Jonathan P.J. (ed.) with Jeff Todd Titon (guest ed.): [Topical Issue:] "Music
and Sustainability." the world of music 51, 2009(1): 1-137.
Stock, Jonathan P.J. (ed.) with Jill House and Marc Jeannin (guest eds.): [Topical
Issue:] "Music, Languages and Dance: The Articulation of Structures and Sys-
tems." the world of music 50, 2008(1): 1-105.
Stock, Jonathan P. J. (ed.) with Marion S. Jacobson (guest ed.): [Topical Issue:] "Ac-
cordion Culture." the world of music 50, 2008(3): 1-118.
Stock, Jonathan P.J. (ed.) with Simone Krüger (guest ed.): [Topical Issue:] "Ethno-
musicology in the Academy: International Perspectives." the world of music 51,
2009(3): 1-170.
Stock, Jonathan P.J. (guest ed.) with Max Peter Baumann (ed.): [Topical Issue:]
"Ethnomusicology and the Individual." the world of music 43, 2001(1): 1-172.
Stock, Jonathan P.J. (guest ed.) with Max Peter Baumann (ed.): [Topical Issue:]
"Echoes of Our Forgotten Ancestors II." the world of music 48, 2006(3): 1-63.
Stockhausen, Karlheinz: "World Music." the world of music 21, 1 979( 1 ):3- 1 6.
Stöckli, Matthias: "Playing Music as a Domestic Activity? Interpretations of the
Finds of Sound-producing Artifacts at Aguateca, El Petén, Guatemala." the world
of music 49, 2007(2): 17-33.
Stockmann, Doris: "Universals in Aesthetic Valuation of Music?" the world of music
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Stockmann, Erich: "Prologue: The International Institute for Traditional Music
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Stokes, Martin: "Music, Travel, and Tourism: An Afterword." the world of music 41 ,
1 999(3): 141-55.
Stubington, Jill: "Yolngu Manikay at Yirrkala: The Construction of a Research
Field." the world of music 36, 1994(l):82-92.
Stuckenschmidt, Hans Heinz: "Symbols and Symbolism in European Music." the
world of music 20, 1978(3):3-9.
Stuckenschmidt, Hans Heinz: "The Critic's Column." the world of music 10,
1 968(3):3- 7 (incl. French and German transi.).
Stuckenschmidt, Hans Heinz: "Total Theatre." the world of music 9, 1 967( 1 ):5- 1 6
Sturman, Janet: "Movement Analysis as a Tool for Understanding Identity: Reten-
tions, Borrowings, and Transformations in Native American Waila the world of
music 39, 1 997(3):5 1-70.
Sturman, Janet: "The School of Music and Dance at the University of Arizona, Tuc-
son, Arizona." the world of music 41, 1999(1): 141^16.
Suchoff, Benjamin: "Ethnomusicological Roots of Béla Bartók's Musical Lan-
guage." the world of music 29, 1 987( 1 ):43- 65 .
Suck, Friedrich: "Memorial Editions." the world of music 2, 1960(3):52-55 (incl.
Sullivan, Lawrence E.: "Sacred Music and Sacred Time." the world of music 26,
1984(3):33-52.
Supičič, Ivan: "L'Auditeur Contemporain et la Musique Moderne." the world of mu-
sic 5, 1 963( 1- 2):34- 35.
Supičič, Ivo: "Aesthetics of Music - Particularity and Universality." the world of
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Supičič, Ivo: "Music with or without a Public." the world of music 10, 1968(1): 13-
Supičič, Ivo: "Sociology of Music and Ethnomusicology." the world of music 29,
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Sur, Donald: "Introduction to the Classical Music of Korea." the world of music 20,
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Suryabrata, Bernard: "Lecture-Demonstration of Javanese Music." the world of mu-
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Susilo, Hardja: "The Javanese Court Dance." the world of music 21, 1 979(1 ):90-
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Suttner, Kurt: "Music in the Kingdom of the Lion of Juda." the world of music 9,
Sutton, R. Anderson: "Commercial Cassette Recordings of Traditional Music in Java:
Implications for Performers and Scholars." the world of music 27, 1 985(3):23-
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Swartz, Sharlene: "Is Kwaito South African Hip-hop? Why the Answer Matters and
Who It Matters To." the world of music 50, 2008(2): 15-33.
Sweers, Britta: "Preface: Contemporary British Music Traditions." the world of mu-
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Sweers, Britta: "Toward a Framework for a Pedagogically-Informed Ethnomusi-
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Sweers, Britta (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Contem-
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Szeryng, Henryk: "Responsibility of the Performer towards Contemporary Music."
the world of music 2, 1960(5): 100-1 01 (incl. French and German transi.).
Takahashi, Mitsu: "Great Expectations: Ethnomusicologists and Filmmakers Work-

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Takahashi, Yüji: "Two Statements on Music." the world of music 45, 2003(2): 147-
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Tamba, Akira. The Use of Masks in the Nõ Theatre." the world of music 22,
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Tamba, Akira: "Aesthetics in the Traditional Music of Japan." the world of music 18,
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Tamba, Akira: "Confluence of Spiritual and Aesthetic Research in Traditional Japa-
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Tamba, Akira: "Symbolic Meaning of Cries in the Music of Nõh." the world of mu-
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Tamba, Akira: "The Music of the Noh." the world of music 1 7, 1975(3):3- 12 (French
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Tan, Hwee-San; Greene, Paul D.; Howard, Keith; Miller, Terry E. and Nguyen,
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Taubman, Howard: "The Critic's Column." the world of music 11, 1969(1):3- 5 (incl.
Taubman, Howard: "The Critic's Column." the world of music 11, 1969(2):3-5 (incl.
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Tcherepnin, Alexander: "A Trip to the Soviet Union." the world of music 9,
Thedens, Hans-Hinrich: "'How Funny - I'm at a Folk Music Event and I Don't
Know a Soul Here!': Musicians and Audiences at the International Folk Music
Festivals in Norway." the world of music 43, 2001(2-3): 171-81.
Thedens, Hans-Hinrich: "The Norwegian Collection of Folk Music at the University
of Oslo." the world of music 38, 1996(1): 158-61.
Thomas, Ernst: "Contemporary German Music." the world of music 6, 1964(4):85-
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Titon, Jeff Todd: "Economy, Ecology, and Music: An Introduction." the world of
music 51, 2009(1 ):5-l 5.
Titon, Jeff Todd: "Music and Sustainability: An Ecological Viewpoint." the world of
music 51, 2009(1): 1 19-37. (Reprint in Readings in Ethnomusicology , Max Peter
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Tolbert, Elizabeth: "Theories of Meaning and Music Cognition: An Ethnomusico-
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Tourna, Habib Hassan: " Maqãm , a Form of Improvisation." the world of music 12,
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Tourna, Habib Hassan: "Present State and Problems in the Study and Research of
Arabian Music Heritage." the world of music 20, 1978(1): 1 10-06.
Tourna, Habib Hassan: "Purity of Musical Cultures: A Prerequisite of Musical Iden-
tities in Non-Western Music of the 1980's." the world of music 22, 1980(2):38-
45.
Tourna, Habib Hassan: "Relations between Aesthetics and Improvisation in Arab

Music." the world of music 18, 1976(2):33-36 (French and German transi., 51-
52; 68-69).
Tourna, Habib Hassan: "The Fidjrí , a Major Vocal Form of the Bahrain Pearl-Div-
ers "the world of music 19, 1977(3^t):121-33.
Tourna, Habib Hassan: "World History of Music - History of Arabian Music: A
Study." the world of music 22, 1980(3):66-75.
Tracey, Andrew: "The International Library of African Music." the world of music
34, 1992(2): 102-03.
Trän, Quang Hai: "Vietnamese Music in Exile since 1975 and Musical Life in Viet-
nam since Perestroika." the world of music 43, 2001(2-3): 103-12.
Trän, Van Khê: "Buddhist Music in Eastern Asia." the world of music 26, 1984(3):22-
32.
Trän, Van Khê: "Chinese Music and Musical Traditions of Eastern Asia." the world
of music 27, 1 985(1 ):78- 80.
Trän, Van Khê: "For a Universal History of Music. What is Lacking in Present-Day
'Histories of Music'." the world of music 22, 1980(3):29-95.
Trän, Van Khê: "Is the Pentatonic Universal? A Few Reflections on Pentatonism."
the world of music 19, 1977(l/2):76-91.
Trän Van Khê: "Le Public de Concert en Orient devant les Changements d'Ordre
Sociologique." the world of music 5, 1963(1-2): 16-1 7.
Trän Van Khê: "Musicians in North and South Vietnam." the world of music 11,
Trän Van Khê: "Musique Orientale - Musique Occidentale." the world of music 8,
1 966(2- 3):3 1-33 (in French only).
Trân, Van Khê: "Present and Future Preservation and Presentation of Traditional
Music and Dance." the world of music 19, 1977(3-4):62-86.
Trän Van Khê: "Quelques Impressions d'un Participant au Colloque Internation-

al des Musiques d'Asie à Manila." the world of music 8, 1966(4-5): 80-81 (in
French only).
Trän Van Kêh: "Some Principles of Aesthetics in the Musical Tradition of Vietnam."
the world of music 18, 1976(2): 11-16 (French and German transi., 41-43; 57-
59).
Trän Van Khê: The Emotional Approach of the Performer of Oriental Music." the
world of music 2, 1960(6): 127-30 (incl. French and German transi.).
Trän, Van Khê: "The Traditional Musical Performers and Creativity in the Countries
of Asia." the world of music 21,1 979(2):5-l 7.
Trän Van Khê: "Un exemple d'enquête et de recherche d'ethnomusicologie en Ré-
publique démocratique du Viêt-Nam." the world of music 18, 1 976(3):3 1-35 (in
French only).
Trân, Van Khê: "Vietnamese Culture and Music." the world of music 20, 1978(2):48-
52.
Trân, Van Khê and Anon.: "'Music in the Life of Man' - Two Country Profiles: I.
Czechoslovakia, II. Viêt-Nam." the world of music 28, 1986(2): 102-25.
Treitler, Leo: "Medieval Improvisation." the world of music 33, 1 99 1 (3):66- 9 1 .
Trépanier, Jacques: "Quand on se trouve dans une ambiance unique au monde..."
the world of music 5, 1963(3):60.
Troitskaya, A.D. and V.V. Korguzalov: "The Phonogram Archive of the Institute
for Russian Literature of the Russian Academy of Sciences, St. Petersburg." the
world of music 35, 1993(1): 115-20.
Tsai, Tsan-Huang: "Is the Wind, the Banner, or the Mind Moving? The Concept of
Body in Chinese Han Buddhist Ritual Performance and Its Musical Practices."
Tsuge, Gen'ichi: "Bamboo, Silk, Dragon, and Phoenix: Symbolism in the Musical
Instruments of Asia." the world of music 20, 1978(3): 10-23.
Tsuge, Gen'ichi: "Coercively Standardized or Not: Romanization Systems of the
Japanese Language in Music Literature." the world of music 46, 2004(2): 137-
43.
Tsuge, Gen'ichi: "Notation in Persian Music." the world of music 20, 1978(2): 1 19-
20.
Tsuge, Gen'ichi: "Raiment of Traditional Japanese Musicians - Its Social and Musi-
cal Significance." the world of music 25, 1 983( 1 ):55- 69.
Tsuge, Gen'ichi and Jane Alaszewska: "Preface [Topical Issue: Japanese Musical
Traditions]." the world of music 46, 2004(2):7.
Tsuge Gen'ichi / Alaszewska, Jane (guest eds.) and Max Peter Baumann (ed.): [Top-
ical Issue:] "Japanese Musical Traditions." the world of music 46, 2004(2): 1-
143.
Tunstill, Guy and Arthur Lampton: "Aboriginal Music Students' Views on Aborigi-
nal Music Research." the world of music 36, 1994(l):21-40.
Turino, Thomas: "Four Fields of Music Making and Sustainable Living." the world
of music 5 1 , 2009( 1 ):95- 1 17.
Turino, Thomas: "The Mbira , Worldbeat, and the International Imagination." the
world of music 40, 1 998(2):85- 1 06. (Reprint in Readings in Ethnomusicology ,
Max Peter Baumann, ed., the world of music 52, 201 0( 1-3): 1 7 1-92).
Twerefoo, Gustav Oware: "Instructional Materials in Traditional Music for the
Classroom." the world of music 18, 1976(4):55-57.
Urbanaviciene, Dalia and Rimantas Astrauskas: "Department of Ethnomusicol-

ogy, Lithuanian Academy of Music and Section of Ethnomusicology at the In-
stitute of Musicology, Lithuanian Academy of Music." the world of music 44,
2002(3): 163-65.
Urbanaviciene, Dalia: "Lithuanian Academy of Music, Institute of Musicology, Eth-
nomusicology Section." the world of music 38, 1996(23): 106-10.
Utz, Christian: "Beyond Cultural Representation: Recent Works for the Asian
Mouth Organs Shõ and Sheng by Western Composers." the world of music 47,
2005(3): 11 3-34.
Utz, Christian: "Listening Attentively to Cultural Fragmentation: Tradition and
Composition in Works by East Asian Composers." the world of music 45,
2003(2):7-38. (Reprint in Readings in Ethnomusicology , Max Peter Baumann,
ed., the world of music 52, 2010(l-3):596-626).
Utz, Christian/Ranada, Ashok D. (guest eds.) and Max Peter Baumann (ed.): [Topical
Issue:] "Traditional Music and Composition." the world of music 45, 2003(2): 1-
152.
Vandor, Ivan: "Aesthetics and Ritual Music: Some Remarks with Reference to Ti-
betan Music." the world of music 1 8, 1 976(2):29-32 (French and German transi.,
49-48; 66-67).
Vandor, Ivan: "A la mémoire d'Alain Daniélou - un témoignage," the world of mu-
sic 36, 1994(2): 157-59.
Vandor, Ivan: "Editor's Note." the world of music 18, 1976(4):3.
Vandor, Ivan: "The Gandi : A Musical Instrument of Buddhist India Recently Identi-
fied in a Tibetan Monastery." the world of music 17, 1 975( 1 ):24- 27 (French and
German transi., 49-50; 70-71).
Vandor, Ivan: "The Music in the Tibetan Traditional Society." the world of music 21,
1979(2):39-45.
Vandor, Ivan: "The Role of Music in the Education of Man: Orient and Occident."
Vandor, Ivan: "Tibetan Musical Notation." the world of music 17, 1 975(2):3- 7
(French and German transi., 31-33; 45-47).
Vandor, Ivan (ed.): [Topical Issue:] "Aesthetics." the world of music 25, 1 983(3): 1-
80.
Vandor, Ivan (ed.): [Topical Issue:] "Children's Music and Musical Instruments." the
world of music 29, 1987(3): 1-84.
Vandor, Ivan (ed.): [Topical Issue:] "China." the world of music 27, 1 985(1 ): 1-95.
Vandor, Ivan (ed.): [Topical Issue:] "In Honor of Alain Daniélou's 70th Birthday."
the world of music 19(3^1): 1-1 65.
Vandor, Ivan (ed.): [Topical Issue:] "Islam." the world of music 28, 1986(3): 1-89.
Vandor, Ivan (ed.): [Topical Issue:] "Japan." the world of music 25, 1 983( 1 ): 1-90.
Vandor, Ivan (ed.): [Topical Issue:] "Korea." the world of music 27, 1985(2): 1-77.
Vandor, Ivan (ed.): [Topical Issue:] "Latin America." the world of music 24,
1982(2): 1-1 04.
Vandor, Ivan (ed.): [Topical Issue:] "Masks I." the world of music 22, 1980(1): 1-
124.
Vandor, Ivan (ed.): [Topical Issue:] "Masks II." the world of music 23 ( 198 1(3): 1-
68.
Vandor, Ivan (ed.): [Topical Issue:] "Mechanisms of Change." the world of music
28, 1 986( 1 ): 1-99.
Vandor, Ivan (ed.): [Topical Issue:] "Musicology /Ethnomusicology." the world of

music 29, 1 987( 1 ): 1 -78.
Vandor, Ivan (ed.): [Topical Issue:] "Musicultura: Three Orient-Occident Encoun-
ters." the world of music 20, 1987(2): 1-1 43.
Vandor, Ivan (ed.): [Topical Issue:] "Sacred Music I." the world of music 24,
1982(3): 1-93.
Vandor, Ivan (ed.): [Topical Issue:] "Sacred Music II." the world of music 26,
1984(3): 1-65.
Vandor, Ivan (ed.): [Topical Issue:] "Symbolism in Music." the world of music 20,
1 978(3): 1-1 1 9.
Vandor, Ivan (ed.): [Topical Issue:] "Symposim '80 - On Methodology." the world
of music 23, 198 1(2): 1-88.
Vandor, Ivan (ed.): [Topical Issue:] "The Arab World." the world of music 20,
1978(1): 1-116.
Vandor, Ivan (ed.): [Topical Issue:] "Towards a World History of Music." the world
of music 22, 1980(3): 1-75.
Vandor, Ivan (ed.): [Topical Issue:] "Universals I." the world of music 19, 1977(1-
2): 1-141 .
Vandor, Ivan (ed.): [Topical Issue:] "Universals II." the world of music 26, 1984(2): 1-
103.
Västrik, Ergo-Hart and Janika Oras: "Estonian Folklore Archives of the Estonian
Literary Museum, Tartu, Estonia." the world of music 44, 2002(3): 153-56.
Vatsyayan, Kapila: " Kathãkali - Dance Theatre of India." the world of music 10,
1 968( 1 ):22- 35.
Vaughn, Kathryn: "Experimental Ethnomusicology: A Perceptual Basis for Jairazb-

hoy's Circle of That ." the world of music 34, 1 992(3):99- 1 19.
Vazanová-Horaková, Jadranka: "Transformation of Folk Music Traditions in the Vil-
lages Around Bratislava, Slovakia." the world of music 38, 1996(3):37-50.
Viljoen, Martina: "On the Margins of Kwaito ." the world of music 50, 2008(2):5 1-
73.
Vissel, Anu: "Estonian Herding Songs from the Perspective of Ethnic Relations." the
world of music 44, 2002(3):79-105.
Viswanathan, Thanjavur: "Improvisation in South Indian Music." the world of music
20, 1978(2): 140^1.
Vos, F.: "Background to Japanese Culture." the world of music 20, 1 978(2):61- 63.
Voss, Hermann: "The Problem of Young Talent for German Orchestras." the world
Vötterle, Karl: "The Epoch of the Complete Edition." the world of music 2,
Vyciniene, Daiva: "Lithuanian Schwebungsdiaphonie and Its South and East Euro-
pean Parallels." the world of music 44, 2002(3):55-77.
Vyner, Michael: "The Business Partnership between Composer and Publisher." the
world of music 13, 1 97 1 (2):3 - 1 7 (incl. French and German transi.).
Wachsmann, Klaus: "Applying Ethnomusicological Methods to Western Art Mu-

sic." the world of music 23, 1 98 1 (2):74- 88.
Wade, Bonnie C. "The Meeting of Musical Cultures in the 16th-Century Court of the
Mughal Akbar." the world of music 32, 1990(2):3-26.
Wade, Bonnie C.: "Performing the Drone in Hindustani Classical Music: What
Mughhal Paintings Show Us to Hear." the world of music 38, 1 996(2):4 1- 68.
music 52, 20 1 0( 1- 3):54- 68).
Wade, Bonnie C.: "Preface [to the Topical Issue: Historical Performance Practices
Across the Pacific." the world of music 38, 1996(2):3.
Wade, Bonnie C. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "India."
Wade, Bonnie C. (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Histor-
ical Performance Practices across the Pacific." the world of music 38, 1996(2): 1-
83.
Wallin, Nils L.: "Pitch Perception as Expression for Exogene and Endogene Coordi-
nated Oscillations." the world of music 25, 1983(3):46-64.
Wallin, Nils L.: "The State of Musics in the World Today: The Present Soundscape
and Its Possible Implications on Musical Perception Affecting the Role of Music
and the Users of Music." the world of music 27, 1985(3): 104-10.
Walter, Franz: "Le rôle des 'Festivals' dans la vie musicale d'aujourd'hui." the world
of music 5, 1963(l-2):41-42.
Walter, Franz: "The Growth of International Festivals." the world of music 2,
Wangermée, Robert: "Introduction à l'Étude du Programme." the world of music 5,
1 963( 1- 2):32- 34.
Waterhouse, David: "Woodcut Prints by Suzuki Harunobu as a Source for the His-
tory of Japanese Dance." the world of music 30, 1 988(3):85- 1 07.
Watt, Martin and Jeanne Zaidel-Rudolph: "Musical Symbiosis in Jeanne Zaidel-Ru-
dolph's Lifecycle the world of music 48, 2006(2): 135-50.
Wax, Johannes: "On Current Urban Dance Life in and Around Regensburg." the
world of music 41, 1999(2): 137-58.
Wegner, Ulrich: "A Project on Pattern Perception in Bugandan Xylophone Music."
the world of music 31,1 989(2): 1 60-6 1 .
Wegner, Ulrich: "Transmitting the Divine Revelation: Some Aspects of Textu-
alism and Textual Variability in Qur'änic Recitation." the world of music 28,
1986(3):57-78.
Wegner, Ulrich; Baumann, Max Peter and Ursula Michel: "The World of Music In-
dex 1977-1987." the world of music 30, 1978(1 ):5-226.
Wicke, Peter: "Research Center for Popular Music (Forschungszentrum für Populäre
Musik), Humboldt University, Berlin." the world of music 39, 1997(2): 153-55.
Widdess, Richard: "The Geography of Rãga in Ancient India." the world of music
35, 1993(3):35-50.
Wilcken, Lois: "Pay for Play": The Redistribution of Payola for Music Diversity in
New York State and Its Implications for Sustainability in Music." the world of
music 51, 2009(1 ):55-74.
Wild, Stephen: "Reflections on Field Research in Aboriginal Australia: Central Aus-
tralia and Arnhem Land." the world of music 36, 1994( 1):5 1-58.
Will, Udo: "Tradition Versus Science? Reflections on Interactions and Responsibili-
ties." the world of music 36, 1994(1 ):59-65.
Williams, Sean: "Competing Against 'Tradition' in the Sundanese Performing Arts."
Winckel, Fritz: "Music and Architectural Space." the world of music 9, 1 967(2):3 1-
Wiora, Walter: "Musicology." the world of music 6, 1964(4): 103-06 (incl. French
Wiora, Walter: "Progressive Music and Regressive Public?." the world of music 5,
1 963( 1- 2): 14-15.
Wiora, Walter: "The World of Music as supra-continental Conception." the world of
music 4, 1962(l):5-7 (incl. Germans and French version).
Wismeyer, Ludwig: "The Musical Youth of the World in Berlin." the world of music
2, 1960(5):98-100 (incl. French and German transi.).
Witzleben, J. Lawrence: "Musical Systems and Inter-genre Relationships in Hong
Kong." the world of music 42, 2000(3):79-92.
Woebs, Raphael and Tim Becker: "'Back to the Future': Hearing, Rituality, and
Techno." the world of music 41, 1 999(1 ):59- 7 1 .
Wolz, Carl: "Dance in the Noh Theatre." the world of music 17, 1 975(3):26- 32
Wong, Deborah: " Taiko and the Asian/ American Body: Drums, Rising Sun, and the
Question of Gender." the world of music 42, 2000(3): 67-78.
Wong, Deborah; Lysloff, René T. A.; Kertész- Wilkinson, Irén; Lortat- Jacob, Ber-
nard; Barz, Gregory F.; Cooley, Timothy J.: "Review Symposium: Shadows in
the Field: New Perspectives for Fieldwork in Ethnomusicology , ed. Gregory F.
Barz and Timothy J. Cooley." the world of music 40, 1998(3): 18 1-99.
Wright, Kenneth: "Salzburg Looks Ahead: International Congress on 'Opera and
Ballet in Television and Film'." the world of music 1, 1959 (2):21-24 (incl.
Xenakis, Yannis: "ad libitum..." the world of music 9, 1967(1): 17-19 (incl. French
Yang Ling: "China Recovers Her Past in Folk Song - A Report." the world of music
26, 1 984( 1 ):44- 50.
Yang Ling: "Music and Dance Performance with China's Oldest Musical Instru-
ments - A Report from the People's Republic of China." the world of music 27,
1 985( 1 ):9 1 -95.
Yang Mu: "On Musical Instruments of the Li People of Hainan (China)." the world
of music 39, 1 997(3):9 1-1 12.
Yaroustovsky, Boris: "La Signification Sociale de la Musique." the world of music
5, 1 963( 1 -2): 1 5-1 6.
Yarustovsky, Boris: "Aspects of Operatic Theatre in the USSR." the world of music
15, 1973(2):29^4 (incl. French and German transi.).
Yun, Isang: "The Contemporary Composer and Traditional Music." the world of
music 20, 1978(2):57-60.
Yurchenco, Henriette: "Fifteenth Conference of the International Folk Music Coun-
cil." the world of music 4, 1962(5):99 (incl. French and German transi.).
Zaidel-Rudolph, Jeanne and Martin Watt: "Musical Symbiosis in Jeanne Zaidel-Ru-

dolph's Lifecycle ." the world of music 48, 2006(2): 135-50.
Zanten, Wim van: "Inner and Outer Voices: Listening and Hearing in West-Java."
the world of music 39, 1 997(2):4 1- 50.
Zebec, Tvrtko: "Glagolitic Priests as Leaders of Chain-Round Dances on the Island
of Krk." the world of music 40, 1 998(3):83- 98.
Zemp, Hugo: "Filming Voice Technique: The Making of 'The Song of Harmonics.'"
the world of music 31 , 1989:56-85.
Zemp, Hugo: "L'origine des instruments de musique - 10 récits sénoufo (Afrique
occidentale)." the world of music 18, 1976(3):3-25 (in French only).
Zenck, Martin: "Ritual or Imaginary Ethnography in Stravinsky's Le sacre du print-
emps ." the world of music 40, 1 998( 1 ):6 1 -78.
Zenck, Martin: "Ritual Self-Staging in Everyday Life and in Music Theater. A Com-
parison of the Turning Points in History around the Years 1900 and 2000." the
world of music 40, 1 998( 1 ):7- 1 6.
Zenck, Martin (guest ed.) and Max Peter Baumann (ed.): [Topical Issue:] "Music,
the Arts, and Ritual." the world of music 40, 1 998( 1 ): 1-1 56.
Zheng, Su de San: "Music and Migration: Chinese American Traditional Music in
New York City." the world of music 32, 1990(3):48-67.
440 • the world of music S3, 2011 (1-3)
Ziegler, Susanne / Herndon, Mareia (guest eds.) and Max Peter Baumann (ed.):
1 991 (2): 1-1 03
Ziporyn, Evan and Jeanne Bamberger: "Getting It Wrong." the world of music 34,
1992:22-56.

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the world of music bibliography

the world of music bibliography

(in Alphabetical Order

Adamo, Giorgio: "The Archivi de Etnomusicologia at the Accademia Nazionale di

Anon.: "International Rostrum of Composers: Outstanding Forum for the Exchange

Austerlitz, Paul: "Local and International Trends in Dominican merengue the

Avorgbedor, Daniel: "Preface [Topical Issue: Cross-Cultural Aesthetics]." the world

Bachmann-Geiser, Brigitte: "The Musical Instruments Used during the Zurich

Baily, John: "Filmmaking as Musical Ethnography." the world of music 31,

Bändern, I Made: "Barong Dance." the world of music 18, 1976(3):45-52.

Daniélou, Alain: "Isolationnisme ou Compréhension Mutuelle en Musique." the

Daniélou, Alain: "The Importance of the Preservation of the Traditional Musical

Eckstein, Pavel: "Contemporary Music in Czechoslovakia." the world of music 4,

Elschek, Oskár: "Film and Video in Ethnomusicological Research." the world of

Emigh, John: "Masking and Playing: Observations on Masked Performance in New

Gansemans, Jos: " Ethnomusicologie au Musée Royal de l'Afrique Centrale

Greene, Paul/Claus-Bachmann, Martina (guest eds.) and Max Peter Baumann

Guaccero, Domenico: "La Structure du Public et l'Enseignement Musical en Italie."

Gutzwiller, Andreas: "The Shakuhachi of the Fuke-Sect: Instrument of Zen." the

Hanna, Judith Lynne.: "Aesthetics - Whose Notions of Appropriateness and Com-

Howard, Keith: "Different Spheres: Perceptions of Traditional Music and Western

Idema, W. L.: "Some Basic Characteristics of Traditional Chinese Society." the

Jackson, Melveen: "Tiger Dance, Terukuttu , Tango, and Tchaikovsky: A Politico-

Kaden, Christian: "Cultural Diversity: A Challenge to the World of Music." the

Kalmanovitch, Tanya: "Jazz and Karnatic Music: Intercultural Collaboration in Ped-

Kouwenhoven, Frank: "European Foundation for Chinese Music Research (CHIME),

Kurkela, Vesa: "Deregulation of Popular Music in the European Post-communist

Council." the world of music 6, 1964(4):79-80 (incl. French transi.).

Langenberg, Mechtild: "On Understanding Music Therapy: Free Musical Improvi-

Liang, Ming-Yueh: "Neo-Taoist Implications in a Melody for the Chinese Seven-

Maceda, José: "International Music Symposium in Manila on "The Music of Asia."

Marian-Bãlaça, Marin: "Romanian Ethnomusicologies: A Briefly Commented Bib-

Messner, Gerald Florian: "Ethnomusicological Research: Another 'Performance'

Messner, Gerald Florian: "The Shark-Calling Ceremony in Paruai, New Ireland,

Nakiene, Auste: "Ethnomusikologie am Institut der Litauischen Literatur und Folk-

Netti, Bruno: "Heartland Excursions: Exercises in Musical Ethnography." the world

Nobre, Marios: "Nouvelles perspectives de la musique: 'Le nouveau monde du com-

Olsen, Dale A.: "The Complementarity and Interdisciplinarity of Archaeomusi-

Pinto, Tiago de Oliveira: "The Healing Process as Musical Drama: Remarks on

Rüütel, Ingrid: "Department of Ethnomusicology at the Estonian Literary Museum."

Sachs, Nahoma: "The Facts of Death: An Anthropologist Views Musical Symbol-

Samuel, Claude: "Semaines musicales internationales de Paris - 1964." the world of

Sasamori, Takefusa: "Therapeutic Rituals Performed by Itako (Japanese Blind Fe-

Schafer, R. Murray: "Thoughts on Music Education." the world of music 15,

Sliužinskas. Rimantas: "Institute of Musicology, University of Klaipeda, Lithuania."

Song, Bang-song: "Present State of Research on Korean Traditional Music." the

Takahashi, Mitsu: "Great Expectations: Ethnomusicologists and Filmmakers Work-

Tourna, Habib Hassan: "Relations between Aesthetics and Improvisation in Arab

Trän Van Khê: "Quelques Impressions d'un Participant au Colloque Internation-

Urbanaviciene, Dalia and Rimantas Astrauskas: "Department of Ethnomusicol-

Vandor, Ivan (ed.): [Topical Issue:] "Musicology /Ethnomusicology." the world of

Vaughn, Kathryn: "Experimental Ethnomusicology: A Perceptual Basis for Jairazb-

Wachsmann, Klaus: "Applying Ethnomusicological Methods to Western Art Mu-

Zaidel-Rudolph, Jeanne and Martin Watt: "Musical Symbiosis in Jeanne Zaidel-Ru-

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