BWV 988 Guitar A4 1

J. S.
Bach
Goldberg Variations
BWV 988
For Guitar Ensemble
Transcribed and Engraved

by
Steve Shorter
Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter et al. — Mutopia-2019/06/05-2203

ǀProject ǀ Creative Commons Attribution ShareAlike 4.0 International License — free to distribute, modify, and performǀ
For
Eli Kassner
and
Glenn Gould
from
The Guitar Society of Toronto Orchestra

Table of Contents
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Aria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Variation 01 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Variation 02 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Variation 03 Canon at the Unison . . . . . . . . . . . . . . . 15
Variation 04 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Variation 05 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Variation 06 Canon at the Second . . . . . . . . . . . . . . . 21
Variation 07 At the tempo of a Giga . . . . . . . . . . . . . 23
Variation 08 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Variation 09 Canon at the Third . . . . . . . . . . . . . . . . 27
Variation 10 Fughetta . . . . . . . . . . . . . . . . . . . . . . . . 29
Variation 11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Variation 12 Canon at the Fourth . . . . . . . . . . . . . . . 33
Variation 13 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Variation 14 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Variation 15 Canon at the Fifth . . . . . . . . . . . . . . . . 45
Variation 16 Overture . . . . . . . . . . . . . . . . . . . . . . . . 49
Variation 17 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Variation 18 Canon at the Sixth . . . . . . . . . . . . . . . . 55
Variation 19 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Variation 20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Variation 21 Canon at the Seventh . . . . . . . . . . . . . . 63
Variation 22 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Variation 23 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Variation 24 Canon at the Octave . . . . . . . . . . . . . . . 71
Variation 25 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Variation 26 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Variation 27 Canon at the Ninth . . . . . . . . . . . . . . . . 83
Variation 28 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Variation 29 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Variation 30 Quodlibet . . . . . . . . . . . . . . . . . . . . . . . 93
Table of Ornaments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Acknowledgements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Copyright . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Errata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
4
Introduction
The motivation behind this transcription and re-engraving of these Goldberg Variations
is a simple one; to make available to guitarists one of the great treasures of Baroque art. In that quest,
a single value has come to dominate this work
1) to preserve and render as accurately as possible the structure(s) of Bach's work in the context
of a modern guitar ensemble and a standard instrument.
The "standard" guitar being considered has 19 frets and is in dropped D tuning. ie. strings are
tuned DADGBE. The original key is preserved throughout the transcription, as it is easily accommodated
and serves the original intent most faithfully.
Starting from this foundation, whatever resources were assembled that the structures demanded.
In general it could be stated that each voice that is present in the variation has its representative as a
single instrument in the ensemble. The resulting work therefore contains 13 variations for 2 guitars,
13 variations for 3 guitars and 4 for 4 guitars.
While the clavier is dissimilar to the guitar in many ways, the Goldberg Variations are
unsurprisingly quite sympathetic to it. Both the clavier and guitar are plucked chordophones,
subject to similar acoustic profiles of volume and sustenance.
Most of the original structure(s) can be preserved through octave transposition when carefully
considered. In the few instances where this is not possible, alternatives were developed and
documented. Bach's instrumental works are of such a quality that they can often be considered
as "generic music": they transcribe well for instruments other than the target of its original
composition. That is mostly the case with the Goldberg Variations. To the extent that
there may be variations that are idiomatic to the keyboard, they have been accommodated as
much as possible and are included for completeness.
Guitar fingering is interperative and personal, particularly for music not initially conceived
for guitar, so this work is presented with no guitar fingering. All slurs are phrasing slurs and appear
as in the original.
The Aria has two versions presented. Version 1.7e is for two guitars in standard tuning,
version 1.8 is for three guitars in dropped D tuning.
Finding a reliable authority for Goldberg Variations, BWV 988, is problematic as discussed
by Erich Schwandt[1]. The source materials from which this transcription is derived are the
Bach-Gesellschaft Ausgabe, Band 3, the facsimile of Bach's own copy ('Handexemplar') of the
first edition, and the results of the OpenGoldberg project. These documents are in the Public Domain
and can be consulted at the International Music Score Library Project:
http://imslp.org/wiki/Goldberg-Variationen,_BWV_988_(Bach,_Johann_Sebastian)
[1] http://scholarship.claremont.edu/ppr/vol3/iss1/2
5
1.7e
Aria
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Variation 01
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Variation 02
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Variation 03
Canon at the Unison
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Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter and Hajo Delzelski — Mutopia-2019/06/05-2203
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Variation 04
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Variation 05
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Variation 06
Canon at the Second
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8 ã ã ã ã ãã ã ã ã ã ãã
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ã ã
8
ã ã ããã ã
8

ã ã
ãããã ã ã ã ã ã ã ã
8 ã ã ã ããããã ã ã
ã
ã ã
22
ã ã ã ã ã
ã ã ã ã ã ã

20

8
ã ã ã ã ã ã
ã ã ã ã ã ã
ã

8
8

24
ã ã ã
8
ã ã ã ã
8

ã
ã ã
ã ã ã ã
8
ã
ã
28

8
ã ã ã ã ã
8
ã
ã ã ã
8 ã ã ã ã
ã ã ã ã ã ã ã 1.ã ã ã ã
ã ã ã

2.ã

32

ã
8
ã ã ã
8
ã ã
8
ã ã ã
23
Variation 07
At the tempo of a Giga

Gtr1 86 ã ã ã ã ã ã ã ã ã ã ã ã
8
6
Gtr2

5 ã ã ã ã ã ã ã ã ã ããããã ã ã ã ã ã
2

8

ã ã ã ã ã ã ã ã ã ã ã ã ã ã

9 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã
ã ã
8

ã ãã ã ã
8
ã
ã ã ã

2
ã
13 2
ã ð
8

8 ã ã ã ã ã ã ã ã ã ã ã ã ã
24
ã ã ã ã ã
ã ã
17

8

ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ã ã ã ã
8
ã
ãã ã ã ã ã ã ã ã ã ã
ã ã ã
ã ã
21
ã ã
8


ã ã ã ã ã ã ã ã ãã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã
25
ã ã
8

ã ã ã ãã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
8 ã
ã ã ã
ã
29
ã ã ã ã ã ã ã ã ããããã ã ã ã ã ã ã ã

8

8
25
Variation 08
ã ã ã ããããã ã ã ã ã ã ãã ã ã ã ã
ãã ã ã ã ã ã ãã ã ã
Gtr1 43 ã ãã
8

3 ããã ã ãã ã ã
Gtr2
4 ã
8 ã ã ã
ã ããã ã ãã ãã ã ãã
ã
ã ã ã ã ã ã ã ããã
ã
8
ã ã
ã ã ã ãã ã
ã ã ã ã ã
8
ã
ããã ã ãã
7 ã ã ããã ã ããã ã ãã ã ã ã ã
ã ã ã ã ã ã
ã ã ããã ã ã
8
ã
ã ã ã ã ã ã
ã ã ãã ã ã ã
ã ã ã ã ã
8 ã ã ã ã
ããããã ãããã ã
10
8
ã ã ã ãã
ã ã ã
ã ã ã ã ãã ãã ã ã ã ã ã ã ã ã ã ã ã ã
8 ã ã ã ã ã ãã
ã ã ã ã ãã ã ã ã ã ã ã ã ã ã
13
ã ãã ã ã ã ã ã ã ãã ã ã ã ã ã
8
ãããã ã ã ãã ããã ã ã
ã
26
ã
ã ããã ã ãããã ã ã ã ããã ã ãã ã ã ã ã ã ã

17
ã
8
ã ãã ã
ãã ãã ã ã ã ã
ã ã ã ã ã
8 ã ã
ã ã ã ã
ãã ããã ã
ã ãã ã ã ã
ã ããããã ã ãã
20
ã
8
ããããã ã
8
ã
ãã ãã ã ã ã ã ã ã ãã ã ã
ã ã ã ã ã
23
ã ã ã
ã ã
ã ã ã ã ã ã
ã ã ã ã ã
ã ã ã
8
ã
ã ã ã ã
ã ãã ã ã ã ã ãã ãããããããããããã
26
ã
8
ã ã ã ã ã ã ã ããããã ãã
8
ãã ã ãã ããã ã ã ããã
ã
ã ã ã ã ãã ã ã ã ã
ã ãã ãã ã ã ã ãã
29
ã ãã ã ãã ã ã ã ã ã ãã ã ã ã
8 ã
ã
ã

ã ã ã ã ã ã ã ããã ã ã ã ã
ã ã ã ã
8
ã ã ã
27
Variation 09
ã ã ããã ã ã ã ã ã ã ã ã
Canon at the Third
Gtr1 ã ã ã ã ã ã ã ã ã ã
8
ã ã ããã
Gtr2 ã ã ã ã ã ã ã ã ã ã
8

ã ãã
ã ã ã ã ã ã
Gtr3
8 ã
ã ã ã ã
ã ããã ã ããã
ã
4

8
ã ã ã ã ã ã ã ã ã ããã ã ã ãã ã ã ã ã ã ã ã ã
ã
8
ã ã ã ã ã ããã ããã
ã ã ã
ã ã ã ã ã ã
8 ã
7

8
ã
ã

8
ã ã ã ã ã
ã ã ã ã ã ã
ã ã ã ã
ã
8
ã ã
28
ã ã ã ããã ã ãããã
ã ãã ã ãã

9

ã ã ã ã ã
ã ã
8

8
ã ã ã ã ã ã
ã
ã ã
ã
8
ã
ã ã ã

ã

12

8
ã ããããã ããã ã
ã ã ã ã ã ã ã ã ã ã ã ããã ãã

8
ã
ã ã
ã ã ã ã ã ã ã ã ã ã ã ã ãã ãã ã ãã ã ã ã ã ã ã ã
ã ã
8
ã

15

ã ã
8
ã ã ã ã

8

8
ã
29
Variation 10
Fughetta

Gtr1

8

Gtr2
ã
8
ãã
Gtr3
8

Gtr4
ã ã ã ã ã ãããããã ã ãããã ã
8
6 ã ã ã
ã

8

ã ã
ã ã ããã ãã ã ããã ã ã ã ã
8
ã ã ã ã
ã

8
8
ã ã
ã ã
12
ã ã

ã ãã ã ã ã ã
8

ã ã ã ã
8
ã ã ã ã
ã ã ã ã ã

8

ã ã
8 ã ã ã ã ã
30

17 ã
ã ã

8
ã ãã

8

8
ããããã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãããããããã
8
ã
ã ã ã ã ã ã
ã ã
ãã

22
ã

8

ã ã ã ã ã ã ã ã ãã ã ã ã ã ã
ã

8

8

ãããããããã ããããããã
8
ã ãããããã ãã ã ãã ã ã ã ã
ãã ããããã ã ã ããã
ã ã ãã ã ã
27

ã ã
ã ã ã ãã ã ã ã ã ã
8
ã ã ã
8
ã ã ã ã ã ã
ã

8
ã ãããããã ã ã ã ã ã
ã ã ã ã ã
8
31
Variation 11
ã ãããã
ã ã ã ã ã ã
Gtr1 12
16
ã
8
12 ã ã ã ã ã ã ã ãã ã ãã ããã
Gtr2
16
8
4 ã ã ã ã ã ãã ã ãããã
ã ã ããããã ã ã ã
ã ã ã ã
ã
ã ã ã ã ããã
8
ã ã
ã ã ã ã ã
ããã ãã
8
ã ã ããã ãã ã ã ã ã ããã ã ã ã ã ã ã ã ã ã ã ã ã ããã
ããã
7
ã
8
ã ã ã ã ã ã ã ã ãã
ã ãã ã ã ã
ã ãããããã
ã
ãã
ã
ã

8
ã
11

8
ã ãã
ã ã ã ã ã ã ã ã ã ãã ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã

8
ã ã ã ã ã ã ã ã ã ã ã ãã
ã ã ã ã ã ã
ã ã ã

14
ã ã ã ã ã ã
8
ã ãã ã
ã ã
ã ã ã ã ãã ã
8 ããã ã
32
ãã ããã ãã ãã
ã
ã ã ã ã
17

8
ãããã

ã ã ãã
ã ã
ã ã ã ã ã ã
ã ã ã ãã ãããã ãããã ã ã
8
ã ã ã
ã ã ãã
ã
ã ã ããã
ã ã ã ãã ã ãã ãã ã ã ã ã ã ã ã
ã ã ã ããã
20
ã
8
ã ã ã ã

ããããã
ã ã ã
ã ã ã ã ã ã
ã ã ã ã ã
23
ã
8
ã ã ã ãã
ãããã ã ããã ã ãã ã ã ãããããã
8

26 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã ã ã ã ã ã
8
ã ã ã ã
ã ã ã ã ã
8
ã ã ã ã ã ãã ããã ã ã
ã ã ã ã
29
ã ã
ã ã ã ã ã ã ããã ã ã ããã
ã ã ã ã ãã ã ã ããã ã ã
8
ã
ã ã ã
ã ã ã ã ã ã ã ã ã ãã
ã ã ããããã ãã ã
ããã ã ã ã ã ã ã ã
8
33
Variation 12
ã ã ã ããã ã ã ã ã ã
Canon at the Fourth
ããã ã ã ã ã ãã ã ã ã ã ãããã
Gtr1 43
8
ã ãã ãããããã ã ããããã
Gtr2 43
ã ã ã
8

3
Gtr3
4 ã
8
ã ãã ã ã ã
4 ã ã ã ã ã

8


ã ã ã ã ã ã
8

8
ã
ã ã ã ã

8
8

ã
8
34
ã ããããã ã ãããããããã
9 ã ã ã ã ã ãã ãã ã

8
ã ãã
8

ã
ã
ã ãã ã ã
ã ã ã ã ããããã ã ã ã
8 ã
ã ã ã ã

12 ããã ã ããã ããããã ãããã ã ã ã

8
ããã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã
8
ã ãããããã
ã ã ã ã ã ã ã ã ã ãããã ãã ã ã
8 ã
ã ã ã
ã
15

8
ã ã ã
ã
8
ã
ã ã ã
8
ã
35

17

8
ã
ã ã ã ã ã ã

ã ã
8

ã
8

ã ã ã ã ã ã ã ãããããããã
ã ã ã ã ã

20

8
ã ã ã ã ã ã
8
ã ã ã
ããã ãããããããã ã
ã ã
ã ã ã ã
8
ã
23

8
ã ã
ã
ã ã ã ã

8

ã ã ã ã ã ã
ã
8 ã ã
36
ãã ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãããããã

25

8
ã ã ã ã
ã ã ã
ã ã ã ã ã
8
ã ã ã ããããããã
ã ã ãããããã ã ã ã ã ã ã ã ã ã
8

28 ã

8
ã ã ã
8

ã ã ã ã ã
8
ã
ã ã ã ã ãã ã ã ã ã ã ã ãããã
ã ã ã

30

8
ã ã
8
ã ã

ã ã ã ã ã
8 ã ã
37
Variation 13

ã ããããã ã ã ã ã ã

Gtr1 43 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã

8
43
ã ã ã
Gtr2

8
3
Gtr3
4 ã ã ã
8ã ã ã ã ã
3 ã ã ã ã ã ããããã ã ã ã ã
ããããã ã ã ã ããã ã
ã ã ã ã ã

ã
8

ã ã

8
ã ã ã ã ã ã
8
ã ã
ãã ã ã ã ã
5 ã
ã ã ã ãã ããã ããã
ã ããããããã ã ã ã ã

8
ã
ã ã

8
8 ã
7 ã ã ã ã ã ããã
ããã ã ã ã ã ã ãã ã ã ã ã ã ã ã ã ã ã ã ã ããããããã ã
ã ã

8
ã ã
ã ã

8
ã ã ã ã ã ã
8 ã ã
38
9 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã

8
ã
ã ã

8
ã ã ã
8 ã ã ã ã ã
11
ã

8
ã ã ã ã ã
ã ã

8
ã ã ã ã ã ã
8
ã ã
ãã ã ã ã ã ã ã ã ã ã ã ã ã ã
13
ã

8

ã
ã
ã ã ã ã ã

8
ã ã
ã8 ã ã ã ã ã ã ã ã ã ã ã
ã ã ã ãããã ãããã ã
15
ããããããã ãã
ã

8
ã
ã ã ã ã
ã ã ã ã ã

8

ã
ã
8 ã ã ã
39

ããããã ããããã ã ã ã ã ã ããããã ã
ãããã ã ã ã ã ã
17

ã
8

ã

8
ã ã
8
ã ã ã
ã ã ã ã ã
19
ã ã ã ã ã ã ã ã ã ã ããããããããã ã ã
ã

8
ã ã ã ã ã
ã ã ã ã ã

8
8
ã
ã ã ã
ã ã ã ã ã ã ã ã ã ã ãã ãã ã ãã ãã ãã ã ã
ã ã ã ã ãã ãã ã ã ã ã ã ã ã ã ã ã ã ã
21
ã

8
ã ã ã
ã ã ã ã

8
ã ã ã ã
ã
8
ã
ã
23
ã

8
ã ã ã ãã ãã
ã ã ã ã

8
ã
ã ã ã ã ã ã
8
40
ã
ã ã ã ã
25
ã ã ã ã ã ã
ã ã ã ã

8
ã ã ã ã

8
ã ã ã ã ã ã
ã ã
ã
8
ã ã ã ã ãããããããããããã
27
ãã ããã ã ã ã ã ãããã ã ããã
ãã ããã ã ã ã ã

8
ã ã ã ã
ã ã ã

8

ã ã ã ã ã
8
ã ã
ã ã ã ã ã ã ãã ã ã ã ã ã ã ã ã
ã ã ã ã
29
ã
8
ã ã ã ã ã ã
ã ã ã ã

8
ã ã
ã ã ã ã
ã ã ã ã ã
8 ã
ã ããã ã ãã ããã ã ãã ããã

ã ã ã ã ã ã ãã ã ã ã ã ã
31
ã ã ã ã

8
ã ã ã ã ã ã ã ã ã ãã ã
ã

8
ã
ã ã ã
8 ã ã
41
Variation 14

ã ã ãã ã

Gtr1 43 ã ã ã ã ã ã
8
ã ã
Gtr2
4 ã ã ã ã ã
8
ã ã ã ã ã
3 ã
ã
8
ã ã ãã
ã ã ã ã ã

8
5 ã
8
ã ã ã ã
ã ã ã

8
7 ã ã
ã
8
ã ã
ã ã

8
42
ããã ããã
9 ã ãã ã

8
ããã ããã
ã ã ãã

8
ããã ããã
ããã ããã ã ã
ã ã ã ã ã ã
11
8 ããã ããã ãã
ã

8

13
ã 8

ã ã ã ã ã ã
ã ã ã ã ã
ã ã
8
ã
ã
15

8

8
ã

43
ã ã ã ã
ã ã
17

8

ã ã ãã ã
ã
ã ã ã ã ã

8

ã ã
19
ã ã ã ã
8
ã ã
ã ã ã ã
ã ã
ã
8
ã ã ãã

21
ã ã ã ã ã ã
8

ã ã ã ã ã ã
8 ã ã ã ã ã
ã

23
8
ã ã ã ã ã
8
44
ã ã ã ãã
ã ã ã
25
ããã ã
8
ããã ããã
ã ã ã ãã ã
ã
ã ã ã ã ã

8
ããã ããã
ã

27
ã ã ã ã ã ã ããã ãã
ã ã ã
ã ã ã ã ã ããã
ã ã ã ããã ã
8
ã
ããã ã ã

ã
29
ã ã
8
ã

8
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã ã

31
ã
8
ã ã ã
ã ããã ã ããã ããã ããã ãã ã ããã ããã
ã ã ã
8
45
Variation 15
Canon at the Fifth
Andante ã
Gtr1 42 ã
8

Gtr2 42 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
8
2 ã
Gtr3
4 ã
8 ã ã ã ã
ã ã ã ã
ã
ã ã ã ã ã
ã

8

ã ãã ã ã ã ã ã ã ã
ã ã
ã ã ã ã ã ã
8

ã ã ã
ã ã ã ã ã ã
8 ã ã ã ã
ã ã ã ã ã
ã ã ã ã

ã ã ã ã ã

7
ã
8
ã ã ã ã
ã ã ã ã
8
ã ã ã ã
ã
ã
ã ã ã ã ã
8
46
9 ã

8

ã
ã ã ã
8

ã ã ã ã ã ã ã ã ã ããã ããã
ã ã ã ã ããã ã ã ã
ã
ã ã ã ã ã
12

8

ã ã ã
ã

ã ã ã
ã ã ã
ã
8

ã ã
ã ã ã ã ã
8

ã ã ã ã ã
ã ã ã ã
ã
ã ã
ã
15

8

ã ã
ã ã ã ã ã ã
8

8
ã ã
ã ã ã
47
ã ã ã
ã ã ã ã ã ã

17
ã ã ã ã
8
ã ã

8

8
ã ã ã ã ããã
ã ã ã
ã ã ã
ã ã ã ã ã ã

20

ã ã ã ã ã ã
8
ã ã
ã ã ã
ã ã

8
ã ããããã ã ã ã ã ã ã ã ã
8 ã ã ã ã

23
ã

8
ã
8
48
ã
ã ã ã ã
ã ã ã ã
ã ã ã
ã

25
ã
ã ã ã ã
8 ã ã ã ã
ã

8
ã
ã ã
ã
28

8
ã
ã ã
8

ã ã ã ã ã ã
ã ã ã ã
ã
ã ã
30
ã
8

ã ã ãã ã ã ã ã ã ã ã ã ã
8
ã ã ã
ã ã
ã ã ã
ã ã ã ã ã ãããã ã
8
ã ã ã ã ã
49
Variation 16
ã ã ã ã
ã
Overture
ã ã ã ã ã ã ã ã ã3 ã
!ãã ã

8

ãã ãã ã ã ã
ãã
ãã ããããããã ã ã
8
ã ã
ã ã ã ã ã ãã ã
ã ã

3

ã ã
3
ã ã ã ã ã
8

ã ã ã3 ã ã ã
ã ã 2
ãã ã ã
3
2
3
5 ã

8
3
3
ã ãã
8

3 3
ããã ã ã ã ã ã ã ã ã ã ã
ã
3
7 ãããã

8

ã ã ã ã ã ã ã ããã
ã ããã ã ã ã
8 ãããã ã ã ã
3
50
ã 3
ã ã3 ã ã ã ã3 ã ã ã
ã ã ã ã ã ã ã ãã ã ã ã ã ã
3
2
9 ã ã ã ã

8
ã
3
8
3

ã ã ã ã ã ã
3 3
ã
11

ã ã ã ãã ã ã ã ãã ã ã ãã ããããã
ããã

8
ã ã ã ã
8 ãã ã ã ã
3
ã ã3 ã ã ã
ã ã ã ã ã ã ã3 ã ã ã ã3 ã ã
3
ãã
ã
13
ã ã ã ã

8
3
ã ã
3
ã
3
ã ã ã ã ã ã

8
3

ã ã ã ã 1. ã ã
ã ã ã
2.
15
3 3
8 8
8
ã ã ã ã 3
ã ã ã ã ã ã ã ã ã ããããã ã 8
3
8
8 ã ã ã ã
51

ã ã ã ã
83 ã ã ã ã ã ã ã ã ãã ã ã
18
3 ã ã ã ã ã
8
8
ãã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã ã ã ã ã ã
22

8

ã ã

ã
ã ã ã ã ã
ã ãã
8 ã

ã ã ã ã ã ã ã ã ã ã ãã ã ãã ã ã ã
ã ã ãã ã ãã ã ãã ã
26

8

ã ãã ã
ã
8

ãã
30 ãã ã ã ã ã ã ã ã ã
8

ã ã ã ã ã
ã
ã ã
52

ã ãã ã ãã ã ãã ã ãã ã ã ã ã ã ã ã ã ã ã ã ã
34
ã ã
8

ã ã ãã
ã ã
ã ã ãã ã ã ã ã ã ã ã
38
ã ã
8

ã
ã
8 ã ã ã ã ã ã ã ã ã ã ã
ã ã ã ã
ã ã ã ã ã
ã
ã

42
ã ã ã ã ã
8

ã 1.
ã ã ã ã 2.
ã ã ã ã ãã
46
ã ã ã ã
8
ã ã ã ã

53
Variation 17
ã ã ã ã
ã
ãã ããããã
Gtr1 43
8
ã
Gtr2
4 ãããããããã ã
8 ã
ã ã ã ã ã
ã ã
ã ã ã ãã ãã ãã ã ã ã ã ã ã ã ã
ã ã ã ã ã ã
8
ã ã ã ã ããããã ã
ã
ã ã ãã ãã ã ã
ã ãã ãã ãã ãã ã
8 ã ã
ã
8 ã ã ã ã
ã ã
ã ã
8
ããããã ã ã

ã ã ã ãã
8 ããããã ã ã
ã
ã ã ã ã
ã
11 ã ã ã ã ã ã ã ã ã ã ã ã

8
ãã ã ã ã ã ã ã ã ã ã ã ã ã
ã ã
8
ã ã ã ã ã ã ã ã ã ã ããã ã

ã ã ã ã ã
14

8
ã ã ã ã ã ãã ãã
8
54
ãã ã ãããã ã
ã ããã ããããã ã
17
ã ã ã ã
ã ã ã ã ã ã
ã ã
ã ã
ã ã ã
ã
8

ã ã ããããã ãããã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
8
ã ã ã ã ã
ã ã ã ã ã ã
ã ã
20
8 ã
ã ã
ã ã ã ã ã
ã ã ã
ã ã ã ã
ã ã ã
ã
8
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ãã ã ã ã ã ãã ã
ããããã
23
ã
8

ãã ããããããã ã ã ã
8
ã ã ã ã ãããã ã ã 2
26
ã ã ã ã ã ã ã ãã ãã ã ã ã ã ã ã ã ã
ã ã ã ã ã
8

ã ã ã ã ã ã ããã ãããããããã ã ã ã ã ã
ã ã ã ã

8
ã ã ã
ã ã ã ã ã ã ããããããããã ã ã ã ãã
ã ã ! ã ã ã
29
ã ã ã
ã ã ãã ã ãã ãã ã ã ã ããããã
8
ãã
ã !ãã ã ã ãã ã ã ã ãã
ã ã ã ã ã ã ã ã ã ã ãã ã ã ã ã ã ã ã
ã ã ã ã ã ãã ã ã ã ãã
8
55
Variation 18
ã ã ã ã ã ã
Canon at the Sixth

Gtr1
ã ã ã ã
8
Gtr2

8
Gtr3
ã ã ã ã
ã
ã
8
5

ã ã ã ã ã ã
ã ã
8

8
ã ã ã ã
8 ã
9

8

8
8

13

ã ã
ã ã
8

8

ã
ã ã ã ã ã
8 ã ã ã
Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter and Benjamin Esham — Mutopia-2019/06/05-2203
56
ã ã ã ã ã ã

17

8
ã ã ã ã ã

8
8 ã

21
8

ã ã
8
8
ã

8
8
ã ã ã ã ã
8
29

8
ã ã ã ã

8

ã
ã ã ã ã ã ã
8
ã ã
57
Variation 19

Gtr1 83
8
Gtr2 83

8
3
Gtr3
8 ã
8 ã ã ã ã


8

8
ã
ã ã ã ã
8 ã
ã

9

ã ã
ã ã ã
ã ã
8
ã

8
ã ã ã ã
ã ã
ã ã ã ã ã
ã
8
ã ã ã

13

8
ã

8
ã ã
8 ã
58

17 ã ã ã ã

ã
8
ã ã ã ã ã
ã ã ã

ã
8
ã ã ã ã ã ã
8

21
8

8
ã ã
8 ã
ã ã ã ã ã ã

25
ã ã
ã ã ã
8
ã ã

ã ã ã
8
8
ã ã ã ã

29

8
ã

8
ã
8 ã
59
Variation 20
ã ã ã ã
ã

Gtr1
8
ã ã ã ã ã
3
Gtr2
4 ã
8
3 ã ã ã ã ã ã
ã ã
ã ã ã ã ã
8
ã
ã ã ã ã ã
8
5 ã ã ã
ã ã ã
ã ã ã ã ã ã
8
ã

ã
ã ã ã ã ã ã
ã ã ã ã ã ã
8
7 ã ã ã
ã ã ã ã
ã ã ã ã ã
8 ã
ã ã ã ã
ã ã
8
60
9 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã ã ã
3
ã
8
ã ã ã

ã ã
8
ã ã ã
ã

11
ã ã
8
ã
3
8
ã ã ã ã

13 ã ã ã ãã ã ã
3
ã ã ã ã
8
ã ã ã ãã ã
ã ã
8
3
ã ã ã ãã
15
ã
3 ã ã
8 3
ã ã
3

8
61
ã ã ã
ã ã
ã ã ã

17

ã ã ã ã ã
8
ã ã
ã ã ã
ã ã ã ã
8
ã ã
ã ãã
19
ã ã
8
ã
3
ã ã
ã ã ãããããã ã
8 ã
3
ã ã ã ã ã ãã
21
ã ã


ã
8 3

3
8 ã ã ã ã ã ã
ã
ã ã ã ã

23
ã ã ã ã ã
8 3
8
62
ããã ã ã ã ã ã ã ã ã
ã ã ã ã ã ã
25
3
8
ã ã ã ã
8
ãããã
27
ã ã ã
ã ããã
ã ã ã ã
ã

3 3
8
ã ã ã ã
ã ã
8 3
ã ã ã
ã ã ã ã ã
ãã ãã ã ã ã ã ãã
ã
29
3
ã 3
8
ã ã
ã
3
ã ã ã ã
ã
ã ã ã ã ã ã
ã ã

31
ã ã
8
3 ã

3
ã

ã ã ã
3
ã ã
8
63
Variation 21
Canon at the Seventh
ã
Gtr1
Gtr2 ã ã ã ã ã ã ã ã ã ã ã ã
8
ã ã
ã
ã ã
Gtr3
ã ã ã ã ã
8 ã ã
ã ã ã ã ã

3

ã ã ã
ã ã

8

ã
ã ã ã
8 ã
ã ã ã ã ã
ã ã ã ã ã ã
ã
ã ã
ã ã ã ã
ã

5
ã
8

ã ã
ã ã ã ã
ã ã ã ã

8
ã ã ã
ã ã ã ã

ã ã ã ã ã
ã ã ã ã
ã ã ã
8
ã ã
ã ã ã
ã ã ã ã
7

ã ã ã ã
8
ã
ã ã ã ã ã ã
ã ã ã
ã
8

8 ã
ã ã ã
ã ã ã ã
64

9
8

ã
ã ã ã ã ã
ã ã ã ã ã ã
ã

8

ã ã
ã ã ã ã
8

ã

11
8
ã ã ã ã ã
ã ã ã ã ã
8
ã
ã ã
8 ã ã ã ã ã
ã
ã
ã

ã
13

8
ã ã ã ã
ã ã ã ã ã ã

8

8
ã
ã

15

8

ã ã ã ã
ã ã ã

ã ã ã
ã ã ã ãã
8 ã ã
65
Variation 22
ã ããã ã
Alla Breve
Gtr1
ã ã ã ã ã
8

ã ã
Gtr2
8

Gtr3 ã ã ã ã ã ã ã ã ã ãã ã ã
8

Gtr4
ã
8
ã ã
7 ã

8

8
ã ã ã ã ã
8

8 ã

12

8

8

8
ã ã ã ã

ã ã ã ã ã

8
66
ã ããã ã ã ããã ã

17
ã ããã ã
8

ã ããã ã
8

ã ã ã ã ã
8
ã ã
ã
ã ã ã
ã ã ã
8 ã ã ã ã ã ã

ã ã
23 ã ã ã ã ã

ã ã ã ã ã
8
ã ã ã ã
ã ã ã ã ã
8

ã ã

8
ã ã ã ã ã
ã ã
8

ã ã ã ã ã ã
ã ã ã
ã ã ã ã ã

28
8
ã ã ã

8
ã ã
ã ã ã ã
ã ã ã ã ã
8

ã
8
67
Variation 23
ã
43
8
ã ã ã
3
4
8
ã ã ã ã ã ã

3

ã ã ã ã
8
ã ã ã ã
ã ã ã ã ããããã
ãã ã
8
5 ã ã ã ã ã ã
ã ã ã
8
ã ã ã ã ã
ã
8
ã ã ã ã ã ããããã
ã ã ã ãã
ã ã ã ã
7

ã ã ã ãã
ããããããã
8
ã ã ã
ã ã ã ã ã ãããããã

8
68
ã ã ãããã ãã ãã
ã ã ãããã ã ã ã ã
9 ãããã
! ! ! !
ã ã ã ã ã
8

ã ã
ã ã ã ã
ã

8
ã ã ãããã ã ã
! ! ! ã ã ã ã ! ã ã ã ã
11
ã ã ã ã ã
8
ã ã ã ã ã
ã ã

8
ã ã ã ã ã
13

8
ã ã ã ã ã ã

ã ã ã ã ã
ã
8
ã ã ã ã
ã ã ã ã ã ã ã ã ã ãããã
ã ã ã
15

8

ã
8
ã ã ã ã ã
69

ã ã

ã
ã ã ã

ã ã ã ã
17

ã ã
8

! ! ã ã ! ããã !ãããã
ã ã ãããã ã
8

19

ã ã ã ã ã
ã ã ã ã ã ã

8
ã
ããã ãã ãã ãããã ã ã ã ã
!ãããã !ã
ãã ãã ! !
8
ã

21
ã ã ã ã
ã
8
ã ã ã ã
ã ã ã ã ã
ã ã
8
ã ! ã ã ã ã

ã ããããããããã !
23
ã ã ã
8
ãããããã ã
!
ã
ã ã ã ã ã ã
ã ã ã
8
ã
70

ã ã ã
ã ãã ãã ãã ãã ãã ãã ãã ã ã
ã ã ãã ãã ã
ã ã ã
ã ã
25
8

ãã ãã ãã ãã ãã ã ã ãã ãã
ã ã ã ãã ã ã
ãã ã ã ã
ã ã
ã
8

ãã ãã ã
ãã ãã ãã
ã ãã ã ãã ã ã
27
ã
ã ã ãã
8

ã ãã ãã ãã
ã ãã ãã ãã ãã ãã ãã ãã ãã
8
ã ã
ã ã ã

ã ã ã ã ã ã
ã ãã
29
ãã ãã ãã ãã ã ã

8
ã ã ã
ãã ã ã ã ã ã
ãã ãã ãã ãã
ãã ã ã ã ã
8
ã ã ã ã
ã ãã ãã ãã ã ã ã ã ã
ãã ã ã ã ã ã

31

8

ã
ã ãã ãã ã ã ã ã ã
ã ã
ã ãã ãã
ã ã ãã ã ã

8
71
Variation 24
Canon at the Octave
ã ã ã ã ã

ã ã ã ã ã
Gtr1 89 ã ã ã ã ã ã
8

Gtr2 89
8
9

Gtr3
8 ã
ã
8

ã

ã ã ã ã ã
8 ã

ã ã
8
ã ã
5 ã ã ã ã

8
ã ã
8

8 ã
7 ã ã ã ã ã
ã
8

8

8 ã ã
72
9

8
ã ã
2
ã ã ã ã ã
ã
8

8
ã ã ã ã ã ã
2
ã ã ã ã
ã ã ã

11
ã ã ã
ã ã ã ã ã
8

ã ã ã
ã ã
ã
ã ã ã
8
ã ã ã ã
ã ã ã ã

13

8

8

ã ã ã ã
ã ã ã
8
ã
15

8
ã ã ã ã
ã ã

8

ã ã
ã ã ã ã ã
ã ã ã ã
8
ã ã
73

17

8
ã

8
ã ã ã ã ã
8
ã

19

8
ã ã ã ã ã
ã
8
ã ã
ã ã ã ã
ã ã ã
8
ã
ã ã
21

8
ã ã ã ã
ã ã ã
8

ã ã ã ã ã ã
8
ã ã ã
ã
23 ã ã ã ã

8

8
ã ã
ã ã ã ã ã ã
8
74

25 ã ã ã ã

8
ã
ã ã ã
8
ã ã ã
ã ã ã ã ã ã
ã ã ã ã ã ã
8 ã
ã
27

8
ã ã ã ã ã ã
ã ã ã ã ã ã
ã
8

8 ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã
29

8
ã
8

8
ã ã ã
ã ã ã ã ã
ã
31

8
ã
8

ã ã ã ã
75
Variation 25
ã ã ã ã
Adagio
ã

Gtr1 43
ã ã
8
ã ã ã
Gtr2 43 ã ã ã ã ã
8
3 ã ã ã ã ã ã
ã ã ã
Gtr3
4
8
3 ã

8
ã ã
ã ã ã ã ã ã
ã ã ã ã ã
8
ã
ã ã ã ã ã
ã ã ã
8
ãã ã ããããã ã ã
ã
5 ãã ã ã ããã
ã ã

ã ã ã ã

8

ã ã ã ã ã
ã
ã ã ã ã
ã

ã ã ã ã
8

ã ã
ã ã
ã ã ã ã ã
8

7 ã ã ã
ã ã ã

ã
ã ã ã ã ã ã
3
8
ã
ã ã ã ã ã ã ã ã ã ã ã ããã ãã
8

8 ã ã
76
ã ã ã
ã
9 ã ã
ã ã ã ã ã ã
ã ã
! ã
ã ã ã
8

ã ã ãã ã ã ã ã ã
ã ã ã
8

ã ã ã
8 ã


ããããããã ã ã ã ã
ã
ã
ã ã ã
ã ã ã ! ã ã ã ã ã ã ã ã ã
11

ã
ã ã ã ã ã
8
ã

ã ã ã ã
ã
ã
13

ã ã ãããããã ã ã ããã

ã ã ã ã
ã ã ã
8

ã ã ã ã
ã ã ã ã
8

ã

15
ã ã ã ã ã ã ã ã ã ã 1.ã ã ã ã
2.

8
ã
ã ã ã ã ã ã
ã ã ã
ã ã
8
ã ã ã
8
77


ã ã ã
ã
ã ã ã ã ã ã
18

ã ã ã
8

ã ã ã ã ã ã
8 ã ã ã
ã ã
ã ã ãã ã ã
ã ã
ã ã
ã ã
20

8

ã ã ã
8

ã ã
ã ã ã ã ã
8 ã
ã

ã
ã ã ã
ã ã ã ã ã ã
22

8

8
ã ã ã

ã ã
ã ã ã
8 ã
ã ã
ã ã ã ã ã ã
ã ã
24

ã
ã ã ã ã ã
8

8
78
ã ããããã ã ã ã ã ã
ã
26
ã ã ã ã ã ã

ã ã
ã ã
ã ã ã
8

ã ã ã ã ã ã
ã ã ã
8

ã ã ã ã ã
ã ã ã ã
8

28
ã ã ã ã ã ã ã ã ã ! ã

ã ã ã ã ã

ã ã ã ã ã
ã ã ã ã
8

ã
ã ã
8

ã ã ã ã ã
8 ã ã ã ã ã
ã ãããããã
ã ãã ã ã ã ã ã

ã
30

8

8

ã ã ã
ã
ã ã ã ã ã ã
8

ã ã ã ã ã
ã
32 1. 2.

8
ã ã ã ã ã ã ã ã ã ã ð ã ã
ã ã ããã ã ã ã ã
ã ã ã ã
8


8
ã
ã ã ã ã ã
ãããã ã
79
Variation 26

18 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
Gtr1 16 ã ã ã ã ã ã ã ã ã
ã
3 ã ã ã ã ã
8
Gtr2 4
ã
8
ã ã ã ã
2
ã ã
3
Gtr3
4
8
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ã
ã
ã
3

ã ã

8
ã ã ã
2
ã ã

ã ã ã
8
ã ã ã ã

8
ã ã ãã ã ã
ã ã
ãã ã ã ã ã ã ãã ã ã ã ãã ã ã ãã ã ã ã ã ã ããã ã
ã
5

ã ã
ã ã ã ã ã
8
2
ã

8
ã ã ã ã
ã ã ã
8
ããããã ã ã ã ã
7 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3
ã 4
ã
8
ã ã ã ã ã ã 3
4

8
ã ã ã 18
ã ã 16
8 ã
80
9
43
ã ã
ã ã ã
3 ã ã
8
4

8
18 ãããããã
8 ã ããã ã ãããããã ã ã
ã ã ã ã ã 2 ã
ã

11

ã ã ã ã ã
ã ã
8
ã

ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ã
8
ã ã
ã ã ã ã ã ã
8
ã ã
2
ã ã ã ã
2
ã ã

13

ã ã ã ã ã

8
ã

8
ã
8
ã
ã ã ã
15
ã
2
ã 18
16
ã ã ã 2ã
8
ã ã ã 3
4
ã ã ã ã ã
ã ã ã ã ã ããããããã ã ããã ã ã ã ã ã
8
ã ã ã ã ã 3
4
8
81
ããã ããã ãããããããããããã ã ã ããã ããã ã

18 ã ã ããããããã
17
16
3 ã
8
4 ã ã ã
2
ã
ã ã
2
ã
3
8
ã
4 ã
ã ã ã ã ã
8

19
ã ã
ã ã ã
2
ã ã ã 2 ã ã
8

ã ã
8
ã ã ã
ã
8

ã ããããã ã
21
ã
ã ã ã ã ã ã 2 ã ã ã ã ã ã ã ã ã
ã ã ã ã
8
ã ã
ã

ã
8
ã ã ã ã ã
2
ã
8

ã ã ã ã ã ã 3
ã ã ã
23
ãã ã ã ã ã ã ã ã ã ã 4
ã ã ã
ã ã 2 ã ã ã ã ã
8
3
4

8

ã ã ã ã 18 ã ã ã ã ã
ã ã 16
8
82
ã
2
ã
ã ã
2
ã
2
ã ã ã

43
25
ã
3
8
4
ã ã ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ããã ãã ãããããã ã ããããã ã
8
ã
8
ã
2
ã ã
ã

27

8
18 ã ã ã ã ã ã ã ã ãããããã
16 ã ã ã ã

8
ããã ãã ãããããã ãããããã ã

8
ã ã ã

29

8
ã ã ã ã

8
ã
8 ã ã ã ã ã ã ã ã ã ã ã ãã ã

31

ã ã ã ã ã
8
ã ã ã ã ã
ã ã

8
ã ã ã ã ã ã
8 ã
83
Variation 27
ãããããã ã
ã ã ã ã
Canon at the Ninth
ã
Gtr1 86
8

6 ã ããããããããã ã ããããã
Gtr2
8 ã ã ãããã
8
4 ã ã ã ã ã ã

8
ã ã ã ã ã ã
8
ã

8

ã ã
8

ããããã
10

8

ããããã ãããããã ã ã ããã
8
ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã

8

ã ã ã ã ã ã ã ã ãã ã
8 ã ã ã
84
ã ã
ã
17

8

ã ã ã
ã
8

ã
20
ã ã ã
ã ã ã
ã ã ã ã ã ã ã ãã
8

ããããããããããã
ã ã ã ã
ã
ã
ããã ãããã ããã ã
8

ã ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
23
ã
8

8
ã ã ã
ã ã
26
ã
8

ã ã ã ã ãã
8
ã ã ã ã
ã ã ã ã ã ã ããã ã ã
29
ã ãã ã ã
8
ã
ãããã
8
ã ã ããããããããã ã ã ã ã ã ã ã ãã ã ãã ã ã ã ãããã
85
Variation 28

ã
43 ! ã ã ã ã ã ã ã ã ã ã ã ã
Gtr1
! ! ! ! !
8
3
ã ã ã ã ã ã
Gtr2
4
8 ã ã ã ã ã ã

ã
3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
! ! ! ! ! !
8

ã ã
ã
ã ã ã ã
8
ã ã ã ã ã

ã ã
ã ãã ãã ã ã ã
ã
5

8 ã ã ã ã
! ! ! ! ! !
ããããããã ããããããããããããããã ããããããããããããããããããããããã
ã ã

ã

8

7 ãã ã ã ã ã
ãã ã ã ã ã ãã
ãã ãã ã
ãã ã
8
ã
! ! ! ! ! !
ã ã ã ã ã ãããããããããã ããããããã ããããããã ããããããã ããããããã
ã ã
8
ã

ã

ã

86
9 ããã ã ã ã ã ã ã ã ã ã ã ã ã
8

ã ã ã ã ã ã
ã
ã ã
11

8

8

ã ã ã ã ã
ãããããããã ããããããã ããããããã ããããããã ããããããã ããããããã
13
! ! ! ! ! !
8
! ! ! ! ! !
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
8

ã

15
! ! ! ã ã ã ã
ã
8
! ! !
ã
ã
ã ã ã ã ã
ã ã ã ã ãã ã ã ããããããã
ã ã ã ã ã ã
ã ã ã ã ã

8
87
ã
ã ã ã ã ã ã
17
ã ã ã ã ã
8

ã
ã ã ã ã
ã ã

ã
8
ã ã ã ã
ã
19
ã ã
8 ã ã
ã
ã
ã ã ã ã ã
8
ã ã
ã
! ã ã ã ! ã ã ã !ããããããã !ããããããã !ããããããã!ããããããã

ã ã ã ã
ã
ã
21

8
! ! ! ! ! !
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã

8
!ã ã ã ã ã ã ã ã ! ã ã ã ã ã ã ã ! ã ã ã ã ã ã ã ã ã ã ã ã
ã ã ã ã
ã
ã ã
23
ã ã ã ã
8

! ! !
ã

ã
ã

8
88
ã
25
ã ã ã
ã ã
ã ã
8
ã ã
ã ã
! ! ! ! ! !
ã ãããããã ããããããã ããããããã ããããããã ããããããã ããããããã
ã ã ã ã ã ã
8

!ããããããã!ããããããã!ããããããã !ããããããã!ããããããã!ããããããã
27
ã ã ã ã ã ã
8

ã
ã
ã ã
8
ã ã
ã ã
ã ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã !
29
! 8
!
! ã ã ã ã ã ã ã ! ã ã ã ã ã ã ã ! ã ã ã ã ã ã
ã
ã
ã
ã ã
ã ã ã ã
8 ã
ã ã ã ã ã ã
31

8
ã ã ã ã
ã ã ã ã ã

8
89
Variation 29
ã ã ã ã ã ã
ã ã ã ãã ã ãã ã ãã ã
43 ã

Gtr1
8

3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
Gtr2
4 ã
ã
8 ã ã
ã ã
ã
3
ã

3
8
ã ã ã ã
ã
8
ã
5 ãã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã
ã
ã

8

ã
ã
ã ã
8
ã ã
7 ããã ã ã ã ã ã ã ã ã ã ã ã
3
ã
8
ã ã ã
ã ã
ã ã ã
8
90
ã
9

ã ãã ã ã ããã ã
3
ã ã
8
ã
ã ãã ã ã ãã ã ã ã ã ã ã ã ã ã ã ã
ã ã ã ã
3
ã ã

8

11

8
ã

8

13

8
ã
ã ã ãã ã ã ã ã ãã ã ã ã ã ãã ã ã ãã ã ã ã ã
8 ã ã ã ã ã ã ã ã ãã ã

ã
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ãã ãã ãã ãã
15 3

ã ã ã ã ã
ã ã ã ã ã
8
ã ã ã ã
91
ã ã ã ãã ã ã ã ã ãã ã ã ã ã ãã ã

17 ã ã ã ãã ã ã ã ã ãã ã ã ã ã ãã ã
3
8

8
ã ã
ã ã ã
ã ã ã ããã ã ã ã ã ãã ã
19
ã ã ã
8 ã

8

ãã ãã ãã ãã ãã ã ãã ãã ãã ãã ãã ãã ãã ãã ã ãã ãã ãã
21
8
ã
ã ã
8
ã
ã ã ã ã ã
23
ã ã ã ã
3
8
ã ã
ã ã ã ã ã
8
92

25
ã ã ã ã ã ã ã ãããã ã ã ã ã ã ã ããã
ã ã ã ãã ã
3
8
ã ã
ã ã ã ã ã
ã
ã ã
ã
8
ã ã ã ã
ã

27
3
8
ã ãã ã ã ã ã
3

ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ã
ã ã ã ã ã ã ã ãã ã ã
8 ã

29

ã ã
8
ã ã ã ã ã ã ã ã ã ã ã ã ã ã ãã ã
ã ã
ã
8
ã ã ã ã
2

31
3
ã ã ã ã
8
ã ã ã ã
ã ã
ã ã ã
8 ã
93
Variation 30
Quodlibet
ã ã ã ã
ã ã ã ã ã
Gtr1

8
ã ã ã ã
Gtr2

8
Gtr3 ã ã ã ã ã ã ã

8

Gtr4
ã ã
8
ã ã ã ã ã ã ã ã ã ã ã ã ããã ã
3 ã ã ã ã

ã ã ã
8

8
ã ã ã ã ã ã ã ã ããã ã

8
ãã ã ãã ã
ã ã ã ã
8 ã
ãã ã ã ã ã ã ã ã ã ã ã ãã ãã ã ã ã ã
6 ã ã ã ã
ã ã ã

8
ã ã

8


8
ããã ããã ã ã
ã ã ã

8 ã ã
94
ã

8
ã ã ã ã
ã ã

8

8
ã ã
8
ã
12

ã
8
ã ã ã ã
ã ã ã ã ã

8
ã ã
ã ã ã ã ã

8

8
ã ã
14 ã ã ã ã ã ã ã ã ã ã ã ã ã ã

ã
8
ãã ã ã ã ã
ã

8

ã

8
ã
8
ã ã
Aria da Capo e Fine.
95
Table of Ornaments
This table of ornaments is taken from J. S. Bach's "Klavierbüchlein für Wilhelm Friedemann
Bach", written for Bach's eldest son. It was meant to be schematic rather than literal.
Ornaments in this period were typically improvised. Even when notated the length of the
ornament and its articulation was dependent on its context and the performers preference.

ã ã ã ã ã ã
8

Trill Mordant Trill and Mordant Turn Ascending Trill Descending Trill
ã ã ã ã ã ã ã ã ã ãããããããã ãããã ãããããããã ãããããããã

8
"
ã ã ã 7ã
Ascending Trill Descending Trill Appoggiatura Schleifer

with Mordant with Mordant and Trill

8
Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter — Mutopia-2019/06/05-2203

96
Acknowledgements
This work is the product of a long chain of dependencies, beginning with the great master
himself, J. S. Bach. The technological and social advances that have accrued since that time
have allowed the creation and distribution of these Goldberg Variations on the scale that is now
possible. Of particular importance is the GNU/Linux operating system, the LilyPond engraving
system, the Internet, and the new model of network property upon which these things are
all dependent.
The transcription and engraving of these Goldberg Variations is the work of Steve Shorter.
Thanks is also due to Shayne Grey and Tim Smith for early error corrections, and to the
Guitar Society of Toronto Orchestra for creating an inspired and dynamic forum for guitar
performance. It was in that forum that these Goldberg Variations for Guitar Ensemble were first
imagined and performed.
This work is based on source material from the MutopiaProject http://mutopiaproject.org
Special thanks to sync.com
The author/editor can be contacted at steve@linuxsuite.org

97
Copyright
The Goldberg Variations for Guitar Ensemble is a derived work and is copyright
Steve Shorter, Creative Commons - Attribution-ShareAlike 4.0
http://creativecommons.org/licenses/by-sa/4.0/
You are free:
* to Share - to copy, distribute, perform and transmit the work

* to Remix - to adapt the work
* to make commercial use of the work
Under the following conditions:
Attribution - must attribute the work in the manner specified by the author or licensor
(but not in any way that suggests that they endorse you or your use of the work).
Share Alike - If you alter, transform, or build upon this work, you may distribute the resulting
work only under the same or similar license to this one.
The original lilypond source from which this work is derived is copyright under the above
licence by the following
Aria JD Erickson (2007)

Variation 1,2 JD Erickson (2007)
Variation 18 Benjamin Esham (2007)
Variation 3 - 17, 19 - 30 Hajo Delzelski (2008)
98
Errata
* Aria - bar 23, missing Schleifer
* Variation 27 - bar 23, "c#" not playable under given intstrument limitations
* Variation 23 - bar 31, "c" not playable under given instrument limitations
All other errata should be sent to steve@linuxsuite.org
Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter — Mutopia-2019/06/05-2203


BWV 988 Guitar A4 1

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J. S.

For Guitar Ensemble

Transcribed and Engraved

Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter et al. — Mutopia-2019/06/05-2203

The Guitar Society of Toronto Orchestra

ããã ããããããã ãããããã ã

ããããããã ã ã ã ããããããã ãããã ã ã ã

ããããã ã ã ã ã ã ã ã ã ã ãããããããã ããã

 ã ããã ã ãã ããã ã ãã ããã

Canon at the Fifth

 ããã ããã ãããããããããããã ã ã ããã ããã ã

 ããã ãã ãããããã ãããããã ã

! ã ã ã ! ã ã ã !ããããããã !ããããããã !ããããããã!ããããããã

 ã ã ã ã ã ã ã ã ã ãããããããã ãããã ãããããããã ãããããããã

Ascending Trill Descending Trill Appoggiatura Schleifer

Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter — Mutopia-2019/06/05-2203

This work is based on source material from the MutopiaProject http://mutopiaproject.org

Special thanks to sync.com

The author/editor can be contacted at steve@linuxsuite.org

You are free:

* to Share - to copy, distribute, perform and transmit the work

Under the following conditions:

Aria JD Erickson (2007)

* Aria - bar 23, missing Schleifer

All other errata should be sent to steve@linuxsuite.org

Mutopia ǀ Typeset using LilyPond © 2017 by Steve Shorter — Mutopia-2019/06/05-2203

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