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AMPLITUDE MODULATION Versus BEATS

Ronald L Eshleman, Ph.D., P.E.


Technical Director for Training
Vibration Institute

In the past there has been much confusion over the terms “Amplitude Modulation” and
“Beats”. After writing two research papers1, 2 on nonlinear vibrations I can sympathize
with this confusion. In this short note I hope to present an explanation of the terminology
that will lead to clear thinking on the subject.

Linear Systems
In a linear system, Figure 1, the principal response to a vibratory force has the same
frequency and shape. Figure 1 contains sinusoidal vibration data from an unbalanced
generator. The spectrum shows generator pedestal operating speed vibration with a
single peak at 60 Hz. The time waveform is sinusoidal with an amplitude of 0.35 IPS
and period of 16.6 milliseconds.

Figure 1 Vibration of an Unbalanced Generator Rotor

When two forcing functions are present in a machine two principal frequencies will be
shown in the spectrum. The vibrations from the two sources vectorially add causing a
beat, Figure 2, in the time waveform yielding a periodically varying amplitude. In
addition, a natural frequency in combination with a forced vibration may cause beats
yielding two frequency components in the spectrum.

Figure 2 Classic Blade Passing Beat from Two Vacuum Pumps.

In the time waveform traditional beats will contain a high frequency vibration termed the
carrier with amplitude bounded by the beat. The carrier will have a period of one over
the sum of the beating frequencies divided by two (Figure 2). The carrier will be
bounded by a low frequency periodic vibration that has a period of one over the
difference of the frequencies of the two beating vibrations. The spectrum will contain the
actual two beating frequencies. Figure 2 shows a classic beat signal measured on a
cavitating vacuum pump caused by a vane passing force (66 Hz) beating with an
adjacent vacuum pump vane pass force (72.8 Hz). Note the symmetry of the time
waveform. Each beat cycle goes to a plus and minus of almost equal amplitude. This
signal has almost no truncation.

Non-Linear Systems
The first fact to recognize is Amplitude Modulation and Beats are not co-equal terms.
So, they should not be mentioned with equal importance- like “either or”. Amplitude
modulation is a generic condition normally related to any signal that has a clipped or
truncated amplitude caused by a boundary condition such as misalignment, nonlinear
support stiffness, looseness, and/or rubs. Amplitude modulation takes many forms from
sinusoidal to random noise alteration. It can alter the natural linear magnitude of any
signal whether it be a single sinusoidal forced vibration or a signal from a machine
subject to two or more forced vibrations simultaneously. Clipping (truncation) of a signal
causes sum and difference frequencies to appear in the spectrum.
Figure 3 is an example of an amplitude modulated signal from a single forcing function.
It is from a barred calender roll yielding a vibration every time a bar goes through the nip
(number of bars X roll speed). Since the sidebands are 8Hz (480 RPM) and the center
frequency is 58 Hz then the number of bars must be close to 58/8 = 7.25 or 7 bars.

Figure 3 Signal Truncation from a Barred Set of Rolls

Either the signal from the single forcing function or a beat signal can be amplitude
modulated- sometimes called clipping or truncation. Sum and difference frequencies will
be present around the principal exciting frequencies, Figure 3. Beats as well as a single
forced vibration can be amplitude modulated. Depending on the mechanism, clipping
can modify both the upper and/or lower side of the signal.
Figure 4 is an amplitude modulated beat showing not only the two exciters but also sum
and difference frequencies in the spectrum. The data are from the inlet piping of a
steam turbine. The pipe hangers constrain the vibration in one direction causing
truncation of the signal.
Figure 4 Truncated Beats from Steam Turbine Inlet Piping

Note the classical truncated beat waveform shown in the time domain signal. The
turbine is operating at 3,000 RPM yielding a once-per-rev vibration due to mass
unbalance at 50 Hz, Figure 4. Since the source of the second component of the beat
was unknown it had to be obtained from the time domain record. The beat period is
0.143 seconds (7 Hz), that being the difference frequency strongly suggests the second
frequency is 43 Hz. The period of the sum of 50 Hz and 43 Hz divided by two, the high
frequency carrier (ω2 + ω1)/2, was 0.0215 seconds.
The excitation at 43 Hz is unknown or could be a natural frequency. The frequency
domain contains almost all possible sum and difference frequencies due to the heavy
truncation. The high amplitude 93 Hz component is present because of a measured 90
Hz piping natural frequency. The problem was partially alleviated by balancing the
turbine. It was strongly recommended to lower the piping natural frequency.
Carriers and Modulators
The Table contains a list of some frequently encountered carriers (forced vibrations)
and modulators although some of the modulators can be forced vibrations. In addition,
natural frequencies rung by impacts in the system can act independently or for beats
with another forcing function.

Table: Carriers and Modulators

Carriers Modulators

Mass Unbalance Misalignment

Blade Pass Rubs

Vane Pass Eccentricity

Gear Mesh Looseness

Bearing Defects Bearing Defects

Motor Slot Defects Rotor Bar Defects

Natural Frequencies

Amplitude modulation is a condition imposed on a signal that modifies the normal


magnitude of the signal. Thus, either a signal with a single forcing function or multiple
forcing functions (beats) can be amplitude modulated causing side bands (sum and
difference frequencies) around the principal frequencies.

References
1. Eshleman, R.L., “Understanding Non-Linear Signals- Amplitude Modulation”,
Proceedings of the 42nd Annual Meeting of the Vibration Institute, New Orleans, July
2018.
2. Eshleman, R.L., “Understanding Non-Linear Signals-Beats”, Proceedings of the 43rd
Annual Meeting of the Vibration Institute, Lexington, July 2019.

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