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DIGITAL TERRESTRIAL BROADCASTING


At first we compare ATSC most terrestrial channels can be
Viterbi error rate versus COFDM modeled as a Rice channel. In
ones in equal carrier to Noise figure 2, a Rice channel is
Ratios in an AWGN channel. This considered with a line-of-sight
action simply means comparison power as 10 dB greater than other
between convolutional coding and paths’ power. Equalizers in all
TCM. Figure 1 shows their BER in standards are used. It can be seen
AWGN channel that degradation in all of them is
relatively low.
Fig.7-BER of a hard decision decoder of ISDB-T in a Rice channel

that COFDM standards can be maximum stability against channel’s versus C/N. As it can be seen from All standards can be received, but
received in channels with no parameters changing especially for this figure ATSC shows a better only about 1 dB degradation in
line-of-sight path especially with mobile reception. These receivers perfor mance about ldB than them can be seen.
low bit rates. In these channels a also may lose transmitter phase, so DVB-T soft Viterbi decoding and To summarize above figures, we
little degradation can be seen. On by means of DQPSK modulation, about 3dB than DVB-T and can infer that all standards are well
the other hand, mobile reception is ISDB-T shows better performance ISDB-T hard decoding. This better designed to work under known
possible in these standards. When than DVB-T. Also, ISDB-T uses performance is a result of trellis terrestrial TV channels. On the
the receiver moves, the received 4K mode for possibility of code modulation and lower pilot other hand, COFDM TVs can be
signal may spread over power. ISDB-T and DVB-T received in

frequency. With regular speeds (less worse cases than above, such as
than 100 km /h) in UHF band, Raleigh channels and mobile
freque ncy spreading of signal will reception.
be very less than subcarrier spacing On the other hand,
in them. So a very little Inter Carrier synchronization is one of the most
Interfe rence (ICI) will occur. On important features that must be
the other hand by moving the considered indigital systems. Now,
receiver, the received power effects of sampling errors on these
changes versus time. This change standards are studied. Figure 3
increases shows effect of timing error of
about 10%
Fig.8-BER of a hard decision decoder of DVB-T in a Rayleigh

minimum required C/N for QEF SFN and mobile reception show equal performance because of on their behavior in an AWGN
reception. Using the minimum simultaneously. their similar coding scheme. It is channel. At all receivers no synchr

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possible bitrate and time SIMULATION RESULTS important that ATSC receiver uses onization equalizer is considered.
interleaving especially in high At this stage, we are ready to study a soft viterbi decoder whereas But, only in COFDM standards,
frequency selective fading with simulation results and to compare ISDB-T’s one is a hard decision chan nel equalizer is used and it
suitable frequency diversity will aid different standards according to decoder. Both hard and soft corrects this error automatically. As
the receiver to detect COFDM them. First, we focus on differences decision decoders of DVB-T are it can be seen if channel equalizer in
signals. COFDM standards can be between ATSC and COFDM shown in this figure. COFDM standards exists
used in Single Frequency standards. Next, differences As it is mentioned above,
between
Networks (SFN) to obtain DVB-T and ISDB-T are studied.
maximum bandwidth efficiency. Comparison between ATSC and
As it is mentioned above, COFDM standards
DVB-T and ISDB-T use similar At this point COFD Mstandards
channel coding and modulation are compared to ATSC DVB-T and
scheme. Their main difference is in ISDB-T has variable bit rates, but
their frame structure. ISDB-T is a ATSC bit rate is constant. So, only
complicated standard. Itoptionally their bitrate near the ATSC’s one
uses time interleaving to obtain (i.e. 19.3 Mbps) is studied.

Fig.9-BER of a hard decision decoder of ISDB-T in a Rayleigh


channel

105 JULY - AUG 2001 AUDIO VIDEO & BROADCASTING STUDIO SYSTEMS Back to contents Back to magazine cover

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