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ACTING RUBRIC

Character Development
How well has the student *Character's motivation is well- *Character's motivation is *Character's motivation is lacking. *Student is doing little more than
researched, developed, and defined. *Depth and range of somewhat defined. *Depth and *There is little depth or range of reading from the book.
delivered their character? emotion is expansive. *Life and range of emotion is adequate. emotion. *Life and world of
world of character is illuminated *Life and world of character is character is not illuminated by
brilliantly through actor's superficial, but adequately actor's performance.
performance. displayed through actor's
performance.

Voice
Does the student use her/his *Student consistently uses their *Student enunciates clearly. *Student strives to enunciate and *Student exhibits poor vocal
voice as an instrument to propel voice expressively and *Student varies voice pitch and add variations, but overall effect enunciation and no variations in
their performance? articulately. *Student projects tone, and reflects some level of is flimsy - due to either too much volume and/or pitch.
their voice clearly. *Student expressiveness. or too little expression.
utilizes their voice to include
variations of pitch, rate, volume,
and tone consistent to their
character.
Movement
Is the body utilized to the *Student employs phenomenal *Student strives to appropriate * Student strives to employ *Student employs little to no
student's utmost ability to aid in use of physicality to enhance use of physicality to enhance appropriate use of physicality, but physicality in scene. *Student's
development of character's intent character with body movements character with body movement overall affect is flimsy - due to moves are without purpose.
and delivery of lines? and facial expressions. *Student and facial expression. *Student either too much or too little
uses a variety of blocking to add uses an appropriate amount of expression. *Student's
interest to the piece. *Student's blocking to add interest to the movements rarely reflect
movements always reflect piece. *Student's movements purpose.
purpose usually reflect purpose.
Preparation
How much time did the student Student's lines are delivered *Student delivers lines and hits *Student has trouble delivering *Student cannot perform without
apparently spend in preparation flawlessly from memory. *Student marks well and with few errors. lines without calling for them. the book. *Student has no fluidity
for their performance? fluidly delivers her/his lines while *Student spent an appropriate *Student lacks any fluidity in and is obviously not prepared.
hitting their marks confidently. amount of time preparing for movement and delivery of lines;
*Student obviously spent a project. did not spend nearly enough time
significant amount of time on in preparation.
project and came to class ready
and prepared.

Focus
Does the student retain focus *Student stays completely *Student weaves in and out of *Student never truly immerses *Student makes little to no
(stay in character) throughout the immersed in their character character slightly throughout enough into their character to attempt at staying in any type of
entire performance? throughout the entire performance. *Student subtly produce any kind of believability. character. *Student lacks focus
performance. *Student never breaks focus when thinking of *Student's focus is easily broken; and seems unprepared.
breaks focus, even during missed next line/cue or out of obvious attention wavers often.
lines/cues. nervousness.
Ensemble
If graded performance is part of a *If monologue - N/A *Student's *If monologue - N/A *Student's *If monologue - N/A *Student's *If monologue - N/A *Student's
scene, rather than a monologue, awareness and empathy towards awareness and empathy towards awareness and empathy towards awareness and empathy towards
assessment should be made on other cast members is very other cast members is other cast members is weak. other cast members is non
student's ability to work with apparent. *Student's attainment of acceptable. *Student's attainment *Student seems to have little existent. *Student has no concept
others ensemble concept and fruition of of ensemble concept and fruition concept of how to work as an of how to work as an ensemble.
goal to work effectively en masse of goal to work effectively en ensemble.
is superlative. masse is acceptable.

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