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GEMS of GERMIilll SiiG
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2, MENDELSSOHN, the first violet'' ////f -2/- 8, SPtYER (w.) "my ^ieabt's on the rhine' /// A.

i, 'zuleika'' ''/''/ "'^.''/ 9, PROCH. 'from the ALPTHE horn resounding'' ill £.'i/<i

^ 4, SCHU BERT (f.) ''cooli-g ZEPtiYns" /i,D/iini. '.'/ lO.LINDPAINTNER (p.V'with sword at rest"
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5, SPOHR (louis) the huntsman^sailor « soldier'/'// ,4 ,'•


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11, ABT (f.) 'when the swallows fly towards home''
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12, KUCKLN (FRtD.i oh! WERT thou mine for ever'' ,

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CHARLES OBERTHiR.
OP 61 r.ui si„.ii„ii
prim _>/

LONDON
NEW YORK EDWIN ASHDOV^N TORONTO
5. EAST 14-TH STREET. I43,Y0N&E STREET.
(Limited)
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Digitized by the Internet Archive
in 2011 with funding from
Brigham Young University

http://www.archive.org/details/gemsofgermansong04ober
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'COOLING zephyrs:^ (SE REN A DE_ FRA NC SCHUBERT.)

.MODERATO.

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OBERTHUR. "Gem'i of German Song.''' N!' 4.. (W A CP N!> ?ysf>


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A CATALOGUE
N.B.—The
HARP SOLOS.Utten before the name, denote tht degree oj
ALVABS, FASI8H. <. d.
difficulty,

CHIFF,
OF

a,

,
stands for difficult;

T.
.. _.
F. (.
b,

d.
moderately diffiadt c, easy;
OBERTHUE, CHAM.ES^eo>i;;»««t
d, very easy.

»tf

FftntmsiA. dedicated to Thalberc *.»«••_— S o t I love bnt thee (T. Moore). Introduction and variations __ 3 o Op. 129. ".£oLiAN CHORDS." Three melodiiS
Gems of the crimson-colonred even .....*.<
Introduction and variatioas oo a favooriU Air of Bdlini— «* 4 *
X.
She was a creature strange as fisir.
Muche favorita dn Sultan .._„„„»_ — -•— * • DtrSSEE, 0. B.
3. 'Tis sweet when in the glowing west.. ..___•«••_— * *
Tw«1t« CkTotcite airs _ w — ^**. — •.••— 3 *
Tm» Harpist's friend. A series of popular melodlaa
Op. 13a. Nereides. Sketch ...._. ___
AFTOKMAS. Merch Megan .- — -•-••- x
Op. 14a. L'invitazione del gondoliere. Sketdt
The rising of the lark „„«,„.- — — — — — — '
II trovatore. Fantasia on Verdi's opera ...
Wi MELODIES Op. 144
i IN :
March of the men of Harlech ..^m_..» — •- Op. 146. La traviata. Souvenir de I'opera de Verdi
The rising of the iun a lady ..
Lilla's
.

a. Of noble race was Shenkin Savourneen deelish


.^

"Gems of Vbrdi." Twelve operatic airs, tran-


.. * Op. 149.
^ Ap Shenkin
La rosa waltz scribed each a
4. Poor Mary Anne
<• Love's fascination ..••„•«
Ah chela morte
! • Trovatoca
e. Sweet Richard ^ .. GODEFBOID, FELIX. t. Ilbalendel suo sorriso ...._ Trovatore
Aptoounas's polka 3- Si la stanchezza _ Trovatore
Lucrezia Borgia. Fantasia on Donizetti's opetm ..__ — _ — 4- Stride la vampa Trovatore
Norma. Fantasia on Bellini's opera »_ — _ — — La mia letizia ___ I Lombard]
BELLOTTA, F. 5-
La donna i mobile Rigoletto
I Oalop brillant —m—
^.•... a 6
HOLST, GUSTAVnS VOIT 7. Parigi, o cara Traviata
I II trovatore. Fantaisie sur I'opira de Verdi .,.._____ — 3 « 8. Ah, fors' 4 lui Traviata
'Ktrbhnes aux dames." Select airs, Ac. :
Di Provenza il mar Traviata
9.
True love. German air Keller s
N. C. BOCHSA, I. 10. Libiamo (Brindisi) „ Traviata
s. Le vaillant troubadour -". »
11. Emani involami Emani
i Lb MiNESTRCL Italisn. Dix Morceaux, courts etbrillants; 3. The farewell of Raoul de Coucy..-. -....Blangini a
Va pcnsiero Nabuco
X. Di Pescatore and Ama tua madre (Lucrezia).. 6
Le depart du jeune Grec ...___ »
13.

a, O divtna Agnese (Beatrice di Tttnoa) .... . — _•— « 6 4.


Adolphine. German air „_..»..«...' » Op, 158. " Seaside rambles." Four musical sketches I
3. Com' ^ bcUo (Lucrezia Borgia) ____•• 6 5.
t. (German Waltzes • X. Sea nymphs .__
4. Meco & Voga voga luna (La Stranieia)..__^u..u • &
7. Ye banks and braes o' bonny Doon s a. Murmunng waves .•.•__••_ a
5. March & Pas ridoubl* (Saffo) - » 6
t. What beauties does Flora disclose. Scotch air and a 3. My bark glides through the silver wave ..______
6. Voga, voga, & Sogno ulor (Parisina) — • Quick march • Water sprites ______•• a
4.
6
7. Vieni ah! vieni (Cavatine-Maiurka d« Pacini) s
9. Stanco di pascolar. Venetian air „„___~— «
I. Ah tu sei ( Parisina)
I

Quanto i bello (L'eliiired'amor*).. ..„_... .»_..—


r. i <
la Di piacer (La gazza ladra) ________ » Op. 159. Andalusia. Bolero brillant ......
The keel row. Fantasia
9. Op. z66.
10. lo I'udia (Torquato Tasio) „« — -.— « Op. 167. Santa Lucia. Neapolitan air .. ..
Recreations pour les Harpistes de touMs les forces:
HTJirr, w. K. Op. X70. Un ballo in masf^era. Fantaisie
My own blue bellell. » * Tha blue bells of Scotland. InUoduction and variations 3 Songs without words :

a. The bridal riiie 6 e


«
X. Dans ces iostants^ili ' coeur pense a
The Prince af Wales' march ••.•*
\.
March ill the old Irish style
••
>...... a.... 6 LABABBE, THEOSOBB. a. Ich denke iein, wenn durch den Hain der Nachtigallen a •
4. 3. Eilende Wolken, Segler der LUfte a
Souvenir ^ I'Ecossaise ^a...^.... f 6 Non mesta. Fantasia on Rossini's air..
5.
6
pill
4. Emelina ...._____.. X
6. The wild white rose ,....»^k.'.- s The last rose of summer Variations
Selii;e Tage ..••____..__ x a
5.
7. Rondo ^ la villageoise «•....... a < There is no home like my own. ^'ariations..
Nachgefuhl _____.. x e
B. L'invitation k la polka «•*....• <.^. — >»> > 6
6.
7. Adieu, charmant pays de France ......___ 3 ^
9. Le moulinet ^•«««. •••..»».

1 6
t MEYER, F, C. 8. For I, methinks, till I grow old ______ 3
la Welch polka 7.i^)tf^
9. L'air est doux, le ciel est beau _______ a 6
# JlsLIQUES Irlandaises. Favourite Irish airs in 3 books: Auld Robin Gray. Divertimento . . 10. Ange aux yeux bleus ......._..__ a 6

1. Planxty Kelly and The old woman — * t Melange (introducing " My lodging " and '*
The rose-tree in zi. We rove among <he roses ••___•• a 4

fl. Nancy Dawson and Savoumeen Deelish ^ .. « 6 full bearing " ) 19.* Au bord du Rhin _..____ a e

3. Sly Patrick and The Moreen — s 6 13. Au bord Lahn


de la ...____ ^

4 Les plaisirs de la m^moire. Select melodies from the works of OBEBTHITB, CHABLSS. 14. Au bord Nahe ....___
de la _____ a o
15. Au bord du Neckar. ...__..•• ...._.._ s o
tne most popular composers, intended to be performed from 16. Auf leichtem Zweig .._____ M ______ s a
each Op. Addio, mia vita, addio
aj. Barcarolle.... '
a
memory. In 4 books
Op.96. Souvenir de Londres. Fantaisieet variations brillantes 17. Ah be not sad
! _. • _____ e
• PatPARATiON A L'iTUDK. joo short miscellaneous and
independent passages, calculated to give steadiness and
sur un theme original
Fantasia on
— • 18. Remind me not _____ x a
Op. Reminiscences des
37. Mousquetaires.
freedom to the hands, flexibility and strength to the fingers, Halevy's opera
"Voyage lvriqub. Twenty-four National Aiis aach 3
3
and a thorough knowledge of every species of fingering. Op. aS. Bijou de Nabuco. Grande fantaisie sur 1' opera da X. Norway, 13. Komagna.
In 4 books e»ai Verdi 7 a. Sweden. 14. Naples.
Op. 99. La melancolie de F. Prume. Transcription .. .. a 3. Denmark. 15. Spain.
t KicHTBEN ENTIRELY NEW STUDIES, Calculated to give Russia (God save the 16. IVrtugaL
strength and independence to thd fingers, freedom to>bath Op. 38. Una lagrima sulla tomba di Parish Alvars. Eiegic. S 4.

hands and steadiness to the \rristSf t books each Op. S>- La belle Emmelioe. Impromptu ______ 3 Emperor). 17. Switzerland.
5. Prussia. 18. France (La MarseillaiM).
^ Elsgant extracts, forming the second dais of the Appendix Of. 57. Trois Atudl-s caracteristiques 6. Prussia. 19. France (Les Girondins).
to the general course of instructions so La
1. cascade _ 7. Poland. ao. Belgium.
La
a. coquette ____»___•>• 8. Saxony. 91. HoOand.
t Tasteful exercises on a favourite melody by Bishop, beinf La consolation .•_
3. 9. Bavaria. 19. England (Rule Britannl^
the first class of the Appendix to the general cotui* of 10. Austria (Haydn's hymn). America (Hail Columbial
instructions 5 Op. 61. " Gems of German SONa" Twelve recreations 13.
1. Adelaide Beethoven IX. Hungary. a4. England (God save to*
< T«« fufil's coMrXn 'OH. Forty progressive studies. 4 boolu s. The first violet ..„_..__ Mendelssohn xa. Sardinia. [(Juean).
each 4 Zuleika _ .. _ Mendelssohn
3-
Cooling zephyrs Schubert W.
t Twelve progkessivb preludes, calculated to p.'—''<'•• '''• 4- 8TEIL, H.
facility of modulation througn the most useful keys 5 5- The huntsman, soldier, and sailor Spohr
6. A once was taking (Trab, trab)
ride I Kiicken II7 lodging is on the cold ground (variationa) -..- 3
< A (c diro (Roberto Devereux). Transcription ..^.^ 3
T- My harp now lies broken (Maid of Judah) Kiicken
I A temple to friendship (T. Moore). Variations ." '•.
3 I. My heart's on the Rhine ^^^'l STREATHER, WILLIAK.
I Cease your funning. Fantasia and variations 4 9- From the Alp the horn resounding Proch s
t Cease your funning. (Variations as sung by Mrs. Salmon) . a a-) Lindpain 'ner
With sword at rest (The standard Dearer) s
Don Juan
Grand military march «
10. Deh vieni alia finestra. Serenade from
c II. When the swallows fly towards home (Agathe) .... Abt s
Home, sweet home, of Thalberg, transcribed I
e Grand parade march s
la. Oh wert thou mine for ever
! KCcken s
i L'encouragement. Simple melodies arranged in a most aasy
style • Op. >9. " Hommagb 1 ScHUBBRT." Trois melodies :
TAtLOB, (JEBHABD.
^ Partant pour la Syrie. Fantaisie martiale 4 I. Ye flow'rets that to me she gave __ i

< Petit souvenir (Tyrolicnne de Guillaume Tell) a a. Praise of tears ___ I Com' i gentil (Don Pasquale). Transcription •

€ Tartar di^ertimcnto (introducing the Tartar drum) 3. Norman's Gesang •. x Fai.-tasia on Irish melodies (The harp that one*, Believe me If
The celeuraled Rossignol walcx I " RECREATIONS MUSICALES." 3 German melodiss ind Meeting of the waters)
all, 3
i
Op. 94.
t The last new French march a
Streamlet cease Curschmann t Two favourj'e Irish melodies (Coolin and Th* minstrel hofU
I.
a Weber's Grand and
last waltz. brilliant variation* .- I Forth I roam Kalliwoda Variations ....____ |
a.
3. If o'er the boundless sky Molique
3
• Rigoletto. Fantasia on Veidi s opera ____ S
CHATTEBTON, FBEBEBICK.
t Amor possente nome.
I Petite fanuisie
Petit amusement

_
3
o
Op.
1.
90.
BSIe
" VovAGE EM Suisse." Trois morceaiu originaux
3
THOMAS, JOHH.
i Lliorloge des Tuileries. . 3 9. Zuric
camaval de Venise. Morceau fantastiqaa •
3 Welsh melodies. Transcribed :

m La . . S 3. St. Gallois 3 x. The ash grove ^ ^_ _«. » ^»__


• |
( The dawn of spring. Easter piece 3
Trois etudes de Charles Mayer et d'Adolphe Hensclt The bells of Aberdovey __...._______ 3
Op. 101. a.

CHATTEBTOH, J. BALBIB. transcrites 3. Sweet melody, sweet Rjchard..____... ..._.._.. 9


I. Grace... C.Mayer a 4. The rising of the sun _. 3
Useful daily practice, and preludes in
scales, exercises, a. La fontaine __..» C.Mayer 3 5. The march of the men of Harlech ~.. 3
styles, K>r pupils in all degrees of advancement... 3. Si oiseau i'etais _» A. Henselt s 6. Riding over the mountain (original melody by J. Thoosaa) 3
7. The plain of Rhuddlan ....___.. 3
I A selection of his favourite compositions: Op. 106. Three characteristic melodies
8. Love's fascination 3
I. Annie Laune. Scotch melody. Transcribed _, s. Wenn ich ein Vfiglein war ___•«••___„ 3 9. The rising of the lark _ j
s. Auld Robin Gray. Scotch melodT. Transcribed „ a. Lisple Laute, lisple linde __••__.._ 3 10. The camp (Of noble race was Shenkin) ..___
3. Bardic relics. No. I. Sweet Richard 3. Virgo Maria (O Sanctissima) __ 3 zz. Megan's daughter _
3
3
4. Bardic relics. No. a. Nos galan " Pens^es MusiCALBS." Trois pi^es de salott The minstrel's adieu to hia native land (original melody
Op. 110. IS.
Bardic relics. No. 3. Llandovery and Serch hudol 1. Repose ._ 1 by J. Thomas) _ 3
i Bardic relics. No. 4. Of noble race was Shenkin .. s. Sorrow and relief _ s 13. Watching the wheat _.._ 3
7. Beauties of Irish melody. SaTOumeen deelish
Cradle song New yes^s eve
3. 1 14. 3
Kate Kearney 15. David of the white rock, or The dying bard to his haip j
I. Bridal march ___.. Op. 115. Bonnie Scotland. Fantaisie brillante (Scotch airs) 6
16. Over the stone }
9. Chant des Cruates (J. Blumenthal)
— ^..^_ — Op. zi8. Les montagnes Bohemiennes. Chant !"*tif>nftl d'apite 17. The miller's daughtai _________ j
10. Don Pasquale. Fantasia
Crems of Irish melody, No z .... — Leopold de Meyer __„...._ 1 18. &>me to battle _»___________ 3
ss. ..
Trois morceaux caracteristiqnc*
19. All through the night ..____w_____..___ j
im. Gems of Irish melody. No. s Op. lai.
ao. The blackbird _..___....______ j
•J- C>od save the Queen. Variatioiu 3 I, La gitana 3 ax. The dawn of day .._.._ _______
Meiodie mazurque 3
14. Gondolier row. Variations ..........-._»« I.
3 Britain's lament __.«.. ••______m_,,
aa. 3
>3- Grand American march .......»-... —_ 3. La gazelle _..... _..... 3 Black Sir Harry ..,,. __»_______
—____
13. 3
16. U trovatore (The prison scene) Op. XS7, Sacred melodies; 94. The departure of the king ..______ 3
'7- Kathleen Mavouraeen and Dennot astora . ._ ..
X. Martin Luther's hymn ...._ _...„.... a
ll. L'elisire d'amore. Fantasia _ a. Old hundredth psalm a
La source. Caprice of J. Blomenthal, transcribad _ — _••_ 4
19. La gitana. The new cachucha .^~ .< »_ Before Jehovah's awful throne a
The harmonious blacksmith, of HSndel, tianscribad_ ___— r
3.
Les noces. Fantasia, introducing Danish air .._.. Airs from " The creation " (Haydn)
4. 4
ReUci of Wales (Three Welsh airs) 5. Vital spark of heavenly flame a WBIGHT, T. H.
Rousseau's dreain. Capricdo ....___ Agnus Dei (Mozart)
„...___ 6. a Caledonian Fantasia, introducing favourite Scotck «l odi «i_ 4
•3 The bloom is on the rye (Bishop) ____.._
The light of other days (Balfe) - .- Op. ia8. Deux melodies de I'opera Les huguenots (Meyerbeer) Com' e gentil (Don Pasquale). Fantasia j
_. Deh caima oh ciel (Otello). Transcription .._______ a
The old house at home (Loder) _.. .. Nobles seigneurs. Cavatine du page
2 Victoria inarch (introducing " The brave old oak ")
z.
a. A ce mot tout s'anime. Air de Marguerite .....,_..
a
a Fra poco a me ricovero (Lucia). Aiiailjid _m_mm«w_ |

LONDON: EDWIN ASHDOWN. LIMITED. HANOVER SQUARE.

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