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Figure 1: Decibels and Sound Power Levels of the typical noise sources
As an example, if one fan has a sound level of 50dB, and another similar fan
is added, the combined sound level of the two fans will be 53dB. If two more
fans are added, i.e. the sound source is doubled again, the resultant sound level
from all four fans will be 56dB. If the first fan had a sound level of 50dB and
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another, larger fan with a sound level of 55dB was added, the difference between
the two is 5dB, so 1dB is added to the higher figure, giving a combined level of
56dB.
L = 10log(I/Iref ) (3)
where I = sound intensity (W/m2 ) and Iref = 10−12 W/m2 is the reference
sound intensity. The logarithmic sound intensity level scale matches the human
sense of hearing. Doubling the intensity increases the sound level with 3 dB.
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Power Emission Level (NPEL). This number is essentially independent of the
measurement environment, so it doesn’t require the measurement distance to
be noted. Solving for Lw A:
From this equation it can be seen that the sound pressure level at 1 meter
is 0.8 dB less than it is at 3 feet. .To estimate the effect of distance from
a sound source the rule of thumb calculation is very simple. Sound normally
weakens by 6dB each time the distance from the sound source is doubled. i.e.
a sound level measured as 60dB at 1 meter will be 54dB at 2 meters and 48 at
4 meters. Smaller fan sound levels are sometimes measured at 1m, whereas the
industry standard is becoming standardized at 3m, for comparison purposes.
The difference between 1m and 3m is therefore 9dB. 41dB@3m and 50dB@1m
are in effect the same).
The majority of fan manufacturers indicate the noisiness of their products
by Sound Pressure Levels SPL expressed in dBA (or dBC). These figures refer
to the Sound Pressure Levels which would be experienced by an observer at a
distance of 3m (or occasionally 1m or 3 x fan diameters) from the fan if both
were suspended in an infinitely large and empty volume (technically called Free
Field). To say the least, this is a very unlikely set of conditions and these dB
values must only be used to compare the noisiness of similar types of fan!. The
Sound Power Level of a fan can be compared to the Power Output of a heater in
that both are measure of the energy being fed into the environment surround-
ing them. Neither, however, will tell us the effect that will be experienced by
a human being in that surrounding space. In the case of the heater, the tem-
perature that we feel is dependent on the surroundings. The effects of distance,
volume of space, absorbing and reflecting surfaces, other heat sources, etc., will
combine to determine the resulting Temperature at any point. In a similar way,
the Sound Pressure Level that we hear is determined by the surroundings and
the one must take this into account when specifying noise levels. In practice,
another property of noise, its frequency, is also considered. For fans, two types
of noise related to frequency are important: wide band noise, in which acoustic
energy is continuously distributed over a frequency spectrum; and pure tones,
in which the acoustic energy is concentrated over narrow bands in the frequency
spectrum.
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Figure 3: Typical Octave Bands
I = Lw /4πr2 (7)
Where Lw = sound power (Watts) and and r = radius or distance from
source (meters).
I = P 2 /ρc (8)
where P = sound pressure (Pa), ρ = 1.2 kg/m3 = density of air at 20o C and
c = speed of sound (340 m/s).
8 Octave
Noise measurements taken in the audible range have been divided into frequency
bands. The most common frequency bands are called octave bands. An octave is
the interval between two points where the frequency at the second point is twice
the frequency of the first. Alternatively, an octave is the interval between two
tones having a frequency ratio of two. The bands typically used in industrial
environments are the eight bands from 63 Hz to 8000 Hz centre frequencies.
Table in figure 3 gives details of eight typical octave bands.