Professional Documents
Culture Documents
Department of Education
National Capital Region
DIVISION OF CITY SCHOOLS – MANILA
Manila Education Center Arroceros Forest Park Antonio J. Villegas St. Ermita,
Manila
HOPE -3
GRADE 12
BALLROOM DANCE
(CHA-CHA-CHA)
Quarter 1 Week 8 Module 8
Before starting the module, I want you to set aside other tasks that will
disturb you while enjoying the lessons. Read the simple instructions
below to successfully enjoy the objectives of this kt. I Have fun!
1. Follow carefully all the contents and instructions indicated in every
page of this module.
2. Write on your notebook the concepts about the lessons. Writing
enhances learning, that is important to develop and keep in mind.
3. Perform all the provided activities in the module.
4. Let your facilitator/ guardian assess your answers using the
answer key card.
5. Analyze conceptually the post-test and apply what you have learned.
6. Enjoy studying!
1
PRE-TEST
Choose the letter of the best answer. Write the chosen letter on a separate sheet of
paper
1. The dance Cha-Cha-Cha was originated in ______
A. Venice B. France C. Venezuela D. Cuba
2. The Cha-Cha-Cha has is in a ______ meter 2
2 3 4
A. 4 B. 4 C. 4 D. None of the above
2
HOPE-3
LESSON 7: BALLROOM DANCE (CHA-CHA-CHA)
EXPECTATIONS
This module will help you to:
• Know and understand the dance Cha-Cha-Cha
• Identify the different patterns or variations of the dance
• Discuss the background and context of Cha-Cha-Cha
• Perform the Cha-Cha-Cha with grace and poise
BRIEF INTRODUCTION
Ballroom dancing is a form of couples’ dance which are enjoyed both socially
and competitively around the world. Because of its performance and entertainment
aspects, ballroom dance is also widely enjoyed on stage, film, and television.
The term “ballroom” is derived from the word ball which in tun originates
from the Latin word ballare which means to dance (a ball-room being a large room
specially designed for such dances). I time past, ballroom dancing was social
dancing for the privileged, leaving folk dancing for the lower classes. The definition
of ballroom dance also depends on the era: balls have featured popular dances of
the day such as the Minuet, Quadrille, Polonaise, Polka, Mazurka, and others,
which are now considered to be historical dances.
Brief History of the dance Cha-Cha-Cha
The cha-cha dance originated from Cuba was originally known as the cha-cha-
cha. The dance gained popularity around the 1950’s and was created from two other
dances – the ‘mambo’ and the ‘danzon’. Enrique Jorrin, a violinist and composer,
3
realized that most of the crowds related the danzon-mambo rhythm to a much slower
mambo dance and thus had hardship adopting the syncopated rhythms. He decided to
compose music that strongly focused on the first downbeat such that the rhythm
became less syncopated. This caused the crowd dancers to develop a triple step,
creating the sound ‘cha-cha-cha’ with their shoes, thus the cha-cha-cha was born.
CHA-CHA-CHA
Style: International Latin
Music: Mediun-tempo Latin music
Meter: 4/4
INTERMEDIATE
BRONZE
4. Shoulder to Shoulder
5. Hand to Hand
6. Three Cha Chas
7. Side Steps (Chasses)
8. There and Back
9. Time Steps
FULL BRONZE
10. Fan
11. Alemana
12. Hockey Stick
13. Natural Top
14. Natural Opening Out
Movement
15. Closed Hip Twist
4
Four Basic Steps of Cha-Cha-Cha
1. Forward Step
2. Backward Step
3. Side Step
4. Rock Step
Note: you may watch the link to fully understand the four basic steps of cha-cha-
cha: https://youtu.be/PWiLi22Cq8w
5
ACTIVITIES
Activity 1.
1. Search and watch a clip or video of a cha-cha-cha dance performance
from the internet. Answer the following questions:
a. What is/are the styles of dance used
b. Identify choreographic forms
c. Identify and list down the dance movements used in the
performance
d. Describe the emotions brought about by the dance. Describe
how you feel while watching the whole dance performance
Activity 2.
1. Watch the different variations of the dance Cha-Cha-Cha and include it on
your routine.
2. You may visit the HowcastArtRec in the Youtube Channel for the different
variations of the dance Cha-Cha-Cha.
3. Make a video of your self while doing the different variations of the dance
cha-cha-cha.
4. Submit the video to your Teacher online.
REMEMBER
1. The dance Cha-Cha-Cha originated form ____________
2. Cha-Cha-Cha was created from two other dances which are the _______ and
_______
3. ______________ is a composer who made the music of cha-cha-cha
4. The Cha-Cha-Cha has is in a ______ meter
5. The tempo of the dance consists of _______ beats per minute
6. __________________ is a form of couples’ dance which are enjoyed both
socially and competitively around the world
7. The for basic steps of cha-cha-cha are side step, forward, backward and
_____________
8. A Latin world ballare which means to ______________
9. The cha-cha-cha gained popularity in year _________
10. The name cha-cha-cha was derived from _________________
6
REFLECTIVE LEARNING SHEET
Name: __________________________________ Grade & Section: ________________
Let’s Think and Act!
REFLECTIVE LEARNING SHEET NO.1
Directions. Answer the following questions. Have fun and enjoy!
1. How will you do or what kind of strategies that you can think in
order to dance the cha-cha-cha during this time of pandemic?
7
POST TEST
Choose the letter of the best answer. Write the chosen letter on a separate sheet of
paper.
1. The dance Cha-Cha-Cha was originated in ______
A. Venice B. France C. Venezuela D. Cuba
2. The Cha-Cha-Cha has is in a ______ meter 2
2 3 4
B. 4 B. 4 C. 4 D. None of the above
8
References
https://www.en.m.wikipedia.org/wiki/Ballroom_dance
https://www/dance-america.com/history-of-the-cha-cha-dance-81.html
https://www.ballroomdancers.com/Dances/syllabus.asp?dance=CHA
https://youtu.be/PWiLi22Cq8w
Acknowledgment
DEVELOPMENT TEAM OF THE MODULE
Management Team:
Malcolm S. Garma, Regional Director
Genia V. Santos, CLMD Chief
Dennis M. Mendoza, Regional EPS In Charge of LRMS
Maria Magdalena M. Lim, CESO V, Schools Division
Superintendent
Aida H. Rondilla, CID Chief
Lucky S. Carpio, EPS In Charge of LRMS
HOPE-3
Writers: Paulo James A. Santos T-III, Rio Vesta S. Acuzar T-
III, Christy U. Purisima T-III, Teresita C. Montes T-III,
Angelo G. Parohinog MT-II, Edgar D. Francisco MT-II
Editors: Conrado S. Contreras Jr., HT-VI
Reviewer: Luis M. Anchilo, PSDS & Supervisor-in-Charge
(MAPEH)
Layout Artist:
SHS HOPE -3
Copyright 2020