Function, Process and Trends in Introduction to Cinema and

Lecture Notes
Various Art Forms; Contextual Literature
Framework for Literature and
Cinema

Forms, Functions and Analysis of

Introduction to Narratives: Forms
Narratives; Context, Structure, R1 – Ch. 1 and 6
and functions of Narratives
Perspective, Genre and Style

Interpreting Narrative Implied Author, Overreading, R1- Ch. 7 and 8

Underreading, Gaps, Crux; Three
Ways to Interpret Narrative,
Class Notes and
Critical approaches to literature: Critical approaches to literature
Lecture
Psychological and Formalistic
Approaches
Text – 1
Introduction to Drama: Theme, Understanding Drama
Ch 19,20, 21,22
Character, Plot, Dialogues and
Language
Text – 1
Introduction to Drama: Theme, Understanding Drama
Character, Plot, Dialogues and Ch 19,20, 21,22
Language

Critical Reading: Drama Critical Reading of the Selected Hayavadana (play

Play by Girish Karnad)
Critical Reading: Drama
Analysis and Discussion Hayavadana
(continued)
(Continued)

T2: Ch. 2, R5: Part

Film History: A Brief Overview Film History; Major Film
Two, Chapter 2 and
Movements (Film Schools)
3

Relationship of Film Structure, Film Structure and Meaning T2, Ch.4 ; R4: Ch.3
Meaning, Feeling Making

Film Mise-en-scene Setting, Costume, Prop, Framing, T 2, Ch.4;

Colour, Camera, Lighting,
Diegetic Sound

Critical Analysis of Films Film Analysis with a focus on T 2, Ch. 6

narrative technique, mise-en-
Filmic Text:
scene and editing
Capernaum(2018)
by Nadine Labaki

Basics of Film Editing: Types of Editing and Film Editing T 2., Ch.5
Continuity Editing, Soviet techniques
Montage, Jump Cuts and
Elliptical Editing

Critical Analysis of Film Editing Film Analysis with a focus on T 2., Ch.5
in Films 3 and 4 editing techniques and the
meaning making process