Professional Documents
Culture Documents
Teaching preparation
Before preparing for their lessons, remedial teachers should identify pupils' diverse
learning needs as soon as possible so that they may design appropriate teaching
plans to facilitate pupils' effective learning.
Teaching approaches
Teachers should give concrete examples before proceeding to abstract concepts by
way of simple and easy steps at a pace in line with the learning abilities of students.
Teachers may teach new concepts from different perspectives by various approaches
so that pupils can grasp the ideas through meaningful and repeated illustrations.
Teachers should encourage pupils' active participation by more frequent use of
teaching aids, games and activities. They can also make use of information technology
and all the teaching resources available to help pupils understand the main points.
learning.
A. Age
People of different ages have different needs, competencies and cognitive skills.
A.1. Young Children
They respond to meaning even if they do not understand individual words.
They often learn indirectly rather than directly – that is, they take information from
all sides, learning from everything around them rather than focusing only on the
precise topic they are being taught
Their understanding comes not just from explanation, but also from what they
see and hear and, crucially, have a chance to touch and interact with.
They find abstract concepts such as grammar rules difficult to grasp.
They generally display an enthusiasm for learning and a curiosity about the world
around them.
They have a need for individual attention and approval from the teacher.
They are keen to talk about themselves and respond well to learning that uses
themselves and their own lives as main topics in the classroom.
They have a limited attention span; unless activities are extremely engaging, they
can get easily bored, losing interest after ten minutes or so.
things, in drawing things, in games, in physical movement or in songs; d.) mixes play
and learning in an atmosphere of cheerful and supportive harmony; e. children should
not spend their time sitting still in rows or talking only to the teacher.
The teacher: a.) needs to spend time understanding how the students think and
operate; b.) needs to be able to pick up on the students’ current interest so he/she can
use them to motivate the children; c.) needs good oral English skills since speaking and
listening are the skills which is used most of all at this age; d.) the teacher’s
pronunciation really matters because children imitate so well.
A.2. Adolescents
the most exciting students of all, with their greater ability for abstract thought and
their passionate commitment to what they are doing once they are engaged
bound up with a pronounced search for self-identity
need to feel good about themselves and valued (hence, ‘a good teacher is
someone who knows our names’)
often have an acute need for peer approval
What should be done:
1. Provoke student engagement with materials that are relevant and involving
2. Make use of humanistic approach to teaching
3. Material has to be designed at the students’ level, with topics which they can react to
4. They must be encouraged to respond to texts and situations with their own thoughts
and experiences, rather than just by answering questions and doing abstract learning
activities.
5. Avoid humiliating them
6. Provoke intellectual activity by helping them to be aware of contrasting ideas and
concepts which they can resolve for themselves – with the teacher’s guidance
A.3. Adult learners
Can engage with abstract thought.
They have a whole range of life experiences to draw on.
They have expectations about the learning process, and they already have their
own set patterns of learning
Tend to be more disciplined that other age groups, and, crucially, they are often
prepared to struggle on despite boredom
They have a wide range of experiences which allow teachers to use a wide range
of activities with them.
They often have a clear understanding of why they are learning and what they
want to get out of it.
They can be critical of teaching methods
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
They may have experienced failure or criticism at school which makes them
anxious and under-confident about learning a language
Many older adults worry that their intellectual powers may be diminishing with
age
2. Allow them to use their intellect to learn consciously where this is appropriate
B. Characteristics
Different cultures values different learning behaviors. Our insistence upon one kind of
‘good learner’ profile may encourage us to demand that students act in class in certain
ways, whatever their learning background is. When we espouse some of the techniques
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
Describing Teachers
Teachers are:
actors because they feel as if they are always on the stage.
orchestral conductors because they direct conversation and set the pace and
tone.
gardeners because they plant the seeds and then watch them grow.
“Students pick up much from the way their teacher walks into the room at the
start of that first lesson” (Senior, 2000). In this sense, we need to make some kind of
distinction between who we are, and who we are as teachers. This does not mean that
we should somehow be dishonest about who we are when we face students. But it does
mean thinking about presenting a professional face to the students which they find both
interesting and effective. When we walk into the classroom, we want them to see
someone who looks like a teacher whatever else they look like. This does not mean
conforming to some kind of teacher stereotype, but rather finding, each in our own way,
a persona that we adopt when we cross the classroom threshold. The point is that we
should be able to adopt a variety of roles within the classroom which facilitate learning.
A.1. Controller: when teachers act as controllers, they are in charge of the class and of
the activity taking place and are often ‘leading from the front’. Controllers take the
register, tell students things, organize drills, read aloud and in various other ways
exemplify the qualities of a teacher-fronted classroom.
In many educational contexts it is the most common teacher role, and many
teachers fail to go beyond it since controlling is the role they are used to and are most
comfortable with.
A.2. Prompter: sometimes, when they are involved in a role-play activity for example,
students lose the thread of what is going on, or they are ‘lost for words’. They may not
be quite sure how to proceed. What should teachers do in these circumstances? If we
teachers ‘nudge’ students forward, we are adopting some kind of a ‘prompting’ role.
When we prompt, we need to do it sensitively and encouragingly but, above all,
with discretion. If we are too adamant, we risk taking initiative away from the student. If,
on the other hand, we are too retiring, we may not supply the right amount of
encouragement.
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
A.3. Participant: the traditional picture of teachers during student discussiions, role-
plays or group decision-making activities, is of people who ‘stand back’ from the activity,
letting the learners get on with it and only intervening later to offer feedback and/or
correct mistakes. However, there are also times when we might want to join in an
activity not (only) as a teacher, but also as a participant in our own right.
The danger when teachers act as participants, or course, is that they can easily
dominate the proceedings. This is hardly surprising since teachers usually have more
english at their disposal that their students do. But is it also due to the fact that even in
the most egalitarian classroom, the teacher is still frequently perceived of as ‘the
authority’ and tends to be listened to with greater attention than other students.
A.4. Resource: At times students may need their teacher as a resource. They might
need to ask how to say or write something or ask what a word or phrase means. They
might want to know information in the middle of an activity about that activity or they
might want information about where to look for something - a book or a website. This is
where we can be one of the most important resources they have.
When we acting as a resource, we will want to be helpful and available, but at the
same time we have to resist the urge to spoon feed our students so that they become
over-reliant to us.
A.5. Tutor: when students are working on longer projects, such as process writing, or
preparation for a talk or a debate, we can work with individuals or small groups, pointing
them in directions they have not yet thought of taking. In such situations, we are
combining the roles of prompter and resource – in other words, acting as a tutor.
A.6. Performer: teachers are all performers in the classroom at some level and we all
perform differently. Not only that, but any one teacher probably also has many different
performance styles, depending on the situation. One minute we may be standing at the
front commanding or entertaining, but a few minutes late, we will be working quietly with
a pair while the other students are working in their own pairs.
meanings, and what might seem acceptable in one situation or place will not be
appropriate in another.
One gesture which is widely used, but which teachers should employ with care,
is the act of pointing to students to ask then to participate in a drill or give some other
form of response. An alternative is to use the upturned palm of the hand in an inclusive
gesture which is far more welcoming.
Terms
Concepts of Print - the foundational, or emergent literacy, skills involved in how
to hold a book and turn the pages, identifying a word or sentence, where to begin
and end reading a page, having the eyes move in the correct direction, retelling a
story, or relating the author’s ideas to one’s own experiences.
Directionality - moving one’s eyes in the correct direction for reading the printed
form of language.
Story Structure – the ability to identify the characters, plot, and setting of a
story.
Visual Discrimination – the skill of seeing likeness or differences among
objects, pictures, letters, numbers, or words.
Words and sentences – identifying the individual words and sentences on a
page, identifying that sentences are made up of words, and recognizing that
these words and sentences contain meaning are important concepts of print.
Note: the best way to teach students concepts of print is to provide many
experiences with books and writing.
Explicit Instruction: Reading Big books
Environmental Print – the print that surrounds us is an excellent source for
teaching students that they can be successful in reading. Students can easily
identify many of the symbols and can feel successful as readers.
Language Experience – provides an authentic learning experience for students.
It helps students understand that the printed word carries meaning. It is most
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
often used with the beginning readers, but can be successfully used with adults
learning to read.
Roach Van Allen (1968) and Russell Stauffer (1970) provide thorough
discussions of the Language Experience Approach. Hoffner (2003-2004)
provides insight into the Language Experience Approach with the secondary
students in content areas.
What I think about, I can talk about.
What I can say, I can write down.
What I can write, I can read.
I can read what others write for me to read.
B. Letter identification
Being able to identify and name the letters of the alphabet was found to be one of
the best predictors of reading success by Durrell (1958). Knowing letter names
assists students in associating phonemes, or sounds, with graphemes, or letters
(Walsh, Price, aandGillingham 1988).
Terms
Grapheme – the physical representation of a symbol from a standard alphabet.
Letter identification – the skill of naming a graphic symbol belonging to a
standard alphabet.
Note: Do not simultaneously teach letters with similar appearances.
C. Phonemic Awareness
Is the ability to hear, identify, and manipulate individual sounds-phonemes--in
spoken words. Before children learn to read print, they need to become
more aware of how the sounds in words work.
- It is the goal of educators to have students who are independent in their skills of
word analysis. If students have not developed sufficient skills in word analysis in
the early childhood grades, they will have difficulty encountering the high density
of vocabulary presented to them in grades four and above (Taylor 1996).
- Materials read by students in high school contain over 100, 000 different words
(Nagy and Anderson 1984).
Having good word analysis skills or developing automaticity in decoding words is not
sufficient to be a proficient reader. This must be combined with fluency and
comprehension.
Terms
Sight words – are words that can be recognized instantly and pronounced
without resorting to the use of word analysis.
High Frequency or Basic Sight Words – are words most frequently used in
written text.
B. Picture Clues
The use of picture clues is an emergent literacy skill that assists students in
identifying words in the text and predicting story content. They are useful in
developing sight vocabulary.
Heilman (1998) says, “It is true that pictures may provide clues to unknown
words. Pictures may suggest words. They have high motivational value and will
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
often lure the child into reading. Pictures help focus attention on meaning. They
serve as stimuli for oral language use in group discussion.
Gunning (2003) identifies a second level of text and picture clues. There is a
simple text that is illustrated. Most, but not all of the words can be identified by
the picture.
D. Syllabic Analysis
The process of dividing words into pronounceable units that contain a vowel-like
sound. The way the story is written encourages the student to drum out the
syllables, or beats, like playing a drum.
Syllabication Principles
1. When two consonants stand between two vowels, the word is usually divided
between the consonants, e.g., dag-ger and cir-cus. In some of the newer
materials, materials are divided after the double consonant, e.g., dagg-er. It
should be remembered that in reading we are usually teaching syllabication as a
means of word attack. Therefore, we should also accept a division after double
consonants as correct even though the dictionary would not show it that way.
2. When one consonant stands between two vowels, try dividing first so that the
consonant goes with the second vowels, e,g., pa-per and motor, Students
should be taught that flexibility is required in using this rule; if this does not give
a word in the student’s speaking-listening vocabulary, then the student should
divide it so that the consonant goes with the first vowel, as in riv-er and lev-er.
3. When a word ends in a consonant and le, the consonant usually begins the last
syllable, e.g., ta-ble and hum-ble.
4. Compound words are usually divided between word parts and between syllables
in this parts, e.g., hen-house and po-lice-man.
5. Prefixes and suffixes usually form separate syllables.
Vocabulary
Pavio (1971), Wolpert (1972), Reynolds and Flagg (1977), and Jiganti and Tindall
(1986) provided research supporting the promotion of mental imagery in learning words.
Note: The goal of vocabulary instruction is not to have students memorize a list of
words and write definitions. Rather, it is to provide opportunities for students to
understand and use words. Wide reading provides many opportunities for students to
encounter new words in multiple contexts beyond the classroom.
a. Disposition – opening the student’s mind and will to engage new words.
b. Integration – establishing ties between the meaning of a new word and the
student’s existing knowledge.
c. Repetition – provisions for practice distributed over time, as well as opportunities
for frequent encounters with the word in similar and differing contexts.
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
3. Motor Imaging
It appears that even the highest forms of vocabulary and concept learning have
psychomotor foundations, or equivalents. Hence, motor movements associated
with certain stimuli can become interiorized as a “symbolic meaning” (Piaget,
1963 in Manzo and Manzo, 1993). There are three considerable advantages to
knowing this where remediation is concerned:
A. Graphic Organizers
Terms
Graphic organizers – provide visual representation of the relationships among
words. Usually geometric shapes and lines are used to slow these relationships.
They provide opportunities for students to develop a more thorough
understanding of words by seeing relationships and being active in the learning
process (Blanchowicz and Fisher 2000).
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
Explicit Instruction:
Word walls can be created for any topic or skill being studied in class. The use of word
walls is limitless.
Logo and Pictomaps
Semantic Maps
Definition Word maps
Semantic Feature analysis
B. Morphology
Terms
Morphology – is the study of word formations that include compound words,
contractions, and affixes. Knowledge of morphemes helps children expand their
vocabulary beyond root words and aids in comprehension of printed materials.
Affix – a prefix, suffix, or inflectional ending that is added to a root word to
change the function of the word or to add its meaning.
Compound word – a word that is formed by combing two or more words.
Contraction – formed by omitting one or more letters or sounds from an
expression and replacing the omitted letters with an apostrophe.
Root word – the word that is left after you take away all affixes.
Description of compound words
- Usually do not create much difficulty because students already know each of the
smaller words that make up the compound word. Students who have difficulty
with compound words may not have recognized that the words are made by
combining already known words. Attention should be drawn to the compound
words’ makeup.
Description of Contractions
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
- Usually do not create problems because they maintain the same meaning and
often have similar structures. Directing students’ attention to the “lazy way of
writing” is often sufficient during silent or oral reading.
C. Context
- Words that surround a particular word and help identifying it.
NOTE: If students are to use context clues, they must be given specific instruction in
their use. They must be taught how to arrive at meanings that are unknown to them.
D. Word Relationships
Words have many different relationships to each other that students should be
aware of in order to understand differences in meanings. Understanding these
differences in meaning helps students use the dictionary and comprehend
material they read (Crawley and Mountain 1995).
Terms
Antonyms – words that are opposite in meaning.
Figurative language – words that contain meanings that are different from their
literal meanings. Connotative rather than denotative meanings.
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
Homophones (homonyms) – words that have the same sound but are spelled
differently and have different meanings.
Homographs – words that have the same spelling but are pronounced
differently.
Multiple meanings – the various meanings and shades of meaning words can
have.
Synonyms – words that have the same meanings.
Reinforcement Activities
Providing real experiences
Providing vicarious experiences
Encouraging wide reading
Word histories
FLUENCY
Fluency – Being able to decode words automatically, group them meaningfully, and
read with expression. Being fluent in reading allows students to focus on
comprehension – interacting with text and attaching meaning to printed symbols. It also
helps students develop more positive self-image as readers.
Problems with fluency may stem from a variety of causes: inadequate sight
vocabulary, poor decoding skills, an overdependence on word analysis skills, or
inattention to punctuation.
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
C. Definition of Terms
1. Alphabetic Knowledge: understanding that letters represent sound so that
words may be read by saying the sounds represented by the letters, and words
may be spelled by writing the letters that represent the sounds in a word.
2. Sight-Word Knowledge: all words any one reader can recognize instantly (with
automaticity) not necessarily with meaning.
3. Basic Sight Words: a designated list of words, usually of high utility.
4. Knowledge on Sound-Symbol Correspondence: (a.k.a. graphophonic
knowledge) the readers’ ability to use phonics, phonemic, and structural analysis
knowledge.
3. Discuss the meaning of the word or how it is used in talking and writing. Try to tie
to something in their experience. If possible, illustrate the word with a picture or a
concrete object.
4. Write the word as students watch. Ask them to look for certain configuration
clues such as double letters, extenders, and descenders. Also ask them to look
for any well-known phonograms or word families, e.g. ill, ant, ake, but do not call
attention to little words in longer words.
5. Ask students to write the word themselves and to be sure have them say the
word while they write it.
6. Have students make up and write sentences in which the word is used in context.
Have them read these sentences to each other and discuss them.
1. In words containing a single vowel letter at the end of the word, the vowel letter
usuallyhas the long vowel sound. (Note that this rule refers to words and not just
syllables.) There is a similar rule for single word letters at the end of syllables.
2. In syllables containing a single vowel letter at the end of the syllable, the vowel
letter may have either the long or short vowel sound. Try the long sound first.
(Note that this has the same effect as rule 1.)
3. A single vowel in a syllable usually has the short vowel sound if it is not the last
letter or is not followed by r, w, or l. When explaining this to students it is often
helpful to indicate that a single vowel in a closed syllable is usually short.
Students should be taught that a closed syllable is one in which there is a
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
consonant on the right-hand side. They will also need to know, as indicated
above, the r, w, and l control rules.
4. Vowels followed by r usually have a sound that is neither long nor short
5. A y at the beginning of a word has the “y” consonant sound; y at the end of a
single-syllable word, when preceded by a consonant, usually has the long I
sound; and y at the end of a multi-syllable word, when preceded by a consonant,
usually has the long e sound. (Some people hear it as short i.)
6. In words ending with vowel-consonant-silent e the e is silent and the first vowel
may be either long or short. Try the long sound first. In teaching this rule, stress
that the student should be flexible; i.e. try the short vowel sound if the long one
does not form a word in his or her speaking-listening vocabulary. It has been
demonstrated that students who are taught to be flexible in attacking words when
applying rules such as this become more adept at using word-attack skills than
those who are not taught this flexibility.
7. When aj, ay, ea, ee, and oa are found together, the first vowel is usually long and
the second is usually silent.
8. The vowel pair ow may have either the sound heard in cow or the sound heard in
crow.
9. When au, aw, ou, oi, and oy are found together, they usually blend to form a
diphthong.
10. The oo sound is either long as in moon or short as in book.
11. If a is the only vowel in a syllable and is followed by l or w, then the a is usually
neither long nor short.
NOTE: Accent has less importance for a corrective reader than the vowel rules. This is
true partially because a student who properly attacks a new word in his or her speaking-
listening vocabulary but not sight vocabulary is likely to get the right accent without any
knowledge of accent generalizations.
Also, teach students the use of affixes so they will have better understanding of
contractions, inflectional and derivational endings for change tense, number form and
function. These will lead to students’ sufficient use of structural analysis strategy.
f. Disposition – opening the student’s mind and will to engage new words.
g. Integration – establishing ties between the meaning of a new word and the
student’s existing knowledge.
h. Repetition – provisions for practice distributed over time, as well as opportunities
for frequent encounters with the word in similar and differing contexts.
i. Interaction and meaningful use – social situations conducive to using new
words in interactions with others and, thus, mentally referencing new words in
listening, reading, writing, and speaking.
j. Self-instruction – maintaining an awareness of new words outside the
classroom.
5. Concept-Based Approach to Vocabulary Building
a. Identify the relevant and irrelevant features of the concept in question.
b. Provide examples of the concept.
c. Provide examples of irrelevant but loosely related concepts with which it might be
compared.
d. Relate the concept by some possible smaller or subordinating concepts.
e. Relate or categorize the concept by some possible larger or superordinating
concepts.
f. Relate or categorize the concept alongside equal or coordinating terms.
6. Motor Imaging
It appears that even the highest forms of vocabulary and concept learning have
psychomotor foundations, or equivalents. Hence, motor movements associated with
certain stimuli can become interiorized as a “symbolic meaning” (Piaget, 1963 in
Manzo and Manzo, 1993). There are three considerable advantages to knowing this
where remediation is concerned:
C. External Factors
1. Speed of delivery and different accents of the speakers
2. The content and task of listening materials
3. Context - refers to the spatial-temporal location of the utterance, i.e. on the
particular time and particular place at which the speaker makes an utterance
and the particular time and place at which the listener hears or reads the
utterance.
4. Co-text - It refers to the linguistic context or the textual environment provided
by the discourse or text in which a particular utterance occurs. Co-text
constrains the way in which we interpret the response. Here we can infer that
the person is not going to a picnic by judging from the co-text.
A: Are you coming to Baguio with us?
B: I have a paper to finish by Monday.
♣ In reality, listening is used far more than any other single language skill in normal
daily life. On average, we can expect to listen twice as much as we speak, four times
more than we read, and five times more than we write.
Procedure: Ask students to a) listen and process information b) use the orally
transmitted language input immediately to complete a task which is mediated thru
language in a context in which success is judged in terms of whether the task is
performed.
Value: The focus is task-oriented, not question-oriented. to use info., not to answer it.
There are two types of tasks:
1) language use tasks: to give students practice in listening, grab gist of it and
“make functional
use of it”
2) language analysis tasks: to help students develop cognitive and metacognitive
language
learning strategies, i.e., to guide them toward personal intellectual involvement
in their own
learning.
NOTE:
Metacognitive – is a term used in information-processing theory to indicate an
“executive” function, strategies that involve planning for learning, thinking about the
learning process as it is taking place, monitoring of one’s production or comprehension,
and evaluating learning after an activity is completed.
e.g., a composition, a lecture, a short essay, etc.
Cognitive – strategies are more limited to specific learning tasks and involve more
direct manipulation of the learning material itself.
Purpose: to bring students to an understanding that listening is not a passive skill, but
an active receptive skill which requires as much work as does becoming skilled in
reading, writing, and speaking in a second language.
1. Relevance
–Both the listening lesson content (the information) and the outcome (the way the
information is put to use) need to be as relevant as possible to the learner. This serves
to hold learner attention and provide motivational incentive.
— The more the lessons focus on things with real-life relevance, the more they appeal
to students, and the better the chance of having learners’ wanting to listen.
–If the listening activities is self-created, relevance is easy to control. If published
materials are used, Richards suggests some ways to adapt materials to suit students’
needs: modifying the objectives; adding prelistening activities (warm-up); changing the
teaching procedures for class presentation and devising postlistening activities (wrap-
up).
2. Transferability/Applicability
–internally: can be used in other classes.
externally: can be used in out-of-school situations.
— The best listening lessons present in-class activities that mirror real life, i.e.,
the use of radio or television news broadcasts in adult classes can provide not only a
real experience in listening comprehension, but such lessons also contain content that
can be applicable outside of class as a source of conversation topics.
3. Task Orientation
–In children, teenage, and adult classes, it is productive to combine two
different kinds of focus: 1) language use tasks and 2) language analysis
activities.
–Define “Task”?
a) to provide “actual meaning” by focusing on tasks through language.
Success is judged in terms of whether the tasks are performed.
b) It is task-oriented, not question-oriented, providing learners with tasks which
use the information in the aural text, rather than asking learners to prove their
understanding of the text by answering questions.
Focus 1: Language use tasks
–to give students practice in listening and then doing something (“Listen-and do”), e.g.,
“Simon says”, taking phone messages, outlining info. etc.
To analyze “fast speech, to chunk the input into units for interpretation, to analyze
sociolinguistic dimensions, including participants and their roles and relationships,
settings, purpose of the communicative episode, and expected outcomes, and to
analyze strategies used by speakers to deal with miscommunication, communication
break-downs, distractions, etc.
Pre-listening
There are certain goals that should be achieved before students attempt to listen to any
text. These are motivation, contextualization, and preparation.
Motivation
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
listenings as this gives them the chance not only to have a break from the listening, but
also to check their understanding with a peer and so reconsider before listening again.
Post-listening
There are two common forms that post-listening tasks can take. These are
reactions to the content of the text, and analysis of the linguistic features used to
express the content.
Reaction to the text
Of these two I find that tasks that focus students reaction to the content are most
important. Again this is something that we naturally do in our everyday lives. Because
we listen for a reason, there is generally a following reaction. This could be discussion
as a response to what we’ve heard – do they agree or disagree or even believe what
they have heard? – or it could be some kind of reuse of the information they have
heard.
Analysis of language
The second of these two post-listening task types involves focusing students on
linguistic features of the text. This is important in terms of developing their knowledge of
language, but less so in terms of developing students’ listening skills. It could take the
form of an analysis of verb forms from a script of the listening text or vocabulary or
collocation work. This is a good time to do form focused work as the students have
already developed an understanding of the text and so will find dealing with the forms
that express those meanings much easier.
Pre-listening
Students brainstorm kinds of songs
Students describe one of their favourite songs and what they like about it
Students predict some word or expressions that might be in a love song
While listening
Students listen and decide if the song is happy or sad
Students listen again and order the lines or verses of the song
Students listen again to check their answers or read a summary of the song with errors
in and correct them.
Post-listening
Focus on content
Discuss what they liked / didn’t like about the song
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
Decide whether they would buy it / who they would buy it for
Write a review of the song for a newspaper or website
Write another verse for the song
Focus on form
Students look at the lyrics from the song and identify the verb forms
Students find new words in the song and find out what they mean
Students make notes of common collocations within the song
Conclusion
Within this article I have tried to describe a framework for listening development that
could be applied to any listening text. This isn’t the only way to develop our students
listening or to structure a listening lesson, but it is a way that I have found to be effective
and motivating for my students.
Task Sheet
Make a lesson plan on Listening based on the framework that we have discussed last
meeting. Make sure that all the elements are present, such as:
PRE-LISTENING
DURING LISTENING
POST-LISTENING
PREFINAL PROJECT
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
B. Teaching Pronunciation
Below are techniques and practice materials (as cited in Murcia, Brinton, and
Goodwin, 1996) in teaching pronunciation which have been used traditionally and
continue to be utilized in speaking classes.
1. Listen and imitate. Learners listen to a model provided by the teacher and then
repeat or imitate it.
2. Phonetic training. Articulatory descriptions, articulatory diagrams, and a
phonetic alphabet are used.
3. Minimal Pair drills. These provide practice on problematic sounds in the target
language through listening discrimination and spoken practice. Drills begin with
word-level then move to sentence-level.
4. Contextualized minimal pairs. The teacher established the setting or context
then key vocabulary is presented. Students provide meaningful response to
sentence stem.
5. Visual aids. These materials are used to cue production of focus sounds.
6. Tongue twisters
7. Developmental approximation drills. Second language speakers take after
the steps that English-speaking children follow in acquiring certain sounds.
8. Practice of vowel shifts and stress shifts related by affixation
Vowel shift: mime (long i) mimic (short i)
Sentence context: Street mimes oftenmimic the gestures of passersby.
Stress shift: PHOtograph phoTOGraphy
Sentence context: I can tell from these photographs that you are very good at
photography.
9. Reading aloud/recitation. Passages and scripts are used for students to
practice and then read aloud focusing on stress, timing, and intonation.
10. Recording of learners’ production. Playback allows for giving of feedback and
self-evaluation.
1. Speak at standard speed. This means providing more and slightly longer
pauses to give students more time to make sense of the utterances.
2. Use more gestures, movement, and facial expressions. These provide
emphasis on words and give learners extra clues as they search for meaning.
3. Be careful with fused forms. Language compressions or reduces forms can
be difficult for learners. Use these forms without overusing or eliminating them
altogether.
4. Use shorter, simpler, sentences.
5. Use specific names instead of pronouns.
Oral skill is the ability to speak well. More specifically, ability to articulate one’s
knowledge and understanding, use language creatively, use and present material
effectively in spoken form, whether in one’s own language or foreign language, in the
latter case, to display a command structure, appropriate pronunciation, use of register,
and range of vocabulary.
The communication process conducted through spoken words is referred to as
Oral Communication. Oral communication is defined as the effective interpretation,
composition, and presentation of information, ideas, and values to a specific audience.
Communication is the exchange of thoughts, messages, or information, as by speech,
visuals, signals, writing, or behavior. Derived from the Latin word "communis", meaning
to share. Communication requires a sender, a message, and a recipient, although the
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
receiver need not be present or aware of the senders intent to communicate at the time
of communication; thus communication can occur across vast distances in time and
space. Communication requires that the communicating parties share an area of
communicative commonality. The communication process is complete once the receiver
has understood the message of the sender.
Interpersonal communication is one of the best ways to start with the process of
developing your communication skills. You can speak freely and without getting tensed
when you just have to speak to a single person at a time. Through interpersonal
communication, a person learns how to phrase his/her ideas clearly and also listen to
others carefully.
Speaking in front of a large audience for many of us, is quite difficult. It is okay to
feel nervous in front of a large audience. However, you can overcome the fear of
public speaking completely by making presentations on a regular basis. This form of
oral communication is very different from interpersonal communication. Here, you must
speak precisely and present the topic in a concise manner. Holding the attention of
listeners is the key to become a proficient public speaker.
When the English tongue we speak, Why is break not rhymed with freak? Will you tell
me why its true, We say sew but likewise few? And the maker of a verse, Cannot cap
his horse with worse ?Beard sounds not the same as heard, Cord is different from word;
c - o - w is cow but l - o - w is low; Shoe is never rhymed with foe.
Think of hose and whose and lose, And think of goose and yet of loose, Think of comb
and tomb and bomb; Doll and roll and home and some; And since pay is rhymed with
say, Why not paid with said, I pray? We have blood and food and good, Wherefore
done and gone and lone? Is there any reason known? And, in short, it seems to me,
Sounds and letters disagree.
A. Areas of Difficulty for Students with Writing Problems (Troia, 2002; Troia &
Graham, 2003)
1. Knowledge Difficulties
Students with writing problems show:
a. Less awareness of what constitutes good writing and how to produce it;
b. Restricted knowledge about genre-specific text structures (e.g., setting or plot
elements in a narrative);
c. Poor declarative, procedural, and conditional strategy knowledge (e.g.,
knowing that one should set goals for writing, how to set specific goals, and
when it is most beneficial to alter those goals);
d. Limited vocabulary;
e. Underdeveloped knowledge of word and sentence structure (i.e., phonology,
morphology, and syntax);
f. Impoverished, fragmented, and poorly organized topic knowledge;
g. Difficulty accessing existing topic knowledge; and
h. Insensitivity to audience needs and perspectives, and to the functions their
writing is intended to serve.
2. Skill Difficulties
Students with writing problems:
a. Often do not plan before or during writing;
b. Exhibit poor text transcription (e.g., spelling, handwriting, and punctuation);
c. Focus revision efforts (if they revise at all) on superficial aspects of writing
(e.g., handwriting, spelling, and grammar);
d. Do not analyze or reflect on writing;
e. Have limited ability to self regulate thoughts, feelings, and actions throughout
the writing process;
f. Show poor attention and concentration; and
g. Have visual motor integration weaknesses and fine motor difficulties.
3. Motivation Difficulties
Students with writing problems:
a. Often do not develop writing goals and subgoals or flexibly alter them to meet
audience, task, and personal demands;
b. Fail to balance performance goals, which relate to documenting performance
and achieving success, and mastery goals, which relate to acquiring
competence;
c. Exhibit maladaptive attributions by attributing academic success to external
and uncontrollable factors such as task ease or teacher assistance, but
academic failure to internal yet uncontrollable factors such as limited aptitude;
d. Have negative self efficacy (competency) beliefs;
e. Lack persistence; and
f. Feel helpless and poorly motivated due to repeated failure.
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.
C. Teaching Handwriting
1. Curriculum Considerations
a. Place special emphasis on difficult-to-form letters and those that are
frequently reversed like p, q, b & d.
b. Introduce lowercase letters before upper-case letters, unless they are formed
using similar strokes like C, c
c. Group letters with common strokes, for instance o, c, d & a.
d. Stagger the introduction of easily confused letters like b, d, p & q.
e. Model the formation of individual upper- and lowercase letters and, for
cursive, difficult letter transitions
f. Guide letter formation through visual cues like verbal descriptions, numbered
dots and arrows, even short anecdotes about letters.
g. Conduct activities to reinforce letter recognition and naming
h. Ensure that students practice using a comfortable and efficient tripod pencil
grasp.
i. Demonstrate appropriate posture and paper positioning for their handedness.
j. Develop handwriting fluency through frequent writing and speed trials, but
stress the importance of legible handwriting.
2. Strategies for Remediation
a. In the primary grades, allocate 60–75 minutes per week for handwriting
instruction.
b. Encourage students to compare letters to discover patterns and to highlight
their similarities and differences.
ST. ANTHONY COLLEGE REMEDIAL INSTRUCTION IN
ENGLISH
CALAPAN CITY, INC.