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Thesis Report

Year: 2019-2020
Batch No. 17

FILM AND TELEVISION INSTITUTE OF INDIA

Undertaken by:
YUVRAJ VAISHNAV
15E1AAARM30P140
V Year B.Arch. (C)

Prof. Archana Singh Prof. Archana Singh


GUIDE COORDINATOR

Aayojan School of Architecture


ISI-4, RIICO Institutional Block,
Sitapura, Jaipur-302022
APPROVAL

The thesis titled “Film and television institute of India, Jaipur” is hereby approved as an original work of
Yuvraj Vaishnav, enrolment no. 15E1AAARM30P140 on the approved subject carried out and presented in
manner satisfactory to warrant its acceptance as per the standard laid down by the university. This report
has been submitted in the partial fulfilment for the award of Bachelor of Architecture degree from
Rajasthan Technical University, Kota.

It is to be understood that the undersigned does not necessarily endorse or approve any statement made,
any opinion expressed, or conclusion drawn therein, but approves the study only for the purpose it has
been submitted.

June…..2020
Jaipur

Prof. K.S. Mahajani


EXTERNAL EXAMINER 1 PRINCIPAL

Prof. Archana Singh


EXTERNAL EXAMINER 2 COORDINATOR
DECLARATION

I, Yuvraj Vaishnav, here by solemnly declare that the thesis undertaken by me, titled ‘Film and television
institute of India, Jaipur’ is my original work and wherever I have incorporated any information in the form
of photographs, text, data, maps, drawings, etc. from different sources, has been duly acknowledged in my
report.

This thesis has been completed under the supervision of the guide allotted to me by the school. Further,
whenever and wherever my work shall be presented or published it will be jointly authored with my guide.

Yuvraj Vaishnav
V Year B.Arch. (C)
Aayojan School of Architecture, Jaipur

CERTIFICATE

This is to certify that the thesis titled, ‘Film and television institute of India, Jaipur’ is a Bonafide work by
Yuvraj Vaishnav of Aayojan School of Architecture, Jaipur. This thesis has been completed under my
guidance and supervision in a satisfactory manner. This report has been submitted in partial fulfillment of
award of Bachelor of Architecture degree from Rajasthan Technical University, Kota.

This thesis fulfills the requirements relating to the nature and standard laid down by the Rajasthan
Technical University.

Prof. ARCHANA SINGH


Guide
Aayojan School of Architecture, Jaipur
ACKNOWLEDGEMENT

The study of any subject requires planning, knowledge and


proper line of action. Several people have directly and
indirectly helped me in the Compilation of information for this
project.

Foremost, I would like to express my sincere gratitude to Prof. K.


S. Mahajani, Principal, Prof. N. S. Rathore, dean academics, Aayojan school of
architecture, Jaipur. I would also like to thank my guide Prof. A.S. Rathore, for the
continuous support to my study and research, for his patience, motivation,
enthusiasm, and immense knowledge.

I would also like to extend my sincere thanks to other dissertation guides who gave
their inputs in my study and my family for their continuous support during the
program.

I would also like to thank my friends Shivanshi Seth and Akhil Soni for their undying
support and lifting my morale up during the execution of the report.

Yuvraj vaishnav
V Year B.Arch. (C)
Aayojan School of Architecture, Jaipur
CONTENTS

Approval i
Declaration ii
Certificate ii
Acknowledgement iii
Contents iv-v
List of illustrations vi
List of tables vii

CHAPTER 1: INTRODUCTION 1-5


1.1
1.2
1.3
CHAPTER 2: PRE DESIGN STUDIES 6-31
2.1
2.2
CHAPTER 3: ANALYSIS 32-34
3.1 SITE
3.2 CLIMATE
3.3 PROGRAMME
CHAPTER 4: CONCEPT & DESIGN PROPOSAL 35-42
CHAPTER 5: DESIGN ELECTIVE 43-44
CHAPTER 6: TECHNOLOGY ELECTIVE 45-50

GLOSSARY OF TERMS
CHAPTER 1

INTRODUCTION
Film and Television Institute of India

CHAPTER 1
The Film and Television Institute of India (FTII) is an autonomous institute under the
Ministry of information and Broadcasting of the government of India and aided by
the central government of India.

1.1 Background

This institute is India’s first premier film and television institute which was established
in Pune in 1960. In 1995, a second premier institute of India for film training was
established in Kolkata which stands in line with FTII called Satyajit Ray Film and
Television Institute (SRFTI).
The institute is recognised as a centre for excellence in audio- visual media across
the world and one of the best film institute in India. They have gain popularity and
have earned various laurels as accomplished technicians and famous superstars.
They decided to spread the art of film making in different parts of country. And as
we know, film industry is gaining popularity in today’s world. So, the government
and the cultural department of Rajasthan has opportunity to propose the FTII in
Jaipur, Rajasthan.

1.2 Criteria of selection

With the increase in pace of


entertainment industry more people
are attracted towards the field of film
making.Therefore, this institute is
proposed to provide a platform to
students for developing their skills.

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1.3 Project Aim

INDIA is a country which is flourishing, growing and developing. But the selected
site is still forbidden and formidable land of India, and still found to be
underdeveloped. The reason for underdeveloped are too many but introducing a
National Level Film and Television Institute will add human influx from all over the
world. Thus, will lead to produce better opportunity for development.

Designing a film and television institute campus in significance with the invention of
modern technologies and the evolve the film culture.

1.4 Project scope


- It can be designed as an art campus by enhancing the scenic beauty of the site.
- The scope of the project extends to the representation of Film narrative styles
through architectural design of the campus.
- Can develop it as a centre for recreation and education by merging the
knowledge and fun part of film and other medias through activities and
architecture.

1.5 Objectives
• Nurturing and simulating Film culture through Architecture.
• Bring Film Institute as cultural icon of the states.
• Providing an interactive environment and platform to students
through academic pavilion.
• Promote Film and other related media production.

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CHAPTER 2

PRE-DESIGN STUDIES

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Chapter 2

• CASE STUDY 1 - FILM AND TELEVISION INSTITUTE OF INDIA (FTII)


Established in pune, Maharashtra as ‘Film institute of India’ in 1960 on the
erstwhile prabhat studio premises at Pune. FTII boasts of a rich legacy in quality
Indian cinema. The Institute has come a long way from its humble beginnings.
Today, FTII is commonly regarded as a centre of excellence across the world.
The total site area it occupies is 22 acre with the capacity of 300 students.

2.1.1 Project form, topography and area chart

The form is rectilinear as the site is 240m along the breadth and 360m along depth
and if we see the slope of the site which is very gentle slope of 1:30.

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2.1.2 Understanding the different built v/s open spaces

2.1.3 Accessibility

FTII has one common Entry/Exit which serves as main Entry/Exit as well as service
Entry/Exit, and is only 9M wide.

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Film and Television Institute of India

2.1.4

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Film and Television Institute of India

CHAPTER 3

ANALYSIS

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Film and Television Institute of India

3.1 Site Analysis


3.1.1 Site Location

The site is taken in Jaipur, Rajasthan

Jaipur, the capital and the largest city of the state, Rajasthan. As of 2018, the city
had a population of 3.1 million, making it the tenth most populous city in the country.
Jaipur is also known as the Pink City, due to the dominant colour scheme of it
buildings. It is located 268 km from the national capital New Delhi.

SITE LOCATION - Agra Highway, Jamdoli, Jaipur,

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Film and Television Institute of India

3.1.2 Links and Connectivity

3.1.3 About the Location

- The site is aligned along main road exposing the west facade towards the road
which gives good design opportunity to get good view from the road and which
itself creates iconic image of the building.

- The site has been selected in institutional area so that it creates more awareness
among students to opt for film making courses.

Topography

The site is flat land with undulating surface. so the topography may not dominantly
influence the layout of the building but it is very helpfull to students and faculties
because it gives opportunity to develop photogenic experience through temporary
set designings as on flat land it is very easy and less time taking.

Climate
Jaipur is famously called the Pink City, as this city enjoys bright and sunny weather all
the year. The climate of Jaipur is hot and semi-arid during its nearly yearlong dry
season

The average temperature is around 35° C to 20° C.

Minimum Temperature is 14° C (in Summer) and 6° C (in Winter).

Maximum Temperature is 49° C (in Summer) and 32° C (in Winter).

The average annual rainfall in Jaipur is approximately 30 cm.

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Film and Television Institute of India

Soil Type
The soils of district Jaipur is classified as sandy and loamy. Soils of the district have
been classified as follows:

Red desertic soils: This type of soils is predominant in central, eastern and southern
parts of the district. These are pale brown to reddish brown soils, loose and well
drained and texture varies from sandy loam to sandy clay loam.

Desert soils: Desert soils occupy a considerable area covering northern and western
parts of the district. These are mainly windblown sand and soils of interdunal
depressions.

Sand dunes: Sand dunes occupy a small part in northern and north-western margin
of the district. These are sandy to loamy sand, loose, structure less and well drained.

Latosols and Rego sols of hills: These types of soils are found in hills and hill slopes of
central and western parts of the district. These are shallow, light textured, drained
and reddish brown to greyish brown in colour.

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Film and Television Institute of India

Ground water
There is no perennial river in the district. The level of ground water does not rise due
to low and scanty rains in the district. Due to the excessive extraction of ground
water, its level is going down day by day. The natural sources of water Viz. River,
tanks etc are very few.

Land Utilization
The land use gives vital information regarding areas under different uses viz.
reserved/ open & dense/ degraded forests, plantation, water bodies, waste land,
etc.

Physical Infrastruture

• Transportation
Jaipur is well connected by road, rail and air to all major cities and towns.

• Rail Network+

Jaipur as the capital of Rajasthan and an important division of the North Western
zone of the Indian Rail network . It is well connected by direct trains from all metros
and major cities in India, including Delhi, Mumbai, Ahmedabad, Jodhpur,
Jaisalmer, Barmer, Bikaner, Ajmer, Alwar, Agra, Kanpur, Allahabad, Gaya, Kolkata,
Indore, Lucknow, Varanasi, Patiala, Chandigarh, Kalka,
Jammu, Chennai, Bangalore and Hyderabad.

• Air Network
Jaipur is connected to all the major cities including Delhi and Mumbai, the airport
is about 12.4 km from the City palace of Jaipur.

In Land use plan the Master Development 2031 indicates use zones as designated
Zonal Development Plan is the plan for one of the planning zones of the Jodhpur
region

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Film and Television Institute of India

Land Use

In Land use plan the Master Development 2031 indicates use zones as designated
Zonal Development Plan is the plan for one of the planning zones of the Jaipur
region.

The boundaries of various pockets of use zones are defined in land use plan by
features like railway tracks, roads, drains etc. The project will come under
institutional zone in land use plan of Jaipur .

Site Surroundings

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Film and Television Institute of India

Employment opportunities - Vibrant festivals and fairs portrays the cultural wealth
of Jaipur. The city has found the perfect balance between conserving the rituals
and customs of the past while still keeping up with the current advancements.
Since Film institute creates its own demand of making films which gives message to
the society and gives boom in the film making industry.

Recreational and cultural opportunities- Jaipur is a city of royal charm and with its
splendid style of entertainment and recreation. Since the city has been the home
of the royalty. the methods of leisure are distinctly imperial.
Every year Pink city witnesses Jlf and many other festivals like music festivals etc.
that is organised by govt. of Rajasthan which create another big opportunity for
FTII to create awareness about films and its significance.

Swot analysis

Strength Weakness Opportunity Threat

• Easy access • Expose to the • Institute can • Increase in


from the main noise created create new traffic volume
road with low from the front mode of learning and frequent
frequency of side of for the students heavy vehicles
traffic construction. and will give expose students
• Low gradient fame to the with danger.
slope of the site Rajasthan Film • Future
help i the culture. development
movement of • Orientation of site on the rear side
the students to give maximum may reduce
access. opening to the the the green
building area .

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Film and Television Institute of India

3.2 Area Programme Analysis

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Film and Television Institute of India

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CHAPTER 4

CONCEPT AND DESIGN PROPOSAL

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Film and Television Institute of India

4.1 Concept

Figure 1 Conceptual sketch

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Film and Television Institute of India

Final Form

Final form of building by adding both the planning techniques -

i) Courtyard planning
ii) Staggering blocks for visual connectivity and thermal comfort.

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Film and Television Institute of India

CHAPTER 5

DESIGN ELECTIVE- LANDSCAPE

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Film and Television Institute of India

5.1 CRITERIA OF SELECTION

The site is located on Agra-Jaipur highway, Jamdoli. which is in very close proximity
to dense traffic zone and results in generating heavy noise all day and night-time.
Therefore, we can use LANDSCAPE ELEMENTS AS AN OUTDOOR ACOUSTICS to keep
the noise under control or minimise it.

5.2 UNDERSTANDING OF SOUND BEHAVIOUR IN OUTDDOR AND INDOOR


The auditory experience- vision is directional while sound is omnidirectional. thus,
sight isolated while sound is omni directional. acoustical character of a space can
lend intimacy and monumentality, invitation or rejection, hospitality or hostility; for
example an echo created in a narrow street or inside an empty cathedral yields
the space its own identity and connects us to the space, by creating specific
memories. the form the volume and the material contribute to the sound
generation in its interior and exterior spaces.

5.3 Objectives
1) To study the basic landscape elements of outdoor acoustics.
2) To study various types of plants and trees for adapting its use in noise proof
landscaping.
3) To identify the issues and challenges of controlling outdoor noise.
4)To recommend design approaches with respect to landscape as outdoor
acoustic for better user experience.
5.4 Scope of work
1) To study the various elements of outdoor acoustics.
2) To study the plants and their properties.

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Film and Television Institute of India

Objectives -1
1. To study the basic landscape elements of outdoor acoustics.
a) Site planning

b) Landforms

c) Water Feature
d) Building Forms
e) Plant material

A) SITE PLANNING
Noise affected areas should be planned
away from noise source,

Orientation of buildings
Orientation of buildings - courtyards can be sources of considerable noise. the
buildings shown above have a central courtyard enclosed by parallel walls. the
walls cause flutter echoes which intesify the noise. by angling or staggering the
buildings noise can be reduced.

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Film and Television Institute of India

Outdoor Barriers can be constructed to control noise.


outdoor barrier can be used to reduce environmental noises, especially high-
frequency sound energy such as tire whine from trucks and cars. however sound
energy such as engine roar can readily bend over and around barriers.

B) LANDFORM
Elevated roadbeds and thin wall barrier can provide useful attenuation.
However, elevated highways more than 500ft. can produce almost same noise
level as highways at grade because the line of sight cannot be blocked.

Roadbeds below grade can interrupt the direct sound path from source to
receiver even further, thereby providing greater attenuation by diffraction.
Roadbed depression of 12ft or more usually are needed to control highway noise.

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Film and Television Institute of India

CHAPTER 6

DESIGN ELECTIVE – MECHANICAL


SERVICES

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Film and Television Institute of India

System Identified for cooling is Evaporative cooling

An evaporative cooler is a device that cools air through the evaporation of water.
Evaporative cooling differs from typical air conditioning systems, which use vapor-
compression or absorption refrigeration cycles. Evaporative cooling uses the fact
that water will absorb a relatively large amount of heat in order to evaporate. The
temperature of dry air can be dropped significantly through the phase transition of
liquid water to water vapor (evaporation). This can cool air using much less energy
than refrigeration. In extremely dry climates, evaporative cooling of air has the
added benefit of conditioning the air with more moisture for the comfort of
building occupants.

The cooling potential for evaporative cooling is dependent on the wet-bulb


depression, the difference between dry-bulb temperature and wet-bulb
temperature. In arid climates, evaporative cooling can reduce energy
consumption and total equipment for conditioning as an alternative to
compressor-based cooling. In climates not considered arid, indirect evaporative
cooling can still take advantage of the evaporative cooling process without
increasing humidity. Passive evaporative cooling strategies can offer the same
benefits of mechanical evaporative cooling systems without the complexity of
equipment and ductwork.

In evaporative cooling we have two different types of cooling system which are

1) Direct Cooling
2) Indirect Cooling

The Basic difference between the two is, in direct cooling air is cooled directly
through the water vapours and then blown out through exhaust but in indirect
cooling system the process includes some heat exchangers also to reduce the
amount of moisture in air. And this system is called HYBRID EVAPORATIVE COOLING
SYSTEM.

HYBRID EVAPORATIVE COOLING SYSTEM or TWO-STAGE EVAPORATIVE COOLING In


the first stage of a two-stage cooler, warm air is pre-cooled indirectly without
adding humidity (by passing inside a heat exchanger that is cooled by
evaporation on the outside). In the direct stage, the pre-cooled air passes through
a water-soaked pad and picks up humidity as it cools. Since the air supply is pre-
cooled in the first stage, less humidity is transferred in the direct stage, to reach the
desired cooling temperatures. The result, according to manufacturers, is cooler air
with a RH between 50-70%, depending on the climate, compared to a traditional
system that produces about 70–80% relative humidity in the conditioned air.

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Film and Television Institute of India

Materials

Traditionally, evaporative cooler pads consist of aspen wood fibre inside a


containment net, but more modern materials, such as some plastics and
melamine paper, are entering use as cooler-pad media. Modern rigid media,
commonly 8" or 12" thick, adds more moisture, and thus cools air more than
typically much thinner aspen media. Another material which is sometimes used is
corrugated cardboard.

DESIGN CONSIDERATIONS

Water use

In arid and semi-arid climates, the scarcity of water makes water consumption a
concern in cooling system design. However, such concerns are addressed by
experts who note that electricity generation usually requires a large amount of
water, and evaporative coolers use far less electricity, and thus comparable water
overall, and cost less overall, compared to chillers.

Shading

Allowing direct solar exposure to the media pads increases the evaporation rate.
Sunlight may, however, degrade some media, in addition to heating up other
elements of the evaporative cooling design. Therefore, shading is advisable in
most applications.

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Film and Television Institute of India

Mechanical systems
Apart from fans used in mechanical evaporative cooling, pumps are the only
other piece of mechanical equipment required for the evaporative cooling
process in both mechanical and passive applications. Pumps can be used for
either recirculating the water to the wet media pad or providing water at very
high pressure to a mister system for a passive cooling tower. Pump specifications
will vary depending on evaporation rates and media pad area.

Exhaust

Exhaust ducts and/or open windows must always be used to allow air to
continually escape the air-conditioned area. Otherwise, pressure develops and
the fan or blower in the system is unable to push much air through the media and
into the air-conditioned area. The evaporative system cannot function without
exhausting the continuous supply of air from the air-conditioned area to the
outside. By optimizing the placement of the cooled-air inlet, along with the layout
of the house passages, related doors, and room windows, the system can be used
most effectively to direct the cooled air to the required areas. A well-designed
layout can effectively scavenge and expel the hot air from desired areas without
the need for an above-ceiling ducted venting system. Continuous airflow is
essential, so the exhaust windows or vents must not restrict the volume and
passage of air being introduced by the evaporative cooling machine.

ADVANTAGES FOR EVAPORATIVE COOLING

Less expensive to install and operate

• Estimated cost for professional installation is about half or less that of central
refrigerated air conditioning.
• Estimated cost of operation is 1/8 that of refrigerated air conditioning.
• No power spike when turned on due to lack of a compressor
• Power consumption is limited to the fan and water pump, which have a
relatively low current draw at start-up.
• The working fluid is water. No special refrigerants, such as ammonia or CFCs,
are used that could be toxic, expensive to replace, contribute to ozone
depletion and be subject to stringent licensing and environmental
regulations.

Ease of installation and maintenance

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• Equipment can be installed by mechanically inclined users at drastically


lower cost than refrigeration equipment which requires specialized skills and
professional installation.
• The only two mechanical parts in most basic evaporative coolers are the fan
motor and the water pump, both of which can be repaired or replaced at
low cost and often by a mechanically inclined user, eliminating costly
service calls to HVAC contractors.

Ventilation air

• The frequent and high volumetric flow rate of air traveling through the building
reduces the "age-of-air" in the building dramatically.
• Evaporative cooling increases humidity. In dry climates, this may improve comfort
and decrease static electricity problems.
• The pad itself acts as a rather effective air filter when properly maintained; it is
capable of removing a variety of contaminants in air, including urban ozone
caused by pollution regardless of very dry weather. Refrigeration-based cooling
systems lose this ability whenever there is not enough humidity in the air to keep the
evaporator wet while providing a frequent trickle of condensation that washes out
dissolved impurities removed from the air.

LIFT CALCULATION
1) Peak demand [P] (for 5 min period):
𝐵𝑢𝑖𝑙𝑡 𝑢𝑝 𝑎𝑟𝑒𝑎(𝑢𝑠𝑎𝑏𝑙𝑒) ∗ 𝐻𝑎𝑛𝑑𝑙𝑖𝑛𝑔 𝑐𝑎𝑝𝑎𝑐𝑖𝑡𝑦[𝐻]
P=
𝑃𝑒𝑟 𝑝𝑒𝑟𝑠𝑜𝑛 𝑎𝑟𝑒𝑎 ∗ 100

2) Car travel [L] = Number of floors*Floor height

3) Probable number of stops [S₁]:


𝑆−1
S₁ = 𝑆 − 𝑆⟮ ⟯ᶯ
𝑆
Where, S = Maximum number of stops

ŋ = average number of passengers in a lift (80% of total car capacity)

𝐿
4) Upward journey time = S₁⟮ S1 V + 2𝑉⟯
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Film and Television Institute of India

Where, S₁ = Probable number of stops

L = Car travel (in meters)

V = Speed of lift (4.5m/s here)

𝐿
5) Downward journey time = ⟮ V + 2𝑉⟯

𝑊
6) Door opening time = 2⟮S₁ + 1⟯ Vd

Where, W = Width of door (here, 1.1m)

Vd = Opening speed of door (here, 0.4m/s)

7) Average time taken for each passenger to get in/out of the lift car = 2
sec/passenger

Transfer time = 2 sec * ŋ (average number of passenger)

8) Round trip time [R.T.T.]

R.T.T. = Upward journey time + Downward journey time + Door opening time +
Transfer time

9) Capacity of group :

5(min) ∗ 60 (sec) ∗ N ∗ ŋ
𝑃=
R. T. T.
Where, N = Number of lifts

𝑅.𝑇.𝑇.
10) Waiting time =
N

Quality of service (With respect to waiting time)

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Film and Television Institute of India

Excellent – Less than 25 sec

Very good – 25 sec – 30 sec

Good – 30 sec – 35 sec

Fair – 35 sec – 40 sec

FIRE DAMPERS

A) These shall be located in air ducts and return air ducts/passages at the
following points:
i) At the fire separation wall.
ii) Where ducts/passages enter the central vertical shaft.
iii) Where the ducts pass through floors.
iv) At the inlet of supply air duct and the return air duct of each compartment on
every floor.

b) The dampers shall operate automatically and shall simultaneously switch off
the air- handling fans. Manual operation facilities shall also be provided.

c) Fire/smoke dampers(for smoke extraction shafts) for building more than 24 m.


in height. For apartment houses in non-ventilated lobbies /corridor operated by
detection system and manual control sprinkler system. For other buildings on
operation of smoke/ heat detection system and manual control/sprinkler system.

d) Automatic fire dampers shall be so arranged so as to close by gravity in the


direction of air movement and to remain tightly closed on operation of a fusible
link.

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SELECTION OF TECHNOLOGY AND EQUIPMENTS


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