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Origami

Collection
2016
Copyright 2016 by OrigamiUSA, a volunteer-based, not-
for-profit educational arts organization committed to the
elucidation and dissemination of paperfolding as an art
and a craft.

All rights reserved, including the right to reproduce this


book or portions thereof in any form without prior written
consent.

OrigamiUSA
15 West 77th Street
New York, NY 10024-5192
(212) 769-5635
origamiusa.org

Cover Illustration by Nathan Zeichner


Cover based on Rabbit, courtesy of Tomoko Fuse and
Carrot, courtesy of Jun Maekawa, diagrams available
in the 18th Origami Tanteidan Convention collection book

Origami Basics section by Marc Kirschenbaum


Publication Team Managing Editors
Isabella Gandler Marc Kirschenbaum
Marcio Noguchi JC Nolan
Omer Shalev Daniel Scher
Nathan Zeichner

Submissions to the Origami Collection and other


OrigamiUSA publications can be
sent to origami.usa.pub@gmail.com.
A submission form and copyright guidelines can be
found at origamiusa.org/submissions.

i
Table of Contents

About the Collection v


Picture Index vi
The 2016 Origami Collection 1
Origami Basics 228

iii
About the
Origami Collection
The Origami Collection was born in 1980 from ideals
fostered by the founding members of OrigamiUSA. Michael
Shall (1949-1995) launched this yearly anthology to
share origami models from around the world. His mentor,
Lillian Oppenheimer (1898-1992), provided the
springboard for this effort, as many of the models were
drawn from her collection and connections she cultivated.
Alice Gray (1914-1994) also provided inspiration by
streamlining the communication of origami ideas. All of the
novice-level works in this collection are dedicated to Alice
and her love of simple, elegant pieces.

Throughout the years as our presentation has grown more


polished, the goal of showcasing great origami has not
diminished. The editors of the Origami Collection spend
many hours curating, testing and editing origami designs
to produce a book that will appeal to origami aficionados
of all levels and interests. Variety is a key criterion; you will
find works here by established origami artists as well as
many hidden gems from up-and-coming stars. Most of
the pieces are making their debut in these pages. We hope
you are as excited about discovering these diagrams as
we are in presenting them.

v
Picture Index
Picture Index

Artigas, Jesús Condori, Julio Eduardo


Good Grief Winged Wolf
Page 1 Page 18

Berty, Viviane d’Anger, Max


Mimi the Mouse Dragon
Page 5 Page 24

Berty, Viviane Dementiev, Ivan


Puppy Space Telescope
Page 11 Page 32

Bettens, Christiane Diard, Lydia


Eight-Pointed Star Fleur de Noyer
Page 13 Page 38

Chen, Sy Flores, Edwin Claudio


Cupid’s Arrow Armadillo
Page 15 Page 44

Artigas, Jesús Condori, Julio Eduardo


Good Grief Winged Wolf
Page 1 Page 18

Berty, Viviane d’Anger, Max


Mimi the Mouse Dragon
Page 5 Page 24

Berty, Viviane Dementiev, Ivan


Puppy Space Telescope
Page 11 Page 32

Bettens, Christiane Diard, Lydia


Eight-Pointed Star Fleur de Noyer
Page 13 Page 38

Chen, Sy Flores, Edwin Claudio


Cupid’s Arrow Armadillo
Page 15 Page 44

vi Picture Index
Fung, Michelle Gueros, Mathieu
TIM the Beaver (Face) Fox
Page 48 Page 76

Gajardo, Nicolas Hudson, Andrew


Mushroom Monster Polychrome Tato
Page 52 Page 84

Galindo, Richard Inayoshi, Hidehisa


Camel Chopstick Envelope (Straberry)
Page 55 Page 87

Gardin, Yannick Jaramillo, Jorge


Seahorse Wheel Bowl
Page 62 Page 88

Gu, Lee Jae Kato, Shuki


Basset Hound Anime Forest Spirits
Page 65 Page 90

Picture Index vii


Kirschenbaum, Marc Lukasheva, Ekaterina
Elephant Lathyrus
Page 103 Page 127

Kobayashi, Hiroaki Marchetti, Peter


Little Whale Axolotl
Page 105 Page 130

Liu, Tong Martinez, Leonardo Pulido


Phonograph Scorpion
Page 111 Page 135

Liu, Tong Meij, Bas


White Rhino Slug
Page 116 Page 139

Liu, Tong Morollón, Ángel


Yellow Henchmen Swallow
Page 121 Page 142

viii Picture Index


Nguyen, Lisa Pham, Hoang Tuan
Winged Heart Rabbit
Page 147 Page 170

Nguyen, Lisa Queiroz, Paulo


Yale-Type Cylinder Lock Key Orchid
Page 149 Page 174

Nikulshin, Pavel Quyet, Hoàng Tien


Uintatherium Dove
Page 151 Page 179

Nino, Jaime Randolph, James


Hen Bird with Stand
Page 162 Page 181

Okabe, Nobuko Robinson, Nick


8-Pointed Starburst Flower Cecil the Lion
Page 165 Page 183

Picture Index ix
Ševerová, Dáša Stern, Joel
Star Anise Flapping Pheasant Bookmark
Page 185 Page 203

Sigalovsky, Mark Tahir, Hadi


Nocturnal Car Peace Sign
Page 189 Page 205

Snyder, Rob Tai, Hsi-Min


Angel Dolphin
Page 194 Page 206

Snyder, Rob Tan, Benjamin


Secret Heart Owl Butterfly and Heart
Page 195 Page 208

Stamm, Tom Tu, Tuan Nguyen


Sea Serpent Dragon Rabbit
Page 197 Page 210

x Picture Index
Yagi, Yara
Dachshund
Page 211

Yagi, Yara
Hen and Chicks
Page 218

Yamaguchi, Makoto
Penguin Box
Page 221

Zodl, Evan
Sarah’s Star
Page 225

Picture Index xi
Good Grief! Jesús Artigas

Low Intermediate ©2014 - Spain

2 5

3 4

B
A

Good Grief!/Jesús Artigas 1


6

A
8
B

A
B

10

11 12

2 Good Grief!/Jesús Artigas


17

10-17

18

16

15

13

14

Good Grief!/Jesús Artigas 3


20B

21B

20A
22B

19

23B

23A

21A

22A

jjartigas.honigvogel@gmail.com
artigas.honigvogel@gmail.com
g g g g

4 Good Grief!/Jesús Artigas


Mimi the Mouse Viviane Berty

Low Intermediate ©2013 - France

Mimi la Souris © Viviane Berty 2013


Pour un premier essai, prendre un
carré de 21 cm X 21 cm.

For a first try, use a 21 cm X 21 cm


square.

1
2

Couleur des yeux dessus

Color of the eyes up.

3 4 5

Mimi the Mouse/Viviane Berty 5


6 7 8

Marquer
fortemement les
plis sur toutes
les couches

Crease firmly
through all the
layers.

9
10
11

6 Mimi the Mouse/Viviane Berty


12
13

Pli écrasé pour les yeux

Squash-fold to form the


eyes.

14

15

16

Mimi the Mouse/Viviane Berty 7


17 18

19
20

Dégager les couches du


dessous pour préparer le
changement de couleur
du nez.

Pull out the underneath


layers to prepare a color
change for the nose

21
22

8 Mimi the Mouse/Viviane Berty


23 24

25 26

Mimi the Mouse/Viviane Berty 9


27
28

Plier en vallée pour affiner la


queue et pincer à la base du dos en
soulevant les petits volets pour
former le derrière.

Form the backside by pinching at


the bottom and inflating the inner
pockets.

10 Mimi the Mouse/Viviane Berty


Puppy Viviane Berty

Low Intermediate ©2015 - France

Petit chien /Puppy


©V
Viviane Berty 2015

Papier kami bicolore 15 cm X 15 cm


Bicolor kami paper 15 cm X 15 cm

1 2 3

4 5 6

Base du renard de Quyet Hoang.


Quyet Hoang’s Fox base.

7 8

9
11

10

Ouvrir le modèle par dessous


pour plier les bissectrices.

Open the model underneath to


fold the bissector angles.

Puppy/Viviane Berty 11
12 Pli inversé intérieur 12 bis Vue intermédiaire. Bien
pour former la comprimer les couches à
queue. l’endroit indiqué avant de
Inside reverse fold refermer le modèle.
to form the tail.
Intermediate view. Press
the layers where indicated
before closing the model.

Modèle terminé. Pliage simple.


Modèle terminé. Pliage humide.
Complete model. Dry folding.
Complete model. Wet folding.

Variations

7 bis

12 bis

Pour changer l’attitude du chien, modifier


l’angle du pli vallée à l’étape 7.
Ajuster les couches de papier décalées.
To modify the dog’s posture, change the valley
fold angle on step 7. Adjust the shifted layers.

12 Puppy/Viviane Berty
Eight-Pointed Star Christiane Bettens

Intermediate ©2016 - France

1 2 3

4 5

6 7

octagonal twist

Eight-Pointed Star/Christiane Bettens 13


8 9 7-9

(unfold ap from step 7 before repeating)

10 11

45°

back side completed rotate the twist 45° counter-clockwise,


creating valley-folds on the layer behind

12 13

octagonal twist

Done !

Mélisande* 2016

www.origami-art.org

14 Eight-Pointed Star/Christiane Bettens


Cupid’s Arrow Sy Chen

Intermediate ©2015 - Maryland

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Cupid’s Arrow/Sy Chen 17


Winged Wolf Julio Eduardo Condori

Complex ©2010 - Bolivia

1 2
3

5
4 6 7

9 10
8

Sacar la capa que


Sacar la capa que
esta por dentro
esta por dentro

18 Winged Wolf/Julio Eduardo Condori


11 12 13 14

Abrimos lo Hundimos
de adentro

16
15
17 Hacer una
marca interna
Girar

18

Repetimos
el mismo
paso 17
22 23 por atrás

19

20

25


24


21

Abrir y Girar

Winged Wolf/Julio Eduardo Condori 19


26 27

Una vez marcado se va colapsando al En esta parte podemos observar de cómo el


mismo tiempo estirando el sector del medio centro se estira para luego ser colapsada




28 29

30 31

32 33

Abrimos
una capa

37
34 36
35

Abrimos
una capa
40 41
38 39

20 Winged Wolf/Julio Eduardo Condori


42 43 44

46 Volteamos la
45 sección marcada

Volteamos la
sección marcada
47 48

Pliegue
escalonado en la
cola

49 50
Subir una capa
que esta por
detras
Voltear para el
cambio de color
en la cola

Winged Wolf/Julio Eduardo Condori 21


51 52 53 54

Hacer un
pliegue oreja
de conejo
57
55 56

58 59

60 61

Hacer un pliegue Hacer un pliegue


oreja de conejo en oreja de conejo en
las patas traseras las patas delanteras

22 Winged Wolf/Julio Eduardo Condori


63
62

Dar forma de alas al lobo de forma


escalonado , no solo las alas si no
también la cola como se muestra
la figura final

Fin del Modelo

Winged Wolf/Julio Eduardo Condori 23


Dragon Max d’Anger

Complex ©2015 - United Kingdom

24 Dragon/Max d’Anger
Dragon/Max d’Anger 25
26 Dragon/Max d’Anger
Dragon/Max d’Anger 27
28 Dragon/Max d’Anger
Dragon/Max d’Anger 29
30 Dragon/Max d’Anger
Dragon/Max d’Anger 31
Space Telescope Ivan Dementiev

Complex ©2015 - Russia

01. Recommended paper: thin, 16 x 48 cm.


Begin the white side up. Divide the sheet by
any available method into 4 and into 12 parts
accordingly. Detailed view. 02. Divide each part into 2 parts.

3 03. Repeat step 2.

1
32 Space Telescope/Ivan Dementiev
05. Mark the creases as shown,
04. The basic grid 16 48 is ready. using the grid lines.

06. Mark the creases as shown

Space Telescope/Ivan Dementiev 33


07. Mark the creases as shown. 09. Repeat steps 5-9 with the bottom half.

08. Mark the creases as shown.

34 Space Telescope/Ivan Dementiev


10. Done. Turn over 11. Fold on mentioned lines

Space Telescope/Ivan Dementiev 35


12. The view from the front side. 13. The view from the back side.

14. Lift the edge of central portion at an angle


of 90 degrees. 15. Fold the central part as shown.

36 Space Telescope/Ivan Dementiev


19. Finish.
17. Bend the edges.

7 5

18. Twisting in a spiral. The free end of the


spiral place a inside the model.

Space Telescope/Ivan Dementiev 37


Fleur de Noyer Lydia Diard

Complex ©2015 - France

38 Fleur de Noyer/Lydia Diard


 

  

 

      


    

 

Fleur de Noyer/Lydia Diard 39



  

 

     


        

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Fleur de Noyer/Lydia Diard 43


Armadillo Edwin Claudio Flores

Intermediate ©2009 - Bolivia

1 2 3
("&+$*'+'+
$*(%

4 5 6

7 8 9

44 Armadillo/Edwin Claudio Flores




10 11 12 13

14 15 16 17

45◙

19 20
18

22 23
21

25 26
24 %"(- )%"()*"
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Armadillo/Edwin Claudio Flores 45


27 28 30
29
(+$" +
)"%$%

31
33
%",("(" 32
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34
35
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36 37

38 39

46 Armadillo/Edwin Claudio Flores


40 41

42 43

44 45
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Armadillo/Edwin Claudio Flores 47


TIM the Beaver (Face) Michelle Fung

High Intermediate ©2010 - California

TIM the Beaver (Face)


Model & Diagrams by Michelle Fung
Designed: 10/2010
Diagrammed: 11/2011
www.michellefung.net

Start white side up. Fold and unfold.

Rabbit ear.

Valley fold.

5
6

Pull out the layer underneath. Reverse fold along lines.


Squash fold.

48 TIM the Beaver (Face)/Michelle Fung


14

16

15

Pull inner layer out.

13 Petal fold.

Squash fold.

12 11
Valley fold.

10

Pull inner layer out.


Valley fold.

7 8 2-7 9

Rabbit ear.

Repeat steps 2-7 on


the other side. Fold and unfold.
Mountain fold.
The valley fold will form an
approximately square area.

TIM the Beaver (Face)/Michelle Fung 49


17 18 19

20

Crease lightly. Valley fold.

Petal fold.
Unfold step 16.
21
22

23 Valley fold. Flip out corner flap.

29 30
Pleat.

Pleat.

28
Valley folds.

24 Front Back Unfold steps 26-29 while keeping


the spread sinks in place.

Spread sinks on the right and left edges.

27
Front
25 Underside 26

Mountain folds.

Mountain and swivel folds.


Mountain fold.

50 TIM the Beaver (Face)/Michelle Fung


46 47
48
49

45 Mountain folds.
Mountain folds.

Mountain fold to round edges.


Open sink above teeth. Done!
Mountain folds.

43 42
44 41

Tuck excess flaps


underneath top layer.

Squash fold.
Mountain folds with swivel folds Reverse fold tips of ears.
at the base. Mountain fold to round edges.
40
38 39
37

Squash fold. Reverse fold.

Petal fold. Pull out paper to


reveal white side.

36
35

Mountain and valley folds. No 34


new creases are made in this step.
The circled corners correspond to
the points circled in step 37.

Unfold to step 32, then spread


front open along middle.
Valley fold.

33
31 32

Turn
over.

Closed sinks and petal folds on right and left sides.


Rabbit ear.
The paper should lie flat.

TIM the Beaver (Face)/Michelle Fung 51


Mushroom Monster Nicolas Gajardo

Intermediate ©2014 - Colombia

1
2

4
3

6 7

Hundido abierto
por la mitad de las Marcar
solapas

52 Mushroom Monster/Nicolas Gajardo


8
10

11
12
13

Estirar

15
16
14 Liberar capa

18 17

19 20
Repetir los últimos
pasos en la otra solapa

Mushroom Monster/Nicolas Gajardo 53


21
23
22

25 24

26

Estirar las capas del interior

27
28

29
30

Modelar

54 Mushroom Monster/Nicolas Gajardo


Camel Richard Galindo
Halle (diagrams)
©2014 - Bolivia

CAMELLO
Complex

by Richard Galindo

1 30 x 30
Permite muchos tipos
os
de papel 3
6 Desplegar todo
2

7
8
9

Camel/Richard Galindo 55
17 18 21
21

16 1199 20

1155 13
14

10 11 12

56 Camel/Richard Galindo
2
23

22
24

45º
45º 25

2
26 27

288
Crimp, con un pliegue
invertido interior.
Ver siguiente paso
En proceso
31

30
29
Al hacer el pliegue, se empuja
una capa interna

Camel/Richard Galindo 57
42

41
41

40
40
39

33
32
30-

34
3388

37
35 Pliegue invertido exterior Pasar una capa delante
36

58 Camel/Richard Galindo
444

Desplegar hasta el paso 39

43

Pliegue compuesto de un doble crimp


y pliegue invertido exterior

4455
46

47

48 Pliegue petalo 51
51

50

49

Camel/Richard Galindo 59
63 64
Desdoblar. Abrir
y mirar por dentro

65

62 55-61

Pliegue invertido exterior

61

59
5533 60
Squash
fold

Pasar la
capa al interior

58
54 56

55
55 57

60 Camel/Richard Galindo
Formar la cabeza
66 67 Hundido
abierto 68

Modelar
la oreja
71
70 69

Creador: Richard Galindo Flores


Modelar el morro Simbolos: Pere Olivella
Diagramas by Halle 2015
72

Redondear el abdomen

73

Bajar una capa 74

Camel/Richard Galindo 61
Seahorse Yannick Gardin

Intermediate ©2014 - France

62 Seahorse/Yannick Gardin
Seahorse/Yannick Gardin 63
64 Seahorse/Yannick Gardin
Basset Hound Lee Jae Gu

Complex ©2015 - Korea

1 2

3 4
4/1

Basset Hound/Lee Jae Gu 65


5 6

7 8

9 10
3/1

66 Basset Hound/Lee Jae Gu


11 12

13 14

15 16

17

Basset Hound/Lee Jae Gu 67


18

19

20
4/1
21

22
4/1

23

68 Basset Hound/Lee Jae Gu


24

25

26

27

28

29

27~28

Basset Hound/Lee Jae Gu 69


30 31
1 1

32 33

34 35

36

37

평행하게

70 Basset Hound/Lee Jae Gu


38

39

40

41

42

43

반대쪽도 똑같이
90도

Basset Hound/Lee Jae Gu 71


44

45

46

47

48

49

72 Basset Hound/Lee Jae Gu


50 51
49~50

52 53

54 55

Basset Hound/Lee Jae Gu 73


56 57

58 59

60 61

74 Basset Hound/Lee Jae Gu


62 63

64

65

Basset Hound/Lee Jae Gu 75


Fox Mathieu Gueros

Intermediate ©2015 - France

 

 

 

 


76 Fox/Mathieu Gueros
 

 

 

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Polychrome Tato Andrew Hudson

Complex ©2009 - California

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84 Polychrome Tato/Andrew Hudson


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86 Polychrome Tato/Andrew Hudson


Chopstick Envelope (Strawberry) Hidehisa Inayoshi

Intermediate ©2013 - Japan

ṛ Ṝ ṝ Ṟ ộ

ࣹ͢ὀὯᾍὣᢧ࿙ἼἨἷẩ
ṽẟẜẐẋẍẏṤ ẜẏẎ ࡯Ἠἱἢ૲ὛἪἩὣἵἢ὜
ṬẋẍẕṤ ẑẜẏẏẘ ‫͢ר‬ὀɥὣᢧ࿙ἼἨἷẩ૲ὛἪἩὣἵἢ὜

Ớ Ṣ ṣ

὏Ἱὒἷ૲ὛἪἩὣἵἢ὜
ếញॄὣ᫐ᦉὠἻἕὙ἗ἼỀ
ᫌἕἷἵ὇ἪὙ἗Ἴ
ͳὠὛ૲Ὓ

ṛṚ ṛṛ ṛṝ
ṛṜ

ἤἿὙ἗ἼἻ὜ ế͜ᦼᥟ᝸Ề
ɥӈἿΦ࿙ὣᥨ὜ᆷᏱἸ ɧὣூ࿙ἼἨἷẩࣸኆổỔἸἵἕἰ૲Ὓ
ἪἩἿ࢘ᠼὣҸὝಃἙἷ૲Ὓἰἰὑ
͢Ἷ᎞Ἷὐ૲ὛἪἩὣἵἢ὜

ṛỘ ṛộ ṛỚ ṛớ

ᠼ૲Ὓ ࢘૲Ὓ
᫐Ἴ଱ἨҸὝ὜ ฌἿ‫ۈ‬ὀɥӈὣକ‫ݸ‬

ỖỔ Ỗṛ
ṛṢ ổờ
࢘૲Ὓ

࢘૲Ὓ ᎩἜἠใ૲Ὓ Ἰ἞ἓἝὛ


ǥࣸኆổỘǗổờὀẩ ἥᔬᄉἼὦᾰᾷὼἨἷἠἱἦἕ

Chopstick Envelope (Strawberry)/Hidehisa Inayoshi 87


Wheel Bowl Jorge Jaramillo

Complex ©2015 - Colombia

Use a stiff, rather thick square of paper of at least 15 cm on the side.

3
1 2

5 6

x7 x7

7 9
8

88 Wheel Bowl/Jorge Jaramillo


22.5°
x7 [9]

10. If this step is being difficult, perform it with 11


every pair of sides and then fold all together.

x7

13. The diamond shape should be concave.


12. The black dot should be concave, the mountain While doing this move, press from behind to
creases as well as the short valleys, should already be help the area take shape, and on the front
there. The long valley crease should form in the process. reinforce the mountain crease.
Bring the top corner down to the reference. The area
around the dot should become 3D and keep its shape by
itself.

14

Wheel Bowl/Jorge Jaramillo 89


Anime Forest Spirits Shuki Kato

Complex ©2016 - Montana

90 Anime Forest Spirits/Shuki Kato


Anime Forest Spirits/Shuki Kato 91
92 Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato 93
94 Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato 95
96 Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato 97
98 Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato 99
100 Anime Forest Spirits/Shuki Kato
Anime Forest Spirits/Shuki Kato 101
102 Anime Forest Spirits/Shuki Kato
Little Whale Hiroaki Kobayashi

High Intermediate ©2015 - Japan

Little Whale/Hiroaki Kobayashi 105


106 Little Whale/Hiroaki Kobayashi
Little Whale/Hiroaki Kobayashi 107
108 Little Whale/Hiroaki Kobayashi
Little Whale/Hiroaki Kobayashi 109
110 Little Whale/Hiroaki Kobayashi
Phonograph Tong Liu

Intermediate ©2014 - China

t.liu@foxmail.com

© 2014 Tong Liu Origami

Phonograph/Tong Liu 111


112 Phonograph/Tong Liu
Phonograph/Tong Liu 113
114 Phonograph/Tong Liu
Phonograph/Tong Liu 115
White Rhino Tong Liu

Intermediate ©2015 - China

Use paper that is the same color on both sides.

  

  

  ՘ҋ୍‫࠵ז‬௢
8KVKGZYZKV

116 White Rhino/Tong Liu


  

 


 


  

White Rino/Tong Liu 117


 
՘ҋ୍‫࠵ז‬௢
8KVKGZYZKV

  

90°

  

  

118 White Rhino/Tong Liu



ਅவबգ 
8KVKGZHKNOTJ

ਅவबգ 

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120 White Rhino/Tong Liu


Yellow Henchmen Tong Liu

Complex ©2015 - China

www.flickr.com/photos/gt-liu
e-mail: t.liu@foxmail.com

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126 Yellow Henchmen/Tong Liu


Lathyrus Ekaterina Lukasheva

Complex ©2013 - California

Lathyrus/Ekaterina Lukasheva 127


128 Lathyrus/Ekaterina Lukasheva
Lathyrus/Ekaterina Lukasheva 129
Axolotl Peter Marchetti

High Intermediate ©2015 - Pennsylvania

Axolotl
Diculty: High-Intermediate
Folding Time: 20-40 mins
Recommended Paper: 25x25 cm
Designed by Peter Marchetti
Diagrams ©2015 Peter Marchetti

2
1 3
Slide the top layer
45 over.

Start with white side up. Fold into quarters,


Fold in half and unfold, alternating mountain and valley.
then fold the upper half
in half and unfold.

4
5

6
Fold the corner up.

Fold a rabbit ear.

Fold both small aps


over and unfold.

8 9

The marked distances


should be about equal.
Repeat steps 3-7 on the Fold and unfold through
other side. all layers.

130 Axolotl/Peter Marchetti


19

20
Crease the angle
bisectors. Repeat steps 17-20
18 behind.
Crease the diagonals
of the 'outer' square.

17
Fold the large ap
over.

14
15

Sink darkened part


in and out.
Repeat steps 11-14 behind.
16

Fold both aps to 13


the other side.
Fold into quarters and
unfold.

10 12
Inside reverse fold,
11
forming a pleat. Open sink.
Fold and unfold.

Axolotl/Peter Marchetti 131


24
Fold nearest ap to
the left.

23

22 Crimp using the


fold made in steps
Fold the left half of 19-20.
the ap over, while
21 pulling the circled
point down.
Squash fold.

25
Fold it back, pulling
the circled point down.

28 26
Repeat for the two Open out the aps.
smaller aps.

27
Focusing on the area
around the aps, thin out
the largest one, by reverse
folding along the angle
bisectors as shown.
29 32
Fold the three shorter
Repeat steps 22 to
aps over.
23 behind.

30
31
Fold and unfold. Note
that these are not Open sink to thin legs
angle bisectors. and gills.

132 Axolotl/Peter Marchetti


41
40 Thin the tail.

Repeat for the front


legs.

39
Pull hind legs down
as far as you can. 37
Be gentle- don't tear Fold the model closed
the paper. again, with the legs inside.
Incorporate a reverse fold
to adjust the head's
position. The gills may
not lie at.

38
Result.

36
Open up the model.

33
Crease through all layers.
Note the reference point.
35
Fold the gills back to
the right.

34
Outside reverse fold.

Axolotl/Peter Marchetti 133


43
42 Spread the gills
to the left, while
Focus on the head. valley folding the top
gill upwards.

45
Unwrap the paper around
the upper two gills and
fold it behind.
Be gentle- it's easy
to rip the paper here.

44
Unwrap the paper around
the lowest gill and fold it
behind.

46
Fold the gills out
to the side.

Finished.

47
Repeat steps 43-47
behind. 49
Press down on the
head, to widen it slightly.

48
Shape the head, legs, and tail.

134 Axolotl/Peter Marchetti


Scorpion Leonardo Pulido Martinez

Complex ©2004 - Colombia

Use bicolor paper


White side up

http://www.flickr.com/photos/origamileo/

1. Form a Water Bomb Base 2. Squash fold

3. Petal fold

2-5

4. Fold down the tip 5. Valley fold in half 6. Repeat steps 2 - 5

=
=

7. Open sink in half 8. Sink and fold up 9. Pleat


(precrease first) (precrease first)

Scorpion/Leonardo Pulido Martinez 135


180º

=
=
=
=
10. Open view in this tip
11. Fold and unfold at
1/4 12. Valley fold (90º)

12-14

13. Valley fold 14. Unfold 15. Repeat steps 12 - 14 16. Open and squash
from the creases

17. Moutain fold behind 18. Squash 19. Sink 20. Squash

180º

21. Valley fold 10-22


22. Close 23. Repeat steps 10 - 22

= = = = = = = =
24. Turn over
25. Divide in eight parts

136 Scorpion/Leonardo Pulido Martinez


26. Pleat

27. Sink 28. Sink 29. Repeat sink

30. Sink at 1/4 in each side ( View CP`s structure))

31. Sink at 1/4 in each side (View CP`s structure)

Scorpion/Leonardo Pulido Martinez 137


34. Open and form the tweezers
35. Sink in the 8 paws
32. Pleat 33. Pleat

Paw`s detail

37. Form the sting and de paws

36. Squash the legs and


form the tail

38. Finished model

138 Scorpion/Leonardo Pulido Martinez


Slug Bas van der Meij

Intermediate ©2015 - Netherlands

1. Fold and unfold the diagonals. 2. Fold and unfold 3. Fold the bottom
the angle bisectors. point behind.

4. pull the bottom flaps down. 5. The result is a fish base. 6. Valley fold the edges
to the middle.

7. Valley fold the edges 8. Use the valley folds made in step 7 9. Valley fold and unfold
to the middle and unfold. and form two flaps. the edges to the middle.

Slug/Bas van der Meij 139


10.Valley fold and unfold 11. Unfold back to step 5, 12. Valley fold the tip down,
along the angle bisectors. the fish base. only the top flap is used
Turn the model over. in this step.

1/3

2/3

13. Valley fold the tip up 14. Valley fold along the indicated lines. 15. This step shows the
at about 1/3 of the flap. Use the mountainfolds to thin the flap. result of step 14.
Turn the model over.

18. This step shows the


16.Valleyfold along the 17. Open sink throug all layers
result of step 17.
existing creases. using the existing lines.
Turn the model over.

140 Slug/Bas van der Meij


19. Rabbit ear the two long flaps up. 20. Rabbit ear the two short flaps. 21. Valley fold the tail.
Fold the model in half using Round the flap on the back of the slug.
a mountain fold. The next step will show Inside reverse fold the tail.
the model from the side.

22a. 22b. 22c.

23. Result of step 22. 24a. Unfold the top.


22. Valley fold the tail inside.
The next step will focus 24b. Fold the white side to the outside.
This locks the tail.
on the long flaps. 24c. Round the tip to form an eye.

26. Fold the bottom edge up.


25. Result of step 24. Round the body to give 27.
Pull layers from the inside. the slug a natural shape. The
fini
she
dm
ode
l.

Slug/Bas van der Meij 141


Swallow Ángel Morollón
Halle (diagrams)
Intermediate ©2015 - Spain

Golondrina by Ángel Morollón


ón

1 25 x 25
Papel morera
Doble seda
Kraft fino

=
=

2 Pinch
P inch 1/2 3 =

4 5

6 7

142 Swallow/Ángel Morollón


8 Desplegar
9
4-8

todo

10 11

12 11-1
13 Abrir
2
=

=
14 Colocar las dos puntas interiores al lado
ado contrario 15
derecha
al que vamos a trabajar, en este caso a la derecha,
puntas a la izquierda

Swallow/Ángel Morollón 143


16 Referencia marcada
17 Deshacer

por los pliegues del


interior

14
-19

18 19 Plegar y sacar las puntas


interiores hacia la derecha

20 Abrir
21

Voltear y
º
90

repetir en la
otra punta
de la cola
22 23

144 Swallow/Ángel Morollón


24 Valle casi paralelo al eje central, 25
e ligeramente
se abre ligeramen
g te por
p arriba

26 27

28.A

28 Hundido cerrado como se muestra


en 28.a y 28.b

28.B
24
-29

29

Swallow/Ángel Morollón 145


Hundido cerrado
en los ojos,
como se ve en
los pasos 32 y 33

30 31

32
33
33

34 35 Humedecer
ligeramente
y sujetar

36 Dejar secar y retirar la cinta o sujeción

146 Swallow/Ángel Morollón


Winged Heart Lisa Nguyen

Intermediate ©2014 - France


 
  

 
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Yale-Type Cylinder Lock Key Lisa Nguyen

Low Intermediate ©2015 - France

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Uintatherium Pavel Nikulshin

Complex ©2015 - Russia

2.
1.

4.
NPV

3.

Uintatherium/Pavel Nikulshin 151


5. 6.

7. 8.

10.
9.

152 Uintatherium/Pavel Nikulshin


Unfold from step 9.

11. 12.

13.
14.

15.
16.

Uintatherium/Pavel Nikulshin 153


Repeat steps 12-16 from other side. Rotate model on 90 degrees.

1/4
12-16

17.

Point A from step 16.


18.

To pull from point, unsink layer of paper.

19.
20.

21.
22.

154 Uintatherium/Pavel Nikulshin


23. 24.

To pull from point, un sink corner.

25.

26.
To pull from point B
(see step 27).

27.

28.

Uintatherium/Pavel Nikulshin 155


29.
30.

Create line between to points.

31.
32.
Unsink.

33.
34.

156 Uintatherium/Pavel Nikulshin


Model not absolutely flat.

35. 36.

37.
38.

39. 40.
Open.

41. 42.

Uintatherium/Pavel Nikulshin 157


Open.

43.
44.

45.
46.
View from behind.

To up corner.

47.

48.

158 Uintatherium/Pavel Nikulshin


44-49.
Repeat steps 44-49

49. 50.
1. To up corners. Model not absolutely flat.
2. Fold model in two.

2.

1.

1.
2.
52.
51.
Unsink.
To up one layer.

54.
52-54. 53. Inside revers-fold.
Repeat steps 52-54
from behind.

55. 56.

Uintatherium/Pavel Nikulshin 159


57. 58. 59.

Unfold from step 59.

Sink between second


and third layer.

60.

The part of two top layer


61.
not show.
62.
The part of two top layer
not show.

63.
64. 65.

66. Repeat steps 58-67


behind.
To press from two sides. 58-67
67.

68.
69.

160 Uintatherium/Pavel Nikulshin


Make tho small pleat-fold.
To give form of horns
Repeat steps 69-7
behind.
69-71

70.
71.
72.

Steps 74-78 to do
simultaneously
from both sides.

73.

74. 75

76.

77.
To give model
the finished form.

78.
Finished.
79.

80.

Uintatherium/Pavel Nikulshin 161


8-Pointed Starbust Flower Nobuko Okabe

Intermediate ©2015 - New Jersey

8-Pointed Starbust Flower/Nobuko Okabe 165


166 8-Pointed Starbust Flower/Nobuko Okabe
8-Pointed Starbust Flower/Nobuko Okabe 167
168 8-Pointed Starbust Flower/Nobuko Okabe
8-Pointed Starbust Flower/Nobuko Okabe 169
Rabbit Hoang Tuan Pham

High Intermediate ©2015 - Vietnam

  

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Rabbit/Hoang Tuan Pham 173


Orchid Paulo Queiroz
Mario Noguchi (dgrms.)
High Intermediate ©2015 - Brazil

1
2

Fold in half. Unfold.


Fold one diagonal.
Unfold. Turn over.

3
4
5

Fold one corner to the


center.
Fold and unfold the
angle bisectors. Fold in half.

6 8

9
Open and squash. Open the layers.
See next step for
7 progress. Model will
not lie flat.

Fold the corners to the


line and fold symmetri-
cally. See next step for
expected result.
Petal fold.

174 Orchid/Paulo Queiroz


20 21
19

Fold the corner up, Fold edge to the Open sink on the
using the creases center. Crease well. creases created.
created in the Unfold.
previous steps.
15
18

14

Open the layer to


Close back to step 15. see inside. The
model will not lie flat.

16 Turn over.
17
13

Fold the edges to


the center. Unfold.
Fold the edges to
the center. Unfold. Fold the flap down.

10 11 12

Open the model and Collapse symmetri- Collapse symmetri-


carefully untrap the cally using existing cally using existing
top layer. creases. creases.

Orchid/Paulo Queiroz 175


22 23 24
25

Open the layer. The Elias strech. Create Elias strech in 22 - 24


model will not lie flat. new creases as progress. Close
indicated. See next and flatten.
step in proress. Repeat steps 22 to
24 on the other side.

30 29 26

31 Fold corner to
Reverse fold as
corner. Turn over.
indicated. Swivel the
paper attached to
flatten. 28 27

Reverse fold the


corner under the
layer right under-
neath it.
Reverse fold between Fold corner to
the second and third corner.

32 layer.

33 34
28 -33

Reverse fold the


hidden corner.

Reverse fold the Repeat steps


hidden corner. 28 to 33 on the
other side.

176 Orchid/Paulo Queiroz


46 47
45

Rabbit ear fold.


Rabbit ear fold.

Fold about a
quarter of the
corner.
44
40
41

Fold between
the points. Turn over.
Fold and
unfold.

42
39
43

Reverse fold. Reverse fold.


Fold the flap
up.

35 36 37 38
35 -37

Fold the corner Keeping the Closed sink the Repeat steps
to the center swivel in place, area indicated 35 to 37 on the
and swivel the open and and flatten. other side.
paper under. stretch the flap.

Orchid/Paulo Queiroz 177


48 49 50

51
Fold the corner.
Fold the corners. Fold the corner.

Turn over.

54
55 52

Fold the corner

Fold the corners.


underneath.
53
Fold the flap
down.

56 Carefully release
some paper and
push to create a
concave shape,
forming the lip.

Rabbit ear to form


the column.

57

58
Fold the corners,
round and shape
the petals.

Finished Orchid.

178 Orchid/Paulo Queiroz


Dove Hoàng Tien Quyet

Intermediate ©2015 - Vietnam

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Bird with Stand James Randolph

Intermediate ©2015 - New Jersey

Bird with Stand/James Randolph 181


182 Bird with Stand/James Randolph
Cecil the Lion Nick Robinson

Simple ©2015 - England

1) Crease a diagonal, then 2) Crease then unfold. 3) Fold so circles meet


fold the lower sides to the Turn over. then unfold fully.
centre. Turn over.

4) Fold edges to the 5) Refold the 6) Fold the flaps behind


nearest crease where sides inwards. (check next drawing).
shown, then unfold.

9) Fold to the right,


7) Refold behind. Turn over. 8) Fold in half to the press and flatten the
right. Rotate the paper. coloured flap.

Cecil the Lion/Nick Robinson 183


10) Fold the top corner to 11) leave a gap then fold 12) Fold the corner over.
the centre. Fold the tail to the tail back. Turn over. Fold the angled edges to
the left. the vertical centre.

13) Fold the top edge down 15) Fold the top flap down
14) Leave a gap then fold (let the flap flip out).
(let the flap flip out). Fold the tail back. Turn over.
the tail to the right.

Walter Palmer, the US dentist who killed Cecil the Lion in Zimbabwe, paid about £32,000 for the
“pleasure”. He claims that he thought the hunt was legal and was unaware Cecil was protected.

Leaving aside the nature of the man who enjoys this type of murder, the fact is the kill could easily
have been perfectly legal. How, in this day and age, can any country allow the massacre of such a
magnificent and endangered species?

184 Cecil the Lion/Nick Robinson


Star Anise Dáša Ševerová

Complex ©2016 - Switzerland

Paper recommendation: thicker paper around 100 gsm should work well. For the first try, use bicolor paper.
Size: 15 cm square will produce a star with diameter around 10 cm.

1 Colored side up. 2 Bisect all angles as shown.

3 Cut off all corners.

5 Fold as indicated, crease only in the 4 Fold as indicated, don't crease in


middle. Repeat 7 more times. Turn over. the middle. Repeat 7 more times.

6 Colored side up, crease only in 7 Fold in half using existing crease.
the middle. Repeat 7 more times.

Star Anise/ Dáša Ševerová 185


8 Be careful, folds on the left and on the 9 Same as step 8. Folds are different
right side are similar, but not the on the left and on the right side.
same. Turn over after.

10 Unfold to step 7, repeat steps 7 - 9


three more times.
11 Crease only where it is needed.
Repeat 7 more times.

12 Form a structure similar to table cloth 13 Something like this. Continue collapsing
using shown lines. as shown. Repeat 7 more times.

186 Star Anise/Dáša Ševerová


2
1

15

16 First fold part 1, then part 2.


Carefully squash the middle
14 part (next step shows the
result).

17 Repeat steps 15, 16 all


around.

18 Bring all marked points together to


create star like shape.

20 Turn over.

19 Fold as indicated to lock the central part.


Repeat all around.

Star Anise/ Dáša Ševerová 187


Model is almost flat from the top side now. I.
Place both your thumbs on marked circles
with other fingers supporting the model from
downside (as shown in schematic side III. II.
view) and push carefully down to open the
model a bit.
Repeat the procedure from three more
directions (I, II, III) until you gain the final
shape.
In the end the model should stand still on
the flat surface. If it does not, continue with
opening.

Schematic side view in the beginning:

II. III.

I.

Schematic side view of the final shape: Finished model:

You can shape the model to give it


more rounded look:

188 Star Anise/Dáša Ševerová


Nocturnal Car Mark Sigalovsky

Complex ©2003 - Kazakhstan

Nocturnal Car/Mark Sigalovsky 189


190 Nocturnal Car/Mark Sigalovsky
Nocturnal Car/Mark Sigalovsky 191
192 Nocturnal Car/Mark Sigalovsky
Nocturnal Car/Mark Sigalovsky 193
Angel Rob Snyder

Simple ©2015 - Ohio

194 Angel/Rob Snyder


Secret Heart Owl Rob Snyder

Low Intermediate ©2015 - Ohio

Square, white side up

Squash fold eyes.

Secret Heart Owl/Rob Snyder 195


Pull slightly to
form horns

Fold up beak.

Unfold squashed Complete.


squares to form and Hold up to the light
shape eyes. to reveal the heart.

196 Secret Heart Owl/Rob Snyder


Sea Serpent Dragon Tom Stamm
JC Nolan (diagrams)
Intermediate ©1992 - California

Sea Serpent Dragon/Tom Stamm 197


8-14
A

A
A

Super Accurate here...


but also soft in the creases
when near the point, don't
over stress the paper. Also,
keep all layers flat and intact.

198 Sea Serpent Dragon/Tom Stamm


head

wing wing

tail

Sea Serpent Dragon/Tom Stamm 199


200 Sea Serpent Dragon/Tom Stamm
Sea Serpent Dragon/Tom Stamm 201
202 Sea Serpent Dragon/Tom Stamm
Flapping Pheasant Bookmark Joel Stern

Low Intermediate ©2013 - California

3. Fold and unfold top


2. Fold top edge to left corner to bottom
bottom. Repeat behind. edge; repeat behind.
1. Color side up.
Fold bottom to top.

4. Inside reverse top left 5. Fold and unfold left corner 6. Unfold.
corner; repeat behind. inward; repeat behind.

7. Fold and unfold 8. Bring top and bottom edges 9. Fold and unfold corners
single flap on the left. to center and pinch, then to the pinchmarks.
unfold.

11. Pleat the front flap, tucking the shaded 12. Fold the left flap
10. Fold in half top to bottom. portion inside as you bring the vertical over; repeat behind.
crease made in step 7 to the crease made
in step 9; repeat behind. When complete,
the shaded portion will be completely
hidden. This is also known as a crimp fold.

15. Petal-fold.
14. Fold and unfold
13. Squash-fold.
edges to center.

Flapping Pheasant Bookmark/Joel Stern 203


17. Reverse-fold head.
16. Fold diamond in half. Tilt Fold up at the diagonal;
the model slightly. repeat behind.

The Flapping
Peacock Bookmark

To flap the wings, pull


and push the flaps.

204 Flapping Pheasant Bookmark/Joel Stern


Peace Sign Hadi Tahir

Intermediate ©2014 - Indonesia

   

  

  

 


  

Peace Sign/Hadi Tahir 205


Dolphin Hsi-Min Tai

Intermediate ©2015 - Taiwan

206 Dolphin/Hsi-Min Tai


Dolphin/Hsi-Min Tai 207
Butterfly and Heart Benjamin Tan

Intermediate ©2010 - Singapore

208 Butterfly and Heart/Benjamin Tan


Butterfly and Heart/Benjamin Tan 209
Rabbit Tuan Nguyen Tu

Intermediate ©2009 - Vietnam

1 2 3

Fold and unfold. Valley fold to the center. Reverse fold.

4 5 6

Mountain fold at the axis, crimp fold. Crimp fold and pull back the ears. Open sink.

7 8 9

Repeat behind. Crimp fold the ear. Crimp fold the thigh. Repeat behind.
Reverse fold the mouth, jaw and back
Mountain fold the leg. Repeat behind.

10 11

Crimp fold to create the eyes & hind leg.


Sink to creat the tail.
Shaping the back, front legs & thigh. Rabbit

210 Rabbit/Tuan Nguyen Tu


Dachshund Yara Yagi
Marc Sky (diagrams)
Intermediate ©2015 - Brazil

1 2 3

NOSE COLOR SIDE

4 5 6

7 8 9

Dachshund/Yara Yagi 211


10 11

12 13
HEAD

TAIL
1/3 1/4
2/3

Fold, then open.


14 15

Angle bisect up to crease line.

16 17

Reverse the creases to match the other side.


Pleat/push in to collapse...
Blunt the nose.

212 Dachshund/Yara Yagi


18 19 20

...in progress... ...in progress...

21 22 23

Push in... ...in progress... ...squash flatten.

24 25 26

Fold
under.

Pinch the crease... ...push to the right... ...flatten. Repeat steps 21-25 behind.

Dachshund/Yara Yagi 213


27 28

Squash.

Petal fold.

29 30 31

32

33

214 Dachshund/Yara Yagi


34 35

Diagonal creases.
36
37
TOP VIEW

Spread open the top and sink the points... ...in progress, push center down...

38 39

...in progress. Repeat with other three points.


...in progress...

40 41

Inside reverse fold


bottom points.

Dachshund/Yara Yagi 215


42 43

Fold along crease lines, then pull down.

44 45 46

...in progress... ...in progress... Fold in half, then curve up.

47

Pinch front leg point and third point


and stretch, then mountain fold and
collapse underneath (similar to
stretched bird base technique).
Repeat to collapse other two points.

216 Dachshund/Yara Yagi


Sink top points.

VARIATION

Leyla Torres created a step-by-step video of the folding sequence. You can watch it at
www.origamispirit.com/2015/08/origami-dog-dachshund.

Dachshund/Yara Yagi 217


Hen and Chicks Yara Yagi
Halle (diagrams)
Low Intermediate ©2012 - Brazil

bbyy Yara
Yarrra
a Yagi
YYaggi
gi


Gallina: 15 x 15 Wet folding
ng
Pollitos: 8 x 8
Papel
de 80 ggramos





 En proceso

218 Hen and Chicks/Yara Yagi








Presionar la parte posterior del cuello


del modelo con el dedo índice,
mientras se levanta la cola con el pulgar 

Hen and Chicks/Yara Yagi 219




Puede plegarse el cuello


hacia la derecha o
hacia la izquierda




Red
Redo
Redondear


Proceso y diseño: Yara Yagi
Diagramas by Halle 2012

220 Hen and Chicks/Yara Yagi


Penguin Box Makoto Yamaguchi
Origami House (diagrams)
Intermediate ©2016 - Japan

Penguin Box/Makoto Yamaguchi 221


222 Penguin Box/Makoto Yamaguchi
Penguin Box/Makoto Yamaguchi 223
224 Penguin Box/Makoto Yamaguchi
Sarah’s Star Evan Zodl

Low Intermediate ©2016 - New Jersey

Sarah’s Star
Designed and Diagrammed by Evan Zodl

1. Fold and unfold. 2. Fold two opposite corners to 3. Fold and unfold.
the center. Turn the model over.

1/8

4. Fold and unfold. 5. Bisect the marked angle 6. Repeat step 5 three more times.
Rotate the model 1/8 turn. and crease half way.

7. Create two new creases using 8. Create two new creases as in 9. Collapse along existing creases.
existing creases as references. step 7. Turn the model over.
Turn the model over.

Sarah’s Star/Evan Zodl 225


10. Scale change. Fold over the top 11. Rabbit-ear along existing creases. 12. Fold over the top group of
group of layers along an existing crease. layers along an existing crease.

13. Create two angle bisectors. 14. Fold over the top group of 15. Fold up the top flap using
layers along an existing crease. the indicated references.

16. Fold over the top group of 17. The result. 18. Completed unit.
layers along an existing crease. Turn the model over. Now you must fold 7 more.

1/16 1/16

19. Begin the assembly with two units. 20. Fold over the top group of layers along
Turn over both units. existing creases. Rotate each unit 1/16 turn.

226 Sarah’s Star/Evan Zodl


21. Fold over the top group of 22. Fold over the top group of 23. Mountain-fold behind to align
layers on the first unit. layers on the second unit. with the long axis of the second unit.

24. Mountain-fold behind to 25. Pull out the trapped 26. Reinforce existing mountain folds
lock both units together. layers from inside. to flatten the untrapped layers.

27. Mountain-fold the flaps behind 28. The result. 29. Repeat steps 19-28 on the
to hide the untrapped layers. Turn the model over. remaining six units to
complete the assembly.

30. Completed Sarah’s Star.

Sarah’s Star/Evan Zodl 227


Origami
Basics
Valley Fold
Line Styles

Mountain Fold
or

Crease

Hidden/X-Ray

228 Origami Basics


Fold Forward
Arrows

Fold Behind

Fold and Unfold


or

Sink/Reverse/
Push In/
Closed Sink or

Turn Over

Rotate 90°,
1/2 Turn, Etc. 1/2
1/2

Repeat

Origami Basics 229


Maneuvers Reverse Fold

Crimp

Rabbit Ear

Squash

Petal Fold

Sink

Closed Sink

230 Origami Basics


Sink Triangularly

Pleat

Swivel

Kite Base/
Ice Cream Cone Base
Common Bases

Fish Base

Waterbomb Base

Preliminary Base

Origami Basics 231


Bird Base

Frog Base/Lily Base

Windmill Base

Stretched Bird Base

Blintzed Bird Base

232 Origami Basics


Index by
Cupid’s Arrow 15
Chen, Sy

Dachshund 211

Model
Yagi, Yara

Dolphin 206
Tai, Hsi-Min

Angel 194 Dove 179


Snyder, Rob Quyet, Hoàng Tien

Anime Forest Spirits 90 Dragon 24


Kato, Shuki d’Anger, Max

Armadillo 44 8-Pointed Starburst Flower 165


Flores, Edwin Claudio Okabe, Nobuko

Axolotl 130 Eight-Pointed Star 13


Marchetti, Peter Bettens, Christiane

Basset Hound 65 Elephant 103


Gu, Lee Jae Kirschenbaum, Marc

Bird with Stand 181 Flapping Pheasant Bookmark 203


Randolph, James Stern, Joel

Butterfly and Heart 208 Fleur de Noyer 38


Tan, Benjamin Diard, Lydia

Camel 55 Fox 76
Galindo, Richard Gueros, Mathieu

Cecil the Lion 183 Good Grief 1


Robinson, Nick Artigas, Jesús

Chopstick Envelope (Strawberry) 87 Hen 162


Inayoshi, Hidehisa Nino, Jaime

Index of Models 233


Hen and Chicks 218 Rabbit 210
Yagi, Yara Tu, Tuan Nguyen

Lathyrus 127 Sarah’s Star 225


Lukasheva, Ekaterina Zodl, Evan

Little Whale 105 Scorpion 135


Kobayashi, Hiroaki Martinez, Leonardo Pulido

Mimi the Mouse 5 Sea Serpent Dragon 197


Berty, Viviane Stamm, Tom

Mushroom Monster 52 Seahorse 62


Gajardo, Nicolas Gardin, Yannick

Nocturnal Car 189 Secret Heart Owl 195


Sigalovsky, Mark Snyder, Rob

Orchid 174 Slug 139


Queiroz, Paulo Meij, Bas

Peace Sign 205 Space Telescope 32


Tahir, Hadi Dementiev, Ivan Puppy

Penguin Box 221 Star Anise 185


Yamaguchi, Makoto Ševerová, Dáša

Phonograph 111 Swallow 142


Liu, Tong Morollón, Ángel

Polychrome Tato 84 TIM the Beaver (Face) 48


Hudson, Andrew Fung, Michelle

Puppy 11 Uintatherium 151


Berty, Viviane Nikulshin, Pavel

Rabbit 169 Wheel Bowl 88


Pham, Hoang Tuan Jaramillo, Jorge

234 Index of Models


White Rhino 116
Liu, Tong

Winged Heart 147


Nguyen, Lisa

Winged Wolf 18
Condori, Julio Eduardo

Yale-Type Cylinder Lock Key 149


Nguyen, Lisa

Yellow Henchmen 121


Liu, Tong

Index of Models 235

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