Professional Documents
Culture Documents
BRANCH 021
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YEAR 2011
INTRODUCTION
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communicative competence and (2) to arise awareness of the importance of
English to increase global competitiveness (BSNP, 2006). In order to reach those
aims, the material should cover the four language skills, namely listening,
speaking, reading, and writing, in which the standard competencies and basic
competencies are specified.
In regard to the application of the School-Based Curriculum, the material
in this in-service training of teacher professional development is also designed to
cover all four language skills and aim to achieve standard competencies and basic
competencies.
LANGUAGE SKILLS
LISTENING
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Listening is one of the receptive skill which is the foundation of further
language skill. Helgesen (2003:24) describes listening as an active process which
aims at creating meaning from what is heard. Listening requires learners to
receive and understand input. Denes and Pinson (1963 in Morley 2001:70) state
that listening comprehension forms a foundation for oral language development in
a speech chain of listening and speaking. Buck (2001:31) further explains that
listening comprehension is an active process of constructing meaning, and that
this is done by applying knowledge to the incoming sound. The knowledge
applied is of two types, namely linguistics knowledge and non linguistics
knowledge. The linguistics knowledge includes phonology, vocabulary, syntax,
semantics, and discourse structure. Meanwhile, non linguistics knowledge
involves knowledge on topics, contexts, and general knowledge about the world.
Meanwhile, Richards (2008:3-15) views listening in two perspectives, namely: (1)
listening as comprehension, and (2) listening as acquisition. Listening as
comprehension is a traditional way of thinking the nature of listening. In this way,
listening and listening comprehension are two synonymous terms. This view is
based on the assumption that the main function of listening in second language is
to facilitate comprehension of oral discourse. While listening as acquisition views
listening as a part of language development. Language development occurs if
learners develop ability in features of language input, then internalize those new
language items in their language repertoire by making used of the language items
in producing oral language.
It can then be concluded that listening skill is one language skill which has
a central place in second language acquisition. There are two perspectives of
listening, namely listening as comprehension and listening as acquisition. In
listening as comprehension, learners should be able to comprehend the text they
hear. In order to do so, they have to possess two kinds of knowledge, linguistics
and non linguistics, while in listening as acquisition, the learners do not only have
to comprehend the text they hear, but also have to be able to use them.
Standard Competency:
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At the end of a course, the participants are expected to gain:
Basic Competency:
Procedure:
1. Ask students to listen to the story to find some information individually.
2. Ask them to answer the questions provided from the audio orally.
3. Ask them to tell the moral value of the story.
4. Ask them to summarize (additionally retell) the story listened to using their
own words.
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1. Think: Students think independently about the question that has been
posed, forming ideas of their own.
2. Pair: Students are grouped in pairs to discuss their thoughts. This step
allows students to articulate their ideas and to consider those of others.
3. Share: Student pairs share their ideas with a larger group, such as the
whole class. Often, students are more comfortable presenting ideas to a
group with the support of a partner. In addition, students' ideas have
become more refined through this three-step process.
Procedure:
1. Let the students to listen to the audio tape for three times.
2. Let the students to think the answer individually.
3. After 10 minutes, ask the students to work in pairs to discuss the answer.
4. Some pairs will present their answer in the front of the class.
5. The rests comment on their friends’ answer.
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to know, and how and where to access information that will lead to the answer of
the problem. The role of teacher is as the facilitator of learning who provides
appropriate assistance of that process by asking questions, providing appropriate
resources, and leading class discussion, as well as designing students’
assignments.
Procedure:
Problems to be discussed:
3. By listening the news, what will you do as a teacher to direct your students
to study in USA?
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and difficulty with every nth word deleted. The definition seems quite
straightforward. However, certain precautions should be taken regarding the concepts
of appropriate length, difficulty, and the value and the frequency of n. Each is briefly
explained below (Raymond, 1988).
Procedure:
1. Ask the students to listen to the audio CD for twice.
2. While listening, the students fill out the blank in the given sheet.
3. Discussing the answer together.
ACTIVITY
Todd : Hey, Edwin, how are you doing?
Todd : Oh, I'm (1)…. So, did you do anything this weekend?
Todd : Oh, you went to the (3)...? Who did you go with?
Todd : Oh, yeah. Were you guys going clubbing and (5)... ?
Edwin : No, but it's (7)..., and I need some winter clothes.
Todd : That is (8).... That is true. So, what did you buy?
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Edwin : (9) ... a jacket and a pair of warm trousers.
Todd : Really?
Edwin : Yes.
Edwin : No, I didn't stay overnight. It was going (15)... if we stayed overnight.
Todd : Right, yeah. How did (16)... by the way? Do you drive?
Edwin : Yeah.
Todd : Right, actually, I'm in the same boat, you (20)..., I don't have a license
either, but when (21).... I always take the train. Have you ever (22)...?
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Todd : Oh, (23)… take the train.
Todd : It takes about two (26)..., but you can kind of walk around a (27)..., you
know, it's not as cramped. I kind of (28)… on the bus.
Todd : Well, actually, you can get four tickets for (30)..., so it's about twenty-five
dollars one way, and I think the bus is ... you can get four tickets for eighty
dollars, so it's only a little more expensive.
Edwin : Okay.
Edwin : Yesterday? I just walked around campus, and not much to do on Sunday.
Sunday is usually my easy-going day.
Edwin : Yeah, later in the night. Daytime it's usually ... yeah, usually no studies
during the day.
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Todd : Yeah, me too, me too
SPEAKING
Standard Competency:
Basic Competency:
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Ask simple questions and give information in order to interact with their
environment about their routines and habits , to use common expression in
gossiping, to debate on critical issues in education , and to retell the story
heard on a video player accurately, fluently, and acceptably.
Activity 1: Using Surveys. It is a teaching strategy which can be used to get the
language learners interviewing each other. In order to interview others, they can
design a questionnaire consisiting of several questions of a certain topic (Harmer,
2007).
Procedure:
Teaching Media
Name:
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13 Use simple language
14 Give special attention to low level students
15 Give more exercises to higher level
students
Procedure:
Gossip Items:
Always promises; never good to friends; too fond of handsome man; always
forgets to return borrowed money; intersted in sleeping and eating only; stays
aloof; stingy; never neat and tidy; very lazy; knows very little, but very boastful;
look down on people who cannot speak English; not helpful; no sense of duty;
assumes no responsibility for his family; never admits his faults; envies people
around him; very, greedy and selfish; likes flattery; does not believe in any
religion; very short, but loves tall women; very ugly, no woman loves him; likes
gambling; drinks like a fish; always late for appointment; has no sympathy for the
poor and uneducated; always pessimistic
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Activity 3: Using Debate. It is a teaching strategy which concerns with
controversial issue which should be argued by two groups who strongly agree
(proponent) or disagree (opposant) to the topic raised (Harmer, 1991).
Alternative topics:
Procedure:
Procedure:
1. Give the participants role cards which tell them how they feel and what
they want to achieve.
2. Present the class with the situation.
3. Ask the participants to work in groups of five
4. Ask them to discuss the roles they are going to play
5. When they are ready, ask them to perform the roleplay.
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Teaching Media: example of role cards
The Suspect
You are seventeen and a half years old.
You did steal the trophy, of course, but you don’t think the police have any
proof.
You want to know where the police got their information. When they ask you
what you were doing last night, you’ll say you were with a friend.
You enjoy being silly when the police ask you question. You get angry when
the lawyer tries to stop you doing this.
Police Officer 1
The suspect was seen leaving the club house at around 9.30 by two other
criminals, Ben and Joey, but you can’t tell the suspect this, because that would
put Ben and Joey in danger. So the only thing you can do is to keep asking the
suspect different questions about what they were doing last night in the hope
that they’ll get confused and in the end confess.
You have had enough of teenage crime in your area. It makes you really mad.
Anyway, you want to get home. Unfortunately, you get angry rather quickly.
When your police colleague tells you to calm down, you get really angry.
Police Officer 2
The suspect was seen leaving the club house at around 9.30 by two other
criminals, Ben and Joey, but you can’t tell the suspect this, because that would
put Ben and Joey in danger. So the only thing you can do is to keep asking the
suspect different questions about what they were doing last night in the hope
that they’ll get confused and in the end confess.
You like your partner, but you get really worried when they start getting angry
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since this doesn’t help in a police interview situation, so you try to calm your
partner down. But whenever a suspect’s mother or father tries to say that their
beautiful child is not really to blame for something, you get really irritated.
Lawyer
Your job is to protect the suspect.
You try to stop the police asking difficult question-and you try to stop the
suspect saying too much.
Parent
You think your child is a good person and that if they have got into any trouble
it isn’t their fault. Your partner (the suspect’s mother or father) was sent to
prison and the suspect is very upset about this.
If you think the police are being unfair to your child, you should tell them so-
and make sure they realise it isn’t really your child’s fault.
Last night the Wolverhampton Trophy was stolen from the Wolverhampton
Footbal Club Headquarters at around 9.30 in the evening. The police have brought
in a youth for questioning; they believe this youth stole the trophy.
The suspect is being interviewed by two police officers. The suspect’s lawyer
also present. But because the suspect is not yet eighteen, a parent is also present.
READING
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According to Bernhardt (as cited by Ediger, 2001: 154), reading is viewed
as an interactive, sociocognitive process involving a text, a reader, and social
context within which the activity of reading takes place. Ediger further points that
the reader constructs meaning through his transaction with the written text. The
transaction involves interpretation which is influenced by his past experience,
language background, cultural framework, and purposes of reading (Hudelson in
Ediger, 2001:154).
Grabe (cited in Ediger, 2001: 154) further mentions six components skill
and knowledge which can be gained from the reading process. Those are (1)
automatic recognition skill, something to do with word identification; (2)
vocabulary and structural knowledge; (3) formal discourse structure knowledge;
(4) content/world background knowledge; (5) synthesis/evaluation
skills/strategies, something to do with the ability to read and compare information
from different sources; and (6) metacognitive knowledge and skill monitoring,
something to do with mental process and the ability to reflect on what one is
doing and the strategies used while reading. Hence, there are a number of benefits
that readers can possess during reading process.
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4. Students are then asked to compare and read their prediction to the other
groups.
5. Students are asked to read the first part (paragraph) of the story to find out
the information.
6. Then, they discuss the prediction they have made. They can change their
prediction.
7. They continue to read the next part and discuss the prediction until the end
of the story.
8. Students are asked to compare their prediction to the content of the story.
9. They then give comments or opinions concerning with what they feel after
reading the story.
10. They discuss the good and the bad things of the story.
11. They further answer comprehension questions related to the story.
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Text:
The Blue Bouquet
I woke covered with sweat. Hot steam rose from the newly sprayed, red-brick
pavement. A gray-winged butterfly, dazzled, circled the yellow light. I jumped
from my hammock and crossed the room barefoot, careful not to step on some
scorpion leaving his hideout for a bit of fresh air. I went to the little window and
inhaled the country air. One could hear the breathing of the night, feminine,
enormous. I returned to the center of the room, emptied water from a jar into a
pewter basin, and wet my towel. I rubbed my chest and legs with the soaked cloth,
dried myself a little, and, making sure that no bugs were hidden in the folds of my
clothes, got dressed. I ran down the green stairway. At the door of the
boardinghouse I bumped into the owner, a one-eyed taciturn fellow. Sitting on a
wicker tool, he smoked, his eye half closed. In a hoarse voice, he asked:
“Where are you going?”
“To take a walk. It’s too hot.”
“Hmmm-everything’s closed. And no streetlights around here. You’d
better stay put.”
I shrugged my shoulders, muttered “back soon,” and plunged into the darkness.
At first I couldn’t see anything. I fumbled along the cobblestone street. I lit
cigarette. Suddenly the moon appeared from behind a black cloud, lighting a
white wall that was crumbled in places. I stopped, blinded by such whiteness.
Wind whistled slightly. I breathed the air of the tamarinds. The night hummed, full
of leaves and insects. Crickets bivouacked in the tall grass. I raised my head: up
there the stars too had set up camp. I thought that the universe was a vast system
of signs, a conversation between giant beings. My actions, the cricket’s saw, the
star’s blink, were nothing but pauses and syllables, scattered phrases from that
dialogue. What word could it be, of which I was only a syllable? Who speaks the
word? To whom it is spoken? I threw my cigarette down on the sidewalk. Falling,
it drew a shining curve, shooting out brief sparks like a tiny comet.
I walked a long time, slowly. I felt tree, secure between the lips that were at
that moment speaking me with such happiness. The night was a garden of eyes.
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As I crossed the street, I heard someone come out of a doorway. I turned around,
but could not distinguish anything. I hurried on. A few moments later I heard the
dull shuffle of sandals on the hot stone. I didn’t want to turn around, although I
felt the shadow getting closer with every step. I tried to run. I couldn’t. Suddenly I
stopped short. Before I could defend myself, I felt the point of a knife in my back
and a sweet voice:
“Don’t move, mister, or I’ll stick it in.”
Without turning I asked:
“What do you want?”
“Your eye, mister,” answered the soft, almost painful voice.
“My eyes? What do you want with my eyes? Look, I’ve got some money.
Not much, but it’s something. I’ll give you everything I have if you let me go.
Don’t kill me.”
“Don’t be afraid, mister. I won’t kill you. I’m only going to take your
eyes.”
“But why do you want my eyes?” I asked again.
“My girlfriend has this whim. She wants a bouquet of blue eyes. And
around here they’re hard to find.”
“My eyes won’t help you. They’re brown, not blue.”
“Don’t try to fool me, mister. I know very well that yours are blue.”
“Don’t take the eyes of a fellow-man. I’ll give you something else.”
“Don’t play saint with me,” he said harshly. “Turn around.”
I turned. He was small and fragile. His palm sombrero covered half his face. In
his righ hand he held a country machete that shone in the moonlight.
“Let me see your face.” I struck a match and put it close to my face. The
brightness made me squint. He opened my eyelids with a firm hand. He couldn’t
see very well. Standing on tiptoe, he stared at me intensely. The flame burned my
finger. I dropped it. A silent moment passed.
“Are you convinced now? They’re not blue.”
“Pretty clever, aren’t you?” he answered. Let’s see. Light another one.”
I struck another match, and put it near m eyes. Grabbing my sleeve, he ordered:
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“Kneel down.” I knelt. With one hand he grabbed me by the hair, pulling my
head back. He bent over me, curious and tense, while his machete slowly dropped
until it grazed my eyelids. I closed my eyes.
“Keep them open,” he ordered. I opened my eyes. The flame burned my lashes.
All of a sudden he let me go.
“All right, they’re not blue. Beat it.”
He vanished. I leaned against the wall, my head in my hands. I pulled myself
together. Stumbling, falling, trying to get up again. I ran for an hour through the
deserted town. When I got to the plaza, I saw the owner of the boardinghouse, still
sitting in the front of the door. I went in without saying a word. The next day I left
town.
(Octavio Paz in Andrews and Fisher, 1991:92-93)
Procedure:
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1. Choose a text (it works well with most expository texts, and works
particularly well with texts which present controversial ideas).
2. Write several statements that focus on the topic of the text in the
anticipation guide. Students provide their opinion whether they agree or
disgree to the statement.
3. Have students complete the anticipation guide before reading. The guide
can be completed by students individually or in small groups. Remind the
students that they should be prepared to discuss their reactions to the
statement on the anticipation guide after they have completed it.
4. Have a class discussion before reading. Encourage the students who have
different opinions or view points to debate and defend their position.
5. Have students read the text. Encourage students to write down ideas from
the text that either support their reaction to each statement or cause them to
rethink those reactions.
6. Have a class discussion after reading. Ask students if any of them change
their minds about positions on each statement. Ask them to explain why.
Encourage them to use information from the text to support their position.
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It’s every parent’s and child’s nightmare but sadly it’s a common problem;
one of six children in Australia is bullied every week and for some the trauma of
being teased lasts for years afterwards.
Libby Skinner’s father managed a sheep and cattle station in outback New
South Wales, so she didn’t go to mainstream school until her family moved to
Sydney. Within two days, Libby, then 12, was a target of bullies.
“Going to school was an exciting time for me because I’d been taught by
correspondence most of my life. I was keen to learn. I put my hand up in class if I
knew the answer to a question and other students resented that,” recalls Libby.
“They also realised I had very few social skills because I’d come from the
country. I didn’t know how to mix and I wasn’t street smart. A girl in my class
who had a number of hangers-on started calling me names. A few days later, she
and her friends pushed me and pulled my hair. I was rooted to the spot with fear. I
wanted to throw up and every morning I would wake with a gnawing anxiety,
wondering whether the bullying would happen again. It lasted for a year until a
teacher noticed my anxiety and asked me about it,” says Libby.
“She took the issue to a meeting and teacehrs then began talking during
assembly about the need to build self-esteem and not to put each other down. The
school became more aware of bullying incidents and nipped them in the bud
earlier but it took me many, many years to regain my self-confidence.”
Libby, now 50, works as a counsellor for Kids Help Line, the national
phone counselling service for children. Last year, the service received 6000 calls
from boys and girls who said they were being bullied. Their studies estimate that
one in six children between the ages of 9 and 17 is bullied every week in
Australia’s public and private schools.
Wendy Reid, manager of Research and Publicationss for Kids Help Line,
says: “Our calls about bullying are increasing and those kids feel a sense of
sadness, loneliness, and powerlessness. They’re worried about going to school and
they’re terrified when the lunch break approaches because they don’t know
whether they are going to be bullied again or not. Some children feel embarrassed
and confused about being singled out and their level of anxiety can be so great
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that they can focus on learning. Sadly, some even cut their education short as a
result of being bullied.”
(Written by Sarah Marinos, The Australian Women’s Weekly, May 2000, p. 133)
Procedure:
1. Divide students into groups of three or four.
2. Give three or four envelopes for each group and explain that they have to
take turn to read and listen.
3. Each envelope contains different piece of text (different paragraph) and
another piece of paper for prediction. It has number of the parts of the text.
4. The reader is the leader of the discussion. While the reader is reading,
others listen and write prediction. They can ask questions about difficult
concept or unfamiliar vocabulary during the process to the members, and
the others answer the questions asked and give clarification.
5. Finish with the first envelope, they have to put back the reading text and
the prediction in the envelope.
6. Continue with the rest of two or three envelopes for the next reading,
predictiing, questioning, and clarifying by following the same step as
before.
7. Make a summary of the text together.
Text:
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Language Anxiety in the Classroom
Language anxiety is a unique type of anxiety that arouses worry and
negative emotional reactions (Young, 1999). By definition, there are three
categories of language anxiety—trait anxiety, state anxiety, and situation-specific
anxiety.
Brown (2000) claims that trait anxiety is a more permanent predisposition
to be anxious; while state anxiety is experienced in some particular events.
Although it is similar to state anxiety, situation specific anxiety limits anxiety to a
single context, i.e., moment-to-moment experience.
Horwitz (2000) sees anxiety as a cause of poor language achievement. By
contrast, anxiety could function as a stimulus. Alpert and Haber (1960) explain the
difference between facilitative and debilitative anxiety. The former brings about
advantageous impact on students and motivates them to learn more; while the
latter impedes language learning. Campbell & Ortiz (1991) note one-half of both
foreign and second language students experience a startling level of anxiety.
Learners who experience debilitative anxiety will have feelings of fear or
insecurity. They will suffer from poor performance, and then be unwilling to
participate and communicate in the foreign language class (Gardner, 1985).
The effects of anxiety on foreign language learning have been widely
acknowledged.
Horwitz et al.(1986) present Foreign Language Classroom Anxiety Scale
(FLCAS) aiming to identify anxious university students and measure their anxiety.
Based on FLCAS, many studies have been invited to explore the sources or
factors that result in different levels of anxiety.
Elkhafaifi (2005) makes a study concerning listening comprehension and
anxiety in the Arabic language classroom. Phillips (1992) focuses on the effects of
language anxiety on students’ oral test performance and attitude. Sellers (2000)
presents the relationship between reading and anxiety in Spanish as a foreign
language. Cheng (2002) analyzes factors associated with foreign language writing
anxiety. Students or language learners in these studies experience different levels
of anxiety. Crookall and Oxford (1991) assert that serious language anxiety may
adversely affect student self-esteem, self-confidence, and ultimately hamper
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proficiency in the language acquisition. Liu (2006) states the facts that a
considerable number of Chinese students at each level feel anxious when speaking
English in class. The results reveal that the more proficient students tend to be less
anxious; the students feel the most anxious when they respond to the teacher or
are singled out to speak English in class. But they feel the least anxious during
pair work; with increasing exposure to oral English, the students feel less and less
anxious about using the target language in speech communication.
(Adapted from Wu, 2009)
Procedure:
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4. Generating Questions: Ask students to construct questions about what
they are reading to help them learn. Put up a list of signal words that can
be used as question straters, e.g who, what, where, when, why, how. These
questions can be a good tool because they are linked to answers that they
have already located in the passage.
Text:
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Bank Indonesia has barred Citibank from issuing credit cards to new
customers for two years and from accepting new premium wealth services
clients for one year.
(Source: The Jakarta Post, Tuesday, June 7, 2011: 9).
WRITING
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that leads to the final written product, (2) it helps students to understand their own
composing process, (3) it helps them to build repertoires of strategies for
prewriting, drafting, and rewriting, (4) it gives students time to write and rewrite,
(5) it places central importance on the process of revision, (6) it lets the students
discover what they want to say as they write, (7) it gives students feedback
throughout the composing process as they attempt to bring their expression closer
and closer to intention, (8) it encourages feedback from both the instructors and
peers, (9) it includes individual conferences between teacher and student during
the process of composition (adapted from Shih, 1986, as cited in Brown, 2001:
335-336). The following are some activities to develop participants’ writing
competency.
Procedure:
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7. The leader of the group assisted by members assemble the pargraphs of
each category then rewrite them into a report text of the group.
8. The group leader reads the text for the class.
9. Teacher gives each group an example of a done-text for the students to use
as a comparison to their text.
10. Teachers then can give the groups or individual student different animals
to write through the same process as before.
Platypus
The word platypus is derived from Greek. Platy means broad and pous
means foot. Many people call it duckbill because the animal has a bill looks like a
duckbill. It is a native to Tasmania and southern and Eastern Australia.
(Introduction).
Platypuses have flat tails and webbed feet. Their body length is 30 to 45
cm and covered with a thick, soft, and wooly layer of fur. Their bills are detecting
prey and stirring up mud. Platypuses’s eyes and heads are small. They have no
ears, but they can sense sound and light. (subcategory/sub topic 1)
Platypuses are shy animals and are seldom observed, even in localities
where they live. They are active only during the early morning and late evening.
They are excellent swimmers and divers. (subcategory/sub topic 2)
Platypuses live in streams, rivers and lakes. Female platypuses usually dig
burrows in the banks of rivers or streams. The burrows are blocked in soil in
several places to protect them from intruders and flooding. For their nest the
females construct a bed of grass, leaves and woods. Males don’t stay in the
burrow. (subcategory/sub topic 3)
The adult female usually lays two or four eggs. The young animls have no
fur when they were born. They female uses its tail to hold the young to its
abdomen. (subcategory/sub topic 4 )
(Adapted from Smart Step by Ali Akhmadi and Ida Safrida, 2005: 21)
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Activity 2: Using Personal Photographs to spark Narrative (Recount)
Writing. Both photographs and pictures have high artistic value which are
colorful and importantly they are rich with information. For that reason, these two
media are very potential to help learners to understand the lesson. Specifically
related to personal photograph, this kind of media has another extra value, in
which the learners’ feeling is involved in it. Since the scenes behind the
photographs have something to do with personal experience, the students are able
to talk or express many things about their photos. According to Wiehardt (2011:1)
pictures, and especially photographs, carry with them implicit narratives, making
them ideal writing prompts for generating new short story ideas. Similarly,
Hayden (2011: 1) cites that using interesting pictures to spark creative ideas is one
way to get students writing. Students are asked to take a picture and turn it into a
great story with many descriptive words. Kellner (2008) further conveys that
photographs are powerful teaching aids that can inspire students at all levels to
create both expository and creative compositions. Gardner (2003:1) adds that a
photograph is worth a thousand words from image to detailed narrative. This
means that from a photograph students will have chance to think critically about
the interpretation of the events in image and to write about those ideas.
Procedure:
1. Ask the students to bring 2 to 3 personal photographs beforehand.
2. Ask them to make a journal entry of their personal photographs.
3. Ask several volunteers to briefly describe their personal photographs.
4. Introduce a sample of writing using personal photographs accompanied
with the explanation of the generic structure of a narrative (recount).
5. Ask the students to make a draft of their own writing like the sample by
using their personal photographs.
6. Provide them with assistance when they are drafting.
7. Give them extra time to do revision.
8. Ask them to submit their writing to be assessed.
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Activity 3: Using PLEASE Strategy in Descriptive Writing. It is a teaching
strategy which is designed to facilitate problem solving; as an aid for the students
to complete the writing task indepedently since it gives opportunity to them in
editing and revising their own works. PLEASE stands for (P) = Pick you topic:
the students are asked to decide what topic to be developed, (L) = List your ideas
about the topic: the students are asked to list relevant ideas related to the topic,
(E) = Evaluate your list: the students evaluate the list by making sure that the
orders of the ideas are logical in order to support the main ideas, (A) = activate
the paragraph with topic sentences: it is done by expressing the topic sentence
in complete sentence, (S) = supply supporting sentences: the students explain
the topic sentence by using the datails ordered previously and connect the
supporting sentences logically, and (E) = end with a concluding sentence and
evaluate work. The students restate the topic sentence in the last part of the
paragraph. They also need to evaluate their work by looking at the punctuation,
spelling and grammar. Evaluating can be done by exchanging each student’s work
in pairs (Sanders, 2004).
Procedure:
1. Ask the students to pick their own topic (e.g describing a place).
2. Ask them to list their ideas dealing with the bedroom.
3. Evaluate their list whether it is ordered logically.
4. Ask them to activate the paragraph with a topic sentence.
5. Supply the supporting sentences by using the details ordered previously
and connect the supporting sentences logically.
6. Ask them to end with a concluding sentence and evaluate the work in
terms of punctuation, spelling and grammar.
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Sample of Activities:
3. Evaluate the List The list should be ordered logically. Change the
order of the list above, such as the following:
- The location of the bedroom
- The size of the bedroom
- The color of the bedroom
- The condition of the bedroom
- The facilities available in the bedroom
- The position of things in the bedroom
4. Activate the E.g It is about my lovely bedroom.
Paragraph with a
Topic Sentence
5. Supply with the The location:
Supporting Sentences My bedroom is located on the second floor.
It is close to the verandah.
It is next to the parents’ bedroom.
The Size:
It is big.
Its size is 4 x 3 meters.
The Color:
The main color of the bedroom is light blue.
The condition:
It is clean.
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It is tidy.
It is comfortable.
The Facilities:
There are many things in the room.
There is a king size wooden bed where I sleep.
There is a big olympic cupboard to keep my
clothes.
There is a book shelf where I put my books and
references, and sport magazines.
There is a study table.
There is a dressing table.
There is a 20 inches television set.
There is a computer set.
There is an acoustic guitar.
The Position of things:
The bed is at the right corner of the room.
The cupboard is next to the dressing table.
The study table in front of the bed next to the
door.
The computer set is on the top of the study table.
The television set is on the left side of the study
table.
The book shelf is between the study table and the
television set.
6. End with a concluding It is a nice and comfortable bedroom that I like
sentence and evaluate best to spend my time both for studying and for
the work taking a rest.
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This is my lovely bedroom. It is located on the second floor, close to the
verandah, and next to my parents’ bedroom. It is a big bedroom and its size is 4 x
3 meters. The main color of the bedroom is light blue. It is clean, tidy, and
comfortable. There are many things in the room. There is a king size wooden bed
where I sleep, a big olympic cupboard to keep my clothes, a book shelf where I
put my books and references, and sport magazines. There is also a study table,
computer set, and acoustic guitar. I arrange everything in my room nicely. The bed
is at the right corner of the room. The cupboard is next to the dressing table. The
study table is in front of the bed next to the door.The computer set is on the top of
the study table and the television set is on the left side of the study table. The book
shelf is between the study table and the television set. It is a big, nice, and
comfortable bedroom that I like best to spend my time both for studying and for
taking a rest.
Procedure:
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7. Divide the subtopics of the writing among members of the group.
8. Monitor students while working.
9. Ask them to combine each subtopic written by the member into a wholistic
writing.
10. Give them time for editing the work.
11. Ask them to display their work.
CONCLUSION
REFERENCES
36
Akhmadi, Ali & Safrida, Ida. 2005. Smart Step. Bandung: Ganesha Exact.
Bow, San Shwe. 2002. Transforming the Whole Class into Gossiping Groups.
http://www. englishteachingforum.com. (25 March 2006).
Burkart, Grace Stoval. 1998. Spoken Language: What it is and How to Teach It.
http://www.nclrc.org/essentials/speaking/spindex.htm (13 June 2011).
37
Harmer, Jeremy. 1991. The Practice of English Language Teaching. New York:
Longman Group UK Limited.
Harmer, Jeremy. 2007. How to Teach English. Harlow, Essex: Pearson Education
Limited.
Olshtain, Elite. 2001. Functional Tasks for Mastering the Mechanics of Writing
and Going Just Beyond. In Marianne Celce-Murcia (Ed.), Teaching
English as a Second or Foreign Language, 207-217. Boston, MA: Heinle
& Heinle, a Division of Thomson Learning, Inc.
38
Richards, Jack C. 2008. Teaching Listening and Speaking: From Theory to
Practice. Cambridge: Cambridge University Press.
Sarah Marinos, 2000. Busting Bullies. The Australian Women’s Weekly, May
2000. pp. 133-134.
The Jakarta Post. 2011. Malinda to Undergo Surgery for Breast Inflammation.
Tueday, June 7, 2011, p. 9.
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