Written

by: Thomas Bangalter,

Daft Punk Medley Guy-Manuel de Homem-Christo,
Anthony Wayne Moore, Nile Rodgers,
arr. by Ethan Dowley *Pentatonix* Pharrell Williams, George Duke,

     
based on arr. by Dan Satter (Vocal Percussion instead of Tenor) Carlos Sosa, and Edwin Birdsong

 44              
 = 130

Vocal Percussion (Chris)

                          
             
 
    

A 3

   
12


V.P. (C)

                               B
                             
      
        
3 3 3

   
19
3

 
V.P. (C)

   
                                                

26

V.P. (C)

  
                     
                        
           
34

V.P. (C)

                       
                            
3
40

V.P. (C)

                    
            
 
         
   
C

 
46

V.P. (C)

                     
                           
 
53

V.P. (C)

                        
                             
59

V.P. (C)

                             D    
                    
65

V.P. (C)

                  
                      
73

V.P. (C)

                  3          
              
77 E

   
V.P. (C)

Transcribed by Dan Satter

  
                                           
                                      
87

V.P. (C)

              F

  
   
      
            
                
3


92

  
V.P. (C)

           
           
                
     
3

  
97
3
V.P. (C)

                
                 
   
    
  
3 3 G

  
101

V.P. (C)

    
                     
 
                     
               
108

V.P. (C)

                             H 


 

                               

    

116

 
V.P. (C)

            
                                     
 
I

 
122


V.P. (C)

      
        3       
   
  
              
  

 
129

V.P. (C)


      
      
 
134

V.P. (C)

2 Transcribed by Dan Satter