Professional Documents
Culture Documents
Author(s): J. B. Owens
Source: The Sixteenth Century Journal, Vol. 40, No. 1, Special Fortieth Anniversary Issue
(Spring, 2009), pp. 190-192
Published by: Sixteenth Century Journal
Stable URL: http://www.jstor.org/stable/40541143
Accessed: 07-06-2016 15:39 UTC
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Sixteenth Century Journal
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190 Sixteenth Century Journal XL/1 (2009)
1969 % 2009
/. B. Owens
Idaho State University
Toward the end of the fall semester, 1966, my first in the graduate program, I was
sitting at the head of a stairway in Bascom Hall, which was then home to the Uni-
versity of Wisconsins History Department. I had sought sanctuary before continu-
ing my long, cold march from a class in "Ag Hall" to the library. Somehow, Bob
Kingdon, whom I had never met, identified me in the ebb and flow of hundreds of
students swirling through that overcrowded space. He asked if I had time to talk to
him about my research interests, and within about an hour he had launched me on
an intellectual journey that I continue in my research and in teaching courses such
as "Renaissance Creativity." I could not be more grateful to him for stimulating the
work of a student outside his research seminar.
Before that fateful meeting, I had just read the first edition of Fernand Brau-
del's massive, geographically integrated history of the Mediterranean, and I had
vague ideas about research on the way that the history of a place was shaped by its
connections to other places. Because my adviser, Domenico Sella, was spending
the year in Italy, Bob took the role of steering me toward a workable MA project.
Because I was incensed by the lack of rigor in reified, essentialist, nationalist his-
tories of the diffusion of ideas during the Renaissance, he suggested that I make
use of the massive collection of published documents about the printing industry
in Lyon as a way to deal with the issue of how innovative ideas developed in North-
ern Italy were diffused within France and other markets served by Lyonnese print-
ers and merchant-publishers.
In response, I produced a thesis in which I traced through qualitative data and
methods the complex social networks that connected Lyons printers, editors, and
writers among themselves and with Northern Italy. The readers found it hard to
follow all of the threads within a linear text, and one suggested that I produce some
sort of chart. I failed to create anything satisfactory because a static chart did not
serve as an adequate vehicle for organizing overlapping, dynamic, networked
interactions among a large number of people over the sixty-year period I studied.
The effort to produce some helpful visualization frustrated me as well because,
although I did not then know the concept, the dynamics of the system of which
these social networks were a part was quite nonlinear.
Because the meaning of no document can be understood without grasping
how the ideas and actions recorded there were connected to other ideas and
actions, and the history of no place can be told without taking into account how it
has been connected to other places, future innovative research will take advantage
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The Future of Sixteenth Century Studies 1 9 1
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192 Sixteenth Century Journal XL/1 (2009)
The sixteenth century was a time of tremendous change in the religious, political,
and cultural spheres in Western Europe. Despite the world-changing events sur-
rounding Gutenberg, Columbus, and the Ottomans, there was still much that was
recognizably medieval in 1500, especially from the perspective of the common
persons experience of daily life. By 1600, however, the Western world had changed
course entirely. The stasis and relative stability of the previous thousand years- of
course punctuated by its own share of disruption- gave way to a century when the
pace of change was greater than it had been for a long, long time. Thanks to the
discovery and exploitation of the abundant and relatively easily accessible
resources of an entire new continent, Europe entered a phase of growth that has
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