This document provides Filipino translations and definitions for 37 common terms used in broadcast journalism. Some key terms translated and defined include:
- Anchor - The newscaster who hosts the studio portion of the newscast.
- Airtime - The scheduled day or period of a broadcast, described by the beginning time and length.
- Affiliate - A station associated with a network by contract to broadcast the network's programs.
- Dateline - The specific location where a reporter is delivering a story, often stated at sign-off.
This document provides Filipino translations and definitions for 37 common terms used in broadcast journalism. Some key terms translated and defined include:
- Anchor - The newscaster who hosts the studio portion of the newscast.
- Airtime - The scheduled day or period of a broadcast, described by the beginning time and length.
- Affiliate - A station associated with a network by contract to broadcast the network's programs.
- Dateline - The specific location where a reporter is delivering a story, often stated at sign-off.
This document provides Filipino translations and definitions for 37 common terms used in broadcast journalism. Some key terms translated and defined include:
- Anchor - The newscaster who hosts the studio portion of the newscast.
- Airtime - The scheduled day or period of a broadcast, described by the beginning time and length.
- Affiliate - A station associated with a network by contract to broadcast the network's programs.
- Dateline - The specific location where a reporter is delivering a story, often stated at sign-off.
1. Actives The number of listeners that contact a radio show regarding requests, contests or other information. 2. Adjacency An advertising pod positioned next to a particular TV or radio program. Also called commercial break positions. 3. Affidavit A statement, usually notarized, accompanying station invoices which confirms that the commercial actually ran at the time stated on the invoice. 4. Affiliate A station associated with a network by contract to broadcast the network's programs. 5. Air The medium for radio and TV broadcasting. A station or program, when broadcast, is on the air or airing. 6. Air Break An on-air presentation by a disc jockey. 7. Air Date The first broadcast of a commercial; also refers to the exact date of a particular TV or radio program. 8. Air Personality A disc jockey that works on the air at a radio station 9. Air ready Describing a commercial, program, or other material completed and available for broadcast use. 10. Air show A TV program as actually broadcast; if taped, the final edited version. 11. Airtime or Air The scheduled day or period of a Time broadcast, described by the beginning time; the length of an actual broadcast of a program or segment, such as an interview. 12. Anchor The newscaster who hosts the studio portion of the newscast. The anchor is the dominant voice in the presentation of the news to the audience. S/he must be proficient in writing, producing, and editing the news. 13. Back timing A convenient way of counting down the length of a newscast. This tells you when each story must run in order for your newscast to end on time. 14. Backsell The method where a disc jockey announces the song title and/or artist of the song that has just played. 15. Bandwidth The amount of information that can be transmitted over a computer network at a given time. The higher the bandwidth, the more data can pass over the network. 16. Bay An editing room. 17. Bed A production element, usually instrumental music or sound effects played in the background of a spoken commercial, promo or other announcement. 18. Beep An audio signal used for alerting or warning, as on the soundtrack of a videotape for editing or notice of the forthcoming beginning of a scene, program, or commercial. 19. Beeper A telephone interview. Radio stations used to be required to insert a beep (audio signal) on recorded interviews to indicate that they were not live. Though this is no longer necessary, the term still is used to describe an interview conducted over the telephone rather than in the studio. It is also used to describe any long-distance interview. With the use of satellites, it is now possible to conduct long- distance interviews over television. A beeper line is a phone line connected to a tape recorder. 20. Billboard A short announcement to recognize a sponsor at the start or end of a production element such as the news, sports, traffic or weather reports. 21. Billing A listing of performers and others on a program, marquee, sign, or advertisement, with position and size of type as indications of importance. Top billing is the number-one position; bottom billing is the lowest. 22. Bit A piece of entertainment on a radio show typically scripted or highly planned. 23. Bite off The premature cutoff of a commercial, record, or program. 24. Bonus Spot Additional TV or radio spot provided to an advertiser at no charge to raise the overall audience delivery of the schedule. 25. Break Place designated within broadcast programming during which commercials run. 26. Break Position A broadcast commercial aired between two programs instead of in the middle of one program. 27. Bumper Music Music that is used to bring audiences in and out of stop sets during talk shows or in and out of air breaks. 28. Button A strong musical or sound effect, such as the end of a commercial, or a bit of music between segments of a program; also called a stinger. 29. Cable TV TV programming that is delivered by coaxial cable rather than over the air for the purposes of improved reception and delivery of additional program choices beyond the local stations. 30. Clearance A station's agreement to carry a particular program. 31. Clip A short segment of a program. 32. Clock In radio terms, the device on which programming occurs in an hour of broadcasting 33. Clutter An excessive number of non- program elements (such as commercials) appearing one after another. 34. Cold End A song or piece that comes to an abrupt end. 35. Cue Tako Pinipilit ang isang tao na magsalita. Maaaring berbal o hindi berbal. 36. Cut-In Cut-In Isang komersyal na ipinasok ng lokal na istasyon na sumasaklaw sa komersyal na pagpapalabas ng sabay sa network sa kahilingan ng adbertiser. Kapaki-pakinabang para sa pagsubok ng iba't ibang kopya sa isang limitadong heograpiya. 37. Dateline Dateline Ang tukoy na lokasyon kung saan ang isang mamamahag ay naghahatid ng isang kuwento. Karaniwang inihayag sa pag-sign- out o pag-sign-off. 38. Daypart Daypart Isa sa mga segment ng oras kung saan nahahati ang araw sa pamamagitan ng broadcast media na tinutukoy ng uri ng programa at kung sino ang nagbibigay nito (network o lokal). 39. Dead Air Dead Air Pag-broadcast ng signal ngunit wala sa signal 40. Dead spot Dead spot Isang lugar kung saan mahina ang pagtanggap sa broadcast; tinatawag ding patay na kalawakan. Ang isang patay na lugar ay isa ring komersyal sa pag- broadcast o programa na hindi ipinalabas, kung minsan ay tinatawag na black space. 41. Disc jockey (d.j.) Disc jockey Isang tagapalabas ng radyo o (d.j.) Telebisyon na ang programa ay binubuo pangunahin ng mga record (disc) o iba pang mga recording; tinawag din na jock o dee jay.
42. Drive Time Drive Time Daypart ng radyo kung saan
pinakamataas ang advertising dahil ang mga tao ay karaniwang nagmamaneho papunta at galing sa trabaho 43. Drop-in Drop-in Isang maikling anunsyo sa radyo sa pagitan ng dalawang kanta o dalawang elemento ng pag- broadcast. 44. Dub Dub Upang makagawa ng isang pagrekord ng isang pagrekord. 45. Feedback Feedback Ang isang pagngangalit ng tainga o ungol sanhi kapag ang tunog mula sa isang loudspeaker ay kinuha ng isang mikropono at muling binago. Maaari ring mangyari ang puna kapag ang awput para sa isang naibigay na tape deck o iba pang aparato ay pinakain muli sa sarili nitong input. 46. Flash Flash Basahin ang isang linya na nagsasabi tungkol sa isang nagbabagong kuwento - na tinatawag ding isang Snap (Newsflash o Breaking News). 47. Front Sell Front Sell Ang kilos ng pagpapakilala ng isang kanta na patugtog. 48. Green room Green Room Isang silid o lugar ng paghihintay para sa mga panauhin 49. Happy Talk Masayang Ang kaswal na banter na Kwentuhan nangyayari sa pagitan ng mga anchor ng balita at iba pang mga "on-air" na mga tao. Karamihan ay itinuturing na magaan sa puso. 50. Headline Ulong balita Ang pamagat o paglalarawan sa taas ng isang pahina sa isang libro o sa taas ng isang paglabas ng balita o artikulo, bilang isang buod o upang makatawag pansin; tinatawag na isang ulo, heading. Ginagamit ang mga ulong balita sa broadcast at iba pang media, bilang karagdagan sa mga pahayagan. Halimbawa, ang nangungunang item o indikasyon ng isang darating na item sa isang pag-broadcast ay maaaring tinukoy bilang isang ulong balita. Ang paunang pahiwatig minsan ay tinatawag na isang billboard. 51. Hot Hot Sa mga tuntunin sa radyo, may isang bagay na napakalakas. 52. ID Station identification of its call letters and location, channel or frequency. Also refers to any commercial message less than ten seconds long. 53. Infomercia A long (more than two minutes) commercial providing extensive product/service description and sales information. 54. Lead First line/paragraph of body of story that summarizes/indicates most important information. 55. Lead-in Broadcast term for beginning part of story news anchor reads introducing the story and/or person reporting story. 56. Liner In radio terms, an announcement read by a radio announcer or personality 57. Listener A person in the audience of a radio program. The listening area is the geographical span of a station's coverage (the term applies specifically to radio, but sometimes is used to refer also to TV). A listener diary is the record, or log, of programs heard by a respondent in an audience-rating survey. Listener characteristics are the demographics of a typical listener of a program or station. 58. Live shot/Live A TV news story during which a Report news anchor or reporter is live at a remote location. Within this report can be included a SOT, VO/SOT or PKG. 59. Move in (MI) A direction to move a camera or microphone closer to the subject. 60. Move out (MO) A direction to move a camera or microphone away from the subject. 61. Network Two or more stations joined by a line to broadcast the same program from a few original studios simultaneously. 62. Network Affiliate A television or radio station that designates a portion of its air time for network programs. 63. O.C. or O/C On camera; action in front of a TV camera, visible to the audience. In a TV script, it's a direction indicating on which person or scene the camera is focused. 64. O.T.O. One time only, usually referring to a TV or radio special program. 65. OB Outside broadcast; not in the studio, from a remote location. 66. Opening The introduction of a radio or TV billboard program, which may include highlights or names of the cast or sponsors. 67. Outro The standard conclusion of a radio or TV program; an exit speech in a scene; a tag at the end of a commercial. Outro is the opposite of intro. 68. Pay Per View A type of Pay TV where viewers are charged each time they watch the special event or movie being broadcast. 69. Piggyback Back-to-back scheduling of two or more brand commercials of one advertiser in network or spot positions. 70. Pilot A sample of a proposed television series. 71. Playlist A list of songs to be broadcast on a radio show 72. Plug A jack; an electrical device with projecting prongs fitted into an outlet or to connect circuits. A phone plug is a jack commonly used as a microphone connector, often with audio amplifiers. 73. Pop An unscripted on-the-scene report, also called a stand-up, by a TV reporter; usually live, called a live pop. 74. Pre-emption The substitution of one advertiser's local TV commercial by another advertiser paying a higher price for the spot, or by a different program of interest. 75. Prime time The time period that has the greatest number of viewers or listeners, generally 8 to 11 p.m., Eastern Time. 76. Prize broker An individual or company that arranges for products or services to be presented as prizes in contests or giveaways, such as on radio and TV programs. 77. Promo Short for promotion (the short-form plural is promos). The term refers to the overall activity conducted by a radio or TV station, or any organization, designed to help sell a particular product or service. More specifically, the word refers to the preliminary advertisement or announcement of a radio or TV program, broadcast earlier in the day of the program or on the preceding day or days. 78. Rating The popularity of a program, abbreviated as RTG. The AA rating is for Average Audience, which Nielsen expresses in four ways: (1) percentage of households tuned to a program in an average minute; (2) percentage of all TV households; (3) share of audience during an average minute of the program, expressed as a percentage of all TV households using TV at the time; and (4) average audience per quarter hour, expressed as a percentage of all possible TV homes. The key figure is the percentage of all TV households. 79. Roadblocking A scheduling technique where a brand's commercial airs at approximately the same time on all three networks or on all stations in a given market. 80. Rundown -aka; Lineup A chronological outline or order of stories or segments to be used in a newscast. This is the producer's blueprint for the newscast. 81. Running Time Refers either to the estimated time or the actual time of a newscast. Producers/editors should always estimate the running time of the newscast based on the actual time of each recorded report and her or his best guess as to the time of each intro and each story to be read by the anchor. 82. Script The text of a speech, play, film, commercial, or program or simply a schedule or sequential account written by a scriptwriter. 83. Sign OFF Official statement to end the day’s broadcast. It has the same contents as the Sign On spiel but the National Anthem is played at the end of the spiel. 84. Sign ON Official introduction of the station and it is played before the station starts its daily broadcast. 85. Simulcast Broadcast of the same program at the same time on both AM and FM radio stations. Can also refer to a radio station simultaneously broadcasting the audio portion of a TV program. 86. Spiel Fast short narration of a program’s body or content. 87. Spill-In The amount of programming viewed within a market area to stations that are licensed to an adjacent market. 88. Spill-Out The amount of viewing to local stations outside the home market area. 89. Spot A radio or television commercial. 90. Spot News An unexpected event that can be covered in various ways 91. Station Name What the radio station calls itself on the air. Radio Now, Giant 90.9, and Hot 96.3 are all examples. 92. Storyboard A series of illustrations (storyboard sketches) or layouts of scenes in a proposed TV commercial or other work, used as a guide prior to production. A storyboard artist does storyboarding; also called a production illustrator or sketch artist. 93. Strip A program scheduled at the same time each day, typically Monday- Friday. 94. Subtitle A superimposed caption at the bottom of the TV screen. 95. Superstation An independent station whose signal is transmitted to many markets via a satellite. 96. Syndicated A program bought by a station or Program advertiser from an independent organization, not a network. 97. Time check Live announcement of the exact clock time. All stations are mandated to announce the official time from PAG-ASA. 98. Turnover The ratio of a cumulative audience to the average audience for a given period of time. Indicates how loyal a given audience may be for specific stations or programs. 99. Voiceover (VO) A TV news story during which a news anchor or reporter reads a script live as video is played. 100. Zipper A bit of music or sound effect to signal a local radio or TV station to interrupt for identification, a commercial, or other break.