12 Fantasias for Flute without Bass by Georg Philipp Telemann

The Caroline L. Guarini Department of Music, Dance & Theatre          Telemann’s 12 fantaisies à traversière sans basse, (12 Fantasias for Solo
Flute), were published in Hamburg, Germany between 1732 and 1733. A surviving copy
Proudly Presents of the publication, preserved in Brussels, has a misleading title page reading Fantasie
per il Violino senza Basso (Fantasias for Solo Violin). The second Fantasia in A minor
has four very short movements: Grave, Vivace, Adagio, and Allegro.
John Skinner  
Cantabile et Presto by Greorge Enescu
Graduate Recital          Dedicated to Paul Taffanel, founder of the French Flute School, Cantabile et
Presto was the work used an examination piece (Morcuaux de concours) by the Paris
Conservatory. The Conservatory used this piece in the years 1904, 1921, and 1940. The
The Profit Elijah, piano opening movement makes good use of the low register on the flute, while allowing the
player to express the line with vibrato and dynamics. The second and last movement
uses double tonging to create a sense of urgency and drive.
Tuesday, April14, 2020  
4:00 p.m. Sonata for Clarinet and Piano by Leonard Bernstein
Written in Key West in September 1941 and Boston in February 1942,
My Parents’ Basement Leonard Bernstein was only in his early 20’s when he wrote this work. This was
Raleigh, NC Bernstein’s first published piece. The piece is dedicated to David Oppenheim, a
clarinetist and a television and classical music producer. Bernstein met Oppenheim
Program while studying conducting with Serge Koussevitzky at the Tanglewood Music Center in
the summers of 1940 and 1941. The first movement is extremely lyrical yet
commanding at times with a recollection of Paul Hindemith and Aaron Copland. The
12 Fantasias Georg Philipp Telemann (1681-1767) second movement begins on a very tranquil theme then moves on to a swift 5/8,
for Flute without Bass, followed by various mixed meters throughout the movement.
TWV 40:2-13
II. Fantasia in A minor Morceau de Salon by Johann Wenzel Kalliwoda
         A nearly forgotten composer to many musicians, Kalliwoda is most famous in
Cantabile et Presto George Enescu (1881-1955) the oboe community for this composition. His favorite instrument seems to have been
the oboe! Born in Prague in 1801, Kalliwoda was an orchestra director in southwest
Germany for over 40 years. This piece thrives on the fervent drive of Kalliwoda’s
I. Andante ma non troppo
much-praised melodic creativity and his lyrical and opera-like melodic lines.
II. Presto  
Partita in A minor by J.S. Bach
Sonata for Clarinet and Piano Leonard Bernstein (1918-1990)             Written by one of the most famous composers in music history, Partita in A
minor, is written in four movements: Allemande, Corrente, Sarabande, and Bourrée
Morceau de Salon, Johann Wenzel Kalliwoda (1801-1866) angloise. The date of its composition is very uncertain, but it is thought to have been
Op, 228 written around 1723. The title came from 20th century editors, and the only surviving
18th-century manuscript title is Solo p[our une] flute traversière par J.S. Bach.”
Partita in A minor, BWV 1013 J.S. Bach (1685-1750) Lonely Street by Sammy Nestico
Solo for Flute (Played on Saxophone) Recorded by Count Basie and His Orchestra on the album Basie Straight
II. Corrente Ahead in 1967, this gorgeous tune features alto saxophone and covers a wide range of
melodic and harmonic techniques including scoops, glissandi, and mordents. Sammy
Lonely Street Sammy Nestico (1924- ) Nestico, composer, arranger, orchestrator, writer, and educator, is best known for his
arrangements for the Count Basie Orchestra. His career has spanned over 70 years and
continues to work!

*This recital is in partial fulfillment of MM Performance in Multiple Woodwinds.

**John Skinner is a student of Professor Dave Noland and Arthur Sato.
Acknowledgements
Sue Henderson, Ph.D., President
Tamara Jhashi, Ph.D., Provost 
João Sedycias, Ph.D., Dean
William J. Maxwell College of Arts and Sciences
Amparo Fabra, PhD., Chair of Music, Dance & Theatre
Joseph d’Auguste, DMA, Coordinator of Woodwind Studies
Carol Shansky, DMA, Coordinator of Music Education
Dave Noland
Giuseppe Fusco
Patrick J. Burns
Arthur Sato Presents
Andrea Herr
Saar Ahuvia
Division of University Advancement
Department of Public Safety
Bill’s Food Truck
Duplicating Center and Mail Services John Skinner
Music, Dance and Theatre Staff
Paul Robertson, Senior Program Assistant Graduate Recital
Erica Seitzman, Program Assistant

Tuesday, April 14
4:00pm
My Parents’ Basement

The William J. Maxwell College of Arts and Sciences

Caroline L. Guarini Department of Music, Dance and Theatre