Professional Documents
Culture Documents
TASCAM
TEAC Professional División
388
STUDIO8
A
'r
( OPERATION/MAINTENÁÑCD 5700070801
several restrictionr c ® TABLE OF CONTENTS
Properly oniy ¡f ¡t Studio 8 will perform
guarantee that ?i,rh L- Properly and we Introduction
PP is not covered bv possible. Set- The Mixer 3
internal adiustmp t Vopi" attempts The Recorder 6
^harge you for readjustmentr'''"'''^"'' Recording the BasícTrack
Setup 7
Recording 9
a result, ^oL'^finkh ^ ^ science. As Overdubbing 9
more by artistir ■ may be judged Remix 11
Art if h?
TASCAM can
technical perform- Ping-pongíng, Collapsing, or Bouncing
Tracks 12
Studio 8, by itsTif liM that the Punch-in and Insert Editing 13
Yourwork, the quality of The Actual Punch-ln 1^
Remote Punch-in/out using the
RC-30P Pedal 1^
81 artistivill hp^ techmcian and your abilities as Work Methods
you achiré '^"°ts in the resulta Planning
Apparent and Absolute Valúes 1°
How to Use Your Equalizer 1°
equIprnlélwnrLr^-^^ V®"'" A Word of Mixing Advice
op
MAINTENANCE 1-1
-2-
INTRODUCTION
Your Studio 8 is a complete eight track pro- THE MIXER
duction system. It contains a ful! function 8x8
X 2 mixer with 8 channel monitoring;combined The Studio 8 mixer was designad to próvida
with an eight track recorder/reproducer with the máximum flexibility and performance. The
fui! servo control, remote capability, and tremendous number of features and controls
SMPTE/EBU/computer interface. It is an ideal available on your mixer can make it seem com-
"turn key" production facility for off-line audio plicated and intimidating. But all mixers share
for video, jingles, commercial radio and tele soma fundamental principies that are not diffi-
visión spots, and music. cult to understand. This understanding, parti-
cularly when combinad with soma experience,
As a complete system, your Studio 8 virtually will ensure that your Studio 8 wiII be a power-
eliminates the time consuming and confusing ful creativa tool that is aiso easy to use.
"patching" normally associated with multi-track Your mixer is a system, a group of individual
audio production. The most frequently used elements working together as a unified whole.
functions are engaged automatically and many All audio systems have three things in common:
complex operations are internally wiréd to Input, Process, and Output. In audio produc
reduce work by reducing the number of steps tion systems, the Input consists of electrical
necéssary to get things done. signáis from microphones, instruments, VTRs,
turntables, tape recorders, etc. These signáis are
Processed electrónically to balance their lavéis
and tonal qualities. The resulting signáis are then
converted into sound, Output by amplifiers,
speakers, and headphones.
/
/
Output
Process
Input
rxjo o
-3-
for audio sianri'^^'°"^u^^ ^ traffic control center Larga systems may be broken down into
proL,pl°u It takes múltiple subsystems — each of which is a system in its
sends, or routpc own right. Your Studio 8 mixer Is actually
mixer controk múltiple outputs. So made up of several of these subsystems, known
come from'^nd
anH "uhowmuch"signalgoesthere.;
signáis go to and as submixers, each of which possesses the
system requirements of Input, Process and
Output.
□□
Talent Cue @@ @
Control Monitor
and Amplifler
mttruments
(Reverb. Delay,
Echo. Comp.. etc.)
FADEfi
STEREO •) PGMOUTSI S
MASTER
FAOER
PGM
FADERS
O
O
- 4 -
MONITOR
The Monitor Mix takes its signa! from the
program busses or the recorder's playback.
These signáis are automatically routed through
individual leve! and pan controis. Monitor mixes
are used so that the talent can hear previously MONITOR
PGM
FADERS
The Effect and Auxiüary submixer signáis channe!. But suppose that you want to use the
come from the Main Mix system. Let's assume processor on more than one input channe!
that you have a digital deiay, reverb, or another simuitaneousiy. Your Studio 8 is abie to send
signa! processor that you want to use on some signáis of any combination of input channeis
of your materia!. !f you oniy want the pro- to the EFFect and AUXiiiary Output on the
cessor's effect on one channe!, you couid piug back pane!. These outputs can then be con-
your instrument or microphone into the pro nected to your signa! processor, and the pro-
cessor and piug the output of the processor into cessor's output(s) can be connected to the
the LINE INput of the mixer. You couid aiso EFFect RTN (return), PGM BUSS INputs, or
use the Studio 8's channe! ACCESS jacks, con- Stereo Buss inputs.
necting the processor to the appropriate input
o
AUX. MASTER
INPUT EQUALIZER
EFFECT OUTS
EFFECTS BUSS tN
MASTER
STEREO BUSS IN L
®ZD
RTN 1
GAIN
STEREO
MASTER L
STEREO
OUTS
STEREO
5-
THE RECORDER Your Studio 8 can be remotely controlled. If
you are sitting in front of your instrument and
A recorder's job is pretty easy to understand. not the Studio 8, the tape transport controls,
It records. Of course, it also plays. Your Studio Play, Stop, Fast Forward, Rewind, and Record
8's recorder uses quarter-inch tape on seven can be located up to sixteen feet away from the
¡nch reels to record, or piay up to eight tracks recorder using the optional RC-71. Punch-in
of sound. Your Studio 8 has much in common and Punch-out can be engaged using the optional
with other reel-to-reel muititrack recorders. RC-30P footpedal, which gives you an "extra
But it also differs in severa! important ways: hand" in the recording process.
sophisticated features combine the advantages
of cassette and open reel recorders, and inter- The Pitch Control allows you to adjust the
face connections for SMPTE (Society of Motion speed, and thereby the pitch, of the Studio 8
Picture and Televisión Engineers)and EBU by as much as 15% plus or rninus. This has a
(European Broadcast Unión) time code syn- variety of uses from coping with a singer who
chronizers and editing systems are provided. thinks the worId is a semi-tone sharp, to cutting
a few seconds from your program. As an ex-
The Studio 8 combines the flexibiüty of an ample, suppose your thirty second commercial
open reel recorder with the convenience of a runs 31.5 seconds. A pitch adjustment can be
cassette recorder. Its "LOAD" feature insures made to make the material fit the time con-
that the tape, once it has been threaded, will straints.
never accidently run off the reels, no matter
what transport function is in use. Thus, the The Studio 8 Memory functions are not oniy
convenience and speed of the cassette is convenient, they handie your tape very gently
achieved while the flexibiüty and fidelity The MEMORY and RTZ (Return To Zero)
of the open reel is retained. functions work with the recorder's tape trans
"PI10 /\ccessory interface connectoron the back port to minimize the strain placed on your tape
by fast forward, rewinds, and searches. You can
panel of the Studio 8 is the gateway to the also use the REPEAT, CUE, and RTZ functions
worid of synchronization and computar trans to create a playback loop that will repeat until
port control. SMPTE/EBU time codes are used you turn it off.
to synchronize múltiple video/film and audio
machines during the editing process. These codes
are also being used by the manufactures of elec-
tronic musical instruments in conjunction with
MIDI (Musical Instrument Digital Interface)
to synchronize the operations of sequencers,
computers, drum machines, signal processors,
and synthesizers during muititrack recording.
SMPTE/EBU controllers can be used to con
trol the transport functions of your Studio 8.
The optional TASCAM AQ-65 is a multifunc-
tion Auto Locater/Tape Transport Controller
that also utilizes the Accessory jack.
-6-
RECORDING THE BASIC TRACKS
SETUP
1. Llft the cover for the tape compartment. wise) until the OL flashes; then, back off the
Thread a new tape onto the recorder as shown TRIM, turn it counterclockwise slightly until
¡n the illustration below. Use oniy EIA center the OL stops flashing. Note that some line level
{small hub) 7 inch reeis for both the supply devices will have insufficient output to make
and take-up reels. Tape must be the 1 mil theOL LED light.
variety, ISOOfeet (549 meters) in length. Load 9. Set your EQ controls to a 12 o'clock posi
Function wiii not work properiy with tapes of tion. You will feel detents when the controls
different lengths or thickness. are in this position.
10. Adjust the Fader in channel 1 to the
shaded area between 7 and 8.
11. Make sure the AUX PRE/POST selector
switch is in the PRE (up) position.
12. Adjust AUX and EFF rotary controls
to their off positions, fully left (counterclock
wise).
13. Press the ASSIGN switch marked 1—2 to
the on position (down). Rotate the PAN control
in channel 1 fully left (counterclockwise).
Make sure the other ASSIGN switches are off
(up).
14. Press the switch marked STEREO in the
recorder sectión of the Studio 8. It's in the
2. With the power off, plug your instrument lower right hand córner of the top panel.
or microphone into the MIC or LINE INput of
15. Adjust the ODD PGM MASTER Fader
channel 1 in the Studio 8's mixer section.
to the shaded area between 7 and 8. Press the
3. Plug your stereo headphones into one of number 1 switch in the REO FUNCTION
the two headphone jacks on the front panel
section. The LED near the number 1 switch will
of the Studio 8. Never plug mono headphones/ start blinking.
earphones into either of these jacks. Never use
16. Make sure the MON switch (PGM/CUE) is
"Y" cords to connect múltiple headphones to
in the CUE position (up).
either of these jacks. You will damage the 17. Make sure the METER switch (AUX-
circuits if you do.
EFF/LR) is in the LR position (up).
4. Turn the power on. The switch is on the 18. The three position rotary switch next to
back panel. the PITCH CONTrol in the recorder section
5. Make sure the dbx is on. Its switches are should be in the FlXed (center) position.
on the top panel and its LEDs will show you its 19. You may find it easier to work in mono,
status. Make sure Track 8 dbx defeat switch, on if so, press the MONO switch that is located
the rear panel, is on. above the STEREO MASTER Fader on the top
6. Press the LOAD button on the top panel. panel.
The tape will run to a point past the leader. 20. Adjust the STEREO MASTER Fader to
When it stops, press the RESET button. the shaded area between 7 and 8.
7. Set the INPUT Selector Switch in channel 1 21. Put headphones on.
to the MIC position (left) if using the MIO In- 22. Adjust MONITOR GAIN control 1 to
put. Set it to the LINE position (center) if using the 3 o'clock position. Adjust MONITOR PAN
an instrument and the LINE Input. as desired if you are monitoring in stereo (see
NOTE: Instruments with low output levels step 19). Play your instrument or speak into the
such as electric guitars and basses should use a microphone and readjust the TRIM or the in
direct box to boost their signal to a sufficient strument volume until the TRK/PGM Meter
level to use the line input. number 1 registers a reading between -3 and 0.
8. Play your instrument or speak into your Use the Fader in channel 1 also, if necessary.
microphone watching the OL indicator light. 23. Adjust the MONITOR/PHONES control
Adjust the volume of your instrument or, if to a level that is comfortable.
using the MIO input, turn the TRIM up (clock-
-7-
»g
n
b
22 15 17
SETUP a
m m m
m. m m
10, 22
REC FUNCTION On (down) position for the LED(s) stay on showing Record
track(s) to be recordad. moda.
-8-
RECORDING
1. Make sure that REC FUNCTION switch odd numbers, pausing for a fuII count between
number 1 ¡s down with its LED blinking. All each number. You will need these pauses for the
other REC FUNCTION switches should be upooming overdubbing.
in the up position. Their LEDs wül be off. 5. When finished, press the RTZ button in
2. Whiie piaying your instrument or speaking the transport section. Since RESET has been
into the microphone, make any EQ adjustments pressed, in step 6 of setup, the tape will return
you feel are necessary. Refer to "Work Methods" to the zero position (00:00) and stop.
for more ¡nformation on EQ. 6. Press the number 1 REC FUNCTION
3. When your instrument or volee sounds the switch, turning it off (up). Its LED will go out.
way you'd like, press REC and PLAY buttons 7. Press PLAY and listen to your track. Re-
in the recorder's transport section. The REC adjust MONITOR/PHONES level if necessary.
FUNCTION LED will stay on continuous-
ly and the red LED above the REC button You've completad your first track. If you're
will be on. not satisfied with the results, repeat the process.
4. Play your instrument or, if using a micro- If your results are satisfactory, it's time to move
phone, slowly count to nineteen using oniy the on to overdubbing.
RECORDING
1,6
0- m
rgoom QOQOODO
OVERDUBBING
You will use the same setup as you did for channel's ASSIGN switches make it possible to
recording your basic track with the following route any channel's signal to any track of the
changas: recordar.
2. Make sure ASSIGN switch 1—2 is still
1. Connect the new source, instrument or down (on) in channel 1. Adjust channel 1's
microphone to the appropriate channel 1 input. PAN fully right, clockwise.
You can continua to use channel 1 because the
-9-
4^.
3. Press down REC FUNCTION 2. Its LED REC FUNCTION 2 LED will stop blinking
will blink. Make sure all other REC FUNC and stay on continuousiy.
TION switches are off (up) with their LEDs 11. Play your instrument or count the even
off. numbers to twenty. When finished, press STOP
4. Raise the EVEN PGM MASTERS Fader and RTZ.
to the shaded area between 7 and 8. 12. Press ASSIGN 1-2, turning it off (up).
5. Press PLAY and listen to your first track 13. Press REC FUNCTION 2 switch, turning
through headphones. Make any necessary ad- ti off (up). Its LED will go off.
justments to MONITOR 1 GAIN and PAN con- 14. You can now listen to both tracks. Press
trols. Adjust the MONITOR/PHONES level for MONO, releasing the mono mode. Adjust MONI
comfort. TOR PAN for 1 and 2 to the desired locatjon
6. Adjust MONITOR GAIN 2 so that your Adjust MONITRO GAIN for 1 and 2 to the
instrument or volee and track 1 are at the desired level.
proper balance in the headphones.
7. Play your instrument or speak into the Tracks 3 through 8 can be recorded using
microphone. If you counted on track 1, you similar procedures as track 1 and 2. The differ-
will aiso count on track 2. The objective is to ences, of course, are that the PGM ASSIGN
use oniy the even numbers to twenty, placing switches and REC FUNCTION switches will
them in the pauses between the odd numbers correspond to the desired recorder tracks. PAN
used on track 1. controls in any channeis of the mixer will be
8. Adjust the channel Fader 1, while watching rotated to match the ODD (3,5, and 7) or EVEN
TRK/PGM Meter 2. It should read cióse to 0. (4, 6, and 8) tracks. Readjust MONITOR GAIN
9. Rewind the tape by pressing the RTZ and PAN as desired.
button. It should stop at 00:00.
10. Press REC and PLAY at the same time.
6 4,14
OVERDUBBING
9, 11
4 14 11 5 10
- 10 -
REMIX
When your multitrack master ís finished, you 10. Press RTZ to rewind your tape. Put a
will want to convert it to a stereo master. You fresh tape on your mastering deck. Run off
will need another tape recorder forthis process. fifteen seconds of tape to get past the leader on
A two track recorder whose quaüty ¡s compara your mastering recorder. Reset the master's
ble to the Studio 8 ¡s required (TASCAM modeis counter and press its zero return, if it has it.
22-2, 32, or equivalent). You don't want to 11. Play the tape on your Studio 8. Adjust
step down ¡n quaüty just because your stepping the leveis on your master, using its meters as a
down ¡n quantity (number of tracks). reference. The meters should register -3 to 0.
12. Press RTZ to rewind the Studio 8. Put the
1. Connect the XLR or RCA STEREO GUT- master deck into its record mode or record/
puts of your Studio 8 to the Line leve! inputs pause mode. Record mode usually entails
of your master!ng recorder. pressing the Record and Play buttons at the
2. Set the INPUT Selector switches of your same time.
Studio 8 to the RMX (right) position. 13. When the master is rolling (release pause
3. Press the ASSIGN switches marked L-R in if it's in record/pause mode), press PLAY on the
each of your channels. Studio 8.
4. Adjust the STEREO MASTER Fader to the 14. When finished, stop both recorders.
7 to 8 position. Rewind and play the tape on the master. Listen
5. The METER switch (AUX-EFF/LR) should to the results, if you're not satisfied, make notes
be in the LR position (up), and the MONO of changes you'd üke to make and repeat the
switch in the up position. Remix, making the desired changes.
6. Make sure all REC FUNCTION switches
are off (up). While the Remix is progressing, you can
7. Press RTZto rewind the tape. monitor the proceedings using headphones, as
8. PLAY the tape, adjusting the MONITOR/ in our example, or a speaker system. You can
PHONES, channel Faders, and STEREO MAS hear your mix through speakers by connecting
TER Fader for level. STEREO Meters should the MONITOR OUTputs (L and R) to the
register between -3 and 0. auxiliary or tape inputs on your stereo rece!ver
9. Adjust channel PAN controls as desired. or ampiifier.
6 5
REMIX
(®¡ íj)'
7, 10,12
I cacm ooononn OO OQD
8, 11, 13
11 -
PING-PONGING,COLLAPSING,or BOUNCING TRACKS
tape, watching the TRK 8 Meter. Lavéis should
The recording capability of-your Studio 8 is register between —3 and O. Adjust channel
not limitad to eight tracks. As you progress with Faders 1 — 4 so that their signal lavéis ara
your recording, you may reach a where balancad.
you need more than eight tracks. At this pomt, 8. Maka any EQ adjustments you fael are
the recording technique variously callad Ping- necassary in the individual channels. Maka sure
pong, Collapsing, or Bouncing can expand the you don't boost the signal laval too much with
capability of your recording equipment. The the EQ controls.
technique allows you to connbine up to seven 9. Adjust MONITOR GAIN number 8. All
tracks onto the remaining blank track. You other MONITOR GAIN controls can be turned
may even record additional new material while off (rotated fully counterclockwise).
bouncing tracks. 10. Press the MONO button to the on posi
tion (down).
For the sake of an example, we'll collapse 11. Press the RTZ button to rewind your tape
material recordad on tracks 1 through 4 to track to 00:00.
8 of the Studio 8. 12. Press REC and PLAY. The tracks you
have selected are now being ping-ponged to
1 Set the MON switch (PGM/CUE) to the track 8.
PfiM setting (down). .. 13. When finished, STOP the recorder and
Z Set the METER switch to the L/R position turn off (up) the REC FUNCTION switch num
ber 8.
3^ Press ASSIGN switch 7-8 in channeis 1, 2, 14. Press the RTZ button to rewind to zero
3 and 4 Rotate the PAN control in each of 00:00.
these channels fully right, clockwise. 15. Reset the MON switch (PGM/CUE) to the
4 Set the INPUT Selector switch in channels CUE position (up).
1 through 4 to the RMX position (right). 16. Play the tape and listen to the results of
5 Press REC FUNCTION switch number your track bounce. If you hear something that
8 Its LED should flash. All other REC FUNC you don't like you can repeat the process
TION switches should be off. Maka sure you have the results you want beforé
6 Adjust the EVEN PGM MASTER and you record new material on tracks 1 through 4
STEREO MASTER Faders to the 7 to 8 posi- Recording new material there will erase the oíd
^'°7 Press the RESET button and PLAY your
5.13
PING-PONGING
m w
»• ! m m
m\ m
11, 14
'i/i Tr I híi^l ODOOD Da nop
H N [=1 £-1
6 10 1,15 13 7, 16
It ¡s possible to add new parts while ping- ponging, you could use channeis 5, 6, and 7
ponging. Any mixer channel that is not being for new material. Route the new channeis to
used ¡n the Remix ¡nput mode can be usad to program buss 8 by pressing ASSIGN 7-8 and
add a new part. rotating the PAN fully right in each channel.
2. Rabearse the new parts while listening to
1. Set up the controls for the channel(s) that the previously recordad tracks. Use this rehearsal
you want to use for the new material in the to set leváis for the new material.
same way that you did for recording basic 3. Perform the remainder of the Ping-ponging
tracks. If you followed our example for ping- procedure.
5, 8, 9
REHEARSING
THE PUNCH-IN
k..kJ
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■fe 'Íí ^ #
ífe ífe é- 0 0 0 0
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íí^'
r"T3 ir
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^ M H H H H □ i: " <ffi
1, 6, 7
THE ACTUAL PUNCH-IN
actual
PUNCH-IN
ííy <^r
I coca annoPao
N H H
1 6 4 5
Rehearse in the same way as your did before. the RC-30P pedal. This will start the Recordinq
When you're ready to go.. . process.
1) Start the recordar rolling by pressing 3) When the Punch out point arrives step on
PLAY. The REC FUNCTION switch should be the RC-30P pedal again. This will stop the
on, with its LED blinking. Recording process.
2) When the Punch-in point arrives, step on
t.
14 -
WORK METHODS
As we mentioned on the first page of this you will need to make it ready. You will find
manual, recording ¡s an art as well as a science. a lot more helpful material in the "Multitrack
Art has a special and intangible quality that sets Primer" available from TASCAM.
it apart. In order to create art, the artist must
have the proper tools, and command of the The condition of the AC circuit that you
techniques of those tools. Your Studio 8 is intend to use with your Studio 8 is very im-
the tool. The command of the techniques will portant. Noise and other circuit" problems can
involve some practice and some thought on your be both annoying and dangerous. There are a
part. couple of inexpensive tools that you should have
in your tool box: An AC Outlet Tester, AC
The following paragraphs are here to provide Adapter/Ground Lifts, and an AC Neón Lamp
you with information, suggestions, and some Tester (better yet, a Volt/Ohm Meter).
perspectives regarding the recording process and
your Studio 8. There are three fundamental
notions upon which these suggestions are based:
Planning, Apparent and Absoluta Valúes, and LEDs-
PLANNING
RECORDING
IPS TRACKS
( t a N!
Pe □ OBX
ARTISÍ _
□ TIME CODE
PRODlJCEH -
'7 I
iTi E
• I I
Volt/Ohm Meter
AC Adapter
15 -
reverse polarity. Your Studio 8 uses a two prong Do you intend to use timing codes of sonríe
AC connector and will present no grounding sort: SMPTE/EBU, FSK, or some other data
problems by itself. These adapters are aiso useful code? These codes should be recorded first
as ground lifts. A ground Mft ¡s usad in the event onto track 8 without dbx. dbx encoding and
that a "ground loop" is created within the decoding can make some codes unreadable.
wiring of ai! the elements of your system. A The codes themselves aiso cause track i ng errors
ground loop will create a hum or buzz that will in the dbx. Codes should not be put through
not go away no matter what remedy is used. your mixer system, record them directly from
Ground lifts should oniy be used as a last resort, the PGM BUSS IN number 8. If code is recordad
since failure to have equipment properly ground- through the mixer while other material is being
ed can create safety problems. recorded, the code signáis may "leak" onto the
other busses. If they leak in this way, reduce
A Neón Lamp Tester, or Volt/Ohm Meter can their signal level, or record them separately.
be used to check the grounding of individual A metronome or "click" track may be recorded
instruments and amplifiers. Cuitar and bass using dbx with other program material.
amps are particularly vulnerable to grounding
and shock problems when the guitarist or bassist All your wiring should be neat. When cables
is aiso using a microphone. Check the grounding that carry similar signáis (input, output, effects,
by putting one of the tester or meter probes on etc.) are grouped together, the're is less danger
the metal chassis of the amplifier, or the strings of creating a noise source. Don't bundied any
of the guitar or bass and touching the other cables too tightiy or bundie AC power cables
probé to the microphone. If the lamp or meter with your audio cables. If you use cable ties
registers the possibility of a shock, reverse the to group your cables, make sure they are loosely
ground of the amplifier by using the amplifier's grouped. It follows that cables that carry dif-
polarity switch or reversing its AC plug. If the ferent kinds of signáis should be kept away
amp has a three prong plug and doesn't provide from one another. A neat arrangement of cables
a polarity switch, which is rare, use one of your aiso keeps them from being damaged by equip'
AC Adapter/Ground Lifts to reverse the plug. ment or talent. Damaged cables are the root of
many problems during recording. Always have
Should you be using Direct boxes? Micro- spare cables on hand.
phones and magnetic pickups (the kind used on
electric guitars and basses) have very low signal If you intend to use effects devices with your"
levels. As a result, they are very susceptible to Studio 8, then a^ rack-mount cabinet is a wise
the effects of radio frequency noise. Using investment. The rack should have metal rails,
cables that are over ten feet in length makes these help ground the chassis of the effects and/
this probiem more severe. Direct boxes can be or power amps together, decreasing the potential
used to improve the quality of your input signal. for a noise probiem related to grounding.
Remember, keep cables as short as possible to
do the job. While electric guitars are usually If you intend to use any optional equipment
cióse miked at the amplifier, electric basses with your Studio 8 such as the AQ-65 Auto
often use direct boxes. Electronic instruments Locator or a SMPTE controller, be sure you
(synthesizers, drum machines, etc.), dependent understand their operation. The use of optional
upon their audio signal level, are usually plugged equipment often changes the operating pro-
into the line-level inputs of a mixer. Plan to have cedures necessary to accomplish basic tasks.
the necessary equipment on hand for the session. Plan ahead and learn how your equipment works
during leisure time instead of under pressure
All your instruments should be properly during a session.
adjusted. Does your guitar need new strings? Is
the piano in tune? How about your microphones Understanding the inner workings and signal
and their cables — do they all work properly? flow through your Studio 8 will help you
Your equipment needs to be in top condition maximize the features and functions of the
when recording day rolls around. unit, find problems quickiy, and perhaps, come
up with a new application. To help you in this
- 16 -
understanding, we have provided you with three features and controls. Learning to read a block
types of illustrations: the first ¡s a line drawing diagram can be a tremendous help in your
of the unit; the second is a pictogram that future dealings with audio equipment. An
shows the features and controls placed in the experienced studio engineer can usually opérate
proper sequence of signa! flow; the third is a even the most sophisticated equipment with
block diagram, which is similar to the pictogram oniy a block diagram as a reference.
using a different set of symbols to represent the
INPUT
MIC UNE RMX
m O PGM BUSS IN
0 _ Overload
0 Indicator 0 ASSIGN
ÍNPUT EquaLief ACCESS ©
Seleci ft o o ^S=^SEND RCV input Fader PGM MASTER 0PGM OUT
0
MIC IN 01 -lOdBV
0
lOdBV
AUX
MASTER '<UX OUT
PRE/POST
Swilch OdBu
0 -lOdBV
ASStON
PGM BUSS IN
oasv
CD ^ ACCESS j
SENO RCV
0 [ PGM MASTERS
(m)[ ASSI^ '000
MIC IN
-60^
Q 'NPUT0 O
[I Npur] FAOER
0 I ''"'"J
0 EVEN
OOD EVEN
©
[AUXl
n ""t _ 0
0 ©BFD
0-\>
® 3© (INPUT PC0) I CH 8CH
Iv' 5
-17-
APPARENT AND ABSOLUTE VALUES HOW TO USE YOUR EQUALIZER
Your ear and your Studio 8 perceive the same EQ controls are used to changa the timbre of
program material ¡n very different ways. The a signal in an individual channel of your mixer.
ear deals ¡n apparent, subjective valúes, while There are three controls in your equalizer, each
your mixer and recorder ¡n the Studio 8 deal of which has two distinct functions: to cut or
in absoluta, objective valúes. This difference boost, and to determine a precise frequency
leads to the fundamental rule: On the way in, to be affected. The term frequency roughiy
to your recorder by way of the mixer, trust the corresponds to the term pitch. The higher the
machine's meters and OL indicators; On the frequency number, the higher the pitch. The
way out, to the ear by way of loudspeakers/ human ear is an amazing instrument that can
headphones, trust what you hear. Remember pickup an extremely broad ranga of sounds.
too, until your ears reach the level of perception The following is a very simple and subjective
achieved by experienced audio engineers, trust explanation of the characteristics of the various
your meters and LEDs whenever in doubt. frequency rangas.
The Meters of your Studio 8 show both the 20 to 60 Hz: The lowest frequencies the ear
average program level with the needle of the can perceive exist here. Notes in this ranga are
meter and the peak program level and transients feit more than heard. Too much boost in this
by means of peak LEDs built into the Meters. ranga will muddy the sound quality.
OL indicators in your mixer's channeis aiso
show signal leveis that are too high. Percussive 60 to 500 Hz: This is where the fundamental
instruments and synthesizers are very difficult pitches of many instruments exist. This area is
to mix and record properiy. Relieve your Meters very sensitiva to equalization. Too much cut in
and LEDs when you're recording these instru this area can make your music sound thin and
ments. Their apparent loudness is not usually lifeless. Too much boost will make the music
greater than other instruments, but their peak sound a littie dull and muffied.
transient signal level, particularly at the
beginning (attack) of a note, is much higher than 500 Hz to 2.5 kHz: This area is usually callad
the average program level. Keep your leveis the "mid-range." There is a lot going on in
under control when you mix or record these this ranga and too much boost can cause the
instruments. If their leveis reach your tape or music to become harsh or hard to listen to. The
amplifiers without being trimmed, they will experience known as "listener fatigue" is usually
cause your sound quality to go down. causad by too much emphasis in this frequency
ranga.
- 18 -
The ability to favorably change one signal mixer. EQ controls tend to be overused rather
may result ¡n an unfavorable alteration in than under utíüzed. If the sound ¡s acceptable
another. Boosting the bass frequency ranga in as ¡t comes ¡nto the mIxer, then don't EQ ¡t.
order to emphasize a kick drum may adversely And don't over adjust any control. Be careful,
affect a cymbal using the same channel of the oniy make the adjustments that are absolutely
+20
FREQUENCY (Hz)
iieiüii
woodwind
instruments
CLARINET
BASSÓON
llllliUllllllllllllllllllipiilllllli
PHéBGÍmI^—
brass PRENCH HORN
instruments upper
tróm'bóñe M Mi M» MI MI «Él' harmonics Of
TUBA iíi Si'í musical instruments
I I I
percussion BASS
instruments ORUM
CYMBALS
VIOLIN
VIOLA
siringed :eLloh
instruments
BASS VIOL
GUITAR
SOPRANO
human Alto
voice
TENOR
BASS
PIANO <
ELECTRONIC MUSIC INSTRUMENTS
COEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABC
— — •-•-'-•-•-CNjcgCMCNjrocncn'íí
19 -
n^essary. Less is defínitely more when con- A WORD OF MIXING ADVICE
sidering EQ.
All finished tapes must be balanced for leve!.
Do all the instruments and volees blend together
^ ®Qua'izer ¡s a three band sweep- In a way that Is appealing? Are the bass and
frirf offers the ability to select a precise drums so loud that the singer Is "lost ¡n the
15 h'r or minus mix"? Your slgnal leveis wlll affect the entire
frnm ó c I .. ^°"trol covers frequencles
recording and mastering process, Incíuding the
ODPrat U mid-range control EQ process. So make sure that your leveis are
contri?' I""®®" 5 The bass properly adjusted when mixing for recording.
to 1 irú'^ ^djustable for frequencies from 50 Hz You can't flx It If you can't find It.
in
in +K t
the frequency ranges. ^here ¡s some overlap
If your mixer's faders end up looking Ük©
T-i controls work in an interactive way. this, then you're overloading your outputs.
Pul! down the Input channel faders and ralse
can be timbre of the sound In a channel the program master faders.
brusL L ® =hange
SuDnnco controls. How so?
the '=''^"9® "balance" of
you reach't ^ ®®®®"*"®t'"9 the bass. Before Ú-Ú
'.ú 'A "A '4 ■.4 ■_4
start booct "'^ the 50Hz to 1 kHz control and .-ó
2 I 3 4
-20-
COMMON SENSE: CARE AND MAINTE- Cleaning
NANCE
As we mentioned, this should be done every
Even though the heads used in your Studio 8 chance you get. Using TEAC HC Series/TZ-261
are constructed of very durable materials, they and a cotton swab, clean the heads, capstan,
will show excessive wear much faster if they and tape guides until the swab comes off clean.
are not treated properiy. If you follow the Wipe off any excess cleaning fluid with a dry
swab.
procedures listed here, you will get the most
out of your Studio 8.
Clean the pinch roller at least once each day
the recorder is used. Use TEAC RC Series/
CLEANING
TZ-261 rubber cleaner.
You need some head cleaner (TEAC HC
1. Open the tape compartment door.
Series/TZ-261), some cleaner for the rubber
2. Press PLAY, move tensión arms so that
components {TEAC RC Series/TZ-261), and
capstan spins, and hold a cotton swab that has
some cotton swabs. Cleaning procedures should
been lightiy moistened with rubber cleaner
be performed before each session, after each
capstan shaft. This will prevent the swab from
session, and whenever your waiting for the
becoming tangled in the mechanism.
drummer to return from a break. Do itl You
3. Clean it until there is no visible residue
won't regret it.
coming off onto the swab.
4. Using a clean cotton swab, wipe off al l the
Here's why:
excess rubber cleaner from the pinch roller.
1.DIrt or oxide build-up on the heads will
Make certain that there is no foreign matter
forcé the tape away from the head gaps that
remaining on either the pinch roller or the
do the recording and playing back.A very smalí
capstan shaft.
distance is all that's required to produce a
noticeable reduction in the record and playback 5. Clean the capstan by lightiy pressing a
cotton swab moistened with head cleaning fluid
quality. All the money you've spent, and all
onto the shaft. Clean thoroughiy and wipe off
the engineering expertise expended by TASCAM
excess fluid.
on your Studio 8 can be wasted by a minuscule
bit of dirt or oxide on the heads. Wipe it off
with head cleaner.
-21 -
magnetism. As littie as .7 Gauss will cause TAPE HANDLING AND STORAGE
erasure of the high frequencies on the tapes Tapes should be stored in a dust-free environ-
that pass by it. If you don't want your tapes ment that won't be subjected to extreme heat or
erased, then demagnetize regularly with the cold. Your tapes are a magnetic storage médium
TEAC E-3 Degausser. and can be damaged by things that generate
magnetism. Electric motors, the kind found in
Degaussing ¡s always done with the Studio vacuum cleaners and other appliances, will
8's power OFF. If you try it with the electronics damage tape if they get too cióse to it. The
on,the current pulses produced by the degausser transformers in your power amps and instru-
will appear to the heads as an audio signal. ment amplifiers can aiso cause this kind of
These pulses are around 10,000 Gauss, and they damage. Make copies of your tapes so that if
will seriousiy damage the Studio 8's electronics one is lost or damaged, you will have a spare.
and meters. Remove the tape from the Studio 8 A phenomenon known as "print through" can
transport and store it temporarily at least 6 occur if your tapes are wound onto their reeis
feet (2 meters) from the unit. Turn off your too tightiy before they are stored. Never fast
Studio 8 and turn on the degausser at least three forward or rewind a tape for its entire length
feet away from the Studio 8. before storing it. Reel to reel tapes should be
stored "tails out." If tapes are stored for a
If you are not using the TEAC E-3, be certain long time, a tails out {the end is the first thing
that your degausser has either a plástic tip cover to come off the reel) reel will insure that any
or plástic tape covering the tip. Make sure that print through will appear as "post echo," which
no metal ever touches the tape heads as it will is usually masked by the sound on tape.
scar them beyond repair.
22 -
APPLICATIONS
The following are intended oniy to serve as will better suit your needs. The basic recording
examples. They are not the oniy way to do setup was covered ín detall in the operational
things. As you become more familiar with your chapters of this manual, so we will show the
Studio 8, you will find altérnate methods which diagram without text.
OPTIONAL
SUBMIXER
Electric
Guitar
Keyboards
and Synthesizer DIRECT
System
■fl .
a
E ectric Bass
DIRECT
BOX
2-T rack
PHONES
from
Front Panel
- 23
ELECTRONIC MUSIC STUDIO
When setting up a system of this type, the Play instruments and begin setting the channel
first thing to do ¡s to put the speakers and leveis by slowly raising the faders. If the leveis
amplifiers ¡n their proper positíons. Then wire of any of these channels is too high, as
each system. Make sure the Studio 8 faders indicated by the meters or OL LEDs, and the
are down and the power en all units ¡s off. channel fader must be kept below the 5 setting,
When all systems are wired and your mies then use the TRIM control or a less sensitiva
and instruments are connected, begin turning microphone, or turn down the volume controls
on the system. Turn on electronic Instruments on your instruments. Remember to watch your
first, followed by your Studio 8, then monitor leveis on percussive, cross modulated, highiy
and headphone amplifiers. resonant, and fast attack patches. Drunn machine
leveis should aiso be watched closely.
With the faders still down,set all EQcontrols
to their center, fíat position. Set the channel Adjust any AUX or EFF mixes in the same
input selectors to the appropriate positions, way: first, adjusting the channel leveis and
LINE on all synthesizer channeis and MIC on Masters, watching any overload indicators on
any microphone channels. Press the appropriate your effects or cue system equipment; then
ASSIGN and REC FUNCTION switches, and adjusting the EFFECT RTN GAIN controls.
raise the PGM MASTERSand STEREO MASTER Any effects devices connected to the ACCESS
Faders to the shaded area between 7 and 8.
Rack Mount
Systems and
SMPTE/
COMPUTER
MIDI
or Synchronizer z
SEQUENCER
Drum Machine
z
TRK8
without dbx
® O'
I '© @
PHONESfrom
Front Panel
-24-
SEND/RCV jacks ¡n the channeis should be in the headphones or speakers, Begin raising the
closely watched. Particularly distortion/over- indivisual channel MONITOR GAIN controls
drive units, since your channel OL indicator and adjust them for a pleasing balance. Set
is located before the ACCESS point. MONITOR PAN controls as desired for stereo
imaging and readjust the Monitor Master control
Setting the leveis for the control room moni for a comfortable volume level at the monitor
tor speakers is a simple procedure. Set the speakers. Be aware that any "open" micro-
STEREO MASTER Faders to the 7 to 8 position phones in the room may cause feedback, a howl-
and adjust the Monitor Master control {MONI- ing sound, Turn off or reposition any micro-
TOR/PHONES) for a comfortable listening level phones that cause feedback.
VIDEO/FILM PRODUCTION
TASCAM
track 388
1. Guide (production) Track
25-
FEATURES AND CONTROLS
O POWER
INPUT
The POWER switch ¡s on the back panel. The MIC .UNE RMX
O MIC IN Connectors
Located on the back panel, these XLR
connectors accept balanced microphone or Une
signáis. High impedance, unbalanced micro
phone signáis may be connected here using a
standard quarter-inch to XLR adapter/trans-
former.
Pin assignment is as follows: Pin 3 is high, pin
2 low and pin 1, shield.
lAUX
POST
JD. PRE □
0 LINE IN Connectors
EFF I
Located on the back panel, these quarter-
inch phone jacks accept unbalanced, line level
signáis. Electronic instruments and audio
equipment producing line level signáis can be
connected here.
POWEII
© '□ s
0
© ©
©
0
kCCttt ACCttt Accrsi 1 «CCCS9 1 Acciss i accim ACCft» «ce»»
©
*CV MNO
©
-O
1 I
iiivr IN
© © I S' 0
o (o)
w
() @ o oi)
ytc w
láH OuT
WlC •••
(
1
tm owT
@ 0
W< M
0 (o) 1 (0) 0 0@
HiC •••
(i
fiȒ (xrr
(0) o ©
úA\ -0
o D B 1 Q □ Q i B D
-26-
OINPUT Selector O Input Channel Fader
These are found on the top panel, at 'íhe This linear, slide, fader varíes the amount of
top of each channel of your Studio 8's mixer. signa! going to the PAN control, the EFF
The switch has three settings: submix, the ASSIGN switches, the STEREO
MASTER Faders, and the AUX submix if it is
MIC: Allows the signa! present at the MIC switched to the POST position.
INput on the back panel to enter the mixQr
channel. ©PAN
This control allows you to create stereo
LINE: Allows the signa! present at the LINE mixes by sending your channel's signal in
IN connector on the back panel to enter the continuously variable degrees to the left (ODD
mixer channel. busses) or right(EVEN busses) sides of the mix.
- 27 -
®PGM BUSS IN ESTEREO BUSS IN
These connectors are on the back panel. You These RCA connectors allow input to the
can connect the Ime-level outputs of another STEREO Buss system at a point prior to the
tape recorder, mlxer, or effects devíces wlth STEREO MASTER Fader. They will accept a
leve! controls at this point. These inputs are line level signal and can be utilizad by recorders,
after the PAN, Channel Fader, EFF submíx, submixers, or effects devices with level controls.
AUX submix, and ASSIGN switches. Signáis Before signal from these inputs reaches the
from these inputs are routed to the PGM MAS- STEREO MASTER Fader, it is joined by signáis
TERS Faders, MONITOR submix, and PGM from the EFF RTN inputs that have aiso passed
OUTputs. They will be recorded, along with through the EFF RTN GAIN and PAN controls.
any signáis from the eight channeis of your
mixer by the Studio 8's recorder. ©STEREO MASTER Fader
This linear, slide fader adjusts the level of
® PGM MASTERS Faders both the right and left sides of the Stereo Buss.
Located after the ASSIGN switches, the two It receives its signal from the L/R ASSIGN
PGM MASTERS Faders each adjust the level of switches or from the MONITOR submixer if no
four PGM Busses (ODD 1, 3, 5, and 7; EVEN L/R switch is selected. The signal then goes to
2, 4, 6, and 8). From this point the signal flows the MONO switch and the STEREO OUTputs.
to the PGM OUTputs, MONITOR submix, and When the Stereo Buss is used, the signal is auto-
to the recorder. matically switched to the MONITOR/PHONES
control.
©PGM OUTputs
These RCA connectors are located on the ©MONO Switch
back panel. Should you want to record on a This switch combines the left and right sides
different machine or use the Studio 8 as a of the Stereo Buss into a mono mix. It makes
submixer, these outputs supply the access. the same, combined signa! available to both
They provide a line-level signal. (L and R) STEREO OUTputs.
® 0
DEFE4T
TRK8
©
^ O'
BUSS IN
EFF O AU*
©
Oo o o) D (O
STEREO OUT o
© BUSS (N
O ®
® O
O o
O o o
0 cpi ©
UNBAL BAL
-28-
©STEREO OUTputs
There are two pairs of these outputs on the
back panel. The pair utüizing the XLR con-
nectors provides a baianced +4 dBm signa!. The
other pair uses RCA connectors and provides an
unbalanced -10 dBV signa!.
EFFECT RTN
REC FUNCT10N
© BALANCED/UNBALANCED Switch
GAIN PAN
This switch located on the back pane! affects
on!y the XLR STEREO OUTputs. !t aüows
the outputs to provide either a baianced or
unbalanced line-level signa!.
In the baianced position, pin 3 is high, pin 2 is
lowand pin 1, shield. In the unbalanced position,
the pin out changes as foílows: Pin 3 high, pin
2and pin 1 shield.
AUX SUBMIX
© PRE/POST Switch
This switch determines whether the AUX
submix gets its signa! from the input channel
MASTER
before (PRE) or after (POST) it passes through
the EQualizer, ACCESS SEND/ RCV, and
Channel Fader.
©AUX
This rotary control adjusts the leve! of the
ASSIGN signal that will be passed along to the AUX
METER
MASTER control and the AUX OUT.
AUX effIl r
GAIN PAN
MONITOR
© AUX OUT
There are two of these located on the back
panel. The quarter-inch connector provides a
O dBu signal. The RCA connector provides a
line-level (-10 dBV)signal.
©AUXBUSSIN
This input allows a line-level signal to enter
the mixer. A signal entering here will then go
to the AUX MASTER control. When using the
Studío 8's mixer as the master in a stacked
configuration, this input accepts the AUX
STERS
EVEN
sends from the submixer and allows the Studio
8's AUX MASTER to control the complete
AUX system of both mixers.
- 29 -
í
EFFECT SUBMIX SYSTEM
©EFFMASTER
This rotary control determines the leve! of
the summed signa! from all of the channel's
EFF controls. The signa! then goes to the EFF
OUTputs on the back pane!.
® EFFOUT
There are two of these on the back pane!. MASTER
MON
pgmIcue
C
©EFF RTN
These are the norma! points at which the INSERT
MONITOR
©EFF BUSS IN
located before the EFF
It ai!,-. control in the signal flow sequence.
with tik^ o effect outputs of a submixer used 4TEREO OUT
y'
-30
MONITOR SUBMIX AND PHONES SECTION ©MONITOR/PHONES Level Control
This rotary control determines the signal
©MONITOR GAIN and PAN level (volume) that is sent to the PHONES
There are eight sets of these controis on the Jacks and MONITOR OUT(s).
top panel, one for each PGM Buss or recordar
Track. They control the level (GAIN) and ©MONITOR OUT(s)
left-to-right placement (PAN) of the signal These ROA connectors provide a line-level
that is then sent to the STEREO MASTER signal and are normally used with a stereo
Fader, MONO switch, STEREO OUT(s), MONI amplifier/receiver and monitor loudspeakers.
TOR OUT(s), PHONES jacks, and STEREO
L/R Meters. ©PHONES Jack(s)
There are two of these located on the front
® MONITOR/PHONES Select Switches panel of the Studio 8, These are stereo head-
There are three of these on the top panel phone jacks. NEVERI use mono headphones
near the recorder's transport controis. They with these connectors.
are marked: STEREO, AUX, and EFF. They
determine what signal will be heard in the
3n¡>
headphones and be sent to the MONITOR
{1/4" phone 2-connector)
OUT(s).
3ni>
(1/4" phone 3-connector)
Off(n) -
Other modes
than PLAY and (no sound)
'V. REC
On ( a) — -
—
- L/R STEREO
LED stays on LED flashes with LED stays on
in PGM the transport REC in the down
position. off; and stays on position.
with the REC on.
NOTES:
* Positions other than STEREO have nothlng to do with the setting of the switches shown in the chart.
** does not include TAPE signal in RMX (Remix) mode (they pertain to "PGM").
©-
©
OUNCHIM OUt
©1^ ®
©
Vs
J
- 31
ff—
TASCAM 388
\3 \ «w -
STUDIO8
.31 32 33 34 35 36 37 38
t
METERS SECTION ©PLAY
Pressing this button starts the tape rolling
©METER SelectSwitch forward at playback speed. Pressing this button
This two position swrtch ¡s located on the in conjunction with REO and any number of
top panel above the STEREO MASTER Fader, REC FUNCTION switches puts the machine
MONO, and ACCESS SEND/RCV. It oniy into Record mode.
affects the Stereo Meters; it switches them to
either AUX/EFF or L/R (Stereo Buss). ©REO
Because this is such an important function
® STEREO L/AUX and STEREO R/EFF
(Recording), the REC button, by itseif, does
nothing. It must be used in conjunction with
Meters
the REC FUNCTION buttons. Its operation is
These Meters register both the average pro-
aiso affected by the status of the INSERT
gram leve) (with the needle) and the occurance
switch. If a REC FUNCTION switch is on, and
of peak or transient material (Peak indicator
the Studio 8 is in Play mode, pressing the REC
lights).
button will start the Recording process on the
track(s) designated by the REC FUNCTION
© TRK/PGM Meters 1-8
switches.
These Meters register program leve! of the
If no REC FUNCTION switches have been
Program Busses or the Tracks of the recorder,
pressed, pressing REC and PLAY simultaneous-
on PLAY or during Remix. They have a switch-
ly will cause the tape to roll forward and the
ing logic so that they always dispiay the appro-
LED above the REC button will blink. This
priate signa!. This switching aiso takes place
means the recorder is in the Record-ready
during Insert Editing/Punch-in.
mode, but no recording is taking place. Pressing
RECORDER/REPRODUCER a REC FUNCTION switch while the recorder
is in Record-ready mode will start recording
© REW on the track designated. See the Punch-in
Pressing this button rewinds the tape at procedure for more on this.
high speed. If the LOAD function is engaged,
the tape will not rewind off the reels. The tape
will rewind to the Load position and stop.
© F. FWD
ME®R@-
Pressing this button winds the tape forward Aux effIl r
the tape will stop before it winds off the reel. INSE*T -<&
OnIoff
If a CUE position is in Memory and the STC
is engaged, tfne tape will stop there.
©STOP
a
GAIN PAN
Pressing the STOP button stops the tape's MONITOR
-32
<DREC FUNCTION (1-8)
Pressing any of these eight switches makes switches to go between tape and input signáis
the corresponding track of the recorder ready while playing a tape. This is useful for rehearsing
punch-ins.
to record. If the transport ¡s already in the
Record-ready mode, recording will begin when <D MON PGM/CUE
the REC button is pressed. Pressing this switch to the PGM position
A track cannot be recorded unless the REC
caus.es the MONITOR mix to receive the signal
FUNCTION switch designating it is on. A present on the PGM Busses, whetherthe recorder
track is therefore, "safe" as long as its cor is in PLAY or REC. This switch takes priority
responding switch is off as illustrated in the over the INSERT switch. When in the PGM
chart. position you will not be able to monitor the
Switch Setting LED Condition
Insert function. This is considered the normal
Track Status
position when using the mixer independentiy.
REC
REC PLAY
FUNCTION REC PLAY REC When the MON PGM/CUE switch is in the
CUE position, the INSERT switch becomes
Off Off - -
UQQiDO
oJd.o.o.o 1 1 1 1 1 1 1 1 1 1 I 1 1
REW FFWD STOP H PLAY Mi REC
f kf
nr
i D () (^ (í) é
33 -
©PITCH CONTrol numbers correspond to the recorder's tracks.
This knob allows you to adjust the speed of dbx 1—4 turns the system on or off for tracks
the Studio 8 by plus or minus 15% In either 1—4, while dbx 5—8 performs the same function
PLAY or REC. You can use this speed control for tracks 5—8. You are given an additional
to accommodate minor changas necessary in switch found on the back panel that will defeat
the length or relativa pitch of your program (turn off) the dbx for track 8.
material. If you're making a 30 second radio
commercial and it runs a littie long, you can ® dbx DEFEAT TRK 8(On the back panel)
speed it up enough to drop out the extra This switch overrides dbx 5—8. It will turn
seconds. When tape runs faster than the speed off the dbx on track 8 (with the switch in the
at which it was recordad, the material on itwill "OFF" position) even if dbx 5—8 is on. This
raise in pitch. This can sometimes be used in a can be used to record FSK (Frequency Shift
creativa way to save parts that are a littie out- Key) or SMPTE time code data on track 8. It is
of-tune, or to create sound effects such as flang- aiso useful when recording some eider model
ing. If you record with the PITCH CONTrol drum machines whose signal level is unpredict-
at its máximum or minimum settings, you will able and thereby, difficult for the dbx to handie
NOT have the ability to make further adjust- effectively.
ment in that direction upon playback.
MEMORY.TRANSPORT CONTROLS
©VARI/FIX/EXT ® TRT Counter Display (MIN — SEO) and
This three position switch controls the status RESET
of the PITCH CONTrol function. In the VARI The Counter Display is a four digit flores-
position, the PITCH CONTrol knob will func cent readout that indicates tape location in
tion and an LED will indícate that it is on. minutes and seconds (Tape Run Time). The
In the FIX position the PITCH CONTrol will counter measures linear tape footage, then
be locked off, it will not function. In the EXT
computes the elapsed time based on 7 1/2 ips
position, the transport speed of the recordar (15 cm/s) speed. Even if the tape is wound at
will be controlled by a device plugged into high speed in either direction, the counter
the ACCESSORY jack on the back panel. will indícate the correct location. The máximum
SMPTE Controllers and Synchronizers will time displayed by the counter is 59 minutes
normally be used with this function.
and 59 seconds. A minus sign (—) appears if
the tape is located at a point before the Zero
dbx 1-4 and dbx 5-8
location. The RESET button will olear the dis
These are the on/off switches for the dbx play, causing it to read 00:00. RESET will
noise reduction system in your Studio 8. The
NOT erase a CUE position that is in Memory.
BUSS IN
EFF O
5TERE0 OUT O
STEREO
OO o Qo BUSS m
R L
MONITOR OUT
R L
"a ©)
O" o o
PGM OUT
© LJlIl ®
-34-
® RTZ (Return To Zero)
Pressing this button will cause the tape to ®CHECK
Pressing this button will display the CUE
• • (00:00)
position /nn F.FWD
where itorwillREW)
stop. to the Zero
If PLAY has Position in minutes and seconds on the Counter.
aiso been pressed, the tape will begin to PLAY
when It reaches Zero. If REPEAT is aiso en- ©REPEAT
gaged, a playback loop will be created. Pressing this button will cause the tape to
eturn To Zero when it reaches the CUE
®STC (Search To Cue) point and then PLAY again; repeating the pro-
Pressing this button will cause the tape to gram material continuously from Zero to CUE
roll (¡n either F.FWD or REW) to the CUE until the REPEAT function is turned off
position that has been entered in the Studio 8's This IS very useful for rehearsing punch-ins or
Memory by using the CUE button. The tape remixes. Pressing any transport control except
will stop when it reaches the CUE point. If PLAY and RTZ turns off the REPEAT function.
PLAY is aiso engaged, the tape will begin to ® LOAD
PLAY when it reaches the CUE point. If STC
¡s pressed and no CUE point has been entered This feature insures that your tape will never
into Memory, the tape will REWind to the run off the reeis at either end. When LOAD is
LOAD start point. If the LOAD function is engaged the tape will stop, no matter what
not in use, the tape will run to the end of the transport mode it is in, before reaching either
tape.
the beginning or end of the tape. The Memory
caiculates the tape length and the transport's
®CUE
relative position within that length. The basis
for these calculations is forty minutes of play-
This button is used to establish the CUE mg time using 1800 feet (549 m)7-inch reeIs of
point in the Studio 8 Memory system. It can 1 mil. tape. If you use 5-inch reeIs, which is NOT
be used while the tape is stopped or rolling. recommended, or a nonstandard tape thick-
RESET dees NOT cancel CUE. A CUE point can ness, the LOAD function will not work prop-
be used to automate the punch-out process. If it erly. See the operations section of the manual
is carefully placed at the desired punch-out ( Set Up") for more on this feature. Pressing
point, the transport will stop, or REWind if LOAD a second time disengages the function
REPEAT is used. The Record Mode is turned off (turns it off). We advise using the LOAD func
in the process. tion whenever you are working with the Studio
8.
® ® ® ® ^ m
.8.8.8.8.8 1 i| 1 1 I
IFFWO STOP
PITCHCONT VARI-. FIX ^E*T MONITOR PHONES
a \ JL/
«I (» □ t> O
35 -
OTHER FUNCTIONS ©ACCESSORY Jack
This 38-pin connector will accept input from
© TAPE OUT(s) the TASCAM AQ-65 Auto Locator or a SMPTE/
These outputs get their signáis directíy from EBU Controller/Synchronizer. Controllers and
the recorder/reproducer wíthout going through Synchronizers made by Adams Smith, Audio
eíther the RMX switch or MONITOR section Kinetics, Timeline, Cypher, Convergence, ISC,
of the Studio 8. These outputs are useful when Videomedia, and others will work with the
you are using a different mixer or another Studio 8 via the ACCESSORY connector. The
tape recorder with the program rñaterlal from AQ-65 Auto Locator, when used with the
the Studio 8's recorder/reproducer. Studio 8, offers ten point memory, programm-
able duration pre-roll, two point repeat, and
© PUNCH IN/OUT REMOTE Connector complete duplication of all transport control
This jack is found on the front panel and is functions.
to be used with the RC-30P Remote Punch-in
footpedal. See the Punch-in section of this
manual for more on this.
remote (f
RECORD
RECORD I
PAUSE I
KtH
•UUW ©
o o
# #' O)(Q P3 (Q D) CQ O) CQ
Cf O AUI
0
§) @ '# 0
O '# 0
©
# #'0 0
wowrrOMOvr
'# #'
(§) @ 0
o o o
PCMOUT
36
'^^CESSORY" Connector and Signáis
•^ALCO 354-38 pin plug (or ELCO 8016 Series) Pin# IN(put)-OUT(put)
signáis Function
I X FF COMMAND OUT
pressed)
Outputs open-col-
lector signal (Low
50.8 mm (2")
level when F. FWO is
pressed)
42 9 mm n 11. 16")
Y PLAYCOMMANO OUT Outputs open-col-
lector signal (Low
level when PLAY is
pressed
E ■
6:
Z STOP COMMAND OUT Outputs open-col-
lector signal (Low
level when STOP
is pressed)
AA REC COMMANO OUT Outputs open-col-
lector signal (Low
IN(put)-OUT(put) level when REC is
Pin Function
pressed)
signáis
"X" PLAY IN Inputs PLAY signal BB RT2 IN Inputs RTZ signal at
at L level. L level
LIFTER CONT IN Inputs LIFTER shift KK EXT FREO IN Inputs speed control
cancellation signal at (HIGH) signal at input signal
L level. of 3.0 V or more and
of4.8kto 19.2 kHz
open terminal
UP/DOWN OUT Oulputs tape runnmg
LL EXT FREO GND
control signal al H or
L level.
MM ÍÑT/EXT IN Inputs mternal/
CP OUT Outputs open collec external speed con
tor signal (6 Hr
trol select signal
pulse at 7 5 ips.)
Internal. LOW level
PLAY TALLY OUT Outputs open collec (0 V)
toi signal (Low level External: HIGH level
durmg PLAY mode.) (3.0 V or more)
37
'ACCESSORY" Connector Pins and External Sígnal Connectíons
+5 V
(+15 V): PP
(+5V):SS 4.7K -pjL EQUIVALENT
(PAL7):A
(FF): B '
/' O-
(REW): C
(STOP):E
(REe):F
(RTZ): BB
(STC): CC
-=> +5 V +5 V
RR / n. 4.7K:
A
22K
I
-VA—
(LIFTER CONTROL): H~ 22K
+5 Vor 15 V (LOWIN):V /
^ (for optional AQ-65) J
3 Vor MORE [
COM! O —>
1/ " 22K J
r w t
/ 22K5
(INT/EXT): MM
+5 Vor 15 V
ípyT CDCrt. kK
itAi PREQ): 2 V or MORE AT FREQUENCYr
¡g.BkHzCENTER
+5 V
A
(PLAY TALLY): M
L
(STOP TALLY): R
(WEW TALLY): P
(FF TALLY): N
(SHUT OFF TALLY): T
(REC TALLY):S
(REW COMMAND OUT): W
(FF COMMAND OUT): X
(PLA7 COMMAND OUT); Y
(STOP COMMAND OUT): Z
(REC COMMAND OUT): AA
-38
accessories
AQ-65 Auto Locator RC-30P Remote Pedal
□i-a-Q
^ I»I ■ I ►
SPECIFICATIONS
Description Auto locator RC-71 Remote Control Unit
Function
Transport:
1 ransport: PLAY, STOP, F. FWD, REW,
spooling and RECORD
{Spooling does not function
with the Studio 8.)
Cue programming
and location: Ten-point (O — 9) memory,
cue point setting with ten
digit keys
RTZ, Return-To-Zero This unit makes remote control of the transport
Counters: 2-Tape Time, Lócate Time functions possible. it plugs into a multipm
5 digit, hour, minute and connector on the rear of the Studio 8.
second read-out, with RESET
button
Others
Connecting E-3 Demagnetizer
Cable: 8 m, 34-core shielded, with
38 pin (MALCO 354 or
ELCO 8016 Series)
Dimensions 432 X 88 X 125 mm
(W X H X D) (17" X 3-7/16" X 4-15/16")
Weight 5 kg (11 Ibs), including cable
1 . r
f ]d] [" ""^1a
J'ddd ° ELT T T T mJ
I\/IH-40B HeadphoneAmp
[■ * -7- * «
1 1
TigCiiM
UQBER
LEaííEI;
Ó c o o 0 0
-riDiiioNta ü «
Line Mixer
Upper
PB-32P 1/4" phone jack
(front and rear)
Lower
Upper
PB-32R RCA jack
(front and rear) Lower
Upper
1/4" phone jack (front)
PB-32H
RCA jack (rear)
Lower
cha exportraqui
t^Pae the voltage units, if ¡t ''
rements of"^'^^ctndio
theStudio 8B IMPORTANT
-^atch 7our area use the
? ALWAYS DISCONECT THE POWER The wires in this mains lead are coloured in
CORD BEFORE MAKING THESE accordance wlth the following code:
^Haimges. BLUE: NEUTRAL
BROWN: LIVE
lócate the voltage selector As the colours of the wires in the mains lead of
¡llustration. j^w/pr turn this apparatus may not correspond with the
• ^aing a regular (slot ind'icates coloured marking identifying the termináis in
selector so that the set m wQitage your plug, proceed as follows,
numeráis corresponding the
tequirements of your area. The wire which is coloured BLUE must be con-
nected to the terminal which is marked with thé
letter N or coloured BLACK. The wire which is
coloured BROVVN must be connected to the
\ terminal which is marked with the letter L or
coloured RED.
©.
43 -
SPECIFICATIONS
- 44 -
Requirements
Signal-to-Noise Ratio3l. 6) (20-20
IHF A WTD/UNWTD
kHz)
^pA/CANADA 120 V AC,60 HZ 95 dB/90 dB with dbx
E^JROPE 220 V AC.50 Hz 59 dB/56 dB without dbx
J:¡k/australia 240 V AC,50 Hz
100/120/220/240 V AC, Total Harmonio Distortion^)» 6)
general export 0.5 %,O VU.with dbx
50/60 Hz 1 O %,O VU,without dbx
3^0 %! 15dBaboveO VU,
^Vpic/^L performance characteristics with dbx
EXTERNAL DIMENSIONS
"I I I n I 11
□onDoao □□ cKxi
amcD tD
791 mm OV 1/8)
- 45 -
PICTOGRAM
PGM BUSS IN
uverload
Indícator
o Q ACCESS
BUSS
ASSIGN0 0
INPUT Equaliier SENO RCV
©
PGM MASTER
Select Input Fader (S> PGM OUT
lOdBV
n -lOdBV
AUX
MASTER AUX OUT
PRE/POST
Switch
STEREO
BUSS
L
0
ffi)O dBu
f
a -lOdBV
MONITOR/
PHONES Leve! lOdBV
MONITOR
Select
j) -lOdBV
©MON'™"
GAIN
Head
phones
r
EFFect & 0STEREO
AUX BUSS IN © OUT
OdBm
O
MONITOR O dBtn
A -lOdBV
GA N
UNBAL/BAL
Swtich
STEREO L
AUX
Monitor
Logic
Control
METER STEREO R
Swtich EFFECT
PGM/TRK
Meter
CUE/PGM
Switch
Monitor
Logic
Control
© ©TAPE OUT
"^SERT
Switch 6°^ í) -lOdBV
46 -
BLOCK DIAGRAM
EFFECT RTÍTI
PGM BUSSJN ■ PGMJ^
PAN
-l¿4BV
ACCESS ;
EFFECT RTN
SENO RCV
O08u
PCM MASTERS
|
assignI! OOD
MIO IN
Al¿X_OUT j
NPUT
UNE JN
-lóoav
Leo i® EFFECT OUT
MASTERJ
DdBv
0
,LMONO_, STEREO OÜT
/ I D>
INPUT
STEREO MASTERJ
0 ^BAL/UNBAL
MONITOR I
—, CAIN I —
0
r MONITOR/PHONES
STEREO
?S—í2?
MONITOR OUT
-lOflBV
trk i
TRK
ROM 2
TRK
PHONES 1
PCM 3
TRK 2
TRK
PCM 4
METER
TRK STEREO L
TRK 3 PCM S /AUX
O
STEREO R
TRK 4
a TRK
PCM 6 /EFFECT
D
TRK
PCM 7
TRK 5
, db*5-0 J
TRK
PCM B
TRK 6
TRK 6
TRK 7
TRK 7
rmD®
TRK e OFF £1
control signal
FROM CONTROL PCB
m»Om REC PLAY
INSERT
o lo-n other MOOES
- 47 - -48 -
LEVEL DIAGRAMS
j'@
l-IOiJBV) BUSSIN.^ STCREÓjyáj;^ J (-«CSVI
I -lOdev) EFF(® i-ionevi R @
LINEAN ; i l-IOdBVI
T-iodavi
LCTERKLQUT
STEREO MASTER
PRE H. MONITOR L
BAL/UNBAL
TAP^qUT
—0-—r-[^ monitor OUT
l-lOdSEI
l-iOdBv I
I MONITOR
PAN
6AIN
TRK
I PHONES
^(1 (lOOmW/eQMiXI
TRK I STEREO L
—¡>—ra /AUX
STEREOR
/EFFECT
I db» 1-4
Peh-vBch Zcn-v
(dBV)
STEREO OUT
MIC IN (dBV )
60 dBV
MIC IN
TRIM MAX4
BUSS IN
AUX/EFF AUX/EFFECT OUT
PRE. POST
(-lOdBv I
1 leúBv 1
49 - - 50 -
MAINTENANCE
NOTES
USE
"CAUTION - THESE SERVICE INSTRUCTI®ísl| AR| qq NOT
QUALIFIED PERSONNEL ONLY. TO ft.V®ID ELECTRIL- -pnE
PERFORM ANY SERVICING OTMER JHAN THAT CUInim gQ
OPERATING INSTRUCTIONS UNLilSS YOU ARE QUAuri
REFER ALL SERVICING TO QUALIFIED SERVICE PERSONIN
1 CHECKSAND ADJUSTMENTS 3
1-1. ESSENTIAL TEST EQUIPMENT REQUIRED .. 3
1-2. REMOVAL OF THE MAIN PARTS 4
1-2-1. Top Panel of the Deck Section 4
1-2-2. Reel Motor 5
1-2-3. Capstan Motor 5
1-3. MECHANICAL ADJUSTMENT 6
1-3-1. Capstan Thrust Adjustment 6
1-3-2. Brake Mechanism 6
1-3-3. BrakeTorque 6
1-3-4. Pinch Rollar Pressure 7
1-3-5. Reel Tabla Height Adjustment !! 1 8
1-3-6. Head Alignment ' 8
1-3-7. Tape Tensión 9
1-3-8. Fast Wind Speed .!.! 10
1-3-9. Wowand Flutter Check ' ^ 10
1-3-10. Tape Speed ' ^ 11
1-4. MIXER SECTION CHECK AND ADJÜSTMEÑT 12
1-4-1. MIC IN—^ACCESS SEND.. 12
1-4-2. LINE IN—ACCESS SEND 13
1-4-3. STEREO BUSS IN-pSTEREÓ ÓUT
'-^MONITOR OUT 13
1-4-4. EFFECT RTN—STEREO OUT 13
1-4-5. BUSS IN AUX—^AUX OUT
BUSS IN EFF—EFFECT OUT 14
1-4-6. PGM BUSS IN—PGM OUT 16
1-4-7. LINE IN—PGM OUT... 18
1-4-8. LINE IN-r^AUX OUT
•-^EFFECT OUT 20
1-4-9. Frequency Rasponee 22
1-4-10. T.H.D. 22
1-4-11.S/N Ratio 22
1-5. RECORDER/REPRODUCER SECTION ADJUSTMENT
1-5-1. Reproduce Level 23
1-5-2. Reproduce Frequency Response..... 23
1-5-3. Blas Tuning and Blas Trap Adjustment 23
1-5-4. Recording Blas Adjustment 23
1-5-5. Recording Level 24
1-5-6. OveraII Frequency Response 24
1-5-7. Overall S/N Ratio 24
1-5-8. Overall Distortion 24
1-5-9. Erasing Ratio 25
1-5-10. Crosstalk Between Channeis 25
1-5-11. Sync Crosstalk 25
1-5-12. Location of Electrical Adjustment .. . 26
1-5-13. Service Chart -28
1-6. DBX PCB ADJUSTMENT
1 -6-1. Location of the DBX PCB Adjustment - 29
1-6-2. DBX Adjustment Connection -30
1-6-3. VCA Symmetry Adjustment Waveform - 30
1-6-4. Decoder - 31
1-6-5. Encoder 32
2. MECHANICS-EXPLODED VIEWS AND PARTS LISTS 2 1
2-1. EXPLODED VIEW-1 2 - 1
2-2. EXPLODED VIEW-2 2- 3
2-3. EXPLODED VIEW-3 2-5
2-4. EXPLODED VIEW-4 2-7
2-5. EXPLODED VIEW-5 2-9 4
2-6. EXPLODED VIEW-6 2 - 11
1 - 1
3. PC BOARD AND PARTS LISTS 3 -1
3-1. REO PLAY AMP PCB ASSY 3 -1
3-2. DBX PCB ASSY 3-2
3-3. MONITOR PCB ASSY 3-3
3-4. INPUT PCB ASSY 3-^
3-5. BUSS PCB ASSY (A) 3- o
3-6. BUSS PCB ASSY(B) i'^
3-7.-3-19. 1/0 PCB ASSY(I)- 1/0 PCB ASSY(13) L
3-20. MOTHER PCB ASSY (1) % q
3-21. M BUSS PCB ASSY ^
3-22. MOTHER PCB ASSY (2)
3-23. OPERATION PCB ASSY 3
3-24. PWR SPLY PCB ASSY %
3-25. REEL SERVO PCB ASSY o.
3-26. METER AMP PCB ASSY
3-27. CAP SERVO PCB ASSY
3-38. - 3-29. SENSOR PCB ASSY (L), 3.
3-30.-3-31. LED PCB ASSY (L),(R)
3-32. PHONE JACK PCB ASSY
3-33. MECHA JOINT 3-
3-34. BAL PCB ASSY 3-
3-35. COUNTER PCB ASSY 3-
3-36. RE MOTE PCB ASSY 3-
3-37. DEFEAT SW PCB ASSY ... 3-
3-38. P.G. PCB ASSY 3-
3-39. BALANCE SW PCB ASSY .. 3-
3-40. SHUT OFF PCB ASSY 3-
3-41. CONTROL PCB ASSY 3-
3-42. MONITOR SW PCB ASSY .. 3-
3-43. DBX SW PCB ASSY 3-
3-44. HEAD CONNECT PCB ASSY 3-
3-45. BIAS PCB ASSY 3-
3-46. TR PCB ASSY 3-
3-47.3-48. FUSE PCB ASSY 3-
3-49. PHONE AMP PCB ASSY ... 4-
4. SCHEMATIC DIAGRAMS 4
4-1. REC PLAY AMP PCB 4
4-2. DBX PCB 4
4-3. MONITOR PCB 4
4-4. MIXER INPUT SECTION 4
4-5. BUSS A PCB 4
4-7
4-6. BUSS B PCB
4-7. MOTHER (1) PCB ^.V.McrTnR ' 4-8
4-9
4-8. M. BUSS PCB, OPERATION PCB, ACCESSORY CONNtu 1 un •
4-9. MOTHER (2) PCB 4 - 10
4 - 11
4-10. POWER SUPPLY
4- 12
4-11. REEL SERVO PCB
4- 13
4-12. METER AMP PCB
4 - 14
4-13. CAP. SERVO PCB
4-14. BALANCE AMP PCB 4- 15
4- 16
4-15. CONTROL PCB
4- 17
4-16. BIAS PCB
4-17. HEAD ASSY MECHA JOINT PCB 4 - 18
4 - 19
4-18. MONITOR SW, DBX SW,PHONE AMP, 1/0 PCB 4 - 20
4-19. DEFEAT SW PCB
4-20. VR PCB
1 -2
(/n
1. CHECKS AND ADJUSTMENTS
Wow & Flutter Meter Meguro Denpa Sokki K.K., Modal MK-668C (JARAN),
or Mincom División, 3M Co, Modal 8155 (U.S.A)
Audío Osciliator Hewlett Packard, Model 204C or equivalent
Digital Frequency Counter Range:OHz~ 1 MHz;sensitivity; 0.1 Vrms;
imp.: > 1 Mí2,< 25 pF
Band-Pass-Filter 1 kHz narrow band pass type
AF Leve! Meter Ranga; -80 dB ~ +40 dB; imp.: > 1 Mí2, < 25 pF
(example—HP 400GL)
Distortion Meter General purpose (400 Hz, 1 kHz)
Oscilloscope General purpose
Attenuator General purpose
Function Generator TEAC FG-1
Tools Tape tensión gauge: TENTELO Model T-2-H20-1 (preferred)
or Tensión analyzer
Spring scale: O ~ 8 Ibs (O ~ 4 kg)
0~ 2.2 Ibs (O - 1 kg)
Hex head Alien wrenches.
Plástic alignment tool
Cleaning Fluid TEAC TZ-261 or equivalent
TEAC Spindie Oil TZ-255 or equivalent
Mead Demagnetizer TEAC E-3 or equivalent
Test Tapes Tape Speed/Wow-Flutter Test Tape
TEAC YTT-2003 (for tape speed 7-1/2 ips)
Reproduce Alignment Test Tape
TEAC YTT-1003 (for tape speed 7-1/2ips, NAB
Equalization 3180 + 50 Msec.)
Reference fluxivity is 185 nWb/m; reference output
level is 2.6 dB lower compared with 250 nWb/m
fluxivity.
Calibration level under "Reproduce Calibration"
refers O VU as 250 nWb/m.
Blank Test Tape (Recording)
TEAC YTT-8013
Extensión Cards For Rec/Play Amp PCB Ass'y and DBX PCB Ass'y n
TEAC Part number 52001773-00
For Bias PCB Ass'y and Power Supply PCB Ass'y
TEAC Part number 52001774-00
For Input PCB Ass'y P701 ~ P708 (P104) and Buss B
Ass'y P709 (P101)
TEAC Part number 5200193700
For Input PCB Ass'y P901 ~ P908 (P105), Buss A PCB
Ass'y P909 (P102), Buss B PCB Ass'y P910 (P102) and
Monitor PCB Ass'y P911 (P115)
TEAC Part number 5200193900
1 -3
I 1-2. REMOVAL OF THE MAIN PARTS
1. See the illustration and remove the dust cover. 5. Remove the houslng base.
2. Remove the control panel. 6. Remove the left and right tensión rolle rs.
3. Remove the left and right escutcheons. 7. Now the top panel can be removed.
4. Remove the pinch rollercap and pinch rollen
Dust Cover
Tensión
Control Panal
Bottom Plaí®
Panel Renrioving
1-2-1. Top
1 -4
1-2-2. Reel Motor 1-2-3. Capstan Motor
1.After removing the top panel and bottom 1. Remove the Motor Pulley from the Capstan
píate, remove the reel table assembly as shown Motor.
in Fig. 1-2-2, and remove thefour screws hold 2. Remove the four screws @ from th® otor
ing the reel motor. Bracket.
2. Finally, undo the wire running to the MECHA 3. Remove the four screws(b) holding the Reel
JOINT PCB with the use of a soldering iron. Motor.
4. Unsolder the wire from the MECHA JOINT
PCB.
Reel Table
Capstan Motor
Motor Bracket
Screw (i)
Motor Pulley
Set Screw
Fig. 1-2-2. Reel Motor Removing Fig. 1-2-3. Capstan Motor Removing
/
1 5
1-3. MECHANICAL ADJUSTMENT
Fig. 1-3-1
Lever
Spring Hanger (D) Lever (C)
Hanger
Screw (A)
l Screw (A)
(a) 0.5 mm
Brake
Forward Solenoid
Directiorí
Reverse (f) 3 mm
DIrection
Adjust Solenoid
Position Screw
Fig. 1-3-2
1 -6
3. Follow steps 1 and 2 foreach measuring con- 1-3-4. Pinch Roller Pressure
dition; i.e.,(A) through (D) in Fig. 1-3-3. Note: Pinch roller pressure is supplied by the
4. If the forward-direction torque is not correct, pinch roller spring arm and it is most
change the hooking position of the spring important that the solenoid plunger be
hanger (reference (D) in Fig. 1-3-2) for the fully bottomed before taking pressure
corresponding brake requiring adjustment. If, measu rement.
after the forward-direction torque has been 1. Hold the right tensión arm up with a rubber
properly adjusted, the reverse-direction torque band, string, etc.
is not correct, or the forward-direction 2. Place the deck in the reproduce mode without
torque is stiii not correct, replace the brake threading the tape.
feit pad with a new one after cleaning the 3. Attach a spring scale to the pinch roller as
inner side of the brake band with a cleaning shown in Fig. 1-3-4.
alcohol, and aiso check that the brake mech- 4. Pulí the pinch roller away from the capstan
anism is properly aligned as explained in shaft until the pinch roller just stops rotating.
Section 1-3-2, "Brake Mechanism". If neces- The scale should then be read 1.3 kg to 1.7 kg
sary, replace the entire reel table. {2.9 Ibsto 3.74 Ibs).
5. If you get a reading other than what should
be indicated, make the necessary adjustments
through the adjust screws.
Adjust screws
1.0 — 2.0 mm
Spring
Scale
: B 0
—•
Forcé
Radius
Pinch Roller
AO
Fig. 1-3-3
Fig. 1-3-4
Forward direction 1,000 — 1,500 g-cm
(B)(C) (13.9 — 20.9 oz-inch)
Reverse direction (A) 500 — 700 g-cm
(D)(Referencevalúes) (6.9 — 9.7 oz-inch)
500 g-cm
Left/Right deviation (6.95 oz-inch)
1 ■ 7
5. Siightiy loosen the mounting screws which
1-3-5. Reel Table Height Adjustment
hold record/reproduce head in place and
adjust the tangency using adjustment screw,
Reel height adjustment is requlred only If a reel
for máximum output. When the máximum
motor has been replaced or if tape rubs exces-
sively against the reel flanges. output is attained, retighten both mounting
screws.
Adjustment is accomplished by loosening the
reel set screws and moving the reel table on the 6. Reproduce the 10-kHz signal on the test tape.
motor shaft as shown ¡n Fig. 1-3-5. A picture showing phase relations between
Remove the top panel of the unit for access to both channeis will be obtained on the oscillo-
the set screws (2) in the reel motor shaft. Reel scope as shown in Fig. 1-3-7.
table should be adjusted using standard NAB 7" 7. Adjust the repro head azimuth screw until
reels. With a tape loaded on the machine, posi- the scope dlsplay shows less than 90 degree
tion the reel table height forsmooth tapetravel. out of phase at 10 kHz with the AF level
Be sure to tighten the set screws after adjustment meter showing approximately máximum valué
is made. for both channels.
Fig. 1-3-6
Fig. 1-3-5
TP2
R206
Tentelo- Tente o
meter meter
TPI
PLAY, PLAY
REW
Fig. 1-3-9
Tensión Innertia Roller Footage Roller Tensión
Rolíer Roller
Fig. 1-3-8
1 9
J
1-3-8. Fast Windíng Speed 1-3-9. Wow-And-Flutter Check
(Reproduce Method)
1 1* Connect oscílloscope between TP1 test point
on the REEL SERVO PCB and ground. 1 Connect a Wow-and-Flutter to the deck as
2. Thread TEAC YTT-8013 test tape. In this shown in Fig. 1-3-11.
case, use of 7-¡nch reel ¡s permitted provided These meters will measure the ANSI peak
both left and right reeis are the same size. valué or the NAB rms valué depending on the
During fast forward or rewind mode, adjust switch selection on the meter.
R150 (see Fig. 1-3-9) so that wavelength 2. Playback the TEAC YTT-2003 test tape.
displayed on the oscílloscope becomes 2.5 3. If the peak or rms weighted valué is to be
rnsec. (Fig. 1-3-10). Adjustment shouid be read, set the Wow-and-Flutter Meter for the
satisfied at any tape windíng position. "Weighted" readings and aiso make sure that
4- Check that almost equal valué of fast windíng the meter is properly calibrated.
speed is obtained between fast forward and 4. As the measured results may vary with respect
rewind modes. to the location on the tape at which the mea-
surement is taken, at least two locations — at
the beginning and near the end of the tape —
shouid be checked. There may aiso be slight
differences in absolute valúes measured
according to the brand of the meter being
used.
2.5msec.
Valúes shouid be as shown:
Fig. 1-3-10
FREQUENCV COUNTER
WOW/FLUTTER
METER
UNIT
under TEST OUTPUT
o o
Fig. 1-3-11
1 10
1-3-10. Tape Speed
R807 (EXT)
R815 (FIX)
J'.
Fig. 1-3-13
1-4. MIXER SECTION CHECK AND ADJUSTMEIMT
1.Plug an AC voltmeter into the ACCESS 1. Apply a 1 kHz, -10 dBV (0.3 V) signa! to the
SEND jack. LINE !N jack.
2. Set the INPUT switch to MIC and the EQ 2. Measure the leve! at ACCESS SEND jack.
knobs to center position. It should be -10 dBV (0.3 V).
3. Apply a 1 kHz, -60 dB (1 mV) signa! to the 3. Check that the OverLoad LED lights at 25 dB
MiC IN XLR connector on the back panel. ±1 dB (5 V to 6.3 V) above nominal leve! of
4. Adjust the MIO TRIM for a -lOdBV {0.3 V) -10 dBV (0.3 V) at ASSESSSEND.
reading on the voltmeter. 4. Confirm that the output signa! is not dis
5. Check all remaining channeis in the same to rted.
manner.
-FCM8V
LlÁKfSS
SEND RCV SENO RCV
MIC IN'í
■
■■inTTil
I
lL.
R101 TRK/PGM 1
R121 TRK/PGM 2
R141 TRK/PGM 3
R161 TRK/PGM 4
TRK/PGM 5
TRK/PGM 6
TRK/PGM 7
TRK/PGM 8
L
STEREO BUSSJN
1008V R
rFFFECT RTÑ"]
.,
GAIN
pan
EFfECT RTN j
Oo9y
-•OdQv
r aüx"óüt"
-[>
-OdBv
[e>fect1>^"_
CdBu
rMÁSTER]
^L
.LmonoJ p. "STEREOJ>yT_
' ¡, l>
STtBEO BVSS f L
rSTEREOMASTER] BAL
O UNBAl
[BÁL¿UN|Arj
GAIN I
MONITOR/PHONES
PE'K INO «SOBV
=?© L
;_MONlTOPPy.Tli
-lOSBv
Í>-
4>
tíS=aoaB¡^
rrr ^ V
STEREO L
/AUX
-O STEREO R
/EFFECT
1 -13
1-4-5. BUSS IN AUX AUX OUT
BUSS IN EFF EFFECT OUT
1. Apply a 1 kHz, -10 dBV (0.3 V)signal to the -10 dBV (0.3 V) reading at the AUX OUT
BUSS ÍN AUX (EFF) jack. (EFF OUT).
2. Set the METER switch to AUX/EFF. 5. Confirm that the AUX (EFFECT) VU meter
3. Set the MONITOR/PHONES switch to AUX indicates O VU and check the level at MONI
(EFF). TOR OUT.
4. Adjust the MASTER AUX (EFF) knob for a
L_BySSiN_
¡ AUX @= r»
'O'®' EFF@^
I EFFECT RTNl
PGM BUSS IN LfCyjWTj
lóaav -roaav
-K^
ACCESS
SENO RCV
PGM MASTERS
MIC |N ASSIGN
"«0¿v AUX OUT
INPUT
NPUT FADER
UNE IN
(gf(gf0 ^ -lOÍBV
^EFFECT OUT
0(t8u
D.
IsTEREO MASTErI
WONITOR I L BAL/UNBAL^
GAIN
MONITOR/PHONES I
^AK INO -^0 dBV
TRK I
TRK
gT
PCM t
L^ONITOR pUTj
-lOflBV
=í@ R
TRK I
TRK
PGM 2
[7dbx_r4~] TRK
PKONES
PGM 3
I TRK 2
TRK 2
METER
TRK 3
TRK
STEREO L
TRK 3 PGM 5 /AUX
TRK 4 STEREO R
TRK
PGM 6
1 - 14 1 - 15
1-4-6. PGM BUSS IN —PGM OUT
ASSiGN]
PGM MASTERS
OdBu
(2^
O VU. If the VU meters not indícate O VU, -lOÍBV
AUX OUT
adjust calibrating pot R101 for PGM 1. INPUT
FADER
BAL/UNBAL
MONITOR
TRK I r mónitor/phonEs
STEBEO
r-r>
MONITOR OUTj
PGM 2
PGM 3
TRK 2
STEREO L
/AUX
TRK 4
STEREO R
/EFFECT
TRK 5
L_ db;> 5*8
TRK
TRK 6 PGM e
TRK 7
TRK 8
1 'S'GNAi
POM ON Tgoi PftB
m'Gm PE< a>
I INSERT
-J MH^PMOfífS
O ON
BiS ose
S AMP
OfF REC FUNCTION
1 - 16 1 17
1-4-7. LINE IN—•►PGM OUT
1.With a 1kHz, -lOdBV (0.3 V) signal con- 6. Confirm that the VU meters indícate O VU.
nected to the LINE IN jack, set the INPUT 7. The remaining channeis 2 to 8 should aiso
switch to LINE. be checked in the same manner, with the
2. Set the ¡nput PAN to position L/ODD (fully PAN knob turned fully CW for assignment to
CCW). EVEN PGM busses.
3. Depress the ASSIGN 1 and L switches to on. 8. Set the PAN knob to the center position.
4. Adjust the Input Fader for a -10 dBV (0.3 V) Output level at each ASSIGNed PGM busses
reading at PGM OUT 1 and STEREO OUT should be -12.5 dB ±1 dB.
jacks.
5. Input Fader should then be in the shaded area
between 7 and 8.
L@
jraEOBU^JN J
-10^ R
EFFECT RTN
PGM BUSS IN
odsv
L PGM-Pyl.
-lOíBV
I OL I -lOd^
wSíss
EFFECT RTN
SENO HCV
MBu
I PGM MASTERS
MIC ¿N ASSIGN
@ -lOíav
éóisv - ÁUX-OUT
INPUT
INPUT FADER
TRlffl
LINEJNj
lOdSV
EFFECT OUT
I MASTER I
STEREO OUT
ISTEREO MASTER
L 0AL/UNBAL_j
MONITOR/PHONES
PEAriND *6 <BV
TRK I
TRK
PGM 2
[PHQNES
TRK
OOnM/Gfl
PGM 3
TRK 2
TRK 2
TRK
PGM 4
TRK 3
TRK 3
€> TRK
PGM 5
STEREO L
I TRK 4 STEREO R
TRK
/EFFECT
PGM 6
TRK 4
TRK
TRK 5
PGM 7
dbxS-a
TRK 6
1 18 1 - 19
1-4-8. LINE IN AUX OUT
EFFECT OUT
^ BUSS IN j
L -®MSSÍN_ "! @ JTCREO^iSJN J
-rooBV ppp
lOdSv R
;__flCCESs__j
SENO RCV ^FECT RTNJ
OUBu
PGM MASTERS
MJC m j ASSIGN @ -lOÍBV
-60<lév
'' AUX OUT
INPUT
NPUT FADER
rTRIM I
EVEN
LINE I
-IOMV
rEFFECT OUT
MASTER
/ 1 L>
(INPUT PC0) I CH 'V 8CH
TAPE OUT
STCREO SU5S H
- Od0v 5
[STEREO MASTE^
MONITOR
^ BAL/UNBAL
GAIN
LMONITOR/PHONES .
STEREO
^ MONITOR pUT
-'OdBv
TRK I
TRK
RGM 2
PHONES
TRK
PGM 3
TRK 2
TRK 2
TRK
PGM 4
LMETER 1
TRK 3 R n
TRK 3 TRK
PGM 5
TRK 4
TRK
I STEREO R
PGM 6 J /EFFECT
TRK 4
O
TRK 5
<íb«5-8
1 \ " TBK
TRK 6 L í POM 8
1 - 20 1 21
1-4-9. Frequency Response 1-4-11. S/N Ratio
Set the ¡nput and output leveis to nominal as S/N ratio should be measured with the input and
in previous paragraphs and connect an osciliator outupt lavéis set to nominal as previously
to the input jack and a wide ranga (more than described and a 150-ohm dummy load con-
100 kHz) íevel meter to the output jack. nected to the MIC IN connector.
Frequency response rangas are as follows: Specs are given in the tabla below.
fe
? 1
1 22
1-5. RECORDER/REPRODUCER SECTION 1-6-3. Bias Tuning and Bias Trap
ADJUSTMENT These adjustments have necessarv
1-6-1. Reproduce Level
factory and realignment will ^
except for the following circurnstanc . . .
1) Connect a level meter to the TAPE OUT "1"
jack on the rear panel.
♦ When the REC/REPRO head ERASE head
2) Reproduce a TEAC test tape YTT-1003,
and/or Bias amplifier is replaced. , .
* When the MASTER BIAS unit is repiacea.
400 Hz and adjust the trim pot R128 for Use the following procedures to adjus
-12.6 dB (230 mV)readingon the level meter. A.BIAS TUNING u
(If you use Reference Fluxivity 250 nWb/m 1. Place all channel REC FUNCTION switches
tape, adjust the trim for -10 dB reading.) to ON and set the tape deck mto the RE-
3)Connect the level meter to the remaining CORD mode. -i-oi-.-
channel outputs (2 to 8) and proceed to the 2. Connect a DO volt-meter between TPOI
adjustment in the same manner by adjusting. (TP02, TP03, TP04) and TP11 '^.13.
R128: for channel 1, 2, 5,6 TP14) by using an insólate n®""'
R228: for channel 3,4,1,8 L101 (L201, L301, L401) on the BIAS PCB
(1) and BIAS PCB (2) to obtain a mínimum
OSCILLOSCOPE
reading on the DC meter. Be sure to use a
OSCILLATOR non-conductive screwdriver (i.e. wood, plástic,
AMP SPKR
etc.).
CAUTION: Do not try to obtain máximum
9o reading on the DC volt-meter,
which would occasion an extreme
AC VOLTMETER
UNIT
amount of Bias Amp output load.
ATTENUATOR
r n iNPuT under TEST OUTPUT
IvH B BIAS TRAP
o o
1. Connect an "AC" level meter between TP1
and ground on the REC/PLAY AMP PCB.
1-5-1. Reproduce Level Caiibration 2. Place all the REC FUNCTION switches to
ON and set the deck into the RECORD
mode.
1-5-2. Reproduce Frequency Response 3. Adjust L104/L204 to obtain a minimum
1) Connect a level meter to the TAPE OUT "1" reading on the level meter.
jack on the rear panel.
2) Reproduce a test tape YTT-1003 and reads 1-5-4. Record ing Bias Adjustment
the output level; it should be within the 1) Connect AC Voltmeter between TP 2 and TPG
following limits. ón the REC/PLAY AMP PCB.
2) Adjust trim pots on the BIAS PCB for a
3) If the output level is out of the limits, adjust 120 mV reading on the AC Voltmeter.
the trim pot R124. Trim pots to be adjusted:
4) For the remaining channeis (2 to 8), aiso C103 channel 1, 5
proceed the check and adjustment in the same C203 channel 2,6
manner. C303 channel 3, 7
R124: channeM, 2, 5,6 C403 channel 4,8
R224: channel 3,4,7,8
1-5-5. Record ing Level
( OBI This alignment should be performed after
+6
+4
completion of the bias adjustment.
+2 H 1) Connect test equipment as shown in Fig. 1 -5-1.
o
-2 -
Connect an AF signal generator to PGM BUSS
IN jacks.
Connect level meters to both TAPE OUT and
PGM OUT jacks.
(If two meters are not available, use one
Fig. 1-5-2. Reproduce Frequency Response meter alternately.)
1 - 23
2) Load the deck with a blank test tape YTT-8013. 4) The dirrerence (S/N) should be higher than
3) Adjust the signal generator to provide 400 Hz, 50 dB for each channel, when measured
-10 dBV {0.3 V) reference ¡nput. through a 20 Hz to 20 kHz filter.
4) Record reference ¡nput signal of 400 Hz, 5) If the S/N is out of the limit;
-10 dBV (0.3V) and then playback the tape *Erase, record/reproduce head and tape path
just recorded; the playback output level at the with a tape eraser.
TAPE OUT jack should be -10 dBV (0.3 V). *Check for normal erasing ratio.
If not, adjust the trim pot on the REC PLAY * Readjust the bais traps.
PCB for the channel to be adjusted. *Recheck the S/N by using another test tape.
Trim pots to be adjusted:
R143: Channel 1, 2,5,6 1-5-8. Overall Distortion
R243: Channel 3,4, 7,8 1)Set and adjust the test setup as mentioned
under "1-5-6. Overall Frequency Response".
1-5-6. Overall Frequency Response 2) Vary the signal frequency of the reference in
1) Adjust the test set-up as mentioned under put signal to 1 kHz, and record and reproduce
"1-5-5 Recording Level" (Items 1 through 5). the frequency.
2) Decrease the i nput signal level by 10 dB from 3) Measure the distortion; it should be less than
the reference level or set it to -20 dB (0.1 V). 1 %.
3) Vary the input signal frequency over a range 4)If not:
óf 30 Hz to 16 kHz and record the fre- * Readjust the bias voitage.
quencies, and then reproduce the signáis *Try to erase the erase head and record/re
just recorded. Measure the reproduced output produce head or replace the head(s).
leveis at the proper test frequencies, and
make sure that the frequency response is
within the specified limit shown.
4) If the specified frequency response cannot be
obtained by adjusting the REC EQ coil L103 OSCILLATOR
DISTORTION
OSCILLOSCOPE
+2
O
-2 -
-4 -
)( 1-5-9. Erasing Ratio
1)Connect test equipment as shown in Fig. 1-5-1.
and adjust the controls and switches as men
tioned under "1-5-6. Overall Frequency
Response".
2) Adjust the signal generator to provide 1 kHz,
O dB (1 V) and record it. Playback the signal
1-6-7. Overall S/N Ratio just recorded and read and note the output
1)Set and adjust the test set-up as mentioned level.
under "1-5-6. Overall Frequency Response". 3) Rewind the tape up to the beginning of the
2) Record the reference input signal, and then tape just recorded. Remove the plug from the
remove the ¡nput plug and continué the re P(3M BUSS IN jack and then record no signal
cording with no signal applied. on the tape just recorded with 1 kHz signal.
3) Reproduce both the reference signal and no 4) Rewind the tape just recorded with no
signal just recorded and read the level dif- signal and reproduce it. Read the output level
ference between the outputs. with the level meter sensitivity increased.
1 - 24
5)Compare the output leveis obtained ¡n the signa! to PGM BUSS IN jacks. Set the deck
steps 2 and 4; the level difference should be to RECORD mode.
higher than 70 dB for each channel. 3)Check how much of the signa! applied to the
6) If not: track #1 leaks into the track #2, and read
*Olean the tape transport path. the leve! difference against the reference
*Check the tape transport mechanism. leve!.
4) Adjust R507 for minimum reading.
OSOLUOSCOPE
OSCILLATOR 5) Repeat adjustment for al! other combinations
AMP SPKR of tracks by referring to the table below.
RECORD REPRO. Track Adj. Pot
Track (TAPE GUTCh.) (REC/PLAY PCB)
AC VOLTMETER 1 2 R507 (Ch 1,3 PCB)
UNIT 2 3 R507 (Ch 2,4 PCB)
ATTENUATOR FlUTER
under TEST
3 4 R607 (Ch 1,3 PCB)
4 5 R607 (Ch 2,4 PCB)
Fig. 1-5-5. Erase Ratio Test Set-Up
5 6 R507 (Ch 5, 7 PCB)
1-5-10. Crosstalk Between Channeis 6 7 R507 (Ch 6,8 PCB)
1)Set and adjust the test equipment as men- 7 8 R607 (Ch 5,7 PCB)
tioned under "1-5-6. Overa!! Frequency 8 7 R608 (Ch 6,8 PCB)
Response".
2) Record the reference signa! of 1 kHz, -10 dB 7 6 R608 (Ch 5,7 PCB)
(0.3 V) on the channe! 1. Rewind the tape 6 5 R508 (Ch 6, 8 PCB)
just recordad and reproduce it. Measure the 5 4 R508 (Ch 5, 7 PCB)
leakage output leveis to the adjacent channeis 4 3 R608 (Ch 2,4 PCB)
through a 1 kHz füter, and measure ratio(s)
against the reference leve!. 3 2 R608 (Ch 1,3 PCB)
3)The ratio should be higher than 55dB for 2 1 R508 (Ch 2,4 PCB)
each channe!.
OSOLUOSCOPE *R508 (Ch. 1, 3 PCB) and R607 (Oh. 6,8 PCB)
are not used.
AMP SPKR
Crosstalk between Track #1 and #3
Put track #1 into record mode and, while
watching the leve! at TAPE OUT #3, adjust
AC VOLTMETER R101 so that leakage into track #3 becomes
UNIT
CH?
minimum. Repeat adjustment for al! other com
ATTENUATOR CH? FILTER
under TEST binations of tracks by referring to the table
below.
1 ■ 25
1-5-12. Location of Electrical Adjustment
REC PLAY PCB {Ch 1, 3) REC PLAY PCB {Ch 5, 7) CAP SERVO PCB REEL SERVO PCB
BIAS PCB (1) & (2)
REC PLAY PCB (Ch 2. 4) REC PLAY PCB (Ch 6, 8) I FUSE PCB
üirsiís raí
• • ' • o • <
DBX PCB (Ch 1, 2, 3, 4) DBX PCB (Ch 5, 6. 7, 8) 1 BIAS PCB (1) POWER SUPPLY PCB
BIAS PCB (2) SERVO PCB
REF. NO. FUNCTION CAP SERVO PCB (for Adjustment Location see
R107/R207/R307/R408 Decoding Level page 1 ■ 9)
AD-
WHAT IS IT SIGNALSOU RCE WHAT TEST WHAT IS THE RE- PGINT TG WHAT READING TG
JUST
CALLEO ANO AMOUNT GEAR TO USE CGRDER DGING? ADJUST ADJUST FGR
STEP
1 Reproduce Head TEAC YTT-1003 VTVM and Oscil- Reproduce mode. Repro head Adjust for máximum
Aíignment Playback Aíign loscope with verti azimuth adjust- output and for output
ment Test Tape cal and horizontal ing screw. of tracks 2 and 7 less
inputs connected than 90° out of phase.
to TAPE GUT (at 10 kHz)
tracks 2 and 7.
2* Reproduce Level 400 Hz signal on VTVM connected Same as above Trim pot -12.6 dB (0.23 V) on
TEAC YTT-1003 to TAPE GUT R128/R228 VTVM
playback Aíign jack
ment Test Tape
2* REPRO EQ 16 kHz signal on Same as above Same as above Trim pot Same as above
the tape. R124/R224
4* LINE INPUT 400 Hz signal at Same as above Record mode. Input Fader Adjust to read 0 VU
Level -10 dB from oscili- on VU meters or
lator connected -lOdBat PGM
to LINE IN jack GUT.
5* Blas Trap Ad- No input signal VTVM connected Record mode, no Inductor Adjust Inductor for
justment to Bias Trap test input signal L104 minimum output at Bias
point TP-1, nega- Trap test point TP-1.
tive lead to
ground, positiva
lead to test point.
6* Blas Level Ad- Same as above VTVM connected Same as above Trim capacitor While recording adjust
justment. between TP2 & C103/C203/ trim pot until VTVM
TP G. C303/C403 indicates 120 mV.
1* Record Level 400 Hz signal at VTVM connected Record mode. Trim pot Set fo -10 dB (0.3 V)
-10 dB (0 VU on to TAPE GUT R143/R243 at TAPE GUT jacks or
VU meters) con jack or use VU 0 VU on VU meters
nected to LINE meters
IN jack
9* Overall Signal- No input signal VTVM connected Same as above Check for 50 dB or
to-Noise Ratio to TAPE GUT jack better
REPEAT STEP MARKED WITH AN ASTERISK FOR EACH CHANNEL. THE ADJUSTMENT NUMBERS ARE THE SAME BUT
THE CIRCUIT BOARD LOCATION. INPUT/OUTPUT TERMINAL NUMBERS. VU METERS, ETC., WILL BE DÍFFERENT
DEPENDING ON THE CHANNEL.
1 - 28
1-6. DBX PCB ADJUSTMENT
NOTES:
*This sectíon adjustment is not usually needed
unless an adjustor{s) have been changad or a
component(s) on the DBX PC board have
sustained damage, sincethe DBX PC board has
been precisely adjusted ¡n the factory.
*Turn the deck OFF to prevent accidental
damage when removing or repiacing DBX PC
board.
Adjustment Point
W I20
cvi
\" / O
CVI
3 \ /
TPOI TP02 TP03 TP04
1 29
1-6-2 DBX Adjustment Connection
oex PCB
Apply L sigoal for
F6-I DBX NR IM mode. j J"2-2€ ♦I2V
FUNCTION GENERATOR J2H-1 JII2-3C GND
Low dttrorrion Apply L signal for J411-1 JII2-4C OSCILLOSCOPE
flF OSCILLATOR FUNCTION Decode or H signal I AC VOLTMETER
for Encodemodc.^ !—o Jin-2
CONTINue
ATTENUATOR
®- w \H /^OOT
INPUT output
*0 J110-1
J110-2
piia6 O-
pno-6 o-
° O"
Oistortion factor 0.02% or lett
OuTpul level 3V or more
ATTENUATOR
OUIPUTO -O J110-1 TP01 O-
Gmo' IOOO^lJ Í-P IITDIIT -O J110-2 GND o-
ATTENUATOR
vw. r/v\ o TP01 pno-6
lOmtecU—«J
♦iv A A
-w-AA
Fig. 1-6-4 VCA Symmetry Adj.
:f
Fig. 1-6-5 RMS Symmetry Adjustment (Incorrect) Fig. 1-6-6 RMS Symmetry Adjustment (Correct)
1 -30
1
1-6-4. Decoder
Apply Low signal to J111-2 to actívate DBX 2. Confirm that the leve! at J110-5 terminal is
Decode moda. -300 dB ±0.5 dB (i.e., -20 d8 against -10 dB
(300 mV) reference level).
A. RMS Symmetry Adjustment(Connectlon: Fig. 3. Apply a 1 kHz, O dB signa! to J110-1 terminal.
1-6-2) 4. Confirm that the level at J110-5 terminal is
1. Apply a 100 Hz, 300 mV signa! to J110-1 +10 dB ±0.5 dB (i.e., +20 dB against -10 dB
terminal. (300 mV) reference level).
2. Adjust R135 to obtain a olean 200 Hz sine-
wave on TP01 (sea Figs. 1-6-5 & 1-6-6). G.Other Channeis
Repeat procedures for channeis 2 through
B.VCA Symmetry Adjustment (Connection: 8 using the following adjustment points and
Fig. 1-6-4) input/output termináis.
1. Apply a staircase wave signa! to TP01 , and a
traingle wave signa! to the horizontal input Decode mode Adjustment Point
Channel Input Output Test Point
terminal on the oscilloscope. L signal RMS VCA Level
1 31
1"6-5. Encoder
Apply High signal to J111-2 to actívate DBX F. Encode EffectCheck (Connection; Fig 1-6-2)
Encode mode. 1 Apply a 1 kHz, -70 dB signal to J111-3
terminal.
A.RMS Symmetry Adjustment(Connection: Fig. Confirm that the level at J110-3 terminal is
1 -0-2) -40 dB ±0.5 dB (i.e., -30 dB against -10 dB
1. Apply a 100 Hz, 300 mV signa! to J111-3 (300 mV) reference level)
terminal. , Apply a 1kHz, -HOdB signal to J111-3
2. Check for olean 200 Hz sinewave at TP01 (see terminal.
Fjg.s 1-6-5& 1-6-6). Confirm that the level at J110-3 terminal is
O dB ±1 dB (i.e., -t-10 dB against -10 dB
B. VCA Symmetry Adjustment(Connection: Fig. reference level).
1-6-4)
1. Apply a staircase wave signa! to TP01, and a G.Other Channeis
traingle wave signal to the horizontal input Repeat procedures for channeis 2 through 8
terminal on the oscilloscope. using the following adjustment points and
2. Shortcircuit between J111-3 and J111-4. input/output termináis.
3. Confirm that J110-5 supplies a relatively
horizontal line on the oscilloscope
(leve! deviation: 10 mV or less). Decode mode Adjustment Point
Channel
H signal Input Output Test Point
RMS VCA Level
-
-
-
R108
R208
1. Apply a 1kHz, 300 mV signal to J111-3 ch3/ch7
ch4/ch8
J311 2
J411-2
J311-3
J411-3
J310-3
J410-3
TP03
TP04
-
-
R308
R408
terminal. -
1 32
2. MECHANtCS- EXPLODED VIEWS AND PARTS LISTS
2- 1
EXPLODED VIEW-1
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME.
1- 1 *5504549000 SCREW C
1- 2 *5800711200 BIDE BOARDjSL
1- 3 *5800711000 SIDE BOARD,L
1- 4 *5800705801 COVER ASS'Y,DUST
1- 5 *5800708202 PCB COVER ASSY
INCLUDED ACCESSORIES
2-2
2-2. EXPLODED VIEW-2
2 -3
EXPLODED VIEW-2
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME.
2- 1 *5800707200 FRAME,SIDE;L
2- 2 *5800707600 PAD ASSY
2- 3 *5800708100 COVER,FRONT
2- 4 *5200175000 CONTROL PCB ASSY
2- 5 *5800704100 BRACKET.CONTOL PCB;B
2- 6 *5800704000 BRACKET,CONTROL;A
2- 7 *5800704200 BRACKET,CONTROL PCB;C
2- 8 *5800703900 BRACKET,JACK
2- 9 *5200176700 PHONE JACK PCB ASSY
2-4
2-3. EXPLODED VIEW-3
2- 5
EXPLODED VIEW-3
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME.
2 6
2-4. EXPLODED VIEW-4
2 7
EXFLODED VIEW-4
PARTS MARKED WITH *REQÜIRE LONGER DELIVERY TIME.
4- 6 5800724700 KNOB,FADER;N(ORG)
4- 7 *5800702301 PANEL ASS'Y,MIXER
4- 8 5800611600 KNOB ASSY, D
4- 9 5800677200 KNOB,FADER H(ORG)
4-10 5800677300 KNOB,FADER j(ORG)
2-8
2-5. EXPLODED VIEW-5
O
o
2-9
EXPLODED VIEW-5
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME.
5- 1 *5800702901 PANEL,REAR
5- 2 *5534878000 RIVET.PUSH
5- 3 *5800703100 HEATSINK
5- 4 *5033291000 PLATE,INSULATOR
5- 5 *5200175500 TR PCB ASSY
5- 6 *5033295000 TUBE,INSULATOR
5- 7 A*5534663000 STRAIN RELIEF 6W-1 [Cl
A*5534660000 BUSHING.CORD; 4N-4 [J,GE,E,A]
A*5317001700 BUSHING,CORD; 4N-5 [US.UK]
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2- 11
i
EXPLODED VIEW-6
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME
6- 1 *5800701200 BRACKET,PANEL
6- 2 *5800701800 SPRING.TA RETURN
6- 3 *5800700900 SPRING.TA
6- 4 *5800699201 ARM ASS'Y,TENSION;L
6- 5 5200176200 LED PCB ASSY(L)
6- 6 *5534850000 CUSHI0N,ST0PPER
6- 7 *5800701701 SPRING,ARM
6- 8 *5800699100 SHAFT.TA
6- 9 5800700400 CAP.PF ROLLER
6-10 5800700000 ROLLER ASS'Y,Z
2 12
EXPLODED VIEW-6
PARTS MARKED WITH *REQUIRE LONGER DELIVERY TIME,
2 - 13
3. PC BOARDS AND PARTS LIST
3-1. REC/PLAY AMP PCB ASSY
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3-10. i/O PCB ASSY (4) 3-15. 1/0 PCB ASSY (9)
3-16, 1/0 PCB ASSY (10) 3-17. 1/0 PCB ASSY (11
3-11. 1/0 PCB ASSY (5)
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REC/PLAY PCB ASSY
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
C104 C204 5263100920 C.,POLY. 0.0015UF/100V Q106 Q206 5230779520 SI.TR.2SC1815GR 0.4 80
C105 C205 5172204000 C.,CERAMIC 22PF/50V T Q107 Q207 5145150000 SI.TR.2SA-1015GR 0.4 80
C106 C206 5172204000 C.,CERAMIC 22PF/50V T Q108 Q208 5145185000 SI.TR.2SD-655E 0.5 250
C107 C207 5260065850 C.,ELEC. 2.2UF 50V M SMBP Q109 Q209 5230779720 SI.TR.2SC945A KA 0.25 250
C108 C2G8 5263106420 C.,POLY. 270PF lOOV J VT QllO Q210 5230779720 SI.TR.2SC945A KA 0.25 250
C109 C209 5263103120 C.,POLY. 0.012UF lOOV J Qlll Q211 5230779720 SI.TR.2SC945A KA 0.25 250
CllO C210 5260165952 C.,ELEC. lOOUF/lOV M USM Q112 Q212 5230779720 SI.TR.2SC945A KA 0.25 250
Clll C211 5260066550 C.,ELEC. 4.7UF 35V M SMBP Q113 Q213 5230779720 SI.TR.2SC945A KA 0.25 250
C112 C212 5260066550 C.,ELEC. 4.7UF 35V M SMBP Q114 Q214 5145185000 SI.TR.2SD-655E 0.5 250
0113 0213 5263107620 C.,POLY. 820PF lOOV J VT Q115 Q215 5230779720 SI.TR.2SC945A KA 0.25 250
Q116 Q216 5145149000 SI.TR.2SA-970GR 0.3 100
0114 0214 5260065650 C.,ELEC. 1.0UF50V M SMBP Q117 Q217 5145185000 SI.TR.2SD-655E 0.5 250
0115 0215 5260066550 C.,ELEC. 4.7UF 35V M SMBP RlOl R201 5240023420 R.,CARBON 10 OHM
0116 0216 5263168123 C..METAL 0.15UF/50V J VT R102 R202 5240030820 R.,CARBON R20 12K J FT
0117 0217 5263103320 C.,POLY. 0.015UF lOOV J R103 R203 5241318200 R.,METAL FILM 1.OK RE-35
0118 0218 5260067050 C.,ELEC. lOUF 16V R104 R204 5241318200 R.,METAL FILM 1.OK RE-35
0119 0219 5263101520 C.,POLY. 0.0027UF lOOV R105 R205 5240025420 R.,CARBON R20 68 J FT
0120 0220 5263107620 C.,POLY. 820PF lOOV J VT R106 R2Q6 5240027020 R.,CARBON R20 330 J FT
0121 0221 5260162650 C.,ELEC. 10UF25V M SM VT R107 R207 5240027020 R.,CARBON R20 330 J FT
0122 0222 5260162550 C.,ELEC.10UF 16V R108 R208 5240028620 R.,CARBON R20 1.5K J FT
0123 0223 5171912000 C.,ELEC. 0.22UF 50V M R109 R209 5240026020 R.,CARBON R20 120 J FT
0124 0224 5260163452 C.,ELEC. 22UF 25V RUO R210 5240030420 R.,CARBON R20 8.2K J FT
0125 0225 5260065650 C.,ELEC. 1.0UF50V M SMBP Rlll R211 5240028020 R.,CARBON R20 820 J FT
0126 0226 5260066550 C.jELEC. 4.7UF 35V M SMBP R112 R212 5240025420 R.,CARBON R20 68 J FT
0127 0227 5260066550 C.,ELEC. 4.7UF 35V M SMBP R113 R213 5240025420 R.,CARBON R20 68 J FT
0128 0228 5260066550 C.,ELEC. 4.7UF 35V M SMBP R114 R214 5240028620 R..CARBON R20 1.5K J FT
0301 0401 5173435000 C.,CERAMIC 0.047UF 50V Z
0302 C.,ELEC.220UF 16V USM F R115 R215 5240029220 R..CARBON R20 2.7K J FT
0402 5173054800
0303 0403 C.,ELEC.220UF 16V USM F R116 R216 5240028820 R..CARBON R20 1.8K J FT
5173054800
0304 0404 C.,CERAMIC 0.047UF 50V Z R117 R217 5240030420 R..CARBON R20 8.2K J FT
5173435000
0305 0405 C.,ELEC.47UF/25V M USM VT R118 R218 5240024620 R..CARBON R20 33 J FT
5260165252
0306 0406 C.,ELEC.47UF/25V M USM VT R119 R219 5240024620 R..CARBON R20 33 J FT
5260165252
0501 0601 C.,POLY. O.OIOUF lOOV J R120 R2 20 5240030620 R..CARBON R20 lOK J FT
5263102920
0503 0603 C.,METAL 0.018UF/50V J VT R121 R2 21 5240031820 R..CARBON R20 33K J FT
5263167023
0504 0604 C.,ELEC. 4.7UF 35V M SMBP R122 R222 5240033920 R..CARBON R20 240K J FT
5260066550
0505 0605 C.,POLYPRO 0.0027UF R123 R223 5240028020 R..CARBON R20 820 J FT
5263101520
DlOl D201 DIODE,lSS133T-77 R124 R224 5150154000 R..TRIMMER 10KB
5224015020
0102 D202 5224015020 DIODE,1SS133T-77 R125 R225 5240029420 R..CARBON R20 3.3K J FT
0103 R126 R2 26 5240029820 R..CARBON R20 4. 7K J FT
D203 5224540901 DIODE.ZENER RD6.2EB2 FR
0104 R127 R227 5240031020 R..CARBON R20 15K J FT
D204 5224015020 DIODE,1SS133T-77
0105 D205 DIODE,1SS133T-77 R128 R228 5150154000 R..TRIMMER 10KB
5224015020
0106 D206 DIODE,1SS133T-77 R129 R229 5240028220 R. .CARBON R20 1. OK J FT
5224015020
0112 D212 5224015020 DIODE,1SS133T-77 R135 R235 5240029820 R. CARBON R20 4.7K J FT
0113 D213 5224540901 DIODE.ZENER RD6.2EB2 FR R136 R236 5240030620 R. CARBON R20 lOK J FT
0114 D214 5224015020 DIODE,1SS133T-77 R1 37 R237 52"4003 3020 R. CARBON R20 lOOK J FT
JlOl J201 5122377000 CONNECTOR,SOCKET 3024-06A R138 R238 5240025220 R. CARBON R20 56 J FT
J102 J202 5122375000 CONNECTOR.SOCKET 3024-04A R139 R239 52400322 20 R.,CARBON K20 47K J FT
J103 J203 5122377000 CONNECTOR,SOCKET 3024-06A R140 R240 5240031820 R ..CARBON R20 3 3K J FT
J104 J204 5122378000 CONNECTOR.SOCKET 3024-07A R141 R24 1 52400312 20 R . ,CARBON 820 1 RK J FT
J105 5122375000 CONNECTOR.SOCKET 3024-04A R142 R242 5240032220 R . ,(ARBON H20 4 7K J FT
KlOl K201 5290009800 RELAY,RP1A24 DC24V R143 R243 5150156000 VR , 50K' B
K102 K202 5290010400 RELAY, MR62-22»S 24V R1 44 R244 52400282 2f» H . , CAR B(íN ROI .OK ,T FT
LlOl L201 5286021100 COIL.CHOKE 1200UH M VR R145 R243 524003 3020 R . , CARf.oN 820 lOOK J FT
L102 L202 5160044000 COIL.TRAP.3MH R146 R246 5240028420 ARBON R20 . 2K ) FT
R•,
L103 L203 5286023900 COIL.REC EQ R147 R247 5 240O 3 14 20 R. , ARB'tN R20 2 2K .1 FT
L104 L204 5160044000 COIL.TRAP.3MH R148 R248 524003 3020 K., ARRon R20 OOK J FT
L501 L601 5056665000 COIL.CHOKE 23MH R149 R249 524002662o R., ARRcN R2C) 2 2 O J FT
3 18
DBX PCB ASSY
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
R150 R250 5240028620 R..CARBON R20 1.5K J FT *5200177000 DBX PCB ASSY
R151 R251 5240033020 R..CARBON R20 lOOK J FT *5210177001 DBX PCB
R152 R252 5240031820 R..CARBON R20 33K J FT ClOl C201 5260162750 C..ELEC. lOUF 35V M SM VT
R153 R253 5240029820 R..CARBON R20 4.7K J FT C102 C202 5263168023 C..METALIZED 0.12UF 50V J
R154 R254 5240029820 R..CARBON R20 4.7K J FT C103 C203 5263168023 C..METALIZED 0.12UF 50V J
R155 R255 5240031620 R..CARBON R20 27K J FT C104 C204 5263169113 C..METALIZED l.OUF 50V J
R156 R256 5240031020 R..CARBON R20 15K J FT C105 C205 5263106120 C..POLY. 200PF lOOV J VT
R157 R257 5240030020 R..CARBON R20 5.6K J FT C106 C206 5263102920 C..POLY.O.OIOUF lOOV J VT
R158 R258 5240032020 R..CARBON R20 39K J FT C107 C207 5263105420 C..POLY. lOOPF lOOV J VT
R159 R259 5240032220 R..CARBON R20 47K J FT C108 C208 5263105420 C..POLY. lOOPF lOOV J VT
R160 R260 5240026620 R..CARBON R20 220 J FT C109 C209 5263102920 C..POLY.O.OIOUF lOOV J VT
R161 R261 5240026620 R..CARBON R20 220 J FT CllO C210 5260162750 C..ELEC. lOUF 35V M SM VT
R162 R262 5240030620 R..CARBON R20 20K J FT Clll C211 5263167723 C..MÉTALIZED 0.068UF 50V
R163 R263 5240032220 R..CARBON R20 47K J FT C1I2 C212 5263167723 C..METALIZED 0.068UF 50V
R164 R264 5240031020 R..CARBON R20 15K J FT C113 C213 5263101720 C..POLY. 0.0033UF lOOV J
R165 R265 5240031620 R..CARBON R20 27K J FT C114 C214 5263101720 C..POLY. 0.0033UF lOOV J
R166 R266 5240031620 R..CARBON R20 27K J FT C115 C215 5263107220 C.,POLY. 560PF 10OV J
R167 R267 5240029820 R..CARBON R20 4.7K J FT C116 C216 5263168023 C.'.METALIZED 0.12UF 50V J
R168 R268 5240030420 R..CARBON R20 8.2K J FT C117 C217 5263101720 C..POLY. 0.0033UF lOOV J
R169 R269 5240031220 R..CARBON R20 18K J FT C118 C218 5260160750 C.!eLEC. 1UF50V SM T-N
R170 R270 5240030620 R..CARBON R20 lOK J FT C119 C219 5260227050 C.,ELEC. lOUF 35V K LL VT
R171 R271 5240028220 R..CARBON R20 l.OK J FT C120 C220 5260162550 C..ELEC. lOUF 16V M SM VT
R172 R272 5240033020 R..CARBON R20 lOOK J FT C121 5260165252 C. ELEC. 47UF 25V M USM
R173 R273 5240030620 R..CARBON R20 lOK J FT C122 5260165252 C..ELEC.47UF/25V M USM VT
R17¿> R274 5240031620 R..CARBON R25 27K J C123 C223 5260161550 C..ELEC.3.3UF 35V
R175 R275 5240029820 R..CARBON R20 4.7K J FT C301 C401 5260162750 ELEC. lOUF 35V M SM VT
R176 R276 5240032220 R..CARBON R20 47K J FT C302 C402 5263168023 'mETALIZED 0.12UF 50V J
R177 R277 5240030620 R..CARBON R20 lOK J FT C303 C403 5263168023 '.METALIZED 0.12UF 50V J
R178 R278 5240032220 R..CARBON R20 47K J FT C304 C404 5263169113 METALIZED l.OUF 50V J
R179 R279 5240031620 R..CARBON R20 27K J FT C305 C405 5263106120 [POLY. 200PF lOOV J VT
R180 R280 5240032220 R,.CARBON R20 47K J FT C306 C406 5263102920 POLY.O.OIOUF lOOV J VT
R181 R281 5240029020 R..CARBON R20 2.2K J FT C307 C407 5263105420 'pOLY. lOOPF lOOV J VT
R182 R282 5240029420 R..CARBON R20 3.3K J FT C308 C408 5263105420 'pOLY. lOOPF lOOV J VT
R183 R283 5240031420 R..CARBON R20 22K J FT C309 C409 5263102920 'pOLY O.OIOUF lOOV J VT
R184 R284 5240032220 R..CARBON R20 47K J FT C310 C410 5260162750 IeLEC. lOUF 35V M SM VT
R185 R285 5240025820 R..CARBON R20 100 J FT
R186 R286 5240029820 R..CARBON R20 4.7K J FT C311 C411 5263167723 METALIZED 0.068UF 50V
R301 R401 A 5183578000 R..INCOMBUSTIBLE 1/4W 100 C312 0412 5263167723
'mETALEZED 0.068UF 50V
R302 R402 A 5183578000 R..INCOMBUSTIBLE 1/4W 100 C313 C413 5263101720 *POLY. 0.0033UF lOOV J
R303 R403 A 5183586000 R..INCOMBUSTIBLE 220 F25 C314 C414 5263101720 'pOLY. 0.0033UF lOOV J
R304 R404 A 5183586000 R..INCOMBUSTIBLE 220 F25 C315 C415 5263107220 '.POLY. 560PF lOOV J
R501 R601 5240034020 R..CARBON R20 270K J FT C316 C416 5263168023 C. METALIZED 0.12UF 50V J
R502 R602 5240032220 R..CARBON R20 47K J FT C317 C417 5263101720 C 'pOLY. 0.0033UF lOOV J
R503 R603 R..CARBON R20 lOK J FT 5260160750 C*'eLEC. 1UF50V SM T-N
Vi R504 R604
5240030620 C318 C418
c"SeC lOUF 3-5VKLLVT
5240025820 R..CARBON R20 100 J FT C319 C419 5260227050
R505 R605 5240032220 R..CARBON R20 47K J FT C320 C420 5260162550 CÜELEC. lOUF 16V M SM VT
R506 R606 47K FT 5260161550
C..ELEC.3.3UF 35V
5240032220 R..CARBON R20 J C323 C423
R507 R607 5224015020
DIODE.1SS133T-77
5150157000 R.TRIMMER 100KB.TT14R DlOl D201
DI0DE,1SS133T-77
R508 R608 R.TRIMMER 100KB.TT14R 0301 0401 5224015020
5150157000
5122377000
CONNECTOR.SOCKET 3024-06A
R509 R609 5240025820 R..CARBON R20 100 J FT JllO
CONNECTOR.SOCKET 3024-04A
R510 R610 5240028620 R..CARBON R20 1.5K J FT Jlll 5122375000
rONNECTOR.SOCKET 3024-04A
UlOl U201
U102 U202
5220416700 IC.NJM2043DD
IC.NJM2043DD
J112
J210
5122375000
5122377000
SSrÍsOCKET 3024-06A
5220416700
5122378000
CONNECTOR.SOCKET 3024-07A
U103 U203 5147064000 IC.NJM4559DD J211
CONNECTOR.SOCKET 3024-06A
U104 U204 5220019000 1C.TC4001BP. J310 5122377000
U105 U205 FILTER.LOWPASS 19KHZ 5122375000
CONNECTOR.SOCKET 3024-04A
5292803300 J311
CONNECTOR.SOCKET 3024-06A
J410
J411
5122377000
5122378000
SÜ^CTORÍsOCKET 3024-07A
QlOl Q201 5230778320
S1.TR.2SC2320F 0.3 200
Q102 Q202 5230778320
SI.TR.2SC2320F 0.3 200
Q103 Q203 5232007300
FET.2SK-364V
3 19
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
Q109 Q209 5230775000 SI.TR.2SC2878-B 0.4 30 R144 R244 5240033020 R..CARBON R25 lOOK J
QllO Q210 5230775000 SI.TR.2SC2878-B 0.4 30 R151 5240032220 R..CARBON R20 47K J FT
Qlll Q211 5230775000 SI.TR.2SC2878-B 0.4 30 R152 5240030620 R..CARBON R20 lOK J FT
Q112 5230016620 SI.TR.2SA999F 0.3 200 R153 5240029820 R..CARBON R20 4.7K J FT
Q113 5230016620 SI.TR.2SA999F 0.3 200 R154 5240033020 R..CARBON R20 lOOK J FT
Q114 Q214 5230016620 SI.TR.2SA999F 0.3 200 R155 5240029820 R..CARBON R20 4.7K J FT
Q115 Q215 5230016620 SI.TR.2SA999F 0.3 200 R156 R256 5240032220 R..CARBON R20 47K J FT
Q301 Q401 5230778320 SI.TR.2SC2320F 0.3 200 R157 R257 5240030620 R..CARBON R20 lOK J FT
Q302 Q402 5230778320 SI.TR.2SC2320F 0.3 200 R158 R258 5240029820 R..CARBON R20 4.7K J FT
Q303 Q403 5232007300 FET,2SK-364V R159 R259 5240033020 R..CARBON R20 lOOK J FT
Q304 Q404 5230775000 SI.TR.2SC2878-B 0.4 30 R160 R260 5240029820 R..CARBON R20 4.7K J FT
Q305 Q405 5230775000 SI.TR.2SC2878-B 0.4 30 R161 R261 5240033220 R..CARBON R20 120K J FT
Q306 Q406 5230775000 SI.TR.2SC2878-B 0.4 30 R168 R268 5240032220 R..CARBON R20 47K J FT
Q307 Q407 5230775000 SI.TR.2SC2878-B 0.4 30 R169 R269 5240032220 R..CARBON R20 47K J FT
Q308 Q408 5230775000 SI.TR.2SC2878-B 0.4 30 R170 R270 5240032220 R..CARBON R20 47K J FT
Q309 Q409 5230775000 SI.TR.2SC2878-B 0.4 30 R171 R271 5240032220 R..CARBON R20 47K J FT
Q310 Q410 5230775000 SI.TR.2SC2878-B 0.4 30 R172 R272 5240033020 R..CARBON R20 lOOK J FT
Q311 Q411 5230775000 SI.TR.2SC2878-B 0.4 30 R173 R273 5240033020 R..CARBON R20 lOOK J FT
Q312 5230016620 SI.TR.2SA999F 0.3 200 R174 R274 5240032220 R.,CARBON R20 47K J FT
Q313 5230016620 SI.TR.2SA999F 0.3 200 R175 R275 5240032220 R..CARBON R20 47K J FT
Q314 Q414 5230016620 SI.TR.2SA999F 0.3 200 R301 R401 5240033220 R..CARBON R20 120K
Q315 Q415 5230016620 SI.TR.2SA999F 0.3 200 R302 R402 5240025820 R..CARBON R20 100 J FT
RlOl R201 5240033220 R..CARBON R20 120K J FT R303 R403 5240031920 R.,CARBON R20 36K J FT
R102 R202 5240025820 R..CARBON R20 100 J FT R304 R404 5240030020 R..CARBON R20 5.6K J FT
R103 R203 5240031920 R..CARBON R20 36K J FT R305 R405 5240031820 R..CARBON R20 33K J FT
R104 R204 5240030020 R..CARBON R20 5.6K J FT R306 R406 5240030620 R..CARBON R20 lOK FT
R105 R205 5240031820 R..CARBON R20 33K J FT R307 R407 5150156000 VR.50KB
R106 R206 5240030620 R..CARBON R20 lOK J FT R308 R408 5150156000 VR,50KB
R107 R207 5150156000 VR.50KB R309 R409 5240030820 R..CARBON R20 12K FT
R108 R208 5150156000 VR.50KB R310 R410 5240030820 R..CARBON R20 12K FT
R109 R209 5240030820 R..CARBON R20 12K J FT R311 R411 5240024220 R..CARBON R20 22 J FT
RUO R210 5240030820 R..CARBON R20 12K J FT R312 R412 5240024220 R..CARBON R20 22 J FT
RUI R211 5240024220 R..CARBON R20 22 J FT R313 R413 5240024220 R.,CARBON R20 22 J FT
R112 R212 5240024220 R..CARBON R20 22 J FT R314 R414 5240024420 R..CARBON R20 27 J FT
R113 R213 5240024220 R..CARBON R20 22 J FT R315 R415 5240029620 R..CARBON R20 3.9K J FT
R114 R214 5240024420 R..CARBON R20 27 J FT R316 R416 5240030620 R..CARBON R20 lOK J FT
R115 R215 5240029620 R..CARBON R20 3.9K J FT R317 R417 5240032420 R..CARBON R20 56K J FT
R116 R216 5240030620 R..CARBON R20 lOK J FT R318 R418 5150094000 R.TRIMMER 50KB.TT14R A400
R117 R217 5240032420 R..CARBON R20 56K J FT R319 R419 5240030620 R.,CARBON R20 lOK J FT
R118 R218 5150094000 R.TRIMMER 50KB.TT14R A400 R320 R420 5240031820 R.,CARBON R20 33K J FT
R119 R219 5240030620 R..CARBON R20 lOK J FT R321 R421 5240025820 R.,CARBON R20 100 J FT
R120 R220 5240031820 R..CARBON R20 33K J FT R322 R422 5240033020 R..CARBON R20 lOOK J FT
R121 R221 5240025820 R..CARBON R20 100 J FT R323 R423 5240032520 R..CARBON R20 62K J FT
R122 R222 5240033020 R..CARBON R20 lOOK J FT R324 R424 5240033820 R.,CARBON R20 2 20K J FT
R123 R223 5240032520 R..CARBON R20 62K J FT R325 R425 5240029020 R.,CARBON R20 2.2K J FT
R124 R224 5240033820 R..CARBON R20 220K J FT R326 R426 5240029220 R.,CARBON R20 2. 7K J FT
R125 R225 5240029020 R..CARBON R20 2.2K J FT R327 R427 5240030220 R.,CARBON R20 6.8K J FT
R126 R226 5240029220 R..CARBON R20 2.7K J FT R328 R428 5240025820 R..CARBON R20 100 J FT
R127 R227 5240030220 R..CARBON R20 6.8K J FT R329 R429 5240029820 R.,CARBON R20 4. 7K J FT
R128 R228 5240025820 R..CARBON R20 100 J FT R330 R430 5240031520 R..CARBON R20 24K J FT
R129 R229 5240029820 R.,CARBON R20 4.7K J FT R331 R431 5240029220 R..CARBON R20 2. 7K J FT
R130 R230 5240031520 R..CARBON R20 24K J FT R332 R432 5181568000 R.,CARBON R25 lOM J FT
R131 R231 5240029220 R.,CARBON R20 2.7K J FT R333 R433 5181568000 R..CARBON R2 5 lOM J FT
R132 R232 5181568000 R..CARBON R25 lOM J FT R334 R434 5240034620 R..CARBON R20 470K J FT
R133 R233 5181568000 R.,CARBON R25 lOM J FT R335 R435 5150094000 R.TRIMMER 50KB.TT14R A400
R134 R234 5240034620 R..CARBON R20 470K J FT R336 R436 5240031420 R..CARBON R20 2 2K J FT
R135 R235 5150094000 R.TRIMMER 50KB.TT14R A400 R337 R437 5240032020 R..CARBON R20 39K J FT
R136 R236 5240031420 R.,CARBON R20 22K J FT R338 R438 5240024220 R..CARBON R20 22 J FT
R137 R237 5240032020 R..CARBON R20 39K J FT R339 R439 5240023420 R..CARBON R20 10 J FT
R138 R238 5240024220 R.,CARBON R20 22 J FT R340 R440 5240035420 R..CARBON R20 1 .OM J FT
R139 R239 5240023420 R.,CARBON R20 10 J FT R342 R442 5240035120 R..CARBON R20 750K J FT
R140 R240 5240035420 R.,CARBON R20 l.OM J FT R342 R442 5240028220 R..CARBON R20 .OK J FT
R141 R242 5240035120 R..CARBON R20 750K J FT R343 R443 5240033020 R..CARBON R25 lOOK J
R142 R242 5240028220 R.,CARBON R20 l.OK J FT R344 R444 5240033020 R..CARBON R2 5 LOOK J
R143 R243 5240173000 R..CARBON R25 lOOK J R351 5240032220 R..CARBON R20 47K J FT
r)
3 - 20
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
R357 R457 5240030620 R. CARBON R20 lOK J FT RUO R210 5240031420 CARBON RIO 22K
R358 R458 5240029820 R. CARBON R20 4.7K J FT RUI R211 5240031420 CARBON RIO 22K
R359 R459 5240033020 R. CARBON R20 lOOK J FT R113 R213 5240032220 CARBON R20 47K FT
R360 R460 5240029820 R. CARBON R20 4.7K J FT R114 R214 5240033220 CARBON RIO 120K
R36I R461 5240033220 R. CARBON R20 120K J FT R116 R216 5240025820 CARBON R20 100 FT
R368 R468 5240032220 R. CARBON R20 47K J FT R117 R217 5240033020 R..CARBON R20 10OK J FT
R369 R469 5240032220 R. CARBON R20 47K J FT R121 R221 5240031420 R..CARBON RIO 22K
R370 R470 5240032220 R. CARBON R20 47K J FT R124 R224 5240033020 R..CARBON R20 lOOK J FT
R371 R471 5240032220 R. CARBON R20 47K J FT R125 R225 5240029820 R..CARBON R20 4.7K J FT
R372 R472 5240033020 R. CARBON R20 10OK J FT R126 R226 5240030720 R..CARBON R20 IIK J FT
R373 R473 5240033020 R. CARBON R20 lOOK J FT R127 R227 5240030720 R..CARBON R20 IIK J FT
R374 R474 5240032220 R. CARBON R20 47K J FT R128 R228 5240031420 R..CARBON RIO 22K
R375 R475 5240032220 R. CARBON R20 47K J FT R129 R229 5240033020 R.,CARBON R20 lOOK J FT
UlOl U201 5220414501 IC UPC1252H2. R130 R230 5240031020 R..CARBON RIO 15K
U102 U202 5220414601 IC UPC1253H2. R131 R231 5240030620 R..CARBON RIO lOK
U103 U303 5220418800 IC M5218P R132 R232 5240033020 R..CARBON R20 lOOK J FT
U104 U204 5220036200 IC LC4966 R133 R233 5240025820 R..CARBON R20 100 J FT
U105 U305 5220036200 IC LC4966 R301 5240030620 R.".CARBON RIO lOK
U301 U401 5220414501 IC UPC1252H2, R302 5240027020 R..CARBON R20 330 J FT
U302 U402 5220414601 IC UPC1253H2. R303 5240027020 R..CARBON R20 330 J FT
3 21
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
C137 5263107720 C.,POLY. 910PF lOOV J VT R170 R171 5240031420 R..CARBON RIO 22K
C138 5263106620 C.,POLY. 330PF lOOV J VT R172 R173 5240031420 R..CARBON RIO 22K
C139 5172200000 C.,CERAMIC 10PF/50V T R179 R184 5240031420 R..CARBON RIO 22K
ClAO C141 5172200000 C.,CERAMrC 10PF/50V T R185 R186 5240031420 R..CARBON RIO 22K
C142 C143 5172200000 C.,CERAMIC 10PF/50V T R187 R188 5240030620 R..CARBON RIO lOK
R107 5282410800 1S2UVR Í6, 5KA,C REF. NO. PARTS NO. DESCRIPTION
R108 R109 5282014600 ISIUVR 16, lOKA
RUI 5240029120 R..CARBON R20 2.4K *5200173400 BUSS A PCB ASSY
R117 R118 5240030620 R..CARBON RIO lOK *5210173402 BUSS A PCB
R119 R120 5240023420 R.,CARBON 10 OHM C105 C205 5260164452 C..ELEC. 33UF 35V M USM
C106 C206 5260163452 C..ELEC. 22UF 25V
R121 R122 A 5183566000 R.,INCOMB.R25 1/4W 33 J C305 C405 5260164452 C..ELEC. 33UF 35V M USM
R129 5240025820 R..CARBON R20 100 J FT C706 C806 5260163452 C..ELEC. 22MF 25V
R130 5240031920 R..CARBON R20 36K J FT
R131 Vacant C901 C902 5260162650 C..ELEC. 10MF25V M SM VT
R132 5240025220 R..CARBON R20 56 J FT C903 C904 5260162650 C..ELEC. 10MF25V M SM VT
R133 5240031920 R.,CARBON R20 36K J FT PlOl 5336174900 CONNECTOR PLUG. 5046-09A
P102 5336164800 CONNECTOR SOCKET.IL-D-08S
R134 5240033020 R..CARBON R20 lOOK J FT P103 5122460000 CONNECTOR.5046-09A- RE
R135 5240031420 R..CARBON R20 22K J FT
R136 5240031420 R..CARBON RIO 22K P104 5122151000 CONNECTOR.PLUG 5046-OSA W
R137 5240030620 R..CARBON RIO lOK P108 5122152000 CONNECTOR.PLUG 9P 40-4
R138 5240033020 R..CARBON R20 lOOK J FT P109 5122147000 CONNECTOR.PLUG 5046-04A W
PllO 5122146000 CONNECTOR.PLUG 3P 40-4
R139 5240025820 R..CARBON R20 100 J FT R109 R209 5240033020 R..CARBON R20 lOOK J FT
R140 5240033020 R..CARBON R20 lOOK J FT
R141 5240033020 R..CARBON R20 lOOK J FT RUO R210 5240033020 R..CARBON R20 lOOK J FT
R142 5240028220 R..CARBON R20 l.OK J FT R120 R220 5240030620 R..CARBON RIO lOK
R143 5240033020 R..CARBON R20 lOOK J FT R121 R221 5240030620 R.,CARBON RIO lOK
R130 R230 5282014600 ISIUVR 16, lOKA
R144 R145 5240030620 R..CARBON RIO lOK R309 R409 5240033020 R..CARBON R20 lOOK J FT
R146 R147 5240029920 R..CARBON R20 5.1K J FT
R148 R149 5240030620 R..CARBON RIO lOK R310 R410 5240033020 R..CARBON R20 lOOK J FT
R150 R151 5240030720 R..CARBON R20 IIK J FT R320 R420 5240030620 R..CARBON RIO lOK
R152 5240032220 R..CARBON R20 47K J FT R321 R421 5240030620 R..CARBON RIO lOK
R330 R430 5282014600 ISIUVR 16. lOKA
R153 5240025820 R..CARBON R20 100 J FT R509 R609 5240033020 R..CARBON R20 lOOK J FT
R154 5240033020 R..CARBON R20 lOOK J FT
R155 5240030420 R..CARBON R20 8.2K J FT R510 R610 5240033020 R..CARBON R20 lOOK J FT
R156 5240032220 R..CARBON R20 47K J FT R520 R620 5240030620 R..CARBON RIO lOK
R157 5240026220 R..CARBON R20 150 J FT R521 R621 5240030620 R.,CARBON RIO lOK
R530 R630 5282014600 ISIUVR 16, lOKA
R158 5240033020 R.,CARBON R20 lOOK J FT R709 R809 5240033020 R.,CARBON R20 lOOK J FT
R159 5240035420 R..CARBON R20 l.OM J FT
R160 5240027020 R..CARBON R20 330 J FT
R161 5240025820 R.,CARBON R20 100 J FT
R162 5240033020 R.,CARBON R20 lOOK J FT
3 22
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
R710 R810 5240033020 R.,CARBON R20 lOOK J FT P108 5122454000 CONNECTOR .PLUG 5046 -03A R
R720 R820 5240030620 R.,CARBON RIO lOK P109 5122152000 CONNECTOR .PLUG 9P 40 -4
R721 R821 5240030620 R.,CARBON RIO lOK Pin 5122155000 CONNECTOR ,PLUG 5046 -12A W
R730 R830 5282014600 ISIUVR 16, lOKA pn2 5122463000 CONNECTOR PLUG 5046 -12A R
R903 R904 5282014600 ISIUVR 16, lOKA QlOl Q102 5232008400 FET.,2SK381D
U121 5232251620 SI.TR.2SA1346 0.3 200 R104 R204 5240031420 R.,CARBON RIO 22K
U122 5232252020 SI.TR.2SC3400 R105 R205 5240031420 R.,CARBON RIO 22K
Ü123 5232251620 SI.TR.2SA1346 0.3 200 R106 R206 5240031420 R.,CARBON RIO 22K
U124 5232252020 SI.TR.2SC3400 R107 R207 5240031420 R.,CARBON RIO 22K
U125 5232251620 SI.TR.2SA1346 0.3 200 R108 R208 5240031420 R..CARBON RIO 22K
U131 5232251620 SI.TR.2SA1346 0.3 200 R155 R156 5282410800 1S2UVR 16, 5KA.C
U132 5232252020 SI.TR.2SC3400 R157 R158 5282410800 1S2UVR 16, 5KA.C
U133 5232251620 SI.TR.2SA1346 0.3 200 R159 R160 5282410800 1S2UVR 16, 5KA.C
U134 5232252020 SI.TR.2SC3400 R251 5240031220 R..CARBON R20 18K J FT
U135 5232251620 SI.TR.2SA1346 0.3 200 R253 5240033020 R..CARBON R20 lOOK J FT
0302 0322 5260163552 C.,ELEC. 22UF/35V M USM V R302 R322 5240031420 R..CARBON RIO 22K
0303 0323 5260164452 C.,ELEC. 33UF 35V M USM R304 R324 5240032220 R..CARBON R20 47K J FT
0304 0324 5260163552 C.,ELEC. 22UF/35V M USM V R305 R325 5240033220 R..CARBON RIO 120K
0305 0325 5172204000 C.,CERAMIC 22PF/50V T R307 R327 5240033020 R..CARBON R20 lOOK J FT
0306 0326 5172204000 C.,CERAMIC 22PF/50V T R308 R328 5240025820 R..CARBON R20 100 J FT
0341 0361 5260164452 C.,ELEC. 33UF 35V M USM R309 R329 5240031420 R..CARBON RIO 22K
0342 0362 5260163552 C.,ELEC. 22UF/35V M USM V R341 R361 5240031420 R..CARBON RIO 22K
0343 0363 5260164452 C.,ELEC. 33UF 35V M USM R342 R362 5240031420 R..CARBON RIO 22K
T5 0344 0364 5260163552 C.,ELEC. 22UF/35V M USM V R344 R364 5240032220 R..CARBON R20 47K J FT
0345 0365 5172204000 C.,CERAMIC 22PF/50V T R345 R365 5240033220 R..CARBON RIO 120K
0346 0366 5172204000 C.,CERAMIC 22PF/50V T R347 R367 5240033020 R..CARBON R20 lOOK J FT
0381 0401 5260164452 C.,ELEC. 33UF 35V M USM R348 R368 5240025820 R..CARBON R20 100 J FT
0382 0402 5260163552 C.,ELEC. 22UF/35V M USM V R349 R369 5240031420 R..CARBON RIO 22K
0383 0403 5260164452 C.,ELEC. 33UF 35V M USM R381 R401 5240031420 R..CARBON RIO 22K
0384 0404 5260163552 C.,ELEC. 22UF/35V M USM V R382 R402 5240031420 R..CARBON RIO 22K
0385 0405 5172204000 C.,CERAMIC 22PF/50V T R384 R404 5240032220 R..CARBON R20 47K J FT
0386 0406 5172204000 C.,CERAMIC 22PF/50V T R385 R405 5240033220 R..CARBON RIO 120K
0421 0441 5260164452 C.,ELEC. 33UF 35V M USM R387 R407 5240033020 R..CARBON R20 lOOK J FT
0422 0442 5260163552 C.,ELEC. 22UF/35V M USM V R388 R408 5240025820 R..CARBON R20 100 J FT
0423 0443 5260164452 C.,ELEC. 33UF 35V M USM R389 R409 5240031420 R..CARBON RIO 22K
0424 0444 5260163552 C.,ELEC. 22UF/35V M USM V R421 R441 5240031420 R..CARBON RIO 22K
0425 0445 5172204000 C.,CERAMIC 22PF/50V T R422 R442 5240031420 R..CARBON RIO 22K
0426 0446 5172204000 C.,CERAMIC 22PF/50V T R424 R444 5240032220 R..CARBON R20 47K J FT
D102 0103 5224015020 DIODE,1SS133T-77 R425 R445 5240033220 R..CARBON RIO 120K
PlOl 5336165100 CONNECTOR SOCKET IL--0-1IS R427 R447 5240033020 R..CARBON R20 lOOK J FT
P102 5336164800 CONNECTOR SOCKET IL- D-08S R428 R448 5240025820 R..CARBON R20 100 J FT
P103 5122459000 CONNECTOR,PLUG 5046- OSA R R429 R449 5240031420 R..CARBON RIO 22K
P104 5122147000 CONNECTOR.PLUG 5046-■04A W UlOl 5232251620 SI.TR.2SA1346 0.3 200
P105 5122460000 CONNECTOR,5046-09A-RE U102 5232251620 SI.TR.2SA1346 0.3 200
P106 5122146000 CONNECTOR,PLUG 3P 40-4 U104 6048937000 IC.MC14049B
3 23
I/O PCB ASSY(8)
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
3-24
MOTHER PCB ASSY(l) M.BUSS PCB ASSY
REF. NO. PARIS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
3-25
PWR SPLY PCB ASSY
R£F. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
*5200173900 PWR SPLY PCB ASSY R103 R203 5150154000 R.,TRIMMER 10KB
*5210173901 PWR SPLY PCB R104 R205 5240032020 R..CARBON R20 39K FT
ClOO ClOl A 5267010300 C.,CERAMIC O.OlUF 500V P R105 R206 5150155000 R..TRIMMER 20KB
C102 C103 A 5267010300 C.,CERAMIC O.OlUF 500V P R106 R204 5240030620 R..CARBON RIO lOK
C104 A 5173088000 C.,ELEC. 2200UF 16V (SM) R107 R207 5240031420 R.,CARBON RIO 22K
C105 C106 5260162550 C.,ELEC.10UF 16V R108 R208 5240033020 R..CARBON R20 lOOK FT
C107 C108 5263166723 C.,METALIZED O.OIOÜF 50V R109 R209 5240029820 R-.CARBON R20 4.7K FT
C109 CllO 5260162050 C.,ELEC. 4.7UF 35V M SM RUO R210 5240033220 R..CARBON R20 47K FT
C112 C113 5260165352 C.,ELEC. 47UF 35V M USM RUI R211 5240030620 R..CARBON RIO lOK
C114 C115 A 5260272710 C.,ELEC. 4700UF 25V M SME R112 R212 5150154000 R..TRIMMER lOKB
C116 C122 A 5260272710 C.,ELEC. 4700UF 25V M SME R113 R213 5240029200 R..CARBON RIO 2.7K
C117 C118 A 5260271810 C.,ELEC. 2200UF 50V M SME R114 R214 5240033020 R.,CARBON R20 lOOK FT
C119 CÍ20 A 5172212000 C.jCERAMIC lOOPF 50V R115 R215 5240028220 R..CARBON R20 1.OK FT
DlOO DlOl A 5224013200 DIODE,DS135D FR R116 R216 5240030620 R..CARBON RIO LOK
D102 D103 A 5224013200 DIODE,DS135D FR R117 R217 5240033020 R..CARBON R20 lOOK FT
RlOO RlOl 5184960000 R.,CARBON R25 15 K G FT R124 R224 5240030620 R.,CARBON RIO lOK
R102 5184965000 R.,CARBON R25 24 K G FT R125 R225 5240031420 R..CARBON RIO 22K
R103 5184944000 R.,CARBON R25 3.3K G FT R126 R226 5240030620 R.,CARBON RIO lOK
R104 R105 5240027620 R.,CARBON R20 560 J FT R127 R227 5240024220 R..CARBON R20 22 FT
R106 5185204000 R..METAL 1.0 5W
R107 R108 5181514000 R..CARBON R25 22K J R128 R228 5240030620 R..CARBON RIO lOK
UlOO 5220425800 IC.M5230LA. R129 R229 A 5185190000 R.,METAL PLATE 0.22 2W
R130 R230 5240034220 R..CARBON R20 330K J FT
R131 R231 5240029420 R..CARBON R20 3.3K J FT
R132 R232 5241426602 R.,METAL FILM LT 1/8 5.1K
REEL SARVO PCB ASSY
R133 R233 5241426602 R..METAL FILM LT 1/8 5, IK
REF. NO. PARTS NO. DESCRIPTION R140 R141 5240031420 R..CARBON RIO 22K
R142 5240031420 R..CARBON RIO 22K
*5200174000 REEL SERVO PCBASSY R143 5240025820 R..CARBON R20 100 J FT
*5210174001 REEL SERVO PCB R144 5240027020 R.,CARBON R20 330 J FT
ClOO C200 5263107220 C..POLY. 560PF lOOV J VT
CIOl C20I 5263168523 C..METAL 0.33UF 50V J VT R145 5240033820 R.,CARBON RIO 220K
CI02 C202 5263167923 C..METAL 0.1MF/50V J VT R146 5240034620 R..CARBON RIO 470K J FT
R147 5240032020 R..CARBON R20 39K J FT
CI03 C203 5263167623 C..METAL 0.056UF 50V J VT RI48 5240032620 R..CARBON R20 68K J FT
C104 C204 5263167923 C..METAL 0.1MF/5ÓV J VT R149 -
5240031420 R..CARBON RIO 22K
CI05 C205 5260165952 C..ELEC.IOOMF/IOV M USM
C140 CI4I 5263107220 C..POLY.' 560PF lOOV J VT R150 5150156000 VR,50KB
CI42 5263167323 C..METAL 0.033UF 50V J- VT RI5I 5240027820 R..CARBON R20 680 J FT
R152 5240029020 R..CARBON RIO 2.2K
C143 5260160550 C.,ELEC. 0.47MF 50V M SM R153 RI54 5240029420 R..CARBON R20 3.3K J FT
DlOO D200 5224015020 DIODE.1SS133T-77 RI55 5241206600 R..INCOMB. 4.7K/IW J FR
DIOI D20I 5224015020 DIODE.1SSI33T-77
0102 D202 5224015020 DIODE.1SS133T-77 R156 5240031420 R..CARBON RIO 22K
DI03 D203 5224015020 DIODE.ISS133T-77 TPI TP2 5544750000 PIN.CONBINATION
TP3 5544750000 PIN.CONBINATION
D104 D204 5224015020 DIODE,lSS133T-77 UIOO U200 5220419500 IC,LA6358.
D105 D205 5224015020 DIODE.1SS133T-77 UIOI 5220419500 IC.LA6358,
D106 D206 5224013200 DIODE.DS135D FR
D140 5224015020 DIODE.1SS133T-77 UI02 U202 5232252020 SI.TR.2SC3400
D141 5224014000 DIODE.1R5DZ61 UI40 5232250900 TR..ARRAY BA625I
JlOO JIOI 5122376000 CONNECTOR.SOCKET 3024-05A ÜI4I 5232252020 SI.TR.2SC3400
J102 J103 5122376000 CONNECTOR.SOCKET 3024-05A UI42 5232251620 SI.TR.2SAI346 0.3 200
J104 5122375000 CONNECTOR.SOCKET 3024-04A UI43 5232252020 SI.TR.2SC3400
QlOO Q200 5230778320 SI.TR.2SC2320F 0.3 200
Q140 5232008400 FET..2SK381D UI44 6048968000 IC,MC14066BCP 85-16
Q141 5145129000 SI.TR.2SB-507 30 8 U145 5232252020 SI.TR.2SC3400
3 - 26
METER AMP PCB ASSY
*5200174200 METER AMP PCB ASSY R108 R128 5240033020 R..CARBON R20 lOOK J FT
*5210174202 METER AMP PCB R109 R129 5240035420 R..CARBON R20 l.OM J FT
ClOl C121 5260162750 C.,ELEC. lOUF 35V M SM VT RUO R130 5240027020 R..CARBON R20 330 J FT
C102 C122 5260163552 C.,ELEC. 22UF/35V M USM V RUI R131 5240033020 R..CARBON R20 lOOK J FT
C103 C123 5260162650 C.,ELEC. 10UF25V M SM VT R141 R161 5150153000 R..TRIMMER 5KB
C104 C124 5263167923 C.,METAL 0.1MF/50V J VT R142 R162 5240027820 R..CARBON R20 680 J FT
C141 C161 5260162750 C.,ELEC. lOUF 35V M SM VT R143 R163 5240030220 R.,CARBON R20 6.8K J FT
C142 C162 5260162552 C.,ELEC. 22MF/35V M USM V R144 RI64 5240033020 R..CARBON R20 lOOK J FT
C143 C163 5260162650 C.,ELEC. 10MF25V M SM VT R145 R165 5240031520 R..CARBON R20 24K J FT
C144 C164 5263167923 C..METAL 0.1MF/50V J VT R146 R166 5240032220 R..CARBON R20 47K J FT
C181 C201 5260162750 C.,ELEC. lOUF 35V M SM VT R147 R167 5240026220 R..CARBON R20 150 J FT
C182 C202 5260163552 C.,ELEC. 22MF/35V M USM V R148 R168 5240033020 R..CARBON R20 lOOK J FT
C183 C203 5260162650 C.,ELEC. IOMF25V M SM VT R149 R169 5240035420 R..CARBON R20 l.OM J FT
C184 C204 5263167923 C..METAL 0.1MF/50V J VT R150 R170 5240027020 R..CARBON R20 330 J FT
C221 C241 5260162750 C..ELEC. lOUF 35V M SM VT R151 R171 5240033020 R..CARBON R20 lOOK J FT
C222 C242 5260163552 C..ELEC. 22MF/35V M USM V R181 R201 5150153000 R..TRIMMER 5KB
C223 C243 5260162650 C..ELEC. 10MF25V M SM VT R182 R202 5240027820 R..CARBON R20 680 J FT
C224 C244 5263167923 C..METAL 0.1MF/50V J VT R183 R203 5240030220 R..CARBON R20 6.8K J FT
C261 C281 5260162750 C..ELEC. lOUF 35V M SM VT R184 R204 5240033020 R..CARBON R20 lOOK J FT
C262 C282 5260163552 C..ELEC. 22MF/35V M USM V R185 R205 5240031520 R..CARBON R20 24K J FT
C263 C283 5260162650 C..ELEC. 10MF25V M SM VT R186 R206 5240032220 R..CARBON R20 47K J FT
C264 C284 5263167923 C..METAL 0.1MF/50V J VT R187 R207 5240026220 R..CARBON R20 150 J FT
C301 5260162550 C.,ELEC.10MF 16V R188 R208 5240033020 R..CARBON R20 lOOK J FT
C302 C303 5260163452 C..ELEC.22MF 25V R189 R209 5240035420 R..CARBON R20 l.OM J FT
DlOl D102 5224015400 D10DE,1K60 R190 R210 5240027020 R.,CARBON R20 330 J FT
D103 D104 5224015400 DIODE.1K60 R191 R211 5240033020 R..CARBON R20 lOOK J FT
D121 D122 5224015400 DIODE.1K60 R221 R241 5150153000 R..TRIMMER 5KB
D123 D124 5224015400 DIODE.1K60 R222 R242 5240027820 R..CARBON R20 680 J FT
D141 D142 5224015400 DIQUE,1K60 R223 R243 5240030220 R..CARBON R20 6.8K J FT
D143 D144 5224015400 DIQUE.1K60 R224 R244 5240033020 R..CARBON R20 lOOK J FT
D161 D162 5224015400 DIQUE.1K60 R225 R245 5240031520 R..CARBON R20 24K J FT
D163 D164 5224015400 DIODE.IK60 R226 R246 5240032220 R..CARBON R20 47K J FT
D181 D182 5224015400 DIQUE,1K60 R227 R247 5240026220 R..CARBON R20 150 J FT
D183 D184 5224015400 DIQUE.1K60 R228 R248 5240033020 R..CARBON R20 lOOK J FT
D201 D202 5224015400 DIQUE,1K60 R229 R249 5240035420 R..CARBON R20 l.OM J FT
D203 D204 5224015400 DIQUE.1K60 R230 R2Í0 5240027020 R..CARBON R20 330 J FT
D221 D222 5224015400 DIQUE.1K60 R231 R251 5240033020 R..CARBON R20 lOOK J FT
D223 D224 5224015400 DIQDE.1K60 R261 R281 5150153000 R..TRIMMER 5KB
D241 D242 5224015400 DIQUE,1K60 R262 R282 5240027420 R..CARBON R20 470 J FT
D243 D244 5224015400 DIQDE,1K60 R263 R283 5240030220 R..CARBON R20 6.8K J FT
D261 D262 5224015400 DIQDE.1K60 R264 R284 5240033020 R..CARBON R20 lOOK J FT
D263 D264 5224015400 DIQDE.IK60 R265 R285 5240031520 R..CARBON R20 24K J FT
D281 D282 5224015400 DIQDE.1K60 R266 R286 5240032220 R..CARBON R20 47K J FT
D283 D284 5224015400 DIODE.IK60 R267 R287 5240026220 R..CARBON R20 150 J FT
D301 D302 5224540601 DIQDE.ZENER RD5.6EB2 R268 R288 5240033020 R..CARBON R20 lOOK J FT
PlOl 5122152000 CQNNECTQR.PLUG 9P
P102 5122146000 CQNNECTQR.PLUG 3P R269 R289 5240035420 R..CARBON R20 l.OM J FT
P103 5122150000 CQNNECTQR.PLUG 5046-07A R270 R290 5240027020 R..CARBON R20 330 J FT
P104 5122457000 CQNNECTQR.PLUG 5046-06A R R271 R291 5240033020 R..CARBON R20 lOOK J FT
P105 5122206000 CQNNECTQR.PLUG 5046-06A B UlOl U121 5220406700 IC.RC4558P.TI
P106 5122149000 CQNNECTQR.PLUG 5046-06A W U102 U122 6048945000 IC.MC14049UBCP
3 27
CAP SERVO PCB ASSY SENSOR PCB ASSY(L)
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
Q803 5230778320 SI.TR.2SC2320F 0.3 200 REF. NO. PARTS NO. DESCRIPTION
R800 5240029820 R..CARBON R20 4.7K J FT
R801 5240032220 R..CARBON R20 47K J FT *5200176300 LED PCB ASSY(R)
R802 5240029820 R..CARBON R20 4.7K J FT *5210176300 LED PCB(R)
R803 5240030120 R..CARBON R20 6.2K J FT DI 5225014300 LED GL-410
R809 5240032220 R..CARBON R20 47K J FT *5200176700 PHONE JACK PCB ASSY
R810 5240033020 R..CARBON R20 lOOK J FT *5210176700 PHONE JACK PCB
R811 5240027020 R..CARBON R20 330 J FT JlOl J102 5330010100 JACK.PHONE 3P
R812 5240032220 R..CARBON R20 47K J FT
J103 5330010600 JACK.YKB21-5013 SINGLE
R813 5240034220 R.,CARBON R20 330K J FT
■/Tv
3 28
BAL.PCB ASSY
KCt'. NU. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
*5200174300 BAL.AMP PCB ASSY R125 R225 5240031820 R..CARBON R20 33K J FT
*5210174300 BAL.AMP PCB R126 R226 5240031020 R..CARBON R20 15K J FT
ClOO C200 5260162550 C.,ELEC.10MF 16V R127 R227 5240032020 R..CARBON R20 39K J FT
ClOl C201 5260162550 C.,ELEC.10MF 16V R128 R228 5240031020 R..CARBON R20 15K J FT
C102 C202 5172200000 C.,CERAMIC 10PF/50V R129 R229 5240032020 R..CARBON R20 39K J FT
C103 C203 5260067050 C.,ELEC. lOMF 16V R130 R230 5240032220 R..CARBON R20 47K J FT
C104 C204 5172204000 C.,CERAMIC 22PF/50V R131 R231 A 5183578000 R..INCOMBUSTIBLE 1/4W 100
C105 C205 5172204000 C.,CERAMIC 22PF/50V UlOO U200 5220416600 IC.NJM2041D-D
C106 C206 5260162550 C.,ELEC.10MF 16V UlOl 5220426900 IC,M5220P
C107 C207 5172200000 C.,CERAMIC 10PF/50V
3 - 29
CONTROL PCB ASSY
REF. NO. PARTS NO. DESCRIPTION REF. NO. PARTS NO. DESCRIPTION
*5200175000 CONTROL PCB ASSY R426 R427 5240028220 C.,CARBON R20 l.OK J FT
*5210175001 CONTROL PCB R428 R429 5240028220 C.,CARBON R20 l.OK J FT
C400 5260166052 C.,ELEC. 100UF/16V M USM R430 R431 5240028220 C..CARBON R20 1.OK J FT
0401 5260166752 C.,ELEC. 220UF6.3V M USM R432 R433 5240026220 C.,CARBON R20 150 J FT
0402 5260162050 C.,ELEC. 4.7UF 35V M SM R434 R435 5240026220 C..CARBON R20 150 J FT
C403 C404 5172200000 C. CERAMIC 10PF/50V T R436 R437 5240026220 C..CARBON R20 150 J FT
C410 5260166052 c. ELEC. 100MF/16V M USM R438 R439 5240026220 C..CARBON R20 150 J FT
C411 C412 5173433000 0. CERAMIC O.OIOUF 50V Z R440 5240029820 C..CARBON R20 4.7K J FT
0413 0414 5173433000 0. CERAMIC O.OIOUF 50V Z R441 R442 5240029820 R..CARBON R20 4.7K J FT
C415 5263100520 0. POLYST. O.OOlOUF lOOV R443 5240029820 R..CARBON R20 4.7K J FT
R412 R413 5240027020 R. CARBON R20 330 J FT *5200177200 PCB ASS'Y. HF.AD CONNECT
R415 5240027020 R. CARBON R20 330 J FT *5210177200 HEAD CONNECT PCB
R416 R417 5180062000 R. CARBON R50 150 J FR JOOl J002 5332015300 IC S0CKET.16P
R418 5180062000 R. CARBON R50 150 J FR
R419 R420 5240031420 R. CARBON RIO 22K
3 - 30
BIAS PCB ASSY(l) & BIAS FCB ASSY(2) TR PCB ASSY
REF. NO. PARTS NO. DESCRIPTION REP. NO. PARTS NO. DESCRIPTION
© *5200177100
*5200180400
*5210177102
BIAS PCB ASSY(l)
BIAS PCB ASSY(2)
BIAS PCB C1 C2
*5210175500
5260162150
TR PCB
C.,ELEC.4.7MP 50V
ClOl C201 5260162750 C.,ELEC. 10UF35V M SM VT C3 C4 5260162150 C.,ELEC.4.7MF 50V
C102 C202 5260160750 C.,ELEC. 1UF50V SM T-N Q2 A 5145129000 SI.TR.2SB-507 30 8
3 31
PKONE AMP PCB ASSY
3 32
4. SCHEMATIC DIAGRAMS
4-1. Rec/Play PCB Ass'y
0102 OIOl 0104 OIOS-vO 107 UlOI 0105 UlOI UI02 0116 0114
r
oiir
0101 0114 UI03 OIOS 0113
0107 Oill 0106 DIOS Olio 0102 A. 0104 0109 0108 0112 0109 A. Din 0112 DII3
A 430
lOOt
^ |—VAr—I—Wr—I
2?0/16V
XCI2€
Q106 r/2ftvíepi
oiot
CI04^
Ci O.OI?
4 UlOI
102 11/21
2.2/50V
OOOI9
ni22 240k
REPRQ
![ oioi EO
©
.I^CIOC
lOO/IOV
REPRQ
22P
Ji02
—nAV
RI42 tPLAYI
U 03 REC LEVEL
iREC)
CPLAYI
2
(REC I
A 220ti/4W JI03
0116 2SA970GR
0117 2SD655E
pef no J204
NJM20430-D D20I . 0202 ISSI33HV
U202 NJM20430-0 0202 2SCI8I5GR 0203 R06.2EB2(FR) U201 X
U203 NJM4SS90-0 Q203 ,0204 2SAS70GR 0204 X 0210 ISSI33HV 0201
U204 TC400ieP 0205 ,0206 2SCI8ISGR 0211 R03.6EB2(FRI 0201 X
U205 L P F I9KH1 0207 2SAI0ISGR 0212 ISSI33HV R20I , R401 'V/ R60I «v
Q20B 2SD655E 0213 RD6.2EB2(FR) C20I C40I 'V C60i
Q209'\.Q2I3 2SC945AK 0214 ISSI33HV 1.201 L501
0214 K20I
0215 J202
0216
0217
POWCR MUTC
PLAT MOTE
ose CORT
ose CORT 2
REC SIG
SVNC 3
4- 1
4-2. DBX PCB Ass'y
1
d
UI04 QII2 QII3 UI05 0103 0114 0115 UI05 0101 0105 0104 0106 QI02 0107 UlOI 0108 0109 UI02 UI03 Qlll Olio
DI03 UI05 UI03
/f
u
ICI2247/25V
II
4 1.0
CIOS
1
CI09
RI06 lOk DIO! (VCA)
" **' I
UI04I 1/4) CI05 OJIO
CI02 0.12
200p C 06
10 (PP) UI03
II RII4 27
CI03 (1/2)
RI02 QI04 DECODE
J-CIO 0.12 100 I0/35V
LEVEL RII8
I0/35V vwv 50)1(6)
UI04(í/4) RI03 RI07 SOkIB)
REPRO EO OUT VCA SYM
QI03 36 k
CI07
R(08
50k(B) lOOp
REC EO (N RI04 0105
REPRO OUT
CI23
3.3/50V U 04 (1/4)
5.6k
RI68
ENCODE
LEVEL
( PP)
©
)l 47k
O—-V
RI44
lOOk
B
REC S(G.
UNE IN RI56
47k
RI57
lOk CU I CM2
0.066 o.oea RI33
§
I0ll^((/4w)
II II ■AWk U 02 ( RMS)
CII4 OTPOI
RI23 0.0033
62k
Cli7
0/}033
C223 0115
3.3/50V
RI54 I0/35V RI40
T-m
R244 lOOk
(LL)
Ri35
RI56 RI60 50k(6)YO
4.7k 4.7k RMS SYM RI36 cusí; RI39 RI4I CI20
IN/OUT I/50V 470k 750k I0/I6V
CH I/CH5 V
U204-2
U204-(0
UI0S(i/4 ) UI05(I/4)
U204-8 3 2
U20I , U202 , UI03 , U204 , UD5
U204-4
020l'v02l l ,0214,0215
020) UI03I 1/2)
R20i -Xj
C20I
TP 02
C323
3.3/50V
^1 CH2/CH6
R344¿R343
lOOk ?IOOk
U304-2
U305(I/4 ) U305II/4 )
U304-10
CH 1 /CH5 CH 2/CH 6 CH 3 /CH 7 CH 4/CH8
U304-8
U30I -x, U305 UlOI U20I U30I U40I UPCI252H2
U304-4
0301'X. 0315 UI02 U202 U302 U402 >iPCI253H2
030
U303) 1/2) UI03 U303 M52I8P
R30 UI04 U204 U304 U404 LC4966
+ )2V
C30I -V UI05 U305 LC4966
R35I TP03
QIOI ,0102 0201 ,0202 0 30 1 ,0302 0401 ,0402 2SC2320F
0103 0203 0303 0403 2SK364V
CH3/CH7 0104'vOIII 0204-Ni 0211 0304-Xi 031 1 0404-x, 0411 2SC2878B
C423 0112 ,0113 0312 , 0313 2SA999F
3.3/50V
01 14 , 0115 0214 , 0215 0314 , 0315 0414 , 0415 2SA999F
)\ U404-2
U305()/4 U3051I/4) DIOI D20I D30I D40I ISSI33HV
R444¿R443 U404-I0
lOOk ?IOOk U404-8
U40I . U402 , U303 , U404 U405
U404-4
0401 -v 0411 , 0414 , 0415 NOTE . ANALOGUE SWITCHES ARE SHOWN DECODE MODE
0401 U303(i/2 )
R456
R40I -x,
+ I2V
C40I -x^
TP04
6ND
CH4/CH8
4 2
4-3. Monitor PCB Ass'y
1
UI02 UI03
UlOZ UI03
UZOZ 0120 DI0li<0l08 0l09<\.0ll6
0119 0120 U30lt<U303
0 34 U304 0127
PM8
(WHT)
JII3 :P113
IVHT) |(WHTI
Bu$s e
MOKITOR SW
PCO ASS*Y
(P0Q« 4-6) PIO?
í Pago 4-18)
J)02
I WMTI
ItOIASSIr 3
IPoge4-i8) ^ CI20 .. 229
(PQge4-i2)
JI24 :pi24
lYEL
Pl)9 JII9
C22Í..22P (WHT) i (WHTI
C2I9 . 22p C220 .. 22p
«21 221
meter
PC8 ASS gTEREOMASTER|
11202(1/2 SII2 U202(i/2í UI03II/2) Pl20i J)20 tOk I
(P«H»4.|2)
I MONO I
JI26 ¡PI26
BLK]
«otmeríí
pce ASS o OfF
BUSS
PCD ASS
PI04
t Pogo 4-5)
CONTROL
U303
PCB ASS*
P4» 3
I Di2o;: I Poge 4-15)
¿tío
0/35V
U30I
rINSERT I U301
M. BUSS MONITOR JI20
wmt
orrri
PCB ASS'Y PCB ASS'Y
I Poae 4-B1
U302
L,PI06
4-3
4-4. Mixer Input Section
1
QtOl 0102
ÜI02
0102
UIOIIi/2) UlOI 11/2)
o-*o—
JIOl IWHT)
RI70 22^
cr"©—^
MIC IN
0104
0103
I TRIM I
JIOl IWHT)
1/0 PCB(8)ASST
50 ik ZSIi-uISk
JIOl IWHT)
4 CH 5
MIC IN :
UI03 M/2) UI03 UI06 Uí06 « «'2
JIOhWHTl UI05 I l
PI03 JI03
(WMTJ I I WMTJ INPUT
FAOER
CH 7
OlOt , 0102 2SCI844F
I Pago 4-7 ) {Rogo 4-5) Ot03 'V, 0105 2Sa8l5GR
FROM MOTHER (>) PCO A SS TO euSS A PCBASS'v PI03
ISSI33T-77
[~Y~Y^Y"v~|j;i7 py^"y"'Y""Y"'Y""Y"vyy 5LPI358rRE0
I/o PCB
1/0 PCB
JIOmwht
(I ) ASS'Y
(5) ASS'Y SENO RCV SENO RCV SENO
LINE IN
/O PCB
1/0 PCB (2) ASS'Y
SENO SENO SENO
(6) ASS'Y
TAPE OUT
4-4
4-5. Buss A PCB
PIOS
(WHT)
BUSS B
I MONITOR
PCB ASS*Y
y (Pogo4-l2)
Ul09<i/4)
UII3(i/2>
Ul09u'4) Ull3n/2)
PI03
I /o PCB
(5)ASS*«
(REDI J
UtOB»/4)
(POQO 4-4)
É ÜM0(i/4) UII411/2)
/o PCB
16) ASS*1I " ÜllOll/41
(Page4-4) Ut20,U122 »UI24,U126 1 2SC3400 CS09
CH I L üUOn/4)
C40S
TO BUSS B
R409.R4I0 PCB ASS*T
5 PI03
6 (PO0B4-6)
I UI20
Ult5li/2l
JIM tl/4)
ÜlllM/4)
I CH 2 C50»
UI22, UI23 R509.
R220 . R2?
FROM
UII50/2) 2 MOTHER
Jlini/4) PCB ASS'Y PI46
I CH 3 Ülllll/4]
ÜI34 , UI35 (Pago4-14 or4-7)
R320 . R32
I CH 4
^EFfecTOUTj
UI26 ,UI27
iill6n/?i
B4S
1)112 li/«>
I Pooe 4-3)
JII2 11/41
I CH 5 AUX OUT
UI28 , UI29
RUO . RU
111(6 11/2
UII2<i/4
Utl2l'/«>
I CH 6 EFFECT RTN
M.BUSS UI30 , U13I
R620 . R62
PCB ASS'Y Ir49^^
IPoqo 4-8) JI09 "VUIIZ !:l072CP L EFFECT RTN
1113'O une
I CH 7 PIOS JI09
ÜI32 , Ut33
I GAIN I (WHT ) I (WHT
R720 , R72
, 1/0 PCB
P 02
1 CH 8
I (II) ASS'Y
ÜI34 , U135
R820 . RO?
( Pogo 4-6)
. PCB ASS'Y
%
4-5
4-6. Buss B AssV
1
JI04
(WHTl PI04 tWHTI
FROM
1/0 pce (lOi Ass Y
(sreRco BUSS m i
0101 'V/ 0104 : 2SK3B10
(Paoe 4-18)
J103tREO) Pl03(ReD)
FROM
BUSS A PCB ASS*Y
I MONITOR CAIN VR OUT)
( Pago 4-5)
PI08
J106 TO MONITOR
JIIOlWNTI (WMT)
PCB ASS'Y
(Poge4-5) C n 'r 3 PM3
CI04.,• -
I monitor"páñ
B
I EFFEg RT"Ñ"~|
DI0Z,Q103 ; ISSI33T-77
(WHT)
PGM SiC OUT
(CH I)
0(05
2SCI8I5GR UI04 U 04
UI02
© U(OI, U102 : 2SAI346 PGM MASTERS
|
lOlGiTAL TRANSISTOR) U30
PGM
BUSS IN UI04: MCI4069U6CP TL072CP
CH 2 U32I
R322,R 324,R32S.R527,R329
C3?t'N.C3?6
(CH 3) U34
R342 ,R344.R34S,R347.R349
CSAl -vCSAG
^^6 j
(CH 4)
7(^^d j
ICH5)
i evenI
R902 lOk
(CH 7 U42I
R42?. R424 . R4?S . R4?7. R429
C4?i -wC4?6
ICH0) Ü44I
R44? , R444 . R443 . R447. R449
C44I X.C446
M. BUSS
PCB ASS'Y (Pago 4-8) BUSS B PCB ASS'Y
4-6
4-7. Mother (1) PCB Ass'y
1
»
I note r.PI23 ano PIZ4 are USEDFORTKE meter AMP PC8 ASS^f MOUrmNG GWTÍNOro^CTIW).
REC PLAY AMP PCB ASS'Y ( Pa«e 4-i) DBX PCB ASS'Y { p<u.4-2) Z ALL CONKECTORS ON TKE MOTHER(11PC8 ASSfV ARE MALE OR PLUG TYPE C0MNECT0H5.
PI03
i
PI03
P2l5(ep.RE0i
P3I5 iSP.BLKi
P4I5 I8P.TELI
PII6 I6C.WHTÍ
TO
TO
TO
P3I
P23
P24
MOTHER (2)
PCB ASS'Y
(Poga 4-9)
PI4I (3P,WMT)
PI42(SP/>EDI
PI43I6P^LKI
PI44 KP.BLKI
TO 1/0 PCB(I2)ASS'Y (Poga 4-141
TO BALANCE SW PCB ASSY (Paga 4-14)
TO 1/0 PCB(13) ASS'Y I Paga 4-141
TO MONITOR PCB ASSY (Poge 4-3)
PII3(WHn
P2t6 i6P.Reo TO (CAO CONNECT PCB ASS^T PI4S IIP.REOI TO 1/0 PCB(12) ASS'Y (Poga 4-141
(CH2) [CH 6) P3(6 (ep.BLK IR/PHEAO) (Poga 4-17) PI46l3P,eLKI TO 1/0 PCB(II) ASS'Y (Poga 4-51
P20 P2I0 P4[6 ISP.TCL)
PI25 idP.wMTi
PII7IWMT1 P317iblic»
P22SI4P.PEDI TO VR PCB ASS'Y
P 04 P32S l4P,eLK) (PoM 4-20 )
PI04 P3I3IBLK»
p425<3P,YeLi
B
PIISlWHT P3l6(a.Ki
(CH 3) (CH7)
P3I0
pi44(eLK)
P2i^Reo P4i4(YeLi
(CH3) (CH 7) (CH6)
P201 O P20I P20I
Pi22(WMT1
P2l3iPtO
(CH 4) (CH 0)
P4I0 P4I0
PI42(ft£0l
P4i3iYeL
P2l7ínE0 P4l7ltEL
PI20<wht
P216(REO P4I6ITEI.»
PI2H»E0J P14HWMT
P225(PED P425(YE
PI40(Wht
PI|0tWMT
4- y
4-8. M Buss PCB Ass'y Operation PCB Ass'y Accessory Connector
1 . 2 .
ACCESSORY
OPERATION PCB ASS'Y CONNECTOR
01 GL-9NG2
(GRN)
FF IN
PLAY
REW IN
02 GL-9NG2
CONTROL
(GRN). STOPIN
F.FWD PCB ASS'Y
P400
J406 03 GL-9NG2
(BLK ) (GRN). CONTROL RTZ IN (Poge 4-15)
REW PCB ASS'Y
P40I
(Poge 4-15)
STOP
04 GL-9PR2
CONTROL (REO) ''i/
PCB ASS'Y REC
P406
05 GL-9PR2
(Poge 4-15) REPEAT LEO (REO) LIFTERCONT.IN
LOAD
STOP COM.
PLAV TLV
RESET J402
(WHT) FTTly
CONTROL
PCB ASS'Y
RTZ P4O0
(Poge 4-15)
CONTROL
B STC SHUT OFF TLY
PCB ASS'Y
P402
CUE (Poge 4-15)
REPEAT SW
J4I I
CHECK
06GL-9PR2 y,
(REO),
REPEAT
CONTROL
PCB ASS'Y
P4II
(Poge 4-15)
CLOCK PULSE
n n ^ P405
( Poge 4-15)
P90I
(PI05)
P902
(PI05)
P903
(PI05)
P904
(PI05)
P905
(PI05)
P906
(PI05)
P907
(PI05)
P908
(PI05)
P909
(PI02)
P9I0
(PI02)
P9I I
(PII5 ) n EXT FREO
J802
(REO)
CAP SERVO
PCB ASS'Y
INT/EXT PB02
(Poge 4-13)
ACCESSORY
STEREO CONT
4■8
4-9. Mother (2) PCB Ass'y
1 8
PI8 P9 PI4tBLK)
[JIOI (JIOI) (JlOO)
P301WHT1 P23(BLK)
FROM
FUSE (1/2/3 )PCB ASS'Y
(Page 4-10)
PI5(wht)
R3
CH 2 CH 6 4.7(2W)
Pl tWHT)
tMETAL.NFI
P26 PI9 PIO
J20I) J20I) (JIOI)
47(3W) NF
+IOV NST
P133(wht) CONT
CONT 2
ERASE HEAD
MOTHER(2) PCB ASS'Y
4-9
4-10. Power Supply
1
TR PCB
JARAN U.S.A. ASS'Y
PUSE (I )PCB
CANADA
FUSE (I)PCB I
ASS'Y-A ASS'Y-A
,, I * . r3 3A250V
POWER
0100
POWER
AUSTRALIA
POWER
GENERAL EXPORT
Au.
O 01 pF 4- 3O0n/30QV AC
I FUSE (I) PCB ASSVl
A i
MOTHER (21 PCB ASS'Y
POWER SUPPLY TABLE (REFERENCE) I POWER
W 2S0V
4- 10
4-11. Reel Servo PCB Ass'y
1
RII6 03..0.056
lOk
UlOO tl/2)
RII8 lOOk
RII7 CI04 0.1
OOk
vw
RII9 RI20 220k
Rl lO
RI30 R 14
47k lOOk
330k POWER TRANSISTOR (R)C
RII2 UlOO UlOI (1/2)
Dloe
lOk(B) 1/2) POWER TRANSISTOR (R>B
RI09 -i-CIOb J.CI02
4.7k ClOO -rO POWER TRANSISTOR (DE
Rl 13 lOO/IOV ÜI02 SRI2I
560p TP.20 ''220k POWER TRANSISTOR (L)C
A ¿RI29
^^0.22(2W) POWER TRANSISTOR (L) B
(METAL PLATE)
C203..0.056
R2I6 C201
lOk 0.33
II 1 0200r
U200< 1/2) R2I8 lOOk
R2I7
iOOk
w»
C2M
ctzi
OJ ÜIOI(l/2) —W/
©
TENSION SENSOR(R)
R2I5
R2iO R2I9 R220 220k
R2I4 TENSION SENSOR (L>
47k
IOOk
SERVO GNO(R)
R2I2
IOk(Bl
R209 C205
U200
( I /2 ) |n)>o REEL MOTOR POWER SUPPLY
J-C202 POWER TRANSISTOR (R)E
11202
4.7k OO/IOV
TP.30 0.1 ^220k A_R229
%0.22(2W)
(METAL PLATE)
To
MOTHER (2)
PCB ASS'Y
FF SEHVO
R23I
3.3 k
CI4I RI44
560p 330 RI06
U 42 i:Ci43 RI32
lOk
II 0.47/50V 5.lk
RI47 39k U|44( 1/4) +35V NST
RI45
0140
220k BRAKE MOOE
ÜI43 RI4B LOW SPEEO
68k RIOS O RI08
20k(B) :LDioo SERVO MUTE
UI44(i/4) 0200 IOOk
Ri4e :10103 REW SERVO
470k
0102--
R20e
R20I IOOk
39k 0142
0202 RI02
3.9k 3.9k
RI54 ANALOGUE GNO
UI45 310205 3.3k + I5V STB
R206O
UlOO , U200 LA6358 QlOO ,0200 2SC2320F 20k(B) SERVO GNO ( L)
B203
UlOI LA6358 0140 2SK38ID lOk(B) RI55
4-11
4-12. Meter Amp PCB Ass'y
1
METER
JI25 JI08 PIQ8 C30I PCB
(RED ) (WHT) (WHT) I0/I6V (CH I )
PEAK
n +5V PI03
(WHT)
JI03
IWHT) SLP-I44e
GNO RI06< RI07 RI09
MONITOR C302X 47 k T 150 R|10
+I5V 22/25V'r
PCB ASST RIOI S:CI03
PI25 -I5V 0101 RIOS I0/25V
I 2SCI8I5GR DIOI
(Page4-3) 5 GNO
I —W»
_ RI04
lOOk ^RIOS CI04
I0/35V 9
C303 CI02 RI03
24k 0.1 (TF) UI02 (2/6)
22/25VT RUI 4 ulOI 22/35V 6.8k
MCI4049BCP 47k DI02 r DI04
(1/2)
NJM455BDD
DIOI «v. 0104 ; IK60
METER TRK
I (CH 2) PCB PGM2
B 0121
OI
DI21 <^0124
I I PEAK
RI22S -i. I í SLP-I44B
RI2I -v RI3
'v^
U 02(2/6) U 0I( 1/2)
|_ CI2I -v CI24
t (CH3)
014
PI04
f" DI4I ^.0144 RI42^ -i. IRED) IRED)
RI4I «vRIS UI22(2/6) UI2I 11/2)
CI4I 'V CI44
(CH 4) TRK I
0161 PGM 3 I
DI6I 'X.DI64
RI62<
JI08 RI6I'V,RI7I seo 5"
UI22(2/6) U 21( 1/2)
I WHT) CI6I >^064
CH 1
TRK I
CH 2 PGM 4 I
(CH 5)
CH 3 I
QIBI
CH 4
DIBI "VDIBA
PI05 JI05
BUSS A Rl 82 (BLK)
CH 5 IBLK)
PCB ASS'Y RIBI A. RI9I UI22(2/6) UI4l(i/2)
PIOS CH 6 Ciai CI84 TRK I
CH 7 PGM 5 í
(Poge 4-5)
CH 8
(CH 6)
GNO
0201
_
0201-^0204
(CH7)
022
0221 -\, 0224
P106 J106 TRK I
(WHT) I (WHT)
R22l-tj R23I UI42 (2/6) UI6l(i/2l
PGM 7 I
[— C22I-V, C224
(CH 8)
0241 TRK
0241 -x< 0244 PGM 8
R24I -x, R254 U 142(2/6 ) UI6I(1/2'
C24I -v, C244
PI07 JI07
(YEL) (YEL)
STEREO L
LED SLC -26UR5
0261 /AUX
0261 -V. 0264
MONITOR
"1 L
LEO SLC-26UR5
STEREO R
GNO
PCB ASS'Y
PII7 R
0261 L L
(Poge 4-3) 0261 -t< 0284
4-12
4-13. Cap. Servo PCB Ass'y
1 8
J802 P802
( RED) (RED)
EXT FREO
ACCESSORY
R800
CONNECTOR Ra02 iro.oi EXT. SPEED
INT/EXT
(Page4-0) mm U802 UB03 U804 0800 ADJ. (Page 4-18)
R806 R807
C804 caoi 6.8k lOk(B)
MECHA JOINT !Op(CE) U806 lOp(CE) U805 wv PHONE AMP
C800 II/4
CAPSTAN MOTOR
PITCH CONT I
J2 J804 P804
1 WHT) tWHT) (WHT)
U800 INT.SPEED ADJ.
R8I4 R8IS
P800 jeoo JI05 PIOS
. R8I2 ISk lOk(B )
(WHT) (WHT) (WHT) l(WHT)
47k (METAL) (METAL)
R30I
"Wr wv W( 20k(B )
_Lc8I4
T^O.OOt
CBI3
0.022
C807 R808
2.2/50V Ik (PP> (M )
vw
cao6 R809
47k
U80I (1/4)
4.7/35V
GL-9PR2
J403 J3 o
O FIX
(WHT) (WHT) WHT)
ceoa
U807 U808
ceos o.47;s 0802
4.7/35V /50V
CONTROL SHUT OFF
PCB ASS'Y
P403 U80I (1/4 )
ceii R8245
(Page4-I5) 9
,, 0.001(PP)
IK-
0803
C809
0.01(TF)
EL II
C8I2
0.22(TF)
Ih-
0801
SHUT OFF
C8I0J-
SHUTTER OF 3
RIGHT TENSION ARM Rei6
20k
(METAL
R8I7
(2k rIR PCB ASS Y
P80I
(WHT)
I : SPI-208 2SD3I3(E)
R8I8
0803
(Poge 4-9)
4-13
4-14. Balance Amp PCB Ass'y
1 4
UlOO DIOO 0100 0102 UlOO DI02 0104 0106 ( page 4-7 )
DIOI 0101 0103 UlOI DI03 0105 UlOI OI07
MOTHER ( 1 ) 1/0 PCB(12)ass'y
PCB ASS'Y I r AiiY r crcecrj |
~j
J300 P300 (2>
C30I -I5V
47/35V
CI04.. CI09-I-
0100 22p-r "'07 0104 22p PI4I(WHT1 J|4I(wht)
DIOO ik 0102
wv—4 A W—• A
UlOO
(1/2) RI06 UlOO RII7
4.7k CI06 4.7k
(1/2)
RlOO CI03 I0/I6V CI08
Ik W»
:;=I0/I6V -1-I0/I6V
Wr (BP) (BP) BALANCE SW PCB ASS'Y
ClOO RI09 RI20
I0/I6V
■J^c 01
I0/I6V
4.7k
RUO
DI03
4.7k
RI2 I
PI42
r SI ^ UNBAL
SIG ( R- 1
(L1
OUTI R- )
SIG I L- I
OUT ( L- I
BALANCE AMP L)
UNBAL
OUT I R-l
OUT R+
CII4
DIOO ^,0103 ISSI33T-77 ? T I0/I6V 27k^ -T-io/iev
4 - 14
5^15-
P405: J405
(WHTil (WMT)
RtC COM OUT
COMOUT
U4I0 4rh i6
Rgw SERVO
3 —^(poge4-9)
2 ^
F^AT SW
0400
?SC2320r
P5) U404
MSLe?43P
(poge4-l81
REPEaTlEO
(poge 4-8)
J402
1WMT>
«tT Sw
OPERATION
PCB ASS*
04OI
í poge 4-8) P407 J407
RED
P403
© 0402
U4tB
U403
?SAl346 0403 (poge 4-17)
M&L0039P-6
(pcgc4-l3) J400«wwT
0406 I
2SA733Av'^
0404
U402 mcmoisb
;R426
U4I9
2SAI346
ftCCESSORY
CONNECTQR
U406 R424
(poge 4-8) MsuezASP 470I2WÍ (poge 4-3)
0405 U42I
2SC2320F 2SC3400
J4l5(?/4)
MCl40nBCP
U420
2SAt346 P408 J408
RED
U408 MS4St9P
Ü423 TRANSISTOR ARR
2SC3400
Ü4I5 <2/4 1
MCI40MBCP
ACCCSSORY
CONNECTDR
^ (poge 4-6)
REMPTE
P4I4
U4I6
remote PCB ASS 2SC3400
U422 2SC3400
0408
0409
R429
—w.-
0410
P G PCB ASS'Y
U425
2SC340O COUNTER
PCB
ASS'Y
: poge
U424
2SC3400
P4/2
4 - 15
4-16. BiasPCBAss'y
1
L_
IJ301
UXa1L'?1 KXX11I21 /\_/\_AJ\-A
I o 2 z U
• trt O O W
uj O O O ft
: uj o o u
4-3)
To MOTHER ( 2) PCB ASS'Y (
CH 8
BIAS PCB ASSV( I ) CH 5
CH 6 CH7
r n r ■~1
C104 RIOS
3.3/50V
0103 CI03
laop MAX U20I U40I
U30!
0201 . Q202 0401 I 0402
0301 , 0302
RI03 RI04 TPOI 020! 'V, 0204 0401 'V 0404
UlO 0301 1.. 0304
U50I 12k lOk LIOI R20I R208
BIAS ose
81 AS AMP R30I -v R308 R40I o. R408
l.SmH
RI06 C20I C206 C40I -V C406
560 C30I C306
0104 L20I , L202
RIOS L30I , L302 L40I , L402
D 8.2 TP02 , TPI2
CI05J. TP03, TPI3 TP04 , TPI4
4.7
35V Q102
J_C)01 CI02 HI07 L102
I0/35V I/50V lOOk 2SCI3I8S 220uH
J_C504
3.3/50V
CI06
0.033
L.
4 ■ 16
4-17. Head Ass'y/Mecha. Joint PCB Ass'y
1 2 8
01 Ul DI
01 DI
REC /PLAY
HEAD
J SlWHT)
BRAKE
HEAD CONNECT
COLO
PCB ASS'Y
e J407
(RED) 1 WHT)
SOLENOID
PLAY
BRAKE SOL
COLD
PLAY SOL
SOLENOID
e control
PCB üSS'Y
p407
LIFTER SOL L BLU
LIFTER
SOL COM L BLU
J2I6(redi (page 4-15) SOLENOID
HOT
COLD
G CAPSTAN MOTOR
J408
IWHTI
COLO
SHUTOFF PCB ASS'Y
e FG
FG SHUTTER OF
MOTOR (+) RIGHT TENSION ARM
J3I6(Blk)
CAP.S?PVO
MOTOR (-)
HOT PCB ASS'Y
COLO
e P804
( poge 4-13'
SHUT OFF
GNO -
J _
COLO
G J403
tWHT) (WHT
Ul :spi
J4I6IYEL)
C0N1R0L SENSOR (R) LED (R)
PCB ASS'Y PCB ASS'Y PCB ASS'Y
COLD p403
(poge 4*^15)
COLO
G 01
01
GL-410
PT-430F
erase HEAD
oII4(Whti
SENSOR(L) LED (L)
HOT
PCB ASS'Y PCB ASS'Y
JI5 P4
(WHT) (WHT)
COLO
SENSOR (R)
SENSOR (L) 01
PT-430F
+I5V
J2I4(BED)
GNO
HOT M0ThER<2'
PCB ASS'Y REEL (+)
PI5
REEL R(-)
( poge ¿-9 ) 6
REEL L(-)
SHIELD Cj
COLD 0.0!^
_ _
(CE)
RIGHT
C2
REEL MOTOR
J3I4(blk) ^0.01
HOT ICE!
COLO
C3
COLD
MECHA JOINT
PCB ASS'Y
17
4-18. Monitor SW PCB Ass'y/DBX SW PCB Ass'y/Phone Amp PCB Ass'y/l/0 PCB (10) Ass'y
1 . 2 . 3
UI04 UlOI
UÍ03 U20I UI03
DIOI 0102 DIOI
JI45<red)
CONTROL PCB
ASS'Y P415
( page 4-15)
J 04 PI04
JI24 (YEL) YEL (YEL)
NJM386D
I5V
RC4558P
MONITOR PCB
ASS'Y PI24 CI JO NJM78M06 PUNCH IN/OUT
-I5V
I00C/I6V REMOTE
{ page 4-3) GL-9PR2(RE0)
MONITOR/PHONES JI02
RlOí lOk ( A:x2 (WHT)
lOO/IOV
I0/I6V
MONITOR PCB
C2Q3
ASS'Y PUS lOO/IOV
( poge 4-3) R202
S6I(
C20I
I0/I6V
PHONE JACK
VW. f )| C204 C205
PCB ASS'Y
47D/6l3V 0.047
R204 XC202 RI09
lOOk lOO/IOV 10
! BUSS IN !
22/25V
lí
)l
RI07 R208 R207
RIOB UI03 UI03 (1/2)
47k lOOk 47 k
lOOk 1 1/2)
JI05
J800(WHT)
VR
VARI
2
LEO (+) SlOla V _FIX
CAPSTAN SERVO ,
PCB ASS'Y P800 ^ I
(page 4-13) I STEREO i
BUSS IN
R30I 20k(B)
PITCH CONT
SIOI b
OFIX
JI2I PIOI
(RED ) (WHT) 0101,0102;
MCTHERI I )
6L-9NG2 (CREEN)
PHONE AMP PCB ASS'Y |
PCB ASS'Y ON 5-8)
PI2I
0N(l-4)
(page 4-7) JII2(RED] MONITOR
L R
JI04(WHT)
BASS B PCB
I /O PCB
DBX SW PCB ASS'Y ASS'Y PI04
(page 4-6)
|_(I0) ASS'Y
4 18
4-19. DefeatSWPCB Ass'y
1 8
R228
R240
RECEQ A!VIP
U203 (1/2)
—Wf
PGM OUT CH 8
( page 4-6 )
OUTPUT AMP
UI02(1/2)
L202
C2I4
U404(i/4)
U404(i/4)
8
P3I I-3
U404 (1/4)
4
MOTHER(I ) J4II-3
PCB ASS'Y
REO PLAY AMP PCB ASS'Y (page4 (page 4-7)
DBX PCB ASS'Y (page 4-2)
4 -19
4-20. VR PCB Ass'y
1
J125
(WHT)
(CH I )
(CH 2 )
O RI0I To
VR PCB
470k( B) (CH I )
MOTHER (I )
(CH 2 ) PCB ASS'Y PI25
RI02 (CH 3 ) ( Page 4 -7)
470k(8)
A RI03
470k(8)
J225
R203 (RED)
470k(8)
(CH 3)
( CH4 ) To
Oil RI04 (CH4 ) MOTHER( I )
470k(8)
PCB ASS'Y P225
( CH 5)
( Page 4-7)
R204
470k(8)
O a RIOS
470k(8)
J325
R205 (BLK)
470k (8) ( CH 5 )
(CH 6) To
RI06 (CH 6) MOTHER ( I )
470k(8) PCB ASS'Y P325
(CH7)
( Page 4-7)
R206
470k(8)
R207 J425
470k(8) (YEL)
(CH 7 )
To
R208 (CH 8) MOTHER ( I )
470k(8)
(CH 8) PCB ASS'Y P425
( Page 4 -7 )
VR PCB ASS'Y
4-20
íi :
magnettonbandgerAt mit
MISCHPULT TASCAM 388
(GerSt, Typ. Bezeichngngl
funk-entstOrt ist.
TEACCORPORATION
Ñame des Heotefte'S/lmporleurs
In
lí »
TASCAM
TEAC Professional División
388
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