The document is a poem that describes the poet's memory of getting henna applied by a young girl at an evening bazaar. It uses vivid sensory language to convey the sights, sounds, and textures of the experience. The poem expresses both the poet's deep connection to Indian culture through this interaction, as well as her sadness and longing to return as the memory starts to fade after she leaves.
The document is a poem that describes the poet's memory of getting henna applied by a young girl at an evening bazaar. It uses vivid sensory language to convey the sights, sounds, and textures of the experience. The poem expresses both the poet's deep connection to Indian culture through this interaction, as well as her sadness and longing to return as the memory starts to fade after she leaves.
The document is a poem that describes the poet's memory of getting henna applied by a young girl at an evening bazaar. It uses vivid sensory language to convey the sights, sounds, and textures of the experience. The poem expresses both the poet's deep connection to Indian culture through this interaction, as well as her sadness and longing to return as the memory starts to fade after she leaves.
"An unknown girl" "an" - universal, reflects broader story
"unknown" - hidden from the media, the rich countries of most people and misunderstood - 'face' doesn't matter memory +experience does "girl" = young and innocent "evening bazaar" trapped between cultures, neither day or night "bazaar" = chaotic buying and selling which typifies big cities/modern life "studded with neon' harsh, bright light = metaphor for the cruel exposure to commercialisation and modernisation OR warm colour is eye-catching = pleasant memory "an unknown girl repeated structure, highlights the is hennaing my hand" significance of the experience as she continues thinking back to it + alliteration emphasises on the fact that the girl represents the 'working' culture of the bazaar and how child labour is prevalent "she squeezes a wet brown line" alliteration/sibilance is soothing and shows her comfort in this environment visual + tactile imagery suggests a physical bonding to cultural act / Indian life "she is icing my hand metaphor - shows how delicate and which she steadies with hers" talented the girl was. "icing" suggests precision and care and creation of a piece of art worthy of 'consumption'. Western allusion suggests combining of cultures "steadies" Alvi with comfort and stability "few rupees" understatement highlights how she's not well paid but works hard. The poet puts high value on experience which costs very little – priceless "as a little air catches" disturbance = emotional unease accentuated by personification of atmosphere around Alvi "a peacock spreads its lines" personification "peacock" - multiples significance in cultures = royalty, grace, pride, beauty, eternity and freedom "spreads" - verb suggests that it is trying to take off symbolising the persistence of Indian culture, its urge to seek freedom "curtain cloth soft fabrics = comfort that comes with and sofa cloth" experience = she feels secure "i have new brown veins" metaphor "veins" - network that keep you alive, integral -life giving shows that she is connected to roots and Indian culture is running through her; reinforces deep connection I'll scrape off the dry brown lines before I "dry" - dying no longer giving her life sleep "scrape" desperately getting rid of it; sensual description is muted as the day draws to an end = personification "longing for the unknown girl in the neon "the" - no longer an - she might be the bazaar" unknown girl, oblivious of her roots or specific one from her experience "bazaar" - significant as happens in fixed setting; highlights her feeling of loss of the Indian Culture due to the fact that the poem ends with the phrase 'neon bazaar', not 'evening bazaar' Now the furious streets are hushed. Paradox/oxymoron represents the dichotomy between hidden rage and passion for life which burns out each day or is suppressed. 'She squeezes a wet brown line from a This shows the writer's connections to the nozzle. She is icing my hand...' West since the word 'icing' is used linking to cakes which are an important part of British culture, she's relating this to home 'Colors leave the street / float up in nostalgic but solemn; reflective but balloons.' yearning. The colours represents hopes, dreams always leaving us. This line conveys personification of the colors emerging from the bazaar and creates a magical and whimsical energy; metaphorically disappears - as the daylight fades but also leaving the bazaar and entering 'heaven' - connotations of darkness and street being left dull and boring '... like people who cling to the sides of a simile reflects desperate desire to hold train' onto memory - chaotic + visual. This simile shows her connections to India since this scene is common there. Its also not a usual image to associate with cling, suggesting she has a more emotional connection to India. 'Dummies in shop-fronts / tilt and stare / artificial + fake compared to current with their Western perms.' surrounding = battle between cultures "dummies" = shell of "Western" consumer culture based on "perms", shallow appearances and deadened senses. This is another example to how the write relates what she sees in India to the West and her new British heritage 'It will fade in a week.' "will" modal - memory doesn't last - contrast with bright imagery short sentence conveys sadness as she doesn't want to lose this culture. This refers to the henna but suggests that maybe other memories or connections will fade as well, creating a gloomy tone. 'I'll lean across a country with my hands hyperbole - extent to which she will go to outstretched longing...' get back the memory and retrieve this part of her. She feels the pull of India and eastern heritage even in England. Here the writer uses a metaphor to show the extents she will go to return to India and how she's sad to leave, also shows a sense of urgency to come back before she even left.