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TRIKE DA I LY
HIMAL AYA N B U D DHIST ART 101
B uddhist practice and Buddhist art have been inseparable in the Himalayas ever
since Buddhism arrived to the region in the eighth century. But for the casual observer it
can be difficult to make sense of the complex iconography. Not to worry—Himalayan art
scholar Jeff Watt is here to help. In this “Himalayan Buddhist Art ” series, Jeff is making
sense of this rich artistic tradition by presenting weekly images from the Himalayan Art Resources
archives and explaining their roles in the Buddhist tradition.
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7/13/2021 Himalayan Buddhist Art 101: Who Created the Hindu Gods? - Tricycle: The Buddhist Review
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Surrounding the large central figure of Avalokiteshvara are the Hindu gods, emanations
originating from specific locations on the body of Avalokiteshvara. In some paintings a ray
of light extends outward and the god manifests on a lotus seat; in others it is a trail of white
clouds. The resulting composition consists of the large central subject of Avalokiteshvara
with many small figures of gods surrounding and framing him.
From the eyes are the sun [Surya] and moon [Chandra], from the forehead
Maheshvara [Shiva], from the shoulder Brahma, from the heart the Great
Powerful One [Vishnu], from the teeth the Goddess Sarasvati, from the mouth all
of the wind is born [Vayu], from the feet earth [Bhudevi], and from the belly arises
the Water God [Varuna].
Avalokiteshvara – Rakta
Lokeshvara (Red Lord of the
World). Nepal, 1700–1799.
85.09×67.31cm. Ground mineral
pigment on cotton. Collection of
Rubin Museum of Art.
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Although consistent in composition, the paintings vary in their respective iconographies for
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each of the Hindu gods. Variations include the colors of the gods, the numbers of arms, and
the attributes held in the hands. Additional gods are also sometimes added to the original
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7/13/2021 Himalayan Buddhist Art 101: Who Created the Hindu Gods? - Tricycle: The Buddhist Review
nine mentioned in the sutra. The placement of the gods in the composition can also vary
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slightly, with some artists, for example, placing Shiva higher in the hierarchy, closer to the
head of Avalokiteshvara, and other gods lower.
Regardless of the minor iconographic differences, the overall theme and composition of
the paintings is clear and consistent, based in the Karandavyuha Sutra, where
Avalokiteshvara is the creator and progenitor of the Hindu Gods.
Learn more about this form of Avalokiteshvara and explore source literature and text references
at Himalayan Art Resources, here.
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7/13/2021 Himalayan Buddhist Art 101: Who Created the Hindu Gods? - Tricycle: The Buddhist Review
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