O P E R A T I O N

M A N T J A L
Advanced Guitar EffectsProcessor

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U B E B l d g . 4 F , 3 - 3 - 1 , 2K a n d a K a l i - c h o . C h i l ' o d a - k u , ' l ' o k v o

.101
Japan.
Congratulationsand thank you for choosing
the Zoom 9002. For long-termreliability and
optimum performance,pleaseread this
manual carefully beforeuse.
T e l : ( 0 3 ) 5 2 5 6 - 1 7 4 1 .F a x : ( 0 3 ) 5 2 5 6 - 1 7 4 3 .
3 8 5 C j y s t c rP o i n t B o u l e v a r d . # 7 , S o u t h S a n F r a n c i s c o ,C a l i f o r n i a 9 4 0 8 0 . L i S A
T e l : ( 4 1 5 ) 8 7 3 - 5 8 8 5 .F a x : ( 4 1 5 ) 8 7 3 - 5 8 8 7 .

Printed in fapan

9002-5000

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 Contents Major Features

Maior features Hardware

Hardware
Analog and digital circuitry
Software
B e s i d e s a d , . , a n c e dd i g i t a l s i g n a l p r o c e s s i n g , s p e c i a l a n a l o g c i r c u i t r y i s
Precautions 4 u s e d f o r d i s t o r t i o n a n d c o m p r e s s i o n e f f e c t sw h i c h a r e s o i m p o r t a n t t o
Controls and Display electric guitar sound.
Controis
16-bit digital conversion
LCD window
T r u e 1 6 - b i t q u a n t i z a t i o n a s s u r e sp r o f e s s i o n a l r e s u l t s i n t h e d i g i t a l - t o -
Connection Examples 10 analog and analog-to-digital converter circuits.
Effectsand Parameters 't 1.
'1.1 Zoom's own custom ZFx-1. DSP LSI
Guitar amp effects
Zoom developed this original DSP LSI to deiiver more digital signal proc-
Modulation effects 1.2 e s s i n g p o \ \ ' e r i n l e s s s p a c e .T h e Z F x - 1 c h i p d r a m a t i c a l l y e x p a n d s y o u r c a -
Delay effects 13 p a b i l i t i e sf o r m u s i c a l e x p r e s s i o n .

Special effects 14
Mono input, stereooutput
PresetPrograms and User Programs 15
The9002accepts
normalmonauralinputfromvourguitar.Chorus,
delay,
Presetbanks 15 and reverbeffectsare output in stereo.
User banks 15
Large, easy viewing LCD display window
About the banks 15
T h i s c u s t o m i z e dL C D s h o w ss e l e c t e de f f e c t s p
, a r a m e t e r sa, n d o t h e ri n f o r -
Operation 16 m a t i o n i n a l a r g e( 6 0 x e O m m )w i n d o w d e s i g n e df o r h i g h r e a d a b i l i t v .
Basic operation 16
. Headphone
Editing 1.7 iacks and mix input
T o m o n i t o r v o u r p l a v i n g i n p r i r , a t e ,p l u g i n s t e r e oh e a d p h o n e s . Y o u c a n
Other Functions 2't also play along with a tape or other source connected to the MIX IN iack.
Tuning mode 21,
. User patch protection
Metronome mode 21.
Remote control 21, [ J s e rp a t c h p r o t e r ; t i o n d o e s n o t d e p e n d o n a s p e c i a l b a t t e r y , s o e x t r a m a i n -
t e n a n c ei s a v o i d e d .
Specifications 22

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 Software Precautions
Effects
T h e e f f e c t c h a i n h a s s i x s t a g e s :C o m p r e s s o r , D i s t o r t i o n , E q r , r a l i z e rM
, odu-
lation group, Delav, ReverbBroup. Special effects(SFX) can also be
Power supply
selected.
T o a v o i d t h e p o s s i b i l i t - vo f d a m a g e , d o n o t u s e a n Y A C a d a p t o r o t h e r t h a n
Easy operation the supplied AC adaptor.
B e s u r e t o u s e o n l v t h e s u p p l i e d r e c h a r g e a b l eb a t t e r y o r s p e c i f i e d e q u i v a -
S l i d i n g f a d e r s m a k e a d j u s t i n g p a r a m e t e r v a l u e s q u i c k a n d e a s \ r ,w i t h a
"analog" l e n t . T o r e c h a r g e ,p i u g t h e s u p p l i e d A C a d a p t o r i n t o t h e A C a d a p t o r j a c k .
famiiiar feel that is rare in digitai equipment.
O r u s e t h e s p e c i f i e d o p t i o n a l r e c h a r g e r . T h e u s e o f o t h e r r e c h a r g e r si s d a n -
g e r o u s b e c a u s et h e y m a v c a r - r s b e a t t e r y l e a k a g e o r o t h e r d a m a g e .T h e
Preset banks and user banks s r " r p p l i e db a t t e r y i s r a t e d a t 4 0 0 c h a r g e c v c l e s b e f o r e n e e d i n g r e p l a c e m e n t .
"preset" Three hours is the standard rechargingtime, giving about three hours of
There are five pre-programmed factorv memorv banks and five
"user" r . r s eI.t i s d a n g e r o u s t o r e c h a r g e c o n t i n u o u s l y f o r 2 4 o r m o t e h o u r s .
m e m o r v b a n k s . E a c h b a n k h o l d s f o u r p a t c h e s .T h e 2 0 p r e s e t
p a t c h e s c o v e r e f f e c t st h a t a r e u s e f u l f o r a g r e a t r r a r i e t vo f m u s i c s t v l e s . T h e L C D d i s p l a y r , r , ' i lbl l i n k t o i n d i c a t e t h a t v o u s h o u l d r e c h a r g e o r r e p i a c e
Your original patches and edited preset patches can be stored in the 20 the batterv right arvav or use the AC adaptor to avoid the unit shutting off
user patch memory locations. while plaving.

Tuning and metronome functions Place ofuse

T h e 9 0 0 2 w i l l g e n e r a t ea r e f e r e n c e p i t c h o f 4 4 0 H 2 , 4 4 1 . H 2 o . r 442H2 to Like other digital devices, the 9002 mav causeinterference if used too
"A" close to radios, TVs, or some other electrical appliances. Avoid use in verv
which vou can tune vour s t r i n g .F o r r h v t h m t r a i n i n g o r t e m p o r e f e r -
ence, you can turn on the metronome function. h o t , c o l d , h u m i d , o r d u s t v e n v l r o n m e n t s l d a m a g em a t ' r e s u l t .

For live performance and home recording Cleaning

The compact 9002 is ideal for live performance. A remote control unit is U s e a s o f t , d r v c l o t h t o r , r ' i p eo f f t h e 9 0 0 2 r , r , h e nn e c e s s a r v .N e v e r u s e p a i n t
supplied to let you selectpatches with extra convenience. The 9002 rvill thinner, alcohol, or other solvents r,vhich may damage the surface or \\rarp
also function as a guitar amp simulator, so that you can inpr.rt a rich guitar the case.
sound directly to your recording equipment without needing an amp and
microohone. Handling

H a n d l e n i t h c a r e . D o n o t a p p l v e x c e s s i v ef o r c e t o t h e c o n t r o l s . D o n o t
o p e n t h e c a s eo r a t t e m p t r e p a i r s o r m o d i f i c a t i o n s v o u r s e l f ; t o d o s o w i l l
void the warrantv.

Connection/disconnection procedure

Porvershould be turned off or volume turned dort'n before making connec-

tions to amps or other equipment. Sudden large signals mav causespeaker
damage.

Service
C o n s u l tw i t h v o u r l o c a l Z o o m c l e a l eirf t h e 9 0 0 2 d o e sn o t o p e r a t ep r o p e r l v .

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 Controls and Display

DC 75V OFF ON ,^ lN OUT

REMoTE OG@ PoWEF
ff/-_\\\ GA1N r\,4rx
rN I - PHONE -

(o) \
l \ \ \ i l l -l A \ \

V(E, ^ , , 26V
VI

(4) (5) (6)

( 7 ) OUTPUT jack (mono/stereo)

Controls F o r c o n n e c t i o nt o g u i t a r a m p , e t c .C a n a l s ob e c o n n e c t e dd i r e c t 1 1t o, a
, r r a d i o / c a s s e t tree c o r d e r B
. u l t i - t r a c kr e c o r d e r o
n r i x i n gr ; o n s o l em . uilt-in
( 1 ) POWERswitch a m p s i m u l a t o rp r e v e n t s" t h i n " n o - a m ps o u n c . .

{ 2 ) A C a d a p t o rj a c k ( B ) P H O N E Sj a c k s
T n ' o s e t so f s t e r e oh e a d p h o n e sc a n b e c o n n e c t e df o r p r i v a t el i s t e n i n go r
( 3 ) REMOTE iack j a m m i n gw i t h a f r i e n d .
F o r c o n n e c t i o no f s u p p l i e dr e m o t ec o n t r o l l e r ,
(s) VOLUME control
(4) INPUT jack (mono) A d j u s t st o t a l o u t p u t s i g n a lv o l r . r m e .
F o r g u i t a rc o r d .

(5) GAIN switch

S e t t o H f o r s i n g l ec o i l p i c k u p g u i t a r s .
S e tt o L f o r g u i t a r st h a t h a v eh u m b u c k i n go r a c t i v ep i c k u p s .

(6) MIX IN iack (stereo)

C o n n e c tt a p ep l a v e ro r o t h e r m u s i c s o t t r c et o t h i s j a t ; k Y o u c a n t h e n p l a y
a l o n go n g u i t a r .( E f f e c t sd o n o t a f f e c tt h i s s i g n a l . )

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 (10)LCDdisplay
L i q r - r i dr ; r t ' s t adl i s p l a v s h o r ' r 'bsa n k ,p e t r a m e t e ar ,n d o t h e r d a t a .

( 1 1 )B A N K k e y s
F o r s e l e c t i o no f p r e s c 'at n d u s e t b a n k s .
(18)
( 1 2 )P A T C Hk e y s
(1s)
F o r s e l e c t i o no f p a t r ; h e s .

(211 ( 1 3 )P A T C HL E D s
STORE L i t L E D i n c l i c a t c s e l e r ; t e rpl a t r ; h .F l a s h i n gL E I ) i n d i c a t e sp a t c h s e l e c t c d
<VALUE>
f o r u s e rb a n k s t u r a g e .
r4)
( 1 4 ) C U R S O Rk e y s
F o r s e l e r ; t i n gi n c i i v i d t r a l e f f e t ; t s .n r e t r o n o n r e t e m p o , a n d t u n i n g r t . . f e r e n c e
t l e c l ue n c r , .

(15) EFFECT ON/OFF key

S r v i t c h e si n c l i v i d u a l e f f e c t s t a t u so n a n c lo f f . S t a t u si s c r n f i r m c i l b v d o t s
(10) on LCD disPlav

(16) PARAMETER controls

F o r a d j u s t m e n t o f p a r a m e t e rv a l u e s a n d e f f e c t o u t p u t l e v e l . V a l u e i s c o n -
f i l r r e d b l ' L C D b a r s u n d e r s l i c l e r sa n d b v n u m e r i c l c a d o u t .
(11)
tt-:-:f\t:
( 1 7 )S T O R Ek e y
A l l o r , r ,vso u t o s t o r co r i p l i n a ol r e c l i t e dp a t c ; h c isn t h c u s c r b a n k a r e a .

( 1 8 ) C A N C E Lk e y
C a n c e l sS T O R Ek c v o p c r a t i o nW
. h e nc d i t i n g ,t h i s s h i f t sv o u t o t h e n e x t
parameten r arlte.
(12)
[ 1 e ) M E T R Ok e y
T u r n so n n e t r o n o m ef u n c t i o n .U s eC U R S O Rk e v st o a d j r - r st ct m p o
b r . . t nr . ' r . ' r r ta0r . r c2l5 { ) b p m( b c a t sp c l m i n u t e ) .V o l u m e i s n o t a d j u s t a b l e .
(22)
i
(20) METRO LED
,'( 'l'he
L E D f l a s h e s i ' r , i t ht h e t e m p o .

/ []' n' a' l'\^

L
I
t
J
r
I
t
I -
( 2 1 ) T T J N Ek e y
G e n e r a t c s l t . ' f c r c n r ; cp i t r ; t r f o r
"A".
t l t l R S O R k e v s s c t f r e q u e n r ; r ' a t4 4 0 H 2 ,
| | | | f12l 4 4 7 H 2 .o r 4 4 2 l I z . A l l e f l e r ; t st u r n o f f a n d o n l r , t h e d i r e r ; ts o u n d t ; o r r r c s
t h r or r g h .

(22) REMOTE CONTROLLER

i r o r p a t r : hs n ' i t t : h i n gn ' i t h i n r ; r r r l c n t l vs c l o r : t c db a n k .

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 LCD Window Connection Examples
(1) Bank number
S l r o w s s e i e c t e db a n k : I I S E R 0 , 1, 2 , 3 , 4a n c lP R E S E TO , 1, 2 , 3 , 4 .

(2'l Effect names

T h e s e a r e t h e a v a i l a b i e i n d i v i r l u a l e f f e c t s . O n l r . 'o n e o f t h e n r o c l u l a t i o n l ' h e 9 0 0 2 h a s s t e r e o o r . r t p u ts o v o L rc a n c o n n e c t t h e l e f t a n d r i g h t c h a n n e l s
g r o u p a n d o n e o f t h u r e v e r b g r o u p e f f e r ; t sc a n b e l r s e d a t a t i n t c . s e p a r a t c l v t o t w o a r n p l i f i e r s . T h i s i n c r e a s e st h e s p a c i o u s n e s so f t h e s t e r e o
e f f e r ; t s :C h o r u s ( p a t t e r n - 2 ) , D e l a l ' 2 , a n d R e v e r b 1 & 2 .
. COMP - DIST - EQ -
PITC- DELI - DEL2
Modulation Group
PHA
FLA
CHO
REVl
REV2
Re,ertt Grott o

. S F X - S p e c i a l e f f e r ; t sc a n b e c o m b i n e r l u ' i t h a n l o t h e r r : f f e c t se x r ; c p t f o r
modulation group effects.
IN
---------) E
@ E
Right channel
Guitar amp

Left channel
( 3 ) Effect marks 9 0 02 -,,:+^- ^--
uLrrLor orrrP

D o t s i n d l c a t e i n d i v i d u a l e f f e c t s i r . rr - r s cA. f l a s l . r i n gr l o t i n c l i c a t e st h e e l f e c l C ui t a r
bcingedited
(5) (6) * W h i t c e n d o f s u p p l i e c l c ; a b l eg o e s t o l e f t c h a n n e l , r e d t o r i g h t
I
( 4 ) Effect on/off
r-t---_l
t n n
mark
D E C A YI l l M F I P E A K Y o u c a n c o n n e c ta C D p l a v e r o r t a p e p l a v e r t o t h e M I X i n p u t j a c k a n d p l a v
Shor,vseffect DEDfH FREO
U u
I lBalax65 along r,r'hi1elistenir.rg on headphor.res.
on/off status.
I. 5i5tI::'TI
r7,- .?I"'ilt ,
BANK Tape
( 5 ) Parameter ( ^ ) -
r', oN otrF
EEEE-T
y L!-ot
///t r\\r
\ \ \ l j l / / IVEIRO
USER p 1at'er

ffi;rh.".*O
names I
T-l:-^+^^,-^-^
(s) PRESET OR r^l \"l "r 'Y I N
rrlull,d(vJ Pdr d-
CD plaverl( cj
meters that mav ( 3 )-a,o,a,o o o o t
o o o t\u
b e a d j u s t e di n (2) FLA DELl SFX IN \t-/ Headphones
selectedeffect. 9 0 02
(B)
Cuitar
( 6 ) Parameter value
R e a d o u t s h o r v s p r e c i s e p a r a m e t e r v a l u e . C h a n g e sa s l o u a d j u s t
The 9002 has a built-in amp simulator so you can connect directlv to vour
PARAMETER control.
r r , ro r r li n g e q r r i p m e n o
l r n r i x i n gr : o n s o l e .
( 7 1 Parameter bars
B a r s g i v e g e n e r a li n d i c a t i o n o f p a r a m e t e rv a l u e . C h a n g e sa s v o u a c l j u s t
PARAMETER control.
Multi-track recorder
( B ) Metronome mark OR
A p p e a r sw h e n m e l r r r n o m ei s o n . C a s s e t t er e c o r d e r

( e ) Tuning mark Guitar

A p p e a r s w h e n t u n i n g r t : f c - r e n cpei t r : h i s u n .

10

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 Effects and Parameters Modulation effects
MODULATION GROUP
(PITC,PHA,FLA, CHO)
O n e J ' r o n rt h i s g r o L t p r : o n b e u s e d a t o t i n t e ( b u t n o t n ' i t h S F X ) .

Guitar lmp effects PITC Pitch shift

[ J s cP I T C H ( - 1 2 - O - + 1 2 r a n g e ) t o s h i f t p i t c h i n s e m i t o n e s t e p s u p t o o n e
COMP Compressor octave hight:r or lolver.
l l s c F I N I I ( - 1 0 - 0 - + 1 0 ) f o r f i n e a dj u s t m e n t a b o v e o r b e l o w P I T C H s e t t i n g .
U s eD E P T H( r a n g eo f o - 1 . 2 )p a r a m e t c rt o a dj r - r sst u s t a i nl e r . e l .
t J s e B A L A N C E ( 0 - 1 0 ) t o a d j r - r sbt e t n ' e e n s h i f t e d a n d d i r e c t s o u n d .
S u s t a i n sn o t e sr v i t h o u ta d d i n g d i s t o r t i o n .A r ; l e a ns o u n dt h a t k e e p st h t :
T h i s i s u s e c lf o r h a r m o n i e s , d o u b l i n g , a n d t h l c k e n i n g e f f e c t s . F i r s t a d j r , r s t
s i g n a li e v e l c o n s i s t e n t . PITCH, then FINE. Trv crcating rinison, fifths. and non-cvclic chorus-like
T h i s p r o v i d e ss t r - r d i q
o u a l i t v a n a l o gc r o m p r e s s i oenf f e c t s .
e ffer;ts.

DIST Distortion
PHA Phaser and Midrange Boost
L l s eD E P T H( 0 - 1 2 )p a r a m e t etro a d j u s tt h e a m o u n to l d i s t o r t i o n .
L I s eP A T T E R N ( 1 o r 2 ) t o s e l e c tP h a s e ro r M i d r a n g e B o o s t .
T h i s p r o v i d e sa n a l o gd i s t o r t i o nt h a t i s r i c h i n h a r n o n i t ; sf o r a r ; r : u r a t c
s i m u l a t i o no f t u b e - a m ps o u n d .A t D E P T H0 . t h i s u , o r k sa s a t o n eb o o s t e r . PATTERN 1: Phoser
L l s eD E P T H ( 0 - 1 0 ) t o a d j u s t t h e a m o u n t o f m o d u l a t i o n a n d r r : s o n a n r ; e .
EQ Equalizer L I s eF R E Q ( 0 - 5 0 ) t o a d j u s t m o d u l a t i o n s p e e d .
T h i s c r e a t e sr o t a t i n g s p e a k e r s o u n d s a n d o t h e r p h a s c s h i f t r : d e f f t - ' r ; t s .
p a t t c r n s ,t h e n u s et h e D E I ' T Ha n d I i I N E p a r a -
F i r s t ,s e l e c to n e o f t h e t r , r , o
m e t e r st o a d j u s tt h e e f f e c t . PATTERN 2: Xlidrange Boost
L l s et h e P A T T E R N( f o r 2 ) p a r a m e t e tr o s c l e c tr v h i c hp a t t c r nl ' o L r v a n t . L l s eD E P T H ( 0 ^ - 10 ) t o a d j u s t l e v e l o f p e a k b o o s t .
L l s eF R E Q [ 0 - 5 0 ) t o a d j u s t m i d r a n g e f r e q u t - . n c v .
P A T T E R N1 : H i g h B o o s t L , o n ' C u tE Q M i d r a n g e b o o s t g i v e s c l i f f e r e n t a m p l i f i e r c h a r a c t e r i s t i c s .I t a l l o r , v st h e
D E P T H( 0 - 1 0 ) c o n t r o l sl o r , r ' r a n gbeo o s to r a t t e n r , r a t i oann d F I N E ( 0 - 1 0 ) g n i t a r l s t t o c r c a t e a ' r t i d e r a n g e o f p e r s o n a lt o n a l s t v l c s .
c o n t r o l sh i g h r a n g cb o o s to r a t t e n u a t i o n . L l srev i t h p l e r . r t vo f d i s t o r t i o nt o
p r o d n r ; ea h e a r - ,m f e t a l s o u n d .A l s o a d j u s t a t r l e
f o r a l e s t r a i n e ds o u n d .T f r i s
FLA Flanger
i s a h i g h - l o r ' rs,h e l v i n ge f f c c t .
L . l s eD E P T H [ 0 - 1 0 ) t o a d j u s t a m o u n t o f m o d r - r l a t i o n .
PI\TTERN2: Exciter
L J s eF R E Q ( 0 - 5 0 ) t o a d j u s t m o d u l a t i o n s p e e d .
D E P T H( 0 - 1 0 )a n d F I N E( 0 - 10 ) . A b r i g h tt u b ea m p t o n eu s i n ga n e x c i t e r
L l s e P E A K ( 0 - 1 0 ) t o a c l j u s ts t r e n g t h o f t h c r e s o n a n r ; ep e a k .
e f f e c tw h e r e D E P T Hr ; o n t r o l se n h a n c el e v e l a n d F I N E c o n t r o l sf r c q u c n c t r ' .
F l a n g i n g p r o d r i c e sp e a k s t h a t a r e h a r m o n i c a l l v r e l a t e d ,u n l i k e s i m p l e
p h a s i n g . A t h i g h p c a k l e v e l s i t p r o d u c e s a l m o s t n - r e t a l l i rr;i n g i n g s o u n d s .

CHO Chorus
L I s eD E P T H ( 0 - 1 0 ) t o a d j u s t t h e a r n o u n t o f m o d u l a t i o n .
L I s eFr R E Q ( 0 " 1 0 ) t o a d j u s t m o d u l a t i o n s p e c r l .
L l s cP A T T E R N [ 1 o r 2 ) t o s e l e c tm o n o o r s t e r e o .
L i k e f l a n g i n g , c h o r u s r i c p c n c l so n t h r : i n t e r a r ; t i o n b e t n ' e e n d e l a v c . da n d
n o n - r l e l a r , e csl i g n a l r ; o m p o n e n t s . L i k e p t r a s i n g . i t r ; a n I - r e l pc r e a t e a f u l l -
bodicd sourtcl.

't2
1 1

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 Delay effects Special effects
DEL1 Delay 1 SFX

t J s eD E C A Y ( 0 - 1 0 ) t o a r l j u s tt i r e u u m b e r o f e c h o e s( 0 i s s i n g l e ) .
t l s e T I M E ( 1 - 1 0 0 ) t o a d j r - r st th e d e l a v t i m c f r o m l / 1 0 0 o f a s e r r ; o n trol 1
second in ten milliset;ond increments.
L I s eB A L A N C E ( 0 * 1 0 ) t o a d j u s t b a l a n c eb e t ' " r ' e ecnl i r e r ; (t 0 ) a n c ld c l a v ( 1 0 ) .
T h i s i s r - r s c df o r e c h o e f f e r ; t s .
REVERB GROUP
(DEL2.REV1,REV2)
Onc from tltis ororro t ttn lte ttsedttl tt litne
DEL2Delay 2 rlotvn.
U s eD E C A Y( 0 - 1 0 )t o a d j u s t h e n u m b e ro f r e p e a t s(.F o rm o n o o r - r t p utth. e
r e p e a t sr , r ' i l bl e h a l f t h e t e r n p oo f t h e s t e r e or e p e a t s . )
L I s eT I M E ( 1 - s 0 ) t o a d j r . r sdte l a v t i m e f r o m 1 / 1 0 0o f a s e c o n ctlo 9 / - l0 o f a
s e c o n di n t e n m i l l i s e c o n di n c r e m e n t s .
U s e B A L A N C E( 0 - 1 0 ) t o a d j u s tt h e l e v e l o f t h e c l e l a r , esdo l r n c l .
D e l a v 2 i s a s t e r e op i n g - p o n gd e l a v r v h e r et h e s o u n de c ; h o r -f .r so m t h o l e f t t o
i h e r i g h t c h a n n e l( i f r e p r o d u c e di n s t e r c o ) .
U s r :Pl A T T E R N ( 1 , 2 , 3 )t o s e l e r ; tS T E I ) ,( l R Y . o r M E T A l , l . l C e f f c c t s .
PATTENN 1:STEP
L I s eD E P T H ( 0 - 1 0 ) t o a c l j u s ta m o u n t o f r n o c l u l a t i o n .
t l s e F R E Q ( 0 - 5 0 ) t o a d j u s t m o r l r r l a t i o ns p c c d .
T h i s g i v t : sr a n d o r n ,s t e p p c d s a n r p l c & h o l df o r s c q u e n c e ra n c la r p e g g i ot v p e
efler;ts.
PATTERN 2: CRY
L l s eD E P T H ( 0 - 1 0 ) t o a d j u s t a m o u n t o f r l o d u l a t i o n .
L I s eF R E Q ( 1 o r 2 ) t o s e l e c t 1 : V o i c e 1 1 , p ce f f e c t :o r 2 : F a s t a t t a r ; ka n d s \ \ r r ) o p
T h i s g i v c s d v n a m i c p i c k n , a h a n c lt a l k i n g b o x t v p c c f f e c t s .
PdT?ERN :]: METALLIC
L i s eD E I T T F(I 0 - 1 0 ) t o a c l j u s ta n t o u n t o f m o d u l a t i o n .
L l s cF R E Q [ 0 - 5 0 ) t o a d i u s t n o r l u l a t i o n s p e e c l .
T h i s g i v c s r i n g m o d L r l a t o rt v p e e f f c r ; l s .

REV1 Reverb 1 (Large Hall)

U s eT I M E ( 0 - 1 0 )t o a d j u s t h e r e r , e r bt i m e .
t J s eB A L A N C E( 0 - 1 0 ) t o a d j r . r st th e l e v e l o f t h e r e v e r bs o u n c l .
R e v e r b e r a t i oe
n f f e c t sa r ee s s e n t i afl o r r e c o r d i n ga n d f o r s i m u l a t i n gl a r g e r
p e r f o r m a n c ee n v i r o n m e n t sT. h e l o n g e s tr e v e r t rt i m e i s 4 0 0 O m s .

REV2 Reverb 2 (Small Room)

L I s eT I M E ( 0 - 5 0 ) t o a d j u s tt h e r e v e r bt i m e
L I s eB A L A N C E( 0 - 1 0 ) t o a dj u s t t h e l e r , e lo f t h e r e v e r bs o u n d ,
T h i s s e c o n dr e ' r ' e r b
e f f e c ti s d e s i g n e dt o s i m u l a t et h e s o u n do f a s m a l l
r o o m .T h e l o n g e s rt e v e r bt i m e i s 1 6 O m s .

13 't4

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 PresetProgramsand User Programs Operation

"patr;hes".
T h e 9 0 0 2 h a s m e m o r v l o c ; a t i r i n sf o r 4 0 e f f e c t s p r o g r a m s o r Of Basic operltion
t h e s e , 2 0 a r e p e r m a n e n t p r e - p r o g r a m m e d f a c ; t o r vp r e s e t e f f e c t s ( i n R O M ) .
T h e r e m a i n i n s 2 0 n t e m o r Y l o c t a t i o n sa r e a v a i l a b l e f o r V o t t t o s t o r c V O t r ro \ \ ' n
. Turn on POWER switch.
p a t c h e s ( i n R A M ) . E a c h p r o g r a m o r p a t r ; h r r s u a l l v r ; o m b i n e ss e v e r a l i n d i -
vidual effects. The BANK part of the displav will shon' USER 0, and the PATCH LED 1
r , r , i l l i g h t . T h e P a r a m e t e r V a l u e d i s p l a y a r e a w i l l s h o n , t h e o u t p r - r t1 e v e l
This means that the r;urrentlv selectedpatch is the first (of four) patches in
Presetbanks user bank 0.

T h e f i v e ( 0 t h r o u g h 4 ) p r e s e t b a n k s c o n t a i n p r e - p r o g r a r n n e r l p a t r ; h c st h a t . Call your desired bank and patch.

a r e r e a d r - t o u s e f o r a u ' i d e v a r i e t J ' o f m u s i c ; a la p p l i c a t i o n s . Y o u c a n a d j u s t
t h e p a r a m e t e r r . a l u e so f i n d i v i d u a l e f f e c t s r ' v i t h i n e a c h p a t c h a s v o r - rl i k c .
T h e n v o u r ; a ns t o r e t h e r e s u l t s i n p a t c h e s i n t h e u s e r b a n k s .
(Jser banks
L I s et h e B A N K k e v s ( t l P a n d D O W N ) t o s e l e c ; tl , o u r d e s i r e d b a n k . U s e t h e
P A T C H k e v s ( 1 t h r o u g h 4 ) t o r ; h o o s ea p a t c h w i t h i n t h e b a n k . A s a n
e r a n r p l e .l e t ' s s e l e c t p r e s e t 1 . p a t c h 2 .

T h e c o n t e n t so f t h e p a t c h e si n t h e l i v e ( 0 t h r o u g h 4 ) u s e r b a n k s r ; a nb e
c h a n g e d . Y o u c a n u s e t h e m t o s t o r c \ ' o L l ro \ v n o r i g i n a l p a t r ; h c so r \ r o l l c a n
c o p l p a t r ; h e sf r o m t h e p r e s e t b a r - r k sT. o s t a r t n , i t h , t h e u s e r l l a n k s r ; o r t t a i n DSP
Aduancggjle!91!119!!91:9!9!!g'
c o p i e s o f 2 0 s e l e c t e dp r e s e tp a t c h e s .
: ,=t t-
About the banks I i.,.,,u - t nI
" p a t c h e s . "I i a c h PRESET
l
E a c h f a c t o r v p r e s e tb a r r ko f f e r s a c h o i c e o l f o u r P a t i ; hi s a o o o a o o
c h a i n o I c f f c c t ss p t c i a l l v p r c p u r c t l o r : r e d l ea s P c c i f i cs o t l t t , ol t r [ [ r ' tI J o t ffi
live performance or recording.
F o r e x a m p l e , o n c o f t h e p r e s e t b a n k p a t c h e s c r c - a t t . -asn i n s t a n t l r , r t ' r ; o g t t i z -
'50s
a b l e h e a v v m e t a l s o u n d . A n o t h e r s o u n r l sj u s t l i g h t f o r g o o c lo l d ror;k
and roll.
" c ; h a i n "l i k o
A p a t c h m a v c o n t a i n u p t o s i x c l f c c r t si,n a this:

COMP - DIST - EQ - P I T ( I ( c t r ; . )- DELI- R F I V1 ( t - . t c . )

T h e u s e r b a n k s a r e s e t l r p i n t h c s a m e 1 g s 1 ,f.1 6 1 1 ' s 1 ' e\ri o , u r ; a na t ; t t r a l l l

r : h a n g cr v h a t i s s t u r e d i n t h e u s e r b a n k p a t r ; h c s .( T h e f a t ; t o r v p r c s t : t b a t t k
p a t c i r c sa l n a v s c o f n c u p s o u n r l i n gt h e s a m t . 'c, a r : ht i m t : r ' o r rs c l c t : tt h e r n . ) Selecting patch z in preset bank 1

* D i s p l a v i l l u s t r a t i o n s s h o n ' n h e r e d o n o t n e r ; e s s a r i l vr n a t c h t h o s e d u r i n g a c t u a l u s e .
'l'hev
a r e p r o v i d e d f o r g e n e r a l r e f e r e n c ; eo n l r , .

l ) 16

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 (t ) Prt-.se s i t h e r o f t h e B A N K k e v s s e v c r a l t i m e s a u d n o t i c e h o r , vt h e B A N K
p a r t o f t h e d i s p l a v i n d i c a t e se a c h o f t h e I I S E R ( 0 - 4 ) a n d P R E S E T( 0 - 4 )
banks. Trv settlng it to PRESET1. The bank nurnber rvill flash.
( 2 ) N e x t , s e l e c t v c i u r d e s i r e d p a t c h n u m l l t : r t r r rp r e s s i n g o n e o f t h e f o u r
P A T C H k e v s ( l o c a t e c lb e l o r v t h e B A N K k e v s ) . P r e s st h e P A T C H 2 k e v s o
that its LED lights.Thc bank number rvill stop flashing.
Y o u h a v e n o r v s e l e c t e dp r c s e t b a n k 1 , p a t c h 2 .
Editing
E a c h p a t c h i s a c h a i n o f i n d i v i d u a l e f f e c t s . Y o u c a n s e l e t ; tw h i t ; h i n d i r , i d -
u a l e f f e c t s t o u s e i n a p a t c h . A n d v o r , rc a n a d j u s t t h e p a r a m e t e r s o f e a c h
e f f e c t . Y o r . rc a n a l s o a d j u s t t h e s i g n a l o u t p u t l e v e l o f t h e t o t a l p a t c h .
A p a r a m e t e r i s s i m p l v o n e o f t h e a d j u s t a b l e c h a r a c t e r i s t i c so f t h e e f f e r : t
( s u c h a s " t i m e " i n a d e l a v e f f e c t ) .E a c h e f f e c t h a s d i f f e r e n t a d j u s t a b l e
"Effects
p a r a m e t e r s .R e f e r t o t h e a n d P a r a m e t e r s "s e c t i o n o f t h i s n a n u a l .
Edited patches can be stored in user banks for later use.
T o e d i t a n d s t o r ea p a t c h , v o u f o l l o r v t h e s es t e p s :
L e t ' s t r y e d i t i n g t h e D E L r e f f e c t i n o u r p r e v i o u s l v s e l r : r ; t e dp a t r ; h ( p r e s e t 1 ,
patch 1).
(1) lJsethe CURSOR kevs to move the flashing effect mark to DEL1.
P a r a m e t e r n a m e s D E C A Y , T I M E , a n d B A L A N C E r , r ' i l 1a p p e a r o n t h e
displav.
(2) Of the thrce names, DECAY is flashing. However, iet's adjust the TIME
parameterfirst. Graduailv raise or lon er the position of the control or,er
the TIME indication until TIME startsflashing. (Or prcss the CANCEL kev
t o m o v € rt o t h e n e x t a d j u s t a b l e p a r a m e t e r . )
I l ] ) A f t e r ' I I M E s t a r t s f l a s h i n g , m o r r e m e n to f t h e c o n t r o l w i l l a f f e c t t h e
v a l u e o f t h e T I M E p a r a m e t e r , a s s h o r , v nb 1 ,t h e p a r a m e t e r b a r s a n d t h e
p a r a m e t e r v a l u e r e a d o u t . S l i d e i t a l l t h e r v a 1 ,d o r v n t o m i n i m i z e t h e d e l a ' n '
t i m e . S l i d e i t a l l t h e w a y u p t o s e t d e l a v t i n . r et o t h e m a x i m u l n l e n g t h o f o n e
second.

n,R-|ml
( 1 ) S e l e c t b a n k a n d p a t c h t o s t a r t f r o m ( P r e s e t2 , p a t r ; h 3 . f o r e x a m p l e )

o
CANCEL
(2) Select individual effect (FLA, for example)
(3lAdiust effect parameters(DEPTH and PEAK, for example)

il1|i\l tnl TUNE i

( a ) A d j u s t o u t p u t l e v e l ( T o c o m p e n s a t e f o r i n c r e a s e d o r d e c r e a s e dt o t a l
volume resulting from change in effectsused and/or their readiusted pa- ln- v
U
STORE

u-un
_VALUE I
rameter values) \ > i

(s)Store (Store in user bank 4, patch 1, for exan.rple)

EFFECT

Effect editing procedure

DSP
First. press the ieft or right CURSOR kev to move the flashing effect mark Advanceqf gtgj-q199!9I9999991
until it is above the individual effect that vou want to edit (in the llst of D E C A YI ]IY F I B O L A N C E
I N N
effectsat the bottom of the display).
rrrl
|----- - --l
lrrrll lrr
tBANK
uu
The adjustable parameter names for that effeci will appear belor'r'the thret-' ir-.tiT I
oN
s l i d i n g P A R A M E T E R c o n t r o l s . ( T h e n u m b e r o f a dj u s t a b l e p a r a m e t e r s i s eRESET I
usuallv two or three, depending on the effect.)
(If parameter names do not appear, press the EFFECT ON/OFF kev so that TC

the effect on/off mark turns on.l

One of the parameter names wiil be flashing. Ad just the PARAMETER
c o n t r o l a b o v e t h e f l a s h i n g n a m e . A s v o u s l i d e t h e r ; o n t r o l u p o r d o r , v n .t h e
A c i j u s t i n tgh e T I M E p a r a m e t e r
p a r a m e t e r b a r s ( b e l o r . tt'h e p a r a m e t e r n a m e ) a n d t h e p a r a m e t e r v a l u e
readout in the display will change to indicate the current r,alue (lt'ithin the
p o s s i b l er a n g e ) .

^17 18

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 (4) Next, move the control above the BALANIIE paraneter name. Slide it
all the way down to get the direct sound onlv. At the top position you get
just the delay sound.
(5) Finaliy, adjust the control above the DECAY parametername. This sets
t h e a m o u n t o f f e e d b a c k ( n u m b e r o f r e p e a t s o r e c h o e s ) .A t t h e b o t t o m
position you hear a single repeat. At the top position you get the maxrmttnt
number of repeats.
( 6 ) N o w , u s e t h e C U R S O R k e v s t o s e l e c t o t h e r e f f e c t s ,a n d a d l u s t t h e m i n
the same way.
o u t p u t l e v e l o f t h e s e l e c t e d p a t c h . T h i s m a v b e n e c e s s a r yt o c o m p e n s a t e
f o r c h a n g e si n t o t a l o u t p u t l e v e l r e s u l t i n g f r o m v o u r p a r a m e t e r s e t t i n g s .
T h i s g i v e s y o u c o n t r o l o v e r c h a n g e si n o u t p u t l e v e l t h a t m a y o c c u r r t ' h e n
vou sr,r'itch p a t c h e sw h i l e p c r f o r m i n g .
(1)Use the CURSOR kevs to move the effect mark all the wav to the right of
SFX or to the left of COMP. The bars under the PEAK/BALANCE/PAT-
T E R N d i s p l a v s e c t i o n w i l l s h o r ' vo u t p u t 1 e v e l ,a s r , r , i l lt h e r e a d o u t . O r y o u
can go directlv to the output level adiustment mode by pressingthe
c u r r e n t l y s e l e c t e d P A T C H k e 1 ,6 t u i t .

Undo (2)Adtust the control above the PEAK/BALANCE/PATTERN display

section. Output level is adjustableover a range of 10 to gg, as shorvn in the
To return a patch to its original value, simplv selecta different patch ancl parameter value reador,rt.
t h e n r e t u r n t o t h e o n e t h a t v o u w a n t e d t o r e s e t t o i t s o r i g i n a l v a l r , r e I. n o t h c r
words, if vou switch to another patch without storing the previous one,
Palch storage
a n l ' a d j u s t r n e n t s t h a t v o u m a d e o n t h e p r e v i o r - r so n e u ' i l l b e c a n c e l l e d .
'Io
savevour edited effect patch, follorv these steps.
Output level adjustment
[ 1 ) P r e s st h e S T O R E k e v o n c e . T h e s e l e c t e dB A N K n u m b e r a n d p a t c h L E D
A f t e r a d j r - r s t i n gt h e p a r a m e t e r s o f i n d i v i d u a l e f f e c t s ,v o u c a n a d i u s t t h e
r , r . i l lf l a s h t o i n d i c a t e t h a t v o u a r e i n t h e s t o r a g e m o d e .
(2) tlse the BANK and PATCH kevs to selectthe user bank number and
p a t c h i n t o n h i c h v o u r ' r , ' i s tho s a r , et h e s o u n d . ( Y o r . rc a n n o t u s e a f a c t o r v
preset bank to store edited sor.rnds.)

mt-n
o
CANCEL ( 3 J A t t h i s p o i n t r , ' o uc a n s t i l l p r e s s t h e C A N C E L k e l t o c a n c e l t h e s t o r a g e
oMErRo I mode and return to the statethat existed before vou pressedthe STORE

rQ TUNE
k e v . I f v o r , rd o n o t r , ' , ' i s h
to cancel, go on to step 4, belorv.

ffi,U
I ]
( 4 ) P r e s st h e S T O R E k e v a g a i n a n d t h e B A N K n u m b e r a n d p a t c h L E D r ' r ' i l l
@ tt \-#
-
_VALUF I
stop flashlng and remain lit. This confirms storage.

[ i l

EFFECT cunGG

advanced GuitaT Efrects Processor osP

'="^5
1...., E I
I
o,o,o, a,o, o ,
ffi

Adjusting the output level.

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20

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 Other Functions Specifications

Effect Programs: C o m p r e s s o r ,D i s t o r t i o n , E Q , P i t c h
l Unlng mooe
Shifter, Phaser, Fianger, Chorus,
Delayl, Delay2, Reverbl, Reverb2,SFX
P r e s st h e T U N E k e v o n c e a n d t h e t u n i n g f o r k m a r k w i l l a p p e a r o n t h e
(6 effects can be used at once)
d i s p i a i r . T h e 9 0 0 2 w i l l e m i t a p i t c h o f 4 + O H z .T u n e v o u r A s t r i n g t o t h i s
pitch. If vou want a slightlv higher referencepitch, use the CURSOR kevs Memory: 20 PresetPatches/20User's Patches
t o c h a n g e I o 4 4 1 , H 2o r 4 4 2 H 2 . I n t h e t u n i n g m o d e a l l e f f e c t s t u r n o f f a n d A/D D/A Converter: 16-bit linear
parameter names and indications are not displaved. To return to normal
use, press the TUNE kev again. Inputs: G u i t a r x 1 ( 1l o ", - 1 0 l - 2 O d B m , 4 7 0 k O )
Mixxl(Mini,Stereo)

Metronome mode Outputs: Line x 1 (t/r" Stereo/Mono, -1OdBm,

loko)
P r e s st h e M E T R O k e v o n c e a n d t h e " M E T R O " m a r k n ' i l l a p p e a r o n t h e d i s - H e a d p h o n e sx 2 ( M i n i , S t e r e o )
p 1 a v .T h e m e t r o n o m e L E D w i l l f l a s h i n t i m e t v i t h t h e b e a t r v h i c h i s a d j u s t - Display: 6 0 x 3 0 m m C u s t o mL C D
able over a range of 40 to 250 beats per minute, using the CURSOR kevs. In
t h e m e t r o n o m e m o d e , e f f e c t sr e m a i n o n a n d v o u c a n c h a n g e p a t c h e s ,b u t
Control: Remote
parameter names and indications turn off. To turn off the metronome, Power: RechargeableBattery/AC Adapter
p r e s s t h e M E T R O k e 1 ,a g a i n . F o r l i v e p e r f o r m a n c e , v o u m a v r v a n t j u s t t h e 5 hours initial chargingtime. 3 hours
metronome LED indication and not the audible beat: from the oor,r,er-off use at full charge.
condition, while holding down the METRO ker',turn on the PO\VER
Dimensions: 1 0 2 ( W )x 1 1 e . 5 ( Dx) 3 9 ( H )m m
sr,r'itch.
Weight: 2 B 0 g( 0 . 6 2 I b s . )
Remote control Accessories: R e m o t ec o n t r o l l e r ,A C a d a p t o r ,
Rechargeablebattery x 1,
The supplied remote controller plugs into the 9002 and allows vou to Stereophone plug to stereoRCA phono
selectpatches rvithin the current bank. It does not control bank changing. plug cable x 1
Therefore, when editing, you may wish to use each bank to store up to four
patchesthat will be used togetherwithln the same song. Storing the A l l s p e c i f i c a t i o n s a n d a p p e a r a n c e ss u b j e c t t o c h a n g e w i t h o u t n o t i c e .
p a t c h e s i n t h e s e q u e n c et h a t t h e v w i l i b e s e l e c t e d n ' i l l a d d f u r t h e r c o n v e n -
ience.
T o a t t a c h , u s e t h e t r , v oV e l c r o p a d s . P u t t h e s o f t p a d o n t h e g u i t a r a n d p u t
the one with the rough surfaceon the back of the remote controlier. When
the remote controller is not attached to the guitar, the rough Velr;ro pad
s u r f a c e m a y d a m a g r -c. l o t h i n g - p u t i t i n v o u r g u i t a r c a s e .n o t i n v o u r
pocket.

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