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One art by Elizabeth Bishop is a classic poem with the villanelle format; a five stanza
poem with three lines in each stanza and a final quatrain. Elizabeth uses a regular rhyme scheme
which follows the order ABA. The main theme of the poem is loss; she contemplates about the
art of losing by constructing a list of several common losses including, door keys, houses a
watch, land and finally climaxing at the loss of a loved one. The poem begins with a casual tone
about loss recording the events of loss ironically as a non-disastrous occurrence, but later
culminates in a serious tone with the event of losing a loved one, acknowledging that indeed loss
may be a disaster.
Elizabeth’s poem is contradictory, mixing in the idea that loss is mutable and later
acknowledging that loss is immutable. Elizabeth’s initial catalogue of losses such as the door
keys and names are an expression of regular losses that are hardly felt as disastrous. This is a
creative venture attempting to forget the more important things an individual has lost by equating
them to other little losses in life. Despite losing some essential things in her life such as her
mother’s watch, she puts up a brave face and insisting that the “the art of losing isn’t hard to
master.” (Bishop, 4-3). It indicates that the writer has mastered the art of living with loss to the
extent that it has become a normal occurrence. However, in the last line of the fifth stanza, she
contradicts the initial opinion about loss by admitting that indeed, it may be a disaster, “though it
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may look like (Write it!) Like disaster” (Bishop 5-4).This contradicting statement portrays some
losses as more vital than others and that the art of loss cannot be entirely mastered. While she
may have learnt the art of losing minor things in life, she realizes that the loss of a loved one is
Elizabeth’s One Art is strengthened by a powerful use of different sound patterns that
emphasize on her main theme. As a villanelle poem, the poem has a regular rhyme scheme that
enhances its musical flow. The full end rhyme includes words such as, “master”, “disaster,”
“fluster”, “master,” “faster,” “faster,” “vaster” and “gesture.” They collectively form a regular
rhyme flow with the consistent scheme of ABA, ABA. The flow of the poem is further perfected
by alliteration, a repetition of consonant sounds on the same line. In the third stanza Elizabeth
alliterates the /l/ and /f/ sounds in “losing farther, losing faster.” /l/ sound is further repeated in
the last line of the poem, “it may look like… like disaster.” Her main theme, of loss is highly
influenced by the ironic tone of the poet. The last stanza of the poem end are highly ironic as she
claims that even losing “you” the loved one is not hard not master. But at the end she
acknowledges that is a disaster. The ironic tone shows a contradiction between the art of
mastering loss which she has emphasized from the beginning of the poem and the impossibility
The theme of loss in Elizabeth’s One Art, is almost similar to the portrayal of death in
Eveline’s “Many forms of death.” Like, Elizabeth, Eveline takes of the drama and too much
emotions from the issue of death. Referring to her mother’s death, she says life was better before
her death, but does not necessarily put in too much emotions in grieving. Similarly she lists a
catalogue of losses that are metaphoric of death which include the death of people in her life and
other sad events in her life. Eveline equates the issue of death to the loss of people or separation
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by thinking that leaving to Dublin was like ending her life to those she left behind, this is similar
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