Egyptian art was based on concepts of harmony and balance reflecting the ideal world of the gods. Statues and amulets were crafted beautifully, with statues serving as homes for spirits or gods and amulets providing protection rather than aesthetic beauty. Key periods of Egyptian art included the Early Dynastic Period characterized by sculptures like the Statue of Djoser and the Narmer Palette engraving king Narmer's victory. The Old Kingdom saw greater tomb and temple paintings along with structures like the Great Pyramids and Sphinx. The Middle Kingdom was a high point with sophisticated tombs and artifacts like the exquisite jewelry of King Senusret II.
Egyptian art was based on concepts of harmony and balance reflecting the ideal world of the gods. Statues and amulets were crafted beautifully, with statues serving as homes for spirits or gods and amulets providing protection rather than aesthetic beauty. Key periods of Egyptian art included the Early Dynastic Period characterized by sculptures like the Statue of Djoser and the Narmer Palette engraving king Narmer's victory. The Old Kingdom saw greater tomb and temple paintings along with structures like the Great Pyramids and Sphinx. The Middle Kingdom was a high point with sophisticated tombs and artifacts like the exquisite jewelry of King Senusret II.
Egyptian art was based on concepts of harmony and balance reflecting the ideal world of the gods. Statues and amulets were crafted beautifully, with statues serving as homes for spirits or gods and amulets providing protection rather than aesthetic beauty. Key periods of Egyptian art included the Early Dynastic Period characterized by sculptures like the Statue of Djoser and the Narmer Palette engraving king Narmer's victory. The Old Kingdom saw greater tomb and temple paintings along with structures like the Great Pyramids and Sphinx. The Middle Kingdom was a high point with sophisticated tombs and artifacts like the exquisite jewelry of King Senusret II.
Submitted By: Zainab Ayaz Roll-No: 503-2018 Submitted To: Sir Hamza Submission Date: 23-Decenmber-2020 Topic Name: History of Egyptian Art Egyptian society was based on the concept of Harmony. All Egyptian art is based on perfect balance and reflex the ideal world of gods. Different statue have been crafted very beautifully to serve as a home for spirits or a god. Amulets have been designed not for aesthetic beauty but for the protection purpose.
1. Early Dynastic Period (3100–2685 BC)
Art of this period is known as Narmer Palette which was created to celebrate the unity of upper and Lower Egypt under king Narmer. The victory of king Narmer over his enemies was told through a series of engravings on a siltstone slab that is shaped as Chevron shield. Images of lotus flower, papyrus plants and Djed symbol are worked into the architectures of buildings in both high and low relief. By this time the sculptors had also mastered the art of working in stone to create three dimensional life-sized statues. The statue of Djoser is among the greatest work of art from this period. Fig 1: Statue of Djoser Fig 2: Chevron shield
2. Old Kingdom Art
Tomb and temple paintings were elaborated in this kingdom when central government allow the monumental works like Great pyramid of Giza, the Sphinx. Tomb paintings become increasingly sophisticated but statuary remained static. Art during this period was state mandated which means the king are high ranking nobility order a piece and also dictated its style. Different artist may have had their own vision but they had to create in accordance with their client wishes.
Fig 3: Pyramid of Giza Fig 4: Sphinx
3. Middle Kingdom Art
It is usually regarded as high point of Egyptian culture. The tomb of Mentuhotep II is itself a work of art, sculpted from the cliff near Thebes. The paintings, frescoes, and statuary which accompanied the tomb also reflect a high level of sophistication. Jewelry was also refined at this time with some finest pieces of Egyptian history. A pendent of Senusret II which he gave to his daughter was made by thin gold wires attached to a solid gold backing inlaid with 372 semi-precious stones.
A Manual of Historic Ornament: Treating upon the evolution, tradition, and development of architecture and other applied arts. Prepared for the use of students and craftsmen