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The entire film takes place in a sort of futuristic or Camus-esque structure called “The Hole.”
Hundreds of floors tall, it is a prison in which people are placed on floors two at a time. Every day, a
platform descends through a large hole in the middle of the building, and it’s the only chance for food for
the entire day. On level 1, the prisoners have access to a feast of lovingly prepared dishes. If everyone
only ate a small ration, it could make it all the way to the bottom with something for each prisoner. It
never does. The main protagonist is Goreng which is a stock character, he has volunteered to be in the
Hole to get his hands on that diploma. He claims his favorite food is snails, which metaphysically
represent patience, but also being emotionally distracted. He starts off on level 48. Next is Trimagasi
which is a foil character. Trimagasi is an old man who’s committed the crime of accidentally killing
someone by tossing his TV out of his window in a fit of rage. He chose The Hole over the prison. He’s
been on many other levels and has killed and eaten his floor-mate as there was no other option down there
for the food. Then we have Miharu, a symbolic character who is a mentally disturbed woman who has
been in the Hole for 10 months. We don’t know what happened to Miharu, she is an example of one who
has fallen in the metaphorical sense. She doesn’t talk to anybody, but Trimagasi claims that she’s looking
for her daughter. He also mentions that Miharu murders her floor-mate, hoping to be reunited with her
daughter in the following month. Each month, she descends – searching, hunting. Now, this information
is mostly urban legend as she doesn’t bother speaking to anyone. So it’s unlikely to be the truth. When
she came to the Hole, Miharu was an actress with no children. Her choice of item to bring with her was a
ukulele. It appears that the initial months were very harsh on her, and she lost her mind. She’s vengeful
and has become a self-appointed disrupter of the system. Anyone who gets in her way, she kills. Lastly,
we have Imogouri, a round character, was an employee of the Administration for 25 years. She
interviewed the people who were sent to the Hole. Unfortunately, she developed cancer and lost her fight
against it after 3 years. Hence, she decided to be sent to the Hole to try and be of help. While she thinks
she knew everything about the Hole, it’s gruesome nature is a surprise to her as well. Imoguiri hopes to
instill a spontaneous sense of solidarity to save the Hole’s residents. In the past it was she who selected
both Goreng and Miharu for the Hole. Now that we have discussed the characters, it is now time to
explain the plot. It starts at platform 48. Goreng wakes up on level 48 and meets his floor-mate,
Trimagasi. He initially attempts to get a system of rationing the food but fails miserably and gives up.
Trimagasi explains that the people above have a full stomach and have time to contemplate, which causes
them to commit suicide because there might be no way out. Goreng sees Miharu descending and tries to
help her when the men below assault her but understands that she’s well equipped with self-defense when
she guts the two men. On level 171, the next month, Goreng wakes up in level 171 and finds himself tied
to the bed. Trimagasi explains that hunger makes people go mad and that he will be kind enough to feed
on small pieces of flesh from Goreng, and then tend to his wounds. A week in, Trimagasi begins cutting
Goreng but is attacked and killed by Miharu, who’s passing through. She then treats Goreng’s injuries
and feeds him Trimagasi’s flesh to keep him alive. Miharu knows Goreng tried to help her, and that’s
why she’s being kind to him. Next, level 33, the following month, Goreng wakes up in level 33 with his
new floor-mate, Imoguiri, who unsuccessfully tries to instill solidarity in the levels below to ration the
food. Miharu passes on the platform unconscious, and they nurse her. Unfortunately, Miharu wakes up at
night and feasts on Imoguiri’s dog. Sadly, the sausage dog does turn out to be more sausage than the dog.
The month passes by eventlessly, and Goreng uses fear to force the level below ration food, but that
doesn’t percolate all the way down. Then level 202, In the next month, Goreng wakes up in level 202 and
sees that Imoguiri has hung herself. She assumed there were only 200 levels, but she realizes that she had
the wrong information despite working for the Administration. Although, she doesn’t kill herself because
of that. She was anyway suffering from cancer, and 202 is going to have no food. She leaves her dead
body so that Goreng could survive the month feeding on her. Goreng does just that, and another month
passes by painfully. Lastly in level 6, Goreng wakes up in Level 6 in the following month with a new
floor-mate, a man name Baharat, who’s a man of faith. Baharat tries to climb his way to the top placing
way too much faith in humanity and gets literally sh*t on. After that, Goreng convinces Baharat that they
should just force the rationing by going down on the platform and using power and fear to break the
system. They decide that they will go down 50 floors and start handing out food only from the 51st floor.
The ones on top have had full bellies. Goreng mentions that he counted the time taken for the platform to
shoot back up and calculates about 250 levels (he doesn’t account for the platform not stopping on floors
with no one left alive, so there are way more floors). The remainder of the film is how the descent of
Goreng and Baharat pans out. Sadly, not too well, read on. The theme of the film reflects the ethics of
Capitalism that churns the unequal distribution of wealth which the modern world has entangled itself.
The film perfectly fits the trap society has stuck upon itself with the framework of metaphor, so much so,
the filmmakers struggle to conclude to reach the film. The ending is open for a wide interpretation of
one’s perception.
I liked the originality of the film and how it is brilliantly crafted for it explores selfishness and
mankind’s ability to be cruel in a dark, sobering environment. The film follows this cycle through the
eyes of Goreng (Ivan Massagué) as he learns how to survive in prison. The prison acts as a literal
hierarchy for all prisoners. People treat those a floor below them like trash, smashing a plate or bottle
down on the platform to make it that much harder to get the food safely. Just one floor above Goreng, no
one listens to his pleas to ration the food, so prisoners much lower down have less of a chance to eat and
survive. On lower floors, he looks for food in any available source, like his copy of “Don Quixote” and
the rotting corpses of previous prisoners on the lower levels. While the film tackles greed, it doesn’t feel
as original as previous films. “Cannibal Holocaust” exists to show how people can be terrible if it means
acquiring fame, but many films and shows already use food as a means of survival and power. As far as
acting goes, it’s fine. Every character is believable in this world and builds up tension and drama
properly, but it’s nothing special in itself. In terms of cinematography, the movie has nothing special
either. Despite every floor being somewhat small, several shots are used to convey the rare action
sequence. In dark places, it becomes difficult to figure out what’s going on with nighttime flooding every
floor in a dark red that hides any scars or blood drawn in any fights. “The Platform” is a thrilling film
exploring several concepts. With a number of changing parts throughout the film, it quickly becomes
unpredictable and disturbing. While many people are staying in under quarantine, this film should be used
as a guideline on how not to deal with people and food. People can still act civil and ration resources out
without treating each other like trash or ravaging resources before others have a chance to get them,
especially with the mass demand for many items nowadays.