Professional Documents
Culture Documents
Anusha Sharma
Westcliff University
Professor Bhatta
Art is subjective and there is no specific way to perceive an art. However, there are
various methodological approaches to understand and explain ideas. Here I will be explaining art
The piece of art I have chosen is Les Femmes d’Alger Version O by Pablo Picasso. It
shows a female with full face on almost one third of the picture and deconstructed female body
I can see the chaos on the female body on the way it is represented. It is represented in a
way to show it exists but also not. The full face of the female shows confusion, sadness, and
disappointment. The expression seen is raw and irrational. She has her breasts shown even with
her clothes covering other parts of the body. It could be interpreted as women being vulnerable
and used, to take the representation she wants from the patriarchal society because there is
The power in the art could be seen quite front faced. I could not see the agenda of racism
as such but could easily see oppression through the facial expression and body gestures. Adding
to the oppression is the concealed ideas inside the geometrical structures with incomplete body
parts. Like the western colonizers controlled the colonized in the colonial hegemony, the art
illustrates the reference from the frame to shape oneself. The part of art in the background has a
frame which throws exact situational vibe out of the frame which could be the testimonial to
The picture depicts marginalized idea of post structural fragmented interest. Queer is
heavily influenced by feminist criticism (Lane, 2016). The art gives feminine idea to it, as
discussed above which I believe is already a discriminated topic to discuss on. Trying to
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understand the art from queer perspective, I think the psychological analysis of the character, and
The aspect of feminism and queer are quite similar in this art form giving the idea of
belittled mindset. Post-colonial aspect in the piece of art could be quite understood from the
References
1. Lane, N. (2016). Bringing flesh to theory: Ethnography, black queer theory, and
http://dx.doi.org/10.15767/feministstudies.42.3.0632
their apartment and Malika Mokeddem’s je Dois tout a ton Oubli. (2018, July 13).
boundary 2. https://www.boundary2.org/2018/07/imen-cozzo-a-post-colonial-
feminist-reading-of-assia-djebars-women-of-algiers-in-their-apartment-and-malika-
mokeddems-je-dois-tout-a-ton-oubli/